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        <title><![CDATA[Ambient Selection]]></title>

        <link>https://hearthis.at/yawha/set/ambient-selection/</link>
    	<copyright></copyright>
		
		<itunes:subtitle><![CDATA[Ambient Selection]]></itunes:subtitle>
		
		<itunes:author><![CDATA[hearthis.at]]></itunes:author>
		
		<itunes:summary><![CDATA[]]></itunes:summary>
		
		<description><![CDATA[]]></description>
		
		<itunes:owner>
		
		<itunes:name><![CDATA[hearthis.at]]></itunes:name>
		
		
		<itunes:email>contact@hearthis.at</itunes:email>
		
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		<language>en-EN</language>
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        <image>
          <link>https://hearthis.at/yawha/set/ambient-selection/</link>
          <title>Ambient Selection</title>
          <url>https://img.hearthis.at/4/6/7/_/uploads/8842841/image_track/1385201/w1400_h1400_q70_ptrue_v2_----cropped_1499450764.jpg</url>
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		<itunes:explicit>no</itunes:explicit>
		<category><![CDATA[Music]]></category>
		<itunes:category text="Music"/>
		<itunes:keywords><![CDATA[]]></itunes:keywords>
		


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                                    <guid isPermaLink="false">1385201</guid>
                                    
                                        <pubDate>Thu, 18 Sep 2014 00:26:02 +0200</pubDate>
                                        
                                        <atom:updated>2014-09-18T00:26:02+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Ar Bís</title>
                                    <description><![CDATA[First steps into an unknown world]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/ar-bs/listen.mp3?s=fZR" length="2868452" />
                                    <link>https://hearthis.at/yawha/ar-bs/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>c12e37e2bf954f0302dd5ccfee045790.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/c12e37e2bf954f0302dd5ccfee045790.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/ar-bs/listen.mp3?s=fZR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[First steps into an unknown world]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/6/7/_/uploads/8842841/image_track/1385201/w1400_h1400_q70_ptrue_v2_----cropped_1499450764.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/ar-bs/</feedburner:origLink>
                                    <itunes:duration>179</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1384556</guid>
                                    
                                        <pubDate>Wed, 21 Jun 2017 04:20:19 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-21T04:20:19+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Dignified Drizzle, Balmy Birds (Naviarhaiku180)</title>
                                    <description><![CDATA[For Naviar Haiku 180
Something calm and restful.
Bass guitar, electric guitar, field recording of a fountain, creative commons for birds recordings off freesound.org and a sample library, free sample pack from soniss for thunder, strings sampler, default "Grand Piano" sampler in Ableton, AAS Swatches and Cakewalk Rapture for synth parts. 
Hope you enjoy.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/dignified-drizzle-balmy-birds-naviarhaiku180/listen.mp3?s=Zaq" length="7553357" />
                                    <link>https://hearthis.at/yawha/dignified-drizzle-balmy-birds-naviarhaiku180/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>1da2d7805c6ca6db6ce2e38e3942d386.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/1da2d7805c6ca6db6ce2e38e3942d386.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/dignified-drizzle-balmy-birds-naviarhaiku180/listen.mp3?s=Zaq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[For Naviar Haiku 180
Something calm and restful.
Bass guitar, electric guitar, field recording of a fountain, creative commons for birds recordings off freesound.org and a sample library, free sample pack from soniss for thunder, strings sampler, default "Grand Piano" sampler in Ableton, AAS Swatches and Cakewalk Rapture for synth parts. 
Hope you enjoy.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/7/7/_/uploads/8842841/image_track/1384556/w1400_h1400_q70_ptrue_v2_----cropped_1499424777.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/dignified-drizzle-balmy-birds-naviarhaiku180/</feedburner:origLink>
                                    <itunes:duration>472</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385146</guid>
                                    
                                        <pubDate>Thu, 08 Jun 2017 04:32:27 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-08T04:32:27+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>The River's Mist (naviarhaiku178)</title>
                                    <description><![CDATA[NaviarHaiku178 - The River's Mist
the river's mist
helps out the haze...
moonlit night
Inspired by this week's calmly-worded Haiku, I chose to follow a restful engaging path alongside a lakeshore, a waning gibbous moon setting, making way for the restoration of a new day, a new promise.  Bird life is prepared, our lives are not. With nothing but myself, I feel the inner warmth in that coldest hour, inner peace in the multitudinous present. 
In celebration of my first Naviar Haiku, and given the subject of the track is a Japanese Haiku, I used a clip from Cotorich - the YouTube blogger from Japan, possessing a ethereally dulcet voice.
Her channel: youtube.com/user/cotorich/discussion
Her upload:  youtube.com/watch?v=SdSS2rdLHnA
(I have attempted to contact her thru her discussion page on her youtube for permission, but I haven't yet heard back yet... Hope to engage her on this).
Also used a public domain midi file for the final section - Beethoven's Moonlight Sonata.
Instruments used: Synthmaster, Vacuum Pro, Fusor, Ableton's Electric, AirMusicTech MiniGrand.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/the-rivers-mist-naviarhaiku178/listen.mp3?s=Boh" length="18738363" />
                                    <link>https://hearthis.at/yawha/the-rivers-mist-naviarhaiku178/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>e3b2354534d35fdd0ffc07933cd7cbf7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/e3b2354534d35fdd0ffc07933cd7cbf7.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/the-rivers-mist-naviarhaiku178/listen.mp3?s=Boh" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[NaviarHaiku178 - The River's Mist
the river's mist
helps out the haze...
moonlit night
Inspired by this week's calmly-worded Haiku, I chose to follow a restful engaging path alongside a lakeshore, a waning gibbous moon setting, making way for the restoration of a new day, a new promise.  Bird life is prepared, our lives are not. With nothing but myself, I feel the inner warmth in that coldest hour, inner peace in the multitudinous present. 
In celebration of my first Naviar Haiku, and given the subject of the track is a Japanese Haiku, I used a clip from Cotorich - the YouTube blogger from Japan, possessing a ethereally dulcet voice.
Her channel: youtube.com/user/cotorich/discussion
Her upload:  youtube.com/watch?v=SdSS2rdLHnA
(I have attempted to contact her thru her discussion page on her youtube for permission, but I haven't yet heard back yet... Hope to engage her on this).
Also used a public domain midi file for the final section - Beethoven's Moonlight Sonata.
Instruments used: Synthmaster, Vacuum Pro, Fusor, Ableton's Electric, AirMusicTech MiniGrand.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/2/_/uploads/8842841/image_track/1385146/w1400_h1400_q70_ptrue_v2_----cropped_1499449237.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/the-rivers-mist-naviarhaiku178/</feedburner:origLink>
                                    <itunes:duration>1171</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385162</guid>
                                    
                                        <pubDate>Tue, 28 Mar 2017 05:02:53 +0200</pubDate>
                                        
                                        <atom:updated>2017-03-28T05:02:53+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Le Plus Claire De Soleil (disquiet0273)</title>
                                    <description><![CDATA[Disquiet Junto Project 0273: Alarm Clocked
Make music for a (new! improved!) slow-waking alarm clock.
I usually wake up in the morning to talk-show radio. On some weekends, when I think of it, I dial the radio alarm clock to RTE Lyric FM - a radio station here in Ireland that mostly features classical music - but also hosts some great jazz, and some significant avante garde stuff (Bernard Clarke's Nova show in particular - rte.ie/lyricfm/nova - check him on soundcloud @bernard-clarke).
It's my weekend treat, to wake to classical music. I reserve that pleasure for the weekends.
So for this Junto, I simply took the best of both - Debussy's Claire de Lune, and an interview on Newstalk radio with Brian O'Driscoll, the celebrated Irish rugby player, recently retired - a fine talent and character...
The gradual ~3 min intro is actually two different public domain midi clips of Claire de Lune I downloaded from internet - one playing a Concert Harp in Air Structure, the other playing the Air MiniGrand piano at a faster tempo. I used the maxforlive device Random_Midi_Supression to randomly select notes from the midi stream to play back on the Harp and Piano, and on an Upright Bass patch I selected the lowest note of the midi stream with HiLoMidiFilter maxforlive device, transposing it to a sensible upright bass octave using the Midi Octave Fold maxforlive device.
Once the 3 min period was up, I simply played the Claire de Lune midi in full into that Harp sampler, and left the bass play the occasional root/lowest note for some low-end substance.
Used a few reverbs and delays here (Amazing Noises Outer Spaces, Audiority GrainSpace, Replika XT, Bloom), automated the mix levels - and some eq and stereo widening from Ozone 7. EQ and two of Ableton's Erosion devices got me lo-fi with the radio sound...
I had worked on some classical parts, and maybe I ought to have stuck with that, but between time, and in homage to the gems Lyric FM has thrown up for me over the years, I instead chose to use midi from the public web.
Hope you enjoy.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/le-plus-claire-de-soleil-disquiet0273/listen.mp3?s=ztG" length="4304978" />
                                    <link>https://hearthis.at/yawha/le-plus-claire-de-soleil-disquiet0273/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>d387b1a1e5a786bee3cbac9db08a7be2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/d387b1a1e5a786bee3cbac9db08a7be2.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/le-plus-claire-de-soleil-disquiet0273/listen.mp3?s=ztG" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0273: Alarm Clocked
Make music for a (new! improved!) slow-waking alarm clock.
I usually wake up in the morning to talk-show radio. On some weekends, when I think of it, I dial the radio alarm clock to RTE Lyric FM - a radio station here in Ireland that mostly features classical music - but also hosts some great jazz, and some significant avante garde stuff (Bernard Clarke's Nova show in particular - rte.ie/lyricfm/nova - check him on soundcloud @bernard-clarke).
It's my weekend treat, to wake to classical music. I reserve that pleasure for the weekends.
So for this Junto, I simply took the best of both - Debussy's Claire de Lune, and an interview on Newstalk radio with Brian O'Driscoll, the celebrated Irish rugby player, recently retired - a fine talent and character...
The gradual ~3 min intro is actually two different public domain midi clips of Claire de Lune I downloaded from internet - one playing a Concert Harp in Air Structure, the other playing the Air MiniGrand piano at a faster tempo. I used the maxforlive device Random_Midi_Supression to randomly select notes from the midi stream to play back on the Harp and Piano, and on an Upright Bass patch I selected the lowest note of the midi stream with HiLoMidiFilter maxforlive device, transposing it to a sensible upright bass octave using the Midi Octave Fold maxforlive device.
Once the 3 min period was up, I simply played the Claire de Lune midi in full into that Harp sampler, and left the bass play the occasional root/lowest note for some low-end substance.
Used a few reverbs and delays here (Amazing Noises Outer Spaces, Audiority GrainSpace, Replika XT, Bloom), automated the mix levels - and some eq and stereo widening from Ozone 7. EQ and two of Ableton's Erosion devices got me lo-fi with the radio sound...
I had worked on some classical parts, and maybe I ought to have stuck with that, but between time, and in homage to the gems Lyric FM has thrown up for me over the years, I instead chose to use midi from the public web.
Hope you enjoy.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/6/_/uploads/8842841/image_track/1385162/w1400_h1400_q70_ptrue_v2_----cropped_1499449672.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/le-plus-claire-de-soleil-disquiet0273/</feedburner:origLink>
                                    <itunes:duration>269</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385164</guid>
                                    
                                        <pubDate>Tue, 14 Mar 2017 04:55:47 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-14T04:55:47+01:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>I saw her eyes (disquiet0271)</title>
                                    <description><![CDATA[Disquiet Junto 0271 - Prison Sky
Bassel Khartabil is a Syrian man, and a distinguished software engineer and open-source contributor. Tomorrow, Wednesday, March 15, 2017, will mark the fifth anniversary of Bassel’s March 15, 2012, detention in Syria. It’s been more than a year since anyone has heard from him.
When asked of this thoughts for ideas for a piece of music in support of his cause, here's what he wrote:
imgur.com/a7QTdN8
I was torn between the seeming hopelessness of his situation, the terrifying thoughts and imagery evoked from his remarkably positively-worded letter, and the slice of blue sky that sheds light and hope on his cause.
I hope to have juxtaposed darkness, fear, and melancholy, diffused by a beacon of light.
Drones created from noodles on Sonic Core Modular IV, orchestral parts by Emulator x3 software sampler. Since Bassel was a strong supporter of open-source software, I decided to pay homage to that, using Creative Commons Zero Attribution recordings of breathing, typing, and mouse clicking, from freesound.org.
I really hope there is the best possible end to this story. My love and strength to those close to Bassel.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/i-saw-her-eyes-disquiet0271/listen.mp3?s=ndW" length="5110386" />
                                    <link>https://hearthis.at/yawha/i-saw-her-eyes-disquiet0271/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>91fbaa863161ae0e6c828d8a8ef25c08.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/91fbaa863161ae0e6c828d8a8ef25c08.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/i-saw-her-eyes-disquiet0271/listen.mp3?s=ndW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto 0271 - Prison Sky
Bassel Khartabil is a Syrian man, and a distinguished software engineer and open-source contributor. Tomorrow, Wednesday, March 15, 2017, will mark the fifth anniversary of Bassel’s March 15, 2012, detention in Syria. It’s been more than a year since anyone has heard from him.
When asked of this thoughts for ideas for a piece of music in support of his cause, here's what he wrote:
imgur.com/a7QTdN8
I was torn between the seeming hopelessness of his situation, the terrifying thoughts and imagery evoked from his remarkably positively-worded letter, and the slice of blue sky that sheds light and hope on his cause.
I hope to have juxtaposed darkness, fear, and melancholy, diffused by a beacon of light.
Drones created from noodles on Sonic Core Modular IV, orchestral parts by Emulator x3 software sampler. Since Bassel was a strong supporter of open-source software, I decided to pay homage to that, using Creative Commons Zero Attribution recordings of breathing, typing, and mouse clicking, from freesound.org.
I really hope there is the best possible end to this story. My love and strength to those close to Bassel.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/5/7/_/uploads/8842841/image_track/1385164/w1400_h1400_q70_ptrue_v2_----cropped_1499449751.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/i-saw-her-eyes-disquiet0271/</feedburner:origLink>
                                    <itunes:duration>319</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385172</guid>
                                    
                                        <pubDate>Tue, 06 Dec 2016 05:25:26 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-06T05:25:26+01:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Debris (disquiet0257)</title>
                                    <description><![CDATA[Disquiet Junto Project 0257: Remember Noisevember
In memory of Noisevember just passed, make some noise!
An excerpt from a far longer piece, this is a Reaktor Blocks patch playing behind some 'random' pieces of audio, snippets I built or culled from various sources.
I didn't have much chance this week to work on a track, so this is really a placeholder for something far longer and hopefully more engaging...
Hope you like it.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/debris-disquiet0257/listen.mp3?s=HP7" length="2081017" />
                                    <link>https://hearthis.at/yawha/debris-disquiet0257/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>fbd9310a25f25239aab0ebd5b6ffa592.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/fbd9310a25f25239aab0ebd5b6ffa592.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/debris-disquiet0257/listen.mp3?s=HP7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0257: Remember Noisevember
In memory of Noisevember just passed, make some noise!
An excerpt from a far longer piece, this is a Reaktor Blocks patch playing behind some 'random' pieces of audio, snippets I built or culled from various sources.
I didn't have much chance this week to work on a track, so this is really a placeholder for something far longer and hopefully more engaging...
Hope you like it.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/1/0/_/uploads/8842841/image_track/1385172/w1400_h1400_q70_ptrue_v2_----cropped_1499450019.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/debris-disquiet0257/</feedburner:origLink>
                                    <itunes:duration>130</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385173</guid>
                                    
                                        <pubDate>Sun, 20 Nov 2016 03:41:18 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-20T03:41:18+01:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>A Visitation (disquiet0255)</title>
                                    <description><![CDATA[Disquiet Junto Project 0255 - Capone’s Ghost
What does the banjo music of the fabled criminal sound like?
disquiet.com/0255/
Thought about what eeriness must reverberate thru the walls of Alcatraz island prison, what Al Capone might himself have heard as he plucked his instrument. Set the scene as a visit to the island, a sensory reliving of the experience. 
Banjo from an Emulator X3 sampler patch, various foley parts from various sources, did my usual reverb drenching at the end! 
Hope you enjoy...]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/a-visitation-disquiet0255/listen.mp3?s=OQo" length="7552939" />
                                    <link>https://hearthis.at/yawha/a-visitation-disquiet0255/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>b5d70c9b6baf30d15982e072bfc27ce8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/b5d70c9b6baf30d15982e072bfc27ce8.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/a-visitation-disquiet0255/listen.mp3?s=OQo" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0255 - Capone’s Ghost
What does the banjo music of the fabled criminal sound like?
disquiet.com/0255/
Thought about what eeriness must reverberate thru the walls of Alcatraz island prison, what Al Capone might himself have heard as he plucked his instrument. Set the scene as a visit to the island, a sensory reliving of the experience. 
Banjo from an Emulator X3 sampler patch, various foley parts from various sources, did my usual reverb drenching at the end! 
Hope you enjoy...]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/0/_/uploads/8842841/image_track/1385173/w1400_h1400_q70_ptrue_v2_----cropped_1499450098.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/a-visitation-disquiet0255/</feedburner:origLink>
                                    <itunes:duration>472</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385174</guid>
                                    
                                        <pubDate>Sun, 06 Nov 2016 18:31:32 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-06T18:31:32+01:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>The Giant Tortoise (disquiet0253)</title>
                                    <description><![CDATA[Make a Doorbell (Disquiet Junto Project 0253)
Compose a new, personalized doorbell sound.
The Giant Tortoise didn't move quickly. It also tasted delicious. A lethal combination.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/the-giant-tortoise-disquiet0253/listen.mp3?s=X8o" length="2048834" />
                                    <link>https://hearthis.at/yawha/the-giant-tortoise-disquiet0253/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>e2aa0ef2487641b187540dfda21b2dc4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/e2aa0ef2487641b187540dfda21b2dc4.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/the-giant-tortoise-disquiet0253/listen.mp3?s=X8o" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Make a Doorbell (Disquiet Junto Project 0253)
Compose a new, personalized doorbell sound.
The Giant Tortoise didn't move quickly. It also tasted delicious. A lethal combination.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/1/_/uploads/8842841/image_track/1385174/w1400_h1400_q70_ptrue_v2_----cropped_1499450130.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/the-giant-tortoise-disquiet0253/</feedburner:origLink>
                                    <itunes:duration>128</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385175</guid>
                                    
                                        <pubDate>Mon, 31 Oct 2016 05:31:00 +0100</pubDate>
                                        
                                        <atom:updated>2016-10-31T05:31:00+01:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>And what if there was? (disquiet0252)</title>
                                    <description><![CDATA[Make a Sonic Palindrome (Disquiet Junto 0252)
Make music that sounds the same backwards and forwards.
disquiet.com/0252
Noodled out a provocative four-bar vocal part, into a free Soundfont that pytchblend pointed me at (]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/and-what-if-there-was-disquiet0252/listen.mp3?s=U5j" length="7104887" />
                                    <link>https://hearthis.at/yawha/and-what-if-there-was-disquiet0252/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>e19aca726744a72affc2f6983351207c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/e19aca726744a72affc2f6983351207c.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/and-what-if-there-was-disquiet0252/listen.mp3?s=U5j" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Make a Sonic Palindrome (Disquiet Junto 0252)
Make music that sounds the same backwards and forwards.
disquiet.com/0252
Noodled out a provocative four-bar vocal part, into a free Soundfont that pytchblend pointed me at (]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/6/1/_/uploads/8842841/image_track/1385175/w1400_h1400_q70_ptrue_v2_----cropped_1499450161.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/and-what-if-there-was-disquiet0252/</feedburner:origLink>
                                    <itunes:duration>444</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385177</guid>
                                    
                                        <pubDate>Mon, 17 Oct 2016 09:34:47 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-17T09:34:47+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Into Wakefulness (disquiet0250)</title>
                                    <description><![CDATA[Disquiet Junto Project 0250: Soothing Sounds for Junto
Make some peaceful music for an infant child.
Project Link:
disquiet.com/0250
Waking up with baby on a warm summer's morning, after a balmy shower has wet the world, to the joy of life.
Baby's head is turned to the side, his delicate neck exposed and visible over the baby grow. Hands loosely clenched, eyelids rest easy.
Deep sleep gives way to movement as the rain falls on the grass, a soothing noise brings fresh earthiness thru the open window.
The shower passes. Curtains let a shard of early low sun cut across to the far wall of the bedroom, behind baby's cot, lighting up the pile of clean vests and socks, and baby's three books.
Baby's hands and eyelids stir, baby scratchwipes his nose and mouth with the back of his hand, as an orchestra of wildlife tunes up in chorus for life and the promise of a new day, the promise of a new life. 
Heartbeat an 808 and 606 kick and 606 open hat for some presence.
Drones from Sonic Core modular and Ocean Swift devices.
Lead line four instances of Air Loom.
Very little processing, bit of reverb here and there...
Hope you like it.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/into-wakefulness-disquiet0250/listen.mp3?s=f4U" length="7066434" />
                                    <link>https://hearthis.at/yawha/into-wakefulness-disquiet0250/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>d4dc9837d837d561cea3b7829629a9d9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/d4dc9837d837d561cea3b7829629a9d9.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/into-wakefulness-disquiet0250/listen.mp3?s=f4U" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0250: Soothing Sounds for Junto
Make some peaceful music for an infant child.
Project Link:
disquiet.com/0250
Waking up with baby on a warm summer's morning, after a balmy shower has wet the world, to the joy of life.
Baby's head is turned to the side, his delicate neck exposed and visible over the baby grow. Hands loosely clenched, eyelids rest easy.
Deep sleep gives way to movement as the rain falls on the grass, a soothing noise brings fresh earthiness thru the open window.
The shower passes. Curtains let a shard of early low sun cut across to the far wall of the bedroom, behind baby's cot, lighting up the pile of clean vests and socks, and baby's three books.
Baby's hands and eyelids stir, baby scratchwipes his nose and mouth with the back of his hand, as an orchestra of wildlife tunes up in chorus for life and the promise of a new day, the promise of a new life. 
Heartbeat an 808 and 606 kick and 606 open hat for some presence.
Drones from Sonic Core modular and Ocean Swift devices.
Lead line four instances of Air Loom.
Very little processing, bit of reverb here and there...
Hope you like it.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/9/1/_/uploads/8842841/image_track/1385177/w1400_h1400_q70_ptrue_v2_----cropped_1499450193.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/into-wakefulness-disquiet0250/</feedburner:origLink>
                                    <itunes:duration>441</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385180</guid>
                                    
                                        <pubDate>Sun, 25 Sep 2016 00:19:34 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-25T00:19:34+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Cherries (disquiet0247)</title>
                                    <description><![CDATA[Disquiet Junto 0247 - Waltz Maybe
Make a track based on Lark Piene's drawing, entitled Waltz Maybe.
disquiet.com/wp-content/upload...ybe-560x165.jpg
Each of my kids seemed to make similar looking characters when learning to draw. The sketch also reminded me of a schoolyard scene. And I have always associated a waltz with this music box that I got from my Grandmother after she died - two birds on a broken branch, rotating on a stand, playing a piece in 3/4 that I have never since identified... I left it on the window sill in my room, and would gladly listen to it when doing school work... 
So, it was all a little inevitable I pull out the wonderful DSK Audio Music Box free VST. Had a sample of a ticking watch that I stretched and EQ'ed as the sound of the clock drive mechanism that rotates a music box, and I added a little ambient drum hit towards the end.
Waltz Maybe? Waltz Definitely!
Hope you like it.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/cherries-disquiet0247/listen.mp3?s=tBV" length="2571283" />
                                    <link>https://hearthis.at/yawha/cherries-disquiet0247/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>02eae28468545677cc22cd24866c36ff.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/02eae28468545677cc22cd24866c36ff.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/cherries-disquiet0247/listen.mp3?s=tBV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto 0247 - Waltz Maybe
Make a track based on Lark Piene's drawing, entitled Waltz Maybe.
disquiet.com/wp-content/upload...ybe-560x165.jpg
Each of my kids seemed to make similar looking characters when learning to draw. The sketch also reminded me of a schoolyard scene. And I have always associated a waltz with this music box that I got from my Grandmother after she died - two birds on a broken branch, rotating on a stand, playing a piece in 3/4 that I have never since identified... I left it on the window sill in my room, and would gladly listen to it when doing school work... 
So, it was all a little inevitable I pull out the wonderful DSK Audio Music Box free VST. Had a sample of a ticking watch that I stretched and EQ'ed as the sound of the clock drive mechanism that rotates a music box, and I added a little ambient drum hit towards the end.
Waltz Maybe? Waltz Definitely!
Hope you like it.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/3/_/uploads/8842841/image_track/1385180/w1400_h1400_q70_ptrue_v2_----cropped_1499450303.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/cherries-disquiet0247/</feedburner:origLink>
                                    <itunes:duration>160</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385184</guid>
                                    
                                        <pubDate>Tue, 13 Sep 2016 04:23:04 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-13T04:23:04+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Valleys between mountains (disquiet0245)</title>
                                    <description><![CDATA[Disquiet Junto Project 0245 (disquiet0245)
Brief was:
Make Some Practical Music
Write a piece of music for getting things done, suitable for playing on repeat...
llllllll.co/t/make-some-practi...ect-0245/4445/1
Ableton 9 on Win 7 32-bit. MaxForLive Turing Machine (encoderaudio.com), into two Pitch midi devices to limit octave spread and produce an unusual "low note threshold" behaviour, into a Midi scale, into FXpansion Strobe2, into FogConvolver (audiothing.net). Touch of bx_limiter on the master bus.
No automation of reverb - it wouldn't make sense to automate reverb parameters, since it places the music in a space, and I wanted the sound to be invariant in its parameters over time, and let the random notes do the job...
In terms of being capable of being played on repeat - well, when you switch on the transport in Ableton, and enable the Turing Machine device on the track, straight away you have something that will forever loop.... So, yeah, it definitely loops!
Could have left this on for hours. And did. But, you'll get the idea here, in 2:30. Take it from me - it is never uninteresting over time! ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/valleys-between-mountains-disquiet0245/listen.mp3?s=yQR" length="2465540" />
                                    <link>https://hearthis.at/yawha/valleys-between-mountains-disquiet0245/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>87febb7a9b7dd90a6ebd6c0fa8928f58.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/87febb7a9b7dd90a6ebd6c0fa8928f58.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/valleys-between-mountains-disquiet0245/listen.mp3?s=yQR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0245 (disquiet0245)
Brief was:
Make Some Practical Music
Write a piece of music for getting things done, suitable for playing on repeat...
llllllll.co/t/make-some-practi...ect-0245/4445/1
Ableton 9 on Win 7 32-bit. MaxForLive Turing Machine (encoderaudio.com), into two Pitch midi devices to limit octave spread and produce an unusual "low note threshold" behaviour, into a Midi scale, into FXpansion Strobe2, into FogConvolver (audiothing.net). Touch of bx_limiter on the master bus.
No automation of reverb - it wouldn't make sense to automate reverb parameters, since it places the music in a space, and I wanted the sound to be invariant in its parameters over time, and let the random notes do the job...
In terms of being capable of being played on repeat - well, when you switch on the transport in Ableton, and enable the Turing Machine device on the track, straight away you have something that will forever loop.... So, yeah, it definitely loops!
Could have left this on for hours. And did. But, you'll get the idea here, in 2:30. Take it from me - it is never uninteresting over time! ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/4/_/uploads/8842841/image_track/1385184/w1400_h1400_q70_ptrue_v2_----cropped_1499450418.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/valleys-between-mountains-disquiet0245/</feedburner:origLink>
                                    <itunes:duration>154</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385185</guid>
                                    
                                        <pubDate>Sun, 04 Sep 2016 12:43:25 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-04T12:43:25+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>I didn't get it out (disquiet0244)</title>
                                    <description><![CDATA[Disquiet Junto Project 0244
Remix of three 20-second pieces from net labels. Details of source material below.
Goal for me here was to make something drastically new out of the source material, but not lose the overall vibe I get from the source pieces, which sound dark and difficult to me.
Rough idea before embarking on the track was to make a playable sampler patch from the source audio, and use sections of the audio for rhythm.
Using VSTs: New Sonic Arts Granite, Unfiltered Audio Indent, Pentode Audio TRW-1, Sonic Charge Permut8 and Echobode, Valhalla SpaceModulator, Brainworx bx_limiter.
Bassline - short section of audio in Ableton Simpler, pitched down, low-pass filter, chorus, saturation, distortion.
Rhythm - sliced Zraerza in Ableton Simpler, tapped out beats. Also, made some 1-bar loops from each Audio piece, and let Ableton's Follow Actions sequence them.
Master Bus: Echobode, Space Modulator, and bx_limiter.
Excuse the length. Some day, Ableton will present the length (in mins and secs) of an arrangement - and then I'll be able to preempt my penchant for long tracks before bounce-down. Hopefully, the track will engage you for the full 4:54...
Source Material:


The first 20 seconds of “The Station and the Underclass,” performed by the Phonetic Orchestra, based in Geneva.


The first 20 seconds of “Cloud Scissors” composed by Lo Wei; performed by Cristián Alvear, Santiago Astaburuaga, Gudinni Cortina, and Rolando Hernández, based in Portugal.

The first 20 seconds of “Zraerza,” performed by Geeksha Beka and Berio Molina, based in Spain.

Hope you enjoy!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/i-didnt-get-it-out-disquiet0244/listen.mp3?s=zwu" length="4944038" />
                                    <link>https://hearthis.at/yawha/i-didnt-get-it-out-disquiet0244/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>99b92322fcd2ff23b4d404612b41b0d5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/99b92322fcd2ff23b4d404612b41b0d5.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/i-didnt-get-it-out-disquiet0244/listen.mp3?s=zwu" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0244
Remix of three 20-second pieces from net labels. Details of source material below.
Goal for me here was to make something drastically new out of the source material, but not lose the overall vibe I get from the source pieces, which sound dark and difficult to me.
Rough idea before embarking on the track was to make a playable sampler patch from the source audio, and use sections of the audio for rhythm.
Using VSTs: New Sonic Arts Granite, Unfiltered Audio Indent, Pentode Audio TRW-1, Sonic Charge Permut8 and Echobode, Valhalla SpaceModulator, Brainworx bx_limiter.
Bassline - short section of audio in Ableton Simpler, pitched down, low-pass filter, chorus, saturation, distortion.
Rhythm - sliced Zraerza in Ableton Simpler, tapped out beats. Also, made some 1-bar loops from each Audio piece, and let Ableton's Follow Actions sequence them.
Master Bus: Echobode, Space Modulator, and bx_limiter.
Excuse the length. Some day, Ableton will present the length (in mins and secs) of an arrangement - and then I'll be able to preempt my penchant for long tracks before bounce-down. Hopefully, the track will engage you for the full 4:54...
Source Material:


The first 20 seconds of “The Station and the Underclass,” performed by the Phonetic Orchestra, based in Geneva.


The first 20 seconds of “Cloud Scissors” composed by Lo Wei; performed by Cristián Alvear, Santiago Astaburuaga, Gudinni Cortina, and Rolando Hernández, based in Portugal.

The first 20 seconds of “Zraerza,” performed by Geeksha Beka and Berio Molina, based in Spain.

Hope you enjoy!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/4/4/_/uploads/8842841/image_track/1385185/w1400_h1400_q70_ptrue_v2_----cropped_1499450448.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/i-didnt-get-it-out-disquiet0244/</feedburner:origLink>
                                    <itunes:duration>308</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1385199</guid>
                                    
                                        <pubDate>Fri, 22 Apr 2016 23:27:48 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-22T23:27:48+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Oppression</title>
                                    <description><![CDATA[Alone lost. I looked long at the sun, and could see a green circle print hover thru my eyes for hours after. Cool dark ivy leaves took the pain away.
You can make nice sounds by pushing digital processors hard too. 
Please leave a comment.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/oppression/listen.mp3?s=Fpm" length="0" />
                                    <link>https://hearthis.at/yawha/oppression/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>c434f78d13ed801846194ddddef7f9ae.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/c434f78d13ed801846194ddddef7f9ae.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/oppression/listen.mp3?s=Fpm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Alone lost. I looked long at the sun, and could see a green circle print hover thru my eyes for hours after. Cool dark ivy leaves took the pain away.
You can make nice sounds by pushing digital processors hard too. 
Please leave a comment.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/7/_/uploads/8842841/image_track/1385199/w1400_h1400_q70_ptrue_v2_----cropped_1499450706.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/oppression/</feedburner:origLink>
                                    <itunes:duration>169</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1490564</guid>
                                    
                                        <pubDate>Thu, 03 Aug 2017 01:47:32 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-03T01:47:32+02:00</atom:updated>
                                        
                                    
                                    <artist>YaWha</artist>
                                    <title>Forest (tendrils)</title>
                                    <description><![CDATA[Alone entering a dark forest, the other side to reach, the track is hard to discern in the dulling light of an early-autumn evening. Crisp still air, laden with the exhaled breaths of the tired greenery, is the medium. Third shift is starting in the living things, as they move to settle in or set out. It is you and your thoughts now, it is you and your considerations, it is you and your explorations of what has happened outside that forest. It is interpretations for you, by you, of you.
Inspired by the set of Physical Modelling synths from  Applied Acoustics Systems @appliedacousticssystems that I picked up this past weekend, this track is made up from instances String Studio for the melodic parts, and percussion mostly from Chromaphone. An excellent set of instruments from AAS! Audiority Polaris supplies the ambience, and Audio Damage Replicant works its magic to groove the beat.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/yawha/forest-tendrils/listen.mp3?s=5Kj" length="7616887" />
                                    <link>https://hearthis.at/yawha/forest-tendrils/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>6e6675dcbd82df55bb07b04b6f0e00a5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/6e6675dcbd82df55bb07b04b6f0e00a5.mp3</stream>
                                    <media:content url="https://hearthis.at/yawha/forest-tendrils/listen.mp3?s=5Kj" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Alone entering a dark forest, the other side to reach, the track is hard to discern in the dulling light of an early-autumn evening. Crisp still air, laden with the exhaled breaths of the tired greenery, is the medium. Third shift is starting in the living things, as they move to settle in or set out. It is you and your thoughts now, it is you and your considerations, it is you and your explorations of what has happened outside that forest. It is interpretations for you, by you, of you.
Inspired by the set of Physical Modelling synths from  Applied Acoustics Systems @appliedacousticssystems that I picked up this past weekend, this track is made up from instances String Studio for the melodic parts, and percussion mostly from Chromaphone. An excellent set of instruments from AAS! Audiority Polaris supplies the ambience, and Audio Damage Replicant works its magic to groove the beat.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/1/3/_/uploads/8842841/image_track/1490564/w1400_h1400_q70_ptrue_v2_----cropped_1502456316.jpg" />
                                    <feedburner:origLink>https://hearthis.at/yawha/forest-tendrils/</feedburner:origLink>
                                    <itunes:duration>476</itunes:duration>
                                    
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    </channel>
</rss>