Alive Drumming aims to provide everyone with studio-quality Song Rhythm Tracks with a musician's player, powerful setlists and the simplest arranger features ever. Check out our Apps on the iOS App Store or our facebook page, or our website alive-drumming.org
We have the world's greatest Song Rhythm Tracks, using Alive Drumming's vast library of artist's authentic interpretations from talented artists across many genres.
Salsa, Samba, Rumba, Mambo, Tango, Rumba, Merengue, Bolero, Bomba, Seis, Afro-Cuban 6/8, Cha-cha-cha, Guaguanco, Batcha, Timba, Son, Montuno, Guaracha 23, Guaracha 32, Mozambique,
Bossa, Jazz Bossa Brushes, Latin Bossa with bongos & percussion
as well as
Jazz, swing, straight 8th, modern, sophisticated, old-time
American Country styles, including Nashville
American Blues, shuffles, hard shuffles, old-time, slow, fast
Techno, various forms
Rock, hard rock, heavy, metal
Pop, straight 8th, straight 16th, slow, medium, fast
jazz, country, folk, latin, rock, pop,
smooth jazz, soul, reggae, Celtic, Bossa, waltz, cha-cha, hip-hop, disco, fusion, funk, praise, techno, march, polka,
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“Cemento, Ladrillo y Arena” – 4 choruses of a user-defined form (as 8|16/8 bars) with an 8-bar intro’ and no ending, using a Son Montuno 32 rhythm at 170 bpm by Alive Drumming published on -
“Yo no Quiero Piedra en me Camino” – 6 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm by Alive Drumming published on -
“Song For Maura” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with an 8-bar intro’ and a 4-bar ending, using a Mambo rhythm at 150 bpm by Alive Drumming published on -
“Mambo Inn” – 3 choruses of 32-bar AABA (as 8|8/8|8 bars) with an 8-bar intro’ and no ending, using a Mambo Latin Jazz rhythm at 190 bpm by Alive Drumming published on -
“El Jamaiquino” – 3 choruses of 24-bar AAB form (as 8|8/8 bars) with an 8-bar intro’ and no ending, using a Guaracha 32 rhythm at 180 bpm by Alive Drumming published on -
“Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm by Alive Drumming published on -
“Samba For Carmen” – 2 choruses of a user-defined form (as 16|16|8 bars) with an 8-bar intro’ and a 6-bar ending, using a Samba rhythm with both drums and percussion at 190 bpm by Alive Drumming published on -
“El Bodeguero” – 3 choruses of 32-bar A1A2 form (as 16|16 bars) with a 4-bar intro’ and an 8-bar ending, using a Cuban Mozambique rhythm at 118 bpm by Alive Drumming published on -
“Longina” – 2 choruses of a user-defined form (as 4|13|20 bars) with a 4-bar intro’ and no ending, using a modern slow Merengue rhythm at 112 bpm by Alive Drumming published on -
“Lamento Esclavo” – A single choruses of 32-bar A1A2 (as 16|16) with a 4-bar intro’ and a 2-bar ending, using a Tango rhythm at 120 bpm by Alive Drumming published on -
“El Guararey de Pastora” – 2 choruses of a user-defined form (as 8|8/10/10 bars) with no intro and an 8-bar ending, using a Songo rhythm at 210 bpm by Alive Drumming published on -
“Pare Cochero” – 2 choruses of a user-defined form (as 8|10|8|10/4/4 bars) with no intro’ or ending sections, using a Cha Cha Cha rhythm at 120 bpm by Alive Drumming published on -
“Calculadoro” – 2 choruses of a user-defined form (as 20|8/8 bars) with no intro’ or ending sections, using a Cha Cha Cha Latin Jazz rhythm at 135 bpm by Alive Drumming published on -
“El arroyo que murmura” – 2 choruses of a user-defined form (as 12|12|6 bars) with no ntro’ or ending sections, using a folk Afro-Cuban 6/8 rhythm at 114 bpm by Alive Drumming published on -
“Chucho” – 3 choruses of 24-bar A1A2 form (as 12|12) with a 2-bar intro’ and a 4-bar ending, using a Mambo Latin Jazz rhythm at 190 bpm by Alive Drumming published on -
“Guarina” – 3 choruses of 40-bar A1A2 form (as 20|20 bars) with a 2-bar intro’ and no ending, using a modern Afro-Cuban 6/8 rhythm at 114 bpm by Alive Drumming published on -
“Me recordaras” – 2 choruses of a 32-bar AABA form (as 8|8/8|8 bars) with a 2-bar intro’ and no ending, using a Songo rhythm at 210 bpm by Alive Drumming published on -
“Maria Cristina” – 3 choruses of a user-defined form (as 18|18/8/8 bars ) with a 2-bar intro’ and no ending, using a Son Medium rhythm at 140 bpm by Alive Drumming published on -
“La Enganadora” – A single chorus of a user-defined form (as 16|10|7 bars) with a 2-bar intro’ and no ending, using a New York Mozambique rhythm at 118 bpm by Alive Drumming published on -
“El que Siembra su maiz” – A single chorus of a user-defined form (as 20|20/8|13/8|13/8|13 bars) with no intro’ or ending sections, using a Son Montuno 32 rhythm at 170 bpm by Alive Drumming published on -
“La Gloria eres tu” – A single chorus of a user-defined form (as 4|8|8|8|12 bars) with no intro’ or ending sections and using a Bolero rhythm at 105 bpm by Alive Drumming published on -
“Mujer ardiente” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with a 16-bar intro’ and no ending, using a very sparse Gypsy Latin rhythm at 110 bpm by Alive Drumming published on -
Leaving On A Jet Plane - A Nashville Pop ballad groove at 65 bpm by Alive Drumming published on -
Raining In My Heart - A Nashville Pop ballad groove at 85 bpm by Alive Drumming published on -
Oh, Lonesome Me - A TexMex Country even 8th rhythm at 100 bpm by Alive Drumming published on -
Blanket On The Ground - A Country even 8th rhythm at 100 bpm by Alive Drumming published on -
Why You Been Gone So Long - a Country Swing rhythm at 145 bpm by Alive Drumming published on -
You've Still Got A Place In My Heart - Nashville Pop Ballad at 65 bpm by Alive Drumming published on -
Somebody Else On Your Mind - a Nashville Hillbilly swing at 120 bpm by Alive Drumming published on -
Cripple Creek - An Easy Bluegrass rhythm at 100 bpm by Alive Drumming published on -
Leaving On A Jet Plane - A Nashville Pop Ballad at 65 bpm by Alive Drumming published on -
You Never Can Tell - Rock Shuffle at 135 bpm by Alive Drumming published on -
One Day At A Time - A Country Waltz rhythm at 55 bpm by Alive Drumming published on -
Miss The Mississippi And You - A Classic Nashville swing waltz at 85 bpm by Alive Drumming published on -
Bye Bye Love - An Nashville Outlaw rhythm at 160 bpm by Alive Drumming published on -
Blue Bayou - A light LA Pop Jazz rhythm at 118 bpm by Alive Drumming published on -
Are You Sincere - A Jazz brushes rhythm at 45 bpm by Alive Drumming published on -
Love Hurts - Country Even 8th rhythm at 75 bpm by Alive Drumming published on -
Cottonfields - Nashville Country Skip rhythm at 140 bpm by Alive Drumming published on -
All I Have To Do Is Dream - Nashville Country Pop Ballad at 85 bpm - by Alive Drumming published on -
Wake Up Little Susie - Nashville Country 2-Beat swinging 8th at 80 bpm - by Alive Drumming published on -
"I Love Paris" - 8-bar intro, 3 choruses of "16|16/16" with an 8-bar ending using a Cha Cha rhythm at 110 bpm Song Rhythm Track by Alive Drumming published on -
8-bar intro', 3 choruses of 36-bar ABC (16/8|12) form using standard Jazz Brushes at 120 bpm by Alive Drumming published on -
8-bar intro', followed by 4 choruses of 32-bar A1A2 form with a 10-bar ending using a bouncy pop rhythm at 130 bpm Song Rhythm Track by Alive Drumming published on -
"All Blues" - 3 choruses of "12|12" form using a Nashville68 rhythm at 110 bpm Song Rhythm Track by Alive Drumming published on -
3 choruses of "12|12/8|12" Blues swinging 8th rhythm at 65 bpm Song Rhythm Tracks by Alive Drumming published on -
"Moon River 3/4" - 3 choruses of "16|22" form 3/4 time ethnic waltz at 120 bpm Song Rhythm Track by Alive Drumming published on -
"Georgia On My Mind" - 8-bar intro' followed by 4 choruses of 32-bar AABA form using a swinging 8th blues rhythm at 65 bpm Song Rhythm Track by Alive Drumming published on -
8-bar intro, 4 choruses of 36-bar AAAC form ("8|8|8|12") using sophisticated Jazz rhythm at 50 bpm Song Rhythm Tracks by Alive Drumming published on -
"Almost Like Being In Love" - 4 choruses of 36-bar ABC form (16/8|12) using a Jazz rhythm at 145 bpm Song Rhythm Track by Alive Drumming published on
