聽說有表演第十七場在屋頂 Ting Shuo Has Performance Seventeen on the rooftop
2018.2.25 Sun. 週日, 7pm
@聽說 Ting Shuo Hear Say

::::繼續 Continue - 經含糊 Jīng Hán Hú + Nigel Brown [肢體、墨水、改造手風琴 movement, ink, modified piano accordion] (台灣/澳洲 Taiwan/Australia)::::

「繼續」演出”痕迹”
變相的樂器加碼行為一起將聽說的屋頂變成新類非平衡性行動墨水作品。
“痕迹”是台南的「繼續」的第一場演出嘗試。

經含糊 [肢體、墨水]
經含糊是住在台南的行為藝術家。經以雕塑背景出發,演出時遊走於現場塑造與臨場行為之間。經從台南日常的城市新舊方便拼貼出發來做創作發想。

Nigel Brown [改造手風琴]
nigelbrownsound.com
Nigel Brown 從2004年大學畢業後,就一直在聲音和實驗音樂領域工作。他的廣泛興趣讓他於各界都很活躍,如即興音樂表演、錄音出版製作、展覽裝置、舞蹈和劇場的聲音設計。他這十年來於澳洲、歐洲與東亞各地表演,小型獨立演出到大型音樂藝術節皆有。他的作品專注於實質物體的物理實驗發展,從既存的樂器或物件中找出意外的聲音可能性。

Continue performs ‘Traces’
Hacked instruments and augmented performers get together to turn the rooftop of Ting Shuo Hear Say into an inky and discordant new live work.
‘痕迹 Traces’ is the first performance proposition of Tainan-based outfit 繼續 Continue.

Jīng Hán Hú [movement, ink]
Jing Hán Hú is a performance artist living in Tainan. Having roots in sculpture, Jing moves between making stuff to making live performance. Jing draws inspiration from daily encounters of the makeshift kind in the old and new mash-up of Tainan’s city scape.

Nigel Brown [modified piano accordion]
Nigel Brown works with sound across performance, recording and design for other mediums. Elements of instability and negotiation are central to Nigel’s practice. Sound is approached through delving into the unknown - an unstable constructed instrument, an unfamiliar environment, an improvised encounter - and responding to unexpected results.

    Experimental
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