for @disquiet @djunto Project 0039: Netlabel Derivations

a bit of a technical departure for me -- no granular :)
just playing different cuts of the three tracks in a fixed rhythm, randomly constructed from powers of 2 (naturally). No processing of any sort, just playing backwards and forwards at original speed. (some bass boost added globally in post production to smooth things over. and because we like bass.)

Concatenative synthesis i've heard it called, but prefer to think of it as tape music -- if our forefathers had had unlimited tape heads with direct random access. Come to think of it, it's a nondeterministic polynomial time Turing machine gone .. ill.

P = NP(ill)


Disquiet Junto Project 0039: Netlabel Derivations

This Disquiet Junto project was done as a celebration of the efforts of the Nowaki netlabel, and to support its employment of licenses that allow for derivative works. This track is comprised of three pieces of music: "Irese" by Barascud, "Sumatra" by André D / Christophe Meulien, and "She Likes to Look at the Sky" by Kluge. More on the Nowaki label, and the original versions of these tracks, at

nowaki-music.org

"Irese" from this Barascud's Summit: nowaki-music.org/#album151

"Sumatra" from André D / Christophe Meulien's Archipel nowaki-music.org/#album153

"She Likes to Look at the Sky" from Kluge's No Love, Please. nowaki-music.org/#album130


More on this 39th Disquiet Junto project at:

disquiet.com/2012/09/27/disqui...-remixingnowaki

More details on the Disquiet Junto at: soundcloud.com/groups/disquiet...uiet-junto/info

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