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	<title><![CDATA[Sonic State Design]]></title>
	<link>https://hearthis.at/sonic-state-design-6j/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Sonic State Design]]></itunes:subtitle>
	<itunes:author><![CDATA[Sonic State Design]]></itunes:author>
	<googleplay:author><![CDATA[Sonic State Design]]></googleplay:author>
	<itunes:summary><![CDATA[Immersive audio experiences for virtual reality, 360º film, theatre, installation, performance and broadcast media.
Credits & collaborators include:
BBC, ITV, ABC, Momentum Pictures, Melbourne Theatre Company, Melbourne International Film Festival, Jumpgate VR, Virgin Records, Festival of Live Art, Scienceworks, The Rambert Dance Company, V2 Records, Pussyfoot Records, One Little Indian.]]></itunes:summary>
	<googleplay:description><![CDATA[Immersive audio experiences for virtual reality, 360º film, theatre, installation, performance and broadcast media.
Credits & collaborators include:
BBC, ITV, ABC, Momentum Pictures, Melbourne Theatre Company, Melbourne International Film Festival, Jumpgate VR, Virgin Records, Festival of Live Art, Scienceworks, The Rambert Dance Company, V2 Records, Pussyfoot Records, One Little Indian.]]></googleplay:description>
	<description><![CDATA[Immersive audio experiences for virtual reality, 360º film, theatre, installation, performance and broadcast media.
Credits & collaborators include:
BBC, ITV, ABC, Momentum Pictures, Melbourne Theatre Company, Melbourne International Film Festival, Jumpgate VR, Virgin Records, Festival of Live Art, Scienceworks, The Rambert Dance Company, V2 Records, Pussyfoot Records, One Little Indian.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Sonic State Design]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
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      <title>Sonic State Design</title>
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	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[The Swan, Le carnaval des animaux, Camille Saint-Saens]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/the-swan-le-carnaval-des-animaux-camille-saint-saens/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[The Swan, by Camille Saint-Saëns, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></description>
            <googleplay:description><![CDATA[The Swan, by Camille Saint-Saëns, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></googleplay:description>
            <itunes:summary><![CDATA[The Swan, by Camille Saint-Saëns, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/3/8/_/uploads/8866966/image_track/1464560/w1400_h1400_q70_ptrue_v2_----cropped_1501292837.jpg" />
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                <pubDate>Sat, 03 Jun 2017 13:14:06 +0200</pubDate>
                
                <atom:updated>2017-06-03T13:14:06+02:00</atom:updated>
                
            
            
            <itunes:duration>3:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Sonate For Violin And Piano In A Major For Cello. C. Franck]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/sonate-for-violin-and-piano-in-a-major-for-cello-c-franck/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Sonate for Violin and Piano in A Major for Cello, by C. Franck, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></description>
            <googleplay:description><![CDATA[Sonate for Violin and Piano in A Major for Cello, by C. Franck, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></googleplay:description>
            <itunes:summary><![CDATA[Sonate for Violin and Piano in A Major for Cello, by C. Franck, performed by Paul Zabrowarny. Recorded & produced by Darius Kedros for the play Mother, written by Daniel Keene, directed by Matt Scholten, and played by Noni Hazlehurst. If Theatre, 2015-2016]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/4/8/_/uploads/8866966/image_track/1464561/w1400_h1400_q70_ptrue_v2_----cropped_1501292841.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sat, 03 Jun 2017 13:06:23 +0200</pubDate>
                
                <atom:updated>2017-06-03T13:06:23+02:00</atom:updated>
                
            
            
            <itunes:duration>5:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Alabaster]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/alabaster/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Soundtrack to accompany the Butoh performance of a scene from Othello. Performed by Helen Smith as part of the Asia TOPA Festival, Melbourne 2017, at La Mama Courthouse. Music by Darius Kedros]]></description>
            <googleplay:description><![CDATA[Soundtrack to accompany the Butoh performance of a scene from Othello. Performed by Helen Smith as part of the Asia TOPA Festival, Melbourne 2017, at La Mama Courthouse. Music by Darius Kedros]]></googleplay:description>
            <itunes:summary><![CDATA[Soundtrack to accompany the Butoh performance of a scene from Othello. Performed by Helen Smith as part of the Asia TOPA Festival, Melbourne 2017, at La Mama Courthouse. Music by Darius Kedros]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/8/_/uploads/8866966/image_track/1464562/w1400_h1400_q70_ptrue_v2_----cropped_1501292845.jpg" />
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                <pubDate>Wed, 31 May 2017 03:40:51 +0200</pubDate>
                
                <atom:updated>2017-05-31T03:40:51+02:00</atom:updated>
                
            
            
            <itunes:duration>9:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Biomechatronic]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/biomechatronic/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Artist Dagmara Gieysztor asked me to respond with sound or music to a short film she'd made of a man and a boy, apparently strangers, playing giant chess outside the State Library of Victoria, in Melbourne, Australia. The film beautifully captures a vignette of human public interaction, but I found i was drawn towards exploring the unseen in the picture. <br />
<br />
Our mobile devices never sleep, they actively monitor our every move, updating the networks with our position, our actions, our thoughts, and our capacity to consume. CCTV captures our faces in public places and combined with our mobile phones we are willingly and unwillingly surveilled, recorded and logged 24-7. Supposedly we control these electronic devices, but to what extent do they control us? <br />
<br />
Electronics are omnipresent in 2015, but the realm of digital transmission, reception and recording goes unheard, largely unnoticed. All electronics have electromagnetic fields, which can be recorded as sound. Digital sound. Noughts and ones. Binary. Monochrome. The sounds you hear are made entirely from laptops, tablets, mobile phones, and their accessories using an induction coil microphone. In one sense the soundtrack suggests the aforementioned tracking of individuals, and the omnipresent electromagnetic backdrop to our cities and homes, but there is also a suggestion that we are already biomechatronic, our species is evolving, becoming cyborg.]]></description>
            <googleplay:description><![CDATA[Artist Dagmara Gieysztor asked me to respond with sound or music to a short film she'd made of a man and a boy, apparently strangers, playing giant chess outside the State Library of Victoria, in Melbourne, Australia. The film beautifully captures a vignette of human public interaction, but I found i was drawn towards exploring the unseen in the picture. <br />
<br />
Our mobile devices never sleep, they actively monitor our every move, updating the networks with our position, our actions, our thoughts, and our capacity to consume. CCTV captures our faces in public places and combined with our mobile phones we are willingly and unwillingly surveilled, recorded and logged 24-7. Supposedly we control these electronic devices, but to what extent do they control us? <br />
<br />
Electronics are omnipresent in 2015, but the realm of digital transmission, reception and recording goes unheard, largely unnoticed. All electronics have electromagnetic fields, which can be recorded as sound. Digital sound. Noughts and ones. Binary. Monochrome. The sounds you hear are made entirely from laptops, tablets, mobile phones, and their accessories using an induction coil microphone. In one sense the soundtrack suggests the aforementioned tracking of individuals, and the omnipresent electromagnetic backdrop to our cities and homes, but there is also a suggestion that we are already biomechatronic, our species is evolving, becoming cyborg.]]></googleplay:description>
            <itunes:summary><![CDATA[Artist Dagmara Gieysztor asked me to respond with sound or music to a short film she'd made of a man and a boy, apparently strangers, playing giant chess outside the State Library of Victoria, in Melbourne, Australia. The film beautifully captures a vignette of human public interaction, but I found i was drawn towards exploring the unseen in the picture. 

Our mobile devices never sleep, they actively monitor our every move, updating the networks with our position, our actions, our thoughts, and our capacity to consume. CCTV captures our faces in public places and combined with our mobile phones we are willingly and unwillingly surveilled, recorded and logged 24-7. Supposedly we control these electronic devices, but to what extent do they control us? 

Electronics are omnipresent in 2015, but the realm of digital transmission, reception and recording goes unheard, largely unnoticed. All electronics have electromagnetic fields, which can be recorded as sound. Digital sound. Noughts and ones. Binary. Monochrome. The sounds you hear are made entirely from laptops, tablets, mobile phones, and their accessories using an induction coil microphone. In one sense the soundtrack suggests the aforementioned tracking of individuals, and the omnipresent electromagnetic backdrop to our cities and homes, but there is also a suggestion that we are already biomechatronic, our species is evolving, becoming cyborg.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/5/8/_/uploads/8866966/image_track/1464563/w1400_h1400_q70_ptrue_v2_----cropped_1501292855.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 10 Nov 2015 04:49:15 +0100</pubDate>
                
                <atom:updated>2015-11-10T04:49:15+01:00</atom:updated>
                
            
            
            <itunes:duration>6:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dystopia - VCA - Melbourne]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/dystopia-vca-melbourne/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Excerpt from a piece commissioned by choreographer Lina Limosani, for the VCA end of year undergraduate dance and production students. An imagined dystopian future.]]></description>
            <googleplay:description><![CDATA[Excerpt from a piece commissioned by choreographer Lina Limosani, for the VCA end of year undergraduate dance and production students. An imagined dystopian future.]]></googleplay:description>
            <itunes:summary><![CDATA[Excerpt from a piece commissioned by choreographer Lina Limosani, for the VCA end of year undergraduate dance and production students. An imagined dystopian future.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/5/8/_/uploads/8866966/image_track/1464564/w1400_h1400_q70_ptrue_v2_----cropped_1501292858.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 27 Oct 2015 06:54:47 +0100</pubDate>
                
                <atom:updated>2015-10-27T06:54:47+01:00</atom:updated>
                
            
            
            <itunes:duration>8:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Les Méduses - World Puppetry Festival - France]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/les-mduses-world-puppetry-festival-france/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Presented by Black Hole Theatre (AU)<br />
Directed by Penelope Bartlau<br />
Puppet Design & Construction by Joe Blanck<br />
Sound Design & music by Darius Kedros<br />
<br />
Black Hole present Les Méduses (aka the jellyfish) at the World Puppetry Festival from September 21 to 24. Charleville, France]]></description>
            <googleplay:description><![CDATA[Presented by Black Hole Theatre (AU)<br />
Directed by Penelope Bartlau<br />
Puppet Design & Construction by Joe Blanck<br />
Sound Design & music by Darius Kedros<br />
<br />
Black Hole present Les Méduses (aka the jellyfish) at the World Puppetry Festival from September 21 to 24. Charleville, France]]></googleplay:description>
            <itunes:summary><![CDATA[Presented by Black Hole Theatre (AU)
Directed by Penelope Bartlau
Puppet Design & Construction by Joe Blanck
Sound Design & music by Darius Kedros

Black Hole present Les Méduses (aka the jellyfish) at the World Puppetry Festival from September 21 to 24. Charleville, France]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/6/8/_/uploads/8866966/image_track/1464565/w1400_h1400_q70_ptrue_v2_----cropped_1501292860.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 22 Sep 2015 09:59:56 +0200</pubDate>
                
                <atom:updated>2015-09-22T09:59:56+02:00</atom:updated>
                
            
            
            <itunes:duration>5:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Batmania - Federation Square - Melbourne]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/batmania-federation-square-melbourne/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[This is the soundscape that accompanied Batmania sculpture and sound installation by artist / sculptor Kathy Holowko and myself in the Atrium of Federation Square, Melbourne, Australia during April & May 2015.<br />
<br />
The soundscape represents a day and night in the life of the Grey Headed Flying Fox (aka fruit bats). Starting at dusk from their colony in the Yarra Bend park, an expansive bush land park in the heart of the city of Melbourne, they fly out in their thousands, filling the sky like a scene from a Gothic horror, to the suburbs of Melbourne, where they feed on the nectar of Eucalyptus trees, like those at the bottom of our garden where some of these recordings were made, returning to the colony before dawn.<br />
<br />
The recordings were made using a Rode NTG3 shotgun microphone into a Sound Devices 552 recorder. The colony sounds comprise 5 separate tree recordings, basically made by standing underneath a tree loaded with bats, hoping not to get pee'd on because they carry some pretty unpleasant diseases. The garden section comprises 2 separate recordings made in a similar way.<br />
<br />
This is a stereo version, collapsed from the original 5 channel mix, which were assigned to 5 speakers around the atrium to create a surround sound. I mapped wing beating sounds to travel around the atrium, causing members of the unsuspecting public to duck for cover on occasion. The original looped to approximate their daily life cycle of colony > commute to work to put food in the belly > commute to home colony > repeat, not unlike another mammal that comes to mind. <br />
<br />
In fact these megabats are thought to be more closely related to us humans than they are to their microbat cousins due to their opposing fingers and thumbs. Despite their spooky image they are in fact very cute, especially the babies, three of which were brought to my recording studio earlier this year for what was definitely the weirdest recording session i have ever undertaken. They were rescue bats, hand reared by a volunteer, and although they were used to being handled and bottle fed, they were not toilet trained and had the incredible propensity to projectile defecate on my expensive microphones. The baby bat sounds didn't make the final cut, but it was an unforgettable experience.<br />
<br />
The installation, which comprised over 200 life size flying bat sculptures and sound, was a great success, and the original month in Federation Square was extended to two months, and is now making it's way around Australia visiting various cities and festivals on it's mission to demystify these wonderful creatures that suffer from considerable prejudice.]]></description>
            <googleplay:description><![CDATA[This is the soundscape that accompanied Batmania sculpture and sound installation by artist / sculptor Kathy Holowko and myself in the Atrium of Federation Square, Melbourne, Australia during April & May 2015.<br />
<br />
The soundscape represents a day and night in the life of the Grey Headed Flying Fox (aka fruit bats). Starting at dusk from their colony in the Yarra Bend park, an expansive bush land park in the heart of the city of Melbourne, they fly out in their thousands, filling the sky like a scene from a Gothic horror, to the suburbs of Melbourne, where they feed on the nectar of Eucalyptus trees, like those at the bottom of our garden where some of these recordings were made, returning to the colony before dawn.<br />
<br />
The recordings were made using a Rode NTG3 shotgun microphone into a Sound Devices 552 recorder. The colony sounds comprise 5 separate tree recordings, basically made by standing underneath a tree loaded with bats, hoping not to get pee'd on because they carry some pretty unpleasant diseases. The garden section comprises 2 separate recordings made in a similar way.<br />
<br />
This is a stereo version, collapsed from the original 5 channel mix, which were assigned to 5 speakers around the atrium to create a surround sound. I mapped wing beating sounds to travel around the atrium, causing members of the unsuspecting public to duck for cover on occasion. The original looped to approximate their daily life cycle of colony > commute to work to put food in the belly > commute to home colony > repeat, not unlike another mammal that comes to mind. <br />
<br />
In fact these megabats are thought to be more closely related to us humans than they are to their microbat cousins due to their opposing fingers and thumbs. Despite their spooky image they are in fact very cute, especially the babies, three of which were brought to my recording studio earlier this year for what was definitely the weirdest recording session i have ever undertaken. They were rescue bats, hand reared by a volunteer, and although they were used to being handled and bottle fed, they were not toilet trained and had the incredible propensity to projectile defecate on my expensive microphones. The baby bat sounds didn't make the final cut, but it was an unforgettable experience.<br />
<br />
The installation, which comprised over 200 life size flying bat sculptures and sound, was a great success, and the original month in Federation Square was extended to two months, and is now making it's way around Australia visiting various cities and festivals on it's mission to demystify these wonderful creatures that suffer from considerable prejudice.]]></googleplay:description>
            <itunes:summary><![CDATA[This is the soundscape that accompanied Batmania sculpture and sound installation by artist / sculptor Kathy Holowko and myself in the Atrium of Federation Square, Melbourne, Australia during April & May 2015.

The soundscape represents a day and night in the life of the Grey Headed Flying Fox (aka fruit bats). Starting at dusk from their colony in the Yarra Bend park, an expansive bush land park in the heart of the city of Melbourne, they fly out in their thousands, filling the sky like a scene from a Gothic horror, to the suburbs of Melbourne, where they feed on the nectar of Eucalyptus trees, like those at the bottom of our garden where some of these recordings were made, returning to the colony before dawn.

The recordings were made using a Rode NTG3 shotgun microphone into a Sound Devices 552 recorder. The colony sounds comprise 5 separate tree recordings, basically made by standing underneath a tree loaded with bats, hoping not to get pee'd on because they carry some pretty unpleasant diseases. The garden section comprises 2 separate recordings made in a similar way.

This is a stereo version, collapsed from the original 5 channel mix, which were assigned to 5 speakers around the atrium to create a surround sound. I mapped wing beating sounds to travel around the atrium, causing members of the unsuspecting public to duck for cover on occasion. The original looped to approximate their daily life cycle of colony > commute to work to put food in the belly > commute to home colony > repeat, not unlike another mammal that comes to mind. 

In fact these megabats are thought to be more closely related to us humans than they are to their microbat cousins due to their opposing fingers and thumbs. Despite their spooky image they are in fact very cute, especially the babies, three of which were brought to my recording studio earlier this year for what was definitely the weirdest recording session i have ever undertaken. They were rescue bats, hand reared by a volunteer, and although they were used to being handled and bottle fed, they were not toilet trained and had the incredible propensity to projectile defecate on my expensive microphones. The baby bat sounds didn't make the final cut, but it was an unforgettable experience.

The installation, which comprised over 200 life size flying bat sculptures and sound, was a great success, and the original month in Federation Square was extended to two months, and is now making it's way around Australia visiting various cities and festivals on it's mission to demystify these wonderful creatures that suffer from considerable prejudice.]]></itunes:summary>
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                <pubDate>Mon, 25 May 2015 02:40:54 +0200</pubDate>
                
                <atom:updated>2015-05-25T02:40:54+02:00</atom:updated>
                
            
            
            <itunes:duration>2:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Vessel]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/vessel/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Recorded & composed onsite at the Contain Yourself artist residency in Footscray to complement the ongoing work of Dagmara Gieysztor around the challenges faced by refugees. The sounds are made entirely from a 30 minute contact mic recording of a retired, rusty oil heating tank that is in the yard of friendly neighbour Steve Phillips at Waterside Metal Art, who kindly gave me unlimited access to the forge :-)<br />
<br />
PS. A general note to Australia - How about remembering that these people (refugees/asylum seekers are humans, and wouldn't you do the same in their shoes? But thank your lucky stars that you're not, and you are not risking your life on some overloaded, leaking boat, and maybe abide by international law & let these people into Australia, and when they get here let them work. For fucks sake. <br />
<br />
<br />
<br />
<br />
<br />
]]></description>
            <googleplay:description><![CDATA[Recorded & composed onsite at the Contain Yourself artist residency in Footscray to complement the ongoing work of Dagmara Gieysztor around the challenges faced by refugees. The sounds are made entirely from a 30 minute contact mic recording of a retired, rusty oil heating tank that is in the yard of friendly neighbour Steve Phillips at Waterside Metal Art, who kindly gave me unlimited access to the forge :-)<br />
<br />
PS. A general note to Australia - How about remembering that these people (refugees/asylum seekers are humans, and wouldn't you do the same in their shoes? But thank your lucky stars that you're not, and you are not risking your life on some overloaded, leaking boat, and maybe abide by international law & let these people into Australia, and when they get here let them work. For fucks sake. <br />
<br />
<br />
<br />
<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Recorded & composed onsite at the Contain Yourself artist residency in Footscray to complement the ongoing work of Dagmara Gieysztor around the challenges faced by refugees. The sounds are made entirely from a 30 minute contact mic recording of a retired, rusty oil heating tank that is in the yard of friendly neighbour Steve Phillips at Waterside Metal Art, who kindly gave me unlimited access to the forge :-)

PS. A general note to Australia - How about remembering that these people (refugees/asylum seekers are humans, and wouldn't you do the same in their shoes? But thank your lucky stars that you're not, and you are not risking your life on some overloaded, leaking boat, and maybe abide by international law & let these people into Australia, and when they get here let them work. For fucks sake. 





]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/6/8/_/uploads/8866966/image_track/1464567/w1400_h1400_q70_ptrue_v2_----cropped_1501292866.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/vessel/listen.mp3?s=OV6" length="4385644" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 13 Dec 2014 01:08:47 +0100</pubDate>
                
                <atom:updated>2014-12-13T01:08:47+01:00</atom:updated>
                
            
            
            <itunes:duration>4:34</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Liberty of the Press - State Library of Victoria]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/liberty-of-the-press-state-library-of-victoria/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Handel's Lascia Ch'io Pianga recorded a cappella in Melbourne's State Library LaTrobe Reading Room with Rebecca Morton, and then deconstructed, messed up, and overdriven to become the soundtrack for the historical celebration & fashion show called Liberty of the Press, directed by Penelope Bartlau, and performed at the State Library of Victoria on 4th Sept 2014. The drone that appears around 2.15 is actually the room tone from the Latrobe Reading Room amplified beyond measure. The vocal recordings were made with a pair of AKG C414's, set to omni, and arranged about 10 meters apart. I layered several takes together.]]></description>
            <googleplay:description><![CDATA[Handel's Lascia Ch'io Pianga recorded a cappella in Melbourne's State Library LaTrobe Reading Room with Rebecca Morton, and then deconstructed, messed up, and overdriven to become the soundtrack for the historical celebration & fashion show called Liberty of the Press, directed by Penelope Bartlau, and performed at the State Library of Victoria on 4th Sept 2014. The drone that appears around 2.15 is actually the room tone from the Latrobe Reading Room amplified beyond measure. The vocal recordings were made with a pair of AKG C414's, set to omni, and arranged about 10 meters apart. I layered several takes together.]]></googleplay:description>
            <itunes:summary><![CDATA[Handel's Lascia Ch'io Pianga recorded a cappella in Melbourne's State Library LaTrobe Reading Room with Rebecca Morton, and then deconstructed, messed up, and overdriven to become the soundtrack for the historical celebration & fashion show called Liberty of the Press, directed by Penelope Bartlau, and performed at the State Library of Victoria on 4th Sept 2014. The drone that appears around 2.15 is actually the room tone from the Latrobe Reading Room amplified beyond measure. The vocal recordings were made with a pair of AKG C414's, set to omni, and arranged about 10 meters apart. I layered several takes together.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/7/8/_/uploads/8866966/image_track/1464568/w1400_h1400_q70_ptrue_v2_----cropped_1501292870.jpg" />
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            <guid isPermaLink="false">1464568</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 09 Sep 2014 05:42:07 +0200</pubDate>
                
                <atom:updated>2014-09-09T05:42:07+02:00</atom:updated>
                
            
            
            <itunes:duration>16:25</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Confessional]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/confessional/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Confessional was an art installation created for the 2014 Festival of Live Art at Chapter House, which is the large church-like function space at the rear of St Paul's Cathedral in central Melbourne. The audience wore wireless headphones, and breakfasted on a Medieval banquet after entering a Confessional booth-like space to view video footage on small screens. The voices you hear are actors playing characters gathered from of a series of interviews and outakes, and the background is edited from two separate Catholic Masses that i recorded here in Melbourne. Voices recorded with Neumann U87 > a UA 610B pre. Church recorded with a pair of AKG414's > RME FW400. Written & directed by Penelope Bartlau.<br />
]]></description>
            <googleplay:description><![CDATA[Confessional was an art installation created for the 2014 Festival of Live Art at Chapter House, which is the large church-like function space at the rear of St Paul's Cathedral in central Melbourne. The audience wore wireless headphones, and breakfasted on a Medieval banquet after entering a Confessional booth-like space to view video footage on small screens. The voices you hear are actors playing characters gathered from of a series of interviews and outakes, and the background is edited from two separate Catholic Masses that i recorded here in Melbourne. Voices recorded with Neumann U87 > a UA 610B pre. Church recorded with a pair of AKG414's > RME FW400. Written & directed by Penelope Bartlau.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Confessional was an art installation created for the 2014 Festival of Live Art at Chapter House, which is the large church-like function space at the rear of St Paul's Cathedral in central Melbourne. The audience wore wireless headphones, and breakfasted on a Medieval banquet after entering a Confessional booth-like space to view video footage on small screens. The voices you hear are actors playing characters gathered from of a series of interviews and outakes, and the background is edited from two separate Catholic Masses that i recorded here in Melbourne. Voices recorded with Neumann U87 > a UA 610B pre. Church recorded with a pair of AKG414's > RME FW400. Written & directed by Penelope Bartlau.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/7/8/_/uploads/8866966/image_track/1464569/w1400_h1400_q70_ptrue_v2_----cropped_1501292875.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/confessional/listen.mp3?s=6ay" length="0" />
            <guid isPermaLink="false">1464569</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 14 Jul 2014 09:26:45 +0200</pubDate>
                
                <atom:updated>2014-07-14T09:26:45+02:00</atom:updated>
                
            
            
            <itunes:duration>24:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Queerum (Shortened Edit)]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/queerum-shortened-edit/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Recorded for an installation called Queerum by Sapidah Kian in a house in Melbourne as part of the 24 Hour Experience. The whole house was inhabited & altered to discuss and highlight gender transition, and trans gender issues, and the the stories of the aging Queer community. This piece occupied a long downstairs corridor, & contains the voices of various members of the Melbourne trans gender community. I also made soundscapes for the answer machine, the bathroom, the shower room, and two bedrooms. Thanks to Myke Vescio for his input on the project.]]></description>
            <googleplay:description><![CDATA[Recorded for an installation called Queerum by Sapidah Kian in a house in Melbourne as part of the 24 Hour Experience. The whole house was inhabited & altered to discuss and highlight gender transition, and trans gender issues, and the the stories of the aging Queer community. This piece occupied a long downstairs corridor, & contains the voices of various members of the Melbourne trans gender community. I also made soundscapes for the answer machine, the bathroom, the shower room, and two bedrooms. Thanks to Myke Vescio for his input on the project.]]></googleplay:description>
            <itunes:summary><![CDATA[Recorded for an installation called Queerum by Sapidah Kian in a house in Melbourne as part of the 24 Hour Experience. The whole house was inhabited & altered to discuss and highlight gender transition, and trans gender issues, and the the stories of the aging Queer community. This piece occupied a long downstairs corridor, & contains the voices of various members of the Melbourne trans gender community. I also made soundscapes for the answer machine, the bathroom, the shower room, and two bedrooms. Thanks to Myke Vescio for his input on the project.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/queerum-shortened-edit/listen.mp3?s=I6d" length="0" />
            <guid isPermaLink="false">1464570</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 11 Jun 2014 09:20:33 +0200</pubDate>
                
                <atom:updated>2014-06-11T09:20:33+02:00</atom:updated>
                
            
            
            <itunes:duration>10:09</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Behind The Public Eye - Festival of Live Art - Melbourne]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/behind-the-public-eye-festival-of-live-art-melbourne/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Composed entirely from sounds recorded in the Victorian era subterranean GPO public toilets in Melbourne with ace percussionist Leah Scholes using a Barcus Berry contact mic, & a pair of AKG414's. It was made for a piece of theatre by ace director Susie Dee, and performed in the aforementioned GPO toilets as part of the 24 Hour Experience. Amplified on the night using a pair of Quest MS401 speakers, and a Meyer sub that occupied an entire cubicle. It made the ceiling rattle, which just added to the sinister atmosphere.]]></description>
            <googleplay:description><![CDATA[Composed entirely from sounds recorded in the Victorian era subterranean GPO public toilets in Melbourne with ace percussionist Leah Scholes using a Barcus Berry contact mic, & a pair of AKG414's. It was made for a piece of theatre by ace director Susie Dee, and performed in the aforementioned GPO toilets as part of the 24 Hour Experience. Amplified on the night using a pair of Quest MS401 speakers, and a Meyer sub that occupied an entire cubicle. It made the ceiling rattle, which just added to the sinister atmosphere.]]></googleplay:description>
            <itunes:summary><![CDATA[Composed entirely from sounds recorded in the Victorian era subterranean GPO public toilets in Melbourne with ace percussionist Leah Scholes using a Barcus Berry contact mic, & a pair of AKG414's. It was made for a piece of theatre by ace director Susie Dee, and performed in the aforementioned GPO toilets as part of the 24 Hour Experience. Amplified on the night using a pair of Quest MS401 speakers, and a Meyer sub that occupied an entire cubicle. It made the ceiling rattle, which just added to the sinister atmosphere.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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            <guid isPermaLink="false">1464571</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 11 Jun 2014 08:51:21 +0200</pubDate>
                
                <atom:updated>2014-06-11T08:51:21+02:00</atom:updated>
                
            
            
            <itunes:duration>12:27</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Bathing Beauties - Festival of Live Art - Melbourne]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/bathing-beauties-festival-of-live-art-melbourne/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[I wrote & recorded this to accompany a performance called Bathing Beauties, part of the inaugural Festival of Live Art, Melbourne 2014. This piece was for the end where voice overs are heard discussing growing old, and contemplating death itself. Cello by Anita Quayle.]]></description>
            <googleplay:description><![CDATA[I wrote & recorded this to accompany a performance called Bathing Beauties, part of the inaugural Festival of Live Art, Melbourne 2014. This piece was for the end where voice overs are heard discussing growing old, and contemplating death itself. Cello by Anita Quayle.]]></googleplay:description>
            <itunes:summary><![CDATA[I wrote & recorded this to accompany a performance called Bathing Beauties, part of the inaugural Festival of Live Art, Melbourne 2014. This piece was for the end where voice overs are heard discussing growing old, and contemplating death itself. Cello by Anita Quayle.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/9/8/_/uploads/8866966/image_track/1464572/w1400_h1400_q70_ptrue_v2_----cropped_1501292890.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/bathing-beauties-festival-of-live-art-melbourne/listen.mp3?s=slo" length="0" />
            <guid isPermaLink="false">1464572</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 27 May 2014 07:17:31 +0200</pubDate>
                
                <atom:updated>2014-05-27T07:17:31+02:00</atom:updated>
                
            
            
            <itunes:duration>7:04</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Esther Williams part 2]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/esther-williams-part-2/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Part of a performance sound scape that i made for Bathing Beauties, directed by Penelope Bartlau, and performed at Melbourne City Baths as part of The 24 Hour Experience & The Festival of Live Art in March 2014. The piece included various synchronized swims, two of which were influenced by Esther Williams, the beautiful and talented American lady who brought synchronized swimming to Hollywood in the 1940's & 50's in what became known as 'aquamusicals'.]]></description>
            <googleplay:description><![CDATA[Part of a performance sound scape that i made for Bathing Beauties, directed by Penelope Bartlau, and performed at Melbourne City Baths as part of The 24 Hour Experience & The Festival of Live Art in March 2014. The piece included various synchronized swims, two of which were influenced by Esther Williams, the beautiful and talented American lady who brought synchronized swimming to Hollywood in the 1940's & 50's in what became known as 'aquamusicals'.]]></googleplay:description>
            <itunes:summary><![CDATA[Part of a performance sound scape that i made for Bathing Beauties, directed by Penelope Bartlau, and performed at Melbourne City Baths as part of The 24 Hour Experience & The Festival of Live Art in March 2014. The piece included various synchronized swims, two of which were influenced by Esther Williams, the beautiful and talented American lady who brought synchronized swimming to Hollywood in the 1940's & 50's in what became known as 'aquamusicals'.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/esther-williams-part-2/listen.mp3?s=ANE" length="5175169" />
            <guid isPermaLink="false">1464573</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 09 Apr 2014 06:12:42 +0200</pubDate>
                
                <atom:updated>2014-04-09T06:12:42+02:00</atom:updated>
                
            
            
            <itunes:duration>5:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Evolution]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/evolution/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[From an album that i made with Richard Thair (from Red Snapper) for DeWolfe Music. Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from DeWolfe Music as part of the Life Force LP<br />
http://www.dewolfe.co.uk/musicsearch/cd_tracks.php?cdnumber=RMCD%202077]]></description>
            <googleplay:description><![CDATA[From an album that i made with Richard Thair (from Red Snapper) for DeWolfe Music. Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from DeWolfe Music as part of the Life Force LP<br />
http://www.dewolfe.co.uk/musicsearch/cd_tracks.php?cdnumber=RMCD%202077]]></googleplay:description>
            <itunes:summary><![CDATA[From an album that i made with Richard Thair (from Red Snapper) for DeWolfe Music. Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from DeWolfe Music as part of the Life Force LP
http://www.dewolfe.co.uk/musicsearch/cd_tracks.php?cdnumber=RMCD%202077]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/evolution/listen.mp3?s=Y6P" length="0" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 29 Jul 2013 13:07:42 +0200</pubDate>
                
                <atom:updated>2013-07-29T13:07:42+02:00</atom:updated>
                
            
            
            <itunes:duration>5:42</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Kedros Thair 7]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/kedros-thair-7/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Part of an album that i made with Richard Thair (from Red Snapper). Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from Lift Music as part of their Factual series. http://www.liftmusic.co.uk/]]></description>
            <googleplay:description><![CDATA[Part of an album that i made with Richard Thair (from Red Snapper). Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from Lift Music as part of their Factual series. http://www.liftmusic.co.uk/]]></googleplay:description>
            <itunes:summary><![CDATA[Part of an album that i made with Richard Thair (from Red Snapper). Some of the album was collaborative, some of it individual efforts. This one is the latter. Available from Lift Music as part of their Factual series. http://www.liftmusic.co.uk/]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/kedros-thair-7/listen.mp3?s=bJa" length="0" />
            <guid isPermaLink="false">1464575</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 29 Jul 2013 07:01:56 +0200</pubDate>
                
                <atom:updated>2013-07-29T07:01:56+02:00</atom:updated>
                
            
            
            <itunes:duration>2:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[View From Seat]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/view-from-seat/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></description>
            <googleplay:description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></googleplay:description>
            <itunes:summary><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/view-from-seat/listen.mp3?s=pRt" length="0" />
            <guid isPermaLink="false">1464576</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 02 Nov 2011 14:59:11 +0100</pubDate>
                
                <atom:updated>2011-11-02T14:59:11+01:00</atom:updated>
                
            
            
            <itunes:duration>5:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Untitled]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/untitled/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></description>
            <googleplay:description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></googleplay:description>
            <itunes:summary><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/untitled/listen.mp3?s=lDi" length="0" />
            <guid isPermaLink="false">1464577</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 02 Nov 2011 14:49:58 +0100</pubDate>
                
                <atom:updated>2011-11-02T14:49:58+01:00</atom:updated>
                
            
            
            <itunes:duration>3:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Sunrise]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/sunrise/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></description>
            <googleplay:description><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></googleplay:description>
            <itunes:summary><![CDATA[New music for a library LP that I've made with Rich Thair from Red Snapper]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/sonic-state-design-6j/sunrise/listen.mp3?s=5HC" length="0" />
            <guid isPermaLink="false">1464578</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 02 Nov 2011 14:41:41 +0100</pubDate>
                
                <atom:updated>2011-11-02T14:41:41+01:00</atom:updated>
                
            
            
            <itunes:duration>4:30</itunes:duration>
        </item>
        <item>
            <title><![CDATA[The Grapes of Wrath]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/the-grapes-of-wrath/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[This is a remastered version of a piece i posted a few weeks ago (thanks for the positive responses-much appreciated). The piece is inspired by John Steinbeck's novel The Grapes of Wrath. Strength in the face of crushing adversity. ]]></description>
            <googleplay:description><![CDATA[This is a remastered version of a piece i posted a few weeks ago (thanks for the positive responses-much appreciated). The piece is inspired by John Steinbeck's novel The Grapes of Wrath. Strength in the face of crushing adversity. ]]></googleplay:description>
            <itunes:summary><![CDATA[This is a remastered version of a piece i posted a few weeks ago (thanks for the positive responses-much appreciated). The piece is inspired by John Steinbeck's novel The Grapes of Wrath. Strength in the face of crushing adversity. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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            <guid isPermaLink="false">1464579</guid>
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                <pubDate>Wed, 23 Mar 2011 15:55:27 +0100</pubDate>
                
                <atom:updated>2011-03-23T15:55:27+01:00</atom:updated>
                
            
            
            <itunes:duration>7:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[George Smiley]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/george-smiley/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Another new piece inspired by feeling fucking shit: Broke, bored, winter in England etc etc, you get the picture, then titled accordingly. Happy days. Actually i do feel much better thank you for asking- The sun is shining, brass in pocket etc, so onwards & upwards. Again, featuring the wonderful Laura Reid on cello. This is the main version and i'm working on a part 2 featuring zither and lots of space. Also fits my current John le Carré obsession.]]></description>
            <googleplay:description><![CDATA[Another new piece inspired by feeling fucking shit: Broke, bored, winter in England etc etc, you get the picture, then titled accordingly. Happy days. Actually i do feel much better thank you for asking- The sun is shining, brass in pocket etc, so onwards & upwards. Again, featuring the wonderful Laura Reid on cello. This is the main version and i'm working on a part 2 featuring zither and lots of space. Also fits my current John le Carré obsession.]]></googleplay:description>
            <itunes:summary><![CDATA[Another new piece inspired by feeling fucking shit: Broke, bored, winter in England etc etc, you get the picture, then titled accordingly. Happy days. Actually i do feel much better thank you for asking- The sun is shining, brass in pocket etc, so onwards & upwards. Again, featuring the wonderful Laura Reid on cello. This is the main version and i'm working on a part 2 featuring zither and lots of space. Also fits my current John le Carré obsession.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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                <pubDate>Wed, 23 Mar 2011 15:21:03 +0100</pubDate>
                
                <atom:updated>2011-03-23T15:21:03+01:00</atom:updated>
                
            
            
            <itunes:duration>4:14</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Tinker, Tailor, Soldier, Spy]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/tinker-tailor-soldier-spy/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[A new piece inspired by the John Le Carré novel of the same name, and featuring the wonderful cello work of Laura Reid.]]></description>
            <googleplay:description><![CDATA[A new piece inspired by the John Le Carré novel of the same name, and featuring the wonderful cello work of Laura Reid.]]></googleplay:description>
            <itunes:summary><![CDATA[A new piece inspired by the John Le Carré novel of the same name, and featuring the wonderful cello work of Laura Reid.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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                <pubDate>Wed, 23 Mar 2011 14:50:35 +0100</pubDate>
                
                <atom:updated>2011-03-23T14:50:35+01:00</atom:updated>
                
            
            
            <itunes:duration>5:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cities In The Sky Darker]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/cities-in-the-sky-darker/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Composed for a documentary about Ken Yeang (although I can't remember if this piece actually got used in the end- too dark I seem to recall) , a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.<br />
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></description>
            <googleplay:description><![CDATA[Composed for a documentary about Ken Yeang (although I can't remember if this piece actually got used in the end- too dark I seem to recall) , a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.<br />
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></googleplay:description>
            <itunes:summary><![CDATA[Composed for a documentary about Ken Yeang (although I can't remember if this piece actually got used in the end- too dark I seem to recall) , a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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                <pubDate>Wed, 15 Sep 2010 14:03:10 +0200</pubDate>
                
                <atom:updated>2010-09-15T14:03:10+02:00</atom:updated>
                
            
            
            <itunes:duration>2:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cities In The Sky]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/cities-in-the-sky/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Composed for a documentary about Ken Yeang, a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.<br />
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></description>
            <googleplay:description><![CDATA[Composed for a documentary about Ken Yeang, a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.<br />
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></googleplay:description>
            <itunes:summary><![CDATA[Composed for a documentary about Ken Yeang, a pioneering architect on working to 'a vertical theory of urban design', and discussing the imitation of nature as the way forward for urban design. Commissioned by The Independent Online & SAAB as part of the Question Everything series.
You can watch the film here: http://www.youtube.com/watch?v=KLVHcWGOif8]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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                <pubDate>Tue, 24 Aug 2010 23:14:11 +0200</pubDate>
                
                <atom:updated>2010-08-24T23:14:11+02:00</atom:updated>
                
            
            
            <itunes:duration>4:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Camberwell Beauty]]></title>
            <link>https://hearthis.at/sonic-state-design-6j/camberwell-beauty/</link>
            <itunes:author><![CDATA[Sonic State Design]]></itunes:author>
            <description><![CDATA[Composed for the dance group Verve who are the touring part of the Northern School of Contemporary Dance. Commissioned for piece titled Niners by choreographer Glenn Wilkinson. Features the wonderful work of Cellist Laura Reid who I worked with extensively while producing with Kathryn Williams.<br />
]]></description>
            <googleplay:description><![CDATA[Composed for the dance group Verve who are the touring part of the Northern School of Contemporary Dance. Commissioned for piece titled Niners by choreographer Glenn Wilkinson. Features the wonderful work of Cellist Laura Reid who I worked with extensively while producing with Kathryn Williams.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Composed for the dance group Verve who are the touring part of the Northern School of Contemporary Dance. Commissioned for piece titled Niners by choreographer Glenn Wilkinson. Features the wonderful work of Cellist Laura Reid who I worked with extensively while producing with Kathryn Williams.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/5/_/uploads/8866966/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1501294546.jpg" />
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                <pubDate>Tue, 24 Aug 2010 22:36:16 +0200</pubDate>
                
                <atom:updated>2010-08-24T22:36:16+02:00</atom:updated>
                
            
            
            <itunes:duration>17:05</itunes:duration>
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