Sat, 18 Apr 2026 22:29:51 +0200 https://hearthis.at/spaces/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/spaces/ https://img.hearthis.at/2/7/0/_/uploads/521992/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1484656072.jpg no no https://hearthis.at/spaces/lucyclairethecomposerseries/
Lucy trained at London’s Royal College of Music in composition and music for the moving image Lucy has collaborated with many filmmakers, choreographers and artists on projects as well as releasing solo work and performing live around London. Lucy is currently writing and recording her debut album for a release in Autumn 2015.

She released her debut EP ‘Suite’ in August 2013 on This Is It Forever records. It is music that takes you outside, into unfamiliar settings but with familiar sounds. The milieu of the world is present in the tracks, warm and comforting yet strange and haunting. It was received to much applause with The Quietus describing the release as ‘brilliant, delicately-wrought sketches’ and Dani Charlton of Amazing Radio naming her ‘Artist of the week’.

Her latest release ‘Collaborations No.1’ sees Lucy wrap her melancholy, spectral sound around the work of two collaborators – vocalist Alev Lenz and guitarist Bruised Skies. Reaching the ears of BBC6 DJ’s Mary Anne Hobbs and Tom Robinson, the lead track ‘Stille’ was playlisted with Robinson describing it as ‘extraordinary’ and a ‘really complex deep work’.

Claire takes recordings from the world, from the everyday hum of the city to expansive landscapes of the natural world to small every day sounds. Soundscapes are important in Claire’s work, but are often manipulated in a dark and lingering surreal ways.]]>
Lucy trained at London’s Royal College of Music in composition and music for the moving image Lucy has collaborated with many filmmakers, choreographers and artists on projects as well as releasing solo work and performing live around London. Lucy is currently writing and recording her debut album for a release in Autumn 2015.

She released her debut EP ‘Suite’ in August 2013 on This Is It Forever records. It is music that takes you outside, into unfamiliar settings but with familiar sounds. The milieu of the world is present in the tracks, warm and comforting yet strange and haunting. It was received to much applause with The Quietus describing the release as ‘brilliant, delicately-wrought sketches’ and Dani Charlton of Amazing Radio naming her ‘Artist of the week’.

Her latest release ‘Collaborations No.1’ sees Lucy wrap her melancholy, spectral sound around the work of two collaborators – vocalist Alev Lenz and guitarist Bruised Skies. Reaching the ears of BBC6 DJ’s Mary Anne Hobbs and Tom Robinson, the lead track ‘Stille’ was playlisted with Robinson describing it as ‘extraordinary’ and a ‘really complex deep work’.

Claire takes recordings from the world, from the everyday hum of the city to expansive landscapes of the natural world to small every day sounds. Soundscapes are important in Claire’s work, but are often manipulated in a dark and lingering surreal ways.]]> 445740 no no Thu, 08 Oct 2015 09:00:05 +0200 2015-10-08T09:00:05+02:00 1:06:27 https://hearthis.at/spaces/stray-theories-ambient-mix/
Stray Theories is the ambient electronica project of Australian born musician/composer Micah Templeton-Wolfe who is currently based in New Zealand.

Heavily influenced by minimal ambient, post-rock & electronica, his music is a fusion of melodic ambience & deep textured soundscapes.

The sounds of Stray Theories have appeared on over 50 ambient & downtempo compilation releases, many documentaries, short films, film/multimedia projects and art installations. Tracks & Remixes have been released on a multitude of labels throughout Europe, Australia & New Zealand."

Tracklist here: http://spacesfm.com/2012/12/stray-theories-ambient-electronica/
www.facebook.com/spacesfm

Check out Stray Theories new album here, a fantastic piece of work.
https://soundcloud.com/straytheories/sets/even-though-we-sleep

http://www.facebook.com/straytheories
https://twitter.com/straytheories]]>
Stray Theories is the ambient electronica project of Australian born musician/composer Micah Templeton-Wolfe who is currently based in New Zealand.

Heavily influenced by minimal ambient, post-rock & electronica, his music is a fusion of melodic ambience & deep textured soundscapes.

The sounds of Stray Theories have appeared on over 50 ambient & downtempo compilation releases, many documentaries, short films, film/multimedia projects and art installations. Tracks & Remixes have been released on a multitude of labels throughout Europe, Australia & New Zealand."

Tracklist here: http://spacesfm.com/2012/12/stray-theories-ambient-electronica/
www.facebook.com/spacesfm

Check out Stray Theories new album here, a fantastic piece of work.
https://soundcloud.com/straytheories/sets/even-though-we-sleep

http://www.facebook.com/straytheories
https://twitter.com/straytheories]]> 384979 no no Fri, 11 Jan 2013 13:37:40 +0100 2013-01-11T13:37:40+01:00 1:13:57 https://hearthis.at/spaces/jameseveringham-thecomposerseries/ 441967 no no Fri, 16 Oct 2015 09:00:04 +0200 2015-10-16T09:00:04+02:00 1:06:18 https://hearthis.at/spaces/tonyandersoncomposer/ 413443 no no Thu, 17 Sep 2015 00:03:01 +0200 2015-09-17T00:03:01+02:00 1:09:56 https://hearthis.at/spaces/a-strangely-isolated-place-ambient-mix/
This mix has gone through so many edits but I finally landed on something i’m really happy with. It’s a little different from my usual mixes in its approach, as i’ve been a little more creative with the transitions and inclusions. The artists who are featured are overall, pretty well known so I tried to mix it up a little in terms of style and atmosphere to always keep the listener on the edge. Looking at the tracklist it’s quite easy to look over a mix like this as the inclusions are somewhat a little obvious in places, and so it ended up being a hall-of fame when it comes to many of my big influences, both old and new. Classics from Autechre, Loess and Aphex Twin sit alongside new emerging artists such as Heathered Pearls, Segue and of course 36 (who’s inclusion here is an exclusive preview of his upcoming Places Series track). But, If i had to point someone towards a mix that encompassed my favourite music styles today, this would be a good attempt at covering them all. Ambient, modern-classical, electronica, IDM, and dub-techno all feature and i just hope i’ve done them justice bringing them together like this.

01. Floex - Zorya Polunochnaya (ASIP looping edit) [Minority Records, 2011]
02. Biosphere - As The Sun Kissed The Horizon [Touch, 1997]
03. Alva Noto - Is Otto Roessler Right [Unseen Records, 2011]
04. Alva Noto - Xerox Monophaser II [Raster Norton, 2009]
05. Loess - Retinue [Toytronic, 2003]
06. Heathered Pearls - Ringing Temple (Decreased Version) [Ghostly, 2012]
07. Jon Hopkins - Abandon Window [Unseen Records, 2011]
08. Nils Frahm - More [Erased Tapes, 2011]
09. Autechre - Autriche [Warp Records, 1993]
10. AFX - Analogue Bubblebath [Mighty Force, 1991]
11. Segue - Parchment [Silent Season, 2013]
12. bvdub - I Would Have Waited [Distant Noise, 2011]
13. Leandro Fresco - El Cruce Imposible [Kompakt 2013]
14. 36 - Heather Spa [astrangelyisolatedplace, forthcoming 2013]
15. Ólafur Arnalds & Nils Frahm - a1 [Erased Tapes, 2012]]]>
This mix has gone through so many edits but I finally landed on something i’m really happy with. It’s a little different from my usual mixes in its approach, as i’ve been a little more creative with the transitions and inclusions. The artists who are featured are overall, pretty well known so I tried to mix it up a little in terms of style and atmosphere to always keep the listener on the edge. Looking at the tracklist it’s quite easy to look over a mix like this as the inclusions are somewhat a little obvious in places, and so it ended up being a hall-of fame when it comes to many of my big influences, both old and new. Classics from Autechre, Loess and Aphex Twin sit alongside new emerging artists such as Heathered Pearls, Segue and of course 36 (who’s inclusion here is an exclusive preview of his upcoming Places Series track). But, If i had to point someone towards a mix that encompassed my favourite music styles today, this would be a good attempt at covering them all. Ambient, modern-classical, electronica, IDM, and dub-techno all feature and i just hope i’ve done them justice bringing them together like this.

01. Floex - Zorya Polunochnaya (ASIP looping edit) [Minority Records, 2011]
02. Biosphere - As The Sun Kissed The Horizon [Touch, 1997]
03. Alva Noto - Is Otto Roessler Right [Unseen Records, 2011]
04. Alva Noto - Xerox Monophaser II [Raster Norton, 2009]
05. Loess - Retinue [Toytronic, 2003]
06. Heathered Pearls - Ringing Temple (Decreased Version) [Ghostly, 2012]
07. Jon Hopkins - Abandon Window [Unseen Records, 2011]
08. Nils Frahm - More [Erased Tapes, 2011]
09. Autechre - Autriche [Warp Records, 1993]
10. AFX - Analogue Bubblebath [Mighty Force, 1991]
11. Segue - Parchment [Silent Season, 2013]
12. bvdub - I Would Have Waited [Distant Noise, 2011]
13. Leandro Fresco - El Cruce Imposible [Kompakt 2013]
14. 36 - Heather Spa [astrangelyisolatedplace, forthcoming 2013]
15. Ólafur Arnalds & Nils Frahm - a1 [Erased Tapes, 2012]]]> 385162 no no Sun, 06 Sep 2015 20:08:28 +0200 2015-09-06T20:08:28+02:00 59:51 https://hearthis.at/spaces/steve-gibbs-ambient-modern-classical/
Tracklist
01. Codes in the Clouds – The Distance Between Us (Nils Frahm Remix) (0:00)
02. A Winged Victory For The Sullen – Steep Hills of Vicodin Tears (4:08)
03. Jon Hopkins – Small Memory (8:16)
04. Max Richter – On The Nature Of Daylight (9:50)
05. Field Rotation – Acoustic Tale 9 (15:59)
06. Brian McBride – Toil Theme Part 2 (22:53)
07. Kiasmos – Thrown (25:25)
08. Dustin O’Halloran – An Ending, A Beginning (33:27)
09. Oliveray – Growing Waterwings (35:33)
10. Moon Ate the Dark – She/Swimming (39:52)
11. From The Mouth of The Sun – Sitting In A Roofless Room (44:40)
12. Christina Vantzou – Homemade Mountains (47:08)
13. Olan Mill – Eye’s Closed (For Rube) (50:17)]]>
Tracklist
01. Codes in the Clouds – The Distance Between Us (Nils Frahm Remix) (0:00)
02. A Winged Victory For The Sullen – Steep Hills of Vicodin Tears (4:08)
03. Jon Hopkins – Small Memory (8:16)
04. Max Richter – On The Nature Of Daylight (9:50)
05. Field Rotation – Acoustic Tale 9 (15:59)
06. Brian McBride – Toil Theme Part 2 (22:53)
07. Kiasmos – Thrown (25:25)
08. Dustin O’Halloran – An Ending, A Beginning (33:27)
09. Oliveray – Growing Waterwings (35:33)
10. Moon Ate the Dark – She/Swimming (39:52)
11. From The Mouth of The Sun – Sitting In A Roofless Room (44:40)
12. Christina Vantzou – Homemade Mountains (47:08)
13. Olan Mill – Eye’s Closed (For Rube) (50:17)]]> 465150 no no Mon, 14 Sep 2015 20:52:07 +0200 2015-09-14T20:52:07+02:00 53:00 https://hearthis.at/spaces/endless-melancholy-ambient-piano-modern-classical-1/ Ólafur Arnalds – Þú ert sólin
Nils Frahm – Less
Dustin O’Halloran – A Great Divide
Antonymes – 301210
A Winged Victory for the Sullen – A Symphony Pathetique
Goldmund – Parhelia
Ben Woods – After the Wind
Endless Melancholy – You Are The Moonlight
Dakota Suite – Before The Bitter Wind
Library Tapes – Snowleaf
Heinali – Leaves
A Veil of Water – Nostalgia
Jóhann Jóhannsson – Here, They Used to Build Ships
Max Richter – Written On the Sky
Clem Leek – Breaking Down
A Whisper in the Noise – Maya’s Song
Frozen Silence – Nightingale
Dakota Suite & Emanuele Errante – the north green down
Balmorhea – Constellations
Akira Kosemura – Ein Lied
The Tumbled Sea – Walking
Fabrizio Paterlini – Racconto di luna
Le Lendemain – Att Andas
Danny Norbury – This Night Is For You And For Me
Julia Kent – Ailanthus
Dmitry Evgrafov – Storms In Helsinki
LIghts Dim – Parades
Listening Mirror – Wet Roads
Le Mépris – Shizuku]]> Ólafur Arnalds – Þú ert sólin
Nils Frahm – Less
Dustin O’Halloran – A Great Divide
Antonymes – 301210
A Winged Victory for the Sullen – A Symphony Pathetique
Goldmund – Parhelia
Ben Woods – After the Wind
Endless Melancholy – You Are The Moonlight
Dakota Suite – Before The Bitter Wind
Library Tapes – Snowleaf
Heinali – Leaves
A Veil of Water – Nostalgia
Jóhann Jóhannsson – Here, They Used to Build Ships
Max Richter – Written On the Sky
Clem Leek – Breaking Down
A Whisper in the Noise – Maya’s Song
Frozen Silence – Nightingale
Dakota Suite & Emanuele Errante – the north green down
Balmorhea – Constellations
Akira Kosemura – Ein Lied
The Tumbled Sea – Walking
Fabrizio Paterlini – Racconto di luna
Le Lendemain – Att Andas
Danny Norbury – This Night Is For You And For Me
Julia Kent – Ailanthus
Dmitry Evgrafov – Storms In Helsinki
LIghts Dim – Parades
Listening Mirror – Wet Roads
Le Mépris – Shizuku]]> 465140 no no Sun, 08 Nov 2015 08:50:36 +0100 2015-11-08T08:50:36+01:00 2:07:17 https://hearthis.at/spaces/endless-melancholy-ambient-piano-modern-classical-2/ 465132 no no Sun, 06 Dec 2015 23:18:25 +0100 2015-12-06T23:18:25+01:00 2:03:36 https://hearthis.at/spaces/mistr-cinematics-october/
http://www.wastedspaces.net/spaces/2012/10/the-composer-series-maistri/

--------------
Track List:
--------------

00:00 - Elements Of Change - (Vérité)
03:45 - Leathnú - (Morceau)
05:47 - Shauna-Kay Hamilton - This Is My End - (Máistrí Interpretation) **
08:40 - Forgotten - (Morceau)
10:18 - Changes - (Closer - Minimal Piano Project)
13:05 - Meat Beat Manifesto - For Terry Riley - (Máistrí Interpretation)
17:04 - Melodure - (Featuring - Hugh Doolan) **
25:59 - Suree & Elusive Elements - The Fall - (Máistrí - Hard Rain Remix) **
30:25 - Glide **
35:32 - Fortuitous - (Closer - Minimal Piano Project)

37:40 - Things Which Must Shortly Come To Pass - (An interpretation based on the book of Revelation) **

37:40 - Present Time
38:59 - Introduction To The New Age
41:08 - Transformation
42:22 - The False Peace
43:58 - The Veil Is Lifted
44:43 - World Control - Satan In The Flesh
45:56 - Final Confrontation
47:04 - Satan Alone - Scorched Earth
48:54 - The Return
50:36 - Heaven

53:13 - Beginnings - (Vérité)

** Available For Free Download @ soundcloud.com/maistri

All music © 2012 Máistrí All rights Reserved.]]>
http://www.wastedspaces.net/spaces/2012/10/the-composer-series-maistri/

--------------
Track List:
--------------

00:00 - Elements Of Change - (Vérité)
03:45 - Leathnú - (Morceau)
05:47 - Shauna-Kay Hamilton - This Is My End - (Máistrí Interpretation) **
08:40 - Forgotten - (Morceau)
10:18 - Changes - (Closer - Minimal Piano Project)
13:05 - Meat Beat Manifesto - For Terry Riley - (Máistrí Interpretation)
17:04 - Melodure - (Featuring - Hugh Doolan) **
25:59 - Suree & Elusive Elements - The Fall - (Máistrí - Hard Rain Remix) **
30:25 - Glide **
35:32 - Fortuitous - (Closer - Minimal Piano Project)

37:40 - Things Which Must Shortly Come To Pass - (An interpretation based on the book of Revelation) **

37:40 - Present Time
38:59 - Introduction To The New Age
41:08 - Transformation
42:22 - The False Peace
43:58 - The Veil Is Lifted
44:43 - World Control - Satan In The Flesh
45:56 - Final Confrontation
47:04 - Satan Alone - Scorched Earth
48:54 - The Return
50:36 - Heaven

53:13 - Beginnings - (Vérité)

** Available For Free Download @ soundcloud.com/maistri

All music © 2012 Máistrí All rights Reserved.]]> 385011 no no Mon, 15 Oct 2012 02:01:02 +0200 2012-10-15T02:01:02+02:00 55:44 https://hearthis.at/spaces/acoupleofmorningsandathousandnights/
A couple of mornings and a thousand nights by Andrea Baroni

TRACKLIST:
1. Down The Rabbit Hole
2. Morning Blend
3. Ashes III
4. Partially Offline
5. Birthday Song
6. Why Is The Sky Dark At Night?
7. A Thousand Nights
8. Hiding Inside A Labyrinth
9. Slightly Across
10. A Dark Passage
11. Lullaby Of The Fallen
12. Heavy Rain
13. Posso scrivere i versi più tristi stanotte
14. Dreaming
15. Morning Colors
16. One Hundred
17. Almost Human
18. The Last Living Heart On Earth
19. Redemption]]>
A couple of mornings and a thousand nights by Andrea Baroni

TRACKLIST:
1. Down The Rabbit Hole
2. Morning Blend
3. Ashes III
4. Partially Offline
5. Birthday Song
6. Why Is The Sky Dark At Night?
7. A Thousand Nights
8. Hiding Inside A Labyrinth
9. Slightly Across
10. A Dark Passage
11. Lullaby Of The Fallen
12. Heavy Rain
13. Posso scrivere i versi più tristi stanotte
14. Dreaming
15. Morning Colors
16. One Hundred
17. Almost Human
18. The Last Living Heart On Earth
19. Redemption]]> 416248 no no Thu, 24 Sep 2015 20:30:04 +0200 2015-09-24T20:30:04+02:00 1:00:02 https://hearthis.at/spaces/ronnieminder-thecomposer/ Ronnie Minder is a Swiss born, Australian based composer who started his music career over a decade ago. He signed his first record contract in 2001 for the single “Tha-P-Anthem” which established his name in electronic music. Shortly after release, he signed his second contract with Swiss music label Harem Records and his single ‘Listen To The Sound’ peaked at #1 in the Music Mail Distribution Charts (Germany) 2001.
More recently, Minder is shifting into film composition, winning a place on Peter Jackson’s composing books, while his work on ‘Letter to Annabelle’ is audible at film festivals around the world. What does his forthcoming EP release, Cinema Five, tells us about this new direction?

Overarchingly, the first thing to note about Minder’s work is its uncompromising production aesthetic, and in that department ‘Cinema Five’ doesn’t disappoint. Beautifully mastered, balanced and controlled, the overall EP recalls classical/electro artists like Craig Armstrong; using powerful crescendos and percussion hits to drive varying orchestral motifs through what are mostly short arrangements, the majority of the tracklistings wind up around the three minute mark.



That said, Minder crams plenty of emotion into these brief signatures. Some of the EP, perhaps ironically titled track, ‘The Best Is Yet To Come’ in particular, really illustrates how at times the most minimalist structures and melodies can best capture fleeting feelings and vistas.
This sparse, haunting track meanders gently across valleys or hills, conjuring soundscapes captured with little more than piano, strings and the occasional lead. It’s a melancholy soundtrack certainly, but by no means one which vexes or bores, as ill-advised ambient ventures can occasionally do. Here is something meditative and reflective certainly, but the arrangement retains enough sophistication to craft an enchanting tale during its 2:27.
Opposingly, ‘I Am The Law’ strikes a very different angle, kicking in with a dark arpeggiated pattern that sets the tone for a driving, compressed tune well adapted to climatic, heavy film moments. The use of midi instrumentation here recalls the globally loved Terminator soundtracks, probably due to the similar types of percussive rolls and hits, combined with an 80’s pattern to the main riff and incidentals. It’s hard to define exactly how, but there’s a sense of war, alienation and anger at work here, and it’s a strongly realised and compelling vision.
All of this leaves ‘How It Ends’ and ‘Apocalypto’. The former returns to Minder’s minimalism; simple, intertwining orchestration and cymbal washes let the melody do the work, with an arrangement that peaks cleverly around the 1:50 mark.

‘Apocalypto’ led me to ponder whether there might be something here to recall Mel Gibson’s recent cinematic piece. To be honest, this doesn’t definitively lead me in that direction, but there’s certainly plenty at play here that would be well suited to scoring any historical or epic film. The 2:40 entry of the tribal, female vocal sets up the last minute, taking an unexpected turn into more electronic territory that actually fits in well with the initial orchestral elements; perhaps the jungle samples here led to the titling of the piece.
So what’s there to say overall? Minder has come up with another solid, well realised and beautifully rendered technical EP here. It doesn’t bore, it’s purposeful and defined and each track has a strong sense of direction.





As ever, it’s nigh on impossible to judge how much of the orchestral work is sample based, compared with ‘real’ musicians. The EP does retain a definite electronic character and that’s to be welcomed. For a musician just getting to grips with this new direction, I reckon this is a strong EP. It’s intriguing and well placed, but this is a hugely crowded, tough marketplace to crack too. That being the case, there’s enough of a unique signature here to make Minder’s future cinematic work well worth investigation.

http://www.ronnieminder.com/
Written by Giles Crosse]]> Ronnie Minder is a Swiss born, Australian based composer who started his music career over a decade ago. He signed his first record contract in 2001 for the single “Tha-P-Anthem” which established his name in electronic music. Shortly after release, he signed his second contract with Swiss music label Harem Records and his single ‘Listen To The Sound’ peaked at #1 in the Music Mail Distribution Charts (Germany) 2001.
More recently, Minder is shifting into film composition, winning a place on Peter Jackson’s composing books, while his work on ‘Letter to Annabelle’ is audible at film festivals around the world. What does his forthcoming EP release, Cinema Five, tells us about this new direction?

Overarchingly, the first thing to note about Minder’s work is its uncompromising production aesthetic, and in that department ‘Cinema Five’ doesn’t disappoint. Beautifully mastered, balanced and controlled, the overall EP recalls classical/electro artists like Craig Armstrong; using powerful crescendos and percussion hits to drive varying orchestral motifs through what are mostly short arrangements, the majority of the tracklistings wind up around the three minute mark.



That said, Minder crams plenty of emotion into these brief signatures. Some of the EP, perhaps ironically titled track, ‘The Best Is Yet To Come’ in particular, really illustrates how at times the most minimalist structures and melodies can best capture fleeting feelings and vistas.
This sparse, haunting track meanders gently across valleys or hills, conjuring soundscapes captured with little more than piano, strings and the occasional lead. It’s a melancholy soundtrack certainly, but by no means one which vexes or bores, as ill-advised ambient ventures can occasionally do. Here is something meditative and reflective certainly, but the arrangement retains enough sophistication to craft an enchanting tale during its 2:27.
Opposingly, ‘I Am The Law’ strikes a very different angle, kicking in with a dark arpeggiated pattern that sets the tone for a driving, compressed tune well adapted to climatic, heavy film moments. The use of midi instrumentation here recalls the globally loved Terminator soundtracks, probably due to the similar types of percussive rolls and hits, combined with an 80’s pattern to the main riff and incidentals. It’s hard to define exactly how, but there’s a sense of war, alienation and anger at work here, and it’s a strongly realised and compelling vision.
All of this leaves ‘How It Ends’ and ‘Apocalypto’. The former returns to Minder’s minimalism; simple, intertwining orchestration and cymbal washes let the melody do the work, with an arrangement that peaks cleverly around the 1:50 mark.

‘Apocalypto’ led me to ponder whether there might be something here to recall Mel Gibson’s recent cinematic piece. To be honest, this doesn’t definitively lead me in that direction, but there’s certainly plenty at play here that would be well suited to scoring any historical or epic film. The 2:40 entry of the tribal, female vocal sets up the last minute, taking an unexpected turn into more electronic territory that actually fits in well with the initial orchestral elements; perhaps the jungle samples here led to the titling of the piece.
So what’s there to say overall? Minder has come up with another solid, well realised and beautifully rendered technical EP here. It doesn’t bore, it’s purposeful and defined and each track has a strong sense of direction.





As ever, it’s nigh on impossible to judge how much of the orchestral work is sample based, compared with ‘real’ musicians. The EP does retain a definite electronic character and that’s to be welcomed. For a musician just getting to grips with this new direction, I reckon this is a strong EP. It’s intriguing and well placed, but this is a hugely crowded, tough marketplace to crack too. That being the case, there’s enough of a unique signature here to make Minder’s future cinematic work well worth investigation.

http://www.ronnieminder.com/
Written by Giles Crosse]]> 413355 no no Wed, 16 Sep 2015 23:47:14 +0200 2015-09-16T23:47:14+02:00 1:08:12 https://hearthis.at/spaces/composerseriesnov2012vitalybeskrovny/
Had no musical education, self-taught. Started his first experiments with music in 2005. General and favourite Vitaly's instrument is piano. Because all his songs are written on piano, at first.

His music has been released on few labels as Teplo records (Russia) and Preserved Sound label (Poland). First album "Lost In the sky" was released in 2011. Also, his music was featured by licensing service "Orchstr" and young publishing house "Petrichor".

Collaborated with Evgeny Emelianov, Sergey Klesherov and Simon Latham.

Tracklist
01. Olafur Arnalds and Nils Frahm - A1 ("Stare", 2012) (00:00-07:01)
02. Moon Ate the Dark - Capsules 11 ("Moon Ate the Dark",2012) (07:01-11:42)
03. Swod - Gemein ("Drei",2011) (11:42-13:50)
04. Dustin O'Halloran - Opus 44 ("Lumiere", 2011) (13:50-16:37)
05. Heinali - Sepia Colored Eyes (Unreleased, 2011) (16:37-19:29)
06. A Winged Victory For The Sullen - Minuet for a Cheap Piano ("A Winged Victory For The Sullen", 2011) (19:29-22:38)
07. Nils Frahm - Familiar ("Felt", 2011) (22:38-26:08)
08. Anna Rose Carter - a mirror sitting ("Silver Lines", 2010) (26:08-29:13)
09. Heinali - Sway, Sway (Unreleased, 2012) (29:13-34:07)
10. Vitaly Beskrovny - Painted Story#1 ("Painted Stories", 2012) (34:07-39:19)
11. Vitaly Beskrovny - Opus 01: The Meeting ("Opus", 2012) (39:19-42:06)
12. Vitaly Beskrovny - Opus 03: Strange Dream ("Opus", 2012) (42:06-44:36)
13. Vitaly Beskrovny - Opus 07: Frozen Clocks ("Opus", 2012) (44:36-48:45)
14. Vitaly Beskrovny - The Morning Sunlight Part 2 ("Life On Paper", 2012) OUT SOON on Preserved Sound Label (48:45-53:37)
15. Vitaly Beskrovny feat. Valeriy Latukha - Homesong19 (Unreleased, 2012)]]>
Had no musical education, self-taught. Started his first experiments with music in 2005. General and favourite Vitaly's instrument is piano. Because all his songs are written on piano, at first.

His music has been released on few labels as Teplo records (Russia) and Preserved Sound label (Poland). First album "Lost In the sky" was released in 2011. Also, his music was featured by licensing service "Orchstr" and young publishing house "Petrichor".

Collaborated with Evgeny Emelianov, Sergey Klesherov and Simon Latham.

Tracklist
01. Olafur Arnalds and Nils Frahm - A1 ("Stare", 2012) (00:00-07:01)
02. Moon Ate the Dark - Capsules 11 ("Moon Ate the Dark",2012) (07:01-11:42)
03. Swod - Gemein ("Drei",2011) (11:42-13:50)
04. Dustin O'Halloran - Opus 44 ("Lumiere", 2011) (13:50-16:37)
05. Heinali - Sepia Colored Eyes (Unreleased, 2011) (16:37-19:29)
06. A Winged Victory For The Sullen - Minuet for a Cheap Piano ("A Winged Victory For The Sullen", 2011) (19:29-22:38)
07. Nils Frahm - Familiar ("Felt", 2011) (22:38-26:08)
08. Anna Rose Carter - a mirror sitting ("Silver Lines", 2010) (26:08-29:13)
09. Heinali - Sway, Sway (Unreleased, 2012) (29:13-34:07)
10. Vitaly Beskrovny - Painted Story#1 ("Painted Stories", 2012) (34:07-39:19)
11. Vitaly Beskrovny - Opus 01: The Meeting ("Opus", 2012) (39:19-42:06)
12. Vitaly Beskrovny - Opus 03: Strange Dream ("Opus", 2012) (42:06-44:36)
13. Vitaly Beskrovny - Opus 07: Frozen Clocks ("Opus", 2012) (44:36-48:45)
14. Vitaly Beskrovny - The Morning Sunlight Part 2 ("Life On Paper", 2012) OUT SOON on Preserved Sound Label (48:45-53:37)
15. Vitaly Beskrovny feat. Valeriy Latukha - Homesong19 (Unreleased, 2012)]]> 416256 no no Thu, 01 Oct 2015 20:37:05 +0200 2015-10-01T20:37:05+02:00 58:06 https://hearthis.at/spaces/ryoishido-filmandtrailerscorecomposer/
listen to his playlist daily 2am and 8pm

[jwplayer player=”1″ mediaid=”4101″]

[Download not found]
Tracklist:

Nobody Dies in Dreamland
P.O.V Feat. Riven G
Nemesis 2
Stay
The Bench
The Wizard’s Apprentice
Sleepless
Paramount
Nemesis 3
Nufield Reloaded
Nemesis
Looped
Leitmotiv 5 2
Excerpts From El Shaddai
B’d U Feat. Charlotte P.

Tell us a little about yourself and what you do for a living?

My name is Ryo Ishido. After a venturesome vocational past, (I was working as a TV stage designer, spend a few years as special effects coordinator at the Bavaria Film Studios in Munich for movies such as Wolfgang Petersen’s / 20th Century Fox ” Enemy Mine”, and worked as a graphic designer for several game companies – Square Enix, Eidos & Nintendo and more) I’ve decided to cut it down a bit and become a composer for games.
But hey…. life has always something special on the plate for you…so after 2 scores for Xbox 360 arcade games, I slightly slipped into the sound library GUI scene. And now, as for a living, I’m designing user interfaces for companies such as Audiobro, Sample Logic, 8DIO, Sonokinetic, Cinesamples, Best Service/Eduardo Tarilonte, Open Labs and some, which I’m not allowed to talk about it yet in public. Besides this, I have finally got the chance to do the score for an upcoming TV documentary.

What is your niche or speciality, that makes you stand out from rest of the audio professionals?

Nothing…simply nothing. I just do “my thing”. If it stands out for someone…great. But I will never put me, myself and I over anyone else. I have a huge respect for any composer out there. Kudos.



Can you give us a brief summary of the equipment you use regularly?

Loads of stuff. Due to my work as an GUI designer for sample library companies, I get nearly everything for free, so this might be heaven…and hell…it is. Forgive me, if I do not name any company in particular. Oh, I can name one company, because I’m not working for them…Spectrasonics and their Omnisphere. Put me on Crusoes island…this is the one, I would pick.

What are your go-to plug-ins and software? (virtual instruments, audio processing etc.)

The one above mentioned….Omnisphere. And the one, that does a lot of damage as well as the other one, which is essential. (damn…I hate it, to be politically correct). I also use Illformed’s Glitch, as well as iZotope’s Stutter Edit a lot.

When do you find you are most creative?

I used to be a maniac during “night shifts”. Now I’m 51, so I’ll do my best around “normal working hours” but most of the time I do a long walk with my dog to reboot the system. Right after this, some magic could happen.

What is your usual process for creating audio content for games, films etc.?

Understanding. Trying to visualize the vision of my clients. Not showing off with ego skills. I’m simply trying to build a musical foundation to what is above it. Speaking of games…I’m perhaps building level design for the ears. Music should be supporting, not taking over it.

Are there any particular secrets to your creativity?

Focus…open your eyes and ears. Thinking outside of the box. Being myself, but also being inspired. Learning from fails. And respecting everyone.

Do you have any audio creation techniques that resulted in something interesting?

I’m an 80′s kid so I just love turning knobs, or how one would say today, soundshaping things. I’m also a big fan of creating tons of sound layers, just to remove most of them to the basics. Trying to tell a story, having highs and lows. Actually this is the most fun part for me after recording, looking for those parts and / or sounds which are telling the story and get rid of those that don’t. Less is more…true thing that is.

Any specific “lessons learned” on a project that you could share?

There is an “specific lesson learned” on every project I do. If not, this would be meant “creative stillstanding”. Every project is a constant curve upwards, if you are willing to see it…even if that curve includes tons of fails. You are growing up on them.

Any tips, hints or motivational speeches for the readers?

Be decent, moderate and kick some serious ass as well. Do not hunt down every Hans Zimmer score you might come along….be yourself. You can only sell your true “You”, not a copy of what might be hip to be square. And be respectful…You are trying to make it, as well as everyone else. Help, share and simply love what you do.]]>
listen to his playlist daily 2am and 8pm

[jwplayer player=”1″ mediaid=”4101″]

[Download not found]
Tracklist:

Nobody Dies in Dreamland
P.O.V Feat. Riven G
Nemesis 2
Stay
The Bench
The Wizard’s Apprentice
Sleepless
Paramount
Nemesis 3
Nufield Reloaded
Nemesis
Looped
Leitmotiv 5 2
Excerpts From El Shaddai
B’d U Feat. Charlotte P.

Tell us a little about yourself and what you do for a living?

My name is Ryo Ishido. After a venturesome vocational past, (I was working as a TV stage designer, spend a few years as special effects coordinator at the Bavaria Film Studios in Munich for movies such as Wolfgang Petersen’s / 20th Century Fox ” Enemy Mine”, and worked as a graphic designer for several game companies – Square Enix, Eidos & Nintendo and more) I’ve decided to cut it down a bit and become a composer for games.
But hey…. life has always something special on the plate for you…so after 2 scores for Xbox 360 arcade games, I slightly slipped into the sound library GUI scene. And now, as for a living, I’m designing user interfaces for companies such as Audiobro, Sample Logic, 8DIO, Sonokinetic, Cinesamples, Best Service/Eduardo Tarilonte, Open Labs and some, which I’m not allowed to talk about it yet in public. Besides this, I have finally got the chance to do the score for an upcoming TV documentary.

What is your niche or speciality, that makes you stand out from rest of the audio professionals?

Nothing…simply nothing. I just do “my thing”. If it stands out for someone…great. But I will never put me, myself and I over anyone else. I have a huge respect for any composer out there. Kudos.



Can you give us a brief summary of the equipment you use regularly?

Loads of stuff. Due to my work as an GUI designer for sample library companies, I get nearly everything for free, so this might be heaven…and hell…it is. Forgive me, if I do not name any company in particular. Oh, I can name one company, because I’m not working for them…Spectrasonics and their Omnisphere. Put me on Crusoes island…this is the one, I would pick.

What are your go-to plug-ins and software? (virtual instruments, audio processing etc.)

The one above mentioned….Omnisphere. And the one, that does a lot of damage as well as the other one, which is essential. (damn…I hate it, to be politically correct). I also use Illformed’s Glitch, as well as iZotope’s Stutter Edit a lot.

When do you find you are most creative?

I used to be a maniac during “night shifts”. Now I’m 51, so I’ll do my best around “normal working hours” but most of the time I do a long walk with my dog to reboot the system. Right after this, some magic could happen.

What is your usual process for creating audio content for games, films etc.?

Understanding. Trying to visualize the vision of my clients. Not showing off with ego skills. I’m simply trying to build a musical foundation to what is above it. Speaking of games…I’m perhaps building level design for the ears. Music should be supporting, not taking over it.

Are there any particular secrets to your creativity?

Focus…open your eyes and ears. Thinking outside of the box. Being myself, but also being inspired. Learning from fails. And respecting everyone.

Do you have any audio creation techniques that resulted in something interesting?

I’m an 80′s kid so I just love turning knobs, or how one would say today, soundshaping things. I’m also a big fan of creating tons of sound layers, just to remove most of them to the basics. Trying to tell a story, having highs and lows. Actually this is the most fun part for me after recording, looking for those parts and / or sounds which are telling the story and get rid of those that don’t. Less is more…true thing that is.

Any specific “lessons learned” on a project that you could share?

There is an “specific lesson learned” on every project I do. If not, this would be meant “creative stillstanding”. Every project is a constant curve upwards, if you are willing to see it…even if that curve includes tons of fails. You are growing up on them.

Any tips, hints or motivational speeches for the readers?

Be decent, moderate and kick some serious ass as well. Do not hunt down every Hans Zimmer score you might come along….be yourself. You can only sell your true “You”, not a copy of what might be hip to be square. And be respectful…You are trying to make it, as well as everyone else. Help, share and simply love what you do.]]> 413411 no no Wed, 16 Sep 2015 23:58:38 +0200 2015-09-16T23:58:38+02:00 45:39 https://hearthis.at/spaces/bijou-cinematics-october/
Here for tracklist.
http://www.spacesfm.com/2012/09/bijou-cinematics-october-2012/
www.facebook.com/spacesfm

more info:-
soundcloud.com/bijoudream
www.facebook.com/bijouthecat]]>
Here for tracklist.
http://www.spacesfm.com/2012/09/bijou-cinematics-october-2012/
www.facebook.com/spacesfm

more info:-
soundcloud.com/bijoudream
www.facebook.com/bijouthecat]]> 385009 no no Mon, 15 Oct 2012 02:13:48 +0200 2012-10-15T02:13:48+02:00 59:15 https://hearthis.at/spaces/london-dc/ Full time architect he has studied piano several years and after discovered the electronic world he's mostly dedicated to it combining his classical background with new electronic sounds.
What distinguished Davide's musical path is the wide range of production from ethereal Piano Composition/Improvisation to sophisticated electronic composition.
Davide's passion for Cinema represent the common line of his melodic production as a restless investigation in producing electronic crossover compositions to be associated to images or scores.
Parallel Lifes, here presented, is a selection of an Electronic Cinematic journey where classical piano vibes seems to be always present.

[jwplayer config="Primary" mediaid="2945"]

Tracklist:

01 E se una notte d'inverno mentre fuori piove.....la musica
02 Inner Vision
03 Love Letter
04 The End 02:17AM
05 Piano Improv - Oct2012
06 Mltc
07 Solitaire
08 ...and she blew the last candle
09 Two hands away - in collaboration with Julie Elven (vocals and interpretation)
10 Surreal world
11 Subconscious (Back to the origin)
12 UnFolded
13 One night, two mens walking. The memory of a winter city silence - in collaboration with Science Teheran

http://soundcloud.com/london-dc
]]> Full time architect he has studied piano several years and after discovered the electronic world he's mostly dedicated to it combining his classical background with new electronic sounds.
What distinguished Davide's musical path is the wide range of production from ethereal Piano Composition/Improvisation to sophisticated electronic composition.
Davide's passion for Cinema represent the common line of his melodic production as a restless investigation in producing electronic crossover compositions to be associated to images or scores.
Parallel Lifes, here presented, is a selection of an Electronic Cinematic journey where classical piano vibes seems to be always present.

[jwplayer config="Primary" mediaid="2945"]

Tracklist:

01 E se una notte d'inverno mentre fuori piove.....la musica
02 Inner Vision
03 Love Letter
04 The End 02:17AM
05 Piano Improv - Oct2012
06 Mltc
07 Solitaire
08 ...and she blew the last candle
09 Two hands away - in collaboration with Julie Elven (vocals and interpretation)
10 Surreal world
11 Subconscious (Back to the origin)
12 UnFolded
13 One night, two mens walking. The memory of a winter city silence - in collaboration with Science Teheran

http://soundcloud.com/london-dc
]]> 429046 no no Thu, 24 Sep 2015 00:25:08 +0200 2015-09-24T00:25:08+02:00 1:11:10 https://hearthis.at/spaces/audioglider-for-spacesfm-18032013/
Seaman S – Coral Reef
Cassini – Dwarf Planet
Seaman S – Winter Nature
Cub Scout – Gold (Kid Simpl remix)
enh – Body of Blue
Shammen Delly - The Perfect Illusion
Trail of the Dead - Caught in a Stasis (Architextur remix)
Tripswitch - Sick Tekkers
Miaou - Own Your Colours (Errors remix)
Kiyoko – First Light
Rone – Tempelhof
Public Transport - I want, you want
Danton Eeprom – Vivid Love
Mountains – Living Lens
Twigs and Yarn – Leaning to Glisten]]>
Seaman S – Coral Reef
Cassini – Dwarf Planet
Seaman S – Winter Nature
Cub Scout – Gold (Kid Simpl remix)
enh – Body of Blue
Shammen Delly - The Perfect Illusion
Trail of the Dead - Caught in a Stasis (Architextur remix)
Tripswitch - Sick Tekkers
Miaou - Own Your Colours (Errors remix)
Kiyoko – First Light
Rone – Tempelhof
Public Transport - I want, you want
Danton Eeprom – Vivid Love
Mountains – Living Lens
Twigs and Yarn – Leaning to Glisten]]> 385116 no no Mon, 18 Mar 2013 00:00:00 +0100 2013-03-18T00:00:00+01:00 1:01:57 https://hearthis.at/spaces/starlit-everglades-mix/
Influenced by musicians such as Baths/Stumbleine/Owsey/Slow Magic/Nujabes/Submerse. In 2012 was the released of his first ep “Honeymoon” on band camp. During that year a single track was given for free download and purchase on band camp titled “Mylotic” which gives a burst full of wash wavy synths. In 2013 another album was featured on February 7th titled “Heart” giving a handful of lush/dream like sounds. First published March 2013]]>
Influenced by musicians such as Baths/Stumbleine/Owsey/Slow Magic/Nujabes/Submerse. In 2012 was the released of his first ep “Honeymoon” on band camp. During that year a single track was given for free download and purchase on band camp titled “Mylotic” which gives a burst full of wash wavy synths. In 2013 another album was featured on February 7th titled “Heart” giving a handful of lush/dream like sounds. First published March 2013]]> 465144 no no Fri, 11 Dec 2015 11:03:15 +0100 2015-12-11T11:03:15+01:00 39:44 https://hearthis.at/spaces/ayla-ambient-mix/
This fascination slowly metamorphesized into an interest in psychomusicology and the neurological and physical effects of sound on human beings -“I never intended to make music, but it became clear that organized sound and harmony were the next step in my understanding of sound—how could you really expect to understand something without understanding its application?”.

ΛYLΛ’s appreciation of the music of his culturally distinct surroundings and his technical background is at once represented in the aesthetic of his own music and that of his mix’s. One thing is certain, 2013 will be an active year for ΛYLΛ who is currently working on several collaborations to advance his special bread of Night Music and Ambient music. First mixed Feb 2013]]>
This fascination slowly metamorphesized into an interest in psychomusicology and the neurological and physical effects of sound on human beings -“I never intended to make music, but it became clear that organized sound and harmony were the next step in my understanding of sound—how could you really expect to understand something without understanding its application?”.

ΛYLΛ’s appreciation of the music of his culturally distinct surroundings and his technical background is at once represented in the aesthetic of his own music and that of his mix’s. One thing is certain, 2013 will be an active year for ΛYLΛ who is currently working on several collaborations to advance his special bread of Night Music and Ambient music. First mixed Feb 2013]]> 465141 no no Sun, 22 Nov 2015 21:05:00 +0100 2015-11-22T21:05:00+01:00 51:48 https://hearthis.at/spaces/julien-mier-mixtape-for-spacesfm/ https://soundcloud.com/julien-mier

Julien is a young composer and producer from the Netherlands, knowing for his eclectic and washed out collision of musical genres. His signature is this width approach of fragmented melodies, hand played instruments, packed in a palette of, sometimes almost waterfall kind of textures and dreamy, melancholic stories.

In 2012, Julien brought out his “When Will You Wake Up” EP on the Canadian label King Deluxe. End of March 2013, Julien will release his next EP on the dutch label Lowriders Collective, on 12” vinyl. Later in 2013 will release his remix-EP called “When Will They Wake Up” again on King Deluxe, on 12” as well.

For Tracklist go here: http://spacesfm.com/2013/02/julien-mier/
Ambient Chillwave Electronica]]> https://soundcloud.com/julien-mier

Julien is a young composer and producer from the Netherlands, knowing for his eclectic and washed out collision of musical genres. His signature is this width approach of fragmented melodies, hand played instruments, packed in a palette of, sometimes almost waterfall kind of textures and dreamy, melancholic stories.

In 2012, Julien brought out his “When Will You Wake Up” EP on the Canadian label King Deluxe. End of March 2013, Julien will release his next EP on the dutch label Lowriders Collective, on 12” vinyl. Later in 2013 will release his remix-EP called “When Will They Wake Up” again on King Deluxe, on 12” as well.

For Tracklist go here: http://spacesfm.com/2013/02/julien-mier/
Ambient Chillwave Electronica]]> 384927 no no Sun, 14 Apr 2013 22:15:58 +0200 2013-04-14T22:15:58+02:00 58:40 https://hearthis.at/spaces/spaces28-classical-soundscaping-breaks/ 385338 no no Sun, 06 Sep 2015 20:56:32 +0200 2015-09-06T20:56:32+02:00 43:23 https://hearthis.at/spaces/spaces19-soundtrack-ambient-soundscapes/ 389080 no no Sun, 03 Apr 2016 15:47:46 +0200 2016-04-03T15:47:46+02:00 24:50 https://hearthis.at/spaces/spaces26-pure-electronic-soundtracks/ 389086 no no Fri, 11 Sep 2015 11:01:03 +0200 2015-09-11T11:01:03+02:00 1:03:01 https://hearthis.at/spaces/ambient-pianos-1/ 465146 no no Wed, 13 Jan 2016 11:33:14 +0100 2016-01-13T11:33:14+01:00 52:30 https://hearthis.at/spaces/denovalirecords/

Since 2007 the label curates and organizes a three days music festival called Denovali Swingfest. Focussed on experimental music the lineup offers a wonderful opportunity to discover a wide range of international denovali artists live and is rounded off by various renowned non-label guest artists.

A hallmark of the festival is the renunciation of the headliner principle: all artists are receiving the same attention - the length of each artist's concert is equal. In addition to the musical program the festival features yearly changing specials like an experimental film cinema, installations or lectures.]]>

Since 2007 the label curates and organizes a three days music festival called Denovali Swingfest. Focussed on experimental music the lineup offers a wonderful opportunity to discover a wide range of international denovali artists live and is rounded off by various renowned non-label guest artists.

A hallmark of the festival is the renunciation of the headliner principle: all artists are receiving the same attention - the length of each artist's concert is equal. In addition to the musical program the festival features yearly changing specials like an experimental film cinema, installations or lectures.]]> 422557 no no Mon, 21 Sep 2015 01:22:39 +0200 2015-09-21T01:22:39+02:00 1:35:51 https://hearthis.at/spaces/cinematicsnovember2012ricktedesco/
In November 2010, Rick picked up FL Studio and began to work on production. Over the next year, Rick was piecing together hardware and software for his home studio while constantly working on learning the ropes of production. Rick began to seek music/production lessons from Evan Arnett (The Emissary) and it was at this point in time through his lessons that everything finally began to make sense. The constant hard work and dedication paid off in March 2012 with his first release “Essence” which was picked up and signed by Mistiquemusic. Rick currently has new releases from Mistiquemusic, OLD SQL REC and Break Wind Productions which will hit stores in November and December of 2012.

2012 has proven to be a great year, but this is only the beginning as Rick has only just begun to get his feet wet…]]>
In November 2010, Rick picked up FL Studio and began to work on production. Over the next year, Rick was piecing together hardware and software for his home studio while constantly working on learning the ropes of production. Rick began to seek music/production lessons from Evan Arnett (The Emissary) and it was at this point in time through his lessons that everything finally began to make sense. The constant hard work and dedication paid off in March 2012 with his first release “Essence” which was picked up and signed by Mistiquemusic. Rick currently has new releases from Mistiquemusic, OLD SQL REC and Break Wind Productions which will hit stores in November and December of 2012.

2012 has proven to be a great year, but this is only the beginning as Rick has only just begun to get his feet wet…]]> 423187 no no Thu, 01 Nov 2012 00:00:00 +0100 2012-11-01T00:00:00+01:00 1:30:09 https://hearthis.at/spaces/cinematicsjulycinematicpianos/ 990215 no no Sun, 14 Aug 2016 01:12:04 +0200 2016-08-14T01:12:04+02:00 1:27:45 https://hearthis.at/spaces/spaces35-ambient-cinematic/
I often come across people who love to listening to the spaces mixes catalogue, they tell me how the music has brought them moments of peace and inspiration. I love the feedback. I decided to put together this latest mix as a friend began telling me how they listen to the spaces series as they cycle home from work through London. It helps them transition and wind down from a day full of challenges

In this mix of Ambient, Chillout, Cinematic Scores and Aoundscapes I have tried to represent the idea of transition, the changing of a season or the movement from one space into another and how in those moments we can find peace and stillness.

Photography by simon Bray]]>
I often come across people who love to listening to the spaces mixes catalogue, they tell me how the music has brought them moments of peace and inspiration. I love the feedback. I decided to put together this latest mix as a friend began telling me how they listen to the spaces series as they cycle home from work through London. It helps them transition and wind down from a day full of challenges

In this mix of Ambient, Chillout, Cinematic Scores and Aoundscapes I have tried to represent the idea of transition, the changing of a season or the movement from one space into another and how in those moments we can find peace and stillness.

Photography by simon Bray]]> 465136 no no Sat, 14 Nov 2015 16:06:04 +0100 2015-11-14T16:06:04+01:00 56:28 https://hearthis.at/spaces/spaces27-ambient-electronica-progressive/ ]]> ]]> 465152 no no Sun, 03 Apr 2016 16:56:18 +0200 2016-04-03T16:56:18+02:00 38:24 https://hearthis.at/spaces/spaces25protonradio-soundtrack-breaks/
The sPaces DJs have Joined the Proton Radio DJ roster and will be playing their unique blend of Soundtracks and Cinematic Breaks as a live stream every 2nd Sunday at 12pm GMT.

As a dedicated sPaces listener you get to catch the first 60 minutes of the show here! Exclusive to wastedsPaces. If you want to catch the the other half get yourself over to Proton Radio and subscribe to the on-demand show Cinematic Sessions.]]>
The sPaces DJs have Joined the Proton Radio DJ roster and will be playing their unique blend of Soundtracks and Cinematic Breaks as a live stream every 2nd Sunday at 12pm GMT.

As a dedicated sPaces listener you get to catch the first 60 minutes of the show here! Exclusive to wastedsPaces. If you want to catch the the other half get yourself over to Proton Radio and subscribe to the on-demand show Cinematic Sessions.]]> 465155 no no Tue, 30 Mar 2010 17:31:32 +0200 2010-03-30T17:31:32+02:00 1:00:26 https://hearthis.at/spaces/spaces24-beautiful-melodic-breaks/ 465157 no no Sat, 06 Aug 2016 02:34:00 +0200 2016-08-06T02:34:00+02:00 43:12 https://hearthis.at/spaces/spaces22-deep-cinematic-soundtracks/ 465159 no no Sat, 06 Aug 2016 02:31:58 +0200 2016-08-06T02:31:58+02:00 33:45 https://hearthis.at/spaces/spaces21-electronic-soundtrack-breaks/ an hour long exciting blend of material fast paced, always full of space, tension and hope.]]> an hour long exciting blend of material fast paced, always full of space, tension and hope.]]> 465168 no no Sat, 13 Aug 2016 10:19:02 +0200 2016-08-13T10:19:02+02:00 56:12 https://hearthis.at/spaces/spaces18-minimal-cinema-tech/ 465169 no no Sat, 27 Aug 2016 13:53:02 +0200 2016-08-27T13:53:02+02:00 32:00 https://hearthis.at/spaces/spaces17-detroit-tech-notes/ 827404 no no Tue, 30 Mar 2010 13:28:29 +0200 2010-03-30T13:28:29+02:00 34:45 https://hearthis.at/spaces/spaces16-ambient-progressive-styles/ 827405 no no Tue, 30 Mar 2010 12:13:30 +0200 2010-03-30T12:13:30+02:00 31:07 https://hearthis.at/spaces/spaces15-progressive-classical-soundtracks/ 827406 no no Tue, 30 Mar 2010 11:50:00 +0200 2010-03-30T11:50:00+02:00 34:05 https://hearthis.at/spaces/spaces14-dark-techno-breaks/ 827407 no no Tue, 30 Mar 2010 11:26:13 +0200 2010-03-30T11:26:13+02:00 41:32 https://hearthis.at/spaces/spaces13in-forward-progressive-motion/ 827408 no no Mon, 29 Mar 2010 18:19:25 +0200 2010-03-29T18:19:25+02:00 31:37 https://hearthis.at/spaces/spaces11-sounds-progressive-soundscapes/ 827410 no no Mon, 29 Mar 2010 17:28:20 +0200 2010-03-29T17:28:20+02:00 32:41 https://hearthis.at/spaces/spaces10-minimalism-love-soundtrack/ 827412 no no Mon, 29 Mar 2010 15:56:01 +0200 2010-03-29T15:56:01+02:00 30:49 https://hearthis.at/spaces/spaces12-deep-electronica-soundtracks/ 827413 no no Mon, 29 Mar 2010 17:49:30 +0200 2010-03-29T17:49:30+02:00 33:34 https://hearthis.at/spaces/progressive-breaks-classical/ 827414 no no Fri, 29 Jan 2010 02:10:30 +0100 2010-01-29T02:10:30+01:00 36:47