Thu, 09 Apr 2026 18:08:43 +0200 https://hearthis.at/sonical/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/sonical/ https://img.hearthis.at/0/0/5/_/uploads/7806/image_user/w1400_h1400_q70_ptrue_v2_----cropped_750e591b555b6aa9cab16c2ecb969f35avatars-000003231594-te76v2-t500x500.jpg no no https://hearthis.at/sonical/sonical-lockerx/ The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> 607671 no no Mon, 14 Dec 2015 00:00:00 +0100 2015-12-14T00:00:00+01:00 6:15 https://hearthis.at/sonical/sonical-tumbler/ The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> 607673 no no Mon, 14 Dec 2015 00:00:00 +0100 2015-12-14T00:00:00+01:00 6:44 https://hearthis.at/sonical/sonica-lleakdc90/ The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> 607668 no no Mon, 14 Dec 2015 00:00:00 +0100 2015-12-14T00:00:00+01:00 4:52 https://hearthis.at/sonical/sonical-dynamo/ The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> The EP was made using a software synthesis language called Supercollider and utilizes the geometric ratio Φ (phi, or 'golden mean') in its compositions as a kingpin.
An animated video has been made for each track - this one was also made using Supercollider in realtime.
All tracks available from sonical.bandcamp.com/album/supercollisions]]> 607672 no no Mon, 14 Dec 2015 00:00:00 +0100 2015-12-14T00:00:00+01:00 5:38 https://hearthis.at/sonical/sonical-dj-set-from-subheavy-uk/ ]]> ]]> 38799 no no Sat, 17 May 2014 19:29:13 +0200 2014-05-17T19:29:13+02:00 1:02:47 https://hearthis.at/sonical/minimaximal-7/ Challenging rhythms lie within the murky depths.
Don't let the relatively light start trick you.
#7 in the series... other mixes on www.mixcloud.com/dj_delay/ & www.straightup.com (Into The Groovy)

The entire mix is rather compressed to emulate being pushed through a mixing desk just that little bit too hard, and likewise the system itself for that lost hour of the early morning.....

Enjoy it? share the link!


1.Chorizo
byKamikaze Space Programme

2.Lawn
byKamikaze Space Programme

3.Demons
byA Made Up Sound

4."Runaway Lover"
byAlexis Cabrera

5.Smiling Shaman
byMollono Bass

6.Um Bongo
byKamikaze Space Programme

7.Crusoe On Mars
byKamikaze Space Programme

8.Bumped
byLimacon

9.Bergamotte
byAuddie

10.#0 (Remute's 'Zero Hero' RMX)
bySmrtphone

11.Demons (Reprise) (mixed in 4 long time)
byA Made Up Sound

12.Extra Time
byA Made Up Sound

13.Take The Plunge (Beat Mix)
byA Made Up Sound

14.Anger Mgt
byA Made Up Sound

15.Rear Window
byA Made Up Sound

16.Rover
byKamikaze Space Programme

17.I'm Not From Chicago (orig)
byCatalepsia

18.Surma
byTommy Four Seven

19.Surma (Speedy J Dub Tool)
byTommy Four Seven

20.Talking late
byJ=R feat Eraze

21.Minus 28
byKamikaze Space Programme]]> Challenging rhythms lie within the murky depths.
Don't let the relatively light start trick you.
#7 in the series... other mixes on www.mixcloud.com/dj_delay/ & www.straightup.com (Into The Groovy)

The entire mix is rather compressed to emulate being pushed through a mixing desk just that little bit too hard, and likewise the system itself for that lost hour of the early morning.....

Enjoy it? share the link!


1.Chorizo
byKamikaze Space Programme

2.Lawn
byKamikaze Space Programme

3.Demons
byA Made Up Sound

4."Runaway Lover"
byAlexis Cabrera

5.Smiling Shaman
byMollono Bass

6.Um Bongo
byKamikaze Space Programme

7.Crusoe On Mars
byKamikaze Space Programme

8.Bumped
byLimacon

9.Bergamotte
byAuddie

10.#0 (Remute's 'Zero Hero' RMX)
bySmrtphone

11.Demons (Reprise) (mixed in 4 long time)
byA Made Up Sound

12.Extra Time
byA Made Up Sound

13.Take The Plunge (Beat Mix)
byA Made Up Sound

14.Anger Mgt
byA Made Up Sound

15.Rear Window
byA Made Up Sound

16.Rover
byKamikaze Space Programme

17.I'm Not From Chicago (orig)
byCatalepsia

18.Surma
byTommy Four Seven

19.Surma (Speedy J Dub Tool)
byTommy Four Seven

20.Talking late
byJ=R feat Eraze

21.Minus 28
byKamikaze Space Programme]]> 34260 no no Fri, 18 Apr 2014 00:52:20 +0200 2014-04-18T00:52:20+02:00 1:20:42 https://hearthis.at/sonical/sonical-cheating-death/
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]>
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]> 29377 no no Mon, 17 Mar 2014 22:13:09 +0100 2014-03-17T22:13:09+01:00 4:27 https://hearthis.at/sonical/sonical-take-it-again/
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]>
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]> 29375 no no Mon, 17 Mar 2014 22:11:25 +0100 2014-03-17T22:11:25+01:00 3:55 https://hearthis.at/sonical/sonical-sevenost/
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]>
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]> 29378 no no Mon, 17 Mar 2014 22:08:13 +0100 2014-03-17T22:08:13+01:00 4:54 https://hearthis.at/sonical/sonical-toothy/
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]>
Being no stranger to pushing the boundaries with 15 years of output through this and other identities (Beam Up, DJ Delay and sound installations su nominee worldwide), including previous Australian bands (High Pass Filter, Breather Hole).

This second EP from SONICAL ventures into the land of less travelled time signatures, using different odd time signatures as a rhythmical base.

The works express themselves through a variety of moods - digital hardcore metal parody (Cheating Death), cartoonbeat (Toothy), abstract orientalism (Sevenost) and industrial warehouse noisybeat (Take It Again). All are underpinned with solid subsonics and bunker-club- ready muscular fake 909s. Learning To Count is firmly in the adventurous beat camp, with tongue firmly in gena.

Beaming Productions has prepared 1 liners for each track to set the mood:

Toothy - Derived from sketchy memories of the 70s english cartoon "Roobarb & Custard"
Take 5 - Disgruntled metal factory worker
Sevenost - Turkish musician from 2090 battles the elastic baseline
Cheating Death - Sword wielding nordic fantasy character duels lightning atop a mountain

Get your tap shoes on & cut a mean-ass figure on the dancefloor to "Learning To Count".

www.brian-may.net/sonical
www.beamingproductions.com/label
]]> 29376 no no Mon, 17 Mar 2014 22:07:19 +0100 2014-03-17T22:07:19+01:00 5:28 https://hearthis.at/sonical/bundd-pulverizer/ Mastered at Jammin' masters.

90s style techno made with up to the time tools. Deep, driving and polyrhythmic.

Animated clip by Sonical - www.youtube.com/watch?v=z1slBzbgFEA

Supercollider 3 - www.audiosynth.com
Jammin' Masters - www.jamminmasters.de

credits
released 05 July 2013
A collaboration between Sonical and Balkan Mashina

Sonical - www.brian-may.net/sonical
Balkan Mashina - www.balkanmashina.de]]> Mastered at Jammin' masters.

90s style techno made with up to the time tools. Deep, driving and polyrhythmic.

Animated clip by Sonical - www.youtube.com/watch?v=z1slBzbgFEA

Supercollider 3 - www.audiosynth.com
Jammin' Masters - www.jamminmasters.de

credits
released 05 July 2013
A collaboration between Sonical and Balkan Mashina

Sonical - www.brian-may.net/sonical
Balkan Mashina - www.balkanmashina.de]]> 29040 no no Mon, 17 Mar 2014 00:37:05 +0100 2014-03-17T00:37:05+01:00 6:00