Fri, 03 Apr 2026 20:44:01 +0200 https://hearthis.at/will-ink-ey/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/will-ink-ey/ https://img.hearthis.at/9/5/0/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_01059.png no no https://hearthis.at/will-ink-ey/a1-yaleesa-hall-woodall-0217-bambounou-remix/ Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> 1496793 no no Wed, 12 Apr 2017 12:14:38 +0200 2017-04-12T12:14:38+02:00 6:05 https://hearthis.at/will-ink-ey/a2-yaleesa-hall-woodall-0224-simo-cell-remix/ Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> 1496794 no no Wed, 12 Apr 2017 12:14:37 +0200 2017-04-12T12:14:37+02:00 6:26 https://hearthis.at/will-ink-ey/b1-yaleesa-hall-woodall-0406-bambounou-simo-cells-trance-attitude-mix/ Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> 1496795 no no Wed, 12 Apr 2017 12:14:35 +0200 2017-04-12T12:14:35+02:00 5:49 https://hearthis.at/will-ink-ey/b2-yaleesa-hall-woodall-4373-simo-cell-bambounous-frequenc-dub/ Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> Will & Ink’s latest is a remix EP that finds Bambounou and Simo Cell team up for four reworked versions of Yaleesa Halls Woodall LP. Bambounou is a Paris-based hybrid techno and house producer who has long been close to the 50 Weapons label, and Simo Cell is an experimental artist whose music finds a home on labels like Livity Sound and Wisdom Teeth.

Up first, Bambounou goes in and turns ‘Woodall 0217’ into a menacing, stripped back track with a soft flurry of toms and freaky sine waves all underpinned by lurching, subliminal bass. Simo Cell then steps up for a version of '0224' that is much more dubbed out and for the club. It breezes along on a swaying groove with hi fidelity sound designs colouring the airwaves as the drums scurry down low. Then the pair link up for their Trance-Attitude-Mix of 'Woodall 0406'. Again the drums are weightless down below as they turn in big, sweeping loops and the slivers of silvery synth really electrify the whole thing as they flash about like fireflies. Finally, they remix the same track again but remove the drums, instead making it a paranoid and dark, spares and suggestive minimal number that is wholly from the future. These two have a very specific sound and one that sounds like little else, a solid match with Yaleesa Hall and the Will & Ink imprint, as this EP proves.]]> 1496796 no no Wed, 12 Apr 2017 12:14:34 +0200 2017-04-12T12:14:34+02:00 7:19 https://hearthis.at/will-ink-ey/andeh-lang-second-susskind/
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]>
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]> 1496797 no no Thu, 09 Mar 2017 11:27:38 +0100 2017-03-09T11:27:38+01:00 1:54 https://hearthis.at/will-ink-ey/andeh-lang-third-susskind/
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]>
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]> 1496798 no no Thu, 09 Mar 2017 11:27:36 +0100 2017-03-09T11:27:36+01:00 1:54 https://hearthis.at/will-ink-ey/andeh-lang-first-susskind/
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]>
[ Track List 12" ]
a1. Andeh Lang - First Susskind
a2. Andeh Lang - Second Susskind
b1. Andeh Lang - Third Susskind

Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of 'Susskind' showcase a wide variety of deserted techno landscaping by a creative mastermind.]]> 1496799 no no Wed, 22 Feb 2017 17:13:31 +0100 2017-02-22T17:13:31+01:00 7:07 https://hearthis.at/will-ink-ey/b2-yaleesa-hall-x-malin-first-carol-yaleesa-hall-x-malin-stripped-mix/ 1496800 no no Thu, 19 Jan 2017 09:40:35 +0100 2017-01-19T09:40:35+01:00 6:02 https://hearthis.at/will-ink-ey/b1-yaleesa-hall-x-malin-second-carol-asusu-mix/ 1496801 no no Wed, 18 Jan 2017 15:18:15 +0100 2017-01-18T15:18:15+01:00 5:50 https://hearthis.at/will-ink-ey/a1-yaleesa-hall-x-malin-second-lucas-moscas-pure-joy-version/ The esteemed Will & Ink imprint hits the mini milestone of a tenth release by inviting old and new associates to remix some of the label’s still essential back catalogue. The results are as weird and wonderful as you would expect of a label that has always gone its own way.

First up is London producer Mosca, who remixes Yaleesa Hall x Malin’s ‘Second Lucas.’ The Not So Much label boss flips the track into something intense and brutal, with lashings of frazzled industrial synth sounds whipping about above pinging and high impact drums. Italian Chevel—an associate of labels like Stroboscopic Artefacts—then transforms ‘Third Lucas’ into five minutes of otherworldly machine made oddness. Ambient synths are stretched, skewed and filtered, rough textures brush up with the occasional kick sound and the whole thing is gloopy and utterly unique as it suspends you in sound. Then comes Livity Sound star Asusu with a typically hi fidelity re-work of ‘Second Carol.’ Dubby and loopy, metallic and clean, it is a pristine track to get dance floors locked to a groove. Last of all a Stripped mix of ‘First Carol’ mixes minimal dub with freaky sound design and the result is an earworm of a tune that burrows deep into your brain.]]> The esteemed Will & Ink imprint hits the mini milestone of a tenth release by inviting old and new associates to remix some of the label’s still essential back catalogue. The results are as weird and wonderful as you would expect of a label that has always gone its own way.

First up is London producer Mosca, who remixes Yaleesa Hall x Malin’s ‘Second Lucas.’ The Not So Much label boss flips the track into something intense and brutal, with lashings of frazzled industrial synth sounds whipping about above pinging and high impact drums. Italian Chevel—an associate of labels like Stroboscopic Artefacts—then transforms ‘Third Lucas’ into five minutes of otherworldly machine made oddness. Ambient synths are stretched, skewed and filtered, rough textures brush up with the occasional kick sound and the whole thing is gloopy and utterly unique as it suspends you in sound. Then comes Livity Sound star Asusu with a typically hi fidelity re-work of ‘Second Carol.’ Dubby and loopy, metallic and clean, it is a pristine track to get dance floors locked to a groove. Last of all a Stripped mix of ‘First Carol’ mixes minimal dub with freaky sound design and the result is an earworm of a tune that burrows deep into your brain.]]> 1496802 no no Tue, 10 Jan 2017 21:44:04 +0100 2017-01-10T21:44:04+01:00 8:04 https://hearthis.at/will-ink-ey/a1-yaleesa-hall-woodall-0217/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496803 no no Mon, 24 Oct 2016 15:22:11 +0200 2016-10-24T15:22:11+02:00 2:17 https://hearthis.at/will-ink-ey/a2-yaleesa-hall-woodall-0056/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496804 no no Mon, 24 Oct 2016 15:22:07 +0200 2016-10-24T15:22:07+02:00 0:55 https://hearthis.at/will-ink-ey/a3-yaleesa-hall-woodall-0508/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496805 no no Mon, 24 Oct 2016 15:22:04 +0200 2016-10-24T15:22:04+02:00 5:07 https://hearthis.at/will-ink-ey/a4-yaleesa-hall-woodall-0242/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496806 no no Mon, 24 Oct 2016 15:22:00 +0200 2016-10-24T15:22:00+02:00 2:42 https://hearthis.at/will-ink-ey/b1-yaleesa-hall-woodall-0215/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496807 no no Mon, 24 Oct 2016 15:21:55 +0200 2016-10-24T15:21:55+02:00 2:15 https://hearthis.at/will-ink-ey/b2-yaleesa-hall-woodall-0301/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496808 no no Mon, 24 Oct 2016 15:21:51 +0200 2016-10-24T15:21:51+02:00 3:01 https://hearthis.at/will-ink-ey/b4-yaleesa-hall-woodall-0212/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496809 no no Mon, 24 Oct 2016 15:21:43 +0200 2016-10-24T15:21:43+02:00 2:11 https://hearthis.at/will-ink-ey/c1-yaleesa-hall-woodall-0302/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496810 no no Mon, 24 Oct 2016 15:21:40 +0200 2016-10-24T15:21:40+02:00 3:02 https://hearthis.at/will-ink-ey/c2-yaleesa-hall-woodall-0208/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496811 no no Mon, 24 Oct 2016 15:21:36 +0200 2016-10-24T15:21:36+02:00 2:47 https://hearthis.at/will-ink-ey/c3-yaleesa-hall-woodall-0600/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496812 no no Mon, 24 Oct 2016 15:21:32 +0200 2016-10-24T15:21:32+02:00 6:00 https://hearthis.at/will-ink-ey/d1-yaleesa-hall-woodall-0244/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496813 no no Mon, 24 Oct 2016 15:21:28 +0200 2016-10-24T15:21:28+02:00 2:44 https://hearthis.at/will-ink-ey/d2-yaleesa-hall-woodall-0618/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496814 no no Mon, 24 Oct 2016 15:21:24 +0200 2016-10-24T15:21:24+02:00 6:17 https://hearthis.at/will-ink-ey/d3-yaleesa-hall-woodall-0244/ Label: Will & Ink
Cat Code: WNKLP001]]> Label: Will & Ink
Cat Code: WNKLP001]]> 1496815 no no Mon, 24 Oct 2016 15:21:20 +0200 2016-10-24T15:21:20+02:00 2:43 https://hearthis.at/will-ink-ey/b3-yaleesa-hall-woodall-0406/ 1496816 no no Thu, 29 Sep 2016 11:25:32 +0200 2016-09-29T11:25:32+02:00 4:05 https://hearthis.at/will-ink-ey/andeh-lang-wnkb-cw-a1/ 1496817 no no Tue, 26 Jul 2016 10:46:59 +0200 2016-07-26T10:46:59+02:00 1:54 https://hearthis.at/will-ink-ey/andeh-lang-wnkb-cw-b1/ 1496818 no no Tue, 26 Jul 2016 10:46:58 +0200 2016-07-26T10:46:58+02:00 1:54 https://hearthis.at/will-ink-ey/andeh-lang-wnkb-cw-b2/ 1496819 no no Tue, 26 Jul 2016 10:46:57 +0200 2016-07-26T10:46:57+02:00 1:54 https://hearthis.at/will-ink-ey/yaleesa-hall-x-malin-first-carol-wnk009-preview/
Opener ’First Carol’ has hulking kicks and hits and a writhing, monstrous sounding synth line that brings real rawness and energy to the four-four beats all around it. Some spooky little beat-less passage of eerie industrial sounds appear before ‘Second Carol’ again slips into a well swung and purposeful groove. This one is rubbery and rolling, with dubbed out chords riding up and down and airy hats adding a sense of scale. Another EP of contemporary club music of the highest order. ]]>
Opener ’First Carol’ has hulking kicks and hits and a writhing, monstrous sounding synth line that brings real rawness and energy to the four-four beats all around it. Some spooky little beat-less passage of eerie industrial sounds appear before ‘Second Carol’ again slips into a well swung and purposeful groove. This one is rubbery and rolling, with dubbed out chords riding up and down and airy hats adding a sense of scale. Another EP of contemporary club music of the highest order. ]]> 1496820 no no Mon, 27 Jun 2016 16:15:15 +0200 2016-06-27T16:15:15+02:00 4:25 https://hearthis.at/will-ink-ey/yaleesa-hall-x-malin-second-carol-wnk009-preview/
Opener ’First Carol’ has hulking kicks and hits and a writhing, monstrous sounding synth line that brings real rawness and energy to the four-four beats all around it. Some spooky little beat-less passage of eerie industrial sounds appear before ‘Second Carol’ again slips into a well swung and purposeful groove. This one is rubbery and rolling, with dubbed out chords riding up and down and airy hats adding a sense of scale. Another EP of contemporary club music of the highest order. ]]>
Opener ’First Carol’ has hulking kicks and hits and a writhing, monstrous sounding synth line that brings real rawness and energy to the four-four beats all around it. Some spooky little beat-less passage of eerie industrial sounds appear before ‘Second Carol’ again slips into a well swung and purposeful groove. This one is rubbery and rolling, with dubbed out chords riding up and down and airy hats adding a sense of scale. Another EP of contemporary club music of the highest order. ]]> 1496821 no no Mon, 27 Jun 2016 16:15:14 +0200 2016-06-27T16:15:14+02:00 4:25 https://hearthis.at/will-ink-ey/yaleesa-hall-x-malin-third-lucas-wnk008/
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]>
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]> 1496822 no no Mon, 30 Nov 2015 15:50:50 +0100 2015-11-30T15:50:50+01:00 3:31 https://hearthis.at/will-ink-ey/yaleesa-hall-x-malin-second-lucas-wnk008/
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]>
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]> 1496823 no no Mon, 30 Nov 2015 15:50:40 +0100 2015-11-30T15:50:40+01:00 3:31 https://hearthis.at/will-ink-ey/yaleesa-hall-x-malin-first-lucas-wnk008/
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]>
'First Lucas' is a tough, abstract kicker with industrial sound design and weird synths the only accompaniment to a monstrous, earth moving kick drum. Truly hypnotic and all consuming it is followed by a brief bit of dark interlude music before 'Second Lucas' pairs ghoulish sounds with well swung wood block hits and watery pads. It is a forceful groove full of occult atmosphere and lastly 'Third Lucas' is again about solid kick drums and freaky sound design. Here squelchy synths and frazzled lines all dart about as hunched kicks stomp out a macho groove below. This is perfect warehouse music once again from the Will & Ink label. ]]> 1496824 no no Mon, 30 Nov 2015 15:49:58 +0100 2015-11-30T15:49:58+01:00 3:31 https://hearthis.at/will-ink-ey/b2-yaleesa-hall-fourth-perrin-wnk007/
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]>
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]> 1496825 no no Tue, 18 Aug 2015 16:26:19 +0200 2015-08-18T16:26:19+02:00 2:36 https://hearthis.at/will-ink-ey/a1-yaleesa-hall-first-perrin-wnk007/
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]>
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]> 1496826 no no Tue, 18 Aug 2015 16:24:23 +0200 2015-08-18T16:24:23+02:00 2:36 https://hearthis.at/will-ink-ey/a2-yaleesa-hall-second-perrin-wnk007/
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]>
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]> 1496827 no no Tue, 18 Aug 2015 16:24:21 +0200 2015-08-18T16:24:21+02:00 2:36 https://hearthis.at/will-ink-ey/b1-yaleesa-hall-third-perrin-wnk007/
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]>
The first cut is 'First Perrin', which has massive rubber kick drums rolling beneath little flecks of static and raw metal texture. Synths groan under the weight of the drums and overall the track makes for a perfect warehouse or basement banger. 'Second Perrin' is no less subtle. Once again it has gigantic kick drums, but this time they are more rocking and punchy, and have icy hi hats riding long side them. Deep, droning bass sounds and clever use of filters add a sense of scale to the track and it cannot fail to suck you in as a result.

'Third Perrin' is another, organic, humid and rather oppressive affair driven by perfectly sculpted kick drums. They hit hard as itchy hi hats and dehumanised vocal sounds try to keep up but instead get sucked under by the groove. Lastly, 'Fourth Perrin' has a wonky synth line riding up and down, slicing into the barrelling kick drums as they cut in and out.

This is expertly hypnotic, over sized and cavernous techno that will suck you in, sweep you up and trap you in a perfect trance.]]> 1496828 no no Tue, 18 Aug 2015 16:24:08 +0200 2015-08-18T16:24:08+02:00 2:36 https://hearthis.at/will-ink-ey/will-ink-merselanious-wilson-roman-lindau-remix/
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]>
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]> 1496829 no no Mon, 30 Mar 2015 11:13:19 +0200 2015-03-30T11:13:19+02:00 2:31 https://hearthis.at/will-ink-ey/will-ink-third-wilson-emmanuel-remix/
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]>
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]> 1496830 no no Mon, 30 Mar 2015 11:13:18 +0200 2015-03-30T11:13:18+02:00 2:31 https://hearthis.at/will-ink-ey/will-ink-first-wilson-yaleesa-hall-remix/
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]>
Up first is techno heavyweight Roman Lindau, who is a key part of the Fachwerk label. He tackles ‘Mersellanious’ from the Mersenne EP and does so with his usual stripped back, well swung sense of techno funk. Next up is ARTS label owner Emannuel, who goes for a fierce, intense and edgy peak time techno banger full of raw texture and incendiary drums on his remix of 'Third Wilson' from 2013. Lastly, Yaleesa Hall sets to work on a track from the same EP and does so with a little, fluid sense of hypnotic techno groove that comes embellished with heady synths and a real sense of purpose. Once again here the Will & Ink label is showing the way when it comes to contemporary techno talent.]]> 1496831 no no Mon, 30 Mar 2015 11:13:17 +0200 2015-03-30T11:13:17+02:00 2:31 https://hearthis.at/will-ink-ey/malin-agaric-fly-will-ink/
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]>
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]> 1496833 no no Wed, 14 Jan 2015 13:34:27 +0100 2015-01-14T13:34:27+01:00 2:42 https://hearthis.at/will-ink-ey/malin-deorbital-descent-will-ink/
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]>
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]> 1496834 no no Wed, 14 Jan 2015 13:34:24 +0100 2015-01-14T13:34:24+01:00 2:42 https://hearthis.at/will-ink-ey/malin-deorbital-descent-yaleesa-hall-remixwill-ink/
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]>
The first is 'Deorbital Descent', a turbo charged and hard hitting techno track with overdriven kicks, big daubs of synthy hook and a real sense of urgency. The claps are hard as you like, and the drums are no less menacing, so think peak time warehouse tackle and you'll not be far wrong. Next up, 'Agaric Fly' is a much more stripped back and down low techno roller with hubby chords, groaning bass and rubbery kicks that seduce and hypnotise. The remix comes from Yaleesa Hall, who has released a solo EP on the label before now. The resulting track is a fulsome, scurrying techno affair with edgy stabs, hurried drums and a real sense of foreboding.

Once again then here, Will & Ink have unearthed yet more lovable, no-frills techno for serious heads everywhere.]]> 1496835 no no Wed, 14 Jan 2015 13:34:08 +0100 2015-01-14T13:34:08+01:00 2:42 https://hearthis.at/will-ink-ey/yaleesa-hall-first-leyland-will-ink/
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]>
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]> 1496836 no no Thu, 25 Sep 2014 09:58:49 +0200 2014-09-25T09:58:49+02:00 1:43 https://hearthis.at/will-ink-ey/yaleesa-hall-second-leyland-will-ink/
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]>
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]> 1496837 no no Thu, 25 Sep 2014 09:58:48 +0200 2014-09-25T09:58:48+02:00 1:50 https://hearthis.at/will-ink-ey/yaleesa-hall-third-leyland-will-ink/
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]>
The three tracks of the EP are straight up club bangers. 'First Leyland' is well swung, dubbed out and raw bit of concrete funk with whip snapping snare lines and moody atmospheres percolating in the background. 'Second Leyland' has a woodpecker like percussive hook running right through the middle of bulky kick drums. Fizzing textures and sandy surfaces add layers of intrigue and help pull you right into he heart of the track before closer 'Third Leyland' toys with broken, stuttering beat patterns, itchy hi hats and rippling dub techno chords. Raw and inventive, stripped back but full of feeling, these are compelling techno tracks that sound like little else out there right now.]]> 1496838 no no Thu, 25 Sep 2014 09:57:28 +0200 2014-09-25T09:57:28+02:00 1:39 https://hearthis.at/will-ink-ey/lando-purple-home-will-ink-remix/
B2. Purple Home (Will & Ink Remix)

Available on Digital & Vinyl October 20th, 2014

Full EP HERE:
https://soundcloud.com/myth-music-label/lando-i-can-see-it-in-you-ep-myth001]]>
B2. Purple Home (Will & Ink Remix)

Available on Digital & Vinyl October 20th, 2014

Full EP HERE:
https://soundcloud.com/myth-music-label/lando-i-can-see-it-in-you-ep-myth001]]> 1496839 no no Tue, 23 Sep 2014 15:33:35 +0200 2014-09-23T15:33:35+02:00 2:05 https://hearthis.at/will-ink-ey/will-ink-mersenne-wnk003/
Opener 'First Mersenne' is a hunched over techno kicker with loud in the mix hi hats leaving icy trails in their wake as chunky beats race below. It's a powerful groove that sweeps all in its way aside. 'Second Mersenne' is similarly defiant in its mission to get from a to b and has some kin ship with the bulky loops of analogue technoists Skudge.

On to the flip side, 'Third Mersenne' is spikey and splintered, with wooden drums and rattling dub chords that work toward a heady and intense peak. Indecipherable vocal yelps hide within the arrangement and add an extra sense of urgency. Finally, 'Mersellanious' is a beat less sketch of pulsing synths and alien sound effects that entombs you in a warm pillow of sound. It's the way each sound is sculpted so expertly that makes these heavyweight tracks so essential.

a1. Will & Ink - First Mersenne
a2. Will & Ink - Second Mersenne
b1. Will & Ink - Third Mersenne
b2. Will & Ink - Mersellanious
]]>
Opener 'First Mersenne' is a hunched over techno kicker with loud in the mix hi hats leaving icy trails in their wake as chunky beats race below. It's a powerful groove that sweeps all in its way aside. 'Second Mersenne' is similarly defiant in its mission to get from a to b and has some kin ship with the bulky loops of analogue technoists Skudge.

On to the flip side, 'Third Mersenne' is spikey and splintered, with wooden drums and rattling dub chords that work toward a heady and intense peak. Indecipherable vocal yelps hide within the arrangement and add an extra sense of urgency. Finally, 'Mersellanious' is a beat less sketch of pulsing synths and alien sound effects that entombs you in a warm pillow of sound. It's the way each sound is sculpted so expertly that makes these heavyweight tracks so essential.

a1. Will & Ink - First Mersenne
a2. Will & Ink - Second Mersenne
b1. Will & Ink - Third Mersenne
b2. Will & Ink - Mersellanious
]]> 1496841 no no Thu, 20 Mar 2014 19:24:54 +0100 2014-03-20T19:24:54+01:00 7:08 https://hearthis.at/will-ink-ey/will-ink-wilson-wnk002/
www.delsinrecords.com/release.php?idxRelease=3660

'First Wilson' is a well swung bit of dub techno that rocks back and forth in a vast open echo chamber and features some crazed machines taking control and whirring manically until the dubby, pendulous garage groove returns once more. 'Second Wilson' is a more flat-footed slow techno jam. The kicks are hard and fast but are softened by blurts of thick synth and various little sound effects and wouldn’t sound out of place on Fachwerk, whilst closing track 'Third Wilson' is another muscular and physical thing with barrelling kick drums, little rays of synth light shooting through and warped and reversed tones cut right through it all to devastating effect. It’s rave and jungle like at the same time as sounding thoroughly contemporary.]]>
www.delsinrecords.com/release.php?idxRelease=3660

'First Wilson' is a well swung bit of dub techno that rocks back and forth in a vast open echo chamber and features some crazed machines taking control and whirring manically until the dubby, pendulous garage groove returns once more. 'Second Wilson' is a more flat-footed slow techno jam. The kicks are hard and fast but are softened by blurts of thick synth and various little sound effects and wouldn’t sound out of place on Fachwerk, whilst closing track 'Third Wilson' is another muscular and physical thing with barrelling kick drums, little rays of synth light shooting through and warped and reversed tones cut right through it all to devastating effect. It’s rave and jungle like at the same time as sounding thoroughly contemporary.]]> 1496842 no no Thu, 03 Oct 2013 12:24:07 +0200 2013-10-03T12:24:07+02:00 5:52 https://hearthis.at/will-ink-ey/will-ink-fermat-wnk001/
http://www.delsinrecords.com/release.php?idxRelease=3567

Delsin is proud to announce that we are working with Will & Ink, a new label and production duo of the same name. Well, they aren’t really new, because individually Will & Ink are Dutchmen with many musical projects to their names.

This new project, however, is something different. When Will & Ink got together for the first time they had a gut feeling that they could add something new to the techno world. This is why their raw and pounding sound is brought to life through custom-built hardware, which you can see in action during their unique live sets.

Now those first tracks get an official release in the form of this three track Fermat EP. The opening track, First Fermat is a well swung, cantering techno groove with swinging hi hats and the sandiest of hits peeling off the top. The percussion and metallic rattles sound like nothing else and all in all it’s one of the most infectious warehouse styled tracks you are likely to hear.

Second Fermat recalls the releases of Fachwerk and is built on the same bubbly, grip-y drums and clattering rhythm sections, but this time a dark, filtered vocal lurks in the middle to add an element of intensity and paranoia amongst the spangled synths.

Finally, Third Fermat is a little more stripped back. The textures are still sandy and rough edged, the beats still seem to lean into a stiff wind but here the hook is a frazzled, blistered little synth which tears up the middle of the track, hypnotising as it goes. This EP marks quite the debut for a pair that has many more special techno treats up their sleeves for the coming months, both in the studio and live arena.]]>
http://www.delsinrecords.com/release.php?idxRelease=3567

Delsin is proud to announce that we are working with Will & Ink, a new label and production duo of the same name. Well, they aren’t really new, because individually Will & Ink are Dutchmen with many musical projects to their names.

This new project, however, is something different. When Will & Ink got together for the first time they had a gut feeling that they could add something new to the techno world. This is why their raw and pounding sound is brought to life through custom-built hardware, which you can see in action during their unique live sets.

Now those first tracks get an official release in the form of this three track Fermat EP. The opening track, First Fermat is a well swung, cantering techno groove with swinging hi hats and the sandiest of hits peeling off the top. The percussion and metallic rattles sound like nothing else and all in all it’s one of the most infectious warehouse styled tracks you are likely to hear.

Second Fermat recalls the releases of Fachwerk and is built on the same bubbly, grip-y drums and clattering rhythm sections, but this time a dark, filtered vocal lurks in the middle to add an element of intensity and paranoia amongst the spangled synths.

Finally, Third Fermat is a little more stripped back. The textures are still sandy and rough edged, the beats still seem to lean into a stiff wind but here the hook is a frazzled, blistered little synth which tears up the middle of the track, hypnotising as it goes. This EP marks quite the debut for a pair that has many more special techno treats up their sleeves for the coming months, both in the studio and live arena.]]> 1496843 no no Wed, 15 May 2013 10:46:58 +0200 2013-05-15T10:46:58+02:00 5:59