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Let’s address the one bar long elephant in the room. I was recording guitars and just riffing along, oblivious to the world when I reached bar #59 and the bass and drums dropped out. I just kept playing even though I had neglected to put in a place holder to help me stay in time. I had even failed to keep the built in click track on. I just blew threw it as if I was some kind of musician who actually has a good sense of time. Then instead of going back and fixing my dumb ass mistake I left it there. Is it in time? Mostly, yes. Is it good enough for me to live with it, even for a recording that isn’t anything more than a demo? No. So what is a guy working on a mix to do? Well, take the last four beats and flip them around so they play backwards, of course. Problem solved in a manner that Syd Barrett would likely have approved of. Genius level laziness, if I do say so myself.
As for the song as a whole, it’s not too terrible. I had the whole verse section in my head before I started working on it, but I think it was going to be faster and a lot bluesier. I’m not upset that it changed, but I wonder if it could have been better if I’d stuck to the plan.
All of the guitar parts are a Gibson Les Paul Custom and the amps (two amps on every take) were a Fender Bassbreaker 15 and a Vox AC15. The pedal chain for the rhythm parts was a Klon KTR into a Keeley Super Phat Mod. The leads had a Dunlop Crybaby into the Klon into a Malaise Forever Black Lives Matter into a Donner (I think?) Harmonic Square for the down octave effect.
A - G
first glance and you think you have it
no chance you could get it right
its not of this earth
good luck try to figure it out
C - K
feels like it could come together
sit tight till the time is right
of your own making
have fun watching it collapse
Let’s address the one bar long elephant in the room. I was recording guitars and just riffing along, oblivious to the world when I reached bar #59 and the bass and drums dropped out. I just kept playing even though I had neglected to put in a place holder to help me stay in time. I had even failed to keep the built in click track on. I just blew threw it as if I was some kind of musician who actually has a good sense of time. Then instead of going back and fixing my dumb ass mistake I left it there. Is it in time? Mostly, yes. Is it good enough for me to live with it, even for a recording that isn’t anything more than a demo? No. So what is a guy working on a mix to do? Well, take the last four beats and flip them around so they play backwards, of course. Problem solved in a manner that Syd Barrett would likely have approved of. Genius level laziness, if I do say so myself.
As for the song as a whole, it’s not too terrible. I had the whole verse section in my head before I started working on it, but I think it was going to be faster and a lot bluesier. I’m not upset that it changed, but I wonder if it could have been better if I’d stuck to the plan.
All of the guitar parts are a Gibson Les Paul Custom and the amps (two amps on every take) were a Fender Bassbreaker 15 and a Vox AC15. The pedal chain for the rhythm parts was a Klon KTR into a Keeley Super Phat Mod. The leads had a Dunlop Crybaby into the Klon into a Malaise Forever Black Lives Matter into a Donner (I think?) Harmonic Square for the down octave effect.
A - G
first glance and you think you have it
no chance you could get it right
its not of this earth
good luck try to figure it out
C - K
feels like it could come together
sit tight till the time is right
of your own making
have fun watching it collapse
D - H
It could happen
No time like now
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