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“Cemento, Ladrillo y Arena” – 4 choruses of a user-defined form (as 8|16/8 bars) with an 8-bar intro’ and no ending, using a Son Montuno 32 rhythm at 170 bpm 3:17 17.307 153 0 0
“Song For Maura” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with an 8-bar intro’ and a 4-bar ending, using a Mambo rhythm at 150 bpm 4:35 811 97 0 0
“Mambo Inn” – 3 choruses of 32-bar AABA (as 8|8/8|8 bars) with an 8-bar intro’ and no ending, using a Mambo Latin Jazz rhythm at 190 bpm 2:16 540 96 0 0
“El Jamaiquino” – 3 choruses of 24-bar AAB form (as 8|8/8 bars) with an 8-bar intro’ and no ending, using a Guaracha 32 rhythm at 180 bpm 1:51 865 96 0 0
“Yo no Quiero Piedra en me Camino” – 3 choruses of a 16-bar Tune (as 8|8 bars) with an 8-bar intro’ and a 10-bar ending, using a Guaracha 32 rhythm at 180 bpm 1:30 700 107 0 0
“Samba For Carmen” – 2 choruses of a user-defined form (as 16|16|8 bars) with an 8-bar intro’ and a 6-bar ending, using a Samba rhythm with both drums and percussion at 190 bpm 2:01 506 106 0 1
“El Bodeguero” – 3 choruses of 32-bar A1A2 form (as 16|16 bars) with a 4-bar intro’ and an 8-bar ending, using a Cuban Mozambique rhythm at 118 bpm 3:43 435 127 0 0
“Longina” – 2 choruses of a user-defined form (as 4|13|20 bars) with a 4-bar intro’ and no ending, using a modern slow Merengue rhythm at 112 bpm 2:55 387 121 0 0
“El Guararey de Pastora” – 2 choruses of a user-defined form (as 8|8/10/10 bars) with no intro and an 8-bar ending, using a Songo rhythm at 210 bpm 1:33 402 119 0 0
“Pare Cochero” – 2 choruses of a user-defined form (as 8|10|8|10/4/4 bars) with no intro’ or ending sections, using a Cha Cha Cha rhythm at 120 bpm 3:03 397 93 0 0
“Calculadoro” – 2 choruses of a user-defined form (as 20|8/8 bars) with no intro’ or ending sections, using a Cha Cha Cha Latin Jazz rhythm at 135 bpm 2:15 402 108 0 0
“El arroyo que murmura” – 2 choruses of a user-defined form (as 12|12|6 bars) with no ntro’ or ending sections, using a folk Afro-Cuban 6/8 rhythm at 114 bpm 2:14 398 89 0 0
“Chucho” – 3 choruses of 24-bar A1A2 form (as 12|12) with a 2-bar intro’ and a 4-bar ending, using a Mambo Latin Jazz rhythm at 190 bpm 1:35 433 116 0 0
“Guarina” – 3 choruses of 40-bar A1A2 form (as 20|20 bars) with a 2-bar intro’ and no ending, using a modern Afro-Cuban 6/8 rhythm at 114 bpm 4:25 407 89 0 0
“Me recordaras” – 2 choruses of a 32-bar AABA form (as 8|8/8|8 bars) with a 2-bar intro’ and no ending, using a Songo rhythm at 210 bpm 1:17 462 127 0 0
“Maria Cristina” – 3 choruses of a user-defined form (as 18|18/8/8 bars ) with a 2-bar intro’ and no ending, using a Son Medium rhythm at 140 bpm 3:05 410 124 0 0
“La Enganadora” – A single chorus of a user-defined form (as 16|10|7 bars) with a 2-bar intro’ and no ending, using a New York Mozambique rhythm at 118 bpm 1:19 403 137 0 0
“El que Siembra su maiz” – A single chorus of a user-defined form (as 20|20/8|13/8|13/8|13 bars) with no intro’ or ending sections, using a Son Montuno 32 rhythm at 170 bpm 2:30 472 105 0 0
“La Gloria eres tu” – A single chorus of a user-defined form (as 4|8|8|8|12 bars) with no intro’ or ending sections and using a Bolero rhythm at 105 bpm 1:40 406 76 0 0
“Mujer ardiente” – 5 choruses of 32-bar A1A2 form (as 16|16 bars) with a 16-bar intro’ and no ending, using a very sparse Gypsy Latin rhythm at 110 bpm 4:47 606 110 0 0