Fri, 24 Apr 2026 04:02:40 +0200 https://hearthis.at/wn4ndyzj/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/wn4ndyzj/ https://img.hearthis.at/o/g/o/_/uploads/24595/image_user/w1400_h1400_q70_ptrue_v2_----cropped_5e8f5beae5c399133c555344eaa8506elolologo.jpg no no https://hearthis.at/wn4ndyzj/apobbarry-adamson-people-like-us-apob-ruined-it-mix/ 1476794 no no Sat, 05 Aug 2017 02:16:48 +0200 2017-08-05T02:16:48+02:00 4:15 https://hearthis.at/wn4ndyzj/apob-paper-lanterns-disquiet0291/
By coincidence, I have 12 paper lanterns as lighting in my studio (see cover image). I use 6w warm LED globes, which gives a nice diffuse light. When the studio gear gets warm, the lights gently move back and forth on the warm air currents. Often feel kind of shoegazey when I watch them move about. :D Too much acid in the late 80's early 90's perhaps. With that in mind I wanted to make a short piece that was kind of woozy and swaying with a diffused sound.

Track was recorded in Logic, soft synth "guitar" sounds processed through outboard gear, Korg A1, Yamaha SPX90 and a Roland DEP5. Drums programmed in Strike. Modo Bass for bass.]]>
By coincidence, I have 12 paper lanterns as lighting in my studio (see cover image). I use 6w warm LED globes, which gives a nice diffuse light. When the studio gear gets warm, the lights gently move back and forth on the warm air currents. Often feel kind of shoegazey when I watch them move about. :D Too much acid in the late 80's early 90's perhaps. With that in mind I wanted to make a short piece that was kind of woozy and swaying with a diffused sound.

Track was recorded in Logic, soft synth "guitar" sounds processed through outboard gear, Korg A1, Yamaha SPX90 and a Roland DEP5. Drums programmed in Strike. Modo Bass for bass.]]> 1476791 no no Sat, 05 Aug 2017 02:14:43 +0200 2017-08-05T02:14:43+02:00 2:40 https://hearthis.at/wn4ndyzj/apob-clustard-disquiet0275/ The Assignment: Make a track all over again.

This week I'm going way back to disquiet0137 "Old Time Electronica", (my favourite disquiet project). For DJ137 I made a track called "Cluster Fudge". In the process of making that track I came up with a load of material and ideas that I intended to use in other projects. I made a start on a number of tracks, finishing two. Shortly after finishing the second track on my laptop, the hard drive died. I lost the finished track but had many of the components on my main system and a fragment of the track as a sketch at the end of another project file. For two years Ive been meaning to recreate it, this weeks project has given me the impetus to try again.

The result is close to the original, the key elements are the same, the mix is about right but it feels just a little different to my memory of it.

For context, Dj137 is here:
https://soundcloud.com/klaatuberada/lolo-cluster-fudge

and the first track I completed using the same techniques as DJ137 is here:
https://soundcloud.com/klaatuberada/lolo-fudging

Disquiet Junto Project 0275: Revisit Something
The Assignment: Make a track all over again.

Step 1: Consider pieces of music you have completed in the recent past.

Step 2: Select one — perhaps you weren’t happy with it, perhaps it felt unfinished, perhaps it took too much time, perhaps you wish you’d spent more time on it.

Step 3: Do it all over again, from scratch — preferably from memory (that is, don’t go back and listen to it).

Step 4: Then compare the two. When uploading the track you completed in Step 3, please where possible include a link to the original track so other people might compare the two as well.]]> The Assignment: Make a track all over again.

This week I'm going way back to disquiet0137 "Old Time Electronica", (my favourite disquiet project). For DJ137 I made a track called "Cluster Fudge". In the process of making that track I came up with a load of material and ideas that I intended to use in other projects. I made a start on a number of tracks, finishing two. Shortly after finishing the second track on my laptop, the hard drive died. I lost the finished track but had many of the components on my main system and a fragment of the track as a sketch at the end of another project file. For two years Ive been meaning to recreate it, this weeks project has given me the impetus to try again.

The result is close to the original, the key elements are the same, the mix is about right but it feels just a little different to my memory of it.

For context, Dj137 is here:
https://soundcloud.com/klaatuberada/lolo-cluster-fudge

and the first track I completed using the same techniques as DJ137 is here:
https://soundcloud.com/klaatuberada/lolo-fudging

Disquiet Junto Project 0275: Revisit Something
The Assignment: Make a track all over again.

Step 1: Consider pieces of music you have completed in the recent past.

Step 2: Select one — perhaps you weren’t happy with it, perhaps it felt unfinished, perhaps it took too much time, perhaps you wish you’d spent more time on it.

Step 3: Do it all over again, from scratch — preferably from memory (that is, don’t go back and listen to it).

Step 4: Then compare the two. When uploading the track you completed in Step 3, please where possible include a link to the original track so other people might compare the two as well.]]> 1416362 no no Sat, 15 Jul 2017 03:09:57 +0200 2017-07-15T03:09:57+02:00 5:32 https://hearthis.at/wn4ndyzj/apob-tan-lines-version-4/ 1416209 no no Sat, 15 Jul 2017 02:52:34 +0200 2017-07-15T02:52:34+02:00 6:00 https://hearthis.at/wn4ndyzj/apob-jarimichi-gensoku-slow-gravel-roaddisquiet0268/
Disquiet Junto Project 0268: Walking Music

I revisited a piece I recorded two years ago for this weeks project as it is an improbably perfect fit. The original track was recorded after taking a walk along a gravel path in a park in Melbourne during winter time, reminiscing about winter strolls through parks in Japan.

The track consists of three simple partial-chord sequences which repeat over different durations, creating accidental overlaps, near collisions and harmonies. Each section is fed into a chain of effects to create a responsive background shimmer. It also features a field recording of children playing after school made in Inokashira Park in Mitaka, western Tokyo, Japan, in late November 2010. I made the recording after an afternoon visit to the Ghibli Anime Studio museum located in the park.

The original has been remixed and remastered.

Disquiet Junto Project 0268: Walking Music

Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.

Step 1: This week’s project pays tribute to Jiro Taniguchi, the great Japanese manga creator whose numerous works include an adaptation of a Natsume Sōseki novel, dark crime stories, and a widely celebrated and largely dialog-free volume titled The Walking Man. The Walking Man in particular is the inspiration for this week’s Junto project. Taniguchi died on February 11, 2017, at the age of 69.

Step 2: Take a leisurely stroll and record — whether through sound or observation, or both – what you see and experience.

Step 3: Create a short piece of music that reflects the route and experiences of your walk in Step 2.]]>
Disquiet Junto Project 0268: Walking Music

I revisited a piece I recorded two years ago for this weeks project as it is an improbably perfect fit. The original track was recorded after taking a walk along a gravel path in a park in Melbourne during winter time, reminiscing about winter strolls through parks in Japan.

The track consists of three simple partial-chord sequences which repeat over different durations, creating accidental overlaps, near collisions and harmonies. Each section is fed into a chain of effects to create a responsive background shimmer. It also features a field recording of children playing after school made in Inokashira Park in Mitaka, western Tokyo, Japan, in late November 2010. I made the recording after an afternoon visit to the Ghibli Anime Studio museum located in the park.

The original has been remixed and remastered.

Disquiet Junto Project 0268: Walking Music

Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.

Step 1: This week’s project pays tribute to Jiro Taniguchi, the great Japanese manga creator whose numerous works include an adaptation of a Natsume Sōseki novel, dark crime stories, and a widely celebrated and largely dialog-free volume titled The Walking Man. The Walking Man in particular is the inspiration for this week’s Junto project. Taniguchi died on February 11, 2017, at the age of 69.

Step 2: Take a leisurely stroll and record — whether through sound or observation, or both – what you see and experience.

Step 3: Create a short piece of music that reflects the route and experiences of your walk in Step 2.]]> 1416176 no no Sat, 15 Jul 2017 02:49:06 +0200 2017-07-15T02:49:06+02:00 3:40 https://hearthis.at/wn4ndyzj/apob-music-for-metronomes-disquiet0267/
While I was listening back through some old recordings for inspiration, I found a file titled "CS70M - Needs Metronome". Seemed like a serendipitous find so I decided that I had to use it as the basis for the project irrespective of what it sounded like. It was horrible. It was a few random notes played into the CS70M's sequencer, looping over and over while I was fiddling with the ring mod and filter controls. After a bit I also started playing a few random notes on the upper split, pitch bending and doing some other rubbish. Anyway it sounded pretty naff but I'd decide to use it, so I had to make something of it.

The original file was imported into Logic Pro X, tempo adjusted to match the file (60.6990BPM). The audio was fed into two separate buses, each with a different processing chain consisting of vocoders, reverbs, eq's, delays and dynamics. This created a kind of dronescape based around Eb.

I started to jam around with a bass part, with variations in different sections to try out different ideas. Metronome like analog drum beats for rhythm and various other instruments added. I came up with 6 ideas that seemed to flow into each other. Rather than focus on one idea I kept them all together, ending up with more of a "suite" rather than a theme for the Metronomic Society. :D

If anyones feeling particularly self loathing and wants to endure the original CS70M recording you can hear snippets of the original and how it sounded after being processed here: https://soundcloud.com/klaatuberada/music-for-metronomes-drone/s-r9nJ3

Create a theme song for a fictional organization.

Step 1: There’s a fascinating book from 1988 titled The Metronomic Society. Written by the Michael Young, it is an academic study of the rhythms of human existence, with an emphasis on organization and societal systems. It’s not necessary to read it. It’s just helpful to know where we’re borrowing the term from.

Step 2: Imagine there is an actual group called the Metronomic Society. You might also imagine what they’re up to. Maybe it’s a Man Ray fan club, or a bunch of disgruntled piano tuners, or maybe they explore arcane theories about quantum mechanics. Who knows?

Step 3: Now compose and record a short piece of music — a sound cue, a theme, a sound logo, a jingle — for the Metronomic Society.]]>
While I was listening back through some old recordings for inspiration, I found a file titled "CS70M - Needs Metronome". Seemed like a serendipitous find so I decided that I had to use it as the basis for the project irrespective of what it sounded like. It was horrible. It was a few random notes played into the CS70M's sequencer, looping over and over while I was fiddling with the ring mod and filter controls. After a bit I also started playing a few random notes on the upper split, pitch bending and doing some other rubbish. Anyway it sounded pretty naff but I'd decide to use it, so I had to make something of it.

The original file was imported into Logic Pro X, tempo adjusted to match the file (60.6990BPM). The audio was fed into two separate buses, each with a different processing chain consisting of vocoders, reverbs, eq's, delays and dynamics. This created a kind of dronescape based around Eb.

I started to jam around with a bass part, with variations in different sections to try out different ideas. Metronome like analog drum beats for rhythm and various other instruments added. I came up with 6 ideas that seemed to flow into each other. Rather than focus on one idea I kept them all together, ending up with more of a "suite" rather than a theme for the Metronomic Society. :D

If anyones feeling particularly self loathing and wants to endure the original CS70M recording you can hear snippets of the original and how it sounded after being processed here: https://soundcloud.com/klaatuberada/music-for-metronomes-drone/s-r9nJ3

Create a theme song for a fictional organization.

Step 1: There’s a fascinating book from 1988 titled The Metronomic Society. Written by the Michael Young, it is an academic study of the rhythms of human existence, with an emphasis on organization and societal systems. It’s not necessary to read it. It’s just helpful to know where we’re borrowing the term from.

Step 2: Imagine there is an actual group called the Metronomic Society. You might also imagine what they’re up to. Maybe it’s a Man Ray fan club, or a bunch of disgruntled piano tuners, or maybe they explore arcane theories about quantum mechanics. Who knows?

Step 3: Now compose and record a short piece of music — a sound cue, a theme, a sound logo, a jingle — for the Metronomic Society.]]> 1416095 no no Sat, 15 Jul 2017 02:44:25 +0200 2017-07-15T02:44:25+02:00 7:30 https://hearthis.at/wn4ndyzj/apob-dumptruck/ 1416006 no no Sat, 15 Jul 2017 02:39:54 +0200 2017-07-15T02:39:54+02:00 4:28 https://hearthis.at/wn4ndyzj/apob-sorbet-12/ 1415885 no no Sat, 15 Jul 2017 02:33:23 +0200 2017-07-15T02:33:23+02:00 5:23 https://hearthis.at/wn4ndyzj/apob-vanilla/ 1147068 no no Tue, 20 Dec 2016 09:41:21 +0100 2016-12-20T09:41:21+01:00 4:20 https://hearthis.at/wn4ndyzj/apob-versailles/ 1051157 no no Mon, 03 Oct 2016 06:25:38 +0200 2016-10-03T06:25:38+02:00 9:02 https://hearthis.at/wn4ndyzj/lolo-lolo-snoozer/ Interpret as a graphic score an illustration drawn upon waking by Lark Pien.

Step 1: Look at this illustration drawn upon waking by Lark Pien. It’s titled “Waltz, Maybe.” When she posted it online, she said, “woke up to music, drew it quickly”:

goo.gl/djQ31Y

Step 2: Record a short piece of music interpreting the illustration as a graphic score.

My response to this weeks project is not literal, I didn't use the image as a musical score per se, it suggests to me a choreography, a choreography in need of a sound track. I started simple, and then just ran with it until it felt finished. As a result its a bit longer than specified.

I woke up to music this morning, some vague melodies drifting through my mind. I picked up my phone a checked my emails. As I read the Disquiet project email I still had these little melodies going around. Reading the project description, seeing the image created by Lark Pien, it resonated with my own morning experience. The little tunes in my head seemed to form a soundtrack to the little visual narrative suggested to me by the illustration.

I saw in this image a lonely figure, lost in a reverie, dancing, imagining that some lost or remote loved one was dancing with them. At some point in the narrative, the reverie is broken (the figure with hands over their eyes) and the figure realises they're on their own again, but they dance on anyway. I liked the idea suggested by the title, "waltz, maybe" and while my track isn't a waltz, its slow and drifting.

I used e-Instruments Session Keys Y and Electric R (Kontakt Libraries) for the piano sounds and reverse piano sounds, tape noise, gates and compressors, several processed analog rhythm loops and BFD 3 for hi hats. Speakerphone and Valhalla Shimmer also make an appearance.

]]> Interpret as a graphic score an illustration drawn upon waking by Lark Pien.

Step 1: Look at this illustration drawn upon waking by Lark Pien. It’s titled “Waltz, Maybe.” When she posted it online, she said, “woke up to music, drew it quickly”:

goo.gl/djQ31Y

Step 2: Record a short piece of music interpreting the illustration as a graphic score.

My response to this weeks project is not literal, I didn't use the image as a musical score per se, it suggests to me a choreography, a choreography in need of a sound track. I started simple, and then just ran with it until it felt finished. As a result its a bit longer than specified.

I woke up to music this morning, some vague melodies drifting through my mind. I picked up my phone a checked my emails. As I read the Disquiet project email I still had these little melodies going around. Reading the project description, seeing the image created by Lark Pien, it resonated with my own morning experience. The little tunes in my head seemed to form a soundtrack to the little visual narrative suggested to me by the illustration.

I saw in this image a lonely figure, lost in a reverie, dancing, imagining that some lost or remote loved one was dancing with them. At some point in the narrative, the reverie is broken (the figure with hands over their eyes) and the figure realises they're on their own again, but they dance on anyway. I liked the idea suggested by the title, "waltz, maybe" and while my track isn't a waltz, its slow and drifting.

I used e-Instruments Session Keys Y and Electric R (Kontakt Libraries) for the piano sounds and reverse piano sounds, tape noise, gates and compressors, several processed analog rhythm loops and BFD 3 for hi hats. Speakerphone and Valhalla Shimmer also make an appearance.

]]> 1039334 no no Fri, 23 Sep 2016 05:07:53 +0200 2016-09-23T05:07:53+02:00 7:34 https://hearthis.at/wn4ndyzj/lolo-lolo-proud-nude/ 1015547 no no Fri, 02 Sep 2016 08:52:46 +0200 2016-09-02T08:49:01+02:00 13:42 https://hearthis.at/wn4ndyzj/lolo-lolo-super-collider-build-2/ 1005805 no no Thu, 25 Aug 2016 08:29:18 +0200 2016-08-29T02:49:05+02:00 5:38 https://hearthis.at/wn4ndyzj/lolo-lolo-rain-for-a-fourth-girl/ 840192 no no Thu, 14 Apr 2016 08:11:11 +0200 2016-04-14T08:11:11+02:00 15:20 https://hearthis.at/wn4ndyzj/lolo-basement-disquiet0222-boundedfoundation/
Started with a simple rhythm, few bass notes, compressed, side chained noise, added second bass sound, ring modulated, same pattern shifted forward an 8th note. Simple top line derived from bass line, added chords and second top line based on second bass line. Everything except the rhythm fed into pitch shifters and Eventide Black hole reverbs.

The Assignment: Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom.”

This is the second project we’re doing with artist and engineer Paolo Salvagione for an extended piece of choreography he’s working on. The result of the project is intended for potential use as a sonic backdrop for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. ]]>
Started with a simple rhythm, few bass notes, compressed, side chained noise, added second bass sound, ring modulated, same pattern shifted forward an 8th note. Simple top line derived from bass line, added chords and second top line based on second bass line. Everything except the rhythm fed into pitch shifters and Eventide Black hole reverbs.

The Assignment: Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom.”

This is the second project we’re doing with artist and engineer Paolo Salvagione for an extended piece of choreography he’s working on. The result of the project is intended for potential use as a sonic backdrop for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. ]]> 825784 no no Mon, 04 Apr 2016 08:59:54 +0200 2016-04-04T08:59:54+02:00 4:25 https://hearthis.at/wn4ndyzj/lolo-without-disquiet0221-morningmusic/
Started with the baseline, merged two different chordal patterns, reversed piano improv, all fed into a maze of effects to create a shifting drone.

The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.

Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.]]>
Started with the baseline, merged two different chordal patterns, reversed piano improv, all fed into a maze of effects to create a shifting drone.

The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.

Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.]]> 808238 no no Sun, 27 Mar 2016 09:13:32 +0200 2016-03-27T09:13:32+02:00 4:37 https://hearthis.at/wn4ndyzj/lolo-fast-train-slowed-disquiet0221-morningmusic/
An experiment using a "frippertronics" style approach, a technique used by Robert Fripp to build up textures by recording overdubs on to a tape loop. A digital looper was used in this case. A Hartmann Neuron sound was used to record the original loop. The loop was then processed using different effects and transposed and offset to produce the final piece. Reworked from an earlier piece, coincidentally recorded at dawn.

The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.

Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.]]>
An experiment using a "frippertronics" style approach, a technique used by Robert Fripp to build up textures by recording overdubs on to a tape loop. A digital looper was used in this case. A Hartmann Neuron sound was used to record the original loop. The loop was then processed using different effects and transposed and offset to produce the final piece. Reworked from an earlier piece, coincidentally recorded at dawn.

The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.

Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.]]> 808237 no no Sun, 27 Mar 2016 09:11:25 +0200 2016-03-27T09:11:25+02:00 9:40 https://hearthis.at/wn4ndyzj/lolo-shrink-spin-chop-disquiet0220-rhythmicarrhythmic/
For the rhythms I used a collection of 6 loops randomly chosen from my collection of found sounds and noise samples. Some samples were cut into smaller chunks, repeated and layered until something rhythmic appeared. I used a very short chunk from one of my earlier tracks, chopped it up, resampled and time stretched to create the backing "chords". I used a recording of a crowd in a sampler, repeated across the keyboard with various loop lengths. These were "played" to create a glitchy vocal texture. Little melodic bits and a descending bass added for flavour.

Disquiet Junto Project 0220: Rhythmic Arrhythmic

The Assignment: Make overtly rhythmic music from short loops of overtly arrhythmic source audio, following instructions from Dennis DeSantis.

Dennis DeSantis adapted this week’s project from the chapter “Implied Rhythm in Short Loops” from his excellent book Making Music: 74 Creative Strategies for Electronic Music Producers. The project explores how rhythm emerges from almost any audio material if short fragments of it are repeated incessantly enough.

Step 1: Find or make an audio recording of the arrhythmic material of your choice and gradually reduce its loop length until rhythmic patterns begin to emerge.

Tip: This usually works well with loops that are no longer than about two seconds.

Step 2: Use the inherent rhythm in these short loops as the basis for a piece of new music in which the “discovered” rhythm is clearly audible.]]>
For the rhythms I used a collection of 6 loops randomly chosen from my collection of found sounds and noise samples. Some samples were cut into smaller chunks, repeated and layered until something rhythmic appeared. I used a very short chunk from one of my earlier tracks, chopped it up, resampled and time stretched to create the backing "chords". I used a recording of a crowd in a sampler, repeated across the keyboard with various loop lengths. These were "played" to create a glitchy vocal texture. Little melodic bits and a descending bass added for flavour.

Disquiet Junto Project 0220: Rhythmic Arrhythmic

The Assignment: Make overtly rhythmic music from short loops of overtly arrhythmic source audio, following instructions from Dennis DeSantis.

Dennis DeSantis adapted this week’s project from the chapter “Implied Rhythm in Short Loops” from his excellent book Making Music: 74 Creative Strategies for Electronic Music Producers. The project explores how rhythm emerges from almost any audio material if short fragments of it are repeated incessantly enough.

Step 1: Find or make an audio recording of the arrhythmic material of your choice and gradually reduce its loop length until rhythmic patterns begin to emerge.

Tip: This usually works well with loops that are no longer than about two seconds.

Step 2: Use the inherent rhythm in these short loops as the basis for a piece of new music in which the “discovered” rhythm is clearly audible.]]> 785056 no no Fri, 18 Mar 2016 23:52:42 +0100 2016-03-18T23:52:42+01:00 4:53 https://hearthis.at/wn4ndyzj/lolo-fuller-lips-disquiet-junto-project-0218-sound-passage/
I walk through a large car park as a short cut to my studio. A beauty salon adjacent the car park has promo video advertising cosmetic lip enhancement. As I was walking through the car park I could hear the music for the promo bouncing off the different structures. I recorded a short section of the music, processed and looped the sound, chopped portions of it to use as rhythmic melodic elements and added some piano to taste.

Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.

The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.

Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.

Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.

Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.
]]>
I walk through a large car park as a short cut to my studio. A beauty salon adjacent the car park has promo video advertising cosmetic lip enhancement. As I was walking through the car park I could hear the music for the promo bouncing off the different structures. I recorded a short section of the music, processed and looped the sound, chopped portions of it to use as rhythmic melodic elements and added some piano to taste.

Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.

The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.

Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.

Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.

Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.
]]> 762713 no no Sat, 05 Mar 2016 10:36:24 +0100 2016-03-05T10:36:24+01:00 6:53 https://hearthis.at/wn4ndyzj/lolo-sliver-tongued-bullets-mix2/ 762714 no no Fri, 26 Feb 2016 04:55:34 +0100 2016-02-26T04:55:34+01:00 4:28 https://hearthis.at/wn4ndyzj/lolo-sliver-tongued-bullets-sketch-mix/ 762715 no no Thu, 25 Feb 2016 07:01:00 +0100 2016-02-25T07:01:00+01:00 5:13 https://hearthis.at/wn4ndyzj/lolo-peels-disquiet-junto-project-0216/
For this track I used "First pick" by Mike J Dayton as my rhythmic bed.

https://soundcloud.com/mike-88/first-pick

Vocoded random lovely chord, amplitude modulated by original rhythm bed. Result fed into a reverb with controlled feedback to give overtones. Resultant reverb filter modulated by chopped up portion of original rhythm which in turn amplitude modulates another vocoder in a higher register. Modulated reverb to fade. Pumped it out through a shoe to give it an oaky timbre.

Project instructions:

Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:

http://disquiet.com/0215
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.

Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.]]>
For this track I used "First pick" by Mike J Dayton as my rhythmic bed.

https://soundcloud.com/mike-88/first-pick

Vocoded random lovely chord, amplitude modulated by original rhythm bed. Result fed into a reverb with controlled feedback to give overtones. Resultant reverb filter modulated by chopped up portion of original rhythm which in turn amplitude modulates another vocoder in a higher register. Modulated reverb to fade. Pumped it out through a shoe to give it an oaky timbre.

Project instructions:

Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:

http://disquiet.com/0215
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.

Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.]]> 762716 no no Fri, 19 Feb 2016 00:57:18 +0100 2016-02-19T00:57:18+01:00 1:33 https://hearthis.at/wn4ndyzj/lolo-low-down-vibe-sketch/ 762717 no no Sun, 07 Feb 2016 09:50:45 +0100 2016-02-07T09:50:45+01:00 3:49 https://hearthis.at/wn4ndyzj/lolo-talking-to-russian-girl/ 762718 no no Thu, 04 Feb 2016 03:53:39 +0100 2016-02-04T03:53:39+01:00 3:46 https://hearthis.at/wn4ndyzj/lolo-fudging/ 762719 no no Mon, 01 Feb 2016 06:28:05 +0100 2016-02-01T06:28:05+01:00 7:08 https://hearthis.at/wn4ndyzj/lolo-capitals-sketch/ 762721 no no Mon, 21 Dec 2015 06:45:18 +0100 2015-12-21T06:45:18+01:00 5:41 https://hearthis.at/wn4ndyzj/lolo-interference/ 762722 no no Thu, 26 Nov 2015 06:38:55 +0100 2015-11-26T06:38:55+01:00 6:40 https://hearthis.at/wn4ndyzj/lolo-big-bounce/ 762723 no no Tue, 10 Nov 2015 04:19:51 +0100 2015-11-10T04:19:51+01:00 4:56 https://hearthis.at/wn4ndyzj/lolo-xian-reworked-disquiet-junto-project-195-chinasystem-soundsystem/ Make music for a Caochangdi Village National Day party.

The basis for this piece is one of five ambient soundscapes I made for “The First Emperor: China’s Entombed Warriors” exhibition at the Gallery of New South Wales in Sydney held during November 2010. Sounds were sourced from field recordings made in China including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village. The sounds were then time-stretched and manipulated and layered to produce the finished piece.

Reworking this piece, I lifted elements out from the background, added new effects and slightly altered the arrangement. The piece, as per instructions, is divided into 3 parts. The piece starts with a thunder storm, recorded in China during the process of capturing footage that would be used in the exhibition. Notionally this section represents early agrarian China. The storm fades into the reworked Xian 01 piece and elements are added. The mid section is slow, ambient and droning, almost orchestral, and this represents Chinas long cultural history. The tranquility ends abruptly and aggressively when a bass line, percussion and a nasty distorted solo kick in representing the rapid and aggressive industrialisation of China. The piece ends in reflection, an echo of the beginning.

The cover image uses a photo I took in the Bund Tunnel, Shanghai, 2004.

I only had an hour spare in between daddy duties, so I haven’t even listened to the track all the way through myself, it might be crap :D.

The original track is here - https://soundcloud.com/klaatuberada/sets/the-first-emperor-chinas

Project brief:

Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.

Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.

Step 2: Create a track that moves through three stages:

The first stage should be brief and invoke sounds related to agriculture.

The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.

The third stage should begin abruptly and invoke rapid industrialization.]]> Make music for a Caochangdi Village National Day party.

The basis for this piece is one of five ambient soundscapes I made for “The First Emperor: China’s Entombed Warriors” exhibition at the Gallery of New South Wales in Sydney held during November 2010. Sounds were sourced from field recordings made in China including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village. The sounds were then time-stretched and manipulated and layered to produce the finished piece.

Reworking this piece, I lifted elements out from the background, added new effects and slightly altered the arrangement. The piece, as per instructions, is divided into 3 parts. The piece starts with a thunder storm, recorded in China during the process of capturing footage that would be used in the exhibition. Notionally this section represents early agrarian China. The storm fades into the reworked Xian 01 piece and elements are added. The mid section is slow, ambient and droning, almost orchestral, and this represents Chinas long cultural history. The tranquility ends abruptly and aggressively when a bass line, percussion and a nasty distorted solo kick in representing the rapid and aggressive industrialisation of China. The piece ends in reflection, an echo of the beginning.

The cover image uses a photo I took in the Bund Tunnel, Shanghai, 2004.

I only had an hour spare in between daddy duties, so I haven’t even listened to the track all the way through myself, it might be crap :D.

The original track is here - https://soundcloud.com/klaatuberada/sets/the-first-emperor-chinas

Project brief:

Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.

Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.

Step 2: Create a track that moves through three stages:

The first stage should be brief and invoke sounds related to agriculture.

The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.

The third stage should begin abruptly and invoke rapid industrialization.]]> 762724 no no Fri, 25 Sep 2015 07:26:17 +0200 2015-09-25T07:26:17+02:00 12:24 https://hearthis.at/wn4ndyzj/lolo-speed-of-a-bee-in-a-vacuum-disquiet0189-tonelayer/
A sine wave, a few sparse notes recorded individually and then looped and layered with a subtle distortion effect. I did a more elaborate track sometime ago using the same technique:

https://soundcloud.com/klaatuberada/lolo-experiment-02

Disquiet Junto Project 0189: Tone Layer

Create a dense stack of attack-free tonal material from one audio source.

This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.

These are the steps:

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.]]>
A sine wave, a few sparse notes recorded individually and then looped and layered with a subtle distortion effect. I did a more elaborate track sometime ago using the same technique:

https://soundcloud.com/klaatuberada/lolo-experiment-02

Disquiet Junto Project 0189: Tone Layer

Create a dense stack of attack-free tonal material from one audio source.

This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.

These are the steps:

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.]]> 762725 no no Sat, 15 Aug 2015 04:41:21 +0200 2015-08-15T04:41:21+02:00 2:18 https://hearthis.at/wn4ndyzj/lolo-leaving-disquiet0187-threestrands/ Shift between three renditions of the same melody.

For this project I sat down and played a very simple melody. I committed to using whatever I played first time through, no metronome, arbitrary length, with no tweaks or edits. I inadvertently stretched the MIDI recording instead of looping it. The next two tracks suffered similarly. I liked the result so I kept things as they fell.

For the first instrument I used a subdued piano sound, second instrument is a vibraphone slowed attack, overdriven filter and delay, third instrument is another sombre sounding piano with an added fifth. All sounds are modified Ominisphere patches selected more or less at random.

Project description:

Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).

Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)

Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.]]> Shift between three renditions of the same melody.

For this project I sat down and played a very simple melody. I committed to using whatever I played first time through, no metronome, arbitrary length, with no tweaks or edits. I inadvertently stretched the MIDI recording instead of looping it. The next two tracks suffered similarly. I liked the result so I kept things as they fell.

For the first instrument I used a subdued piano sound, second instrument is a vibraphone slowed attack, overdriven filter and delay, third instrument is another sombre sounding piano with an added fifth. All sounds are modified Ominisphere patches selected more or less at random.

Project description:

Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).

Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)

Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.]]> 762726 no no Fri, 31 Jul 2015 07:21:23 +0200 2015-07-31T07:21:23+02:00 3:02 https://hearthis.at/wn4ndyzj/lolo-a-walk-home-in-the-rain-disquiet0185-memorymusic/
Walking home on a wet and slightly windy night in Melbourne. The light and atmosphere made me feel like I was walking through the opening titles of Noir-ish television drama set in my neighbourhood. I was humming a little tune in my head imagining the theme music. I felt nostalgic for the grown up TV shows I watched as a kid.

I used a very simple repeating chord progression for the main parts. I Recorded the progression as loops in several different ways and then processed them with Glitch2 and uHe Filterscape. Added in other phrases, simple bass line and guitar loop. Created a simple string theme voiced with e-Instruments Session Strings Pro.

Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.

This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.

A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.

These are the steps for this week’s project:

Step 1: Remember a key moment in your life. It could be anything at any age.

Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.

Step 3: Recreate that sound and feeling through sound design and music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Please take a moment to describe the memory in the text associated with the track.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late afternoon, California time, on Thursday, July 16, 2015, with a deadline of 11:59pm wherever you are on Monday, July 20, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0185-memorymusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this post by Dennis Skley and used thanks to a Creative Commons license:

https://flic.kr/p/qNu6Jw]]>
Walking home on a wet and slightly windy night in Melbourne. The light and atmosphere made me feel like I was walking through the opening titles of Noir-ish television drama set in my neighbourhood. I was humming a little tune in my head imagining the theme music. I felt nostalgic for the grown up TV shows I watched as a kid.

I used a very simple repeating chord progression for the main parts. I Recorded the progression as loops in several different ways and then processed them with Glitch2 and uHe Filterscape. Added in other phrases, simple bass line and guitar loop. Created a simple string theme voiced with e-Instruments Session Strings Pro.

Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.

This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.

A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.

These are the steps for this week’s project:

Step 1: Remember a key moment in your life. It could be anything at any age.

Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.

Step 3: Recreate that sound and feeling through sound design and music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Please take a moment to describe the memory in the text associated with the track.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late afternoon, California time, on Thursday, July 16, 2015, with a deadline of 11:59pm wherever you are on Monday, July 20, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0185-memorymusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this post by Dennis Skley and used thanks to a Creative Commons license:

https://flic.kr/p/qNu6Jw]]> 762727 no no Sat, 18 Jul 2015 02:02:16 +0200 2015-07-18T02:02:16+02:00 3:38 https://hearthis.at/wn4ndyzj/lolo-under-bridges-1-v2/ 762728 no no Wed, 01 Jul 2015 13:27:46 +0200 2015-07-01T13:27:46+02:00 15:31 https://hearthis.at/wn4ndyzj/lolo-sudden-end/ 762729 no no Thu, 21 May 2015 09:58:55 +0200 2015-05-21T09:58:55+02:00 3:32 https://hearthis.at/wn4ndyzj/lolo-fuzzy-buttons-short/ 762730 no no Thu, 21 May 2015 07:45:04 +0200 2015-05-21T07:45:04+02:00 5:04 https://hearthis.at/wn4ndyzj/lolo-ill-get-back-to-you/ 762731 no no Sun, 01 Feb 2015 11:32:13 +0100 2015-02-01T11:32:13+01:00 4:13 https://hearthis.at/wn4ndyzj/lolo-frost/ 762732 no no Sat, 31 Jan 2015 03:32:31 +0100 2015-01-31T03:32:31+01:00 4:06 https://hearthis.at/wn4ndyzj/lolo-andres-got-the-gun-rough-mix/ 762734 no no Wed, 28 Jan 2015 08:02:02 +0100 2015-01-28T08:02:02+01:00 5:04 https://hearthis.at/wn4ndyzj/lolo-random-flute-solo/ 762735 no no Mon, 26 Jan 2015 01:48:20 +0100 2015-01-26T01:48:20+01:00 2:56 https://hearthis.at/wn4ndyzj/lolo-track-4-version/ 762736 no no Fri, 23 Jan 2015 07:31:21 +0100 2015-01-23T07:31:21+01:00 7:39 https://hearthis.at/wn4ndyzj/lolo-jarimichi-gensoku-slow-gravel-road/ 762737 no no Tue, 13 Jan 2015 09:51:54 +0100 2015-01-13T09:51:54+01:00 3:40 https://hearthis.at/wn4ndyzj/lolo-children-of-tomorrow/ 762738 no no Tue, 23 Dec 2014 04:10:12 +0100 2014-12-23T04:10:12+01:00 2:24 https://hearthis.at/wn4ndyzj/lolo-orange/ 762739 no no Tue, 28 Oct 2014 08:37:40 +0100 2014-10-28T08:37:40+01:00 8:30 https://hearthis.at/wn4ndyzj/lolo-japan/
1 - Kousokuressha (Fast Train)
2 - Subarashii (Great)
3 - Kinen (Memorial)
4 - Soto (Outside)
5 - Arukimawaru (Wander)]]>
1 - Kousokuressha (Fast Train)
2 - Subarashii (Great)
3 - Kinen (Memorial)
4 - Soto (Outside)
5 - Arukimawaru (Wander)]]> 77959 no no Mon, 29 Sep 2014 08:39:21 +0200 2014-09-29T08:39:21+02:00 51:42 https://hearthis.at/wn4ndyzj/lolo-particles/ 762740 no no Wed, 24 Sep 2014 08:33:46 +0200 2014-09-24T08:33:46+02:00 6:33 https://hearthis.at/wn4ndyzj/lolo-puffet-4/ 762741 no no Tue, 23 Sep 2014 08:11:25 +0200 2014-09-23T08:11:25+02:00 5:11 https://hearthis.at/wn4ndyzj/lolo-broken-things/ 762742 no no Fri, 19 Sep 2014 05:14:09 +0200 2014-09-19T05:14:09+02:00 11:49 https://hearthis.at/wn4ndyzj/lolo-under-bridges-2/ 762743 no no Tue, 26 Aug 2014 08:49:54 +0200 2014-08-26T08:49:54+02:00 15:14 https://hearthis.at/wn4ndyzj/lolo-puddle-time/ 762744 no no Wed, 20 Aug 2014 15:09:16 +0200 2014-08-20T15:09:16+02:00 7:57 https://hearthis.at/wn4ndyzj/lolo-cluster-fudge-disquiet0137-oldtimeelectronica/ 762745 no no Thu, 14 Aug 2014 03:23:58 +0200 2014-08-14T03:23:58+02:00 6:04 https://hearthis.at/wn4ndyzj/lolo-kousoku-ressha-fast-train/ 762746 no no Tue, 12 Aug 2014 03:59:15 +0200 2014-08-12T03:59:15+02:00 11:00 https://hearthis.at/wn4ndyzj/lolo-romance-yourself-you-go-on-and-on-and-on-and-on-mix/ 762747 no no Tue, 05 Aug 2014 07:04:04 +0200 2014-08-05T07:04:04+02:00 20:00 https://hearthis.at/wn4ndyzj/bag-lolo-were-gonna-need-stronger-fucken-drugs-to-deal-with-this-shit/ 762748 no no Fri, 01 Aug 2014 00:40:10 +0200 2014-08-01T00:40:10+02:00 8:00 https://hearthis.at/wn4ndyzj/lolo-cracker-edit/ 762749 no no Mon, 28 Jul 2014 03:51:31 +0200 2014-07-28T03:51:31+02:00 6:54 https://hearthis.at/wn4ndyzj/lolo-puffet-3-at-sea-with-my-feet-up/ 762750 no no Sat, 05 Jul 2014 05:05:13 +0200 2014-07-05T05:05:13+02:00 6:54 https://hearthis.at/wn4ndyzj/lolo-contact-tension/ 762751 no no Thu, 03 Jul 2014 09:02:11 +0200 2014-07-03T09:02:11+02:00 8:14 https://hearthis.at/wn4ndyzj/lolo-rorys-song/ 762752 no no Tue, 17 Jun 2014 12:11:19 +0200 2014-06-17T12:11:19+02:00 8:16 https://hearthis.at/wn4ndyzj/lolo-subarashii-wonderful/ ]]> ]]> 762753 no no Wed, 21 May 2014 07:30:36 +0200 2014-05-21T07:30:36+02:00 7:32 https://hearthis.at/wn4ndyzj/lolo-3-in-4-in-5/ 762754 no no Tue, 20 May 2014 07:16:44 +0200 2014-05-20T07:16:44+02:00 6:21 https://hearthis.at/wn4ndyzj/lolo-something-for-the-weekend/
http://www.youtube.com/watch?v=irRdHq7qLrs&feature=youtu.be]]>
http://www.youtube.com/watch?v=irRdHq7qLrs&feature=youtu.be]]> 762755 no no Sat, 17 May 2014 10:06:26 +0200 2014-05-17T10:06:26+02:00 5:10 https://hearthis.at/wn4ndyzj/lolo-experience-amazing-music/ 762756 no no Sat, 17 May 2014 07:31:15 +0200 2014-05-17T07:31:15+02:00 3:58 https://hearthis.at/wn4ndyzj/lolo-revolo/ 762757 no no Wed, 09 Apr 2014 09:54:32 +0200 2014-04-09T09:54:32+02:00 6:50 https://hearthis.at/wn4ndyzj/lolo-fields/ 762758 no no Mon, 03 Mar 2014 11:22:47 +0100 2014-03-03T11:22:47+01:00 8:00 https://hearthis.at/wn4ndyzj/lolo-lonely-water/ 762759 no no Sun, 19 Jan 2014 13:16:50 +0100 2014-01-19T13:16:50+01:00 6:18 https://hearthis.at/wn4ndyzj/lolo-a-long-way-in-the-sun/
http://www.youtube.com/watch?v=4mMpUWeUW-k]]>
http://www.youtube.com/watch?v=4mMpUWeUW-k]]> 762760 no no Tue, 09 Jul 2013 08:06:49 +0200 2013-07-09T08:06:49+02:00 4:30 https://hearthis.at/wn4ndyzj/lolo-experiment-02/ 762761 no no Thu, 06 Jun 2013 15:38:04 +0200 2013-06-06T15:38:04+02:00 9:42 https://hearthis.at/wn4ndyzj/onedr/ 762762 no no Thu, 23 May 2013 07:05:28 +0200 2013-05-23T07:05:28+02:00 5:52 https://hearthis.at/wn4ndyzj/lolo-japan-complete-album/
1 - Kousokuressha (Fast Train)
2 - Subarashii (Great)
3 - Kinen (Memorial)
4 - Soto (Outside)
5 - Arukimawaru (Wander)]]>
1 - Kousokuressha (Fast Train)
2 - Subarashii (Great)
3 - Kinen (Memorial)
4 - Soto (Outside)
5 - Arukimawaru (Wander)]]> 762763 no no Mon, 08 Apr 2013 03:17:35 +0200 2013-04-08T03:17:35+02:00 51:42 https://hearthis.at/wn4ndyzj/power-cycle/ 762764 no no Fri, 28 Sep 2012 04:58:31 +0200 2012-09-28T04:58:31+02:00 1:58 https://hearthis.at/wn4ndyzj/xian-05a/
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]>
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]> 762765 no no Thu, 11 Aug 2011 03:05:55 +0200 2011-08-11T03:05:55+02:00 9:36 https://hearthis.at/wn4ndyzj/xian-04/
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]>
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]> 762766 no no Thu, 11 Aug 2011 03:05:55 +0200 2011-08-11T03:05:55+02:00 9:32 https://hearthis.at/wn4ndyzj/xian-03/
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]>
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]> 762767 no no Thu, 11 Aug 2011 03:05:55 +0200 2011-08-11T03:05:55+02:00 11:14 https://hearthis.at/wn4ndyzj/xian-02/
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]>
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]> 762768 no no Thu, 11 Aug 2011 03:05:55 +0200 2011-08-11T03:05:55+02:00 10:40 https://hearthis.at/wn4ndyzj/xian-01/
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]>
Sounds were derived from found field recordings including Chinese musicians playing traditional instruments, ancient bronze bells and a Taoist ceremony in a remote mountain village.

Various digital techniques, including time stretching, pitch shifting and reversing, were used to arrange slowly evolving melodic or chordal sequences with two or more layers of instrumentation. Through this process the intrinsic sense of the original tonality and harmonic quality of the instruments was retained, whist creating totally new compositions.]]> 762769 no no Thu, 11 Aug 2011 03:05:54 +0200 2011-08-11T03:05:54+02:00 11:42