Fri, 24 Apr 2026 03:17:00 +0200 https://hearthis.at/yawha/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/yawha/ https://img.hearthis.at/5/8/0/_/uploads/8842841/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1499475085.jpg no no https://hearthis.at/yawha/forest-tendrils/
Inspired by the set of Physical Modelling synths from Applied Acoustics Systems @appliedacousticssystems that I picked up this past weekend, this track is made up from instances String Studio for the melodic parts, and percussion mostly from Chromaphone. An excellent set of instruments from AAS! Audiority Polaris supplies the ambience, and Audio Damage Replicant works its magic to groove the beat.]]>
Inspired by the set of Physical Modelling synths from Applied Acoustics Systems @appliedacousticssystems that I picked up this past weekend, this track is made up from instances String Studio for the melodic parts, and percussion mostly from Chromaphone. An excellent set of instruments from AAS! Audiority Polaris supplies the ambience, and Audio Damage Replicant works its magic to groove the beat.]]> 1490564 no no Thu, 03 Aug 2017 01:47:32 +0200 2017-08-03T01:47:32+02:00 7:56 https://hearthis.at/yawha/dignified-drizzle-balmy-birds-naviarhaiku180/
Something calm and restful.

Bass guitar, electric guitar, field recording of a fountain, creative commons for birds recordings off freesound.org and a sample library, free sample pack from soniss for thunder, strings sampler, default "Grand Piano" sampler in Ableton, AAS Swatches and Cakewalk Rapture for synth parts.

Hope you enjoy.]]>
Something calm and restful.

Bass guitar, electric guitar, field recording of a fountain, creative commons for birds recordings off freesound.org and a sample library, free sample pack from soniss for thunder, strings sampler, default "Grand Piano" sampler in Ableton, AAS Swatches and Cakewalk Rapture for synth parts.

Hope you enjoy.]]> 1384556 no no Wed, 21 Jun 2017 04:20:19 +0200 2017-06-21T04:20:19+02:00 7:52 https://hearthis.at/yawha/discombobulated-disco-balls-disquiet-0284/ Make ambient music from the sound of clay bowls.

Based solely on source audio from the artist Chris Kallmyer, who recorded the music using bells and bowls he constructed from clay sourced on the banks of the Mississippi River in St. Louis.

Lots of effects used and abused.
Hope you enjoy!]]> Make ambient music from the sound of clay bowls.

Based solely on source audio from the artist Chris Kallmyer, who recorded the music using bells and bowls he constructed from clay sourced on the banks of the Mississippi River in St. Louis.

Lots of effects used and abused.
Hope you enjoy!]]> 1384557 no no Tue, 13 Jun 2017 04:41:57 +0200 2017-06-13T04:41:57+02:00 5:08 https://hearthis.at/yawha/the-rivers-mist-naviarhaiku178/
the river's mist
helps out the haze...
moonlit night

Inspired by this week's calmly-worded Haiku, I chose to follow a restful engaging path alongside a lakeshore, a waning gibbous moon setting, making way for the restoration of a new day, a new promise. Bird life is prepared, our lives are not. With nothing but myself, I feel the inner warmth in that coldest hour, inner peace in the multitudinous present.

In celebration of my first Naviar Haiku, and given the subject of the track is a Japanese Haiku, I used a clip from Cotorich - the YouTube blogger from Japan, possessing a ethereally dulcet voice.
Her channel: youtube.com/user/cotorich/discussion
Her upload: youtube.com/watch?v=SdSS2rdLHnA
(I have attempted to contact her thru her discussion page on her youtube for permission, but I haven't yet heard back yet... Hope to engage her on this).

Also used a public domain midi file for the final section - Beethoven's Moonlight Sonata.

Instruments used: Synthmaster, Vacuum Pro, Fusor, Ableton's Electric, AirMusicTech MiniGrand.]]>
the river's mist
helps out the haze...
moonlit night

Inspired by this week's calmly-worded Haiku, I chose to follow a restful engaging path alongside a lakeshore, a waning gibbous moon setting, making way for the restoration of a new day, a new promise. Bird life is prepared, our lives are not. With nothing but myself, I feel the inner warmth in that coldest hour, inner peace in the multitudinous present.

In celebration of my first Naviar Haiku, and given the subject of the track is a Japanese Haiku, I used a clip from Cotorich - the YouTube blogger from Japan, possessing a ethereally dulcet voice.
Her channel: youtube.com/user/cotorich/discussion
Her upload: youtube.com/watch?v=SdSS2rdLHnA
(I have attempted to contact her thru her discussion page on her youtube for permission, but I haven't yet heard back yet... Hope to engage her on this).

Also used a public domain midi file for the final section - Beethoven's Moonlight Sonata.

Instruments used: Synthmaster, Vacuum Pro, Fusor, Ableton's Electric, AirMusicTech MiniGrand.]]> 1385146 no no Thu, 08 Jun 2017 04:32:27 +0200 2017-06-08T04:32:27+02:00 19:31 https://hearthis.at/yawha/spacewalk-disquiet0282/
Saw the ISS pass overhead twice last Friday night, against a dark sky - what a spectacle!

Imagined the experience of a spacewalk, an astronaut's tentative steps outside the safety of his craft. Surrounded by the vast marvels of the universe in every direction, with the mundane tools of his trade to hand, the umbilical chord keeps his fragile negligible life tethered to Mother Earth, providing meaning and sustenance for his being, his task. Pirouetting, spinning, graceful tumbling, blinded by sun and stars and the enormity of his insignificance, he must stay grounded, focused, yet humble, passive.

The composer Luciano Berio once said that part of the attraction of some of Bach’s music is in its clear distinction between which notes are "structurally significant" and which are "decorative". So, strong 'lead' parts frame this track, with a middle 16 that features passing decoration.

Synths used: XILS, SynthMaster, Strobe2, UVS-3200.
I read that JM Jarre recorded Oxygene III last year with an imposed restriction of 8 tracks, à-la his original Oxygene album. Since I was going for space vibes, I too imposed a similar regime this week - two drum tracks, and at most six synths playing concurrently. And the filter envelope on the UVS-3200 pad and the lfo-modulated filtered noise osc on the XILS are a nod to what I love in Jarre's original Oxygene album.]]>
Saw the ISS pass overhead twice last Friday night, against a dark sky - what a spectacle!

Imagined the experience of a spacewalk, an astronaut's tentative steps outside the safety of his craft. Surrounded by the vast marvels of the universe in every direction, with the mundane tools of his trade to hand, the umbilical chord keeps his fragile negligible life tethered to Mother Earth, providing meaning and sustenance for his being, his task. Pirouetting, spinning, graceful tumbling, blinded by sun and stars and the enormity of his insignificance, he must stay grounded, focused, yet humble, passive.

The composer Luciano Berio once said that part of the attraction of some of Bach’s music is in its clear distinction between which notes are "structurally significant" and which are "decorative". So, strong 'lead' parts frame this track, with a middle 16 that features passing decoration.

Synths used: XILS, SynthMaster, Strobe2, UVS-3200.
I read that JM Jarre recorded Oxygene III last year with an imposed restriction of 8 tracks, à-la his original Oxygene album. Since I was going for space vibes, I too imposed a similar regime this week - two drum tracks, and at most six synths playing concurrently. And the filter envelope on the UVS-3200 pad and the lfo-modulated filtered noise osc on the XILS are a nod to what I love in Jarre's original Oxygene album.]]> 1385147 no no Tue, 30 May 2017 02:23:09 +0200 2017-05-30T02:23:09+02:00 7:25 https://hearthis.at/yawha/blockchain-808-disquiet0276/ The Assignment: Make 808-style beats based on the blockchain.

The Blockchain is a distributed database that maintains a continuously growing list of ordered records called blocks. Each block contains a timestamp and a link to a previous block. The most well known and original implementation is the Bitcoin Blockchain.

The inspiration for this track was the project image:
http://imgur.com/Ya21ctv

Eight tracks of midi playing into an 808 Drum Rack in Ableton, representing the eight black boxes in the diagram. And three tracks of pitched Snare, Clave and Conga in Ableton Simpler, the purple sub-branches. Some Fracture XT for ambience towards the end of the track.

As each part is introduced, it initially plays 'the wrong' midi notes (random transposition by +/- up-to six semitones), then the chance of random transposition is reduced to zero by automation. Basically just automated the Chance dial of the Ableton Random midi device... Wanted to represent mining bitcoins - the computer works hard to generate valid bitcoins by a complex algorithm that involves lots of calculations with big prime numbers involved - the drum hits fall into place as the program closes in on valid bitcoin results.

Hope you enjoy.]]> The Assignment: Make 808-style beats based on the blockchain.

The Blockchain is a distributed database that maintains a continuously growing list of ordered records called blocks. Each block contains a timestamp and a link to a previous block. The most well known and original implementation is the Bitcoin Blockchain.

The inspiration for this track was the project image:
http://imgur.com/Ya21ctv

Eight tracks of midi playing into an 808 Drum Rack in Ableton, representing the eight black boxes in the diagram. And three tracks of pitched Snare, Clave and Conga in Ableton Simpler, the purple sub-branches. Some Fracture XT for ambience towards the end of the track.

As each part is introduced, it initially plays 'the wrong' midi notes (random transposition by +/- up-to six semitones), then the chance of random transposition is reduced to zero by automation. Basically just automated the Chance dial of the Ableton Random midi device... Wanted to represent mining bitcoins - the computer works hard to generate valid bitcoins by a complex algorithm that involves lots of calculations with big prime numbers involved - the drum hits fall into place as the program closes in on valid bitcoin results.

Hope you enjoy.]]> 1385151 no no Tue, 18 Apr 2017 05:19:54 +0200 2017-04-18T05:19:54+02:00 5:45 https://hearthis.at/yawha/disintegrated-dystopia-disquiet-0274/
The Assignment: Record a piece of music in the genre called "broken sound."

This weekend, decided to do a big track! Lots of abuse of 8 instances of Cakewalk Z3ta (what a great synth!). Quick arpeggios, waveshaping, bit crushing, overdrive, distortion, sample reduction - the intention was noise, chaos, and a frantic pace.
It's not -really- broken sound to my ears tho!

Hope you enjoy.]]>
The Assignment: Record a piece of music in the genre called "broken sound."

This weekend, decided to do a big track! Lots of abuse of 8 instances of Cakewalk Z3ta (what a great synth!). Quick arpeggios, waveshaping, bit crushing, overdrive, distortion, sample reduction - the intention was noise, chaos, and a frantic pace.
It's not -really- broken sound to my ears tho!

Hope you enjoy.]]> 1385153 no no Mon, 03 Apr 2017 04:25:46 +0200 2017-04-03T04:25:46+02:00 7:30 https://hearthis.at/yawha/le-plus-claire-de-soleil-disquiet0273/ Make music for a (new! improved!) slow-waking alarm clock.

I usually wake up in the morning to talk-show radio. On some weekends, when I think of it, I dial the radio alarm clock to RTE Lyric FM - a radio station here in Ireland that mostly features classical music - but also hosts some great jazz, and some significant avante garde stuff (Bernard Clarke's Nova show in particular - http://www.rte.ie/lyricfm/nova/ - check him on soundcloud @bernard-clarke).

It's my weekend treat, to wake to classical music. I reserve that pleasure for the weekends.

So for this Junto, I simply took the best of both - Debussy's Claire de Lune, and an interview on Newstalk radio with Brian O'Driscoll, the celebrated Irish rugby player, recently retired - a fine talent and character...

The gradual ~3 min intro is actually two different public domain midi clips of Claire de Lune I downloaded from internet - one playing a Concert Harp in Air Structure, the other playing the Air MiniGrand piano at a faster tempo. I used the maxforlive device Random_Midi_Supression to randomly select notes from the midi stream to play back on the Harp and Piano, and on an Upright Bass patch I selected the lowest note of the midi stream with HiLoMidiFilter maxforlive device, transposing it to a sensible upright bass octave using the Midi Octave Fold maxforlive device.

Once the 3 min period was up, I simply played the Claire de Lune midi in full into that Harp sampler, and left the bass play the occasional root/lowest note for some low-end substance.

Used a few reverbs and delays here (Amazing Noises Outer Spaces, Audiority GrainSpace, Replika XT, Bloom), automated the mix levels - and some eq and stereo widening from Ozone 7. EQ and two of Ableton's Erosion devices got me lo-fi with the radio sound...

I had worked on some classical parts, and maybe I ought to have stuck with that, but between time, and in homage to the gems Lyric FM has thrown up for me over the years, I instead chose to use midi from the public web.

Hope you enjoy.]]> Make music for a (new! improved!) slow-waking alarm clock.

I usually wake up in the morning to talk-show radio. On some weekends, when I think of it, I dial the radio alarm clock to RTE Lyric FM - a radio station here in Ireland that mostly features classical music - but also hosts some great jazz, and some significant avante garde stuff (Bernard Clarke's Nova show in particular - http://www.rte.ie/lyricfm/nova/ - check him on soundcloud @bernard-clarke).

It's my weekend treat, to wake to classical music. I reserve that pleasure for the weekends.

So for this Junto, I simply took the best of both - Debussy's Claire de Lune, and an interview on Newstalk radio with Brian O'Driscoll, the celebrated Irish rugby player, recently retired - a fine talent and character...

The gradual ~3 min intro is actually two different public domain midi clips of Claire de Lune I downloaded from internet - one playing a Concert Harp in Air Structure, the other playing the Air MiniGrand piano at a faster tempo. I used the maxforlive device Random_Midi_Supression to randomly select notes from the midi stream to play back on the Harp and Piano, and on an Upright Bass patch I selected the lowest note of the midi stream with HiLoMidiFilter maxforlive device, transposing it to a sensible upright bass octave using the Midi Octave Fold maxforlive device.

Once the 3 min period was up, I simply played the Claire de Lune midi in full into that Harp sampler, and left the bass play the occasional root/lowest note for some low-end substance.

Used a few reverbs and delays here (Amazing Noises Outer Spaces, Audiority GrainSpace, Replika XT, Bloom), automated the mix levels - and some eq and stereo widening from Ozone 7. EQ and two of Ableton's Erosion devices got me lo-fi with the radio sound...

I had worked on some classical parts, and maybe I ought to have stuck with that, but between time, and in homage to the gems Lyric FM has thrown up for me over the years, I instead chose to use midi from the public web.

Hope you enjoy.]]> 1385162 no no Tue, 28 Mar 2017 05:02:53 +0200 2017-03-28T05:02:53+02:00 4:29 https://hearthis.at/yawha/trappist-1-disquiet-0272/ Use music to express the relationships between planets.

Recently, scientists announced the discovery of a nearby star system, TRAPPIST-1. Orbiting its ultra-cool dwarf star are seven planets, three in the habitable zone. Remarkably, six of the planets form the longest known chain where each orbits at a resonant frequency of it’s neighbor. From the slowest, the planets orbit at: 1x, 4/3x 2x, 3x, 5x, 8x.

Using those harmonic orbital ratios for relative musical intervals, I created a sequence following those notes (the slowest planet as the root, then fourth, octave, octave and fifth, two octaves and major third, three octaves), dropping the octave of the faster planets for musical sense. I also created a progression that transposed the sequence, by those same musical notes. Finally, I layered some drums, playing those same orbital ratios as a polyrhythmic drum parts for a six-piece drum kit.

As with all my Juntos so far, I am sure it would be possible to improve on this, sonically, given a bit more time. But time constraints are what gets me to a finished track in the first place, so as ever I am thankful to have that discipline enforced on me. Also, I found some great use of many of the (powerful) core Ableton midi devices (for randomisation mostly), and with three MaxForLive devices - Ultimate Step Seq for sequencing the notes, Robert Henke's Note Modulator for transposition of the sequence (which I had to edit in Max to enable 64 step divisions), and RPE by Hyakken for the polyrhythmic drum part. The result was a Project that played itself! No midi clips necessary - start t he note sequencer, transposition sequencer, and drum sequencer, and let them do their thing. As a result, there is no automation here - I simply disengaged the Track Mute buttons to introduce each part. While I could have used more free-running LFOs (in either the synths, or in maxforlive) to add further movement, or indeed automated synth parameters, I think it sounds fine, and kinda retro, clean and as-is.

Synths used: TAL BassLine 101, 2x TAL Uno LX, Synthmaster, Strobe, Vacuum Pro. Drums from Ableton Live drum racks by Goldbaby.

Hope you enjoy.]]> Use music to express the relationships between planets.

Recently, scientists announced the discovery of a nearby star system, TRAPPIST-1. Orbiting its ultra-cool dwarf star are seven planets, three in the habitable zone. Remarkably, six of the planets form the longest known chain where each orbits at a resonant frequency of it’s neighbor. From the slowest, the planets orbit at: 1x, 4/3x 2x, 3x, 5x, 8x.

Using those harmonic orbital ratios for relative musical intervals, I created a sequence following those notes (the slowest planet as the root, then fourth, octave, octave and fifth, two octaves and major third, three octaves), dropping the octave of the faster planets for musical sense. I also created a progression that transposed the sequence, by those same musical notes. Finally, I layered some drums, playing those same orbital ratios as a polyrhythmic drum parts for a six-piece drum kit.

As with all my Juntos so far, I am sure it would be possible to improve on this, sonically, given a bit more time. But time constraints are what gets me to a finished track in the first place, so as ever I am thankful to have that discipline enforced on me. Also, I found some great use of many of the (powerful) core Ableton midi devices (for randomisation mostly), and with three MaxForLive devices - Ultimate Step Seq for sequencing the notes, Robert Henke's Note Modulator for transposition of the sequence (which I had to edit in Max to enable 64 step divisions), and RPE by Hyakken for the polyrhythmic drum part. The result was a Project that played itself! No midi clips necessary - start t he note sequencer, transposition sequencer, and drum sequencer, and let them do their thing. As a result, there is no automation here - I simply disengaged the Track Mute buttons to introduce each part. While I could have used more free-running LFOs (in either the synths, or in maxforlive) to add further movement, or indeed automated synth parameters, I think it sounds fine, and kinda retro, clean and as-is.

Synths used: TAL BassLine 101, 2x TAL Uno LX, Synthmaster, Strobe, Vacuum Pro. Drums from Ableton Live drum racks by Goldbaby.

Hope you enjoy.]]> 1385163 no no Sat, 18 Mar 2017 06:26:46 +0100 2017-03-18T06:26:46+01:00 7:04 https://hearthis.at/yawha/i-saw-her-eyes-disquiet0271/
Bassel Khartabil is a Syrian man, and a distinguished software engineer and open-source contributor. Tomorrow, Wednesday, March 15, 2017, will mark the fifth anniversary of Bassel’s March 15, 2012, detention in Syria. It’s been more than a year since anyone has heard from him.

When asked of this thoughts for ideas for a piece of music in support of his cause, here's what he wrote:
imgur.com/a7QTdN8

I was torn between the seeming hopelessness of his situation, the terrifying thoughts and imagery evoked from his remarkably positively-worded letter, and the slice of blue sky that sheds light and hope on his cause.

I hope to have juxtaposed darkness, fear, and melancholy, diffused by a beacon of light.

Drones created from noodles on Sonic Core Modular IV, orchestral parts by Emulator x3 software sampler. Since Bassel was a strong supporter of open-source software, I decided to pay homage to that, using Creative Commons Zero Attribution recordings of breathing, typing, and mouse clicking, from freesound.org.

I really hope there is the best possible end to this story. My love and strength to those close to Bassel.]]>
Bassel Khartabil is a Syrian man, and a distinguished software engineer and open-source contributor. Tomorrow, Wednesday, March 15, 2017, will mark the fifth anniversary of Bassel’s March 15, 2012, detention in Syria. It’s been more than a year since anyone has heard from him.

When asked of this thoughts for ideas for a piece of music in support of his cause, here's what he wrote:
imgur.com/a7QTdN8

I was torn between the seeming hopelessness of his situation, the terrifying thoughts and imagery evoked from his remarkably positively-worded letter, and the slice of blue sky that sheds light and hope on his cause.

I hope to have juxtaposed darkness, fear, and melancholy, diffused by a beacon of light.

Drones created from noodles on Sonic Core Modular IV, orchestral parts by Emulator x3 software sampler. Since Bassel was a strong supporter of open-source software, I decided to pay homage to that, using Creative Commons Zero Attribution recordings of breathing, typing, and mouse clicking, from freesound.org.

I really hope there is the best possible end to this story. My love and strength to those close to Bassel.]]> 1385164 no no Tue, 14 Mar 2017 04:55:47 +0100 2017-03-14T04:55:47+01:00 5:19 https://hearthis.at/yawha/lonely-duet-befriended-daniel-diaz-yawha-disquiet0270/ Record the second half of a duet.

Since Daniel Diaz did such a wonderful job with the bass part I submitted for last week's Junto, I said I would 'return the favour' as best I could, dueting with his own gorgeous piece on ukulele from last week.

Daniel's submission last week: https://soundcloud.com/daniel-diaz/lonely-duet-uke-disquiet0269

In keeping with the project brief, this is a live bass guitar accompaniment to Daniel's part on ukulele.

Added Soundtoys Crystalizer as an insert on the bass track, mixed in at 5%, into Eventide Blackhole, again at 5% - adds a kind of tuned reverb / pad sound as a background, to accompany the lovely high-pass-filtered reverb Daniel had on his ukulele.

Hope you enjoy. Thanks to Daniel for an inspirational "first half".]]> Record the second half of a duet.

Since Daniel Diaz did such a wonderful job with the bass part I submitted for last week's Junto, I said I would 'return the favour' as best I could, dueting with his own gorgeous piece on ukulele from last week.

Daniel's submission last week: https://soundcloud.com/daniel-diaz/lonely-duet-uke-disquiet0269

In keeping with the project brief, this is a live bass guitar accompaniment to Daniel's part on ukulele.

Added Soundtoys Crystalizer as an insert on the bass track, mixed in at 5%, into Eventide Blackhole, again at 5% - adds a kind of tuned reverb / pad sound as a background, to accompany the lovely high-pass-filtered reverb Daniel had on his ukulele.

Hope you enjoy. Thanks to Daniel for an inspirational "first half".]]> 1385165 no no Sun, 05 Mar 2017 00:29:40 +0100 2017-03-05T00:29:40+01:00 1:50 https://hearthis.at/yawha/bare-metal-cladded/
Original part: https://soundcloud.com/yawha/bare-metal-disquiet0269
Hypoid's opus: https://soundcloud.com/user-651760074/bare-metal-269
Daniel Diaz' oeuvre: https://soundcloud.com/daniel-diaz/bare-metal-dressed

Thanks for listening.]]>
Original part: https://soundcloud.com/yawha/bare-metal-disquiet0269
Hypoid's opus: https://soundcloud.com/user-651760074/bare-metal-269
Daniel Diaz' oeuvre: https://soundcloud.com/daniel-diaz/bare-metal-dressed

Thanks for listening.]]> 1385166 no no Fri, 03 Mar 2017 01:49:30 +0100 2017-03-03T01:49:30+01:00 4:57 https://hearthis.at/yawha/bare-metal-disquiet0269/ This week’s Junto will be the first in an occasional series allowing for asynchronous collaboration. You will be recording something with the understanding that it will be unfinished.

I played the synth part at the start of the track - it's just an FM wavetable with the wave index swept by an LFO in the new Synthmaster One, filter fully open, nothing else going on in the patch. I looped it over a simple drum beat, and noodled on the bass (Aria SB-ELT/RSZ, DI into the computer) for about 10-12 mins. Hit a couple of grooves, which I tried to play in time to the beat. Pulled out the workings-out and took the best bits of each phrase/riff, taking it down to the 3 mins. BPM is 120.

Performance wasn't a single take (obviously!), so I didn't really stick to the project brief. But when jamming out something with someone, it takes a while to work something out - you bounce off their stuff, and they bounce off you... This is the lopsided product of that process.]]> This week’s Junto will be the first in an occasional series allowing for asynchronous collaboration. You will be recording something with the understanding that it will be unfinished.

I played the synth part at the start of the track - it's just an FM wavetable with the wave index swept by an LFO in the new Synthmaster One, filter fully open, nothing else going on in the patch. I looped it over a simple drum beat, and noodled on the bass (Aria SB-ELT/RSZ, DI into the computer) for about 10-12 mins. Hit a couple of grooves, which I tried to play in time to the beat. Pulled out the workings-out and took the best bits of each phrase/riff, taking it down to the 3 mins. BPM is 120.

Performance wasn't a single take (obviously!), so I didn't really stick to the project brief. But when jamming out something with someone, it takes a while to work something out - you bounce off their stuff, and they bounce off you... This is the lopsided product of that process.]]> 1385167 no no Tue, 28 Feb 2017 02:09:50 +0100 2017-02-28T02:09:50+01:00 3:04 https://hearthis.at/yawha/hixory-lovegraphy-overture-disquiet0263/ The Assignment: Produce an overture to an existing album.

Step 1: Download the seven tracks from Hixory’s album Lovegraphy, which was released under a Creative Commons license allowing for non-commercial adaptation by Nenormalizm Records in late 2016. You can access the audio here:
archive.org/details/Hixory
Step 2: Cull a representative segment from each of the tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.

Inspirational album from Hixory, named Lovegraphy, that I had the pleasure of spending three nights with...

I'm not sure if I've done an overture! Not listened to any yet... So this is probably a remix, but of a whole album. I don't mind if it is a remix, cause I believe this has been my first attempt at a .. remix!

I added the kick on every four bars, to sound a bit heartbeat-like, for the album cover, but the rest of what you hear is from the album.

Apologies for the length. I am slipping again! If you have something to say, you should be able to say it in seven mins - and I broke my own rule tonight.

Thanks to Hixory and to Marc Weidenbaum's Disquiet Junto group for putting something as precious as this album in my fumbling paws.]]> The Assignment: Produce an overture to an existing album.

Step 1: Download the seven tracks from Hixory’s album Lovegraphy, which was released under a Creative Commons license allowing for non-commercial adaptation by Nenormalizm Records in late 2016. You can access the audio here:
archive.org/details/Hixory
Step 2: Cull a representative segment from each of the tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.

Inspirational album from Hixory, named Lovegraphy, that I had the pleasure of spending three nights with...

I'm not sure if I've done an overture! Not listened to any yet... So this is probably a remix, but of a whole album. I don't mind if it is a remix, cause I believe this has been my first attempt at a .. remix!

I added the kick on every four bars, to sound a bit heartbeat-like, for the album cover, but the rest of what you hear is from the album.

Apologies for the length. I am slipping again! If you have something to say, you should be able to say it in seven mins - and I broke my own rule tonight.

Thanks to Hixory and to Marc Weidenbaum's Disquiet Junto group for putting something as precious as this album in my fumbling paws.]]> 1385169 no no Mon, 16 Jan 2017 04:48:41 +0100 2017-01-16T04:48:41+01:00 9:28 https://hearthis.at/yawha/2016-annual-disquiet0261/ Create a sonic diary of the past year with a baker's dozen segments in one minute.

OK OK, it wasn't to be a baker's dozen, but that's how it worked out :-)

2016 was definitely a good year. Here's to a great year, 2017!

Hope you enjoy.]]> Create a sonic diary of the past year with a baker's dozen segments in one minute.

OK OK, it wasn't to be a baker's dozen, but that's how it worked out :-)

2016 was definitely a good year. Here's to a great year, 2017!

Hope you enjoy.]]> 1385170 no no Sun, 01 Jan 2017 21:03:49 +0100 2017-01-01T21:03:49+01:00 1:00 https://hearthis.at/yawha/debris-disquiet0257/
In memory of Noisevember just passed, make some noise!

An excerpt from a far longer piece, this is a Reaktor Blocks patch playing behind some 'random' pieces of audio, snippets I built or culled from various sources.

I didn't have much chance this week to work on a track, so this is really a placeholder for something far longer and hopefully more engaging...

Hope you like it.]]>
In memory of Noisevember just passed, make some noise!

An excerpt from a far longer piece, this is a Reaktor Blocks patch playing behind some 'random' pieces of audio, snippets I built or culled from various sources.

I didn't have much chance this week to work on a track, so this is really a placeholder for something far longer and hopefully more engaging...

Hope you like it.]]> 1385172 no no Tue, 06 Dec 2016 05:25:26 +0100 2016-12-06T05:25:26+01:00 2:10 https://hearthis.at/yawha/a-visitation-disquiet0255/ What does the banjo music of the fabled criminal sound like?
disquiet.com/0255/

Thought about what eeriness must reverberate thru the walls of Alcatraz island prison, what Al Capone might himself have heard as he plucked his instrument. Set the scene as a visit to the island, a sensory reliving of the experience.

Banjo from an Emulator X3 sampler patch, various foley parts from various sources, did my usual reverb drenching at the end!

Hope you enjoy...]]> What does the banjo music of the fabled criminal sound like?
disquiet.com/0255/

Thought about what eeriness must reverberate thru the walls of Alcatraz island prison, what Al Capone might himself have heard as he plucked his instrument. Set the scene as a visit to the island, a sensory reliving of the experience.

Banjo from an Emulator X3 sampler patch, various foley parts from various sources, did my usual reverb drenching at the end!

Hope you enjoy...]]> 1385173 no no Sun, 20 Nov 2016 03:41:18 +0100 2016-11-20T03:41:18+01:00 7:52 https://hearthis.at/yawha/the-giant-tortoise-disquiet0253/
Compose a new, personalized doorbell sound.

The Giant Tortoise didn't move quickly. It also tasted delicious. A lethal combination.]]>
Compose a new, personalized doorbell sound.

The Giant Tortoise didn't move quickly. It also tasted delicious. A lethal combination.]]> 1385174 no no Sun, 06 Nov 2016 18:31:32 +0100 2016-11-06T18:31:32+01:00 2:08 https://hearthis.at/yawha/and-what-if-there-was-disquiet0252/
Make music that sounds the same backwards and forwards.
http://disquiet.com/0252/

Noodled out a provocative four-bar vocal part, into a free Soundfont that pytchblend pointed me at (]]>
Make music that sounds the same backwards and forwards.
http://disquiet.com/0252/

Noodled out a provocative four-bar vocal part, into a free Soundfont that pytchblend pointed me at (]]> 1385175 no no Mon, 31 Oct 2016 05:31:00 +0100 2016-10-31T05:31:00+01:00 7:24 https://hearthis.at/yawha/into-wakefulness-disquiet0250/ Make some peaceful music for an infant child.

Project Link:
http://disquiet.com/0250/

Waking up with baby on a warm summer's morning, after a balmy shower has wet the world, to the joy of life.
Baby's head is turned to the side, his delicate neck exposed and visible over the baby grow. Hands loosely clenched, eyelids rest easy.
Deep sleep gives way to movement as the rain falls on the grass, a soothing noise brings fresh earthiness thru the open window.
The shower passes. Curtains let a shard of early low sun cut across to the far wall of the bedroom, behind baby's cot, lighting up the pile of clean vests and socks, and baby's three books.
Baby's hands and eyelids stir, baby scratchwipes his nose and mouth with the back of his hand, as an orchestra of wildlife tunes up in chorus for life and the promise of a new day, the promise of a new life.

Heartbeat an 808 and 606 kick and 606 open hat for some presence.
Drones from Sonic Core modular and Ocean Swift devices.
Lead line four instances of Air Loom.
Very little processing, bit of reverb here and there...

Hope you like it.]]> Make some peaceful music for an infant child.

Project Link:
http://disquiet.com/0250/

Waking up with baby on a warm summer's morning, after a balmy shower has wet the world, to the joy of life.
Baby's head is turned to the side, his delicate neck exposed and visible over the baby grow. Hands loosely clenched, eyelids rest easy.
Deep sleep gives way to movement as the rain falls on the grass, a soothing noise brings fresh earthiness thru the open window.
The shower passes. Curtains let a shard of early low sun cut across to the far wall of the bedroom, behind baby's cot, lighting up the pile of clean vests and socks, and baby's three books.
Baby's hands and eyelids stir, baby scratchwipes his nose and mouth with the back of his hand, as an orchestra of wildlife tunes up in chorus for life and the promise of a new day, the promise of a new life.

Heartbeat an 808 and 606 kick and 606 open hat for some presence.
Drones from Sonic Core modular and Ocean Swift devices.
Lead line four instances of Air Loom.
Very little processing, bit of reverb here and there...

Hope you like it.]]> 1385177 no no Mon, 17 Oct 2016 09:34:47 +0200 2016-10-17T09:34:47+02:00 7:21 https://hearthis.at/yawha/for-an-octogenarian-disquiet0249/ http://disquiet.com/2016/10/06/junto-0249/

From a seed grows a tree, grows a forest.

Used a simple instance of TAL Uno LX, with Chorus 1 and an up-down arpeggiator. Recorded three different five-bar loops of audio. Then duplicated that track, so I had two audio sequences playing. On one track, I used Voxengo Audio Delay plugin - wonderful free tool - automating some movements of the knobs, delaying the audio from the plugin from fractions of a millisecond up to 500 milliseconds. Got some nice phasing with delays of ]]> http://disquiet.com/2016/10/06/junto-0249/

From a seed grows a tree, grows a forest.

Used a simple instance of TAL Uno LX, with Chorus 1 and an up-down arpeggiator. Recorded three different five-bar loops of audio. Then duplicated that track, so I had two audio sequences playing. On one track, I used Voxengo Audio Delay plugin - wonderful free tool - automating some movements of the knobs, delaying the audio from the plugin from fractions of a millisecond up to 500 milliseconds. Got some nice phasing with delays of ]]> 1385178 no no Sun, 09 Oct 2016 06:02:07 +0200 2016-10-09T06:02:07+02:00 6:05 https://hearthis.at/yawha/galactic-party-disquiet0248/
http://llllllll.co/t/music-for-the-galactic-tick-disquiet-junto-project-0248

Taking my cues from Marc's original post to the Disquiet Junto group above, I used the numeric values in the project link above.

Each number in the article appeared close to being a meaningful Hz number.
225 million light years - 220Hz
1/129,600,000 of seconds - 1129Hz
633.7 days - 634Hz
1.74 years - 174Hz

Set four instances of the (super-useful) MOscillator VSTi to those Hz settings, you get a nice microtonal chord...

I started the track with each MOscillator set to the average of the four frequencies - average of 225, 634, 1129, 174 = 540Hz
Then automated each MOscillator from it's starting 540Hz to its Hz value (174, 225, 634, 1129).
Added movement using Rhythmic Gates (A1TriggerGate free vst - great plugin), and Delays and Distortions on Sends.
Went for a nice heavy beat here, at a good foot-tapping BPM (132).

Maybe the Galactic Tick after-party would use this track... :-)]]>
http://llllllll.co/t/music-for-the-galactic-tick-disquiet-junto-project-0248

Taking my cues from Marc's original post to the Disquiet Junto group above, I used the numeric values in the project link above.

Each number in the article appeared close to being a meaningful Hz number.
225 million light years - 220Hz
1/129,600,000 of seconds - 1129Hz
633.7 days - 634Hz
1.74 years - 174Hz

Set four instances of the (super-useful) MOscillator VSTi to those Hz settings, you get a nice microtonal chord...

I started the track with each MOscillator set to the average of the four frequencies - average of 225, 634, 1129, 174 = 540Hz
Then automated each MOscillator from it's starting 540Hz to its Hz value (174, 225, 634, 1129).
Added movement using Rhythmic Gates (A1TriggerGate free vst - great plugin), and Delays and Distortions on Sends.
Went for a nice heavy beat here, at a good foot-tapping BPM (132).

Maybe the Galactic Tick after-party would use this track... :-)]]> 1385179 no no Mon, 03 Oct 2016 13:35:33 +0200 2016-10-03T13:35:33+02:00 3:20 https://hearthis.at/yawha/cherries-disquiet0247/
Make a track based on Lark Piene's drawing, entitled Waltz Maybe.

http://disquiet.com/wp-content/uploads/2016/09/Lark-Piene-Waltz-Maybe-560x165.jpg

Each of my kids seemed to make similar looking characters when learning to draw. The sketch also reminded me of a schoolyard scene. And I have always associated a waltz with this music box that I got from my Grandmother after she died - two birds on a broken branch, rotating on a stand, playing a piece in 3/4 that I have never since identified... I left it on the window sill in my room, and would gladly listen to it when doing school work...

So, it was all a little inevitable I pull out the wonderful DSK Audio Music Box free VST. Had a sample of a ticking watch that I stretched and EQ'ed as the sound of the clock drive mechanism that rotates a music box, and I added a little ambient drum hit towards the end.

Waltz Maybe? Waltz Definitely!

Hope you like it.]]>
Make a track based on Lark Piene's drawing, entitled Waltz Maybe.

http://disquiet.com/wp-content/uploads/2016/09/Lark-Piene-Waltz-Maybe-560x165.jpg

Each of my kids seemed to make similar looking characters when learning to draw. The sketch also reminded me of a schoolyard scene. And I have always associated a waltz with this music box that I got from my Grandmother after she died - two birds on a broken branch, rotating on a stand, playing a piece in 3/4 that I have never since identified... I left it on the window sill in my room, and would gladly listen to it when doing school work...

So, it was all a little inevitable I pull out the wonderful DSK Audio Music Box free VST. Had a sample of a ticking watch that I stretched and EQ'ed as the sound of the clock drive mechanism that rotates a music box, and I added a little ambient drum hit towards the end.

Waltz Maybe? Waltz Definitely!

Hope you like it.]]> 1385180 no no Sun, 25 Sep 2016 00:19:34 +0200 2016-09-25T00:19:34+02:00 2:40 https://hearthis.at/yawha/life-cycles-disquiet0246/
This week was about playing with time.

From http://llllllll.co/t/double-quadruple-sextuple-music-disquiet-junto-project-0246/4549:
Compose a piece of music that increases speed in stages as it proceeds.
...
Per this week’s project number, 0246, the focus is on a sequence of increasing ratios: from doubling (2), to quadrupling (4), to sextupling (6).

Fulfilled the brief anyway!

Track name and artwork inspired by my buddy, who did an Iron Man over the weekend.

Ableton on Windows, TAL Uno LX, Strobe2, Kirnu Cream, not too many effects - basically one instance of ReplikaXT.
Some sweetners on the Master bus - Sausage Fattener, and some EQ and Compression.

Thanks for listening! ]]>
This week was about playing with time.

From http://llllllll.co/t/double-quadruple-sextuple-music-disquiet-junto-project-0246/4549:
Compose a piece of music that increases speed in stages as it proceeds.
...
Per this week’s project number, 0246, the focus is on a sequence of increasing ratios: from doubling (2), to quadrupling (4), to sextupling (6).

Fulfilled the brief anyway!

Track name and artwork inspired by my buddy, who did an Iron Man over the weekend.

Ableton on Windows, TAL Uno LX, Strobe2, Kirnu Cream, not too many effects - basically one instance of ReplikaXT.
Some sweetners on the Master bus - Sausage Fattener, and some EQ and Compression.

Thanks for listening! ]]> 1385182 no no Tue, 20 Sep 2016 03:31:16 +0200 2016-09-20T03:31:16+02:00 7:49 https://hearthis.at/yawha/mountain-disquiet0245/
Did this track too for this week's project: http://llllllll.co/t/make-some-practical-music-disquiet-junto-project-0245/4445/47

The brief was to make some "Practical Music"...
"Write a piece of music for getting things done, suitable for playing on repeat"

I enjoyed putting this track together, I tried to keep interest up and somehow make 7:30 pass quickly while you're 'getting stuff done' (or not..)!

I feel the other track (Valleys between Mountains) is more suited to the brief Junto brief this week.

Ableton 9 on Windows. TAL Bassline 101 only here. Lots of tracks! Effects include Valhalla Ubermod, ReplicaXT, TAL Dub3, Decapitator, Mangleverb and Vapor by Audio Damage. Drums courtesy of two drum rack (one from the Thermionic bundle by Goldbaby, another from the Conundrums library).

Hope you enjoy...]]>
Did this track too for this week's project: http://llllllll.co/t/make-some-practical-music-disquiet-junto-project-0245/4445/47

The brief was to make some "Practical Music"...
"Write a piece of music for getting things done, suitable for playing on repeat"

I enjoyed putting this track together, I tried to keep interest up and somehow make 7:30 pass quickly while you're 'getting stuff done' (or not..)!

I feel the other track (Valleys between Mountains) is more suited to the brief Junto brief this week.

Ableton 9 on Windows. TAL Bassline 101 only here. Lots of tracks! Effects include Valhalla Ubermod, ReplicaXT, TAL Dub3, Decapitator, Mangleverb and Vapor by Audio Damage. Drums courtesy of two drum rack (one from the Thermionic bundle by Goldbaby, another from the Conundrums library).

Hope you enjoy...]]> 1385183 no no Tue, 13 Sep 2016 04:41:17 +0200 2016-09-13T04:41:17+02:00 7:28 https://hearthis.at/yawha/valleys-between-mountains-disquiet0245/
Brief was:
Make Some Practical Music
Write a piece of music for getting things done, suitable for playing on repeat...
http://llllllll.co/t/make-some-practical-music-disquiet-junto-project-0245/4445/1

Ableton 9 on Win 7 32-bit. MaxForLive Turing Machine (encoderaudio.com), into two Pitch midi devices to limit octave spread and produce an unusual "low note threshold" behaviour, into a Midi scale, into FXpansion Strobe2, into FogConvolver (audiothing.net). Touch of bx_limiter on the master bus.
No automation of reverb - it wouldn't make sense to automate reverb parameters, since it places the music in a space, and I wanted the sound to be invariant in its parameters over time, and let the random notes do the job...

In terms of being capable of being played on repeat - well, when you switch on the transport in Ableton, and enable the Turing Machine device on the track, straight away you have something that will forever loop.... So, yeah, it definitely loops!

Could have left this on for hours. And did. But, you'll get the idea here, in 2:30. Take it from me - it is never uninteresting over time! ]]>
Brief was:
Make Some Practical Music
Write a piece of music for getting things done, suitable for playing on repeat...
http://llllllll.co/t/make-some-practical-music-disquiet-junto-project-0245/4445/1

Ableton 9 on Win 7 32-bit. MaxForLive Turing Machine (encoderaudio.com), into two Pitch midi devices to limit octave spread and produce an unusual "low note threshold" behaviour, into a Midi scale, into FXpansion Strobe2, into FogConvolver (audiothing.net). Touch of bx_limiter on the master bus.
No automation of reverb - it wouldn't make sense to automate reverb parameters, since it places the music in a space, and I wanted the sound to be invariant in its parameters over time, and let the random notes do the job...

In terms of being capable of being played on repeat - well, when you switch on the transport in Ableton, and enable the Turing Machine device on the track, straight away you have something that will forever loop.... So, yeah, it definitely loops!

Could have left this on for hours. And did. But, you'll get the idea here, in 2:30. Take it from me - it is never uninteresting over time! ]]> 1385184 no no Tue, 13 Sep 2016 04:23:04 +0200 2016-09-13T04:23:04+02:00 2:34 https://hearthis.at/yawha/i-didnt-get-it-out-disquiet0244/
Remix of three 20-second pieces from net labels. Details of source material below.

Goal for me here was to make something drastically new out of the source material, but not lose the overall vibe I get from the source pieces, which sound dark and difficult to me.

Rough idea before embarking on the track was to make a playable sampler patch from the source audio, and use sections of the audio for rhythm.

Using VSTs: New Sonic Arts Granite, Unfiltered Audio Indent, Pentode Audio TRW-1, Sonic Charge Permut8 and Echobode, Valhalla SpaceModulator, Brainworx bx_limiter.

Bassline - short section of audio in Ableton Simpler, pitched down, low-pass filter, chorus, saturation, distortion.
Rhythm - sliced Zraerza in Ableton Simpler, tapped out beats. Also, made some 1-bar loops from each Audio piece, and let Ableton's Follow Actions sequence them.
Master Bus: Echobode, Space Modulator, and bx_limiter.

Excuse the length. Some day, Ableton will present the length (in mins and secs) of an arrangement - and then I'll be able to preempt my penchant for long tracks before bounce-down. Hopefully, the track will engage you for the full 4:54...

Source Material:
1. The first 20 seconds of “The Station and the Underclass,” performed by the Phonetic Orchestra, based in Geneva.

2. The first 20 seconds of “Cloud Scissors” composed by Lo Wei; performed by Cristián Alvear, Santiago Astaburuaga, Gudinni Cortina, and Rolando Hernández, based in Portugal.

3. The first 20 seconds of “Zraerza,” performed by Geeksha Beka and Berio Molina, based in Spain.

Hope you enjoy!]]>
Remix of three 20-second pieces from net labels. Details of source material below.

Goal for me here was to make something drastically new out of the source material, but not lose the overall vibe I get from the source pieces, which sound dark and difficult to me.

Rough idea before embarking on the track was to make a playable sampler patch from the source audio, and use sections of the audio for rhythm.

Using VSTs: New Sonic Arts Granite, Unfiltered Audio Indent, Pentode Audio TRW-1, Sonic Charge Permut8 and Echobode, Valhalla SpaceModulator, Brainworx bx_limiter.

Bassline - short section of audio in Ableton Simpler, pitched down, low-pass filter, chorus, saturation, distortion.
Rhythm - sliced Zraerza in Ableton Simpler, tapped out beats. Also, made some 1-bar loops from each Audio piece, and let Ableton's Follow Actions sequence them.
Master Bus: Echobode, Space Modulator, and bx_limiter.

Excuse the length. Some day, Ableton will present the length (in mins and secs) of an arrangement - and then I'll be able to preempt my penchant for long tracks before bounce-down. Hopefully, the track will engage you for the full 4:54...

Source Material:
1. The first 20 seconds of “The Station and the Underclass,” performed by the Phonetic Orchestra, based in Geneva.

2. The first 20 seconds of “Cloud Scissors” composed by Lo Wei; performed by Cristián Alvear, Santiago Astaburuaga, Gudinni Cortina, and Rolando Hernández, based in Portugal.

3. The first 20 seconds of “Zraerza,” performed by Geeksha Beka and Berio Molina, based in Spain.

Hope you enjoy!]]> 1385185 no no Sun, 04 Sep 2016 12:43:25 +0200 2016-09-04T12:43:25+02:00 5:08 https://hearthis.at/yawha/its-lonely-out-there-disquiet0243/
My friend pytchblend put me onto Disquiet Junto and the disquiet0243 project, so in memory of Bladerunner and all things Vangelis, I cracked out the big guns! Hardware synths only here, track was played live in one take - left hand playing Ableton Push 2 out to a big multi - two Mutable Instruments Shruthi's, Vermona Lancet, and two Sonic Core Scope Modular IV patches, right hand playing the lead line on Arturia Microbrute. Shade of delay and reverb in Ableton.

Hope you enjoy.]]>
My friend pytchblend put me onto Disquiet Junto and the disquiet0243 project, so in memory of Bladerunner and all things Vangelis, I cracked out the big guns! Hardware synths only here, track was played live in one take - left hand playing Ableton Push 2 out to a big multi - two Mutable Instruments Shruthi's, Vermona Lancet, and two Sonic Core Scope Modular IV patches, right hand playing the lead line on Arturia Microbrute. Shade of delay and reverb in Ableton.

Hope you enjoy.]]> 1385186 no no Tue, 30 Aug 2016 02:56:23 +0200 2016-08-30T02:56:23+02:00 3:08 https://hearthis.at/yawha/footsteps/
Assignment 3 for the Ableton course I took in 2015. Recorded myself playing bass guitar along to a funky drum loop, chose the best improvisations, added midi parts to fit the grooves. Wanted to make something jazzy, kinda 70's vibes, yet with modern progressive feel.

Please leave a comment.]]>
Assignment 3 for the Ableton course I took in 2015. Recorded myself playing bass guitar along to a funky drum loop, chose the best improvisations, added midi parts to fit the grooves. Wanted to make something jazzy, kinda 70's vibes, yet with modern progressive feel.

Please leave a comment.]]> 1385187 no no Sat, 23 Apr 2016 05:25:00 +0200 2016-04-23T05:25:00+02:00 7:36 https://hearthis.at/yawha/take-me-there/
Assignment 2 for the Ableton course I did in 2015. Movement was the key here, creating a piece that engages you the listener on a journey thru a confused dystopia.

This one was a lot of fun to put together.
Please leave a comment.]]>
Assignment 2 for the Ableton course I did in 2015. Movement was the key here, creating a piece that engages you the listener on a journey thru a confused dystopia.

This one was a lot of fun to put together.
Please leave a comment.]]> 1385190 no no Fri, 22 Apr 2016 23:38:56 +0200 2016-04-22T23:38:56+02:00 13:50 https://hearthis.at/yawha/boost-boast/
Did a course on using Ableton in early 2015, here's Assignment 1 - a house track with stock Ableton sounds.

Crisp house beats infused with tea.

Please leave a comment.]]>
Did a course on using Ableton in early 2015, here's Assignment 1 - a house track with stock Ableton sounds.

Crisp house beats infused with tea.

Please leave a comment.]]> 1385191 no no Fri, 22 Apr 2016 23:36:45 +0200 2016-04-22T23:36:45+02:00 4:52 https://hearthis.at/yawha/taste-and-see/
Hardware synths again, the Microbrute taking the lead line, with Scope Modular IV and Flexor patch adding the sparkle (sonic-core.net).

Please leave a comment.]]>
Hardware synths again, the Microbrute taking the lead line, with Scope Modular IV and Flexor patch adding the sparkle (sonic-core.net).

Please leave a comment.]]> 1385193 no no Fri, 22 Apr 2016 23:36:10 +0200 2016-04-22T23:36:10+02:00 4:50 https://hearthis.at/yawha/out-of-fear/
Found a happy place with some Sample and Hold action out of fear.

Please leave a comment.]]>
Found a happy place with some Sample and Hold action out of fear.

Please leave a comment.]]> 1385196 no no Fri, 22 Apr 2016 23:32:59 +0200 2016-04-22T23:32:59+02:00 7:20 https://hearthis.at/yawha/ring-a-rosie/ I caught them, up late. "Lights out!".

Please leave comment.]]> I caught them, up late. "Lights out!".

Please leave comment.]]> 1385198 no no Fri, 22 Apr 2016 23:30:32 +0200 2016-04-22T23:30:32+02:00 1:13 https://hearthis.at/yawha/oppression/
You can make nice sounds by pushing digital processors hard too.

Please leave a comment.]]>
You can make nice sounds by pushing digital processors hard too.

Please leave a comment.]]> 1385199 no no Fri, 22 Apr 2016 23:27:48 +0200 2016-04-22T23:27:48+02:00 2:49 https://hearthis.at/yawha/look-left-right-look-behind/
Few of my hardware synths playing a nice little tune.

Please leave a comment.]]>
Few of my hardware synths playing a nice little tune.

Please leave a comment.]]> 1385200 no no Fri, 22 Apr 2016 23:26:17 +0200 2016-04-22T23:26:17+02:00 2:18 https://hearthis.at/yawha/ar-bs/ 1385201 no no Thu, 18 Sep 2014 00:26:02 +0200 2014-09-18T00:26:02+02:00 2:59