Other all n4tural
Henry Thomas goes to town [disquiet0012-cutpaste]

for soundcloud.com/groups/disquiet...uiet-junto/info #12, orig instructions below

From the Henry Thomas tune, i redacted all the bits with the flute, on a whim.
The remaining 55 seconds were cut up into about one hundred slices with the Sound Finder in Audacity.
Then for reasons of fairness, i wanted to do the same for the fiddle in the Lapchaka tune, .. that didn't leave much :)

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:::::::::::::::::::::::::: BEGIN more details than you wanted but it says so in the Junto FAQ ::::::::::::::::::::::::::

i then let supercollider do the pasting for me;
there are 16 pasters, and i told each to choose a paste frequency from this list:
[ 0.03125, 0.125, 0.25, 0.5, 0.25, 1 ] (times a second)
          ~pasters.do{|i| i.synth.set('gfreq', ((~phases.choose * ~speed)/8).postc)};

i also told them each to choose a slice of either Thomas or Lapchaka
          ~pasters.do{|i, index| if (index%3==0) {i.synth.set('bufnum', ~stomp.choose);}};
          ~pasters.do{|i, index| if (index%3==1) {i.synth.set('bufnum', ~lapchaka.choose);}};
          ~pasters.do{|i, index| if (index%3==2) {i.synth.set('bufnum', ~stomp.choose);}};

and to choose a duration for their paste,:
// either between 1 and 4 ms:
          ~pasters.do{|i, index| if (index%3==0) {i.synth.set('gdur', ((1..4).choose / 100).postc);}};
// or between 8 and 16 ms:
          ~pasters.do{|i, index| if (index%3==1) {i.synth.set('gdur', ((8..16).choose / 100).postc);}};
// or between 16 and 64 ms:
          ~pasters.do{|i, index| if (index%3==2) {i.synth.set('gdur', ((16..64).choose / 100).postc);}};

then i shuffled it around till i liked what i heard, told them all to shut up,
hit record, and then told them to speak up again, in three groups.
i never changed the rhythm during the recording, only told
them to choose different slices every once in while.

          ~pasters.do{|i, index| if (index%3==1) {i.synth.set('bufnum', ~lapchaka.choose);}};
          ~pasters.do{|i, index| if (index%3==1) {i.synth.set('bufnum', ~stomp.choose);}};

          ~pasters.do{|i, index| if (index%3==2) {i.synth.set('mul', 1);}};
          ~pasters.do{|i, index| if (index%3==2) {i.synth.set('bufnum', ~stomp.choose);}};

          ~pasters.do{|i| i.synth.set('bufnum', ~lapchaka.choose)};
          ~pasters.do{|i| i.synth.set('bufnum', ~stomp.choose)};
          ~pasters.do{|i, index| if (index%3==1) {i.synth.set('bufnum', ~lapchaka.choose);}};
          ~pasters.do{|i, index| if (index%3==2) {i.synth.set('bufnum', ~stomp.choose);}};

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man i sure wouldhaveliked to add some boosting here and there, to get a few oomfs and chk-chks,
but such is the nature of the junto, eh.

(i used a very similar process for soundcloud.com/all-n4tural/verletzt
just different numbers, samples, and .. boosting, yay)

Plan: The 12th weekly Junto project requires you to take two existing recordings and to make something new by combining them. You will accomplish this solely by using "cut and paste," and you will only use audio from the two provided source tracks. By "cut and paste" it is meant that you will use segments, however brief or lengthy, in the construction of your track. (You will not .otherwise transform them: i.e., you won't slow, speed, or process them.) This project explores two matters. One is the historically important technique of cut and paste. The other is alternate conceptions of "rural" sensibilities: while both recordings date from 1928, one is from the American south, while the other is a Slovenian folk song.

The two source tracks originally made available at:
archive.org/details/Stomp
archive.org/details/Michael_La...-Rezeda_Czardas

More details on the Disquiet Junto at:
soundcloud.com/groups/disquiet...uiet-junto/info