Photo: 劉念錡

這些簡單的聚集是一邀請,來參與聲音藝術家 Nigel Brown 的研究實作:以行走的體驗來達成專注聆聽的狀態。如 Salome Voegelin 在「聆聽噪音與靜音:走向聲音藝術的哲學 (Bloomsbury, 2013)」中寫到:「聽覺是由實際聆聽中產出」,不同於「觀看的自身,身體與所見物間有一個距離... 聽者與聽見物是互依互存的。」

3月的三個星期一,Nigel 會出發並回到 Dorm 1828:宿舍來做聆聽行走。參與者可以加入行走,並於最後一起討論分享。一個由發出持續音 (drone) 的樂器將陪伴行走的大家,對聲音環境進行團體存在的貢獻。

These simple sessions are an invitation to participate in the research practice of sound artist Nigel Brown; focussing on the experience of walking for the purpose of active listening.
As Salome Voegelin explains in ‘Listening to noise and silence: Towards a philosophy of sound art’ (Bloomsbury, 2013), “the auditory is generated in the listening practice”. Unlike the “viewing self, whose body is at a distance from the seen... the listener is entwined with the heard.”

On four Mondays in March, Nigel will undertake a listening walk that departs from and arrives back at Dorm 1828. Participants may join the walk and a short discussion at the end. A drone based sound making device will accompany the walkers as a contribution to the auditory city that will mark the presence of the group in interaction with the environment.

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    listening walk, sound walk
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