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	<title><![CDATA[Worldklock]]></title>
	<link>https://hearthis.at/xvfm3hfn/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Worldklock]]></itunes:subtitle>
	<itunes:author><![CDATA[Worldklock]]></itunes:author>
	<googleplay:author><![CDATA[Worldklock]]></googleplay:author>
	<itunes:summary><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></itunes:summary>
	<googleplay:description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></googleplay:description>
	<description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Worldklock]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
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      <title>Worldklock</title>
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        <item>
            <title><![CDATA[Solo Crossing [1981]]]></title>
            <link>https://hearthis.at/xvfm3hfn/solo-crossing-1981/</link>
            <itunes:author><![CDATA[Worldklock]]></itunes:author>
            <description><![CDATA[1981 piece - manipulated & backwards Fender Rhodes and Oberheim TVS-1, 2-voice analog synthesizer. ]]></description>
            <googleplay:description><![CDATA[1981 piece - manipulated & backwards Fender Rhodes and Oberheim TVS-1, 2-voice analog synthesizer. ]]></googleplay:description>
            <itunes:summary><![CDATA[1981 piece - manipulated & backwards Fender Rhodes and Oberheim TVS-1, 2-voice analog synthesizer. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/5/9/_/uploads/56945/image_track/825528/w1400_h1400_q70_ptrue_v2_----cropped_eda248003119fc34ea392b17f3403c6a_1459721955.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Wed, 01 Apr 1981 00:00:00 +0200</pubDate>
                
                <atom:updated>1981-04-01T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>3:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[[Triptych; Right Panel] Walkin' Lucky]]></title>
            <link>https://hearthis.at/xvfm3hfn/triptych-right-panel-walkin-lucky/</link>
            <itunes:author><![CDATA[Worldklock]]></itunes:author>
            <description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></description>
            <googleplay:description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/g/n/i/_/uploads/56945/image_track/750562/w1400_h1400_q70_ptrue_v2_----cropped_f965be80ced31aa6987397bd8ff72a72tin-walking.jpg" />
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                <pubDate>Sun, 28 Feb 2016 22:05:05 +0100</pubDate>
                
                <atom:updated>2016-02-28T22:05:05+01:00</atom:updated>
                
            
            
            <itunes:duration>9:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[World Piece [Remaster]]]></title>
            <link>https://hearthis.at/xvfm3hfn/world-piece-remaster/</link>
            <itunes:author><![CDATA[Worldklock]]></itunes:author>
            <description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></description>
            <googleplay:description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/s/u/n/_/uploads/56945/image_track/742905/w1400_h1400_q70_ptrue_v2_----cropped_a0c6a5c0b9d35aaa718e54626f382fd8array-moon-venus.jpg" />
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                <pubDate>Thu, 25 Feb 2016 00:24:05 +0100</pubDate>
                
                <atom:updated>2016-02-25T00:24:05+01:00</atom:updated>
                
            
            
            <itunes:duration>2:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Globe]]></title>
            <link>https://hearthis.at/xvfm3hfn/globe/</link>
            <itunes:author><![CDATA[Worldklock]]></itunes:author>
            <description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></description>
            <googleplay:description><![CDATA[Mojo Worker.
I was a Blues Piano Player deep in Chicago's South and West-sides in 1967-69. As a member of "Sam Lay and the Mojo Workers" (Sam was drummer in Dylan's first electric group), we played clubs like Pepper's, the L&H Lounge, Mother Blue's and the Key Largo. Folks would often come by and sit-in with us (the clubs were open 'til 5:00 am) - Cotton, Koko, Butter' and Bloomfield. What a big time we had.
Experiments with sound since 1975 have naturally evolved into a varied sonic array - examples of which I will present here for you. I've long ago come to the realization that these pieces are, certainly at present, for a very select, adventurous few; and that acceptance and comprehension of the new is not in everyone's playbook - the great majority rather finding comfort and security in the warm embrace of the mundane. I hope you are among the few.
Your comments are welcome.
Enjoy.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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            <guid isPermaLink="false">198735</guid>
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                <pubDate>Sat, 18 Apr 2015 00:27:55 +0200</pubDate>
                
                <atom:updated>2015-04-18T00:27:55+02:00</atom:updated>
                
            
            
            <itunes:duration>5:11</itunes:duration>
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        <item>
            <title><![CDATA[May Meditation (False Dichotomy)]]></title>
            <link>https://hearthis.at/xvfm3hfn/may-meditation/</link>
            <itunes:author><![CDATA[Worldklock]]></itunes:author>
            <description><![CDATA[Exploring the Valley of Darkness, hugging the scarred fault binding right and left dream states, applying torque here & there with my blues tools.]]></description>
            <googleplay:description><![CDATA[Exploring the Valley of Darkness, hugging the scarred fault binding right and left dream states, applying torque here & there with my blues tools.]]></googleplay:description>
            <itunes:summary><![CDATA[Exploring the Valley of Darkness, hugging the scarred fault binding right and left dream states, applying torque here & there with my blues tools.]]></itunes:summary>
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Mon, 13 Apr 2015 06:39:56 +0200</pubDate>
                
                <atom:updated>2015-04-13T06:39:56+02:00</atom:updated>
                
            
            
            <itunes:duration>3:45</itunes:duration>
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