Thu, 23 Apr 2026 15:50:50 +0200 https://hearthis.at/taotekid/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/taotekid/ https://img.hearthis.at/t/a/c/_/uploads/488122/image_user/w1400_h1400_q70_ptrue_v2_----cropped_ad399282e8846e4e28d8c8198f2fad14my-psychedelic-cat.jpg no no https://hearthis.at/taotekid/antipop-consortium-feat-pharoahe-monch-life-what-am-i-remix/ one of the very first sample-based instrumental experiments that I made (on October 25th 2000)
I reworked it & psychedelized it a bit to make this remix that I hope you'll enjoy :D
(I made it with much Love¹² & much Respect¹² :)

The instrumental contains samples from "My Man's Gone Now"
by Bill Evans Trio "Live At The Village Vanguard" :

http://www.allmusic.com/album/sunday-at-the-village-vanguard-mw0000479036

"Moon Rocks" by the Talking Heads from "Speaking In Tongues" :

http://www.allmusic.com/album/speaking-in-tongues-mw0000196011

"Kaya" by Bob Marley :

http://www.allmusic.com/album/kaya-mw0000196690

+ the acapella track from "What Am I?" by Antipop Consortium (feat. Pharoahe Monch & L.I.F.E.)
from "Tragic Epilogue" :

http://www.allmusic.com/album/tragic-epilogue-mw0000054344

SUPPORT THE ARTISTS !

Hprizm/High Priest has been releasing awesome EPs lately, feast your ears, heart & mind to these :)

https://hprizm.bandcamp.com/music

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed,
I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please do contact me :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> one of the very first sample-based instrumental experiments that I made (on October 25th 2000)
I reworked it & psychedelized it a bit to make this remix that I hope you'll enjoy :D
(I made it with much Love¹² & much Respect¹² :)

The instrumental contains samples from "My Man's Gone Now"
by Bill Evans Trio "Live At The Village Vanguard" :

http://www.allmusic.com/album/sunday-at-the-village-vanguard-mw0000479036

"Moon Rocks" by the Talking Heads from "Speaking In Tongues" :

http://www.allmusic.com/album/speaking-in-tongues-mw0000196011

"Kaya" by Bob Marley :

http://www.allmusic.com/album/kaya-mw0000196690

+ the acapella track from "What Am I?" by Antipop Consortium (feat. Pharoahe Monch & L.I.F.E.)
from "Tragic Epilogue" :

http://www.allmusic.com/album/tragic-epilogue-mw0000054344

SUPPORT THE ARTISTS !

Hprizm/High Priest has been releasing awesome EPs lately, feast your ears, heart & mind to these :)

https://hprizm.bandcamp.com/music

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed,
I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please do contact me :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 745345 no no Sun, 21 Feb 2016 15:10:51 +0100 2016-02-21T15:10:51+01:00 2:51 https://hearthis.at/taotekid/the-coltrane-family-samplification-tribute-medley-parts-1-to-4-featuring-q-tip-rakim/
http://www.allmusic.com/album/in-flux-mw0000674170

Alice Coltrane (with strings) "World Galaxy"

http://www.allmusic.com/album/world-galaxy-mw0000743981

John Coltrane "A Love Supreme"

http://www.allmusic.com/album/a-love-supreme-mw0000187827

all served with homemade beats & mixed (with much Love¹²) with Q-Tip's verses from "ILL Vibe" on Busta Rhymes "The Coming"

http://www.allmusic.com/album/the-coming-mw0000185333

excerpts from an interview with John Coltrane from a Japanese promotion flex-idisc pressed in 1965 :)

https://www.youtube.com/watch?v=68UK9guaBoo

& an acapella (with its brass/strings/scratch arrangements & minimalist electronic drums backdrop)
from Eric B. & Rakim's "Follow The Leader"

http://www.allmusic.com/album/follow-the-leader-mw0000197020

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed,
I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please do contact me :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]>
http://www.allmusic.com/album/in-flux-mw0000674170

Alice Coltrane (with strings) "World Galaxy"

http://www.allmusic.com/album/world-galaxy-mw0000743981

John Coltrane "A Love Supreme"

http://www.allmusic.com/album/a-love-supreme-mw0000187827

all served with homemade beats & mixed (with much Love¹²) with Q-Tip's verses from "ILL Vibe" on Busta Rhymes "The Coming"

http://www.allmusic.com/album/the-coming-mw0000185333

excerpts from an interview with John Coltrane from a Japanese promotion flex-idisc pressed in 1965 :)

https://www.youtube.com/watch?v=68UK9guaBoo

& an acapella (with its brass/strings/scratch arrangements & minimalist electronic drums backdrop)
from Eric B. & Rakim's "Follow The Leader"

http://www.allmusic.com/album/follow-the-leader-mw0000197020

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed,
I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please do contact me :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744944 no no Mon, 15 Feb 2016 07:47:10 +0100 2016-02-15T07:47:10+01:00 7:08 https://hearthis.at/taotekid/heathcote-williams-stop-wars/
Apathy is a threat to Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)


]]>
Apathy is a threat to Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)


]]> 744946 no no Wed, 30 Dec 2015 23:15:14 +0100 2015-12-30T23:15:14+01:00 2:11 https://hearthis.at/taotekid/emergence/ that I made in early 2012, it's mostly based on an electronic/acoustic drums duet

(click here https://soundcloud.com/taotekid/emergence#t=3:14 to skip the chord-progressing mellotronic pads
& the spaced-out synth solo to go straight to the drum duet/duel ^_^)

I played the acoustic drums on my e-drumkit, but for full disclosure, the current tempo is 7 BPM faster
than what I originally recorded, so my drumming may sound a bit 'over the top'
& restless at this final tempo, but I like the sense of urgency that it brings to the track :)

(Frank Zappa sometimes accelerated his drum tracks, so why wouldn't I ? :D)]]> that I made in early 2012, it's mostly based on an electronic/acoustic drums duet

(click here https://soundcloud.com/taotekid/emergence#t=3:14 to skip the chord-progressing mellotronic pads
& the spaced-out synth solo to go straight to the drum duet/duel ^_^)

I played the acoustic drums on my e-drumkit, but for full disclosure, the current tempo is 7 BPM faster
than what I originally recorded, so my drumming may sound a bit 'over the top'
& restless at this final tempo, but I like the sense of urgency that it brings to the track :)

(Frank Zappa sometimes accelerated his drum tracks, so why wouldn't I ? :D)]]> 744948 no no Thu, 24 Dec 2015 14:59:46 +0100 2015-12-24T14:59:46+01:00 6:25 https://hearthis.at/taotekid/shadowless-forms-juice-aleem-the-truth-and-hip-hop-global-lies-asian/
http://juice-aleeminati.tumblr.com/post/135123558708/the-truth-and-hip-hop-global-lies-asian-the

the music is based on a 14 (mostly sample-based) instrumental tracks
(featuring tiny bits of music by John Surman, Gary Burton, the Stranglers, Keith Jarrett, Art Ensemble Of Chicago, Clifford Gilberto, Jack Dejohnette, Eric Dolphy, Weather Report, Charles Mingus, John Coltrane Quartet, Charlie Parker, Kim Duk Soo, Frank Zappa, King Crimson, Olivier Messiaen, Reggie Workman & Art Davis (from Coltrane's "Africa Brass"), Pat Metheny & more ... all sampled with much Love¹² & much Respect¹² :)

that I composed between 2000 & 2001 before gradually stopping my compulsive sampling of all my favorite records :)

I started working on the last instrumental (starting at 8min 14sec)in 2002, this one is almost sample-free, I played the percussions, the beat (on a Boss DR-202 Dr. Groove that a friend had lent me for some time), the thumb-piano/kalimba, the guitar & the alto sax (towards the end), I added a bit of synth & I made the bass line using a couple of notes played by Jaco Pastorius :)

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]>
http://juice-aleeminati.tumblr.com/post/135123558708/the-truth-and-hip-hop-global-lies-asian-the

the music is based on a 14 (mostly sample-based) instrumental tracks
(featuring tiny bits of music by John Surman, Gary Burton, the Stranglers, Keith Jarrett, Art Ensemble Of Chicago, Clifford Gilberto, Jack Dejohnette, Eric Dolphy, Weather Report, Charles Mingus, John Coltrane Quartet, Charlie Parker, Kim Duk Soo, Frank Zappa, King Crimson, Olivier Messiaen, Reggie Workman & Art Davis (from Coltrane's "Africa Brass"), Pat Metheny & more ... all sampled with much Love¹² & much Respect¹² :)

that I composed between 2000 & 2001 before gradually stopping my compulsive sampling of all my favorite records :)

I started working on the last instrumental (starting at 8min 14sec)in 2002, this one is almost sample-free, I played the percussions, the beat (on a Boss DR-202 Dr. Groove that a friend had lent me for some time), the thumb-piano/kalimba, the guitar & the alto sax (towards the end), I added a bit of synth & I made the bass line using a couple of notes played by Jaco Pastorius :)

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744950 no no Wed, 16 Dec 2015 13:04:19 +0100 2015-12-16T13:04:19+01:00 9:14 https://hearthis.at/taotekid/heathcote-williams-feat-pierre-henry-burn-babylon-burn-revelationsapocalypse-18/ (the last book in the Bible, also known as "Apocalypse"
which means "revelation" in greek,
see here for the text ► http://biblehub.com/kjv/revelation/18.htm)
as narrated by Heathcote Williams
(the audio record is available here : https://itunes.apple.com/en/audiobook/revelation-st.-john-divine/id401784593 )

Heathcote Williams' latest book, “Royal Babylon – The Case Against the Monarchy” is out now! :

https://bookshop.theguardian.com/catalog/product/view/id/371417/

The music in the 1st part is based on samples that I borrowed
from Pierre Henry's own far-out "musique concrète) rendition of the same prophetic text
which was released as "Apocalypse de Jean" in 1968,
(the music is available here : https://itunes.apple.com/fr/album/lapocalypse-de-jean/id726251288
more info/credits here : http://www.discogs.com/Pierre-Henry-Apocalypse-De-Jean-Volumes-I-II-III/release/1150964 )
I composed it along with its beat in 2001 :)

I recently re-worked the mix & the instrumentation of the music in the 2nd part from the bottom up, that one is all mine, one of the first 100% sample-free tracks that I made that same year 2001 before gradually stopping my compulsive sampling of all my favorite records,
I actually played/recorded the (acoustic) alto sax in this one, it's not a "virtual" instrument played via midi keyboard :)

also, The International Times ("The Newspaper Of Resistance") is relaunching ON PAPER for the 50th year of *IT*, issue zero contains searing polemics, investigative journalism, satiric comics, a poem, and much more, get *IT* here :

https://www.etsy.com/uk/listing/264543463/international-times-issue-zero

*IT* is quite "The cowbell as a symbol of unbridled passion, ladies and gentlemen."
.. "Yes, so perverted !" ^_^ !!!!
- Frank Zappa, "Be-bop Tango (Of The Old Jazzmen's Church)",
Roxy & Elsewhere (1973, © & ® Zappa Family Trust)

http://internationaltimes.it/


DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> (the last book in the Bible, also known as "Apocalypse"
which means "revelation" in greek,
see here for the text ► http://biblehub.com/kjv/revelation/18.htm)
as narrated by Heathcote Williams
(the audio record is available here : https://itunes.apple.com/en/audiobook/revelation-st.-john-divine/id401784593 )

Heathcote Williams' latest book, “Royal Babylon – The Case Against the Monarchy” is out now! :

https://bookshop.theguardian.com/catalog/product/view/id/371417/

The music in the 1st part is based on samples that I borrowed
from Pierre Henry's own far-out "musique concrète) rendition of the same prophetic text
which was released as "Apocalypse de Jean" in 1968,
(the music is available here : https://itunes.apple.com/fr/album/lapocalypse-de-jean/id726251288
more info/credits here : http://www.discogs.com/Pierre-Henry-Apocalypse-De-Jean-Volumes-I-II-III/release/1150964 )
I composed it along with its beat in 2001 :)

I recently re-worked the mix & the instrumentation of the music in the 2nd part from the bottom up, that one is all mine, one of the first 100% sample-free tracks that I made that same year 2001 before gradually stopping my compulsive sampling of all my favorite records,
I actually played/recorded the (acoustic) alto sax in this one, it's not a "virtual" instrument played via midi keyboard :)

also, The International Times ("The Newspaper Of Resistance") is relaunching ON PAPER for the 50th year of *IT*, issue zero contains searing polemics, investigative journalism, satiric comics, a poem, and much more, get *IT* here :

https://www.etsy.com/uk/listing/264543463/international-times-issue-zero

*IT* is quite "The cowbell as a symbol of unbridled passion, ladies and gentlemen."
.. "Yes, so perverted !" ^_^ !!!!
- Frank Zappa, "Be-bop Tango (Of The Old Jazzmen's Church)",
Roxy & Elsewhere (1973, © & ® Zappa Family Trust)

http://internationaltimes.it/


DISCLAIMER : the audio mix of these sources should be considered as a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744952 no no Mon, 30 Nov 2015 01:20:43 +0100 2015-11-30T01:20:43+01:00 5:34 https://hearthis.at/taotekid/jello-biafra-die-for-oil-sucker-the-come-on-frenchie-snap-it-remix/
you can get I Blow Minds For A Living" & "Die For Oil, Sucker"
& thus support Jello Biafra here :)

http://www.alternativetentacles.com/product.php?product=21

the music is based on a handful of (mostly sample-based) instrumental tracks

(featuring tiny bit of music by Frank Zappa, King Crimson, Olivier Messiaen, Reggie Workman & Art Davis, Charles Mingus, Pierre Henry ... all sampled with much Love¹² & much Respect¹² :)

that I composed between 2000 & 2002 (I just re-worked the mix & the instrumentation of the final track from the bottom up, that one is all mine, one of the first 100% sample-free tracks that I made before gradually stopping my compulsive sampling of all my favorite records :)

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]>
you can get I Blow Minds For A Living" & "Die For Oil, Sucker"
& thus support Jello Biafra here :)

http://www.alternativetentacles.com/product.php?product=21

the music is based on a handful of (mostly sample-based) instrumental tracks

(featuring tiny bit of music by Frank Zappa, King Crimson, Olivier Messiaen, Reggie Workman & Art Davis, Charles Mingus, Pierre Henry ... all sampled with much Love¹² & much Respect¹² :)

that I composed between 2000 & 2002 (I just re-worked the mix & the instrumentation of the final track from the bottom up, that one is all mine, one of the first 100% sample-free tracks that I made before gradually stopping my compulsive sampling of all my favorite records :)

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744953 no no Thu, 19 Nov 2015 11:09:11 +0100 2015-11-19T11:09:11+01:00 9:28 https://hearthis.at/taotekid/busta-rhymes-woo-hah-the-far-out-beyond-remix-parts-1-2/ that I made in 2003 & 2001 from the bottom up (#)
& mixed Busta Rhymes' classic into them to put them to the test ^_^
(I actually played/recorded the (acoustic) alto sax in the 2nd part,
it's not a "virtual" instrument played via midi keyboard - like the ones that I use when I need sax nowadays :)

I hope that you'll dig this :D

# for comparison, here's how the 2003 instrumental in the 1st part sounded before I re-worked its mix & instrumentation, believe it or not, I couldn't afford buying much gear at the time(I still can't) so I had to do with what I had & originally mixed these using my teenage/80s era ghetto blaster as monitors, so I'm very happy to give these tracks a new life some 12 & 14 years later ^_^

https://soundcloud.com/taotekid/roots-manuva-witness-one-hope-top-shelf-psychedelic-material-remix

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> that I made in 2003 & 2001 from the bottom up (#)
& mixed Busta Rhymes' classic into them to put them to the test ^_^
(I actually played/recorded the (acoustic) alto sax in the 2nd part,
it's not a "virtual" instrument played via midi keyboard - like the ones that I use when I need sax nowadays :)

I hope that you'll dig this :D

# for comparison, here's how the 2003 instrumental in the 1st part sounded before I re-worked its mix & instrumentation, believe it or not, I couldn't afford buying much gear at the time(I still can't) so I had to do with what I had & originally mixed these using my teenage/80s era ghetto blaster as monitors, so I'm very happy to give these tracks a new life some 12 & 14 years later ^_^

https://soundcloud.com/taotekid/roots-manuva-witness-one-hope-top-shelf-psychedelic-material-remix

DISCLAIMER : the audio mix of these sources should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744955 no no Sat, 14 Nov 2015 04:32:24 +0100 2015-11-14T04:32:24+01:00 4:38 https://hearthis.at/taotekid/linky-nouveau-compteur-dit-intelligent-attention-danger/
https://www.facebook.com/antilinky/posts/1671288406421109

# un mix (d'une demie-heure) fait de (2 douzaines de) morceaux instrumentaux originaux
(à base de samples de Maurice Ravel, Frank Zappa, King Crimson, Magma, Olivier Messiaen, Pierre Henry etc ... prélevés avec Amour¹² :D)
que j'ai composés entre 2000 et 2002 :)

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]>
https://www.facebook.com/antilinky/posts/1671288406421109

# un mix (d'une demie-heure) fait de (2 douzaines de) morceaux instrumentaux originaux
(à base de samples de Maurice Ravel, Frank Zappa, King Crimson, Magma, Olivier Messiaen, Pierre Henry etc ... prélevés avec Amour¹² :D)
que j'ai composés entre 2000 et 2002 :)

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 744958 no no Sun, 25 Oct 2015 20:43:47 +0100 2015-10-25T20:43:47+01:00 29:23 https://hearthis.at/taotekid/author-shows-compelling-connection-companies-that-promote-violent-music-also-own-private-prisons/ narrated using text-to-speech technology :

http://yourblackworld.net/2013/04/27/author-shows-compelling-connection-companies-that-promote-violent-music-also-own-private-prisons/

I made the music after I discovered Maia Koenig/Rrayen's awesome work & found myself so inspired by this live improvised collaboration with "Incidental Ambient" that I decided that I had to remix/build on it :D

https://soundcloud.com/incidental-ambient/incidental-ambient-rayen

check out Maia Koenig's awesome music here :)

https://soundcloud.com/rrayen

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

#Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)
+ myriads of #Blessings¹² ^_^ ONE¹² (y) 1¹² ]]> narrated using text-to-speech technology :

http://yourblackworld.net/2013/04/27/author-shows-compelling-connection-companies-that-promote-violent-music-also-own-private-prisons/

I made the music after I discovered Maia Koenig/Rrayen's awesome work & found myself so inspired by this live improvised collaboration with "Incidental Ambient" that I decided that I had to remix/build on it :D

https://soundcloud.com/incidental-ambient/incidental-ambient-rayen

check out Maia Koenig's awesome music here :)

https://soundcloud.com/rrayen

"#HipHop is the Vehicle to Deliver Innumerable Lessons! #AfrikaBambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching #awareness, #knowledge, #wisdom, #understanding, #freedom, #justice, #equality, #peace, #unity, #love, #respect, #responsibility and #recreation, overcoming #challenges, #economics, #mathematics. #science, #life, #truth, #facts and #faith."

http://zulunation.com/oldsitebak/hip_hop_history_2.htm

#Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)
+ myriads of #Blessings¹² ^_^ ONE¹² (y) 1¹² ]]> 744960 no no Mon, 19 Oct 2015 13:26:06 +0200 2015-10-19T13:26:06+02:00 6:33 https://hearthis.at/taotekid/lord-buckley-the-most-immaculately-hip-aristocrat-hipster-of-the-heart-by-heathcote-williams/ by Heathcote Williams

http://internationaltimes.it/h-r-h-lord-buckley-the-most-immaculately-hip-aristocrat-and-hipster-of-the-heart/

PLEASE NOTE that this is an early demo made with a text-to-speech/sampled voice (mixed with home-made, original, sample-free music), the real thing will (hopefully) be interpreted by real-life poets & musicians who will breathe life into this wonderful, trippy poetic tribute from one of the "coolest, grooviest, sweetest, wailingest, strongest, swingingest cats that ever stomped on this jumpin’ green sphere" to another :)]]> by Heathcote Williams

http://internationaltimes.it/h-r-h-lord-buckley-the-most-immaculately-hip-aristocrat-and-hipster-of-the-heart/

PLEASE NOTE that this is an early demo made with a text-to-speech/sampled voice (mixed with home-made, original, sample-free music), the real thing will (hopefully) be interpreted by real-life poets & musicians who will breathe life into this wonderful, trippy poetic tribute from one of the "coolest, grooviest, sweetest, wailingest, strongest, swingingest cats that ever stomped on this jumpin’ green sphere" to another :)]]> 744961 no no Sat, 17 Oct 2015 12:59:19 +0200 2015-10-17T12:59:19+02:00 11:23 https://hearthis.at/taotekid/the-prime-minister-and-the-pigs-head-by-heathcote-williams-trash-metalgrindcore-debussy-remix/
http://internationaltimes.it/the-prime-minister-and-the-pigs-head-the-necrophiliac-extremism-of-a-bestial-fellator/

these instrumental tracks are homemade/sample-free (made with "virtual instruments"), I made the one in the 1st part for a short horror film that friends had made (but sadly never released), the second part is another Trash-Metal/Grindcore experiment but this particular one is based on Claude Debussy's "Toccata" from "Pour Le Piano" which I was sure would work great in a metal environment, & I think it does work quite well, I hope you'll enjoy the result :D]]>
http://internationaltimes.it/the-prime-minister-and-the-pigs-head-the-necrophiliac-extremism-of-a-bestial-fellator/

these instrumental tracks are homemade/sample-free (made with "virtual instruments"), I made the one in the 1st part for a short horror film that friends had made (but sadly never released), the second part is another Trash-Metal/Grindcore experiment but this particular one is based on Claude Debussy's "Toccata" from "Pour Le Piano" which I was sure would work great in a metal environment, & I think it does work quite well, I hope you'll enjoy the result :D]]> 744963 no no Mon, 28 Sep 2015 10:34:17 +0200 2015-09-28T10:34:17+02:00 3:46 https://hearthis.at/taotekid/la-mme-by-heathcote-williams/ Heathcote Williams celebrates the legendary French singer who aided the French resistance to Nazi occupation in World War Two. She sheltered Jewish friends. Photographs of her performances for French prisoners in Germany were used to make fake passports, enabling many prisoners to escape.

Words: Heathcote Williams : http://internationaltimes.it/no-regrets/
Narration : Alan Cox
Music: Eric "Taotekid" Morabito (based on "Soul Bird" by Lizzy Parks)]]> Heathcote Williams celebrates the legendary French singer who aided the French resistance to Nazi occupation in World War Two. She sheltered Jewish friends. Photographs of her performances for French prisoners in Germany were used to make fake passports, enabling many prisoners to escape.

Words: Heathcote Williams : http://internationaltimes.it/no-regrets/
Narration : Alan Cox
Music: Eric "Taotekid" Morabito (based on "Soul Bird" by Lizzy Parks)]]> 744964 no no Mon, 21 Sep 2015 09:02:54 +0200 2015-09-21T09:02:54+02:00 6:43 https://hearthis.at/taotekid/all-kinds-of-notes-filling-the-room/ All these notes are mine (no samples, except the voices that I borrowed & scratched, no midi loops either, these are my beats),
all ("virtual" instruments) played (on Handsonic & midi-keyboard),
recorded & arranged (in Cockos' Reaper) by me,
with much Love¹² & I hope that you'll feel it :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)
+ myriads of Blessings¹² to you
& your loved ones
& their loved ones
& their loved ones'
loved ones
etc ...]]> All these notes are mine (no samples, except the voices that I borrowed & scratched, no midi loops either, these are my beats),
all ("virtual" instruments) played (on Handsonic & midi-keyboard),
recorded & arranged (in Cockos' Reaper) by me,
with much Love¹² & I hope that you'll feel it :)

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic, as in Psalm 34:14)
+ myriads of Blessings¹² to you
& your loved ones
& their loved ones
& their loved ones'
loved ones
etc ...]]> 744965 no no Wed, 02 Sep 2015 07:13:25 +0200 2015-09-02T07:13:25+02:00 4:07 https://hearthis.at/taotekid/freestylee-sample-free-jazz-fusiondrumnbass-ish-funk-experiment-2004/ I played the bass as well as the keys on it,
I also played/recorded the guitar & the alto sax
& sequenced the beat(s) in FL Studio ^_^

I hope you'll enjoy this :D]]> I played the bass as well as the keys on it,
I also played/recorded the guitar & the alto sax
& sequenced the beat(s) in FL Studio ^_^

I hope you'll enjoy this :D]]> 363734 no no Tue, 18 Aug 2015 11:53:37 +0200 2015-08-18T11:53:37+02:00 2:10 https://hearthis.at/taotekid/victor-hugo-la-fin-de-satan-chant-viii-christ-voit-ce-qui-arrivera-christs-prophecy/ AMAZING book "La Fin De Satan" (#)
with a piano + orchestra (+ Mellotron) impro-composition
(which I named "Encomium Of Love") that was inspired by
& is dedicated to the great & wonderful Annette Peacock (*) :)

# "Chant VIII: Christ Voit Ce Qui Arrivera" (Christ's Prophecy)
from "Le Gibet - Excerpts from La Fin de Satan: By Victor Hugo"
narrated by Lucie de Vienne Blanc and Henri Barras,
the 1961 record can easily be bought online in mp3 format, just search for "Le Gibet - Excerpts from La Fin de Satan: By Victor Hugo Lucie de Vienne Blanc and Henri Barras" :D

* "The Outness Queen" recently released "I belong to a world that's destroying itself"
(a.k.a. Revenge) it's available at :

www.annettepeacock.com/AP_Shop.html :D

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> AMAZING book "La Fin De Satan" (#)
with a piano + orchestra (+ Mellotron) impro-composition
(which I named "Encomium Of Love") that was inspired by
& is dedicated to the great & wonderful Annette Peacock (*) :)

# "Chant VIII: Christ Voit Ce Qui Arrivera" (Christ's Prophecy)
from "Le Gibet - Excerpts from La Fin de Satan: By Victor Hugo"
narrated by Lucie de Vienne Blanc and Henri Barras,
the 1961 record can easily be bought online in mp3 format, just search for "Le Gibet - Excerpts from La Fin de Satan: By Victor Hugo Lucie de Vienne Blanc and Henri Barras" :D

* "The Outness Queen" recently released "I belong to a world that's destroying itself"
(a.k.a. Revenge) it's available at :

www.annettepeacock.com/AP_Shop.html :D

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 363736 no no Mon, 17 Aug 2015 13:37:02 +0200 2015-08-17T13:37:02+02:00 4:07 https://hearthis.at/taotekid/ground-zero-remix-mass-influencedynamic-syncopation/
I hope you'll enjoy it :D

get "Ground Zero" & more by Dynamic Syncopation ft. Mass Influence here :

http://ninjatune.net/release/dynamic-syncopation/dynamism

#‎Peace‬ ¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic) ]]>
I hope you'll enjoy it :D

get "Ground Zero" & more by Dynamic Syncopation ft. Mass Influence here :

http://ninjatune.net/release/dynamic-syncopation/dynamism

#‎Peace‬ ¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic) ]]> 363737 no no Thu, 06 Aug 2015 07:52:48 +0200 2015-08-06T07:52:48+02:00 4:07 https://hearthis.at/taotekid/mixtapothegmosaurus-erectus/ that allows me to make live mash-ups/mixes
(while triggering samples like a real nice'n'sleazy beat,
a vigorous tom-roll, bizarre people saying bizarre stuff,
sirens & noises :D)

I recorded this short (30 minutes) demo-mix
as some sort of teaser that I can use to hopefully
get gigs as a DJ in my area :)

I hope you'll enjoy the ride/trip :D
here's the track-list :

- Osymyso "Welcome To Musicland" :D

- Tom Dissevelt and Kid Baltan "Vibration"
(The Visitor From Inner Space) ...

- The Stranglers "Rok It To The Moon" >:o !
+ Busta Rhymes "Woo Hah !"(acapella):D

- Herbie Hancock "Rock It"
+ Beastie Boys (acapella) "Body Movin' !

- Divine Styler "Ain't Sayin' Nothin' ...

- Brian Eno "No One Receiving"
+ Devo "Whip It" ! (acapella):D

- Tom Tom Club "Wordy Rappinghood"
+ Blondie "Rapture" ♥ (acapella)

- Osymyso "Apothegm"
(noun : a short, pithy, instructive saying ;
a terse remark or aphorism >:o :D )
+ Q-Tip "Breathe And Stop" :)

- M.I.A. "Bird Flu"

- David Bowie "Fame"
+ Deee-Lite Groove Is In The Heart ♥ ! (acapella)
+ Queen "WE Will Rock YOU" ! (acapella)

-------------------------------------------------

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic)
+ Blessings¹² ....]]> that allows me to make live mash-ups/mixes
(while triggering samples like a real nice'n'sleazy beat,
a vigorous tom-roll, bizarre people saying bizarre stuff,
sirens & noises :D)

I recorded this short (30 minutes) demo-mix
as some sort of teaser that I can use to hopefully
get gigs as a DJ in my area :)

I hope you'll enjoy the ride/trip :D
here's the track-list :

- Osymyso "Welcome To Musicland" :D

- Tom Dissevelt and Kid Baltan "Vibration"
(The Visitor From Inner Space) ...

- The Stranglers "Rok It To The Moon" >:o !
+ Busta Rhymes "Woo Hah !"(acapella):D

- Herbie Hancock "Rock It"
+ Beastie Boys (acapella) "Body Movin' !

- Divine Styler "Ain't Sayin' Nothin' ...

- Brian Eno "No One Receiving"
+ Devo "Whip It" ! (acapella):D

- Tom Tom Club "Wordy Rappinghood"
+ Blondie "Rapture" ♥ (acapella)

- Osymyso "Apothegm"
(noun : a short, pithy, instructive saying ;
a terse remark or aphorism >:o :D )
+ Q-Tip "Breathe And Stop" :)

- M.I.A. "Bird Flu"

- David Bowie "Fame"
+ Deee-Lite Groove Is In The Heart ♥ ! (acapella)
+ Queen "WE Will Rock YOU" ! (acapella)

-------------------------------------------------

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic)
+ Blessings¹² ....]]> :o ! + Busta Rhymes "Woo Hah !"(acapella):D - Herbie Hancock "Rock It" + Beastie Boys (acapella) "Body Movin' ! - Divine Styler "Ain't Sayin' Nothin' ... - Brian Eno "No One Receiving" + Devo "Whip It" ! (acapella):D - Tom Tom Club "Wordy Rappinghood" + Blondie "Rapture" ♥ (acapella) - Osymyso "Apothegm" (noun : a short, pithy, instructive saying ; a terse remark or aphorism >:o :D ) + Q-Tip "Breathe And Stop" :) - M.I.A. "Bird Flu" - David Bowie "Fame" + Deee-Lite Groove Is In The Heart ♥ ! (acapella) + Queen "WE Will Rock YOU" ! (acapella) ------------------------------------------------- Peace¹² שָׁלוֹם ܫܠܡ سَلاَم (in Hebrew, Aramaic & Arabic) + Blessings¹² ....]]> 363740 no no Sun, 21 Jun 2015 20:12:49 +0200 2015-06-21T20:12:49+02:00 31:25 https://hearthis.at/taotekid/birdmiles-deee-lite-bustaq-tip-the-ill-live-evilhalf-nelson-groove-in-the-heart-vibe-mix/ are "Back to the future" playing with Miles' Live/Evil band
(featuring John McLaughlin, Keith Jarrett, Michael Henderson, Jack DeJohnette & Airto Moreira) :)

I made this in late 2002, it's probably one of the best things
that came out of my compulsive Samplification phase
(which lasted a couple of years before I decided to do/play/sequence/record
my own thing & thus not owe anything to anyone :)

I've never presented this track publicly until today
because of the obvious copyright related issues,
issues which I decided to make even more obvious
by adding two more borrowed recordings,
namely Deee-Lite & Q-Tip (feat. tiny bits of Busta) acapellas into the mix ^_^

I'm just putting this here to be streamed (as opposed to downloaded) for what I hope will be YOUR enjoyment :D

so there ! I made this with much respect & much Love¹²
& I hope that you'll FEEL this ! :)

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> are "Back to the future" playing with Miles' Live/Evil band
(featuring John McLaughlin, Keith Jarrett, Michael Henderson, Jack DeJohnette & Airto Moreira) :)

I made this in late 2002, it's probably one of the best things
that came out of my compulsive Samplification phase
(which lasted a couple of years before I decided to do/play/sequence/record
my own thing & thus not owe anything to anyone :)

I've never presented this track publicly until today
because of the obvious copyright related issues,
issues which I decided to make even more obvious
by adding two more borrowed recordings,
namely Deee-Lite & Q-Tip (feat. tiny bits of Busta) acapellas into the mix ^_^

I'm just putting this here to be streamed (as opposed to downloaded) for what I hope will be YOUR enjoyment :D

so there ! I made this with much respect & much Love¹²
& I hope that you'll FEEL this ! :)

DISCLAIMER : the audio mix of these sources
should be considered a derivative work
as allowed under the "fair use" rule of the copyright law (section 107 of the Copyright Act 1976),
it is noncommercial and transformative in nature, uses no more of the original than necessary,
and has no negative effect on the market for the original work.

No copyright is claimed in this musical experiment and to the extent that material may appear to be infringed, I assert that such alleged infringement is permissible under "fair use" principles in U.S. copyright laws.

However, if you believe material has been used in an unauthorized manner, please contact me.

Best regards,

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 363741 no no Mon, 15 Jun 2015 19:53:32 +0200 2015-06-15T19:53:32+02:00 4:13 https://hearthis.at/taotekid/antipop-consortium-reflections-the-honorable-mention-remix/ (AND I was "brave enough to incorporate the "tempo change ending" :D )

https://freemusicarchive.org/curator/WFMU/blog/Anti-Pop_Consortium_remix_contest_winners

it's 100% sample-free
-except one-shot percussion samples-
all made with VST instruments in FLStudio :)

I hope you'll enjoy it :D

get "Reflections" & the whole "Fluorescent Black" album here :

http://bigdada.com/release/anti-pop-consortium/fluorescent-black

get music by HPrizm/High Priest here :

https://hprizm.bandcamp.com/music

get Knifefight, Beans' collaborative Anticon EP with producer Mux Mool here :

https://anticon.bandcamp.com/album/knifefight

& more music by Beans here :

https://itunes.apple.com/artist/beans/id3636234

Peace¹² ]]> (AND I was "brave enough to incorporate the "tempo change ending" :D )

https://freemusicarchive.org/curator/WFMU/blog/Anti-Pop_Consortium_remix_contest_winners

it's 100% sample-free
-except one-shot percussion samples-
all made with VST instruments in FLStudio :)

I hope you'll enjoy it :D

get "Reflections" & the whole "Fluorescent Black" album here :

http://bigdada.com/release/anti-pop-consortium/fluorescent-black

get music by HPrizm/High Priest here :

https://hprizm.bandcamp.com/music

get Knifefight, Beans' collaborative Anticon EP with producer Mux Mool here :

https://anticon.bandcamp.com/album/knifefight

& more music by Beans here :

https://itunes.apple.com/artist/beans/id3636234

Peace¹² ]]> 363743 no no Mon, 08 Jun 2015 07:22:46 +0200 2015-06-08T07:22:46+02:00 3:31 https://hearthis.at/taotekid/coldcut-feat-roots-manuva-true-skool-remix/ & (pseudo-)re-mastering it somewhat,
I used some samples from the original track by Coldcut,
(from "Sound Mirrors" which I invite you to get here :

http://ninjatune.net/release/coldcut/sound-mirrors

all the rest was made with a mix of real acoustic instruments
(double-bass, guitar, played by me) & "virtual" VST instruments in FL Studio, I hope you'll enjoy it :D]]> & (pseudo-)re-mastering it somewhat,
I used some samples from the original track by Coldcut,
(from "Sound Mirrors" which I invite you to get here :

http://ninjatune.net/release/coldcut/sound-mirrors

all the rest was made with a mix of real acoustic instruments
(double-bass, guitar, played by me) & "virtual" VST instruments in FL Studio, I hope you'll enjoy it :D]]> 363745 no no Thu, 04 Jun 2015 05:48:35 +0200 2015-06-04T05:48:35+02:00 3:40 https://hearthis.at/taotekid/the-anarchist-jesus-by-heathcote-williams-radical-love-samplification-mix-suite/
I'd love to give some of those tracks a proper release, but I would have to do it right & most of them would be absolute licensing nightmares, each track containing at the very least 2 samples from different records & most often 5 on average, so I'm just putting this here to be streamed (as opposed to downloaded) for what I hope will be YOUR enjoyment :D

you can listen to Heathcote Williams'
"The Anarchist Jesus" narrated by Alan Cox here :

https://www.youtube.com/watch?v=PiDcdTv5LZE&list=PLLM58ROhsS8MXfcrbXNsd4pWXt0DRzfuK

AND here is "Royal Babylon" by Heathcote Williams,
an absolute MUST ! :o

https://www.youtube.com/watch?v=jIukrdRhnpw

Please do contact me if you think that this track has no business
being here because it constitutes copyright infringement,
I might be able to propose you an offer that you can't refuse ;)

& no, that is not a thinly veiled mafia-esque threat :)

seriously though, from what I gathered, the audio mix of these sources
should be considered a derivative work
(uploaded here strictly for nonprofit enjoyment purposes)
which is allowed under the "fair use" rule of the copyright law :)

but if you think otherwise, please do contact me
(before doing anything silly
that you might regret) < that's a JOKE too ;)
you won't regret it ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]>
I'd love to give some of those tracks a proper release, but I would have to do it right & most of them would be absolute licensing nightmares, each track containing at the very least 2 samples from different records & most often 5 on average, so I'm just putting this here to be streamed (as opposed to downloaded) for what I hope will be YOUR enjoyment :D

you can listen to Heathcote Williams'
"The Anarchist Jesus" narrated by Alan Cox here :

https://www.youtube.com/watch?v=PiDcdTv5LZE&list=PLLM58ROhsS8MXfcrbXNsd4pWXt0DRzfuK

AND here is "Royal Babylon" by Heathcote Williams,
an absolute MUST ! :o

https://www.youtube.com/watch?v=jIukrdRhnpw

Please do contact me if you think that this track has no business
being here because it constitutes copyright infringement,
I might be able to propose you an offer that you can't refuse ;)

& no, that is not a thinly veiled mafia-esque threat :)

seriously though, from what I gathered, the audio mix of these sources
should be considered a derivative work
(uploaded here strictly for nonprofit enjoyment purposes)
which is allowed under the "fair use" rule of the copyright law :)

but if you think otherwise, please do contact me
(before doing anything silly
that you might regret) < that's a JOKE too ;)
you won't regret it ! :D

Peace¹² שָׁלוֹם ܫܠܡ سَلاَم + Myriads of Blessings¹²
+ Much Love¹² ]]> 363751 no no Mon, 11 May 2015 16:08:07 +0200 2015-05-11T16:08:07+02:00 10:11 https://hearthis.at/taotekid/taotekid-the-chase/
(you can try a sextet version with strings (the 22nd track) here if you like it :

http://taotekid.bandcamp.com : ) ]]>
(you can try a sextet version with strings (the 22nd track) here if you like it :

http://taotekid.bandcamp.com : ) ]]> 363754 no no Sat, 15 Oct 2011 09:44:29 +0200 2011-10-15T09:44:29+02:00 3:21 https://hearthis.at/taotekid/taotekid-the-chase-naked/

(you can try a sextet version with strings (the 23rd track) here if you like it :

http://taotekid.bandcamp.com )]]>

(you can try a sextet version with strings (the 23rd track) here if you like it :

http://taotekid.bandcamp.com )]]> 363756 no no Sat, 15 Oct 2011 09:33:52 +0200 2011-10-15T09:33:52+02:00 3:21