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        <title><![CDATA[Sunday Mixtapes YR04]]></title>

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		<itunes:subtitle><![CDATA[Sunday Mixtapes YR04]]></itunes:subtitle>
		
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                                        <pubDate>Sun, 28 Jan 2018 11:04:26 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-28T11:04:26+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0452 DuskDubs - 808 State</title>
                                    <description><![CDATA[[ 808 State ]
Podcast: Dusk Dubs
Artist: 808 State
Title: DD0452
Style: Experimental, Jazz, Fusion, Rock, House,  Soundtrack
Time: 62 minutes
Date: 2018-01-28
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome 808 State to the Dusk Dubs family and on selection duties is founding member Graham Massey.
"I'd like to say that this is a personal selection of formative influences not a  selection by 808 State as a group, that would be complicated as we were at  times a boiling cauldron of different influences, but I would say all these  choices have effected the kind of albums we have made and the way we present a unique live show over the past 30 years.
I've chosen from many possible selections and tried to keep a moodscape going whilst telling my story." [Graham]
You can find Graham HERE:
soundcloud.com/massonix​
facebook.com/graham.massey.808
discogs.com/artist/4724-Graham-Massey
808state.com
facebook.com/808StateOfficial
twitter.com/state808
Tracklisting
1) Tom Dissavelt - Pacific Dawn - I've picked this track from “Fantasy In Orbit” to represent a starting point in my interest in what at the time was “Space” music, growing up in the 1960’s we were heading out into the stars and ethereal atonal music caught my ear when on TV.
2) Barry Gray - Sleeping Astronauts - Barry Gray - Another example of ‘Space” music by local chap Barry Gray who scored all the Gerry Anderson puppet shows ,he could inject glamour into the void. Brit Space! Cosmo Colonial !
3) Todd Rundgren - Solar Fire - As a teenager Synthesisers were fairly new , mysterious and unobtainable, Todd represents the idea that the lone multi musician could give a more direct view of his imagination through taking control of the studio is fully represented in side two of “Initiation”.
An epic acid drenched trip in to Ravel like oriental otherness in the form of a half hour suite. This ran parallel with a Stevie Wonder obsession along similar lines, solitary sensual synth users.
4) Miles Davis - Little Church - From the first Miles album I got hold of “Live Evil” I bought it in 77 after reading about it on the CBS inner sleeves, plus it had a great cover by Mati Klarvien.
Nothing could prepare me for its intensity and violence then it would pause in moments of “glow in the dark” tenderness like this track featuring and write by Hermeto Pascoal. So began a journey into Miles music and his acolytes.
5) Santana - Aspirations - Actually I think Santana albums pushed me toward Jazz ,its hard to express the importance of that group at that time in the 70 s ,My mates latched on to the post Hendrix rock vibe ,but then Santana came with the Miles /Coltrane /Sanders influenced “Caravanserai” record and an album that most people drew the line at Welcome ,I ended up with some ones rejected copy and its still one of my favourite albums today. It has little of his guitar on it but it has sunlight and oxygen for the ears.
Aspirations is off the follow up album 'Borboletta' and features Jules Broussard on soprano sax, I would say this track lead me to think of using soprano sax when we were putting Pacific together.
That voice over the bed of warm chords.
6) Weather Report - Jungle Book - Probably my favourite Weather Report album is Mysterious Traveller, this track is like a Max Ernst painting, built from a piano improvisation in Zawinul’s house, you can hear the kids running around. They then decorate the tune with choice and unusual instrumentation as an early example of fourth world music. Zawinul was a pioneering synthesist and Wayne Shorter has got to be one of the greatest musician we still have, as a player and as a composer.
7) Rahsaan Roland Kirk - Celestial Bliss - I love the life force that is RRK, he was unlimited in invention and a greedy soul for sound and social exuberance, Please try and catch the doc on him called “The 3 Sided Dream“.
8) Sun Ra - Plutonian Nights - Most mind blowing gig I ever went to was Sun Ra Arkestra in Manchester in 1982, a 3 hour musical tornado that took you to everywhere in time all at once.
My music mates were all there as we all had the bargain bin Impulse albums . Looked like space music, sounded like Hollywood s Ancient Egypt. In the past few years we have organised a Sun Ra Tribute band in Manchester called The Part Time Heliocentric Cosmo Drama After School Club.
Plus some of us were lucky to make a spontaneous album with Arkestra leader Marshall Allen in a local church when he visited in 2015.
Language of Ra
Cinema Soloriens - Cult Of St. Margaret
9) Gherkin Jerks - Dyn Sync - Thought I'd better acknowledge House music in this list, and have chosen The Gherkin Jerks, Larry Heard’s more left field gamelan like experiments represents the super alien quality that made me jump in with both feet to Acid House in the late 80s, plus it fits in with the outsider quality of this play list. When 808 State first started we were attempting to respond to the Chicago sound but I think the British post punk sensibility coloured the mix affected the density and went off in a new direction.
10) Biting Tongues - Feverhouse Pt 9 - I have included my pre 808 State group Biting Tongues, because they are a huge influence on my thinking about music, I was the youngest in the group and I learnt so much from my fellow explorers.
This track is from a soundtrack album we made for Factory Records called “Feverhouse”. We were going through our tape loop primitivism phase, exploring what you could do with the new AMS digital effects in the studio, early 80s our heads full of ENO and TG and a bit of Art Ensemble of Chicago.
11) Weather Report - The Elders - A bit later on in the Weather Report timeline yet a million miles from 'Birdland' - I love these obtuse Wayne Shorter paintings, I love everything they are not.
12) Magma - Soleil D”Ork - Magma are one of my favourite groups ,most tracks are at least 20 minutes long so here is a short light one, A French group formed in the late 60s lead by their visionary drummer Cristian Vander who invented his own language to sing a saga of an Exodus to another world.
Some say its a cross between Stravinsky, spiritual era John Coltrane and may be Otis Redding in lederhosen but mostly its all kinds of original long haul composition with disciplined passionate players.
13) John Coltrane - Welcome - There is an urgent search and arrival in John Coltrane’s later music, a nagging incessant honesty that conveys a universal consciousness. This is what makes him one of the bench marks in music and why so many musicians love him.
There are many pieces I could have used here but again to fit the feel of the mix i've chosen a small but significant one from the 'Kule Se Mama' album.
I always reach for the Coltrane when I need to drain my brain, give it a rinse and squeeze it clean.]]></description>
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                                    <itunes:summary><![CDATA[[ 808 State ]
Podcast: Dusk Dubs
Artist: 808 State
Title: DD0452
Style: Experimental, Jazz, Fusion, Rock, House,  Soundtrack
Time: 62 minutes
Date: 2018-01-28
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome 808 State to the Dusk Dubs family and on selection duties is founding member Graham Massey.
"I'd like to say that this is a personal selection of formative influences not a  selection by 808 State as a group, that would be complicated as we were at  times a boiling cauldron of different influences, but I would say all these  choices have effected the kind of albums we have made and the way we present a unique live show over the past 30 years.
I've chosen from many possible selections and tried to keep a moodscape going whilst telling my story." [Graham]
You can find Graham HERE:
soundcloud.com/massonix​
facebook.com/graham.massey.808
discogs.com/artist/4724-Graham-Massey
808state.com
facebook.com/808StateOfficial
twitter.com/state808
Tracklisting
1) Tom Dissavelt - Pacific Dawn - I've picked this track from “Fantasy In Orbit” to represent a starting point in my interest in what at the time was “Space” music, growing up in the 1960’s we were heading out into the stars and ethereal atonal music caught my ear when on TV.
2) Barry Gray - Sleeping Astronauts - Barry Gray - Another example of ‘Space” music by local chap Barry Gray who scored all the Gerry Anderson puppet shows ,he could inject glamour into the void. Brit Space! Cosmo Colonial !
3) Todd Rundgren - Solar Fire - As a teenager Synthesisers were fairly new , mysterious and unobtainable, Todd represents the idea that the lone multi musician could give a more direct view of his imagination through taking control of the studio is fully represented in side two of “Initiation”.
An epic acid drenched trip in to Ravel like oriental otherness in the form of a half hour suite. This ran parallel with a Stevie Wonder obsession along similar lines, solitary sensual synth users.
4) Miles Davis - Little Church - From the first Miles album I got hold of “Live Evil” I bought it in 77 after reading about it on the CBS inner sleeves, plus it had a great cover by Mati Klarvien.
Nothing could prepare me for its intensity and violence then it would pause in moments of “glow in the dark” tenderness like this track featuring and write by Hermeto Pascoal. So began a journey into Miles music and his acolytes.
5) Santana - Aspirations - Actually I think Santana albums pushed me toward Jazz ,its hard to express the importance of that group at that time in the 70 s ,My mates latched on to the post Hendrix rock vibe ,but then Santana came with the Miles /Coltrane /Sanders influenced “Caravanserai” record and an album that most people drew the line at Welcome ,I ended up with some ones rejected copy and its still one of my favourite albums today. It has little of his guitar on it but it has sunlight and oxygen for the ears.
Aspirations is off the follow up album 'Borboletta' and features Jules Broussard on soprano sax, I would say this track lead me to think of using soprano sax when we were putting Pacific together.
That voice over the bed of warm chords.
6) Weather Report - Jungle Book - Probably my favourite Weather Report album is Mysterious Traveller, this track is like a Max Ernst painting, built from a piano improvisation in Zawinul’s house, you can hear the kids running around. They then decorate the tune with choice and unusual instrumentation as an early example of fourth world music. Zawinul was a pioneering synthesist and Wayne Shorter has got to be one of the greatest musician we still have, as a player and as a composer.
7) Rahsaan Roland Kirk - Celestial Bliss - I love the life force that is RRK, he was unlimited in invention and a greedy soul for sound and social exuberance, Please try and catch the doc on him called “The 3 Sided Dream“.
8) Sun Ra - Plutonian Nights - Most mind blowing gig I ever went to was Sun Ra Arkestra in Manchester in 1982, a 3 hour musical tornado that took you to everywhere in time all at once.
My music mates were all there as we all had the bargain bin Impulse albums . Looked like space music, sounded like Hollywood s Ancient Egypt. In the past few years we have organised a Sun Ra Tribute band in Manchester called The Part Time Heliocentric Cosmo Drama After School Club.
Plus some of us were lucky to make a spontaneous album with Arkestra leader Marshall Allen in a local church when he visited in 2015.
Language of Ra
Cinema Soloriens - Cult Of St. Margaret
9) Gherkin Jerks - Dyn Sync - Thought I'd better acknowledge House music in this list, and have chosen The Gherkin Jerks, Larry Heard’s more left field gamelan like experiments represents the super alien quality that made me jump in with both feet to Acid House in the late 80s, plus it fits in with the outsider quality of this play list. When 808 State first started we were attempting to respond to the Chicago sound but I think the British post punk sensibility coloured the mix affected the density and went off in a new direction.
10) Biting Tongues - Feverhouse Pt 9 - I have included my pre 808 State group Biting Tongues, because they are a huge influence on my thinking about music, I was the youngest in the group and I learnt so much from my fellow explorers.
This track is from a soundtrack album we made for Factory Records called “Feverhouse”. We were going through our tape loop primitivism phase, exploring what you could do with the new AMS digital effects in the studio, early 80s our heads full of ENO and TG and a bit of Art Ensemble of Chicago.
11) Weather Report - The Elders - A bit later on in the Weather Report timeline yet a million miles from 'Birdland' - I love these obtuse Wayne Shorter paintings, I love everything they are not.
12) Magma - Soleil D”Ork - Magma are one of my favourite groups ,most tracks are at least 20 minutes long so here is a short light one, A French group formed in the late 60s lead by their visionary drummer Cristian Vander who invented his own language to sing a saga of an Exodus to another world.
Some say its a cross between Stravinsky, spiritual era John Coltrane and may be Otis Redding in lederhosen but mostly its all kinds of original long haul composition with disciplined passionate players.
13) John Coltrane - Welcome - There is an urgent search and arrival in John Coltrane’s later music, a nagging incessant honesty that conveys a universal consciousness. This is what makes him one of the bench marks in music and why so many musicians love him.
There are many pieces I could have used here but again to fit the feel of the mix i've chosen a small but significant one from the 'Kule Se Mama' album.
I always reach for the Coltrane when I need to drain my brain, give it a rinse and squeeze it clean.]]></itunes:summary>
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                                        <pubDate>Sun, 21 Jan 2018 09:28:56 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-21T09:28:56+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0451 Dusk Dubs - Daz-I-Kue</title>
                                    <description><![CDATA[[ Daz-I-Kue ]
Podcast: Dusk Dubs
Artist: Daz-I-Kue
Title: DD0451
Style: , Trip Hop, Hip Hop, Broken Beat, House, Soul
Time: 121 minutes
Date: 2018-01-21
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, Producer, DJ, Promoter, Engineer and all round Vinyl Junky Daz-I-Kue to the Dusk Dubs family, who presents the music that.... 'makeith the man'.
1970: Daz is given his first vinyl record “I Want You Back” by the Jackson 5. This is the start of his addiction to vinyl and to this day he continues to suffer from pure vinyl junk/ism… no cure found yet!
1979: At the age of 14, he forms the Funbunch Sound System with an old school friend, Dennis Grey. The first gig they book is at an all-girls school- a great gig!!
1980 - 1988: Promotes a number of successful parties hosted by the likes of Trevor Nelson, Paul ‘Trouble’ Anderson and Norman Jay! 1989: The Funbunch Sound System lands itself a gig at the legendary Notting Hill Carnival and is still rockin’ the spot to this current day- bigger and better than ever!
1991 - 1992: Enrolls at the London School of Engineering to learn more about the technical side of the creating music. There is where he develops his love of music production! With the help of his friends, Daz formally begins his production career by financially investing in the purchase of industry-level music production equipment. He soon releases his first vinyl bootleg mega mix entitled, “Daz Mix Parts 1 & 2” (It was a big hit in Brooklyn apparently!) and then follows it up with his official debut 12” single entitled, “Daz Jazz”- with great support from radio, music magazines & DJ’s worldwide.
1993 - 1995: Meets the infamous Noodles of the Groove Chronicles and becomes his sound engineer alongside his production partner,Wonder. Daz goes on to engineer a jungle/drum & bass remix project in the Soul II Soul studios. Daz is contracted as an in-house sound engineer for the indie dance label, Slip ‘n Slide Records via his connections to Noodles & Wonder. In his work with Slip ‘n Slide, Daz meets Orin Walters aka Afronaut & the mighty Phil Asher. Releases a 12” single with BB Boogie entitled, “Fire” on Slip ‘n Slide’s sub-label, Basement 282. Daz’s also engineer’s for Orin’s Mousetrap & Monkey Funk labels, not long after he meets IG Culture.
1996 - 1998: Works as an in-house engineer for ToTo Productions in Brixton where he meets & works with Danny J. Lewis and Don Ricardo. (Note: Both artists are later featured on Afronaut LP project & Bugz in the Attic LP.) & a very young Matt Lord (Note: Daz later gets Matt to become a member of Bugz in the Attic). Alongside Don Ricardo and two other collaborators, Daz forms the U.S.S.O. (Urban Street Soul Orchestra) and releases two 12”singles. Becomes one of the founding members of the DNB outfit with the Invaderz with Matt Lord & Daryl James. Daz links up with good friends Bunny Bread & Steve Austin to form the old skool DJ crew, Soul Masters. Soon after Daz is a member in creating Uprock, a respected group of like-minded musicians, artists, DJs & performers with a network of fans all over the UK & Europe. Uprock is still hosting phenomenal house parties, soca & zouk jams in West London and holding down a residency called ‘Jazz Refreshed’.
1998 - 2005: Works with the crew Da Funkstarz, alongside Danny J. Lewis and creates a number of notable remix releases. Hooks up with Alex Arnaut of the Dread Poets to form the ‘Da Lunarticz and releases a few 12”s under that alias. Joins the Bugz in the Attic crew and never looks back… well, only a couple for times to peek over his shoulder. He works non-stop, full on 24-7/365 in a production mode remixing & engineering several projects. The Bugz, as a collective settle into their new residency at the Co-Op club in London with Orin aka Afronaut & Daz I Kue on a fortnightly basis also featuring Seiji, Alex Phountzi, Mark Force & Kaidi Tatham. In Addition, his production work on Ends Productions “Are You Really From The Ends?” widely seen as one of the tracks that pioneered the grime scene.
2005 – 2006: Daz plays an integral role in the production of the Co-Op Miami/WMC parties- 2006, 2007 & 2008. Bugz in the Attic release the magnificent, “Got the Bug” remix LP on Virgin’s V2 label to a massive critical acclaim- everyone loves the Bugz! The Co-Op party wins the Best Club Event award at the first-ever Gilles Peterson Worldwide Awards & Bugz in the Attic earns the Best Single award for “Booty La La”…. Whew! What a year!
2006 - 2007: Co-production of the debut Bugz in the Attic LP- “Back in the Doghouse,” forms the Bugz in the Attic Live band & tours extensively world-wide: USA, Japan, Australia and Europe. 2007 - 2008: The Co-Op party wins Best Club Event at the Gilles Peterson’s BBC Worldwide Awards- again!!! Daz moves from the UK and settles in Atlanta, GA. 
Partnering with Khari Cabral Simmons (Jiva/India Arie) and Julius Speed (Anane/Wamdue Project) has worked with some ATL's and US's finest talent including Kenya, Donnie, Trina Broussard, Anthony David, Avery Sunshine, Rhonda Thomas, Heston, Kai Alce, DJ Kemit to name a few.
2009: Completion of a five-year labor of love, the Joy Jones “Nappy Child” LP project- forthcoming on Future Soul Records. Be sure to check it out!
Currently he has completed his BB Boogie project, which is released on R2 Records, who had Osunlade, Bobbito and Karizma on their roster. Also he’s putting the finishing production and mixdown touches on the Julie Dexter album.
You can find Daz HERE:
facebook.com/ilovedazikue
twitter.com/dazikue
soundcloud.com/dazikue
discogs.com/artist/35891-Daz-I...mp;type=Credits
Tracklisting
1) Donald Byrd & 125th Street NYC - Love Has Come Around
Track thatʼs on par with anything Dr Byrd done with the Mizell Bros, this tune is so uplifting not surprising with Isaac Hayes at the production helm.
2) Level 42 - Starship
This group w#s the soundtrack to my secondary school days, which united my whole 6th form into music#l family to this day. UKʼs Jazz-Funk movement royalty.
3) Fun Boy Three - Faith, Hope & Charity
Typically British but still funky as fuck. If you werenʼt at any of the warehouse raves in London back in the late 80sʼ and donʼt know about this tune, then you werenʼt there. From members of my fave 2Tone band The Specials. Not bad what originally was the BʼSide to “Lunatics Have Taken Over The Asylum”.
4) Investigators - Baby Iʼm Yours
Proper UK Lovers Rock, brings back great memories of the house parties I went to with this one.
5) Mr Fingers - What About This Love
Larry Heard was a true pioneer in terms of house music, and this tune brought a more musical soulful side to him.
6) Hi Tension - Thereʼs A Reason
We had a few UK soul groups, actually not that many, but this is the first all black UK soul group I heard on radio and saw on TV, that I could relate to.
7) Light Of The World - Peteʼs Crusade
This group is the foundation of the UK Jazz-Funk movement in the 80ʼs, that spawned so many off shoot groups, like Central Line, Incognito & more.
8) The Futures - Ainʼt No Time Fa Nothing
Rare groove at itʼs best, more memories of clubs and parties. Canʼt go wrong with that Philly orchestration and soulful vocal arrangement.
9) Universal Robot Band - Barely Breaking Even
Mr Leroy Burgess is just the master when it comes to the raw
sound of boogie. His arrangements vocally and the production always amazes me and this my favourite from him, only enhanced by the legend John Morales.
10) James Brown - Mind Power
Without James Brown I truly believe popular music would be in less inspiring state. Funk pioneer personified. This particular track I always play from top to bottom.
11) Leon Ware - Comfort (Come Live With Me, Angel)
Leon Ware the master of soul productions, who always twist me up (in a good way) with his musical changes. Hunted the reissue of “Musical Massage” album, which had this track, as Marvin Gayeʼs “I Want You” album, who he produced is my all time fave. Add to that it has the sultry vocals of Minnie Ripperton, my mind was blown. I could wax lyrical all day on this…LOL
12) The Real Thing - Children Of The Ghetto
More known as a pop soul group from Liverpool in the 70ʼs. This track is taken from their “4 from 8” album, which was more a grittier, soulful affair, which I feel is the direction they wanted to go. This is the original and to me the best version.
13) Minnie Ripperton - Baby, This Love I Have
My favourite female voice of all time and really I could pick any of her tracks and be satisfied. Not scared just to be herself, despite what the industry of the time had difficulty in defining.
14) 4 Hero - Golden Age Of Life
Not because these guys are great mates, but this album represented where jungle/drum and bass can go to that others never thought of. Also represented the depth of musical influence they had, that went beyond the genre itself.
15) De La Soul - The Bizness ft Common Sense
They either a little bit different or slightly ahead of the curve (or both), which to me makes them sit kinda off kilter to the hip-hop movement, but have always been solid lyrically and thatʼs how I like it.
16) A Tribe Called Quest - Electric Relaxation
This group represents epitome of 90ʼs hip-hop golden era. They had the production, the flow, lyrical content that many acts could not better, but thatʼs just my opinion.
17) Double Trouble - At The Amphitheater
Wildstyle is where I first learnt about hip-hop culture, while the other hip-hop films of the same period were more about entertainment and Hollywood esthetics, this showed us what it really about in every gritty details. And with West Londonʼs finest, The Clash doing the music how could you go wrong.
18) Gary Bartz - Music Is My Sanctuary
This has become my mantra. Whenever I doubt myself personally or creatively, I put this tune on and without fail puts me back on track. With the Mizell Bros on production and Minnie vocally it soothes my musical soul.
19) Chaka Khan - Move Me No Mountain
Chaka a power house from her start with Rufus til today, she represents what it is to last with all the dark challenges the music industry throws at ya. A survivor and veteran and her rendition of Love Unlimitedʼs rare groove classic is unrivalled in my opinion
20) Leroy Hutson - Itʼs Different
Mr Hutson a true songwriting and producing master, who you can here is influence in artist like Omar, DʼAngelo, Dwele and so many more.]]></description>
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                                    <itunes:summary><![CDATA[[ Daz-I-Kue ]
Podcast: Dusk Dubs
Artist: Daz-I-Kue
Title: DD0451
Style: , Trip Hop, Hip Hop, Broken Beat, House, Soul
Time: 121 minutes
Date: 2018-01-21
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, Producer, DJ, Promoter, Engineer and all round Vinyl Junky Daz-I-Kue to the Dusk Dubs family, who presents the music that.... 'makeith the man'.
1970: Daz is given his first vinyl record “I Want You Back” by the Jackson 5. This is the start of his addiction to vinyl and to this day he continues to suffer from pure vinyl junk/ism… no cure found yet!
1979: At the age of 14, he forms the Funbunch Sound System with an old school friend, Dennis Grey. The first gig they book is at an all-girls school- a great gig!!
1980 - 1988: Promotes a number of successful parties hosted by the likes of Trevor Nelson, Paul ‘Trouble’ Anderson and Norman Jay! 1989: The Funbunch Sound System lands itself a gig at the legendary Notting Hill Carnival and is still rockin’ the spot to this current day- bigger and better than ever!
1991 - 1992: Enrolls at the London School of Engineering to learn more about the technical side of the creating music. There is where he develops his love of music production! With the help of his friends, Daz formally begins his production career by financially investing in the purchase of industry-level music production equipment. He soon releases his first vinyl bootleg mega mix entitled, “Daz Mix Parts 1 & 2” (It was a big hit in Brooklyn apparently!) and then follows it up with his official debut 12” single entitled, “Daz Jazz”- with great support from radio, music magazines & DJ’s worldwide.
1993 - 1995: Meets the infamous Noodles of the Groove Chronicles and becomes his sound engineer alongside his production partner,Wonder. Daz goes on to engineer a jungle/drum & bass remix project in the Soul II Soul studios. Daz is contracted as an in-house sound engineer for the indie dance label, Slip ‘n Slide Records via his connections to Noodles & Wonder. In his work with Slip ‘n Slide, Daz meets Orin Walters aka Afronaut & the mighty Phil Asher. Releases a 12” single with BB Boogie entitled, “Fire” on Slip ‘n Slide’s sub-label, Basement 282. Daz’s also engineer’s for Orin’s Mousetrap & Monkey Funk labels, not long after he meets IG Culture.
1996 - 1998: Works as an in-house engineer for ToTo Productions in Brixton where he meets & works with Danny J. Lewis and Don Ricardo. (Note: Both artists are later featured on Afronaut LP project & Bugz in the Attic LP.) & a very young Matt Lord (Note: Daz later gets Matt to become a member of Bugz in the Attic). Alongside Don Ricardo and two other collaborators, Daz forms the U.S.S.O. (Urban Street Soul Orchestra) and releases two 12”singles. Becomes one of the founding members of the DNB outfit with the Invaderz with Matt Lord & Daryl James. Daz links up with good friends Bunny Bread & Steve Austin to form the old skool DJ crew, Soul Masters. Soon after Daz is a member in creating Uprock, a respected group of like-minded musicians, artists, DJs & performers with a network of fans all over the UK & Europe. Uprock is still hosting phenomenal house parties, soca & zouk jams in West London and holding down a residency called ‘Jazz Refreshed’.
1998 - 2005: Works with the crew Da Funkstarz, alongside Danny J. Lewis and creates a number of notable remix releases. Hooks up with Alex Arnaut of the Dread Poets to form the ‘Da Lunarticz and releases a few 12”s under that alias. Joins the Bugz in the Attic crew and never looks back… well, only a couple for times to peek over his shoulder. He works non-stop, full on 24-7/365 in a production mode remixing & engineering several projects. The Bugz, as a collective settle into their new residency at the Co-Op club in London with Orin aka Afronaut & Daz I Kue on a fortnightly basis also featuring Seiji, Alex Phountzi, Mark Force & Kaidi Tatham. In Addition, his production work on Ends Productions “Are You Really From The Ends?” widely seen as one of the tracks that pioneered the grime scene.
2005 – 2006: Daz plays an integral role in the production of the Co-Op Miami/WMC parties- 2006, 2007 & 2008. Bugz in the Attic release the magnificent, “Got the Bug” remix LP on Virgin’s V2 label to a massive critical acclaim- everyone loves the Bugz! The Co-Op party wins the Best Club Event award at the first-ever Gilles Peterson Worldwide Awards & Bugz in the Attic earns the Best Single award for “Booty La La”…. Whew! What a year!
2006 - 2007: Co-production of the debut Bugz in the Attic LP- “Back in the Doghouse,” forms the Bugz in the Attic Live band & tours extensively world-wide: USA, Japan, Australia and Europe. 2007 - 2008: The Co-Op party wins Best Club Event at the Gilles Peterson’s BBC Worldwide Awards- again!!! Daz moves from the UK and settles in Atlanta, GA. 
Partnering with Khari Cabral Simmons (Jiva/India Arie) and Julius Speed (Anane/Wamdue Project) has worked with some ATL's and US's finest talent including Kenya, Donnie, Trina Broussard, Anthony David, Avery Sunshine, Rhonda Thomas, Heston, Kai Alce, DJ Kemit to name a few.
2009: Completion of a five-year labor of love, the Joy Jones “Nappy Child” LP project- forthcoming on Future Soul Records. Be sure to check it out!
Currently he has completed his BB Boogie project, which is released on R2 Records, who had Osunlade, Bobbito and Karizma on their roster. Also he’s putting the finishing production and mixdown touches on the Julie Dexter album.
You can find Daz HERE:
facebook.com/ilovedazikue
twitter.com/dazikue
soundcloud.com/dazikue
discogs.com/artist/35891-Daz-I...mp;type=Credits
Tracklisting
1) Donald Byrd & 125th Street NYC - Love Has Come Around
Track thatʼs on par with anything Dr Byrd done with the Mizell Bros, this tune is so uplifting not surprising with Isaac Hayes at the production helm.
2) Level 42 - Starship
This group w#s the soundtrack to my secondary school days, which united my whole 6th form into music#l family to this day. UKʼs Jazz-Funk movement royalty.
3) Fun Boy Three - Faith, Hope & Charity
Typically British but still funky as fuck. If you werenʼt at any of the warehouse raves in London back in the late 80sʼ and donʼt know about this tune, then you werenʼt there. From members of my fave 2Tone band The Specials. Not bad what originally was the BʼSide to “Lunatics Have Taken Over The Asylum”.
4) Investigators - Baby Iʼm Yours
Proper UK Lovers Rock, brings back great memories of the house parties I went to with this one.
5) Mr Fingers - What About This Love
Larry Heard was a true pioneer in terms of house music, and this tune brought a more musical soulful side to him.
6) Hi Tension - Thereʼs A Reason
We had a few UK soul groups, actually not that many, but this is the first all black UK soul group I heard on radio and saw on TV, that I could relate to.
7) Light Of The World - Peteʼs Crusade
This group is the foundation of the UK Jazz-Funk movement in the 80ʼs, that spawned so many off shoot groups, like Central Line, Incognito & more.
8) The Futures - Ainʼt No Time Fa Nothing
Rare groove at itʼs best, more memories of clubs and parties. Canʼt go wrong with that Philly orchestration and soulful vocal arrangement.
9) Universal Robot Band - Barely Breaking Even
Mr Leroy Burgess is just the master when it comes to the raw
sound of boogie. His arrangements vocally and the production always amazes me and this my favourite from him, only enhanced by the legend John Morales.
10) James Brown - Mind Power
Without James Brown I truly believe popular music would be in less inspiring state. Funk pioneer personified. This particular track I always play from top to bottom.
11) Leon Ware - Comfort (Come Live With Me, Angel)
Leon Ware the master of soul productions, who always twist me up (in a good way) with his musical changes. Hunted the reissue of “Musical Massage” album, which had this track, as Marvin Gayeʼs “I Want You” album, who he produced is my all time fave. Add to that it has the sultry vocals of Minnie Ripperton, my mind was blown. I could wax lyrical all day on this…LOL
12) The Real Thing - Children Of The Ghetto
More known as a pop soul group from Liverpool in the 70ʼs. This track is taken from their “4 from 8” album, which was more a grittier, soulful affair, which I feel is the direction they wanted to go. This is the original and to me the best version.
13) Minnie Ripperton - Baby, This Love I Have
My favourite female voice of all time and really I could pick any of her tracks and be satisfied. Not scared just to be herself, despite what the industry of the time had difficulty in defining.
14) 4 Hero - Golden Age Of Life
Not because these guys are great mates, but this album represented where jungle/drum and bass can go to that others never thought of. Also represented the depth of musical influence they had, that went beyond the genre itself.
15) De La Soul - The Bizness ft Common Sense
They either a little bit different or slightly ahead of the curve (or both), which to me makes them sit kinda off kilter to the hip-hop movement, but have always been solid lyrically and thatʼs how I like it.
16) A Tribe Called Quest - Electric Relaxation
This group represents epitome of 90ʼs hip-hop golden era. They had the production, the flow, lyrical content that many acts could not better, but thatʼs just my opinion.
17) Double Trouble - At The Amphitheater
Wildstyle is where I first learnt about hip-hop culture, while the other hip-hop films of the same period were more about entertainment and Hollywood esthetics, this showed us what it really about in every gritty details. And with West Londonʼs finest, The Clash doing the music how could you go wrong.
18) Gary Bartz - Music Is My Sanctuary
This has become my mantra. Whenever I doubt myself personally or creatively, I put this tune on and without fail puts me back on track. With the Mizell Bros on production and Minnie vocally it soothes my musical soul.
19) Chaka Khan - Move Me No Mountain
Chaka a power house from her start with Rufus til today, she represents what it is to last with all the dark challenges the music industry throws at ya. A survivor and veteran and her rendition of Love Unlimitedʼs rare groove classic is unrivalled in my opinion
20) Leroy Hutson - Itʼs Different
Mr Hutson a true songwriting and producing master, who you can here is influence in artist like Omar, DʼAngelo, Dwele and so many more.]]></itunes:summary>
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                                        <pubDate>Sun, 14 Jan 2018 09:50:30 +0100</pubDate>
                                        
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0450 Dusk Dubs - Brent Aquasky</title>
                                    <description><![CDATA[[ Brent Aquasky ]
Podcast: Dusk Dubs
Artist: Brent Aquasky
Title: DD0450
Style: , Trip Hop, Hip Hop, Drum and Bass, House, Soul
Time: 107 minutes
Date: 2018-01-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week welcome Producer and DJ Brent Aquasky, one third of the legendary Bournemouth Jungle & Drum & Bass trio 'Aquasky'.
Three men, eight albums, five hundred tracks, four labels, numerous aliases, myriad genres: One machine.
Brent Newitt alonside, Dave Wallace and Kieron Bailey have played by their own rules and stamped with their style since day one. 20 years deep into their game and the indelible Aquasky legacy is sprayed colourfully, thoughtfully and, at points antagonistically, over all shades and styles of electronic music.
It began in the early 90s hardcore aftermath; three Bournemouth-based teenagers fresh out of school boasting a small amount of analogue kit, a whole load of influences (from hip-hop to proto techno) and even more free time. They started exploring the new wave of rave: drum & bass. Not entrenched in the London scene, their vantage point from years of raving on the south coast allowed them a refreshed approach. Deep, spacey and, dare we say it, intelligent, it instantly struck a chord with the groundbreaking, scene-shaping drum & bass imprints such as Good Looking, R&S, Reinforced and Moving Shadow, who signed them in 1995.
Emerging with a wealth of unique material that was picked up on by the likes of 4Hero, LTJ Bukem, Gilles Peterson, James Lavelle, Fabio and many more; future-fused tracks such as ‘Dezires’, ‘Cosmic Glue’ and ‘Kauna’ belied the basic equipment they had access to. Squeezing every possible gram of creativity out of their samplers, within two years they’d attracted the attention of major label Polydor in 1997, who released their debut album ‘Orange Dust’. The trio then switched back to Moving Shadow for two more albums before the turn of the century (‘Aftershock’ and ‘Bodyshock’) and their own drum & bass labels Sonix and Incident.
Constantly searching for newness and unchartered fields of fresh inspiration, Aquasky refused to sit still. The first drum & bass act to dabble off-piste, their lower tempo explorations ruffled feathers in the then-disturbingly tight and insular D&B scene. As Tenth & Parker they played with Latin and Jazz breaks on Mr Bongo off-shoot Disorient (culminating with the perennial album ‘Twenty:Twelve’), but much more influentially, they also set up Aquasky VS Masterblaster; an act that was to pioneer and develop the then-burgeoning breakbeat and bassline breaks scene emanating from the UK and soundtracking every respectable club and festival for most of the first decade of this century.
Dropping the Masterblaster suffix (which was only in place to help establish their new 138BPM sound), Aquasky found themselves on a constant world tour as breakbeat spread further and further around the globe. All the while they fuelled the breakbeat scene on seminal labels such as Botchit & Scarper and Lot49 and were often in LA working with the likes of DJ Lethal from Limp Biskit and DJ Starscream from Slipknot as electronic music enjoyed its first wave of commercial popularity in the US.
Their main output, however, was on their own imprints Passenger and 777. Just like their sound and their attitude, Passenger was an exciting creative melting pot of sounds and artists as an array of now household names in bass music got busy; Noisia, DJ Friction, Nick Thayer, Total Science, Rico Tubbs and many more artist’s discographies include Passenger in their early output.
With an open door-policy and an open-armed creative remit, Aquasky’s achievements during this era are best surmised by their ‘Teamplayers’ album that united everyone in the bass game from Pendulum’s El Hornet and Orbital’s Phil Hartnoll to techfunk king Meat Katie and the legendary Ragga Twins who have consistently called upon Aquasky’s production duties for over 15 years.
During this time their Ragga Twins-fronted stepper ‘Dem No No We’ was co-signed on ‘Ali G In The USA’ on both sides of the Atlantic and premier league DJs such as Fatboy Slim championed their breaks to crowds of hundreds of thousands around the world.
As the naughty noughties developed, so did Aquasky. Once again they sought a new sound and found it on the toxic underbelly of jackin’ house. Setting themselves up as Black Noise and grabbing a deal with Fatboy Slim’s Southern Fried label, they went to create a body of work including remixes of Diplo, Wiley, Crookers and Sidney Sampson, who they co-produced the chart-topping ‘Riverside (Let’s Go)’ hit with.
As Black Noise came to a natural pause, the Aquasky machine let-rip once more. Tearing a hole into the bleaker new decade, their 15th anniversary saw them shake hands with Satan himself on ‘Raise The Devil’. A return to their rolling, uncompromised breakbeat dynamics, it featured a series of major league collaborations with the likes of Tenor Fly, Daddy Freddy and Diane Charlemagne and scored top 10 sweetness in the Australian Aria charts.
Throughout this decade the trio have continued to work heavily behind the scenes. Proudly owning their publishing rights to almost every track they’ve ever released since day one, the trio’s business acumen is just as sharp as their studio skills. With less time spent flying from continent to continent every weekend they’ve been able to develop their publishing companies, sync’ing companies and sample pack series Monster Sounds. Run in conjunction with Loopmasters, their Ragga Twins sample pack attracted the attention of Skrillex who went on to invite the MCs to rap on his last album ‘Recess’.
From Moving Shadow to Skrillex; the Aquasky story keeps on unfolding and playing a huge influence in all shades of global bass music in front of and behind the scenes. Their latest venture is a revisitation of their Moving Shadow era D&B. A double decade document that acts as a love letter to the future; every success, achievement and groundbreaking move they’ve made takes roots in these evergreen space-aged sounds. The sound of a three man machine who have consistently played by their own rules and stamping with their own style, long may the Aquasky story continue…
You can find Brent HERE:
discogs.com/artist/504270-Brent-Newitt
facebook.com/ben.hewitt.908
aquasky.co.uk
soundcloud.com/aquaskyuk
facebook.com/AquaskyUK
twitter.com/aquaskyuk
youtube.com/user/aquaskizzle
Tracklisting
'A Winters Night In’
1) Tosca ‘Chocolate Elvis’
2) UNKLE ‘The Time Has Come (Portishead Mix)’
3) Rjd2 ‘Here’s Whats Left’
4) Mark Murphy ‘Red Clay’
5) Herb Geller ft. Mark Murphy ‘Space A La Mode’
6) Kay Dennis ‘Feeling Good’
7) Gentle Giant ‘Proclamation’
8) Bloodrock ‘Timepiece’
9) Peshay ‘Piano Tune’
10) Message ‘Is That The Way’
11) Hunch ‘Astrids Beat’
12) Mark Murphy ‘Stolen Moments’
13) Champions Of Nature ‘Salsa Smurf’
14) Blame ‘Music Takes You’ – Seal sample version
15) Aquasky ‘Your Love’
16) Aquasky ‘Dezires’
17) DJ Mink ‘Can You Relate’
18) MC Solaar ‘Obsolete’
19) A Tribe Called Quest ‘We Can Get Down’
20) Python Lee Jackson ‘Broken Dream’
1) Tosca ‘Chocolate Elvis’ – Kruder & Dorfmeister use to love our early work as Aquasky, and we were licensed to a few of their compilations at the time. We still get royalties from those now, over 20 years later! Anyway, Tosca was Richard Dorfmeister’s side project with Rupert Huber. It was a trip hop vibed project, which is what I use to make before Aquasky, so this is a 12” that was always in my sets long before I was playing D&B!
2) UNKLE ‘The Time Has Come (Portishead Mix)’ – This to me is the crème a la crème of trip hop. To me, there isn’t anything better out there that could showcase that early to mid 90’s slow beat vibe. This remix came out before the Portishead ‘Dummy’ album and I believe it would just have been Geoff that would have done this remix. I was once in a record shop in Bristol in 1994 with DJ Format and Sir Beans OBE when this long haired chap came in selling records. The guy behind the counter didn’t buy them, so us 3 scarpered out the shop after this guy and purchased some of the records he had with him. I bought the Mike Longo LP ‘Talking With Spirits’, the other guys buying a few of his soundtracks… I didn’t know at the time that the long haired guy was Geoff Barrow from Portishead, and how surprised we all were when ‘Dummy’ came out and we all realised we had purchased the records he had used to make it! If you know the Mike Longo beat, you will know which Portishead track it was used on! We were offered a deal with Mo-Wax on 2 occasions back in the 90’s but we turned both of them down!
3) RJD2 ‘Here’s What’s Left’ – This tune I purchased whilst touring the US, I think it was bought in Orlando when I was at the store doing an instore signing. This tune was a tune I would reflect upon listening to as I was going through some shitty times in my life not long after buying it… it didn’t make me sad, though it is a sad tune, it actually lifted me up and inspired me… I personally can’t stand love songs or anything like that (sorry Ed Shearon!) and if I need music to chill out to, I listen to some heavy D&B. Don’t ask me why, I just find I can relax to that kind of thing. When I was younger and was studying for college I would listen to gangster rap… it just clears my mind!
4) Mark Murphy ‘Red Clay’ – Mark was a dear friend. I worked with him when we did our Tenth & Parker project for Mr.Bongo in the early 2000’s. We first worked with him in 1997 when we were signed to Polydor. We had hired Sly Stones studio in Sausalito in California. Mark arrived in a AMG Pacer car (titchy little US car) wearing a pair of welly boots, a smock and he had his wig on off-centre. He came into the studio and tuned up his voice using a tuning whistle! Our manager at the time looked at us and said ‘Who the hell is this nutter?’ But for me, I was endeared by him, he was a dude… he use to kick it with Jack Kerouac, he was a true beatnik and an amazing scat artist. I first saw him at Ministry Of Sound at a Brownswood Session that Giles Peterson had put on in 1994. I was in love with his version of Red Clay (the original had recently been sampled by A Tribe Called Quest on ‘Sucka Nigga’) and he performed it at MOS (his vocalised version was later covered by Rare Silk in the 1980’s). Later, when I was working with Mark in Graz in Austria around 2001 I had managed to persuade him to put ‘Red Clay’ back into his live show… and he performed the tune and dedicated it to me. He did the same when I went to see him perform at the Jazz Café in London (again he dedicated it to me). He was a great guy…
5) Herb Geller ft. Mark Murphy ‘Space A La Mode’ – Another Mark Murphy corker of a tune. We sampled this tune on our Reinforced Records release in 1996. Taken from the Herb Geller album ‘An American In Hamburg’. Herb had left the US upon the death of his wife as he was depressed… and ended up settling in Hamburg, hence the album’s title. There is a single vinyl copy of the album but I recommended to find the double album as it comes with an instrumental version as well as the vocal version (sung by Mark). Going back to my last story of Mark when we worked with him in the 90’s, at the time, I later found out, he was on crack! He was well into his 60’s at the time… which may explain the off-centre wig! Dude lived life to the full. RIP Mark, from Brent From Kent (his nickname for me).
6) Kay Dennis ‘Feeling Good’ – I don’t know a great deal about Kay Dennis. I found her self-titled LP in a charity shop in Addlestone for 10p back in the early 90’s (along with about 200 sound libraries – De Wolf, KPM etc… all 10p each!) which this track is from. There are some other corkers on here such as ‘Light My Fire’ and ‘Walk On By’… great lounge jazz and a beautiful singer.
7) Gentle Giant ‘Proclamation’ – As sampled by Lootpack, this tune is DOPE! I already had this album before Lootpack had looped it… they beat me too it! But I did find out, whilst digging in an old secondhand record shop here in Bournemouth called ‘Volume One’ (run by Richard Cargill) that the Gentle Giant singer lived here in Dorset, not far from us. He ran an Antique business which made me laugh, as a few months earlier I saw a van driving around called Gentle Giant Antiques… if only I had known that it was him at the time as I would of got him to sign something… I just thought though how funny, its named after a prog rock group!
8) Bloodrock ‘Timepiece’ – I love the sound of a prog rock vocalist… I don’t know what draws me to this genre being that I grew up listening to hip hop and then I got into rave and jungle… must be because I liked ZZ Top as a kid perhaps!!! But this tune is just HEAVY! I bought this LP from a car boot sale in Walton On Thames around 1998 I think. I had my portable record player with me at the time and the seller was very patient with me, as I sat on the grass in the midday sun, needle-dropping till I found some heat. And heat I found in this album. Some of you who may know our backcat will recognise this sample from a tune we did with the Canadian rapper Sixtoo.
9) Peshay ‘Piano Tune’ – In 1994 I had burned myself out from the rave/jungle scene… I had been to so many raves and illegal parties since the late 80’s that I only wanted to listen to slow, downbeat music, which is why Trip Hop was a big thing to me (though I hated the name of the genre, when I started making it, the name hadn’t been invented and it was just instrumental hip hop). So around this time I was writing ‘instrumental hip hop’ with Dave from Aquasky. Keiron (from Aquasky) used to make tunes with Dave at the weekend and being that me and Dave shared a house, I got to know Keiron. He used to make mixtapes and he did a tape which had this tune on it, as well as Roni Size ‘Music Box’, Krust ‘Jazz Note’ and the Global Communication’s remix of Palm Skin Productions… I hadn’t heard music like it before… it all seemed to use really cool jazz samples and wasn’t too dark. Being that I was already caning my jazz samples from my collection to make hip hop, the obvious step was for us to all make a tune together as a trio… and Aquasky was born. This tune to me is one of the best from that era… incredible musicality and emotion.
10) Message ‘Is That The Way’ – This album was given to me by Daryl from Second To None breakdancers. Daryl is an old friend and he also appeared on the covers of our 2x ‘Raw Skillz’ 12” singles we did on Polydor in 1997. He knew my love for a folky jazz vocal and he was bang on the money with this album… its excellent and always a joy to be introduced to a group you had no prior knowledge of. Cheers mate.
11) Hunch ‘Astrids Beat’ – I got to know Kev Beadle from when he ran the Mr. Bongo shop when it was in Berwick Street in Soho. Kev used to hook me up with some great jazz LP’s when I travelled up to see him. As well as some wicked hip hop. This tune came out on his label and I thought WOW… Hunch was an incredibly talented producer (I have no idea whatever happened to him, I can only hope he carried on producing). Kev knew I loved Hunch’s work and a couple of years later, after we had started Aquasky, he asked us to remix Hunch which we did… and that remix was a staple for Bukem throughout 1995 into 1996.
12) Mark Murphy ‘Stolen Moments’ – I think I have spoken a lot about Mark already… so all I will say is that this is an incredible song and his lyrics are unbeatable. I spent many an evening many moons ago getting smoked out to this tune!
13) Champions Of Nature ‘Salsa Smurf’ – A UK super group that had Jehst and Lewis Parker in it to name a few. Such a great tune and a wicked vibe… I can’t fault this track and I think its defo an under-rated gem in the British Hip Hop arsenal. LL couldn’t live without his radio, I couldn’t live without this record being in my collection!
14) Blame ‘Music Takes You’ – Seal sample version – This is probably my favourite ever Moving Shadow tune but it has to have the Seal sample in it… I can’t have it without that sample as it conjures so many memories for me of going to London as a 17 year old in my VW Beetle with my mate JayDog and staying with my mates Jano and Pheme. We use to go painting the Halls Of Fame and other things and spend long nights getting wrecked and recording pirate radio stations which I would bring back to Bournemouth and do copies of for mates. Jano had this on white label and I was so in love with it I actually recorded over the start of one of the pirate radio cassettes so I could listen to this tune over and over again on my slow drive back to Bournemouth… I still have that tape now! Since then I have got to know Blame and I have probably done his head in with how much I love this tune and the memories it provokes!
15) Aquasky ‘Your Love’ – The latest d&b release by ourselves on Simon Bassline Smith and Drumsound’s Technique label which came out the summer of 2017. Our first foray back into d&b for nearly 15 years! We wanted to make a tune that doffed its cap to the mid-90s jazzy liquid vibes and I have to say (though I am biased) that I think we achieved it We had a big bag of studio tricks back in the 90s (though somewhat primitive now) and we managed to remember some of them and put them into this tune, to get a real 90s feel!
16) Aquasky ‘Dezires’ – The second tune we ever wrote as Aquasky in February 1995. This tune samples Les McCann and went on to really cement our name into the D&B history books. 8 or so years later DJ Marky contacted us to get the synth patches for this tune so he could do a cover version which Zinc put out on his Bingo label. I think this tune defines the liquid/jazz/intelligent sound of that era… but again, I am probably biased!
17) DJ Mink ‘Can You Relate’ – I discovered Warp in the 80’s when they did a free mixtape on the front of some music magazine which I think my sister had a subscription for. I use to listen to that tape endlessly… I can’t recall if this tune was on that tape but it certainly set me up for collecting Warp records. I was also an insatiable UK Rap fan and loved our music more than the US music because it was more upbeat and reminded me of electro. So this tune ticked many boxes… sampling Gary Toms Empire, it’s all about the drums and the horns on this track. A few years later I met a UK rapper called Blue Eyes (he put on UK Fresh 97) and we became good mates and still are. I use to travel to Derby and stay with him and got to meet a lot of the crews from up that way at the time (1993). Blue Eyes early releases were done with DJ Mink… I must have done his head in going on about how much I rated Mink!!!
18) MC Solaar ‘Obsolete’ – Back in 1990 I saved some vouchers from a newspaper and got a ferry to France for a £1. It was only a day trip with a then girlfriend but at that time (and still to this day) I was collecting rap 7” singles. I went to a Carrefour supermarket and bought the customary cheese, bread and beer but I also hit the vinyl section and copped a load of French rap. The greatest buy of that day was a Supreme NTM 7” which I still have now and love it just as much (C’est Claire). This started my love for French rap and I visited a number of times over the next couple of years buying records. This is when I found out about MC Solaar and for Christmas in 1994 I got the album ‘Prose Combat’ that this track appears on. Not only some great raps but produced by the awesome Jimmy Jay and La Funk Mob (later to become Cassius) who were producing some killer tunes on Mo Wax at the time… this album is also where I believe Alex Reece got his bass sound for Pulp Fiction!
19) A Tribe Called Quest ‘We Can Get Down’ – The album that inspired me to produce… I love this album. I love that lo-pass filter jazz vibe of hip hop and I would have to say this is probably my all-time top hip hop album. It really reinvigorated my desire to hunt down samples and I have still yet to get all the awesome loops that they used on this album… but I have most of them! 25 years old in 2018… how crazy is that! It’s better than all the hip hop albums that come out now!
20) Python Lee Jackson ‘Broken Dream’ – I was introduced to this tune only recently, a few years ago, by my mate Matt Meade (Pheme from earlier). It ticks all the boxes for me, great singing, moody emotional music… deep. But of course the vocals are dope, its Rod Bloody Stewart! This sounds like a lost Portishead tune, so much so that, for a laugh, I tweeted Geoff from Portishead and said how much I liked the new tune he had made with Rod Stewart. I don’t think he got the joke as he just replied that it wasn’t one of his! It made me chuckle though because this could quite easily been on the Dummy album they put out…]]></description>
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                                    <itunes:summary><![CDATA[[ Brent Aquasky ]
Podcast: Dusk Dubs
Artist: Brent Aquasky
Title: DD0450
Style: , Trip Hop, Hip Hop, Drum and Bass, House, Soul
Time: 107 minutes
Date: 2018-01-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week welcome Producer and DJ Brent Aquasky, one third of the legendary Bournemouth Jungle & Drum & Bass trio 'Aquasky'.
Three men, eight albums, five hundred tracks, four labels, numerous aliases, myriad genres: One machine.
Brent Newitt alonside, Dave Wallace and Kieron Bailey have played by their own rules and stamped with their style since day one. 20 years deep into their game and the indelible Aquasky legacy is sprayed colourfully, thoughtfully and, at points antagonistically, over all shades and styles of electronic music.
It began in the early 90s hardcore aftermath; three Bournemouth-based teenagers fresh out of school boasting a small amount of analogue kit, a whole load of influences (from hip-hop to proto techno) and even more free time. They started exploring the new wave of rave: drum & bass. Not entrenched in the London scene, their vantage point from years of raving on the south coast allowed them a refreshed approach. Deep, spacey and, dare we say it, intelligent, it instantly struck a chord with the groundbreaking, scene-shaping drum & bass imprints such as Good Looking, R&S, Reinforced and Moving Shadow, who signed them in 1995.
Emerging with a wealth of unique material that was picked up on by the likes of 4Hero, LTJ Bukem, Gilles Peterson, James Lavelle, Fabio and many more; future-fused tracks such as ‘Dezires’, ‘Cosmic Glue’ and ‘Kauna’ belied the basic equipment they had access to. Squeezing every possible gram of creativity out of their samplers, within two years they’d attracted the attention of major label Polydor in 1997, who released their debut album ‘Orange Dust’. The trio then switched back to Moving Shadow for two more albums before the turn of the century (‘Aftershock’ and ‘Bodyshock’) and their own drum & bass labels Sonix and Incident.
Constantly searching for newness and unchartered fields of fresh inspiration, Aquasky refused to sit still. The first drum & bass act to dabble off-piste, their lower tempo explorations ruffled feathers in the then-disturbingly tight and insular D&B scene. As Tenth & Parker they played with Latin and Jazz breaks on Mr Bongo off-shoot Disorient (culminating with the perennial album ‘Twenty:Twelve’), but much more influentially, they also set up Aquasky VS Masterblaster; an act that was to pioneer and develop the then-burgeoning breakbeat and bassline breaks scene emanating from the UK and soundtracking every respectable club and festival for most of the first decade of this century.
Dropping the Masterblaster suffix (which was only in place to help establish their new 138BPM sound), Aquasky found themselves on a constant world tour as breakbeat spread further and further around the globe. All the while they fuelled the breakbeat scene on seminal labels such as Botchit & Scarper and Lot49 and were often in LA working with the likes of DJ Lethal from Limp Biskit and DJ Starscream from Slipknot as electronic music enjoyed its first wave of commercial popularity in the US.
Their main output, however, was on their own imprints Passenger and 777. Just like their sound and their attitude, Passenger was an exciting creative melting pot of sounds and artists as an array of now household names in bass music got busy; Noisia, DJ Friction, Nick Thayer, Total Science, Rico Tubbs and many more artist’s discographies include Passenger in their early output.
With an open door-policy and an open-armed creative remit, Aquasky’s achievements during this era are best surmised by their ‘Teamplayers’ album that united everyone in the bass game from Pendulum’s El Hornet and Orbital’s Phil Hartnoll to techfunk king Meat Katie and the legendary Ragga Twins who have consistently called upon Aquasky’s production duties for over 15 years.
During this time their Ragga Twins-fronted stepper ‘Dem No No We’ was co-signed on ‘Ali G In The USA’ on both sides of the Atlantic and premier league DJs such as Fatboy Slim championed their breaks to crowds of hundreds of thousands around the world.
As the naughty noughties developed, so did Aquasky. Once again they sought a new sound and found it on the toxic underbelly of jackin’ house. Setting themselves up as Black Noise and grabbing a deal with Fatboy Slim’s Southern Fried label, they went to create a body of work including remixes of Diplo, Wiley, Crookers and Sidney Sampson, who they co-produced the chart-topping ‘Riverside (Let’s Go)’ hit with.
As Black Noise came to a natural pause, the Aquasky machine let-rip once more. Tearing a hole into the bleaker new decade, their 15th anniversary saw them shake hands with Satan himself on ‘Raise The Devil’. A return to their rolling, uncompromised breakbeat dynamics, it featured a series of major league collaborations with the likes of Tenor Fly, Daddy Freddy and Diane Charlemagne and scored top 10 sweetness in the Australian Aria charts.
Throughout this decade the trio have continued to work heavily behind the scenes. Proudly owning their publishing rights to almost every track they’ve ever released since day one, the trio’s business acumen is just as sharp as their studio skills. With less time spent flying from continent to continent every weekend they’ve been able to develop their publishing companies, sync’ing companies and sample pack series Monster Sounds. Run in conjunction with Loopmasters, their Ragga Twins sample pack attracted the attention of Skrillex who went on to invite the MCs to rap on his last album ‘Recess’.
From Moving Shadow to Skrillex; the Aquasky story keeps on unfolding and playing a huge influence in all shades of global bass music in front of and behind the scenes. Their latest venture is a revisitation of their Moving Shadow era D&B. A double decade document that acts as a love letter to the future; every success, achievement and groundbreaking move they’ve made takes roots in these evergreen space-aged sounds. The sound of a three man machine who have consistently played by their own rules and stamping with their own style, long may the Aquasky story continue…
You can find Brent HERE:
discogs.com/artist/504270-Brent-Newitt
facebook.com/ben.hewitt.908
aquasky.co.uk
soundcloud.com/aquaskyuk
facebook.com/AquaskyUK
twitter.com/aquaskyuk
youtube.com/user/aquaskizzle
Tracklisting
'A Winters Night In’
1) Tosca ‘Chocolate Elvis’
2) UNKLE ‘The Time Has Come (Portishead Mix)’
3) Rjd2 ‘Here’s Whats Left’
4) Mark Murphy ‘Red Clay’
5) Herb Geller ft. Mark Murphy ‘Space A La Mode’
6) Kay Dennis ‘Feeling Good’
7) Gentle Giant ‘Proclamation’
8) Bloodrock ‘Timepiece’
9) Peshay ‘Piano Tune’
10) Message ‘Is That The Way’
11) Hunch ‘Astrids Beat’
12) Mark Murphy ‘Stolen Moments’
13) Champions Of Nature ‘Salsa Smurf’
14) Blame ‘Music Takes You’ – Seal sample version
15) Aquasky ‘Your Love’
16) Aquasky ‘Dezires’
17) DJ Mink ‘Can You Relate’
18) MC Solaar ‘Obsolete’
19) A Tribe Called Quest ‘We Can Get Down’
20) Python Lee Jackson ‘Broken Dream’
1) Tosca ‘Chocolate Elvis’ – Kruder & Dorfmeister use to love our early work as Aquasky, and we were licensed to a few of their compilations at the time. We still get royalties from those now, over 20 years later! Anyway, Tosca was Richard Dorfmeister’s side project with Rupert Huber. It was a trip hop vibed project, which is what I use to make before Aquasky, so this is a 12” that was always in my sets long before I was playing D&B!
2) UNKLE ‘The Time Has Come (Portishead Mix)’ – This to me is the crème a la crème of trip hop. To me, there isn’t anything better out there that could showcase that early to mid 90’s slow beat vibe. This remix came out before the Portishead ‘Dummy’ album and I believe it would just have been Geoff that would have done this remix. I was once in a record shop in Bristol in 1994 with DJ Format and Sir Beans OBE when this long haired chap came in selling records. The guy behind the counter didn’t buy them, so us 3 scarpered out the shop after this guy and purchased some of the records he had with him. I bought the Mike Longo LP ‘Talking With Spirits’, the other guys buying a few of his soundtracks… I didn’t know at the time that the long haired guy was Geoff Barrow from Portishead, and how surprised we all were when ‘Dummy’ came out and we all realised we had purchased the records he had used to make it! If you know the Mike Longo beat, you will know which Portishead track it was used on! We were offered a deal with Mo-Wax on 2 occasions back in the 90’s but we turned both of them down!
3) RJD2 ‘Here’s What’s Left’ – This tune I purchased whilst touring the US, I think it was bought in Orlando when I was at the store doing an instore signing. This tune was a tune I would reflect upon listening to as I was going through some shitty times in my life not long after buying it… it didn’t make me sad, though it is a sad tune, it actually lifted me up and inspired me… I personally can’t stand love songs or anything like that (sorry Ed Shearon!) and if I need music to chill out to, I listen to some heavy D&B. Don’t ask me why, I just find I can relax to that kind of thing. When I was younger and was studying for college I would listen to gangster rap… it just clears my mind!
4) Mark Murphy ‘Red Clay’ – Mark was a dear friend. I worked with him when we did our Tenth & Parker project for Mr.Bongo in the early 2000’s. We first worked with him in 1997 when we were signed to Polydor. We had hired Sly Stones studio in Sausalito in California. Mark arrived in a AMG Pacer car (titchy little US car) wearing a pair of welly boots, a smock and he had his wig on off-centre. He came into the studio and tuned up his voice using a tuning whistle! Our manager at the time looked at us and said ‘Who the hell is this nutter?’ But for me, I was endeared by him, he was a dude… he use to kick it with Jack Kerouac, he was a true beatnik and an amazing scat artist. I first saw him at Ministry Of Sound at a Brownswood Session that Giles Peterson had put on in 1994. I was in love with his version of Red Clay (the original had recently been sampled by A Tribe Called Quest on ‘Sucka Nigga’) and he performed it at MOS (his vocalised version was later covered by Rare Silk in the 1980’s). Later, when I was working with Mark in Graz in Austria around 2001 I had managed to persuade him to put ‘Red Clay’ back into his live show… and he performed the tune and dedicated it to me. He did the same when I went to see him perform at the Jazz Café in London (again he dedicated it to me). He was a great guy…
5) Herb Geller ft. Mark Murphy ‘Space A La Mode’ – Another Mark Murphy corker of a tune. We sampled this tune on our Reinforced Records release in 1996. Taken from the Herb Geller album ‘An American In Hamburg’. Herb had left the US upon the death of his wife as he was depressed… and ended up settling in Hamburg, hence the album’s title. There is a single vinyl copy of the album but I recommended to find the double album as it comes with an instrumental version as well as the vocal version (sung by Mark). Going back to my last story of Mark when we worked with him in the 90’s, at the time, I later found out, he was on crack! He was well into his 60’s at the time… which may explain the off-centre wig! Dude lived life to the full. RIP Mark, from Brent From Kent (his nickname for me).
6) Kay Dennis ‘Feeling Good’ – I don’t know a great deal about Kay Dennis. I found her self-titled LP in a charity shop in Addlestone for 10p back in the early 90’s (along with about 200 sound libraries – De Wolf, KPM etc… all 10p each!) which this track is from. There are some other corkers on here such as ‘Light My Fire’ and ‘Walk On By’… great lounge jazz and a beautiful singer.
7) Gentle Giant ‘Proclamation’ – As sampled by Lootpack, this tune is DOPE! I already had this album before Lootpack had looped it… they beat me too it! But I did find out, whilst digging in an old secondhand record shop here in Bournemouth called ‘Volume One’ (run by Richard Cargill) that the Gentle Giant singer lived here in Dorset, not far from us. He ran an Antique business which made me laugh, as a few months earlier I saw a van driving around called Gentle Giant Antiques… if only I had known that it was him at the time as I would of got him to sign something… I just thought though how funny, its named after a prog rock group!
8) Bloodrock ‘Timepiece’ – I love the sound of a prog rock vocalist… I don’t know what draws me to this genre being that I grew up listening to hip hop and then I got into rave and jungle… must be because I liked ZZ Top as a kid perhaps!!! But this tune is just HEAVY! I bought this LP from a car boot sale in Walton On Thames around 1998 I think. I had my portable record player with me at the time and the seller was very patient with me, as I sat on the grass in the midday sun, needle-dropping till I found some heat. And heat I found in this album. Some of you who may know our backcat will recognise this sample from a tune we did with the Canadian rapper Sixtoo.
9) Peshay ‘Piano Tune’ – In 1994 I had burned myself out from the rave/jungle scene… I had been to so many raves and illegal parties since the late 80’s that I only wanted to listen to slow, downbeat music, which is why Trip Hop was a big thing to me (though I hated the name of the genre, when I started making it, the name hadn’t been invented and it was just instrumental hip hop). So around this time I was writing ‘instrumental hip hop’ with Dave from Aquasky. Keiron (from Aquasky) used to make tunes with Dave at the weekend and being that me and Dave shared a house, I got to know Keiron. He used to make mixtapes and he did a tape which had this tune on it, as well as Roni Size ‘Music Box’, Krust ‘Jazz Note’ and the Global Communication’s remix of Palm Skin Productions… I hadn’t heard music like it before… it all seemed to use really cool jazz samples and wasn’t too dark. Being that I was already caning my jazz samples from my collection to make hip hop, the obvious step was for us to all make a tune together as a trio… and Aquasky was born. This tune to me is one of the best from that era… incredible musicality and emotion.
10) Message ‘Is That The Way’ – This album was given to me by Daryl from Second To None breakdancers. Daryl is an old friend and he also appeared on the covers of our 2x ‘Raw Skillz’ 12” singles we did on Polydor in 1997. He knew my love for a folky jazz vocal and he was bang on the money with this album… its excellent and always a joy to be introduced to a group you had no prior knowledge of. Cheers mate.
11) Hunch ‘Astrids Beat’ – I got to know Kev Beadle from when he ran the Mr. Bongo shop when it was in Berwick Street in Soho. Kev used to hook me up with some great jazz LP’s when I travelled up to see him. As well as some wicked hip hop. This tune came out on his label and I thought WOW… Hunch was an incredibly talented producer (I have no idea whatever happened to him, I can only hope he carried on producing). Kev knew I loved Hunch’s work and a couple of years later, after we had started Aquasky, he asked us to remix Hunch which we did… and that remix was a staple for Bukem throughout 1995 into 1996.
12) Mark Murphy ‘Stolen Moments’ – I think I have spoken a lot about Mark already… so all I will say is that this is an incredible song and his lyrics are unbeatable. I spent many an evening many moons ago getting smoked out to this tune!
13) Champions Of Nature ‘Salsa Smurf’ – A UK super group that had Jehst and Lewis Parker in it to name a few. Such a great tune and a wicked vibe… I can’t fault this track and I think its defo an under-rated gem in the British Hip Hop arsenal. LL couldn’t live without his radio, I couldn’t live without this record being in my collection!
14) Blame ‘Music Takes You’ – Seal sample version – This is probably my favourite ever Moving Shadow tune but it has to have the Seal sample in it… I can’t have it without that sample as it conjures so many memories for me of going to London as a 17 year old in my VW Beetle with my mate JayDog and staying with my mates Jano and Pheme. We use to go painting the Halls Of Fame and other things and spend long nights getting wrecked and recording pirate radio stations which I would bring back to Bournemouth and do copies of for mates. Jano had this on white label and I was so in love with it I actually recorded over the start of one of the pirate radio cassettes so I could listen to this tune over and over again on my slow drive back to Bournemouth… I still have that tape now! Since then I have got to know Blame and I have probably done his head in with how much I love this tune and the memories it provokes!
15) Aquasky ‘Your Love’ – The latest d&b release by ourselves on Simon Bassline Smith and Drumsound’s Technique label which came out the summer of 2017. Our first foray back into d&b for nearly 15 years! We wanted to make a tune that doffed its cap to the mid-90s jazzy liquid vibes and I have to say (though I am biased) that I think we achieved it We had a big bag of studio tricks back in the 90s (though somewhat primitive now) and we managed to remember some of them and put them into this tune, to get a real 90s feel!
16) Aquasky ‘Dezires’ – The second tune we ever wrote as Aquasky in February 1995. This tune samples Les McCann and went on to really cement our name into the D&B history books. 8 or so years later DJ Marky contacted us to get the synth patches for this tune so he could do a cover version which Zinc put out on his Bingo label. I think this tune defines the liquid/jazz/intelligent sound of that era… but again, I am probably biased!
17) DJ Mink ‘Can You Relate’ – I discovered Warp in the 80’s when they did a free mixtape on the front of some music magazine which I think my sister had a subscription for. I use to listen to that tape endlessly… I can’t recall if this tune was on that tape but it certainly set me up for collecting Warp records. I was also an insatiable UK Rap fan and loved our music more than the US music because it was more upbeat and reminded me of electro. So this tune ticked many boxes… sampling Gary Toms Empire, it’s all about the drums and the horns on this track. A few years later I met a UK rapper called Blue Eyes (he put on UK Fresh 97) and we became good mates and still are. I use to travel to Derby and stay with him and got to meet a lot of the crews from up that way at the time (1993). Blue Eyes early releases were done with DJ Mink… I must have done his head in going on about how much I rated Mink!!!
18) MC Solaar ‘Obsolete’ – Back in 1990 I saved some vouchers from a newspaper and got a ferry to France for a £1. It was only a day trip with a then girlfriend but at that time (and still to this day) I was collecting rap 7” singles. I went to a Carrefour supermarket and bought the customary cheese, bread and beer but I also hit the vinyl section and copped a load of French rap. The greatest buy of that day was a Supreme NTM 7” which I still have now and love it just as much (C’est Claire). This started my love for French rap and I visited a number of times over the next couple of years buying records. This is when I found out about MC Solaar and for Christmas in 1994 I got the album ‘Prose Combat’ that this track appears on. Not only some great raps but produced by the awesome Jimmy Jay and La Funk Mob (later to become Cassius) who were producing some killer tunes on Mo Wax at the time… this album is also where I believe Alex Reece got his bass sound for Pulp Fiction!
19) A Tribe Called Quest ‘We Can Get Down’ – The album that inspired me to produce… I love this album. I love that lo-pass filter jazz vibe of hip hop and I would have to say this is probably my all-time top hip hop album. It really reinvigorated my desire to hunt down samples and I have still yet to get all the awesome loops that they used on this album… but I have most of them! 25 years old in 2018… how crazy is that! It’s better than all the hip hop albums that come out now!
20) Python Lee Jackson ‘Broken Dream’ – I was introduced to this tune only recently, a few years ago, by my mate Matt Meade (Pheme from earlier). It ticks all the boxes for me, great singing, moody emotional music… deep. But of course the vocals are dope, its Rod Bloody Stewart! This sounds like a lost Portishead tune, so much so that, for a laugh, I tweeted Geoff from Portishead and said how much I liked the new tune he had made with Rod Stewart. I don’t think he got the joke as he just replied that it wasn’t one of his! It made me chuckle though because this could quite easily been on the Dummy album they put out…]]></itunes:summary>
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                                        <pubDate>Sun, 07 Jan 2018 09:57:16 +0100</pubDate>
                                        
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0449 Dusk Dubs - Alex Phountzi</title>
                                    <description><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Alex Phountzi
Title: DD0449
Style: , Dub, Bass, Beats, Hip-Hop, Jazz, Funk, Soul, Fusion,
Time: 62 minutes
Date: 2018-01-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome DJ, Producer and broken beat don Alex Phountzi to the Dusk Dubs family.
As a writer, producer and remixer, Alex has consistently been at the fore front of some of the most forward-thinking music, as a member of the 'Bugz In The Attic' crew, 'Neon Phusion', 'Greenmoney' and most recently, alongside IG Culutre with 'NameBrandSound'.
2017 saw the official return of the 'CoOp' moniker with Alex heavily involved as part of the Selectors Assemble Collective, a growing collective of DJ's producers, artists, movers and shakers that assist projects connected with CoOp Presents and beyond. 
Alex has forthcoming material on the new Selectors Assemble EPs coming soon on the CoOp Presents label. Check their previous release: CoOp presents: Selectors Assemble on First World Records, and their monthly 'Selectors Assemble' Radio show on Giles Peterson's Worldwide Radio.
As expected, Alex provides a scorching personal selection for his Dusk Dubs volume.
"I took this literally so this isn’t a definitive list or anything like that, just a collection of tracks that I would play at this time in the heat.
It’s the beginning of January 2018, so this is for the escapists…"
Alex can be found HERE:
soundcloud.com/phountzi
namebrandsound.bandcamp.com/al...-h-i-s-o-n-e-ep
facebook.com/alex.phountzi
twitter.com/AlexPhountzi
instagram.com/alexphountzi
discogs.com/artist/102069-Alex-Phountzi
Tracklisting

Eprom - Pentatonic Dust
Beat Spacek - Alone In Da Sun
Mala - Alicia
JD Reid - Hawaii
Kendrick Lamar - Momma
Mandrill - Moroccan Nights
Herbie Hancock - Bubbles
Banda Black Rio - Caminho Da Roca
JR Bailey - After Hours
Leon Ware - Phantom Lover
Pete Rock - Play Dis Only At Night
Aswad - Hey Jah Children
Dale Jacobs Group - A Last Look At The Summer
]]></description>
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                                    <itunes:summary><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Alex Phountzi
Title: DD0449
Style: , Dub, Bass, Beats, Hip-Hop, Jazz, Funk, Soul, Fusion,
Time: 62 minutes
Date: 2018-01-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome DJ, Producer and broken beat don Alex Phountzi to the Dusk Dubs family.
As a writer, producer and remixer, Alex has consistently been at the fore front of some of the most forward-thinking music, as a member of the 'Bugz In The Attic' crew, 'Neon Phusion', 'Greenmoney' and most recently, alongside IG Culutre with 'NameBrandSound'.
2017 saw the official return of the 'CoOp' moniker with Alex heavily involved as part of the Selectors Assemble Collective, a growing collective of DJ's producers, artists, movers and shakers that assist projects connected with CoOp Presents and beyond. 
Alex has forthcoming material on the new Selectors Assemble EPs coming soon on the CoOp Presents label. Check their previous release: CoOp presents: Selectors Assemble on First World Records, and their monthly 'Selectors Assemble' Radio show on Giles Peterson's Worldwide Radio.
As expected, Alex provides a scorching personal selection for his Dusk Dubs volume.
"I took this literally so this isn’t a definitive list or anything like that, just a collection of tracks that I would play at this time in the heat.
It’s the beginning of January 2018, so this is for the escapists…"
Alex can be found HERE:
soundcloud.com/phountzi
namebrandsound.bandcamp.com/al...-h-i-s-o-n-e-ep
facebook.com/alex.phountzi
twitter.com/AlexPhountzi
instagram.com/alexphountzi
discogs.com/artist/102069-Alex-Phountzi
Tracklisting

Eprom - Pentatonic Dust
Beat Spacek - Alone In Da Sun
Mala - Alicia
JD Reid - Hawaii
Kendrick Lamar - Momma
Mandrill - Moroccan Nights
Herbie Hancock - Bubbles
Banda Black Rio - Caminho Da Roca
JR Bailey - After Hours
Leon Ware - Phantom Lover
Pete Rock - Play Dis Only At Night
Aswad - Hey Jah Children
Dale Jacobs Group - A Last Look At The Summer
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/2/_/uploads/229472/image_track/1704688/w1400_h1400_q70_ptrue_v2_----cropped_1514964040217.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0449-dusk-dubs-alex-phountzi/</feedburner:origLink>
                                    <itunes:duration>3742</itunes:duration>
                                    
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                                        <pubDate>Sun, 31 Dec 2017 10:47:00 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-31T10:47:00+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0448 DuskDubs - Leo Mas</title>
                                    <description><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Leo Mas
Title: DD0448
Style: Downtempo, Balearic, Jazz, Dub, Tribal, House
Time: 152 minutes
Date: 2017-12-31
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
To close out proceedings for 2017, we have invited DJ and producer Leo Mas to compile the perfect Dusk Dubs New Year’s Eve volume.  
Originally born in Sardinia, from the age of 7 he lives in Milan, Italy…. His musical journey began as a child listening to the many records his father would buy alongside the programming of the Italian Public Radio Broadcaster RAI. 
Developing a vinyl collection himself from the age of 9, Leo’s taste would cross all musical boundaries and genres… resulting today in an amazing personal collection of over 32,000 records.
Leo is often regarded as an originator of Balearic sound and a true pioneer of House music, he was both a protagonist and witness of the club scene phenomenon that was born in Ibiza during those heady days of 85, '86, '87 and '88 (The Second Summer of Love), alongside Alfredo, and '90.
As taste makers go, he's as relevant today as he was back then, and that is why we are blessed to have him choose a selection of his favorite tracks of 2017.
"This mix consists of 25 tracks, they are no faster than 102 bpm. There are no edits, no reissues and are all tracks published for the first time in 2017".
Leo can be found HERE:
facebook.com/Leo-Mas-130480467005541
discogs.com/artist/42938-Leo-Mas
mixcloud.com/leo-mas
soundcloud.com/leo-mas
testpressing.org//feature/leo-mas
thevinylfactory.com/features/c...diggers-leo-mas
banbantonton.com/2017/04/16/mi...beat-originator
Tracklisting  
1) Okinawa Delays Feat. Satoko Ishimine ‎– Nariyama Ayagu (Phil Mison Dub Mix)
2) Atelje - Zephyr
3) Charlotte - Senegal Seduction
4) Horsebeach - Breeze
5) Nordsø & Theill  - Good Morning  feat Caroline Franceska
6) Thiago França - Etiopia
7) Blank & Jones - My Island
8) Fabiano Do Nascimento - Canto de Xangô
9) B-B-Boogaloo - Crest Of A Wave
10) Kamasi Washington, Everything Is Recorded - Mountains Of Dub
11) Hubbabubbaklubb - Mopedbart (Olefonken’s Autostrada Miks)
12) Max Essa - Themes From The Hood The Cad & The Lovely
13) Mogwaa - Déjà Vu (D.K. - Trouble Town Dub Version)
14) Begin - Names In The Sand
15) Steve Cobby - Fixing The Shadows
16) Mark Barrott - Music for Santoor, Bansuri, Tanpura y Sarod
17)  Coldcut X On-U Sound Feat. Hamsika Iyer ‎– Kajra Mohobbat Wala
(Maximum Dub)
18) Charlotte Gainsbourg - Rest
19) Jacob Gurevitsch - Poesia de la Mar
20) Modern Manners - Amor y Odio
21) Farbror Resande Mac - Janne
22) Ariwo - To Earth
23) Blackbush Orchestra - Sortez, les filles! (Kay Suzuki Remix)
24) Peter Power - Dansakoni
25) Copenema - Te Faz Bem ]]></description>
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                                    <itunes:summary><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Leo Mas
Title: DD0448
Style: Downtempo, Balearic, Jazz, Dub, Tribal, House
Time: 152 minutes
Date: 2017-12-31
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
To close out proceedings for 2017, we have invited DJ and producer Leo Mas to compile the perfect Dusk Dubs New Year’s Eve volume.  
Originally born in Sardinia, from the age of 7 he lives in Milan, Italy…. His musical journey began as a child listening to the many records his father would buy alongside the programming of the Italian Public Radio Broadcaster RAI. 
Developing a vinyl collection himself from the age of 9, Leo’s taste would cross all musical boundaries and genres… resulting today in an amazing personal collection of over 32,000 records.
Leo is often regarded as an originator of Balearic sound and a true pioneer of House music, he was both a protagonist and witness of the club scene phenomenon that was born in Ibiza during those heady days of 85, '86, '87 and '88 (The Second Summer of Love), alongside Alfredo, and '90.
As taste makers go, he's as relevant today as he was back then, and that is why we are blessed to have him choose a selection of his favorite tracks of 2017.
"This mix consists of 25 tracks, they are no faster than 102 bpm. There are no edits, no reissues and are all tracks published for the first time in 2017".
Leo can be found HERE:
facebook.com/Leo-Mas-130480467005541
discogs.com/artist/42938-Leo-Mas
mixcloud.com/leo-mas
soundcloud.com/leo-mas
testpressing.org//feature/leo-mas
thevinylfactory.com/features/c...diggers-leo-mas
banbantonton.com/2017/04/16/mi...beat-originator
Tracklisting  
1) Okinawa Delays Feat. Satoko Ishimine ‎– Nariyama Ayagu (Phil Mison Dub Mix)
2) Atelje - Zephyr
3) Charlotte - Senegal Seduction
4) Horsebeach - Breeze
5) Nordsø & Theill  - Good Morning  feat Caroline Franceska
6) Thiago França - Etiopia
7) Blank & Jones - My Island
8) Fabiano Do Nascimento - Canto de Xangô
9) B-B-Boogaloo - Crest Of A Wave
10) Kamasi Washington, Everything Is Recorded - Mountains Of Dub
11) Hubbabubbaklubb - Mopedbart (Olefonken’s Autostrada Miks)
12) Max Essa - Themes From The Hood The Cad & The Lovely
13) Mogwaa - Déjà Vu (D.K. - Trouble Town Dub Version)
14) Begin - Names In The Sand
15) Steve Cobby - Fixing The Shadows
16) Mark Barrott - Music for Santoor, Bansuri, Tanpura y Sarod
17)  Coldcut X On-U Sound Feat. Hamsika Iyer ‎– Kajra Mohobbat Wala
(Maximum Dub)
18) Charlotte Gainsbourg - Rest
19) Jacob Gurevitsch - Poesia de la Mar
20) Modern Manners - Amor y Odio
21) Farbror Resande Mac - Janne
22) Ariwo - To Earth
23) Blackbush Orchestra - Sortez, les filles! (Kay Suzuki Remix)
24) Peter Power - Dansakoni
25) Copenema - Te Faz Bem ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/8/2/_/uploads/229472/image_track/1687695/w1400_h1400_q70_ptrue_v2_----cropped_1514280280.jpg" />
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                                    <itunes:duration>9126</itunes:duration>
                                    
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                                        <pubDate>Sun, 24 Dec 2017 09:12:41 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-24T09:12:41+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0447 Dusk Dubs - Xmas Special</title>
                                    <description><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Dusk Dubs
Title: DD0447
Style: Christmas,
Time: 107 minutes
Date: 2017-12-24
Dusk Dubs returns with another incredible journey through sounds. And its Christmas, so as is always the tradition......
Dusk Dubs releases its seasonal special....
We’ve been diggin’ through the crates, searching for those Christmas nuggets, tracks filled with nostalgia, tracks infused with that seasonal vibe, all coated with a sprinkling of Dusk Dubs Christmas magic.
So, grab yourself a mince pie, pour yourself a large brandy and settle down in front of your sub-woofer.
Merry Christmas and Happy New Year from Original Gidman, Tommy & Wilson……
Tracklisting
1) Ryuichi Sakamoto - Merry Christmas Mr. Lawrence (Piano & Strings Version)
2) Aaron Neville - Please Come Home for Christmas
3) Lester Williams - Winter Time Blues
4) Joe Turner - Christmas Date Boogie
5) Brenda Lee - I'm Gonna Lasso Santa Claus
6) Buck Owens - Santa Looked a Lot Like Daddy
7) Detroit Junior - Christmas Day
8) Marvin Gaye - Want To Come Home For Christmas
9) King Stitt - Christmas Tree
10) Peter Broggs - Twelve Days of Christmas
11) Stará Kazka - Deep Down
12) Kool Moe Dee - Surviving Christmas
13) Shawn Lees Ping Pong Orchestra - Little Drummer Boy
14) The Roots - Millie Pulled A Pistol On Santa
15) Prince – Another Lonely Christmas
16) GB - The First Noel In An Unknown Galaxy
17) Beck – Little Drum Machine Boy
18) Pretenders - 2000 Miles
19) Timi Terrific & The Redheads - Black (Soul) Christmas
20) Donny Hathaway – The Christmas
21) Dr John - Silent Night
22) Tom Waits - Christmas Card from a Hooker in Minneapolis
23) The Drifters - White Christmas
24) Charles Bradley – Mary’s Baby
25) Camp Lo - Star Of The East
26) Diplomats Of Solid Soul - Let It Snow
27) Irma Lounge All Stars - White Christmas
28) Daz-I-Kue presents Blak Label Blend (feat. Raslyah) – Midnight
29) Marcela Mangabeira - All I Want For Christmas Is You
30) Juan Atkins - Snowflakes Falling (Movement II)  ]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Dusk Dubs
Title: DD0447
Style: Christmas,
Time: 107 minutes
Date: 2017-12-24
Dusk Dubs returns with another incredible journey through sounds. And its Christmas, so as is always the tradition......
Dusk Dubs releases its seasonal special....
We’ve been diggin’ through the crates, searching for those Christmas nuggets, tracks filled with nostalgia, tracks infused with that seasonal vibe, all coated with a sprinkling of Dusk Dubs Christmas magic.
So, grab yourself a mince pie, pour yourself a large brandy and settle down in front of your sub-woofer.
Merry Christmas and Happy New Year from Original Gidman, Tommy & Wilson……
Tracklisting
1) Ryuichi Sakamoto - Merry Christmas Mr. Lawrence (Piano & Strings Version)
2) Aaron Neville - Please Come Home for Christmas
3) Lester Williams - Winter Time Blues
4) Joe Turner - Christmas Date Boogie
5) Brenda Lee - I'm Gonna Lasso Santa Claus
6) Buck Owens - Santa Looked a Lot Like Daddy
7) Detroit Junior - Christmas Day
8) Marvin Gaye - Want To Come Home For Christmas
9) King Stitt - Christmas Tree
10) Peter Broggs - Twelve Days of Christmas
11) Stará Kazka - Deep Down
12) Kool Moe Dee - Surviving Christmas
13) Shawn Lees Ping Pong Orchestra - Little Drummer Boy
14) The Roots - Millie Pulled A Pistol On Santa
15) Prince – Another Lonely Christmas
16) GB - The First Noel In An Unknown Galaxy
17) Beck – Little Drum Machine Boy
18) Pretenders - 2000 Miles
19) Timi Terrific & The Redheads - Black (Soul) Christmas
20) Donny Hathaway – The Christmas
21) Dr John - Silent Night
22) Tom Waits - Christmas Card from a Hooker in Minneapolis
23) The Drifters - White Christmas
24) Charles Bradley – Mary’s Baby
25) Camp Lo - Star Of The East
26) Diplomats Of Solid Soul - Let It Snow
27) Irma Lounge All Stars - White Christmas
28) Daz-I-Kue presents Blak Label Blend (feat. Raslyah) – Midnight
29) Marcela Mangabeira - All I Want For Christmas Is You
30) Juan Atkins - Snowflakes Falling (Movement II)  ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/6/5/_/uploads/229472/image_track/1681790/w1400_h1400_q70_ptrue_v2_----cropped_1513935566.jpg" />
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                                    <itunes:duration>6455</itunes:duration>
                                    
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                                        <pubDate>Sun, 17 Dec 2017 10:31:09 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-17T10:31:09+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0446 Dusk Dubs - Jerome Hill</title>
                                    <description><![CDATA[[ Jerome Hill ]
Podcast: Dusk Dubs
Artist: Jerome Hill
Title: DD0446
Style: Reggae, Dub, Jazz, Spoken Word, Exotica, World, Hip-Hop, Dowtempo,
Time: 124 minutes
Date: 2017-12-17
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This weekend we welcome producer, record label owner and world renown DJ, Jerome Hill to the Dusk Dubs family. 
DJing since 1990, beginning with Hip-Hop, Acid House, UK Bleep, Breakbeat and Techno, a residency throughout the mid to late 90’s on infamous London sound system “JIBA”, manager and music buyer for 2 record shops Trackheads & Dragon Discs in Camden, London, (1997-2004) Jerome has been a permanent fixture on the London scene and lives and breathes the music, his sets being educational and hedonistic in equal measures.. 
Founder of Don’t Recordings, Fat Hop records (for fans of Old Skool Hip Hop/B-Boy Breaks) , and more recently the booming acid house of “Super Rhythm Trax” and the 1992 rave themed “Hornsey Hardcore”. 
His bi-monthly ‘Don’t’ club night in Dalston launched in 2012 and has built a strong following amongst true Techno lovers, with Jerome as its resident and carefully chosen, respected guests passing through every time. 
Jerome plays regularly around the world, with a hectic gig schedule that regularly takes him up and down the UK as well as overseas to Brazil, Japan, Germany, Spain, France, Czech, Belgium, Poland, Ireland and beyond. 
Be it a Techno dancefloor, an Old Skool Rave or a Hip-Hop jam, Jerome is at home and relishes bringing something new to the party with surprises around every corner. 
"Really enjoyed playing through these. I recorded it as I was packing my records into boxes in preparation for a house move so although I had a main crate of about 50 records that I’d previously loaded to draw from, I was also coming across others during my packing and throwing them on. As with all of my recorded sets, its unplanned and just goes with what feels right/what springs into view at the time of needing to put on the next tune.
Pleasingly, it didn’t deviate too much from the plan stylistically, in that the aim was for it to be a casual stroll through the the more zoned out "vibe cannons"  in my collection, taking in the colourful, the out there, the uplifting and the deranged all of which are very special to me for different reasons and many of which I picked up during my time managing the Dragon Disc and Trackheads record shops in Camden during the 90’s and 2000s.
Thanks Dusk Dubs for the invite"
You can find him HERE:
facebook.com/jeromehilldj
twitter.com/DJJEROMEHILL
soundcloud.com/jeromehill
swervingthecommunity.com
discogs.com/artist/232313-Jerome-Hill 
Trackisting

Aswad - Dub Fire
The SimonSound - Baker’s Dozen
The Free Association - Whistlin Down The Wind
Ralph Lundsten - Diskophrenia
Sabres Of Paradise - Wilmot’s Last Skank
Lightenin’ Rod - Sport
Will Malone - Theme from Deathline
Vertical Cat - Work Shy
Take Rodriguez & his Exotic Arkestra - Hari Hari
Archie Bleyer - Hernando’s Hideaway
Burnt Friedman - Title coming soon
Take Rodriguez & his Exotic Arkestra - Revcarib
Noriel Vilela - 16 Toneladas
Garonneman - Grandma Dance
Plastikman - Pakard
Larceny - Who Are You?
Cherrystones - Be Careful What You Wish For
Wevie Stonder - Und
Moody Boyz - Free
Messenjah - Judgement
Izit - Stories
Pressure Drop - Back 2 Back (Dub)
Galt McDermot - Space
Klute - Blood Rich
The Specials - International Jet Set
Sound Dimension - Darker Shade Of Black
The Keystones - Attack Of The Killer Penguins
Treacherous Three & Freddy Fresh - Bum Bum Bum
David Shrigley - Don’ts
Funboy Three & Bananarama - It Ain’t What You Do (It’s The Way That You Do It)
]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Jerome Hill ]
Podcast: Dusk Dubs
Artist: Jerome Hill
Title: DD0446
Style: Reggae, Dub, Jazz, Spoken Word, Exotica, World, Hip-Hop, Dowtempo,
Time: 124 minutes
Date: 2017-12-17
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This weekend we welcome producer, record label owner and world renown DJ, Jerome Hill to the Dusk Dubs family. 
DJing since 1990, beginning with Hip-Hop, Acid House, UK Bleep, Breakbeat and Techno, a residency throughout the mid to late 90’s on infamous London sound system “JIBA”, manager and music buyer for 2 record shops Trackheads & Dragon Discs in Camden, London, (1997-2004) Jerome has been a permanent fixture on the London scene and lives and breathes the music, his sets being educational and hedonistic in equal measures.. 
Founder of Don’t Recordings, Fat Hop records (for fans of Old Skool Hip Hop/B-Boy Breaks) , and more recently the booming acid house of “Super Rhythm Trax” and the 1992 rave themed “Hornsey Hardcore”. 
His bi-monthly ‘Don’t’ club night in Dalston launched in 2012 and has built a strong following amongst true Techno lovers, with Jerome as its resident and carefully chosen, respected guests passing through every time. 
Jerome plays regularly around the world, with a hectic gig schedule that regularly takes him up and down the UK as well as overseas to Brazil, Japan, Germany, Spain, France, Czech, Belgium, Poland, Ireland and beyond. 
Be it a Techno dancefloor, an Old Skool Rave or a Hip-Hop jam, Jerome is at home and relishes bringing something new to the party with surprises around every corner. 
"Really enjoyed playing through these. I recorded it as I was packing my records into boxes in preparation for a house move so although I had a main crate of about 50 records that I’d previously loaded to draw from, I was also coming across others during my packing and throwing them on. As with all of my recorded sets, its unplanned and just goes with what feels right/what springs into view at the time of needing to put on the next tune.
Pleasingly, it didn’t deviate too much from the plan stylistically, in that the aim was for it to be a casual stroll through the the more zoned out "vibe cannons"  in my collection, taking in the colourful, the out there, the uplifting and the deranged all of which are very special to me for different reasons and many of which I picked up during my time managing the Dragon Disc and Trackheads record shops in Camden during the 90’s and 2000s.
Thanks Dusk Dubs for the invite"
You can find him HERE:
facebook.com/jeromehilldj
twitter.com/DJJEROMEHILL
soundcloud.com/jeromehill
swervingthecommunity.com
discogs.com/artist/232313-Jerome-Hill 
Trackisting

Aswad - Dub Fire
The SimonSound - Baker’s Dozen
The Free Association - Whistlin Down The Wind
Ralph Lundsten - Diskophrenia
Sabres Of Paradise - Wilmot’s Last Skank
Lightenin’ Rod - Sport
Will Malone - Theme from Deathline
Vertical Cat - Work Shy
Take Rodriguez & his Exotic Arkestra - Hari Hari
Archie Bleyer - Hernando’s Hideaway
Burnt Friedman - Title coming soon
Take Rodriguez & his Exotic Arkestra - Revcarib
Noriel Vilela - 16 Toneladas
Garonneman - Grandma Dance
Plastikman - Pakard
Larceny - Who Are You?
Cherrystones - Be Careful What You Wish For
Wevie Stonder - Und
Moody Boyz - Free
Messenjah - Judgement
Izit - Stories
Pressure Drop - Back 2 Back (Dub)
Galt McDermot - Space
Klute - Blood Rich
The Specials - International Jet Set
Sound Dimension - Darker Shade Of Black
The Keystones - Attack Of The Killer Penguins
Treacherous Three & Freddy Fresh - Bum Bum Bum
David Shrigley - Don’ts
Funboy Three & Bananarama - It Ain’t What You Do (It’s The Way That You Do It)
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/8/_/uploads/229472/image_track/1669570/w1400_h1400_q70_ptrue_v2_----cropped_1513077801.jpg" />
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                                    <itunes:duration>7486</itunes:duration>
                                    
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                                    <guid isPermaLink="false">1666512</guid>
                                    
                                        <pubDate>Sun, 10 Dec 2017 11:13:35 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-10T11:13:35+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0445 Dusk Dubs - Sanjiv Ahluwalia</title>
                                    <description><![CDATA[[ Sanjiv Ahluwalia ]
Podcast: Dusk Dubs
Artist: Sanjiv Ahluwalia
Title: DD0445
Style: jazz, house, techno, detroit
Time: 84 minutes
Date: 2017-12-10
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This weekend we have the pleasure of welcoming author and musical aficionado Sanjiv Ahluwalia to the Dusk Dubs family.
"This is my first mix in over ten years and I wanted to ensure it was firstly on point and secondly, highlight the wide array of brilliant new music being produced. Brilliant new music which I’ve tried to shine a light on through my recent book, The Secret List - London; a guide book/travelogue to London’s independent record shops. The premise of the mix, reflected in the title, is an alternative to the dystopian outlook of the future in popular culture. My vision, represented in the mix, is a more positive outlook where even in an automated, digital world, the simple and wonderful thing of singing a lullaby to a child still remains precious.
The music then ranging from the classical overtures of the Brussels Philharmonic Orchestra to the disjointed beats of FYI Chris is about an innovative, current music scene which just maybe might soundtrack a lullaby to a digital child sometime in the future."
Enjoy.... Sanjiv
You can find him HERE
thesecretlist.co.uk
Tracklisting
1) Ryuichi Sakamoto - Bolerisch (From "Femme Fatale")
2) Jason Rebello - Salad Days
3) Christian Scott - The Eraser
4) Jeff Parker - Executive Life
5) Joe Armon-Jones & Maxwell Owin - Tanner's Tango ft. Nubya Garcia
6) The Necks - 10%
7) Pharoahs - Rinse Dreams
8) OMD - This Is Helena
9) 69 - If Mojo Was AM
10) FYI Chris - How To Ruin The World
11) Scott Grooves - DENEB
12) Model 500 - Night Drive (Time, Space, Transmat)
13) Aybee - DSHIX
14) Byron The Aquarius  - Nights In Jakarta
15) Roots Manuva - Next Type Of Emotion
16) Kraftwerk - Computer World 2 ]]></description>
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                                    <itunes:summary><![CDATA[[ Sanjiv Ahluwalia ]
Podcast: Dusk Dubs
Artist: Sanjiv Ahluwalia
Title: DD0445
Style: jazz, house, techno, detroit
Time: 84 minutes
Date: 2017-12-10
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This weekend we have the pleasure of welcoming author and musical aficionado Sanjiv Ahluwalia to the Dusk Dubs family.
"This is my first mix in over ten years and I wanted to ensure it was firstly on point and secondly, highlight the wide array of brilliant new music being produced. Brilliant new music which I’ve tried to shine a light on through my recent book, The Secret List - London; a guide book/travelogue to London’s independent record shops. The premise of the mix, reflected in the title, is an alternative to the dystopian outlook of the future in popular culture. My vision, represented in the mix, is a more positive outlook where even in an automated, digital world, the simple and wonderful thing of singing a lullaby to a child still remains precious.
The music then ranging from the classical overtures of the Brussels Philharmonic Orchestra to the disjointed beats of FYI Chris is about an innovative, current music scene which just maybe might soundtrack a lullaby to a digital child sometime in the future."
Enjoy.... Sanjiv
You can find him HERE
thesecretlist.co.uk
Tracklisting
1) Ryuichi Sakamoto - Bolerisch (From "Femme Fatale")
2) Jason Rebello - Salad Days
3) Christian Scott - The Eraser
4) Jeff Parker - Executive Life
5) Joe Armon-Jones & Maxwell Owin - Tanner's Tango ft. Nubya Garcia
6) The Necks - 10%
7) Pharoahs - Rinse Dreams
8) OMD - This Is Helena
9) 69 - If Mojo Was AM
10) FYI Chris - How To Ruin The World
11) Scott Grooves - DENEB
12) Model 500 - Night Drive (Time, Space, Transmat)
13) Aybee - DSHIX
14) Byron The Aquarius  - Nights In Jakarta
15) Roots Manuva - Next Type Of Emotion
16) Kraftwerk - Computer World 2 ]]></itunes:summary>
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                                        <pubDate>Sun, 03 Dec 2017 10:19:52 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-03T10:19:52+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0444 Dusk Dubs - The Mighty Zaf</title>
                                    <description><![CDATA[[ The Mighty Zaf ]
Podcast: Dusk Dubs
Artist: Dominic Stanton
Title: DD0444
Style: Rock, New Wave, Synth-Pop, Folk Rock
Time: 72 minutes
Date: 2017-11-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Producer, DJ, and record store co-owner Zaf 'Love Vinyl' aka The Mighty Zaf to the Dusk Dubs family.
Zaf has been responsible for compiling the Americana/ Private Wax series on BBE and has done many productions and edits alongside Phil Asher. They are just about to launch their new label ‘80s'.
"All the songs in this mix are taken from albums which were ingrained into my musical psyche at a very early age. Every part of every song, every pause or non pause were embedded into me through countless hours of listening and re-listening when they there were no distractions like there are today, so they were etched into my musical DNA and are part of me just like a lung a limb or a thumb.
Yet I could have chosen a hundred or more different songs and I would have equally been happy with the selections however this is how it is and I am more than happy with how this mix ended up" (Zaf)
You can find him HERE
soundcloud.com/zafsmusic-com
lovevinyl.london
facebook.com/lovevinyllondon
twitter.com/LoveVinylLondon
discogs.com/artist/1284749-Zaf-Chowdry
Tracklisting

Supertramp - Easy Does It
Supertramp - Sister Moonshine
Steve Miller Band - Swingtown
Joe Walsh - Theme From Boat Weirdos
Joni Mitchell - Shades Of Scarlet Conquering
Steely Dan - Black Cow
The Cars - Bye Bye Love
The Cars - Shoo Be Doo
The Cars - Candy-O
The Stranglers - Walk On By
Supertramp - Take The Long Way Home
Kate Bush - The Man With The Child In His Eyes
13.Japan - Ghosts
Joe Jackson - It's Different For Girls
The Police - Every Little Thing She Does Is Magic 
Prefab Sprout - Bonny
Hall & Oates - Wait For Me (Live version)

1 & 2) Supertramp - Easy Does It/Sister Moonshine
Many an evening was spent in my front room during the '70s listening to my 2 elder brother’s record collection. There was a 14 year difference between my eldest brother, Hamayun, who sadly passed away one year ago, almost to the hour of me writing this right now. My second brother, Chow as he was nicknamed purchased most of the records but they both had very similar tastes. Supertramp were one the first bands I really started digging. Their 1975 LP famously titled "Crisis, What Crisis" was one of their finest. The way the first two tracks on the LP segued into each other was musical magic to the ears of a 9 year old. The intro track "Easy Does It" starts off with a man whistling alongside the sound of footsteps, followed by the sound of a car bleeping a horn. These sounds fascinated me then and listening again 40 years later evoke such strong feelings. Musically both tracks are harmonically flawless. I still think Supertramp are one of the most underrated bands of all time.
3) Steve Miller Band - Swingtown
This was taken from his 1977 LP "Book Of Dreams". The rolling funky bass line and drums were moulding my ears of things to come, as my brothers tastes although funky, was in essence strictly drawn to white artists, but not completely. Saying that all my selections here are by white artists, not that it matters of course. The Steve Miller Band were my first ever concert when they performed at the Hammersmith Odeon in 1982. I listened to this LP over a hundred times that year & in years to come as well as the "Fly Like An Eagle" & "The Joker" albums, which are both '70s classics.
4) Joe Walsh - Inner Tube/Theme From Boat Weirdos
If I had the chance to go back in time, 1978 is where I would go. I was 11 years old and music was as important to me at that time as much as skateboarding, football & fashion. My obsessions were developing at a rapid rate, all consuming. I grew up in Northfields, Ealing, a short skateboard ride away from to a newly built skatepark gloriously named Rolling Thunder in Brentford. Money was always a barrier, but fortunately both my elder brothers also got into skateboarding so many an evening was spent skating to the sounds of whatever was playing through the house sound system at Rolling Thunder. There was so much music being released in 1978 that is now considered classic. Well in my opinion Joe Walsh's "But Seriously Folks" LP is up there for me as one of the best rock LP's ever made. Again it was played extensively at home, but they also caned it at Rolling Thunder. The instrumental tracks I have chosen from this LP are so unique. "Inner Tube" starts with a keyboard synth I can't recall hearing anywhere else similar, the accompanying piano is almost Prince like, then as it breaks into "Theme From Boat Weirdos" I remember one night listening on big 1970's headphones and having my first ever musical trip, literally like a drug infused experience, something I will never forget. The whole album is amazing and I used to look at the artwork for hours. Bless Joe Walsh.
5) Joni Mitchell - Shades Of Scarlet Conquering
And then came Joni to take us to a higher level, perhaps to the highest level possible to go in music for me. My favourite ever male artist may have written "Nothing Compares To You" about Joni Mitchell. We knew he was a fan, obviously it wasn't about her, but the sentiment rings true. My brothers bought all the Joni LP's from the early '70s and her records were constantly on in my house. Although between the age of 5-10 I couldn't really appreciate her genius, her superiority was subliminally fed to me, and only when I was older did I truly realise that Joni was on another echelon to everyone else. Lyrically she is unsurpassable, and however clever I try to be about how good she is, the English language hasn't got enough superlatives to do Joni justice. Just google "Joni Mitchell-Shades Of Scarlet Conquering lyrics" and see for yourself if you're not familiar. I could have chosen any Joni track from this or any '70s LP to be honest.
6) Steely Dan - Black Cow
The poignance of writing this just a few days after Walter Becker's passing makes it all the harder. However, what he left us is an incredible legacy, and similar to Joni, the highest praise isn't enough. Black Cow is by far my favourite ever Steely Dan track and one I never get bored of listening to. I have started playing it regularly again in my DJ sets after picking up the Spanish 12" which is loudly cut. My favourite parts in this song are where the girl backing vocalists come in especially at the end singing "So Outrageous!", and of course the unreal keyboard & sax solo's. Although released in 1977, Aja was another LP I remember being played at the skatepark Rolling Thunder in 1978, my musical playground.
7, 8 & 9) The Cars - Bye Bye Love/Shoo Be Doo/Candy-O
It's difficult to fathom sometimes how creative the years 1975 to 1980 were musically across all the different genres of music many of us are into. Hence groups like The Cars, although quite big in the USA were never heralded or universally appreciated for how good they really were, and even when they were acknowledged or popularised it was in their latter years for music that wasn't as good as their earlier material. The Cars first two albums released in 1978 & '79 were and still are two of the best rock LP's released, both as good as the other, and outrageously under rated despite both making the top 10 albums of the year in the hugely influential Rolling Stone magazine. I played these two records to death, and could have easily picked out any tracks from either LP. In 1978 my brother was one of the first people to buy a Sony Walkman and I used to freak my friends out by playing a recording of an aeroplane going past and then watching them look over their heads and shit themselves. Listening to music changed from then on in, and The Cars were heavily listened to on that first ever Walkman.
10) The Stranglers - Walk On By
Not many bands were as good as The Stranglers, period. My oldest & best mates Lee Hiom & Jamie Robinson were massive Stranglers fans and we used to go to Jamie's shed and pretend we were in the band, taking turns on who we were, Hugh Cornwell, Jet Black, Dave Greenfield or the bassist JJ. Burnel. On this particular classic there was an abundance of choice, the mental keyboard solo, the funky bass, the sick drumming or the wicked guitar licks. The Stranglers were so unique, no other bands in this ilk even came near to how good they were.
11) Supertramp - Take The Long Way Home.
1978 again...Supertramp released their classic album "Breakfast In America". Another record I listened to a thousand times from start to finish. In the era where Lp's were like a a journey and every track was as good as the last. "Take The Long Way Home" was the opening track on when you turned the Lp over, a special track on brilliant albums, always.
12) Kate Bush - The Man With The Child In His Eyes.
I could have easily have included many Kate Bush tracks especially "Wuthering Heights" which evokes such deep feelings & memories that it's sometimes difficult to listen to such are the emotions.
I'm an absolute sucker for strings & piano, and Kate Bush is one of the few Tories who gets a pass. Bless her...
13) Japan - Ghosts
We're into the '80s now and high school came into play. I wasn't a massive fan of Japan at this time but in retrospect this particular song again brings back such memories of circa 1982 that my stomach cramps up sometimes when I listen to David Sylvian's haunting voice in this totally unique song. I should at this point state that many Roxy Music and David Bowie songs could easily have made my list, both of whom were hugely influential to Sylvain's style.
14) Joe Jackson - It's Different For Girls
On our trips to the Sunsplash Festival myself and my best boy Phil Asher used to share rooms and inevitably listen to music from our youth days. I remember one particular early evening after we had an unforgettable day Phil played this through the stereo and within seconds the pair of used were so overwhelmed by the memories we both started crying uncontrollably! Can you imagine that happening in 25 years time to any of the youth of today to a song that is in the top 10 right now? Joe Jackson's "Stepping Out" also is up there for me in the category of my all time classics.
15) The Police - Every Little Thing She Does Is Magic.
Again, I could have chosen a few of out of The Police's repertoire, but this one really is my favourite ever Police song. I still feel the urge to listen to it at least every few months, and even then I will listen to it a few times in a row. It really reminds of a particular memory of when I was 14 years old, going to play Saturday morning football with the school and listening to this on the radio or my Walkman on the way back. Also, I loved the video, back in the days whenI used to record Top Of The Pops and watch everything on repeat a million times. Musically this song is fucking incredible.
16) Prefab Sprout - Bonny
There was a re-release of this amazing second Lp a few years back on CD. I got a copy to play in my car and admittedly I hadn't listened to this album for maybe 10 years or so prior to getting this deluxe edition CD. From the first bar it hit me like a ten-ton lorry. The whole LP is breath-taking and I remember listening to Bonny about 5 times in a row. Nostalgia is can be delightful & painful in equal measure when you get that yearning for a return to your youth.
17) Hall & Oates - Wait For Me.
I love Hall & Oates from an early age, they had that perfect combination of AOR & soul in many of their songs. Their Rock N Soul compilation released in 1983 was purchased by myself from Our Price in Ealing Broadway, home taped and then listened to hundreds of times on my way to school & back. Again, I could have picked any track from it, but opted for the live version of "Wait For Me" which actually on appeared on the tape version I think, so I must have bought the tape as well as the vinyl.]]></description>
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                                    <itunes:summary><![CDATA[[ The Mighty Zaf ]
Podcast: Dusk Dubs
Artist: Dominic Stanton
Title: DD0444
Style: Rock, New Wave, Synth-Pop, Folk Rock
Time: 72 minutes
Date: 2017-11-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Producer, DJ, and record store co-owner Zaf 'Love Vinyl' aka The Mighty Zaf to the Dusk Dubs family.
Zaf has been responsible for compiling the Americana/ Private Wax series on BBE and has done many productions and edits alongside Phil Asher. They are just about to launch their new label ‘80s'.
"All the songs in this mix are taken from albums which were ingrained into my musical psyche at a very early age. Every part of every song, every pause or non pause were embedded into me through countless hours of listening and re-listening when they there were no distractions like there are today, so they were etched into my musical DNA and are part of me just like a lung a limb or a thumb.
Yet I could have chosen a hundred or more different songs and I would have equally been happy with the selections however this is how it is and I am more than happy with how this mix ended up" (Zaf)
You can find him HERE
soundcloud.com/zafsmusic-com
lovevinyl.london
facebook.com/lovevinyllondon
twitter.com/LoveVinylLondon
discogs.com/artist/1284749-Zaf-Chowdry
Tracklisting

Supertramp - Easy Does It
Supertramp - Sister Moonshine
Steve Miller Band - Swingtown
Joe Walsh - Theme From Boat Weirdos
Joni Mitchell - Shades Of Scarlet Conquering
Steely Dan - Black Cow
The Cars - Bye Bye Love
The Cars - Shoo Be Doo
The Cars - Candy-O
The Stranglers - Walk On By
Supertramp - Take The Long Way Home
Kate Bush - The Man With The Child In His Eyes
13.Japan - Ghosts
Joe Jackson - It's Different For Girls
The Police - Every Little Thing She Does Is Magic 
Prefab Sprout - Bonny
Hall & Oates - Wait For Me (Live version)

1 & 2) Supertramp - Easy Does It/Sister Moonshine
Many an evening was spent in my front room during the '70s listening to my 2 elder brother’s record collection. There was a 14 year difference between my eldest brother, Hamayun, who sadly passed away one year ago, almost to the hour of me writing this right now. My second brother, Chow as he was nicknamed purchased most of the records but they both had very similar tastes. Supertramp were one the first bands I really started digging. Their 1975 LP famously titled "Crisis, What Crisis" was one of their finest. The way the first two tracks on the LP segued into each other was musical magic to the ears of a 9 year old. The intro track "Easy Does It" starts off with a man whistling alongside the sound of footsteps, followed by the sound of a car bleeping a horn. These sounds fascinated me then and listening again 40 years later evoke such strong feelings. Musically both tracks are harmonically flawless. I still think Supertramp are one of the most underrated bands of all time.
3) Steve Miller Band - Swingtown
This was taken from his 1977 LP "Book Of Dreams". The rolling funky bass line and drums were moulding my ears of things to come, as my brothers tastes although funky, was in essence strictly drawn to white artists, but not completely. Saying that all my selections here are by white artists, not that it matters of course. The Steve Miller Band were my first ever concert when they performed at the Hammersmith Odeon in 1982. I listened to this LP over a hundred times that year & in years to come as well as the "Fly Like An Eagle" & "The Joker" albums, which are both '70s classics.
4) Joe Walsh - Inner Tube/Theme From Boat Weirdos
If I had the chance to go back in time, 1978 is where I would go. I was 11 years old and music was as important to me at that time as much as skateboarding, football & fashion. My obsessions were developing at a rapid rate, all consuming. I grew up in Northfields, Ealing, a short skateboard ride away from to a newly built skatepark gloriously named Rolling Thunder in Brentford. Money was always a barrier, but fortunately both my elder brothers also got into skateboarding so many an evening was spent skating to the sounds of whatever was playing through the house sound system at Rolling Thunder. There was so much music being released in 1978 that is now considered classic. Well in my opinion Joe Walsh's "But Seriously Folks" LP is up there for me as one of the best rock LP's ever made. Again it was played extensively at home, but they also caned it at Rolling Thunder. The instrumental tracks I have chosen from this LP are so unique. "Inner Tube" starts with a keyboard synth I can't recall hearing anywhere else similar, the accompanying piano is almost Prince like, then as it breaks into "Theme From Boat Weirdos" I remember one night listening on big 1970's headphones and having my first ever musical trip, literally like a drug infused experience, something I will never forget. The whole album is amazing and I used to look at the artwork for hours. Bless Joe Walsh.
5) Joni Mitchell - Shades Of Scarlet Conquering
And then came Joni to take us to a higher level, perhaps to the highest level possible to go in music for me. My favourite ever male artist may have written "Nothing Compares To You" about Joni Mitchell. We knew he was a fan, obviously it wasn't about her, but the sentiment rings true. My brothers bought all the Joni LP's from the early '70s and her records were constantly on in my house. Although between the age of 5-10 I couldn't really appreciate her genius, her superiority was subliminally fed to me, and only when I was older did I truly realise that Joni was on another echelon to everyone else. Lyrically she is unsurpassable, and however clever I try to be about how good she is, the English language hasn't got enough superlatives to do Joni justice. Just google "Joni Mitchell-Shades Of Scarlet Conquering lyrics" and see for yourself if you're not familiar. I could have chosen any Joni track from this or any '70s LP to be honest.
6) Steely Dan - Black Cow
The poignance of writing this just a few days after Walter Becker's passing makes it all the harder. However, what he left us is an incredible legacy, and similar to Joni, the highest praise isn't enough. Black Cow is by far my favourite ever Steely Dan track and one I never get bored of listening to. I have started playing it regularly again in my DJ sets after picking up the Spanish 12" which is loudly cut. My favourite parts in this song are where the girl backing vocalists come in especially at the end singing "So Outrageous!", and of course the unreal keyboard & sax solo's. Although released in 1977, Aja was another LP I remember being played at the skatepark Rolling Thunder in 1978, my musical playground.
7, 8 & 9) The Cars - Bye Bye Love/Shoo Be Doo/Candy-O
It's difficult to fathom sometimes how creative the years 1975 to 1980 were musically across all the different genres of music many of us are into. Hence groups like The Cars, although quite big in the USA were never heralded or universally appreciated for how good they really were, and even when they were acknowledged or popularised it was in their latter years for music that wasn't as good as their earlier material. The Cars first two albums released in 1978 & '79 were and still are two of the best rock LP's released, both as good as the other, and outrageously under rated despite both making the top 10 albums of the year in the hugely influential Rolling Stone magazine. I played these two records to death, and could have easily picked out any tracks from either LP. In 1978 my brother was one of the first people to buy a Sony Walkman and I used to freak my friends out by playing a recording of an aeroplane going past and then watching them look over their heads and shit themselves. Listening to music changed from then on in, and The Cars were heavily listened to on that first ever Walkman.
10) The Stranglers - Walk On By
Not many bands were as good as The Stranglers, period. My oldest & best mates Lee Hiom & Jamie Robinson were massive Stranglers fans and we used to go to Jamie's shed and pretend we were in the band, taking turns on who we were, Hugh Cornwell, Jet Black, Dave Greenfield or the bassist JJ. Burnel. On this particular classic there was an abundance of choice, the mental keyboard solo, the funky bass, the sick drumming or the wicked guitar licks. The Stranglers were so unique, no other bands in this ilk even came near to how good they were.
11) Supertramp - Take The Long Way Home.
1978 again...Supertramp released their classic album "Breakfast In America". Another record I listened to a thousand times from start to finish. In the era where Lp's were like a a journey and every track was as good as the last. "Take The Long Way Home" was the opening track on when you turned the Lp over, a special track on brilliant albums, always.
12) Kate Bush - The Man With The Child In His Eyes.
I could have easily have included many Kate Bush tracks especially "Wuthering Heights" which evokes such deep feelings & memories that it's sometimes difficult to listen to such are the emotions.
I'm an absolute sucker for strings & piano, and Kate Bush is one of the few Tories who gets a pass. Bless her...
13) Japan - Ghosts
We're into the '80s now and high school came into play. I wasn't a massive fan of Japan at this time but in retrospect this particular song again brings back such memories of circa 1982 that my stomach cramps up sometimes when I listen to David Sylvian's haunting voice in this totally unique song. I should at this point state that many Roxy Music and David Bowie songs could easily have made my list, both of whom were hugely influential to Sylvain's style.
14) Joe Jackson - It's Different For Girls
On our trips to the Sunsplash Festival myself and my best boy Phil Asher used to share rooms and inevitably listen to music from our youth days. I remember one particular early evening after we had an unforgettable day Phil played this through the stereo and within seconds the pair of used were so overwhelmed by the memories we both started crying uncontrollably! Can you imagine that happening in 25 years time to any of the youth of today to a song that is in the top 10 right now? Joe Jackson's "Stepping Out" also is up there for me in the category of my all time classics.
15) The Police - Every Little Thing She Does Is Magic.
Again, I could have chosen a few of out of The Police's repertoire, but this one really is my favourite ever Police song. I still feel the urge to listen to it at least every few months, and even then I will listen to it a few times in a row. It really reminds of a particular memory of when I was 14 years old, going to play Saturday morning football with the school and listening to this on the radio or my Walkman on the way back. Also, I loved the video, back in the days whenI used to record Top Of The Pops and watch everything on repeat a million times. Musically this song is fucking incredible.
16) Prefab Sprout - Bonny
There was a re-release of this amazing second Lp a few years back on CD. I got a copy to play in my car and admittedly I hadn't listened to this album for maybe 10 years or so prior to getting this deluxe edition CD. From the first bar it hit me like a ten-ton lorry. The whole LP is breath-taking and I remember listening to Bonny about 5 times in a row. Nostalgia is can be delightful & painful in equal measure when you get that yearning for a return to your youth.
17) Hall & Oates - Wait For Me.
I love Hall & Oates from an early age, they had that perfect combination of AOR & soul in many of their songs. Their Rock N Soul compilation released in 1983 was purchased by myself from Our Price in Ealing Broadway, home taped and then listened to hundreds of times on my way to school & back. Again, I could have picked any track from it, but opted for the live version of "Wait For Me" which actually on appeared on the tape version I think, so I must have bought the tape as well as the vinyl.]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0443 Dusk Dubs - Dominic Stanton</title>
                                    <description><![CDATA[[ Dominic Stanton ]
Podcast: Dusk Dubs
Artist: Dominic Stanton
Title: DD043
Style: Soul, Jazz, Broken Beat
Time:  87 minutes
Date: 2017-11-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome producer, DJ and artist Dominic Stanton to the Dusk Dubs family. 
As a producer, Dominic has been responsible for some of the most forward-thinking music under his various guises and pseudonyms, over numerous musical movements, be it..... Dom-Unique, Domu, Sonar's Ghost, The Ghosts, Umod, Zoltar, Bakura, Blue Monkeys, Kudu, Legends Of The Underground, Realside, Rima, Sonar Circle, Static Imprints,and Yotoko.... So, it's a real pleasure to have Dominic on board, giving us an insight into his musical DNA. 
Having been DJ'ing for around 11 years from the age of 14, Dominic Stanton's musical journey began with UK Hip-Hop, which led to lessons in Jungle, Detroit, Brazilian, Jazz, Funk, Soul….the list go on, with a basic premise of anything that is soulful is in the bag. As a producer, Sonar Circle was the first moniker used in the realm of Drum and Bass, alongside Static Imprints on the legendary Reinforced Records label around 1996.  
Domu was created from the ashes of the experimentation that can be heard on their 1999 album "Radius"…. the first L.P from Sonar Circle, which could now fuse all these elements far more easily than was possible within the restrictions of the Drum and Bass mainframe.  
He released his first ‘Domu’ production in 1999 for Dego's 2000 Black label and began using that as his primary alias throughout the early 2000s. Since then highlights have come in the form of the Rima L.P on JCR (with Volcov) and remixes of Cinematic Orchestra, Michelle Lawson, 4hero, King Britt and Jazzanova. Domu has also notched up releases for the Archive and Skindeep imprints; most notably, the full-length ‘Up and Down’ came out on Archive in 2001, in addition, he has also worked with Mark de Clive-Lowe and Paul Dolby (Seiji) as Kudu. 
You can find him HERE,
discogs.com/artist/453232-Domi...Dominic-Stanton
sonarsghost.bandcamp.com
Tracklisting 
1) Otis Reading - Sittin' On The Dock Of The Bay
Having parents who were teens in the Sixties meant there was lots of Soul and Motown in the house. They had some LP’s but mostly collated favourites on tapes played and rotated on long car journeys to Wales or wherever. I associate this bassline, along with Percy Sledge ‘When A Man Loves A Woman’ playing loudly on a Sunday morning, the bass creeping up the wall to wake me up. This is the music that creeps into your soul, and this song steeped in all the marvel and sadness of Otis’ life is in itself the most bittersweet of optimism…or is it just acceptance of what life really is? A collection of random events you just have to roll with. 
2) Ian Dury - Hit  Me With Your Rhythm Stick
As my sister and I were born in the 70’s, Punk definitely passed my parents by, as they entered babies/work/mortgage mode, much as my wife and I will remember from 2010 onwards. Dad had this LP though, and our generation’s version of sitting round the piano would be assembling round the stereo system taking in all the info from a sleeve whilst hearing the LP. Retrospectively Ian Dury too is a life and talent you can study the highs and lows, but to me then it was just good bawdy cockney fun, good memories. 
3) Paul Williams - Phantoms Theme
Exposure to films, especially great 70’s and 80’s horror came young whilst hanging about with my older sister and cousins. The Phantom Of The Paradise by Brian De Palma became a life long haunt for me, half witnessed whilst too young, not knowing it’s name and living in a pre internet age, I used to tape all sorts of random films on Channel 4 or BBC2 with anything to do with Faust, Phantom of The Opera or the like hopping to catch this one. I taped it randomly when I was about 14 again so I referred to it again and again, enjoying the themes of selling one’s soul for recognition in the music business, but also the music of Paul Williams (linking that to Bugsy Malone, another childhood fave) and the mild horror imagery. The main anti-hero Winslow/The Phantom is a dead ringer for a dark version of Gatchaman. I also used this sample on the Umod track ‘All in My Mind’. 
4) Mark Lindsey @ W. Michael Lewis - Lone Wolf's Theme
Another film that has hung around with me my whole life is Shogun’s Assassin. Ultra-violent, no wonder it was amongst the banned videos in the act passed by Parliament in the 80’s. I was too young to watch it then, but it adjoined with all the good fun Kung Fu films I watched growing up, with silly dubbing and creepy 70’s synth music. UK Hip-Hop, J Saul Kane and then Wu-Tang would all bring these vibes back in the 90’s, making the circles of these half remembered things from your youth impossible to ever leave your psyche. 
5) Derek B - Get Down
Hip Hop began creeping into the house from the mid 80’s, as my sister entered her teens and having her own stereo, LL Cool J replaced Adam Ant filling the house with music. Derek B seemed to be the first British rapping voice I caught onto, bringing the important realisation that it wasn’t just Americans in on this thing. Another soul lost all too young, I can’t say I ever really dug his work as it was kind of just before what I consider ‘my’ period of classic Hip Hop, as we all have our own ones, but important all the same. 
6) Public Enemy - Don't Believe The Hype
Again via the same stream of music, this was in the house on an original tape, which could be borrowed, listened to on a Walkman, and you could LEARN THE WORDS from the inlay card. I enjoyed being among the many white British kids who learned about Louis Farakhan and the like, but it was mainly the Bomb Squad collage of sounds that mostly stay with me in terms of production influence. 
7) Cutty Ranks - The Stopper
My sister had the 12” of this on Fashion, and bought in this new element of Ragga. Bob Marley was around the house from my mum, I think the like most 80’s housholds would have Legend. But again, the bass was present and vibrating into my heart pretty much from toddler days. Cutty Ranks bought with him my introduction to sound tapes, radio tapes of lovers rock my sister played over and over again, and the kind of London Yardie look that would dominate my 1990-1992. And yes I was a little white boy obsessed with clicksuits, string vests, bandanas, Balley shoes and ragga rolled jeans. That was my teenage angst just beginning. 
8) Hardnoise - Unititled 
UK Hip Hop became my first true love. I bought Fear of A Black Planet as PE were a way in for lots of white kids into deeper than pop Hip Hop, but the UK had the mix with Ragga, harder clearer breaks and boy it was FAST! And the scratching! This stuff made me want to DJ, as I sure as hell wasn’t a dancer. I found this out going to local discos and stuff and just being very young, spotty and awkward. DJ’ing provided a way to be doing something else whilst my peers all enjoyed whatever you should enjoy in a party environment. 
9) Rebel MC - The Wickedest Sound
So knowing ‘The Stopper’ the ideas of sampling started to make sense listening to Rebel MC productions. I knew him from Street Tough days in my first girlfriend type era, but this stuff just seemed to come out of nowhere. So many samples, such a mangle of bass and bleeps and raga and Hip Hop, AND it was British. It spoke to me as did Hardnoise, but in a way it seemed to moving to something more universal and positive, including a reference to the Acid House parties I read about in The Sun a few years earlier. I bought this 12 at the time and still have it, an absolutely essential piece of music in the crossover from Hip Hop to Hardcore. 
10)  Krome + Time - This Sound Is For The Underground
I wasn’t a raver in 1992, but I was a DJ. I got my turntables at 14, and saved my pockets money to buy a record a week until I got a job as soon as I could when I was 16. I even used to save money I was given on holiday to buy more records when I got home. ‘This Sound’ had direct reference to Hip Hop/Addis Posse/Hackney Hardcore, all things I had known and loved, but now in this format of re-sampling/arrangement started to really make sense in what I now knew as Jungle. Krome and Time moved with the times up until about 1994 with some great Jungle tracks, but this to me was the anthem of summer 92, along with Jonny L ‘Hurt U So’, everyone that went to Fantazia Donnington Park literally raved and raved about this one. To me it is arrangement perfection, but to them they just enjoyed rushing their tits off to it. 
11) Alaide Costa - Catavento
Blue Brazil, as I later discovered compiled by Gilles Peterson, become one side of the soundtrack of my GCSE years. I had found a new group of funky, jazzy friends, which saved me from Indie, as every other white person I grew up with now seemed to like. It seemed to have no connection, whereas Acid Jazz had reference to the funk and soul I grew up with, and as Drum and Bass became more sterile and two step, I went backwards to the rare grooves and even started to check Hip Hop again after many years being lost in the Jungle. 
12) Stevie Wonder - Light My Fire
The Portishead years were the other side of 1995/96, the Brazilian stuff the sunny days, but Dummy for those desperately sad days of jealousy or sadness from early relationship lessons. The Andy Smith Essential mix was surely one of my most played tapes, with acquiring each track on it somewhat essential (as the title implied). As I started to look to Hip Hop DJing, with all it’s familiar warmth of sampling old records and the practical skills of cutting/scratching and deck to decking to be learned, digging old records had the dual gifts of great old tunes AND samples, as I was now making music, working towards having my first record out. Of course Stevie has been in my life since early childhood and will always be super special. 
13) Federation - Rusty James (Portishead Remix)
More reminiscing of that tape, and now also deep into the Mo’Wax years. This is a more obscure Portishead production which is unusually danceable for them at that time. 
14) 4hero Garden OF My Mind
Fabio on Kiss became a bit of a lifeline for keeping abreast of this Jazz infused reincarnation of DnB. I had always loved Reinforced since buying in 1992, Enforcers 1 being my first record purchased when I got my decks on my 14th birthday. Marc and Dego were leaps and bounds ahead of everyone else at this time, doubtlessly pushing Goldie and Roni and Alex Reece to get their major signings and using vocalists and musicians, but it all started here really. 
15) Tek 9 - We're Gettin' Down
This record showed me you could have a Hip Hop tune on a Jungle record. And why not? I remember playing this loudly out of my bedroom and my parents noticing my taste was maturing from 165bpm breaks back down to my roots, and the Jazz and Soul and Funk were back in the room. Thank you Dego, for so many things, but this in particular. 
16) Cold Mission - Drug Store Rude Bwoy (Nu-Era Remix)
Well it’s the birth of the next phase of my musical story isn’t it? Nuff said. 
17) Static Imprints - Untitled Saturday
The first track I made that got pressed and released on vinyl. An amazing feeling at 17. 
18) Hanna - Ghost
And with all these years of influence, I still never wanted my House or Techno to be straight. I wanted it to have soul, be bittersweet, have synthesis, have a groove but most importantly whatever that thing was that gave me goosebumbs or shut my eyes and feel mock pain as the music  moved me so much.  
This is the music I constantly crave finding to this day. ]]></description>
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                                    <itunes:summary><![CDATA[[ Dominic Stanton ]
Podcast: Dusk Dubs
Artist: Dominic Stanton
Title: DD043
Style: Soul, Jazz, Broken Beat
Time:  87 minutes
Date: 2017-11-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome producer, DJ and artist Dominic Stanton to the Dusk Dubs family. 
As a producer, Dominic has been responsible for some of the most forward-thinking music under his various guises and pseudonyms, over numerous musical movements, be it..... Dom-Unique, Domu, Sonar's Ghost, The Ghosts, Umod, Zoltar, Bakura, Blue Monkeys, Kudu, Legends Of The Underground, Realside, Rima, Sonar Circle, Static Imprints,and Yotoko.... So, it's a real pleasure to have Dominic on board, giving us an insight into his musical DNA. 
Having been DJ'ing for around 11 years from the age of 14, Dominic Stanton's musical journey began with UK Hip-Hop, which led to lessons in Jungle, Detroit, Brazilian, Jazz, Funk, Soul….the list go on, with a basic premise of anything that is soulful is in the bag. As a producer, Sonar Circle was the first moniker used in the realm of Drum and Bass, alongside Static Imprints on the legendary Reinforced Records label around 1996.  
Domu was created from the ashes of the experimentation that can be heard on their 1999 album "Radius"…. the first L.P from Sonar Circle, which could now fuse all these elements far more easily than was possible within the restrictions of the Drum and Bass mainframe.  
He released his first ‘Domu’ production in 1999 for Dego's 2000 Black label and began using that as his primary alias throughout the early 2000s. Since then highlights have come in the form of the Rima L.P on JCR (with Volcov) and remixes of Cinematic Orchestra, Michelle Lawson, 4hero, King Britt and Jazzanova. Domu has also notched up releases for the Archive and Skindeep imprints; most notably, the full-length ‘Up and Down’ came out on Archive in 2001, in addition, he has also worked with Mark de Clive-Lowe and Paul Dolby (Seiji) as Kudu. 
You can find him HERE,
discogs.com/artist/453232-Domi...Dominic-Stanton
sonarsghost.bandcamp.com
Tracklisting 
1) Otis Reading - Sittin' On The Dock Of The Bay
Having parents who were teens in the Sixties meant there was lots of Soul and Motown in the house. They had some LP’s but mostly collated favourites on tapes played and rotated on long car journeys to Wales or wherever. I associate this bassline, along with Percy Sledge ‘When A Man Loves A Woman’ playing loudly on a Sunday morning, the bass creeping up the wall to wake me up. This is the music that creeps into your soul, and this song steeped in all the marvel and sadness of Otis’ life is in itself the most bittersweet of optimism…or is it just acceptance of what life really is? A collection of random events you just have to roll with. 
2) Ian Dury - Hit  Me With Your Rhythm Stick
As my sister and I were born in the 70’s, Punk definitely passed my parents by, as they entered babies/work/mortgage mode, much as my wife and I will remember from 2010 onwards. Dad had this LP though, and our generation’s version of sitting round the piano would be assembling round the stereo system taking in all the info from a sleeve whilst hearing the LP. Retrospectively Ian Dury too is a life and talent you can study the highs and lows, but to me then it was just good bawdy cockney fun, good memories. 
3) Paul Williams - Phantoms Theme
Exposure to films, especially great 70’s and 80’s horror came young whilst hanging about with my older sister and cousins. The Phantom Of The Paradise by Brian De Palma became a life long haunt for me, half witnessed whilst too young, not knowing it’s name and living in a pre internet age, I used to tape all sorts of random films on Channel 4 or BBC2 with anything to do with Faust, Phantom of The Opera or the like hopping to catch this one. I taped it randomly when I was about 14 again so I referred to it again and again, enjoying the themes of selling one’s soul for recognition in the music business, but also the music of Paul Williams (linking that to Bugsy Malone, another childhood fave) and the mild horror imagery. The main anti-hero Winslow/The Phantom is a dead ringer for a dark version of Gatchaman. I also used this sample on the Umod track ‘All in My Mind’. 
4) Mark Lindsey @ W. Michael Lewis - Lone Wolf's Theme
Another film that has hung around with me my whole life is Shogun’s Assassin. Ultra-violent, no wonder it was amongst the banned videos in the act passed by Parliament in the 80’s. I was too young to watch it then, but it adjoined with all the good fun Kung Fu films I watched growing up, with silly dubbing and creepy 70’s synth music. UK Hip-Hop, J Saul Kane and then Wu-Tang would all bring these vibes back in the 90’s, making the circles of these half remembered things from your youth impossible to ever leave your psyche. 
5) Derek B - Get Down
Hip Hop began creeping into the house from the mid 80’s, as my sister entered her teens and having her own stereo, LL Cool J replaced Adam Ant filling the house with music. Derek B seemed to be the first British rapping voice I caught onto, bringing the important realisation that it wasn’t just Americans in on this thing. Another soul lost all too young, I can’t say I ever really dug his work as it was kind of just before what I consider ‘my’ period of classic Hip Hop, as we all have our own ones, but important all the same. 
6) Public Enemy - Don't Believe The Hype
Again via the same stream of music, this was in the house on an original tape, which could be borrowed, listened to on a Walkman, and you could LEARN THE WORDS from the inlay card. I enjoyed being among the many white British kids who learned about Louis Farakhan and the like, but it was mainly the Bomb Squad collage of sounds that mostly stay with me in terms of production influence. 
7) Cutty Ranks - The Stopper
My sister had the 12” of this on Fashion, and bought in this new element of Ragga. Bob Marley was around the house from my mum, I think the like most 80’s housholds would have Legend. But again, the bass was present and vibrating into my heart pretty much from toddler days. Cutty Ranks bought with him my introduction to sound tapes, radio tapes of lovers rock my sister played over and over again, and the kind of London Yardie look that would dominate my 1990-1992. And yes I was a little white boy obsessed with clicksuits, string vests, bandanas, Balley shoes and ragga rolled jeans. That was my teenage angst just beginning. 
8) Hardnoise - Unititled 
UK Hip Hop became my first true love. I bought Fear of A Black Planet as PE were a way in for lots of white kids into deeper than pop Hip Hop, but the UK had the mix with Ragga, harder clearer breaks and boy it was FAST! And the scratching! This stuff made me want to DJ, as I sure as hell wasn’t a dancer. I found this out going to local discos and stuff and just being very young, spotty and awkward. DJ’ing provided a way to be doing something else whilst my peers all enjoyed whatever you should enjoy in a party environment. 
9) Rebel MC - The Wickedest Sound
So knowing ‘The Stopper’ the ideas of sampling started to make sense listening to Rebel MC productions. I knew him from Street Tough days in my first girlfriend type era, but this stuff just seemed to come out of nowhere. So many samples, such a mangle of bass and bleeps and raga and Hip Hop, AND it was British. It spoke to me as did Hardnoise, but in a way it seemed to moving to something more universal and positive, including a reference to the Acid House parties I read about in The Sun a few years earlier. I bought this 12 at the time and still have it, an absolutely essential piece of music in the crossover from Hip Hop to Hardcore. 
10)  Krome + Time - This Sound Is For The Underground
I wasn’t a raver in 1992, but I was a DJ. I got my turntables at 14, and saved my pockets money to buy a record a week until I got a job as soon as I could when I was 16. I even used to save money I was given on holiday to buy more records when I got home. ‘This Sound’ had direct reference to Hip Hop/Addis Posse/Hackney Hardcore, all things I had known and loved, but now in this format of re-sampling/arrangement started to really make sense in what I now knew as Jungle. Krome and Time moved with the times up until about 1994 with some great Jungle tracks, but this to me was the anthem of summer 92, along with Jonny L ‘Hurt U So’, everyone that went to Fantazia Donnington Park literally raved and raved about this one. To me it is arrangement perfection, but to them they just enjoyed rushing their tits off to it. 
11) Alaide Costa - Catavento
Blue Brazil, as I later discovered compiled by Gilles Peterson, become one side of the soundtrack of my GCSE years. I had found a new group of funky, jazzy friends, which saved me from Indie, as every other white person I grew up with now seemed to like. It seemed to have no connection, whereas Acid Jazz had reference to the funk and soul I grew up with, and as Drum and Bass became more sterile and two step, I went backwards to the rare grooves and even started to check Hip Hop again after many years being lost in the Jungle. 
12) Stevie Wonder - Light My Fire
The Portishead years were the other side of 1995/96, the Brazilian stuff the sunny days, but Dummy for those desperately sad days of jealousy or sadness from early relationship lessons. The Andy Smith Essential mix was surely one of my most played tapes, with acquiring each track on it somewhat essential (as the title implied). As I started to look to Hip Hop DJing, with all it’s familiar warmth of sampling old records and the practical skills of cutting/scratching and deck to decking to be learned, digging old records had the dual gifts of great old tunes AND samples, as I was now making music, working towards having my first record out. Of course Stevie has been in my life since early childhood and will always be super special. 
13) Federation - Rusty James (Portishead Remix)
More reminiscing of that tape, and now also deep into the Mo’Wax years. This is a more obscure Portishead production which is unusually danceable for them at that time. 
14) 4hero Garden OF My Mind
Fabio on Kiss became a bit of a lifeline for keeping abreast of this Jazz infused reincarnation of DnB. I had always loved Reinforced since buying in 1992, Enforcers 1 being my first record purchased when I got my decks on my 14th birthday. Marc and Dego were leaps and bounds ahead of everyone else at this time, doubtlessly pushing Goldie and Roni and Alex Reece to get their major signings and using vocalists and musicians, but it all started here really. 
15) Tek 9 - We're Gettin' Down
This record showed me you could have a Hip Hop tune on a Jungle record. And why not? I remember playing this loudly out of my bedroom and my parents noticing my taste was maturing from 165bpm breaks back down to my roots, and the Jazz and Soul and Funk were back in the room. Thank you Dego, for so many things, but this in particular. 
16) Cold Mission - Drug Store Rude Bwoy (Nu-Era Remix)
Well it’s the birth of the next phase of my musical story isn’t it? Nuff said. 
17) Static Imprints - Untitled Saturday
The first track I made that got pressed and released on vinyl. An amazing feeling at 17. 
18) Hanna - Ghost
And with all these years of influence, I still never wanted my House or Techno to be straight. I wanted it to have soul, be bittersweet, have synthesis, have a groove but most importantly whatever that thing was that gave me goosebumbs or shut my eyes and feel mock pain as the music  moved me so much.  
This is the music I constantly crave finding to this day. ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/3/1/_/uploads/229472/image_track/1647873/w1400_h1400_q70_ptrue_v2_----cropped_1511644132.jpg" />
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                                        <pubDate>Sun, 19 Nov 2017 10:17:28 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-19T10:17:28+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0442 Dusk Dubs - Adam Scrimshire</title>
                                    <description><![CDATA[[ Adam Scrimshire ]
Podcast: Dusk Dubs
Artist: Adam Scrimshire
Title: DD042
Style: Soul, Jazz, House
Time: 82 minutes
Date: 2017-11-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Songwriter, Producer, DJ and one of the men behind the superb record labels Wah Wah 45s and Albert's Favourites.... Scrimshire to the Dusk Dubs family.
"Adam Scrimshire was 14 when he started making music on an Amiga 500
with a Yamaha Tone Generator and an 8-Bit Sampler. Surrounded by his family’s love for vinyl and dancing he was, perhaps surprisingly, the only one to decide he wanted to make the stuff.
Wah Wah 45s signed Scrimshire in 2006. A perfect fit with music steeped in jazz, soul and funk, with a nod to contemporary sounds, and strong in popular song writing sensibilities, resulting in 3 albums....Along Came the Devil One Night, The Hollow and Bight.
A seasoned vocalist, multi-instrumentalist and producer, Adam Scrimshire is also a fine DJ. His open musical tastes, sublime skills and penchant for sultry soul music make him a natural.
As an extension of his DJing, Adam has produced two volumes of edits lending his talent to Merry Clayton, Soul II Soul, Margie Joseph, John Martyn, Stevie Wonder and many more: That’s over 40 tracks and 8 vinyl releases.
Engineer and Mixer
Since the release of Bight, Adam has focused on more projects away from “Scrimshire”. Making time to develop as a studio and mix engineer, he has taken on projects with Bastien Keb, Daudi Matsiko, Leisure, Cathy Tornbohm, Jack Watts and more.
He has also become the regular mastering engineer for a number of artists and labels.
In 2011 Adam became an owner and director at Wah Wah 45s and Wah Wah 45s Publishing. Working alongside Dom Servini he has signed and delivered huge albums from artists including The Gene Dudley Group, The Milk, Dele Sosimi, and Paper Tiger.
As an artist himself he has been able to work hard on delivering ever more artist friendly systems and approaches at the label and takes great pride in focusing on the details of artist development.
In late 2015 he fulfilled a lifelong dream of founding his own label Albert’s Favourites, named after Adam’s grandad. With co-founders Dave Koor and Jonny Drop, Adam has overseen all releases including the exceptional debut from Hector Plimmer, Sunshine.
Albert’s Favourites is set to release a new collaborative project with Adam’s long-time musical partner Dave Koor. Modified Man has already put out a six-track EP, remixes for Dele Sosimi, Amp Fiddler, Makadem among others, and delivered a massive three-hour live and DJ mix for Boiler Room".
You can find him HERE
scrimshire.com
facebook.com/scrimshire
twitter.com/scrimshire
instagram.com/azteccamera
wahwah45s.com
albertsfavourites.com
albertsfavourites.bandcamp.com
Adam provides us with an emotional collection, comprised of songs from some of his favourite and worst moments in life.
Songs of comfort, love and inspiration.
Tracklisting
1) Terry Callier - What Colour Is Love
It’s possible my brother first introduced me to Terry Callier properly, I was aware but certainly one of the first times I got to know him properly, Terry that is, not my bro, was seeing him play an acoustic show at Union Chapel in London, which was Matt’s idea. Pure magic. But here’s the thing, Terry was the subject of the first decent conversation I had with the woman who is now my wife and Terry Callier live at Shepherds Bush Empire was the first gig we went to, which turned out to be our first date, though I don’t think either of us thought it was. So Terry is a very important man in our home.
2) Rustin Man - Sand River
When me and my wife met, we were working at the same company in Putney. I also met an amazing, funny, fascinating bloke named Dougal there. And apart from some incredible trolling of “african prince” scammers, he had stunning music taste, I gradually discovered over pints in the evenings. We chatted a lot about The Roots, which is how I discovered. But he introduced me to this Rustin Man album which features Beth Gibbons of Portishead fame. This has become one of my all time favourite albums. It is MADE for the Autumn in particular. It’s a warm bath or a cosy fire for the ears. Heavenly writing and production. This song absolutely floors me over and over.
3) Mahavishnu Orchestra - You Know, You Know
This song is so important in so many ways. It’s a later discovery for me, maybe in the last 6 or so years. Obviously there is the famous sample Massive Attack grabbed for use on Blue Lines, which is a very important album to me, coming at a time when I was beginning to immerse myself in production. Unfinished Sympathy was massive for a lot of people my age I guess. But years later as I was undergoing a bit of a change of heart and mind with music, I really began to understand Mahavishnu and a lot more free music/jazz with it.
Part of that understanding came through hours and hours of prolonged exposure to it while I was living with my Albert’s Favourites and Modified Man partner Dave Koor. I’d begun listening to more Mahavishnu anyway, but we really dug into that and a lot more in that vein as a part of our journey into discovering different approaches to composing and producing. This remains one of the most powerful quiet songs you’ll ever hear though.
4) Stevie Wonder - You’ve Got It Bad Girl
My mum and dad both loved Stevie Wonder, so there was a lot of him in the house growing up. Musiquarium got played A LOT. Songs In The Key too. As I got to my late teens I dug more deeply into the early 70s albums Innervisions and Talking Book in particular. Golden Lady blew my mind, but this remained the heart wrencher for me. The Moog bass, the Rhodes, those Arp/Moog leads and flutes (not sure which synth they are, sorry). This is still probably, noticeably, a blueprint record for my music. I could pick 10 Steve songs for this, but I will probably always head to this if I have to pick one.
5) Hector Plimmer - Sunshine
A release I was involved in here. This is the sort of music I dream of releasing. These are the records you get in to running record labels for. It captures so much of what I care about, but gave me goosebumps first time I heard it.
We’d been over at Jonny Drop’s house discussing tracks that were potentials for Hector’s album and he mentioned he had some other bits he hadn’t sent, he pulled this up on his computer and played it, saying it still needed work. It wasn’t specific if it was for this project or not and I didn’t want to push but I wanted it immediately. Even off the demo. When it finally came through I was just staggered by how beautiful it is. More people need to hear this.
6) The Milk - Darling What’s Wrong
Another one from my own label here. This one from Wah Wah 45s. This is pretty much my favourite track off The Milk’s 2nd album Favourite Worry. I’m so proud to have been involved in getting this album out. Proper modern soul music. An incredible vocal reminiscent of Ron Isley or Darondo, rolling beats and bass and real emotion.
We all worked so hard to get this record out and it’s an important moment I think in the label’s history but for everyone personally too. So much went on throughout the process of getting this to the public.
7) Prince - Money Don’t Matter 2 Night
The Diamonds and Pearls album was colossal when I was in my early teens. At school I did a lot of dance - contemporary, jazz, ballet - and my teachers and most of the main hardcore dance/performing arts students were equally mad about Prince. It’s totally where I discovered him. We did a lot of ballet to Sign Of The Times. But when this album came along, it was barely off my hi-fi.
But this track in particular (although I’d easily have picked Diamonds & Pearls itself) is a bit of an indicator of longer term tastes, including tracks later on in this mix. I know this is also a huge tune for Dom Servini. One of those important tracks where we 100% match up on tastes.
8) Steely Dan - Deacon Blues
My Dad loved Steely Dan and Donald Fagen. I’ll be honest, I didn’t get it when I was a kid. Although, something about The Nightly seeped into my consciousness.
Whatever happened, I love Steely Dan these days and Aja has been an important part of my adult life. I’m lucky enough to not feel like too much of a loser these days, thanks in part to marrying an incredible woman and being eternally grateful and happy for that. If I WERE more of a loser, this would be my theme and I definitely could die listening to this and drinking immense amounts of whisky.
9) Rae & Christian - All I Ask
My brother is definitely responsible for letting me know about Rae & Christian. I wasn’t massively involved in contemporary soul and jazz music when this came out. But he was up in Nottingham at uni and getting to know a few interesting musical people up there.
It totally makes sense that we’d be into this music when you consider the music we heard as kids, Stevie, Incognito, Jamiroquai, Herbie Hancock, Freeze… Northern Sulphuric Soul is a hugely important UK soul moment in my opinion and I fell in love with this record. Another one that really impacted how I made music. I’m always grateful for this intro from my bro.
10) Kai Alce - Simbaz Groove
Davey Koor to blame for this one again. In amongst all the free jazz we were ploughing through in the few months we lived together, this was another side of our listening.
It’s a bit of a blueprint for early Modified Man. If you listen to Modification 1 you can totally hear where we came from. That and for me, the really important brit funk records I was getting played loads of when I was about 3 or 4 years old. This still remains a reference when we’re over complicating things in the studio. Get back to playing music together, stood at a keyboard each, trying to create a vibe instead of cutting and pasting.
11) Modified man - Thorns
So I think it makes sense to include some Modified Man here. Not a direct correlation from Kai Alce, but I believe this captures a lot of what we’re about and I’m immensely proud to have made this track with Dave. We’d been doing a lot of remixes and wanted to make some noise and noises instead. I remember we weren’t getting very far that day and Dave went downstairs to make some tea. While he was gone I started playing around with an arpeggio on his new Prophet synth.
I recorded the 3/4 time signature take of evolving arpeggio and filter playing over about 5 mins, when he came back up we were feeling suitably inspired and as the sun went down over the insane view of London he has from up on the hill in Thornton Heath, we finished this track off, grinning in wonder.
12) Ahmad Jamal Trio - Poinciana
This is taking it back home really. I love Ahmad Jamal. I love trios. As far as Jazz goes I’d say the trio format is my favourite. Albums like the Jazz Hip Trio are undoubtedly in my top 10 favourite albums. But this one is pure sentimentality. I remember sitting around the dinner table on Saturday nights, with my Mum, Dad, Brother, Nan and Gramp (Albert of Albert’s Favourites fame) and listening to this. And I remember specifically that my mum said she loved it so because of that final floor tom hit at the end of the drum phrase. It is a lovely hit, there’s no denying.
13) Cannonball Adderley Sextet - Planet Earth
I’m ashamed to say I discovered Yussef Lateef through this track and that was only 4 years ago. The other track by Lateef on this album is called Syn-anthesia and it was hard not to select that, but this is the one. Beautiful. In another life, I hope I’m making music like this.
14) Beck - Nitemare Hippy Girl
Little departure here. Beck changed my life. When I first got given a cassette of the Mellow Gold album, it freaked me out so much, a combination of the cover and the lyrics on the inside of the insert, so much so that I didn’t listen to it for months.
When I did eventually take the plunge I couldn’t believe my ears. It was like a portal to another dimension for me at the time. This and New Forms by Roni Size pretty much soundtracked my move to London. Along with a mate of mine at the time we basically drank and smoked too much, giggled endlessly at this record and made bizarre avant garde, electro, noise, indie, hip-hop nonsense on a mini-disc player and my Amiga 1200. I realised there probably weren’t as many rules in music making as I thought there were.
15) Bjork - Unison
And the other person responsible for that is Bjork. I love her. After my wife and my mum she is probably the most important woman in my life.
Her endless pursuit of new, her constant drive forwards, it’s a rock in the world of music that I have clung too. There were moments in Post that completely rewired how my brain thinks about music. She never fails to surprise and leave me in awe. I’d say between her and Beck I’ve been ruined. It’s really difficult to be as diverse and weird as they’ve both been and make it work, but I keep trying. I mean, I’m nowhere close to them, I’m not suggesting that. But they’ve set the bar for me.
Bjork got me through many things. Vespertine was one that really saw me through a dark time, so I often come back to it. But I could do this entire mix from Bjork tracks. Mutual Core is at the very top of the list. But Unison just captures the epic, the warmth and the hope that she can create a cocoon around you with.
16) Margie Joseph - Let’s Stay Together
Well, this was the first dance at my wedding. Maybe I don’t need to say much more. But this, for me, is the definitive version. Margie’s ability to capture emotion in her performance is second to none, and if you haven’t heard her before, begin putting that right immediately.
There was a point I was playing this twice a night in DJ sets. It’s heaven.]]></description>
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                                    <itunes:summary><![CDATA[[ Adam Scrimshire ]
Podcast: Dusk Dubs
Artist: Adam Scrimshire
Title: DD042
Style: Soul, Jazz, House
Time: 82 minutes
Date: 2017-11-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Songwriter, Producer, DJ and one of the men behind the superb record labels Wah Wah 45s and Albert's Favourites.... Scrimshire to the Dusk Dubs family.
"Adam Scrimshire was 14 when he started making music on an Amiga 500
with a Yamaha Tone Generator and an 8-Bit Sampler. Surrounded by his family’s love for vinyl and dancing he was, perhaps surprisingly, the only one to decide he wanted to make the stuff.
Wah Wah 45s signed Scrimshire in 2006. A perfect fit with music steeped in jazz, soul and funk, with a nod to contemporary sounds, and strong in popular song writing sensibilities, resulting in 3 albums....Along Came the Devil One Night, The Hollow and Bight.
A seasoned vocalist, multi-instrumentalist and producer, Adam Scrimshire is also a fine DJ. His open musical tastes, sublime skills and penchant for sultry soul music make him a natural.
As an extension of his DJing, Adam has produced two volumes of edits lending his talent to Merry Clayton, Soul II Soul, Margie Joseph, John Martyn, Stevie Wonder and many more: That’s over 40 tracks and 8 vinyl releases.
Engineer and Mixer
Since the release of Bight, Adam has focused on more projects away from “Scrimshire”. Making time to develop as a studio and mix engineer, he has taken on projects with Bastien Keb, Daudi Matsiko, Leisure, Cathy Tornbohm, Jack Watts and more.
He has also become the regular mastering engineer for a number of artists and labels.
In 2011 Adam became an owner and director at Wah Wah 45s and Wah Wah 45s Publishing. Working alongside Dom Servini he has signed and delivered huge albums from artists including The Gene Dudley Group, The Milk, Dele Sosimi, and Paper Tiger.
As an artist himself he has been able to work hard on delivering ever more artist friendly systems and approaches at the label and takes great pride in focusing on the details of artist development.
In late 2015 he fulfilled a lifelong dream of founding his own label Albert’s Favourites, named after Adam’s grandad. With co-founders Dave Koor and Jonny Drop, Adam has overseen all releases including the exceptional debut from Hector Plimmer, Sunshine.
Albert’s Favourites is set to release a new collaborative project with Adam’s long-time musical partner Dave Koor. Modified Man has already put out a six-track EP, remixes for Dele Sosimi, Amp Fiddler, Makadem among others, and delivered a massive three-hour live and DJ mix for Boiler Room".
You can find him HERE
scrimshire.com
facebook.com/scrimshire
twitter.com/scrimshire
instagram.com/azteccamera
wahwah45s.com
albertsfavourites.com
albertsfavourites.bandcamp.com
Adam provides us with an emotional collection, comprised of songs from some of his favourite and worst moments in life.
Songs of comfort, love and inspiration.
Tracklisting
1) Terry Callier - What Colour Is Love
It’s possible my brother first introduced me to Terry Callier properly, I was aware but certainly one of the first times I got to know him properly, Terry that is, not my bro, was seeing him play an acoustic show at Union Chapel in London, which was Matt’s idea. Pure magic. But here’s the thing, Terry was the subject of the first decent conversation I had with the woman who is now my wife and Terry Callier live at Shepherds Bush Empire was the first gig we went to, which turned out to be our first date, though I don’t think either of us thought it was. So Terry is a very important man in our home.
2) Rustin Man - Sand River
When me and my wife met, we were working at the same company in Putney. I also met an amazing, funny, fascinating bloke named Dougal there. And apart from some incredible trolling of “african prince” scammers, he had stunning music taste, I gradually discovered over pints in the evenings. We chatted a lot about The Roots, which is how I discovered. But he introduced me to this Rustin Man album which features Beth Gibbons of Portishead fame. This has become one of my all time favourite albums. It is MADE for the Autumn in particular. It’s a warm bath or a cosy fire for the ears. Heavenly writing and production. This song absolutely floors me over and over.
3) Mahavishnu Orchestra - You Know, You Know
This song is so important in so many ways. It’s a later discovery for me, maybe in the last 6 or so years. Obviously there is the famous sample Massive Attack grabbed for use on Blue Lines, which is a very important album to me, coming at a time when I was beginning to immerse myself in production. Unfinished Sympathy was massive for a lot of people my age I guess. But years later as I was undergoing a bit of a change of heart and mind with music, I really began to understand Mahavishnu and a lot more free music/jazz with it.
Part of that understanding came through hours and hours of prolonged exposure to it while I was living with my Albert’s Favourites and Modified Man partner Dave Koor. I’d begun listening to more Mahavishnu anyway, but we really dug into that and a lot more in that vein as a part of our journey into discovering different approaches to composing and producing. This remains one of the most powerful quiet songs you’ll ever hear though.
4) Stevie Wonder - You’ve Got It Bad Girl
My mum and dad both loved Stevie Wonder, so there was a lot of him in the house growing up. Musiquarium got played A LOT. Songs In The Key too. As I got to my late teens I dug more deeply into the early 70s albums Innervisions and Talking Book in particular. Golden Lady blew my mind, but this remained the heart wrencher for me. The Moog bass, the Rhodes, those Arp/Moog leads and flutes (not sure which synth they are, sorry). This is still probably, noticeably, a blueprint record for my music. I could pick 10 Steve songs for this, but I will probably always head to this if I have to pick one.
5) Hector Plimmer - Sunshine
A release I was involved in here. This is the sort of music I dream of releasing. These are the records you get in to running record labels for. It captures so much of what I care about, but gave me goosebumps first time I heard it.
We’d been over at Jonny Drop’s house discussing tracks that were potentials for Hector’s album and he mentioned he had some other bits he hadn’t sent, he pulled this up on his computer and played it, saying it still needed work. It wasn’t specific if it was for this project or not and I didn’t want to push but I wanted it immediately. Even off the demo. When it finally came through I was just staggered by how beautiful it is. More people need to hear this.
6) The Milk - Darling What’s Wrong
Another one from my own label here. This one from Wah Wah 45s. This is pretty much my favourite track off The Milk’s 2nd album Favourite Worry. I’m so proud to have been involved in getting this album out. Proper modern soul music. An incredible vocal reminiscent of Ron Isley or Darondo, rolling beats and bass and real emotion.
We all worked so hard to get this record out and it’s an important moment I think in the label’s history but for everyone personally too. So much went on throughout the process of getting this to the public.
7) Prince - Money Don’t Matter 2 Night
The Diamonds and Pearls album was colossal when I was in my early teens. At school I did a lot of dance - contemporary, jazz, ballet - and my teachers and most of the main hardcore dance/performing arts students were equally mad about Prince. It’s totally where I discovered him. We did a lot of ballet to Sign Of The Times. But when this album came along, it was barely off my hi-fi.
But this track in particular (although I’d easily have picked Diamonds & Pearls itself) is a bit of an indicator of longer term tastes, including tracks later on in this mix. I know this is also a huge tune for Dom Servini. One of those important tracks where we 100% match up on tastes.
8) Steely Dan - Deacon Blues
My Dad loved Steely Dan and Donald Fagen. I’ll be honest, I didn’t get it when I was a kid. Although, something about The Nightly seeped into my consciousness.
Whatever happened, I love Steely Dan these days and Aja has been an important part of my adult life. I’m lucky enough to not feel like too much of a loser these days, thanks in part to marrying an incredible woman and being eternally grateful and happy for that. If I WERE more of a loser, this would be my theme and I definitely could die listening to this and drinking immense amounts of whisky.
9) Rae & Christian - All I Ask
My brother is definitely responsible for letting me know about Rae & Christian. I wasn’t massively involved in contemporary soul and jazz music when this came out. But he was up in Nottingham at uni and getting to know a few interesting musical people up there.
It totally makes sense that we’d be into this music when you consider the music we heard as kids, Stevie, Incognito, Jamiroquai, Herbie Hancock, Freeze… Northern Sulphuric Soul is a hugely important UK soul moment in my opinion and I fell in love with this record. Another one that really impacted how I made music. I’m always grateful for this intro from my bro.
10) Kai Alce - Simbaz Groove
Davey Koor to blame for this one again. In amongst all the free jazz we were ploughing through in the few months we lived together, this was another side of our listening.
It’s a bit of a blueprint for early Modified Man. If you listen to Modification 1 you can totally hear where we came from. That and for me, the really important brit funk records I was getting played loads of when I was about 3 or 4 years old. This still remains a reference when we’re over complicating things in the studio. Get back to playing music together, stood at a keyboard each, trying to create a vibe instead of cutting and pasting.
11) Modified man - Thorns
So I think it makes sense to include some Modified Man here. Not a direct correlation from Kai Alce, but I believe this captures a lot of what we’re about and I’m immensely proud to have made this track with Dave. We’d been doing a lot of remixes and wanted to make some noise and noises instead. I remember we weren’t getting very far that day and Dave went downstairs to make some tea. While he was gone I started playing around with an arpeggio on his new Prophet synth.
I recorded the 3/4 time signature take of evolving arpeggio and filter playing over about 5 mins, when he came back up we were feeling suitably inspired and as the sun went down over the insane view of London he has from up on the hill in Thornton Heath, we finished this track off, grinning in wonder.
12) Ahmad Jamal Trio - Poinciana
This is taking it back home really. I love Ahmad Jamal. I love trios. As far as Jazz goes I’d say the trio format is my favourite. Albums like the Jazz Hip Trio are undoubtedly in my top 10 favourite albums. But this one is pure sentimentality. I remember sitting around the dinner table on Saturday nights, with my Mum, Dad, Brother, Nan and Gramp (Albert of Albert’s Favourites fame) and listening to this. And I remember specifically that my mum said she loved it so because of that final floor tom hit at the end of the drum phrase. It is a lovely hit, there’s no denying.
13) Cannonball Adderley Sextet - Planet Earth
I’m ashamed to say I discovered Yussef Lateef through this track and that was only 4 years ago. The other track by Lateef on this album is called Syn-anthesia and it was hard not to select that, but this is the one. Beautiful. In another life, I hope I’m making music like this.
14) Beck - Nitemare Hippy Girl
Little departure here. Beck changed my life. When I first got given a cassette of the Mellow Gold album, it freaked me out so much, a combination of the cover and the lyrics on the inside of the insert, so much so that I didn’t listen to it for months.
When I did eventually take the plunge I couldn’t believe my ears. It was like a portal to another dimension for me at the time. This and New Forms by Roni Size pretty much soundtracked my move to London. Along with a mate of mine at the time we basically drank and smoked too much, giggled endlessly at this record and made bizarre avant garde, electro, noise, indie, hip-hop nonsense on a mini-disc player and my Amiga 1200. I realised there probably weren’t as many rules in music making as I thought there were.
15) Bjork - Unison
And the other person responsible for that is Bjork. I love her. After my wife and my mum she is probably the most important woman in my life.
Her endless pursuit of new, her constant drive forwards, it’s a rock in the world of music that I have clung too. There were moments in Post that completely rewired how my brain thinks about music. She never fails to surprise and leave me in awe. I’d say between her and Beck I’ve been ruined. It’s really difficult to be as diverse and weird as they’ve both been and make it work, but I keep trying. I mean, I’m nowhere close to them, I’m not suggesting that. But they’ve set the bar for me.
Bjork got me through many things. Vespertine was one that really saw me through a dark time, so I often come back to it. But I could do this entire mix from Bjork tracks. Mutual Core is at the very top of the list. But Unison just captures the epic, the warmth and the hope that she can create a cocoon around you with.
16) Margie Joseph - Let’s Stay Together
Well, this was the first dance at my wedding. Maybe I don’t need to say much more. But this, for me, is the definitive version. Margie’s ability to capture emotion in her performance is second to none, and if you haven’t heard her before, begin putting that right immediately.
There was a point I was playing this twice a night in DJ sets. It’s heaven.]]></itunes:summary>
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                                    <title>DD0441 Dusk Dubs - Grant Williams</title>
                                    <description><![CDATA[[ Grant Williams ]
Podcast: Dusk Dubs
Artist: Grant Williams
Title: DD0441
Style: Soul, Hip Hop, House
Time: 64 minutes
Date: 2017-11-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Grant Williams to the DuskDubs family....
Eclectic's main man Grant Williams digs into his record bag and provides us with a very personal selection of tracks that have excited Grant and have been significant to him over the years.
You can find him HERE
facebook.com/groups/eclectics28
twitter.com/eclectics28
soundcloud.com/eclectics28
eclectics.bandcamp.com/releases
Tracklisting
1) The Aloof - Never Get Out of the Boat (Gosh Mix) 
This track reminds me of going to Flying Records Parties in 1990-91 A stone cold classic... love it and it still holds it's own.
2) Steve Miller Band – Fly like an Eagle
This one always a winner when we used to go up 'The old Man's' Ian's house was a place we could hang out get pissed on his Vodka and listen to his record collection.. He was a Jazz drummer and played in the Sex-clip joints in the 50's.. I learnt a lot about music from from him.. This ones for you Ian. And the lyrics are just about right Man.
3) Eric B. & Rakim - Eric B. Is President
I remember truly being (thinking I was) a BeBoy Graff, Breaking, Popping, Mike Allen on Capital radio, Electro Albums…. Those days!! Haha..  Anyways this is one I remember learning all the lyrics for and would RAP it to my mate Wayne Baileys 'Beat Boxing'. I was ready to battle I promise..!!!
4) Frances Ashman – Pandora
This one features in Gary Oldman’s film 'Nil by Mouth' as you probably know portrays the in's and outs of a sick and twisted family system set in South London.. This track is so melancholic and haunting, I've always loved it and still gives me goose bumps, even now whilst listening…
5) Ryhe – The Fall (Maurice Fulton remix)
It's a great great edit…Funky Disco vibes…. I just really like it is all.
6) First Choice – Let no Man put us under (Knuckles)
An all-time classic. I had a copy of the original 12” which had the Acapella on the b-side. I miss that record ha! It got taken by a scorned ex-girlfriend of a pal.. He owed her £100 and she took about 100 of his records including a few of mine.. Believe me I've thought a few times of hunting her down over the last 20 years!!!!
7) Conroy Smith – Dangerous
I can't say I grew up in Aylesbury, I think I'm only just starting to do that now! Aylesbury is Multi Cultural town and some of the Jamaican families that came over in the 50's brought with them Reggae and Blues parties. This got plenty of 'Rewind!!!!' at the blues in the basement at the Pinnocks house on the Bicester road. More time in the dance.
8) St Etienne – Only love can break your heart ( A mix of two halves)
Need I say more?
9) Primal Scream – Higher than the Sun
A rock band that made the Rock-Dance cross over actually work. The album came out when the Club culture I was into was in it's full swing. A time of total Hedonism for me. I remember listening to this once and being taken somewhere 'Higher than the Sun'. It may have something to do with the type of Cigarettes I was smoking. Screamadelica plus the Summer of 1991 equalled a few more messy years ahead.  No Regrets!
10) Bosq - Tumbalá feat. Tempo Alomar (Auntie Flo Remix)
This is a current favourite of mine.... I heard it for the first time at Alfresco Festival this year.. It was part of Amp + Deck's set on the 'We Are The Sunset' stage.. Auntie Flo making his magic here man... Love it...
11) Charlie Rich – The most beautiful Girl.
This one goes out to my Dad… R.I.P.
12) Steely Dan – Black Cow
I just wanted to end on a mellow tip..
Well there's a few tunes that have shaped, bring memories, I love… Its hard to select a few.. I've enjoyed putting this together thanks for asking me, I hope I've done Dusk Dubs Justice, Enjoy.]]></description>
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                                    <itunes:summary><![CDATA[[ Grant Williams ]
Podcast: Dusk Dubs
Artist: Grant Williams
Title: DD0441
Style: Soul, Hip Hop, House
Time: 64 minutes
Date: 2017-11-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Grant Williams to the DuskDubs family....
Eclectic's main man Grant Williams digs into his record bag and provides us with a very personal selection of tracks that have excited Grant and have been significant to him over the years.
You can find him HERE
facebook.com/groups/eclectics28
twitter.com/eclectics28
soundcloud.com/eclectics28
eclectics.bandcamp.com/releases
Tracklisting
1) The Aloof - Never Get Out of the Boat (Gosh Mix) 
This track reminds me of going to Flying Records Parties in 1990-91 A stone cold classic... love it and it still holds it's own.
2) Steve Miller Band – Fly like an Eagle
This one always a winner when we used to go up 'The old Man's' Ian's house was a place we could hang out get pissed on his Vodka and listen to his record collection.. He was a Jazz drummer and played in the Sex-clip joints in the 50's.. I learnt a lot about music from from him.. This ones for you Ian. And the lyrics are just about right Man.
3) Eric B. & Rakim - Eric B. Is President
I remember truly being (thinking I was) a BeBoy Graff, Breaking, Popping, Mike Allen on Capital radio, Electro Albums…. Those days!! Haha..  Anyways this is one I remember learning all the lyrics for and would RAP it to my mate Wayne Baileys 'Beat Boxing'. I was ready to battle I promise..!!!
4) Frances Ashman – Pandora
This one features in Gary Oldman’s film 'Nil by Mouth' as you probably know portrays the in's and outs of a sick and twisted family system set in South London.. This track is so melancholic and haunting, I've always loved it and still gives me goose bumps, even now whilst listening…
5) Ryhe – The Fall (Maurice Fulton remix)
It's a great great edit…Funky Disco vibes…. I just really like it is all.
6) First Choice – Let no Man put us under (Knuckles)
An all-time classic. I had a copy of the original 12” which had the Acapella on the b-side. I miss that record ha! It got taken by a scorned ex-girlfriend of a pal.. He owed her £100 and she took about 100 of his records including a few of mine.. Believe me I've thought a few times of hunting her down over the last 20 years!!!!
7) Conroy Smith – Dangerous
I can't say I grew up in Aylesbury, I think I'm only just starting to do that now! Aylesbury is Multi Cultural town and some of the Jamaican families that came over in the 50's brought with them Reggae and Blues parties. This got plenty of 'Rewind!!!!' at the blues in the basement at the Pinnocks house on the Bicester road. More time in the dance.
8) St Etienne – Only love can break your heart ( A mix of two halves)
Need I say more?
9) Primal Scream – Higher than the Sun
A rock band that made the Rock-Dance cross over actually work. The album came out when the Club culture I was into was in it's full swing. A time of total Hedonism for me. I remember listening to this once and being taken somewhere 'Higher than the Sun'. It may have something to do with the type of Cigarettes I was smoking. Screamadelica plus the Summer of 1991 equalled a few more messy years ahead.  No Regrets!
10) Bosq - Tumbalá feat. Tempo Alomar (Auntie Flo Remix)
This is a current favourite of mine.... I heard it for the first time at Alfresco Festival this year.. It was part of Amp + Deck's set on the 'We Are The Sunset' stage.. Auntie Flo making his magic here man... Love it...
11) Charlie Rich – The most beautiful Girl.
This one goes out to my Dad… R.I.P.
12) Steely Dan – Black Cow
I just wanted to end on a mellow tip..
Well there's a few tunes that have shaped, bring memories, I love… Its hard to select a few.. I've enjoyed putting this together thanks for asking me, I hope I've done Dusk Dubs Justice, Enjoy.]]></itunes:summary>
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                                        <pubDate>Sun, 05 Nov 2017 10:58:46 +0100</pubDate>
                                        
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0440 Dusk Dubs - Steve Proctor</title>
                                    <description><![CDATA[[ Steve Proctor ]
Podcast: Dusk Dubs
Artist: Steve Proctor
Title: DD0440
Style: Soul, Rock, Funk
Time: 120 minutes
Date: 2017-11-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome Balearic and Acid House pioneer, DJ and Remixer Steven Proctor to the Dusk Dubs family....
"When I was first invited to contribute to this excellent series I was both humbled and somewhat daunted. Humbled to be asked to share my musical history with others, and daunted at the task of trying to fit 46 years of that history into 2 hours.
Throughout this I have been guided by something the Dusk Dubs guys had told me the first time they asked me. They told me that they wanted me to share the music which had contributed to my ‘Music DNA’. The music which had excited me and had been significant to me through the years.
I could easily have picked out two hours of super cool tracks from the past 46 years (and before), and written twee little paragraphs about each one to make myself look cool but, that’s not me. So I had to decide a couple of things.
1) On the basis that I couldn’t cram everything in, I decided to follow Dusk Dubs  words, and so I have limited my selection to the first 6 years of my musical evolution (1971-76), as those years really were the beginning of who I am now.
2) Also, following their guidance, I have selected some tracks by certain artists which aren’t necessarily my favourites, but which were the start of my being ‘into’ those artists. I do this because it’s those tracks which changed my Musical DNA, which then led me into becoming fully immersed in their music over a long period of time.
To be honest, as I’ve been going through everything I realise that I could very easily do a number of these, focusing on specific styles and genres. In fact, doing this has inspired me to look into ways in which I can share all of my musical influences as time goes on.
So, before I get into the tracks themselves, I would just like to thank the Dusk Dubs crew for their patience and kindness for me over this past year or more. I am very grateful to be invited to share some of my history and passion with other folk whom I know to be open minded and passionate about music. I have to say in advance, that some of the tracks have great stories, and some of the tracks are just great to me.
I sincerely hope that you all enjoy my contribution."
Steve.
You can find him HERE:
facebook.com/DJ-STEVE-PROCTOR-...OR-254094196854
twitter.com/stevenjproctor
soundcloud.com/acidiscotech
discogs.com/artist/37739-Steve-Proctor
Tracklisting
1) Creedence Clearwater Revival - ‘Heard It Through The Grapevine’
This track appears on an album called ‘Cosmo’s Factory’ which was released in 1970, and the album is the VERY first record I ever bought. Without going into detail, it is safe to say that I had a very mixed up childhood, which involved me being moved between Liverpool and Canada 4 times by the time I was 11 years old, and which saw me back in Liverpool in 1971.
The album, and this track in particular, was my Dad’s favourite at the time, and to be honest it was many years later that I discovered that Marvin Gaye had written and originally recorded it. I can say with absolute certainty that I get ALL of my musical passion and ‘feel’ from my Dad, and I am eternally grateful to him for that. Sadly, when I left Canada for the last time in 1971, I didn’t realise that I would never see him again. But I did know that I missed him terribly, which is why I bought the album to remind me of him. And this track has stayed with me as the first time that I ever associated emotions with music.
2) Chicory Tip - ‘Son Of My Father’
This was the VERY first single I ever bought. I can’t tell you where I first heard it as it has just ‘been’ in my musical memory forever. What I CAN tell you is that it was the sound of THAT Moog which totally changed my Musical Psyche forever. At the age of 13 in 1972 I had NEVER heard the word ‘Synthesiser’ before, but I knew that I LOVED that sound. It was many years later when I realised that it was written and originally released by the master himself, Giorgio Moroder. What is even more incredible is that the Moog sound on this version is even better than his original (well I think so anyway). Although I didn’t realise it at the time, this was also the beginning of my liking of a good ‘Pop’ tune. I bought the follow up ‘Good Grief Christina’ but to be honest, I’d already moved on.
3) John Kongos - ‘Tokoloshe Man’
The copy I own of this was released on a label called ‘FLY’ which I had come to know as the label for Tyrannosaurus Rex, and T-Rex (more of them later). Once again, I have no idea how I first heard this but I have always loved it. I also bought the follow up ‘He’s Gonna Step On You Again’ which some of you might know from the cover version by The Happy Mondays. John Kongos was from South Africa, which is why I imagine he wasn’t as successful as he should have been.
4) Cher - ‘Gypsies, Tramps and Thieves’
Once again, no great story about this track. As I mentioned above, I am a sucker for a great Pop song and what I’ve come to realise, especially if it has a great story or sentiment about it. This just grabbed me from the first time I heard it (probably at a youth club disco). But listening to it again for this, I am struck by the incredible arrangement and production. Even though I wasn’t aware of it, I was already beginning to absorb those values and techniques. And on top of all that - How F**king good is her Vocal ?!!
5) Atomic Rooster - ‘Devil’s Answer’
Sorry folks, but no sexy story about this either. However, what is of interest to you ‘Geeks’ is that this band was formed by members of ‘The Crazy World Of Arthur Brown’ - you might remember his track ‘Fire’ ? Anyway, the drummer is Carl Palmer, who later went on to be in that well known Prog Rock power trio Emerson, Lake and Palmer. I didn’t know any of that at the time, but I bought this because I LOVE the organ (Vince Crane) and the overall Rock/Funk feel of it. Just brilliant in every way.
6) Slade - ‘Coz I Luv You’
Apart from being the Pioneers of ‘Text’ speak, this band is simply AWESOME ! It was quite hard for me to choose one track because I was already ‘into’ them before this was released. But I chose this for reasons which, once again, I have only become aware of on reflection. Considering that they had a strong Skinhead following at the time, this was both a brave and genius release. This is a magnificent Love Song, brilliantly written and delivered. Showing off Noddy’s incredible ‘Blues’ voice, and the finely crafted musicianship of the band. How can I say that you ask? Because I saw them live at Liverpool University in 1974, and they ROCKED. What was lovely, is that 10 years later I often had a drink with Noddy in the bar of The Columbia Hotel in Bayswater, London. A thoroughly lovely guy who had a lot of time for the young and up and coming bands of the day (especially Frankie Goes To Hollywood).
7) T. Rex - ‘Get It On’
As with Slade, it was difficult to choose a track from this GENIUS. I can’t remember the first time I saw Marc Bolan, but he has simply always been in my Music Psyche. I can’t recommend enough how much you should ALL go out and listen to his work. I have chosen this for two reasons. Firstly it’s an AMAZING song with such RAW energy. And secondly because, that guitar sound in the intro is SO SEXY !
8) David Bowie - ‘Starman’
Where do I start ? I could do a lifetime on him alone. By this time (1972) I was living with my paternal grandparents, and I had inherited an old Grundig Mono Reel to Reel tape recorder which had belonged to my dad. Rather frustratingly it only had one reel of tape, and at 13 years old I had NO idea of how to acquire more. And so a pattern emerged whereby EVERY Sunday I would prop the mic in front of a transistor radio and try to record as much of the Top Twenty (presented by Alan Freeman) as possible. I would then play that recording over and over again until Thursday Night, when I would sit in front of the TV with the tape machine, holding the Mic up to the speaker of the Television for TOP OF THE POPS. I would then listen to that until Sunday when the new Top Twenty was on.
So it comes to one Thursday night in 1972 and I’m there ready to record. And all of a sudden, the man who was going to change my life both musically and stylistically, APPEARED ! It was all I could do to hold the Mic to the TV as I was mesmerised by Ziggy Stardust !
So even though there are other Bowie tracks which mean more to me, THIS was the one which ‘Turned Me On’. What stays with me is that line “Hey far out, so you heard him too” because the next day in school, all the ‘cool’ kids were talking about the fact that they had “heard AND seen him too”.
9) Roxy Music - ‘Virginia Plain’
Please see above until you get to the point where I talk about the track. As if Bowie wasn’t enough, only four months later, the same music and style, mind blowing occurred. Oh the JOY of seeing Roxy Music in all their Art School Avant Garde trendsetting pre Glam MAJESTY. From the very first shot I was hooked, and went on to be as avid a fan and collector as I was of Bowie. As with Bowie, there are other tracks by Roxy which I like more (In Every Dream Home A Heartache) but THIS was the one which started it all.
10) Argent - ‘Hold Your Head Up’
By this time TOTP was a big influence for me, as was The Old Grey Whistle Test (more of that soon). I can’t remember exactly when I first heard this, but I do know that it resonated with me immediately. As I have said earlier, I am a sucker for a great Pop song, especially if it has a great message, and even better if it’s got killer keyboards. THIS has all of the above.
As I’ve also mentioned earlier, I had a very troubled life as a child and teenager, and the lyrics to this song got me through some hard times. In fact they still do occasionally. I dedicate this to all who are struggling, with LOVE.
11) Cockney Rebel - ‘Judy Teen’
As with Bowie and Roxy, there are other tracks by Cockney Rebel which ‘speak’ to me more. However, once again I have to admit that it was THIS track which got me into them. As was my way at that time, once I ‘discovered’ a band, like a true ‘Trainspotter’ I would seek out EVERYTHING !
I would really encourage you all to check out three albums by them. ‘Human Menagerie’ ‘The Psychomodo’ and ‘The Best Years Of Our Lives’.
This wasn’t their first single (that was called ‘Sebastien’) but it was the one which brought them to my attention. So much so that I went to see them at the Liverpool Stadium in 1974, where the support band was none other than ‘BeBop Deluxe’ - Bill Nelson’s band, who’s single ‘Ships In The Night’ almost made it into this selection - You’re welcome.
12) David Essex - ‘Rock On’
I bought this single the day after I saw him on TOTP. And in fact I still play it out occasionally (at the right gig of course). What is AMAZING about this track is that he wrote it, Co produced it (with Jeff Wayne of War of The Worlds Fame), and he is responsible for the sound. In fact the only other musician of note is Herbie Flowers, who was a session musician at that time. And remember, David Essex was a teenager at the time. In 1973 this was UNIQUE, which is why it excited me then, and still does now.
13) Alice Cooper - ‘Hello Hooray’
I’m breaking my own rule with this selection, but for very good reason. I had already bought ‘School’s Out’ and ‘Elected’ - but it’s the Lyrics in this which make it one of my ALL time favourites. I still find inspiration from it now. If you’re struggling, I encourage you to listen closely, and I hope that it moves you as it does me.
14) Area Code 615 - ‘Stone Fox Chase’
I mentioned earlier that these early years were very much informed by two music programs, both on the BBC but so diametrically opposed. But THAT fact totally encapsulates my widely varied and expansive musical evolution. This track also explains my ‘Trainspotting’ - One of the programs was ‘The Old Grey Whistle Test’ which aired on BBC2 late at night and was originally presented by ‘Whispering’ Bob Harris. It championed the ‘New’ and ‘Out There’ music and Bands. It’s no surprise that the OGWT had better appearances by Bowie and Roxy (amongst so many others) than TOTP. But it was THAT theme tune which really got me. I wasn’t a new release, it was NEVER going to be on TOTP or in the Top Twenty, and therefore - I HAD to hunt for it. This was LONG before Google or anything like that, so I put in some REAL Trainspotting effort and went around asking for it. By sheer good fortune, I happened to live near Penny Lane in Liverpool, and a new ‘Second Hand’ record shop had just opened run by a couple of hippies (it WAS the early Seventies). I had become friendly with them quite quickly, and one day asked about the theme tune to the OGWT. And as luck would have it, one of the guys knew what it was. I asked if he could get it for me, and three weeks later the single arrived. As a side note - that’s why I knew what it was when it became popular on the ‘Balearic’ scene in 1987. I immediately dug out my single on Polydor and proceeded to give it the exposure and appreciation I had always known it deserved.
15) Golden Earring - ‘Radar Love’
It should be becoming apparent by now, that within a very short space of time I had developed a very wide and eclectic taste in music. Looking back I can see that the common denominator was a well crafted Pop song or tune, coupled with great playing and production. Every track ‘spoke’ to me on some or many levels, and this is no exception. What I need to add to the fact that I watched TOTP and the OGWT religiously EVERY week, is that I also used to lie in bed late into the night listening to a radio station called ‘Radio Luxembourg’. I had a tiny transistor radio with an earpiece and would listen in wonderment to all sorts of wild and wonderful music. The signal was so weak that sometimes when it was very windy, the transmission would fade in and out, which was very frustrating when I was trying to find out what certain tracks were called. This was DEFINITELY a Radio Luxembourg discovery, although it went on to a big hit in Britain as well.
It’s rumoured to be a song about taking Amphetamines and driving a truck - All I can say is that it is constructed PERFECTLY ! As a little aside - I was booked to play at an Alldayer in Berkshire one Bank Holiday Sunday in 1988 (can’t say which one), and I was led to believe that the local chapter of the Hell’s Angels provided ‘Security’. I also knew that Andy Weatherall was playing, so I took this along and opened my set with it. Pretty much cleared the room, but I got a few thumbs up from some pretty ‘Heavy’ looking bearded security guys. And Andy also expressed his appreciation, which was good enough for me.
16) Brian Eno - ‘Baby’s On Fire’
From the very first time I saw Roxy Music and proceeded to get into them in my usual ‘Trainspotter’ way, Eno was ALWAYS a major source of fascination for me. I ‘got’ immediately how important he was to the overall sound, and it was him that first really made me aware of what a Synthesiser could REALLY do. And again, it was only decades later that I became aware of how much his style and production technique had permeated my own ‘Producers’ technique.
So when Eno announced that he was leaving Roxy in 1973, I was one of the thousands both shocked and dismayed. However, when he announced that he was producing a Solo LP, I just couldn’t wait.
The whole of ‘Here Come The Warm Jets’ was and still is, a tour de force of Electronic, Experimental, Avant Garde, Sonic GENIUS. And on top of that - he wrote one of the most twisted Pop songs I have ever heard. What makes this extra special is that it sees the beginning of the relationship between himself and Robert Fripp, which would contribute so beautifully to the LP ‘Heroes’ by David Bowie. Whilst I’m here - I recommend that you find a track called ‘Kings Lead Hat’ which Eno recorded whilst producing Talking Heads. In fact - the song’s title is an anagram of the band’s name, and you can hear them on his track.
17) Sparks - ‘This Town Ain’t Big Enough For The Both Of Us’
By the time these guys appeared on TOTP, I was already aware of them but hadn’t heard any of their stuff. Suffice to say that as soon as I saw them I wanted to hear EVERYTHING. I rushed out to buy this single and the album it was from called ‘Kimono My House’ (I STRONGLY recommend you all have listen). In truth my favourite tracks are ‘Amateur Hour’ and ‘Talent Is An Asset’, but being true to my brief - I am sharing with you all the track which was the incredible ‘Force’ which turned me on to Sparks
And YES, I have ALL the 12 inch coloured vinyl records of ‘Beat The Clock’, Tryouts For The Human Race’ and ‘Number One Song In Heaven’. #Trainspotter !
18) The Glitter Band - ‘Angel Face’
I KNOW ! but before you all get your knickers in a twist - this has NOTHING to do with ‘that guy’. I didn’t even have to check because I ALWAYS knew that it wasn’t. In fact it was never him that I was into, but rather the songs and the production. I was always aware that the main creative force behind it all was a guy called Mike Leander, so when it was announced that the Glitter Band were releasing a record co written and produced by Leander, I was very interested. This track encapsulates EVERYTHING about the ‘Glam Pop’ scene at the time. You will all probably know their other great track ‘Makes you Blind’ which of course is a Balearic Classic.
Decades later, I had the pleasure of working with John Springate from the band at his studio in Deptford, when I was remixing a track called ‘Keep It Up’ by Boyswonder. He was amazed that I knew the Glitter Band and that I had bought all their records. Another thoroughly lovely Seventies Pop Star.
19) Rupie Edwards - ‘Ire Feelings (Skanga)’
Whoa ! - ya didn’t see that one coming did you? By the time this came out I was really at a transitional point in my early musical evolution, which the rest of my selections will clearly demonstrate. I was ALWAYS listening and searching for new and exciting music irrespective of the Genre. I suppose it could be said that my ‘Balearic’ mindset was already being firmly set as my musical ‘Default’. I just LOVED music, and at that time it was all so NEW and COLOURFUL to me. At the age of 15 I was already well into the Youth Club and School Discos, as well as going to the midweek dances at the local Teacher Training College near where I lived. I had a fake Students Union card which made me 18 and I would go along with a couple of mates and get pissed on pints of Orangeboom at 15p a pint (never cost more than a quid to get drunk).
And it was between all those ‘Dances’ where I began to hear Reggae, Soul, Funk and early Disco. I had bought a few chart singles throughout the years in that style but, I began to hear ‘COOL’ stuff.
This is one such track - from the moment I heard it I HAD to have it. In those days a DJ was astonished that anyone would ask what he was playing, so they were always happy to share their Golden Knowledge with me. I still own my copy of this on the ‘Cactus’ label - and apparently that makes me quite cool. I would NEVER claim to be a Dub aficionado, but I DO know what I like.
20) 1968 That Song from ‘if’ - ‘Missa Luba’
I happened to be sitting up quite late one night in 1974 after my Grandparents had gone to bed, and I chanced upon a black and white film called ‘if’ starring Malcolm McDowell. I’m not going to bother reviewing it here other than to say “YOU MUST SEE THIS FILM!”
The film was typically weird and arty, but had some wild shit going on, including Malcolm romping naked in a cafe with a waitress. Now for a 15 year old boy you would have thought that it couldn’t get any better BUT - that wasn’t what I LOVED about the film. It was the use of this particular piece of music in several key scenes. I know ! typical trainspotter, listening to the music instead of watching the sex and violence.
Anyway, I just HAD to have that piece of Music. This was long before the days of the Interweb and Google, and I had to put some serious effort into finding it. It wasn’t like it was going to be on TOTP or OGWT any time soon, as the film originally came out in 1968. But as was my way, I was on first name terms with EVERY record shop person in the whole of the North of Liverpool (and a few others in town). Of course none of them had a clue what I was talking about, and I was resigned to never knowing what it was.
But one day as I was chatting with the guy in WH Smith on Allerton Rd. I randomly asked him if he would look through a catalogue of Classical and Soundtrack Releases for ‘if’ - it was a dull weekday afternoon, so he handed me one and we started to go through a couple of weighty tomes. And after half an hour I ONLY went and found it ! It was from a recording of ‘The African Sanctus’ and was released as a single on Phillips at the time the film came out.
Of course this was 1974 and it was uncertain if it was still available. But he duly ordered it, and bugger me if it didn’t arrive the week later. I then took it home and played it till it nearly wore out. I eventually found a copy of the album, but I also still have the single (somewhere in storage). I just LOVE the magnificent HUGE rawness of this track.
21) The Doors - ‘Hello I Love You’
I refer you to most of the section about Rupie Edwards in relation to this, but I will also add - By the end of 1975 I was nearly 17, and had already started going to my local pub ‘The Halfway House’ in Liverpool. I was already doing a ‘Paper Round’ 7 mornings a week, as well as occasionally working with my best friend washing and valeting his Uncle’s fleet of Wedding Cars. And that summer I got a job working in Stylo Shoes in London Road earning £19 a week (and fiddling another £20). This meant that I was a young man of independent means, and what wasn’t spent on Records and Clobber, went on a few pints a couple nights a week. Don’t forget I had my fake Students Union ID ! And this is where one of my weirdest music influences comes into it. 
Every Friday night a guy would come into the pub after work, with his pockets full of wages and a week of frustration to drown. I used to love it when he came in because he would always go straight to the Juke Box and put the same 5 records on. He’d play more through the night, but those particular 5 were his ‘GO TO’ tracks. In no particular order it would be Springsteen ‘Born To Run’, War ‘Low Rider’, Joe Walsh ‘Rocky Mountain Way’, Family ‘Burlesque’ and The Doors ‘Hello I Love You’.
As you can imagine, within weeks I owned them all and they introduced me to so much more incredible music. In fact I almost included a Springsteen track called ‘Meeting Across The River’ in my selection as it is so beautiful. But I include The Doors for the simple reason that I had NEVER heard of them before, but I fell in love with them right away. I went on to own albums by ALL of the above five and can heartily recommend them to you all.
22) Stevie Wonder - ‘Boogie On Reggae Woman’
As with the above track (and a couple of others), I am aware that some of these tracks came out earlier than others but, I am listing them according to how they appeared on my Musical ‘Time Line’.
I have no idea of when I first heard this, but it’s almost certainly to have been at one of the ‘Discos’ I attended. I had learned quite quickly that the best way to get chatting to girls was to learn to dance. And so I very enthusiastically learned EVERY new dance that came around. In fact I had been doing that since late 1972, but it was only in 1975 that I started to hear really cool stuff.
As always I made a point of finding out what it was and immediately bought it. I’ve always loved the groove of the song and what I realise now is how FUNKY the Synths are in it. I was considering including ‘Living For The City’ by Stevie as I love that as well but, THIS is the track that really shows off how squelchy and groovy that MOOG is.
I still maintain that Stevie Wonder has NEVER been given the recognition he deserves for championing Synths in general, but especially in Funk/Soul/Boogie and Disco.
23) Hamilton Bohannon - ‘Foot Stompin’ Music’
It was a toss up between this and ‘Disco Stomp’ but I chose this for the simple reason that I REALLY love that growling Bass Organ riff at the beginning. And also it’s a bloody great track. I bought both of them, and of course a number of his earlier tracks (South African Man in particular) and a couple of albums. There is something raw and downright groovy in his beats and I still love his work to this day.
24) The Sharonettes - ‘Going To A Go Go’
This track and the following share the same story and origins. In the late summer of 1975, I went on holiday with my aunt and my baby cousin to Sunny Rhyll in North Wales, or ‘The Liverpool Riviera’ as I used to call it. The days were spent doing the usual ‘Seaside’ stuff, but as my cousin was only a couple of years old, every evening my aunt was stuck in the Guest House with him. Of course I’m a young man of 16 years old with ants in my pants, and I had spotted a place which I could only assume that with a name like ‘The Dixyland Showbar’ must be a Nightclub.
So two nights into our stay - I venture along with my trusty fake ID and a lot of bravado. The guy must have thought that I MUST be 18 to be coming in alone and in I strolled. Into the most amazing scene I had experienced up until that point. Full of pissed up Scousers on Holiday, with some local Welsh folk (looking quite angry and resentful I realise on reflection). The bar was heaving, the dance floor was heaving and the music was like NOTHING I had heard before. And to top it off - the BEST Roy Orbison tribute band ever (and he wasn’t even dead !).
I had a few pints, enjoyed the show and then applied myself to learning about the music and dancing. It was uptempo soul grooves with great songs and some amazing dancers. This was my introduction to NORTHERN SOUL ! I ended the night with a ‘Slowy’ with lovely Welsh girl of 22 to Bryan Hyland ‘Sealed With a Kiss’ (That’s another story!) and went off with a promise to meet her in a couple of nights time. Sure enough she was there and we had a laugh, but all the time in the back of my head, all I wanted to do was find out what the bloody tracks were !
BUT ! I was astute enough to recognise the ones which were most popular and made a point of finding out about them. To this day I can’t remember the girl’s name but - I can remember THIS TRACK. I bought the follow up ‘Pappa Ooh Mow Mow as well, but it wasn’t as good as this.
I also bought ‘Under My Thumb’ by Wayne Gibson and the track which comes next in my election #KPF
25) Al Wilson - ‘The Snake’ See above
#KeepThe Faith
26) Genesis - ‘A Trick Of The Tail’
It’s important at this time to point out that throughout the journey I have laid out for you here, I was ALSO very much into a LOT more music. I had bought EVERY Genesis album up to this point (1976), I had bought a number of early Status Quo albums, at least 4 queen albums, and records by The Velvet Underground, Hall and Oats (Abandoned Luncheonette), The Rolling Stones, The Ozark Mountain Daredevils (Car over The Lake), Tod Rundgren, Kraftwerk, The Who, EVERY Bowie and Roxy/Ferry album and much more.
So when Peter Gabriel left Genesis, we all assumed that was the end of the band. But every now and then I would enquire in my local ‘Hippy’ record shop ‘Penny Lane Records’ (which I ended up managing in 1979/80) about any news on a new Genesis album. Always the same answer “not yet, they’re still looking for a singer”.
I had pretty much forgotten about it until one day Chris announces as I walk in “It’s HERE!” and produces ‘A Trick Of The Tail’. Now I’ll be honest and admit I was pretty much ‘over’ the band by that time (as you can tell from the past few selections) but I felt morally obliged to buy it.
I took it home and upon playing it I was struck by how much like Peter Gabriel, Phil Collins sounded. It turns out that there had been a delay because Collins had never wanted to be the singer, but they had auditioned hundreds and eventually he HAD to do it because they were contracted to release an album.
The other thing which struck me was HOW BLOODY GOOD IT WAS! But there is a reason why I’ve chosen this track in particular from the whole of the Genesis catalogue, and that is within the lyrics.
It’s only over the years that I became aware that it’s a song about intolerance and the hate and distrust of ‘Difference’. And what blows me away is that it is even more relevant today than it was in 1976. It’s a beautiful morality tale and the production and nuances are incredibly moving to me even now.
27) Lou Reed - ‘Coney Island Baby’
Once again I’m breaking my rule about selecting the track which first created an impression, but in this case it is fully justified.
Like most Seventies teenagers, I discovered Lou Reed and then The Velvet Underground through his work with David Bowie. Of course I bought ‘Transformer’ but unlike a lot of others, I didn’t stop there. I have to admit that I found ‘Berlin’ quite hard going, but I absolutely LOVED and still do, Sally Can’t Dance and especially ‘Coney Island Baby’
Originally I had intended to included a long track from ‘Rock n Roll Animal’ which is the live album from his tour after ‘Transformer’. I went to his gig at The Liverpool Empire on that tour and was BLOWN AWAY. One of my all time favourite gigs (of the many hundreds I’ve been to). The track is the Intro and then into Sweet Jane, which features the incredible talents of two great guitarists ‘Dick Wagner and Stevie Hunter, and it is simply electrifying. I accept that perhaps I feel it more because I saw it live, which is why I have chosen this track instead.
For me it totally encapsulates Lou Reed - his timing and vocal nuances in this are simply divine, and the subject matter is something which resonates with me, as I know it does for a lot of us who were always ‘Different’ and often ‘Lost’ for a time. I dedicate this to EVERYONE who has been abused, or oppressed for being different, or who has felt ‘Alone’.
I dedicate this to Jayne Casey (my first style inspiration)
Always believe in the Glory of Love x x
28) Steely Dan - ‘The Fez’
WOW ! this was a really hard one to choose. I could have gone with so many different quality tracks from the first five albums, and it took more than an hour of sifting before I chose this (and I changed my mind at least 5 times).
But what made me choose this is that it reminds me of another significant period of transition. In 1975 a wine bar called ‘Kirlklands’ opened in Liverpool, and very quickly ALL the cool people were going. And when they opened ‘The Baltimore Rooms’ upstairs it was ONLY for the ‘In People’. And who do you think was going regularly ?
I was well into my final phase as teenager, which would see me totally embrace the Art School New Wave scene which quickly led into Punk. But just at that crossover - there was The Baltimore Rooms. It was very ornate, and was the first club which ever had a FULL Bose sound system. The DJ I particularly enjoyed was a guy called John Henry, who was also a Radio City DJ. On any given night he would play everything from Bowie to Roxy to Reggae to Jazz and Funk and all sorts in-between including Steely Dan. Not just this, but many other tracks as well.
There are so many tracks I could have included at this point, but I have already included Bowie/Roxy/Lou and others and I REALLY wanted to include a Steely Dan track. And this is exactly right for this point in time. And it’s just so FUNKY !!
What’s interesting is that not many years later (1982) I was working for the owners of Kirklands when they opened a club called ‘The State’ in Liverpool, where my Thursday nights became ‘THE’ in place to be.
29) Eddie and the Hot Rods - ‘Teenage Depression’
So you know all those ‘COOL’ people I mentioned above ? Well, by the middle of 1976, we were all becoming ‘Punks’ and were going to a cool new place which was the antithesis of Kirklands, called ERIC’S.
We’d heard about a place where you could wear jeans and ripped up shirts and leather jackets, and there was brilliant bands most nights. It was owned by a guy called Roger Eagle, who had run a venue called The Stadium in Liverpool, where only a few years earlier I had seen bands like Cockney Rebel and Mott The Hoople, but he had started as a Northern Soul DJ at a club called The Twisted Wheel in Manchester.
How incredible that my formative musical years should come full circle with that club. EVERYTHING that I have included somehow or other was also connected to Roger.
We used to talk about it a lot and even though I was under age, he gave me a membership personally. At that time there was a condition whereby when bands played, the venue had to supply what were known as ‘Humpers’. These were big strong lads who helped load the PA and Band’s gear into the venue and at the end of the night, load it out again. So I quickly did a deal with Roger to work as a humper in exchange for free entry into all the gigs.
I will be honest and admit that I can’t remember everyone I saw, but it does include most of the up and coming Punk bands of that time including The Jam and The Stranglers, as well as crazy gigs like Talking Heads, Stanley Clarke, early OMD, and Local Bands like Big In Japan featuring Holly Johnson, Ian Broudie, Bill Drummond and Jayne Casey. Also Deaf School, The Spitfire Boys and many many more.
But the OTHER great thing about the club was the MUSIC from the DJ. Norman Killon was his name, and he was chosen by Roger because Norman had exactly the same wide and extensive musical knowledge and taste as himself. So I would often have time in the club, during some empty nights just listening to Norman. I heard SO much great music which changed me again, and has stayed with me but, I have to choose just one.
I chose this because it was one of the first ‘Punk’ singles I bought. In fact Joe Strummer was quoted as saying that ‘Eddie and the Hot Rods’ was the first band he had ever heard described as ‘Punk’.
They had a hit with a track called ‘Do Anything You Wanna Do’ but this is the ONE for me. It also reminds me of myself at times at that age. If I could include one more it would be ‘Cocaine’ by Dillinger - I still have my White Vinyl (of Course) 12 inch.
30) Talking Heads - Psycho Killer
And so I end my selection with this from 1977. All of what I wrote above applies to this as well. But on top of that, to me - Talking Heads encapsulated EVERYTHING which I felt about music. They were groovy, they were arty, they were New Wave, they were Cool, they were Punk, they were stylish, they could play and they didn’t care what anyone thought. It’s no mistake that once again I was turned on to a weird and wonderful creative genius who’s music I would follow for many many years to come.
That all said - I have to remind you that this has been a snapshot into only six of my 46 years long love of music. I could start writing lists of bands and albums that I have been into and would recommend, but it would run into several more pages and cover so many genres and time scales.
I hope that you’ve enjoyed this journey with me - and I hope that we can do it again some time soon. In the meantime - I encourage you all to follow your heart and soul when it comes to music - ENJOY.]]></description>
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                                    <itunes:summary><![CDATA[[ Steve Proctor ]
Podcast: Dusk Dubs
Artist: Steve Proctor
Title: DD0440
Style: Soul, Rock, Funk
Time: 120 minutes
Date: 2017-11-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome Balearic and Acid House pioneer, DJ and Remixer Steven Proctor to the Dusk Dubs family....
"When I was first invited to contribute to this excellent series I was both humbled and somewhat daunted. Humbled to be asked to share my musical history with others, and daunted at the task of trying to fit 46 years of that history into 2 hours.
Throughout this I have been guided by something the Dusk Dubs guys had told me the first time they asked me. They told me that they wanted me to share the music which had contributed to my ‘Music DNA’. The music which had excited me and had been significant to me through the years.
I could easily have picked out two hours of super cool tracks from the past 46 years (and before), and written twee little paragraphs about each one to make myself look cool but, that’s not me. So I had to decide a couple of things.
1) On the basis that I couldn’t cram everything in, I decided to follow Dusk Dubs  words, and so I have limited my selection to the first 6 years of my musical evolution (1971-76), as those years really were the beginning of who I am now.
2) Also, following their guidance, I have selected some tracks by certain artists which aren’t necessarily my favourites, but which were the start of my being ‘into’ those artists. I do this because it’s those tracks which changed my Musical DNA, which then led me into becoming fully immersed in their music over a long period of time.
To be honest, as I’ve been going through everything I realise that I could very easily do a number of these, focusing on specific styles and genres. In fact, doing this has inspired me to look into ways in which I can share all of my musical influences as time goes on.
So, before I get into the tracks themselves, I would just like to thank the Dusk Dubs crew for their patience and kindness for me over this past year or more. I am very grateful to be invited to share some of my history and passion with other folk whom I know to be open minded and passionate about music. I have to say in advance, that some of the tracks have great stories, and some of the tracks are just great to me.
I sincerely hope that you all enjoy my contribution."
Steve.
You can find him HERE:
facebook.com/DJ-STEVE-PROCTOR-...OR-254094196854
twitter.com/stevenjproctor
soundcloud.com/acidiscotech
discogs.com/artist/37739-Steve-Proctor
Tracklisting
1) Creedence Clearwater Revival - ‘Heard It Through The Grapevine’
This track appears on an album called ‘Cosmo’s Factory’ which was released in 1970, and the album is the VERY first record I ever bought. Without going into detail, it is safe to say that I had a very mixed up childhood, which involved me being moved between Liverpool and Canada 4 times by the time I was 11 years old, and which saw me back in Liverpool in 1971.
The album, and this track in particular, was my Dad’s favourite at the time, and to be honest it was many years later that I discovered that Marvin Gaye had written and originally recorded it. I can say with absolute certainty that I get ALL of my musical passion and ‘feel’ from my Dad, and I am eternally grateful to him for that. Sadly, when I left Canada for the last time in 1971, I didn’t realise that I would never see him again. But I did know that I missed him terribly, which is why I bought the album to remind me of him. And this track has stayed with me as the first time that I ever associated emotions with music.
2) Chicory Tip - ‘Son Of My Father’
This was the VERY first single I ever bought. I can’t tell you where I first heard it as it has just ‘been’ in my musical memory forever. What I CAN tell you is that it was the sound of THAT Moog which totally changed my Musical Psyche forever. At the age of 13 in 1972 I had NEVER heard the word ‘Synthesiser’ before, but I knew that I LOVED that sound. It was many years later when I realised that it was written and originally released by the master himself, Giorgio Moroder. What is even more incredible is that the Moog sound on this version is even better than his original (well I think so anyway). Although I didn’t realise it at the time, this was also the beginning of my liking of a good ‘Pop’ tune. I bought the follow up ‘Good Grief Christina’ but to be honest, I’d already moved on.
3) John Kongos - ‘Tokoloshe Man’
The copy I own of this was released on a label called ‘FLY’ which I had come to know as the label for Tyrannosaurus Rex, and T-Rex (more of them later). Once again, I have no idea how I first heard this but I have always loved it. I also bought the follow up ‘He’s Gonna Step On You Again’ which some of you might know from the cover version by The Happy Mondays. John Kongos was from South Africa, which is why I imagine he wasn’t as successful as he should have been.
4) Cher - ‘Gypsies, Tramps and Thieves’
Once again, no great story about this track. As I mentioned above, I am a sucker for a great Pop song and what I’ve come to realise, especially if it has a great story or sentiment about it. This just grabbed me from the first time I heard it (probably at a youth club disco). But listening to it again for this, I am struck by the incredible arrangement and production. Even though I wasn’t aware of it, I was already beginning to absorb those values and techniques. And on top of all that - How F**king good is her Vocal ?!!
5) Atomic Rooster - ‘Devil’s Answer’
Sorry folks, but no sexy story about this either. However, what is of interest to you ‘Geeks’ is that this band was formed by members of ‘The Crazy World Of Arthur Brown’ - you might remember his track ‘Fire’ ? Anyway, the drummer is Carl Palmer, who later went on to be in that well known Prog Rock power trio Emerson, Lake and Palmer. I didn’t know any of that at the time, but I bought this because I LOVE the organ (Vince Crane) and the overall Rock/Funk feel of it. Just brilliant in every way.
6) Slade - ‘Coz I Luv You’
Apart from being the Pioneers of ‘Text’ speak, this band is simply AWESOME ! It was quite hard for me to choose one track because I was already ‘into’ them before this was released. But I chose this for reasons which, once again, I have only become aware of on reflection. Considering that they had a strong Skinhead following at the time, this was both a brave and genius release. This is a magnificent Love Song, brilliantly written and delivered. Showing off Noddy’s incredible ‘Blues’ voice, and the finely crafted musicianship of the band. How can I say that you ask? Because I saw them live at Liverpool University in 1974, and they ROCKED. What was lovely, is that 10 years later I often had a drink with Noddy in the bar of The Columbia Hotel in Bayswater, London. A thoroughly lovely guy who had a lot of time for the young and up and coming bands of the day (especially Frankie Goes To Hollywood).
7) T. Rex - ‘Get It On’
As with Slade, it was difficult to choose a track from this GENIUS. I can’t remember the first time I saw Marc Bolan, but he has simply always been in my Music Psyche. I can’t recommend enough how much you should ALL go out and listen to his work. I have chosen this for two reasons. Firstly it’s an AMAZING song with such RAW energy. And secondly because, that guitar sound in the intro is SO SEXY !
8) David Bowie - ‘Starman’
Where do I start ? I could do a lifetime on him alone. By this time (1972) I was living with my paternal grandparents, and I had inherited an old Grundig Mono Reel to Reel tape recorder which had belonged to my dad. Rather frustratingly it only had one reel of tape, and at 13 years old I had NO idea of how to acquire more. And so a pattern emerged whereby EVERY Sunday I would prop the mic in front of a transistor radio and try to record as much of the Top Twenty (presented by Alan Freeman) as possible. I would then play that recording over and over again until Thursday Night, when I would sit in front of the TV with the tape machine, holding the Mic up to the speaker of the Television for TOP OF THE POPS. I would then listen to that until Sunday when the new Top Twenty was on.
So it comes to one Thursday night in 1972 and I’m there ready to record. And all of a sudden, the man who was going to change my life both musically and stylistically, APPEARED ! It was all I could do to hold the Mic to the TV as I was mesmerised by Ziggy Stardust !
So even though there are other Bowie tracks which mean more to me, THIS was the one which ‘Turned Me On’. What stays with me is that line “Hey far out, so you heard him too” because the next day in school, all the ‘cool’ kids were talking about the fact that they had “heard AND seen him too”.
9) Roxy Music - ‘Virginia Plain’
Please see above until you get to the point where I talk about the track. As if Bowie wasn’t enough, only four months later, the same music and style, mind blowing occurred. Oh the JOY of seeing Roxy Music in all their Art School Avant Garde trendsetting pre Glam MAJESTY. From the very first shot I was hooked, and went on to be as avid a fan and collector as I was of Bowie. As with Bowie, there are other tracks by Roxy which I like more (In Every Dream Home A Heartache) but THIS was the one which started it all.
10) Argent - ‘Hold Your Head Up’
By this time TOTP was a big influence for me, as was The Old Grey Whistle Test (more of that soon). I can’t remember exactly when I first heard this, but I do know that it resonated with me immediately. As I have said earlier, I am a sucker for a great Pop song, especially if it has a great message, and even better if it’s got killer keyboards. THIS has all of the above.
As I’ve also mentioned earlier, I had a very troubled life as a child and teenager, and the lyrics to this song got me through some hard times. In fact they still do occasionally. I dedicate this to all who are struggling, with LOVE.
11) Cockney Rebel - ‘Judy Teen’
As with Bowie and Roxy, there are other tracks by Cockney Rebel which ‘speak’ to me more. However, once again I have to admit that it was THIS track which got me into them. As was my way at that time, once I ‘discovered’ a band, like a true ‘Trainspotter’ I would seek out EVERYTHING !
I would really encourage you all to check out three albums by them. ‘Human Menagerie’ ‘The Psychomodo’ and ‘The Best Years Of Our Lives’.
This wasn’t their first single (that was called ‘Sebastien’) but it was the one which brought them to my attention. So much so that I went to see them at the Liverpool Stadium in 1974, where the support band was none other than ‘BeBop Deluxe’ - Bill Nelson’s band, who’s single ‘Ships In The Night’ almost made it into this selection - You’re welcome.
12) David Essex - ‘Rock On’
I bought this single the day after I saw him on TOTP. And in fact I still play it out occasionally (at the right gig of course). What is AMAZING about this track is that he wrote it, Co produced it (with Jeff Wayne of War of The Worlds Fame), and he is responsible for the sound. In fact the only other musician of note is Herbie Flowers, who was a session musician at that time. And remember, David Essex was a teenager at the time. In 1973 this was UNIQUE, which is why it excited me then, and still does now.
13) Alice Cooper - ‘Hello Hooray’
I’m breaking my own rule with this selection, but for very good reason. I had already bought ‘School’s Out’ and ‘Elected’ - but it’s the Lyrics in this which make it one of my ALL time favourites. I still find inspiration from it now. If you’re struggling, I encourage you to listen closely, and I hope that it moves you as it does me.
14) Area Code 615 - ‘Stone Fox Chase’
I mentioned earlier that these early years were very much informed by two music programs, both on the BBC but so diametrically opposed. But THAT fact totally encapsulates my widely varied and expansive musical evolution. This track also explains my ‘Trainspotting’ - One of the programs was ‘The Old Grey Whistle Test’ which aired on BBC2 late at night and was originally presented by ‘Whispering’ Bob Harris. It championed the ‘New’ and ‘Out There’ music and Bands. It’s no surprise that the OGWT had better appearances by Bowie and Roxy (amongst so many others) than TOTP. But it was THAT theme tune which really got me. I wasn’t a new release, it was NEVER going to be on TOTP or in the Top Twenty, and therefore - I HAD to hunt for it. This was LONG before Google or anything like that, so I put in some REAL Trainspotting effort and went around asking for it. By sheer good fortune, I happened to live near Penny Lane in Liverpool, and a new ‘Second Hand’ record shop had just opened run by a couple of hippies (it WAS the early Seventies). I had become friendly with them quite quickly, and one day asked about the theme tune to the OGWT. And as luck would have it, one of the guys knew what it was. I asked if he could get it for me, and three weeks later the single arrived. As a side note - that’s why I knew what it was when it became popular on the ‘Balearic’ scene in 1987. I immediately dug out my single on Polydor and proceeded to give it the exposure and appreciation I had always known it deserved.
15) Golden Earring - ‘Radar Love’
It should be becoming apparent by now, that within a very short space of time I had developed a very wide and eclectic taste in music. Looking back I can see that the common denominator was a well crafted Pop song or tune, coupled with great playing and production. Every track ‘spoke’ to me on some or many levels, and this is no exception. What I need to add to the fact that I watched TOTP and the OGWT religiously EVERY week, is that I also used to lie in bed late into the night listening to a radio station called ‘Radio Luxembourg’. I had a tiny transistor radio with an earpiece and would listen in wonderment to all sorts of wild and wonderful music. The signal was so weak that sometimes when it was very windy, the transmission would fade in and out, which was very frustrating when I was trying to find out what certain tracks were called. This was DEFINITELY a Radio Luxembourg discovery, although it went on to a big hit in Britain as well.
It’s rumoured to be a song about taking Amphetamines and driving a truck - All I can say is that it is constructed PERFECTLY ! As a little aside - I was booked to play at an Alldayer in Berkshire one Bank Holiday Sunday in 1988 (can’t say which one), and I was led to believe that the local chapter of the Hell’s Angels provided ‘Security’. I also knew that Andy Weatherall was playing, so I took this along and opened my set with it. Pretty much cleared the room, but I got a few thumbs up from some pretty ‘Heavy’ looking bearded security guys. And Andy also expressed his appreciation, which was good enough for me.
16) Brian Eno - ‘Baby’s On Fire’
From the very first time I saw Roxy Music and proceeded to get into them in my usual ‘Trainspotter’ way, Eno was ALWAYS a major source of fascination for me. I ‘got’ immediately how important he was to the overall sound, and it was him that first really made me aware of what a Synthesiser could REALLY do. And again, it was only decades later that I became aware of how much his style and production technique had permeated my own ‘Producers’ technique.
So when Eno announced that he was leaving Roxy in 1973, I was one of the thousands both shocked and dismayed. However, when he announced that he was producing a Solo LP, I just couldn’t wait.
The whole of ‘Here Come The Warm Jets’ was and still is, a tour de force of Electronic, Experimental, Avant Garde, Sonic GENIUS. And on top of that - he wrote one of the most twisted Pop songs I have ever heard. What makes this extra special is that it sees the beginning of the relationship between himself and Robert Fripp, which would contribute so beautifully to the LP ‘Heroes’ by David Bowie. Whilst I’m here - I recommend that you find a track called ‘Kings Lead Hat’ which Eno recorded whilst producing Talking Heads. In fact - the song’s title is an anagram of the band’s name, and you can hear them on his track.
17) Sparks - ‘This Town Ain’t Big Enough For The Both Of Us’
By the time these guys appeared on TOTP, I was already aware of them but hadn’t heard any of their stuff. Suffice to say that as soon as I saw them I wanted to hear EVERYTHING. I rushed out to buy this single and the album it was from called ‘Kimono My House’ (I STRONGLY recommend you all have listen). In truth my favourite tracks are ‘Amateur Hour’ and ‘Talent Is An Asset’, but being true to my brief - I am sharing with you all the track which was the incredible ‘Force’ which turned me on to Sparks
And YES, I have ALL the 12 inch coloured vinyl records of ‘Beat The Clock’, Tryouts For The Human Race’ and ‘Number One Song In Heaven’. #Trainspotter !
18) The Glitter Band - ‘Angel Face’
I KNOW ! but before you all get your knickers in a twist - this has NOTHING to do with ‘that guy’. I didn’t even have to check because I ALWAYS knew that it wasn’t. In fact it was never him that I was into, but rather the songs and the production. I was always aware that the main creative force behind it all was a guy called Mike Leander, so when it was announced that the Glitter Band were releasing a record co written and produced by Leander, I was very interested. This track encapsulates EVERYTHING about the ‘Glam Pop’ scene at the time. You will all probably know their other great track ‘Makes you Blind’ which of course is a Balearic Classic.
Decades later, I had the pleasure of working with John Springate from the band at his studio in Deptford, when I was remixing a track called ‘Keep It Up’ by Boyswonder. He was amazed that I knew the Glitter Band and that I had bought all their records. Another thoroughly lovely Seventies Pop Star.
19) Rupie Edwards - ‘Ire Feelings (Skanga)’
Whoa ! - ya didn’t see that one coming did you? By the time this came out I was really at a transitional point in my early musical evolution, which the rest of my selections will clearly demonstrate. I was ALWAYS listening and searching for new and exciting music irrespective of the Genre. I suppose it could be said that my ‘Balearic’ mindset was already being firmly set as my musical ‘Default’. I just LOVED music, and at that time it was all so NEW and COLOURFUL to me. At the age of 15 I was already well into the Youth Club and School Discos, as well as going to the midweek dances at the local Teacher Training College near where I lived. I had a fake Students Union card which made me 18 and I would go along with a couple of mates and get pissed on pints of Orangeboom at 15p a pint (never cost more than a quid to get drunk).
And it was between all those ‘Dances’ where I began to hear Reggae, Soul, Funk and early Disco. I had bought a few chart singles throughout the years in that style but, I began to hear ‘COOL’ stuff.
This is one such track - from the moment I heard it I HAD to have it. In those days a DJ was astonished that anyone would ask what he was playing, so they were always happy to share their Golden Knowledge with me. I still own my copy of this on the ‘Cactus’ label - and apparently that makes me quite cool. I would NEVER claim to be a Dub aficionado, but I DO know what I like.
20) 1968 That Song from ‘if’ - ‘Missa Luba’
I happened to be sitting up quite late one night in 1974 after my Grandparents had gone to bed, and I chanced upon a black and white film called ‘if’ starring Malcolm McDowell. I’m not going to bother reviewing it here other than to say “YOU MUST SEE THIS FILM!”
The film was typically weird and arty, but had some wild shit going on, including Malcolm romping naked in a cafe with a waitress. Now for a 15 year old boy you would have thought that it couldn’t get any better BUT - that wasn’t what I LOVED about the film. It was the use of this particular piece of music in several key scenes. I know ! typical trainspotter, listening to the music instead of watching the sex and violence.
Anyway, I just HAD to have that piece of Music. This was long before the days of the Interweb and Google, and I had to put some serious effort into finding it. It wasn’t like it was going to be on TOTP or OGWT any time soon, as the film originally came out in 1968. But as was my way, I was on first name terms with EVERY record shop person in the whole of the North of Liverpool (and a few others in town). Of course none of them had a clue what I was talking about, and I was resigned to never knowing what it was.
But one day as I was chatting with the guy in WH Smith on Allerton Rd. I randomly asked him if he would look through a catalogue of Classical and Soundtrack Releases for ‘if’ - it was a dull weekday afternoon, so he handed me one and we started to go through a couple of weighty tomes. And after half an hour I ONLY went and found it ! It was from a recording of ‘The African Sanctus’ and was released as a single on Phillips at the time the film came out.
Of course this was 1974 and it was uncertain if it was still available. But he duly ordered it, and bugger me if it didn’t arrive the week later. I then took it home and played it till it nearly wore out. I eventually found a copy of the album, but I also still have the single (somewhere in storage). I just LOVE the magnificent HUGE rawness of this track.
21) The Doors - ‘Hello I Love You’
I refer you to most of the section about Rupie Edwards in relation to this, but I will also add - By the end of 1975 I was nearly 17, and had already started going to my local pub ‘The Halfway House’ in Liverpool. I was already doing a ‘Paper Round’ 7 mornings a week, as well as occasionally working with my best friend washing and valeting his Uncle’s fleet of Wedding Cars. And that summer I got a job working in Stylo Shoes in London Road earning £19 a week (and fiddling another £20). This meant that I was a young man of independent means, and what wasn’t spent on Records and Clobber, went on a few pints a couple nights a week. Don’t forget I had my fake Students Union ID ! And this is where one of my weirdest music influences comes into it. 
Every Friday night a guy would come into the pub after work, with his pockets full of wages and a week of frustration to drown. I used to love it when he came in because he would always go straight to the Juke Box and put the same 5 records on. He’d play more through the night, but those particular 5 were his ‘GO TO’ tracks. In no particular order it would be Springsteen ‘Born To Run’, War ‘Low Rider’, Joe Walsh ‘Rocky Mountain Way’, Family ‘Burlesque’ and The Doors ‘Hello I Love You’.
As you can imagine, within weeks I owned them all and they introduced me to so much more incredible music. In fact I almost included a Springsteen track called ‘Meeting Across The River’ in my selection as it is so beautiful. But I include The Doors for the simple reason that I had NEVER heard of them before, but I fell in love with them right away. I went on to own albums by ALL of the above five and can heartily recommend them to you all.
22) Stevie Wonder - ‘Boogie On Reggae Woman’
As with the above track (and a couple of others), I am aware that some of these tracks came out earlier than others but, I am listing them according to how they appeared on my Musical ‘Time Line’.
I have no idea of when I first heard this, but it’s almost certainly to have been at one of the ‘Discos’ I attended. I had learned quite quickly that the best way to get chatting to girls was to learn to dance. And so I very enthusiastically learned EVERY new dance that came around. In fact I had been doing that since late 1972, but it was only in 1975 that I started to hear really cool stuff.
As always I made a point of finding out what it was and immediately bought it. I’ve always loved the groove of the song and what I realise now is how FUNKY the Synths are in it. I was considering including ‘Living For The City’ by Stevie as I love that as well but, THIS is the track that really shows off how squelchy and groovy that MOOG is.
I still maintain that Stevie Wonder has NEVER been given the recognition he deserves for championing Synths in general, but especially in Funk/Soul/Boogie and Disco.
23) Hamilton Bohannon - ‘Foot Stompin’ Music’
It was a toss up between this and ‘Disco Stomp’ but I chose this for the simple reason that I REALLY love that growling Bass Organ riff at the beginning. And also it’s a bloody great track. I bought both of them, and of course a number of his earlier tracks (South African Man in particular) and a couple of albums. There is something raw and downright groovy in his beats and I still love his work to this day.
24) The Sharonettes - ‘Going To A Go Go’
This track and the following share the same story and origins. In the late summer of 1975, I went on holiday with my aunt and my baby cousin to Sunny Rhyll in North Wales, or ‘The Liverpool Riviera’ as I used to call it. The days were spent doing the usual ‘Seaside’ stuff, but as my cousin was only a couple of years old, every evening my aunt was stuck in the Guest House with him. Of course I’m a young man of 16 years old with ants in my pants, and I had spotted a place which I could only assume that with a name like ‘The Dixyland Showbar’ must be a Nightclub.
So two nights into our stay - I venture along with my trusty fake ID and a lot of bravado. The guy must have thought that I MUST be 18 to be coming in alone and in I strolled. Into the most amazing scene I had experienced up until that point. Full of pissed up Scousers on Holiday, with some local Welsh folk (looking quite angry and resentful I realise on reflection). The bar was heaving, the dance floor was heaving and the music was like NOTHING I had heard before. And to top it off - the BEST Roy Orbison tribute band ever (and he wasn’t even dead !).
I had a few pints, enjoyed the show and then applied myself to learning about the music and dancing. It was uptempo soul grooves with great songs and some amazing dancers. This was my introduction to NORTHERN SOUL ! I ended the night with a ‘Slowy’ with lovely Welsh girl of 22 to Bryan Hyland ‘Sealed With a Kiss’ (That’s another story!) and went off with a promise to meet her in a couple of nights time. Sure enough she was there and we had a laugh, but all the time in the back of my head, all I wanted to do was find out what the bloody tracks were !
BUT ! I was astute enough to recognise the ones which were most popular and made a point of finding out about them. To this day I can’t remember the girl’s name but - I can remember THIS TRACK. I bought the follow up ‘Pappa Ooh Mow Mow as well, but it wasn’t as good as this.
I also bought ‘Under My Thumb’ by Wayne Gibson and the track which comes next in my election #KPF
25) Al Wilson - ‘The Snake’ See above
#KeepThe Faith
26) Genesis - ‘A Trick Of The Tail’
It’s important at this time to point out that throughout the journey I have laid out for you here, I was ALSO very much into a LOT more music. I had bought EVERY Genesis album up to this point (1976), I had bought a number of early Status Quo albums, at least 4 queen albums, and records by The Velvet Underground, Hall and Oats (Abandoned Luncheonette), The Rolling Stones, The Ozark Mountain Daredevils (Car over The Lake), Tod Rundgren, Kraftwerk, The Who, EVERY Bowie and Roxy/Ferry album and much more.
So when Peter Gabriel left Genesis, we all assumed that was the end of the band. But every now and then I would enquire in my local ‘Hippy’ record shop ‘Penny Lane Records’ (which I ended up managing in 1979/80) about any news on a new Genesis album. Always the same answer “not yet, they’re still looking for a singer”.
I had pretty much forgotten about it until one day Chris announces as I walk in “It’s HERE!” and produces ‘A Trick Of The Tail’. Now I’ll be honest and admit I was pretty much ‘over’ the band by that time (as you can tell from the past few selections) but I felt morally obliged to buy it.
I took it home and upon playing it I was struck by how much like Peter Gabriel, Phil Collins sounded. It turns out that there had been a delay because Collins had never wanted to be the singer, but they had auditioned hundreds and eventually he HAD to do it because they were contracted to release an album.
The other thing which struck me was HOW BLOODY GOOD IT WAS! But there is a reason why I’ve chosen this track in particular from the whole of the Genesis catalogue, and that is within the lyrics.
It’s only over the years that I became aware that it’s a song about intolerance and the hate and distrust of ‘Difference’. And what blows me away is that it is even more relevant today than it was in 1976. It’s a beautiful morality tale and the production and nuances are incredibly moving to me even now.
27) Lou Reed - ‘Coney Island Baby’
Once again I’m breaking my rule about selecting the track which first created an impression, but in this case it is fully justified.
Like most Seventies teenagers, I discovered Lou Reed and then The Velvet Underground through his work with David Bowie. Of course I bought ‘Transformer’ but unlike a lot of others, I didn’t stop there. I have to admit that I found ‘Berlin’ quite hard going, but I absolutely LOVED and still do, Sally Can’t Dance and especially ‘Coney Island Baby’
Originally I had intended to included a long track from ‘Rock n Roll Animal’ which is the live album from his tour after ‘Transformer’. I went to his gig at The Liverpool Empire on that tour and was BLOWN AWAY. One of my all time favourite gigs (of the many hundreds I’ve been to). The track is the Intro and then into Sweet Jane, which features the incredible talents of two great guitarists ‘Dick Wagner and Stevie Hunter, and it is simply electrifying. I accept that perhaps I feel it more because I saw it live, which is why I have chosen this track instead.
For me it totally encapsulates Lou Reed - his timing and vocal nuances in this are simply divine, and the subject matter is something which resonates with me, as I know it does for a lot of us who were always ‘Different’ and often ‘Lost’ for a time. I dedicate this to EVERYONE who has been abused, or oppressed for being different, or who has felt ‘Alone’.
I dedicate this to Jayne Casey (my first style inspiration)
Always believe in the Glory of Love x x
28) Steely Dan - ‘The Fez’
WOW ! this was a really hard one to choose. I could have gone with so many different quality tracks from the first five albums, and it took more than an hour of sifting before I chose this (and I changed my mind at least 5 times).
But what made me choose this is that it reminds me of another significant period of transition. In 1975 a wine bar called ‘Kirlklands’ opened in Liverpool, and very quickly ALL the cool people were going. And when they opened ‘The Baltimore Rooms’ upstairs it was ONLY for the ‘In People’. And who do you think was going regularly ?
I was well into my final phase as teenager, which would see me totally embrace the Art School New Wave scene which quickly led into Punk. But just at that crossover - there was The Baltimore Rooms. It was very ornate, and was the first club which ever had a FULL Bose sound system. The DJ I particularly enjoyed was a guy called John Henry, who was also a Radio City DJ. On any given night he would play everything from Bowie to Roxy to Reggae to Jazz and Funk and all sorts in-between including Steely Dan. Not just this, but many other tracks as well.
There are so many tracks I could have included at this point, but I have already included Bowie/Roxy/Lou and others and I REALLY wanted to include a Steely Dan track. And this is exactly right for this point in time. And it’s just so FUNKY !!
What’s interesting is that not many years later (1982) I was working for the owners of Kirklands when they opened a club called ‘The State’ in Liverpool, where my Thursday nights became ‘THE’ in place to be.
29) Eddie and the Hot Rods - ‘Teenage Depression’
So you know all those ‘COOL’ people I mentioned above ? Well, by the middle of 1976, we were all becoming ‘Punks’ and were going to a cool new place which was the antithesis of Kirklands, called ERIC’S.
We’d heard about a place where you could wear jeans and ripped up shirts and leather jackets, and there was brilliant bands most nights. It was owned by a guy called Roger Eagle, who had run a venue called The Stadium in Liverpool, where only a few years earlier I had seen bands like Cockney Rebel and Mott The Hoople, but he had started as a Northern Soul DJ at a club called The Twisted Wheel in Manchester.
How incredible that my formative musical years should come full circle with that club. EVERYTHING that I have included somehow or other was also connected to Roger.
We used to talk about it a lot and even though I was under age, he gave me a membership personally. At that time there was a condition whereby when bands played, the venue had to supply what were known as ‘Humpers’. These were big strong lads who helped load the PA and Band’s gear into the venue and at the end of the night, load it out again. So I quickly did a deal with Roger to work as a humper in exchange for free entry into all the gigs.
I will be honest and admit that I can’t remember everyone I saw, but it does include most of the up and coming Punk bands of that time including The Jam and The Stranglers, as well as crazy gigs like Talking Heads, Stanley Clarke, early OMD, and Local Bands like Big In Japan featuring Holly Johnson, Ian Broudie, Bill Drummond and Jayne Casey. Also Deaf School, The Spitfire Boys and many many more.
But the OTHER great thing about the club was the MUSIC from the DJ. Norman Killon was his name, and he was chosen by Roger because Norman had exactly the same wide and extensive musical knowledge and taste as himself. So I would often have time in the club, during some empty nights just listening to Norman. I heard SO much great music which changed me again, and has stayed with me but, I have to choose just one.
I chose this because it was one of the first ‘Punk’ singles I bought. In fact Joe Strummer was quoted as saying that ‘Eddie and the Hot Rods’ was the first band he had ever heard described as ‘Punk’.
They had a hit with a track called ‘Do Anything You Wanna Do’ but this is the ONE for me. It also reminds me of myself at times at that age. If I could include one more it would be ‘Cocaine’ by Dillinger - I still have my White Vinyl (of Course) 12 inch.
30) Talking Heads - Psycho Killer
And so I end my selection with this from 1977. All of what I wrote above applies to this as well. But on top of that, to me - Talking Heads encapsulated EVERYTHING which I felt about music. They were groovy, they were arty, they were New Wave, they were Cool, they were Punk, they were stylish, they could play and they didn’t care what anyone thought. It’s no mistake that once again I was turned on to a weird and wonderful creative genius who’s music I would follow for many many years to come.
That all said - I have to remind you that this has been a snapshot into only six of my 46 years long love of music. I could start writing lists of bands and albums that I have been into and would recommend, but it would run into several more pages and cover so many genres and time scales.
I hope that you’ve enjoyed this journey with me - and I hope that we can do it again some time soon. In the meantime - I encourage you all to follow your heart and soul when it comes to music - ENJOY.]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0439 Dusk Dubs - Simon Mills</title>
                                    <description><![CDATA[[ Simon Mills ]
Podcast: Dusk Dubs
Artist: Simon Mills
Title: DD0439
Style: Soul, Ambient, funk, House
Time: 72 minutes
Date: 2017-10-29
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome producer, DJ and artist Simon Mills to the Dusk Dubs family.
Simon Mills rose to musical prominence in the 00’s as one half of wonky chillout duo Bent. He would later go on to release uptempo material under his own name, and has released numerous electronica albums and EPs as Napoleon.
You can find him HERE
Soundcloud.com/simon-mills
Twitter.com/napoleon_uk?lang=en
Napoleon-tunes.bandcamp.com/
As expected, Simon provides an eclectic collection of tracks that have inspired, shaped and moulded him musically over the years.
Tracklisting
1) Wendy Carlos - Creation of Tron
I was always a fan of Tron, it oozed atmosphere and was other-worldly. We'd never seen anything like this back in 82. There's something about the futuristic yet early computer-generated visuals crossed with Wendy Carlos' (LEGEND!) mind-boggling score that makes it such a unique and extraordinary universe. As a kid I would watch it purely to take in the magical world they created, and hoped it was the same inside my Atari. The music is a strange, discordant and often intense score that has some beautifully delicate melodic sections in it. I still want a light cycle.
2) Aphex Twin - Xtal
Aphex is obvious choice but this has to go on because it was the first track I heard where I realised that you could truly make music with a limited set up, not a huge over the top studio. The whole album is dusty and imperfect. It was such a revelation and so refreshing to hear something that was so unpolished. Surely most people who make electronic music have been influenced by Aphex at some point, he really was ahead of his game. The balance between the gorgeous chords, reverberated breaks and lush vocals just does it for me. I wish he wrote more like this, this is still my fave!
3)  Boards Of Canada - In a Beautiful Place
Again, I think I would be doing this list an injustice without Boards Of Canada. I think Warp Records went through a phase of becoming a tad pretentious at a certain point, but when they released "Music Has The Right To Children", they knocked me for six with what I regard as one of the most important electronic albums ever. It completely restored my faith in their label again. Soulful, reflective electronica at its finest. I selected this because I loved the EPs around that time too.
4) Kleeer - Tonight
Another track making use of the vocoder like the last, and an instrument I've always loved and used. The production in this is off the hook. So much space. So much atmosphere. And Nail (Bent) would always joke about me always liking ANYTHING with modulated wobbly 80s synth chords in it (He's right). This just sums up so many records of that era that I love.
5) The Jones Girls - Nights Over Egypt
Again, another track from a similar era and atmosphere. This track like the last has such seductive, soulful chord structures in, and I'm always a sucker for harmonies. It's so evocative.
6) Plone - Marbles
Plone came out just as we were finishing the first Bent album, as I recall. Nail and I heard this in a record shop (Selectadisc… miss you!) and he laughed because he looked over knowing I'd love it… my face was lit up! It echoes quirky old games.. it conjours up the love between two robots haha! It has a sense of humour without trying to be jokey, and there's definitely a lot of that in Bent and my own work.
7) The Flamingos - I Only Have Eyes For You
Shifting back a few decades I adore this old 50s sound. It's romantic, dreamy, dusty, and the vocals are executed perfectly. I have a passion for vintage reverbs and delay units purely because of music like this. It makes me imagine the room they were in and just transports me to a different place. And yes, the harmonies on this are absolutely off the hook.
8)  Beach Boys - All I Wanna Do
Pushing forward a decade, I love The Beach Boys. There have been times when I've been literally obsessed with them. They had a beautiful mixture of teenage hope mixed with melancholy, and that combination always resonated with me, which is why a lot of my own work both by myself and in Bent has that a similar combination of emotions. Love, hope, fear, optimism, yearning, reflection. This track came from a later album "Sunflower", and it stayed on loop when I discovered it. Still gets me every time.
9)  The Stranglers -  Paradise
Feline is my favourite album by The Stranglers by a long shot; probably a view many Stranglers fans would argue with. It was a very different direction for them after their previous work. The whole album has such a strange hybrid of analog synths, esoteric vocals, tropical percussion, novel lyrics and soft atmospheres. There's latin and European influences in there too. As a kid it put my head in a different universe, and it still does. This particular track still sounds unique, and it was a brave shift for them to move in this direction, a reminder that making music should be your own journey, not your audience's, and if the fans like it, it's a bonus.
10)  Gilberto Gil - Toda Menina Baiana
I was lucky enough to go and see Gilberto Gil play live, when Bent played in São Paulo years ago. What a delight that show was. Blew my hat off. As people may have noticed in Bent and my solo work, you'll often hear subtle latin influences. I didn't discover this song until a year or so, when a friend passed it on. I think I had to listen to it about 100 times just to try and get over it and move on! It's so uplifting it hurts. How could you ever possibly feel down while this song was playing? 
11) Inti-Illimani - Mi Chiquita
Another latin fave, this time from Chile. I love the progressions and rhythmical patterns, it always transports me. You've probably noticed this is a common theme in me, desiring to project into another world haha! But this is something I always aim for in my work. Music for me is a form of escapism, when writing or listening, at home or in a club, or driving… wherever.. This track conjures all of that. I don't tend to listen to music that reflects reality and the more sobering facts of life. I'm the same with books and film. I always love the romanticism of being away from it all. Probably why I now live on the rural coast of Ireland. :-)
12)  Book Of Love - Modigliani (Requiem Mass)
Time to bring the synths back. Anyone who's heard my first solo album will recognise this piece. It's a version of this track that appears in Planes, Trains and Automobiles, a fave movie of which I referenced in my track "Lament". In my mind, it was John Hughes' masterpiece. I adore it. Watched it so many times I couldn't say. Always loved this track, the digital synths in it went out of fashion in the late 90s/early 00s, but I love them, always have. You can make such lush textures with some of those late 80s machines.
13) Malcolm McLaren -  Madame Butterfly
I first heard this track when I was 10-11, and everything in my head stopped. I'd never heard anything like this. It has some kitsch spoken vocals in it, but the operatic vocals set against the synths and drum machines were so original and spellbinding. And upon listening this time, it's so obvious if you listen to Bent or anything I've done how much of an influence this track has been.. in fact I didn't realise it until now! It's all become clear! Haha! Atmospheres, synths, vintage drum machines and beautiful operatic vocals. It just keeps giving and giving, as the track goes on.. glorious. I owe it all to Malcolm McLaren!

Prefab Sprout -  When Love Breaks Down

Another track from later in the 80s which combines beautiful digital synths and incredible songwriting. It's another song riddled with melancholy yet hope. I love what Thomas Dolby brought to this album, the programming and production is gorgeous. Back in Bent we were lucky enough to have two PPG Wave synths like the one that appears in this album. The pads at the start are a perfect example of that amazing machine.
15)  Floex - The Celebration
I first discovered Floex when he did the soundtrack to a beautiful game called Machinarium. This track is from the game Samorost. I've never played it, but I got the soundtrack last year as I knew it 'd be stunning, and this track blew me away. I wanted it to go on my compilation "Sunset Hours Vol 3", but there were restrictions on what could go on it. I'm delighted to put it in this mix. The sound of magic and mystery.
16) Kate Bush - The Morning Fog
Kate Bush…. possibly my biggest musical hero (there's a few). Without a shadow of doubt my favourite female artist of all time, and never has been or will be surpassed, in my opinion. She is a rare miracle in music. Her song writing, her performance, her voice, her production, her originality.. has never been touched. When it comes to making music that transports you to another place, I don't think anyone quite does it like Kate. I would literally sell my soul to work with her. The Hounds of Love/ Ninth Wave is such a masterpiece. I didn't realise until many years later that the cellos in Cloudbusting were of course a Fairlight CMI sampling keyboard, not real instruments.. very groundbreaking back then. This album really pushed the boundaries technology-wise, let alone from a songwriting/production perspective. Did I say I liked Kate Bush quite a bit?
17) Penguin Cafe Orchestra - The Ecstacy Of The Dancing Fleas
I first heard this in 91 whilst switching over TV to find the end credits of a film I didn't know. I loved the music I was hearing that much that I dove onto my keyboard and recited it. Months later at art college, a lecturer was talking to me about music, and I told him how I loved Ambient stuff, Trip Hop, The Orb, Steve Reich etc.. and he came in the next day with a tape, The Penguin Cafe Orchestra. He told me to take it, and upon first listening I thought, "this pieces remind me of that music I heard on TV"..of course we couldn't Shazam things then so when I got to the last track to discover I was right, I was very chuffed! Of course later I discovered the film I'd seen was Malcolm (Highly recommended). I adore all of PCO's music. If you don't know all of their work you have a nice surprise waiting for you.
18) Pet Shop Boys - Later Tonight
Returning back to the mid 80s, I thought I should mention the Pet Shop Boys. I fell out of love with their later work, but I grew up loving their first few albums. "Please" in particular is a favourite. My dad used to take me up and down the motorway at night when we went on holiday, and I'd listen to the PSB all the way. When we did the second Bent album, we were contacted by Stephen Hague who asked to produce a track of ours. Considering he'd done the first PSB album, music on Planes Trains and Automobiles and so many other things, we were utterly beside ourselves. Nail had become a dad during that studio session (working on a version of "Beautiful Otherness"), and so it was just myself, Stephen and his mix engineer and programmer sat in the room. I was sat with a hero at the mixing console. Upon the first playback of his version I thought "This reminds me of being on the motorway at night, with my Dad"… and then it hit me.. the whole circle of this journey of being a kid listening to PSBs, and then having my own music worked on by this guy who made their sound.. Well it's something I'm very proud of. West End Girls has a voice at the start which sounds like my mum shouting "SIMON!", to which I always used to open my bedroom door to and scream "WHAT?!".. haha! It was funny telling him. Turns out it was a market he was walking through, recording, and someone was shouting "Sting" at him because he had bleached hair. You heard it here first.. ;-)
19) µ-Ziq - Ethereal Murmurings
Always been a fan of µ-Ziq since I heard his album with Aphex Twin, called Mike And Rich.. I loved that album.. daft as a brush, juvenile, playful, silly, awesome. Nail and I were equally stupid and juvenile in the studio, hence some of the tracks being the way they were. We didn't sit there like chin-strokers, trying to be clever. We just played. We tried to make each other laugh. Even the band name was born out of Nail saying "Millsy your records (that we sampled) are really Bent". But like Mike Paradinas, we loved dreamy beautiful music also. I love this piece. I had to end this mix on a long one.. it just keeps going and going. There's still playful elements in here, but ultimately, it's a haze of perfection. Love it.
Thanks for having me, rambles over xx]]></description>
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                                    <itunes:summary><![CDATA[[ Simon Mills ]
Podcast: Dusk Dubs
Artist: Simon Mills
Title: DD0439
Style: Soul, Ambient, funk, House
Time: 72 minutes
Date: 2017-10-29
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome producer, DJ and artist Simon Mills to the Dusk Dubs family.
Simon Mills rose to musical prominence in the 00’s as one half of wonky chillout duo Bent. He would later go on to release uptempo material under his own name, and has released numerous electronica albums and EPs as Napoleon.
You can find him HERE
Soundcloud.com/simon-mills
Twitter.com/napoleon_uk?lang=en
Napoleon-tunes.bandcamp.com/
As expected, Simon provides an eclectic collection of tracks that have inspired, shaped and moulded him musically over the years.
Tracklisting
1) Wendy Carlos - Creation of Tron
I was always a fan of Tron, it oozed atmosphere and was other-worldly. We'd never seen anything like this back in 82. There's something about the futuristic yet early computer-generated visuals crossed with Wendy Carlos' (LEGEND!) mind-boggling score that makes it such a unique and extraordinary universe. As a kid I would watch it purely to take in the magical world they created, and hoped it was the same inside my Atari. The music is a strange, discordant and often intense score that has some beautifully delicate melodic sections in it. I still want a light cycle.
2) Aphex Twin - Xtal
Aphex is obvious choice but this has to go on because it was the first track I heard where I realised that you could truly make music with a limited set up, not a huge over the top studio. The whole album is dusty and imperfect. It was such a revelation and so refreshing to hear something that was so unpolished. Surely most people who make electronic music have been influenced by Aphex at some point, he really was ahead of his game. The balance between the gorgeous chords, reverberated breaks and lush vocals just does it for me. I wish he wrote more like this, this is still my fave!
3)  Boards Of Canada - In a Beautiful Place
Again, I think I would be doing this list an injustice without Boards Of Canada. I think Warp Records went through a phase of becoming a tad pretentious at a certain point, but when they released "Music Has The Right To Children", they knocked me for six with what I regard as one of the most important electronic albums ever. It completely restored my faith in their label again. Soulful, reflective electronica at its finest. I selected this because I loved the EPs around that time too.
4) Kleeer - Tonight
Another track making use of the vocoder like the last, and an instrument I've always loved and used. The production in this is off the hook. So much space. So much atmosphere. And Nail (Bent) would always joke about me always liking ANYTHING with modulated wobbly 80s synth chords in it (He's right). This just sums up so many records of that era that I love.
5) The Jones Girls - Nights Over Egypt
Again, another track from a similar era and atmosphere. This track like the last has such seductive, soulful chord structures in, and I'm always a sucker for harmonies. It's so evocative.
6) Plone - Marbles
Plone came out just as we were finishing the first Bent album, as I recall. Nail and I heard this in a record shop (Selectadisc… miss you!) and he laughed because he looked over knowing I'd love it… my face was lit up! It echoes quirky old games.. it conjours up the love between two robots haha! It has a sense of humour without trying to be jokey, and there's definitely a lot of that in Bent and my own work.
7) The Flamingos - I Only Have Eyes For You
Shifting back a few decades I adore this old 50s sound. It's romantic, dreamy, dusty, and the vocals are executed perfectly. I have a passion for vintage reverbs and delay units purely because of music like this. It makes me imagine the room they were in and just transports me to a different place. And yes, the harmonies on this are absolutely off the hook.
8)  Beach Boys - All I Wanna Do
Pushing forward a decade, I love The Beach Boys. There have been times when I've been literally obsessed with them. They had a beautiful mixture of teenage hope mixed with melancholy, and that combination always resonated with me, which is why a lot of my own work both by myself and in Bent has that a similar combination of emotions. Love, hope, fear, optimism, yearning, reflection. This track came from a later album "Sunflower", and it stayed on loop when I discovered it. Still gets me every time.
9)  The Stranglers -  Paradise
Feline is my favourite album by The Stranglers by a long shot; probably a view many Stranglers fans would argue with. It was a very different direction for them after their previous work. The whole album has such a strange hybrid of analog synths, esoteric vocals, tropical percussion, novel lyrics and soft atmospheres. There's latin and European influences in there too. As a kid it put my head in a different universe, and it still does. This particular track still sounds unique, and it was a brave shift for them to move in this direction, a reminder that making music should be your own journey, not your audience's, and if the fans like it, it's a bonus.
10)  Gilberto Gil - Toda Menina Baiana
I was lucky enough to go and see Gilberto Gil play live, when Bent played in São Paulo years ago. What a delight that show was. Blew my hat off. As people may have noticed in Bent and my solo work, you'll often hear subtle latin influences. I didn't discover this song until a year or so, when a friend passed it on. I think I had to listen to it about 100 times just to try and get over it and move on! It's so uplifting it hurts. How could you ever possibly feel down while this song was playing? 
11) Inti-Illimani - Mi Chiquita
Another latin fave, this time from Chile. I love the progressions and rhythmical patterns, it always transports me. You've probably noticed this is a common theme in me, desiring to project into another world haha! But this is something I always aim for in my work. Music for me is a form of escapism, when writing or listening, at home or in a club, or driving… wherever.. This track conjures all of that. I don't tend to listen to music that reflects reality and the more sobering facts of life. I'm the same with books and film. I always love the romanticism of being away from it all. Probably why I now live on the rural coast of Ireland. :-)
12)  Book Of Love - Modigliani (Requiem Mass)
Time to bring the synths back. Anyone who's heard my first solo album will recognise this piece. It's a version of this track that appears in Planes, Trains and Automobiles, a fave movie of which I referenced in my track "Lament". In my mind, it was John Hughes' masterpiece. I adore it. Watched it so many times I couldn't say. Always loved this track, the digital synths in it went out of fashion in the late 90s/early 00s, but I love them, always have. You can make such lush textures with some of those late 80s machines.
13) Malcolm McLaren -  Madame Butterfly
I first heard this track when I was 10-11, and everything in my head stopped. I'd never heard anything like this. It has some kitsch spoken vocals in it, but the operatic vocals set against the synths and drum machines were so original and spellbinding. And upon listening this time, it's so obvious if you listen to Bent or anything I've done how much of an influence this track has been.. in fact I didn't realise it until now! It's all become clear! Haha! Atmospheres, synths, vintage drum machines and beautiful operatic vocals. It just keeps giving and giving, as the track goes on.. glorious. I owe it all to Malcolm McLaren!

Prefab Sprout -  When Love Breaks Down

Another track from later in the 80s which combines beautiful digital synths and incredible songwriting. It's another song riddled with melancholy yet hope. I love what Thomas Dolby brought to this album, the programming and production is gorgeous. Back in Bent we were lucky enough to have two PPG Wave synths like the one that appears in this album. The pads at the start are a perfect example of that amazing machine.
15)  Floex - The Celebration
I first discovered Floex when he did the soundtrack to a beautiful game called Machinarium. This track is from the game Samorost. I've never played it, but I got the soundtrack last year as I knew it 'd be stunning, and this track blew me away. I wanted it to go on my compilation "Sunset Hours Vol 3", but there were restrictions on what could go on it. I'm delighted to put it in this mix. The sound of magic and mystery.
16) Kate Bush - The Morning Fog
Kate Bush…. possibly my biggest musical hero (there's a few). Without a shadow of doubt my favourite female artist of all time, and never has been or will be surpassed, in my opinion. She is a rare miracle in music. Her song writing, her performance, her voice, her production, her originality.. has never been touched. When it comes to making music that transports you to another place, I don't think anyone quite does it like Kate. I would literally sell my soul to work with her. The Hounds of Love/ Ninth Wave is such a masterpiece. I didn't realise until many years later that the cellos in Cloudbusting were of course a Fairlight CMI sampling keyboard, not real instruments.. very groundbreaking back then. This album really pushed the boundaries technology-wise, let alone from a songwriting/production perspective. Did I say I liked Kate Bush quite a bit?
17) Penguin Cafe Orchestra - The Ecstacy Of The Dancing Fleas
I first heard this in 91 whilst switching over TV to find the end credits of a film I didn't know. I loved the music I was hearing that much that I dove onto my keyboard and recited it. Months later at art college, a lecturer was talking to me about music, and I told him how I loved Ambient stuff, Trip Hop, The Orb, Steve Reich etc.. and he came in the next day with a tape, The Penguin Cafe Orchestra. He told me to take it, and upon first listening I thought, "this pieces remind me of that music I heard on TV"..of course we couldn't Shazam things then so when I got to the last track to discover I was right, I was very chuffed! Of course later I discovered the film I'd seen was Malcolm (Highly recommended). I adore all of PCO's music. If you don't know all of their work you have a nice surprise waiting for you.
18) Pet Shop Boys - Later Tonight
Returning back to the mid 80s, I thought I should mention the Pet Shop Boys. I fell out of love with their later work, but I grew up loving their first few albums. "Please" in particular is a favourite. My dad used to take me up and down the motorway at night when we went on holiday, and I'd listen to the PSB all the way. When we did the second Bent album, we were contacted by Stephen Hague who asked to produce a track of ours. Considering he'd done the first PSB album, music on Planes Trains and Automobiles and so many other things, we were utterly beside ourselves. Nail had become a dad during that studio session (working on a version of "Beautiful Otherness"), and so it was just myself, Stephen and his mix engineer and programmer sat in the room. I was sat with a hero at the mixing console. Upon the first playback of his version I thought "This reminds me of being on the motorway at night, with my Dad"… and then it hit me.. the whole circle of this journey of being a kid listening to PSBs, and then having my own music worked on by this guy who made their sound.. Well it's something I'm very proud of. West End Girls has a voice at the start which sounds like my mum shouting "SIMON!", to which I always used to open my bedroom door to and scream "WHAT?!".. haha! It was funny telling him. Turns out it was a market he was walking through, recording, and someone was shouting "Sting" at him because he had bleached hair. You heard it here first.. ;-)
19) µ-Ziq - Ethereal Murmurings
Always been a fan of µ-Ziq since I heard his album with Aphex Twin, called Mike And Rich.. I loved that album.. daft as a brush, juvenile, playful, silly, awesome. Nail and I were equally stupid and juvenile in the studio, hence some of the tracks being the way they were. We didn't sit there like chin-strokers, trying to be clever. We just played. We tried to make each other laugh. Even the band name was born out of Nail saying "Millsy your records (that we sampled) are really Bent". But like Mike Paradinas, we loved dreamy beautiful music also. I love this piece. I had to end this mix on a long one.. it just keeps going and going. There's still playful elements in here, but ultimately, it's a haze of perfection. Love it.
Thanks for having me, rambles over xx]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0438 Dusk Dubs - Go Satta</title>
                                    <description><![CDATA[[ Go Satta ]
Podcast: Dusk Dubs
Artist: Go Satta
Title: DD0438
Style: pop, soul, funk, rock
Time: 82 minutes
Date: 2017-10-22
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Go Satta to the Dusk Dubs family...
Go Satta are an Anglo-American pop duo which combines the production talents of Phoenix Love from London (music, instruments, production) and Mo Love from Detroit (music, vocals, lyrics). Between them they have brought their eclectic musical tastes - dance, funk, disco, dub, folk, ambient, progressive - into 20/20 focus with their pop duo Go Satta.
"When you've been been producing genre-busting pop for 30 years, as well as being an obsessive personal fan of all kinds of modern music, choosing an hour's worth of material has been, to say the least, a challenge.
There is music here has that has directly inspired my own music and sound (Lee “Scratch” Perry”, OMD), music that I just dig for one reason or another (Stereolab, Arcade Fire), and songs I consider “perfect tracks” (Radiohead, Stranglers, Geoff Buckley, It's Immaterial).
My criteria for a “perfect track” are: it has the ideal length and arrangement. All performances are exemplary. The production is gorgeous. It is special and unique in some way.
I try to apply the above rules to the music I make in Go Satta as a useful checklist for a great song. It's what forces me to keep songs as short as possible, whilst being as layered and intricate as I can make them. I'm not saying I achieve any kind of perfection all or even some of the time, but it's important to set your bar high as an artist, or why expect anybody else to care?" (Phoenix Love)
You can find them HERE
discogs.com/artist/4037215-Go-Satta
soundcloud.com/gosatta
facebook.com/gosattaband
twitter.com/go_satta
youtube.com/channel/UCNwFUJ4Xr...rzReKJcRiqW_okg
Tracklisting
1) Go Satta – Patination
(Phoenix) We have chosen two of our own songs for this show. Both of which are our most recent recordings. A good sign, I guess, when you consider we have already recorded 50. I'm really pleased with the rounded sound of this song, and especially the 8 channels of vocals that Mo delivered for the chorus. And that chorus is just epic. It recently won a BBC Introducing Top Pick.
2) Go Satta – Detroit
(Phoenix): I hate repeating myself, so our next song from the studio was this kind of lush, modern take on Motown. It really allows Mo's voice room to breathe, and it was great fun arranging the dynamic and rather odd bridge. We're currently working on a couple of songs to release with this as an EP.
3) The Heptones - Crying Over You
(Phoenix) One of my “perfect” ones. Produced by the legendary Lee “Scratch” Perry in his Black Ark studio, this song contains not one, but two of the greatest reggae basslines of all time. The classic sound of his Black Ark studio is so important to me. So warm and organic. Proper roots reggae feels somehow ancient, as if unearthed by archaeologists.
4) Interpol - Untitled
(Mo Love): When I heard it for the first time it just felt so open; like flying through music or something. It was the first time I had heard music like that, and it blew my mind frankly. So I have a sweet spot for Interpol, always have and always will.
5) It's Immaterial - Ed's Funky Diner
(Phoenix): Another “perfect song”. I'd bet my bottom dollar you've never heard this before. Why wasn't this a worldwide hit? Why does almost nobody know about this band (except perhaps for the single “Driving Away From Home” that charted in the mid 80s)? An exhilarating rush of tuneful pop/rock. You are very welcome. Check out their first album, if you can find it.
6) Jose Gonzalez – Heartbeats
(Phoenix): This is just so, so pretty. I was stunned to learn that it is a cover – of an electro-rock song by The Knives, of all people.
7) Blonde Redhead – Misery Is A Butterfly
(Mo Love): One of those bands that just puts all their emotions into their music. You can feel it, and most of their stuff seems pretty melancholy, but in a most beautiful way. I love the way these guys blend together so great. Their sound is so unique.
8) Radiohead – Nude
(Phoenix): Another “perfect” one. Why? Thom's vocal is exquisite, and the way the song builds to that ending...goosebumps every time. I love songs that change as they go along, musically, and the final coda is one of my favourite passages in modern music. I didn't “get” Radiohead at all for the first half of their career, then In Rainbows came along. It's one of the greatest rock albums of all time.
9) Bon Iver – Holocene
(Phoenix): If I had to take one song to my grave, or a desert island (I'd prefer the island), it would be this. It's possibly my favourite song of all time. A repeating riff over shifting chords always gets me going, and this delivers so beautifully. When the beat and the bassline kick in at 1.20 I get goosebumps all over. This song slays me. I've cried to this, and not just because I'm a sap. Because music. BECAUSE MUSIC.
10) Tom Waits – Little Drop Of Poison
(Mo Love): Tom Waits is one of those bluesy, folky, raw types... and I love his music. I am more of a fan of his faster tunes, but he has such a range of styles. His voice seems to fit all of it, too, in such a strange and beautiful way. I love the way he experiments with instruments, but he achieves it in a cool or beautiful way. I was lucky enough to see him perform live, and it was one of the most amazing shows I've been to. I chose this song, because it's from one of my favorite albums of his, “Orphans”. Epic.
11) Arcade Fire - Ready To Start
(Phoenix): Let's up the energy for a few, kids. This song is the soundtrack to my falling head over heels in love with Mo. I was very much ready to give up my old life and start anew. What a track. What a rush!
12) Stereolab – French Disko
(Phoenix): I used to go to the Old Trout in Windsor in the early 90s to see Stereolab. I had the great privilege to hear them, at point blank range, and at Apollo-rocket sound pressure levels perform this cracker several times when it was newly minted.
13) Gnarls Barkley - Crazy
(Mo Love): Gnarles Barkley are one of the all time greats in my opinion. Cee-Lo Green came outta left field and just blew everyone out of the park with Crazy. That whole album, from start to finish, is like a futuristic version of the Motown style and it was so fresh to hear! His voice is golden, and basically I became a life long fan when I heard that album. One of my absolute favorites.
14) Red House Painters – Mistress
(Phoenix): They had their 15 minutes in the early nineties. This song has a fantastic drum track. Fantastic lyrics too.
15) St Etienne – Avenue
(Phoenix): A respectful nod to a band who came before us on Dusk Dubs. I was dead jealous when they got on Heavenly – a label I'd always fancied for my own music. But fair enough, this is an immaculate, blissed-out 90s take on 1960s psychedelia, with a unique sound, especially the woozy intro, which was recorded inside a car while they were listening to a rough mix of the song. One of my favourite gigs was watching them support the much missed World Of Twist, way back in 1783.
16) Otis Redding – Try A Little Tenderness
(Mo Love): This song... Try a Little Tenderness is just packed full of energy, passion, and amazing vocals. The way it starts off so sweet and sensitive and ends up with Otis Redding pleading in such an epic way just gets me every time. I first heard this song in the movie “Pretty in Pink”, and I immediately went out and bought the CD. This was back in the late 90's and even now I never tire from hearing it.
17) The Stone Roses – Fool's Gold
(Phoenix): It was love at first listen way back when in the heady early nineties when indie, rock and dance all began swirling together. Britpop ascended, culminating in Oasis and Blur metaphorically punching each other in the face on TOTP five years later. Killer bassline and an irresistible groove.
18) The Stranglers - Golden Brown
(Phoenix): A “perfect” one – but you knew that already. This song proves that “pop” music can in fact be anything you say it is. Never before, and never since, has there been a track anything like this. Not just an anomaly in modern music, but for the band, as well. Most of their other stuff is growly and punky. And yes, I know it is a homage to heroin. Don't do it, kids. Why is Trainspotting II an impossible movie? Because if they were real junkies they'd probably all be dead by now. Pretty song though.
19) OMD – Messages
(Phoenix): There it is again, the simple, repeating riff over changing chords. This song grabbed me as a kid and it still sounds driving and vital today. It's ahead of its time: an early precursor of the rock/dance sound, so ubiquitous today. That little synth riff was made by manually octave-shifting a repeating 8th note, they had to do it live through the whole track and apparently getting the timing right was really agonising and took many takes. It strikes me that this song is a distant ancestor of our own “Patination”.
20) Radiohead - Idiotheque
(Mo Love): The sounds in Radiohead's Idioteque are just perfection. I am a die hard fan of Radiohead, and this one is one of my favorites of theirs. The beat is catchy, the words are great (as usual for them), and the way Thom's voice floats over that beat for the chorus is such a nice mix. Then as it transforms from chorus to trippy verse makes it solid. I also love the way Thom uses his voice in pretty much all of their songs. This is a golden winner.
21) Jeff Buckley – Lilac Wine
(Phoenix): Another of my “perfect” songs to finish. Perfect ensemble performance, perfect vocal, perfect length. This is a beautiful cover of a James Shelton song from the taken-way-too-young Buckley.]]></description>
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                                    <itunes:summary><![CDATA[[ Go Satta ]
Podcast: Dusk Dubs
Artist: Go Satta
Title: DD0438
Style: pop, soul, funk, rock
Time: 82 minutes
Date: 2017-10-22
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Go Satta to the Dusk Dubs family...
Go Satta are an Anglo-American pop duo which combines the production talents of Phoenix Love from London (music, instruments, production) and Mo Love from Detroit (music, vocals, lyrics). Between them they have brought their eclectic musical tastes - dance, funk, disco, dub, folk, ambient, progressive - into 20/20 focus with their pop duo Go Satta.
"When you've been been producing genre-busting pop for 30 years, as well as being an obsessive personal fan of all kinds of modern music, choosing an hour's worth of material has been, to say the least, a challenge.
There is music here has that has directly inspired my own music and sound (Lee “Scratch” Perry”, OMD), music that I just dig for one reason or another (Stereolab, Arcade Fire), and songs I consider “perfect tracks” (Radiohead, Stranglers, Geoff Buckley, It's Immaterial).
My criteria for a “perfect track” are: it has the ideal length and arrangement. All performances are exemplary. The production is gorgeous. It is special and unique in some way.
I try to apply the above rules to the music I make in Go Satta as a useful checklist for a great song. It's what forces me to keep songs as short as possible, whilst being as layered and intricate as I can make them. I'm not saying I achieve any kind of perfection all or even some of the time, but it's important to set your bar high as an artist, or why expect anybody else to care?" (Phoenix Love)
You can find them HERE
discogs.com/artist/4037215-Go-Satta
soundcloud.com/gosatta
facebook.com/gosattaband
twitter.com/go_satta
youtube.com/channel/UCNwFUJ4Xr...rzReKJcRiqW_okg
Tracklisting
1) Go Satta – Patination
(Phoenix) We have chosen two of our own songs for this show. Both of which are our most recent recordings. A good sign, I guess, when you consider we have already recorded 50. I'm really pleased with the rounded sound of this song, and especially the 8 channels of vocals that Mo delivered for the chorus. And that chorus is just epic. It recently won a BBC Introducing Top Pick.
2) Go Satta – Detroit
(Phoenix): I hate repeating myself, so our next song from the studio was this kind of lush, modern take on Motown. It really allows Mo's voice room to breathe, and it was great fun arranging the dynamic and rather odd bridge. We're currently working on a couple of songs to release with this as an EP.
3) The Heptones - Crying Over You
(Phoenix) One of my “perfect” ones. Produced by the legendary Lee “Scratch” Perry in his Black Ark studio, this song contains not one, but two of the greatest reggae basslines of all time. The classic sound of his Black Ark studio is so important to me. So warm and organic. Proper roots reggae feels somehow ancient, as if unearthed by archaeologists.
4) Interpol - Untitled
(Mo Love): When I heard it for the first time it just felt so open; like flying through music or something. It was the first time I had heard music like that, and it blew my mind frankly. So I have a sweet spot for Interpol, always have and always will.
5) It's Immaterial - Ed's Funky Diner
(Phoenix): Another “perfect song”. I'd bet my bottom dollar you've never heard this before. Why wasn't this a worldwide hit? Why does almost nobody know about this band (except perhaps for the single “Driving Away From Home” that charted in the mid 80s)? An exhilarating rush of tuneful pop/rock. You are very welcome. Check out their first album, if you can find it.
6) Jose Gonzalez – Heartbeats
(Phoenix): This is just so, so pretty. I was stunned to learn that it is a cover – of an electro-rock song by The Knives, of all people.
7) Blonde Redhead – Misery Is A Butterfly
(Mo Love): One of those bands that just puts all their emotions into their music. You can feel it, and most of their stuff seems pretty melancholy, but in a most beautiful way. I love the way these guys blend together so great. Their sound is so unique.
8) Radiohead – Nude
(Phoenix): Another “perfect” one. Why? Thom's vocal is exquisite, and the way the song builds to that ending...goosebumps every time. I love songs that change as they go along, musically, and the final coda is one of my favourite passages in modern music. I didn't “get” Radiohead at all for the first half of their career, then In Rainbows came along. It's one of the greatest rock albums of all time.
9) Bon Iver – Holocene
(Phoenix): If I had to take one song to my grave, or a desert island (I'd prefer the island), it would be this. It's possibly my favourite song of all time. A repeating riff over shifting chords always gets me going, and this delivers so beautifully. When the beat and the bassline kick in at 1.20 I get goosebumps all over. This song slays me. I've cried to this, and not just because I'm a sap. Because music. BECAUSE MUSIC.
10) Tom Waits – Little Drop Of Poison
(Mo Love): Tom Waits is one of those bluesy, folky, raw types... and I love his music. I am more of a fan of his faster tunes, but he has such a range of styles. His voice seems to fit all of it, too, in such a strange and beautiful way. I love the way he experiments with instruments, but he achieves it in a cool or beautiful way. I was lucky enough to see him perform live, and it was one of the most amazing shows I've been to. I chose this song, because it's from one of my favorite albums of his, “Orphans”. Epic.
11) Arcade Fire - Ready To Start
(Phoenix): Let's up the energy for a few, kids. This song is the soundtrack to my falling head over heels in love with Mo. I was very much ready to give up my old life and start anew. What a track. What a rush!
12) Stereolab – French Disko
(Phoenix): I used to go to the Old Trout in Windsor in the early 90s to see Stereolab. I had the great privilege to hear them, at point blank range, and at Apollo-rocket sound pressure levels perform this cracker several times when it was newly minted.
13) Gnarls Barkley - Crazy
(Mo Love): Gnarles Barkley are one of the all time greats in my opinion. Cee-Lo Green came outta left field and just blew everyone out of the park with Crazy. That whole album, from start to finish, is like a futuristic version of the Motown style and it was so fresh to hear! His voice is golden, and basically I became a life long fan when I heard that album. One of my absolute favorites.
14) Red House Painters – Mistress
(Phoenix): They had their 15 minutes in the early nineties. This song has a fantastic drum track. Fantastic lyrics too.
15) St Etienne – Avenue
(Phoenix): A respectful nod to a band who came before us on Dusk Dubs. I was dead jealous when they got on Heavenly – a label I'd always fancied for my own music. But fair enough, this is an immaculate, blissed-out 90s take on 1960s psychedelia, with a unique sound, especially the woozy intro, which was recorded inside a car while they were listening to a rough mix of the song. One of my favourite gigs was watching them support the much missed World Of Twist, way back in 1783.
16) Otis Redding – Try A Little Tenderness
(Mo Love): This song... Try a Little Tenderness is just packed full of energy, passion, and amazing vocals. The way it starts off so sweet and sensitive and ends up with Otis Redding pleading in such an epic way just gets me every time. I first heard this song in the movie “Pretty in Pink”, and I immediately went out and bought the CD. This was back in the late 90's and even now I never tire from hearing it.
17) The Stone Roses – Fool's Gold
(Phoenix): It was love at first listen way back when in the heady early nineties when indie, rock and dance all began swirling together. Britpop ascended, culminating in Oasis and Blur metaphorically punching each other in the face on TOTP five years later. Killer bassline and an irresistible groove.
18) The Stranglers - Golden Brown
(Phoenix): A “perfect” one – but you knew that already. This song proves that “pop” music can in fact be anything you say it is. Never before, and never since, has there been a track anything like this. Not just an anomaly in modern music, but for the band, as well. Most of their other stuff is growly and punky. And yes, I know it is a homage to heroin. Don't do it, kids. Why is Trainspotting II an impossible movie? Because if they were real junkies they'd probably all be dead by now. Pretty song though.
19) OMD – Messages
(Phoenix): There it is again, the simple, repeating riff over changing chords. This song grabbed me as a kid and it still sounds driving and vital today. It's ahead of its time: an early precursor of the rock/dance sound, so ubiquitous today. That little synth riff was made by manually octave-shifting a repeating 8th note, they had to do it live through the whole track and apparently getting the timing right was really agonising and took many takes. It strikes me that this song is a distant ancestor of our own “Patination”.
20) Radiohead - Idiotheque
(Mo Love): The sounds in Radiohead's Idioteque are just perfection. I am a die hard fan of Radiohead, and this one is one of my favorites of theirs. The beat is catchy, the words are great (as usual for them), and the way Thom's voice floats over that beat for the chorus is such a nice mix. Then as it transforms from chorus to trippy verse makes it solid. I also love the way Thom uses his voice in pretty much all of their songs. This is a golden winner.
21) Jeff Buckley – Lilac Wine
(Phoenix): Another of my “perfect” songs to finish. Perfect ensemble performance, perfect vocal, perfect length. This is a beautiful cover of a James Shelton song from the taken-way-too-young Buckley.]]></itunes:summary>
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                                        <pubDate>Sun, 15 Oct 2017 09:54:57 +0200</pubDate>
                                        
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0437 Dusk Dubs - Nick Woodmansey</title>
                                    <description><![CDATA[[ Nick Woodmansey ]
Podcast: Dusk Dubs
Artist: Nick Woodmansey
Title: DD0437
Style: Jazz
Time: 68 minutes
Date: 2017-10-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine
This week we have the pleasure of welcoming Nick Woodmansey to the Dusk Dubs family.
Nick is a drummer / percussionist, producer and DJ whose musical output has been filling the record boxes of some of the most prominent selectors on the London and worldwide scene. As a producer he has worked with some of the best, Soundspecies, Matthew Halsall, Four Tet & Floating Points, Jesica Lauren, Rocketnumbernine, Zara McFarlane, Finn Peters and Ahmed Abdullah being just some of them. During the last 9 years or so, his main focus has been his wonderful space-jazz project 'Emanative', which most recently released the killer single "Ominous Shanti/Black Enchantment" 7", which is still available HERE.
Nick explains what's next for Emanative........
"I'm working on a new record for Jazzman records. This will be released early next year and involves a whole bunch of amazing musicians and artists many of whom i've been working with for quite a few years now.
I wanted to do a mix that acknowledges and shines a light on them as individuals. They also happen to be good friends and very cool people.
Big love to the Emanative band !"
Nick
You can find him HERE
discogs.com/artist/779027-Nick...Nick-Woodmansey
emanative.bandcamp.com
emanativespacebeats.blogspot.com
facebook.com/emanative
twitter.com/emanative
soundcloud.com/emanative
mixcloud.com/emanative
youtube.com/user/emanativespacebeats
discogs.com/artist/887588-Emanative
Tracklisting
1) Jessica Lauren - Ajua
Ajua - taken from Jessica Lauren's beautiful soundscape of an album 'Film'.
I first heard this piece before we started working together, and I knew I wanted us to explore more of this side of her playing.
Analog synth and tape delay heaven! All because of this we've ended up creating so much mad crazy shit as well as serene and spatial jazz just like this next Jessica Lauren Four track...
2) Jessica Lauren - White Mountain
White Mountain is another of my favourite Jessica tracks, this one is deep and cinematic, with upright bass and layers upon layers of killer percussion. It's been impossible to ever tire of this one, it still takes me out there! She has a mind-bendingly good new album coming out early next year on Freestyle Records.
3) Rocketnumbernine - Black And Blue
Black and Blue is taken from the Rocketnumbernine EP with Steel Drummer on it... love everything brothers Ben and Tom Page do with their 'live' synth versus drums experiments. Tom is also a fellow trustee of the Steve Reid Foundation, and he knew and hung out with drummer Steve Reid himself.
Ben has collaborated with me before on our 'Over EP'. We've been working on some new stuff for the new record, some subtle and tasty electronics in his signature style. We also worked together on a forthcoming remix for Tommaso Cappellato.
4) Collocutor - Everywhere (Radio Edit)
Everywhere is my favourite from the most recent Collocutor album 'The Search', and I found out the other night that it's also one of Tamar Osborn's, whilst we were playing records at Brilliant Corners. For me it has an almost underlying and implied hip-hop attitude, whithout the obviousness of heavy beats.
5) Collocutor - Gozo
Gozo is taken from the first Collocutor album Instead, the conga's on this always sound so amazing to me. A percussion extravaganza, with the most amazing horns taking influence from Indian, Arabic, African and Classical music all at the same time. I remember Tamar telling me she was writing and working on some of her own material whilst we were having a coffee break during rehearsals for playing at Dingwalls with Gilles Peterson and Patrick Forge. Next thing I heard, she had been in and recorded it and wanted me to help produce and mix the record. Both of these tracks also feature Suman Joshi on bass, as does this next one...
6) Dele Sosimi (feat. Prince Fatty & Nostalgia 77)  - Dance Together (Dub)
Dele Sosimi's Dance Together (Dub) is an amazing dubbed out afrobeat track (been in my record bag ever since I was given a copy by Dom Servini / Wah Wah 45s) Tamar and Suman both play for Dele, they both have that discipline and soul that you only get from playing these kind of heavy and intensive grooves for hours at these late night sessions. I have invited the man himself to join us on a collaboration for a kind of Afro Jazz inspired piece for the record, so fingers crossed!
7) Sarathy Korwar - Lost Parade
Lost Parade is Sarathy Korwar getting spacey with his Tabla and effects. Taken from his debut album for Ninja Tune. Love this!
8) Hector Plimmer - Shiver (Sarathy Korwar Remix)
Sarathy has recently done this killer remix of Shiver by Hector Plimmer (released by Albert's Favourites) They are both awardee's of Steve Reid Foundation funding and mentorship, and both very well deserving and productive ever since that point. Both have done beautiful and classic cutting edge albums.
Sarathy is playing mainly percussion on my new record, but we got him on my drums for a track too, a serious kit drummer!
9) Vince Vella - Cosmic Dog (Beatless)
Cosmic Dog is from one of my other percussionists of choice for this album. Vince Vella, a producer and percussionist with a deep knowledge and understanding of Afro-Cuban, Brazilian and Tropical rhythms. Love his vibe and creativeness as a percussionist, and he's a bad-ass DJ as well, we've done some good nights together.
Philip Harper is the other bad man percussionist that i'm always so happy to have on board.
10) The Pyramids - Nebulosity
Nebulosity is from the main man Idris Ackamoor of the Pyramids. We're talking about doing another collaboration together, and as long as the stars allign and permit the barriers of space and time to disintegrate and allow this to happen i'm sure this will be as good as the last time, when we did Pharoah Sanders' Hum Allah together also featuring another legend, percussionist Kenneth Nash. I love The Pyramids to death. We were lucky enough to do a couple of gigs supporting them at Cafe Oto last year, the guys are all so chilled out that it made for such a cool and creative vibe.
11) Liz Elensky - Distractions
Distractions is a track for I produced for Liz Elensky. It also features Jessica, Tamar and myself. I'm happy to say there will be more coming soon from Liz, on the new album as well as some of her solo material with myself and Geoff Woolley. Been too long since we heard her voice on something. Very excited about this.
12) Ahu - To: Love. (Dimlite Remix)
I'm really happy to say that we have Ahu singing with us once again. This track To: Love. she did with Dimlite is still mindblowing, as is another classic collab she did...
13) Flying Lotus - RobertaFlack (feat. Ahu)
RobertaFlack with Flying Lotus... It's nice to be working on something new with her. It's been a while since Turn Your Lights On made it's way onto a Brownswood Bubblers compilation.
14) Ben Hadwen/Emanative  - Oshi Ga Puri
Ben Hadwen's Oshi Ga Puri is a track I produced for him earlier this year. I love everything Ben touches, for example his horn arrangement on Turn Your Lights On. This recent Bass Clarinet jam was really fun.
15) Emanative - Interstellar Outerlude
On the subject of Ben's horn arrangements... this is a little interlude (or rather outerlude) he created for our first album Space.]]></description>
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                                    <itunes:summary><![CDATA[[ Nick Woodmansey ]
Podcast: Dusk Dubs
Artist: Nick Woodmansey
Title: DD0437
Style: Jazz
Time: 68 minutes
Date: 2017-10-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine
This week we have the pleasure of welcoming Nick Woodmansey to the Dusk Dubs family.
Nick is a drummer / percussionist, producer and DJ whose musical output has been filling the record boxes of some of the most prominent selectors on the London and worldwide scene. As a producer he has worked with some of the best, Soundspecies, Matthew Halsall, Four Tet & Floating Points, Jesica Lauren, Rocketnumbernine, Zara McFarlane, Finn Peters and Ahmed Abdullah being just some of them. During the last 9 years or so, his main focus has been his wonderful space-jazz project 'Emanative', which most recently released the killer single "Ominous Shanti/Black Enchantment" 7", which is still available HERE.
Nick explains what's next for Emanative........
"I'm working on a new record for Jazzman records. This will be released early next year and involves a whole bunch of amazing musicians and artists many of whom i've been working with for quite a few years now.
I wanted to do a mix that acknowledges and shines a light on them as individuals. They also happen to be good friends and very cool people.
Big love to the Emanative band !"
Nick
You can find him HERE
discogs.com/artist/779027-Nick...Nick-Woodmansey
emanative.bandcamp.com
emanativespacebeats.blogspot.com
facebook.com/emanative
twitter.com/emanative
soundcloud.com/emanative
mixcloud.com/emanative
youtube.com/user/emanativespacebeats
discogs.com/artist/887588-Emanative
Tracklisting
1) Jessica Lauren - Ajua
Ajua - taken from Jessica Lauren's beautiful soundscape of an album 'Film'.
I first heard this piece before we started working together, and I knew I wanted us to explore more of this side of her playing.
Analog synth and tape delay heaven! All because of this we've ended up creating so much mad crazy shit as well as serene and spatial jazz just like this next Jessica Lauren Four track...
2) Jessica Lauren - White Mountain
White Mountain is another of my favourite Jessica tracks, this one is deep and cinematic, with upright bass and layers upon layers of killer percussion. It's been impossible to ever tire of this one, it still takes me out there! She has a mind-bendingly good new album coming out early next year on Freestyle Records.
3) Rocketnumbernine - Black And Blue
Black and Blue is taken from the Rocketnumbernine EP with Steel Drummer on it... love everything brothers Ben and Tom Page do with their 'live' synth versus drums experiments. Tom is also a fellow trustee of the Steve Reid Foundation, and he knew and hung out with drummer Steve Reid himself.
Ben has collaborated with me before on our 'Over EP'. We've been working on some new stuff for the new record, some subtle and tasty electronics in his signature style. We also worked together on a forthcoming remix for Tommaso Cappellato.
4) Collocutor - Everywhere (Radio Edit)
Everywhere is my favourite from the most recent Collocutor album 'The Search', and I found out the other night that it's also one of Tamar Osborn's, whilst we were playing records at Brilliant Corners. For me it has an almost underlying and implied hip-hop attitude, whithout the obviousness of heavy beats.
5) Collocutor - Gozo
Gozo is taken from the first Collocutor album Instead, the conga's on this always sound so amazing to me. A percussion extravaganza, with the most amazing horns taking influence from Indian, Arabic, African and Classical music all at the same time. I remember Tamar telling me she was writing and working on some of her own material whilst we were having a coffee break during rehearsals for playing at Dingwalls with Gilles Peterson and Patrick Forge. Next thing I heard, she had been in and recorded it and wanted me to help produce and mix the record. Both of these tracks also feature Suman Joshi on bass, as does this next one...
6) Dele Sosimi (feat. Prince Fatty & Nostalgia 77)  - Dance Together (Dub)
Dele Sosimi's Dance Together (Dub) is an amazing dubbed out afrobeat track (been in my record bag ever since I was given a copy by Dom Servini / Wah Wah 45s) Tamar and Suman both play for Dele, they both have that discipline and soul that you only get from playing these kind of heavy and intensive grooves for hours at these late night sessions. I have invited the man himself to join us on a collaboration for a kind of Afro Jazz inspired piece for the record, so fingers crossed!
7) Sarathy Korwar - Lost Parade
Lost Parade is Sarathy Korwar getting spacey with his Tabla and effects. Taken from his debut album for Ninja Tune. Love this!
8) Hector Plimmer - Shiver (Sarathy Korwar Remix)
Sarathy has recently done this killer remix of Shiver by Hector Plimmer (released by Albert's Favourites) They are both awardee's of Steve Reid Foundation funding and mentorship, and both very well deserving and productive ever since that point. Both have done beautiful and classic cutting edge albums.
Sarathy is playing mainly percussion on my new record, but we got him on my drums for a track too, a serious kit drummer!
9) Vince Vella - Cosmic Dog (Beatless)
Cosmic Dog is from one of my other percussionists of choice for this album. Vince Vella, a producer and percussionist with a deep knowledge and understanding of Afro-Cuban, Brazilian and Tropical rhythms. Love his vibe and creativeness as a percussionist, and he's a bad-ass DJ as well, we've done some good nights together.
Philip Harper is the other bad man percussionist that i'm always so happy to have on board.
10) The Pyramids - Nebulosity
Nebulosity is from the main man Idris Ackamoor of the Pyramids. We're talking about doing another collaboration together, and as long as the stars allign and permit the barriers of space and time to disintegrate and allow this to happen i'm sure this will be as good as the last time, when we did Pharoah Sanders' Hum Allah together also featuring another legend, percussionist Kenneth Nash. I love The Pyramids to death. We were lucky enough to do a couple of gigs supporting them at Cafe Oto last year, the guys are all so chilled out that it made for such a cool and creative vibe.
11) Liz Elensky - Distractions
Distractions is a track for I produced for Liz Elensky. It also features Jessica, Tamar and myself. I'm happy to say there will be more coming soon from Liz, on the new album as well as some of her solo material with myself and Geoff Woolley. Been too long since we heard her voice on something. Very excited about this.
12) Ahu - To: Love. (Dimlite Remix)
I'm really happy to say that we have Ahu singing with us once again. This track To: Love. she did with Dimlite is still mindblowing, as is another classic collab she did...
13) Flying Lotus - RobertaFlack (feat. Ahu)
RobertaFlack with Flying Lotus... It's nice to be working on something new with her. It's been a while since Turn Your Lights On made it's way onto a Brownswood Bubblers compilation.
14) Ben Hadwen/Emanative  - Oshi Ga Puri
Ben Hadwen's Oshi Ga Puri is a track I produced for him earlier this year. I love everything Ben touches, for example his horn arrangement on Turn Your Lights On. This recent Bass Clarinet jam was really fun.
15) Emanative - Interstellar Outerlude
On the subject of Ben's horn arrangements... this is a little interlude (or rather outerlude) he created for our first album Space.]]></itunes:summary>
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                                        <pubDate>Sun, 08 Oct 2017 11:41:09 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-08T11:41:09+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0436 Dusk Dubs - Mat Hoods</title>
                                    <description><![CDATA[[Mat Hoods ]
Podcast: Dusk Dubs
Artist: Mat Hoods
Title: DD0436
Style: Soul, Folk. Funk, Downetmpo, Big Band
Time: 63 minutes
Date: 2017-10-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Mr. Mat Hoods to the Dusk Dubs family.....
"Late nights ebb away on the early morning tide, familiar shapes and patterns ripple over sand washed in harmony with the ocean. I’ve left my studio, the records, the music and taken myself a few streets away to sit by the sea, reflect on my time as an ambivalent spectator on my fortieth revolution around the sun.
In previous mixes I focused on the transition between sunsets to early evening, the shifts in sounds and anticipation of things to come. With this mix I wanted a more 5am feel, those slow hours before dawn when the conversations drift off into listening to music with a story. And what a story…
So I looked back at the foundations of my musical influences. From folk music to synthesisers and the rest all jumbled up with it. Find a good spot, immerse yourself and hit play. Works really well about 24 minutes before sunrise for full synchronisation."
Mat..
You can find him HERE:
hearthis.at/mathoods
facebook.com/Shoes-and-Plimsol...ds-205340625249
soundcloud.com/mat-hoods
mixcloud.com/mathoods
soundcloud.com/the_automats
Tracklisting
1) Lani Hall - Wherever I May Find Him (A&M 1972)
Taken from Lani Hall‘s awesome debut album, Sun Down Lady. It was difficult to decide which track to include as they all pretty special but I settled upon her version of Simon & Garfunkel - For Emily, Wherever I May Find Her, a track I grew up listening to thanks to my mum.
2) Jackson C Frank - Blues Run The Game (Columbia 1965)
More Paul Simon influence here with the beautifully melancholy song by Jackon C Frank. I won’t go into his life here, but its safe to say experiences are reflected in music. I’d always been familiar with the Simon & Garfunkel version, then later Bert Jansch and Nick Drake’s versions. It is the original version that has stayed with my soul the longest.
3) Kings Of Convenience - Summer On The Westhill (Source 2001)
I love the cello in this song, slowly rising and genteelly lulling you away from slumber. Taken from their 2001 lp, Quiet Is The New Loud.
4) John Martyn - Go Down Easy (Island Records 1973)
I couldn’t leave John Martyn out of this mix. I first heard his music when I was around fifteen years old, with worn out cassette recordings of Solid Air, London Conversation and Sunday’s Child. Thankfully adult me replaced these with original vinyl pressings. This one is taken from the Australian pressing of Solid Air.
5) The Doobie Brothers - Flying Cloud (Warner Bros. Records 1974)
A short but nothing short of perfect track from The Doobie Brothers transitioning away from my folk music influences and more into synthesizer led territory.
6) Barefoot Jerry - Friends (Warner Bros. Records  1972)
This record is a sure fire winner for any gig. Taken from their 1972 self titled LP. I think it may have been Balearic Mike that put me onto this one… Definitely needs some fader adjustment half way through the record though, gets a bit loud at the end.
7) Moonlight - Am I Really Here (Warner Bros. Records  1977)
Can’t tell you much about this record apart from I found it in a job lot (around 2000 7” singles) I purchased from a collector. They had been badly stored and most without sleeves. I did however find some gems in there like this one. I can say they were a psych rock band from Australia and this was a B side. Was reissued on a comp of Australian psych rock earlier this year.
8) Roslyn & Charles - Everything Must Change (Cheri Records 1981)
You are probably more familiar with George Benson’s version but here is a stunning gospel version by Roslyn & Charles. I bought this record from a dealer in a car park in Levenshulme after asking him to  bring me any gospel he finds. Beautifully uplifting, the prefect early morning record if you don’t mind people singing about religion. There are some great tracks on that LP. 
9) Maxine Nightingale - Get It Up For Love (United Artists 1977)
Here is a track that manages to bridge the gap between Ned Doheny’s original and Tata Vega’s excellent disco version. Maxine Nightingale’s slunk out sleazy version of Get It Up For Love. Perfect late night tackle
10) Willis Alan Ramsey - Muskrat Candlelight (A&M Records 1972)
My soul is in love with this song. I’ve known America’s version for years but only heard the original a few months after moving to New Zealand.  The backing vocals and mellow Vibraphone are provided by Leon Russell. Incidentally Lani Hall did her own version of this song with her husband Herb Alpert called Sun Down, it omit’s the joys of a Muskrat’s courtship display though…
11) Destroyer - Bay Of Pigs (Dead Oceans 2014)
Hauntingly poetic, Destroyer’s ode to a life derailed by drink. Quite possibly what a collaboration between Dylan Thomas and Delia Derbyshire would have sounded like. One of my treasured vinyl pressings and many thanks to my good friend Matt Crane for seeing it and buying it for me.
12) Kauai High Jazz Rock Ensemble - Peace On Earth (RPC)
An Incredible recording! Full credit to Roger Bong for finding this one. A High School band from Lihue, Hawaii. Someone needs to repress this album, if this track is anything to judge by…
13)  Art Of The Memory Palace - Your Soul Is Not A Bird (Static Caravan Recordings 2016)
And we close the mix with a track by a very talented friend of mine. Your Soul Is Not A Bird is an orchestral-drone collaboration by Art Of The Memory Palace and author, playwright and poet, James Robertson. Enjoy this one, its an absolute masterpiece in music and storytelling.]]></description>
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                                    <itunes:summary><![CDATA[[Mat Hoods ]
Podcast: Dusk Dubs
Artist: Mat Hoods
Title: DD0436
Style: Soul, Folk. Funk, Downetmpo, Big Band
Time: 63 minutes
Date: 2017-10-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Mr. Mat Hoods to the Dusk Dubs family.....
"Late nights ebb away on the early morning tide, familiar shapes and patterns ripple over sand washed in harmony with the ocean. I’ve left my studio, the records, the music and taken myself a few streets away to sit by the sea, reflect on my time as an ambivalent spectator on my fortieth revolution around the sun.
In previous mixes I focused on the transition between sunsets to early evening, the shifts in sounds and anticipation of things to come. With this mix I wanted a more 5am feel, those slow hours before dawn when the conversations drift off into listening to music with a story. And what a story…
So I looked back at the foundations of my musical influences. From folk music to synthesisers and the rest all jumbled up with it. Find a good spot, immerse yourself and hit play. Works really well about 24 minutes before sunrise for full synchronisation."
Mat..
You can find him HERE:
hearthis.at/mathoods
facebook.com/Shoes-and-Plimsol...ds-205340625249
soundcloud.com/mat-hoods
mixcloud.com/mathoods
soundcloud.com/the_automats
Tracklisting
1) Lani Hall - Wherever I May Find Him (A&M 1972)
Taken from Lani Hall‘s awesome debut album, Sun Down Lady. It was difficult to decide which track to include as they all pretty special but I settled upon her version of Simon & Garfunkel - For Emily, Wherever I May Find Her, a track I grew up listening to thanks to my mum.
2) Jackson C Frank - Blues Run The Game (Columbia 1965)
More Paul Simon influence here with the beautifully melancholy song by Jackon C Frank. I won’t go into his life here, but its safe to say experiences are reflected in music. I’d always been familiar with the Simon & Garfunkel version, then later Bert Jansch and Nick Drake’s versions. It is the original version that has stayed with my soul the longest.
3) Kings Of Convenience - Summer On The Westhill (Source 2001)
I love the cello in this song, slowly rising and genteelly lulling you away from slumber. Taken from their 2001 lp, Quiet Is The New Loud.
4) John Martyn - Go Down Easy (Island Records 1973)
I couldn’t leave John Martyn out of this mix. I first heard his music when I was around fifteen years old, with worn out cassette recordings of Solid Air, London Conversation and Sunday’s Child. Thankfully adult me replaced these with original vinyl pressings. This one is taken from the Australian pressing of Solid Air.
5) The Doobie Brothers - Flying Cloud (Warner Bros. Records 1974)
A short but nothing short of perfect track from The Doobie Brothers transitioning away from my folk music influences and more into synthesizer led territory.
6) Barefoot Jerry - Friends (Warner Bros. Records  1972)
This record is a sure fire winner for any gig. Taken from their 1972 self titled LP. I think it may have been Balearic Mike that put me onto this one… Definitely needs some fader adjustment half way through the record though, gets a bit loud at the end.
7) Moonlight - Am I Really Here (Warner Bros. Records  1977)
Can’t tell you much about this record apart from I found it in a job lot (around 2000 7” singles) I purchased from a collector. They had been badly stored and most without sleeves. I did however find some gems in there like this one. I can say they were a psych rock band from Australia and this was a B side. Was reissued on a comp of Australian psych rock earlier this year.
8) Roslyn & Charles - Everything Must Change (Cheri Records 1981)
You are probably more familiar with George Benson’s version but here is a stunning gospel version by Roslyn & Charles. I bought this record from a dealer in a car park in Levenshulme after asking him to  bring me any gospel he finds. Beautifully uplifting, the prefect early morning record if you don’t mind people singing about religion. There are some great tracks on that LP. 
9) Maxine Nightingale - Get It Up For Love (United Artists 1977)
Here is a track that manages to bridge the gap between Ned Doheny’s original and Tata Vega’s excellent disco version. Maxine Nightingale’s slunk out sleazy version of Get It Up For Love. Perfect late night tackle
10) Willis Alan Ramsey - Muskrat Candlelight (A&M Records 1972)
My soul is in love with this song. I’ve known America’s version for years but only heard the original a few months after moving to New Zealand.  The backing vocals and mellow Vibraphone are provided by Leon Russell. Incidentally Lani Hall did her own version of this song with her husband Herb Alpert called Sun Down, it omit’s the joys of a Muskrat’s courtship display though…
11) Destroyer - Bay Of Pigs (Dead Oceans 2014)
Hauntingly poetic, Destroyer’s ode to a life derailed by drink. Quite possibly what a collaboration between Dylan Thomas and Delia Derbyshire would have sounded like. One of my treasured vinyl pressings and many thanks to my good friend Matt Crane for seeing it and buying it for me.
12) Kauai High Jazz Rock Ensemble - Peace On Earth (RPC)
An Incredible recording! Full credit to Roger Bong for finding this one. A High School band from Lihue, Hawaii. Someone needs to repress this album, if this track is anything to judge by…
13)  Art Of The Memory Palace - Your Soul Is Not A Bird (Static Caravan Recordings 2016)
And we close the mix with a track by a very talented friend of mine. Your Soul Is Not A Bird is an orchestral-drone collaboration by Art Of The Memory Palace and author, playwright and poet, James Robertson. Enjoy this one, its an absolute masterpiece in music and storytelling.]]></itunes:summary>
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                                        <pubDate>Sun, 01 Oct 2017 09:55:18 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-01T09:55:18+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0435 Dusk Dubs - Colin Dale</title>
                                    <description><![CDATA[[ Colin Dale ]
Podcast: Dusk Dubs
Artist: Colin Dale
Title: DD0435
Style: Boogie, Soul, Jazz, Funk
Time: 120 minutes
Date: 2017-10-01
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, legendary DJ Colin Dale to the Dusk Dubs family.....
It all began in 1982 when Colin who was then working as a banker in the city of London began to warm up for Hip-Hop supremo "Tim Westwood" at the cult Gossips nightclub in Soho playing cuts like Soul Sonic Force, Strafe, Shannon and Donna Summer. “"Steve Walsh didn't turn up at Gossip that night and Tim asked me to do his spot, and it just started from there.  I remember thinking and being amazed that I could make such and such amounts of money for spinning records, really enjoy it, and it wasn't hard work or getting my hands dirty.
In 1985 Colin was one of the key members of the pirate radio station Kiss FM and soon after left banking to pursue a career in music and the "Abstrakt Dance" radio show was born. For 16 years "Abstrakt Dance" was a ground-breaking show which quite simply bought Techno to the masses. Guests on the show included all the Underground Resistance crew, Hawtin, Angel, Pullen, Garnier, Saunderson, Craig, May, Cox......the list goes on and on.. the show was put on the internet in 1993 and Colin became a household name in Techno circles Worldwide. It was the first ever Techno show to be transmitted live with visuals and it was revolutionary. 
It was around this time that Colin teamed up with Brenda Russell and Colin Faver to do the "Deep Space" series of clubs in London which again saw the team take London's Techno scene to new highs. Other club nights that Colin has been involved in include Electric Boogie, Vapour Space, Deep and Jelly. 
Colin helped launch Knowledge at the SW1 Club in Victoria, London on Wednesday with Colin Faver and Jane Howard of Serious Business. It quickly became one of London's biggest mid-week clubs dedicated to the 'Abstract Sound'. He has been able to take his sound worldwide to San Francisco, New York, Washington, Japan and Toronto. He has toured with Jesus Jones and travelled extensively throughout Europe, especially Germany. 
Production wise Colin has recorded for Perfecto on their very first LP, Obsessive, Logic, Sensei, Visitor, Abstrakt Dance, Swag, Laus and Alien Funk amongst others as well as 7 well received mix compilation LPs for various major record labels. (see discography*) As well as being a regular guest at clubs such as Fabric, Rex, Pasha (Buenos Aires) and Love (Brazil)
Colin has toured the Worlds clubs extensively.....Japan, China, Russia, Australia and Eastern Europe.........Colin is a favourite the World over. Looking back Colin has played some of the Worlds best parties.....Dance Valley, Full Moon, Tribal Gathering, Sunrise, Energy, Love Parade, Automatik and of course Rage @ Heaven. 
Colin continues to DJ at all the major clubs and events pushing his Tech, Minimal and Electro House sound with occasional injections of classics from the past. 
You can find him HERE
soundcloud.com/djcolindale
facebook.com/DJColinDale
twitter.com/djcolindale
discogs.com/artist/11978-Colin-Dale
residentadvisor.net/dj/colindale
"I've been a collector of music for more than 40 years now so in all honesty when it came to getting the tracks together I didn't know where to start as over the years I've followed Disco, Soul & Funk, the UK Jazz funk movement, Boogie, Electro, House & Acid and more. The backbone of all the above music is that they all have a strong dance ethos......music that was made to be heard in clubs.
I started clubbing seriously around the age of 15 and was also a hardcore collector of vinyl as well. Back then you could pick up great albums that had been deleted and had the right hand corner cut off..... you could pick them up for a fraction of the cover cost. I'd frequent record shops like Groove records in Soho, City Sounds, Bluebird, Red and Tony's record shop which was in the entrance of Brixton Tube Station.
Back in the day, it was all about Spats, Gossips, Electric Ballroom, 100 club, Crackers, Lyceum, Maximus, Cheeky Pete's, Wandsworth Town Hall and a whole host of others Clubs. Back then it was all about 'Boogie' music for me......tougher edged soul/funk made purely to dance to. 
I've chosen these tracks as I was heavily into dancing as well as playing these sounds in my early 20's. It was also a time that lots of pirate stations were
flourishing in London, there were fantastic warehouse parties and the music was so great that we still talk about it in hallowed terms today in 2017.
Here are some of my favourite's from back then, which have stood the test of time, and I still play and revere today."
[[ Colin Dale ]]
Tracklisting
1) Leo's Sunshipp - Give Me The Sunshine
2) Brenda Russell - In The Thick Of It
3) Eighties Ladies - Turned On To You
4) Edwin Birdsong - Rapper Dapper Snapper
5) Love Unlimited - High Steppin' Hip Dressin' Fellaa
6) The Keith Diamond Band - The Dip
7) Bernard Wright - Spinnin'
8) Oneness of Juju - Every Way But Loose
9) Exit 9 - Straight Up
10) Leroy Burgess – Heartbreaker
11) Dayton - The Sound Of Music
12) Candido - Thousand Finger Man
13) Narada Michael Walden - The Dance Of Life
14) Minnie Riperton - Inside My Love
15) Rotary Connection - I Am The Black Gold Of The Sun
16) Milton Wright - Keep It Up
17) Gaz - Sing Sing
18) Stargard - Which Way Is Up
19) Starshine - All I Need Is You
20) Leroy Hutson - Closer To The Source
21) Inner Life & Jocelyn Brown - Moment Of My Life ]]></description>
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                                    <itunes:summary><![CDATA[[ Colin Dale ]
Podcast: Dusk Dubs
Artist: Colin Dale
Title: DD0435
Style: Boogie, Soul, Jazz, Funk
Time: 120 minutes
Date: 2017-10-01
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, legendary DJ Colin Dale to the Dusk Dubs family.....
It all began in 1982 when Colin who was then working as a banker in the city of London began to warm up for Hip-Hop supremo "Tim Westwood" at the cult Gossips nightclub in Soho playing cuts like Soul Sonic Force, Strafe, Shannon and Donna Summer. “"Steve Walsh didn't turn up at Gossip that night and Tim asked me to do his spot, and it just started from there.  I remember thinking and being amazed that I could make such and such amounts of money for spinning records, really enjoy it, and it wasn't hard work or getting my hands dirty.
In 1985 Colin was one of the key members of the pirate radio station Kiss FM and soon after left banking to pursue a career in music and the "Abstrakt Dance" radio show was born. For 16 years "Abstrakt Dance" was a ground-breaking show which quite simply bought Techno to the masses. Guests on the show included all the Underground Resistance crew, Hawtin, Angel, Pullen, Garnier, Saunderson, Craig, May, Cox......the list goes on and on.. the show was put on the internet in 1993 and Colin became a household name in Techno circles Worldwide. It was the first ever Techno show to be transmitted live with visuals and it was revolutionary. 
It was around this time that Colin teamed up with Brenda Russell and Colin Faver to do the "Deep Space" series of clubs in London which again saw the team take London's Techno scene to new highs. Other club nights that Colin has been involved in include Electric Boogie, Vapour Space, Deep and Jelly. 
Colin helped launch Knowledge at the SW1 Club in Victoria, London on Wednesday with Colin Faver and Jane Howard of Serious Business. It quickly became one of London's biggest mid-week clubs dedicated to the 'Abstract Sound'. He has been able to take his sound worldwide to San Francisco, New York, Washington, Japan and Toronto. He has toured with Jesus Jones and travelled extensively throughout Europe, especially Germany. 
Production wise Colin has recorded for Perfecto on their very first LP, Obsessive, Logic, Sensei, Visitor, Abstrakt Dance, Swag, Laus and Alien Funk amongst others as well as 7 well received mix compilation LPs for various major record labels. (see discography*) As well as being a regular guest at clubs such as Fabric, Rex, Pasha (Buenos Aires) and Love (Brazil)
Colin has toured the Worlds clubs extensively.....Japan, China, Russia, Australia and Eastern Europe.........Colin is a favourite the World over. Looking back Colin has played some of the Worlds best parties.....Dance Valley, Full Moon, Tribal Gathering, Sunrise, Energy, Love Parade, Automatik and of course Rage @ Heaven. 
Colin continues to DJ at all the major clubs and events pushing his Tech, Minimal and Electro House sound with occasional injections of classics from the past. 
You can find him HERE
soundcloud.com/djcolindale
facebook.com/DJColinDale
twitter.com/djcolindale
discogs.com/artist/11978-Colin-Dale
residentadvisor.net/dj/colindale
"I've been a collector of music for more than 40 years now so in all honesty when it came to getting the tracks together I didn't know where to start as over the years I've followed Disco, Soul & Funk, the UK Jazz funk movement, Boogie, Electro, House & Acid and more. The backbone of all the above music is that they all have a strong dance ethos......music that was made to be heard in clubs.
I started clubbing seriously around the age of 15 and was also a hardcore collector of vinyl as well. Back then you could pick up great albums that had been deleted and had the right hand corner cut off..... you could pick them up for a fraction of the cover cost. I'd frequent record shops like Groove records in Soho, City Sounds, Bluebird, Red and Tony's record shop which was in the entrance of Brixton Tube Station.
Back in the day, it was all about Spats, Gossips, Electric Ballroom, 100 club, Crackers, Lyceum, Maximus, Cheeky Pete's, Wandsworth Town Hall and a whole host of others Clubs. Back then it was all about 'Boogie' music for me......tougher edged soul/funk made purely to dance to. 
I've chosen these tracks as I was heavily into dancing as well as playing these sounds in my early 20's. It was also a time that lots of pirate stations were
flourishing in London, there were fantastic warehouse parties and the music was so great that we still talk about it in hallowed terms today in 2017.
Here are some of my favourite's from back then, which have stood the test of time, and I still play and revere today."
[[ Colin Dale ]]
Tracklisting
1) Leo's Sunshipp - Give Me The Sunshine
2) Brenda Russell - In The Thick Of It
3) Eighties Ladies - Turned On To You
4) Edwin Birdsong - Rapper Dapper Snapper
5) Love Unlimited - High Steppin' Hip Dressin' Fellaa
6) The Keith Diamond Band - The Dip
7) Bernard Wright - Spinnin'
8) Oneness of Juju - Every Way But Loose
9) Exit 9 - Straight Up
10) Leroy Burgess – Heartbreaker
11) Dayton - The Sound Of Music
12) Candido - Thousand Finger Man
13) Narada Michael Walden - The Dance Of Life
14) Minnie Riperton - Inside My Love
15) Rotary Connection - I Am The Black Gold Of The Sun
16) Milton Wright - Keep It Up
17) Gaz - Sing Sing
18) Stargard - Which Way Is Up
19) Starshine - All I Need Is You
20) Leroy Hutson - Closer To The Source
21) Inner Life & Jocelyn Brown - Moment Of My Life ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/3/6/_/uploads/229472/image_track/1565126/w1400_h1400_q70_ptrue_v2_----cropped_1506788639.jpg" />
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                                        <pubDate>Sun, 24 Sep 2017 15:06:49 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-24T15:06:49+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0434 Dusk Dubs - Tony Justice</title>
                                    <description><![CDATA[[ Tony Justice ]
Podcast: Dusk Dubs
Artist: Tony Justice
Title: DD0434
Style: Soul, Jazz, Rare Groove, Electro and Techno
Time: 71 minutes
Date: 2017-09-24
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Tony Justice to the DuskDubs family....
"I have put together a selection of tracks that cover past and present. Some are tracks that started me on my musical journey, others I have hunted out along the way. Some have been a revelation and others just uplifting.There is a diversity amongst the tracks chosen all held together, in the main, with a thread of jazz.
Hope you dig it."
You can find him HERE
modernurbanjazz.bandcamp.com
mujbeats.bandcamp.com
discogs.com/label/6055-Modern-Urban-Jazz
facebook.com/Modernurbanjazz
soundcloud.com/modernurbanjazz
mixcloud.com/modernurbanjazz/uploads
youtube.com/channel/UC8UZqg1EI...I6AxVlNioFq-K5g
Tracklisting
1) Johnny Hammond - Back to the Projects
This is from the Gamblers Life LP which features and is produced by the Mizell brothers. Quite frankly this whole session could have quite easily become a homage to the brothers Mizell as my love for their sound is great. They have that signature sound which just lifts you up, which is perfect and as music should do.
2) Bo Diddley - Bad side of the Moon
I love these LP’s where the true originators hit the 1970’s and made a funky LP. It is documented that when Muddy Waters did Electric Mud he wasn’t feeling it at the time. I don’t know if he changed his mind or what Bo thought of this, but it’s a really funky outing with some great breaks, weird interludes and Bo doing his thing.
3) Tangerine Dream - Cloudburst Flight
I first got into TD when I was heavily involved in the drum and bass scene and their LP’s were always a great source for sampling. Very electronic in places with a mixture of acoustic instruments this track builds up into some great riffs and a nice straight beat. It verges on the 1980’s theme tune vibe, which the Dream have been known to write also.
4) Duke Ellington - Didjeridoo
I heard this whilst I was driving along one evening in the not too distant past. The break just got me from the start and I had to pull the motor over and listen. It finished, the DJ said what it was and before I could get my seatbelt back on, it had been purchased from Discogs.
5) The Summit - Erno’s Theme
The world I musically inhabit these days involves a lot of hip hop instrumentals of one vibe or another. This is on the laidback jazzy one and is by DJ Drinks going under his The Summit guise. It’s taken from the LP Nocturnes and is more than worth hunting down if you can.
6) The Mothers Of Invention - My Guitar wants to kill your Mama
An amalgamation of madness from Frank Zappa and co. Really hard to pin it down to any one thing, which is what I like. Its funky, mad, a bit weird, what’s not to love.
7) Break The Limits - Nectarine
I first hear this tune coming out of my radio in 1990. It was being played on a local pirate station and was the start of something. I was a hip-hop boy whose ears were being pricked by this new break injected music. This was about a year before I first went into a studio and looking back is probably one of the defining moments for my early productions which would eventually lead to embryonic drum and bass.
8) Roy Ayers And Wayne Henderson - No Deposit, No Return
I have said it before, I could happily listen to just Roy Ayers all day long. Roy just has that killer vibe and the key changes are to die for plus its funky as hell. Roy and Wayne teamed up for an LP and this is lifted from that LP. It’s a great jazz funk moment and it’s a lot of the stuff that I listen to now which falls across the ‘Jazz’ genre or related.
9) Jonzun Crew - Pack Jam (Look out for the OVC)
This is where it all really started for me, first heard this on the incredible Crucial Electro 2, which I purchased on tape from a provincial Boots or Woolworths. The first real music purchase I made contained this track. The whole thing was next level to my 11-year-old ears. This is a 12inch cut that I turned up last year in California.
10) Floating points - Peroration 6
This is a more contemporary lick. I became aware of FP via Peterson’s 6 music show and purchased the LP on the back of that. It’s all different styles some housey, some beaty, some ambient wash business but all with a common strand. This one builds into a crescendo.
11) Arthur Verocai - Presenta Gregor
This is off his grail LP of the same name. A superior repressing of the original which changes hands for big dough. Anyway, it’s not the money that’s important this whole LP is the bomb, I could have just played the whole album. The hype sticker on the front mentions Madlib saying he could probably listen to this everyday forever, he isn’t lying.
13) Catalin Tircolea - Sesame Street
I was at a record fair last year and the guy who was flicking through the jazz next to me said “have you heard this”?  To be fair I thought he was taking the piss because the dude on the sleeve had a big set of pan pipes. But to be fair I think his take on this cut is pretty good as with all his other renditions. Do judge a cover by its pan pipes.
14) A Certain Ratio - Shack Up
A cover of Banbarra’s Shack Up by Factory Records Punk Funk merchants ACR. The original is a breakbeat sample standard but I really love ACR’s slightly irreverent take on it too.
15) Armed Dukes - Stokey
Towards the end of last year, I was lucky enough to release an LP called Quadrant through my MUJ label. It was a stellar hip-hop instrumental affair by these guys who are DJ Drinks and Joe Cain. It’s a remarkable piece of work and this is one of the tracks from it.
16) Suburban Knight - The Warning
I have a great love for Detroit techno, the label Underground Resistance and also the guy making the noises on this release, Suburban Knight. It’s a winning trio in my mind and the Techno that has come out of Detroit has always been a major influence to me and has inspired many of my productions over the years.
17) The Osmonds - War in Heaven
This is from an LP called The Plan by of all people The Osmonds. This is them doing a Psych rock style LP which is well worth hunting down or bagging if you see it in the field. This is the intro to the LP and kind of covers everything you are going to hear. The Osmonds are much maligned but this is a great LP, their Crazy Horses is a mad record too and the LP Love Me for A Reason is full of breaks.
18) Sun Ra - Where Pathways Meet
More jazz, this time from the interstellar, space travelling Sun Ra. This is one of his more straightened out pieces and is just killer. No real noodling just pure Sun Ra distilled into one hell of a track. Solid drum and percussion work, incredible sax and sublime key work. My favourite Sun Ra piece.
19) Shuggie Otis - XL 30
This is Psychedelic soul man Shuggie doing what sounds to me house music back in 1974. I became aware of this track when I bought a repress of Inspiration Information around the year 2000. An incredible track for the time and totally off whack with anything else on the LP, a proper curve ball.]]></description>
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                                    <itunes:summary><![CDATA[[ Tony Justice ]
Podcast: Dusk Dubs
Artist: Tony Justice
Title: DD0434
Style: Soul, Jazz, Rare Groove, Electro and Techno
Time: 71 minutes
Date: 2017-09-24
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Tony Justice to the DuskDubs family....
"I have put together a selection of tracks that cover past and present. Some are tracks that started me on my musical journey, others I have hunted out along the way. Some have been a revelation and others just uplifting.There is a diversity amongst the tracks chosen all held together, in the main, with a thread of jazz.
Hope you dig it."
You can find him HERE
modernurbanjazz.bandcamp.com
mujbeats.bandcamp.com
discogs.com/label/6055-Modern-Urban-Jazz
facebook.com/Modernurbanjazz
soundcloud.com/modernurbanjazz
mixcloud.com/modernurbanjazz/uploads
youtube.com/channel/UC8UZqg1EI...I6AxVlNioFq-K5g
Tracklisting
1) Johnny Hammond - Back to the Projects
This is from the Gamblers Life LP which features and is produced by the Mizell brothers. Quite frankly this whole session could have quite easily become a homage to the brothers Mizell as my love for their sound is great. They have that signature sound which just lifts you up, which is perfect and as music should do.
2) Bo Diddley - Bad side of the Moon
I love these LP’s where the true originators hit the 1970’s and made a funky LP. It is documented that when Muddy Waters did Electric Mud he wasn’t feeling it at the time. I don’t know if he changed his mind or what Bo thought of this, but it’s a really funky outing with some great breaks, weird interludes and Bo doing his thing.
3) Tangerine Dream - Cloudburst Flight
I first got into TD when I was heavily involved in the drum and bass scene and their LP’s were always a great source for sampling. Very electronic in places with a mixture of acoustic instruments this track builds up into some great riffs and a nice straight beat. It verges on the 1980’s theme tune vibe, which the Dream have been known to write also.
4) Duke Ellington - Didjeridoo
I heard this whilst I was driving along one evening in the not too distant past. The break just got me from the start and I had to pull the motor over and listen. It finished, the DJ said what it was and before I could get my seatbelt back on, it had been purchased from Discogs.
5) The Summit - Erno’s Theme
The world I musically inhabit these days involves a lot of hip hop instrumentals of one vibe or another. This is on the laidback jazzy one and is by DJ Drinks going under his The Summit guise. It’s taken from the LP Nocturnes and is more than worth hunting down if you can.
6) The Mothers Of Invention - My Guitar wants to kill your Mama
An amalgamation of madness from Frank Zappa and co. Really hard to pin it down to any one thing, which is what I like. Its funky, mad, a bit weird, what’s not to love.
7) Break The Limits - Nectarine
I first hear this tune coming out of my radio in 1990. It was being played on a local pirate station and was the start of something. I was a hip-hop boy whose ears were being pricked by this new break injected music. This was about a year before I first went into a studio and looking back is probably one of the defining moments for my early productions which would eventually lead to embryonic drum and bass.
8) Roy Ayers And Wayne Henderson - No Deposit, No Return
I have said it before, I could happily listen to just Roy Ayers all day long. Roy just has that killer vibe and the key changes are to die for plus its funky as hell. Roy and Wayne teamed up for an LP and this is lifted from that LP. It’s a great jazz funk moment and it’s a lot of the stuff that I listen to now which falls across the ‘Jazz’ genre or related.
9) Jonzun Crew - Pack Jam (Look out for the OVC)
This is where it all really started for me, first heard this on the incredible Crucial Electro 2, which I purchased on tape from a provincial Boots or Woolworths. The first real music purchase I made contained this track. The whole thing was next level to my 11-year-old ears. This is a 12inch cut that I turned up last year in California.
10) Floating points - Peroration 6
This is a more contemporary lick. I became aware of FP via Peterson’s 6 music show and purchased the LP on the back of that. It’s all different styles some housey, some beaty, some ambient wash business but all with a common strand. This one builds into a crescendo.
11) Arthur Verocai - Presenta Gregor
This is off his grail LP of the same name. A superior repressing of the original which changes hands for big dough. Anyway, it’s not the money that’s important this whole LP is the bomb, I could have just played the whole album. The hype sticker on the front mentions Madlib saying he could probably listen to this everyday forever, he isn’t lying.
13) Catalin Tircolea - Sesame Street
I was at a record fair last year and the guy who was flicking through the jazz next to me said “have you heard this”?  To be fair I thought he was taking the piss because the dude on the sleeve had a big set of pan pipes. But to be fair I think his take on this cut is pretty good as with all his other renditions. Do judge a cover by its pan pipes.
14) A Certain Ratio - Shack Up
A cover of Banbarra’s Shack Up by Factory Records Punk Funk merchants ACR. The original is a breakbeat sample standard but I really love ACR’s slightly irreverent take on it too.
15) Armed Dukes - Stokey
Towards the end of last year, I was lucky enough to release an LP called Quadrant through my MUJ label. It was a stellar hip-hop instrumental affair by these guys who are DJ Drinks and Joe Cain. It’s a remarkable piece of work and this is one of the tracks from it.
16) Suburban Knight - The Warning
I have a great love for Detroit techno, the label Underground Resistance and also the guy making the noises on this release, Suburban Knight. It’s a winning trio in my mind and the Techno that has come out of Detroit has always been a major influence to me and has inspired many of my productions over the years.
17) The Osmonds - War in Heaven
This is from an LP called The Plan by of all people The Osmonds. This is them doing a Psych rock style LP which is well worth hunting down or bagging if you see it in the field. This is the intro to the LP and kind of covers everything you are going to hear. The Osmonds are much maligned but this is a great LP, their Crazy Horses is a mad record too and the LP Love Me for A Reason is full of breaks.
18) Sun Ra - Where Pathways Meet
More jazz, this time from the interstellar, space travelling Sun Ra. This is one of his more straightened out pieces and is just killer. No real noodling just pure Sun Ra distilled into one hell of a track. Solid drum and percussion work, incredible sax and sublime key work. My favourite Sun Ra piece.
19) Shuggie Otis - XL 30
This is Psychedelic soul man Shuggie doing what sounds to me house music back in 1974. I became aware of this track when I bought a repress of Inspiration Information around the year 2000. An incredible track for the time and totally off whack with anything else on the LP, a proper curve ball.]]></itunes:summary>
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                                        <pubDate>Sun, 17 Sep 2017 13:25:04 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-17T13:25:04+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0433 Dusk Dubs - Basement Phil</title>
                                    <description><![CDATA[[ Basement Phil ]
Podcast: Dusk Dubs
Artist: Basement Phil
Title: DD0433
Style: Jazz and Rare Groove
Time: 105 minutes
Date: 2017-09-17
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape we invite back producer, label owner, vinyl distributor, record shop owner, DJ and all round music man, Mr Phillip "Basement' Well to the Dusk Dubs family. Following on from his earlier volume in the year, DD0414 "Jazz - The Early Years", Phil compiles for us.... (Part 2) "Rare Jazz and Soulful Grooves".
"My biggest problem was picking a selection from a collection that spans from the 50s to today and in the tens of 1000s, so I decided to start at the beginning and select tracks that took me ages to track down and still love today even with the crackles, tunes which are great to just sit back, relax and listen to, so I hope you love the tunes as much as I.
I have been collecting records since I was a young lad, my first real passion was for Northern Soul which I travelled the Country to hear through my teens and early 20s and danced at Wigan Casino, Blackpool Mecca, Peterborough, Yate, Stafford, Prestatyn, St Ives and many many more and still collecting rare soul today. I also loved the sounds of Motown, Philadelphia & Disco whilst in my teens and then into the Jazz Funk Scene which is when my love for Jazz in all its forms exploded.
Growing up listening to DJs such as Chris Brown & Johnnie Walker at The Belvadere on a Sunday lunchtime in Ascot and then in the evening at Frenchies at the Cambridge hotel in Camberley as well as Robbie Vincent on GLR radio gave me an amazing eductaion. When I opened my first record shop The Record Basement in 1987 with my partner Pete Sinclair I was again given an eductaion in the sweet and rare soul sounds of the 70s and 80s and introduced into so many artists that to this day still excite me when I play their records.
The shop went onto becoming very famous during the Rave and Drum and Bass scenes, and it was in 1990 that I launched my label Basement Records. I launched my first Distribution Company Vinyl Distribution in 1990 and was instrumental in pushing through and financing the early Drum and Bass sound. I also launched Nu Urban Music in 2000, which was well known for getting behind the 'Jump Up' style of DnB, until I retired due to an accident in 2012. I am now semi retired and running a small shop 'Urban Vinyl' in my hometown of Weymouth and still DJing.
This selection features Jazz and Soul Rare Grooves, that grabbed my attention whilst collecting in the 1970s and 1980s. Many of these were so hard to find back in the day but a lot have had reissues over the last few years so can be owned for prices that are much lighter on the pocket with a few acceptions which command £1000 upwards to own original copies."
You can find him here:
facebook.com/pg/Basement-Recor...329890067204937
discogs.com/artist/31249-Basement-Phil
Tracklisting
1) Pastor T.L Barrett & The Youth For Christ Choir – Nobody Knows (MT Zion 1971 – Like A Ship Without A Sail LP)
2) Differences – Five Minutes (Monca records Inc 1971)
3) Terry Callier – I Just Can't Help Myself (Cadet 1973 – I Just Can't Help Myself LP)
4) Donald Byrd – Woman Of The World (Blue Note 1973 – Street Lady LP)
5) Chick Corea, Return To Forever – Light As A Feather (Polydor 1973 – Light As A Feather LP)
6) Lou Bond – Why Must Our Eyes Always Be Turned Backwards (We Produce 1974 – Lou Bond LP)
7) Papa Bear And The Cubs – Your'e So Fine (Sms 1975)
8) Jon lucien – Creole Lady (Columbia 1975 – Song For My Lady LP)
9) Nathan Davis - Stick Buddy (Tomorrow International 1976 – If LP)
10) Anglo Saxon Brown – Call On Me (Atlantic 1976 - Songs For Evolution LP)
11) Mixed Feelings – Sha La La (United Records 1976)
12) Maxi – Lover To Lover (Blue Note 1977 – Maxi LP)
13) Benny Golson –The New Killer Joe (Columbia 1977 – Killer Joe LP)
14) B Baker Chocalate Co – Dreamer (Lester Radio Corporation 1979 – B Baker Chocolate Co LP)
15) Sunburst – Mysterious Vibes (JVC 1980 – Sunburst LP)
16) Dave Gruisin – Friends & Strangers (Arista 1980 – Mountain Dance)
17) Roy Roberts Experience – You And Me Together (House Of Roton 1981 – Country Star LP)
18) Azymuth – What Price Samba (Milestone 1982 – Telecommunication)
19) The Arpeggio Jazz Ensemble – Le Le (Silk Skin Records 1987 - Le Le LP)
20) Aretha Franklin - One Step (Featurecast Re-edit) (Wah Wah Dubplates 2009)]]></description>
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                                    <itunes:summary><![CDATA[[ Basement Phil ]
Podcast: Dusk Dubs
Artist: Basement Phil
Title: DD0433
Style: Jazz and Rare Groove
Time: 105 minutes
Date: 2017-09-17
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape we invite back producer, label owner, vinyl distributor, record shop owner, DJ and all round music man, Mr Phillip "Basement' Well to the Dusk Dubs family. Following on from his earlier volume in the year, DD0414 "Jazz - The Early Years", Phil compiles for us.... (Part 2) "Rare Jazz and Soulful Grooves".
"My biggest problem was picking a selection from a collection that spans from the 50s to today and in the tens of 1000s, so I decided to start at the beginning and select tracks that took me ages to track down and still love today even with the crackles, tunes which are great to just sit back, relax and listen to, so I hope you love the tunes as much as I.
I have been collecting records since I was a young lad, my first real passion was for Northern Soul which I travelled the Country to hear through my teens and early 20s and danced at Wigan Casino, Blackpool Mecca, Peterborough, Yate, Stafford, Prestatyn, St Ives and many many more and still collecting rare soul today. I also loved the sounds of Motown, Philadelphia & Disco whilst in my teens and then into the Jazz Funk Scene which is when my love for Jazz in all its forms exploded.
Growing up listening to DJs such as Chris Brown & Johnnie Walker at The Belvadere on a Sunday lunchtime in Ascot and then in the evening at Frenchies at the Cambridge hotel in Camberley as well as Robbie Vincent on GLR radio gave me an amazing eductaion. When I opened my first record shop The Record Basement in 1987 with my partner Pete Sinclair I was again given an eductaion in the sweet and rare soul sounds of the 70s and 80s and introduced into so many artists that to this day still excite me when I play their records.
The shop went onto becoming very famous during the Rave and Drum and Bass scenes, and it was in 1990 that I launched my label Basement Records. I launched my first Distribution Company Vinyl Distribution in 1990 and was instrumental in pushing through and financing the early Drum and Bass sound. I also launched Nu Urban Music in 2000, which was well known for getting behind the 'Jump Up' style of DnB, until I retired due to an accident in 2012. I am now semi retired and running a small shop 'Urban Vinyl' in my hometown of Weymouth and still DJing.
This selection features Jazz and Soul Rare Grooves, that grabbed my attention whilst collecting in the 1970s and 1980s. Many of these were so hard to find back in the day but a lot have had reissues over the last few years so can be owned for prices that are much lighter on the pocket with a few acceptions which command £1000 upwards to own original copies."
You can find him here:
facebook.com/pg/Basement-Recor...329890067204937
discogs.com/artist/31249-Basement-Phil
Tracklisting
1) Pastor T.L Barrett & The Youth For Christ Choir – Nobody Knows (MT Zion 1971 – Like A Ship Without A Sail LP)
2) Differences – Five Minutes (Monca records Inc 1971)
3) Terry Callier – I Just Can't Help Myself (Cadet 1973 – I Just Can't Help Myself LP)
4) Donald Byrd – Woman Of The World (Blue Note 1973 – Street Lady LP)
5) Chick Corea, Return To Forever – Light As A Feather (Polydor 1973 – Light As A Feather LP)
6) Lou Bond – Why Must Our Eyes Always Be Turned Backwards (We Produce 1974 – Lou Bond LP)
7) Papa Bear And The Cubs – Your'e So Fine (Sms 1975)
8) Jon lucien – Creole Lady (Columbia 1975 – Song For My Lady LP)
9) Nathan Davis - Stick Buddy (Tomorrow International 1976 – If LP)
10) Anglo Saxon Brown – Call On Me (Atlantic 1976 - Songs For Evolution LP)
11) Mixed Feelings – Sha La La (United Records 1976)
12) Maxi – Lover To Lover (Blue Note 1977 – Maxi LP)
13) Benny Golson –The New Killer Joe (Columbia 1977 – Killer Joe LP)
14) B Baker Chocalate Co – Dreamer (Lester Radio Corporation 1979 – B Baker Chocolate Co LP)
15) Sunburst – Mysterious Vibes (JVC 1980 – Sunburst LP)
16) Dave Gruisin – Friends & Strangers (Arista 1980 – Mountain Dance)
17) Roy Roberts Experience – You And Me Together (House Of Roton 1981 – Country Star LP)
18) Azymuth – What Price Samba (Milestone 1982 – Telecommunication)
19) The Arpeggio Jazz Ensemble – Le Le (Silk Skin Records 1987 - Le Le LP)
20) Aretha Franklin - One Step (Featurecast Re-edit) (Wah Wah Dubplates 2009)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/2/4/_/uploads/229472/image_track/1546038/w1400_h1400_q70_ptrue_v2_----cropped_1505481423.jpg" />
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                                        <pubDate>Sun, 10 Sep 2017 10:03:12 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-10T10:03:12+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0432 Dusk Dubs - Matthew Foord</title>
                                    <description><![CDATA[[ Matthew Foord ]
Podcast: Dusk Dubs
Artist: Matthew Foord
Title: DD0432
Style: funk, soul, ska, rock
Time: 114 minutes
Date: 2017-09-10
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Matthew Foord to the Dusk Dubs family...
"I was honoured and delighted to be ask to provide another soundtrack by the Dusk Dubs posse. To be honest providing the notes has proven more difficult then sorting the tunes!
There was always music being played in my house as a kid. I can thank both my parents for my appreciation of music in its many diverse forms.
Growing up with such exposure led me to have a great appreciation for all types of music which has only increased with the years. I wanted to do something a little bit different then my last outing, so i've gone for a more popularist offering.
I've always loved a great Pop record- a tune that is catchy, got a great hook, but at the same time is pushing the envelope.
You've got to know where you came from to move forward- All of these next records, captured my soul, and took my musical education into a way that i could identify as more my own.
This selection is dedicated to all those people with whom i've danced over the years. Heartfelt thanks.
I hope you enjoy the ride"
You can find him here...
mixcloud.com/fatpatcord
hearthis.at/xkj4gtcd
Tracklisting
1) Working Week - Venceremos (We Will Win)
2) Marvin Gaye - What's going
3) Jackie Wilson - I Get The sweetest Feeling
4) Edwin Star - (SOS) Stop her on Sight
5) The Isley Brothers - This Old Heart of Mine
6) The Small Faces - Tin Soldier
7) The Who - I Can't Explain
8) The Yardbirds - For Your Love
9) Dexys Midnight Runners - Breaking Down The Walls Of Heartache
10) The Jam - Town Called Malice
11) The Jam - Precious
12) XTC - Making Plans for Nigel
13) Peter Gabriel - Games without Frontiers
14) Kate Bush - Running up the Hill
15) David Bowie - Ashes to Ashes
16) The Selector - The Selector
17) Madness - Prince Buster
18) The Beat - Ranking Full Stop
19) The Clash - Bank Robber
20) Colourbox - Looks Like We're Shy One Horse
21) Airstream - Follow Through (Weatherall Mix)
22) Bocca Juniors - Raise
23) Geroge Kranz - Din Daa Daa
24) Happy Mondays - Wrote For Luck
25) The Grid - Face The Sun
26) The Shamen - Omega Amigo]]></description>
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                                    <itunes:summary><![CDATA[[ Matthew Foord ]
Podcast: Dusk Dubs
Artist: Matthew Foord
Title: DD0432
Style: funk, soul, ska, rock
Time: 114 minutes
Date: 2017-09-10
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Matthew Foord to the Dusk Dubs family...
"I was honoured and delighted to be ask to provide another soundtrack by the Dusk Dubs posse. To be honest providing the notes has proven more difficult then sorting the tunes!
There was always music being played in my house as a kid. I can thank both my parents for my appreciation of music in its many diverse forms.
Growing up with such exposure led me to have a great appreciation for all types of music which has only increased with the years. I wanted to do something a little bit different then my last outing, so i've gone for a more popularist offering.
I've always loved a great Pop record- a tune that is catchy, got a great hook, but at the same time is pushing the envelope.
You've got to know where you came from to move forward- All of these next records, captured my soul, and took my musical education into a way that i could identify as more my own.
This selection is dedicated to all those people with whom i've danced over the years. Heartfelt thanks.
I hope you enjoy the ride"
You can find him here...
mixcloud.com/fatpatcord
hearthis.at/xkj4gtcd
Tracklisting
1) Working Week - Venceremos (We Will Win)
2) Marvin Gaye - What's going
3) Jackie Wilson - I Get The sweetest Feeling
4) Edwin Star - (SOS) Stop her on Sight
5) The Isley Brothers - This Old Heart of Mine
6) The Small Faces - Tin Soldier
7) The Who - I Can't Explain
8) The Yardbirds - For Your Love
9) Dexys Midnight Runners - Breaking Down The Walls Of Heartache
10) The Jam - Town Called Malice
11) The Jam - Precious
12) XTC - Making Plans for Nigel
13) Peter Gabriel - Games without Frontiers
14) Kate Bush - Running up the Hill
15) David Bowie - Ashes to Ashes
16) The Selector - The Selector
17) Madness - Prince Buster
18) The Beat - Ranking Full Stop
19) The Clash - Bank Robber
20) Colourbox - Looks Like We're Shy One Horse
21) Airstream - Follow Through (Weatherall Mix)
22) Bocca Juniors - Raise
23) Geroge Kranz - Din Daa Daa
24) Happy Mondays - Wrote For Luck
25) The Grid - Face The Sun
26) The Shamen - Omega Amigo]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/5/4/_/uploads/229472/image_track/1539144/w1400_h1400_q70_ptrue_v2_----cropped_1504960456.jpg" />
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                                        <pubDate>Sun, 03 Sep 2017 09:55:52 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-03T09:55:52+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0431 Dusk Dubs - GiGi Masin</title>
                                    <description><![CDATA[[ GiGi Masin ]
Podcast: Dusk Dubs
Artist: GiGi Masin
Title: DD0431
Style: Eclectic, chill, deep
Time: 46 minutes
Date: 2017-09-03
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, we welcome Gigi Masin to the Dusk Dubs family.
Gigi was born in Venice, Italy on 24th October 1955,  he has been part of the music scene since the early 70’s and a radio dj with the most important radio stations. From 1978 he has been establishing a collaboration with poet/writer Massimo Palladino, a venture that had been permitting to carry out many and wonderefull pieces for theatre, television, radio broadcasting, where music and voice walk hand in hand, challenging and provoking themselves as well.
Sounds, tapes, turntables, live electronics are the ground where scene music moves. As musician/director Gigi Masin had a lot of theatrical, cinema and musical collaborations. First solo album 'WIND' has been published in 1986. “LES NOUVELLES MUSIQUES DU CHAMBRE” for the Belgian label Sub Rosa (1989) with Charles Hayward, “WIND COLLECTOR” (1991) with Alessandro Monti. Recent works include “LONTANO” (2001) and “MOLTITUDINE IN LABIRINTO” (2003, with Giuseppe Caprioli) produced by Giovanni Antognozzi for Ants Records and much much more.
For this volume, Gigi presents to the listener a collection of records that are very close to his heart, whilst illustrating why he is held in such high regard amonsgt the ambient/electronica community as one of its leading musicans... simply fautless.
You can find Gigi HERE
discogs.com/artist/491206-Gigi-Masin
masin.bandcamp.com
facebook.com/gigi.masin
Tracklisting
1) BEBEL GILBERTO - ACAJOU
A beach with white sands.. 
2) HEIDI HAZELTON - HEAD DOWN
Poetry is sometimes hidden in the kaos. 
3) CLAP MITCHET - WAITING FOR THE CALM
As simple as magic..
4) VAIN FOAM - THE SKYDIVE
The soul inside the machine. 
5) GIGI MASIN - WHAT ABOUT MARIE
Remember.. 
6) TELEPOPMUSIK - BREATHE
Perfect to drive home late night.. 
7) GOLDEN EARRING - RADAR LOVE
From Holland with love.. 
8) LAND OF LIGHT - PRESENCE OF THE PAST
Masters at work. 
9) RED HOUSE PAINTERS - SUNDAYS AND HOLIDAYS
Perfect song for a sunday morning. 
10) BARBARA MORGENSTERN - MOVE
The noise of the heart. 
11) GAP BAND - BURN RUBBER
Some people can't dance.. 
12) ANDRES BEEUWSAERT - CARACOL
Take a traditional song and makes it magic..]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ GiGi Masin ]
Podcast: Dusk Dubs
Artist: GiGi Masin
Title: DD0431
Style: Eclectic, chill, deep
Time: 46 minutes
Date: 2017-09-03
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, we welcome Gigi Masin to the Dusk Dubs family.
Gigi was born in Venice, Italy on 24th October 1955,  he has been part of the music scene since the early 70’s and a radio dj with the most important radio stations. From 1978 he has been establishing a collaboration with poet/writer Massimo Palladino, a venture that had been permitting to carry out many and wonderefull pieces for theatre, television, radio broadcasting, where music and voice walk hand in hand, challenging and provoking themselves as well.
Sounds, tapes, turntables, live electronics are the ground where scene music moves. As musician/director Gigi Masin had a lot of theatrical, cinema and musical collaborations. First solo album 'WIND' has been published in 1986. “LES NOUVELLES MUSIQUES DU CHAMBRE” for the Belgian label Sub Rosa (1989) with Charles Hayward, “WIND COLLECTOR” (1991) with Alessandro Monti. Recent works include “LONTANO” (2001) and “MOLTITUDINE IN LABIRINTO” (2003, with Giuseppe Caprioli) produced by Giovanni Antognozzi for Ants Records and much much more.
For this volume, Gigi presents to the listener a collection of records that are very close to his heart, whilst illustrating why he is held in such high regard amonsgt the ambient/electronica community as one of its leading musicans... simply fautless.
You can find Gigi HERE
discogs.com/artist/491206-Gigi-Masin
masin.bandcamp.com
facebook.com/gigi.masin
Tracklisting
1) BEBEL GILBERTO - ACAJOU
A beach with white sands.. 
2) HEIDI HAZELTON - HEAD DOWN
Poetry is sometimes hidden in the kaos. 
3) CLAP MITCHET - WAITING FOR THE CALM
As simple as magic..
4) VAIN FOAM - THE SKYDIVE
The soul inside the machine. 
5) GIGI MASIN - WHAT ABOUT MARIE
Remember.. 
6) TELEPOPMUSIK - BREATHE
Perfect to drive home late night.. 
7) GOLDEN EARRING - RADAR LOVE
From Holland with love.. 
8) LAND OF LIGHT - PRESENCE OF THE PAST
Masters at work. 
9) RED HOUSE PAINTERS - SUNDAYS AND HOLIDAYS
Perfect song for a sunday morning. 
10) BARBARA MORGENSTERN - MOVE
The noise of the heart. 
11) GAP BAND - BURN RUBBER
Some people can't dance.. 
12) ANDRES BEEUWSAERT - CARACOL
Take a traditional song and makes it magic..]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/5/_/uploads/229472/image_track/1530933/w1400_h1400_q70_ptrue_v2_----cropped_1504345501.jpg" />
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                                    <itunes:duration>2780</itunes:duration>
                                    
                                </item>
                                
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                                    <guid isPermaLink="false">1521562</guid>
                                    
                                        <pubDate>Sun, 27 Aug 2017 09:18:48 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-27T09:18:48+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0430 Dusk Dubs - Chris THE GLOVE Taylor</title>
                                    <description><![CDATA[[ Chris The Glove Taylor ]
Podcast: Dusk Dubs
Artist: Chris The Glove Taylor
Title: DD0430
Style: Hip Hop, Electro, Rap, LA, West Coast, Funk, Soul
Time: 144 minutes
Date: 2017-08-13
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, Dusk Dubs is humbled and very proud to welcome a very special guest to the family, a pioneering DJ, a producer and artist in his own right, the hip-hop legend that is....Chris "THE GLOVE" Taylor.
Chris has wholeheartedly embraced the Dusk Dubs ethos, and dug through his exhaustive record crates to collate a bunch of tracks that influenced him during those informative years and as a young man....
What he refers to as the "Songs That Shaped His Career". 
Known as "The Glove", Chris is a legendary pioneering DJ and producer on the West Coast hip-hop scene. In the 1980s, alongside Egyptian Lover and then later DJ Aladdin and Bobcat they pioneered the new electro/hip-hop scene, with The Glove residing as the resident DJ of the world famous Club Radio.
He appeared in the influential movies 'Breakin' and 'Breakin 2' as himself alongside Ice-T.  Cutting his producer teeth on the soundtrack, gave him his first multi platinum sales awards. Other production credits include "Reckless" (Ice T & Dave Storrs), "Tibetan Jam" (Chris "The Glove" Taylor), Go off (Ice T& Dave Storrs) and the classic.... "Iticiban Scratch" (Chris "The Glove" Taylor.)
Into the 90's and Glove's R&B/Swing group Po' Broke & Lonely sign to Ruthless Records and he begins working with Dr. Dre. This relationship developed and spawned multiple Grammy Awards and millions in record sales with artists such as Dr. Dre, Snoop Dogg, Tupac, Ice Cube and Xzibit, and production work on the ground breaking "The Chronic" and "Doggystyle" with uncredited productions on some of Dr. Dre's biggest hits like "California Love" and "Stranded on Death Row.
As part of Death Row Records and The Aftermath imprint, Glove produced several artists and songs along with Dr. Dre including the hit singles: "Phone Tap" by "The Firm" which featured Nas, AZ and Foxy Brown, "Doggy Dogg World" by Snoop Doggy Dogg, "Hello" by N.W.A., "Xplosive" by Dr. Dre and much more.
The Glove has been music supervisor for US television series "Played By Fame", "Tiny & Toya", "Frankie & Neffie" and "Monica-Still Standing". As a programmer and composer, Glove has worked on many hit series including "The Parkers", "All Of Us", "Just Jordan", "One On One", "Lincoln Heights", "Second Time Around" and "Love,Inc."
Chris is currently still producing and his latest output can be found on his Soundcloud platform.
You can find The Glove HERE
facebook.com/djchristheglove
twitter.com/Christheglove
youtube.com/channel/UCdavkfpcG...GONcJVaTMFFIAvw
soundcloud.com/djchristheglove
"Songs That Shaped His Career". 
Tracklisting
1) Ohio Players - Funky Worm (1972)
2) Brick – Dazz (1976)
3) The Jackson 5 - Show You the Way to Go (1976)
4) Roy Ayers - Everybody Loves the Sunshine (1976)
5) Ronnie Lewis - Friends and Strangers (1977)
6) Parliament – Flashlight (1977)
7) Prince - Soft and Wet (1978)
8) Parliament - Aqua Boogie (1978)
9) Chic – I Want Your Love (1978)
10) Herbie Hancock - Ready or Not (1979)
11) Cameo - I Just Want to Be (1979 )
12) Con Funk Shun - Chase Me (1979)
13) Prince Head (1980)
14) The Brothers Johnson - Light Up the Night (1980)
15) The Police - Voices Inside My Head (1980)
16) Zapp - More Bounce to the Ounce – Zapp (1980)
17) Young & company - I Like What You're Doing to Me (1980)
18) Change – Searching (1980)
19) Bill Summers - Call it What You Want (1981)
20) Grandmaster Flash - The Adventures of Grand Master Flash on the Wheels of Steel (1981)
21) Tanya Gardner – Heartbeat (1981)
22) Africa Bambatta & The Soul Sonic Force - Planet Rock (1982)
23) Michael Jackson - Billie Jean (1982)
24) Jenny Burton - Remember What You Like (1983)
25) The Aleems - Release Yourself (1984)
26) Joyce Sims - All in All (1987)]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Chris The Glove Taylor ]
Podcast: Dusk Dubs
Artist: Chris The Glove Taylor
Title: DD0430
Style: Hip Hop, Electro, Rap, LA, West Coast, Funk, Soul
Time: 144 minutes
Date: 2017-08-13
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, Dusk Dubs is humbled and very proud to welcome a very special guest to the family, a pioneering DJ, a producer and artist in his own right, the hip-hop legend that is....Chris "THE GLOVE" Taylor.
Chris has wholeheartedly embraced the Dusk Dubs ethos, and dug through his exhaustive record crates to collate a bunch of tracks that influenced him during those informative years and as a young man....
What he refers to as the "Songs That Shaped His Career". 
Known as "The Glove", Chris is a legendary pioneering DJ and producer on the West Coast hip-hop scene. In the 1980s, alongside Egyptian Lover and then later DJ Aladdin and Bobcat they pioneered the new electro/hip-hop scene, with The Glove residing as the resident DJ of the world famous Club Radio.
He appeared in the influential movies 'Breakin' and 'Breakin 2' as himself alongside Ice-T.  Cutting his producer teeth on the soundtrack, gave him his first multi platinum sales awards. Other production credits include "Reckless" (Ice T & Dave Storrs), "Tibetan Jam" (Chris "The Glove" Taylor), Go off (Ice T& Dave Storrs) and the classic.... "Iticiban Scratch" (Chris "The Glove" Taylor.)
Into the 90's and Glove's R&B/Swing group Po' Broke & Lonely sign to Ruthless Records and he begins working with Dr. Dre. This relationship developed and spawned multiple Grammy Awards and millions in record sales with artists such as Dr. Dre, Snoop Dogg, Tupac, Ice Cube and Xzibit, and production work on the ground breaking "The Chronic" and "Doggystyle" with uncredited productions on some of Dr. Dre's biggest hits like "California Love" and "Stranded on Death Row.
As part of Death Row Records and The Aftermath imprint, Glove produced several artists and songs along with Dr. Dre including the hit singles: "Phone Tap" by "The Firm" which featured Nas, AZ and Foxy Brown, "Doggy Dogg World" by Snoop Doggy Dogg, "Hello" by N.W.A., "Xplosive" by Dr. Dre and much more.
The Glove has been music supervisor for US television series "Played By Fame", "Tiny & Toya", "Frankie & Neffie" and "Monica-Still Standing". As a programmer and composer, Glove has worked on many hit series including "The Parkers", "All Of Us", "Just Jordan", "One On One", "Lincoln Heights", "Second Time Around" and "Love,Inc."
Chris is currently still producing and his latest output can be found on his Soundcloud platform.
You can find The Glove HERE
facebook.com/djchristheglove
twitter.com/Christheglove
youtube.com/channel/UCdavkfpcG...GONcJVaTMFFIAvw
soundcloud.com/djchristheglove
"Songs That Shaped His Career". 
Tracklisting
1) Ohio Players - Funky Worm (1972)
2) Brick – Dazz (1976)
3) The Jackson 5 - Show You the Way to Go (1976)
4) Roy Ayers - Everybody Loves the Sunshine (1976)
5) Ronnie Lewis - Friends and Strangers (1977)
6) Parliament – Flashlight (1977)
7) Prince - Soft and Wet (1978)
8) Parliament - Aqua Boogie (1978)
9) Chic – I Want Your Love (1978)
10) Herbie Hancock - Ready or Not (1979)
11) Cameo - I Just Want to Be (1979 )
12) Con Funk Shun - Chase Me (1979)
13) Prince Head (1980)
14) The Brothers Johnson - Light Up the Night (1980)
15) The Police - Voices Inside My Head (1980)
16) Zapp - More Bounce to the Ounce – Zapp (1980)
17) Young & company - I Like What You're Doing to Me (1980)
18) Change – Searching (1980)
19) Bill Summers - Call it What You Want (1981)
20) Grandmaster Flash - The Adventures of Grand Master Flash on the Wheels of Steel (1981)
21) Tanya Gardner – Heartbeat (1981)
22) Africa Bambatta & The Soul Sonic Force - Planet Rock (1982)
23) Michael Jackson - Billie Jean (1982)
24) Jenny Burton - Remember What You Like (1983)
25) The Aleems - Release Yourself (1984)
26) Joyce Sims - All in All (1987)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/6/5/_/uploads/229472/image_track/1521562/w1400_h1400_q70_ptrue_v2_----cropped_1503744563.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0430-dusk-dubs-the-glove/</feedburner:origLink>
                                    <itunes:duration>8671</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1507982</guid>
                                    
                                        <pubDate>Sun, 20 Aug 2017 10:11:46 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-20T10:11:46+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0429 Dusk Dubs - Carnival Special</title>
                                    <description><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Original Gidman
Title: DD0429
Style: London Carnival
Time: 131 minutes
Date: 2017-08-20
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
"With London's Notting Hill Carnival Just a round the corner, we thought we'd drop a carnival inspired volume to get you all in the mood for the bank holiday weekend. If you have never been to West London's Carnival, hopefully these selections will inspire you to make that journey to one of the best weekends in music.....
For 3 days the streets of W10: Notting Hill, Ladbroke Grove and Westbourne Park, are filled with the most amazing colours and sounds...... whether it be the traditional floats and bands or the 40 odd dedicated soundsystems pumping out: reggae, dub, dancehall, soca and calypso, house, funk, drum ’n’ bass, jungle, dubstep, ska and breaks.....
Its all there for the discernible listener and we hope this weeks volume gives you a taster and puts you in the mood....."
BRING ON CARNIVAL !!
Tracklisting

Jah Shaka – Verse 1 
Junior Murvin – Police & Thieves 
Tenor Saw & Nitty Gritty – Original Pumpkin Belly 
Johnny Osbourne – Buddy Bye Bye 
Alcapone – Ali Baba (Featuring Winston Francis & Alcapone) 
DJ Shepdog – Bigger Than Jamrock 
KRS-One – Sound Of Da Police 
Public Enemy – Rebel Without A Pause 
UMC's – One To Grow On (Growin' Like Weeds) 
20th Century Steel Band – Heaven And Hell 
Labi Siffre – The Vulture 
Byron Lee & the Dragonaires - Mission Impossible 
Budy Rich - The Beat Goes On 
The Flirtations - Nothing But A Heartache 
Richie Havens – Going Back To My Roots 
Aly Us – Follow Me (Club Mix) 
Masters At Work – The Ha Dance 
Wookie - Battle 
Allstars – Walk On By (VIP Steve Gurley Mix) 
Macy Gray – When I See You (Bugz In The Attic Remix) 
Afronaut featuring Tempo - Golpe Tuyo Calinda 
Omar & Zed Bias - Dancing 
Chaka Demus & Pliers - Murder She Wrote 
S-X - Woooo Riddim 
Cousin Cockroach - This Ain't Tom N' Jerry 
DJ Nut Nut Feat. Frankie Paul & Top Cat - Special Dedication 
DJ Marky & XRS – LK 
Shy FX & UK Apachi - Original Nuttah
]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Dusk Dubs ]
Podcast: Dusk Dubs
Artist: Original Gidman
Title: DD0429
Style: London Carnival
Time: 131 minutes
Date: 2017-08-20
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
"With London's Notting Hill Carnival Just a round the corner, we thought we'd drop a carnival inspired volume to get you all in the mood for the bank holiday weekend. If you have never been to West London's Carnival, hopefully these selections will inspire you to make that journey to one of the best weekends in music.....
For 3 days the streets of W10: Notting Hill, Ladbroke Grove and Westbourne Park, are filled with the most amazing colours and sounds...... whether it be the traditional floats and bands or the 40 odd dedicated soundsystems pumping out: reggae, dub, dancehall, soca and calypso, house, funk, drum ’n’ bass, jungle, dubstep, ska and breaks.....
Its all there for the discernible listener and we hope this weeks volume gives you a taster and puts you in the mood....."
BRING ON CARNIVAL !!
Tracklisting

Jah Shaka – Verse 1 
Junior Murvin – Police & Thieves 
Tenor Saw & Nitty Gritty – Original Pumpkin Belly 
Johnny Osbourne – Buddy Bye Bye 
Alcapone – Ali Baba (Featuring Winston Francis & Alcapone) 
DJ Shepdog – Bigger Than Jamrock 
KRS-One – Sound Of Da Police 
Public Enemy – Rebel Without A Pause 
UMC's – One To Grow On (Growin' Like Weeds) 
20th Century Steel Band – Heaven And Hell 
Labi Siffre – The Vulture 
Byron Lee & the Dragonaires - Mission Impossible 
Budy Rich - The Beat Goes On 
The Flirtations - Nothing But A Heartache 
Richie Havens – Going Back To My Roots 
Aly Us – Follow Me (Club Mix) 
Masters At Work – The Ha Dance 
Wookie - Battle 
Allstars – Walk On By (VIP Steve Gurley Mix) 
Macy Gray – When I See You (Bugz In The Attic Remix) 
Afronaut featuring Tempo - Golpe Tuyo Calinda 
Omar & Zed Bias - Dancing 
Chaka Demus & Pliers - Murder She Wrote 
S-X - Woooo Riddim 
Cousin Cockroach - This Ain't Tom N' Jerry 
DJ Nut Nut Feat. Frankie Paul & Top Cat - Special Dedication 
DJ Marky & XRS – LK 
Shy FX & UK Apachi - Original Nuttah
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/9/_/uploads/229472/image_track/1507982/w1400_h1400_q70_ptrue_v2_----cropped_1503131915.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0429-dusk-dubs-carnival-special/</feedburner:origLink>
                                    <itunes:duration>7898</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1498365</guid>
                                    
                                        <pubDate>Sun, 13 Aug 2017 09:51:24 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-13T09:51:24+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0428 Dusk Dubs - Subset</title>
                                    <description><![CDATA[[ Subset ]
Podcast: Dusk Dubs
Artist: Subset
Title: DD0428
Style: Dub
Time: 68minutes
Date: 2017-08-13
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this weeks mixtape we welcome back SUBSET......
"With this mix I wanted to continue the New Zealand theme started with my previous Dusk Dubs mixtape, but cast the net wider to include a handful of bands from outside New Zealand (but still within the South Pacific).
Rather than traverse a variety of genres, this mixtape sits firmly within the realms of dub, my favourite realm. If you're at all familiar with New Zealand dub there may be some familiar names here, and hopefully, some new names as well that gets you digging a little deeper into the dubby treasure trove of New Zealand's sounds"
Get to know him here:
karlmuller.com
subset.com.au
soundcloud.com/subsetdubs
thedubfactory.bandcamp.com
facebook.com/SUBSETdubs
facebook.com/KarlMullerPhotography
vimeo.com/karlmuller
funkendubs.com/https://hearthi...rthis.at/subset
Tracklisting
1) Nachur - Marahau
2) Salmonella Dub - Tui Dub
3) Fat Freddy's Drop - 10 Feet Tall
4) Kingfisha - Enough
5) Jordan Rakei - Imagine
6) Rhombus - Onward
7) The Black Seeds - Slingshot
8) Knights Of The DUB Table - Why
9) Cornerstone Roots - One Fine Day
10) International Observer - Rose Madder
11) Deep Fried Dub - Kryptology
12) Pitch Black - Filtered Senses
13) Nga Tae - Star Waka (Paddy Free Dub)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/duskdubs/dd0428-dusk-dubs-subset/listen.mp3?s=ZxK" length="66032952" />
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                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Subset ]
Podcast: Dusk Dubs
Artist: Subset
Title: DD0428
Style: Dub
Time: 68minutes
Date: 2017-08-13
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this weeks mixtape we welcome back SUBSET......
"With this mix I wanted to continue the New Zealand theme started with my previous Dusk Dubs mixtape, but cast the net wider to include a handful of bands from outside New Zealand (but still within the South Pacific).
Rather than traverse a variety of genres, this mixtape sits firmly within the realms of dub, my favourite realm. If you're at all familiar with New Zealand dub there may be some familiar names here, and hopefully, some new names as well that gets you digging a little deeper into the dubby treasure trove of New Zealand's sounds"
Get to know him here:
karlmuller.com
subset.com.au
soundcloud.com/subsetdubs
thedubfactory.bandcamp.com
facebook.com/SUBSETdubs
facebook.com/KarlMullerPhotography
vimeo.com/karlmuller
funkendubs.com/https://hearthi...rthis.at/subset
Tracklisting
1) Nachur - Marahau
2) Salmonella Dub - Tui Dub
3) Fat Freddy's Drop - 10 Feet Tall
4) Kingfisha - Enough
5) Jordan Rakei - Imagine
6) Rhombus - Onward
7) The Black Seeds - Slingshot
8) Knights Of The DUB Table - Why
9) Cornerstone Roots - One Fine Day
10) International Observer - Rose Madder
11) Deep Fried Dub - Kryptology
12) Pitch Black - Filtered Senses
13) Nga Tae - Star Waka (Paddy Free Dub)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/9/_/uploads/229472/image_track/1498365/w1400_h1400_q70_ptrue_v2_----cropped_1502577911.jpg" />
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                                    <itunes:duration>4127</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1475417</guid>
                                    
                                        <pubDate>Sun, 06 Aug 2017 08:06:29 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-06T08:06:29+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0427 Dusk Dubs - Joseph Malik</title>
                                    <description><![CDATA[[ Joseph Malik ]
Podcast: Dusk Dubs
Artist: Joseph Malik
Title: DD0427
Style: Eclectic
Time: 115 minutes
Date: 2017-07-06
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we have invited back singer, songwriter, producer, DJ Joseph Mailk. Mr Malik has already compiled this years stunning  'AULD SKOOL 90S MIXTAPE - RETROSPECTIVE OF SCOTLANDS BEAT HEADS FROM 1990 /1999'. (hearthis.at/duskdubs/dd0405-du...bs-joseph-malik
Now he comes with another amazing mixtape...
'STRANGER THINGS HAVE HAPPENED MIXTAPE'
We’ll let Joseph explain..... 
"I moved to the South Side of the City last Summer and it changed my life. This mixtape is dedicated to the Community of the South Side, this is our sound and who we are... a Mixtape of Music ,Race, Sexuality, Old and Young. Be who you want to be, its a real multicultural neighbourhood and i feel loved and part of it, much like down in Leith were I spent 20 years.... and when you throw in the world of food as well, from the Chinese Supermarket , Korean Take- Aways,  Braw Burgers Chefs, Wings Chefs , The Tika Malsa Brothers, The Mosque  Kitchen, North African Kitchens , Swedish Coffee shop, French Boulangerie and Big Tam the Butcher and never forget Makki and Ramen... oh my god you have everything on your door.
So as many of you know I gave up being a DJ and club promoter many years ago, and gave it all up to become a full time chef. My Son Rakhime Fawaz Malik took up an interest in music and began DJ’jing with what was left of my record collection. So I started a new night called “Stranger Things Have Happened”, the name mainly due to folks not expecting me to play again, but most of all teaching my son how to DJ and mix with no laptops. I’m so proud of him, my handsome amazing son, and for a Dad to stand back and watch him play and display DJ skillz at 20 years old with his Godfather Unkle Fawaz watching on, I was deeply touched and we became the Foundation of the Malik Family.
Now for the music ladies and gentleman, did you know I had a post-punk band called ‘Paper Cut Rock’, and that I’m a huge Beck, The Queens Of The Stone Age and Talking Heads fan, and I always get upset when folks have a misconception that black folks don’t like rock music. Man Music is music… embrace them all…. which takes us to this very special far out “Mixtape as Stranger Things Have Happened”…
You can find Joseph Malik here:
discogs.com/artist/31916-Joseph-Malik
beatport.com/artist/joseph-malik/7228 
Tracklisting
1) Clarke - Secrets
2) Talking Heads - Psyhcho Killer Live
3) Tribe Called Quest - Space Program
4) Beck - Cellphones Dead
5) The Queens of the Stone Age – Mak It With Chu
6) Martina Topley Bird - Too Tuff To Die
7) Labrinth Misbehaving live
8) Little Johnny - Im Shaking
9) Tommy Raye - You Don’t Love me
10) Ken Booth and Stranger Cole Artie Bella
11) Malik family Juice box beats
12) Jackie Mintoo - Juice Box
13) Stereo Total - Push It Real good
14) Hansome Boy Modeling School - Rock n Roll Could Never Hip Hop like this
15) The Doors - Strange Days
16) Can - Vitamin C
17) Blackanized - Battle Beats
18) Kaytranada - Lite Spots
19) Joseph Malik - Diablo Fuana Flash vip mix
20) Da Posse - In of the Night (Acid Mix)
21) Super Discount - a 10 Balles
22) Miike Snow - Song For No One
23) Sparkle Hoarse feat Julian Casablancas - Little girl
24) Paper Cut Rock - Disorder Man
25) Whitey - When the Sun Goes Down
26) Kmart - She sells Sanctuary
27) De La Soul - Ain't Hip To Be Labeled A Hippie
28) Kamal The Abstract - Feeling
29) Anderson Paak - Put Me Thru
30) Ana Tijoux -1977
31) Mandril - Mango Meat
35) John Holt - Strangers Things
Joseph breaks the mixtape down....
1) CLARKE SECRETS – I’m spellbound by the production and my god that voice Martina has a sound  that wraps round your head and draws you in.
2) TALKING HEADS - PSYCHO KILLER  - I heard this on acid for the 1st time aged 13, and it was mind blowing. Me and my mates watched the live show on VHS, I loved the drum machines and the hi I’ve got a tape I want to play I’ve played this so many times all round the world as my 1st track and it makes folks take notice that there is  a DJ who takes risks.
3) TRIBE CALLED QUEST - SPACE PROGRAM - Ground breaking sonic sound waves and the greatest track they ever made. The lyrics “There Ain’t A Space Program For Niggers So Were Stuck Here”…. as a black man living in this fucked up world of race hate, it made me feel stronger.
4) BECK - CELLPHONES DEAD - I just simply love every album he has ever made. He has no fear of change, the vocal harmonies and percussion bring so much energy and my deep love of sci-fi samples make it too easy to add to the mix.
5) THE QUEENS OF THE STONEAGE - MAK IT WITH CHU - I went on a date after being alone for a very long time. I’m a sucker for romance and we kissed to this track when it came on, and it’s been in my head and my DJ sets still to this day. 
6) MARTINA TOPLEY BIRD - TOO TUFF TO DIE – I’m just so in love with her voice and yeah black folks can make rock music. I really like the mix of blues and dub in this production.
7) LABRINTH - MISSBEHAVIN - The mix of Ray Charles meets electro just rocks my world and I don’t think this ever came out.
8) LITTLE - JOHNNY IM SHAKING - As covered by the White Stripes, this never leaves my record bag.
9) TOMMY RAYE - YOU DON’T LOVE ME - Another version of ‘No No No’ and a ska rnb killer i have to give thanks to Kyles and the villager bar crew for this one, it was on repeat on every set back in the early days.
10) KEN BOOTH AND STRANGER COLE - ARTIE BELLA - As a young rude boy back in the late 70s early 80s I bought this on 7 inch from my paper round money, and dreamed of one day being a DJ, which came true with my 1st gig at 14years old playing my aunties wedding.
11) MALIK FAMILY - JUICE BOX EDIT - Having a studio as a DJ gives you the edge to create other versions the hype up the dance floor and make other DJs go what the fuck is that ?.
12) JACKIE MINTOO - JUICE BOX - The sample of juice box which I play back to back, the true art form of a real DJ, I also give thanks to the soul jazz records family who hook me up with promos over the years. 
13) STEREO TOTAL - PUSH IT REAL GOOD - This one is for all the hard working chefs.
14) HANDSOMEBOY MODELING SCHOOL - ROCK AND ROLL COULD NEVER HIP HOP LIKE THAT - My main man Prince Paul sums up the sound of ‘Stranger Things Have Happened’…. that blend of rock and hip hop - the odd ball beats for late night freaks. 
15) THE DOORS - STRANGE DAYS - The psychedelic plays a huge part of my playlist the far out the strange the things you don’t expect to hear.
16) CAN - VITAMIN C - I play 2 copies of this back to back just before “The Hey You’ drops on the record, I love the anger and energy.
17) BLACKANIZED - BATTLE BEATS - This came me out on a double LP in the 90s. No major would touch it due to the star wars samples, we spent weeks on the drums, that when played out…. rocked every sound system I played on….. tougher than tuff.
18) KAYTRANADA - LITE SPOTS - Dam I love this kid and his sound is just so fresh, with the mix of Brazil meets hip-hop meets house not house.
19) JOSEPH MALIK - DIABLO (FAUNA FLASH VIP REMIX) - This was the bomb when it dropped and my 1st German number one record.  I gave copies to my techno and house DJ mates and went along to hear them play it, and holy fuck it rocked ….with that acid meets tango - a sound that had never been made before. 
20) DA POSSE - IN THE HEAT OF THE NIGHT (ACID MIX) - The Black Madonna dropped this in a set and it took me back to the early days of the Sub Club in Glasgow 1988. I had to search hard for this record, and we showed that our night had an electronic side, not just old-skool hip-hop, ska, funk and rock and roll. 
21) SUPER DISCOUNT - A 10 BALLES  - Le cheeky wee French number as you know i love skits 
22) MIIKE SNOW - SONG FOR NO ONE - These dudes are super cool producers who make music for pop stars, I love the indie meets funk feel on the drums and guitar. 
23) SPARKLE HOARSE  FEAT JULIAN CASABLANCAS  - LITTLE GIRL - Can you see where we are going now on our musical journey ? Indie meets hip-hop and produced by Danger Mouse, the modern version of Prince Paul. 
24) PAPER CUT ROCK - DISORDER MAN - Did you know that I had a post-punk band back in the day ? i grew weary of being a soul man, and wanted to be something else. This is produced by Reachout in Leith and guitar by Rossco, this never came out and I’m happy to get a chance at last to share it with you. 
25) WHITEY - WHEN THE SUN GOES DOWN - My music bro Reachout turned me on to this amazing producer, art deco indie rock - so graceful and a big influence on me. 
26) KMART - SANCTUARY - I really like strange cover versions and this is super rare.
27) DE LA SOUL – AIN’T HIP TO BE LABELED A HIPPIE - I Can’t explain just how much this record means to me and my son. Our deep love of De La Soul with that crazy …what’s going to happen’ next sound from the 1st album gave me the idea for our night. 
28) KAMAL THE ABSTRACT - FEELING - I got a promo of this in 2002 and the album never came out due the record company not digging Q-Tip’s rock sound. He was brave and fearless, and it came out many years later. A true master well ahead of the game.
29) ANDERSON PAAK - PUT ME THRU  - This song helped me get through the hardest break up of my life.
30 ANA TIJOUX - 1977 - This is one of Ashley Bibby’s favourite tracks of all time. 
31) MANDRILL - MANGO MEAT - So I didn’t see my Unkle Fawaz for 10 years and this is one of his fave records, and the sample for the Jungle Brothers for those that know, 
32) JOHN HOLT - STRANGE THINGS - I was a rasta when I was 19 living in London going to ‘Jah Shaka’ dub nights when I heard this for the 1st time, and it’s the last track on this spectrum of sounds that are Stranger Things Have Happened. ]]></description>
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                                    <itunes:summary><![CDATA[[ Joseph Malik ]
Podcast: Dusk Dubs
Artist: Joseph Malik
Title: DD0427
Style: Eclectic
Time: 115 minutes
Date: 2017-07-06
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we have invited back singer, songwriter, producer, DJ Joseph Mailk. Mr Malik has already compiled this years stunning  'AULD SKOOL 90S MIXTAPE - RETROSPECTIVE OF SCOTLANDS BEAT HEADS FROM 1990 /1999'. (hearthis.at/duskdubs/dd0405-du...bs-joseph-malik
Now he comes with another amazing mixtape...
'STRANGER THINGS HAVE HAPPENED MIXTAPE'
We’ll let Joseph explain..... 
"I moved to the South Side of the City last Summer and it changed my life. This mixtape is dedicated to the Community of the South Side, this is our sound and who we are... a Mixtape of Music ,Race, Sexuality, Old and Young. Be who you want to be, its a real multicultural neighbourhood and i feel loved and part of it, much like down in Leith were I spent 20 years.... and when you throw in the world of food as well, from the Chinese Supermarket , Korean Take- Aways,  Braw Burgers Chefs, Wings Chefs , The Tika Malsa Brothers, The Mosque  Kitchen, North African Kitchens , Swedish Coffee shop, French Boulangerie and Big Tam the Butcher and never forget Makki and Ramen... oh my god you have everything on your door.
So as many of you know I gave up being a DJ and club promoter many years ago, and gave it all up to become a full time chef. My Son Rakhime Fawaz Malik took up an interest in music and began DJ’jing with what was left of my record collection. So I started a new night called “Stranger Things Have Happened”, the name mainly due to folks not expecting me to play again, but most of all teaching my son how to DJ and mix with no laptops. I’m so proud of him, my handsome amazing son, and for a Dad to stand back and watch him play and display DJ skillz at 20 years old with his Godfather Unkle Fawaz watching on, I was deeply touched and we became the Foundation of the Malik Family.
Now for the music ladies and gentleman, did you know I had a post-punk band called ‘Paper Cut Rock’, and that I’m a huge Beck, The Queens Of The Stone Age and Talking Heads fan, and I always get upset when folks have a misconception that black folks don’t like rock music. Man Music is music… embrace them all…. which takes us to this very special far out “Mixtape as Stranger Things Have Happened”…
You can find Joseph Malik here:
discogs.com/artist/31916-Joseph-Malik
beatport.com/artist/joseph-malik/7228 
Tracklisting
1) Clarke - Secrets
2) Talking Heads - Psyhcho Killer Live
3) Tribe Called Quest - Space Program
4) Beck - Cellphones Dead
5) The Queens of the Stone Age – Mak It With Chu
6) Martina Topley Bird - Too Tuff To Die
7) Labrinth Misbehaving live
8) Little Johnny - Im Shaking
9) Tommy Raye - You Don’t Love me
10) Ken Booth and Stranger Cole Artie Bella
11) Malik family Juice box beats
12) Jackie Mintoo - Juice Box
13) Stereo Total - Push It Real good
14) Hansome Boy Modeling School - Rock n Roll Could Never Hip Hop like this
15) The Doors - Strange Days
16) Can - Vitamin C
17) Blackanized - Battle Beats
18) Kaytranada - Lite Spots
19) Joseph Malik - Diablo Fuana Flash vip mix
20) Da Posse - In of the Night (Acid Mix)
21) Super Discount - a 10 Balles
22) Miike Snow - Song For No One
23) Sparkle Hoarse feat Julian Casablancas - Little girl
24) Paper Cut Rock - Disorder Man
25) Whitey - When the Sun Goes Down
26) Kmart - She sells Sanctuary
27) De La Soul - Ain't Hip To Be Labeled A Hippie
28) Kamal The Abstract - Feeling
29) Anderson Paak - Put Me Thru
30) Ana Tijoux -1977
31) Mandril - Mango Meat
35) John Holt - Strangers Things
Joseph breaks the mixtape down....
1) CLARKE SECRETS – I’m spellbound by the production and my god that voice Martina has a sound  that wraps round your head and draws you in.
2) TALKING HEADS - PSYCHO KILLER  - I heard this on acid for the 1st time aged 13, and it was mind blowing. Me and my mates watched the live show on VHS, I loved the drum machines and the hi I’ve got a tape I want to play I’ve played this so many times all round the world as my 1st track and it makes folks take notice that there is  a DJ who takes risks.
3) TRIBE CALLED QUEST - SPACE PROGRAM - Ground breaking sonic sound waves and the greatest track they ever made. The lyrics “There Ain’t A Space Program For Niggers So Were Stuck Here”…. as a black man living in this fucked up world of race hate, it made me feel stronger.
4) BECK - CELLPHONES DEAD - I just simply love every album he has ever made. He has no fear of change, the vocal harmonies and percussion bring so much energy and my deep love of sci-fi samples make it too easy to add to the mix.
5) THE QUEENS OF THE STONEAGE - MAK IT WITH CHU - I went on a date after being alone for a very long time. I’m a sucker for romance and we kissed to this track when it came on, and it’s been in my head and my DJ sets still to this day. 
6) MARTINA TOPLEY BIRD - TOO TUFF TO DIE – I’m just so in love with her voice and yeah black folks can make rock music. I really like the mix of blues and dub in this production.
7) LABRINTH - MISSBEHAVIN - The mix of Ray Charles meets electro just rocks my world and I don’t think this ever came out.
8) LITTLE - JOHNNY IM SHAKING - As covered by the White Stripes, this never leaves my record bag.
9) TOMMY RAYE - YOU DON’T LOVE ME - Another version of ‘No No No’ and a ska rnb killer i have to give thanks to Kyles and the villager bar crew for this one, it was on repeat on every set back in the early days.
10) KEN BOOTH AND STRANGER COLE - ARTIE BELLA - As a young rude boy back in the late 70s early 80s I bought this on 7 inch from my paper round money, and dreamed of one day being a DJ, which came true with my 1st gig at 14years old playing my aunties wedding.
11) MALIK FAMILY - JUICE BOX EDIT - Having a studio as a DJ gives you the edge to create other versions the hype up the dance floor and make other DJs go what the fuck is that ?.
12) JACKIE MINTOO - JUICE BOX - The sample of juice box which I play back to back, the true art form of a real DJ, I also give thanks to the soul jazz records family who hook me up with promos over the years. 
13) STEREO TOTAL - PUSH IT REAL GOOD - This one is for all the hard working chefs.
14) HANDSOMEBOY MODELING SCHOOL - ROCK AND ROLL COULD NEVER HIP HOP LIKE THAT - My main man Prince Paul sums up the sound of ‘Stranger Things Have Happened’…. that blend of rock and hip hop - the odd ball beats for late night freaks. 
15) THE DOORS - STRANGE DAYS - The psychedelic plays a huge part of my playlist the far out the strange the things you don’t expect to hear.
16) CAN - VITAMIN C - I play 2 copies of this back to back just before “The Hey You’ drops on the record, I love the anger and energy.
17) BLACKANIZED - BATTLE BEATS - This came me out on a double LP in the 90s. No major would touch it due to the star wars samples, we spent weeks on the drums, that when played out…. rocked every sound system I played on….. tougher than tuff.
18) KAYTRANADA - LITE SPOTS - Dam I love this kid and his sound is just so fresh, with the mix of Brazil meets hip-hop meets house not house.
19) JOSEPH MALIK - DIABLO (FAUNA FLASH VIP REMIX) - This was the bomb when it dropped and my 1st German number one record.  I gave copies to my techno and house DJ mates and went along to hear them play it, and holy fuck it rocked ….with that acid meets tango - a sound that had never been made before. 
20) DA POSSE - IN THE HEAT OF THE NIGHT (ACID MIX) - The Black Madonna dropped this in a set and it took me back to the early days of the Sub Club in Glasgow 1988. I had to search hard for this record, and we showed that our night had an electronic side, not just old-skool hip-hop, ska, funk and rock and roll. 
21) SUPER DISCOUNT - A 10 BALLES  - Le cheeky wee French number as you know i love skits 
22) MIIKE SNOW - SONG FOR NO ONE - These dudes are super cool producers who make music for pop stars, I love the indie meets funk feel on the drums and guitar. 
23) SPARKLE HOARSE  FEAT JULIAN CASABLANCAS  - LITTLE GIRL - Can you see where we are going now on our musical journey ? Indie meets hip-hop and produced by Danger Mouse, the modern version of Prince Paul. 
24) PAPER CUT ROCK - DISORDER MAN - Did you know that I had a post-punk band back in the day ? i grew weary of being a soul man, and wanted to be something else. This is produced by Reachout in Leith and guitar by Rossco, this never came out and I’m happy to get a chance at last to share it with you. 
25) WHITEY - WHEN THE SUN GOES DOWN - My music bro Reachout turned me on to this amazing producer, art deco indie rock - so graceful and a big influence on me. 
26) KMART - SANCTUARY - I really like strange cover versions and this is super rare.
27) DE LA SOUL – AIN’T HIP TO BE LABELED A HIPPIE - I Can’t explain just how much this record means to me and my son. Our deep love of De La Soul with that crazy …what’s going to happen’ next sound from the 1st album gave me the idea for our night. 
28) KAMAL THE ABSTRACT - FEELING - I got a promo of this in 2002 and the album never came out due the record company not digging Q-Tip’s rock sound. He was brave and fearless, and it came out many years later. A true master well ahead of the game.
29) ANDERSON PAAK - PUT ME THRU  - This song helped me get through the hardest break up of my life.
30 ANA TIJOUX - 1977 - This is one of Ashley Bibby’s favourite tracks of all time. 
31) MANDRILL - MANGO MEAT - So I didn’t see my Unkle Fawaz for 10 years and this is one of his fave records, and the sample for the Jungle Brothers for those that know, 
32) JOHN HOLT - STRANGE THINGS - I was a rasta when I was 19 living in London going to ‘Jah Shaka’ dub nights when I heard this for the 1st time, and it’s the last track on this spectrum of sounds that are Stranger Things Have Happened. ]]></itunes:summary>
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                                        <pubDate>Sun, 30 Jul 2017 10:43:38 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-30T10:43:38+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0426 Dusk Dubs -  Mark Gardner</title>
                                    <description><![CDATA[[ Mark Gardner ]
Podcast: Dusk Dubs
Artist: Mark Gardner
Title: DD0426
Style: Electrp, Breakdance
Time: 96 minutes
Date: 2017-07-30
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Mark Gardner to the Dusk Dubs family......
"Firstly I’d like to say what a great honour to be asked to contribute my very own selections and join the esteemed roll call of so many outstanding prior guests.  To say I feel a little out of my league here would be an understatement. That said I have had a life packed full of and surrounding music since a young age and unlike many others I didn't have the bonus head start of a home life full of cool music.  My example is the opposite as the family in the main had awful taste centred on rock and roll and country or traditional folk music, sometimes even stretching as far as opera but hardly anything ever decent, bar the odd find that made a young lad ears prick up. 
I LOVE and support Independent music, don’t do corporations, watch TV or entertain newspapers. What I do is dig as hard as I can for as long as I can with a single aspiration of sharing good and lost or overlooked music, alongside a few classics which transcend time.  Todays all about the pre & much loved rather than the overlooked though I’ll wager at least a few off these will have well slipped off of most people’s musical radar by now (Or so I would imagine anyway.) 
Music and dancing were formative in my early teens and was a keen body popper later going on to acquire sponsorship and winning the under 19 South UK Championships aged 15.  The era I have chosen to focus on here is the music I spent my pocket money and part time job wages on. 
Being always the Indie kid at the Rave and traversing many social circles and jumping onto the next fad, at this cumulative and wonderful time in music meant I kept on evolving constantly and gained a unique insight into many different and converging scenes and sub cultures of the time. 
As such creating such a picture over just 80 mins is no easy task & I believe what all the lads round here term "The Dusk Dubs Dilemma".  I too had my fair share in constructing this along with the most fun of course reliving some golden childhood memories. I have opted to go for a non trendy, most personal and honest approach I could to give you an insight into what I used to travel 14 miles round trip on the bus to go into 'Boots The Chemist' and ask for the GIANT Red book from behind the counter that (at the time) I was convinced had every record ever made in it. It certainly seemed to always have all I wanted and far more than I could ever afford. 
It didn't take long for imports to become the all important thing and the start of a train spotting lifestyle but here I have deliberately chosen to avoid that and just give you a peek into the loves and playlist of an under 20 me. 
I remember the very first time I saw Break Machine on TOTP and things changed hugely and forever and a country village overspill kid first experienced urban culture and all the things that this would lead to. Oct 13th 1983 and less than a month from turning the ripe old age of 13.  As such this truly is an example of my true teenage Dusk Dubs up for your consideration and hopefully listening pleasure. 
I've been lucky enough to work in many areas of the music business and be involved with friends’ projects over the last 31 years. A DJ is probably the last part of the scene I ever became seriously involved with and even now it’s not something I aspire to do professionally, although I will be starting up producing again seriously and doings some live events and other new radio projects as time goes on. We have just taken on management of a 200 acre festival site in Middle England so things are looking exciting for the future for the coming year! 
For today however acting the DJ and getting me Dusk Dubs head onto my Worzel Style body, I'd like to introduce you to my personal playlist to represent 1983 - 90, my formative years spent collecting all I could find, recording every dance move I saw and practicing over and over nightly until I could do it. To be honest my formative years I consider to still be happening right now and even more so as time continues and I learn & discover more wonderful little avenues to explore! 
Around this time there were 3 main influences in my life musically that I have hardly touched on here; 1.) The John Peel Show 2.) Robbie Vincents’ show 3.) Solid Soul > the reason being time constraints and aiming to stay within the spec given yet still retaining a coherent them and little mini journey that "flowed" how it’s supposed to.  If gone into any of those 3 directions things would have opened and widened quite drastically to reveal the full extent of my somewhat wildly eclectic taste that my main radio show is known for. 
Avoiding the Acid House scene here was like trying to resist that last Rolo but as with all the above there is a slight and subtle doff of the cap in that direction without opening a huge can of musical worms as if we go down that road, before we knew it we'd be back in the realms of #PJDN's "Steve's" doing an 8 hr Bank Holiday set, piss bottle under arm & off his tits on Nana's Prescription Meds! ;-) 
As a digger it’s always hard to resist those WOW digs from then that you've only found now as no better feeling for a vinyl archaeologist to reveal something a little bit overlooked or a lost GEM. Once again something entirely avoided in this example, there are no real digs here and sure almost all the listeners of Dusk Dubs will know at least most if not all of my selections. 
Thanks so much for lending your ears and time towards a little blast from my particular and personal history .I really do hope that you find something to enjoy here and perhaps relive a moment from your past magical musical history as well :-)"
Tracklisting
1) Ennio Morricone - The Ecstacy of Gold  (Sunset Records 1976)
I’ve already indicated as to my family’s awful taste in music although Spaghetti Western Soundtracks were the welcome exception and became my youths audio refuge and a place I have always been happily musically. Ennio Morricone of course I later learned to be a significant musical genius and composer of note but when I first heard and fell in love with this I knew nothing of any such considerations.A master class in atmosphere building through soundscaping with an orchestra no less and anyone who knows me knows I do love live instrumentation.  OST’s and Films have always been a  big part of my life since old enough to save for and buy my own records and in the early 60’s Mum & Dad got a video shop so the house was always full of some soundtrack in the background of some variety. 
With a penchant for all sorts of movies came all sorts of introductions to sounds I never even knew existed before that.  Often the more cult and obscure items would also bring a wonderful OST and in later life led me to acts and bands that have brought me all sorts of glorious and over looked digs to re-enjoy.  Truth be told I could easily fill 80 mins with just significant OST’s from the same period but for now that will have to wait until another invitation as today this merely a tip of the cap to my dear old Dad and his love for Spaghetti westerns and the musical joy and memory it still brings me today.  
2) The Mexican - Babe Ruth ‎(Harvest 1972)
Suppose you’d call this my introduction to the fact that cool music existed in the past as well as the present and whatever Our Price or Woolworths had to offer me at the time.  A timeless B. Boy classic wasn’t long before first hearing that all the boys were queuing up to get hold of a copy of this. Often a staple of many an early old’s cool or Zulu Nation type mixtape of the time. The influence of this tune carried over to the rave era for me with Todd Terry & the likes making great use of the chords and samples to best effect.
3) Newtrament  - London Bridge Is Falling Down (Special Vocoder Mix) (Jive 1983)
Highly coveted this one for me and my best pal had it for what seemed like an age before me, so getting to hear him spin it in the garage at what I know now to be a thoroughly less than neighbourly level of volume, was an absolute joy to me.  When I did get it I had just started getting into import LP’s and recognised them as a good value for money purchase as well as being great for laying on my bed and contemplating my utterly complex teenage world of angst and nonsense in equal doses. One peril I discovered later was going in for the LP and ending up with a fistful of something that came out of nowhere and as time went on more and more I was mainly buying LP’s on cassettes and relying on homemade often cut and pasted with the use of a boogie box pause button some lad had made from various sources just to give the feel of a continuous mix before anyone had even thought of using anything other than mum or dads turntable.  When I did grab this I’d gone in for an LP and spotted this as a must have extra purchase and remember almost being able to hear it on the bus all the way home. 
4) Imperial Brothers - We Come To Rock (Cutting Records ‎1984)
Off one of the Original Electro LP’s which at the time almost everyone I knew owned a copy of.  Well everyone I knew outside of from the village where I lived did anyway, my peers and social circle / fellow breakers of the time. Wicked Bassline and used in many a practice session and battle at the time.
5) Arthur Baker - Breaker's Revenge (Extended Vocal Version) (Atlantic 1984)
Now talking of battle tracks they don’t get much heavier than this (Jimmy Castor Accepted of course) but this really is a seminal 80’s battling track as featured in Beat Street and engrained in the mind of many a now aging but then teen breaker studying the crackly tape in slow motion over and over trying to perfect the moves of the then “Masters of the scene”.
6) Aleem Ft Leroy Burgess - Confusion (NIA Records 1985)
Another stone cold classic of the era and one of the Two particularly stand out tracks for me and indeed was so close to including both despite the time constraints here as both are amazing and held dear in my memory.  I still like the clean and slick, smooth production here which was a stark contrast to the majorly industrial cut and shunt and harsher, more cutting edge and crisp high hats, With fat driving basslines aimed directly at the dancefloor.  This however is the yang to that yin and an entirely understated yet still uplifting musical journey with some lovely frequencies and sweet vocal to carry you through.
7) Human League - Things That Dreams Are Made Of (Virgin 1981)
On both this and the classic essential League Unlimited Orchestra LP’s this is a largely overlooked track that has always resonated with me personally and I’d happily still use in a DJ set today as timeless in my estimations and is just a wonderful piece of electronic music which looking back now was entirely groundbreaking in its approach and attitude.  A gamble you might say that “years on” has proved to have spectacularly paid off in spades!
8) Paul Hardcastle - Sound Chaser (Original) 1984 12" Version (ZYX Records 1984)
This was one of them tunes you had to take yourself personally to the battle as at the time not particularly popular with the stone cold classics that everyone went mad for. Mr Hardcastle was properly doing it as this time and its hard to believe Rainforest didn’t make it into this set.  However this for me was one of them tunes that gave me extra power and confidence when battling or performing.  It as hard as you like for the time and truth be told probably a bit dark for my normal tastes but there remains that undeniable something that will always keep it close to my heart and bring back good memories of childhood, listening music with pals hanging round the school when it was shut on huge old boogie boxes, a roll of lino and puffing / sharing “teefed” tabs and illicit booze we’d acquired.                                                                                                                                                                
9) Sly & Robbie - Triplet Interpolating Don't Go - 1.1 The Taxi Gang (Mango 1986)
The cover of this alone would have grabbed you by the scruff of the neck at the time as not only is it striking it is also in the style of the famous electro series and so an instant want to know.  Am said to say I overlooked this tune for many years and only reminded a few years back by a close pal of mine (who also loves it) of what a solid Gold gem it really is!This is a track I’ve regularly played over last few years via my own radio show’.
10) UB40 - The Earth Dies Screaming (Graduate Records 1980)
Years later I’d go on to work for their management and become involved in organising Acid House parties, ironically at a time where I had zero interest in UB40 as a musical entity of interest. As far as my just post teenage arse thought they had sold out and become far too commercial for my then bleep and breaks driven taste and so I lost interest in them for a number of years.  The DEP label and studio they went on to create is a different story and a hive of cultural development and exciting, experimental things and as time has gone on I’ve come to appreciate them on an entirely different level.  Their early work is a perfect example of pushing musical boundaries of the time and some wicked heartfelt and harmonious numbers plus some proper deep and timeless dubby action you could drop anywhere still even today.  I chose this as fell in love with them early being championed at the time by John Peel who always had great things to say about them.  This signing is pre DEP days and remains one of my all time fave tracks.
11) Shine Eye Gal - Black Uhuru (Virgin 1980)
I have a bit of a soft spot for Black Uhuru as marks a distinct change in my musical tastes upon discovering them.  This was my entrance and interest in music of a black origin as I believe it’s now formally called.  I recently featured the Red LP on my Desert Island Digs series with the Youth of Eglington Track, but this time completely different LP yet my no 1 fave track off the lot, literally Reggae perfection for me personally, love everything about it start to end. A band I recommend buying everything always on sight as represent a great value for money purchase on the vinyl accumulation front.
12) Gary Clail & On U Soundsytem - Two Thieves and a Liar  (On-U Sound 1989)
If it wasn’t for this track and the one after next I could have easily made the set go from 1980 to 87 or Ten to Seventeen based on my own years at the time.  I had a DuskDubs Dilemma as when asked this was defo going to be the finale track as I’ve always loved it, production, sentiment, lyrics, vibes and sampling, the lot in fact!  Was always a fan of both Adrian Sherwood and the on U sound crews, for me doing everything that should be done on the UK underground Dub scene in those days.  A lot of their LP compilations did get a bit experimental in places but this one still remains a crowd pleaser today and has some seriously fat basslines in it as you’d imagine coming from this crew.
13) Joyce Sims - Lifetime Love 12" (Hard Club Mix) (Sleeping Bag Records 1987)
What an artist, what a couple of LP’s she did, what a time in music as elements and people converged at the first wonderful post weekender, pre raving moments.  Raving before it was termed raving if you like and this was one of those tunes which easily could be played on either side of the fence to a very appreciative and knowing crowd.
14) Bocca Juniors - Raise (Heavenly Rap Mix ) (Boy's Own Recordings 1990)                                  
During this period in my life & still living in the village, The Boys own were a total fascination to me from the fanzine to the nights, parties and productions.  I first saw this tune on Reportage on BBC2 I believe and caught entirely by chance but loved everything about it.  Punkish defiant and revolutionary energy wrapped up as a Balearic Morsel, Everything that Andy Weatherall at the time represented to me personally.  Loved that don’t give a fuck we’re doing what we’re doing and following no one ideal and vibe.  A truly exciting time in music and for me everything that real music innovation should be about.  
15) Cabaret Voltaire - Sensoria (7'' Mix) -(Virgin 1984)
One of those incredible cross over bands that you could listen to with all your different circles of friends and all would have approved.  Groundbreaking and experimental electronic to techno and doing their own thing fusing both indie and industrial elements in heavier and more frequently it seemed than most dared to. Of course in reality, when you look, loads also tried similar things but none to such spectacular effect of these fellas in particular.  I have a penchant for both the 80’s and 7” singles and this was always going to be in here at some point to emphasise that crossover point that I love about music.  This represents the style of tune I’m still hunting for, that certain sound with shades of something else working in there beautifully and alongside or on top too.
16) 2 Men A Drum Machine and A Trumpet - Tired Of Getting Pushed Around - (London Records 1987)
Now here’s a moment I get to doff the cap towards the Incredible IDJ Dancers, as they featured on TOTP for this surprise hit.  One of those were the timing was perfect and captured the entire vibe of UK teen nightlife at the time.  I loved IDJ and studied them on video over and over from The Solid Soul TV show and to which I’ll never forget them dancing to Kiss of the Spider Woman by Wally Badrou, it was the most amazing thing I had ever seen at the time and was truly blown away. 
Love the Piano and chord work / stabs in this particular track plus fact it represents the time perfect without seeming to overly dated to listen to now. 
As such I thought it may make the perfect end to my own personal Dusk Dubs journey. 
Really do hope you found something to enjoy here?]]></description>
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                                    <itunes:summary><![CDATA[[ Mark Gardner ]
Podcast: Dusk Dubs
Artist: Mark Gardner
Title: DD0426
Style: Electrp, Breakdance
Time: 96 minutes
Date: 2017-07-30
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Mark Gardner to the Dusk Dubs family......
"Firstly I’d like to say what a great honour to be asked to contribute my very own selections and join the esteemed roll call of so many outstanding prior guests.  To say I feel a little out of my league here would be an understatement. That said I have had a life packed full of and surrounding music since a young age and unlike many others I didn't have the bonus head start of a home life full of cool music.  My example is the opposite as the family in the main had awful taste centred on rock and roll and country or traditional folk music, sometimes even stretching as far as opera but hardly anything ever decent, bar the odd find that made a young lad ears prick up. 
I LOVE and support Independent music, don’t do corporations, watch TV or entertain newspapers. What I do is dig as hard as I can for as long as I can with a single aspiration of sharing good and lost or overlooked music, alongside a few classics which transcend time.  Todays all about the pre & much loved rather than the overlooked though I’ll wager at least a few off these will have well slipped off of most people’s musical radar by now (Or so I would imagine anyway.) 
Music and dancing were formative in my early teens and was a keen body popper later going on to acquire sponsorship and winning the under 19 South UK Championships aged 15.  The era I have chosen to focus on here is the music I spent my pocket money and part time job wages on. 
Being always the Indie kid at the Rave and traversing many social circles and jumping onto the next fad, at this cumulative and wonderful time in music meant I kept on evolving constantly and gained a unique insight into many different and converging scenes and sub cultures of the time. 
As such creating such a picture over just 80 mins is no easy task & I believe what all the lads round here term "The Dusk Dubs Dilemma".  I too had my fair share in constructing this along with the most fun of course reliving some golden childhood memories. I have opted to go for a non trendy, most personal and honest approach I could to give you an insight into what I used to travel 14 miles round trip on the bus to go into 'Boots The Chemist' and ask for the GIANT Red book from behind the counter that (at the time) I was convinced had every record ever made in it. It certainly seemed to always have all I wanted and far more than I could ever afford. 
It didn't take long for imports to become the all important thing and the start of a train spotting lifestyle but here I have deliberately chosen to avoid that and just give you a peek into the loves and playlist of an under 20 me. 
I remember the very first time I saw Break Machine on TOTP and things changed hugely and forever and a country village overspill kid first experienced urban culture and all the things that this would lead to. Oct 13th 1983 and less than a month from turning the ripe old age of 13.  As such this truly is an example of my true teenage Dusk Dubs up for your consideration and hopefully listening pleasure. 
I've been lucky enough to work in many areas of the music business and be involved with friends’ projects over the last 31 years. A DJ is probably the last part of the scene I ever became seriously involved with and even now it’s not something I aspire to do professionally, although I will be starting up producing again seriously and doings some live events and other new radio projects as time goes on. We have just taken on management of a 200 acre festival site in Middle England so things are looking exciting for the future for the coming year! 
For today however acting the DJ and getting me Dusk Dubs head onto my Worzel Style body, I'd like to introduce you to my personal playlist to represent 1983 - 90, my formative years spent collecting all I could find, recording every dance move I saw and practicing over and over nightly until I could do it. To be honest my formative years I consider to still be happening right now and even more so as time continues and I learn & discover more wonderful little avenues to explore! 
Around this time there were 3 main influences in my life musically that I have hardly touched on here; 1.) The John Peel Show 2.) Robbie Vincents’ show 3.) Solid Soul > the reason being time constraints and aiming to stay within the spec given yet still retaining a coherent them and little mini journey that "flowed" how it’s supposed to.  If gone into any of those 3 directions things would have opened and widened quite drastically to reveal the full extent of my somewhat wildly eclectic taste that my main radio show is known for. 
Avoiding the Acid House scene here was like trying to resist that last Rolo but as with all the above there is a slight and subtle doff of the cap in that direction without opening a huge can of musical worms as if we go down that road, before we knew it we'd be back in the realms of #PJDN's "Steve's" doing an 8 hr Bank Holiday set, piss bottle under arm & off his tits on Nana's Prescription Meds! ;-) 
As a digger it’s always hard to resist those WOW digs from then that you've only found now as no better feeling for a vinyl archaeologist to reveal something a little bit overlooked or a lost GEM. Once again something entirely avoided in this example, there are no real digs here and sure almost all the listeners of Dusk Dubs will know at least most if not all of my selections. 
Thanks so much for lending your ears and time towards a little blast from my particular and personal history .I really do hope that you find something to enjoy here and perhaps relive a moment from your past magical musical history as well :-)"
Tracklisting
1) Ennio Morricone - The Ecstacy of Gold  (Sunset Records 1976)
I’ve already indicated as to my family’s awful taste in music although Spaghetti Western Soundtracks were the welcome exception and became my youths audio refuge and a place I have always been happily musically. Ennio Morricone of course I later learned to be a significant musical genius and composer of note but when I first heard and fell in love with this I knew nothing of any such considerations.A master class in atmosphere building through soundscaping with an orchestra no less and anyone who knows me knows I do love live instrumentation.  OST’s and Films have always been a  big part of my life since old enough to save for and buy my own records and in the early 60’s Mum & Dad got a video shop so the house was always full of some soundtrack in the background of some variety. 
With a penchant for all sorts of movies came all sorts of introductions to sounds I never even knew existed before that.  Often the more cult and obscure items would also bring a wonderful OST and in later life led me to acts and bands that have brought me all sorts of glorious and over looked digs to re-enjoy.  Truth be told I could easily fill 80 mins with just significant OST’s from the same period but for now that will have to wait until another invitation as today this merely a tip of the cap to my dear old Dad and his love for Spaghetti westerns and the musical joy and memory it still brings me today.  
2) The Mexican - Babe Ruth ‎(Harvest 1972)
Suppose you’d call this my introduction to the fact that cool music existed in the past as well as the present and whatever Our Price or Woolworths had to offer me at the time.  A timeless B. Boy classic wasn’t long before first hearing that all the boys were queuing up to get hold of a copy of this. Often a staple of many an early old’s cool or Zulu Nation type mixtape of the time. The influence of this tune carried over to the rave era for me with Todd Terry & the likes making great use of the chords and samples to best effect.
3) Newtrament  - London Bridge Is Falling Down (Special Vocoder Mix) (Jive 1983)
Highly coveted this one for me and my best pal had it for what seemed like an age before me, so getting to hear him spin it in the garage at what I know now to be a thoroughly less than neighbourly level of volume, was an absolute joy to me.  When I did get it I had just started getting into import LP’s and recognised them as a good value for money purchase as well as being great for laying on my bed and contemplating my utterly complex teenage world of angst and nonsense in equal doses. One peril I discovered later was going in for the LP and ending up with a fistful of something that came out of nowhere and as time went on more and more I was mainly buying LP’s on cassettes and relying on homemade often cut and pasted with the use of a boogie box pause button some lad had made from various sources just to give the feel of a continuous mix before anyone had even thought of using anything other than mum or dads turntable.  When I did grab this I’d gone in for an LP and spotted this as a must have extra purchase and remember almost being able to hear it on the bus all the way home. 
4) Imperial Brothers - We Come To Rock (Cutting Records ‎1984)
Off one of the Original Electro LP’s which at the time almost everyone I knew owned a copy of.  Well everyone I knew outside of from the village where I lived did anyway, my peers and social circle / fellow breakers of the time. Wicked Bassline and used in many a practice session and battle at the time.
5) Arthur Baker - Breaker's Revenge (Extended Vocal Version) (Atlantic 1984)
Now talking of battle tracks they don’t get much heavier than this (Jimmy Castor Accepted of course) but this really is a seminal 80’s battling track as featured in Beat Street and engrained in the mind of many a now aging but then teen breaker studying the crackly tape in slow motion over and over trying to perfect the moves of the then “Masters of the scene”.
6) Aleem Ft Leroy Burgess - Confusion (NIA Records 1985)
Another stone cold classic of the era and one of the Two particularly stand out tracks for me and indeed was so close to including both despite the time constraints here as both are amazing and held dear in my memory.  I still like the clean and slick, smooth production here which was a stark contrast to the majorly industrial cut and shunt and harsher, more cutting edge and crisp high hats, With fat driving basslines aimed directly at the dancefloor.  This however is the yang to that yin and an entirely understated yet still uplifting musical journey with some lovely frequencies and sweet vocal to carry you through.
7) Human League - Things That Dreams Are Made Of (Virgin 1981)
On both this and the classic essential League Unlimited Orchestra LP’s this is a largely overlooked track that has always resonated with me personally and I’d happily still use in a DJ set today as timeless in my estimations and is just a wonderful piece of electronic music which looking back now was entirely groundbreaking in its approach and attitude.  A gamble you might say that “years on” has proved to have spectacularly paid off in spades!
8) Paul Hardcastle - Sound Chaser (Original) 1984 12" Version (ZYX Records 1984)
This was one of them tunes you had to take yourself personally to the battle as at the time not particularly popular with the stone cold classics that everyone went mad for. Mr Hardcastle was properly doing it as this time and its hard to believe Rainforest didn’t make it into this set.  However this for me was one of them tunes that gave me extra power and confidence when battling or performing.  It as hard as you like for the time and truth be told probably a bit dark for my normal tastes but there remains that undeniable something that will always keep it close to my heart and bring back good memories of childhood, listening music with pals hanging round the school when it was shut on huge old boogie boxes, a roll of lino and puffing / sharing “teefed” tabs and illicit booze we’d acquired.                                                                                                                                                                
9) Sly & Robbie - Triplet Interpolating Don't Go - 1.1 The Taxi Gang (Mango 1986)
The cover of this alone would have grabbed you by the scruff of the neck at the time as not only is it striking it is also in the style of the famous electro series and so an instant want to know.  Am said to say I overlooked this tune for many years and only reminded a few years back by a close pal of mine (who also loves it) of what a solid Gold gem it really is!This is a track I’ve regularly played over last few years via my own radio show’.
10) UB40 - The Earth Dies Screaming (Graduate Records 1980)
Years later I’d go on to work for their management and become involved in organising Acid House parties, ironically at a time where I had zero interest in UB40 as a musical entity of interest. As far as my just post teenage arse thought they had sold out and become far too commercial for my then bleep and breaks driven taste and so I lost interest in them for a number of years.  The DEP label and studio they went on to create is a different story and a hive of cultural development and exciting, experimental things and as time has gone on I’ve come to appreciate them on an entirely different level.  Their early work is a perfect example of pushing musical boundaries of the time and some wicked heartfelt and harmonious numbers plus some proper deep and timeless dubby action you could drop anywhere still even today.  I chose this as fell in love with them early being championed at the time by John Peel who always had great things to say about them.  This signing is pre DEP days and remains one of my all time fave tracks.
11) Shine Eye Gal - Black Uhuru (Virgin 1980)
I have a bit of a soft spot for Black Uhuru as marks a distinct change in my musical tastes upon discovering them.  This was my entrance and interest in music of a black origin as I believe it’s now formally called.  I recently featured the Red LP on my Desert Island Digs series with the Youth of Eglington Track, but this time completely different LP yet my no 1 fave track off the lot, literally Reggae perfection for me personally, love everything about it start to end. A band I recommend buying everything always on sight as represent a great value for money purchase on the vinyl accumulation front.
12) Gary Clail & On U Soundsytem - Two Thieves and a Liar  (On-U Sound 1989)
If it wasn’t for this track and the one after next I could have easily made the set go from 1980 to 87 or Ten to Seventeen based on my own years at the time.  I had a DuskDubs Dilemma as when asked this was defo going to be the finale track as I’ve always loved it, production, sentiment, lyrics, vibes and sampling, the lot in fact!  Was always a fan of both Adrian Sherwood and the on U sound crews, for me doing everything that should be done on the UK underground Dub scene in those days.  A lot of their LP compilations did get a bit experimental in places but this one still remains a crowd pleaser today and has some seriously fat basslines in it as you’d imagine coming from this crew.
13) Joyce Sims - Lifetime Love 12" (Hard Club Mix) (Sleeping Bag Records 1987)
What an artist, what a couple of LP’s she did, what a time in music as elements and people converged at the first wonderful post weekender, pre raving moments.  Raving before it was termed raving if you like and this was one of those tunes which easily could be played on either side of the fence to a very appreciative and knowing crowd.
14) Bocca Juniors - Raise (Heavenly Rap Mix ) (Boy's Own Recordings 1990)                                  
During this period in my life & still living in the village, The Boys own were a total fascination to me from the fanzine to the nights, parties and productions.  I first saw this tune on Reportage on BBC2 I believe and caught entirely by chance but loved everything about it.  Punkish defiant and revolutionary energy wrapped up as a Balearic Morsel, Everything that Andy Weatherall at the time represented to me personally.  Loved that don’t give a fuck we’re doing what we’re doing and following no one ideal and vibe.  A truly exciting time in music and for me everything that real music innovation should be about.  
15) Cabaret Voltaire - Sensoria (7'' Mix) -(Virgin 1984)
One of those incredible cross over bands that you could listen to with all your different circles of friends and all would have approved.  Groundbreaking and experimental electronic to techno and doing their own thing fusing both indie and industrial elements in heavier and more frequently it seemed than most dared to. Of course in reality, when you look, loads also tried similar things but none to such spectacular effect of these fellas in particular.  I have a penchant for both the 80’s and 7” singles and this was always going to be in here at some point to emphasise that crossover point that I love about music.  This represents the style of tune I’m still hunting for, that certain sound with shades of something else working in there beautifully and alongside or on top too.
16) 2 Men A Drum Machine and A Trumpet - Tired Of Getting Pushed Around - (London Records 1987)
Now here’s a moment I get to doff the cap towards the Incredible IDJ Dancers, as they featured on TOTP for this surprise hit.  One of those were the timing was perfect and captured the entire vibe of UK teen nightlife at the time.  I loved IDJ and studied them on video over and over from The Solid Soul TV show and to which I’ll never forget them dancing to Kiss of the Spider Woman by Wally Badrou, it was the most amazing thing I had ever seen at the time and was truly blown away. 
Love the Piano and chord work / stabs in this particular track plus fact it represents the time perfect without seeming to overly dated to listen to now. 
As such I thought it may make the perfect end to my own personal Dusk Dubs journey. 
Really do hope you found something to enjoy here?]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0425 Dusk Dubs - Andy Hickford</title>
                                    <description><![CDATA[[ Andy Hickford ]
Podcast: Dusk Dubs
Artist: Andy Hickford
Title: DD0424
Style: House, Soul, Trip Hop, Jazz, Broken Beat
Time: 72 minutes
Date: 2017-07-23
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Andy Hickford....
"Big thanks to the Dusk Dubs crew for inviting me back.
With this selection, I have decided to move away from the ‘inspirations’ theme of my first Dusk Dubs set, instead considering tracks that have grabbed me recently – or ones that have just stuck with me over the years.
I didn’t really want to be too genre specific, but was keen to move away from the funk/jazz type spectrum I’d covered in my previous choices. I’ve ended up with a rough boogie/broken beat/break beat/disco type range, which is pretty much closer to what I play out.
Headphones on…"
You can find him here:
twitter.com/TheDownScience
mixcloud.com/andyhickford
hearthis.at/andyhickforddowntownscience
Tracklisting
1) Dennis Ayler – Unknown
This is a little intro track for the selection from the recent Dennis Ayler release on D.A.M. – a 22a offshoot. Whilst it may seem odd to select a 30 second interlude track as a set opener, I feel it acts as an ‘amuse bouche’ to set the tone for the music to come. More from Mr Ayler later…
2) Jeen Bassa - Today's Yesterday
Continuing with 22a – this is a track from Jeen Bassa’s Time Waves album, a superb collection of minimal funk laden hip hop, with afro, jazz and broken beat influences. 22a, Rhythm Section, 2000 Black et al are on fire at the moment – I’m not sure whether collectively they herald a new era of jazz, deep house, broken beat or whatever – maybe we should just leave the genre labels for discogs listings ?
3) Tatham, Mensah, Lord & Ranks - The Believer
So onto 2000 Black – Dego has been at the centre of many scenes over the years, hard-core, drum & bass, broken beat… he really is one of the UK’s heavyweight producers. This is a lovely track of broken boogie vibes, the releases on this label of so consistent that it is hard to pick out individual tracks for attention.
4) Dennis Ayler - Black SL
Back to Mr Ayler – carrying on with the modern bruk/boogie sound this track ‘Black S.L.’ is heavy on the funk, irresistible keys, a greasy bass – what more do you want? Maybe a basement and a red light, to accommodate you and a chosen few to boogie with?
5) A Band Called Flash - Mother Confessor
From UK pioneers to one from across the pond – I seemed to miss ABCF first time round – fortunately their records have been re-pressed, so I’ve been able to catch up with this Ron Trent produced material. Taking Deep House and Parliament to produce some delicious funky tracks ABCF are well worth checking if like me you slept on their work up til now.   
6) Henry Wu - Black Rigsby
Back to the UK & the reputation of Henry Wu is growing by the day… the Yussef Kamaal project has seen broadsheet culture sections celebrating the re-birth of jazz in the UK, whilst recordings on Eglo, Tartelet, RSI & 22a have seen Wu dominate dancefloors across the nation too. This track from the Negotiate ep from 2015, is a lovely example of how Wu takes jazz-funk and puts it through a deep house blender to create something fresh.
7) King Midas Sound - One Ting (Dabrye remix)
This Dabrye mix of KMS takes the original and lifts it into a different dimension – snyths, beats, attitude   a lovely vocal – this is still one of my favourite tracks on Hyperdub. It also takes the selection into slightly tougher territory.
8) Ragga Twins – Spliffhead
This is a track that I have loved for decades, I remember first hearing it in the early 90’s on mix tapes from the likes of Mickey Finn and Grooverider – the distinctive breaks, raga styling and hip hop influence marked this out as something different from a lot of the music around at the time. The Ragga Twins & Shut Up & Dance were setting standards back then – they were real pioneers in the development of UK dance music.
9) Art Science Technology - A.S.T.
Did I say pioneers? Brian Dougans & Garry Cobain fall into that category too – well known for FSOL, Humanoid,  and now Amorphous Androgynous this is one of their lesser known projects. A.S.T. Sampling the Stranglers when I first heard this it seemed to bridge the gap between the indie dance of Oakenfold Happy Mondays remixes and the music Carl Cox was rinsing on Utopia & Eclipse rave tapes that were doing the rounds. I.e. perfect.
10) Air - Modular (DJ Cam No Protection Mix)
Moving on from the warehouse and into the back room (or at least it seemed to be back rooms where this sort of stuff was getting played in the mid 90’s. I love this DJ Cam remix of Air – whilst the lounge styling’s of Air are delectable, I always dug the way this roughed ‘em right up with some proper hip hop beats, whilst retaining the smoky vibes of the original.
11) Magnum Force - Cool Out
Now let’s dance… hip hop to electro isn’t much of a leap, so from the back room to the lino – this slice of electro boogie perfection in irresistible (at least I think so). The sort of tune that works in a bar, club, bbq – wherever – just infection grooves that at least gonna make your head nod.
12) Stone - Girl, I Like The Way You Move (Dub)
More electro boogie bizniz – this time going even deeper into the disco vibe, I love this slice of dubby disco – I hope those who enjoyed the warehouse rave style selections will see why I love this disco number. Name that tune…
13) Jago - I'm Going To Go (Instrumental)
This Jago tune is to be fair another I slept on, or had at least forgotten. On a recent trip to Amsterdam I heard this track over the system in Rush Hour – what is this? My brother & said almost in unison – off he goes to the counter to find out. They were playing the Frankie Knuckles version on this track – then it hit me, quick check on the discogs collection tab – yep got it. It hasn’t left my box since I got home. Massive bit of funky Italo proto house / disco. Love it. 
14) T-Coy - Corino (Greg Wilson Re-Edit)
From electro/boogie/disco we now move towards the house era now – Carino being a big tune in the Acid House era – a Hacienda staple. I like this version – Greg Wilson just giving it a bit of a service and polish to give it a new lease of life. Pianos – where would house be without them ?
15) Pfortune - String Free
Speaking of pianos’ – boom – this is a killer slice of old school house. A remorseless piano-house monster tune. A proper hands in the air Jack Master era tune that still sounds fresh to my ears.
16) Shuya Okino - Still In Love (Nik Weston & Rudy's Midnight Machine Epic Strings Version)
And to finish – let’s bring those strings back – this is an epic tune (in name as well as sound), smooth, blissful, uplifting, a take me away end of nighter.
Many thanks for listening.]]></description>
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                                    <itunes:summary><![CDATA[[ Andy Hickford ]
Podcast: Dusk Dubs
Artist: Andy Hickford
Title: DD0424
Style: House, Soul, Trip Hop, Jazz, Broken Beat
Time: 72 minutes
Date: 2017-07-23
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Andy Hickford....
"Big thanks to the Dusk Dubs crew for inviting me back.
With this selection, I have decided to move away from the ‘inspirations’ theme of my first Dusk Dubs set, instead considering tracks that have grabbed me recently – or ones that have just stuck with me over the years.
I didn’t really want to be too genre specific, but was keen to move away from the funk/jazz type spectrum I’d covered in my previous choices. I’ve ended up with a rough boogie/broken beat/break beat/disco type range, which is pretty much closer to what I play out.
Headphones on…"
You can find him here:
twitter.com/TheDownScience
mixcloud.com/andyhickford
hearthis.at/andyhickforddowntownscience
Tracklisting
1) Dennis Ayler – Unknown
This is a little intro track for the selection from the recent Dennis Ayler release on D.A.M. – a 22a offshoot. Whilst it may seem odd to select a 30 second interlude track as a set opener, I feel it acts as an ‘amuse bouche’ to set the tone for the music to come. More from Mr Ayler later…
2) Jeen Bassa - Today's Yesterday
Continuing with 22a – this is a track from Jeen Bassa’s Time Waves album, a superb collection of minimal funk laden hip hop, with afro, jazz and broken beat influences. 22a, Rhythm Section, 2000 Black et al are on fire at the moment – I’m not sure whether collectively they herald a new era of jazz, deep house, broken beat or whatever – maybe we should just leave the genre labels for discogs listings ?
3) Tatham, Mensah, Lord & Ranks - The Believer
So onto 2000 Black – Dego has been at the centre of many scenes over the years, hard-core, drum & bass, broken beat… he really is one of the UK’s heavyweight producers. This is a lovely track of broken boogie vibes, the releases on this label of so consistent that it is hard to pick out individual tracks for attention.
4) Dennis Ayler - Black SL
Back to Mr Ayler – carrying on with the modern bruk/boogie sound this track ‘Black S.L.’ is heavy on the funk, irresistible keys, a greasy bass – what more do you want? Maybe a basement and a red light, to accommodate you and a chosen few to boogie with?
5) A Band Called Flash - Mother Confessor
From UK pioneers to one from across the pond – I seemed to miss ABCF first time round – fortunately their records have been re-pressed, so I’ve been able to catch up with this Ron Trent produced material. Taking Deep House and Parliament to produce some delicious funky tracks ABCF are well worth checking if like me you slept on their work up til now.   
6) Henry Wu - Black Rigsby
Back to the UK & the reputation of Henry Wu is growing by the day… the Yussef Kamaal project has seen broadsheet culture sections celebrating the re-birth of jazz in the UK, whilst recordings on Eglo, Tartelet, RSI & 22a have seen Wu dominate dancefloors across the nation too. This track from the Negotiate ep from 2015, is a lovely example of how Wu takes jazz-funk and puts it through a deep house blender to create something fresh.
7) King Midas Sound - One Ting (Dabrye remix)
This Dabrye mix of KMS takes the original and lifts it into a different dimension – snyths, beats, attitude   a lovely vocal – this is still one of my favourite tracks on Hyperdub. It also takes the selection into slightly tougher territory.
8) Ragga Twins – Spliffhead
This is a track that I have loved for decades, I remember first hearing it in the early 90’s on mix tapes from the likes of Mickey Finn and Grooverider – the distinctive breaks, raga styling and hip hop influence marked this out as something different from a lot of the music around at the time. The Ragga Twins & Shut Up & Dance were setting standards back then – they were real pioneers in the development of UK dance music.
9) Art Science Technology - A.S.T.
Did I say pioneers? Brian Dougans & Garry Cobain fall into that category too – well known for FSOL, Humanoid,  and now Amorphous Androgynous this is one of their lesser known projects. A.S.T. Sampling the Stranglers when I first heard this it seemed to bridge the gap between the indie dance of Oakenfold Happy Mondays remixes and the music Carl Cox was rinsing on Utopia & Eclipse rave tapes that were doing the rounds. I.e. perfect.
10) Air - Modular (DJ Cam No Protection Mix)
Moving on from the warehouse and into the back room (or at least it seemed to be back rooms where this sort of stuff was getting played in the mid 90’s. I love this DJ Cam remix of Air – whilst the lounge styling’s of Air are delectable, I always dug the way this roughed ‘em right up with some proper hip hop beats, whilst retaining the smoky vibes of the original.
11) Magnum Force - Cool Out
Now let’s dance… hip hop to electro isn’t much of a leap, so from the back room to the lino – this slice of electro boogie perfection in irresistible (at least I think so). The sort of tune that works in a bar, club, bbq – wherever – just infection grooves that at least gonna make your head nod.
12) Stone - Girl, I Like The Way You Move (Dub)
More electro boogie bizniz – this time going even deeper into the disco vibe, I love this slice of dubby disco – I hope those who enjoyed the warehouse rave style selections will see why I love this disco number. Name that tune…
13) Jago - I'm Going To Go (Instrumental)
This Jago tune is to be fair another I slept on, or had at least forgotten. On a recent trip to Amsterdam I heard this track over the system in Rush Hour – what is this? My brother & said almost in unison – off he goes to the counter to find out. They were playing the Frankie Knuckles version on this track – then it hit me, quick check on the discogs collection tab – yep got it. It hasn’t left my box since I got home. Massive bit of funky Italo proto house / disco. Love it. 
14) T-Coy - Corino (Greg Wilson Re-Edit)
From electro/boogie/disco we now move towards the house era now – Carino being a big tune in the Acid House era – a Hacienda staple. I like this version – Greg Wilson just giving it a bit of a service and polish to give it a new lease of life. Pianos – where would house be without them ?
15) Pfortune - String Free
Speaking of pianos’ – boom – this is a killer slice of old school house. A remorseless piano-house monster tune. A proper hands in the air Jack Master era tune that still sounds fresh to my ears.
16) Shuya Okino - Still In Love (Nik Weston & Rudy's Midnight Machine Epic Strings Version)
And to finish – let’s bring those strings back – this is an epic tune (in name as well as sound), smooth, blissful, uplifting, a take me away end of nighter.
Many thanks for listening.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/8/_/uploads/229472/image_track/1442639/w1400_h1400_q70_ptrue_v2_----cropped_1500573875.jpg" />
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                                        <pubDate>Sun, 16 Jul 2017 10:39:47 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-16T10:39:47+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0424 Dusk Dubs - Joe Nebula2</title>
                                    <description><![CDATA[[ Joe Nebula2 ]
Podcast: Dusk Dubs
Artist: Joe Nebula2
Title: DD0424
Style: House, Techno, Drum and Bass
Time: 69 minutes
Date: 2017-07-16
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we invite Producer and DJ Joe Nebula2 to the Dusk Dubs family....
"Music to keep me going. Fortunate to be on earth right now. With these sounds.
I had such a good time selecting these tracks and so many never made the cut. But this is me and my music - well a cross section that covers just about it all in beats, breaks & sounds.
Mostly chill time. Enjoy!
Peace.... Joe Nebula2"
You can find him here:
back2you.co.uk
joenebula.bandcamp.com
soundcloud.com/joenebula
facebook.com/joenebula2
twitter.com/joenebula2
Tracklisting
1)  Max Richter - Spring 1
I have to included a track from this composser. I love his work and this track even has a dance music feel to it. Waking up to this track will start any day off on a good footing. Shame its so short but who cares LOVE! I also am totally inspired by classical strings...
2) R-Tyme - R-Theme (Mayday Mix)
Cant beat this tyime of my life. New sounds new expericenes and new beginings. Such a great moment in my own history and the Detriot Techno sound played a major roll in it. Expermental soul music!
3) King Unique - Sugar High
This track for e just celebrates life in the best way possible. Total uplifiting vibrations on all fronts. If I'm happy already I will be extastic. If i'm not so happy it will bring me round.
4) Smote & Stunna Ft Submorphics - Sweet Passion
One of my all time tracks ever made (easy in my top 5 if I had one). Every time I listen to it it keeps getting better and better. I dont know why but they hit the nail on the head with this one. Just pure amazing sounds and put together in a way which resonates with me perfeclty. Drum & Bass at its best #DNB forever!
5) BB & Q Band - Genie
This is just teenage years all rolled into one. We all need some soul in your life.
6) Gabin - Terra Pura
Time to chill and think some :)
7) Planetboelex - Seagull Scene
Taken from an incredible album "Sunnta" which is 100% worth checking out. I selected this track as it has the bad ass bassline (Could be come out more but that's the DNB in me coning out). An amazing producer with some serious deep mind set! Definitely check out his other work. This style of music just take me away!
8) Fragile State - Barney Fade Future Loop Foundation
Just so good to be on earth with music like this. Sums it all up for me. Lifts me up. Onwards always.
9) King Unique - Yohkoh (Seven years on Remix)
Just pure genius from King Unique. He made two in the list here. Which is a big thing for me as I dontthink everyone makes good music all the time. Just such a great journey with this track up and down, down and up!
10) Hybrid - Finished Symphony 
Whats not to love two of my favurite music styles classical and breaks rolled into one and for the first time some did it right. This whole album is just amazing. Hats off here for doing a job right! Just to add the track "Dreaming for you" is just as good but this track just takes it for me have a listen to that one to...]]></description>
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                                    <itunes:summary><![CDATA[[ Joe Nebula2 ]
Podcast: Dusk Dubs
Artist: Joe Nebula2
Title: DD0424
Style: House, Techno, Drum and Bass
Time: 69 minutes
Date: 2017-07-16
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we invite Producer and DJ Joe Nebula2 to the Dusk Dubs family....
"Music to keep me going. Fortunate to be on earth right now. With these sounds.
I had such a good time selecting these tracks and so many never made the cut. But this is me and my music - well a cross section that covers just about it all in beats, breaks & sounds.
Mostly chill time. Enjoy!
Peace.... Joe Nebula2"
You can find him here:
back2you.co.uk
joenebula.bandcamp.com
soundcloud.com/joenebula
facebook.com/joenebula2
twitter.com/joenebula2
Tracklisting
1)  Max Richter - Spring 1
I have to included a track from this composser. I love his work and this track even has a dance music feel to it. Waking up to this track will start any day off on a good footing. Shame its so short but who cares LOVE! I also am totally inspired by classical strings...
2) R-Tyme - R-Theme (Mayday Mix)
Cant beat this tyime of my life. New sounds new expericenes and new beginings. Such a great moment in my own history and the Detriot Techno sound played a major roll in it. Expermental soul music!
3) King Unique - Sugar High
This track for e just celebrates life in the best way possible. Total uplifiting vibrations on all fronts. If I'm happy already I will be extastic. If i'm not so happy it will bring me round.
4) Smote & Stunna Ft Submorphics - Sweet Passion
One of my all time tracks ever made (easy in my top 5 if I had one). Every time I listen to it it keeps getting better and better. I dont know why but they hit the nail on the head with this one. Just pure amazing sounds and put together in a way which resonates with me perfeclty. Drum & Bass at its best #DNB forever!
5) BB & Q Band - Genie
This is just teenage years all rolled into one. We all need some soul in your life.
6) Gabin - Terra Pura
Time to chill and think some :)
7) Planetboelex - Seagull Scene
Taken from an incredible album "Sunnta" which is 100% worth checking out. I selected this track as it has the bad ass bassline (Could be come out more but that's the DNB in me coning out). An amazing producer with some serious deep mind set! Definitely check out his other work. This style of music just take me away!
8) Fragile State - Barney Fade Future Loop Foundation
Just so good to be on earth with music like this. Sums it all up for me. Lifts me up. Onwards always.
9) King Unique - Yohkoh (Seven years on Remix)
Just pure genius from King Unique. He made two in the list here. Which is a big thing for me as I dontthink everyone makes good music all the time. Just such a great journey with this track up and down, down and up!
10) Hybrid - Finished Symphony 
Whats not to love two of my favurite music styles classical and breaks rolled into one and for the first time some did it right. This whole album is just amazing. Hats off here for doing a job right! Just to add the track "Dreaming for you" is just as good but this track just takes it for me have a listen to that one to...]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/2/8/_/uploads/229472/image_track/1406195/w1400_h1400_q70_ptrue_v2_----cropped_1500032828.jpg" />
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                                    <guid isPermaLink="false">1385325</guid>
                                    
                                        <pubDate>Sun, 09 Jul 2017 10:04:27 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-09T10:04:27+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0423 Dusk Dubs - .Mw</title>
                                    <description><![CDATA[[ .Mw ]
Podcast: Dusk Dubs
Artist: .Mw
Title: DD0423
Style: Funk, Soul, Rare, Vinyl
Time: 78 minutes
Date: 2017-07-09
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome the secretive and mysterious .Mw to the Dusk Dubs family...
'.Mw Droozed On The Medium Wave'
"Entangled in the musky dusky grooves there gleaned a surface, all faint lines across circular tracks. As carefully handed platters are ceremonially offered to the diamond diety we learned much...And when the serious searching exposes to you to a dynamite one-tracker or that the pleasure and perversity that a minutes Mouthing of poetic spoken word will grant you, it's time to scrub up and record, to tape together, to MANIPULATE and then rewrite... 
If we are to break down what we have it's a simple system..Many many dusty knees years of exploration, many many almosts, many many keeper...enough in fact to re-dig your own library of music, to find B-Sides and album tracks not appreciated by younger selves bolstered by late nights or crafting and artistically shuffling waveforms, or cleaning literal then digital, or writes, re-writes, over writes and LEARNING... 
Presented here in ALMOST raw form are some secrets, subtle and otherwise... In our taste, in our chaos and order. It's what we dug in both senses one wine enhanced night. Some back of the shelf, not pulled out for years, some newly found and freshly picked but all given some real thought...We do hope you enjoy our selection and a few cuts that may make it onto our next droozy mix and we hope the re-dub of our old 'Backyard Boogie Droozin' artwork doesn't hint too much towards our time-poor lives...Keep it droozy, keep it sketch and...Get out there and find those tick-making, freakish finds. 
This one is dedicated to the Pye-man himself and all those he's exposed and the heroic Hickford...Keep on dubbin' on out...On out...On...oouuuutttt.
.Mw"
Tracklisting
1) 400 Blows - Perspective 2
2) Lee Oscar - Haunted House
3) Howard Johnson - So Fine
4) CW McCall - Night Rider
5) Lou Rawls - Natural Man
6) Saftey Scissors - Breast Bone
7) Mags - White Room
8) Nicole Rieu - Les Hommes Heureux
9) Jeffery Bruner - No No No
10) Touchdown - Ritmo Suave
11) Planet Passion - Horror On The Block
12) John Epping - Top Innovation
13) Hello People - Creego
14) Ovations - Got To Move On (To My Destiny)
15) Dou Dou - Vanille Chocolat Reggae
16) Melton Epps - Love Is Strange
17) Mangeshkar - Chhipaana
18) Superimposers - Seeing Is Believing
19) Luigi An Da Boys - Turn And Walk Away
20) Pride - A Hope
21) Max - Near To You ]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ .Mw ]
Podcast: Dusk Dubs
Artist: .Mw
Title: DD0423
Style: Funk, Soul, Rare, Vinyl
Time: 78 minutes
Date: 2017-07-09
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome the secretive and mysterious .Mw to the Dusk Dubs family...
'.Mw Droozed On The Medium Wave'
"Entangled in the musky dusky grooves there gleaned a surface, all faint lines across circular tracks. As carefully handed platters are ceremonially offered to the diamond diety we learned much...And when the serious searching exposes to you to a dynamite one-tracker or that the pleasure and perversity that a minutes Mouthing of poetic spoken word will grant you, it's time to scrub up and record, to tape together, to MANIPULATE and then rewrite... 
If we are to break down what we have it's a simple system..Many many dusty knees years of exploration, many many almosts, many many keeper...enough in fact to re-dig your own library of music, to find B-Sides and album tracks not appreciated by younger selves bolstered by late nights or crafting and artistically shuffling waveforms, or cleaning literal then digital, or writes, re-writes, over writes and LEARNING... 
Presented here in ALMOST raw form are some secrets, subtle and otherwise... In our taste, in our chaos and order. It's what we dug in both senses one wine enhanced night. Some back of the shelf, not pulled out for years, some newly found and freshly picked but all given some real thought...We do hope you enjoy our selection and a few cuts that may make it onto our next droozy mix and we hope the re-dub of our old 'Backyard Boogie Droozin' artwork doesn't hint too much towards our time-poor lives...Keep it droozy, keep it sketch and...Get out there and find those tick-making, freakish finds. 
This one is dedicated to the Pye-man himself and all those he's exposed and the heroic Hickford...Keep on dubbin' on out...On out...On...oouuuutttt.
.Mw"
Tracklisting
1) 400 Blows - Perspective 2
2) Lee Oscar - Haunted House
3) Howard Johnson - So Fine
4) CW McCall - Night Rider
5) Lou Rawls - Natural Man
6) Saftey Scissors - Breast Bone
7) Mags - White Room
8) Nicole Rieu - Les Hommes Heureux
9) Jeffery Bruner - No No No
10) Touchdown - Ritmo Suave
11) Planet Passion - Horror On The Block
12) John Epping - Top Innovation
13) Hello People - Creego
14) Ovations - Got To Move On (To My Destiny)
15) Dou Dou - Vanille Chocolat Reggae
16) Melton Epps - Love Is Strange
17) Mangeshkar - Chhipaana
18) Superimposers - Seeing Is Believing
19) Luigi An Da Boys - Turn And Walk Away
20) Pride - A Hope
21) Max - Near To You ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/6/0/_/uploads/229472/image_track/1385325/w1400_h1400_q70_ptrue_v2_----cropped_1499459065.jpg" />
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                                    <itunes:duration>4711</itunes:duration>
                                    
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                                        <pubDate>Sun, 02 Jul 2017 10:17:34 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-02T10:17:34+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0422 Dusk Dubs - Findlay Brown</title>
                                    <description><![CDATA[[ Findlay Brown ]
Podcast: Dusk Dubs
Artist: Findlay Brown
Title: DD0422
Style: Acoustic, Instrumental
Time: 56 minutes
Date: 2017-07-02
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we have the privilege of welcoming singer/songwriter Findlay Brown to the Dusk Dubs family...
"I wanted to put together a mix with a kind of mood throughout, and over the last few years I've been listening to more and more instrumental music so here are some of my favourites.
Jack Rose I saw perform at an Rough Trade instore in Soho London maybe ten years ago and its through him I heard solo acoustic, finger picking drone music for the first time.
There is a beautiful track by Laraaji on hear, very meditative. I really like this kind of New Age music.
Mind Over Mirrors is the solo project of Jaime Fennelly from Washton State. I heard High & Upon playing in a record store in Greenpoint Brooklyn when I lived there. Lots of nice Harmonium and saturated organ drones.
Artists Woo and Mariah I discovered through this very cool label Palto Flats who just reissued Midori Takada's "Through the Looking Glass too.
Charles Mingus "Mingus Plays Piano" LP has been a big favourite for a long time!
Ben Frost does heavy ambient music so well, both brutal and beautiful.
The Jon Hopkins track is the only one with vocals by King Creosote. Jon used to be at a lot of the little folk nights I sometimes played at in London 2006/2007 when I was doing my first album. His soundscapes and Kenny's transcendent vocals together are heart breaking.
Cheers, Findlay"
You can find Findlay here:
facebook.com/FindlayBrown
soundcloud.com/findlaybrownofficial
twitter.com/findlaybrown
discogs.com/artist/753160-Findlay-Brown
Tracklisting
1) Laraaji – I Am Ocean
2) Woo – Awaawaa
3) Mind Over Mirrors - Harmattan Morning
4) Jack Rose - Red Horse
5) Charles Mingus - Myself When I Am Real
6) Gimmer Nicholson - Millenial Harbinger
7) Ben Frost - Theory of Machines
8) Igor Wakhevitch - Never Poem for the Other
9) Mariah - Shinzo No Tobira
10) The Durutti Column - Love No More
11) Jon Hopkins - Immunity (with King Creosote)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Findlay Brown ]
Podcast: Dusk Dubs
Artist: Findlay Brown
Title: DD0422
Style: Acoustic, Instrumental
Time: 56 minutes
Date: 2017-07-02
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we have the privilege of welcoming singer/songwriter Findlay Brown to the Dusk Dubs family...
"I wanted to put together a mix with a kind of mood throughout, and over the last few years I've been listening to more and more instrumental music so here are some of my favourites.
Jack Rose I saw perform at an Rough Trade instore in Soho London maybe ten years ago and its through him I heard solo acoustic, finger picking drone music for the first time.
There is a beautiful track by Laraaji on hear, very meditative. I really like this kind of New Age music.
Mind Over Mirrors is the solo project of Jaime Fennelly from Washton State. I heard High & Upon playing in a record store in Greenpoint Brooklyn when I lived there. Lots of nice Harmonium and saturated organ drones.
Artists Woo and Mariah I discovered through this very cool label Palto Flats who just reissued Midori Takada's "Through the Looking Glass too.
Charles Mingus "Mingus Plays Piano" LP has been a big favourite for a long time!
Ben Frost does heavy ambient music so well, both brutal and beautiful.
The Jon Hopkins track is the only one with vocals by King Creosote. Jon used to be at a lot of the little folk nights I sometimes played at in London 2006/2007 when I was doing my first album. His soundscapes and Kenny's transcendent vocals together are heart breaking.
Cheers, Findlay"
You can find Findlay here:
facebook.com/FindlayBrown
soundcloud.com/findlaybrownofficial
twitter.com/findlaybrown
discogs.com/artist/753160-Findlay-Brown
Tracklisting
1) Laraaji – I Am Ocean
2) Woo – Awaawaa
3) Mind Over Mirrors - Harmattan Morning
4) Jack Rose - Red Horse
5) Charles Mingus - Myself When I Am Real
6) Gimmer Nicholson - Millenial Harbinger
7) Ben Frost - Theory of Machines
8) Igor Wakhevitch - Never Poem for the Other
9) Mariah - Shinzo No Tobira
10) The Durutti Column - Love No More
11) Jon Hopkins - Immunity (with King Creosote)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/0/1/_/uploads/229472/image_track/1378584/w1400_h1400_q70_ptrue_v2_----cropped_1498946109.jpg" />
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                                    <itunes:duration>3399</itunes:duration>
                                    
                                </item>
                                
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                                    <guid isPermaLink="false">1368976</guid>
                                    
                                        <pubDate>Sun, 25 Jun 2017 10:04:04 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-25T10:04:04+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0421 Dusk Dubs - Rebecca Vasmant</title>
                                    <description><![CDATA[[ Rebecca Vasmant ]
Podcast: Dusk Dubs
Artist: Rebecca Vasmant
Title: DD0421
Style: Jazz
Time: 73 minutes
Date: 2017-06-025
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Rebecca Vasmant to the Dusk Dubs family...
"I can genuinely and honestly say that nothing in the world compares to an amazing piece of Jazz at night time… There has been many times that I have been told to choose one genre of music and stick with it, I find this totally unachievable.
All the music that we hear that makes us feel totally inspired cannot be boxed into one style or genre of music and no matter what category or style that it may fall into it either makes us feel amazing or does not. 
For me, I simply cannot describe the way that some music makes me feel. It is like a completely cleansing experience and the emotion that it derives from within our core can allow us to feel however we want to feel. Whether this is good or otherwise, we just allow ourselves to feel emotion that we may not feel in our daily lives and this is a beautiful thing. And I really do appreciate and respect musicians and producers for allowing us to be able to do that. When I hear a piece of music that I really feel, it can almost put me into a meditative state and I can allow myself to purely focus on what that piece of music is saying, whether it is classical, Jazz, Soul or Techno.. The emotion is still the same. 
Music really is a privilege and I can honestly say that deep within my heart I am totally grateful for every piece of amazing music that I have been lucky enough to have been able to hear. And I realise that even if we spent every waking minute of every day searching for music, we would not have enough time to discover it all.. and this thought is overwhelming. 
I thank every musician, composer, maestro and Producer for every piece of music whether it has been noticed or unnoticed and wake up every day happy to be able to just take the time to just listen and appreciate music."
You can find Rebecca here:
facebook.com/RebeccaVasmant
mixcloud.com/rebecca_vasmant
youtube.com/user/RebeccaVasmant
Tracklisting
1) Stan Tracey Quartet – Starless and Bible Black. This record is one of my favorites in the world, despite the fact that is a very strong statement, I 
really mean it. I will always remember the moment I first heard it, when my friend sent me it and I remember being completely blown away, speechless. It makes me feel, calm, happy, in love, content and loved. It's been with me through so many times, happy and sad, and I know it inside out. No amount of times listening to this could ever make me less grateful for having it in my life. I genuinely think that its timeless, and I will never have listened to it enough times. 
2) Greg Foat Group – For A Breath I Tarry. This is one of the best modern Jazz records that has been released in the last five years. Its emotive, deep, and beautiful in ever way. Greg's piano playing is perfect on this record, and its always a piece of music that has the ability to completely reset my mood and make me feel perfect. 
3) Greyish Quartet – Lydian Idyll. When playing Glasgow Jazz Festival with David from this band, I was blown away by his beautiful style of playing. This demonstrates why, its a very lovely piece that I have not been bored of since I first heard it over five years ago now. 
4) Melanie De Biasio - With All My Love. This is one of those pieces that was a grower. I heard this for the first time when the album 'No Deal' dropped in 2013 and the more I listened to this, the more that I heard. Its got beautifully chilling feeling to it, and gets right to the depth of the emotions of the moment. One of those pieces of music that allows you to take a journey in your head to places that perhaps you wouldn't normally visit. Embracing sadness, and allowing it to surface just for the duration of this track, its a refreshing exercise that allows so much comfort in such a normally busy time of life. 
5) Kelan Phil Cohran And Legacy – White Nile. I couldn't tell you one wrong thing about this track, its absolutely perfect. The way that the trumpet is played, the vocals, Alice Coltrane, everything. Its just so perfect. One of my top favourite pieces of all time. 
6) Bill Evans – Piece Peace. This is my favorite piano piece of all time. Every time I listen to this after having not listened to it for a while, it reminds me why. 
7) P.E Hewitt Jazz Ensemble – Ill Love Song. I distinctly remember the first time that I heard this, I was working in a record shop at the time and my colleague George who owned the shop put it on, I stopped what I was doing and immediately demanded to know what it was. There is something about the rawness of it, the 'naivety', and the almost semi professional way in which the musicians play their instruments that makes it truly special. As a listener, its really mind blowing, and many of my musician friends have complained or criticised this record for sounding like a 'high school band recording' but that is essentially what it is. I love it, and I think I always will. 
8) Arthur Verocai - Caboclo. This is one of those records that makes your heart melt and makes me feel all warm inside. It takes me back to a time when I was touring a lot and had a lot of time spent in airports with little sleep. This record got me through lots of delays and long journeys, and when I listen to it, it takes me back to those times and I look back and am so grateful to have this record in my life. 
9) Clifford Jordan – John Coltrane. One of my all time favorites from Clifford Jordan, and this album 'Glass Bead Games' is one of my all time favourites also. I love this track in particular and I love to play this at gigs. 
10) Carlos Garnett – Mother Of The Future. This track gives me goosebumps every time I listen to it, its so strong.. I always think it sounds better and better each time I listen to it. An absolute dance floor record, I can't get enough of it. Dee dee Bridgewater absolutely makes this track with her vocals too. Such a huge record. I love to play this peak time in DJ sets, its one of those records that I always pack in my bag. 
11) Max Cooper - Chronology (feat. Kathrin Deboer and Quentin Collins). 
I was kindly sent this from the guys at Gearbox records and I was surprised to see techno man – Max Cooper on this label alongside Quentin Collins on trumpet, who I had known before this for being in a few awesome bands. This is a perfect mix of electronic, deep, warm and all the nice elements of music. I couldn't have put this together better if I had hand picked a bunch of people to collaborate, if I tried. Its great and refreshing and different. I love it. 
12) Hampshire & Foat - All Washed Up. Greg told me that this track was born from him and Hampshire having a sad conversation about how their music careers were potentially over and that there was nothing left for them in the music industry. Luckily this inspired them to get together and record this utterly beautiful album. I would describe the emotion of this track as the same genre of emotion as in 'Starless and Bible Black' earlier in the list. It provokes feelings of love, hope, aspiration and more love. I really feel this record, and I have been listening to it non stop since I was sent it a few weeks back. I have a feeling this record will be a timeless piece too, just as Starless and Bible Black is. ]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Rebecca Vasmant ]
Podcast: Dusk Dubs
Artist: Rebecca Vasmant
Title: DD0421
Style: Jazz
Time: 73 minutes
Date: 2017-06-025
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome Rebecca Vasmant to the Dusk Dubs family...
"I can genuinely and honestly say that nothing in the world compares to an amazing piece of Jazz at night time… There has been many times that I have been told to choose one genre of music and stick with it, I find this totally unachievable.
All the music that we hear that makes us feel totally inspired cannot be boxed into one style or genre of music and no matter what category or style that it may fall into it either makes us feel amazing or does not. 
For me, I simply cannot describe the way that some music makes me feel. It is like a completely cleansing experience and the emotion that it derives from within our core can allow us to feel however we want to feel. Whether this is good or otherwise, we just allow ourselves to feel emotion that we may not feel in our daily lives and this is a beautiful thing. And I really do appreciate and respect musicians and producers for allowing us to be able to do that. When I hear a piece of music that I really feel, it can almost put me into a meditative state and I can allow myself to purely focus on what that piece of music is saying, whether it is classical, Jazz, Soul or Techno.. The emotion is still the same. 
Music really is a privilege and I can honestly say that deep within my heart I am totally grateful for every piece of amazing music that I have been lucky enough to have been able to hear. And I realise that even if we spent every waking minute of every day searching for music, we would not have enough time to discover it all.. and this thought is overwhelming. 
I thank every musician, composer, maestro and Producer for every piece of music whether it has been noticed or unnoticed and wake up every day happy to be able to just take the time to just listen and appreciate music."
You can find Rebecca here:
facebook.com/RebeccaVasmant
mixcloud.com/rebecca_vasmant
youtube.com/user/RebeccaVasmant
Tracklisting
1) Stan Tracey Quartet – Starless and Bible Black. This record is one of my favorites in the world, despite the fact that is a very strong statement, I 
really mean it. I will always remember the moment I first heard it, when my friend sent me it and I remember being completely blown away, speechless. It makes me feel, calm, happy, in love, content and loved. It's been with me through so many times, happy and sad, and I know it inside out. No amount of times listening to this could ever make me less grateful for having it in my life. I genuinely think that its timeless, and I will never have listened to it enough times. 
2) Greg Foat Group – For A Breath I Tarry. This is one of the best modern Jazz records that has been released in the last five years. Its emotive, deep, and beautiful in ever way. Greg's piano playing is perfect on this record, and its always a piece of music that has the ability to completely reset my mood and make me feel perfect. 
3) Greyish Quartet – Lydian Idyll. When playing Glasgow Jazz Festival with David from this band, I was blown away by his beautiful style of playing. This demonstrates why, its a very lovely piece that I have not been bored of since I first heard it over five years ago now. 
4) Melanie De Biasio - With All My Love. This is one of those pieces that was a grower. I heard this for the first time when the album 'No Deal' dropped in 2013 and the more I listened to this, the more that I heard. Its got beautifully chilling feeling to it, and gets right to the depth of the emotions of the moment. One of those pieces of music that allows you to take a journey in your head to places that perhaps you wouldn't normally visit. Embracing sadness, and allowing it to surface just for the duration of this track, its a refreshing exercise that allows so much comfort in such a normally busy time of life. 
5) Kelan Phil Cohran And Legacy – White Nile. I couldn't tell you one wrong thing about this track, its absolutely perfect. The way that the trumpet is played, the vocals, Alice Coltrane, everything. Its just so perfect. One of my top favourite pieces of all time. 
6) Bill Evans – Piece Peace. This is my favorite piano piece of all time. Every time I listen to this after having not listened to it for a while, it reminds me why. 
7) P.E Hewitt Jazz Ensemble – Ill Love Song. I distinctly remember the first time that I heard this, I was working in a record shop at the time and my colleague George who owned the shop put it on, I stopped what I was doing and immediately demanded to know what it was. There is something about the rawness of it, the 'naivety', and the almost semi professional way in which the musicians play their instruments that makes it truly special. As a listener, its really mind blowing, and many of my musician friends have complained or criticised this record for sounding like a 'high school band recording' but that is essentially what it is. I love it, and I think I always will. 
8) Arthur Verocai - Caboclo. This is one of those records that makes your heart melt and makes me feel all warm inside. It takes me back to a time when I was touring a lot and had a lot of time spent in airports with little sleep. This record got me through lots of delays and long journeys, and when I listen to it, it takes me back to those times and I look back and am so grateful to have this record in my life. 
9) Clifford Jordan – John Coltrane. One of my all time favorites from Clifford Jordan, and this album 'Glass Bead Games' is one of my all time favourites also. I love this track in particular and I love to play this at gigs. 
10) Carlos Garnett – Mother Of The Future. This track gives me goosebumps every time I listen to it, its so strong.. I always think it sounds better and better each time I listen to it. An absolute dance floor record, I can't get enough of it. Dee dee Bridgewater absolutely makes this track with her vocals too. Such a huge record. I love to play this peak time in DJ sets, its one of those records that I always pack in my bag. 
11) Max Cooper - Chronology (feat. Kathrin Deboer and Quentin Collins). 
I was kindly sent this from the guys at Gearbox records and I was surprised to see techno man – Max Cooper on this label alongside Quentin Collins on trumpet, who I had known before this for being in a few awesome bands. This is a perfect mix of electronic, deep, warm and all the nice elements of music. I couldn't have put this together better if I had hand picked a bunch of people to collaborate, if I tried. Its great and refreshing and different. I love it. 
12) Hampshire & Foat - All Washed Up. Greg told me that this track was born from him and Hampshire having a sad conversation about how their music careers were potentially over and that there was nothing left for them in the music industry. Luckily this inspired them to get together and record this utterly beautiful album. I would describe the emotion of this track as the same genre of emotion as in 'Starless and Bible Black' earlier in the list. It provokes feelings of love, hope, aspiration and more love. I really feel this record, and I have been listening to it non stop since I was sent it a few weeks back. I have a feeling this record will be a timeless piece too, just as Starless and Bible Black is. ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/7/2/_/uploads/229472/image_track/1368976/w1400_h1400_q70_ptrue_v2_----cropped_1498338274.jpg" />
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                                    <itunes:duration>4426</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1358636</guid>
                                    
                                        <pubDate>Sun, 18 Jun 2017 11:17:33 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-18T11:17:33+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0420 DuskDubs - Mark Blood</title>
                                    <description><![CDATA[[ Mark Blood ]
Podcast: Dusk Dubs
Artist: Mark Blood
Title: DD0420
Style: Eclectic
Time: 59 minutes
Date: 2017-06-018
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Mark Blood....
"Wow - I was thrilled to be asked to submit a second collection of tracks to the Dusk Dubs crew! Thanks a lot, folks!
As before, these are tracks that bring back fond memories or which stopped me dead the first time I heard them.
Mark" 
Find Mark here:
hearthis.at/qtvfrnyc
Tracklsiting
1) African Headcharge - Dervish Chant [Songs Of Praise] 1990
2) H.U.V.A. Network - Overload (Putput Mix) [Distances] 2004
3) Led Zeppelin - Dazed And Confused [Led Zeppelin] 1969
4) Cream - I Feel Free [Fresh Cream] 1966
5) Kino Oko - The Doggy Bag [The Doggy Bag EP] 2009
6) The Temper Trap - Sweet Disposition [Conditions] 2009
7) Broker / Dealer - To Hear The Fires [Initial Public Offering] 2003
8) Philip Glass - Return To The Hive [1000 Airplanes On The Roof] 1989
9) Muse - Knights Of Cydonia [Black Holes and Revelations] 2006
10) Bungle - Move On [Move On] 2009 
The stories: 
1) African Headcharge - Dervish Chant [Songs Of Praise] - Kicking off with African Head Charge's Dervish Chant from 1990, this track was an eye opener. I'd heard dub and reggae in various forms, but this was the first time I had heard any form of 'tribal' dub. OMG! I was in aural heaven. I was living in York at the time and a guy I was sharing a house with had just bought it. I remember both of us being totally zoned into the whole album. 
2) H.U.V.A. Network - Overload (Putput Mix) - H.U.V.A. Network's Overload from 2004 is from an album I bought on impulse simply because I thought the cover was cool. The album is cool, but I really like this track for its trancy, mesmerising vibe. 
3) Led Zeppelin - Dazed And Confused - I love Led Zeppelin's Dazed And Confused from 1969 for its bass riff. When the track starts it is like listening to the equivalent of melted chocolate - you don't want it to stop :) Not only that, the solo is fabulous. This is one of those 'perfect' tracks that works for me from beginning to end. I first heard it when I was in my mid-teens. I probably 'performed' some of my first 'air-guitar' with this... 
4) Cream - I Feel Free - Another 60's track (1966), I Feel Free by Cream is a great up-beat tune that makes me smile. Another memory from my teens. 
5) Kino Oko - The Doggy Bag - The Doggy Bag (2009) was the first Kino Oko track I heard. I had just discovered the Digital Diamonds netlabel and was taken by Kino Oko's unique brand of progressive techno. I have nearly everything he has released, his passion and dedication makes his music stand out from the crowd. 
6) The Temper Trap - Sweet Disposition - Sweet Disposition (2009) is a track that will always remind me of a dear friend who is no longer with us. He used to play this a lot and I always enjoyed listening to it. As Big Chris says at the end of Lock, Stock and To Smoking Barrels - It's been emotional. 
7) Broker / Dealer - To Hear The Fires - Boker / Dealer's To Hear The Fires (2003) was another impule purchase. Man, was I pleased with this! The entire album is a gem, but this track is a beauty! 
8) Philip Glass - Return To The Hive - Philip Glass has had a massive impact on my musical adventures. I first heard his unique form of minimal classical music when I saw Koyaanisqatsi. After I watched the film I proceeded to pick up any of his works when I saw them. Return To The Hive (1989), is from 1000 Airplanes On The Roof. The album is described as a science-fiction music drama. It features Linda Ronstadt whose voice becomes an instrument in its own right. Probably one of my favourite albums by Philip Glass and one which always gets me deep down inside. 
9) Muse - Knights Of Cydonia - Knights Of Cydonia is from Muse's 2006 release Black Holes and Revelations. What strikes me about this is its punchy, energetic driving vibe. You can dance to it, you can get out your air-guitar, you can simply sit and tap your foot - but it always sounds just great :) 
10) Bungle - Move On - Last track is Bungle's Move On from 2009. Another positive, energy-driven roller-coaster, this tune makes me want to stop what I'm doing and get up and dance. Every time :) ]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Mark Blood ]
Podcast: Dusk Dubs
Artist: Mark Blood
Title: DD0420
Style: Eclectic
Time: 59 minutes
Date: 2017-06-018
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Mark Blood....
"Wow - I was thrilled to be asked to submit a second collection of tracks to the Dusk Dubs crew! Thanks a lot, folks!
As before, these are tracks that bring back fond memories or which stopped me dead the first time I heard them.
Mark" 
Find Mark here:
hearthis.at/qtvfrnyc
Tracklsiting
1) African Headcharge - Dervish Chant [Songs Of Praise] 1990
2) H.U.V.A. Network - Overload (Putput Mix) [Distances] 2004
3) Led Zeppelin - Dazed And Confused [Led Zeppelin] 1969
4) Cream - I Feel Free [Fresh Cream] 1966
5) Kino Oko - The Doggy Bag [The Doggy Bag EP] 2009
6) The Temper Trap - Sweet Disposition [Conditions] 2009
7) Broker / Dealer - To Hear The Fires [Initial Public Offering] 2003
8) Philip Glass - Return To The Hive [1000 Airplanes On The Roof] 1989
9) Muse - Knights Of Cydonia [Black Holes and Revelations] 2006
10) Bungle - Move On [Move On] 2009 
The stories: 
1) African Headcharge - Dervish Chant [Songs Of Praise] - Kicking off with African Head Charge's Dervish Chant from 1990, this track was an eye opener. I'd heard dub and reggae in various forms, but this was the first time I had heard any form of 'tribal' dub. OMG! I was in aural heaven. I was living in York at the time and a guy I was sharing a house with had just bought it. I remember both of us being totally zoned into the whole album. 
2) H.U.V.A. Network - Overload (Putput Mix) - H.U.V.A. Network's Overload from 2004 is from an album I bought on impulse simply because I thought the cover was cool. The album is cool, but I really like this track for its trancy, mesmerising vibe. 
3) Led Zeppelin - Dazed And Confused - I love Led Zeppelin's Dazed And Confused from 1969 for its bass riff. When the track starts it is like listening to the equivalent of melted chocolate - you don't want it to stop :) Not only that, the solo is fabulous. This is one of those 'perfect' tracks that works for me from beginning to end. I first heard it when I was in my mid-teens. I probably 'performed' some of my first 'air-guitar' with this... 
4) Cream - I Feel Free - Another 60's track (1966), I Feel Free by Cream is a great up-beat tune that makes me smile. Another memory from my teens. 
5) Kino Oko - The Doggy Bag - The Doggy Bag (2009) was the first Kino Oko track I heard. I had just discovered the Digital Diamonds netlabel and was taken by Kino Oko's unique brand of progressive techno. I have nearly everything he has released, his passion and dedication makes his music stand out from the crowd. 
6) The Temper Trap - Sweet Disposition - Sweet Disposition (2009) is a track that will always remind me of a dear friend who is no longer with us. He used to play this a lot and I always enjoyed listening to it. As Big Chris says at the end of Lock, Stock and To Smoking Barrels - It's been emotional. 
7) Broker / Dealer - To Hear The Fires - Boker / Dealer's To Hear The Fires (2003) was another impule purchase. Man, was I pleased with this! The entire album is a gem, but this track is a beauty! 
8) Philip Glass - Return To The Hive - Philip Glass has had a massive impact on my musical adventures. I first heard his unique form of minimal classical music when I saw Koyaanisqatsi. After I watched the film I proceeded to pick up any of his works when I saw them. Return To The Hive (1989), is from 1000 Airplanes On The Roof. The album is described as a science-fiction music drama. It features Linda Ronstadt whose voice becomes an instrument in its own right. Probably one of my favourite albums by Philip Glass and one which always gets me deep down inside. 
9) Muse - Knights Of Cydonia - Knights Of Cydonia is from Muse's 2006 release Black Holes and Revelations. What strikes me about this is its punchy, energetic driving vibe. You can dance to it, you can get out your air-guitar, you can simply sit and tap your foot - but it always sounds just great :) 
10) Bungle - Move On - Last track is Bungle's Move On from 2009. Another positive, energy-driven roller-coaster, this tune makes me want to stop what I'm doing and get up and dance. Every time :) ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/3/7/_/uploads/229472/image_track/1358636/w1400_h1400_q70_ptrue_v2_----cropped_1497549732.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0420-duskdubs-mark-blood/</feedburner:origLink>
                                    <itunes:duration>3578</itunes:duration>
                                    
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                                    <guid isPermaLink="false">1353870</guid>
                                    
                                        <pubDate>Sun, 11 Jun 2017 09:37:22 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-11T09:37:22+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0419 Dusk Dubs -  Depoeism</title>
                                    <description><![CDATA[[ Depoeism ]
Podcast: Dusk Dubs
Artist: Depoeism
Title: DD0419
Style: House, Trance, Soul, Funk, Love
Time: 130 minutes
Date: 2017-06-011
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back our good friend and long-time selector Depoeism. This time around he has compiled a very personal and celebratory volume – we’ll let him explain... 
"This year is a very special year for my wife and I as we celebrate 20 yrs of marriage. As a special dedication to my wife on this momentous occasion I have put together an eclectic collection of tracks that mean a lot to us both, and to show how music can bring two very different individuals together I hope you can all get a feel for our dedication, love and commitment to each other.
Actually we've been together for over 25 yrs but who's counting lol Jenny Fisk, may we have another 20 yrs of (almost) married bliss xx  
I would like to thank Jon , Tommy and Wilson for agreeing to this, ya chests fellas.
Depoe"
Tracklisting 
1) Marvin Gaye - Sexual Healing
2) Omar - There's Nothing Like This (Remix)
3) Loose Ends - Gonna Make You Mine
4) One II One - I Want You  (Manix Remi )
5) SL2 - On a Ragga Tip
6) Underworld - Born Slippy (NUXX)
7) Jam & Spoon - Stella (Barracuda Mix by Moby)
8) Jamiroquai - Alright (Alan Braxe and Fred Falke Dub)
9) Steve Arrington - Feel So Real (Extended Mix)
10) A Guy Called Gerald - Sunshine
11) Faithless - Insomnia
12) Patti LaBelle - Joy To Have Your Love
13) Simon & Garfunkel - Book Ends Theme
14) The Jones Girls - Nights Over Egypt
15) Chicane - Saltwater (Thrillseekers Mix)
16) Henry Mancini And His Orchestra  - Moon River
17) Herbie Hancock - Stars In Your Eyes (Special Disco Mix)
18) Simon & Garfunkel - America
19) Michael Watford - Return Your Love To Me  (DJ Fresh Ambient Club Mix)
20) River Ocean - Love & Happiness (Yemaya Y Ochùn) (Club Mix)
21) Jamiroquai - Spend A Lifetime
22) Cinematic Orchestra - All That You Give ( feat. Fontella Bass)]]></description>
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                                    <thr:total>0</thr:total>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Depoeism ]
Podcast: Dusk Dubs
Artist: Depoeism
Title: DD0419
Style: House, Trance, Soul, Funk, Love
Time: 130 minutes
Date: 2017-06-011
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back our good friend and long-time selector Depoeism. This time around he has compiled a very personal and celebratory volume – we’ll let him explain... 
"This year is a very special year for my wife and I as we celebrate 20 yrs of marriage. As a special dedication to my wife on this momentous occasion I have put together an eclectic collection of tracks that mean a lot to us both, and to show how music can bring two very different individuals together I hope you can all get a feel for our dedication, love and commitment to each other.
Actually we've been together for over 25 yrs but who's counting lol Jenny Fisk, may we have another 20 yrs of (almost) married bliss xx  
I would like to thank Jon , Tommy and Wilson for agreeing to this, ya chests fellas.
Depoe"
Tracklisting 
1) Marvin Gaye - Sexual Healing
2) Omar - There's Nothing Like This (Remix)
3) Loose Ends - Gonna Make You Mine
4) One II One - I Want You  (Manix Remi )
5) SL2 - On a Ragga Tip
6) Underworld - Born Slippy (NUXX)
7) Jam & Spoon - Stella (Barracuda Mix by Moby)
8) Jamiroquai - Alright (Alan Braxe and Fred Falke Dub)
9) Steve Arrington - Feel So Real (Extended Mix)
10) A Guy Called Gerald - Sunshine
11) Faithless - Insomnia
12) Patti LaBelle - Joy To Have Your Love
13) Simon & Garfunkel - Book Ends Theme
14) The Jones Girls - Nights Over Egypt
15) Chicane - Saltwater (Thrillseekers Mix)
16) Henry Mancini And His Orchestra  - Moon River
17) Herbie Hancock - Stars In Your Eyes (Special Disco Mix)
18) Simon & Garfunkel - America
19) Michael Watford - Return Your Love To Me  (DJ Fresh Ambient Club Mix)
20) River Ocean - Love & Happiness (Yemaya Y Ochùn) (Club Mix)
21) Jamiroquai - Spend A Lifetime
22) Cinematic Orchestra - All That You Give ( feat. Fontella Bass)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/2/_/uploads/229472/image_track/1353870/w1400_h1400_q70_ptrue_v2_----cropped_1497131230.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0419-dusk-dubs-depoeism/</feedburner:origLink>
                                    <itunes:duration>7845</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1345623</guid>
                                    
                                        <pubDate>Sun, 04 Jun 2017 10:42:07 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-04T10:42:07+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0418 DuskDubs - Saint Etienne</title>
                                    <description><![CDATA[[ Saint Etienne ]
Podcast: Dusk Dubs
Artist: Saint Etienne
Title: DD0418
Style: Jazz, Soul, Ambeint
Time: 52 minutes
Date: 2017-06-04
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we have the pleasure of inviting Saint Etienne to the Dusk Dubs family, as Pete Wiggs compiles a sublime selection....
"I’ve ended up going for the crepuscular end of the dusk dubs spectrum, a selection to take you from the sun passing over the horizon to a spot of campfire introspection. These are some of my favourite tracks from across the years that I find myself coming back to again and again.
Hope you like my selection."
This week the group have released their latest album 'Home Counties' on Heavenly Records. Produced by previous Dusk Dubs selector Shawn Lee of 'Wall Of Sound' and 'Young Gun Silver Fox' fame, the record contains 19 brand new tracks, inspired by Pete, Bob and Sarah's bitter-sweet relationship with the eponymous shires that the three have always been part of our.....
You can find them here:You
saintetienne.com
facebook.com/SaintEtienneOfficial
twitter.com/bobpetesarah
Tracklisting
1) Can – Future Days
Possibly my favourite Can song with its hypnotic sparse one note bass line and infectious vocal line. I often put this on if my brain’s feeling frazzled.
2) Ennio Morricone – In Un Sogno Il Sogna
Always liked Morricone’s soundtracks but became more hooked when the Mondo Morricone compilations came out in the 90’s. This sounds like a sunset to me.
3) Serge Gainsbourg & Jane Birkin – Ballade de Melody Nelson
I’d usually listen to the whole album in one go but still haven’t worked out what the story is. Jean Claude Vannier’s arrangement on this is perfect.
4) Brenda Lee Eager – When I’m With You
This and ‘There Ain’t No Way’ are two of my all time favourite soul records, was torn between which one to include. Love the dense Larry Mizell production on this.
5) Archie Shepp – Blues for Brother George Jackson
I’m not usually one for free jazz sax outpourings but the combination of groove and emotion on this record is electrifying
6) Harpers Bizarre – Witchi Tai To
Adapted from a native American peyote chant, this song seems to embody the feeling of being surrounded by good friends and people you love.
7) Inter-Groupie Psychotherapeutic Elastic Band – Floating
The love-in continues with this gem from the Byg label
8) Robert Wyatt – At Last I Am Free
I love the poignancy of Robert Wyatt’s voice (can’t listen to Matching Mole’s ‘O Caroline’ without welling up) this is a beautiful cover of the Chic song.
9) Richie Havens – For Haven’s Sake
Don’t be put off by the daft pun title, this is Havens at his psychedelic best - I’m a sucker for dubbed up backwards tape effects. From his great album ‘1983’ which I don’t think anyone has re-issued yet.
10) My Heart Isn’t Only Mine – Tujiko Noriko
This 14 minute epic is a thing of fragile beauty, took me a few plays before I fell in love with it but has become one of my most listened to tracks of the last couple of years.]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Saint Etienne ]
Podcast: Dusk Dubs
Artist: Saint Etienne
Title: DD0418
Style: Jazz, Soul, Ambeint
Time: 52 minutes
Date: 2017-06-04
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we have the pleasure of inviting Saint Etienne to the Dusk Dubs family, as Pete Wiggs compiles a sublime selection....
"I’ve ended up going for the crepuscular end of the dusk dubs spectrum, a selection to take you from the sun passing over the horizon to a spot of campfire introspection. These are some of my favourite tracks from across the years that I find myself coming back to again and again.
Hope you like my selection."
This week the group have released their latest album 'Home Counties' on Heavenly Records. Produced by previous Dusk Dubs selector Shawn Lee of 'Wall Of Sound' and 'Young Gun Silver Fox' fame, the record contains 19 brand new tracks, inspired by Pete, Bob and Sarah's bitter-sweet relationship with the eponymous shires that the three have always been part of our.....
You can find them here:You
saintetienne.com
facebook.com/SaintEtienneOfficial
twitter.com/bobpetesarah
Tracklisting
1) Can – Future Days
Possibly my favourite Can song with its hypnotic sparse one note bass line and infectious vocal line. I often put this on if my brain’s feeling frazzled.
2) Ennio Morricone – In Un Sogno Il Sogna
Always liked Morricone’s soundtracks but became more hooked when the Mondo Morricone compilations came out in the 90’s. This sounds like a sunset to me.
3) Serge Gainsbourg & Jane Birkin – Ballade de Melody Nelson
I’d usually listen to the whole album in one go but still haven’t worked out what the story is. Jean Claude Vannier’s arrangement on this is perfect.
4) Brenda Lee Eager – When I’m With You
This and ‘There Ain’t No Way’ are two of my all time favourite soul records, was torn between which one to include. Love the dense Larry Mizell production on this.
5) Archie Shepp – Blues for Brother George Jackson
I’m not usually one for free jazz sax outpourings but the combination of groove and emotion on this record is electrifying
6) Harpers Bizarre – Witchi Tai To
Adapted from a native American peyote chant, this song seems to embody the feeling of being surrounded by good friends and people you love.
7) Inter-Groupie Psychotherapeutic Elastic Band – Floating
The love-in continues with this gem from the Byg label
8) Robert Wyatt – At Last I Am Free
I love the poignancy of Robert Wyatt’s voice (can’t listen to Matching Mole’s ‘O Caroline’ without welling up) this is a beautiful cover of the Chic song.
9) Richie Havens – For Haven’s Sake
Don’t be put off by the daft pun title, this is Havens at his psychedelic best - I’m a sucker for dubbed up backwards tape effects. From his great album ‘1983’ which I don’t think anyone has re-issued yet.
10) My Heart Isn’t Only Mine – Tujiko Noriko
This 14 minute epic is a thing of fragile beauty, took me a few plays before I fell in love with it but has become one of my most listened to tracks of the last couple of years.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/7/_/uploads/229472/image_track/1345623/w1400_h1400_q70_ptrue_v2_----cropped_1496483752.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0418-duskdubs-saint-etienne/</feedburner:origLink>
                                    <itunes:duration>3166</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1337194</guid>
                                    
                                        <pubDate>Sun, 28 May 2017 09:11:23 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-28T09:11:23+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0417 Dusk Dubs -  General Camel</title>
                                    <description><![CDATA[[ General Camel ]
Podcast: Dusk Dubs
Artist: General Camel
Title: DD0417
Style: House, Soul, Jazz, Balearic, Trip Hop
Time: 117 minutes
Date: 2017-05-28
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back General Camel... 
"For this mixtape, I haven't focused on one specific genre or artist but instead I've took inspiration from a time before the weekly Sunday Mixtapes. A time where the idea of Dusk Dubs was born. Most evenings over on 'Twitter' a group of us (The DD Originals) would post tracks that meant something to us, that brought back great memories or just tracks that we loved to listen too.
So basically, with that in mind, my selections for this mixtape are a bunch of tracks some old, some new, the 360 degrees, that I would of happily of posted on those nights which I have great memories and where some lifelong Dusk Dubs friendships were made.
As always.....Big thanks to the lads at Dusk Dubs HQ for asking me back.
So sit back, crack open a beer and enjoy the music......Peace
Cam x"
Tracklisting
1) Jill Scott - A Long Walk
2) Terri Walker Feat. Mos Def - Guess You Didn't Love Me
3) The Roots - Silent Treatment
4) Jazzanova - Keep Fallin' (Forss Remix)
5) Fat Freddy's Drop - Wandering Eye
6) The Whitest Boy Alive - Don't Give Up
7) Pete Josef - Colour
8) Fug - Masters At Warp
9) Crazy P - Warm On The Inside
10) Fenomenon - Sleepy Meadows Of Buxton
11) Thievery Corporation - Let The Chalice Blaze
12) Tosca - Wo-Tan
13) Bonobo - No Reason (Feat. Nick Murphy)
14) George FitzGerald - Reset
15) Skeleton Army - Freedumb
16) The Amalgamation Of Soundz - Eric
17) Mala - Miracles
18) Mala - Forgive
19) DJ Madd - SPCL RQST
20) Machinedrum - Gunshotta (Om Unit's Rollers VIP)]]></description>
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                                    <thr:total>0</thr:total>
                                    <hq>21</hq>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ General Camel ]
Podcast: Dusk Dubs
Artist: General Camel
Title: DD0417
Style: House, Soul, Jazz, Balearic, Trip Hop
Time: 117 minutes
Date: 2017-05-28
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back General Camel... 
"For this mixtape, I haven't focused on one specific genre or artist but instead I've took inspiration from a time before the weekly Sunday Mixtapes. A time where the idea of Dusk Dubs was born. Most evenings over on 'Twitter' a group of us (The DD Originals) would post tracks that meant something to us, that brought back great memories or just tracks that we loved to listen too.
So basically, with that in mind, my selections for this mixtape are a bunch of tracks some old, some new, the 360 degrees, that I would of happily of posted on those nights which I have great memories and where some lifelong Dusk Dubs friendships were made.
As always.....Big thanks to the lads at Dusk Dubs HQ for asking me back.
So sit back, crack open a beer and enjoy the music......Peace
Cam x"
Tracklisting
1) Jill Scott - A Long Walk
2) Terri Walker Feat. Mos Def - Guess You Didn't Love Me
3) The Roots - Silent Treatment
4) Jazzanova - Keep Fallin' (Forss Remix)
5) Fat Freddy's Drop - Wandering Eye
6) The Whitest Boy Alive - Don't Give Up
7) Pete Josef - Colour
8) Fug - Masters At Warp
9) Crazy P - Warm On The Inside
10) Fenomenon - Sleepy Meadows Of Buxton
11) Thievery Corporation - Let The Chalice Blaze
12) Tosca - Wo-Tan
13) Bonobo - No Reason (Feat. Nick Murphy)
14) George FitzGerald - Reset
15) Skeleton Army - Freedumb
16) The Amalgamation Of Soundz - Eric
17) Mala - Miracles
18) Mala - Forgive
19) DJ Madd - SPCL RQST
20) Machinedrum - Gunshotta (Om Unit's Rollers VIP)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/0/_/uploads/229472/image_track/1337194/w1400_h1400_q70_ptrue_v2_----cropped_1495921057.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0417-dusk-dubs-general-camel/</feedburner:origLink>
                                    <itunes:duration>7026</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1328565</guid>
                                    
                                        <pubDate>Sun, 21 May 2017 10:27:14 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-21T12:15:02+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0416 Dusk Dubs - Conrad Koziol</title>
                                    <description><![CDATA[[ Conrad Koziol ]
Podcast: Dusk Dubs
Artist: Conrad Koziol
Title: DD0416
Style: House, Soul, Jazz, Balearic
Time: 77 minutes
Date: 2017-05-21
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Conrad Koziol.... is C
"Still reeling with happiness from being asked to do a selection last year never mind being asked again this year !! Always a pleasure compiling a few tracks to reflect some of my tastes in music.
Enjoy !"
Tracklisting
1) Ananda Project - "Justice, Mercy" (King Street) ...back in the late '90s I contacted Chris Brann and he was kind enough to send me a jam-packed CDR of unreleased material ; a CD I played so much it ceased to work but I've picked up a lot of what was on there in the meantime...
2) Noni - "Keep Me (Satisfied)" Keeping it deep with a sneaky wee teaser from Prescription Records back in the day. This got a lot of play in my years at college ; myself and some buddies actually ran a regular night in High Wycombe called "Hip To Be Disillusioned" because of our fondness for the label at the time.
3) Guy Boyer - "Sporting Flash Part 2" (ACME Funk) There used to be a record shop just round the corner from my old office by the Spanish bar "Bradleys". I picked this up in there.They had a lot of original funk and soul but they weren't cheap so I was seldom in there. This album caught my eye. Cool.
4) Gang Du Lyonnais - "The French Bakery Part 1" (Gang Du Lyonnais) Crazy sample-cut 12". It goes on a lot longer but I cut it short...
5) Akasha - "Brown Sugar" (Wall Of Sound) This is from a comp which came free with "Later" magazine back in the mid '90s where there was a lot of this kind of music coming out. I should check out their other work really !
6) Illonton feat. Coco Sapur - "New Dreams" (Chillout Beats) (Hooj Choons) Not even sure where this came from ; quite possibly up in Nottingham from the days I used to get a fair bit up there when visiting a good friend. Pretty damn mellow.
7) Slam Slam - "Free Your Feelings". Gifted Mix (MCA Records) Still sounds fresh. Guru doing the additional rap on this version. Remix is credited to Gangstarr but I'm guessing DJ Premier..(??)
8) MC Mell'o' - "Open Up Your Mind". The Consciousness Of One –8)  Upso Mix - I'm really enjoying this sort of vibe again. Stunning UK hip-hop soul from the early '90s. Very London.
9) Innervisions - "Mermaids" (MO Wax) J. Majik in his Innervisions guise. My Gran used to love this one (!) She'd hear it playing from my room and come and hold her hands up and catch the strings. Lovely.
10) Kuniyuki - "All These Things" (Theo Parrish Vocal Version) (Mule) Deeeep. Theo ! Bubbles away nicely. There's a shorter, instrumental version on the flip but it's got to be all or nothing here...
11) Budgie - "Dream Cruise" (Wildheart Recordings) Fairly recent release which seems to be the only 12" he's released ?
12) Yotoko - "Lonely Man" (Delsin Records) Domu doing his Yotoko thing. Released in 2003 on the "Wet Ink" long player. Bit of squelchy bass
13) Roy Budd - "Thief On The Prowl" (Castle Music) ...original breaks from the movie maestro Roy Budd
14) Tall Black Guy - "Funeral Biz / Welcome To Detroit" (interlude featuring Mario and Malice Sweet) (First Word Records) Taken from his "8 Miles To Moenart" album. More greatness from TBG
15) Outro - (CK edit from Lisa Lisa & Cult Jam - "Let The Beat Hit 'Em" (Columbia)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Conrad Koziol ]
Podcast: Dusk Dubs
Artist: Conrad Koziol
Title: DD0416
Style: House, Soul, Jazz, Balearic
Time: 77 minutes
Date: 2017-05-21
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Conrad Koziol.... is C
"Still reeling with happiness from being asked to do a selection last year never mind being asked again this year !! Always a pleasure compiling a few tracks to reflect some of my tastes in music.
Enjoy !"
Tracklisting
1) Ananda Project - "Justice, Mercy" (King Street) ...back in the late '90s I contacted Chris Brann and he was kind enough to send me a jam-packed CDR of unreleased material ; a CD I played so much it ceased to work but I've picked up a lot of what was on there in the meantime...
2) Noni - "Keep Me (Satisfied)" Keeping it deep with a sneaky wee teaser from Prescription Records back in the day. This got a lot of play in my years at college ; myself and some buddies actually ran a regular night in High Wycombe called "Hip To Be Disillusioned" because of our fondness for the label at the time.
3) Guy Boyer - "Sporting Flash Part 2" (ACME Funk) There used to be a record shop just round the corner from my old office by the Spanish bar "Bradleys". I picked this up in there.They had a lot of original funk and soul but they weren't cheap so I was seldom in there. This album caught my eye. Cool.
4) Gang Du Lyonnais - "The French Bakery Part 1" (Gang Du Lyonnais) Crazy sample-cut 12". It goes on a lot longer but I cut it short...
5) Akasha - "Brown Sugar" (Wall Of Sound) This is from a comp which came free with "Later" magazine back in the mid '90s where there was a lot of this kind of music coming out. I should check out their other work really !
6) Illonton feat. Coco Sapur - "New Dreams" (Chillout Beats) (Hooj Choons) Not even sure where this came from ; quite possibly up in Nottingham from the days I used to get a fair bit up there when visiting a good friend. Pretty damn mellow.
7) Slam Slam - "Free Your Feelings". Gifted Mix (MCA Records) Still sounds fresh. Guru doing the additional rap on this version. Remix is credited to Gangstarr but I'm guessing DJ Premier..(??)
8) MC Mell'o' - "Open Up Your Mind". The Consciousness Of One –8)  Upso Mix - I'm really enjoying this sort of vibe again. Stunning UK hip-hop soul from the early '90s. Very London.
9) Innervisions - "Mermaids" (MO Wax) J. Majik in his Innervisions guise. My Gran used to love this one (!) She'd hear it playing from my room and come and hold her hands up and catch the strings. Lovely.
10) Kuniyuki - "All These Things" (Theo Parrish Vocal Version) (Mule) Deeeep. Theo ! Bubbles away nicely. There's a shorter, instrumental version on the flip but it's got to be all or nothing here...
11) Budgie - "Dream Cruise" (Wildheart Recordings) Fairly recent release which seems to be the only 12" he's released ?
12) Yotoko - "Lonely Man" (Delsin Records) Domu doing his Yotoko thing. Released in 2003 on the "Wet Ink" long player. Bit of squelchy bass
13) Roy Budd - "Thief On The Prowl" (Castle Music) ...original breaks from the movie maestro Roy Budd
14) Tall Black Guy - "Funeral Biz / Welcome To Detroit" (interlude featuring Mario and Malice Sweet) (First Word Records) Taken from his "8 Miles To Moenart" album. More greatness from TBG
15) Outro - (CK edit from Lisa Lisa & Cult Jam - "Let The Beat Hit 'Em" (Columbia)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/6/7/_/uploads/229472/image_track/1328565/w1400_h1400_q70_ptrue_v2_----cropped_1495233761.jpg" />
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                                    <guid isPermaLink="false">1321060</guid>
                                    
                                        <pubDate>Sun, 14 May 2017 12:00:22 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-14T12:00:22+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0415 Dusk Dubs - Dan Jay</title>
                                    <description><![CDATA[[ Dan Jay ]
Podcast: Dusk Dubs
Artist: Dan Jay
Title: DD0415
Style: Rock
Time: 99 minutes
Date: 2017-05-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Dan Jay to the Dusk Dubs family.
Dan is a veteran of ‘Pirate Radio’ appearing on such legendary stations as Conflict, Flava, Pressure and Rinse. He now plays on legal oldschool/jungle station ‘Kool London’..... still collecting, still selling and still breathing vinyl ...
"This is just a very small percentage of music I was bought up on in the 70s, I can remember my dad and uncle battling it out on the record player in our flat throughout the mid 70's as to who was going to play the next record.
My dad would be trying to put on his Credence Clearwater album while my uncle was trying to put on his Bowie albums, and all hell would break loose specially when my mum used to slip in and stick her Abba records on!!
I'm very open minded when it comes to music and I don't strictly listen to any one genre,I listen to anything and everything but I always end up back listening to probably my most favourite and that is psychedelic rock from the 60's/70's.
I really got into the music scene in the late 80's with the acid house explosion and the early hardcore and jungle scene but I always ended up right back where I started it was like I was trapped in the late 60's early 7's. I'm drawn to that era of music more than I was with the hardcore and jungle scene, and even today I'm still digging and looking for that one offbeat psychedelic record that blows my mind that's not been heard for many of year.
So I have complied some records that some of you may know and some of you definitely won't. This will blow your mind, if you sit back and take the time just to listen for a little over an hour, you will get the vibe I feel every time I listen to this music.
This is dedicated to my Dad because if it wasn't for him none of this would be possible...
RIP Big man xxx"
Tracklisting
1) Blood Sweat & Tears - Blues Part 2
2) Crosby Stills Nash & Young - Southern Man (Live Version)
3) The Peanut Butter Conspiracy - Ecstasy
4) Ultimate Spinach - Ego Trip
5) Steppenwolf - The Pusher
6) Big Brother & The Holding Company - Ball & Chain
7) Stray - Do You Miss Me
8) Fleetwood Mac - Green Manalishi
9) Kahvas Jute - She's So Hard To Shake
10) Creedence Clearwater Revival - Sinister Purpose
11) U.F.O - Boogie
12) Canned Heat - Shake n Boogie
13) Bad Company - Bad Company
14) Country Joe & The Fish - Death Sound
15) Jimi Hendrix - Izabella Live at Filmore East
16) Elvis Presley – Hound Dog]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Dan Jay ]
Podcast: Dusk Dubs
Artist: Dan Jay
Title: DD0415
Style: Rock
Time: 99 minutes
Date: 2017-05-14
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we invite Dan Jay to the Dusk Dubs family.
Dan is a veteran of ‘Pirate Radio’ appearing on such legendary stations as Conflict, Flava, Pressure and Rinse. He now plays on legal oldschool/jungle station ‘Kool London’..... still collecting, still selling and still breathing vinyl ...
"This is just a very small percentage of music I was bought up on in the 70s, I can remember my dad and uncle battling it out on the record player in our flat throughout the mid 70's as to who was going to play the next record.
My dad would be trying to put on his Credence Clearwater album while my uncle was trying to put on his Bowie albums, and all hell would break loose specially when my mum used to slip in and stick her Abba records on!!
I'm very open minded when it comes to music and I don't strictly listen to any one genre,I listen to anything and everything but I always end up back listening to probably my most favourite and that is psychedelic rock from the 60's/70's.
I really got into the music scene in the late 80's with the acid house explosion and the early hardcore and jungle scene but I always ended up right back where I started it was like I was trapped in the late 60's early 7's. I'm drawn to that era of music more than I was with the hardcore and jungle scene, and even today I'm still digging and looking for that one offbeat psychedelic record that blows my mind that's not been heard for many of year.
So I have complied some records that some of you may know and some of you definitely won't. This will blow your mind, if you sit back and take the time just to listen for a little over an hour, you will get the vibe I feel every time I listen to this music.
This is dedicated to my Dad because if it wasn't for him none of this would be possible...
RIP Big man xxx"
Tracklisting
1) Blood Sweat & Tears - Blues Part 2
2) Crosby Stills Nash & Young - Southern Man (Live Version)
3) The Peanut Butter Conspiracy - Ecstasy
4) Ultimate Spinach - Ego Trip
5) Steppenwolf - The Pusher
6) Big Brother & The Holding Company - Ball & Chain
7) Stray - Do You Miss Me
8) Fleetwood Mac - Green Manalishi
9) Kahvas Jute - She's So Hard To Shake
10) Creedence Clearwater Revival - Sinister Purpose
11) U.F.O - Boogie
12) Canned Heat - Shake n Boogie
13) Bad Company - Bad Company
14) Country Joe & The Fish - Death Sound
15) Jimi Hendrix - Izabella Live at Filmore East
16) Elvis Presley – Hound Dog]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/1/9/_/uploads/229472/image_track/1321060/w1400_h1400_q70_ptrue_v2_----cropped_1494630914.jpg" />
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                                    <itunes:duration>5987</itunes:duration>
                                    
                                </item>
                                
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                                    <guid isPermaLink="false">1314024</guid>
                                    
                                        <pubDate>Sun, 07 May 2017 10:22:15 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-07T10:22:15+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0414 Dusk Dubs - Basement Phil</title>
                                    <description><![CDATA[[ Basement Phil ]
Podcast: Dusk Dubs
Artist: Basement Phil
Title: DD0414
Style: Jazz
Time: 69 minutes
Date: 2017-05-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we invite producer, label owner, vinyl distributor, record shop owner, DJ and all round music man, Mr Phillip "Basement' Well to the Dusk Dubs family....
Phill has been involved in the music scene in one form or another since the late 1980's, so its a real pleasure to present a volume from the man himself that showcases music that has remained in his soul, and means so much to him... "Jazz - The Early Years".
"This selection features laid back Vocal Jazz Grooves predominantly by female singers. I hope you are feeling the lush beautiful arrangements and stunning vocal performances of the trend setters from the 1950s." 
You can find him here:
facebook.com/pg/Basement-Recor...067204937/about
discogs.com/artist/31249-Basement-Phil
Tracklisting
"Jazz - The Early Years"
1) Helen Merrill – You'd Be So Nice To Come Home Too (EmArcy 1954 – Helen Merrill LP)
2) Sarah Vaughan – He's My Guy (EmArcy 1954 – Sarah Vaughan LP)
3) Roy Haynes & Quincy Jones -  Pogo Stick (EmArcy 1955 – Jazz Abroad LP)
4) Barbara Lea – I Had Myself A True Love (Prestige 1956 – Barbara Lea With The Johnny Windhurst Quintets LP)
5) Carmen McRae – Good Morning Heartache  (Brunswick 1956 – Torchy LP)
6) Chris Connor – Try A Little Tenderness (Bethlehem 1957 – Lullabys of Birdland LP)
7) Sallie Blair – Come By Sunday (Bethlehem 1957 – Squeeze Me LP) 
8) Miles Davis – So What (Columbia 1959 – Kind of Blue LP)
9) Ernestine Anderson – Land Of Dreams (Mercury 1960 – My kinda swing LP)
10) Charlie Parker & Orchestra – Autumn In New York (Verve 1961 – Night & Day LP)
11) Etta Jones – Gee Baby Ain't I Good To You  (Prestige 1962 – Lonely and Blue LP)
12) Dexter Gordon – A Night In Tunisia  (Blue Note 1963 – Our Man In Paris LP)
13) Ethel Ennis – Show Me A Man I Can Look Up To (RCA 1964 – Once Again LP) 
14) Nina Simone – Feeling Good – (Philips 1965 - I Put A Spell On You LP) 
15) Yusef Lateef – Love Theme From Spartacus (Prestige 1966 – Yusef Lateef Plays For Lovers LP)
16) George Benson Quartet – Summertime (Columbia 1966 – Its Uptown LP)
17) Joe Bataan – Ordinary guy (Fania 1967 – Gypsy Woman LP)]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[ Basement Phil ]
Podcast: Dusk Dubs
Artist: Basement Phil
Title: DD0414
Style: Jazz
Time: 69 minutes
Date: 2017-05-07
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we invite producer, label owner, vinyl distributor, record shop owner, DJ and all round music man, Mr Phillip "Basement' Well to the Dusk Dubs family....
Phill has been involved in the music scene in one form or another since the late 1980's, so its a real pleasure to present a volume from the man himself that showcases music that has remained in his soul, and means so much to him... "Jazz - The Early Years".
"This selection features laid back Vocal Jazz Grooves predominantly by female singers. I hope you are feeling the lush beautiful arrangements and stunning vocal performances of the trend setters from the 1950s." 
You can find him here:
facebook.com/pg/Basement-Recor...067204937/about
discogs.com/artist/31249-Basement-Phil
Tracklisting
"Jazz - The Early Years"
1) Helen Merrill – You'd Be So Nice To Come Home Too (EmArcy 1954 – Helen Merrill LP)
2) Sarah Vaughan – He's My Guy (EmArcy 1954 – Sarah Vaughan LP)
3) Roy Haynes & Quincy Jones -  Pogo Stick (EmArcy 1955 – Jazz Abroad LP)
4) Barbara Lea – I Had Myself A True Love (Prestige 1956 – Barbara Lea With The Johnny Windhurst Quintets LP)
5) Carmen McRae – Good Morning Heartache  (Brunswick 1956 – Torchy LP)
6) Chris Connor – Try A Little Tenderness (Bethlehem 1957 – Lullabys of Birdland LP)
7) Sallie Blair – Come By Sunday (Bethlehem 1957 – Squeeze Me LP) 
8) Miles Davis – So What (Columbia 1959 – Kind of Blue LP)
9) Ernestine Anderson – Land Of Dreams (Mercury 1960 – My kinda swing LP)
10) Charlie Parker & Orchestra – Autumn In New York (Verve 1961 – Night & Day LP)
11) Etta Jones – Gee Baby Ain't I Good To You  (Prestige 1962 – Lonely and Blue LP)
12) Dexter Gordon – A Night In Tunisia  (Blue Note 1963 – Our Man In Paris LP)
13) Ethel Ennis – Show Me A Man I Can Look Up To (RCA 1964 – Once Again LP) 
14) Nina Simone – Feeling Good – (Philips 1965 - I Put A Spell On You LP) 
15) Yusef Lateef – Love Theme From Spartacus (Prestige 1966 – Yusef Lateef Plays For Lovers LP)
16) George Benson Quartet – Summertime (Columbia 1966 – Its Uptown LP)
17) Joe Bataan – Ordinary guy (Fania 1967 – Gypsy Woman LP)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/9/2/_/uploads/229472/image_track/1314024/w1400_h1400_q70_ptrue_v2_----cropped_1494025291.jpg" />
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                                    <itunes:duration>4159</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1301118</guid>
                                    
                                        <pubDate>Sun, 30 Apr 2017 10:21:28 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-30T10:21:28+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0413 Dusk Dubs - DJ Trax</title>
                                    <description><![CDATA[[ DJ Trax ]
Podcast: Dusk Dubs
Artist: DJ Trax
Title: DD0413
Style: Soul/Jazz/Funk/Beats
Time: 76 minutes
Date: 2017-04-30
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back our good friend DJ Trax....
"Big thanks for having me back. I`m a real music fan and love compiling for Dusk Dubs. This selection is quite varied but as always has soul and feeling.
I hope you enjoy..."
Beautiful artwork from the amazing artist Ariel Gold - check her collection HERE
arielgoldart.com
You can find him here:
facebook.com/djtraxpage
djtrax.org
soundcloud.com/djtrax
vimeo.com/djtrax
djtrax.bandcamp.com
Tracklisting
1) Eddie Finley + The Cincinnati Show Band - Treat My Right Or Leave Me Alone - Love this track ! Really soulful funky music. Already sampled and Chopped up by Maker (It was crying out to be used).
2) Donald Byrd - Fancy Free - One of my all time favourite jazz tunes.I hesitated to put this one on as it is long but...I hope you are agree, it deserves the time :) Every solo is on point and I love every time it returns to that main riff.
3) Manu Dibango - Hibiscus - I've got a fair bit of Manu`s music but I`m sure theirs plenty more for me to discover. This track is more or an ambient soundscape. Love those long delays on the sax.
4) Paul Hunter - Paul`s Pal - Originally from Glasgow, Paul is one of the artists that makes me curious. Obviously really talented but didn`t release a lot of tracks. Where are you now Paul? if you read this get in touch :)
5) RainForest - Hostal Alley - I've been supporting Rainforest`s music for a few years in mixes, on Catch a Groove (Trax + Nucleus Radio Show on Jungletrain) and out in clubs. I was sent his debut album a few of weeks ago and was blown away! It`s out now on Movementinsound.
I urge you Dusk Dubbers to go and check it out HERE (movementinsound.com/buy/life-on-earth-18 , ) you wont be disappointed.
6) Melanie De Biaso - I`m Gonna Leave You (The Cinematic Orchestra Remix) Melanie is an amazing Belgium based singer. I have brought everything she has released. She has a real classic, unique style. This track is from an album featuring remixes of her No Deal album. There`s some great remixes here and you know when you see Cinematic Orchestra on the case that it`s going to be good :)
7) Ambient Jazz Ensemble - The Journey - What a track! This one builds and builds. Taken from the Suite Shop album on Here and Now. I`ve been waiting for the follow up to this album, hope it comes soon...
8) Christian Prommer`s Drum Lesson - Can U Feel It - Amazing cover of My Finger`s Classic. If you are feeling this check out the rest of the album featuring versions of other classics such as Strings Of Life, Nervous Track, Claire, Plastic Dreams and others.
9) DJ Trax - Personal - Taken from my debut album Rhythmic Delusions. Personal was written live in under half an hour using the SY85 Sequencer whilst slighty pissed (and emotional by the sound of it ;)) I added a couple of bits of mates laughing to give it that nostalgic feeling.   
10) Palm Skin Productions - Evolution Of The Beast (Autechre Remix) - Love this EP. Each mix of this track is really different. There's a good Roni Size and Krust one and a great mid Tempo hip-hop mix. This version by Autechre is really laid back and deep, love it :)
11) Flavornaughts - Keep The Rubble In Line - Taken from the album My Inbred Pedigree Chums from 97. Keep The Rubble in Line is a great example of the Flavornaughts. Very talented musicians jamming over down-tempo beats. If you like this one make sure you check out the album.]]></description>
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                                    <itunes:summary><![CDATA[[ DJ Trax ]
Podcast: Dusk Dubs
Artist: DJ Trax
Title: DD0413
Style: Soul/Jazz/Funk/Beats
Time: 76 minutes
Date: 2017-04-30
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back our good friend DJ Trax....
"Big thanks for having me back. I`m a real music fan and love compiling for Dusk Dubs. This selection is quite varied but as always has soul and feeling.
I hope you enjoy..."
Beautiful artwork from the amazing artist Ariel Gold - check her collection HERE
arielgoldart.com
You can find him here:
facebook.com/djtraxpage
djtrax.org
soundcloud.com/djtrax
vimeo.com/djtrax
djtrax.bandcamp.com
Tracklisting
1) Eddie Finley + The Cincinnati Show Band - Treat My Right Or Leave Me Alone - Love this track ! Really soulful funky music. Already sampled and Chopped up by Maker (It was crying out to be used).
2) Donald Byrd - Fancy Free - One of my all time favourite jazz tunes.I hesitated to put this one on as it is long but...I hope you are agree, it deserves the time :) Every solo is on point and I love every time it returns to that main riff.
3) Manu Dibango - Hibiscus - I've got a fair bit of Manu`s music but I`m sure theirs plenty more for me to discover. This track is more or an ambient soundscape. Love those long delays on the sax.
4) Paul Hunter - Paul`s Pal - Originally from Glasgow, Paul is one of the artists that makes me curious. Obviously really talented but didn`t release a lot of tracks. Where are you now Paul? if you read this get in touch :)
5) RainForest - Hostal Alley - I've been supporting Rainforest`s music for a few years in mixes, on Catch a Groove (Trax + Nucleus Radio Show on Jungletrain) and out in clubs. I was sent his debut album a few of weeks ago and was blown away! It`s out now on Movementinsound.
I urge you Dusk Dubbers to go and check it out HERE (movementinsound.com/buy/life-on-earth-18 , ) you wont be disappointed.
6) Melanie De Biaso - I`m Gonna Leave You (The Cinematic Orchestra Remix) Melanie is an amazing Belgium based singer. I have brought everything she has released. She has a real classic, unique style. This track is from an album featuring remixes of her No Deal album. There`s some great remixes here and you know when you see Cinematic Orchestra on the case that it`s going to be good :)
7) Ambient Jazz Ensemble - The Journey - What a track! This one builds and builds. Taken from the Suite Shop album on Here and Now. I`ve been waiting for the follow up to this album, hope it comes soon...
8) Christian Prommer`s Drum Lesson - Can U Feel It - Amazing cover of My Finger`s Classic. If you are feeling this check out the rest of the album featuring versions of other classics such as Strings Of Life, Nervous Track, Claire, Plastic Dreams and others.
9) DJ Trax - Personal - Taken from my debut album Rhythmic Delusions. Personal was written live in under half an hour using the SY85 Sequencer whilst slighty pissed (and emotional by the sound of it ;)) I added a couple of bits of mates laughing to give it that nostalgic feeling.   
10) Palm Skin Productions - Evolution Of The Beast (Autechre Remix) - Love this EP. Each mix of this track is really different. There's a good Roni Size and Krust one and a great mid Tempo hip-hop mix. This version by Autechre is really laid back and deep, love it :)
11) Flavornaughts - Keep The Rubble In Line - Taken from the album My Inbred Pedigree Chums from 97. Keep The Rubble in Line is a great example of the Flavornaughts. Very talented musicians jamming over down-tempo beats. If you like this one make sure you check out the album.]]></itunes:summary>
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                                        <pubDate>Sun, 23 Apr 2017 11:02:50 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-24T12:34:01+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0412 Dusk Dubs - John C Bawcombe</title>
                                    <description><![CDATA[[ John C Bawcombe ]
Podcast: Dusk Dubs
Artist: John C Bawcombe
Title: DD0412
Style: eclectic
Time: 79 minutes
Date: 2017-04-23
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome John C Bawcombe to the Dusk Dubs family.
"I have been record collecting for almost 40 years and was delighted to be asked to contribute to the Dusk Dubs project. It's taken some weeks to piece this list of amazing music together for your listening pleasure.
Its' a scoot through me growing up.... and whats graced my various record players over the years.
I hope you enjoy."
Tracklisting
1) Willy Wonka and the Chocolate Factory OST - Candy Man
I kick off with a track taken from everyone's fave children's film - and a big fave in my house when my son was younger - this is for you Lenny B!
2) San Sebastian Strings - The Gypsy Camp
An oddity from the late 60s that grabs that Balearic style groove I so love. Down to the sea and back.
3) Thomas Newman - Dead Already - American Beauty OST
Taken from the Grammy nominated soundtrack from the American Beauty film - created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that''. Love the movie and love the soundtrack even more.
4) Anthony Newley - Why
An English actor, singer and songwriter Newley achieved success as a performer in such diverse fields as rock & roll and stage and screen acting. As a recording artist he enjoyed a dozen Top 40 entries on the UK singles chart between 1959 and 1962, including two number one hits. You may remember this from the awesome Gangster Number 1 movie.
5) Andy Williams - The Impossible Dream
Yes that track they used in the Honda advert a few years back. Composed by Mitch Leigh with lyrics written by Joe Darion. The song is the most popular song from the 1965 Broadway musical Man of La Mancha - many artists over the years have covered this - for me Andy Williams nails it with his beautiful vocal - you will often catch me singing this very loud in the car.
6) The Jam - Ghosts
Taken from The Gift album - the first Jam album I bought aged twelve and still remains a firm fave of mine from their awesome back catalogue - Potentially the most under-rated album in the Jam's huge output, The Gift took a lot of heat from both critics and fans for being "self-indulgent" and for deviating from the formula too much. In reality, these criticisms are unfounded and unfair - ''Ghosts'' is a record I come back to time and time again and while it hits WAY too close to home for me, is simply one of Weller's best songs. Essential.
7) The Rolling Stones - You Cant Always Get What You Want
From the 1969 album Let It Bleed album and a record that I still play very often. The song featuring the London Bach Choir opening the song (the choir opening is only on the album version), highlighting throughout, and bringing it to its conclusion. Johnny Miller, the Stones' producer at the time, plays drums on this song instead of Charlie Watts. Al Kooper plays piano and organ, as well as the French horn intro.
8) The Who - Mary Anne With The Shaky Hand (Alt. version)
Another massive influence on me over the years - I love the lyrics to this and Al Kooper (see The Stones above) makes a great guest job on the organ -once described as The Who's "second great song about masturbation" (after the band's 1967 single "Pictures Of Lilly"):[ God bless The 'orrible ooo!
9) Dexy Midnight Runners - There There My Dear
Searching for the young soul rebels is a wonderful, life-enhancing album and I always play it loud when Im feeling down - a comfort blanket from 1980. Includes one of Rowlands best ever put down lines - ''If you're so anti-fashion, why not wear flares, instead of dressing down all the same'' - never fails to let me down this album.
10) Quadrophenia - Jimmy Quits in a Blaze of Glory!
We all wanted to do this at some point and never had the bollocks - taken from the film I must have watched 1000 times - Only Phil Daniels could deliver this punchline - Take it or leave it !
11) Playtime Toons - The Shaker Song
Produced by my good friend and DJ Trevor Fung who influenced me greatly in the late 80s at Legends, Rage and The Fitness Club - Playtime Toons offers up an early acid house nugget used on pirate radio a lot and was the last tune of the night for a good while at The Hacienda.
12) Masters Of The Universe - Space Talk (Hyper Spaced Mix)
Like many others of my age I quickly adopted house music in the late 80s. This is a stunning track that features that piano from the gods - co produced in 1990 by Dave Lee who later went on to record as Joey Negro.
13) Plez - I Can't Stop 
The one record that transports me back to the smoke and strobes of early acid house adventures in London.
14) Napoleon - Happy Finish
One half of ''Bent'' - Nottingham's ultra cool chill masters - Simon Mills has now branched out with his Napoleon solo project - got to love Simon who has taken time out to DJ at my events and to send me this over for inclusion.
15) Leftfield - Melt
For me the Leftism album is the best album produced in the 90s - and this little nugget is a thing of beauty that has that lovingly honed production that set a standard for electronic music producers to aim for moving forward.
16) The XX - Night Time
I wore their first album out when released in 2009 - so many great memories of that lovely summer in 2010 where I played it to everyone that popped over or got in the car.
17) The Beach Boys - God Only Knows
In my top three besties and my list would not be complete without this record. Along with Carl Wilsons pure vocal the production features an unorthodox selection of instruments, including French horn, accordions, sleigh bell, harpsichord, and a quartet of violas and cello's - Pet Sounds is life giving.
18) Ben Howard - Wolves
Where you been hiding lately, where you been hiding from the news?
Because we've been fighting lately, we've been fighting with the wolves.
Masterpiece?.
19) The Cure - 10.15 on a Saturday Night
Early in their career, The Cure were trying to get a record deal. In the liner notes to the deluxe edition of Three Imaginary Boys, they explain that an executive for the record company Fiction was doing paperwork while listening to some demos he received when he heard the "Drip Drip Drip Drip Drip Drip..." coming from this song and thought it sounded quite nice. He then found the band and gave them a record deal.
20) David Bowie - Life On Mars
Needs no introduction and a fitting end to my Dusk Dubs journey.]]></description>
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                                    <itunes:summary><![CDATA[[ John C Bawcombe ]
Podcast: Dusk Dubs
Artist: John C Bawcombe
Title: DD0412
Style: eclectic
Time: 79 minutes
Date: 2017-04-23
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome John C Bawcombe to the Dusk Dubs family.
"I have been record collecting for almost 40 years and was delighted to be asked to contribute to the Dusk Dubs project. It's taken some weeks to piece this list of amazing music together for your listening pleasure.
Its' a scoot through me growing up.... and whats graced my various record players over the years.
I hope you enjoy."
Tracklisting
1) Willy Wonka and the Chocolate Factory OST - Candy Man
I kick off with a track taken from everyone's fave children's film - and a big fave in my house when my son was younger - this is for you Lenny B!
2) San Sebastian Strings - The Gypsy Camp
An oddity from the late 60s that grabs that Balearic style groove I so love. Down to the sea and back.
3) Thomas Newman - Dead Already - American Beauty OST
Taken from the Grammy nominated soundtrack from the American Beauty film - created using mainly percussion instruments. Newman believed the score helped move the film along without disturbing the "moral ambiguity" of the script, saying "It was a real delicate balancing act in terms of what music worked to preserve that''. Love the movie and love the soundtrack even more.
4) Anthony Newley - Why
An English actor, singer and songwriter Newley achieved success as a performer in such diverse fields as rock & roll and stage and screen acting. As a recording artist he enjoyed a dozen Top 40 entries on the UK singles chart between 1959 and 1962, including two number one hits. You may remember this from the awesome Gangster Number 1 movie.
5) Andy Williams - The Impossible Dream
Yes that track they used in the Honda advert a few years back. Composed by Mitch Leigh with lyrics written by Joe Darion. The song is the most popular song from the 1965 Broadway musical Man of La Mancha - many artists over the years have covered this - for me Andy Williams nails it with his beautiful vocal - you will often catch me singing this very loud in the car.
6) The Jam - Ghosts
Taken from The Gift album - the first Jam album I bought aged twelve and still remains a firm fave of mine from their awesome back catalogue - Potentially the most under-rated album in the Jam's huge output, The Gift took a lot of heat from both critics and fans for being "self-indulgent" and for deviating from the formula too much. In reality, these criticisms are unfounded and unfair - ''Ghosts'' is a record I come back to time and time again and while it hits WAY too close to home for me, is simply one of Weller's best songs. Essential.
7) The Rolling Stones - You Cant Always Get What You Want
From the 1969 album Let It Bleed album and a record that I still play very often. The song featuring the London Bach Choir opening the song (the choir opening is only on the album version), highlighting throughout, and bringing it to its conclusion. Johnny Miller, the Stones' producer at the time, plays drums on this song instead of Charlie Watts. Al Kooper plays piano and organ, as well as the French horn intro.
8) The Who - Mary Anne With The Shaky Hand (Alt. version)
Another massive influence on me over the years - I love the lyrics to this and Al Kooper (see The Stones above) makes a great guest job on the organ -once described as The Who's "second great song about masturbation" (after the band's 1967 single "Pictures Of Lilly"):[ God bless The 'orrible ooo!
9) Dexy Midnight Runners - There There My Dear
Searching for the young soul rebels is a wonderful, life-enhancing album and I always play it loud when Im feeling down - a comfort blanket from 1980. Includes one of Rowlands best ever put down lines - ''If you're so anti-fashion, why not wear flares, instead of dressing down all the same'' - never fails to let me down this album.
10) Quadrophenia - Jimmy Quits in a Blaze of Glory!
We all wanted to do this at some point and never had the bollocks - taken from the film I must have watched 1000 times - Only Phil Daniels could deliver this punchline - Take it or leave it !
11) Playtime Toons - The Shaker Song
Produced by my good friend and DJ Trevor Fung who influenced me greatly in the late 80s at Legends, Rage and The Fitness Club - Playtime Toons offers up an early acid house nugget used on pirate radio a lot and was the last tune of the night for a good while at The Hacienda.
12) Masters Of The Universe - Space Talk (Hyper Spaced Mix)
Like many others of my age I quickly adopted house music in the late 80s. This is a stunning track that features that piano from the gods - co produced in 1990 by Dave Lee who later went on to record as Joey Negro.
13) Plez - I Can't Stop 
The one record that transports me back to the smoke and strobes of early acid house adventures in London.
14) Napoleon - Happy Finish
One half of ''Bent'' - Nottingham's ultra cool chill masters - Simon Mills has now branched out with his Napoleon solo project - got to love Simon who has taken time out to DJ at my events and to send me this over for inclusion.
15) Leftfield - Melt
For me the Leftism album is the best album produced in the 90s - and this little nugget is a thing of beauty that has that lovingly honed production that set a standard for electronic music producers to aim for moving forward.
16) The XX - Night Time
I wore their first album out when released in 2009 - so many great memories of that lovely summer in 2010 where I played it to everyone that popped over or got in the car.
17) The Beach Boys - God Only Knows
In my top three besties and my list would not be complete without this record. Along with Carl Wilsons pure vocal the production features an unorthodox selection of instruments, including French horn, accordions, sleigh bell, harpsichord, and a quartet of violas and cello's - Pet Sounds is life giving.
18) Ben Howard - Wolves
Where you been hiding lately, where you been hiding from the news?
Because we've been fighting lately, we've been fighting with the wolves.
Masterpiece?.
19) The Cure - 10.15 on a Saturday Night
Early in their career, The Cure were trying to get a record deal. In the liner notes to the deluxe edition of Three Imaginary Boys, they explain that an executive for the record company Fiction was doing paperwork while listening to some demos he received when he heard the "Drip Drip Drip Drip Drip Drip..." coming from this song and thought it sounded quite nice. He then found the band and gave them a record deal.
20) David Bowie - Life On Mars
Needs no introduction and a fitting end to my Dusk Dubs journey.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/5/_/uploads/229472/image_track/1299142/w1400_h1400_q70_ptrue_v2_----cropped_1492874531.jpg" />
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                                        <pubDate>Sun, 16 Apr 2017 10:35:32 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-16T10:35:32+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0411 Dusk Dubs - Long Dark Tunnel</title>
                                    <description><![CDATA[[  Long Dark Tunnel ]
Podcast: Dusk Dubs
Artist: Long Dark Tunnel
Title: DD0411
Style: Photek
Time: 130 minutes
Date: 2017-04-15
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Long Dark Tunnel to compile a wonderful Sunday mixtape for you.
"If I was only ever allowed to listen to one artist, and one artist only, for now and evermore I would be tossing a coin between James Yancey and Rupert Parkes.
I have opted for the latter as it was he who grabbed my attention as an impressionable listener of hardcore, jungle, dnb in those formative days of the early 90's. It was he who completely ripped up the script of music production, samples, patterns, drum programmes – the lot. It was he who weaved in and out of genres like the musical chameleon he truly is. Opting in and out of alter egos, yet reaching every corner of that sound and pushing its boundary to another level. It was he who could without a shadow of doubt be placed well to the top of the fabled dnb Hall of Fame for his artistic ability and his contribution to the scene.
The idea of an all Rupert Parkes concept came initially from a Purple Radio session where the Dusk Dubs lads dropped 3 of his tracks in a row. This led to some wonderful nostalgia in the chatbox about him and his works. I just imagined a whole Dusk Dubs session dedicated to entirely to him. As usual the problem was always what to leave out, but I hope I have covered enough bases in his work to give the listeners a real feel for his musical genius.
Enjoy."
Tracklisting:
1) Photek - Lost Blue Heaven
2) Photek - T.Raenon
3) Photek - Modus Operandi
4) Photek - 124
5) Photek - Oshun
6) Photek - Can't Come Down
7) The Sentinel - Toulepleu
8) Photek - The Hidden Camera
9) Aquarius & Tayla - Soul Searching
10) The Truper - Vol 3B
11) The Sentinel - Awakening
12) Photek - One Nation
13) Photek - Water Margin
14) Photek - KJZ
15) Photek - Consciousness
16) Studio Pressure - Presha III
17) Special Forces - The Bleeps Tune
18) The Sentinel - Heavy Vibes
19) Therapy? - Loose (Photek Remix)
20) Photek - UFO
21) Photek - This Love (Feat. Ray La Montagne)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[  Long Dark Tunnel ]
Podcast: Dusk Dubs
Artist: Long Dark Tunnel
Title: DD0411
Style: Photek
Time: 130 minutes
Date: 2017-04-15
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Long Dark Tunnel to compile a wonderful Sunday mixtape for you.
"If I was only ever allowed to listen to one artist, and one artist only, for now and evermore I would be tossing a coin between James Yancey and Rupert Parkes.
I have opted for the latter as it was he who grabbed my attention as an impressionable listener of hardcore, jungle, dnb in those formative days of the early 90's. It was he who completely ripped up the script of music production, samples, patterns, drum programmes – the lot. It was he who weaved in and out of genres like the musical chameleon he truly is. Opting in and out of alter egos, yet reaching every corner of that sound and pushing its boundary to another level. It was he who could without a shadow of doubt be placed well to the top of the fabled dnb Hall of Fame for his artistic ability and his contribution to the scene.
The idea of an all Rupert Parkes concept came initially from a Purple Radio session where the Dusk Dubs lads dropped 3 of his tracks in a row. This led to some wonderful nostalgia in the chatbox about him and his works. I just imagined a whole Dusk Dubs session dedicated to entirely to him. As usual the problem was always what to leave out, but I hope I have covered enough bases in his work to give the listeners a real feel for his musical genius.
Enjoy."
Tracklisting:
1) Photek - Lost Blue Heaven
2) Photek - T.Raenon
3) Photek - Modus Operandi
4) Photek - 124
5) Photek - Oshun
6) Photek - Can't Come Down
7) The Sentinel - Toulepleu
8) Photek - The Hidden Camera
9) Aquarius & Tayla - Soul Searching
10) The Truper - Vol 3B
11) The Sentinel - Awakening
12) Photek - One Nation
13) Photek - Water Margin
14) Photek - KJZ
15) Photek - Consciousness
16) Studio Pressure - Presha III
17) Special Forces - The Bleeps Tune
18) The Sentinel - Heavy Vibes
19) Therapy? - Loose (Photek Remix)
20) Photek - UFO
21) Photek - This Love (Feat. Ray La Montagne)]]></itunes:summary>
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                                    <guid isPermaLink="false">1280158</guid>
                                    
                                        <pubDate>Sun, 09 Apr 2017 09:49:17 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-09T09:49:17+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0410 Dusk Dubs - WoTD</title>
                                    <description><![CDATA[[  Warriors of the Dystotheque ]
Podcast: Dusk Dubs
Artist: Warriors of the Dystotheque
Title: DD0410
Style: Beats, Rock, Dance
Time: 104 minutes
Date: 2017-04-09
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, we welcome DJ and Artist Jonny Mac - Warriors of the Dystotheque (WoTD) to the Dusk Dubs family....
"Welcome to my Dusk Dubs, rather than pick a lot of tunes from 1 or 2 genres, I've decided to take it right back to my roots and draw on the music that made me do what i've done for the past few decades, promoting and DJ-ing across the globe and now releasing with my band Warriors of the Dystotheque, as well as going further back and recollecting the music I grew up with that effectively shaped me.
Hopefully you enjoy the tunes i've selected, thanks for your ears.."
You can find him here:
facebook.com/warriorsofthedystotheque
twitter.com/Dysto_Warriors
soundcloud.com/w-o-d-1
junodownload.com/artists/Warri...theque/releases
open.spotify.com/artist/04OLao...aY48dqKw0yj74y0
Tracklisting
1 - The Specials - Ghost Town (1981) - This was the 1st record I owned so i'm rather proud of that cause there is a lot of questionable tracks in the collections of my friends for their 1st records, I owe this to my cousins Kieran & John who were a few years older than me and were heavily into the Ska & Punk scene in the late 70’s & early 80s so I guess i was lucky.. 
2 - SLF - Alternative Ulster (1979) - So along with Madness The Beat The Specials and the Ska scene I was majorly into the Punk scene & as a kid growing up in Northern Ireland during the troubles the 1 band who were full of angst and told it like it was on the streets of Belfast was Stiff Little Fingers, even at such a young age you knew what was going on in the country and the even then the lyrics really hit home and their All The Best album was my 1st LP purchase. I actually went on to book them to play in 2003 iv Coventry as it goes. 
3 - New Order - Confusion (1983) - Skip a few years as the punk & ska scene filtered out and gave way to the electronic sounds that were influencing the electro scene and the breakdance craze was just beginning to sweep the globe. my all time favs New Order got introduced to the sound by Arthur Baker with this amazing remix of Confusion, this went on to shape me into my love for electronica. 
4 - Freestyle - Don’t Stop The Rock (1985)  - This is a track I fell in love with and in my later life I would play it many many times as I DJ’d across the country and always at my Frequency nights which saw a lots of the top DJ’s of the time  - Derek Dahalarge, Scratch Perverts, Avalanches. Adam F, Ez Rollers Live, Kosheen, Space Raiders, Dub Pistols, Freestylers, Leeroy Thornhill, Phil Hartnoll, Stanton Warriors & many more
5 - Depeche Mode - Black Celebration (1986) - So this is a major major track in my life, My Mum passed away just shortly before this album came out at only 35  and I wasn’t even a teenager at this time so was still really finding my way in life and at this time the whole on Northern Ireland was a war zone with shooting and bombings happening everyday and more times than enough it would be someone who was known to the family our community who was involved so testing times for most people and lots went on to get involved in the troubles cause its really all there was in the country as even decent people faced the problems head on.. Luckily I can say that this tour by Depeche Mode played a role in me deciding my future, the local youth club were running a bus up to Belfast for the gig I was only 12 and wasn’t allowed to go but I eventually got my way and went along with Jim & Paul also Gerry who took us I witnessed an amazing show and decided that my future was in music somehow.. 
I was into New Order and lots of other cool bands at this time and went and bought a headless bass guitar a few weeks later possibly the best decision I ever made cause many round me went to jail got killed named or involved in the troubles. 
6 - Happy Mondays - Wrote For Luck (1988) - My best mate Maxi and myself were busy learning to play, he had a Roland U20 and a sampler and id the bass, we were playing a lot of SLF New Order Smiths The Cure and the like. It was his uncle Kieran who introduced me to this as he landed in with the Happy Mondays Bummed Album another great find by the legendary Tony Wilson and Factory records. So Vince Clarke who i was well aware of from his early days with Depeche tuned out this dubby trippy remix and the Manchester days were well on the way and Id soon be raving in fields and on beaches. As it would turn out i'd do 2 separate tours with Shaun & Bez for a few weeks at a time round the Ireland Scotland & England and have to say Bez is 1 of very few real people i've ever met in the game… 
7 - Orbital - Belfast - (1989) - I'm now wearing tie dye T shirts baggy jeans and id imagine Fila boots and smiling like the Acid man on the front of the sun newspaper and making the journey to Portrush to check out Glen Malloy in Kellys but its the early 90’s & Belfast Art College where I really heard proper Techno at David Holmes Sugar Sweet nights with Andy Weatherall and Orbital live performing Belfast for the 1st time which again later on to my disbelief Phil Hartnoll went on to tell me it was called Belfast cause they’d just finished it in the studio and Belfast was the 1st time id  got played this was during a 3 year period from 03 - 06 when I DJ’d throughout the UK & Ireland alongside Phil which was just after a few years DJ’n across the world alongside Leeroy Thornhill from the Prodigy we we had a residency in Ibiza and partied at pikes for 15 weeks in 03 with Brandon & Alex a lot of weeks, what fun was had. 
8 - Nitzerebb - Lightning Man (1990) - So alongside the Manchester techno & rave influences at this time I was listening to a lot of Industrial and some metal with local band Therapy being the main 1’s also Mute records had signed Nizterebb and along with the likes of NIN Ministry & Meat Beat Manifesto they were a big part of the electronic side of my calling and a more leftfield sound I guess. 
9 - Beastie Boys - So What Ya Want (1992) - What can I say, along with A Tribe Called Quest De La Soul Public Enemy & KRS 1 the B boys 
were a soundtrack thats been with me all my life, They are geniuses in their field just listen to Paul’s Boutique and the humour in the raps with the amazing beats and the massive massive array of samples form so many tracks we all know and love makes them the leaders of the pack and Eminem sure wouldn’t be around today if he’d not heard these guys at work.
10 - Therapy - Teethgrinder (1992) - I'm 19 now and full of teenage angst and in band playing drums called Dog Eat Fish we were playing around the country and Therapy are from the same town, a few years before went on to become a major name in the metal scene and they are still going strong today we were all playing at gigs. This was a sound i was influenced by I could really relate to the breakbeat drumming style of Fife Ewing again id bring Therapy to Coventry on their 10 year anniversary tour. 
11 -  Pop Will Eat Itself  - Bulletproof  (1992) - A massive Poppies fan, their heavy guitars and samples along with the live breakbeats  drum loops and fuck the establishments attitude really was something to follow and believe in back then. And as it turns out I would become good friends with Richard march Fuzz Townsend & Graham Crabb form the band a few years later & my band WotD have went on to remix for them a few years back on their funk FIFA track oh and Graham from the band is gonna be singing on our next release We’re Taking Control…
12 -  Portishead - Roads (1994) - This band and sound would change my life again but this would be whats stayed with me most and influences me greatly to do what I’m doing with WotD. 
So i've got the Dummy album and I’m totally blown away but the dopeness of the sound but yet its so musical and haunting it stays with you. I loved what had came before but the 4/4 beat was not really me so this broken trip hop beat along with the Acid Jazz sounds at the time just opened my ears. I went on to to book Andy Smith in 98 as my 1st ever gets in Dundee. This is my fav Portishead track but a Warriors of the Dystotheque Edit.
13 - Chemical Brothers  -  Chemical Beats (1995) - Exit Planet Dust has been released and thats it now trip hop to smoke to and Chemical big beats to rave to Ive found exactly what Id been looking for a sound that was a deep in the roots of the early electro id been listening to 10 plus years ago only made for the beatniks of the 90’s.
A few months into 95 I heard the Chemical Bros & Portishead doing the essential mix and was again buzzing to hear this new style of DJ’n so on the Monday morning after hearing it I went to the bank got a loan and bought my Technics 1200’s & a mixer, possibly another  the best buy of my life as I went on to DJ across the globe.. 
14 - Ceasefire - Trickshot (1995) - So Ive been running my own nights alongside David Cook at a night called Brown Sugar were local bands play then I DJ beats breaks  & hip hop, I managed to get onto White Noise & Revolution promo lists so was getting lots of new cuts every week and this 1 lands on my mate it would go on to be my all time fav big beat track and Wall of Sound record from my old pal and country man Derek Dahlarge who reminded me it was the best selling WOS tracks over an early morning Bloody Mary in a hotel in Dundee in 98 after he spun for me at my Frequency night in Dundee Uni where I was promoting for a few months alongside Ken Ferguson brother of the famous DJ Fergie who I grew up with and learned to DJ alongside..
15 - Bentley Rhythm Ace - Run On The Spot (1997) - A few weeks after Derek Dahlarge was on the essential mix & had played in Dundee at my Frequency night i brought the BRA boys up from Birmingham and this again would change my life forever.. 
We DJ’d and after the night went back to my apartment with a few friends and listened to tunes and partied through the night, during this time I told the guys I was moving to Coventry in about 4/6 weeks time when the University broke for summer as my girlfriend at the time was from there but she was returning home to Coventry as she was pregnant and was actually leaving in the morning and her Mum and Dad were already up and were coming to load all our belongings into a van and drive down but I was waiting on as I had a job and she would rent a house for me coming down in a few weeks time, anyway this is where it gets interesting it told the guys and said id meet up in B’Ham in a few months but Mike BRA was having none of it and dared me to come down the next day as they were playing in Birmingham and promised a wheelbarrow of drink and goodies so they went to their hotel as the sun came up and I went to sleep for a bit then woke about 11 with my girlfriend and her parents there to load our stuff and I decided I was coming so i jumped into the back of the van and off e went on the 7 hour drive. I got out got cleaned up went to Bham on the train and called Richard BRA from New Street and said are you in and was in a cab to his..
We went to the club and back to Rich’s house  I met Graham Crabb his was in Pop Will Eat Itself  that night and we became the best of friends going on holiday with our families and attending his wedding. 
Crazy stuff for a guy from a town in N. Ireland with only 80K people and not much going on but if a door was there to be opened I usually took it off the hinges.. 
A few months before moving i knew i was going to live in Coventry so i'd contacted the uni and arranged to take my Frequency nights there. Derek returned also the Scratch Perverts Dub Pistols and Space Raiders before I was pouched and went to the biggest independent club in the city where Frequency remained till 2005 & Sean from WotD was resident, I'd met Sean in 99 when I arrived in Coventry and we studied music production together back in 01-03, anybody who was worth talking about grace the decks. 
I brought Leeroy from the Prodigy for his 1st gig to the club and also sorted a gig in Birmingham the next night that we both spun at in the Medicine bar then after it we had a laugh and Leeroy asked could I sort anymore gigs so I put together a university tour and we went across the UK Scotland and Ireland the following year with a residency at Lashed in Eden in the back room for the season of 03 playing breaks hip hop funk and whatever else as well as daytime parties at Coastline and I dine a few sunsets also shows at Savannah’s and pre parties every week at Bar M..
16 - Zero - Emit Collect - Rennie Pilgrim Remix (2002) - This was by far the biggest breaks record I ever played in a decade of playing breaks & I’m sure 80% of breaks DJ’s would say the same it never left my bag and always threw any dance floor into utter mayhem.
17 - John Tejada - The End of it All (2006) - I spent this summer going to DC10 a lot and enjoying the early morning Monday sessions and Locodice & Tania Volcano were everything that was good about the underground scene and coupled with Circo Loco at DC10 in the sun was a brilliant what turned out to be several summers.
I sat on my balcony of my apartment with my best friend who is sadly no longer with us (Rest Easy Moosa) & we played this over and over and over actually we nearly missed our taxi to the airport because he put it on 1 more time.
That was a good look into the future cause over the next 5 years we missed at least 3 flights a season by kidding ourselves, we were flying in late on a Sunday night to go to Circo Loco at DC10 on a Monday morning and going to leave at 10pm Monday night and catch the last flight home I never made it once in about 5 or 6 attempts.  This is the stand out track from those years and means a lot to me because of the fun memories it brings.
18 - Trentemoller - Moan (2007) - I was now involved in secret parties in Coventry called Playtime, along with my good friend Karl we threw several parties in disused locations with just a text before midnight telling people where to go this went on for a bout a year during this time we were on the lookout for a warehouse to call our own and finally we got 1, the playtime Warehouse went on for a few years and had the likes of Justin Robertson and a big favourite MR C as well as others. 
It was around 2009 I began to feel like I wasn’t enjoying the whole DJ and partying scene and it was getting a bit much and I was beginning to lose my way, so 2010 I spent a lot of time staying home and hanging out round friends feeling more like it was time to have a good hard look at myself and figure out my next move, so Nov 10 i went home to Ireland for a few days and told my Dad I was needing to think about the future and decided to move back at the end of Jan 2011 I actually came home mid Jan after the death of my housemate who passed away in our home and I found him so that accelerated things and I returned to Ireland where I’ve remained since that day, I went back to Sea working on the ferries as head chef which Id done many years back before I went to the UK, but after a year or so i started to miss music again and decided to start doing some bits of production.. 
19 - Warriors of the Dystotheque - Hashtag from The Future Is Ours EP
This was our 1st EP from October 2015. The band was formed through Facebook in 2014, but started in my studio In Derry, Ireland. I picked up on Mike and Nick’s music through a friends post on Fakebook and asked if they wanted to collaborate on a track. Mike and Nick are based in New York, so stems were sent back and forth through a file sharing service and then arranged in my studio. I then got Sean Graham involved to add some extra elements and do a mix down. Sean splits his time between UK and France, so is constantly making music on the move. From that initial EP, The Future is Ours, we decided to form a band, even though we’ve never set foot in the same room together, or all met in person for that matter. Social media has been the backbone to our inception. We’ve also managed to hook up with new and old friends to feature guest vocalists. I came across Ella Joy on YouTube, the vocalist that appears on Return to Coney, and all the guys have been able to extend interest to old friends, like Melissa Graham (Atom Vibe), Tony Jarvis (#Hashtag) and Pop Will Eat Itself front man Graham Crabb, who features on the forthcoming tracks Monsters At The Gates and as you will hear later in the year on We’re Taking Control which as a dub is currently smashing 6 Music loads of other BBC stations and picking up several day and night time plays over on RTE 2 this is after 12 months of major plays across lots of shows namely Nemone, Lauren Laverne, Huey Morgan & Shaun Keaveny on BBC 6 Music, throughout the year form our Return To Coney & Just Breathe releases support has also came in from Phil Taggart at BBC Radio 1, Stephen McCauley - Electric `Mainline on BBC Foyle, Across `the Line - BBC Ulster &  Dan Hegarty at RTE 2.
20  - Lisbon Kid - We Look At The Stars- Warriors of the Dystotheqie Remix (2016) - We just remixed for Lisbon Kid Ft Sarah Cracknell (Saint Etienne) on Wall of Sound and this got massive support across R1 RTE BBC Foyle and more. setting us up for another massive year in 2017 which has just seen us kick the doors off the hinges, and been selected as ones to watch in 2017 and our unreleased track We’re Taking Control has been smashed across BBC 6 Music by Nemone on her Electric Ladyland show also when she sat in on breakfast & further support from Dan Hegarty on RTE 2, Stephen McCauley on BBC Foyle & Rigsy Stu & producer Jimmy over at ATL on BBC Ulster.]]></description>
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                                    <itunes:summary><![CDATA[[  Warriors of the Dystotheque ]
Podcast: Dusk Dubs
Artist: Warriors of the Dystotheque
Title: DD0410
Style: Beats, Rock, Dance
Time: 104 minutes
Date: 2017-04-09
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week, we welcome DJ and Artist Jonny Mac - Warriors of the Dystotheque (WoTD) to the Dusk Dubs family....
"Welcome to my Dusk Dubs, rather than pick a lot of tunes from 1 or 2 genres, I've decided to take it right back to my roots and draw on the music that made me do what i've done for the past few decades, promoting and DJ-ing across the globe and now releasing with my band Warriors of the Dystotheque, as well as going further back and recollecting the music I grew up with that effectively shaped me.
Hopefully you enjoy the tunes i've selected, thanks for your ears.."
You can find him here:
facebook.com/warriorsofthedystotheque
twitter.com/Dysto_Warriors
soundcloud.com/w-o-d-1
junodownload.com/artists/Warri...theque/releases
open.spotify.com/artist/04OLao...aY48dqKw0yj74y0
Tracklisting
1 - The Specials - Ghost Town (1981) - This was the 1st record I owned so i'm rather proud of that cause there is a lot of questionable tracks in the collections of my friends for their 1st records, I owe this to my cousins Kieran & John who were a few years older than me and were heavily into the Ska & Punk scene in the late 70’s & early 80s so I guess i was lucky.. 
2 - SLF - Alternative Ulster (1979) - So along with Madness The Beat The Specials and the Ska scene I was majorly into the Punk scene & as a kid growing up in Northern Ireland during the troubles the 1 band who were full of angst and told it like it was on the streets of Belfast was Stiff Little Fingers, even at such a young age you knew what was going on in the country and the even then the lyrics really hit home and their All The Best album was my 1st LP purchase. I actually went on to book them to play in 2003 iv Coventry as it goes. 
3 - New Order - Confusion (1983) - Skip a few years as the punk & ska scene filtered out and gave way to the electronic sounds that were influencing the electro scene and the breakdance craze was just beginning to sweep the globe. my all time favs New Order got introduced to the sound by Arthur Baker with this amazing remix of Confusion, this went on to shape me into my love for electronica. 
4 - Freestyle - Don’t Stop The Rock (1985)  - This is a track I fell in love with and in my later life I would play it many many times as I DJ’d across the country and always at my Frequency nights which saw a lots of the top DJ’s of the time  - Derek Dahalarge, Scratch Perverts, Avalanches. Adam F, Ez Rollers Live, Kosheen, Space Raiders, Dub Pistols, Freestylers, Leeroy Thornhill, Phil Hartnoll, Stanton Warriors & many more
5 - Depeche Mode - Black Celebration (1986) - So this is a major major track in my life, My Mum passed away just shortly before this album came out at only 35  and I wasn’t even a teenager at this time so was still really finding my way in life and at this time the whole on Northern Ireland was a war zone with shooting and bombings happening everyday and more times than enough it would be someone who was known to the family our community who was involved so testing times for most people and lots went on to get involved in the troubles cause its really all there was in the country as even decent people faced the problems head on.. Luckily I can say that this tour by Depeche Mode played a role in me deciding my future, the local youth club were running a bus up to Belfast for the gig I was only 12 and wasn’t allowed to go but I eventually got my way and went along with Jim & Paul also Gerry who took us I witnessed an amazing show and decided that my future was in music somehow.. 
I was into New Order and lots of other cool bands at this time and went and bought a headless bass guitar a few weeks later possibly the best decision I ever made cause many round me went to jail got killed named or involved in the troubles. 
6 - Happy Mondays - Wrote For Luck (1988) - My best mate Maxi and myself were busy learning to play, he had a Roland U20 and a sampler and id the bass, we were playing a lot of SLF New Order Smiths The Cure and the like. It was his uncle Kieran who introduced me to this as he landed in with the Happy Mondays Bummed Album another great find by the legendary Tony Wilson and Factory records. So Vince Clarke who i was well aware of from his early days with Depeche tuned out this dubby trippy remix and the Manchester days were well on the way and Id soon be raving in fields and on beaches. As it would turn out i'd do 2 separate tours with Shaun & Bez for a few weeks at a time round the Ireland Scotland & England and have to say Bez is 1 of very few real people i've ever met in the game… 
7 - Orbital - Belfast - (1989) - I'm now wearing tie dye T shirts baggy jeans and id imagine Fila boots and smiling like the Acid man on the front of the sun newspaper and making the journey to Portrush to check out Glen Malloy in Kellys but its the early 90’s & Belfast Art College where I really heard proper Techno at David Holmes Sugar Sweet nights with Andy Weatherall and Orbital live performing Belfast for the 1st time which again later on to my disbelief Phil Hartnoll went on to tell me it was called Belfast cause they’d just finished it in the studio and Belfast was the 1st time id  got played this was during a 3 year period from 03 - 06 when I DJ’d throughout the UK & Ireland alongside Phil which was just after a few years DJ’n across the world alongside Leeroy Thornhill from the Prodigy we we had a residency in Ibiza and partied at pikes for 15 weeks in 03 with Brandon & Alex a lot of weeks, what fun was had. 
8 - Nitzerebb - Lightning Man (1990) - So alongside the Manchester techno & rave influences at this time I was listening to a lot of Industrial and some metal with local band Therapy being the main 1’s also Mute records had signed Nizterebb and along with the likes of NIN Ministry & Meat Beat Manifesto they were a big part of the electronic side of my calling and a more leftfield sound I guess. 
9 - Beastie Boys - So What Ya Want (1992) - What can I say, along with A Tribe Called Quest De La Soul Public Enemy & KRS 1 the B boys 
were a soundtrack thats been with me all my life, They are geniuses in their field just listen to Paul’s Boutique and the humour in the raps with the amazing beats and the massive massive array of samples form so many tracks we all know and love makes them the leaders of the pack and Eminem sure wouldn’t be around today if he’d not heard these guys at work.
10 - Therapy - Teethgrinder (1992) - I'm 19 now and full of teenage angst and in band playing drums called Dog Eat Fish we were playing around the country and Therapy are from the same town, a few years before went on to become a major name in the metal scene and they are still going strong today we were all playing at gigs. This was a sound i was influenced by I could really relate to the breakbeat drumming style of Fife Ewing again id bring Therapy to Coventry on their 10 year anniversary tour. 
11 -  Pop Will Eat Itself  - Bulletproof  (1992) - A massive Poppies fan, their heavy guitars and samples along with the live breakbeats  drum loops and fuck the establishments attitude really was something to follow and believe in back then. And as it turns out I would become good friends with Richard march Fuzz Townsend & Graham Crabb form the band a few years later & my band WotD have went on to remix for them a few years back on their funk FIFA track oh and Graham from the band is gonna be singing on our next release We’re Taking Control…
12 -  Portishead - Roads (1994) - This band and sound would change my life again but this would be whats stayed with me most and influences me greatly to do what I’m doing with WotD. 
So i've got the Dummy album and I’m totally blown away but the dopeness of the sound but yet its so musical and haunting it stays with you. I loved what had came before but the 4/4 beat was not really me so this broken trip hop beat along with the Acid Jazz sounds at the time just opened my ears. I went on to to book Andy Smith in 98 as my 1st ever gets in Dundee. This is my fav Portishead track but a Warriors of the Dystotheque Edit.
13 - Chemical Brothers  -  Chemical Beats (1995) - Exit Planet Dust has been released and thats it now trip hop to smoke to and Chemical big beats to rave to Ive found exactly what Id been looking for a sound that was a deep in the roots of the early electro id been listening to 10 plus years ago only made for the beatniks of the 90’s.
A few months into 95 I heard the Chemical Bros & Portishead doing the essential mix and was again buzzing to hear this new style of DJ’n so on the Monday morning after hearing it I went to the bank got a loan and bought my Technics 1200’s & a mixer, possibly another  the best buy of my life as I went on to DJ across the globe.. 
14 - Ceasefire - Trickshot (1995) - So Ive been running my own nights alongside David Cook at a night called Brown Sugar were local bands play then I DJ beats breaks  & hip hop, I managed to get onto White Noise & Revolution promo lists so was getting lots of new cuts every week and this 1 lands on my mate it would go on to be my all time fav big beat track and Wall of Sound record from my old pal and country man Derek Dahlarge who reminded me it was the best selling WOS tracks over an early morning Bloody Mary in a hotel in Dundee in 98 after he spun for me at my Frequency night in Dundee Uni where I was promoting for a few months alongside Ken Ferguson brother of the famous DJ Fergie who I grew up with and learned to DJ alongside..
15 - Bentley Rhythm Ace - Run On The Spot (1997) - A few weeks after Derek Dahlarge was on the essential mix & had played in Dundee at my Frequency night i brought the BRA boys up from Birmingham and this again would change my life forever.. 
We DJ’d and after the night went back to my apartment with a few friends and listened to tunes and partied through the night, during this time I told the guys I was moving to Coventry in about 4/6 weeks time when the University broke for summer as my girlfriend at the time was from there but she was returning home to Coventry as she was pregnant and was actually leaving in the morning and her Mum and Dad were already up and were coming to load all our belongings into a van and drive down but I was waiting on as I had a job and she would rent a house for me coming down in a few weeks time, anyway this is where it gets interesting it told the guys and said id meet up in B’Ham in a few months but Mike BRA was having none of it and dared me to come down the next day as they were playing in Birmingham and promised a wheelbarrow of drink and goodies so they went to their hotel as the sun came up and I went to sleep for a bit then woke about 11 with my girlfriend and her parents there to load our stuff and I decided I was coming so i jumped into the back of the van and off e went on the 7 hour drive. I got out got cleaned up went to Bham on the train and called Richard BRA from New Street and said are you in and was in a cab to his..
We went to the club and back to Rich’s house  I met Graham Crabb his was in Pop Will Eat Itself  that night and we became the best of friends going on holiday with our families and attending his wedding. 
Crazy stuff for a guy from a town in N. Ireland with only 80K people and not much going on but if a door was there to be opened I usually took it off the hinges.. 
A few months before moving i knew i was going to live in Coventry so i'd contacted the uni and arranged to take my Frequency nights there. Derek returned also the Scratch Perverts Dub Pistols and Space Raiders before I was pouched and went to the biggest independent club in the city where Frequency remained till 2005 & Sean from WotD was resident, I'd met Sean in 99 when I arrived in Coventry and we studied music production together back in 01-03, anybody who was worth talking about grace the decks. 
I brought Leeroy from the Prodigy for his 1st gig to the club and also sorted a gig in Birmingham the next night that we both spun at in the Medicine bar then after it we had a laugh and Leeroy asked could I sort anymore gigs so I put together a university tour and we went across the UK Scotland and Ireland the following year with a residency at Lashed in Eden in the back room for the season of 03 playing breaks hip hop funk and whatever else as well as daytime parties at Coastline and I dine a few sunsets also shows at Savannah’s and pre parties every week at Bar M..
16 - Zero - Emit Collect - Rennie Pilgrim Remix (2002) - This was by far the biggest breaks record I ever played in a decade of playing breaks & I’m sure 80% of breaks DJ’s would say the same it never left my bag and always threw any dance floor into utter mayhem.
17 - John Tejada - The End of it All (2006) - I spent this summer going to DC10 a lot and enjoying the early morning Monday sessions and Locodice & Tania Volcano were everything that was good about the underground scene and coupled with Circo Loco at DC10 in the sun was a brilliant what turned out to be several summers.
I sat on my balcony of my apartment with my best friend who is sadly no longer with us (Rest Easy Moosa) & we played this over and over and over actually we nearly missed our taxi to the airport because he put it on 1 more time.
That was a good look into the future cause over the next 5 years we missed at least 3 flights a season by kidding ourselves, we were flying in late on a Sunday night to go to Circo Loco at DC10 on a Monday morning and going to leave at 10pm Monday night and catch the last flight home I never made it once in about 5 or 6 attempts.  This is the stand out track from those years and means a lot to me because of the fun memories it brings.
18 - Trentemoller - Moan (2007) - I was now involved in secret parties in Coventry called Playtime, along with my good friend Karl we threw several parties in disused locations with just a text before midnight telling people where to go this went on for a bout a year during this time we were on the lookout for a warehouse to call our own and finally we got 1, the playtime Warehouse went on for a few years and had the likes of Justin Robertson and a big favourite MR C as well as others. 
It was around 2009 I began to feel like I wasn’t enjoying the whole DJ and partying scene and it was getting a bit much and I was beginning to lose my way, so 2010 I spent a lot of time staying home and hanging out round friends feeling more like it was time to have a good hard look at myself and figure out my next move, so Nov 10 i went home to Ireland for a few days and told my Dad I was needing to think about the future and decided to move back at the end of Jan 2011 I actually came home mid Jan after the death of my housemate who passed away in our home and I found him so that accelerated things and I returned to Ireland where I’ve remained since that day, I went back to Sea working on the ferries as head chef which Id done many years back before I went to the UK, but after a year or so i started to miss music again and decided to start doing some bits of production.. 
19 - Warriors of the Dystotheque - Hashtag from The Future Is Ours EP
This was our 1st EP from October 2015. The band was formed through Facebook in 2014, but started in my studio In Derry, Ireland. I picked up on Mike and Nick’s music through a friends post on Fakebook and asked if they wanted to collaborate on a track. Mike and Nick are based in New York, so stems were sent back and forth through a file sharing service and then arranged in my studio. I then got Sean Graham involved to add some extra elements and do a mix down. Sean splits his time between UK and France, so is constantly making music on the move. From that initial EP, The Future is Ours, we decided to form a band, even though we’ve never set foot in the same room together, or all met in person for that matter. Social media has been the backbone to our inception. We’ve also managed to hook up with new and old friends to feature guest vocalists. I came across Ella Joy on YouTube, the vocalist that appears on Return to Coney, and all the guys have been able to extend interest to old friends, like Melissa Graham (Atom Vibe), Tony Jarvis (#Hashtag) and Pop Will Eat Itself front man Graham Crabb, who features on the forthcoming tracks Monsters At The Gates and as you will hear later in the year on We’re Taking Control which as a dub is currently smashing 6 Music loads of other BBC stations and picking up several day and night time plays over on RTE 2 this is after 12 months of major plays across lots of shows namely Nemone, Lauren Laverne, Huey Morgan & Shaun Keaveny on BBC 6 Music, throughout the year form our Return To Coney & Just Breathe releases support has also came in from Phil Taggart at BBC Radio 1, Stephen McCauley - Electric `Mainline on BBC Foyle, Across `the Line - BBC Ulster &  Dan Hegarty at RTE 2.
20  - Lisbon Kid - We Look At The Stars- Warriors of the Dystotheqie Remix (2016) - We just remixed for Lisbon Kid Ft Sarah Cracknell (Saint Etienne) on Wall of Sound and this got massive support across R1 RTE BBC Foyle and more. setting us up for another massive year in 2017 which has just seen us kick the doors off the hinges, and been selected as ones to watch in 2017 and our unreleased track We’re Taking Control has been smashed across BBC 6 Music by Nemone on her Electric Ladyland show also when she sat in on breakfast & further support from Dan Hegarty on RTE 2, Stephen McCauley on BBC Foyle & Rigsy Stu & producer Jimmy over at ATL on BBC Ulster.]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0409 Dusk Dubs - Wrongtom</title>
                                    <description><![CDATA[[ Wrongtom ]
Podcast: Dusk Dubs
Artist: Wrongtom
Title: DD0409
Style: Beats, Hip Hop, Trip Hop, Funk
Time: 79 minutes
Date: 2017-04-02
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome producer, DJ and artist Wrongtom to the Dusk Dubs family....
Teenage Dubs:
"Our teenage years are a minefield of mood-swings, awkward relationships, wild proclamations and questionable fashion choices, well mine were at least. For a lot of us it's also a time of major musical exploration, so whilst I would happily never go back there, I'm also happy I have hundreds of great records to mark those 7 tender years.
So I've selected a handful of tracks I picked up in my teens, in chronological order from 1988 to 1995, and handed them over to the Dusk Dubs crew to splice together for your listening pleasure. It wasn't an easy task - I listened to reams of records back then, but to narrow things down, I stuck strictly to music originally released at the time. This means that much of my teenage soundtrack didn't make the cut, lots of reggae, soul, jazz and funk from the 60's and 70's especially. I left out Prince too because it was too hard to simply pull out one or two tracks. I may have to return to Dusk Dubs to do an accompanying "old" selection from the same era, or even a dedicated Prince one but until then, here's 20 tracks of teenage confusion and fascination..."
You can find him here:
facebook.com/TheWrongtom
twitter.com/TheWrongtom
tru-thoughts.co.uk/artists/wrongtom
discogs.com/artist/326403-Wrongtom
soundcloud.com/wrongtom
Tracklisting
1) Boogie Down Productions - Stop The Violence - I'd been a fan of hip hop and reggae for a few years before BDP's 2nd LP dropped, and I'd heard a couple of tunes which tapped both genres but this wasn't simply a hip hop track with a slightly skanky sample or a bit of token patois, 'Stop The Violence' featured KRS-One doing what he does best over a rework of a Winston Riley dancehall rhythm which had been doing the rounds earlier the same year. There was no need to reinterpret it, add a funk break, or beef it up with an 808. This was someone rapping over straight up dancehall - proof that reggae could be hip hop and perhaps vice versa. This might not sound particularly revolutionary now but in 1988 reggae was quite marginalised in NYC, and some Caribbean New Yorkers opted to hide their accents for fear of being considered too country. The anti-violence, anti-gangster message here resonated with me too, I wasn't really into NWA, Too $hort etc, I was an annoying pacifist, I still am, and I still dearly love this record.
2) Overlord X - Rough In Hackney - The largely overlooked UK hip hop scene had a golden era at the end of the 80's and it quickly struck a chord. I made a grand claim that I only listened to British hip hop (this sounds a bit Brexit in hindsight) which wasn't actually true but I was a big fan. My favourite at the time was Overlord X and his crew of Hackney soldiers X Posse. I rarely dig this record out now but one thing which struck me on a re-listen was the depth of production: thundering kicks drums and clattering percussion which may have played a subliminal role in me taking up the congas a few years later. Some less-familiar listeners might find the "rough in Hackney" refrain a little strange if you're listening in a pokey flat off Mare St which you've just spent a cool million quid on.
3) Neneh Cherry - Outré Risqué Locomotive - "But I thought you said you didn't listen to pop..." I ask teenage me as I slip Neneh on the deck. I did, not loads but I found my copy of Madonna's 'Justify My Love' whilst ferreting through my shelves. Neneh though, another great pop anomaly like Grace Jones or Prince, steeped in underground music, yet she still made some evergreen and universally loved chart music. Raw Like Sushi captured everything which was great about the UK music scene at the time, with production credits from Bomb The Bass and a pre-Massive Attack DJ Mushroom, not to mention On-U keyboardist Nick Plytas and Essential Logic's Phil Legg. Neneh herself cut her teeth with jazz-punk situationists Rip Rig & Panic but I didn't know that at the time. I did know that this album was wicked, and stuff like 'Manchild' and this slice of Prince-esque "new power" funk, using a classic James Brown riff, remains close to perfection.
4) Depth Charge - Depth Charge - Master of the dark arts J Saul Kane ploughed the field when it came to downbeat music in the rave era. This was triphop before triphop was a dirty word, or even invented for that matter. We'd hear another of his themed 12"s on pirate and eagerly await it's release: the audio nasty of 'Dead By Dawn', the spaghetti western funk of 'Bounty Killer', I even loved his football tune (still have absolutely no interest in football!) but DC's eponymous debut is still his finest. I experienced the 2nd summer of love in '89 vicariously through my brother and sister, too young for adventures round the M25 or dancing in sweaty backroom venues to acid classics myself. Enter Kane with his antidote to rave, detuned into a dub-hop soundtrack for your comedowns or maybe for those too young to come up, in my case at least.
5) Renegade Soundwave - On TV - Sonically not too far flung from Depth Charge - I think DC even sampled an RSW track on Bounty Killer - RSW sparked my new interest in spikier, (almost) rockier music. Though they were very much an electronic act, Gary Asquith's voice harked back to their former incarnations as Mass and Rema Rema on indie label 4AD. Most people remember them for their rave crossover breakbeat beast 'The Phantom' but it was the debut LP Soundclash which opened my eyes to darker experiments with hip hop, dub and electro production. Their RSW In Dub album still sounds fresh too.
6) Ragga Twins - Ragga Trip - By the late 90's you'd rarely hear a hip hop head say he liked house, reggae purists refused to see the lineage between lovers rock and UK garage but around the turn of the 90's it often wound up in the mix all at once. Shut Up & Dance helped pave the way for hardcore and jungle with an onslaught of dark, dancehall influenced rave classics but it was their vocal collaborations I loved the most. Nicolette had that "Ella on acid" thing going on whilst Ragga Twins toasted in a classic UK chatter style over amalgamations of everything which was good on the dance floor at the time, from rare groove samples to bleeps lifted from Japanese synth-pop, it all went in the mix to create a mutated revisioning of sound system music for a new generation. Case in point was 'Ragga Trip', where brothers Flinty & Deman revisited a lyric from their Unity Sound days, toasting over the top of a rolling hip hop break and a squelchy 303 bassline. I had to buy another copy of their LP Reggae Owes Me Money 'cause I played my original one to death, and it still seems surreal that I've just made an album with these guys myself.
7) Samuelle - So You Like What You See - Whist weird crossover stuff probably suited this grubby, lovelorn teenager, I still had a thing for a sweet soul tune. I may not have dressed slick or owned a click-suit but I loved new jack swing with it's rat-a-tat beats and be-pop influences. I don't remember much else from Samuelle but this track had it all: butter-smooth harmonies, a nice drum break and that preset organ bass sound which would later become a garage staple. Perfect.
8) Daddy Freddy - Article Don - Another raggamuffin hip hop pioneer, Freddy, along with MC Asher D and producer Simon Harris brought the UK's love of skanky hip hop across the sea to the states and Jamaica. Meanwhile back on UK soil, Freddy was showing off his lyrical dexterity to Roy Castle and Cheryl Baker on Record Breakers, "what do we call you, Freddy?" asked Cheryl, "you can call me Daddy" he casually replied.
I later met Daddy Freddy while I was playing main stage at Outlook Festival in Croatia. He popped up back stage after I'd just dropped his Fashion Records classic, the fantastically titled "Baba Loo Baba L Baba Loo Baba Laba" and he excitedly told me it was his birthday. I asked him if he was playing that night "nuh it's mi birthdeh, Mungos ask mi fi chat, I chat two lyric and go." I saw him later that night on Mungos Sound, they couldn't have got him off the mic if they'd tried. Nice guy.
9) Young Disciples - Step Right On (Dub) - I got my first proper job in '91 selling fruit n veg in a supermarket in new Malden, it sucked but I was making just enough to buy a few records - £3.83 an hour! - and I bought Young Disciples' 'Road To Freedom' LP with my first paycheque. A lot of it went on Talkin' Loud releases over the next few years come to think of it.
This felt like the accumulation of all that was happening on the dance floor at the time (I assumed, I was too young to go clubbing still), taking in elements of soul, swing, hip hop, jazz, funk and in this instance dub. The richly textured production sounds amazing all these years later and I still drop 'Apparently Nothin' from time to time.
10) Corduroy - Skirt Alert - Whilst Gilles Peterson was looking ahead with Talkin' Loud, his former partner Eddie Piller was happy to release shamelessly retro sounds from the likes of Corduroy and Mother Earth on his Acid Jazz imprint, though I should stress, it wasn't solely a retro venture and plenty of forward thinking material came out of the AJ camp.
Corduroy were loads of fun. Formed by the Addison twins of 80's mod-oddities Boys Wonder and the bassist from that lot that covered 'Spirit In The Sky', you'd be forgiven for thinking they were style over content but really, lighten up, they made loads of great records including a fuzzy jazz-rock cover of Hawkwind's 'Motorhead', the latin soul of 'Something In My Eye' and 'Mini' which was like proto-Brit pop without being either boring or shit. This track's from their largely instrumental debut Dad Man Cat which - having discovered a new found love for live music beyond simply MC's and DJ's via Galliano - probably helped me crossover into rock territories. Which brings me to...
11) The Telescopes - Yeah - At college I started to dabble in guitar music, Pixies, Fugazi and Violent Femmes all hit the spot but the revelation came when my friend Phil, who read the NME like it was the bible, played me some shoegazer stuff. My Bloody Valentine were obviously great but it was the funky psychedelics of The Telescopes which fully won me over.
I've only included the first half of 'Yeah' here because it inexplicably features about 20 seconds of silence in the middle which often led people to skip to the next track thinking there was something wrong with their walkman. I spent a lot of time glued to my Walkman back then.
12) Medicine - Aruca - The other shoegazer band I loved was Medicine who were much noisier than The Telescopes but not limited to simply distortion and overdrive. Brad Laner's guitar work was one part Metal Machine Music and one part musique concrète, ear-splitting yet full of melody. They had a funk to them too, in fact one track 'Sweet Explosion' had a bass riff slyly lifted from 'The Message' by south London afro-funksters Cymande.
I got chatting with Laner after a Medicine gig in Windsor around the time, I'd made a (fairly ropey) video for this track at college, he told me to send it over, I planned to but thought better of it (it really was quite bad from what I remember).
13) Disposable Heroes Of Hiphoprisy - Satanic Reverses - This album never gets old for me. Production-wise it really should sound dated but seeing as nothing else sounded like it at the time, it still sounds as alien as it did then. Disposables main-man Michael Franti conjured the pre-rap rapping of The Last Poets, Watts Prophets, Amiri Baraka and Gil Scott Heron, his lyrics informed and delivery precise. They were the indie-kid's preferred hip hop act at the time with their industrial on-stage antics with chainsaws and TV's but there was so much more to them than that. Thanks to the current political debacle in the UK and US, tracks like 'The Winter Of The Long Hot Summer' and 'Satanic Reverses' are as lyrically potent now as they were 25 years ago, which is actually kind of sad.
14) Federation - Rusty James (Portishead Remix) - One of the most awkward memories of my teenage years was thinking the language Mo Wax boss James Lavelle used in his reviews section in Straight no Chaser magazine - "slamming' tricknological dope phatness" etc - was actually cool. I discovered some amazing records from those pages though.
In one breath Mo Wax releases take me back to the dub-hop wonder of Depth Charge a few years prior but there's another part of me that regrets how much I spent on this label, a lot of their output dated quite quickly. Fortunately there's a few stone cold killers in their catalogue like the early Attica Blues 12"s, Palm Skin Production's collabs with 2-Tone legend Rhoda Dakar and this remix by a very fresh-faced Portishead, possibly their 1st ever release under the name. It's full of the classic Persuaders-esque guitar wobbles and crunchy drums you'd expect from the west country miserablists but what I find remarkable about this is it's nod to the aforementioned new jack swing shuffle. Perfect for me, even if I wish I hadn't bought quite so much of Mo Wax's output in those first few years.
15) Espiritu - Los Americanos - Heavenly remains another perfect fit label for me thanks to a seemingly mutual love of wonky pop peppered with hip hop chops and dub experiments, not to mention many a Weatherall remix, (though my all time favourite Weatherall mix was for Galliano's 'Skunk Funk' so notch another one up for Talkin' Loud).
Espiritu were like Heavenly alumni St Etienne's latino cousins, making shamelessly catchy pop-soul, sometimes sung in Spanish with soaring choruses over lush productions and booming drums. They really shouldve been bigger!
Years later Heavenly asked me to remix their act LCMDF which unfortunately happened in the wake of my dad's death and the result wasn't half as good as I wanted it to be. I chanced having a bash at doing an 'Only Dub Will Tear Us Apart' for St Etienne but it sadly never happened, not for want of asking. I'd still love to give it a go.
16) T Plays It Cool - Expressions In The 5th Dimension - I can't remember when this record came out, there's no date on the sleeve but given it's by a pre-Attica Blues Tony N'Wahchukwu, I'm guessing it was before Mo Wax started up. It's great either way. Full of jazzy drums, dreamy keys and Tony's surprisingly soulful vocals considering he's more known for his work behind the faders. This is a stark reminder that before the abysmal gentrification of triphop, there were simply great downtempo beats happening here in the UK.
17) Emperors New Clothes - Nature Never Repeats Itself - Back to Acid Jazz who, as I mentioned before, released some oblique material outside of the retro expectations of the genre. This was a collective effort with shades of dub-funk experimentation harking back to south London weirdos like Family Fodder and their ilk, and a touch of quasi-jazz ala Pigbag.
I knew their percussionist Mark at the time from the jam nights on Wednesdays at the Blue Note on Hoxton Square (sadly now a Bill's, I stopped their for dinner once and it felt weird), and if memory serves, he said he'd never played congas until the day they entered the studio to make their debut album. Mad if true because he was seriously good.
18) Sandals - Osocurioso - As a fresh-faced wrongun, I was a regular at Sandals' club-night Tongue Kung-Fu in Covent Garden and really fell for their brand of agitprop oddness, freeform poetry and surreal soundscapes. Sounds pretentious? No doubt, I was at art school after all, where I wound up befriending their one time sax player Dallas who briefly joined my own funk outfit Three Bean Salad. I also later discovered that Sandals ran the head-shop in central London's ropey Trocadero shopping centre where I often hung out (mainly for the arcades upstairs), it was also their rehearsal space.
I'm not sure how well some of their tunes stand up now but it was all pretty unique at the time, more of an art collective than a band which made it even more bizarre when their label (FFRR) lent on them to not make quite such experimental music after hearing their 'Cracked' EP from '94. Some of it still sounds amazing though, I opened my set at Spiritland the other night with 'Open' from this EP and I think I especially love 'Osocurioso' even more now than I did at the time. Im also sad to inform that they had nothing to do with the package holiday company of the same name.
19) Funki Porcini - Dubble (Organ Swell) - Back to the Blue Note, once a month on Thursday nights, I could generally be found at Ninjatune's Stealth night. Coldcut, like a few other folks in this selection had inadvertently changed the shape of London's musical landscape and after a few issues with their major label deal (a theme developing here perhaps) carved a new niche with their Ninjatune label, but really I don't need to explain any of this. The main thing here was, they were releasing stacks of fascinating and fun beat-laden records in a similar vain to Mo Wax but much less poe-faced, and like I said, loads of fun. I don't remember what the rest of Funki Porcini's output sounded like but this quasi-dub track with hints of jungle creeping in every so often still gets a regularly airing at Chez Wrong.
I later wound up making my own reggae and dub material for the label with Roots Manuva, and a woozy dub rework of Kid Koala which is almost impossible to find now.
20) KRS-One - De Automatic - Coming full circle with my final track is the post BDP KRS-One who released his 2nd solo effort around the time I was leaving my teens. It's oddly almost the antithesis of 'Stop The Violence' with his call to get the "auto-ma-atic (sic)" because "tonight a rapper g'wan die" but i'm giving him the benefit of the doubt that it's metaphor, and simply a good old fashioned soundboy burial lyric.
Regardless I love the menacing undertones on this track, it's dark and claustrophobic, and features a sample flip - i forget where the baseline comes from now - which on hearing the original tune is surprisingly up beat and very dance floor friendly.]]></description>
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                                    <itunes:summary><![CDATA[[ Wrongtom ]
Podcast: Dusk Dubs
Artist: Wrongtom
Title: DD0409
Style: Beats, Hip Hop, Trip Hop, Funk
Time: 79 minutes
Date: 2017-04-02
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome producer, DJ and artist Wrongtom to the Dusk Dubs family....
Teenage Dubs:
"Our teenage years are a minefield of mood-swings, awkward relationships, wild proclamations and questionable fashion choices, well mine were at least. For a lot of us it's also a time of major musical exploration, so whilst I would happily never go back there, I'm also happy I have hundreds of great records to mark those 7 tender years.
So I've selected a handful of tracks I picked up in my teens, in chronological order from 1988 to 1995, and handed them over to the Dusk Dubs crew to splice together for your listening pleasure. It wasn't an easy task - I listened to reams of records back then, but to narrow things down, I stuck strictly to music originally released at the time. This means that much of my teenage soundtrack didn't make the cut, lots of reggae, soul, jazz and funk from the 60's and 70's especially. I left out Prince too because it was too hard to simply pull out one or two tracks. I may have to return to Dusk Dubs to do an accompanying "old" selection from the same era, or even a dedicated Prince one but until then, here's 20 tracks of teenage confusion and fascination..."
You can find him here:
facebook.com/TheWrongtom
twitter.com/TheWrongtom
tru-thoughts.co.uk/artists/wrongtom
discogs.com/artist/326403-Wrongtom
soundcloud.com/wrongtom
Tracklisting
1) Boogie Down Productions - Stop The Violence - I'd been a fan of hip hop and reggae for a few years before BDP's 2nd LP dropped, and I'd heard a couple of tunes which tapped both genres but this wasn't simply a hip hop track with a slightly skanky sample or a bit of token patois, 'Stop The Violence' featured KRS-One doing what he does best over a rework of a Winston Riley dancehall rhythm which had been doing the rounds earlier the same year. There was no need to reinterpret it, add a funk break, or beef it up with an 808. This was someone rapping over straight up dancehall - proof that reggae could be hip hop and perhaps vice versa. This might not sound particularly revolutionary now but in 1988 reggae was quite marginalised in NYC, and some Caribbean New Yorkers opted to hide their accents for fear of being considered too country. The anti-violence, anti-gangster message here resonated with me too, I wasn't really into NWA, Too $hort etc, I was an annoying pacifist, I still am, and I still dearly love this record.
2) Overlord X - Rough In Hackney - The largely overlooked UK hip hop scene had a golden era at the end of the 80's and it quickly struck a chord. I made a grand claim that I only listened to British hip hop (this sounds a bit Brexit in hindsight) which wasn't actually true but I was a big fan. My favourite at the time was Overlord X and his crew of Hackney soldiers X Posse. I rarely dig this record out now but one thing which struck me on a re-listen was the depth of production: thundering kicks drums and clattering percussion which may have played a subliminal role in me taking up the congas a few years later. Some less-familiar listeners might find the "rough in Hackney" refrain a little strange if you're listening in a pokey flat off Mare St which you've just spent a cool million quid on.
3) Neneh Cherry - Outré Risqué Locomotive - "But I thought you said you didn't listen to pop..." I ask teenage me as I slip Neneh on the deck. I did, not loads but I found my copy of Madonna's 'Justify My Love' whilst ferreting through my shelves. Neneh though, another great pop anomaly like Grace Jones or Prince, steeped in underground music, yet she still made some evergreen and universally loved chart music. Raw Like Sushi captured everything which was great about the UK music scene at the time, with production credits from Bomb The Bass and a pre-Massive Attack DJ Mushroom, not to mention On-U keyboardist Nick Plytas and Essential Logic's Phil Legg. Neneh herself cut her teeth with jazz-punk situationists Rip Rig & Panic but I didn't know that at the time. I did know that this album was wicked, and stuff like 'Manchild' and this slice of Prince-esque "new power" funk, using a classic James Brown riff, remains close to perfection.
4) Depth Charge - Depth Charge - Master of the dark arts J Saul Kane ploughed the field when it came to downbeat music in the rave era. This was triphop before triphop was a dirty word, or even invented for that matter. We'd hear another of his themed 12"s on pirate and eagerly await it's release: the audio nasty of 'Dead By Dawn', the spaghetti western funk of 'Bounty Killer', I even loved his football tune (still have absolutely no interest in football!) but DC's eponymous debut is still his finest. I experienced the 2nd summer of love in '89 vicariously through my brother and sister, too young for adventures round the M25 or dancing in sweaty backroom venues to acid classics myself. Enter Kane with his antidote to rave, detuned into a dub-hop soundtrack for your comedowns or maybe for those too young to come up, in my case at least.
5) Renegade Soundwave - On TV - Sonically not too far flung from Depth Charge - I think DC even sampled an RSW track on Bounty Killer - RSW sparked my new interest in spikier, (almost) rockier music. Though they were very much an electronic act, Gary Asquith's voice harked back to their former incarnations as Mass and Rema Rema on indie label 4AD. Most people remember them for their rave crossover breakbeat beast 'The Phantom' but it was the debut LP Soundclash which opened my eyes to darker experiments with hip hop, dub and electro production. Their RSW In Dub album still sounds fresh too.
6) Ragga Twins - Ragga Trip - By the late 90's you'd rarely hear a hip hop head say he liked house, reggae purists refused to see the lineage between lovers rock and UK garage but around the turn of the 90's it often wound up in the mix all at once. Shut Up & Dance helped pave the way for hardcore and jungle with an onslaught of dark, dancehall influenced rave classics but it was their vocal collaborations I loved the most. Nicolette had that "Ella on acid" thing going on whilst Ragga Twins toasted in a classic UK chatter style over amalgamations of everything which was good on the dance floor at the time, from rare groove samples to bleeps lifted from Japanese synth-pop, it all went in the mix to create a mutated revisioning of sound system music for a new generation. Case in point was 'Ragga Trip', where brothers Flinty & Deman revisited a lyric from their Unity Sound days, toasting over the top of a rolling hip hop break and a squelchy 303 bassline. I had to buy another copy of their LP Reggae Owes Me Money 'cause I played my original one to death, and it still seems surreal that I've just made an album with these guys myself.
7) Samuelle - So You Like What You See - Whist weird crossover stuff probably suited this grubby, lovelorn teenager, I still had a thing for a sweet soul tune. I may not have dressed slick or owned a click-suit but I loved new jack swing with it's rat-a-tat beats and be-pop influences. I don't remember much else from Samuelle but this track had it all: butter-smooth harmonies, a nice drum break and that preset organ bass sound which would later become a garage staple. Perfect.
8) Daddy Freddy - Article Don - Another raggamuffin hip hop pioneer, Freddy, along with MC Asher D and producer Simon Harris brought the UK's love of skanky hip hop across the sea to the states and Jamaica. Meanwhile back on UK soil, Freddy was showing off his lyrical dexterity to Roy Castle and Cheryl Baker on Record Breakers, "what do we call you, Freddy?" asked Cheryl, "you can call me Daddy" he casually replied.
I later met Daddy Freddy while I was playing main stage at Outlook Festival in Croatia. He popped up back stage after I'd just dropped his Fashion Records classic, the fantastically titled "Baba Loo Baba L Baba Loo Baba Laba" and he excitedly told me it was his birthday. I asked him if he was playing that night "nuh it's mi birthdeh, Mungos ask mi fi chat, I chat two lyric and go." I saw him later that night on Mungos Sound, they couldn't have got him off the mic if they'd tried. Nice guy.
9) Young Disciples - Step Right On (Dub) - I got my first proper job in '91 selling fruit n veg in a supermarket in new Malden, it sucked but I was making just enough to buy a few records - £3.83 an hour! - and I bought Young Disciples' 'Road To Freedom' LP with my first paycheque. A lot of it went on Talkin' Loud releases over the next few years come to think of it.
This felt like the accumulation of all that was happening on the dance floor at the time (I assumed, I was too young to go clubbing still), taking in elements of soul, swing, hip hop, jazz, funk and in this instance dub. The richly textured production sounds amazing all these years later and I still drop 'Apparently Nothin' from time to time.
10) Corduroy - Skirt Alert - Whilst Gilles Peterson was looking ahead with Talkin' Loud, his former partner Eddie Piller was happy to release shamelessly retro sounds from the likes of Corduroy and Mother Earth on his Acid Jazz imprint, though I should stress, it wasn't solely a retro venture and plenty of forward thinking material came out of the AJ camp.
Corduroy were loads of fun. Formed by the Addison twins of 80's mod-oddities Boys Wonder and the bassist from that lot that covered 'Spirit In The Sky', you'd be forgiven for thinking they were style over content but really, lighten up, they made loads of great records including a fuzzy jazz-rock cover of Hawkwind's 'Motorhead', the latin soul of 'Something In My Eye' and 'Mini' which was like proto-Brit pop without being either boring or shit. This track's from their largely instrumental debut Dad Man Cat which - having discovered a new found love for live music beyond simply MC's and DJ's via Galliano - probably helped me crossover into rock territories. Which brings me to...
11) The Telescopes - Yeah - At college I started to dabble in guitar music, Pixies, Fugazi and Violent Femmes all hit the spot but the revelation came when my friend Phil, who read the NME like it was the bible, played me some shoegazer stuff. My Bloody Valentine were obviously great but it was the funky psychedelics of The Telescopes which fully won me over.
I've only included the first half of 'Yeah' here because it inexplicably features about 20 seconds of silence in the middle which often led people to skip to the next track thinking there was something wrong with their walkman. I spent a lot of time glued to my Walkman back then.
12) Medicine - Aruca - The other shoegazer band I loved was Medicine who were much noisier than The Telescopes but not limited to simply distortion and overdrive. Brad Laner's guitar work was one part Metal Machine Music and one part musique concrète, ear-splitting yet full of melody. They had a funk to them too, in fact one track 'Sweet Explosion' had a bass riff slyly lifted from 'The Message' by south London afro-funksters Cymande.
I got chatting with Laner after a Medicine gig in Windsor around the time, I'd made a (fairly ropey) video for this track at college, he told me to send it over, I planned to but thought better of it (it really was quite bad from what I remember).
13) Disposable Heroes Of Hiphoprisy - Satanic Reverses - This album never gets old for me. Production-wise it really should sound dated but seeing as nothing else sounded like it at the time, it still sounds as alien as it did then. Disposables main-man Michael Franti conjured the pre-rap rapping of The Last Poets, Watts Prophets, Amiri Baraka and Gil Scott Heron, his lyrics informed and delivery precise. They were the indie-kid's preferred hip hop act at the time with their industrial on-stage antics with chainsaws and TV's but there was so much more to them than that. Thanks to the current political debacle in the UK and US, tracks like 'The Winter Of The Long Hot Summer' and 'Satanic Reverses' are as lyrically potent now as they were 25 years ago, which is actually kind of sad.
14) Federation - Rusty James (Portishead Remix) - One of the most awkward memories of my teenage years was thinking the language Mo Wax boss James Lavelle used in his reviews section in Straight no Chaser magazine - "slamming' tricknological dope phatness" etc - was actually cool. I discovered some amazing records from those pages though.
In one breath Mo Wax releases take me back to the dub-hop wonder of Depth Charge a few years prior but there's another part of me that regrets how much I spent on this label, a lot of their output dated quite quickly. Fortunately there's a few stone cold killers in their catalogue like the early Attica Blues 12"s, Palm Skin Production's collabs with 2-Tone legend Rhoda Dakar and this remix by a very fresh-faced Portishead, possibly their 1st ever release under the name. It's full of the classic Persuaders-esque guitar wobbles and crunchy drums you'd expect from the west country miserablists but what I find remarkable about this is it's nod to the aforementioned new jack swing shuffle. Perfect for me, even if I wish I hadn't bought quite so much of Mo Wax's output in those first few years.
15) Espiritu - Los Americanos - Heavenly remains another perfect fit label for me thanks to a seemingly mutual love of wonky pop peppered with hip hop chops and dub experiments, not to mention many a Weatherall remix, (though my all time favourite Weatherall mix was for Galliano's 'Skunk Funk' so notch another one up for Talkin' Loud).
Espiritu were like Heavenly alumni St Etienne's latino cousins, making shamelessly catchy pop-soul, sometimes sung in Spanish with soaring choruses over lush productions and booming drums. They really shouldve been bigger!
Years later Heavenly asked me to remix their act LCMDF which unfortunately happened in the wake of my dad's death and the result wasn't half as good as I wanted it to be. I chanced having a bash at doing an 'Only Dub Will Tear Us Apart' for St Etienne but it sadly never happened, not for want of asking. I'd still love to give it a go.
16) T Plays It Cool - Expressions In The 5th Dimension - I can't remember when this record came out, there's no date on the sleeve but given it's by a pre-Attica Blues Tony N'Wahchukwu, I'm guessing it was before Mo Wax started up. It's great either way. Full of jazzy drums, dreamy keys and Tony's surprisingly soulful vocals considering he's more known for his work behind the faders. This is a stark reminder that before the abysmal gentrification of triphop, there were simply great downtempo beats happening here in the UK.
17) Emperors New Clothes - Nature Never Repeats Itself - Back to Acid Jazz who, as I mentioned before, released some oblique material outside of the retro expectations of the genre. This was a collective effort with shades of dub-funk experimentation harking back to south London weirdos like Family Fodder and their ilk, and a touch of quasi-jazz ala Pigbag.
I knew their percussionist Mark at the time from the jam nights on Wednesdays at the Blue Note on Hoxton Square (sadly now a Bill's, I stopped their for dinner once and it felt weird), and if memory serves, he said he'd never played congas until the day they entered the studio to make their debut album. Mad if true because he was seriously good.
18) Sandals - Osocurioso - As a fresh-faced wrongun, I was a regular at Sandals' club-night Tongue Kung-Fu in Covent Garden and really fell for their brand of agitprop oddness, freeform poetry and surreal soundscapes. Sounds pretentious? No doubt, I was at art school after all, where I wound up befriending their one time sax player Dallas who briefly joined my own funk outfit Three Bean Salad. I also later discovered that Sandals ran the head-shop in central London's ropey Trocadero shopping centre where I often hung out (mainly for the arcades upstairs), it was also their rehearsal space.
I'm not sure how well some of their tunes stand up now but it was all pretty unique at the time, more of an art collective than a band which made it even more bizarre when their label (FFRR) lent on them to not make quite such experimental music after hearing their 'Cracked' EP from '94. Some of it still sounds amazing though, I opened my set at Spiritland the other night with 'Open' from this EP and I think I especially love 'Osocurioso' even more now than I did at the time. Im also sad to inform that they had nothing to do with the package holiday company of the same name.
19) Funki Porcini - Dubble (Organ Swell) - Back to the Blue Note, once a month on Thursday nights, I could generally be found at Ninjatune's Stealth night. Coldcut, like a few other folks in this selection had inadvertently changed the shape of London's musical landscape and after a few issues with their major label deal (a theme developing here perhaps) carved a new niche with their Ninjatune label, but really I don't need to explain any of this. The main thing here was, they were releasing stacks of fascinating and fun beat-laden records in a similar vain to Mo Wax but much less poe-faced, and like I said, loads of fun. I don't remember what the rest of Funki Porcini's output sounded like but this quasi-dub track with hints of jungle creeping in every so often still gets a regularly airing at Chez Wrong.
I later wound up making my own reggae and dub material for the label with Roots Manuva, and a woozy dub rework of Kid Koala which is almost impossible to find now.
20) KRS-One - De Automatic - Coming full circle with my final track is the post BDP KRS-One who released his 2nd solo effort around the time I was leaving my teens. It's oddly almost the antithesis of 'Stop The Violence' with his call to get the "auto-ma-atic (sic)" because "tonight a rapper g'wan die" but i'm giving him the benefit of the doubt that it's metaphor, and simply a good old fashioned soundboy burial lyric.
Regardless I love the menacing undertones on this track, it's dark and claustrophobic, and features a sample flip - i forget where the baseline comes from now - which on hearing the original tune is surprisingly up beat and very dance floor friendly.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/5/2/_/uploads/229472/image_track/1273048/w1400_h1400_q70_ptrue_v2_----cropped_1491001254.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0409-dusk-dubs-wrongtom/</feedburner:origLink>
                                    <itunes:duration>4767</itunes:duration>
                                    
                                </item>
                                
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                                    <guid isPermaLink="false">1260390</guid>
                                    
                                        <pubDate>Sun, 26 Mar 2017 11:48:47 +0200</pubDate>
                                        
                                        <atom:updated>2017-03-26T11:48:47+02:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0408 Dusk Dubs - Moodymanc</title>
                                    <description><![CDATA[[Moodymanc]
Podcast: Dusk Dubs
Artist: Moodymanc
Title: DD0408
Style: Soul
Time: 62 minutes
Date: 2017-03-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome back our good friend Moodymanc....
Crackles and Covers:
"Another funky dig through the vinyl vaults with a selection of tracks that have been big in the bag during my recent sessions at the Refuge, Manchester..."
You can find him here:
facebook.com/moody.manc
twitter.com/DannyMoodymanc
myspace.com/moodymanc
soundcloud.com/moodymanc
facebook.com/wellcutrecords
soundcloud.com/well-cut-records
juno.co.uk/labels/Well+Cut
Tracklisting
1) King Floyd - My Girl
2) The Ice Man Band -Come Together
3) Cold Blood - I Just Wanna Make Love to You.
4) Mongo Santamaria - Cold Sweat
5) Jimmy Smith - Mercy Mercy Mercy
6) S.O.U.L.- Express Yourself
7) Bill Conti - Reflections
8) Herbie Hancock - Bring Down the Birds
9) Shirley Bassey - Spinning Wheel
10) Bernard Purdie - Shaft
11) Harlem River Drive - Harlem River Drive
12) Rhoda Scott - Nova]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[Moodymanc]
Podcast: Dusk Dubs
Artist: Moodymanc
Title: DD0408
Style: Soul
Time: 62 minutes
Date: 2017-03-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome back our good friend Moodymanc....
Crackles and Covers:
"Another funky dig through the vinyl vaults with a selection of tracks that have been big in the bag during my recent sessions at the Refuge, Manchester..."
You can find him here:
facebook.com/moody.manc
twitter.com/DannyMoodymanc
myspace.com/moodymanc
soundcloud.com/moodymanc
facebook.com/wellcutrecords
soundcloud.com/well-cut-records
juno.co.uk/labels/Well+Cut
Tracklisting
1) King Floyd - My Girl
2) The Ice Man Band -Come Together
3) Cold Blood - I Just Wanna Make Love to You.
4) Mongo Santamaria - Cold Sweat
5) Jimmy Smith - Mercy Mercy Mercy
6) S.O.U.L.- Express Yourself
7) Bill Conti - Reflections
8) Herbie Hancock - Bring Down the Birds
9) Shirley Bassey - Spinning Wheel
10) Bernard Purdie - Shaft
11) Harlem River Drive - Harlem River Drive
12) Rhoda Scott - Nova]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/0/_/uploads/229472/image_track/1260390/w1400_h1400_q70_ptrue_v2_----cropped_1490215047.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0408-dusk-dubs-moodymanc/</feedburner:origLink>
                                    <itunes:duration>3726</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1254286</guid>
                                    
                                        <pubDate>Sun, 19 Mar 2017 10:17:07 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-19T10:17:07+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0407 Dusk Dubs - Wax Lyrical</title>
                                    <description><![CDATA[[Wax Lyrical]
Podcast: Dusk Dubs
Artist: Wax Lyrical
Title: DD0407
Style: Downtempo
Time: 58 minutes
Date: 2017-03-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome Wax Lyrical to the Dusk Dubs family....
"I've enjoyed compiling mix tapes since my mid teens and feeling the need to share music has stayed with me all my life. Compiling an 'all back to mine' type affair wasn't easy with so much brilliant music to choose from however here is a selection of vinyl that is reflective of me.
For those who know me coming back to mine was occasionally messy and sometimes a more relaxed affair.
Here is a snapshot of those good times.
Enjoy."
Tracklisting
Richard Davis - Methane Sea
Durutti Column - Otis
Ströer Duo & Howard Fine - Nomad Song
Gabor Szabo - Dear Prudence
Caroline Crawford - Riding On Your Love
Gian-Piero Reverberi - Cat Casanova
Jeannie Piersol - The Nest
Spinach - Action Man II
Sonny Bono - Motel II
Dalton - Alech
Adriano Celentano - L'unica Chance
Cal Tjader - You Keep Me Hanging On
Liquid Liquid - Optimo
Barry White - Standing In The Shadows Of Love]]></description>
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                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[Wax Lyrical]
Podcast: Dusk Dubs
Artist: Wax Lyrical
Title: DD0407
Style: Downtempo
Time: 58 minutes
Date: 2017-03-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we welcome Wax Lyrical to the Dusk Dubs family....
"I've enjoyed compiling mix tapes since my mid teens and feeling the need to share music has stayed with me all my life. Compiling an 'all back to mine' type affair wasn't easy with so much brilliant music to choose from however here is a selection of vinyl that is reflective of me.
For those who know me coming back to mine was occasionally messy and sometimes a more relaxed affair.
Here is a snapshot of those good times.
Enjoy."
Tracklisting
Richard Davis - Methane Sea
Durutti Column - Otis
Ströer Duo & Howard Fine - Nomad Song
Gabor Szabo - Dear Prudence
Caroline Crawford - Riding On Your Love
Gian-Piero Reverberi - Cat Casanova
Jeannie Piersol - The Nest
Spinach - Action Man II
Sonny Bono - Motel II
Dalton - Alech
Adriano Celentano - L'unica Chance
Cal Tjader - You Keep Me Hanging On
Liquid Liquid - Optimo
Barry White - Standing In The Shadows Of Love]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/5/3/_/uploads/229472/image_track/1254286/w1400_h1400_q70_ptrue_v2_----cropped_1489847354.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0407-dusk-dubs-wax-lyrical/</feedburner:origLink>
                                    <itunes:duration>3514</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1245315</guid>
                                    
                                        <pubDate>Sun, 12 Mar 2017 10:05:57 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-12T10:05:57+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0406 Dusk Dubs - Hipnotic Jazz</title>
                                    <description><![CDATA[[Hipnotic Jazz]
Podcast: Dusk Dubs
Artist: Hipnotic Jazz
Title: DD0406
Style: Jazz/Downtempo
Time: 77 minutes
Date: 2017-03-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Hipnotic Jazz...
"As usual I’ve taken the dusk dubs ethos pretty literally for this selection – randomly floating through my collection of recent listens and selecting tracks that would feel right to play with good friends over a bottle of good Rioja after a good night as the sun rises (or like one of those listening sessions where your shuffle function gets it spot on, but in this case with me giving it a gentle nudge).
There’s a few of my favourites from recent and not so recent years here, and in many ways the selection is a nod to some of the amazing jazz (and related) artists that are influencing the direction of my creative journey at the moment, i.e. reawakening my deep felt passion for jazz music, which has led to me picking up my study of the saxophone after a 12 year hiatus.
Big up #duskdubs - one love"
You can find him here:
hipnoticjazz.bandcamp.com
soundcloud.com/hipnoticjazz
facebook.com/thisisfuturejazz
youtube.com/channel/UCIEK59VYw...wGgyG18c5s6ZCig
Tracklsiting
1) Zara McFarlane - Open Heart
2) Jose James - Sword + Gun Feat. Hindi Zahra
3) Radio Citizen – Last Delight (Radio Citizen Version)
4) Jaga Jazzist – Reminders
5) Uyama Hiroto – Spacemountain
6) Yussef Kamaal – Strings Of Light
7) Shabaka and the Ancestors – OBS
8) Sons Of Kemet - In The Castle Of My Skin
9) Rise – Psalm 54
10) McCoy Tyner – Asante
11) Myele Manzanza - A Love Eclectic
12) Josef Leimberg - Interstellar Universe
13) Hiatus Kaiyote - Laputa (Taylor McFerrin Remix)
14) Spacek - How]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/duskdubs/dd0406-dusk-dubs-hipnotic-jazz/listen.mp3?s=waP" length="74237073" />
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                                    <thr:total>0</thr:total>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[Hipnotic Jazz]
Podcast: Dusk Dubs
Artist: Hipnotic Jazz
Title: DD0406
Style: Jazz/Downtempo
Time: 77 minutes
Date: 2017-03-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Hipnotic Jazz...
"As usual I’ve taken the dusk dubs ethos pretty literally for this selection – randomly floating through my collection of recent listens and selecting tracks that would feel right to play with good friends over a bottle of good Rioja after a good night as the sun rises (or like one of those listening sessions where your shuffle function gets it spot on, but in this case with me giving it a gentle nudge).
There’s a few of my favourites from recent and not so recent years here, and in many ways the selection is a nod to some of the amazing jazz (and related) artists that are influencing the direction of my creative journey at the moment, i.e. reawakening my deep felt passion for jazz music, which has led to me picking up my study of the saxophone after a 12 year hiatus.
Big up #duskdubs - one love"
You can find him here:
hipnoticjazz.bandcamp.com
soundcloud.com/hipnoticjazz
facebook.com/thisisfuturejazz
youtube.com/channel/UCIEK59VYw...wGgyG18c5s6ZCig
Tracklsiting
1) Zara McFarlane - Open Heart
2) Jose James - Sword + Gun Feat. Hindi Zahra
3) Radio Citizen – Last Delight (Radio Citizen Version)
4) Jaga Jazzist – Reminders
5) Uyama Hiroto – Spacemountain
6) Yussef Kamaal – Strings Of Light
7) Shabaka and the Ancestors – OBS
8) Sons Of Kemet - In The Castle Of My Skin
9) Rise – Psalm 54
10) McCoy Tyner – Asante
11) Myele Manzanza - A Love Eclectic
12) Josef Leimberg - Interstellar Universe
13) Hiatus Kaiyote - Laputa (Taylor McFerrin Remix)
14) Spacek - How]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/7/_/uploads/229472/image_track/1245315/w1400_h1400_q70_ptrue_v2_----cropped_1489273790.jpg" />
                                    <feedburner:origLink>https://hearthis.at/duskdubs/dd0406-dusk-dubs-hipnotic-jazz/</feedburner:origLink>
                                    <itunes:duration>4639</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1235607</guid>
                                    
                                        <pubDate>Sun, 05 Mar 2017 11:14:21 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-05T11:14:21+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0405 Dusk Dubs - Joseph Malik</title>
                                    <description><![CDATA[[ Joseph Malik ]
Podcast: Dusk Dubs
Artist: Joseph Malik
Title: DD0405
Style: Beats/Hip-Hop/Downtempo
Time: 113 minutes
Date: 2017-03-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we have invited back singer, songwriter, producer, DJ and all round musical talent, Mr. Joseph Mailk. Just like last year’s amazing mixtape ‘DIVERSE PART TWO MIXTAPE’, Mr Malik has come with something very special….
We’ll let Joseph explain..... 
AULD SKOOL 90S MIXTAPE
RETROSPECTIVE OF SCOTLANDS BEAT HEADS FROM 1990 /1999  
“Back in the day as a young teenager in the late 80s in Glasgow, I sold my vast comic book collection to buy yet more records to expand my knowledge of music. Every Saturday myself, Sace and Easi would go round the city hunting for breaks or just records to play at our club night Babylon on Tuesday nights on Sauchiehall Street in Glasgow in 1990.
We then met DJ Awunsounds at a DMC Competition at Furry Murrys …. we all shared the same ideas and concepts of music, and a West Coast-East Coast bond of friendship began. Sace and Easi would go on to form the band NT, with Sace’s childhood friend Andrew Docherty on vocals, who had one of the most powerful soulful voices I’d ever heard, and this is a boy from Pasiley. 
I myself grew Weary of Glasgow due to race issues in the city and moved east to Edinburgh and formed Blacka’nized with Andre Hudson in 1993, and little did we all know that in 1995 we would all meet again in London, signed to the Stereo MCS label Natural Response….NT, Blacka’nized, MC Mello and Manaseh. This label was forward thinking and gave me funding to start the East Coast Project with Blacka’nized, Awunsounds, Coco And The Bean, 3 Bag Brew, Suga Bullit, Freshly Sqeezed, The Outanationals, Graff Artist, Derm and the Fallen Angels, and Photographer Andy Shaw.
We were stronger as a collective and as Edinburgh is a small city, we had more in kinship with Bristol rather than London or Manchester. As the music press and labels were really only looking to sign bands from these two big cities, we all thought fuck it, we are underdogs and the label let us just get on with making music and becoming better with no hype. We were all skint, so we shared equipment and samples and Awunsounds..... Stevie Christie played on just about every band in our wee city. Blacka’nized back then only had a Akai 950 sampler, Cubase, and a very old Tascam tape machine, but most of all a vast record collection of Joseph Malik and Andre Hudson, two young beat-heads, and somehow it just worked, but mainly due to our Engineer Unkle Jack, a lone-gun genius who was grumpy as fuck, but he took us under his wing and informed us… that music technology would catch up with what we were trying to do.  
We went on to release so many tracks that we lost count around 1999 and it’s been really amazing to go through the vaults and hear these again. Writing the research at the same time …..A Book of Beats, but most of all I’d really like to thank the musicians and DJs who’s music that was unreleased, for giving us the pleasure to hear it at last, to meet old friends from 20 years ago old and share studio tales of loops, clubs, not sleeping for days, 2 many party’s hangovers. Now we are in our 40s and 50s with kids, jobs, houses….. oh how life has changed but the music will always be there, this is our story our journey sit back listen and enjoy”  [[ Joseph Malik ]]
You can find Joseph Malik here:
Discogs.com/Joseph-Malik
Beatport.com/artist/joseph-malik 
Tracklisting 
1) Blacka'nized – Summer Nights
2) Awunsound - Symetrical Jazz (Mowax Mix)
3) NT - Distance By Air (Dub)
4) Blacka'nized - Vibebrations Feat Martin Kershaw
5) Blacka'nized - Future Generations
6) Blacka'nized - Medialogical Feat. Hybrid
7) Blacka'nized - Battle Star Skit
8) Blacka'nized - Soldier Monk Feat. The Dynamic Duo
9) Blacka'nized - UFO Beats
10) Blacka'nized - Fade Away Feat. Nubia
11) Blacka'nized - Livin In A Jungle Feat. Matik
12) Blacka'nized - Radio Skit
13) Blacka'nized - Ham + Cheese Feat. MC Mello & Awunsound
14) Awunsound - Auld Blues
15) NT – Response
16) Blacka'nized - Vertical Forms Feat. Colin Steele
17) NT - If You Don't
18) Blacka'nized – Crack Pipe
19) Awunsound – Messages
20) Coco And The Bean – Melted
21) Blacka'nized - Interplanetary Feat Reach Out and Martin Kershaw
22) Blacka'nized - Breaks N Beats Skit
23) Blacka'nized - New Thoughts (360 Mix)
24) Blacka'nized - Miles Out Of Time (Mo Wax Mix)
25) Blacka'nized - Senegal Dub Feat. Denbar
26) Blacka'nized - Enta' The Balfur Feat. The Outa'Nationals
27) NT – Storm
28) 3 Bag Brew -  In Between Mouthfuls Feat Douglas Duncan  
Joseph breaks it down with his..... “A Book Of Beats” 
1) BLACKA’NIZED - SUMMER NIGHTS  My co-producer Andre had a dictaphone to record his raps and turned his on in private  and when a group of us army hip hop heads came to the studio in Leith he only told me and Uncle Jack when they left the studio, i just simply said lets sample that and not  before long I was playing  Isaac  Hayes  Walk on by under it job done and mixed ready for the East Coast Project Album.  
2) BLACKA’NIZED - SYMETRICAL JAZZ  What can i say but a bench mark for Edinburgh hip hop its my all time fave as well as many others around the world and I’m so proud of him for making  this record , my DJ brother Mr Awunsounds ,, this track took so long  to record and I was lucky to see it progress in the studio as part of our Mo Wax  sessions if i’m right it took 2 samplers just to keep it going for the mix so complex wonderful and up there with the greats. 
3) NT – DISTANCE BY AIR (DUB)  Back in the day around the early 1990's myself, DJ’s Sace and Easi ran a club called Babylon in Glasgow which was a mixture of dub and hip hop, no one up north was doing this and we made a wee name for ourselves for being bold. NT were in the studio hard, recording and becoming a group, we would fly-post at 2am in the morning with this playing nonstop in Sace moblie and it still blows me away 20 plus years later.
4) BLACKA’NIZED - VIBEBRATIONS  Joseph Malik and Andre Hudson Formed Blacka’nized in 1993, we were both tuff street kids, and we had to be as Scotland was a tuff place for black, Asian folks. We grew weary of fighting and used our minds to make music but not just any music - strong music that would bring folks of all races into the studio. This was our 1st track where we found out who we wanted to be and all the 1st 3 tracks on this mix tape were recorded around the same 2 years , Scotland had a very deep underground sound NT, Awunsounds, Blacka’nized are the leaders of this movement. We recorded the very young hot saxaphone player  Martin Kershaw in our Balfour Street studio -  but somehow we made this. 
5) BLACKA’N IZED - FUTURE GENERATIONS  We moved on with the Akai 2000 sampler with this track, A much cleaner sound and the drums were on point, as well the vocals from the talented Andre Hudson who for me was No.1 in Scotland on the mic - my brother in beats. 
6) BLACKA’NIZED - MEDIALOGICAL FEAT HYBIRD AND DJ PLUS ONE  So Plus One brings this kid from the states into the studio in Leith and he kills it 1st time, we mixed it the next day. So hyped on seeing where we could go with his vocals  being so off beat, so we reprogrammed all the drums to match his lyrics it still holds up today. 
7) BLACKA’NIZED - BATTLE STAR SKIT For those who know me well, I’m a huge sci-fi geek, sample head and comic book freak, with an odd ball knowledge of all things. I’m lucky that Andre was of the same mind in mixing these ideas into hip-hop, as he had a deep love and respect for Wing Chun and Kung-Fu movies, and most of all Prince Paul, I don’t even have the Battle Star Galactica Record any more ! I gave it away to Linkwood years ago when we were recording ‘Miles Away’ With lindsay Todd label boss  at  Fire Cracker Records, and it’s a shame that track can’t be on this as the best of Edinburgh but it wasn’t recorded in the 90s, they were part of the 2nd wave in the 2000s. Which i shall  research in volume 2 later this year . 
8) BLACKA’NIZED – SOLDIER MONK FEAT. THE DYNAMIC DUO came out to the scene with help from Reachout who had a studio in his flat in Albert Street in Leith, these kids would come to the studio with their records in  school bags and would be sneaked into Reachout’s club night ‘Seen which was during the 90s and by far Scotland’s best hip hop night with DJ Awunsounds  Nasty P, Richie Rufftone, Plus One, Babes, Frosty J on the decks. 
9) BLACKA’NIZED - UFO BEATS  Holy fuck did we have fun with the MPC 2000 and a fresh haul of breaks from ’Proffessor Plastics’ record shop in West Richmond Street, he was our mentor and gave us so many breaks and knowledge. 
10) BLACKA’NIZED - FADE AWAY FEAT NUBIA  I’m still gutted to this day that this record was not a hit, it should have been huge, we found Nubia singing for the Green Sleeves label as Sandra Melody, she blazed the track with Andre dropping the Andy Williams ‘Can’t Get Used To Losing You’ sample. We spoke to various labels, and they all came up short on our offer - so in the end we said no and put it out on our own wee label Yush Records on 7 inch, so it’s out there if u can find it. 
11) BLACKA’NIZED - LIVIN INNA JUNGLE FEAT MATICK  Again another big record haul from ‘Proffessor Plastic’ beats and Kung Fu samples galore and with the help from Jamaican singer man like Matick from the Hendry family in Leith. 
12) BLACKA’NIZED  - RADIO TBILISI  Our time in the ex-Soviet Republic of Georgia would just take too long to tell, but this was recorded in a bombed out radio station with bullets holes on the wall, they had never heard hip-hop before or DJs. I gave away most of my records I had with me as a way of saying spread the word hip-hop - it’s yours to join in and be part of something other than war. 
13) BLACKA’NIZED - HAM AND CHEESE FEAT MC MELLO AND AWUNSOUNDS  We all loved, respected and looked up to MC Mello. He would come up to Scotland to play gigs with DJs Sace and Easi in 1990s then around the mid-90s he would play at Reachouts Seen club night and many times at my night  Lizzard Lounge , We got him into James Lockes studio round the back of Easter Road Stadium to record this, and it was really great fun, he was doing this Snaggle Puss vocal for a laugh  and we all said yeah keep doing that and Awun on the kuts, my main bro Andre on the beats  and my intro just made it one of all time hip-hop records from Edinburgh.
14) AWUNSOUNDS - AULD BLUES  You have no idea how lucky you are to hear this as its from Awunsounds  private vaults of unreleased music. It was recorded as part of the Mowax sessions and has been hidden away ever since. Many thanks to my fellow Miles Davis fan for letting me share this music to you at last. 
15) NT - RESPONSE  Again another amazing record from the vaults, and did you know this came out on a 12 inch and 7 inch promo on the Stereo MCS ‘Response Labe’l as well as Blackanized and MC Mello. We couldn’t believe we were all together again and in London, recording - doing what we wanted to do with our lives, which was music. This record is very important to me, but most of all to the singer Andrew Docherty, who I met up with just before new year to discuss NT being on this mixtape. We hadn’t seen each other in 20 years and had a good laugh over more than a few  pints as we looked back at the history  of the Auld Skool 90s - This should have been a hit all over the world.and i still play this out and  folks still ask what the hell is this when can i buy it online or hear the album  
16) BLACKANIZED - VERTICAL FORMS  This was recorded in our all new supa studio in Broughton Street, which was buzzing at the time, as I had a club night  with Toby Shippey from Salsa Celtica in an old church just down the street called ‘Lizzard Lounge’. This new studio had Aqua Bassino hanging out  in studio 2 making deep house beats, Irvine Welsh recording Trainspotting talking book version for cassette tape, and Finlay Quaye popping in for a cup of tea and recording demos. It was an amazing time and Edinburgh was alive -many thanks to Irvine Welsh for getting the world to look at Edinburgh outside  of the festival and down to Leith , With having my club so close to the studio it was easy to get super star trumpet player Colin Steele to record. He would also record with Aqua Bassino as well, but again Andre pulls out George Russel ‘Vertical Forms’ sample and we mix it into some sci-fi far out jazz beats. 
17) NT - IF YOU DON’T  Let’s start with the sample ‘Ain’t No Sunshine’ by the Prophets of Soul, it’s fucking mind blowing and with the vocals of Andrew Docherty and the production of Sace and Easi, it made me think I could sing - it was b-boy folk music…. just simply ground breaking. 
18) BLACKANIZED – CRACKPIPE  It just all happened so fast... We looped Hodges, James and Smith ‘Nobody’ which I had sitting in my record box for a while, and I was thinking of getting a girl to sing on it. I’d never sung before, and was really shy about it and i just thought fuck it I will sing on it, and it turned out to be our biggest and only hit. I never really liked singing much after that, and didn’t record any of myself singing untill 2003 for the Diverse album on Compost records. 
19) AWUNSOUNDS - MESSAGES  is really the who’s who of Edinburgh and yet another unreleased track from the Mo Wax Sessions. I still think back to hearing all 3 tracks on DAT tape in Flapper Jays studio, Awun had a flat just round the corner from me in Montgomery Street in which he had a prirate radio show with DJ Babes from 3 Bag Brew, Reachout and the much loved and our 2nd DMC champ from Edinburgh DJ Ritchie Rufftone plus many others. He broadcasted the show from his flat and it was our wee hangout for a few years. There was no moblie phones back then, so his answer machine was the only way to get hold of him. Just some of the voices on this are Philly, DJ Graig Smith, Gary Morton and Ahmet Kara, Reachout, Flapper Jay, Andre Hudson, brother Saah DJ Babes and my godson  Tyrone Hendry from the Hendry family at the very start, also let’s not forget brother Chuck and DJ Sace from Glasgow, as well as BT to trying cut off the phone for 30 quid. 
20) COCO AND THE BEAN – MELTED  I loved this band and Awun shared a new flat with Taff  . Edinburgh was that small as you can guess by now, the band were: on vocals Roseanne Erskine, a truly wonderful singer with Les and Taff on production, with Awunsounds on the decks and Stevie Christe on keyboards. This homegrown group were making music from the early 90s way before i ever heard  Portishead and were a very strong part of the East Coast Project Family 
21) BLACKA’NIZED - INTERPLANETARY FEAT REACHOUT AND MARTIN KERSHAW  Andre Hudson was a force of nature in the studio. I wasn’t always able to there due to being a new dad, but when I missed out on sessions like this with Martin Kershaw on Saxophone, with my other close friend and music brother Patrick Coll aka Reachout, I was gutted and the production skills and vocals speak for themselves, but most of all Reachout did a hell of a lot for hip-hop with his club Seen and his deep faith in the whole culture of hip hop even going to New York, where he now lives to meet the Zulu Nation, I feel he’s the Eastcoast project Zulu Nation Ambassador. He  Afrika Bambattaa to Edinburgh, and Bam wanted to hang out in Leith, not his hotel - he wanted to see our hood.we all hung out in leith talking about hip hop it was unreal we even got the bus to the dj gig that he was playing at he didnt care and im thinking this is one of the real founders of hip hop  in leith.
22) BLACKA’NIZED - BREAKS AND BEATS SKIT I was always wanting to be one step ahead as a dj with having a studio and a club in the same street, so instead of buying records I’d make my own and play them back to back 2 copies, and my brother in beats would always do the damage on the MPC 2000. 
23) BLACKA’NIZED - NEW THOUGHTS (360 MIX) This track all started with the O’Jays Family Reunion sample for some reason it had a crazy stereo FX on it, so as we looped it and it sounded very spaced out, and with Andre name checking all the East Coast Project and the Leith walk family, it was our battle cry.  We really were proud to be in Leith making music and being happy. 
24) BLACKA’NIZED - MILES OUTA TIME (MO WAX MIX) Dam our 1st ever release and on a very important album. We got our brother Awun in for the kuts, and I had been checking Miles Davis Bitchs Brew over and over again just to find that one bassline that just sounds spooky, dark and moody. It was fun, but then we never got paid from James Lavelle and the same thing happened to many of the  other brothers on that album, Andre and myself made a pact not to let anyone rip us of ever again. 
25) BLACKA’NIZED  - SENEGAL DUB FEAT DENBAR If I was away dj’ing the studio still kept recording, due again to Andre being so productive, he would always have bullets of beats in the chamber, just as I would respond with new samples to add or make new loops. I came back from dj’ing in London to walk into the studio and hear this killer king Tubby loop with super cool vocals from Denbar. This really was one of the true finds from the vaults, but from being into touch with Andre recently there’s lots more in the Blacka’nized vaults . 
26) BLACKANIZED MEETS THE OUTANATIONALS - ENTA THE BALFA  Unkle Jack’s studio was in Balfour Street in Leith, it became our base. He was grumpy as fuck, but the best engineer I’ve ever met. Even still today, after 20 odd years he was Obi Wan and Gandalf of sound and tech software and recording. He pushed us to work with musicians and we then became four, with session players Stevie Christie, who would then write and co-produce with Blacka’nized and David Demus Donnelly. They got me and Andre to follow the rule of key or pitch…. IE guys sample what you want but gives us a key to work with. We became better, we worked with strings and gospel choirs and learned so much in that process and I really have to say I would not be singing anything now if not for Stevie and Demus. 
27) NT - STORM  I didn’t hear this until it was playing in the record company office in London. It stopped me in my tracks and I was frozen in time…  just checking Andy Docherty’s vocals and lyrics with so much sorrow and darkness, I will never forget hearing this for the 1st time and maybe the same for you as this is unreleased. 
28) 3 BAG BREW - IN BETWEEN MOUTHFULS FEAT DOUGLAS DUNCAN  This band only released two tracks with the East Coast Project, and this was the last track in 1995 and will be the last track in 2017, simply due to the very sad loss of trumpet player Douglas Duncan. I seen him play at Kulus Jazz Joint which is now called Henrys Cellar Bar and if you wanted to find a horn player or drummer or bass player that’s where you went to find them. Me and Awun had the pleasure of dj’ing before and after John Rae, Ronnie Rae, Colin Steele, Martin Kershaw and most of all Douglas. The magical music you hear is the production skills from the 3Bag Brew crew DJ Babes, Nik PT, Beefy Breaks with Stevie Christie on keys, yeah him again…. There was an unwritten rule back then that if you didn’t have Stevie Keys on your record back then,It  wouldn’t be any good he just always brought good luck and a happy vibe in the studio  I’m very lucky he’s one of my best mates, I’d like to thank Babes for at last telling me the sample for this wonderful track its Wilbert Longmire  - ‘Good Morning’ ]]></description>
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                                    <itunes:summary><![CDATA[[ Joseph Malik ]
Podcast: Dusk Dubs
Artist: Joseph Malik
Title: DD0405
Style: Beats/Hip-Hop/Downtempo
Time: 113 minutes
Date: 2017-03-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
For this week’s mixtape, we have invited back singer, songwriter, producer, DJ and all round musical talent, Mr. Joseph Mailk. Just like last year’s amazing mixtape ‘DIVERSE PART TWO MIXTAPE’, Mr Malik has come with something very special….
We’ll let Joseph explain..... 
AULD SKOOL 90S MIXTAPE
RETROSPECTIVE OF SCOTLANDS BEAT HEADS FROM 1990 /1999  
“Back in the day as a young teenager in the late 80s in Glasgow, I sold my vast comic book collection to buy yet more records to expand my knowledge of music. Every Saturday myself, Sace and Easi would go round the city hunting for breaks or just records to play at our club night Babylon on Tuesday nights on Sauchiehall Street in Glasgow in 1990.
We then met DJ Awunsounds at a DMC Competition at Furry Murrys …. we all shared the same ideas and concepts of music, and a West Coast-East Coast bond of friendship began. Sace and Easi would go on to form the band NT, with Sace’s childhood friend Andrew Docherty on vocals, who had one of the most powerful soulful voices I’d ever heard, and this is a boy from Pasiley. 
I myself grew Weary of Glasgow due to race issues in the city and moved east to Edinburgh and formed Blacka’nized with Andre Hudson in 1993, and little did we all know that in 1995 we would all meet again in London, signed to the Stereo MCS label Natural Response….NT, Blacka’nized, MC Mello and Manaseh. This label was forward thinking and gave me funding to start the East Coast Project with Blacka’nized, Awunsounds, Coco And The Bean, 3 Bag Brew, Suga Bullit, Freshly Sqeezed, The Outanationals, Graff Artist, Derm and the Fallen Angels, and Photographer Andy Shaw.
We were stronger as a collective and as Edinburgh is a small city, we had more in kinship with Bristol rather than London or Manchester. As the music press and labels were really only looking to sign bands from these two big cities, we all thought fuck it, we are underdogs and the label let us just get on with making music and becoming better with no hype. We were all skint, so we shared equipment and samples and Awunsounds..... Stevie Christie played on just about every band in our wee city. Blacka’nized back then only had a Akai 950 sampler, Cubase, and a very old Tascam tape machine, but most of all a vast record collection of Joseph Malik and Andre Hudson, two young beat-heads, and somehow it just worked, but mainly due to our Engineer Unkle Jack, a lone-gun genius who was grumpy as fuck, but he took us under his wing and informed us… that music technology would catch up with what we were trying to do.  
We went on to release so many tracks that we lost count around 1999 and it’s been really amazing to go through the vaults and hear these again. Writing the research at the same time …..A Book of Beats, but most of all I’d really like to thank the musicians and DJs who’s music that was unreleased, for giving us the pleasure to hear it at last, to meet old friends from 20 years ago old and share studio tales of loops, clubs, not sleeping for days, 2 many party’s hangovers. Now we are in our 40s and 50s with kids, jobs, houses….. oh how life has changed but the music will always be there, this is our story our journey sit back listen and enjoy”  [[ Joseph Malik ]]
You can find Joseph Malik here:
Discogs.com/Joseph-Malik
Beatport.com/artist/joseph-malik 
Tracklisting 
1) Blacka'nized – Summer Nights
2) Awunsound - Symetrical Jazz (Mowax Mix)
3) NT - Distance By Air (Dub)
4) Blacka'nized - Vibebrations Feat Martin Kershaw
5) Blacka'nized - Future Generations
6) Blacka'nized - Medialogical Feat. Hybrid
7) Blacka'nized - Battle Star Skit
8) Blacka'nized - Soldier Monk Feat. The Dynamic Duo
9) Blacka'nized - UFO Beats
10) Blacka'nized - Fade Away Feat. Nubia
11) Blacka'nized - Livin In A Jungle Feat. Matik
12) Blacka'nized - Radio Skit
13) Blacka'nized - Ham + Cheese Feat. MC Mello & Awunsound
14) Awunsound - Auld Blues
15) NT – Response
16) Blacka'nized - Vertical Forms Feat. Colin Steele
17) NT - If You Don't
18) Blacka'nized – Crack Pipe
19) Awunsound – Messages
20) Coco And The Bean – Melted
21) Blacka'nized - Interplanetary Feat Reach Out and Martin Kershaw
22) Blacka'nized - Breaks N Beats Skit
23) Blacka'nized - New Thoughts (360 Mix)
24) Blacka'nized - Miles Out Of Time (Mo Wax Mix)
25) Blacka'nized - Senegal Dub Feat. Denbar
26) Blacka'nized - Enta' The Balfur Feat. The Outa'Nationals
27) NT – Storm
28) 3 Bag Brew -  In Between Mouthfuls Feat Douglas Duncan  
Joseph breaks it down with his..... “A Book Of Beats” 
1) BLACKA’NIZED - SUMMER NIGHTS  My co-producer Andre had a dictaphone to record his raps and turned his on in private  and when a group of us army hip hop heads came to the studio in Leith he only told me and Uncle Jack when they left the studio, i just simply said lets sample that and not  before long I was playing  Isaac  Hayes  Walk on by under it job done and mixed ready for the East Coast Project Album.  
2) BLACKA’NIZED - SYMETRICAL JAZZ  What can i say but a bench mark for Edinburgh hip hop its my all time fave as well as many others around the world and I’m so proud of him for making  this record , my DJ brother Mr Awunsounds ,, this track took so long  to record and I was lucky to see it progress in the studio as part of our Mo Wax  sessions if i’m right it took 2 samplers just to keep it going for the mix so complex wonderful and up there with the greats. 
3) NT – DISTANCE BY AIR (DUB)  Back in the day around the early 1990's myself, DJ’s Sace and Easi ran a club called Babylon in Glasgow which was a mixture of dub and hip hop, no one up north was doing this and we made a wee name for ourselves for being bold. NT were in the studio hard, recording and becoming a group, we would fly-post at 2am in the morning with this playing nonstop in Sace moblie and it still blows me away 20 plus years later.
4) BLACKA’NIZED - VIBEBRATIONS  Joseph Malik and Andre Hudson Formed Blacka’nized in 1993, we were both tuff street kids, and we had to be as Scotland was a tuff place for black, Asian folks. We grew weary of fighting and used our minds to make music but not just any music - strong music that would bring folks of all races into the studio. This was our 1st track where we found out who we wanted to be and all the 1st 3 tracks on this mix tape were recorded around the same 2 years , Scotland had a very deep underground sound NT, Awunsounds, Blacka’nized are the leaders of this movement. We recorded the very young hot saxaphone player  Martin Kershaw in our Balfour Street studio -  but somehow we made this. 
5) BLACKA’N IZED - FUTURE GENERATIONS  We moved on with the Akai 2000 sampler with this track, A much cleaner sound and the drums were on point, as well the vocals from the talented Andre Hudson who for me was No.1 in Scotland on the mic - my brother in beats. 
6) BLACKA’NIZED - MEDIALOGICAL FEAT HYBIRD AND DJ PLUS ONE  So Plus One brings this kid from the states into the studio in Leith and he kills it 1st time, we mixed it the next day. So hyped on seeing where we could go with his vocals  being so off beat, so we reprogrammed all the drums to match his lyrics it still holds up today. 
7) BLACKA’NIZED - BATTLE STAR SKIT For those who know me well, I’m a huge sci-fi geek, sample head and comic book freak, with an odd ball knowledge of all things. I’m lucky that Andre was of the same mind in mixing these ideas into hip-hop, as he had a deep love and respect for Wing Chun and Kung-Fu movies, and most of all Prince Paul, I don’t even have the Battle Star Galactica Record any more ! I gave it away to Linkwood years ago when we were recording ‘Miles Away’ With lindsay Todd label boss  at  Fire Cracker Records, and it’s a shame that track can’t be on this as the best of Edinburgh but it wasn’t recorded in the 90s, they were part of the 2nd wave in the 2000s. Which i shall  research in volume 2 later this year . 
8) BLACKA’NIZED – SOLDIER MONK FEAT. THE DYNAMIC DUO came out to the scene with help from Reachout who had a studio in his flat in Albert Street in Leith, these kids would come to the studio with their records in  school bags and would be sneaked into Reachout’s club night ‘Seen which was during the 90s and by far Scotland’s best hip hop night with DJ Awunsounds  Nasty P, Richie Rufftone, Plus One, Babes, Frosty J on the decks. 
9) BLACKA’NIZED - UFO BEATS  Holy fuck did we have fun with the MPC 2000 and a fresh haul of breaks from ’Proffessor Plastics’ record shop in West Richmond Street, he was our mentor and gave us so many breaks and knowledge. 
10) BLACKA’NIZED - FADE AWAY FEAT NUBIA  I’m still gutted to this day that this record was not a hit, it should have been huge, we found Nubia singing for the Green Sleeves label as Sandra Melody, she blazed the track with Andre dropping the Andy Williams ‘Can’t Get Used To Losing You’ sample. We spoke to various labels, and they all came up short on our offer - so in the end we said no and put it out on our own wee label Yush Records on 7 inch, so it’s out there if u can find it. 
11) BLACKA’NIZED - LIVIN INNA JUNGLE FEAT MATICK  Again another big record haul from ‘Proffessor Plastic’ beats and Kung Fu samples galore and with the help from Jamaican singer man like Matick from the Hendry family in Leith. 
12) BLACKA’NIZED  - RADIO TBILISI  Our time in the ex-Soviet Republic of Georgia would just take too long to tell, but this was recorded in a bombed out radio station with bullets holes on the wall, they had never heard hip-hop before or DJs. I gave away most of my records I had with me as a way of saying spread the word hip-hop - it’s yours to join in and be part of something other than war. 
13) BLACKA’NIZED - HAM AND CHEESE FEAT MC MELLO AND AWUNSOUNDS  We all loved, respected and looked up to MC Mello. He would come up to Scotland to play gigs with DJs Sace and Easi in 1990s then around the mid-90s he would play at Reachouts Seen club night and many times at my night  Lizzard Lounge , We got him into James Lockes studio round the back of Easter Road Stadium to record this, and it was really great fun, he was doing this Snaggle Puss vocal for a laugh  and we all said yeah keep doing that and Awun on the kuts, my main bro Andre on the beats  and my intro just made it one of all time hip-hop records from Edinburgh.
14) AWUNSOUNDS - AULD BLUES  You have no idea how lucky you are to hear this as its from Awunsounds  private vaults of unreleased music. It was recorded as part of the Mowax sessions and has been hidden away ever since. Many thanks to my fellow Miles Davis fan for letting me share this music to you at last. 
15) NT - RESPONSE  Again another amazing record from the vaults, and did you know this came out on a 12 inch and 7 inch promo on the Stereo MCS ‘Response Labe’l as well as Blackanized and MC Mello. We couldn’t believe we were all together again and in London, recording - doing what we wanted to do with our lives, which was music. This record is very important to me, but most of all to the singer Andrew Docherty, who I met up with just before new year to discuss NT being on this mixtape. We hadn’t seen each other in 20 years and had a good laugh over more than a few  pints as we looked back at the history  of the Auld Skool 90s - This should have been a hit all over the world.and i still play this out and  folks still ask what the hell is this when can i buy it online or hear the album  
16) BLACKANIZED - VERTICAL FORMS  This was recorded in our all new supa studio in Broughton Street, which was buzzing at the time, as I had a club night  with Toby Shippey from Salsa Celtica in an old church just down the street called ‘Lizzard Lounge’. This new studio had Aqua Bassino hanging out  in studio 2 making deep house beats, Irvine Welsh recording Trainspotting talking book version for cassette tape, and Finlay Quaye popping in for a cup of tea and recording demos. It was an amazing time and Edinburgh was alive -many thanks to Irvine Welsh for getting the world to look at Edinburgh outside  of the festival and down to Leith , With having my club so close to the studio it was easy to get super star trumpet player Colin Steele to record. He would also record with Aqua Bassino as well, but again Andre pulls out George Russel ‘Vertical Forms’ sample and we mix it into some sci-fi far out jazz beats. 
17) NT - IF YOU DON’T  Let’s start with the sample ‘Ain’t No Sunshine’ by the Prophets of Soul, it’s fucking mind blowing and with the vocals of Andrew Docherty and the production of Sace and Easi, it made me think I could sing - it was b-boy folk music…. just simply ground breaking. 
18) BLACKANIZED – CRACKPIPE  It just all happened so fast... We looped Hodges, James and Smith ‘Nobody’ which I had sitting in my record box for a while, and I was thinking of getting a girl to sing on it. I’d never sung before, and was really shy about it and i just thought fuck it I will sing on it, and it turned out to be our biggest and only hit. I never really liked singing much after that, and didn’t record any of myself singing untill 2003 for the Diverse album on Compost records. 
19) AWUNSOUNDS - MESSAGES  is really the who’s who of Edinburgh and yet another unreleased track from the Mo Wax Sessions. I still think back to hearing all 3 tracks on DAT tape in Flapper Jays studio, Awun had a flat just round the corner from me in Montgomery Street in which he had a prirate radio show with DJ Babes from 3 Bag Brew, Reachout and the much loved and our 2nd DMC champ from Edinburgh DJ Ritchie Rufftone plus many others. He broadcasted the show from his flat and it was our wee hangout for a few years. There was no moblie phones back then, so his answer machine was the only way to get hold of him. Just some of the voices on this are Philly, DJ Graig Smith, Gary Morton and Ahmet Kara, Reachout, Flapper Jay, Andre Hudson, brother Saah DJ Babes and my godson  Tyrone Hendry from the Hendry family at the very start, also let’s not forget brother Chuck and DJ Sace from Glasgow, as well as BT to trying cut off the phone for 30 quid. 
20) COCO AND THE BEAN – MELTED  I loved this band and Awun shared a new flat with Taff  . Edinburgh was that small as you can guess by now, the band were: on vocals Roseanne Erskine, a truly wonderful singer with Les and Taff on production, with Awunsounds on the decks and Stevie Christe on keyboards. This homegrown group were making music from the early 90s way before i ever heard  Portishead and were a very strong part of the East Coast Project Family 
21) BLACKA’NIZED - INTERPLANETARY FEAT REACHOUT AND MARTIN KERSHAW  Andre Hudson was a force of nature in the studio. I wasn’t always able to there due to being a new dad, but when I missed out on sessions like this with Martin Kershaw on Saxophone, with my other close friend and music brother Patrick Coll aka Reachout, I was gutted and the production skills and vocals speak for themselves, but most of all Reachout did a hell of a lot for hip-hop with his club Seen and his deep faith in the whole culture of hip hop even going to New York, where he now lives to meet the Zulu Nation, I feel he’s the Eastcoast project Zulu Nation Ambassador. He  Afrika Bambattaa to Edinburgh, and Bam wanted to hang out in Leith, not his hotel - he wanted to see our hood.we all hung out in leith talking about hip hop it was unreal we even got the bus to the dj gig that he was playing at he didnt care and im thinking this is one of the real founders of hip hop  in leith.
22) BLACKA’NIZED - BREAKS AND BEATS SKIT I was always wanting to be one step ahead as a dj with having a studio and a club in the same street, so instead of buying records I’d make my own and play them back to back 2 copies, and my brother in beats would always do the damage on the MPC 2000. 
23) BLACKA’NIZED - NEW THOUGHTS (360 MIX) This track all started with the O’Jays Family Reunion sample for some reason it had a crazy stereo FX on it, so as we looped it and it sounded very spaced out, and with Andre name checking all the East Coast Project and the Leith walk family, it was our battle cry.  We really were proud to be in Leith making music and being happy. 
24) BLACKA’NIZED - MILES OUTA TIME (MO WAX MIX) Dam our 1st ever release and on a very important album. We got our brother Awun in for the kuts, and I had been checking Miles Davis Bitchs Brew over and over again just to find that one bassline that just sounds spooky, dark and moody. It was fun, but then we never got paid from James Lavelle and the same thing happened to many of the  other brothers on that album, Andre and myself made a pact not to let anyone rip us of ever again. 
25) BLACKA’NIZED  - SENEGAL DUB FEAT DENBAR If I was away dj’ing the studio still kept recording, due again to Andre being so productive, he would always have bullets of beats in the chamber, just as I would respond with new samples to add or make new loops. I came back from dj’ing in London to walk into the studio and hear this killer king Tubby loop with super cool vocals from Denbar. This really was one of the true finds from the vaults, but from being into touch with Andre recently there’s lots more in the Blacka’nized vaults . 
26) BLACKANIZED MEETS THE OUTANATIONALS - ENTA THE BALFA  Unkle Jack’s studio was in Balfour Street in Leith, it became our base. He was grumpy as fuck, but the best engineer I’ve ever met. Even still today, after 20 odd years he was Obi Wan and Gandalf of sound and tech software and recording. He pushed us to work with musicians and we then became four, with session players Stevie Christie, who would then write and co-produce with Blacka’nized and David Demus Donnelly. They got me and Andre to follow the rule of key or pitch…. IE guys sample what you want but gives us a key to work with. We became better, we worked with strings and gospel choirs and learned so much in that process and I really have to say I would not be singing anything now if not for Stevie and Demus. 
27) NT - STORM  I didn’t hear this until it was playing in the record company office in London. It stopped me in my tracks and I was frozen in time…  just checking Andy Docherty’s vocals and lyrics with so much sorrow and darkness, I will never forget hearing this for the 1st time and maybe the same for you as this is unreleased. 
28) 3 BAG BREW - IN BETWEEN MOUTHFULS FEAT DOUGLAS DUNCAN  This band only released two tracks with the East Coast Project, and this was the last track in 1995 and will be the last track in 2017, simply due to the very sad loss of trumpet player Douglas Duncan. I seen him play at Kulus Jazz Joint which is now called Henrys Cellar Bar and if you wanted to find a horn player or drummer or bass player that’s where you went to find them. Me and Awun had the pleasure of dj’ing before and after John Rae, Ronnie Rae, Colin Steele, Martin Kershaw and most of all Douglas. The magical music you hear is the production skills from the 3Bag Brew crew DJ Babes, Nik PT, Beefy Breaks with Stevie Christie on keys, yeah him again…. There was an unwritten rule back then that if you didn’t have Stevie Keys on your record back then,It  wouldn’t be any good he just always brought good luck and a happy vibe in the studio  I’m very lucky he’s one of my best mates, I’d like to thank Babes for at last telling me the sample for this wonderful track its Wilbert Longmire  - ‘Good Morning’ ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/4/_/uploads/229472/image_track/1235607/w1400_h1400_q70_ptrue_v2_----cropped_1488565400.jpg" />
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                                    <itunes:duration>6819</itunes:duration>
                                    
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                                    <guid isPermaLink="false">1226339</guid>
                                    
                                        <pubDate>Sun, 26 Feb 2017 10:45:48 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-26T10:45:48+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0404 Dusk Dubs - OST Special</title>
                                    <description><![CDATA[[OST SPECIAL]
Podcast: Dusk Dubs
Artist: Dusk Dubs OST Special 2017
Title: DD0404
Style: Soundtrack/Scores
Time: 95 minutes
Date: 2017-02-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome you to our 2017's Dusk Dubs OST Special.
This time, the scores!
Music that was composed and performed specifically to enhance the scene or feelings portrayed within the movie. What you will hear, is a collection of our favourites. From the most recent to the oldest, the most iconic, music involving emotions of sorrow, happiness, fear, anger, excitement and wonder. Let us take you back to those moments you felt the pain of Sam Bell looking back at Earth, or the absolute terror at the thought of a Xenomorph stalking you on LV-426. Be completely immersed in Hitchcock's many thrillers, and allow your mind to wander to a galaxy far, far away. Feel goose bumps at hearing the music associated with a gang of kids looking for One Eyed Willy, and remember that Goonies Never Say Die. Laugh when you hear the opening music to the greatest comedy of all time, and try not to let your mind replay a conversation about the white zone being for immediate loading and unloading of passengers only, not forgetting there is no stopping in the red zone. And of course, let's not forget when Arnie see's the truth on Mars, tries to terminate Sarah, and of course…..GET TO THE CHOPPA!!!!!
Tracklisting
Jerry Goldsmith, Lionel Newman & The National Philharmonic Orchestra - Main Title (Film Version) (ALIEN)
John Williams - Leia's News, Light Of The Force (RETURN OF THE JEDI)
Clint Mansell - Welcome to Lunar Industries (MOON)
Cliff Martinez - Is That What Everybody Wants (SOLARIS)
Shane Carruth - Copies of Copies (PRIMER)
Fall on Your Sword - Bob the Robot (ANOTHER EARTH)
Hans Zimmer - Cornfield Chase (INTERSTELLAR)
Shane Carruth - Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand (UPSTREAM COLOR)
Jóhann Jóhannsson - Opening / Ending (ARRIVAL)
Atticus Ross - Panoramic (THE BOOK OF ELI)
James Horner - Lv-426 (ALIENS)
Ennio Morricone - Main Theme (THE THING)
John Carpenter - Main Theme (ESCAPE FROM NEW YORK)
Basil Poledouris – Main Theme (ROBOCOP)
Alan Silvestri – Main Title (PREDATOR)
Brad Fiedel – Main Theme (THE TERMINATOR)
Jerry Goldsmith - The Mutant (TOTAL RECALL)
Elmer Bernstein – Max (CAPE FEAR)
Bernard Herrmann - Diary of a Taxi Driver (TAXI DRIVER)
Bernard Herrmann – Main Theme (VERTIGO)
Bernard Herrmann - Psycho (PSYCHO)
John Williams - The Death Star/The Stormtroopers (A NEW HOPE)
John Williams - Binary Sunset (A NEW HOPE)
John Williams - Yoda and the Force (THE EMPIRE STRIKES BACK)
Dave Grusin - Main Theme (THE GOONIES)
Elmer Bernstein – Opening Titles (AIRPLANE!)
Franz Waxman Lisa (REAR WINDOW)
Clint Mansell – Memories (MOON)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[OST SPECIAL]
Podcast: Dusk Dubs
Artist: Dusk Dubs OST Special 2017
Title: DD0404
Style: Soundtrack/Scores
Time: 95 minutes
Date: 2017-02-26
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome you to our 2017's Dusk Dubs OST Special.
This time, the scores!
Music that was composed and performed specifically to enhance the scene or feelings portrayed within the movie. What you will hear, is a collection of our favourites. From the most recent to the oldest, the most iconic, music involving emotions of sorrow, happiness, fear, anger, excitement and wonder. Let us take you back to those moments you felt the pain of Sam Bell looking back at Earth, or the absolute terror at the thought of a Xenomorph stalking you on LV-426. Be completely immersed in Hitchcock's many thrillers, and allow your mind to wander to a galaxy far, far away. Feel goose bumps at hearing the music associated with a gang of kids looking for One Eyed Willy, and remember that Goonies Never Say Die. Laugh when you hear the opening music to the greatest comedy of all time, and try not to let your mind replay a conversation about the white zone being for immediate loading and unloading of passengers only, not forgetting there is no stopping in the red zone. And of course, let's not forget when Arnie see's the truth on Mars, tries to terminate Sarah, and of course…..GET TO THE CHOPPA!!!!!
Tracklisting
Jerry Goldsmith, Lionel Newman & The National Philharmonic Orchestra - Main Title (Film Version) (ALIEN)
John Williams - Leia's News, Light Of The Force (RETURN OF THE JEDI)
Clint Mansell - Welcome to Lunar Industries (MOON)
Cliff Martinez - Is That What Everybody Wants (SOLARIS)
Shane Carruth - Copies of Copies (PRIMER)
Fall on Your Sword - Bob the Robot (ANOTHER EARTH)
Hans Zimmer - Cornfield Chase (INTERSTELLAR)
Shane Carruth - Leaves Expanded May Be Prevailing Blue Mixed with Yellow of the Sand (UPSTREAM COLOR)
Jóhann Jóhannsson - Opening / Ending (ARRIVAL)
Atticus Ross - Panoramic (THE BOOK OF ELI)
James Horner - Lv-426 (ALIENS)
Ennio Morricone - Main Theme (THE THING)
John Carpenter - Main Theme (ESCAPE FROM NEW YORK)
Basil Poledouris – Main Theme (ROBOCOP)
Alan Silvestri – Main Title (PREDATOR)
Brad Fiedel – Main Theme (THE TERMINATOR)
Jerry Goldsmith - The Mutant (TOTAL RECALL)
Elmer Bernstein – Max (CAPE FEAR)
Bernard Herrmann - Diary of a Taxi Driver (TAXI DRIVER)
Bernard Herrmann – Main Theme (VERTIGO)
Bernard Herrmann - Psycho (PSYCHO)
John Williams - The Death Star/The Stormtroopers (A NEW HOPE)
John Williams - Binary Sunset (A NEW HOPE)
John Williams - Yoda and the Force (THE EMPIRE STRIKES BACK)
Dave Grusin - Main Theme (THE GOONIES)
Elmer Bernstein – Opening Titles (AIRPLANE!)
Franz Waxman Lisa (REAR WINDOW)
Clint Mansell – Memories (MOON)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/9/1/_/uploads/229472/image_track/1226339/w1400_h1400_q70_ptrue_v2_----cropped_1487847192.jpg" />
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                                    <itunes:duration>5698</itunes:duration>
                                    
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                                    <guid isPermaLink="false">1218436</guid>
                                    
                                        <pubDate>Sun, 19 Feb 2017 10:29:50 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-19T10:29:50+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0403 Dusk Dubs - Salvatore Muscat</title>
                                    <description><![CDATA[[Salvatore Muscat]
Podcast: Dusk Dubs
Artist: Salvatore Muscat
Title: DD0403
Style: Trip-Hop/Electronica/Beats
Time: 72 minutes
Date: 2017-02-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Salvatore Muscat to the Dusk Dubs family....
"It was on a rainy night after a rave in Bristol (probably Dreamscape) in 1993, where we crashed in the living room at a friend's house which had a massive sound system blaring this awesome music to a mural backdrop on it read.... "Cannabis Cafe - Smokin Cuts", with some of the tracks from Massive Attack (Heat Miser) which were pretty post rave, David Holmes (Gone), Guy Called Gerald (Fever ) and Coldcut (True Skool). 
I was enjoying the moody, dark, yet lyrical sounds with loads of samples that I was hearing. Years passed, till when a few year's back it all came back to me and I started digging deeper. Names like Tricky and Portishead always came up (obviously) but I went deeper and deeper by discovering the awesome sounds of Earthling (Echo on my Mind) and Terranova (Bomb Bastards). 
So that was it for me, some great mid week sessions at my local followed, discovering Kanute (Fingerprints) and Red Snapper (Snapper). Many more compilations followed, where hip-hop became trip-hop and turned into downtempo, though discovering Wordup (We Wanna Go Back) and that's what I exactly did, discovering DJ Shadow (Midnight in a perfect World) and DJ Cam (Birds also sing for Annamaria) and Mighty Blizzard (Is it a wizzard or a blizzard) and of lately FourTet (Glue of the world) which just proves trip-hop influences are getting bigger and stronger. Boozoo Bajou (Keep Going) was a great discovery as was Screenatorium (Hypnosapiens) cinematic feeling and the appearance of Roots Manuva in loads of tracks that give that magic and smoky feeling .
As later on artists have taken inspiration from many other sources including world and orchestral influences like Cinematic Orchestra, although always keeping that oldschool and moody feeling. The tunes the Massives essembled by hand, between cups of herbal tea and lods of spliffs opened a poetic , evocative , emotional vein of music , which is still connecting hearts today.
Trip-Hop was tailor made for the moment - when a bopper wants to get tender. Or when domestic listeners seek to wander within themselves".
Tracklisting
1) Screenatorium - Hypnosapiens
2) Mighty Truth - Is it a wizzard or a blizzard?
3) DJ Cam - Birds also sing for Annamaria
4) David Holmes - Gone (Alter Ego Decoding Gone Pt.2 feat Sarah Cracknell)
5) Coldcut - True Skool feat. Roots Manuva
6) Earthling - Echo on my mind
7) Massive Attack - Heat Miser
8) Terranova - Bombing Bastards
9) Kanute - Fingerprints
10) A Guy Called Gerald - Fever (Black Dog Remix)
11) Red Snapper - Snapper
12) Word Up - We Wanna go back
13) DJ Shadow - Midnight in a perfect world
14) Four Tet - Glue of the world
15) Boozoo Bajou - Keep Going]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[[Salvatore Muscat]
Podcast: Dusk Dubs
Artist: Salvatore Muscat
Title: DD0403
Style: Trip-Hop/Electronica/Beats
Time: 72 minutes
Date: 2017-02-19
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome back Salvatore Muscat to the Dusk Dubs family....
"It was on a rainy night after a rave in Bristol (probably Dreamscape) in 1993, where we crashed in the living room at a friend's house which had a massive sound system blaring this awesome music to a mural backdrop on it read.... "Cannabis Cafe - Smokin Cuts", with some of the tracks from Massive Attack (Heat Miser) which were pretty post rave, David Holmes (Gone), Guy Called Gerald (Fever ) and Coldcut (True Skool). 
I was enjoying the moody, dark, yet lyrical sounds with loads of samples that I was hearing. Years passed, till when a few year's back it all came back to me and I started digging deeper. Names like Tricky and Portishead always came up (obviously) but I went deeper and deeper by discovering the awesome sounds of Earthling (Echo on my Mind) and Terranova (Bomb Bastards). 
So that was it for me, some great mid week sessions at my local followed, discovering Kanute (Fingerprints) and Red Snapper (Snapper). Many more compilations followed, where hip-hop became trip-hop and turned into downtempo, though discovering Wordup (We Wanna Go Back) and that's what I exactly did, discovering DJ Shadow (Midnight in a perfect World) and DJ Cam (Birds also sing for Annamaria) and Mighty Blizzard (Is it a wizzard or a blizzard) and of lately FourTet (Glue of the world) which just proves trip-hop influences are getting bigger and stronger. Boozoo Bajou (Keep Going) was a great discovery as was Screenatorium (Hypnosapiens) cinematic feeling and the appearance of Roots Manuva in loads of tracks that give that magic and smoky feeling .
As later on artists have taken inspiration from many other sources including world and orchestral influences like Cinematic Orchestra, although always keeping that oldschool and moody feeling. The tunes the Massives essembled by hand, between cups of herbal tea and lods of spliffs opened a poetic , evocative , emotional vein of music , which is still connecting hearts today.
Trip-Hop was tailor made for the moment - when a bopper wants to get tender. Or when domestic listeners seek to wander within themselves".
Tracklisting
1) Screenatorium - Hypnosapiens
2) Mighty Truth - Is it a wizzard or a blizzard?
3) DJ Cam - Birds also sing for Annamaria
4) David Holmes - Gone (Alter Ego Decoding Gone Pt.2 feat Sarah Cracknell)
5) Coldcut - True Skool feat. Roots Manuva
6) Earthling - Echo on my mind
7) Massive Attack - Heat Miser
8) Terranova - Bombing Bastards
9) Kanute - Fingerprints
10) A Guy Called Gerald - Fever (Black Dog Remix)
11) Red Snapper - Snapper
12) Word Up - We Wanna go back
13) DJ Shadow - Midnight in a perfect world
14) Four Tet - Glue of the world
15) Boozoo Bajou - Keep Going]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/8/6/_/uploads/229472/image_track/1218436/w1400_h1400_q70_ptrue_v2_----cropped_1487239682.jpg" />
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                                    <itunes:duration>4314</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1210551</guid>
                                    
                                        <pubDate>Sun, 12 Feb 2017 09:48:37 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-12T09:48:37+01:00</atom:updated>
                                        
                                    
                                    <artist>Dusk Dubs</artist>
                                    <title>DD0402 Dusk Dubs - Nibbers</title>
                                    <description><![CDATA[[ Nibbers]
Podcast: Dusk Dubs
Artist: Nibbers
Title: DD0402
Style: Soul/funk/house/love
Time: 90 minutes
Date: 2017-02-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
With Valentines just a round the corner, we welcome back our good friend and amazing selector Mr Nibbers, and for this special mixtape we have entrusted him with the task of providing an ode to 'Love".....
"S.Valentine, what a pile of commercialized crap… I hate S.Valentine…me and my partner don’t need to go out on a date to reaffirm our love for each other .. etc etc” These are normally the comments we have all heard through our life when discussing about this frankly lame celebration of love with friends, colleagues and acquaintances … but S.Valentine for me has never been about celebrating the person I was with or indeed loved at the time… it was all about those years of solitude … day dreaming about that girl who never considered you in the playground, or that friend of friend that you met at a party and fallen hopelessly in love with, despite being in the same room only for a couple of hours and you never saw again.
It was all about love to be found, or lost, about what could have been and never was. This selection of tunes is dedicated to all of those, like me in the past, who have experienced or are indeed experiencing the relentless quest for that Holy Grail called “Love”. Whatever it might be or wherever it might be, don’t give up because as ever: Love is the ultimate message regardless.
Big shout out and big big love to the Dusk Dubs Family as ever for asking me to contribute again to this magnificent project."
Tracklisting
1) Soul Family Sensation - I Don’t Even Know If I should Call You Karen Carpenter (Late Night Mix)
2) Boyd Jarvis - I Couldn’t Love You More (Mr K Edit)
3) Quincy Jones - Setembro (Brazilian Wedding Song)
4) Blue Gas - Shadows From Nowhere (Manu Archeo “There Are Shadows Because There Are Hills” Extended Edit)
5) Alfredo De La Fe’ - My Favourite Things
6) Randy Crawford & Joe Sample - Rio De Janeiro Blue (Album Version)
7) Penny Goodwin - Too Soon You’re Old
8) Thelma Jones - How Long
9) Gladys Knight & The Pips - Love Is Always On Your Mind (Extended 12” Version)
10) Jean Carn - Was That All It Was
11) Michael Jackson - Rock With You (Frankie Favourite Club Mix)
12) Double Exposure - My Love Is Free (Original Tom Moulton 12” Mix)
13) Ms (Sharon) Ridley - Changin’
1) Soul Family Sensation ~ I Don’t Even Know If I should Call You Karen Carpenter (Late Night Mix) - This is the tone setter of my selection. Marshall Jefferson on the buttons working his magic with as sleazy laid back remix. 5 AM business (thanks Marcus, you know why)
2) Boyd Jarvis ~ I Couldn’t Love You More (Mr K Edit) - His Majesty Mr K (aka Danny Krivit) works to hypnotic repetition this classic groove from the 80s, sang by one the most iconic soul voices of that era: Sade. Long long intro and then those wonderful melancholic lyrics break in. Great edit that brings out and extend the best of the original record (thanks Myles, you know why)
3) Quincy Jones ~ Setembro (Brazilian Wedding Song) – Wonderful wonderful record that incarnates my idea of love. Just listen to it. Quincy Jones covers this record with his touch of genius, as you would expect by the Maestro.
4) Blue Gas ~ Shadows From Nowhere (Manu Archeo “There Are Shadows Because There Are Hills” Extended Edit) – Obscure Italian synth pop reissued by the ever on point Archeo recordings label. It’s not about love per se’, it’s about a feel to chase, like you would do when chasing shadows. I did choose the edit as it masterfully stretches the groove, while being respectful of the original. As it should always be done in my opinion.
5) Alfredo De La Fe’ ~ My Favourite Things – Mancuso’s Loft Classic. A song covered by nearly every man and his dog, this version however is amazing (alongside the Al Jarreu’s live one – go check it for reference). RIP David and thanks for the legacy you left behind.
6) Randy Crawford & Joe Sample ~ Rio De Janeiro Blue (Album Version) – Randy’s voice. Wow. Nothing to add here.
7) Penny Goodwin ~ Too Soon You’re Old – Little Jazz number. It starts slowly and then takes a rather frantic turn at the end. Quirky and soulful gem reissued by the great label Athens Of North.
8) Thelma Jones ~ How Long - I love Thelma’s slightly gritty voice (like I do Gwen’s Mc Rae one) and I love the lyrics of this record. Expansions strikes again. Another great reissue and new to me too.
9) Gladys Knight & The Pips ~ Love Is Always On Your Mind (Extended 12” Version) – T for Terrific as one of my all time favourite Mcs would say. This is the extended disco version (which you can find on the LP too) in its full 12” (loud and crystal clear) pressing. Glady’s glorious voice pinpointing the infectious groove of this record. Nearly 10 minutes of it. If you don’t play this record in its entirety, you should be stoned to death (using your entire collection as a weapon).
10) Jean Carn ~ Was That All It Was – The only version, as far as I am concerned. Kym Gazelle covered this and it became a Sasha’s anthem of his 90s epic sets (according to my mate Ian – I was never there to witness sadly). For me however the blueprint is the best version of it. Wonderful Philadelphia classic.
11) Michael Jackson ~ Rock With You (Frankie Favourite Club Mix) - Classic Rod Temperton’s production (RIP). Rinsed to death, yes. Give this remix a chance though. I did and was blown away. This features on Dim’s Frankie Knuckles tribute mix (RIP again). All about the intro for me .. and that smooth bass line of course. Frankie we all miss you.
12) Double Exposure ~ My Love Is Free (Original Tom Moulton 12” Mix) – Salsoul classic brought to you by the uber classic disco band Ten Percent. One of the finest Tom Moulton’s work in my honest opinion. Extended, relentless, groovy remix. With a touch of melancholy of course and a little beg for love.
13) Ms (Sharon) Ridley ~ Changin’ - What can I say about this record? It’s beautiful and leaves you with a hope that changes are ahead and there’s a light at the end of that tunnel. Who knows that might even mean one thing: love.]]></description>
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                                    <itunes:summary><![CDATA[[ Nibbers]
Podcast: Dusk Dubs
Artist: Nibbers
Title: DD0402
Style: Soul/funk/house/love
Time: 90 minutes
Date: 2017-02-12
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
With Valentines just a round the corner, we welcome back our good friend and amazing selector Mr Nibbers, and for this special mixtape we have entrusted him with the task of providing an ode to 'Love".....
"S.Valentine, what a pile of commercialized crap… I hate S.Valentine…me and my partner don’t need to go out on a date to reaffirm our love for each other .. etc etc” These are normally the comments we have all heard through our life when discussing about this frankly lame celebration of love with friends, colleagues and acquaintances … but S.Valentine for me has never been about celebrating the person I was with or indeed loved at the time… it was all about those years of solitude … day dreaming about that girl who never considered you in the playground, or that friend of friend that you met at a party and fallen hopelessly in love with, despite being in the same room only for a couple of hours and you never saw again.
It was all about love to be found, or lost, about what could have been and never was. This selection of tunes is dedicated to all of those, like me in the past, who have experienced or are indeed experiencing the relentless quest for that Holy Grail called “Love”. Whatever it might be or wherever it might be, don’t give up because as ever: Love is the ultimate message regardless.
Big shout out and big big love to the Dusk Dubs Family as ever for asking me to contribute again to this magnificent project."
Tracklisting
1) Soul Family Sensation - I Don’t Even Know If I should Call You Karen Carpenter (Late Night Mix)
2) Boyd Jarvis - I Couldn’t Love You More (Mr K Edit)
3) Quincy Jones - Setembro (Brazilian Wedding Song)
4) Blue Gas - Shadows From Nowhere (Manu Archeo “There Are Shadows Because There Are Hills” Extended Edit)
5) Alfredo De La Fe’ - My Favourite Things
6) Randy Crawford & Joe Sample - Rio De Janeiro Blue (Album Version)
7) Penny Goodwin - Too Soon You’re Old
8) Thelma Jones - How Long
9) Gladys Knight & The Pips - Love Is Always On Your Mind (Extended 12” Version)
10) Jean Carn - Was That All It Was
11) Michael Jackson - Rock With You (Frankie Favourite Club Mix)
12) Double Exposure - My Love Is Free (Original Tom Moulton 12” Mix)
13) Ms (Sharon) Ridley - Changin’
1) Soul Family Sensation ~ I Don’t Even Know If I should Call You Karen Carpenter (Late Night Mix) - This is the tone setter of my selection. Marshall Jefferson on the buttons working his magic with as sleazy laid back remix. 5 AM business (thanks Marcus, you know why)
2) Boyd Jarvis ~ I Couldn’t Love You More (Mr K Edit) - His Majesty Mr K (aka Danny Krivit) works to hypnotic repetition this classic groove from the 80s, sang by one the most iconic soul voices of that era: Sade. Long long intro and then those wonderful melancholic lyrics break in. Great edit that brings out and extend the best of the original record (thanks Myles, you know why)
3) Quincy Jones ~ Setembro (Brazilian Wedding Song) – Wonderful wonderful record that incarnates my idea of love. Just listen to it. Quincy Jones covers this record with his touch of genius, as you would expect by the Maestro.
4) Blue Gas ~ Shadows From Nowhere (Manu Archeo “There Are Shadows Because There Are Hills” Extended Edit) – Obscure Italian synth pop reissued by the ever on point Archeo recordings label. It’s not about love per se’, it’s about a feel to chase, like you would do when chasing shadows. I did choose the edit as it masterfully stretches the groove, while being respectful of the original. As it should always be done in my opinion.
5) Alfredo De La Fe’ ~ My Favourite Things – Mancuso’s Loft Classic. A song covered by nearly every man and his dog, this version however is amazing (alongside the Al Jarreu’s live one – go check it for reference). RIP David and thanks for the legacy you left behind.
6) Randy Crawford & Joe Sample ~ Rio De Janeiro Blue (Album Version) – Randy’s voice. Wow. Nothing to add here.
7) Penny Goodwin ~ Too Soon You’re Old – Little Jazz number. It starts slowly and then takes a rather frantic turn at the end. Quirky and soulful gem reissued by the great label Athens Of North.
8) Thelma Jones ~ How Long - I love Thelma’s slightly gritty voice (like I do Gwen’s Mc Rae one) and I love the lyrics of this record. Expansions strikes again. Another great reissue and new to me too.
9) Gladys Knight & The Pips ~ Love Is Always On Your Mind (Extended 12” Version) – T for Terrific as one of my all time favourite Mcs would say. This is the extended disco version (which you can find on the LP too) in its full 12” (loud and crystal clear) pressing. Glady’s glorious voice pinpointing the infectious groove of this record. Nearly 10 minutes of it. If you don’t play this record in its entirety, you should be stoned to death (using your entire collection as a weapon).
10) Jean Carn ~ Was That All It Was – The only version, as far as I am concerned. Kym Gazelle covered this and it became a Sasha’s anthem of his 90s epic sets (according to my mate Ian – I was never there to witness sadly). For me however the blueprint is the best version of it. Wonderful Philadelphia classic.
11) Michael Jackson ~ Rock With You (Frankie Favourite Club Mix) - Classic Rod Temperton’s production (RIP). Rinsed to death, yes. Give this remix a chance though. I did and was blown away. This features on Dim’s Frankie Knuckles tribute mix (RIP again). All about the intro for me .. and that smooth bass line of course. Frankie we all miss you.
12) Double Exposure ~ My Love Is Free (Original Tom Moulton 12” Mix) – Salsoul classic brought to you by the uber classic disco band Ten Percent. One of the finest Tom Moulton’s work in my honest opinion. Extended, relentless, groovy remix. With a touch of melancholy of course and a little beg for love.
13) Ms (Sharon) Ridley ~ Changin’ - What can I say about this record? It’s beautiful and leaves you with a hope that changes are ahead and there’s a light at the end of that tunnel. Who knows that might even mean one thing: love.]]></itunes:summary>
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                                    <artist>Dusk Dubs</artist>
                                    <title>DD0401 Dusk Dubs - Trevor Fung</title>
                                    <description><![CDATA[[ Trevor Fung]
Podcast: Dusk Dubs
Artist: Trevor Fung
Title: DD0401
Style: Downtempo/Balearic/Disco/House
Time: 77 minutes
Date: 2017-02-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, legendary DJ Trevor Fung to the Dusk Dubs family.
"In the beginning there was House Music…"
And when Balearic and Acid House were born, Trevor Fung was present and instrumental in the birth of the new musical revolution. He was described then and now as a Legend of UK House.
Since he bought his first ever US import 7” from Cooltempo Records in Hanway St W1 (Juggy Murray Jones – “Inside America” on Jupiter Records 1976), Trevor has never looked back, always searching for that tune, seeking out, the important, that energetic tracks, that would blow ordinary music sets off the dance floor !! His role as a DJ and love for travelling has nurtured many of different scenes, all over the world, been there from the beginning and he still craves more, for his love and desire to share the best music on the planet.
Trevor Fung born a Soul Boy in South London …
A Soul Boy from a South American family living in the heart of South London, Trevor began impressing his peers with his musical knowledge of transatlantic Soul; creating a name with his own unique flavour of beats; A fusion of Disco, Jazz and Hip Hop.  With regular sets at Caister, Flicks, Papillon, The Wag and Rumours. In 1977 the White Isle beckoned and a whole new dimension to Trevor’s sound was born.  Café Del Mar, Es Paradis and a DJ called Carlos. With Trevor travelling back and forth records were changing hands.  A fresh style of play was emerging.  Electro mixed with Spanish, US Pop merged in to Soul, Jazz and Hip-Hop thrown together to create a style so eclectic and new. In 1982 Trevor launched his own night Zigi’s in South London with Paul Oakenfold and Carl Cox as the warm up DJ.
In 1983 Trevor decided to focus his energy in music and jacked in his day job in the UK.  He decided to stay in Ibiza for the Season, with Carlos hooking up gigs at If Bar and Star Club. It soon blew up with Trevor’s monthly trips back to London & the US to pick up records for other DJ’s and record dealers on the island, nights out at Pasha and KU, plus a summer long set at Amnesia in 1984. In the UK, Trevor and long-time friend Paul Oakenfold, launched The Funhouse, playing similar sounds from his Ibiza sets.
1987 Trevor opened The Project Ibiza with cousin Ian St Paul.  The Balearic Beat now had a name.  An unusual combination of musical flavours, played to a very mixed up crowd. The UK music industry was inspired by this innovation and Trevor published what is now a classic compilation of tracks from that time.  The iconic Balearic Beats Album.
1987 all the boys arrived at The Project Ibiza – Paul Oakenfold, Johnny Walker, Danny Rampling, Nicky Holloway.  The rest is DJ history…
By 1988 Trevor’s influence over other DJ’s ignited a chain reaction back in London.  Good friends Nicky Holloway & Danny Rampling began to change the face of the London scene with Trevor, by launching ground breaking nights – Future, Spectrum, Shoom, Rage, The Land of Oz and The Trip.  
1987 through 1989 Sunrise, Energy, World Dance, The Hacienda were all kicking off.  Trevor played alongside DJ Pierre, Danny Krivitz, Robert Owens, Underground Resistance, Derek May, Joey Negro, Sven Vath,  Kevin Saunderson, Kerri Chandler, Blake Baxter, Resse & Santonio, Eddi Foulkes, Jazzy Jeff, Todd Terry, Alfredo, Jose Padillia, Frank Roger, Phil Asher, Stuart Patterson, Frankie Bones, Greg Wilson, Bill Brewster, Gilles Peterson, Colin Favor, Paul Trouble Anderson, Graeme Park, Mike Pickering, Bushwacka, Frankie Valentine and many more...
House Music history was written on these nights…
And he is still doing it now, challenging, playing around with all diverse styles and concepts, embracing new ideas that what he does best !! Driven by his pure passion, lively imagination, cheeky sense of humor and also having lots of fun on route.
You can find him here:
facebook.com/TrevorFungBaleari...MusicDJProducer
twitter.com/trevorfun
hearthis.at/thehouseoftheflyin...set/trevor-fung
mixcloud.com/TrevorFung
soundcloud.com/trevorfung
For all DJ & Production bookings contact Derek Hazell 07568495620   derek@impeccableagency.com 
impeccableagency.com/artists/trevor-fung 
Tracklisting
1) Terrence Parker - Lonely World (Original Mix) - (D3 Elements 2014) - This Detroit producer has making techno records since 1992, this track was originally out in 2008, and has just been re-released.
2) Nina Simone - Blackbird (Jascha & Martha Acid Bird Remix) (Colpix Records 1963) - One of the best ever-female vocalists, this mix brings it up to date, a painfully good tune.  Blackbird…
3) Deep88 - Summer (Slow Porno Mix) (Promo 2014) - This Italian producer put his magic touch to Kool & the Gang’s “Summer Madness” and turns out wonderful.
4) The Peddlers - On A Clear Day You Can See Forever (Epic records 1969) On a clear day, you can certainly see the clouds with Breaking Bad’s Heisenberg walking thru them. Bad Ass.
5) Cream De Coco - Disco Strut (Free Spirit 1976) - Bought the original LP in 1976, then it was re-released on Salsoul Records and they do put some good tunes out, Disco at it’s best.
6) Nobukazu Takemura - Hoping For The Sun (Dew Drop Mix) (Big Chameleon ‎ Japan 1993) - This Hip Hop & Jazz DJ from Japan, killing it on the Mo’Wax label.
7) DJ Wally Pish Posh - 1992 (Samz Jointz Recordings 2012) - Underground Hip Hop & Dn’B producer DJ Wally aka Pish Posh from Queens, New York, who keeps it Jazzy, check out the LP “Fun for the Whole Family”.
8) Golden Teacher  - Instigator (Dub) (Optimo Music 2015) - One of the very best producers the UK has ever produced.  From first hearing his work on the magnificent 'Silly Games" by Janet Kay…. Check this out….
9) Ryuzaki Tsukawa - Spadina Avenue (Armoracya 2016) - Don’t know much about this Artist, but check some lovely Balearic Downtempo tunes from the label..Armoracya.
10) Moscoman -Chickpea (ESP Institute 2016) - Tel Aviv's Moscoman returns to the always reliable ESP Institute for more of his infectious grooves, much like fellow homeboys Red Axes.
11) Carmine Rafael Faro - Malibu ( Armoracya 2017) -Chill Out/Jazz/Lounge from the music label Armoracya label again…
12) Rick Wade - The Chateau (Fina Records 2014) - American deep house recording artist & DJ, based in Detroit, has being making tracks like this since 1992.   A this is his groove…
13) Kassem Mosse - Flowers In May (Honest Jon's Records 2015) - An odd culture clash, with the folksy, atmospheric pop of American singer/songwriter Simone White being given a thorough going over by Kassem Mosse, just a little bit of drums and a lot of atmosphere.]]></description>
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                                    <itunes:summary><![CDATA[[ Trevor Fung]
Podcast: Dusk Dubs
Artist: Trevor Fung
Title: DD0401
Style: Downtempo/Balearic/Disco/House
Time: 77 minutes
Date: 2017-02-05
Dusk Dubs returns with another incredible journey through sounds. As always, our guest provides us with music that has a special place in their memories and in their souls. Music that moves them, that invokes images of sunrises, sunsets, good times and good people. We then play each record, in full, giving it breathing space and allowing it to shine.
This week we welcome, legendary DJ Trevor Fung to the Dusk Dubs family.
"In the beginning there was House Music…"
And when Balearic and Acid House were born, Trevor Fung was present and instrumental in the birth of the new musical revolution. He was described then and now as a Legend of UK House.
Since he bought his first ever US import 7” from Cooltempo Records in Hanway St W1 (Juggy Murray Jones – “Inside America” on Jupiter Records 1976), Trevor has never looked back, always searching for that tune, seeking out, the important, that energetic tracks, that would blow ordinary music sets off the dance floor !! His role as a DJ and love for travelling has nurtured many of different scenes, all over the world, been there from the beginning and he still craves more, for his love and desire to share the best music on the planet.
Trevor Fung born a Soul Boy in South London …
A Soul Boy from a South American family living in the heart of South London, Trevor began impressing his peers with his musical knowledge of transatlantic Soul; creating a name with his own unique flavour of beats; A fusion of Disco, Jazz and Hip Hop.  With regular sets at Caister, Flicks, Papillon, The Wag and Rumours. In 1977 the White Isle beckoned and a whole new dimension to Trevor’s sound was born.  Café Del Mar, Es Paradis and a DJ called Carlos. With Trevor travelling back and forth records were changing hands.  A fresh style of play was emerging.  Electro mixed with Spanish, US Pop merged in to Soul, Jazz and Hip-Hop thrown together to create a style so eclectic and new. In 1982 Trevor launched his own night Zigi’s in South London with Paul Oakenfold and Carl Cox as the warm up DJ.
In 1983 Trevor decided to focus his energy in music and jacked in his day job in the UK.  He decided to stay in Ibiza for the Season, with Carlos hooking up gigs at If Bar and Star Club. It soon blew up with Trevor’s monthly trips back to London & the US to pick up records for other DJ’s and record dealers on the island, nights out at Pasha and KU, plus a summer long set at Amnesia in 1984. In the UK, Trevor and long-time friend Paul Oakenfold, launched The Funhouse, playing similar sounds from his Ibiza sets.
1987 Trevor opened The Project Ibiza with cousin Ian St Paul.  The Balearic Beat now had a name.  An unusual combination of musical flavours, played to a very mixed up crowd. The UK music industry was inspired by this innovation and Trevor published what is now a classic compilation of tracks from that time.  The iconic Balearic Beats Album.
1987 all the boys arrived at The Project Ibiza – Paul Oakenfold, Johnny Walker, Danny Rampling, Nicky Holloway.  The rest is DJ history…
By 1988 Trevor’s influence over other DJ’s ignited a chain reaction back in London.  Good friends Nicky Holloway & Danny Rampling began to change the face of the London scene with Trevor, by launching ground breaking nights – Future, Spectrum, Shoom, Rage, The Land of Oz and The Trip.  
1987 through 1989 Sunrise, Energy, World Dance, The Hacienda were all kicking off.  Trevor played alongside DJ Pierre, Danny Krivitz, Robert Owens, Underground Resistance, Derek May, Joey Negro, Sven Vath,  Kevin Saunderson, Kerri Chandler, Blake Baxter, Resse & Santonio, Eddi Foulkes, Jazzy Jeff, Todd Terry, Alfredo, Jose Padillia, Frank Roger, Phil Asher, Stuart Patterson, Frankie Bones, Greg Wilson, Bill Brewster, Gilles Peterson, Colin Favor, Paul Trouble Anderson, Graeme Park, Mike Pickering, Bushwacka, Frankie Valentine and many more...
House Music history was written on these nights…
And he is still doing it now, challenging, playing around with all diverse styles and concepts, embracing new ideas that what he does best !! Driven by his pure passion, lively imagination, cheeky sense of humor and also having lots of fun on route.
You can find him here:
facebook.com/TrevorFungBaleari...MusicDJProducer
twitter.com/trevorfun
hearthis.at/thehouseoftheflyin...set/trevor-fung
mixcloud.com/TrevorFung
soundcloud.com/trevorfung
For all DJ & Production bookings contact Derek Hazell 07568495620   derek@impeccableagency.com 
impeccableagency.com/artists/trevor-fung 
Tracklisting
1) Terrence Parker - Lonely World (Original Mix) - (D3 Elements 2014) - This Detroit producer has making techno records since 1992, this track was originally out in 2008, and has just been re-released.
2) Nina Simone - Blackbird (Jascha & Martha Acid Bird Remix) (Colpix Records 1963) - One of the best ever-female vocalists, this mix brings it up to date, a painfully good tune.  Blackbird…
3) Deep88 - Summer (Slow Porno Mix) (Promo 2014) - This Italian producer put his magic touch to Kool & the Gang’s “Summer Madness” and turns out wonderful.
4) The Peddlers - On A Clear Day You Can See Forever (Epic records 1969) On a clear day, you can certainly see the clouds with Breaking Bad’s Heisenberg walking thru them. Bad Ass.
5) Cream De Coco - Disco Strut (Free Spirit 1976) - Bought the original LP in 1976, then it was re-released on Salsoul Records and they do put some good tunes out, Disco at it’s best.
6) Nobukazu Takemura - Hoping For The Sun (Dew Drop Mix) (Big Chameleon ‎ Japan 1993) - This Hip Hop & Jazz DJ from Japan, killing it on the Mo’Wax label.
7) DJ Wally Pish Posh - 1992 (Samz Jointz Recordings 2012) - Underground Hip Hop & Dn’B producer DJ Wally aka Pish Posh from Queens, New York, who keeps it Jazzy, check out the LP “Fun for the Whole Family”.
8) Golden Teacher  - Instigator (Dub) (Optimo Music 2015) - One of the very best producers the UK has ever produced.  From first hearing his work on the magnificent 'Silly Games" by Janet Kay…. Check this out….
9) Ryuzaki Tsukawa - Spadina Avenue (Armoracya 2016) - Don’t know much about this Artist, but check some lovely Balearic Downtempo tunes from the label..Armoracya.
10) Moscoman -Chickpea (ESP Institute 2016) - Tel Aviv's Moscoman returns to the always reliable ESP Institute for more of his infectious grooves, much like fellow homeboys Red Axes.
11) Carmine Rafael Faro - Malibu ( Armoracya 2017) -Chill Out/Jazz/Lounge from the music label Armoracya label again…
12) Rick Wade - The Chateau (Fina Records 2014) - American deep house recording artist & DJ, based in Detroit, has being making tracks like this since 1992.   A this is his groove…
13) Kassem Mosse - Flowers In May (Honest Jon's Records 2015) - An odd culture clash, with the folksy, atmospheric pop of American singer/songwriter Simone White being given a thorough going over by Kassem Mosse, just a little bit of drums and a lot of atmosphere.]]></itunes:summary>
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</rss>