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        <title><![CDATA[Innerstand LP]]></title>

        <link>https://hearthis.at/beam-up/set/innerstand-lp/</link>
    	<copyright></copyright>
		
		<itunes:subtitle><![CDATA[Innerstand LP]]></itunes:subtitle>
		
		<itunes:author><![CDATA[hearthis.at]]></itunes:author>
		
		<itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’ ?Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
?Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
?The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
		
		<description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’ ?Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
?Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
?The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
		
		<itunes:owner>
		
		<itunes:name><![CDATA[hearthis.at]]></itunes:name>
		
		
		<itunes:email>contact@hearthis.at</itunes:email>
		
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		<language>en-EN</language>
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          <link>https://hearthis.at/beam-up/set/innerstand-lp/</link>
          <title>Innerstand LP</title>
          <url>https://img.hearthis.at/l/m/s/_/uploads/7736/image_set/6823/w1400_h1400_q70_ptrue_v2_----cropped_a933570682b42f11ef32d89661b19a1bbeam-upinnerstand-front-coversml.jpg</url>
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		<category><![CDATA[Music]]></category>
		<itunes:category text="Music"/>
		<itunes:keywords><![CDATA[]]></itunes:keywords>
		


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                                    <guid isPermaLink="false">168458</guid>
                                    
                                        <pubDate>Sun, 22 Feb 2015 12:46:14 +0100</pubDate>
                                        
                                        <atom:updated>2015-02-22T12:46:14+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Innerstand (Album Preview Mix)</title>
                                    <description><![CDATA[Released on March 9th (CD and Download) on BBE music distributed by !K7.
Digital preorders now:
iTunes: geni.us/Innerstand
Juno: junodownload.com/products/beam...tand/2708371-02
Please spread & share everywhere :)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’ 
Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and-bass. 
The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…
Uploaded first here on hearthis.at!]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Released on March 9th (CD and Download) on BBE music distributed by !K7.
Digital preorders now:
iTunes: geni.us/Innerstand
Juno: junodownload.com/products/beam...tand/2708371-02
Please spread & share everywhere :)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’ 
Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and-bass. 
The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…
Uploaded first here on hearthis.at!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/168458/w1400_h1400_q70_ptrue_v2_----cropped_55e1bc076a64e1d154b27d9e3093881bbeam-upinnerstand-front-coversml.jpg" />
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                                    <itunes:duration>850</itunes:duration>
                                    
                                </item>
                                
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                                    <guid isPermaLink="false">202472</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>I Must Be Dreaming</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/202472/w1400_h1400_q70_ptrue_v2_----cropped_0286f1daf56ca7940fb088453f8cc81cbeam-upinnerstand-front-coversml.jpg" />
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                                    <guid isPermaLink="false">202488</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Travelling</title>
                                    <description><![CDATA[Out 25th May 2015 on 7" and digital.
Here’s a taster for Beam Up’s album, nailing its colours firmly to a red, gold and green flag. Sounding like it could’ve been recorded in the golden era of the early ‘80s No Chains concerns itself with the classic reggae theme of emancipation from (mental and physical) slavery. Beam Up's fine horn section adds depth to rousing percussive rhythms, with classic rimshots, echo FX and a heavy bass. Travelling is something Brian May, the alter-ego of Beam Up, has done a lot of, but this Berlin- based DJ/producer who made his name with out-there dub/Balkan sets is using his current musical direction to document a spiritual exodus. Done sing-jay style, Travelling begins and ends with train whistles, and its jaunty riddim belies its conscious message(s). Horns, strings and organ augment the journey. Bonus remixes and versions on the digital release give more attention to the soundsystem, club and lounge arenas. Athens finest : FLeCK's junglistic dancehall Travelling remix will test the bassbins and "lighta" people, whilst UK D&B legend T.Power's version reigns it back in with sophisticated downbeat vibes that Massive Attack would be proud of. Beam Up dubs No Chains up into outer space for soundsystem scoops & headphone smokers alike. Instrumental versions are included for the natty singjays too. In a climate of increasingly ephemeral pop and dance music, this release that will sit happily in any collection that has ever found a home for the likes of Burning Spear, Horace Andy, Congo Natty, Massive Attack or even Shiloh-era Buju Banton. His own journey might’ve begun in Manchester, but Beam Up looks set to have solid roots in the contemporary outernational roots reggae scene.
Tracklist: 7”
A - No Chains feat. Jornick Joelick
B - Travelling feat. Jornick Joelick
Digital:

No Chains 
No Chains (Dub) 
No Chains (Instrumental) 
Travelling 
Travelling (T.Power Contemplation Remix) 
Travelling (FLeCK Loving Fire remix) 
Travelling (Instrumental)

Label: Barely Breaking Even [pka BBE]
Formats: 7” single, digital
Released: 25th May 2015]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Out 25th May 2015 on 7" and digital.
Here’s a taster for Beam Up’s album, nailing its colours firmly to a red, gold and green flag. Sounding like it could’ve been recorded in the golden era of the early ‘80s No Chains concerns itself with the classic reggae theme of emancipation from (mental and physical) slavery. Beam Up's fine horn section adds depth to rousing percussive rhythms, with classic rimshots, echo FX and a heavy bass. Travelling is something Brian May, the alter-ego of Beam Up, has done a lot of, but this Berlin- based DJ/producer who made his name with out-there dub/Balkan sets is using his current musical direction to document a spiritual exodus. Done sing-jay style, Travelling begins and ends with train whistles, and its jaunty riddim belies its conscious message(s). Horns, strings and organ augment the journey. Bonus remixes and versions on the digital release give more attention to the soundsystem, club and lounge arenas. Athens finest : FLeCK's junglistic dancehall Travelling remix will test the bassbins and "lighta" people, whilst UK D&B legend T.Power's version reigns it back in with sophisticated downbeat vibes that Massive Attack would be proud of. Beam Up dubs No Chains up into outer space for soundsystem scoops & headphone smokers alike. Instrumental versions are included for the natty singjays too. In a climate of increasingly ephemeral pop and dance music, this release that will sit happily in any collection that has ever found a home for the likes of Burning Spear, Horace Andy, Congo Natty, Massive Attack or even Shiloh-era Buju Banton. His own journey might’ve begun in Manchester, but Beam Up looks set to have solid roots in the contemporary outernational roots reggae scene.
Tracklist: 7”
A - No Chains feat. Jornick Joelick
B - Travelling feat. Jornick Joelick
Digital:

No Chains 
No Chains (Dub) 
No Chains (Instrumental) 
Travelling 
Travelling (T.Power Contemplation Remix) 
Travelling (FLeCK Loving Fire remix) 
Travelling (Instrumental)

Label: Barely Breaking Even [pka BBE]
Formats: 7” single, digital
Released: 25th May 2015]]></itunes:summary>
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                                    <guid isPermaLink="false">202469</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Hanabi Dub</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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                                    <guid isPermaLink="false">202470</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Divers</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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                                    <guid isPermaLink="false">202474</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Dive</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Kick Off</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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                                    <guid isPermaLink="false">202473</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>No Chains</title>
                                    <description><![CDATA[Out 25th May 2015 on 7" and digital.
Here’s a taster for Beam Up’s album, nailing its colours firmly to a red, gold and green flag. Sounding like it could’ve been recorded in the golden era of the early ‘80s No Chains concerns itself with the classic reggae theme of emancipation from (mental and physical) slavery. Beam Up's fine horn section adds depth to rousing percussive rhythms, with classic rimshots, echo FX and a heavy bass. Travelling is something Brian May, the alter-ego of Beam Up, has done a lot of, but this Berlin- based DJ/producer who made his name with out-there dub/Balkan sets is using his current musical direction to document a spiritual exodus. Done sing-jay style, Travelling begins and ends with train whistles, and its jaunty riddim belies its conscious message(s). Horns, strings and organ augment the journey. Bonus remixes and versions on the digital release give more attention to the soundsystem, club and lounge arenas. Athens finest : FLeCK's junglistic dancehall Travelling remix will test the bassbins and "lighta" people, whilst UK D&B legend T.Power's version reigns it back in with sophisticated downbeat vibes that Massive Attack would be proud of. Beam Up dubs No Chains up into outer space for soundsystem scoops & headphone smokers alike. Instrumental versions are included for the natty singjays too. In a climate of increasingly ephemeral pop and dance music, this release that will sit happily in any collection that has ever found a home for the likes of Burning Spear, Horace Andy, Congo Natty, Massive Attack or even Shiloh-era Buju Banton. His own journey might’ve begun in Manchester, but Beam Up looks set to have solid roots in the contemporary outernational roots reggae scene.
Tracklist: 7”
A - No Chains feat. Jornick Joelick
B - Travelling feat. Jornick Joelick
Digital:

No Chains 
No Chains (Dub) 
No Chains (Instrumental) 
Travelling 
Travelling (T.Power Contemplation Remix) 
Travelling (FLeCK Loving Fire remix) 
Travelling (Instrumental)

Label: Barely Breaking Even [pka BBE]
Formats: 7” single, digital
Released: 25th May 2015]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Out 25th May 2015 on 7" and digital.
Here’s a taster for Beam Up’s album, nailing its colours firmly to a red, gold and green flag. Sounding like it could’ve been recorded in the golden era of the early ‘80s No Chains concerns itself with the classic reggae theme of emancipation from (mental and physical) slavery. Beam Up's fine horn section adds depth to rousing percussive rhythms, with classic rimshots, echo FX and a heavy bass. Travelling is something Brian May, the alter-ego of Beam Up, has done a lot of, but this Berlin- based DJ/producer who made his name with out-there dub/Balkan sets is using his current musical direction to document a spiritual exodus. Done sing-jay style, Travelling begins and ends with train whistles, and its jaunty riddim belies its conscious message(s). Horns, strings and organ augment the journey. Bonus remixes and versions on the digital release give more attention to the soundsystem, club and lounge arenas. Athens finest : FLeCK's junglistic dancehall Travelling remix will test the bassbins and "lighta" people, whilst UK D&B legend T.Power's version reigns it back in with sophisticated downbeat vibes that Massive Attack would be proud of. Beam Up dubs No Chains up into outer space for soundsystem scoops & headphone smokers alike. Instrumental versions are included for the natty singjays too. In a climate of increasingly ephemeral pop and dance music, this release that will sit happily in any collection that has ever found a home for the likes of Burning Spear, Horace Andy, Congo Natty, Massive Attack or even Shiloh-era Buju Banton. His own journey might’ve begun in Manchester, but Beam Up looks set to have solid roots in the contemporary outernational roots reggae scene.
Tracklist: 7”
A - No Chains feat. Jornick Joelick
B - Travelling feat. Jornick Joelick
Digital:

No Chains 
No Chains (Dub) 
No Chains (Instrumental) 
Travelling 
Travelling (T.Power Contemplation Remix) 
Travelling (FLeCK Loving Fire remix) 
Travelling (Instrumental)

Label: Barely Breaking Even [pka BBE]
Formats: 7” single, digital
Released: 25th May 2015]]></itunes:summary>
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                                    <guid isPermaLink="false">202484</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Mi Amor</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/202484/w1400_h1400_q70_ptrue_v2_----cropped_c1e8c7cede2ea37f2e3b3f31639da46bbeam-upinnerstand-front-coversml.jpg" />
                                    <feedburner:origLink>https://hearthis.at/beam-up/07-mi-amor/</feedburner:origLink>
                                    <itunes:duration>230</itunes:duration>
                                    
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                                    <guid isPermaLink="false">202486</guid>
                                    
                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Fisherman</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/202486/w1400_h1400_q70_ptrue_v2_----cropped_cda77e020b6b8f572beea8a45fbc4773beam-upinnerstand-front-coversml.jpg" />
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                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Icchieban</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/202487/w1400_h1400_q70_ptrue_v2_----cropped_035253eed1e63a0e34fa766e6a0cf9b4beam-upinnerstand-front-coversml.jpg" />
                                    <feedburner:origLink>https://hearthis.at/beam-up/10-icchieban/</feedburner:origLink>
                                    <itunes:duration>259</itunes:duration>
                                    
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                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Ghost Fight</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/l/m/s/_/uploads/7736/image_track/202489/w1400_h1400_q70_ptrue_v2_----cropped_06c421bbadb5bec4170a6a882b84acd6beam-upinnerstand-front-coversml.jpg" />
                                    <feedburner:origLink>https://hearthis.at/beam-up/11-ghost-fight/</feedburner:origLink>
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                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Innocence</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <link>https://hearthis.at/beam-up/12-innocence/</link>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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                                    <feedburner:origLink>https://hearthis.at/beam-up/12-innocence/</feedburner:origLink>
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                                        <pubDate>Mon, 09 Mar 2015 00:00:00 +0100</pubDate>
                                        
                                        <atom:updated>2015-03-09T00:00:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Beam Up</artist>
                                    <title>Astronomy Dub</title>
                                    <description><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Buy direct from:
BBE      -> bit.ly/1aXCIEh
iTunes -> geni.us/Innerstand
Juno     -> bit.ly/1ONNnP1
Many more online stores worldwide
7" single No Chains / Travelling out May 25th (digital with extra remixes & dubs)
'The spirit of dub continues to drive all the music I make,’ says Brian May a.k.a. Beam Up. ‘This album takes those dubwise qualities of rhythm, space and bass, to shape a series of tracks that could be tagged as a variety of genres.’  Dedicated to the great Osborne ‘King Tubby’ Ruddock, ‘…for repeatedly showing there are no rules’, Innerstand builds on that great legacy in its presentation of a truly contemporary, outernational dub experience.
 Abetting Brian May are a diverse trio of vocalists, each of whom brings unique qualities to the project: Terrence Alfonso Bowry, a UK-born Canadian national whose experience has mostly been gained on Shanghai’s jazz and blues scene (where he worked alongside artists of the calibre of Wynton Marsalis) brings an ear for sophisticated harmony and improvisation; Jornick Joelick, a French-Guyanan rastaman with a big voice bringing an earthy, rootsical quality; and Katya Tasheva, a polyglot singer with what May calls ‘sublime frequencies’ whose background spans traditional (including world-music mavericks and former Beam Up compadres Rotfront) , pop and drum- and- bass. 
 The album is a musical journey that of course references King Tubby’s Kingston, Ja. and Rhythm and Sound’s Berlin, but also the Balkans, Japan and Australasia (and more); as well as Pablo, Glen Brown and The Skatalites, influences such as Prince suffuse the set, which sometimes takes on the feel of a version excursion, as May’s riddims nod to the classics of the past, subliminal echoes of the great dub tradition, though it’s more usually in the form of ‘inspiration’ than carefully worked out covers. The Wire mag has already called this ‘timeless top-grade dub’ on the basis of a sneak preview, and we think that just about sums it up…]]></itunes:summary>
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