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        <title><![CDATA[Concentration Without... (2016)]]></title>

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		<itunes:subtitle><![CDATA[Concentration Without... (2016)]]></itunes:subtitle>
		
		<itunes:author><![CDATA[hearthis.at]]></itunes:author>
		
		<itunes:summary><![CDATA[‘The secret mantra abiding in fire bestows feats. That abiding in sound bestows yoga. The end of sound bestows liberations. These are the three principles.’
‘Concentration without…’ is a cycle of three meditations. The three pieces stand as single explorations of Buddhist practices, and are christened after their practice. The work stands as an expression of my own practice and functions to serve meditation than ‘musical’ needs. Each segment is an opportunity, to sit, to breath, and to meditate.]]></itunes:summary>
		
		<description><![CDATA[‘The secret mantra abiding in fire bestows feats. That abiding in sound bestows yoga. The end of sound bestows liberations. These are the three principles.’
‘Concentration without…’ is a cycle of three meditations. The three pieces stand as single explorations of Buddhist practices, and are christened after their practice. The work stands as an expression of my own practice and functions to serve meditation than ‘musical’ needs. Each segment is an opportunity, to sit, to breath, and to meditate.]]></description>
		
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		<itunes:name><![CDATA[hearthis.at]]></itunes:name>
		
		
		<itunes:email>contact@hearthis.at</itunes:email>
		
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		<language>en-EN</language>
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          <title>Concentration Without... (2016)</title>
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                                        <pubDate>Thu, 25 May 2017 15:13:34 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-25T15:13:34+02:00</atom:updated>
                                        
                                    
                                    <artist>Ben Lunn</artist>
                                    <title>Abiding in Fire (2016)</title>
                                    <description><![CDATA[‘Abiding in Fire’ is a form of meditation in which you, the practitioner, imagine a wrathful deity dancing in fire while you meditate. This evocative display, combined with the paradoxical wrathful but good is an idea which drew me to Tantric Buddhism in the first place. The work for orchestra, quite simply tries to emulate that sensation. Witnessing something full of power and wrath but inherently good, alternatively it is building a piece which is both violent and meditative in the same instance.
Dedicated to Martins Vilums and Marius Baranauskas
Performed by Robertas Servenikas and the Lithuanian National Symphony Orchestra]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[‘Abiding in Fire’ is a form of meditation in which you, the practitioner, imagine a wrathful deity dancing in fire while you meditate. This evocative display, combined with the paradoxical wrathful but good is an idea which drew me to Tantric Buddhism in the first place. The work for orchestra, quite simply tries to emulate that sensation. Witnessing something full of power and wrath but inherently good, alternatively it is building a piece which is both violent and meditative in the same instance.
Dedicated to Martins Vilums and Marius Baranauskas
Performed by Robertas Servenikas and the Lithuanian National Symphony Orchestra]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/0/_/uploads/8852669/image_track/1422311/w1400_h1400_q70_ptrue_v2_----cropped_1500127047.jpg" />
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                                    <itunes:duration>643</itunes:duration>
                                    
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                                        <pubDate>Thu, 25 May 2017 15:13:38 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-25T15:13:38+02:00</atom:updated>
                                        
                                    
                                    <artist>Ben Lunn</artist>
                                    <title>Abiding in Sound (2016)</title>
                                    <description><![CDATA[‘Abiding in Sound’ tries to rebuild the same sensation produced by the meditation. The practice describes a meditation where you imagine being the ‘syllable on the tongue of a deity dancing in fire’. A moment where you are on the brink between sound and the void. A moment where everything is so abstracted it is a pure distortion of itself. The trumpets enact this sensation by emulating the self. The gestures blasted into their specific resonators produce a curious interaction between what is said and what is retorted.
Dedicated to Juste  Janulyte and Justina Repeckaite. 
Performed by Robertas Servenikas and the Lithuanian National Symphony Orchestra]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[‘Abiding in Sound’ tries to rebuild the same sensation produced by the meditation. The practice describes a meditation where you imagine being the ‘syllable on the tongue of a deity dancing in fire’. A moment where you are on the brink between sound and the void. A moment where everything is so abstracted it is a pure distortion of itself. The trumpets enact this sensation by emulating the self. The gestures blasted into their specific resonators produce a curious interaction between what is said and what is retorted.
Dedicated to Juste  Janulyte and Justina Repeckaite. 
Performed by Robertas Servenikas and the Lithuanian National Symphony Orchestra]]></itunes:summary>
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