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        <lastBuildDate>Mon, 20 Apr 2026 08:20:06 +0200</lastBuildDate>
        <title><![CDATA[big bag of music]]></title>

        <link>https://hearthis.at/sevenism/set/big-bag-of-music/</link>
    	<copyright></copyright>
		
		<itunes:subtitle><![CDATA[big bag of music]]></itunes:subtitle>
		
		<itunes:author><![CDATA[hearthis.at]]></itunes:author>
		
		<itunes:summary><![CDATA[wanted to see how muchh of my music is on here.. 35 hours! awesome ]]></itunes:summary>
		
		<description><![CDATA[wanted to see how muchh of my music is on here.. 35 hours! awesome ]]></description>
		
		<itunes:owner>
		
		<itunes:name><![CDATA[hearthis.at]]></itunes:name>
		
		
		<itunes:email>contact@hearthis.at</itunes:email>
		
		</itunes:owner>
		
		<language>en-EN</language>
		<itunes:image href="https://img.hearthis.at/8/0/1/_/uploads/801843/image_track/3082298/w1400_h1400_q70_ptrue_v2_----cropped_1557486516108.jpg" />
        <image>
          <link>https://hearthis.at/sevenism/set/big-bag-of-music/</link>
          <title>big bag of music</title>
          <url>https://img.hearthis.at/8/0/1/_/uploads/801843/image_track/3082298/w1400_h1400_q70_ptrue_v2_----cropped_1557486516108.jpg</url>
        </image>
		<itunes:explicit>no</itunes:explicit>
		<category><![CDATA[Music]]></category>
		<itunes:category text="Music"/>
		<itunes:keywords><![CDATA[]]></itunes:keywords>
		


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                                    <guid isPermaLink="false">3082298</guid>
                                    
                                        <pubDate>Fri, 10 May 2019 13:08:36 +0200</pubDate>
                                        
                                        <atom:updated>2019-05-10T13:08:36+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>g h o s t s</title>
                                    <description><![CDATA[Mix inspired by lrb.co.uk/v41/n09/jenny-turner...ger-but-not-yet
tracks:
arovane - tokyo ghost stories
Air - Ghost Song
Burial - Ghost Hardware
Forest Swords - Bones (Ghost Hunter Remix)
Goldie - Rider's Ghost (The Origin)
Sean McCann - Ghost Farm Inn
Jessica Bailiff - Your Ghost Is Not Enough
Gang Violins - Ghosts of Aleppo
James Blackshaw - Running to the Ghost
DJ Shadow - giving up the ghost
Radiohead - Give Up The Ghost
The Surf The Sundried - Ghost Tool
Kelpe - Yippee Space Ghost (Sid version)
µ-Ziq - Ghost Electron
UNKLE - Ghosts (String Reprise)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/g-h-o-s-t-s/listen.mp3?s=ZxA" length="28389986" />
                                    <link>https://hearthis.at/sevenism/g-h-o-s-t-s/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>37ad6c1e83dcf092f77ddbceb60ce476.m4a</hq_filename>
                                    <hq_filetype>m4a</hq_filetype>
                                    <stream>https://stream70.hearthis.at/37ad6c1e83dcf092f77ddbceb60ce476.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/g-h-o-s-t-s/listen.mp3?s=ZxA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Mix inspired by lrb.co.uk/v41/n09/jenny-turner...ger-but-not-yet
tracks:
arovane - tokyo ghost stories
Air - Ghost Song
Burial - Ghost Hardware
Forest Swords - Bones (Ghost Hunter Remix)
Goldie - Rider's Ghost (The Origin)
Sean McCann - Ghost Farm Inn
Jessica Bailiff - Your Ghost Is Not Enough
Gang Violins - Ghosts of Aleppo
James Blackshaw - Running to the Ghost
DJ Shadow - giving up the ghost
Radiohead - Give Up The Ghost
The Surf The Sundried - Ghost Tool
Kelpe - Yippee Space Ghost (Sid version)
µ-Ziq - Ghost Electron
UNKLE - Ghosts (String Reprise)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/0/1/_/uploads/801843/image_track/3082298/w1400_h1400_q70_ptrue_v2_----cropped_1557486516108.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/g-h-o-s-t-s/</feedburner:origLink>
                                    <itunes:duration>3336</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2839811</guid>
                                    
                                        <pubDate>Fri, 22 Feb 2019 15:59:17 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-22T15:59:17+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>human music - disquiet0373</title>
                                    <description><![CDATA[human music, what we've intercepted, is very slow so one of the challenges of representation is making it comprehensible and interesting while retaining a sense of authenticity. this piece has been slowed to a mean of 999bpm and drops interminably to 354bpm for a long moment, bear with this, reflect on primitivity: humans still believe that speed of conscious thought and speed of music are commensurate. worse, they believe that sub-conscious (embodied-)emotion should be represented by further slowing when of course intensity is better represented by quickening gradients. likewise, they waste resources making instruments that actually produce sound waves, despite attaining tech that recreates this efficiently. almost no environmental sounds are used to create music. (we do have to remember that this is their first cycle before pre-civ so of course they'll be likely resistant to change.) randomized earth sounds have been used (synthesized alarm/didgeridoo/motorcycle/pool balls) with a 7 point vibration delineation system. as usual environmental/resynthesized sounds were reverse engineered to recreate their rudimentary software.
(random freesound samples in protoplasm. i felt like assuming!)
.
llllllll.co/t/disquiet-junto-p...opernican-music
Disquiet Junto Project 0373: Copernican Music
The Assignment: Record a piece of music intended for an alien species.
This week’s project was made as a proposition by the artist Jonathon Keats:
Step 1: Compose a work of music for sentient beings elsewhere in the universe. Aside from sentience, assume nothing about your audience culturally or cognitively. Make a connection by modulating frequency and amplitude over time.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/human-music-disquiet0373/listen.mp3?s=UrP" length="2383620" />
                                    <link>https://hearthis.at/sevenism/human-music-disquiet0373/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>4655510d6c2a18622fbe2fa9eaa09ddc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/4655510d6c2a18622fbe2fa9eaa09ddc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/human-music-disquiet0373/listen.mp3?s=UrP" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[human music, what we've intercepted, is very slow so one of the challenges of representation is making it comprehensible and interesting while retaining a sense of authenticity. this piece has been slowed to a mean of 999bpm and drops interminably to 354bpm for a long moment, bear with this, reflect on primitivity: humans still believe that speed of conscious thought and speed of music are commensurate. worse, they believe that sub-conscious (embodied-)emotion should be represented by further slowing when of course intensity is better represented by quickening gradients. likewise, they waste resources making instruments that actually produce sound waves, despite attaining tech that recreates this efficiently. almost no environmental sounds are used to create music. (we do have to remember that this is their first cycle before pre-civ so of course they'll be likely resistant to change.) randomized earth sounds have been used (synthesized alarm/didgeridoo/motorcycle/pool balls) with a 7 point vibration delineation system. as usual environmental/resynthesized sounds were reverse engineered to recreate their rudimentary software.
(random freesound samples in protoplasm. i felt like assuming!)
.
llllllll.co/t/disquiet-junto-p...opernican-music
Disquiet Junto Project 0373: Copernican Music
The Assignment: Record a piece of music intended for an alien species.
This week’s project was made as a proposition by the artist Jonathon Keats:
Step 1: Compose a work of music for sentient beings elsewhere in the universe. Aside from sentience, assume nothing about your audience culturally or cognitively. Make a connection by modulating frequency and amplitude over time.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/7/1/_/uploads/801843/image_track/2839811/w1400_h1400_q70_ptrue_v2_----cropped_1550947903176.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/human-music-disquiet0373/</feedburner:origLink>
                                    <itunes:duration>148</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2836012</guid>
                                    
                                        <pubDate>Thu, 21 Feb 2019 18:34:53 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-21T18:34:53+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>petals fall away – naviarhaiku268</title>
                                    <description><![CDATA[used a midi file with a cacophony of notes, gradually removed notes and slowed the tempo, to evoke petals falling away
a difficult listen at first, you might want to skip to the 3 minute mark
zebralette/ambient reverb/ozone imager
.
naviarhaiku268 – transience . . .
The haiku we present this week was awarded “Best Haiku, Canada” in the 2017 Vancouver Cherry Blossom Festival Haiku Invitational. The beautiful picture that accompanies it is by Annie Spratt.
Debbie Strange is an internationally published short form poet, haiga artist, and photographer whose creative passions bring her closer to the world and to herself. She has a deep reverence for nature, and her work often reflects that affinity. Debbie maintains a publication and awards archive at debbiemstrange.blogspot.com which also includes hundreds of haiga, and reviews of her books. Please visit her on Twitter @Debbie_Strange.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 27th February 2019
haiku by Debbie Strange debbiemstrange.blogspot.com
picture by Annie Spratt unsplash.com/@anniespratt]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/petals-fall-away-naviarhaiku268/listen.mp3?s=Jmb" length="5754043" />
                                    <link>https://hearthis.at/sevenism/petals-fall-away-naviarhaiku268/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>5dbb5883b1231816de7e8e74592f4626.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/5dbb5883b1231816de7e8e74592f4626.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/petals-fall-away-naviarhaiku268/listen.mp3?s=Jmb" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used a midi file with a cacophony of notes, gradually removed notes and slowed the tempo, to evoke petals falling away
a difficult listen at first, you might want to skip to the 3 minute mark
zebralette/ambient reverb/ozone imager
.
naviarhaiku268 – transience . . .
The haiku we present this week was awarded “Best Haiku, Canada” in the 2017 Vancouver Cherry Blossom Festival Haiku Invitational. The beautiful picture that accompanies it is by Annie Spratt.
Debbie Strange is an internationally published short form poet, haiga artist, and photographer whose creative passions bring her closer to the world and to herself. She has a deep reverence for nature, and her work often reflects that affinity. Debbie maintains a publication and awards archive at debbiemstrange.blogspot.com which also includes hundreds of haiga, and reviews of her books. Please visit her on Twitter @Debbie_Strange.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 27th February 2019
haiku by Debbie Strange debbiemstrange.blogspot.com
picture by Annie Spratt unsplash.com/@anniespratt]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/6/0/_/uploads/801843/image_track/2836012/w1400_h1400_q70_ptrue_v2_----cropped_1550779707067.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/petals-fall-away-naviarhaiku268/</feedburner:origLink>
                                    <itunes:duration>359</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2820677</guid>
                                    
                                        <pubDate>Fri, 15 Feb 2019 13:30:53 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-15T13:30:53+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>pulsar love (disquiet0372)</title>
                                    <description><![CDATA[i think the last instrument i got was art pyrite softsynth. i try not to get too much new stuff; work with what i've got (depth v breadth / necessity is the mother of invention etc)
i played for a few minutes and turned up the depth and feedback on the drone setting throughout. weirdly when i looked at the recording it said i'd been playing for over 9 minutes. just did a little limiting and normalized it.
...
More on this 372nd weekly Disquiet Junto project — Honeymoon Phase / The Assignment: Record a piece of music with (only) your most recently obtained instrument or music/sound tool — at:
disquiet.com/0372
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/disquiet-junto-p...honeymoon-phase
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.
Image associated with this project adapted thanks to a Creative Commons license from a photo by Thorsten Sideb0ard:
flickr.com/photos/sideb0ard/10364491865
creativecommons.org/licenses/b...es/by-nc-sa/2.0]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/pulsar-love-disquiet0372/listen.mp3?s=ymk" length="8757079" />
                                    <link>https://hearthis.at/sevenism/pulsar-love-disquiet0372/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>009d98f6d788f05b0b3737ef4e72f393.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/009d98f6d788f05b0b3737ef4e72f393.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/pulsar-love-disquiet0372/listen.mp3?s=ymk" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i think the last instrument i got was art pyrite softsynth. i try not to get too much new stuff; work with what i've got (depth v breadth / necessity is the mother of invention etc)
i played for a few minutes and turned up the depth and feedback on the drone setting throughout. weirdly when i looked at the recording it said i'd been playing for over 9 minutes. just did a little limiting and normalized it.
...
More on this 372nd weekly Disquiet Junto project — Honeymoon Phase / The Assignment: Record a piece of music with (only) your most recently obtained instrument or music/sound tool — at:
disquiet.com/0372
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/disquiet-junto-p...honeymoon-phase
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.
Image associated with this project adapted thanks to a Creative Commons license from a photo by Thorsten Sideb0ard:
flickr.com/photos/sideb0ard/10364491865
creativecommons.org/licenses/b...es/by-nc-sa/2.0]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/1/_/uploads/801843/image_track/2820677/w1400_h1400_q70_ptrue_v2_----cropped_1550239139195.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/pulsar-love-disquiet0372/</feedburner:origLink>
                                    <itunes:duration>547</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2820679</guid>
                                    
                                        <pubDate>Thu, 14 Feb 2019 17:12:36 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-14T17:12:36+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>wildflower rise (naviarhaiku267)</title>
                                    <description><![CDATA[thousands of wildflowers
koto and guzheng samples
.
.
.
naviarhaiku267 – spring breeze
dl mattila lives in the USA. She’s the author of Quietus, a collection of poems published on Finishing Line Press. Her work has been published in Downhome Magazine (NL), Shot Glass Journal, and The Rotary Dial (CA), among others.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 20th February 2019
haiku by dl mattila thehaikufoundation.org/poet-de.../?IDclient=1951
picture by Aaron Burden unsplash.com/@aaronburden]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/wildflower-rise-naviarhaiku267/listen.mp3?s=e1k" length="6126026" />
                                    <link>https://hearthis.at/sevenism/wildflower-rise-naviarhaiku267/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>77849c6420c33f0332a651a4c75373d8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/77849c6420c33f0332a651a4c75373d8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/wildflower-rise-naviarhaiku267/listen.mp3?s=e1k" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[thousands of wildflowers
koto and guzheng samples
.
.
.
naviarhaiku267 – spring breeze
dl mattila lives in the USA. She’s the author of Quietus, a collection of poems published on Finishing Line Press. Her work has been published in Downhome Magazine (NL), Shot Glass Journal, and The Rotary Dial (CA), among others.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 20th February 2019
haiku by dl mattila thehaikufoundation.org/poet-de.../?IDclient=1951
picture by Aaron Burden unsplash.com/@aaronburden]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/9/_/uploads/801843/image_track/2820679/w1400_h1400_q70_ptrue_v2_----cropped_1550239140915.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/wildflower-rise-naviarhaiku267/</feedburner:origLink>
                                    <itunes:duration>382</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2807426</guid>
                                    
                                        <pubDate>Thu, 07 Feb 2019 23:28:51 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-07T23:28:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Invisible Concrete --disquiet0371</title>
                                    <description><![CDATA[thinking about concrete as hauntology - invisible in ubiquity, bland grey merging with uk skies; at the same time hard ugly imposing. there, always there.
made in piano genie then slowed down/distortion/ reverb applied over and over to make it brittle abrasive and yet aethereal
.
llllllll.co/t/disquiet-junto-p...ncrete-ambience
Disquiet Junto Project 0371: Concrete Ambience
The Assignment: What could concrete wallpaper music sound like?
Step 1: Consider the concept of wallpaper music.
Step 2: Consider wallpaper designed to look like concrete.
Step 3: Consider what concrete wallpaper music might sound like.
Step 4: Record concrete wallpaper music.
disquiet0371]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/invisible-concrete-disquiet0371/listen.mp3?s=6mK" length="4661079" />
                                    <link>https://hearthis.at/sevenism/invisible-concrete-disquiet0371/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>0282415ca70bdd785118daf4433cf40a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/0282415ca70bdd785118daf4433cf40a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/invisible-concrete-disquiet0371/listen.mp3?s=6mK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[thinking about concrete as hauntology - invisible in ubiquity, bland grey merging with uk skies; at the same time hard ugly imposing. there, always there.
made in piano genie then slowed down/distortion/ reverb applied over and over to make it brittle abrasive and yet aethereal
.
llllllll.co/t/disquiet-junto-p...ncrete-ambience
Disquiet Junto Project 0371: Concrete Ambience
The Assignment: What could concrete wallpaper music sound like?
Step 1: Consider the concept of wallpaper music.
Step 2: Consider wallpaper designed to look like concrete.
Step 3: Consider what concrete wallpaper music might sound like.
Step 4: Record concrete wallpaper music.
disquiet0371]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/4/_/uploads/801843/image_track/2807426/w1400_h1400_q70_ptrue_v2_----cropped_1549799063437.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/invisible-concrete-disquiet0371/</feedburner:origLink>
                                    <itunes:duration>291</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2802067</guid>
                                    
                                        <pubDate>Thu, 07 Feb 2019 12:14:31 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-07T12:14:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>neon nights (tue) naviarhaiku266</title>
                                    <description><![CDATA[improvised in synthmaster, slowed down in audacity
sharp light in the dark
.
This poem by Simon Hanson was first published on The Mainichi, Japan’s National Daily, October 24, 2016. Selected by Isamu Hashimoto
Simon contacted me a couple of weeks ago and sent me over 20 haiku he thought may be suitable for musical exploration. Among them there are some of the best poems I’ve read in a long time, so if you like this one you can find more of his works in The Living Haiku Anthology and The Haiku Foundation websites.
“Simon has lived in a number of locations, stunning and gorgeous in various ways, from which he draws inspiration; including capital cities like Adelaide and Brisbane, tiny rural communities surrounded by rolling fields, the desert lands of central Australia where stars seem to outnumber the grains of sand and also lived in close proximity to the Pacific and Great Southern Oceans. He is interested in science, inclined to philosophical contemplations, sometimes indulges in mystical speculation, prone to bouts of wonder and is often swept off his feet by Beauty in its myriad forms. He has three collections of poetry, one in free form, another in collaborative rengay and most recently an eBook of haiku, Desert Stones, published by Snapshot Press. He is currently Secretary to The Australian Haiku Society.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 13th February 2019
haiku by Simon Hanson thehaikufoundation.org/poet-de.../?IDclient=1463
picture by Ciaran O’Brien unsplash.com/@icidius
(+ganbreeder.app)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/neon-nights-tue-naviarhaiku266/listen.mp3?s=Zrl" length="4366418" />
                                    <link>https://hearthis.at/sevenism/neon-nights-tue-naviarhaiku266/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>87b501b7e22124b8313b10d054e30984.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/87b501b7e22124b8313b10d054e30984.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/neon-nights-tue-naviarhaiku266/listen.mp3?s=Zrl" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[improvised in synthmaster, slowed down in audacity
sharp light in the dark
.
This poem by Simon Hanson was first published on The Mainichi, Japan’s National Daily, October 24, 2016. Selected by Isamu Hashimoto
Simon contacted me a couple of weeks ago and sent me over 20 haiku he thought may be suitable for musical exploration. Among them there are some of the best poems I’ve read in a long time, so if you like this one you can find more of his works in The Living Haiku Anthology and The Haiku Foundation websites.
“Simon has lived in a number of locations, stunning and gorgeous in various ways, from which he draws inspiration; including capital cities like Adelaide and Brisbane, tiny rural communities surrounded by rolling fields, the desert lands of central Australia where stars seem to outnumber the grains of sand and also lived in close proximity to the Pacific and Great Southern Oceans. He is interested in science, inclined to philosophical contemplations, sometimes indulges in mystical speculation, prone to bouts of wonder and is often swept off his feet by Beauty in its myriad forms. He has three collections of poetry, one in free form, another in collaborative rengay and most recently an eBook of haiku, Desert Stones, published by Snapshot Press. He is currently Secretary to The Australian Haiku Society.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 13th February 2019
haiku by Simon Hanson thehaikufoundation.org/poet-de.../?IDclient=1463
picture by Ciaran O’Brien unsplash.com/@icidius
(+ganbreeder.app)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/8/7/_/uploads/801843/image_track/2802067/w1400_h1400_q70_ptrue_v2_----cropped_1549573031786.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/neon-nights-tue-naviarhaiku266/</feedburner:origLink>
                                    <itunes:duration>272</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2795127</guid>
                                    
                                        <pubDate>Sun, 03 Feb 2019 23:06:57 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-03T23:06:57+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>joyneski/sityphoxx/daniel diaz/claude lebelge/sevenism - Contested Palmyra (disquiet0370)</title>
                                    <description><![CDATA[remangling of tracks by Daniel Diaz @sityphoxx @user-859240368 (joyneski) @claudelebelge
soundcloud.com/user-859240368/...68/disquiet0367
soundcloud.com/sityphoxx/engag...uo-disquiet0368
soundcloud.com/daniel-diaz/jun...ra-disquiet0369
soundcloud.com/claudelebelge/a...ed-disquiet0369
i put everything thru protoplasm (slowed down) and then ddly and ozone imager
a little eq'ing and distortion in audacity
Disquiet Junto Project 0370: Through Lines
The Assignment: Follow a single strand in the accumulated material resulting from a multi-part, multi-thread collaborative endeavor.
llllllll.co/t/disquiet-junto-p...0-through-lines]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/joyneskisityphoxxdaniel-diazclaude-lebelgesevenism-contested-palmyra-disquiet0370/listen.mp3?s=bBK" length="6019447" />
                                    <link>https://hearthis.at/sevenism/joyneskisityphoxxdaniel-diazclaude-lebelgesevenism-contested-palmyra-disquiet0370/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>a0aa41232fdd617981b6ae040aff5d10.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/a0aa41232fdd617981b6ae040aff5d10.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/joyneskisityphoxxdaniel-diazclaude-lebelgesevenism-contested-palmyra-disquiet0370/listen.mp3?s=bBK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remangling of tracks by Daniel Diaz @sityphoxx @user-859240368 (joyneski) @claudelebelge
soundcloud.com/user-859240368/...68/disquiet0367
soundcloud.com/sityphoxx/engag...uo-disquiet0368
soundcloud.com/daniel-diaz/jun...ra-disquiet0369
soundcloud.com/claudelebelge/a...ed-disquiet0369
i put everything thru protoplasm (slowed down) and then ddly and ozone imager
a little eq'ing and distortion in audacity
Disquiet Junto Project 0370: Through Lines
The Assignment: Follow a single strand in the accumulated material resulting from a multi-part, multi-thread collaborative endeavor.
llllllll.co/t/disquiet-junto-p...0-through-lines]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/7/5/_/uploads/801843/image_track/2795127/w1400_h1400_q70_ptrue_v2_----cropped_1549272722579.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/joyneskisityphoxxdaniel-diazclaude-lebelgesevenism-contested-palmyra-disquiet0370/</feedburner:origLink>
                                    <itunes:duration>376</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2794245</guid>
                                    
                                        <pubDate>Sat, 02 Feb 2019 12:50:09 +0100</pubDate>
                                        
                                        <atom:updated>2019-02-02T12:50:09+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Gravity Tides - naviarhaiku265</title>
                                    <description><![CDATA[gravitational push and pull  of moon and planet
improvising for the first time in art-pyrite
a little distortion and detuning in audacity
..
dark moon
the pull of a planet
beyond pluto
..
The haiku selected for this challenge was first published on Presence #58.
Most recently publisher, managing editor, haiku editor and features editor of A Hundred Gourds, Lorin has written haiku since 2004. Selections of her haiku are anthologized in, eg. Haiku in English, Where the River Goes , Haiku21 and Nest Feathers. Her a wattle seedpod (PostPressed 2008) won a first place in the HSA Merit Book Awards, the first Australian book to do so. Her e-chapbook, A Few Quick Brushstrokes,was a 2011 Snapshot Press winner.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 6th February 2019
haiku by Lorin Ford thehaikufoundation.org/poet-de...ls/?IDclient=69
image generated on ganbreeder.app]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/gravity-tides-naviarhaiku265/listen.mp3?s=rQj" length="7253262" />
                                    <link>https://hearthis.at/sevenism/gravity-tides-naviarhaiku265/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>442546e5a00d6e478996e638aac92922.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/442546e5a00d6e478996e638aac92922.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/gravity-tides-naviarhaiku265/listen.mp3?s=rQj" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[gravitational push and pull  of moon and planet
improvising for the first time in art-pyrite
a little distortion and detuning in audacity
..
dark moon
the pull of a planet
beyond pluto
..
The haiku selected for this challenge was first published on Presence #58.
Most recently publisher, managing editor, haiku editor and features editor of A Hundred Gourds, Lorin has written haiku since 2004. Selections of her haiku are anthologized in, eg. Haiku in English, Where the River Goes , Haiku21 and Nest Feathers. Her a wattle seedpod (PostPressed 2008) won a first place in the HSA Merit Book Awards, the first Australian book to do so. Her e-chapbook, A Few Quick Brushstrokes,was a 2011 Snapshot Press winner.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 6th February 2019
haiku by Lorin Ford thehaikufoundation.org/poet-de...ls/?IDclient=69
image generated on ganbreeder.app]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/2/_/uploads/801843/image_track/2794245/w1400_h1400_q70_ptrue_v2_----cropped_1549218181298.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/gravity-tides-naviarhaiku265/</feedburner:origLink>
                                    <itunes:duration>453</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2781923</guid>
                                    
                                        <pubDate>Mon, 28 Jan 2019 12:21:20 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-28T12:21:20+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>_greathorned, Burn, sevenism - Bellymind (disquiet0369)</title>
                                    <description><![CDATA[i added to soundcloud.com/lawtonhall/bell...t0368-with-burn
low humming through lots of podfarm 2 guitar fx
.
.
llllllll.co/t/disquiet-junto-p...0369-final-solo
Disquiet Junto Project 0369: Final Solo
The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/greathorned-burn-sevenism-bellymind-disquiet0369/listen.mp3?s=Eul" length="2222288" />
                                    <link>https://hearthis.at/sevenism/greathorned-burn-sevenism-bellymind-disquiet0369/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>a82a6f88efa9f53b2be0c772f4b5941b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/a82a6f88efa9f53b2be0c772f4b5941b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/greathorned-burn-sevenism-bellymind-disquiet0369/listen.mp3?s=Eul" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i added to soundcloud.com/lawtonhall/bell...t0368-with-burn
low humming through lots of podfarm 2 guitar fx
.
.
llllllll.co/t/disquiet-junto-p...0369-final-solo
Disquiet Junto Project 0369: Final Solo
The Assignment: Record the final third of a trio, adding to a pre-existing track, based itself on a prior pre-existing track.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/0/_/uploads/801843/image_track/2781923/w1400_h1400_q70_ptrue_v2_----cropped_1548691270031.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/greathorned-burn-sevenism-bellymind-disquiet0369/</feedburner:origLink>
                                    <itunes:duration>138</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2771316</guid>
                                    
                                        <pubDate>Wed, 23 Jan 2019 20:00:58 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-23T20:00:58+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>refract aura</title>
                                    <description><![CDATA[piece for ambientonline.org/forum/ambien...re-challenge-65
just using this rain sample soundcloud.com/ahornberg/rain-...re-challenge-65
in audacity: aggressive noise reduction, duplicate layers at different pitches for a chorus effect, lots of echo delay and reverb. another duplicate layer with wet reverb and paulstretch
mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/refract-aura/listen.mp3?s=8ys" length="5803362" />
                                    <link>https://hearthis.at/sevenism/refract-aura/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>96b4358c14dc36afa8793593de4d5ec3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/96b4358c14dc36afa8793593de4d5ec3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/refract-aura/listen.mp3?s=8ys" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[piece for ambientonline.org/forum/ambien...re-challenge-65
just using this rain sample soundcloud.com/ahornberg/rain-...re-challenge-65
in audacity: aggressive noise reduction, duplicate layers at different pitches for a chorus effect, lots of echo delay and reverb. another duplicate layer with wet reverb and paulstretch
mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/5/4/_/uploads/801843/image_track/2771316/w1400_h1400_q70_ptrue_v2_----cropped_1548270627450.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/refract-aura/</feedburner:origLink>
                                    <itunes:duration>362</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2771317</guid>
                                    
                                        <pubDate>Wed, 23 Jan 2019 18:53:52 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-23T18:53:52+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Night Come Alive - - naviarhaiku264</title>
                                    <description><![CDATA[improvised zebralette and ddly lots of automation
reversed, chorus, distortion in audacity
/
night wind
the bush comes alive
with dreamtime stories
/
naviarrecords.com/2019/01/23/n...u264-night-wind
We continue our colllaboration with the Haiku Foundation with a beautiful poem by Madhuri Pillai, an English (hons) graduate who studied journalism and has worked as a journalist. Madhuri discovered haiku in 2011, and since then her work has been published in major international haiku journals. Apart from her love of books and writing, she is a passionate advocate for animal and human rights. She lives a quiet life in Melbourne with her family.
About this poem, Madhuri says:
“In my twenties I lived in a little mining town called Nhulunbuy in Arnhem Land in Northern Territory of Australia, Nhulunbuy was leased by a Swiss Mining Company called Nabalco for 100 years for mining bauxite. I would drive for miles on dirt road, through the bush, thick with eucalyptus to the Aboriginal settlement called Yirrkala. Driving through the bush, through its silence and secret inhabitants was itself an experience. The aboriginals were always warm and hospitable.  I am so glad you picked this haiku, for me it’s a tribute to their wisdom and tenacity.“
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 30th January 2019
haiku by Madhuri Pillai madhurip.wordpress.com
picture by Jeremy Bishop unsplash.com/@jeremybishop]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/night-come-alive-naviarhaiku264/listen.mp3?s=8vM" length="6729977" />
                                    <link>https://hearthis.at/sevenism/night-come-alive-naviarhaiku264/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>ae4d3f165f9be3902b64598de7ed03ad.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/ae4d3f165f9be3902b64598de7ed03ad.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/night-come-alive-naviarhaiku264/listen.mp3?s=8vM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[improvised zebralette and ddly lots of automation
reversed, chorus, distortion in audacity
/
night wind
the bush comes alive
with dreamtime stories
/
naviarrecords.com/2019/01/23/n...u264-night-wind
We continue our colllaboration with the Haiku Foundation with a beautiful poem by Madhuri Pillai, an English (hons) graduate who studied journalism and has worked as a journalist. Madhuri discovered haiku in 2011, and since then her work has been published in major international haiku journals. Apart from her love of books and writing, she is a passionate advocate for animal and human rights. She lives a quiet life in Melbourne with her family.
About this poem, Madhuri says:
“In my twenties I lived in a little mining town called Nhulunbuy in Arnhem Land in Northern Territory of Australia, Nhulunbuy was leased by a Swiss Mining Company called Nabalco for 100 years for mining bauxite. I would drive for miles on dirt road, through the bush, thick with eucalyptus to the Aboriginal settlement called Yirrkala. Driving through the bush, through its silence and secret inhabitants was itself an experience. The aboriginals were always warm and hospitable.  I am so glad you picked this haiku, for me it’s a tribute to their wisdom and tenacity.“
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 30th January 2019
haiku by Madhuri Pillai madhurip.wordpress.com
picture by Jeremy Bishop unsplash.com/@jeremybishop]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/8/0/_/uploads/801843/image_track/2771317/w1400_h1400_q70_ptrue_v2_----cropped_1548270645084.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/night-come-alive-naviarhaiku264/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2770943</guid>
                                    
                                        <pubDate>Mon, 21 Jan 2019 14:33:43 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-21T14:33:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Carlin McLellan's mate Mark + sevenism - Texas Nexus (disquiet0368)</title>
                                    <description><![CDATA[i used this lovely acoustic piece soundcloud.com/carlin-mclellan...as-disquiet0367
played along with a mountain dulcimer, duplicated and pitched down, bit of preverb, reverb. recorded on my phone.
.
..
Disquiet Junto Project 0368: Engage Duo
The Assignment: Record the second third of a trio, adding to a pre-existing track.
Step 1: This week’s Disquiet Junto project is the second in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0367). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are more than 40 tracks to choose from, almost all of them in this playlist:
soundcloud.com/disquiet/sets/d...to-project-0367
And at least one more is available as part of a video in this discussion thread from last week:
llllllll.co/t/disquiet-junto-p...7-trio-initiate
To select a track, you can listen through all that and choose one, or you can use a random number generator. (Note: it’s perfectly fine if more than one person uses the same original track as the basis for their piece.)
Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, do not alter the original piece of music at all, except to pan the original fully to the left. In your finished audio track, your part should be panned fully to the right. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/carlin-mclellans-mate-mark-sevenism-texas-nexus-disquiet0368/listen.mp3?s=cEH" length="3330715" />
                                    <link>https://hearthis.at/sevenism/carlin-mclellans-mate-mark-sevenism-texas-nexus-disquiet0368/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>88063f262859081c208ccf1fb7995d17.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream64.hearthis.at/88063f262859081c208ccf1fb7995d17.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/carlin-mclellans-mate-mark-sevenism-texas-nexus-disquiet0368/listen.mp3?s=cEH" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used this lovely acoustic piece soundcloud.com/carlin-mclellan...as-disquiet0367
played along with a mountain dulcimer, duplicated and pitched down, bit of preverb, reverb. recorded on my phone.
.
..
Disquiet Junto Project 0368: Engage Duo
The Assignment: Record the second third of a trio, adding to a pre-existing track.
Step 1: This week’s Disquiet Junto project is the second in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0367). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are more than 40 tracks to choose from, almost all of them in this playlist:
soundcloud.com/disquiet/sets/d...to-project-0367
And at least one more is available as part of a video in this discussion thread from last week:
llllllll.co/t/disquiet-junto-p...7-trio-initiate
To select a track, you can listen through all that and choose one, or you can use a random number generator. (Note: it’s perfectly fine if more than one person uses the same original track as the basis for their piece.)
Step 3: Record a short piece of music, roughly the length of the piece of music you selected in Step 2. Your track should complement the piece from Step 2, and leave room for an eventual third piece of music. When composing and recording your part, do not alter the original piece of music at all, except to pan the original fully to the left. In your finished audio track, your part should be panned fully to the right. To be clear: the track you upload won’t be your piece of music alone; it will be a combination of the track from Step 2 and yours.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/8/8/_/uploads/801843/image_track/2770943/w1400_h1400_q70_ptrue_v2_----cropped_1548255002887.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/carlin-mclellans-mate-mark-sevenism-texas-nexus-disquiet0368/</feedburner:origLink>
                                    <itunes:duration>208</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2758347</guid>
                                    
                                        <pubDate>Wed, 16 Jan 2019 12:52:35 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-16T12:52:35+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dawn colours - naviarhaiku263</title>
                                    <description><![CDATA[samples of bulgarian instruments (kaval, tambura) in iris 2
gradual high frequencies / frequency spread
.
naviarhaiku263 – summer nightfall
лятна вечер
небето бавно възвръща
цветовете си
Vessislava Savova was born in Sofia, Bulgaria. She has published four books so far, and her works have been included in many Bulgarian and international anthologies. Vessislava’s awarded and honourable mentioned writings have been published in international magazines in nine languages.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 23rd January 2019
haiku by Vessislava Savova vessislava.blogspot.com
picture by Ann Savchenko unsplash.com/@emulsio]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dawn-colours-naviarhaiku263/listen.mp3?s=pXk" length="4946546" />
                                    <link>https://hearthis.at/sevenism/dawn-colours-naviarhaiku263/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>b7a55a7e54e170e8ea32f08ff4ce2f2f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/b7a55a7e54e170e8ea32f08ff4ce2f2f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dawn-colours-naviarhaiku263/listen.mp3?s=pXk" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[samples of bulgarian instruments (kaval, tambura) in iris 2
gradual high frequencies / frequency spread
.
naviarhaiku263 – summer nightfall
лятна вечер
небето бавно възвръща
цветовете си
Vessislava Savova was born in Sofia, Bulgaria. She has published four books so far, and her works have been included in many Bulgarian and international anthologies. Vessislava’s awarded and honourable mentioned writings have been published in international magazines in nine languages.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 23rd January 2019
haiku by Vessislava Savova vessislava.blogspot.com
picture by Ann Savchenko unsplash.com/@emulsio]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/2/_/uploads/801843/image_track/2758347/w1400_h1400_q70_ptrue_v2_----cropped_1547639679262.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dawn-colours-naviarhaiku263/</feedburner:origLink>
                                    <itunes:duration>309</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2751221</guid>
                                    
                                        <pubDate>Fri, 11 Jan 2019 19:30:50 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-11T19:30:50+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>left disquiet0367</title>
                                    <description><![CDATA[piano samples reversed with fx in audacity
panned left
/
llllllll.co/t/disquiet-junto-p...-initiate/18905
Disquiet Junto Project 0367: Trio Initiate
The Assignment: Record the first third of an eventual trio.
Step 1: This week’s Junto will be the first in a sequence that explores and encourages collaboration. You will be recording something with the understanding that it will remain unfinished for the time being.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice. Conceive it as something that leaves room for something else — other instruments, other people — to join in.
Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. When done, if possible, pan the audio so that your piece is solely in the left side of the audio.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/left-disquiet0367/listen.mp3?s=I4X" length="2955388" />
                                    <link>https://hearthis.at/sevenism/left-disquiet0367/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>1f116aa05b9897c0627256de92b92c08.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/1f116aa05b9897c0627256de92b92c08.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/left-disquiet0367/listen.mp3?s=I4X" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[piano samples reversed with fx in audacity
panned left
/
llllllll.co/t/disquiet-junto-p...-initiate/18905
Disquiet Junto Project 0367: Trio Initiate
The Assignment: Record the first third of an eventual trio.
Step 1: This week’s Junto will be the first in a sequence that explores and encourages collaboration. You will be recording something with the understanding that it will remain unfinished for the time being.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice. Conceive it as something that leaves room for something else — other instruments, other people — to join in.
Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. When done, if possible, pan the audio so that your piece is solely in the left side of the audio.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/0/_/uploads/801843/image_track/2751221/w1400_h1400_q70_ptrue_v2_----cropped_1547390718003.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/left-disquiet0367/</feedburner:origLink>
                                    <itunes:duration>184</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2751223</guid>
                                    
                                        <pubDate>Thu, 10 Jan 2019 22:29:47 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-10T22:29:47+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>brighten, darken (pt. zero)  naviarhaiku262</title>
                                    <description><![CDATA[sea creature flickers
underwater reverb chorus
(harmonic table java and audacity)
did parts 1 and 2 earlier but they're not as good (album deep cuts)
-
This week we start a new, exciting collaboration with the Haiku Foundation.
Once a month we’ll be selecting a haiku from their monthly project “per diem“, and the resulting compositions will be included in a post on their website, together with the haiku that inspired them.
The haiku of the week was written by Bruce Ross: poet, editor, professor and past president of the Haiku Society of America.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 16th January 2019
haiku by Bruce Ross en.wikipedia.org/wiki/Bruce_Ross
picture by Scott Webb unsplash.com/@scottwebb]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/brighten-darken-pt-zero-naviarhaiku262/listen.mp3?s=Tiu" length="2608482" />
                                    <link>https://hearthis.at/sevenism/brighten-darken-pt-zero-naviarhaiku262/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>9bf3c8823bd6a52804a1c58ad4eb8b7a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/9bf3c8823bd6a52804a1c58ad4eb8b7a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/brighten-darken-pt-zero-naviarhaiku262/listen.mp3?s=Tiu" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sea creature flickers
underwater reverb chorus
(harmonic table java and audacity)
did parts 1 and 2 earlier but they're not as good (album deep cuts)
-
This week we start a new, exciting collaboration with the Haiku Foundation.
Once a month we’ll be selecting a haiku from their monthly project “per diem“, and the resulting compositions will be included in a post on their website, together with the haiku that inspired them.
The haiku of the week was written by Bruce Ross: poet, editor, professor and past president of the Haiku Society of America.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 16th January 2019
haiku by Bruce Ross en.wikipedia.org/wiki/Bruce_Ross
picture by Scott Webb unsplash.com/@scottwebb]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/8/_/uploads/801843/image_track/2751223/w1400_h1400_q70_ptrue_v2_----cropped_1547390719825.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/brighten-darken-pt-zero-naviarhaiku262/</feedburner:origLink>
                                    <itunes:duration>163</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2723526</guid>
                                    
                                        <pubDate>Sat, 05 Jan 2019 13:11:41 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-05T13:11:41+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>iec -- disquiet0366</title>
                                    <description><![CDATA[Disquiet Junto Project 0366: Ice Breaker
The Assignment: Record the sound of ice in a glass and make something of it.
.
the only sound source is a cube of ice swirled and clattered in a milk frother jug
got some tonal elements with reverb, tempo change, echo, pitch change. left in some of my working in the first 30 seconds, pulled my fave sound into iris 2 and hit some keys in there. bit of preverb and eqing back in audacity]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/iec-disquiet0366/listen.mp3?s=ZxD" length="3186519" />
                                    <link>https://hearthis.at/sevenism/iec-disquiet0366/</link>
                                    <thr:total>0</thr:total>
                                    <hq>46</hq>
                                    <hq_filename>7e944969ec9c3f21acacf7159c099c12.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/7e944969ec9c3f21acacf7159c099c12.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/iec-disquiet0366/listen.mp3?s=ZxD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0366: Ice Breaker
The Assignment: Record the sound of ice in a glass and make something of it.
.
the only sound source is a cube of ice swirled and clattered in a milk frother jug
got some tonal elements with reverb, tempo change, echo, pitch change. left in some of my working in the first 30 seconds, pulled my fave sound into iris 2 and hit some keys in there. bit of preverb and eqing back in audacity]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/8/7/_/uploads/801843/image_track/2723526/w1400_h1400_q70_ptrue_v2_----cropped_1546786983784.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/iec-disquiet0366/</feedburner:origLink>
                                    <itunes:duration>199</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2720417</guid>
                                    
                                        <pubDate>Fri, 04 Jan 2019 13:18:47 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-04T13:18:47+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>mountain village isolation - naviarhaiku261</title>
                                    <description><![CDATA[made a midi file of random notes without any output; my intention was to run thru arpeggio's / scale modules (for a lark song) but i played it thru iris 2 and there was a surprising amount of melodic flow and thematic integrity. been watching some studio ghibli recently and they seem to have influenced at some level.
repeated a few times with subtle development - there's a helm synth fading in but remaining in the background
.
.
.
We conclude our exploration of the Bulgarian haiku scene with a poem by Iliyana Stoyanova, who selected all the poems we shared for the last 4 weeks.
“Iliyana Stoyanova lives in England. She has a PhD in Theology. She is the Living Legacies Editor at the Living Haiku Anthology, Communications Officer and BHS Awards Administrator at the British Haiku Society, Secretary of the United Haiku and Tanka Society, and also a member of Haiku Club-Plovdiv and The London Haiku Group. Her first book Ostrovityansko Haiku (Shimajin Haiku) was published in Bulgaria in 2010. Her haiku and other poems have been published in numerous journals and anthologies, and won several international awards. Iliyana enjoys photography, watercolour painting, travelling, and reading.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 9th January 2019
haiku by Iliyana Stoyanova thehaikufoundation.org/poet-de.../?IDclient=1454
picture by Vladimir Nordmann unsplash.com/@nordmann_v]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mountain-village-isolation-naviarhaiku261/listen.mp3?s=6Ro" length="8732838" />
                                    <link>https://hearthis.at/sevenism/mountain-village-isolation-naviarhaiku261/</link>
                                    <thr:total>0</thr:total>
                                    <hq>45</hq>
                                    <hq_filename>243fdb0e5cc995f9bf6ec49c85be6a75.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream64.hearthis.at/243fdb0e5cc995f9bf6ec49c85be6a75.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mountain-village-isolation-naviarhaiku261/listen.mp3?s=6Ro" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made a midi file of random notes without any output; my intention was to run thru arpeggio's / scale modules (for a lark song) but i played it thru iris 2 and there was a surprising amount of melodic flow and thematic integrity. been watching some studio ghibli recently and they seem to have influenced at some level.
repeated a few times with subtle development - there's a helm synth fading in but remaining in the background
.
.
.
We conclude our exploration of the Bulgarian haiku scene with a poem by Iliyana Stoyanova, who selected all the poems we shared for the last 4 weeks.
“Iliyana Stoyanova lives in England. She has a PhD in Theology. She is the Living Legacies Editor at the Living Haiku Anthology, Communications Officer and BHS Awards Administrator at the British Haiku Society, Secretary of the United Haiku and Tanka Society, and also a member of Haiku Club-Plovdiv and The London Haiku Group. Her first book Ostrovityansko Haiku (Shimajin Haiku) was published in Bulgaria in 2010. Her haiku and other poems have been published in numerous journals and anthologies, and won several international awards. Iliyana enjoys photography, watercolour painting, travelling, and reading.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 9th January 2019
haiku by Iliyana Stoyanova thehaikufoundation.org/poet-de.../?IDclient=1454
picture by Vladimir Nordmann unsplash.com/@nordmann_v]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/0/_/uploads/801843/image_track/2720417/w1400_h1400_q70_ptrue_v2_----cropped_1546621346001.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mountain-village-isolation-naviarhaiku261/</feedburner:origLink>
                                    <itunes:duration>545</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2720418</guid>
                                    
                                        <pubDate>Tue, 01 Jan 2019 15:49:10 +0100</pubDate>
                                        
                                        <atom:updated>2019-01-01T15:49:10+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Winter Sun (naviarhaiku260)</title>
                                    <description><![CDATA[iris 2 improv
.
The last haiku of the year is a poem by Gergana Yaninska, selected once again by Iliyana Stoyanova to represent some of the most interesting contemporary Bulgarian haiku poets.
“Gergana Yaninska (b.1960) is a midwife from Plovdiv, Bulgaria. She has been writing haiku for several years and her work has appeared in A Hundred Gourds, Cattails, Bones, Frogpond, Modern Haiku, Ershik, Mainichi Daily News, Blithe Spirit, the World Haiku Association Haiga Contest (with selections and awards by Kuniharu Shimizu), and other haiku publications. Selected to the European Top 100 Most Creative Haiku Authors in 2014.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 2nd January 2019
haiku by Gergana Yaninska thehaikufoundation.org/poet-de.../?IDclient=1561
picture by Mikael Kristenson unsplash.com/@mikael_k]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/winter-sun-naviarhaiku260/listen.mp3?s=r6l" length="5689259" />
                                    <link>https://hearthis.at/sevenism/winter-sun-naviarhaiku260/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>6be1f6ee02152c3b089da2ff47567922.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/6be1f6ee02152c3b089da2ff47567922.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/winter-sun-naviarhaiku260/listen.mp3?s=r6l" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[iris 2 improv
.
The last haiku of the year is a poem by Gergana Yaninska, selected once again by Iliyana Stoyanova to represent some of the most interesting contemporary Bulgarian haiku poets.
“Gergana Yaninska (b.1960) is a midwife from Plovdiv, Bulgaria. She has been writing haiku for several years and her work has appeared in A Hundred Gourds, Cattails, Bones, Frogpond, Modern Haiku, Ershik, Mainichi Daily News, Blithe Spirit, the World Haiku Association Haiga Contest (with selections and awards by Kuniharu Shimizu), and other haiku publications. Selected to the European Top 100 Most Creative Haiku Authors in 2014.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 2nd January 2019
haiku by Gergana Yaninska thehaikufoundation.org/poet-de.../?IDclient=1561
picture by Mikael Kristenson unsplash.com/@mikael_k]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/2/0/_/uploads/801843/image_track/2720418/w1400_h1400_q70_ptrue_v2_----cropped_1546621348024.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/winter-sun-naviarhaiku260/</feedburner:origLink>
                                    <itunes:duration>355</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2702428</guid>
                                    
                                        <pubDate>Sat, 29 Dec 2018 14:15:19 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-29T14:15:19+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>retroverture'18 - disquiet0365</title>
                                    <description><![CDATA[ive done 48 albums this year, nearly an album a week, ive got 36 minutes for another album so i should have 49 albums done by the end of this year.
i treat music as an audio diary and make it in snatched moments, intense bursts. its been a good year for my stuff: i played live for the first time and that was released on a live album, i was featured on bandcamp daily and in dazed digital, and had tracks on compilations. 
i've done snippets of each of my albums here. the intro of every intro track. i like to put the most accessible/rewarding/emotive tracks at the start of albums. it's funny, if i condensed my albums down to the first couple of tracks of each there'd be like 10 albums of (what i think is) really good stuff; but that gives a false idea, i want the more difficult/noisy/failed experiments included, it's part and parcel of the process
i had 2 copies of bandcamp open and went thru playing about 10 seconds of each album, captured in live8 through ambience for reverb and recorded in audacity. i added echo, reverb, distortion in post to make it work more like a single piece
.
.
llllllll.co/t/disquiet-junto-p...65-2018-tracker
Disquiet Junto Project 0365: 2018 Tracker
The Assignment: The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/retroverture18-disquiet0365/listen.mp3?s=G0K" length="10081592" />
                                    <link>https://hearthis.at/sevenism/retroverture18-disquiet0365/</link>
                                    <thr:total>0</thr:total>
                                    <hq>45</hq>
                                    <hq_filename>9b7b18f48a292e379cddf1145c0a4719.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream44.hearthis.at/9b7b18f48a292e379cddf1145c0a4719.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/retroverture18-disquiet0365/listen.mp3?s=G0K" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ive done 48 albums this year, nearly an album a week, ive got 36 minutes for another album so i should have 49 albums done by the end of this year.
i treat music as an audio diary and make it in snatched moments, intense bursts. its been a good year for my stuff: i played live for the first time and that was released on a live album, i was featured on bandcamp daily and in dazed digital, and had tracks on compilations. 
i've done snippets of each of my albums here. the intro of every intro track. i like to put the most accessible/rewarding/emotive tracks at the start of albums. it's funny, if i condensed my albums down to the first couple of tracks of each there'd be like 10 albums of (what i think is) really good stuff; but that gives a false idea, i want the more difficult/noisy/failed experiments included, it's part and parcel of the process
i had 2 copies of bandcamp open and went thru playing about 10 seconds of each album, captured in live8 through ambience for reverb and recorded in audacity. i added echo, reverb, distortion in post to make it work more like a single piece
.
.
llllllll.co/t/disquiet-junto-p...65-2018-tracker
Disquiet Junto Project 0365: 2018 Tracker
The Assignment: The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/4/9/_/uploads/801843/image_track/2702428/w1400_h1400_q70_ptrue_v2_----cropped_1546090726949.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/retroverture18-disquiet0365/</feedburner:origLink>
                                    <itunes:duration>630</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2696896</guid>
                                    
                                        <pubDate>Wed, 26 Dec 2018 13:26:40 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-26T13:26:40+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>a cloud, a crow, a beam - naviarhaiku259</title>
                                    <description><![CDATA[protoplasm and ambient reverb
samples: melodica, harmonica, guitar, flute, cello, horn
midi repeated with randomized elements
naviarrecords.com/2018/12/19/n...u259-cloudy-sky]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/a-cloud-a-crow-a-beam-naviarhaiku259/listen.mp3?s=JL4" length="18251858" />
                                    <link>https://hearthis.at/sevenism/a-cloud-a-crow-a-beam-naviarhaiku259/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>4bcbd7bc7c809eba5098bd356b5ff5f2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/4bcbd7bc7c809eba5098bd356b5ff5f2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/a-cloud-a-crow-a-beam-naviarhaiku259/listen.mp3?s=JL4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[protoplasm and ambient reverb
samples: melodica, harmonica, guitar, flute, cello, horn
midi repeated with randomized elements
naviarrecords.com/2018/12/19/n...u259-cloudy-sky]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/6/5/_/uploads/801843/image_track/2696896/w1400_h1400_q70_ptrue_v2_----cropped_1545841818567.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/a-cloud-a-crow-a-beam-naviarhaiku259/</feedburner:origLink>
                                    <itunes:duration>1140</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2695046</guid>
                                    
                                        <pubDate>Sat, 22 Dec 2018 23:58:03 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-22T23:58:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>each raindrop is a sphere that scatters light over the sky (disquiet0364)</title>
                                    <description><![CDATA[the title is from an uncharacteristically poetic wikipedia article (about rainbows i think)
got a dice in a cracker when i went for an anniversary/xmas dinner with my partner the other night.  i rolled 4 5 / 6 4 / 6 6
i misremembered the instructions a bit.. and did 4 minute / 6 minute / 6 minute drones, repeated to 61 minutes. one drone was cello thru protoplasm, second was phonec, third was synthmaster+podfarm. all of them had lots of ambient reverb. some slight automated changes. but i kept it really repetitive.
.
Disquiet Junto Project 0364: Casting Drones
llllllll.co/t/disquiet-junto-p...-casting-drones
The Assignment: Use dice to determine your slowly shifting tones.
Many thanks to Todd Elliott (aka Toaster) for having proposed this project.
We’re going to use chance operations to make drone music (giving credit to John Cage, in particular for the compositional concept of time brackets). You’ll need some multitimbral sound sources that are capable of making sustained tones, or you can just write out the score and build up the drone via overdubbing.
Step 1: Create a single sustained tone that can be held for as long as necessary. This will serve as a “base” for you to add onto in subsequent steps.
Step 2: Roll two six-sided dice. The first die will be “time” and the second die will be the “notes.” Do this two additional times, so you have notated three pairs of time-plus-notes.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/each-raindrop-is-a-sphere-that-scatters-light-over-the-sky-disquiet0364/listen.mp3?s=jxw" length="58566529" />
                                    <link>https://hearthis.at/sevenism/each-raindrop-is-a-sphere-that-scatters-light-over-the-sky-disquiet0364/</link>
                                    <thr:total>0</thr:total>
                                    <hq>46</hq>
                                    <hq_filename>691547548c98b55bb39fc8f593ee077d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream45.hearthis.at/691547548c98b55bb39fc8f593ee077d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/each-raindrop-is-a-sphere-that-scatters-light-over-the-sky-disquiet0364/listen.mp3?s=jxw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[the title is from an uncharacteristically poetic wikipedia article (about rainbows i think)
got a dice in a cracker when i went for an anniversary/xmas dinner with my partner the other night.  i rolled 4 5 / 6 4 / 6 6
i misremembered the instructions a bit.. and did 4 minute / 6 minute / 6 minute drones, repeated to 61 minutes. one drone was cello thru protoplasm, second was phonec, third was synthmaster+podfarm. all of them had lots of ambient reverb. some slight automated changes. but i kept it really repetitive.
.
Disquiet Junto Project 0364: Casting Drones
llllllll.co/t/disquiet-junto-p...-casting-drones
The Assignment: Use dice to determine your slowly shifting tones.
Many thanks to Todd Elliott (aka Toaster) for having proposed this project.
We’re going to use chance operations to make drone music (giving credit to John Cage, in particular for the compositional concept of time brackets). You’ll need some multitimbral sound sources that are capable of making sustained tones, or you can just write out the score and build up the drone via overdubbing.
Step 1: Create a single sustained tone that can be held for as long as necessary. This will serve as a “base” for you to add onto in subsequent steps.
Step 2: Roll two six-sided dice. The first die will be “time” and the second die will be the “notes.” Do this two additional times, so you have notated three pairs of time-plus-notes.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/9/_/uploads/801843/image_track/2695046/w1400_h1400_q70_ptrue_v2_----cropped_1545768455917.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/each-raindrop-is-a-sphere-that-scatters-light-over-the-sky-disquiet0364/</feedburner:origLink>
                                    <itunes:duration>3660</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2695047</guid>
                                    
                                        <pubDate>Tue, 18 Dec 2018 09:53:43 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-18T09:53:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>flakes of HD snow  - naviarhaiku258</title>
                                    <description><![CDATA[recorded nothing and made some music from that. well, recorded the slight hiss of my sound card, then used delay echo distortion reverb chorus and artefacts from noise reduction and tempo change to gradually make it more tonal, icy and crisp.
.
Darina Deneva was born in 1969. Graduated from Sofia University “St. Kliment Ohridski” with a degree in Russian and English Studies. Freelance translator. She is one of the co-authors of a collection of haiku poems, Matchbox Boats, published in 2014.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 19th December 2018
haiku by Darina Deneva diaskop-comics.com/article.aspx?id=1158
picture by Kacper Szczechla unsplash.com/@wyroq]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/flakes-of-hd-snow-naviarhaiku258/listen.mp3?s=shA" length="1448645" />
                                    <link>https://hearthis.at/sevenism/flakes-of-hd-snow-naviarhaiku258/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>da3db63994c939294de8019feaf852c5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/da3db63994c939294de8019feaf852c5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/flakes-of-hd-snow-naviarhaiku258/listen.mp3?s=shA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[recorded nothing and made some music from that. well, recorded the slight hiss of my sound card, then used delay echo distortion reverb chorus and artefacts from noise reduction and tempo change to gradually make it more tonal, icy and crisp.
.
Darina Deneva was born in 1969. Graduated from Sofia University “St. Kliment Ohridski” with a degree in Russian and English Studies. Freelance translator. She is one of the co-authors of a collection of haiku poems, Matchbox Boats, published in 2014.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 19th December 2018
haiku by Darina Deneva diaskop-comics.com/article.aspx?id=1158
picture by Kacper Szczechla unsplash.com/@wyroq]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/6/_/uploads/801843/image_track/2695047/w1400_h1400_q70_ptrue_v2_----cropped_1545768458618.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/flakes-of-hd-snow-naviarhaiku258/</feedburner:origLink>
                                    <itunes:duration>90</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2666768</guid>
                                    
                                        <pubDate>Fri, 14 Dec 2018 22:27:24 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-14T22:27:24+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>gymno18 - disquiet0363</title>
                                    <description><![CDATA[wanted it to start off relatively expected and descend into weirdness
found a midi file, had it gradually going down 24 semitones and longer attack on the piano. gradually more fx: dream acoustic chorus, freqecho, podfarm (amp presence, sine chorus, echo platter, rich chamber reverb), ddly.
another track used the same midi with the sound of a dresser door thru ambient reverb - faded in throughout
/
Disquiet Junto Project 0363: Gymnopédie Rats
The Assignment: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre.
Many thanks to Peggy Nelson and Alex Hawthorn for having proposed this project, at the tail end of last week’s project.
Just one step this week: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre: metal gymnopédie, britpop gymnopédie, R&B gymnopédie, high school choir gymnopédie, slowed-down-800% gymnopédie, …]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/gymno18-disquiet0363/listen.mp3?s=jnQ" length="5361579" />
                                    <link>https://hearthis.at/sevenism/gymno18-disquiet0363/</link>
                                    <thr:total>0</thr:total>
                                    <hq>46</hq>
                                    <hq_filename>3d7d713fcf62d1602d782d9953f9a198.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/3d7d713fcf62d1602d782d9953f9a198.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/gymno18-disquiet0363/listen.mp3?s=jnQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[wanted it to start off relatively expected and descend into weirdness
found a midi file, had it gradually going down 24 semitones and longer attack on the piano. gradually more fx: dream acoustic chorus, freqecho, podfarm (amp presence, sine chorus, echo platter, rich chamber reverb), ddly.
another track used the same midi with the sound of a dresser door thru ambient reverb - faded in throughout
/
Disquiet Junto Project 0363: Gymnopédie Rats
The Assignment: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre.
Many thanks to Peggy Nelson and Alex Hawthorn for having proposed this project, at the tail end of last week’s project.
Just one step this week: Make over Erik Satie’s “Gymnopédie No. 1” in your chosen genre: metal gymnopédie, britpop gymnopédie, R&B gymnopédie, high school choir gymnopédie, slowed-down-800% gymnopédie, …]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/8/5/_/uploads/801843/image_track/2666768/w1400_h1400_q70_ptrue_v2_----cropped_1545060433582.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/gymno18-disquiet0363/</feedburner:origLink>
                                    <itunes:duration>335</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2628237</guid>
                                    
                                        <pubDate>Sun, 09 Dec 2018 11:50:44 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-09T11:50:44+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>antibanner bloom stitch disquiet0362/</title>
                                    <description><![CDATA[when i was 2 i made up the word antibanner for umbrella. i class this as my most creative achievement so far.
i thought of the sound of an antibanner opening as a cello-french horn blooming with slow attack. represented this in iris2, low quality tempo change in audacity
opened this in 2 instances of vlc, had them playing at different points and at slightly different speeds. gradually they're stitched into the same time frame. further sewing done in audacity with reverb at +5 semitones.
.
Disquiet Junto Project 0362: Operational Surrealism
The Assignment: Make a piece of music informed by a key text from the art movement.
Just one step this week: Make something as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella.”
Many thanks to Peggy Nelson for having proposed this project. Here’s some background: This week’s phrase originated in Les Chants de Maldoror, an experimental novel by the Comte de Lautréamont, a French poet from Uruguay who died in 1870 at age 24. In Les Chants, Lautréamont describes a young boy as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella,” but when André Breton, the self-styled head of the Surrealist movement, came across Lautréamont’s novel (prose-poem /unbridled rant / giant run-on sentence) in 1918, he seized upon the phrase as the perfect slogan, and drafted it into wider cultural service. Despite being dreamed up in the late 19th century, the phrase’s unnerving and perhaps prescient inclusion of both mechanical and medical metaphors was surely not lost on Breton, who had served in French psychiatric hospitals during the First World War. There have been any number of (re)statements and (mis)translations of the phrase since, but the basic idea remains: none of these things go together, and so, they do.
llllllll.co/t/disquiet-junto-p...onal-surrealism]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/antibanner-bloom-stitch-disquiet0362/listen.mp3?s=Rj1" length="2554147" />
                                    <link>https://hearthis.at/sevenism/antibanner-bloom-stitch-disquiet0362/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>168f7970376d4648c351a32f1cc585f1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/168f7970376d4648c351a32f1cc585f1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/antibanner-bloom-stitch-disquiet0362/listen.mp3?s=Rj1" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[when i was 2 i made up the word antibanner for umbrella. i class this as my most creative achievement so far.
i thought of the sound of an antibanner opening as a cello-french horn blooming with slow attack. represented this in iris2, low quality tempo change in audacity
opened this in 2 instances of vlc, had them playing at different points and at slightly different speeds. gradually they're stitched into the same time frame. further sewing done in audacity with reverb at +5 semitones.
.
Disquiet Junto Project 0362: Operational Surrealism
The Assignment: Make a piece of music informed by a key text from the art movement.
Just one step this week: Make something as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella.”
Many thanks to Peggy Nelson for having proposed this project. Here’s some background: This week’s phrase originated in Les Chants de Maldoror, an experimental novel by the Comte de Lautréamont, a French poet from Uruguay who died in 1870 at age 24. In Les Chants, Lautréamont describes a young boy as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella,” but when André Breton, the self-styled head of the Surrealist movement, came across Lautréamont’s novel (prose-poem /unbridled rant / giant run-on sentence) in 1918, he seized upon the phrase as the perfect slogan, and drafted it into wider cultural service. Despite being dreamed up in the late 19th century, the phrase’s unnerving and perhaps prescient inclusion of both mechanical and medical metaphors was surely not lost on Breton, who had served in French psychiatric hospitals during the First World War. There have been any number of (re)statements and (mis)translations of the phrase since, but the basic idea remains: none of these things go together, and so, they do.
llllllll.co/t/disquiet-junto-p...onal-surrealism]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/5/7/_/uploads/801843/image_track/2628237/w1400_h1400_q70_ptrue_v2_----cropped_1544372965759.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/antibanner-bloom-stitch-disquiet0362/</feedburner:origLink>
                                    <itunes:duration>159</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2628238</guid>
                                    
                                        <pubDate>Wed, 05 Dec 2018 12:39:34 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-05T12:39:34+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>floating rain - naviarhaiku257</title>
                                    <description><![CDATA[i made this earlier before i saw the haiku. early morning, rain on the window, it seems to fit.
two synths - helm and a live 10 vocoder synth. improvised and a bit of processing in audacity









Together with Basho, Onitsura (1661–1738) helped redefine the haikai no renga (linked verse) and elevated it into a literary genre in its own right. Around this time, the opening stanza of this collaborative linked poem (hokku) started appearing as an independent poem, which Masaoka Shiki will rename haiku in the 19th century.
“A good poet” is someone who can make a verse interesting.
“A master” is someone whose verse does not sound interesting but has a flavor deep inside.
A still higher stage is when a poet has reached the utmost of the art and his poem presents neither color nor fragrance.
Only at that stage can one be credited as having achieved the quintessence of haikai.
(Uejima Onitsura)
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 12th December 2018
haiku by Uejima Onitsura terebess.hu/english/haiku/ryokan.html
picture by Aaron Burden unsplash.com/@aaronburden]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/floating-rain-naviarhaiku257/listen.mp3?s=IXV" length="4887195" />
                                    <link>https://hearthis.at/sevenism/floating-rain-naviarhaiku257/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>82f6d1a9bb1a3fb9ea747fd7ade1c0e7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream45.hearthis.at/82f6d1a9bb1a3fb9ea747fd7ade1c0e7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/floating-rain-naviarhaiku257/listen.mp3?s=IXV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i made this earlier before i saw the haiku. early morning, rain on the window, it seems to fit.
two synths - helm and a live 10 vocoder synth. improvised and a bit of processing in audacity









Together with Basho, Onitsura (1661–1738) helped redefine the haikai no renga (linked verse) and elevated it into a literary genre in its own right. Around this time, the opening stanza of this collaborative linked poem (hokku) started appearing as an independent poem, which Masaoka Shiki will rename haiku in the 19th century.
“A good poet” is someone who can make a verse interesting.
“A master” is someone whose verse does not sound interesting but has a flavor deep inside.
A still higher stage is when a poet has reached the utmost of the art and his poem presents neither color nor fragrance.
Only at that stage can one be credited as having achieved the quintessence of haikai.
(Uejima Onitsura)
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 12th December 2018
haiku by Uejima Onitsura terebess.hu/english/haiku/ryokan.html
picture by Aaron Burden unsplash.com/@aaronburden]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/2/9/_/uploads/801843/image_track/2628238/w1400_h1400_q70_ptrue_v2_----cropped_1544372967923.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/floating-rain-naviarhaiku257/</feedburner:origLink>
                                    <itunes:duration>305</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2611812</guid>
                                    
                                        <pubDate>Mon, 03 Dec 2018 19:27:26 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-03T19:27:26+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>scatters, lays, and melts (naviarhaiku256)</title>
                                    <description><![CDATA[done in helm with the formants and crossmodulation automated adjustments throughout
played for a while, wanted it to be repetitive but with a gradual emotional complexity that draws you in.
.
.
.
Robert Hayden (1913-1980) published his first book of poems, Heart-Shape in the Dust, in 1940.
Even though he was interested in African American history and often expressed his concerns about race in his writing, he didn’t want to be identified as a black poet. William Meredith wrote about him: “Hayden declared himself, at considerable cost in popularity, an American poet rather than a black poet, when for a time there was posited an unreconcilable difference between the two roles. There is scarcely a line of his which is not identifiable as an experience of black America, but he would not relinquish the title of American writer for any narrower identity.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 5th December 2018
haiku by Robert Hayden poetryfoundation.org/poets/robert-hayden
picture by Thomas Griesbeck unsplash.com/@jack_scorner]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/scatters-lays-and-melts-naviarhaiku256/listen.mp3?s=WNc" length="9106075" />
                                    <link>https://hearthis.at/sevenism/scatters-lays-and-melts-naviarhaiku256/</link>
                                    <thr:total>0</thr:total>
                                    <hq>46</hq>
                                    <hq_filename>661339fdd84d978d8ec5c60c20d1a6ab.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/661339fdd84d978d8ec5c60c20d1a6ab.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/scatters-lays-and-melts-naviarhaiku256/listen.mp3?s=WNc" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[done in helm with the formants and crossmodulation automated adjustments throughout
played for a while, wanted it to be repetitive but with a gradual emotional complexity that draws you in.
.
.
.
Robert Hayden (1913-1980) published his first book of poems, Heart-Shape in the Dust, in 1940.
Even though he was interested in African American history and often expressed his concerns about race in his writing, he didn’t want to be identified as a black poet. William Meredith wrote about him: “Hayden declared himself, at considerable cost in popularity, an American poet rather than a black poet, when for a time there was posited an unreconcilable difference between the two roles. There is scarcely a line of his which is not identifiable as an experience of black America, but he would not relinquish the title of American writer for any narrower identity.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 5th December 2018
haiku by Robert Hayden poetryfoundation.org/poets/robert-hayden
picture by Thomas Griesbeck unsplash.com/@jack_scorner]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/4/2/_/uploads/801843/image_track/2611812/w1400_h1400_q70_ptrue_v2_----cropped_1543869156241.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/scatters-lays-and-melts-naviarhaiku256/</feedburner:origLink>
                                    <itunes:duration>569</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2531858</guid>
                                    
                                        <pubDate>Sat, 10 Nov 2018 14:00:15 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-10T14:00:15+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>B&amp;R (shifting spirits mix) disquiet0358</title>
                                    <description><![CDATA[tried to imagine if i hadnt really heard music before. rhythm i think would be linked to my heart beat conceptually. i looked up the etymology of blue. this too might be linked to the heart: the idea of a bruised heart. since about 1400 blue has been linked to low spirits.
i had some simple flute basoon and tuba samples loaded and those thru a tremolo for a pulse. in audacity i had some echo 5 semitones higher. the emotional tone is a bit more variable listening back
::
Disquiet Junto Project 0358: Rhythm + Blue(s)
The Assignment: An exercise in genre.
Thanks to Micah Stupak-Hahn for having proposed this project.
Step 1: Consider the term “rhythm and blues.” Not the genre, just the term.
Step 2: Imagine what you might think “rhythm and blues” meant in terms of music had you never previously heard “rhythm and blues” music.
Step 3: Record a short piece of music that expresses the idea of “rhythm and blues” that occurred to you in Step 2 above.
: “]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/br-shifting-spirits-mix-disquiet0358/listen.mp3?s=8lF" length="4212191" />
                                    <link>https://hearthis.at/sevenism/br-shifting-spirits-mix-disquiet0358/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>3bc825e4825fde5e5f92e734580b23ce.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3bc825e4825fde5e5f92e734580b23ce.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/br-shifting-spirits-mix-disquiet0358/listen.mp3?s=8lF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[tried to imagine if i hadnt really heard music before. rhythm i think would be linked to my heart beat conceptually. i looked up the etymology of blue. this too might be linked to the heart: the idea of a bruised heart. since about 1400 blue has been linked to low spirits.
i had some simple flute basoon and tuba samples loaded and those thru a tremolo for a pulse. in audacity i had some echo 5 semitones higher. the emotional tone is a bit more variable listening back
::
Disquiet Junto Project 0358: Rhythm + Blue(s)
The Assignment: An exercise in genre.
Thanks to Micah Stupak-Hahn for having proposed this project.
Step 1: Consider the term “rhythm and blues.” Not the genre, just the term.
Step 2: Imagine what you might think “rhythm and blues” meant in terms of music had you never previously heard “rhythm and blues” music.
Step 3: Record a short piece of music that expresses the idea of “rhythm and blues” that occurred to you in Step 2 above.
: “]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/8/_/uploads/801843/image_track/2531858/w1400_h1400_q70_ptrue_v2_----cropped_1541859292837.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/br-shifting-spirits-mix-disquiet0358/</feedburner:origLink>
                                    <itunes:duration>263</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2542725</guid>
                                    
                                        <pubDate>Thu, 15 Nov 2018 11:55:05 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-15T11:55:05+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>marco lucchi + sevenism - November (viscous thunder)</title>
                                    <description><![CDATA[@marcolucchi + sevenism
remix of soundcloud.com/marcolucchi/set...ng-one-month-to
subtle changes until the last few minutes. i didnt want to ruin an already beautiful piece]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/marco-lucchi-sevenism-november-viscous-thunder/listen.mp3?s=a9P" length="10029347" />
                                    <link>https://hearthis.at/sevenism/marco-lucchi-sevenism-november-viscous-thunder/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>bcdf086d65fbbede0f31d270dc92bd19.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/bcdf086d65fbbede0f31d270dc92bd19.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/marco-lucchi-sevenism-november-viscous-thunder/listen.mp3?s=a9P" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[@marcolucchi + sevenism
remix of soundcloud.com/marcolucchi/set...ng-one-month-to
subtle changes until the last few minutes. i didnt want to ruin an already beautiful piece]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/801843/image_track/2542725/w1400_h1400_q70_ptrue_v2_----cropped_1542382126927.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/marco-lucchi-sevenism-november-viscous-thunder/</feedburner:origLink>
                                    <itunes:duration>626</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2560289</guid>
                                    
                                        <pubDate>Sat, 17 Nov 2018 12:49:22 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-17T12:49:22+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sev + Ohm Research - aikaisemmin (la;klmainasm3eimdnsbsmix) disquiet0359</title>
                                    <description><![CDATA[original: soundcloud.com/ohm-research/ai...in-disquiet0357 by @ohm-research
the image really reminded me of the autechre youtube dump visuals.. but i didnt want it to sound like that because it just sounds like 444 tracks of raw data to me. but the visuals made me think of colured reverb tails and stereo mutations
i took ohms track used low quality tempo change for some atonal artifacts
duplicated that, added reverb colour by pitching up 5st and wet reverb
duplicated and rvb color'd another couple of times. delay and echo on some of the tracks, eq'd and volumes adjusted acousmatically (accidentally thought some of the sounds emanated from the washing machine..whoops!)
[O]
llllllll.co/t/disquiet-junto-p...ken-clock/17627
Disquiet Junto Project 0359: Broken Clock
The Assignment: Use an image not as a graphic score, but as a graphic depiction of a remix.
Step 1: We’ve done lots of “graphic notation” projects in the Disquiet Junto over the years, projects in which an image is interpreted as if it had been intended as a musical score. This week we’re using an image to suggest a means of remixing/reworking a pre-existing piece of music.
Step 2: Look at the image associated with this project. It shows the top of a clock visible beneath a dense scrim of colorful striations. Compare this image to the original image, which accompanied Disquiet Junto project 0357, from two weeks ago. That image is available at disquiet.com/0357. Think about how this week’s image can be interpreted as aesthetic instructions for a remix. It might be informative to know that the 0359 image resulted from a glitch that occurred when I was rendering the “cover” image for project 0357.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sev-ohm-research-aikaisemmin-laklmainasm3eimdnsbsmix-disquiet0359/listen.mp3?s=i4s" length="6757563" />
                                    <link>https://hearthis.at/sevenism/sev-ohm-research-aikaisemmin-laklmainasm3eimdnsbsmix-disquiet0359/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>9e17f6ae5ab3b4e57e9226c42fca515a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream64.hearthis.at/9e17f6ae5ab3b4e57e9226c42fca515a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sev-ohm-research-aikaisemmin-laklmainasm3eimdnsbsmix-disquiet0359/listen.mp3?s=i4s" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[original: soundcloud.com/ohm-research/ai...in-disquiet0357 by @ohm-research
the image really reminded me of the autechre youtube dump visuals.. but i didnt want it to sound like that because it just sounds like 444 tracks of raw data to me. but the visuals made me think of colured reverb tails and stereo mutations
i took ohms track used low quality tempo change for some atonal artifacts
duplicated that, added reverb colour by pitching up 5st and wet reverb
duplicated and rvb color'd another couple of times. delay and echo on some of the tracks, eq'd and volumes adjusted acousmatically (accidentally thought some of the sounds emanated from the washing machine..whoops!)
[O]
llllllll.co/t/disquiet-junto-p...ken-clock/17627
Disquiet Junto Project 0359: Broken Clock
The Assignment: Use an image not as a graphic score, but as a graphic depiction of a remix.
Step 1: We’ve done lots of “graphic notation” projects in the Disquiet Junto over the years, projects in which an image is interpreted as if it had been intended as a musical score. This week we’re using an image to suggest a means of remixing/reworking a pre-existing piece of music.
Step 2: Look at the image associated with this project. It shows the top of a clock visible beneath a dense scrim of colorful striations. Compare this image to the original image, which accompanied Disquiet Junto project 0357, from two weeks ago. That image is available at disquiet.com/0357. Think about how this week’s image can be interpreted as aesthetic instructions for a remix. It might be informative to know that the 0359 image resulted from a glitch that occurred when I was rendering the “cover” image for project 0357.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/7/_/uploads/801843/image_track/2560289/w1400_h1400_q70_ptrue_v2_----cropped_1542710674744.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sev-ohm-research-aikaisemmin-laklmainasm3eimdnsbsmix-disquiet0359/</feedburner:origLink>
                                    <itunes:duration>422</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2594157</guid>
                                    
                                        <pubDate>Wed, 21 Nov 2018 15:53:14 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-21T15:53:14+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>soulwind ( naviarhaiku254 )</title>
                                    <description><![CDATA[soul caught up in changing eddies and currents
~~
Despite being mostly known for his poetry, Lewis Grandison Alexander (1900-1945) was also an active actor, director of plays, and costume designer. He was an important member of the Harlem Renaissance: an intellectual, social, and artistic movement that aimed to celebrate African-American arts, which took place in New York in the 1920s.
Lewis Grandison Alexander started writing poetry at 17, specializing in Japanese forms. About haiku poetry, he once wrote: “Its real value is not in its physical directness but in its psychological indirectness—not in what is said but what is suggested—written in the spaces between the lines.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st November 2018
haiku by Lewis Grandison Alexander beltwaypoetry.com/alexanderl
picture by Neil Thomas unsplash.com/@neilmarkthomas]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/soulwind-naviarhaiku254/listen.mp3?s=E5w" length="3794650" />
                                    <link>https://hearthis.at/sevenism/soulwind-naviarhaiku254/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>2f1950786e6a02ce3362fd826d62e714.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/2f1950786e6a02ce3362fd826d62e714.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/soulwind-naviarhaiku254/listen.mp3?s=E5w" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[soul caught up in changing eddies and currents
~~
Despite being mostly known for his poetry, Lewis Grandison Alexander (1900-1945) was also an active actor, director of plays, and costume designer. He was an important member of the Harlem Renaissance: an intellectual, social, and artistic movement that aimed to celebrate African-American arts, which took place in New York in the 1920s.
Lewis Grandison Alexander started writing poetry at 17, specializing in Japanese forms. About haiku poetry, he once wrote: “Its real value is not in its physical directness but in its psychological indirectness—not in what is said but what is suggested—written in the spaces between the lines.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st November 2018
haiku by Lewis Grandison Alexander beltwaypoetry.com/alexanderl
picture by Neil Thomas unsplash.com/@neilmarkthomas]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/1/_/uploads/801843/image_track/2594157/w1400_h1400_q70_ptrue_v2_----cropped_1543318893118.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/soulwind-naviarhaiku254/</feedburner:origLink>
                                    <itunes:duration>237</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2594156</guid>
                                    
                                        <pubDate>Mon, 26 Nov 2018 13:17:30 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-26T13:17:30+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>wxdxh - disquiet0360</title>
                                    <description><![CDATA[one for the headphones
explored height width and depth here
found this about creating height in music theproaudiofiles.com/width-hei...-depth-in-a-mix
psychological effect - high frequencies sound higher up than low frequencies
i used low cello and high flute samples improvised in iris 2 through ambient reverb, slow floating motion
created width with audition doppler shift - meant to sound like it goes round 360 degrees. had the flute and cello in opposite channels meeting each other in the middle
depth i explored with lots of reverb (distance) and varying loudness (closeness)
i'd be interested if people perceive any differences in the height of the sound
(|O|)
Disquiet Junto Project 0360: Fishbowl Progressions
The Assignment: Explore spatial sound as a compositional element.
This week’s project: Record a piece of music in which the relative position and movement of sounds are as important to compositional development as are melody, harmony, and rhythm.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/wxdxh-disquiet0360/listen.mp3?s=TSU" length="4471744" />
                                    <link>https://hearthis.at/sevenism/wxdxh-disquiet0360/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>2e0202a0f67d2577aac8ca984f0d0637.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream45.hearthis.at/2e0202a0f67d2577aac8ca984f0d0637.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/wxdxh-disquiet0360/listen.mp3?s=TSU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[one for the headphones
explored height width and depth here
found this about creating height in music theproaudiofiles.com/width-hei...-depth-in-a-mix
psychological effect - high frequencies sound higher up than low frequencies
i used low cello and high flute samples improvised in iris 2 through ambient reverb, slow floating motion
created width with audition doppler shift - meant to sound like it goes round 360 degrees. had the flute and cello in opposite channels meeting each other in the middle
depth i explored with lots of reverb (distance) and varying loudness (closeness)
i'd be interested if people perceive any differences in the height of the sound
(|O|)
Disquiet Junto Project 0360: Fishbowl Progressions
The Assignment: Explore spatial sound as a compositional element.
This week’s project: Record a piece of music in which the relative position and movement of sounds are as important to compositional development as are melody, harmony, and rhythm.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/4/_/uploads/801843/image_track/2594156/w1400_h1400_q70_ptrue_v2_----cropped_1543318890452.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/wxdxh-disquiet0360/</feedburner:origLink>
                                    <itunes:duration>279</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2594155</guid>
                                    
                                        <pubDate>Tue, 27 Nov 2018 12:24:48 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-27T12:24:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>love (rippled self-reflection) naviarhaiku255</title>
                                    <description><![CDATA[iris2 classical samples
mistaken narcissistic love
~~
Langston Hughes was another important literary figure of the Harlem Renaissance, and one of the first poets to use the syncopated rhythms and repetitive phrases of blues and jazz music into his writing. This form of poetry, called jazz poetry, became popular in the early 1920′s thanks to the Harlem Renaissance, and a great example of it is The Weary Blues, by Langston Hughes.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th November 2018
haiku by Langston Hughes poetryfoundation.org/poets/lan...langston-hughes]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/love-rippled-self-reflection-naviarhaiku255/listen.mp3?s=ynF" length="6563630" />
                                    <link>https://hearthis.at/sevenism/love-rippled-self-reflection-naviarhaiku255/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>e24c4aca03b1e025b8e8094d6e94e7b1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/e24c4aca03b1e025b8e8094d6e94e7b1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/love-rippled-self-reflection-naviarhaiku255/listen.mp3?s=ynF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[iris2 classical samples
mistaken narcissistic love
~~
Langston Hughes was another important literary figure of the Harlem Renaissance, and one of the first poets to use the syncopated rhythms and repetitive phrases of blues and jazz music into his writing. This form of poetry, called jazz poetry, became popular in the early 1920′s thanks to the Harlem Renaissance, and a great example of it is The Weary Blues, by Langston Hughes.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th November 2018
haiku by Langston Hughes poetryfoundation.org/poets/lan...langston-hughes]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/5/_/uploads/801843/image_track/2594155/w1400_h1400_q70_ptrue_v2_----cropped_1543318888501.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/love-rippled-self-reflection-naviarhaiku255/</feedburner:origLink>
                                    <itunes:duration>410</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2606789</guid>
                                    
                                        <pubDate>Sat, 01 Dec 2018 13:48:48 +0100</pubDate>
                                        
                                        <atom:updated>2018-12-01T13:48:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>take rainbow (..an interesting idea) disquiet0361</title>
                                    <description><![CDATA[i hated text adventures as a kid. i had neverending story on the spectrum and it was utter trash.
i just played this one online, and my feelings havent really changed. i don't really have any visual imagery so it just felt like i was blindly aimlessly going round and round. my brain doesnt do visual imagery so this sort of thing is pointless to me.
on one level  this track follows me failing to get into a house, going up a tree and failing to unclasp a jeweled egg, not knowing where a songbird is, going down a ravine and getting nowhere for ages, and getting a sarcastic remark when i tried to take rainbow - i mean i dont know what internal logic youre following but if i can get to the end of a rainbow why am i ridiculed for trying to take it?
on another level i've represented the frustration blindness and darkness of this game.. and the sound of a spectrum tape loading
no input feedback in podfarm standalone
improvised playing thru synthmaster - freqecho - vocal doubler - podfarm (guitar amp + 3 lots of cavernous reverb)
[]
Disquiet Junto Project 0361: Zork Diaries
llllllll.co/t/disquiet-junto-p...iaries/17916/13
The Assignment: Score a classic interactive fiction.
Step 1: Zork is the title of one of the earliest interactive text adventure games. The complete text of a spoiler-laden full run of the game is at the following URL, housed at Georgia Tech, or the Georgia Institute of Technology:
bitly.com/junto-zork
Step 2: If you’re not familiar with Zork and/or with interactive text adventures, consider reading up. Otherwise, just think of the script as exactly that: the bare-bones narrative of a story.
Step 3: Compose a score]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/take-rainbow-an-interesting-idea-disquiet0361/listen.mp3?s=prA" length="3468224" />
                                    <link>https://hearthis.at/sevenism/take-rainbow-an-interesting-idea-disquiet0361/</link>
                                    <thr:total>0</thr:total>
                                    <hq>45</hq>
                                    <hq_filename>84e0e686e5d943e6b6b1def319cb36c0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/84e0e686e5d943e6b6b1def319cb36c0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/take-rainbow-an-interesting-idea-disquiet0361/listen.mp3?s=prA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i hated text adventures as a kid. i had neverending story on the spectrum and it was utter trash.
i just played this one online, and my feelings havent really changed. i don't really have any visual imagery so it just felt like i was blindly aimlessly going round and round. my brain doesnt do visual imagery so this sort of thing is pointless to me.
on one level  this track follows me failing to get into a house, going up a tree and failing to unclasp a jeweled egg, not knowing where a songbird is, going down a ravine and getting nowhere for ages, and getting a sarcastic remark when i tried to take rainbow - i mean i dont know what internal logic youre following but if i can get to the end of a rainbow why am i ridiculed for trying to take it?
on another level i've represented the frustration blindness and darkness of this game.. and the sound of a spectrum tape loading
no input feedback in podfarm standalone
improvised playing thru synthmaster - freqecho - vocal doubler - podfarm (guitar amp + 3 lots of cavernous reverb)
[]
Disquiet Junto Project 0361: Zork Diaries
llllllll.co/t/disquiet-junto-p...iaries/17916/13
The Assignment: Score a classic interactive fiction.
Step 1: Zork is the title of one of the earliest interactive text adventure games. The complete text of a spoiler-laden full run of the game is at the following URL, housed at Georgia Tech, or the Georgia Institute of Technology:
bitly.com/junto-zork
Step 2: If you’re not familiar with Zork and/or with interactive text adventures, consider reading up. Otherwise, just think of the script as exactly that: the bare-bones narrative of a story.
Step 3: Compose a score]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/8/_/uploads/801843/image_track/2606789/w1400_h1400_q70_ptrue_v2_----cropped_1543699729853.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/take-rainbow-an-interesting-idea-disquiet0361/</feedburner:origLink>
                                    <itunes:duration>216</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2486059</guid>
                                    
                                        <pubDate>Wed, 31 Oct 2018 12:00:13 +0100</pubDate>
                                        
                                        <atom:updated>2018-10-31T12:00:13+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>walls unscaled (naviarhaiku252)</title>
                                    <description><![CDATA[synthmaster arp, knobs adjusted throughout. slowed down, reverb, reversed in audacity. 
oppressive, closing in, switching off
.
Etheridge Knight was an American author, and one of the most prominent poets of the Black Arts Movement in the 20th century. While serving the U.S. Army in Korea he was wounded and as a result, the drug addiction that had begun during his service got worse. He wrote his most acclaimed book, Poems from Prison, during the eight years he spent in the Indiana State Prison for robbery.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 7th November 2018
haiku by Etheridge Knight terebess.hu/eglish/haiku/knight.html
picture by SHTTEFAN unsplash.com/@shttefan]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/walls-unscaled-naviarhaiku252/listen.mp3?s=zaX" length="3573132" />
                                    <link>https://hearthis.at/sevenism/walls-unscaled-naviarhaiku252/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>975e8362940df269a86e4eee86ace40e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/975e8362940df269a86e4eee86ace40e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/walls-unscaled-naviarhaiku252/listen.mp3?s=zaX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[synthmaster arp, knobs adjusted throughout. slowed down, reverb, reversed in audacity. 
oppressive, closing in, switching off
.
Etheridge Knight was an American author, and one of the most prominent poets of the Black Arts Movement in the 20th century. While serving the U.S. Army in Korea he was wounded and as a result, the drug addiction that had begun during his service got worse. He wrote his most acclaimed book, Poems from Prison, during the eight years he spent in the Indiana State Prison for robbery.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 7th November 2018
haiku by Etheridge Knight terebess.hu/eglish/haiku/knight.html
picture by SHTTEFAN unsplash.com/@shttefan]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/2/_/uploads/801843/image_track/2486059/w1400_h1400_q70_ptrue_v2_----cropped_1540988447299.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/walls-unscaled-naviarhaiku252/</feedburner:origLink>
                                    <itunes:duration>223</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2523383</guid>
                                    
                                        <pubDate>Thu, 08 Nov 2018 15:41:45 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-08T15:41:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>plum notes -naviarhaiku253</title>
                                    <description><![CDATA[used my piano track from the last disquiet. pitched right down with some high freq wet reverb. 3am hiss
i was thinking what would sound like a cross between a plum and a piano. kind of sounds like a bass drum/double bass at times
"
I hope you’ll find this poem by Etheridge Knight as inspiring as the one posted last week.
On the back of his 1968 debut collection, Poems from Prison, Knight stated “I died in Korea from a shrapnel wound, and narcotics resurrected me. I died in 1960 from a prison sentence and poetry brought me back to life.”
For those interested in finding out more about Knight there’s Understanding Etheridge Knight, a book by Michael S. Collins
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 14th November 2018
haiku by Etheridge Knight terebess.hu/eglish/haiku/knight.html
picture by Robert Dickow unsplash.com/@robertdickow
"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/plum-notes-naviarhaiku253/listen.mp3?s=8Ky" length="4622627" />
                                    <link>https://hearthis.at/sevenism/plum-notes-naviarhaiku253/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>1d2aaf7d6b6e493b2c3a18ed9f8279bd.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/1d2aaf7d6b6e493b2c3a18ed9f8279bd.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/plum-notes-naviarhaiku253/listen.mp3?s=8Ky" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used my piano track from the last disquiet. pitched right down with some high freq wet reverb. 3am hiss
i was thinking what would sound like a cross between a plum and a piano. kind of sounds like a bass drum/double bass at times
"
I hope you’ll find this poem by Etheridge Knight as inspiring as the one posted last week.
On the back of his 1968 debut collection, Poems from Prison, Knight stated “I died in Korea from a shrapnel wound, and narcotics resurrected me. I died in 1960 from a prison sentence and poetry brought me back to life.”
For those interested in finding out more about Knight there’s Understanding Etheridge Knight, a book by Michael S. Collins
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 14th November 2018
haiku by Etheridge Knight terebess.hu/eglish/haiku/knight.html
picture by Robert Dickow unsplash.com/@robertdickow
"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/1/1/_/uploads/801843/image_track/2523383/w1400_h1400_q70_ptrue_v2_----cropped_1541689171114.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/plum-notes-naviarhaiku253/</feedburner:origLink>
                                    <itunes:duration>288</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2502920</guid>
                                    
                                        <pubDate>Sun, 04 Nov 2018 17:55:49 +0100</pubDate>
                                        
                                        <atom:updated>2018-11-04T17:55:49+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>the clock (disquiet0357)</title>
                                    <description><![CDATA[i used piano genie tensorflow.github.io/magenta-d...mos/piano-genie to make it seem like i can play the piano. this is a neural net trained on improvised piano performances
the segments arent that distinct in places
this follows 6am-6pm on thursday 1st november
-waking up
-making and drinking espressos
-cut my finger really badly picking up a heater by a slat: lots of dripping blood and mild panic
-carefully cutting veg for a slow cook
-reading about a grieving daughter who, fittingly for this project, went to see christian marclay's installation The Clock obsessively as way of marking and halting time (lrb.co.uk/v40/n21/jane-campbel...y-fathers-dying)
-therapy session with a client
-made some music to work through residual emotion
-drank more coffee
-read about clients expectations of therapy, how this can be falsely informed culturally; intuiting authentic expectations yet putting aside personal theories
-put some fish medicine in the tank for a dying zebra danio
-relented and moved a pile of unread journals & mags to a shelf
-my partner came home

llllllll.co/t/disquiet-junto-p...0357-clock-work
Disquiet Junto Project 0357: Clock Work
The Assignment: Base a piece of music on your previous 12 hours.
Step 1: Think about your previous 12 hours as of the moment you begin this project.
Step 2: Note one single thing that best summarizes each of those 12 hours. That is: one thing for each of those 12 hours. Each “thing” should be one strong association with that hour, such as what you did, what you felt, what you thought, where you were, and so forth. This step’s process will result in a list of 12 things in sequence.
Step 3: Record a short piece of music consisting of 12 segments that reflect each of the 12 items that surfaced as a result of Step 2. You might make transitions between the segments, or have them immediately follow one to the next.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-clock-disquiet0357/listen.mp3?s=4JZ" length="4621791" />
                                    <link>https://hearthis.at/sevenism/the-clock-disquiet0357/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>f89c881396a6931fe5ce230c5545f134.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/f89c881396a6931fe5ce230c5545f134.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-clock-disquiet0357/listen.mp3?s=4JZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used piano genie tensorflow.github.io/magenta-d...mos/piano-genie to make it seem like i can play the piano. this is a neural net trained on improvised piano performances
the segments arent that distinct in places
this follows 6am-6pm on thursday 1st november
-waking up
-making and drinking espressos
-cut my finger really badly picking up a heater by a slat: lots of dripping blood and mild panic
-carefully cutting veg for a slow cook
-reading about a grieving daughter who, fittingly for this project, went to see christian marclay's installation The Clock obsessively as way of marking and halting time (lrb.co.uk/v40/n21/jane-campbel...y-fathers-dying)
-therapy session with a client
-made some music to work through residual emotion
-drank more coffee
-read about clients expectations of therapy, how this can be falsely informed culturally; intuiting authentic expectations yet putting aside personal theories
-put some fish medicine in the tank for a dying zebra danio
-relented and moved a pile of unread journals & mags to a shelf
-my partner came home

llllllll.co/t/disquiet-junto-p...0357-clock-work
Disquiet Junto Project 0357: Clock Work
The Assignment: Base a piece of music on your previous 12 hours.
Step 1: Think about your previous 12 hours as of the moment you begin this project.
Step 2: Note one single thing that best summarizes each of those 12 hours. That is: one thing for each of those 12 hours. Each “thing” should be one strong association with that hour, such as what you did, what you felt, what you thought, where you were, and so forth. This step’s process will result in a list of 12 things in sequence.
Step 3: Record a short piece of music consisting of 12 segments that reflect each of the 12 items that surfaced as a result of Step 2. You might make transitions between the segments, or have them immediately follow one to the next.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/8/_/uploads/801843/image_track/2502920/w1400_h1400_q70_ptrue_v2_----cropped_1541367358852.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-clock-disquiet0357/</feedburner:origLink>
                                    <itunes:duration>288</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2485899</guid>
                                    
                                        <pubDate>Wed, 31 Oct 2018 09:43:08 +0100</pubDate>
                                        
                                        <atom:updated>2018-10-31T09:43:08+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lost my way –naviarhaiku251</title>
                                    <description><![CDATA[recorded early this morning on my technics piano, tried to give it a nighttime feel
preverb, reverb, echo and soft distortion. had the piece reversed for the first half to add to sense of lost unknown aloneness.
.
One of the most celebrated African-American novelists of the twentieth century, Richard Wright discovered haiku during the last eighteen months of his life (he died of heart attack in 1960, aged 52). In such a short time he wrote 4000 poems, and his posthumous book “Haiku: This Other World“ is a collection with 817 of his own favorite haiku.
His daughter Julia once said that haiku for Wright were “self-developed antidotes against illness, and that breaking down words into syllables matched the shortness of his breath.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 31st October 2018
haiku by Richard Wright terebess.hu/english/haiku/wright.html]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lost-my-way-naviarhaiku251/listen.mp3?s=0jm" length="6721618" />
                                    <link>https://hearthis.at/sevenism/lost-my-way-naviarhaiku251/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>a1febb63d288faf21b27cc2f800f8901.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream15.hearthis.at/a1febb63d288faf21b27cc2f800f8901.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lost-my-way-naviarhaiku251/listen.mp3?s=0jm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[recorded early this morning on my technics piano, tried to give it a nighttime feel
preverb, reverb, echo and soft distortion. had the piece reversed for the first half to add to sense of lost unknown aloneness.
.
One of the most celebrated African-American novelists of the twentieth century, Richard Wright discovered haiku during the last eighteen months of his life (he died of heart attack in 1960, aged 52). In such a short time he wrote 4000 poems, and his posthumous book “Haiku: This Other World“ is a collection with 817 of his own favorite haiku.
His daughter Julia once said that haiku for Wright were “self-developed antidotes against illness, and that breaking down words into syllables matched the shortness of his breath.”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 31st October 2018
haiku by Richard Wright terebess.hu/english/haiku/wright.html]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/9/6/_/uploads/801843/image_track/2485899/w1400_h1400_q70_ptrue_v2_----cropped_1540981057691.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lost-my-way-naviarhaiku251/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2478218</guid>
                                    
                                        <pubDate>Fri, 26 Oct 2018 10:35:58 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-26T10:35:58+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ground swell ((disquiet0356))</title>
                                    <description><![CDATA[i saw this video the other day i.imgur.com/2WlNzjV.gifv the ground swelling almost breathing. i guess this track is an accompaniment
in podfarm i had no input feedback from these chains:
fuzz pi - auto swell - low rez - stereo expo chorus - bubble echo - tube echo - echo platter - tape echo - dark hall reverb /
tape echo - bass overdrive - bender - sine chorus - pingpong delay - reverse delay - echo platter - tape echo - brite room reverb
iris 2 i had cello, cor anglais, and bass clarinet samples. and i played around with the satan in music notes (B & F)
audacity i had lots of reverb to get that swell after the note, paulstretch to blend the notes into discord (altho actually it made it more flowing) and more reverb. 
i'm so used to this sort of music that there's not really any sense of disquiet for me; i tried to have a more pleasant section in the middle for contrast.





/ -





Disquiet Junto Project 0356: Ground Swell
llllllll.co/t/disquiet-junto-p...-swell/17139/10
The Assignment: Derive something spooky from a specific place.
Major thanks to Chris McAvoy for having proposed this project.
Step 1: The goal is to create a piece of music that uses layers to create a sense of unease, eeriness, or disquiet.
Step 2: Think of a place that summons up the sensations described in Step 1.
Step 3: Derive sounds from the place that came to mind in Step 2. If you have access to the place, consider strategies to accomplish this (from field recordings, graphic notations, etc.). If you do not have access to the place, use your memories and impressions as a resource.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ground-swell-disquiet0356/listen.mp3?s=X9M" length="5481533" />
                                    <link>https://hearthis.at/sevenism/ground-swell-disquiet0356/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>2e48cfef5f48a18cebac1d2b9a9a070e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/2e48cfef5f48a18cebac1d2b9a9a070e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ground-swell-disquiet0356/listen.mp3?s=X9M" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i saw this video the other day i.imgur.com/2WlNzjV.gifv the ground swelling almost breathing. i guess this track is an accompaniment
in podfarm i had no input feedback from these chains:
fuzz pi - auto swell - low rez - stereo expo chorus - bubble echo - tube echo - echo platter - tape echo - dark hall reverb /
tape echo - bass overdrive - bender - sine chorus - pingpong delay - reverse delay - echo platter - tape echo - brite room reverb
iris 2 i had cello, cor anglais, and bass clarinet samples. and i played around with the satan in music notes (B & F)
audacity i had lots of reverb to get that swell after the note, paulstretch to blend the notes into discord (altho actually it made it more flowing) and more reverb. 
i'm so used to this sort of music that there's not really any sense of disquiet for me; i tried to have a more pleasant section in the middle for contrast.





/ -





Disquiet Junto Project 0356: Ground Swell
llllllll.co/t/disquiet-junto-p...-swell/17139/10
The Assignment: Derive something spooky from a specific place.
Major thanks to Chris McAvoy for having proposed this project.
Step 1: The goal is to create a piece of music that uses layers to create a sense of unease, eeriness, or disquiet.
Step 2: Think of a place that summons up the sensations described in Step 1.
Step 3: Derive sounds from the place that came to mind in Step 2. If you have access to the place, consider strategies to accomplish this (from field recordings, graphic notations, etc.). If you do not have access to the place, use your memories and impressions as a resource.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/2/_/uploads/801843/image_track/2478218/w1400_h1400_q70_ptrue_v2_----cropped_1540580784230.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ground-swell-disquiet0356/</feedburner:origLink>
                                    <itunes:duration>342</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2473795</guid>
                                    
                                        <pubDate>Tue, 23 Oct 2018 11:09:49 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-23T11:09:49+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>silent waves (naviarhaiku250)</title>
                                    <description><![CDATA[improvised mountain dulcimer recorded on my phone
noise reduction, reverb, sliding time shift
duplicate shifted 5 semitones down, wet preverb, faded in
space, pensiveness, mist
.
"
Undoubtedly one of my favourite haiku poets of the nineteenth century, Santoka spent 16 years of his life as a mendicant Zen priest, probably one of the last of his kind in Japan.
We spoke about Santoka and his poetry many times, and the most detailed article about him I’ve come across is by Simply Haiku: simplyhaiku.com/SHv3n3/feature...er-santoka.html, which I strongly recommend to those interested in his life and poetry.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 24th October 2018
haiku by Taneda Santōka simplyhaiku.com/SHv3n3/feature...er-santoka.html
picture by Ian Keefe unsplash.com/@iankeefe
"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/silent-waves-naviarhaiku250/listen.mp3?s=kCR" length="4952815" />
                                    <link>https://hearthis.at/sevenism/silent-waves-naviarhaiku250/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>9bccb55b8c22f1a3607a1b2ecbbf4fc5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/9bccb55b8c22f1a3607a1b2ecbbf4fc5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/silent-waves-naviarhaiku250/listen.mp3?s=kCR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[improvised mountain dulcimer recorded on my phone
noise reduction, reverb, sliding time shift
duplicate shifted 5 semitones down, wet preverb, faded in
space, pensiveness, mist
.
"
Undoubtedly one of my favourite haiku poets of the nineteenth century, Santoka spent 16 years of his life as a mendicant Zen priest, probably one of the last of his kind in Japan.
We spoke about Santoka and his poetry many times, and the most detailed article about him I’ve come across is by Simply Haiku: simplyhaiku.com/SHv3n3/feature...er-santoka.html, which I strongly recommend to those interested in his life and poetry.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 24th October 2018
haiku by Taneda Santōka simplyhaiku.com/SHv3n3/feature...er-santoka.html
picture by Ian Keefe unsplash.com/@iankeefe
"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/6/_/uploads/801843/image_track/2473795/w1400_h1400_q70_ptrue_v2_----cropped_1540400164606.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/silent-waves-naviarhaiku250/</feedburner:origLink>
                                    <itunes:duration>309</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2460119</guid>
                                    
                                        <pubDate>Fri, 19 Oct 2018 21:24:45 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-19T21:24:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>vivisected (disquiet0355)</title>
                                    <description><![CDATA[warning : this is a bit intense
i was reading kamila shamsie's novel home fire which is brilliant and fearless.
when the project email came thru i'd just read this section and it freaked me out a bit, a horrifying synchronicity:
"..he worked in the studio on sound effects of beheadings, crucifixions, whipping. This was both a test and a punishment. In the studio, he had control of himself. Abstracting himself to that place where nothing but getting the sound right mattered. The fascination of discovering the different pitch and timbre of a nail through flesh, a blade through flesh. Some men were men in their dying screams, some were animals. He, Mohammad bin Bagram, now numbered himself among the animals." (pp 169-70)
also some of my work as a therapist is evident to me in the music.. at least it's authentic!
i had two random arp patches running thru synthmaster, the sound really seemed to fit: arp gate cuts, cutoffs adjusted, delay feedback howl.  i thought about not posting this track.
///
Disquiet Junto Project 0355: Sonic Vivisection
The Assignment: Operate with incisions on a live sound in real time.
Step 1: Consider the concept of vivisection, or “the cutting of or operation on a living animal usually for physiological or pathological investigation,” per the Merriam-Webster Dictionary.
Step 2: Consider how that term might be applied to sound — for example, enacting cuts into a live sound source in real time.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/vivisected-disquiet0355/listen.mp3?s=DCW" length="3186937" />
                                    <link>https://hearthis.at/sevenism/vivisected-disquiet0355/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>8fc9993e1e8b52c53b36f928394a727f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/8fc9993e1e8b52c53b36f928394a727f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/vivisected-disquiet0355/listen.mp3?s=DCW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[warning : this is a bit intense
i was reading kamila shamsie's novel home fire which is brilliant and fearless.
when the project email came thru i'd just read this section and it freaked me out a bit, a horrifying synchronicity:
"..he worked in the studio on sound effects of beheadings, crucifixions, whipping. This was both a test and a punishment. In the studio, he had control of himself. Abstracting himself to that place where nothing but getting the sound right mattered. The fascination of discovering the different pitch and timbre of a nail through flesh, a blade through flesh. Some men were men in their dying screams, some were animals. He, Mohammad bin Bagram, now numbered himself among the animals." (pp 169-70)
also some of my work as a therapist is evident to me in the music.. at least it's authentic!
i had two random arp patches running thru synthmaster, the sound really seemed to fit: arp gate cuts, cutoffs adjusted, delay feedback howl.  i thought about not posting this track.
///
Disquiet Junto Project 0355: Sonic Vivisection
The Assignment: Operate with incisions on a live sound in real time.
Step 1: Consider the concept of vivisection, or “the cutting of or operation on a living animal usually for physiological or pathological investigation,” per the Merriam-Webster Dictionary.
Step 2: Consider how that term might be applied to sound — for example, enacting cuts into a live sound source in real time.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/5/_/uploads/801843/image_track/2460119/w1400_h1400_q70_ptrue_v2_----cropped_1539977913588.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/vivisected-disquiet0355/</feedburner:origLink>
                                    <itunes:duration>199</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2436576</guid>
                                    
                                        <pubDate>Sat, 06 Oct 2018 17:23:25 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-06T17:23:25+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>w~e~f~t disquiet0353</title>
                                    <description><![CDATA[recorded something in synthmaster, a held note with various detuning throughout
warped in ableton by changing the tempo and pitch. warped further with izotope vinyl
the weft is from podfarm phaser imagining it going over and under quite slowly.
..
Disquiet Junto Project 0353: Warp & Weft
The Assignment: Read loom-woven fabric as a musical composition.
Step 1: Download the following image and look at it closely:
dropbox.com/s/brauliz2ryvdram/...20full.jpg?dl=0
Step 2: If you’re not familiarize with the terms “warp” and “weft,” understand them as relating to the act of weaving. Per the Wikipedia entry, “The lengthwise or longitudinal warp yarns are held stationary in tension on a frame or loom while the transverse weft (sometimes woof) is drawn through and inserted over-and-under the warp.”
Step 3: Study the image with this concept of “warp and weft” in mind. Consider how the image can be interpreted as a musical composition.
Step 4: Compose a piece of music that, reflecting your thoughts from steps 1 through 3, reads the image as a music score.
llllllll.co/t/disquiet-junto-p...-0353-warp-weft]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/weft-disquiet0353/listen.mp3?s=0Rw" length="3354957" />
                                    <link>https://hearthis.at/sevenism/weft-disquiet0353/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>8ccf3b61ed85da0e4dd41444c8d6f7cb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/8ccf3b61ed85da0e4dd41444c8d6f7cb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/weft-disquiet0353/listen.mp3?s=0Rw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[recorded something in synthmaster, a held note with various detuning throughout
warped in ableton by changing the tempo and pitch. warped further with izotope vinyl
the weft is from podfarm phaser imagining it going over and under quite slowly.
..
Disquiet Junto Project 0353: Warp & Weft
The Assignment: Read loom-woven fabric as a musical composition.
Step 1: Download the following image and look at it closely:
dropbox.com/s/brauliz2ryvdram/...20full.jpg?dl=0
Step 2: If you’re not familiarize with the terms “warp” and “weft,” understand them as relating to the act of weaving. Per the Wikipedia entry, “The lengthwise or longitudinal warp yarns are held stationary in tension on a frame or loom while the transverse weft (sometimes woof) is drawn through and inserted over-and-under the warp.”
Step 3: Study the image with this concept of “warp and weft” in mind. Consider how the image can be interpreted as a musical composition.
Step 4: Compose a piece of music that, reflecting your thoughts from steps 1 through 3, reads the image as a music score.
llllllll.co/t/disquiet-junto-p...-0353-warp-weft]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/4/1/_/uploads/801843/image_track/2436576/w1400_h1400_q70_ptrue_v2_----cropped_1538908130146.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/weft-disquiet0353/</feedburner:origLink>
                                    <itunes:duration>209</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2433622</guid>
                                    
                                        <pubDate>Fri, 05 Oct 2018 09:27:45 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-05T09:27:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>reflected smoke (naviarhaiku248)</title>
                                    <description><![CDATA[inspired more by the picture - blue fluid smoke
had a mountain dulcimer track running through the mangle. wanted to get that raga drone sound but there's no indian modes. had chorus delay echo reverb fx in there. in audacity i had a sliding time shift applied.
.
This week’s haiku is a poem by Hashimoto Takako, one of the most important voices in haiku poetry during the World War II years in Japan, together with Mitsuhashi Takajo and Ishibashi Hideno among others. She was also the author of our 246th challenge.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 10th October 2018
haiku by Hashimoto Takako worldkigo2005.blogspot.com/201...oto-takako.html
picture by Vanessa Ives unsplash.com/@vanessaives]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/reflected-smoke-naviarhaiku248/listen.mp3?s=bPi" length="4774764" />
                                    <link>https://hearthis.at/sevenism/reflected-smoke-naviarhaiku248/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>aa4a5418cc17400ec2f81610ac2ba4ec.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/aa4a5418cc17400ec2f81610ac2ba4ec.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/reflected-smoke-naviarhaiku248/listen.mp3?s=bPi" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[inspired more by the picture - blue fluid smoke
had a mountain dulcimer track running through the mangle. wanted to get that raga drone sound but there's no indian modes. had chorus delay echo reverb fx in there. in audacity i had a sliding time shift applied.
.
This week’s haiku is a poem by Hashimoto Takako, one of the most important voices in haiku poetry during the World War II years in Japan, together with Mitsuhashi Takajo and Ishibashi Hideno among others. She was also the author of our 246th challenge.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 10th October 2018
haiku by Hashimoto Takako worldkigo2005.blogspot.com/201...oto-takako.html
picture by Vanessa Ives unsplash.com/@vanessaives]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/3/_/uploads/801843/image_track/2433622/w1400_h1400_q70_ptrue_v2_----cropped_1538761063331.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/reflected-smoke-naviarhaiku248/</feedburner:origLink>
                                    <itunes:duration>298</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2428743</guid>
                                    
                                        <pubDate>Wed, 03 Oct 2018 12:21:07 +0200</pubDate>
                                        
                                        <atom:updated>2018-10-03T12:21:07+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>snow at oceans edge -naviarhaiku247</title>
                                    <description><![CDATA[tb303 samples in iris2, reverb, paulstretch.
hi freq snow, low ocean, glitch waves, discordant effort.
.
Now regarded as one of the most influential Japanese haiku writers of the twentieth century, Yamaguchi Seishi was an influential representative of the Hototogisu School (founded by Kyoshi, his teacher). A collection of 300 of his works entitled The Essence of Modem Haiku was published by Mangajin Inc in 1933.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 3rd October 2018
haiku by Yamaguchi Seishi happyhaiku.blogspot.com/2004/0...chi-seishi.html
picture by Federico Bottos unsplash.com/@landscapeplaces]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/snow-at-oceans-edge-naviarhaiku247/listen.mp3?s=soM" length="5462725" />
                                    <link>https://hearthis.at/sevenism/snow-at-oceans-edge-naviarhaiku247/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>ac0dcb7885bf8f1416bfa8c9c597c12d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/ac0dcb7885bf8f1416bfa8c9c597c12d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/snow-at-oceans-edge-naviarhaiku247/listen.mp3?s=soM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[tb303 samples in iris2, reverb, paulstretch.
hi freq snow, low ocean, glitch waves, discordant effort.
.
Now regarded as one of the most influential Japanese haiku writers of the twentieth century, Yamaguchi Seishi was an influential representative of the Hototogisu School (founded by Kyoshi, his teacher). A collection of 300 of his works entitled The Essence of Modem Haiku was published by Mangajin Inc in 1933.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 3rd October 2018
haiku by Yamaguchi Seishi happyhaiku.blogspot.com/2004/0...chi-seishi.html
picture by Federico Bottos unsplash.com/@landscapeplaces]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/4/3/_/uploads/801843/image_track/2428743/w1400_h1400_q70_ptrue_v2_----cropped_1538568705340.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/snow-at-oceans-edge-naviarhaiku247/</feedburner:origLink>
                                    <itunes:duration>341</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2420095</guid>
                                    
                                        <pubDate>Fri, 28 Sep 2018 21:15:38 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-28T21:15:38+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>keep telling yourself its ok. disquiet0352</title>
                                    <description><![CDATA[i followed the instructions but maybe it seems like i havent. doesnt sound how i was expecting.
i had a random arpeggio going through phonec and ddly. the delay  confuses the sound possibly.
had another arp running panned 20% left random module pitched up (fifths)
and another 20% right pitched down. both fading in. not as much separation as i thought.
.
Disquiet Junto Project 0352: Layering Permutations
The Assignment: Play something melodic atop two variations.
Step 1: The idea is to have a simple melody of some sort, and to then have two variations on that melody play simultaneous with it. The key word here is “melody.”
Step 2: Come up with a melody, and then come up with means to create variations on it. Think of the variations as permutations of the melody. Try to have the variations not veer too far from the original. As you develop the variations, think about relative balance between the three layers.
Step 3: Record a short piece of music in which the three layers are stacked atop each other. You might perform the layers separately and then combine them, or you might have a means for them to play simultaneously. You might have the balance between the tracks remain static throughout, or you may change relative volume at times.
llllllll.co/t/disquiet-junto-p...ng-permutations
Image associated with this project is by John Getchel, used thanks to Flickr and a Creative Commons license:
flic.kr/p/bXohqx
creativecommons.org/licenses/by-nc/2.0]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/keep-telling-yourself-its-ok-disquiet0352/listen.mp3?s=JY3" length="2792802" />
                                    <link>https://hearthis.at/sevenism/keep-telling-yourself-its-ok-disquiet0352/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>93a078af9ee032b42d8543c74d8c39f0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/93a078af9ee032b42d8543c74d8c39f0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/keep-telling-yourself-its-ok-disquiet0352/listen.mp3?s=JY3" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i followed the instructions but maybe it seems like i havent. doesnt sound how i was expecting.
i had a random arpeggio going through phonec and ddly. the delay  confuses the sound possibly.
had another arp running panned 20% left random module pitched up (fifths)
and another 20% right pitched down. both fading in. not as much separation as i thought.
.
Disquiet Junto Project 0352: Layering Permutations
The Assignment: Play something melodic atop two variations.
Step 1: The idea is to have a simple melody of some sort, and to then have two variations on that melody play simultaneous with it. The key word here is “melody.”
Step 2: Come up with a melody, and then come up with means to create variations on it. Think of the variations as permutations of the melody. Try to have the variations not veer too far from the original. As you develop the variations, think about relative balance between the three layers.
Step 3: Record a short piece of music in which the three layers are stacked atop each other. You might perform the layers separately and then combine them, or you might have a means for them to play simultaneously. You might have the balance between the tracks remain static throughout, or you may change relative volume at times.
llllllll.co/t/disquiet-junto-p...ng-permutations
Image associated with this project is by John Getchel, used thanks to Flickr and a Creative Commons license:
flic.kr/p/bXohqx
creativecommons.org/licenses/by-nc/2.0]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/6/3/_/uploads/801843/image_track/2420095/w1400_h1400_q70_ptrue_v2_----cropped_1538166965368.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/keep-telling-yourself-its-ok-disquiet0352/</feedburner:origLink>
                                    <itunes:duration>174</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2413342</guid>
                                    
                                        <pubDate>Tue, 25 Sep 2018 12:15:58 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-25T12:15:58+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ever upwards ^naviarhaiku246</title>
                                    <description><![CDATA[used a sample from a newage synth pack
utilized the stuttery glitch from audacity change tempo, accentuated with sliding pitch/tempo change, dulled a bit with reverb
wanted to portray an infinite ladder into the sky
.
Hashimoto Takako (1899-1963) was a poet of the Shōwa period and editor of the haiku magazine Shichiyō. Even though Takako studied under Seishi Yamaguchi for some time, she was the first woman among the major modern haiku poets to receive her training in haiku mainly from another woman, Hisajo, author of the poem we published last week.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 26th September 2018
haiku by Hashimoto Takako worldkigo2005.blogspot.com/201...oto-takako.html
picture by Jez Timms unsplash.com/@jeztimms]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ever-upwards-naviarhaiku246/listen.mp3?s=8sH" length="3904155" />
                                    <link>https://hearthis.at/sevenism/ever-upwards-naviarhaiku246/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>24c9059667be7be25022151de0c7eae8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/24c9059667be7be25022151de0c7eae8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ever-upwards-naviarhaiku246/listen.mp3?s=8sH" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used a sample from a newage synth pack
utilized the stuttery glitch from audacity change tempo, accentuated with sliding pitch/tempo change, dulled a bit with reverb
wanted to portray an infinite ladder into the sky
.
Hashimoto Takako (1899-1963) was a poet of the Shōwa period and editor of the haiku magazine Shichiyō. Even though Takako studied under Seishi Yamaguchi for some time, she was the first woman among the major modern haiku poets to receive her training in haiku mainly from another woman, Hisajo, author of the poem we published last week.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 26th September 2018
haiku by Hashimoto Takako worldkigo2005.blogspot.com/201...oto-takako.html
picture by Jez Timms unsplash.com/@jeztimms]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/0/2/_/uploads/801843/image_track/2413342/w1400_h1400_q70_ptrue_v2_----cropped_1537885048208.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ever-upwards-naviarhaiku246/</feedburner:origLink>
                                    <itunes:duration>243</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2405095</guid>
                                    
                                        <pubDate>Fri, 21 Sep 2018 11:23:33 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-21T11:23:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>analoc / sevenism - dorchester court (disquiet0351)</title>
                                    <description><![CDATA[remix of @analoc soundcloud.com/analoc/dorchest...nk-disquiet0350 i loved this track. we were in dorset the other day and happened to be near dorchester - which is meaningful for me and my partner as our first home was on a road called dorchester court (i slept better there!)
the lazy choice to smooth something out is by increasing the time resolution in paulstretch. i didnt just do this. 
i duplicated the track a couple of times. in audition i applied chorus and convolution reverb
in live 8 i used 6 string ambience and valhalla freq echo (lots of feedback)
back in audacity i had the first 2 tracks fading in and out and the 3rd track fading in throughout. eq'd the low end a bit.
.
.
.
llllllll.co/t/disquiet-junto-p...volume-ii/16303
Disquiet Junto Project 0351: Selected Insomniac Works Volume II
The Assignment: Rework some very quiet music by making it even more sedate.
Step 1: Last week, about 60 members of the Disquiet Junto recorded ambient music for the middle of the night. The specific request was to “Make very quiet music for very late at night for very fragile psyches.” This week, we’ll each select a track from last week and proceed to dial it down even further.
Step 2: Listen through the tracks from last week’s project, and choose the one whose ambience you want to employ in your track:
soundcloud.com/disquiet/sets/d...to-project-0350
In addition, there may be some other tracks from the project in the Lines discussions, here:
llllllll.co/t/disquiet-junto-p...insomniac-works
Step 3: Having chosen a track in Step 2 above, confirm that your chosen track is downloadable. If it isn’t, either get in touch with the musician who made it, or choose another track.
Step 4: Listen closely to the track you selected in Step 3. Consider what edges it has that might be smoothed out, what drama it has that might be subsumed. Consider how you might do such things while retaining something that is inherently listenable, should someone choose to turn up the volume and focus on it.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/analoc-sevenism-dorchester-court-disquiet0351/listen.mp3?s=18m" length="24321043" />
                                    <link>https://hearthis.at/sevenism/analoc-sevenism-dorchester-court-disquiet0351/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>357e548669502cf57547ecf28fee3b26.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/357e548669502cf57547ecf28fee3b26.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/analoc-sevenism-dorchester-court-disquiet0351/listen.mp3?s=18m" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of @analoc soundcloud.com/analoc/dorchest...nk-disquiet0350 i loved this track. we were in dorset the other day and happened to be near dorchester - which is meaningful for me and my partner as our first home was on a road called dorchester court (i slept better there!)
the lazy choice to smooth something out is by increasing the time resolution in paulstretch. i didnt just do this. 
i duplicated the track a couple of times. in audition i applied chorus and convolution reverb
in live 8 i used 6 string ambience and valhalla freq echo (lots of feedback)
back in audacity i had the first 2 tracks fading in and out and the 3rd track fading in throughout. eq'd the low end a bit.
.
.
.
llllllll.co/t/disquiet-junto-p...volume-ii/16303
Disquiet Junto Project 0351: Selected Insomniac Works Volume II
The Assignment: Rework some very quiet music by making it even more sedate.
Step 1: Last week, about 60 members of the Disquiet Junto recorded ambient music for the middle of the night. The specific request was to “Make very quiet music for very late at night for very fragile psyches.” This week, we’ll each select a track from last week and proceed to dial it down even further.
Step 2: Listen through the tracks from last week’s project, and choose the one whose ambience you want to employ in your track:
soundcloud.com/disquiet/sets/d...to-project-0350
In addition, there may be some other tracks from the project in the Lines discussions, here:
llllllll.co/t/disquiet-junto-p...insomniac-works
Step 3: Having chosen a track in Step 2 above, confirm that your chosen track is downloadable. If it isn’t, either get in touch with the musician who made it, or choose another track.
Step 4: Listen closely to the track you selected in Step 3. Consider what edges it has that might be smoothed out, what drama it has that might be subsumed. Consider how you might do such things while retaining something that is inherently listenable, should someone choose to turn up the volume and focus on it.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/801843/image_track/2405095/w1400_h1400_q70_ptrue_v2_----cropped_1537537696157.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/analoc-sevenism-dorchester-court-disquiet0351/</feedburner:origLink>
                                    <itunes:duration>1520</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2385402</guid>
                                    
                                        <pubDate>Fri, 14 Sep 2018 13:52:26 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-14T13:52:26+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>midnight solo (falling leaf) disquiet0350</title>
                                    <description><![CDATA[i recorded this early morning while my partner was asleep, i wanted to give it a midnight feel, later she said it doesn't sound like midnight!
got a new window in the room with my old technics piano, i wanted to see how it sounded, it seems a lot quieter in there  - you can hear a couple of cars go past tho. just recorded on my phone
noise reduction, reverb, soft distortion. made sure i left some hiss in
.
Disquiet Junto Project 0350: Selected Insomniac Works
llllllll.co/t/disquiet-junto-p...insomniac-works
The Assignment: Make very quiet music for very late at night for very fragile psyches.
Step 1: It’s the middle of the night, long past dusk and long before dawn. You can’t sleep.
Step 2: Think about what kind of music you’d want to hear right now — super quiet, super subtle, unlikely to wake you, potentially to ease you back to the comfort of your pillow, or at least to calm your mind.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/midnight-solo-falling-leaf-disquiet0350/listen.mp3?s=jXa" length="3482017" />
                                    <link>https://hearthis.at/sevenism/midnight-solo-falling-leaf-disquiet0350/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>9a701f5f7543d4e16b3570e19645d7cb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/9a701f5f7543d4e16b3570e19645d7cb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/midnight-solo-falling-leaf-disquiet0350/listen.mp3?s=jXa" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i recorded this early morning while my partner was asleep, i wanted to give it a midnight feel, later she said it doesn't sound like midnight!
got a new window in the room with my old technics piano, i wanted to see how it sounded, it seems a lot quieter in there  - you can hear a couple of cars go past tho. just recorded on my phone
noise reduction, reverb, soft distortion. made sure i left some hiss in
.
Disquiet Junto Project 0350: Selected Insomniac Works
llllllll.co/t/disquiet-junto-p...insomniac-works
The Assignment: Make very quiet music for very late at night for very fragile psyches.
Step 1: It’s the middle of the night, long past dusk and long before dawn. You can’t sleep.
Step 2: Think about what kind of music you’d want to hear right now — super quiet, super subtle, unlikely to wake you, potentially to ease you back to the comfort of your pillow, or at least to calm your mind.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/6/_/uploads/801843/image_track/2385402/w1400_h1400_q70_ptrue_v2_----cropped_1537189529607.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/midnight-solo-falling-leaf-disquiet0350/</feedburner:origLink>
                                    <itunes:duration>217</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2378682</guid>
                                    
                                        <pubDate>Tue, 11 Sep 2018 12:15:36 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-11T12:15:36+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fever centripetal</title>
                                    <description><![CDATA[just made from this sample freesound.org/people/venaporta...e/sounds/272179 for osd62 ambientonline.org/forum/ambien...re-challenge-62
i had various sections of the sample selected (and 4 iterations of the sample) in iris2 with distortion / chorus / delay / reverb. improvised for a couple of minutes
more reverb added in audacity
changed the tempo rather than paulstretch, gave it that nice woozy detuned feel.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fever-centripetal/listen.mp3?s=LPR" length="2841703" />
                                    <link>https://hearthis.at/sevenism/fever-centripetal/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>525cf0cfd1c1aa911b0cf4e620d2ec21.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/525cf0cfd1c1aa911b0cf4e620d2ec21.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fever-centripetal/listen.mp3?s=LPR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[just made from this sample freesound.org/people/venaporta...e/sounds/272179 for osd62 ambientonline.org/forum/ambien...re-challenge-62
i had various sections of the sample selected (and 4 iterations of the sample) in iris2 with distortion / chorus / delay / reverb. improvised for a couple of minutes
more reverb added in audacity
changed the tempo rather than paulstretch, gave it that nice woozy detuned feel.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/9/4/_/uploads/801843/image_track/2378682/w1400_h1400_q70_ptrue_v2_----cropped_1536854236491.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fever-centripetal/</feedburner:origLink>
                                    <itunes:duration>177</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2370291</guid>
                                    
                                        <pubDate>Tue, 11 Sep 2018 11:39:27 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-11T11:39:27+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>among thousand voices.. naviarhaiku244</title>
                                    <description><![CDATA[used the synthplayer softsynth and lots of echoes / delay for that swarming sound
.
Mitsuhashi Takajo was a haiku poet of the Shōwa period, who started writing poems because of her admiration for Akiko Yosano. She published her first haiku collection, entitled Himawari (Sunflower), in 1934.
She’s considered as one of the “4 Ts” of Japanese female haiku poets, together with Nakamura Teijo, Hoshino Tatsuko, and Hashimoto Takako.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 12th September 2018
haiku by Mitsuhashi Takajo livinghaikuanthology.com/index...mitsuhashi.html
picture by  @gebhartyler unsplash.com/@gebhartyler]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/among-thousand-voices-naviarhaiku244/listen.mp3?s=McN" length="4321697" />
                                    <link>https://hearthis.at/sevenism/among-thousand-voices-naviarhaiku244/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>bb151f0f8687874ca0cd91a723fb5e4b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/bb151f0f8687874ca0cd91a723fb5e4b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/among-thousand-voices-naviarhaiku244/listen.mp3?s=McN" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used the synthplayer softsynth and lots of echoes / delay for that swarming sound
.
Mitsuhashi Takajo was a haiku poet of the Shōwa period, who started writing poems because of her admiration for Akiko Yosano. She published her first haiku collection, entitled Himawari (Sunflower), in 1934.
She’s considered as one of the “4 Ts” of Japanese female haiku poets, together with Nakamura Teijo, Hoshino Tatsuko, and Hashimoto Takako.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 12th September 2018
haiku by Mitsuhashi Takajo livinghaikuanthology.com/index...mitsuhashi.html
picture by  @gebhartyler unsplash.com/@gebhartyler]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/4/0/_/uploads/801843/image_track/2370291/w1400_h1400_q70_ptrue_v2_----cropped_1536658798048.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/among-thousand-voices-naviarhaiku244/</feedburner:origLink>
                                    <itunes:duration>270</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2357379</guid>
                                    
                                        <pubDate>Fri, 07 Sep 2018 15:26:29 +0200</pubDate>
                                        
                                        <atom:updated>2018-09-07T15:26:29+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>distance disquiet0349</title>
                                    <description><![CDATA[i thought it was appropriate how my name is glitched in the project info!
just thought about inadvertent errors in software i use.
iris2 has some nice distortion if you redeuce the biuffer size and numner of buffers
live8 has this weird feedback delay whe n recording auidoi , ive prob got it set up wrong bu t ilike it
just improvised with a pioano sample incorporating the sound of the glitches into the feel of the piece
(felt appropriate to keep in tpyos  in this descritpion too)
treid to databend the image by opening as text and writing sevenisn in there but didnt get anythingh intersting!
.
Disquiet Junto Project 0349: Got Glitch?
The Assignment: Help define “glitch” by glitching something, and explaining what you did.
Major thanks to Sevenisn, Mark Lentczner, and other folks in the Junto Slack for pitching in on this project’s development.
Step 1: Consider what “glitch” means in music/sound.
Step 2: Make a piece of music employing a glitch that arose from your thinking in Step 1.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/distance-disquiet0349/listen.mp3?s=Osz" length="5871489" />
                                    <link>https://hearthis.at/sevenism/distance-disquiet0349/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>d1b31e594398d31be6913bb2e107fc37.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/d1b31e594398d31be6913bb2e107fc37.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/distance-disquiet0349/listen.mp3?s=Osz" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i thought it was appropriate how my name is glitched in the project info!
just thought about inadvertent errors in software i use.
iris2 has some nice distortion if you redeuce the biuffer size and numner of buffers
live8 has this weird feedback delay whe n recording auidoi , ive prob got it set up wrong bu t ilike it
just improvised with a pioano sample incorporating the sound of the glitches into the feel of the piece
(felt appropriate to keep in tpyos  in this descritpion too)
treid to databend the image by opening as text and writing sevenisn in there but didnt get anythingh intersting!
.
Disquiet Junto Project 0349: Got Glitch?
The Assignment: Help define “glitch” by glitching something, and explaining what you did.
Major thanks to Sevenisn, Mark Lentczner, and other folks in the Junto Slack for pitching in on this project’s development.
Step 1: Consider what “glitch” means in music/sound.
Step 2: Make a piece of music employing a glitch that arose from your thinking in Step 1.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/6/_/uploads/801843/image_track/2357379/w1400_h1400_q70_ptrue_v2_----cropped_1536327484631.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/distance-disquiet0349/</feedburner:origLink>
                                    <itunes:duration>366</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2336561</guid>
                                    
                                        <pubDate>Fri, 31 Aug 2018 19:56:19 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-31T19:56:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Crystal Moor -naviarhaiku243</title>
                                    <description><![CDATA[made from last week's haiku track. made more icy and bigger hopefully.
thru valhalla freq echo > ddly > ambience > sunruys > eq
.
"Widely regarded as one of the most important female haiku poets, Fukuda Chiyo-ni was a Japanese poet of the Edo period. She started writing haiku early in her childhood and was strongly influenced by Basho’s poetry (probably because her teachers were his students).
The fundamentals in Basho’s poetry include: sabi (detached loneliness), wabi (poverty of spirit), hosomi (slenderness, sparseness), shiori (tenderness), sokkyo (spontaneity), makoto (sincerity), fuga (elegance), karumi (simplicity), kyakkan byosha (objectivity), and shiZen to hitotsu ni naru (oneness with nature). Fukuda Chiyo-ni was particularly interested in the latter, since most of her poetry deals with the realm of nature.
I found this haiku in the free ebook Those Women Writing Haiku by Jane Reichhold
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/crystal-moor-naviarhaiku243/listen.mp3?s=SeK" length="4448756" />
                                    <link>https://hearthis.at/sevenism/crystal-moor-naviarhaiku243/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>32fd42f1810b4d1fa0fdb156d8f0d190.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/32fd42f1810b4d1fa0fdb156d8f0d190.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/crystal-moor-naviarhaiku243/listen.mp3?s=SeK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from last week's haiku track. made more icy and bigger hopefully.
thru valhalla freq echo > ddly > ambience > sunruys > eq
.
"Widely regarded as one of the most important female haiku poets, Fukuda Chiyo-ni was a Japanese poet of the Edo period. She started writing haiku early in her childhood and was strongly influenced by Basho’s poetry (probably because her teachers were his students).
The fundamentals in Basho’s poetry include: sabi (detached loneliness), wabi (poverty of spirit), hosomi (slenderness, sparseness), shiori (tenderness), sokkyo (spontaneity), makoto (sincerity), fuga (elegance), karumi (simplicity), kyakkan byosha (objectivity), and shiZen to hitotsu ni naru (oneness with nature). Fukuda Chiyo-ni was particularly interested in the latter, since most of her poetry deals with the realm of nature.
I found this haiku in the free ebook Those Women Writing Haiku by Jane Reichhold
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/6/6/_/uploads/801843/image_track/2336561/w1400_h1400_q70_ptrue_v2_----cropped_1535838839666.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/crystal-moor-naviarhaiku243/</feedburner:origLink>
                                    <itunes:duration>278</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2333820</guid>
                                    
                                        <pubDate>Fri, 31 Aug 2018 15:22:05 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-31T15:22:05+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>temporal unfold (disquiet0348)</title>
                                    <description><![CDATA[cello/viola/violin/flute samples in iris2. a bit of distortion
then repeatedly duplicated and tempo reduced by half until the 6 minute track was reduced to 0.005 seconds.
everything plays at the start and it gradually settles down.
.
llllllll.co/t/disquiet-junto-p...t-mise-en-abyme
Disquiet Junto Project 0348: Hot Mise en Abyme
The Assignment: Make a piece of music inspired by the art-historical term for fractal/recursion.
Step 1: There is a term in art, “mise en abyme.” It refers to instances when a work of art includes a copy of itself, maybe more than one copy. Consider how this term might apply to sound. (Do read up on “mise en abyme,” if it’s not familiar.)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/temporal-unfold-disquiet0348/listen.mp3?s=06P" length="6098023" />
                                    <link>https://hearthis.at/sevenism/temporal-unfold-disquiet0348/</link>
                                    <thr:total>0</thr:total>
                                    <hq>72</hq>
                                    <hq_filename>0905e557552962fc5cc3542e5cb3effa.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream71.hearthis.at/0905e557552962fc5cc3542e5cb3effa.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/temporal-unfold-disquiet0348/listen.mp3?s=06P" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[cello/viola/violin/flute samples in iris2. a bit of distortion
then repeatedly duplicated and tempo reduced by half until the 6 minute track was reduced to 0.005 seconds.
everything plays at the start and it gradually settles down.
.
llllllll.co/t/disquiet-junto-p...t-mise-en-abyme
Disquiet Junto Project 0348: Hot Mise en Abyme
The Assignment: Make a piece of music inspired by the art-historical term for fractal/recursion.
Step 1: There is a term in art, “mise en abyme.” It refers to instances when a work of art includes a copy of itself, maybe more than one copy. Consider how this term might apply to sound. (Do read up on “mise en abyme,” if it’s not familiar.)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/0/_/uploads/801843/image_track/2333820/w1400_h1400_q70_ptrue_v2_----cropped_1535722597000.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/temporal-unfold-disquiet0348/</feedburner:origLink>
                                    <itunes:duration>381</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2309725</guid>
                                    
                                        <pubDate>Mon, 27 Aug 2018 12:21:45 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-27T12:21:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Pine Needles / Shoshin --naviarhaiku242</title>
                                    <description><![CDATA[harmonica: lots of quick filtering, low notes for the shrine, high for the pine needles.
/
The pine shadow falls on the tent wall
& I see the shrine
as if for the first time
/
This beautiful poem was written by Diane di Prima, one of the founding members (and one of the few female writers to have been acknowledged as an integral member) of the Beat Movement. In the 50’s and 60’s, while living in Manhattan, she founded Poet’s Press and co-founded the New York Poet’s Theatre. She’s written over 40 books, which you can find at goodreads.com/author/show/3138....Diane_di_Prima.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku 
Deadline: 29th August 2018
haiku by Diane di Prima poetryfoundation.org/poets/dia.../diane-di-prima
picture by Nicolás Rueda unsplash.com/@nicotitto]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/pine-needles-shoshin-naviarhaiku242/listen.mp3?s=poQ" length="2549550" />
                                    <link>https://hearthis.at/sevenism/pine-needles-shoshin-naviarhaiku242/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>cd4200a3fb6fd67770282cf6343a69b5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/cd4200a3fb6fd67770282cf6343a69b5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/pine-needles-shoshin-naviarhaiku242/listen.mp3?s=poQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[harmonica: lots of quick filtering, low notes for the shrine, high for the pine needles.
/
The pine shadow falls on the tent wall
& I see the shrine
as if for the first time
/
This beautiful poem was written by Diane di Prima, one of the founding members (and one of the few female writers to have been acknowledged as an integral member) of the Beat Movement. In the 50’s and 60’s, while living in Manhattan, she founded Poet’s Press and co-founded the New York Poet’s Theatre. She’s written over 40 books, which you can find at goodreads.com/author/show/3138....Diane_di_Prima.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku 
Deadline: 29th August 2018
haiku by Diane di Prima poetryfoundation.org/poets/dia.../diane-di-prima
picture by Nicolás Rueda unsplash.com/@nicotitto]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/3/5/_/uploads/801843/image_track/2309725/w1400_h1400_q70_ptrue_v2_----cropped_1535366557536.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/pine-needles-shoshin-naviarhaiku242/</feedburner:origLink>
                                    <itunes:duration>159</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2288520</guid>
                                    
                                        <pubDate>Fri, 24 Aug 2018 15:14:28 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-24T15:14:28+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>PiL, Tabu, sevenism - negative drums .disquiet0347.</title>
                                    <description><![CDATA[used the first tone from soundcloud.com/pil-belgium/pil...en-disquiet0346 and some of the hits from soundcloud.com/detritus-tabu3/...u3/the-no-joker
used arpeggiator, tx16wx sampler, vinyl, podfarm for pil's bit
used arpeggiator iris2, ddly for tabu's hits.
sequenced, automated in live, recorded distorted in audacity

llllllll.co/t/disquiet-junto-p...7-remix-remodel
Disquiet Junto Project 0347: Remix Remodel
The Assignment: Update a track by one Junto participant by adding beats from another Junto participant’s imaginary drum machine.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for having helped put together this project.
Step 1: Two weeks ago in the Disquiet Junto, people made beats for their own imaginary drum machines. Last week in the Junto, people used other people’s beats from the prior project to make their own tracks. This week, the third week of this multi-part project, you’ll remix a track from the second week using beats from the first week.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/pil-tabu-sevenism-negative-drums-disquiet0347/listen.mp3?s=jeW" length="3812204" />
                                    <link>https://hearthis.at/sevenism/pil-tabu-sevenism-negative-drums-disquiet0347/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>06abbf0461823cab5adba0ac1a89ef72.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/06abbf0461823cab5adba0ac1a89ef72.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/pil-tabu-sevenism-negative-drums-disquiet0347/listen.mp3?s=jeW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used the first tone from soundcloud.com/pil-belgium/pil...en-disquiet0346 and some of the hits from soundcloud.com/detritus-tabu3/...u3/the-no-joker
used arpeggiator, tx16wx sampler, vinyl, podfarm for pil's bit
used arpeggiator iris2, ddly for tabu's hits.
sequenced, automated in live, recorded distorted in audacity

llllllll.co/t/disquiet-junto-p...7-remix-remodel
Disquiet Junto Project 0347: Remix Remodel
The Assignment: Update a track by one Junto participant by adding beats from another Junto participant’s imaginary drum machine.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for having helped put together this project.
Step 1: Two weeks ago in the Disquiet Junto, people made beats for their own imaginary drum machines. Last week in the Junto, people used other people’s beats from the prior project to make their own tracks. This week, the third week of this multi-part project, you’ll remix a track from the second week using beats from the first week.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/0/_/uploads/801843/image_track/2288520/w1400_h1400_q70_ptrue_v2_----cropped_1535117047098.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/pil-tabu-sevenism-negative-drums-disquiet0347/</feedburner:origLink>
                                    <itunes:duration>238</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2284767</guid>
                                    
                                        <pubDate>Tue, 21 Aug 2018 11:14:13 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-21T11:14:13+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dandelion explosion . . naviarhaiku241</title>
                                    <description><![CDATA[reversed echo and distortion to get that sense of dandelion seeds exploding in the wind
;
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 22nd August 2018
haiku by Jack Kerouac terebess.hu/english/haiku/kerouac.html
picture by Linford Miles unsplash.com/@linfordmiles]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dandelion-explosion-naviarhaiku241/listen.mp3?s=NLM" length="3156008" />
                                    <link>https://hearthis.at/sevenism/dandelion-explosion-naviarhaiku241/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>dbfc0a599c48abc9fe6f015f348457c3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/dbfc0a599c48abc9fe6f015f348457c3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dandelion-explosion-naviarhaiku241/listen.mp3?s=NLM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[reversed echo and distortion to get that sense of dandelion seeds exploding in the wind
;
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 22nd August 2018
haiku by Jack Kerouac terebess.hu/english/haiku/kerouac.html
picture by Linford Miles unsplash.com/@linfordmiles]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/1/4/_/uploads/801843/image_track/2284767/w1400_h1400_q70_ptrue_v2_----cropped_1534972010413.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dandelion-explosion-naviarhaiku241/</feedburner:origLink>
                                    <itunes:duration>197</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2284768</guid>
                                    
                                        <pubDate>Tue, 21 Aug 2018 10:53:13 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-21T10:53:13+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Sarmism + sevenism - ryddm + noiise (disquiet0346)</title>
                                    <description><![CDATA[similar sorta drumdrone to last week
i liked @sarmism 's sounds and also our usernames are similar!
had the first 4 hits running thru iris 2 with arpeggiator, random, vinyl, reverb, ozone imager - various automation espec the reverb getting wetter
decimated a duplicate of that track in audacity (reducing bit depth) and had the reverb of that fading in
..
llllllll.co/t/disquiet-junto-p...um-machinations
Disquiet Junto Project 0346: Drum Machinations
The Assignment: Make a beat with new drum machine sounds provided by other Junto musicians.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for having helped put together this project.
Step 1: Last week in the Disquiet Junto, musicians made beats for their own imaginary drum machines. The beats appear at the start of each of the participating tracks in the week’s SoundCloud playlist, here:
soundcloud.com/disquiet/sets/d...to-project-0345
In addition, there may be some other tracks with beats in the Lines discussion, here:
llllllll.co/t/disquiet-junto-p...345-sample-time
Step 2: Check out the tracks in Step 1. Choose one track whose opening drum machine sounds hold the most appeal for you. Then confirm the track is downloadable. If it isn’t, either get in touch with the musician who made it, or choose another track.
Step 3: Make an original piece of music employing the sounds from Step 2.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sarmism-sevenism-ryddm-noiise-disquiet0346/listen.mp3?s=bE6" length="5888208" />
                                    <link>https://hearthis.at/sevenism/sarmism-sevenism-ryddm-noiise-disquiet0346/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>f84020b35720556890db3adf00ddfc4f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/f84020b35720556890db3adf00ddfc4f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sarmism-sevenism-ryddm-noiise-disquiet0346/listen.mp3?s=bE6" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[similar sorta drumdrone to last week
i liked @sarmism 's sounds and also our usernames are similar!
had the first 4 hits running thru iris 2 with arpeggiator, random, vinyl, reverb, ozone imager - various automation espec the reverb getting wetter
decimated a duplicate of that track in audacity (reducing bit depth) and had the reverb of that fading in
..
llllllll.co/t/disquiet-junto-p...um-machinations
Disquiet Junto Project 0346: Drum Machinations
The Assignment: Make a beat with new drum machine sounds provided by other Junto musicians.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for having helped put together this project.
Step 1: Last week in the Disquiet Junto, musicians made beats for their own imaginary drum machines. The beats appear at the start of each of the participating tracks in the week’s SoundCloud playlist, here:
soundcloud.com/disquiet/sets/d...to-project-0345
In addition, there may be some other tracks with beats in the Lines discussion, here:
llllllll.co/t/disquiet-junto-p...345-sample-time
Step 2: Check out the tracks in Step 1. Choose one track whose opening drum machine sounds hold the most appeal for you. Then confirm the track is downloadable. If it isn’t, either get in touch with the musician who made it, or choose another track.
Step 3: Make an original piece of music employing the sounds from Step 2.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/8/1/_/uploads/801843/image_track/2284768/w1400_h1400_q70_ptrue_v2_----cropped_1534972013183.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sarmism-sevenism-ryddm-noiise-disquiet0346/</feedburner:origLink>
                                    <itunes:duration>367</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2255258</guid>
                                    
                                        <pubDate>Mon, 13 Aug 2018 14:29:35 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-13T14:29:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>holobiont (disquiet0345)</title>
                                    <description><![CDATA[used the infinite drum machine ( experiments.withgoogle.com/ai/...um-machine/view ) to get 16 random sounds - things like human grunt, cardboard box, cloth on concrete, compressed air burst, tambourine, dog woof.
had these running through iris 2 at high and low freqs with ddly and ozone imager. a duplicate track with increasing arpeggiator rate and electronica filtering 
been thinking about superorganisms and wanted to give this a sense of something like an ant colony
"
Disquiet Junto Project 0345: Sample Time
The Assignment: Make your own drum machine sounds, do something with them, and share them.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for helping put together this project.
Step 1: Today is August 9th, meaning yesterday was August 8th, or as it has come to be widely named: 808 Day, celebrating the Roland TR-808. In slightly belated celebration of that day and that device, we’ll be devising our own drum machines.
Step 2: Think about making your own drum machine. What basic set of sounds would it come with? (If you would benefit from additional structure, consider one for each of these categories: Accent, Bass Drum, Snare Drum, Low Tom/Conga, Mid Tom/Conga, Hi Tom/Conga, Clave/Rim, Maracas/Clap, Cowbell, Cymbal, Open Hat, Closed Hat.)
Step 3: Based on your thinking from Step 2, create those dozen or so sounds that are the basis for your imaginary drum machine.
Step 4: Record a piece of music using your new drum machine. At the start of the track, before the music begins, put the full sequence of sounds you created in Step 3, one after another, with a little silent space before and after each. (For next week’s project, people will be making music with your imaginary drum machine.)
“]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/holobiont-disquiet0345/listen.mp3?s=Kpx" length="4680306" />
                                    <link>https://hearthis.at/sevenism/holobiont-disquiet0345/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d6ffb7f63696a512ec52448fdb863e22.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/d6ffb7f63696a512ec52448fdb863e22.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/holobiont-disquiet0345/listen.mp3?s=Kpx" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used the infinite drum machine ( experiments.withgoogle.com/ai/...um-machine/view ) to get 16 random sounds - things like human grunt, cardboard box, cloth on concrete, compressed air burst, tambourine, dog woof.
had these running through iris 2 at high and low freqs with ddly and ozone imager. a duplicate track with increasing arpeggiator rate and electronica filtering 
been thinking about superorganisms and wanted to give this a sense of something like an ant colony
"
Disquiet Junto Project 0345: Sample Time
The Assignment: Make your own drum machine sounds, do something with them, and share them.
Major thanks to Matt Nish-Lapidus and Jason Wehmhoener for helping put together this project.
Step 1: Today is August 9th, meaning yesterday was August 8th, or as it has come to be widely named: 808 Day, celebrating the Roland TR-808. In slightly belated celebration of that day and that device, we’ll be devising our own drum machines.
Step 2: Think about making your own drum machine. What basic set of sounds would it come with? (If you would benefit from additional structure, consider one for each of these categories: Accent, Bass Drum, Snare Drum, Low Tom/Conga, Mid Tom/Conga, Hi Tom/Conga, Clave/Rim, Maracas/Clap, Cowbell, Cymbal, Open Hat, Closed Hat.)
Step 3: Based on your thinking from Step 2, create those dozen or so sounds that are the basis for your imaginary drum machine.
Step 4: Record a piece of music using your new drum machine. At the start of the track, before the music begins, put the full sequence of sounds you created in Step 3, one after another, with a little silent space before and after each. (For next week’s project, people will be making music with your imaginary drum machine.)
“]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/1/_/uploads/801843/image_track/2255258/w1400_h1400_q70_ptrue_v2_----cropped_1534231945100.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/holobiont-disquiet0345/</feedburner:origLink>
                                    <itunes:duration>292</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2246650</guid>
                                    
                                        <pubDate>Sat, 11 Aug 2018 15:03:50 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-11T15:03:50+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Dust Dirt Sunlight /naviarhaiku240</title>
                                    <description><![CDATA[dusty noise, dirty bass, a little fuzzy light
phonec>waveshaper>vinyl>podfarm2>ozone imager
.
This week we continue exploring the Beat Movement’s haiku with a poem by Allen Ginsberg. Ginsberg was a prolific writer who throughout his career supported gay rights and anti-war movements. He became popular in 1956 with the publication of his poem “Howl,”: an outcry of rage and despair against a destructive, abusive society.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 15th August 2018
haiku by Allen Ginsberg poetryfoundation.org/poets/all.../allen-ginsberg
picture by MILKOVÍ unsplash.com/@milkovi]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dust-dirt-sunlight-naviarhaiku240/listen.mp3?s=ByQ" length="3923381" />
                                    <link>https://hearthis.at/sevenism/dust-dirt-sunlight-naviarhaiku240/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>8329dd4477319f2c0887db0beca01ae9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/8329dd4477319f2c0887db0beca01ae9.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dust-dirt-sunlight-naviarhaiku240/listen.mp3?s=ByQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[dusty noise, dirty bass, a little fuzzy light
phonec>waveshaper>vinyl>podfarm2>ozone imager
.
This week we continue exploring the Beat Movement’s haiku with a poem by Allen Ginsberg. Ginsberg was a prolific writer who throughout his career supported gay rights and anti-war movements. He became popular in 1956 with the publication of his poem “Howl,”: an outcry of rage and despair against a destructive, abusive society.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 15th August 2018
haiku by Allen Ginsberg poetryfoundation.org/poets/all.../allen-ginsberg
picture by MILKOVÍ unsplash.com/@milkovi]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/3/_/uploads/801843/image_track/2246650/w1400_h1400_q70_ptrue_v2_----cropped_1534009095369.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dust-dirt-sunlight-naviarhaiku240/</feedburner:origLink>
                                    <itunes:duration>245</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2235249</guid>
                                    
                                        <pubDate>Tue, 07 Aug 2018 18:28:23 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-07T18:28:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>take spiral (1 - 4)</title>
                                    <description><![CDATA[just made from this soundcloud.com/7777777777/pige...-n-fish/s-CO21m forosd61 ambientonline.org/forum/ambien...re-challenge-61
made with iris 2 and a denoised pigeon coo.
parts 1 2 and 4 were just improvised with random settings in iris 2 until i found something i liked.
part 3 was a resampled bit of part 2 that i liked - then played with in iris 2 again.
part 4 takes the bass from part 2 and i ran through ableton, i think with rob papen distort but i can't quite remember (forgot to upload this the other week)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/take-spiral-1-4/listen.mp3?s=HtV" length="12789550" />
                                    <link>https://hearthis.at/sevenism/take-spiral-1-4/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>71c4e042eefd45fc5cc237f2a96fe56e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/71c4e042eefd45fc5cc237f2a96fe56e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/take-spiral-1-4/listen.mp3?s=HtV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[just made from this soundcloud.com/7777777777/pige...-n-fish/s-CO21m forosd61 ambientonline.org/forum/ambien...re-challenge-61
made with iris 2 and a denoised pigeon coo.
parts 1 2 and 4 were just improvised with random settings in iris 2 until i found something i liked.
part 3 was a resampled bit of part 2 that i liked - then played with in iris 2 again.
part 4 takes the bass from part 2 and i ran through ableton, i think with rob papen distort but i can't quite remember (forgot to upload this the other week)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/1/4/_/uploads/801843/image_track/2235249/w1400_h1400_q70_ptrue_v2_----cropped_1533749691416.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/take-spiral-1-4/</feedburner:origLink>
                                    <itunes:duration>799</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2222845</guid>
                                    
                                        <pubDate>Sat, 04 Aug 2018 18:18:43 +0200</pubDate>
                                        
                                        <atom:updated>2018-08-04T18:18:43+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>degged afeefa disquiet0344</title>
                                    <description><![CDATA[i looked for palindromic words using letters a-g. degged and afeefa were the longest. degged means watered (a plant) and afeefa is a name i think similar to aviva which means spring / renewal. so the theme was spring growth (weirdly the last time we did this junto my track was called spring palindromes)
i made a palindrome from a synth pad by reversing the halfway point
fed this into protoplasm with reverse echo 
played notes  d e g pasted and reversed the midi. same with a f e . repeated d e g g e d. low frequencies increased throughout and stereo widened too.
recorded repeated and reversed in audacity
../..
Disquiet Junto Project 0344: Careful Symmetries
The Assignment: Explore palindromes in musical form.
llllllll.co/t/disquiet-junto-p...eful-symmetries
Step 1: Consider how palindromes might be expressed in sound.
Step 2: Compose a piece of music employing multiple palindromes.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/degged-afeefa-disquiet0344/listen.mp3?s=GP1" length="5159287" />
                                    <link>https://hearthis.at/sevenism/degged-afeefa-disquiet0344/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>8329f557cc6100ccaa432df5775ea1d7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/8329f557cc6100ccaa432df5775ea1d7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/degged-afeefa-disquiet0344/listen.mp3?s=GP1" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i looked for palindromic words using letters a-g. degged and afeefa were the longest. degged means watered (a plant) and afeefa is a name i think similar to aviva which means spring / renewal. so the theme was spring growth (weirdly the last time we did this junto my track was called spring palindromes)
i made a palindrome from a synth pad by reversing the halfway point
fed this into protoplasm with reverse echo 
played notes  d e g pasted and reversed the midi. same with a f e . repeated d e g g e d. low frequencies increased throughout and stereo widened too.
recorded repeated and reversed in audacity
../..
Disquiet Junto Project 0344: Careful Symmetries
The Assignment: Explore palindromes in musical form.
llllllll.co/t/disquiet-junto-p...eful-symmetries
Step 1: Consider how palindromes might be expressed in sound.
Step 2: Compose a piece of music employing multiple palindromes.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/2/_/uploads/801843/image_track/2222845/w1400_h1400_q70_ptrue_v2_----cropped_1533400105253.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/degged-afeefa-disquiet0344/</feedburner:origLink>
                                    <itunes:duration>322</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2211596</guid>
                                    
                                        <pubDate>Mon, 30 Jul 2018 18:11:09 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-30T18:11:09+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>two lights two worlds (naviarhaiku238)</title>
                                    <description><![CDATA[thinking about how in love, in relationship, personalities become intermingled. distance becomes intersubjective
the first half was improvised on 12 string through chorus and reverb.
then i took a portion and resynthsized in iris 2 with lots more fx to give that sense of separation yet interconnection.
. .
Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 1st August 2018
haiku by Kyoshi Takahama merchantsofair.com/a-small-nea...e-literary-icon
picture by Aral Tasher unsplash.com/@araltasher]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/two-lights-two-worlds-naviarhaiku238/listen.mp3?s=YN7" length="4576652" />
                                    <link>https://hearthis.at/sevenism/two-lights-two-worlds-naviarhaiku238/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>a10de9dbe1656701097ede1a9a3883aa.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/a10de9dbe1656701097ede1a9a3883aa.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/two-lights-two-worlds-naviarhaiku238/listen.mp3?s=YN7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[thinking about how in love, in relationship, personalities become intermingled. distance becomes intersubjective
the first half was improvised on 12 string through chorus and reverb.
then i took a portion and resynthsized in iris 2 with lots more fx to give that sense of separation yet interconnection.
. .
Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time. Kyoshi also highlighted the symbolic function of the kigo (the season word), even though the more modern trends were already tending towards season-less haiku.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 1st August 2018
haiku by Kyoshi Takahama merchantsofair.com/a-small-nea...e-literary-icon
picture by Aral Tasher unsplash.com/@araltasher]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/9/3/_/uploads/801843/image_track/2211596/w1400_h1400_q70_ptrue_v2_----cropped_1533033156397.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/two-lights-two-worlds-naviarhaiku238/</feedburner:origLink>
                                    <itunes:duration>286</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2211597</guid>
                                    
                                        <pubDate>Mon, 30 Jul 2018 13:18:54 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-30T13:18:54+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Be Sharp (paronomasic mix) disquiet0343</title>
                                    <description><![CDATA[plundered this pun from the simpsons: homer and co's barbershop quartet 'the be sharps'. wanted to represent a pun not just linguistically but conceptually, so the idea of something in the music having multiple meanings
I recorded this in the scale of B sharp.. which is in C (and In C was last weeks project..tada!)
samples of pads (ceezar, compad, flotter, heima, prodig, syncla, trice) through both iris 2 and protoplasm.. guitar fx in podfarm2 and izotope vinyl in there too
//
Disquiet Junto Project 0343: Big Pun
The Assignment: What does a musical pun sound like?
Major (and minor) thanks to Ian Joyce for proposing this project.
Step 1: Record a piece of music that is a musical pun.
Step 2: Explain your joke for those of us who didn’t get it.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/be-sharp-paronomasic-mix-disquiet0343/listen.mp3?s=MB9" length="2784025" />
                                    <link>https://hearthis.at/sevenism/be-sharp-paronomasic-mix-disquiet0343/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>baddc73984931a43c26dabc0d2b5495f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/baddc73984931a43c26dabc0d2b5495f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/be-sharp-paronomasic-mix-disquiet0343/listen.mp3?s=MB9" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[plundered this pun from the simpsons: homer and co's barbershop quartet 'the be sharps'. wanted to represent a pun not just linguistically but conceptually, so the idea of something in the music having multiple meanings
I recorded this in the scale of B sharp.. which is in C (and In C was last weeks project..tada!)
samples of pads (ceezar, compad, flotter, heima, prodig, syncla, trice) through both iris 2 and protoplasm.. guitar fx in podfarm2 and izotope vinyl in there too
//
Disquiet Junto Project 0343: Big Pun
The Assignment: What does a musical pun sound like?
Major (and minor) thanks to Ian Joyce for proposing this project.
Step 1: Record a piece of music that is a musical pun.
Step 2: Explain your joke for those of us who didn’t get it.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/8/8/_/uploads/801843/image_track/2211597/w1400_h1400_q70_ptrue_v2_----cropped_1533033159885.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/be-sharp-paronomasic-mix-disquiet0343/</feedburner:origLink>
                                    <itunes:duration>173</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2194132</guid>
                                    
                                        <pubDate>Mon, 23 Jul 2018 18:20:01 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-23T18:20:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dragonfly view (mountains) naviarhaiku237</title>
                                    <description><![CDATA[2 instances of iris 2 demo
flit hover / moving mountains
/
Despite a difficult life, Kobayashi Issa’s poetry tends to celebrate the serene joys and simple spiritual moments of life. He was a prolific writer of both poetry and prose: he wrote over 20,000 haiku, hundreds of tanka, and several haibun.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 25th July 2018
Poem by Kobayashi Issa poetryfoundation.org/poets/kob.../kobayashi-issa
Picture by Joshua Stannard unsplash.com/@jbstannard]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dragonfly-view-mountains-naviarhaiku237/listen.mp3?s=if4" length="2914010" />
                                    <link>https://hearthis.at/sevenism/dragonfly-view-mountains-naviarhaiku237/</link>
                                    <thr:total>0</thr:total>
                                    <hq>44</hq>
                                    <hq_filename>f02e26c4e37bbe1047bfcb40610d57a1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/f02e26c4e37bbe1047bfcb40610d57a1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dragonfly-view-mountains-naviarhaiku237/listen.mp3?s=if4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[2 instances of iris 2 demo
flit hover / moving mountains
/
Despite a difficult life, Kobayashi Issa’s poetry tends to celebrate the serene joys and simple spiritual moments of life. He was a prolific writer of both poetry and prose: he wrote over 20,000 haiku, hundreds of tanka, and several haibun.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 25th July 2018
Poem by Kobayashi Issa poetryfoundation.org/poets/kob.../kobayashi-issa
Picture by Joshua Stannard unsplash.com/@jbstannard]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/4/6/_/uploads/801843/image_track/2194132/w1400_h1400_q70_ptrue_v2_----cropped_1532429415642.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dragonfly-view-mountains-naviarhaiku237/</feedburner:origLink>
                                    <itunes:duration>182</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2186317</guid>
                                    
                                        <pubDate>Fri, 20 Jul 2018 10:21:52 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-20T10:21:52+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>in water ~disquiet0342</title>
                                    <description><![CDATA[Disquiet Junto Project 0342: In Sea
The Assignment: Record a piece of music in tribute to Terry Riley’s In C using only samples of water sounds.
llllllll.co/t/disquiet-junto-p...ect-0342-in-sea
~
i typed water drop into freesound and listened to some of the samples (looking for more tonal elements) then i remembered/noticed that freesound plays the previews concurrently and that fit into the idea of In C so i just started recording - starting off playing the quieter ones and bringing in the louder pourings. i'd scroll down and when one of the 15 samples finished i'd start playing it again.
i pulled the most tonal sample into iris 2 (toilet dripping: *'d below) and made a stringed instrument from it (frequency selection, lfos, chorus, reverb, delay, echo) played something and had this repeating too.
i've kept it relatively sparse in case anyone felt like adding to it (in the spirit of collaboration!)
i used these cc samples:
freesound.org/people/Inspector...J/sounds/343762
freesound.org/people/jorickhoo...d/sounds/160119
freesound.org/people/kwahmah_0...2/sounds/260618
freesound.org/people/dobroide/...de/sounds/23094 *
freesound.org/people/Thoribass...s/sounds/251397
freesound.org/people/Edo333/so...3/sounds/396059
the other samples are public domain]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/in-water-disquiet0342/listen.mp3?s=b2A" length="3259662" />
                                    <link>https://hearthis.at/sevenism/in-water-disquiet0342/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>76e7109e53c0679fdb9a8677edc94136.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/76e7109e53c0679fdb9a8677edc94136.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/in-water-disquiet0342/listen.mp3?s=b2A" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0342: In Sea
The Assignment: Record a piece of music in tribute to Terry Riley’s In C using only samples of water sounds.
llllllll.co/t/disquiet-junto-p...ect-0342-in-sea
~
i typed water drop into freesound and listened to some of the samples (looking for more tonal elements) then i remembered/noticed that freesound plays the previews concurrently and that fit into the idea of In C so i just started recording - starting off playing the quieter ones and bringing in the louder pourings. i'd scroll down and when one of the 15 samples finished i'd start playing it again.
i pulled the most tonal sample into iris 2 (toilet dripping: *'d below) and made a stringed instrument from it (frequency selection, lfos, chorus, reverb, delay, echo) played something and had this repeating too.
i've kept it relatively sparse in case anyone felt like adding to it (in the spirit of collaboration!)
i used these cc samples:
freesound.org/people/Inspector...J/sounds/343762
freesound.org/people/jorickhoo...d/sounds/160119
freesound.org/people/kwahmah_0...2/sounds/260618
freesound.org/people/dobroide/...de/sounds/23094 *
freesound.org/people/Thoribass...s/sounds/251397
freesound.org/people/Edo333/so...3/sounds/396059
the other samples are public domain]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/9/_/uploads/801843/image_track/2186317/w1400_h1400_q70_ptrue_v2_----cropped_1532190430969.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/in-water-disquiet0342/</feedburner:origLink>
                                    <itunes:duration>203</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2167217</guid>
                                    
                                        <pubDate>Tue, 17 Jul 2018 13:23:44 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-17T13:23:44+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>bird sanctuary (disquiet0341)</title>
                                    <description><![CDATA[i was at a wildlife sanctuary yesterday and there was a bird making a digital sounding dialtone. it sounded completely artificial and i'm not sure why i could tell it was a bird . didnt get a chance to record it as there was too much human noise.
i've twisted the assignment a little. i wanted to replicate this experience . generated a dial tone in audacity and added fx
in podfarm i had a mic picking up room sounds amped through synth string, random s&h and other echo/chorus modules  to get a rainforesty/bird sound
.
llllllll.co/t/disquiet-junto-p...forensics/14939
Disquiet Junto Project 0341: Sample Forensics
The Assignment: Place a fragmentary sample into a natural-seeming setting.
Step 1: Choose a sample, a very short piece, roughly two to five seconds in length. It’s best if the sample has no fixed meter, no explicit rhythm, that it feels frayed at its beginning and its end — perhaps a snatch of melody, or a fragment of a field recording.
Step 2: Consider how you might create a piece of music into which the sample from Step 1 can be set, so that it is as if that setting is the point of origin for the sample. This is an act of forensics and of forgery.
Step 3: Record a piece of music based on the planning in Step 2. At the start of your piece, repeat the original sample three times separated by two brief silences, so the listener knows what to listen for in the completed piece. (It is fine to repeat the sample in your original piece, but not to run it continuously as a loop.)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bird-sanctuary-disquiet0341/listen.mp3?s=Wcm" length="3279306" />
                                    <link>https://hearthis.at/sevenism/bird-sanctuary-disquiet0341/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>222fb3e2c34f4c91fdf0ffa9b4fb2df3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/222fb3e2c34f4c91fdf0ffa9b4fb2df3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bird-sanctuary-disquiet0341/listen.mp3?s=Wcm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i was at a wildlife sanctuary yesterday and there was a bird making a digital sounding dialtone. it sounded completely artificial and i'm not sure why i could tell it was a bird . didnt get a chance to record it as there was too much human noise.
i've twisted the assignment a little. i wanted to replicate this experience . generated a dial tone in audacity and added fx
in podfarm i had a mic picking up room sounds amped through synth string, random s&h and other echo/chorus modules  to get a rainforesty/bird sound
.
llllllll.co/t/disquiet-junto-p...forensics/14939
Disquiet Junto Project 0341: Sample Forensics
The Assignment: Place a fragmentary sample into a natural-seeming setting.
Step 1: Choose a sample, a very short piece, roughly two to five seconds in length. It’s best if the sample has no fixed meter, no explicit rhythm, that it feels frayed at its beginning and its end — perhaps a snatch of melody, or a fragment of a field recording.
Step 2: Consider how you might create a piece of music into which the sample from Step 1 can be set, so that it is as if that setting is the point of origin for the sample. This is an act of forensics and of forgery.
Step 3: Record a piece of music based on the planning in Step 2. At the start of your piece, repeat the original sample three times separated by two brief silences, so the listener knows what to listen for in the completed piece. (It is fine to repeat the sample in your original piece, but not to run it continuously as a loop.)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/4/8/_/uploads/801843/image_track/2167217/w1400_h1400_q70_ptrue_v2_----cropped_1531843429841.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bird-sanctuary-disquiet0341/</feedburner:origLink>
                                    <itunes:duration>204</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2144775</guid>
                                    
                                        <pubDate>Sat, 07 Jul 2018 11:17:23 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-07T11:17:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>morning sun disquiet0340</title>
                                    <description><![CDATA[Just my phone and a mountain dulcimer
Had a random patch in kosmische app running and played along. Recorded with easy voice recorder pro
Then edited with wave pad which is a right pain to use on a phone, but nice to do in the garden. Added chorus, fading, compression, noise reduction and eq'ing]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/morning-sun-disquiet0340/listen.mp3?s=8GK" length="3300622" />
                                    <link>https://hearthis.at/sevenism/morning-sun-disquiet0340/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>065502ebac021d007e556bd60a87ba0b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/065502ebac021d007e556bd60a87ba0b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/morning-sun-disquiet0340/listen.mp3?s=8GK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Just my phone and a mountain dulcimer
Had a random patch in kosmische app running and played along. Recorded with easy voice recorder pro
Then edited with wave pad which is a right pain to use on a phone, but nice to do in the garden. Added chorus, fading, compression, noise reduction and eq'ing]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/3/2/_/uploads/801843/image_track/2144775/w1400_h1400_q70_ptrue_v2_----cropped_1530966948239.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/morning-sun-disquiet0340/</feedburner:origLink>
                                    <itunes:duration>206</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2143913</guid>
                                    
                                        <pubDate>Thu, 05 Jul 2018 14:05:55 +0200</pubDate>
                                        
                                        <atom:updated>2018-07-05T14:05:55+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>solar pulse radiance (naviarhaiku235)</title>
                                    <description><![CDATA[nsynth samples thru iris2
rays/pulses/haloes of sunlight
-
Author Sean Murphy, in his “One Bird, One Stone: 108 Contemporary Zen Stories”, tells us an interesting story about Zen Buddhist master and poet Soen Nakagawa, during his time spent in the U.S.:
“Soen loved to walk around New York City. He’d stare at the lighted skyscrapers, at their tops, he claimed he saw Buddha figures in the lights. “Look at the Buddha,” he’d point, “Shining Buddha!” He’d fill the sleeves of his robes with nuts and berries from Central Park or herbs growing in the sidewalk cracks, and add them to his bowl at the next meal. He loved the musical Fiddler on the Roof, and when asked a question about why some particular point of ceremony needed to be performed in a certain way, he might burst into song, responding “Tradition…!”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 11th July 2018
Poem by Soen Nakagawa terebess.hu/english/haiku/nakagawa.html
Picture by Mark Kucharski unsplash.com/@markkucharski]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/solar-pulse-radiance-naviarhaiku235/listen.mp3?s=cka" length="6011088" />
                                    <link>https://hearthis.at/sevenism/solar-pulse-radiance-naviarhaiku235/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>e2431bdfb8520b8362dbbaef2a228b10.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/e2431bdfb8520b8362dbbaef2a228b10.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/solar-pulse-radiance-naviarhaiku235/listen.mp3?s=cka" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[nsynth samples thru iris2
rays/pulses/haloes of sunlight
-
Author Sean Murphy, in his “One Bird, One Stone: 108 Contemporary Zen Stories”, tells us an interesting story about Zen Buddhist master and poet Soen Nakagawa, during his time spent in the U.S.:
“Soen loved to walk around New York City. He’d stare at the lighted skyscrapers, at their tops, he claimed he saw Buddha figures in the lights. “Look at the Buddha,” he’d point, “Shining Buddha!” He’d fill the sleeves of his robes with nuts and berries from Central Park or herbs growing in the sidewalk cracks, and add them to his bowl at the next meal. He loved the musical Fiddler on the Roof, and when asked a question about why some particular point of ceremony needed to be performed in a certain way, he might burst into song, responding “Tradition…!”
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 11th July 2018
Poem by Soen Nakagawa terebess.hu/english/haiku/nakagawa.html
Picture by Mark Kucharski unsplash.com/@markkucharski]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/3/_/uploads/801843/image_track/2143913/w1400_h1400_q70_ptrue_v2_----cropped_1530908445306.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/solar-pulse-radiance-naviarhaiku235/</feedburner:origLink>
                                    <itunes:duration>375</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2135246</guid>
                                    
                                        <pubDate>Sat, 30 Jun 2018 14:04:35 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-30T14:04:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cicada pines naviarhaiku234/</title>
                                    <description><![CDATA[sevenism
the tempo goes from 999bpm to 20bpm while the arp rate goes from 1/1 down to 1/128
simple midi but because of the tempo interaction sounds quite chaotic in a natural way
.
Patrick Lafcadio Hearn (1850–1904) was a writer, translator, and journalist. In the four books written during his time as a professor of English literature at the Imperial University of Tokyo —Exotics and Retrospective (1898), In Ghostly Japan (1899), Shadowings (1900), and A Japanese Miscellany (1901)—he described the customs, religion, and literature of Japan.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 4th July 2018
Poem by Baijaku modernhaiku.org/essays/hearnan...rnandhaiku.html
Picture by Derek Arguello unsplash.com/@arguellod22]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cicada-pines-naviarhaiku234/listen.mp3?s=WRS" length="11953631" />
                                    <link>https://hearthis.at/sevenism/cicada-pines-naviarhaiku234/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>e047ba3e33a72761d2572bf78745df53.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/e047ba3e33a72761d2572bf78745df53.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cicada-pines-naviarhaiku234/listen.mp3?s=WRS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism
the tempo goes from 999bpm to 20bpm while the arp rate goes from 1/1 down to 1/128
simple midi but because of the tempo interaction sounds quite chaotic in a natural way
.
Patrick Lafcadio Hearn (1850–1904) was a writer, translator, and journalist. In the four books written during his time as a professor of English literature at the Imperial University of Tokyo —Exotics and Retrospective (1898), In Ghostly Japan (1899), Shadowings (1900), and A Japanese Miscellany (1901)—he described the customs, religion, and literature of Japan.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 4th July 2018
Poem by Baijaku modernhaiku.org/essays/hearnan...rnandhaiku.html
Picture by Derek Arguello unsplash.com/@arguellod22]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/2/1/_/uploads/801843/image_track/2135246/w1400_h1400_q70_ptrue_v2_----cropped_1530360563120.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cicada-pines-naviarhaiku234/</feedburner:origLink>
                                    <itunes:duration>747</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2135247</guid>
                                    
                                        <pubDate>Fri, 29 Jun 2018 12:44:32 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-29T12:44:32+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>man in machine (pts. 1&amp;amp;2) disquiet0339</title>
                                    <description><![CDATA[rude suggests human constructs and emotion, and mechanicals: automation, rhythm.
got samples from freesound:
water mill freesound.org/people/borralbi/...i/sounds/342819
metal workshop freesound.org/people/ivolipa/s...a/sounds/337445
electric chisel freesound.org/people/Deester/s...r/sounds/350882
printer freesound.org/people/PsychoPan...e/sounds/325215
fed into iris 2, ddly, podfarm2.
created simple midi file: sections with short/held notes.
midi thru random, chord, arpeggio modules
lots of automation on everything
tempo decreases and arp rate increasese throughout
part 2 i did a kind of coda/overture where i improvised to bring out a humanized element but also so the machine sounds were more obvious.
.
.
Disquiet Junto Project 0339: Rude Mechanicals
The Assignment: Record a piece of music in this imaginary genre.
Step 1: Imagine there is a genre called “rude mechanicals.”
Step 2: Imagine what might characterize the “rude mechanicals” genre.
Step 3: Create an original piece of music in the genre called “rude mechanicals.”]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/man-in-machine-pts-12-disquiet0339/listen.mp3?s=KUG" length="6464991" />
                                    <link>https://hearthis.at/sevenism/man-in-machine-pts-12-disquiet0339/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>25223853c651b0d1f8bc1da07f3b037c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/25223853c651b0d1f8bc1da07f3b037c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/man-in-machine-pts-12-disquiet0339/listen.mp3?s=KUG" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[rude suggests human constructs and emotion, and mechanicals: automation, rhythm.
got samples from freesound:
water mill freesound.org/people/borralbi/...i/sounds/342819
metal workshop freesound.org/people/ivolipa/s...a/sounds/337445
electric chisel freesound.org/people/Deester/s...r/sounds/350882
printer freesound.org/people/PsychoPan...e/sounds/325215
fed into iris 2, ddly, podfarm2.
created simple midi file: sections with short/held notes.
midi thru random, chord, arpeggio modules
lots of automation on everything
tempo decreases and arp rate increasese throughout
part 2 i did a kind of coda/overture where i improvised to bring out a humanized element but also so the machine sounds were more obvious.
.
.
Disquiet Junto Project 0339: Rude Mechanicals
The Assignment: Record a piece of music in this imaginary genre.
Step 1: Imagine there is a genre called “rude mechanicals.”
Step 2: Imagine what might characterize the “rude mechanicals” genre.
Step 3: Create an original piece of music in the genre called “rude mechanicals.”]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/8/_/uploads/801843/image_track/2135247/w1400_h1400_q70_ptrue_v2_----cropped_1530360569855.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/man-in-machine-pts-12-disquiet0339/</feedburner:origLink>
                                    <itunes:duration>404</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2123272</guid>
                                    
                                        <pubDate>Sat, 23 Jun 2018 15:08:33 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-23T15:08:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>microchasm</title>
                                    <description><![CDATA[ambientonline.org/forum/ambien...re-challenge-60
used the reverb tail of a halogen oven ding
did a simple midi file with randomization and arpeggio frequency increasing thorughout the track
vinyl wear and warp increasing too
podfarm fx: echo platter, sin chorus, stereo delay, reverb]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/microchasm/listen.mp3?s=byE" length="4356387" />
                                    <link>https://hearthis.at/sevenism/microchasm/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d27a3a62441af28414f0b2d8139c6a31.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d27a3a62441af28414f0b2d8139c6a31.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/microchasm/listen.mp3?s=byE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/ambien...re-challenge-60
used the reverb tail of a halogen oven ding
did a simple midi file with randomization and arpeggio frequency increasing thorughout the track
vinyl wear and warp increasing too
podfarm fx: echo platter, sin chorus, stereo delay, reverb]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/5/5/_/uploads/801843/image_track/2123272/w1400_h1400_q70_ptrue_v2_----cropped_1529782142550.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/microchasm/</feedburner:origLink>
                                    <itunes:duration>272</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2123271</guid>
                                    
                                        <pubDate>Sat, 23 Jun 2018 16:44:24 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-23T16:44:24+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lucid mirage ..Naviarhaiku233..</title>
                                    <description><![CDATA[mirage created with izotope vinyl warp
..
The author of the week is Hannah Williams, a young poet, writer and blogger based in London. If you like this haiku, make sure you visit her website ihannahwilliams.com, which features her poetry, short stories and book reviews.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 27th June 2018
Poem by Hannah Williams ihannahwilliams.com
Picture by Martin Barák unsplash.com/@fotobarak]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lucid-mirage-naviarhaiku233/listen.mp3?s=LqS" length="3253393" />
                                    <link>https://hearthis.at/sevenism/lucid-mirage-naviarhaiku233/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>54352ddc711d2cc68a77a05f23b2d989.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/54352ddc711d2cc68a77a05f23b2d989.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lucid-mirage-naviarhaiku233/listen.mp3?s=LqS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mirage created with izotope vinyl warp
..
The author of the week is Hannah Williams, a young poet, writer and blogger based in London. If you like this haiku, make sure you visit her website ihannahwilliams.com, which features her poetry, short stories and book reviews.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 27th June 2018
Poem by Hannah Williams ihannahwilliams.com
Picture by Martin Barák unsplash.com/@fotobarak]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/5/_/uploads/801843/image_track/2123271/w1400_h1400_q70_ptrue_v2_----cropped_1529782141525.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lucid-mirage-naviarhaiku233/</feedburner:origLink>
                                    <itunes:duration>203</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2120603</guid>
                                    
                                        <pubDate>Thu, 21 Jun 2018 22:29:30 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-21T22:29:30+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>caged (disquiet0338)</title>
                                    <description><![CDATA[had a play with this while watching the argentina game and it turned out well so here we go
what struck me in the gig was ikjoyce's fantastic keyboard work, audio obscura's blending of field recordings and subespai's use of presence and immediacy.
i wanted to combine these qualities into the piece (alongside my attempt to make something good with minimal effort!)
i pulled all the samples into iris2 demo and improvised, playing with the time / frequency selections in real time. a bit of reverb and paulstretch in post to iron out glitches..
,,,,
llllllll.co/t/disquiet-junto-p...aginary-quartet
Disquiet Junto Project 0338: Imaginary Quartet
In collaboration with Naviar Haiku, make a four-person band from the provided four live solo recordings.
Step 1: First, major thanks to Neil Stringfellow (aka Audio Obscura) for proposing this collaboration between the Disquiet Junto and the Naviar Haiku series, and for the support of Naviar’s Marco Sebastiano Alessi. We’ll be making music based on segments of recordings by four musicians from the May 25, 2018, Naviar Haiku Fest. Get the four recordings here from the Zip file:
bit.ly/juntonaviar
Step 2: Having downloaded the four tracks (by Ikjoyce, Audio Obscura, Subsepai, and sevenism), listen to them. Each is a single minute from longer solo performances. Imagine how they might work together.
Step 3: Create a new track employing material from all four (and no other external sound sources, though processing is OK) that suggests the existence of a quartet performing live.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/caged-disquiet0338/listen.mp3?s=Nth" length="3944279" />
                                    <link>https://hearthis.at/sevenism/caged-disquiet0338/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>695a6b91c025c247a8194aa2c1f5be26.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/695a6b91c025c247a8194aa2c1f5be26.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/caged-disquiet0338/listen.mp3?s=Nth" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[had a play with this while watching the argentina game and it turned out well so here we go
what struck me in the gig was ikjoyce's fantastic keyboard work, audio obscura's blending of field recordings and subespai's use of presence and immediacy.
i wanted to combine these qualities into the piece (alongside my attempt to make something good with minimal effort!)
i pulled all the samples into iris2 demo and improvised, playing with the time / frequency selections in real time. a bit of reverb and paulstretch in post to iron out glitches..
,,,,
llllllll.co/t/disquiet-junto-p...aginary-quartet
Disquiet Junto Project 0338: Imaginary Quartet
In collaboration with Naviar Haiku, make a four-person band from the provided four live solo recordings.
Step 1: First, major thanks to Neil Stringfellow (aka Audio Obscura) for proposing this collaboration between the Disquiet Junto and the Naviar Haiku series, and for the support of Naviar’s Marco Sebastiano Alessi. We’ll be making music based on segments of recordings by four musicians from the May 25, 2018, Naviar Haiku Fest. Get the four recordings here from the Zip file:
bit.ly/juntonaviar
Step 2: Having downloaded the four tracks (by Ikjoyce, Audio Obscura, Subsepai, and sevenism), listen to them. Each is a single minute from longer solo performances. Imagine how they might work together.
Step 3: Create a new track employing material from all four (and no other external sound sources, though processing is OK) that suggests the existence of a quartet performing live.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/9/_/uploads/801843/image_track/2120603/w1400_h1400_q70_ptrue_v2_----cropped_1529615406952.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/caged-disquiet0338/</feedburner:origLink>
                                    <itunes:duration>246</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2073316</guid>
                                    
                                        <pubDate>Fri, 08 Jun 2018 10:55:18 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-08T10:55:18+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shadow moves -Naviarhaiku231-</title>
                                    <description><![CDATA[percumat2 for the beat (thru podfarm)
randomized/humanized midi, cello samples thru iris2 and podfarm
shadows catching up with the rhythm
.
“Near the end of December 1924, Santoka, drunk and apparently intent on committing suicide, stood in the middle of some railroad tracks facing an oncoming train. The train screeched to a halt just in time, and Santoka was pulled out of the way. He was taken to a nearby Zen temple call Ho-on-ji. The head priest there, Gian Mochizuki Osho, did not reprimand or question Santoka; he didn’t even ask his name. The monk fed Santoka and told him he could stay at the temple as long as he wished.” (John Stevens, who translated Santoka’s collection Mountain Tasting)
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 13th June 2018
Poem by Santoka Taneda chzc.org/Nonin.htm
Picture by Adam Cybulski unsplash.com/@shymekcinco]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shadow-moves-naviarhaiku231-/listen.mp3?s=mrq" length="4669439" />
                                    <link>https://hearthis.at/sevenism/shadow-moves-naviarhaiku231-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>fe8d823be7f142cca3bfe4aa912211bf.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream74.hearthis.at/fe8d823be7f142cca3bfe4aa912211bf.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shadow-moves-naviarhaiku231-/listen.mp3?s=mrq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[percumat2 for the beat (thru podfarm)
randomized/humanized midi, cello samples thru iris2 and podfarm
shadows catching up with the rhythm
.
“Near the end of December 1924, Santoka, drunk and apparently intent on committing suicide, stood in the middle of some railroad tracks facing an oncoming train. The train screeched to a halt just in time, and Santoka was pulled out of the way. He was taken to a nearby Zen temple call Ho-on-ji. The head priest there, Gian Mochizuki Osho, did not reprimand or question Santoka; he didn’t even ask his name. The monk fed Santoka and told him he could stay at the temple as long as he wished.” (John Stevens, who translated Santoka’s collection Mountain Tasting)
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 13th June 2018
Poem by Santoka Taneda chzc.org/Nonin.htm
Picture by Adam Cybulski unsplash.com/@shymekcinco]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/0/8/_/uploads/801843/image_track/2073316/w1400_h1400_q70_ptrue_v2_----cropped_1528463459808.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shadow-moves-naviarhaiku231-/</feedburner:origLink>
                                    <itunes:duration>291</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2073314</guid>
                                    
                                        <pubDate>Fri, 08 Jun 2018 13:56:04 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-08T13:56:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shadow follow dub [disquiet0336]</title>
                                    <description><![CDATA[when i do a track i export the audio and delete the patch/tone etc. this means i can't go back and obsessively change stuff. so i dont really have anything unfinished.
i had live open though and un-finished my previous track by deleting the pad and just leaving the beat. then i had more filtering going on throughout (loop slippery, electronica 2)
it still sounds pretty finished to me coz of the tonal reverb elements 
questions for feedback:
is there any way of getting rid of that distortion at the start?
how would you fix the judder at the 3 minute mark?
what would you add to this given that the beat is quite dynamic/full?
.
Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.
Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co/t/disquiet-junto-p...-open-mic/14242
Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shadow-follow-dub-disquiet0336/listen.mp3?s=xvn" length="5021360" />
                                    <link>https://hearthis.at/sevenism/shadow-follow-dub-disquiet0336/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>d75c54f2c504b79e03ea675a24d21c82.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/d75c54f2c504b79e03ea675a24d21c82.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shadow-follow-dub-disquiet0336/listen.mp3?s=xvn" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[when i do a track i export the audio and delete the patch/tone etc. this means i can't go back and obsessively change stuff. so i dont really have anything unfinished.
i had live open though and un-finished my previous track by deleting the pad and just leaving the beat. then i had more filtering going on throughout (loop slippery, electronica 2)
it still sounds pretty finished to me coz of the tonal reverb elements 
questions for feedback:
is there any way of getting rid of that distortion at the start?
how would you fix the judder at the 3 minute mark?
what would you add to this given that the beat is quite dynamic/full?
.
Disquiet Junto Project 0336: Open Mic
Share a piece of music you’re working on in the interest of getting feedback.
Step 1: Choose a track/composition you’re working on that isn’t quite finished. Share the recording on the Lines forum at llllllll.co/t/disquiet-junto-p...-open-mic/14242
Step 2: When posting the track, mention that you’re looking for feedback, and if applicable specify some aspects of the recording you might want feedback on.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/3/4/_/uploads/801843/image_track/2073314/w1400_h1400_q70_ptrue_v2_----cropped_1528463454436.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shadow-follow-dub-disquiet0336/</feedburner:origLink>
                                    <itunes:duration>313</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2107320</guid>
                                    
                                        <pubDate>Sat, 16 Jun 2018 20:28:47 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-16T20:28:47+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dragonfly periphery (Naviarhaiku232)</title>
                                    <description><![CDATA[trying to evoke a dragonfly shadow which i found hard but after i'd made this i went into the garden and saw the rare sight of a dragonfly which i mustve invoked!
arpeggiated classical samples, same midi as this weeks disquiet track
-|-
Masaoka Shiki is mostly known for having revitalized haiku in the time when,  after centuries of isolation, Japan opened to the West and was flooded with new ideas from abroad. You can find out more about Shiki and the artistic revolution that happened during his time in the essay “Masaoka Shiki and the Origins of Shasei“ by Charles Trumbull
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 20th June 2018
Poem by Masaoka Shiki terebess.hu/english/haiku/shiki.html
Picture by Gabriele Diwald unsplash.com/@gabrielediwald]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dragonfly-periphery-naviarhaiku232/listen.mp3?s=fSD" length="2859675" />
                                    <link>https://hearthis.at/sevenism/dragonfly-periphery-naviarhaiku232/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>946c3f6486ed0019c70373f67852dc89.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/946c3f6486ed0019c70373f67852dc89.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dragonfly-periphery-naviarhaiku232/listen.mp3?s=fSD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[trying to evoke a dragonfly shadow which i found hard but after i'd made this i went into the garden and saw the rare sight of a dragonfly which i mustve invoked!
arpeggiated classical samples, same midi as this weeks disquiet track
-|-
Masaoka Shiki is mostly known for having revitalized haiku in the time when,  after centuries of isolation, Japan opened to the West and was flooded with new ideas from abroad. You can find out more about Shiki and the artistic revolution that happened during his time in the essay “Masaoka Shiki and the Origins of Shasei“ by Charles Trumbull
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 20th June 2018
Poem by Masaoka Shiki terebess.hu/english/haiku/shiki.html
Picture by Gabriele Diwald unsplash.com/@gabrielediwald]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/5/_/uploads/801843/image_track/2107320/w1400_h1400_q70_ptrue_v2_----cropped_1529173912598.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dragonfly-periphery-naviarhaiku232/</feedburner:origLink>
                                    <itunes:duration>178</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2107321</guid>
                                    
                                        <pubDate>Sat, 16 Jun 2018 20:18:55 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-16T20:18:55+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>pressure release (disquiet0337)</title>
                                    <description><![CDATA[used some cello samples through iris 2 and lots of guitar fx
simple repeating 3 note midi but increasing randomization of the notes and scale changes so that it doesnt repeat
blurred into itself with paulstretch
.
llllllll.co/t/disquiet-junto-p...rough-composted
Disquiet Junto Project 0337: Through-Composted
Create a piece of music that is through-composed, but built entirely from samples.
Step 1: This project involves the concept of through-composed music. If the term isn’t familiar, please read up. As a starting point, here is the definition from Collins Dictionary: “having a compositional structure that is not based on repeating sections of music; specif., of a song with stanzas having regular meter and rhyme but different music for each stanza.”
Step 2: Employ the concept of through-composed music in the creation of a short piece — and do so only using sampled material.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/pressure-release-disquiet0337/listen.mp3?s=HZG" length="5331486" />
                                    <link>https://hearthis.at/sevenism/pressure-release-disquiet0337/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>7e3ea2252d5a37d9964d06b85ed81da5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/7e3ea2252d5a37d9964d06b85ed81da5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/pressure-release-disquiet0337/listen.mp3?s=HZG" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used some cello samples through iris 2 and lots of guitar fx
simple repeating 3 note midi but increasing randomization of the notes and scale changes so that it doesnt repeat
blurred into itself with paulstretch
.
llllllll.co/t/disquiet-junto-p...rough-composted
Disquiet Junto Project 0337: Through-Composted
Create a piece of music that is through-composed, but built entirely from samples.
Step 1: This project involves the concept of through-composed music. If the term isn’t familiar, please read up. As a starting point, here is the definition from Collins Dictionary: “having a compositional structure that is not based on repeating sections of music; specif., of a song with stanzas having regular meter and rhyme but different music for each stanza.”
Step 2: Employ the concept of through-composed music in the creation of a short piece — and do so only using sampled material.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/5/_/uploads/801843/image_track/2107321/w1400_h1400_q70_ptrue_v2_----cropped_1529173914517.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/pressure-release-disquiet0337/</feedburner:origLink>
                                    <itunes:duration>333</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2017712</guid>
                                    
                                        <pubDate>Wed, 23 May 2018 12:59:19 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-23T12:59:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>on torta</title>
                                    <description><![CDATA[just made from this sample soundcloud.com/user-849250038/...s-osd59/s-nPs3p
ambientonline.org/forum/ambien...re-challenge-59
denoised the sample in audacity
found a nice bird tweet about halfway through, pitched down and paulstretched
in live 8 i did a simple midi line then had this randomized with chord and scale modules too. played through protoplasm at different octaves and had some chorus/delay/reverb fx in podfarm2
mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/on-torta/listen.mp3?s=rP1" length="4258167" />
                                    <link>https://hearthis.at/sevenism/on-torta/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>931f30e71d878ceb431c9707c2d9cb99.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream71.hearthis.at/931f30e71d878ceb431c9707c2d9cb99.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/on-torta/listen.mp3?s=rP1" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[just made from this sample soundcloud.com/user-849250038/...s-osd59/s-nPs3p
ambientonline.org/forum/ambien...re-challenge-59
denoised the sample in audacity
found a nice bird tweet about halfway through, pitched down and paulstretched
in live 8 i did a simple midi line then had this randomized with chord and scale modules too. played through protoplasm at different octaves and had some chorus/delay/reverb fx in podfarm2
mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/7/_/uploads/801843/image_track/2017712/w1400_h1400_q70_ptrue_v2_----cropped_1527108699711.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/on-torta/</feedburner:origLink>
                                    <itunes:duration>266</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2034323</guid>
                                    
                                        <pubDate>Sun, 27 May 2018 18:17:14 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-27T18:17:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fledge disquiet0334</title>
                                    <description><![CDATA[i recorded i think 90-odd toots on my harmonica , paulstretched coz that works well with harmonica and i wanted a nice drone (missed drone day yesterday) a bit of denoising but i thought the rumble and hiss worked quite well
.
llllllll.co/t/disquiet-junto-p...334-mass-branca
Disquiet Junto Project 0334: Mass Branca
Record a massive multi-layered tribute to the legendary guitarist-composer.
Major thanks to James Britt for contributing this Junto project prompt.
Step 1: This project is a tribute to the late avant-garde composer and guitarist Glenn Branca, who died earlier this month. Among Branca’s many musical systems was to have a vast number of musicians, say 100 guitarists for example, perform together. We’re going to explore that mass of sound to produce a mass in Branca’s memory. It will be a Mass Mass.
Step 2: Pick a single sound source, an instrument perhaps, but really anything that makes a specific sound. One thing to aim for is a sound source that is rich in overtones.
Step 3: Use multiple layers (with “multiple” being defined as you see fit — 100 layers would be awesome, but so too would 10, 30, 50, etc.) of this sound source to record a piece of music.
Background: While knowledge of Glenn Branca’s work isn’t necessary to participate, it is recommended to read up and listen a bit.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fledge-disquiet0334/listen.mp3?s=bzc" length="3057788" />
                                    <link>https://hearthis.at/sevenism/fledge-disquiet0334/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>26844d625170a881f1c2bb36b91037c6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/26844d625170a881f1c2bb36b91037c6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fledge-disquiet0334/listen.mp3?s=bzc" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i recorded i think 90-odd toots on my harmonica , paulstretched coz that works well with harmonica and i wanted a nice drone (missed drone day yesterday) a bit of denoising but i thought the rumble and hiss worked quite well
.
llllllll.co/t/disquiet-junto-p...334-mass-branca
Disquiet Junto Project 0334: Mass Branca
Record a massive multi-layered tribute to the legendary guitarist-composer.
Major thanks to James Britt for contributing this Junto project prompt.
Step 1: This project is a tribute to the late avant-garde composer and guitarist Glenn Branca, who died earlier this month. Among Branca’s many musical systems was to have a vast number of musicians, say 100 guitarists for example, perform together. We’re going to explore that mass of sound to produce a mass in Branca’s memory. It will be a Mass Mass.
Step 2: Pick a single sound source, an instrument perhaps, but really anything that makes a specific sound. One thing to aim for is a sound source that is rich in overtones.
Step 3: Use multiple layers (with “multiple” being defined as you see fit — 100 layers would be awesome, but so too would 10, 30, 50, etc.) of this sound source to record a piece of music.
Background: While knowledge of Glenn Branca’s work isn’t necessary to participate, it is recommended to read up and listen a bit.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/5/_/uploads/801843/image_track/2034323/w1400_h1400_q70_ptrue_v2_----cropped_1527502934515.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fledge-disquiet0334/</feedburner:origLink>
                                    <itunes:duration>191</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2049273</guid>
                                    
                                        <pubDate>Fri, 01 Jun 2018 15:31:33 +0200</pubDate>
                                        
                                        <atom:updated>2018-06-01T15:31:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>your current wait time is x minutes (disquiet0335)</title>
                                    <description><![CDATA[what i hate most about hold music is the manipulative chirpiness and the repetition
i wanted it to retain that sense of easy listening, the classic elements of strings and gentle beats, but i also wanted a complexity there so that the closer you listen the more that's going on..
i had 2 beats going on using percumat 2, lots of variation and feedback.
a high frequency arpeggio with gradual rate changes and increasing randomization of notes (iris 2)
another iris 2 track for the strings with reverse delay and reverb
the iris2 tracks are controlled by a pretty random midi line going through a c minor harmonic scale module in live 8, there's some automation on the volumes too.
llllllll.co/t/disquiet-junto-p...0335-alone-time
Disquiet Junto Project 0335: Alone Time
Record conference-call hold music — a private limbo of your own making.
Major thanks to Matt Pinto for having proposed this Junto project prompt.
Step 1: Hold music is a ubiquitous fact of modern life. Ask yourself what hold music you’d like to hear while waiting for someone to pick up the other end of the line, or while waiting for a conference call to begin.
Step 2: Record a short piece of hold music that satisfies the scenario you pondered in Step 1. Your finished track should be suitable for looping, since you never know how long you’re going to be on hold.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/your-current-wait-time-is-minutes-disquiet0335/listen.mp3?s=He3" length="9447548" />
                                    <link>https://hearthis.at/sevenism/your-current-wait-time-is-minutes-disquiet0335/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>f865d37e51f9020219332ff2a823edf7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/f865d37e51f9020219332ff2a823edf7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/your-current-wait-time-is-minutes-disquiet0335/listen.mp3?s=He3" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[what i hate most about hold music is the manipulative chirpiness and the repetition
i wanted it to retain that sense of easy listening, the classic elements of strings and gentle beats, but i also wanted a complexity there so that the closer you listen the more that's going on..
i had 2 beats going on using percumat 2, lots of variation and feedback.
a high frequency arpeggio with gradual rate changes and increasing randomization of notes (iris 2)
another iris 2 track for the strings with reverse delay and reverb
the iris2 tracks are controlled by a pretty random midi line going through a c minor harmonic scale module in live 8, there's some automation on the volumes too.
llllllll.co/t/disquiet-junto-p...0335-alone-time
Disquiet Junto Project 0335: Alone Time
Record conference-call hold music — a private limbo of your own making.
Major thanks to Matt Pinto for having proposed this Junto project prompt.
Step 1: Hold music is a ubiquitous fact of modern life. Ask yourself what hold music you’d like to hear while waiting for someone to pick up the other end of the line, or while waiting for a conference call to begin.
Step 2: Record a short piece of hold music that satisfies the scenario you pondered in Step 1. Your finished track should be suitable for looping, since you never know how long you’re going to be on hold.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/3/_/uploads/801843/image_track/2049273/w1400_h1400_q70_ptrue_v2_----cropped_1527860473373.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/your-current-wait-time-is-minutes-disquiet0335/</feedburner:origLink>
                                    <itunes:duration>590</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2045092</guid>
                                    
                                        <pubDate>Wed, 30 May 2018 13:06:51 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-30T13:06:51+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>-sky opening-  Naviarhaiku229</title>
                                    <description><![CDATA[when the sky seems huge in the summer
.
cello / uke samples
.
"
For the last week of May, I think a summer poem is most appropriate. Written by one of the greatest haiku poets, Kobayashi Issa was also extremely prolific: during his lifetime he wrote ten times more poems than Bashō, who wrote “only” 2000 haiku.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 30th May 2018
Poem by Kobayashi Issa haikuguy.com/issa
Picture by Dibert Theron unsplash.com/@kudu
"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/-sky-opening-naviarhaiku229/listen.mp3?s=BUT" length="5125014" />
                                    <link>https://hearthis.at/sevenism/-sky-opening-naviarhaiku229/</link>
                                    <thr:total>0</thr:total>
                                    <hq>75</hq>
                                    <hq_filename>6224af39c458f473385ebdb274868313.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/6224af39c458f473385ebdb274868313.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/-sky-opening-naviarhaiku229/listen.mp3?s=BUT" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[when the sky seems huge in the summer
.
cello / uke samples
.
"
For the last week of May, I think a summer poem is most appropriate. Written by one of the greatest haiku poets, Kobayashi Issa was also extremely prolific: during his lifetime he wrote ten times more poems than Bashō, who wrote “only” 2000 haiku.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 30th May 2018
Poem by Kobayashi Issa haikuguy.com/issa
Picture by Dibert Theron unsplash.com/@kudu
"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/0/7/_/uploads/801843/image_track/2045092/w1400_h1400_q70_ptrue_v2_----cropped_1527709009705.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/-sky-opening-naviarhaiku229/</feedburner:origLink>
                                    <itunes:duration>320</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2011934</guid>
                                    
                                        <pubDate>Mon, 21 May 2018 13:21:57 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-21T13:21:57+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Slow Rise </title>
                                    <description><![CDATA[majestic snail, crown of horns.
improvised with some classical instrument samples. then aggressive noise reduction for some watery artefacts, mastered to make them cohere
/
naviarrecords.com/2018/05/16/n...aiku228-a-snail
Japanese novelist Natsume Soseki is the author of this week’s poem. Mostly known for his novels Kokoro, Botchan, I Am a Cat and his unfinished work Light and Darkness, Soseki was also an accomplished haiku poet.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 23rd May 2018
Poem by Natsume Sôseki japantimes.co.jp/culture/2016/...-natsume-soseki
Picture by Jokūbas Banaitis unsplash.com/@gulltoppr]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/slow-rise/listen.mp3?s=PDL" length="5374536" />
                                    <link>https://hearthis.at/sevenism/slow-rise/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>cd2893b3741d313e023e397f0c884b25.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/cd2893b3741d313e023e397f0c884b25.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/slow-rise/listen.mp3?s=PDL" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[majestic snail, crown of horns.
improvised with some classical instrument samples. then aggressive noise reduction for some watery artefacts, mastered to make them cohere
/
naviarrecords.com/2018/05/16/n...aiku228-a-snail
Japanese novelist Natsume Soseki is the author of this week’s poem. Mostly known for his novels Kokoro, Botchan, I Am a Cat and his unfinished work Light and Darkness, Soseki was also an accomplished haiku poet.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 23rd May 2018
Poem by Natsume Sôseki japantimes.co.jp/culture/2016/...-natsume-soseki
Picture by Jokūbas Banaitis unsplash.com/@gulltoppr]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/6/9/_/uploads/801843/image_track/2011934/w1400_h1400_q70_ptrue_v2_----cropped_1526903887964.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/slow-rise/</feedburner:origLink>
                                    <itunes:duration>335</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">2011935</guid>
                                    
                                        <pubDate>Mon, 21 May 2018 13:11:19 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-21T13:11:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cat amongst birds [disquiet0333]</title>
                                    <description><![CDATA[there's a neighbourhood cat with thyroid problems who we've made the mistake of feeding for a couple of years. she's always ready to say hello, come for a cuddle, and she's got an uncanny ability of turning up to cheer up my partner when she's upset. also she sometimes  tries to bite off our toes and she wants to kill everything. we've got a birdbox with fledgling great tits getting ready to go. their parents are getting really ruffled by this cat. 
this track hopefully represents her.  (live 8 arpeggio, iris2, podfarm feedback echoes)
.
llllllll.co/t/disquiet-junto-p...-0333-half-evil
Disquiet Junto Project 0333: Half Evil
Where numerology casts a shadow on musicology.
Step 1: This week’s project is the 333rd consecutive Junto project. That’s half of 666. Ponder the dark side.
Step 2: Record a piece of music that could be described as “half evil.”]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cat-amongst-birds-disquiet0333/listen.mp3?s=UjW" length="1945181" />
                                    <link>https://hearthis.at/sevenism/cat-amongst-birds-disquiet0333/</link>
                                    <thr:total>0</thr:total>
                                    <hq>72</hq>
                                    <hq_filename>8fa7e12f28cabdae278ccf951d603dec.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream71.hearthis.at/8fa7e12f28cabdae278ccf951d603dec.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cat-amongst-birds-disquiet0333/listen.mp3?s=UjW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there's a neighbourhood cat with thyroid problems who we've made the mistake of feeding for a couple of years. she's always ready to say hello, come for a cuddle, and she's got an uncanny ability of turning up to cheer up my partner when she's upset. also she sometimes  tries to bite off our toes and she wants to kill everything. we've got a birdbox with fledgling great tits getting ready to go. their parents are getting really ruffled by this cat. 
this track hopefully represents her.  (live 8 arpeggio, iris2, podfarm feedback echoes)
.
llllllll.co/t/disquiet-junto-p...-0333-half-evil
Disquiet Junto Project 0333: Half Evil
Where numerology casts a shadow on musicology.
Step 1: This week’s project is the 333rd consecutive Junto project. That’s half of 666. Ponder the dark side.
Step 2: Record a piece of music that could be described as “half evil.”]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/2/5/_/uploads/801843/image_track/2011935/w1400_h1400_q70_ptrue_v2_----cropped_1526903891520.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cat-amongst-birds-disquiet0333/</feedburner:origLink>
                                    <itunes:duration>121</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1979878</guid>
                                    
                                        <pubDate>Mon, 14 May 2018 16:20:40 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-14T16:20:40+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>14 11 03 / 91 50 24 / disquiet0332</title>
                                    <description><![CDATA[the closest lottery to me i could find was the robin hood lottery. i assumed there was only national ones not sure why
i used the android app kosmische because the notes are represented by numbers up to 122. i pressed random to get a patch: wasn't that lucky unfortunately. hid the mild unpleasantness with gradually increasing reverb and played around with cutoff and resonance.
➊➍ ➊➊ ⓿➌ / ➒➊ ➎⓿ ➋➍
Disquiet Junto Project 0332: Lucky Numbers
Make music based on the lottery.
Step 1: Every day, newspapers around the world publish the local lottery numbers. We’ll be making music based on these numbers. Think about how a string of numbers might inform — might seed — a short musical composition.
Step 2: Locate the lottery numbers near your — or, if you live somewhere that doesn’t have a lottery, find someplace that does.
Step 3: Generally speaking, the winning lottery numbers come in the form of a small set, such as 4, 7, 28, 37, 41, 2 (the recent Super Lotto jackpot here in California).
Step 4: Having located a set of lottery numbers, then compose and record a short composition that is somehow based on them. (Do detail how you extrapolated sound from the lottery when uploading the track.)
Six More Important Steps When Your Track Is Done:
Step 1: Include “disquiet0332” (no spaces or quotation marks) in the name of your track.
Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0332” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.
Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 4: Please consider posting your track in the following discussion thread at llllllll.co:
llllllll.co/t/disquiet-junto-p...2-lucky-numbers]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/14-11-03-91-50-24-disquiet0332/listen.mp3?s=XH6" length="2608064" />
                                    <link>https://hearthis.at/sevenism/14-11-03-91-50-24-disquiet0332/</link>
                                    <thr:total>0</thr:total>
                                    <hq>72</hq>
                                    <hq_filename>f6396d7d2fbe23809108fc94e2c0c4bf.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/f6396d7d2fbe23809108fc94e2c0c4bf.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/14-11-03-91-50-24-disquiet0332/listen.mp3?s=XH6" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[the closest lottery to me i could find was the robin hood lottery. i assumed there was only national ones not sure why
i used the android app kosmische because the notes are represented by numbers up to 122. i pressed random to get a patch: wasn't that lucky unfortunately. hid the mild unpleasantness with gradually increasing reverb and played around with cutoff and resonance.
➊➍ ➊➊ ⓿➌ / ➒➊ ➎⓿ ➋➍
Disquiet Junto Project 0332: Lucky Numbers
Make music based on the lottery.
Step 1: Every day, newspapers around the world publish the local lottery numbers. We’ll be making music based on these numbers. Think about how a string of numbers might inform — might seed — a short musical composition.
Step 2: Locate the lottery numbers near your — or, if you live somewhere that doesn’t have a lottery, find someplace that does.
Step 3: Generally speaking, the winning lottery numbers come in the form of a small set, such as 4, 7, 28, 37, 41, 2 (the recent Super Lotto jackpot here in California).
Step 4: Having located a set of lottery numbers, then compose and record a short composition that is somehow based on them. (Do detail how you extrapolated sound from the lottery when uploading the track.)
Six More Important Steps When Your Track Is Done:
Step 1: Include “disquiet0332” (no spaces or quotation marks) in the name of your track.
Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0332” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation a project playlist.
Step 3: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 4: Please consider posting your track in the following discussion thread at llllllll.co:
llllllll.co/t/disquiet-junto-p...2-lucky-numbers]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/2/3/_/uploads/801843/image_track/1979878/w1400_h1400_q70_ptrue_v2_----cropped_1526327699328.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/14-11-03-91-50-24-disquiet0332/</feedburner:origLink>
                                    <itunes:duration>162</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1949140</guid>
                                    
                                        <pubDate>Thu, 10 May 2018 22:56:26 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-10T22:56:26+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>drops glisten in the wind –  Naviarhaiku227</title>
                                    <description><![CDATA[this one sounds a bit different but actually apart from the arpeggio its very similar in terms of process. it's actually cello samples thru iris 2 and podfarm controlled by randomized midi.
After a few night poems here’s a morning haiku by Betty Drevniok, author of the seminal book Aware – A Haiku Primer. Together with George Swede and Eric Amann, she founded the Haiku Society of Canada.
If you want to learn more about Betty Drevniok, here’s an article by Miranda Baker about her life and career. The Betty Drevniok Award is an annual competition organized by Haiku Canada.
“Betty Drevniok’s haiku are simple everyday experiences, but they usually have a complex meaning. She does not like to impose her readers with emotions because she wants them to be able to relate to the moment through their own imaginations.“ (Miranda Baker)
naviarrecords.com/2018/05/09/n...orning-coolness
Deadline: 16th May 2018
Poem by Betty Drevniok performance.millikin.edu/haiku...OnDrevniok.html
Picture by Michael B. Stuart unsplash.com/@stustustudio]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/drops-glisten-in-the-wind-naviarhaiku227/listen.mp3?s=zpV" length="3199058" />
                                    <link>https://hearthis.at/sevenism/drops-glisten-in-the-wind-naviarhaiku227/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>70bb3e98fa56b3427cfbc06b04af5d45.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/70bb3e98fa56b3427cfbc06b04af5d45.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/drops-glisten-in-the-wind-naviarhaiku227/listen.mp3?s=zpV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this one sounds a bit different but actually apart from the arpeggio its very similar in terms of process. it's actually cello samples thru iris 2 and podfarm controlled by randomized midi.
After a few night poems here’s a morning haiku by Betty Drevniok, author of the seminal book Aware – A Haiku Primer. Together with George Swede and Eric Amann, she founded the Haiku Society of Canada.
If you want to learn more about Betty Drevniok, here’s an article by Miranda Baker about her life and career. The Betty Drevniok Award is an annual competition organized by Haiku Canada.
“Betty Drevniok’s haiku are simple everyday experiences, but they usually have a complex meaning. She does not like to impose her readers with emotions because she wants them to be able to relate to the moment through their own imaginations.“ (Miranda Baker)
naviarrecords.com/2018/05/09/n...orning-coolness
Deadline: 16th May 2018
Poem by Betty Drevniok performance.millikin.edu/haiku...OnDrevniok.html
Picture by Michael B. Stuart unsplash.com/@stustustudio]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/5/_/uploads/801843/image_track/1949140/w1400_h1400_q70_ptrue_v2_----cropped_1526027227555.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/drops-glisten-in-the-wind-naviarhaiku227/</feedburner:origLink>
                                    <itunes:duration>199</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1937701</guid>
                                    
                                        <pubDate>Mon, 07 May 2018 17:01:16 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-07T17:01:16+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lorobo blues. disquiet0331</title>
                                    <description><![CDATA[when you've been on your ship for a few million years with only some tardigrades for company it's good to have a project, take your mind off things. armed with just a 24 string guitar, and making use of the ship's acoustics, this robot plays the blues.
/
12 string guitar close mic'd thru podfarm fx (synth harmony>sin chorus>random chorus>random s&h>analog square chorus>analog delay>reverse delay>tape echo>medium hall reverb / tweed b-man amp>bronze master>echo platter>sine chorus>stereo delay>cavernous reverb)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lorobo-blues-disquiet0331/listen.mp3?s=RYF" length="2855914" />
                                    <link>https://hearthis.at/sevenism/lorobo-blues-disquiet0331/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>c14312cd34720998c9ed0173cd9e356c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/c14312cd34720998c9ed0173cd9e356c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lorobo-blues-disquiet0331/listen.mp3?s=RYF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[when you've been on your ship for a few million years with only some tardigrades for company it's good to have a project, take your mind off things. armed with just a 24 string guitar, and making use of the ship's acoustics, this robot plays the blues.
/
12 string guitar close mic'd thru podfarm fx (synth harmony>sin chorus>random chorus>random s&h>analog square chorus>analog delay>reverse delay>tape echo>medium hall reverb / tweed b-man amp>bronze master>echo platter>sine chorus>stereo delay>cavernous reverb)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/8/5/_/uploads/801843/image_track/1937701/w1400_h1400_q70_ptrue_v2_----cropped_1525779329586.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lorobo-blues-disquiet0331/</feedburner:origLink>
                                    <itunes:duration>178</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1937700</guid>
                                    
                                        <pubDate>Mon, 07 May 2018 17:22:05 +0200</pubDate>
                                        
                                        <atom:updated>2018-05-07T17:22:05+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>hold your eyes open (Naviarhaiku226)</title>
                                    <description><![CDATA[cello samples
.
he won't go to sleep / unless we play him the tune / that keeps him awake
.
Alvaro Cardona-Hine was a poet, painter, composer and long-time Zen student; born in Costa Rica, he spent most of his adult life in the US, and in 1986 opened an art gallery in Truchas, New Mexico, together with his wife Barbara McCauley. He passed away in 2016, but the art gallery is still active. A bio of this talented and restless creative man can be found at cardonahineart.wordpress.com/about.
Seven days to make music in response to Cardona-Hine‘s haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 9th May 2018
Poem by Alvaro Cardona-Hine cardonahineart.wordpress.com/about
Picture by Robert Nelson unsplash.com/@iambobnelson]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hold-your-eyes-open-naviarhaiku226/listen.mp3?s=roQ" length="3329879" />
                                    <link>https://hearthis.at/sevenism/hold-your-eyes-open-naviarhaiku226/</link>
                                    <thr:total>0</thr:total>
                                    <hq>72</hq>
                                    <hq_filename>62b17c045278886e56f8d75dd821b774.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/62b17c045278886e56f8d75dd821b774.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hold-your-eyes-open-naviarhaiku226/listen.mp3?s=roQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[cello samples
.
he won't go to sleep / unless we play him the tune / that keeps him awake
.
Alvaro Cardona-Hine was a poet, painter, composer and long-time Zen student; born in Costa Rica, he spent most of his adult life in the US, and in 1986 opened an art gallery in Truchas, New Mexico, together with his wife Barbara McCauley. He passed away in 2016, but the art gallery is still active. A bio of this talented and restless creative man can be found at cardonahineart.wordpress.com/about.
Seven days to make music in response to Cardona-Hine‘s haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 9th May 2018
Poem by Alvaro Cardona-Hine cardonahineart.wordpress.com/about
Picture by Robert Nelson unsplash.com/@iambobnelson]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/8/2/_/uploads/801843/image_track/1937700/w1400_h1400_q70_ptrue_v2_----cropped_1525779326289.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hold-your-eyes-open-naviarhaiku226/</feedburner:origLink>
                                    <itunes:duration>208</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1888889</guid>
                                    
                                        <pubDate>Fri, 27 Apr 2018 13:48:23 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-27T13:48:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fly low in faint light [Naviarhaiku225 ]</title>
                                    <description><![CDATA[slowed down cello samples
birds eye view
.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 2nd May 2018
Poem by Masaoka Shiki en.wikipedia.org/wiki/Masaoka_Shiki
Picture by Andrea Boldizsar unsplash.com/@andreaboldizsar]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fly-low-in-faint-light-naviarhaiku225/listen.mp3?s=C3G" length="15896240" />
                                    <link>https://hearthis.at/sevenism/fly-low-in-faint-light-naviarhaiku225/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>607ec8d407a928d21b2f47b23cc7445c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream71.hearthis.at/607ec8d407a928d21b2f47b23cc7445c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fly-low-in-faint-light-naviarhaiku225/listen.mp3?s=C3G" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[slowed down cello samples
birds eye view
.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 2nd May 2018
Poem by Masaoka Shiki en.wikipedia.org/wiki/Masaoka_Shiki
Picture by Andrea Boldizsar unsplash.com/@andreaboldizsar]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/1/2/_/uploads/801843/image_track/1888889/w1400_h1400_q70_ptrue_v2_----cropped_1524839431213.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fly-low-in-faint-light-naviarhaiku225/</feedburner:origLink>
                                    <itunes:duration>993</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1882703</guid>
                                    
                                        <pubDate>Fri, 20 Apr 2018 21:34:46 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-20T21:34:46+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>hi-dbl-bs (-200db) disquiet0329</title>
                                    <description><![CDATA[got some double bass samples in protoplasm had them 6 octaves higher, lots of fast lfos and shaping, lots of reverb in ambience, and high feedback delays in ddly. sounded like a strings/horn section
then in iris 2 had more double bass samples through resonators and high pitched percussive filters for strange pipe/flutelike rhythms
then to really expand the instrument i reduced the volume by 200db. i was interested to see if anything would be preserved.
//
llllllll.co/t/disquiet-junto-p...xtended-version
Disquiet Junto Project 0329: Extended Version
Make a piece of music in which you expand the functionality of an instrument — and document your technique.
Step 1: This week’s project is about unintended techniques applied to musical instruments. You can come up with a new idea, but better still to use the opportunity to document a technique you have employed in the past.
Step 2: Think about concepts like “expanded cinema” and “prepared instruments.” Think about how an instrument can be used to do things it wasn’t necessarily designed to do.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hi-dbl-bs-200db-disquiet0329/listen.mp3?s=xBZ" length="1442794" />
                                    <link>https://hearthis.at/sevenism/hi-dbl-bs-200db-disquiet0329/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>fbda307b7582fa141a6241c65662bd2f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/fbda307b7582fa141a6241c65662bd2f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hi-dbl-bs-200db-disquiet0329/listen.mp3?s=xBZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[got some double bass samples in protoplasm had them 6 octaves higher, lots of fast lfos and shaping, lots of reverb in ambience, and high feedback delays in ddly. sounded like a strings/horn section
then in iris 2 had more double bass samples through resonators and high pitched percussive filters for strange pipe/flutelike rhythms
then to really expand the instrument i reduced the volume by 200db. i was interested to see if anything would be preserved.
//
llllllll.co/t/disquiet-junto-p...xtended-version
Disquiet Junto Project 0329: Extended Version
Make a piece of music in which you expand the functionality of an instrument — and document your technique.
Step 1: This week’s project is about unintended techniques applied to musical instruments. You can come up with a new idea, but better still to use the opportunity to document a technique you have employed in the past.
Step 2: Think about concepts like “expanded cinema” and “prepared instruments.” Think about how an instrument can be used to do things it wasn’t necessarily designed to do.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/2/7/_/uploads/801843/image_track/1882703/w1400_h1400_q70_ptrue_v2_----cropped_1524732888720.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hi-dbl-bs-200db-disquiet0329/</feedburner:origLink>
                                    <itunes:duration>90</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1861093</guid>
                                    
                                        <pubDate>Mon, 16 Apr 2018 21:03:03 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-16T21:03:03+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>still pond disquiet0328</title>
                                    <description><![CDATA[really like the word pentimento, not come across it before
i saw the painting as looking down on a pond with unknown things underneath. when we were kids there was a swamp with dark water close by; we scared ourselves with stories of what lurked underneath.
recently read that it takes days for a body of water to become still
blurred zither sample played around with in protoplasm. lots of different gentle echo ripples from podfarm, audacity, audition.
.
.)
))
llllllll.co/t/disquiet-junto-p...onic-pentimento
Disquiet Junto Project 0328: Sonic Pentimento
Record a piece of music inspired by a term from painting.
Step 1: This week’s Disquiet Junto project involves recording a piece of music inspired by a term from painting. That word is “pentimento,” which is defined in the Merriam-Webster dictionary as “a reappearance in a painting of an original drawn or painted element which was eventually painted over by the artist.” Familiarize yourself with the term.
Step 2: Think about how the term “pentimento” can be borrowed from painting and applied to sound.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/still-pond-disquiet0328/listen.mp3?s=Zuo" length="4346356" />
                                    <link>https://hearthis.at/sevenism/still-pond-disquiet0328/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>1d8e23120f1d6d0075c7528b9a3da28c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/1d8e23120f1d6d0075c7528b9a3da28c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/still-pond-disquiet0328/listen.mp3?s=Zuo" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[really like the word pentimento, not come across it before
i saw the painting as looking down on a pond with unknown things underneath. when we were kids there was a swamp with dark water close by; we scared ourselves with stories of what lurked underneath.
recently read that it takes days for a body of water to become still
blurred zither sample played around with in protoplasm. lots of different gentle echo ripples from podfarm, audacity, audition.
.
.)
))
llllllll.co/t/disquiet-junto-p...onic-pentimento
Disquiet Junto Project 0328: Sonic Pentimento
Record a piece of music inspired by a term from painting.
Step 1: This week’s Disquiet Junto project involves recording a piece of music inspired by a term from painting. That word is “pentimento,” which is defined in the Merriam-Webster dictionary as “a reappearance in a painting of an original drawn or painted element which was eventually painted over by the artist.” Familiarize yourself with the term.
Step 2: Think about how the term “pentimento” can be borrowed from painting and applied to sound.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/8/1/_/uploads/801843/image_track/1861093/w1400_h1400_q70_ptrue_v2_----cropped_1523957163180.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/still-pond-disquiet0328/</feedburner:origLink>
                                    <itunes:duration>271</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1858553</guid>
                                    
                                        <pubDate>Thu, 12 Apr 2018 21:25:50 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-12T21:25:50+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>quiet rushing water ~Naviarhaiku223~</title>
                                    <description><![CDATA[played quietly on my twelve string guitar: representing a waterfall. gets louder throughout, bit frenetic, hard to get the sense of rushing water and meditation at the same time.
recorded on phone and just a bit of delay and reverb added
.
I’m quite sure this is the first time I share I haiku written by me.
In February I spent 10 days in Himachal Pradesh, a northern Indian state in the Himalayas, practising yoga 4 hours a day with my partner. Even though the yoga class was initially my idea, I soon realized that I lacked the flexibility (and patience) to enjoy it fully. We would start at 6,30AM with meditation, and that was my favourite part as sometimes, for a few moments, I was able to free my mind completely. In those rare occasions my senses were sharper, and after practicing for a few days I heard the sound of a waterfall, which I knew was in the village but I didn’t hear before. 
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 18th April 2018
Poem by Marco Alessi msacrx.tumblr.com
Picture by Patrick Hendry unsplash.com/@worldsbetweenlines]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/quiet-rushing-water-naviarhaiku223/listen.mp3?s=65p" length="3790470" />
                                    <link>https://hearthis.at/sevenism/quiet-rushing-water-naviarhaiku223/</link>
                                    <thr:total>0</thr:total>
                                    <hq>73</hq>
                                    <hq_filename>4945abdfec82a7f7b328cc758bba3d53.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream70.hearthis.at/4945abdfec82a7f7b328cc758bba3d53.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/quiet-rushing-water-naviarhaiku223/listen.mp3?s=65p" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[played quietly on my twelve string guitar: representing a waterfall. gets louder throughout, bit frenetic, hard to get the sense of rushing water and meditation at the same time.
recorded on phone and just a bit of delay and reverb added
.
I’m quite sure this is the first time I share I haiku written by me.
In February I spent 10 days in Himachal Pradesh, a northern Indian state in the Himalayas, practising yoga 4 hours a day with my partner. Even though the yoga class was initially my idea, I soon realized that I lacked the flexibility (and patience) to enjoy it fully. We would start at 6,30AM with meditation, and that was my favourite part as sometimes, for a few moments, I was able to free my mind completely. In those rare occasions my senses were sharper, and after practicing for a few days I heard the sound of a waterfall, which I knew was in the village but I didn’t hear before. 
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 18th April 2018
Poem by Marco Alessi msacrx.tumblr.com
Picture by Patrick Hendry unsplash.com/@worldsbetweenlines]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/7/1/_/uploads/801843/image_track/1858553/w1400_h1400_q70_ptrue_v2_----cropped_1523817466171.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/quiet-rushing-water-naviarhaiku223/</feedburner:origLink>
                                    <itunes:duration>236</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1850528</guid>
                                    
                                        <pubDate>Mon, 09 Apr 2018 12:49:55 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-09T12:49:55+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fragments (Naviarhaiku222)</title>
                                    <description><![CDATA[samples wasp synth / flute / harmonica / cello. hidden in guitar fx
.
This week’s haiku was offered by curator and multimedia artist Jason Richardson, also known as Bassling. Jason is one of the most regular participants in the Haiku challenge, both as musician and as poet. Together we also curated the exhibition Crossing Streams in 2017.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 11th April 2018
Poem by Jason Richardson highku.blogspot.co.uk
Picture by Casey Horner unsplash.com/@mischievous_penguins
#naviarrecords #Naviarhaiku #haiku #micropoetry #poetry]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fragments-naviarhaiku222/listen.mp3?s=4hH" length="2249873" />
                                    <link>https://hearthis.at/sevenism/fragments-naviarhaiku222/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>c166da18125217d0f8556213d9c82fea.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/c166da18125217d0f8556213d9c82fea.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fragments-naviarhaiku222/listen.mp3?s=4hH" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[samples wasp synth / flute / harmonica / cello. hidden in guitar fx
.
This week’s haiku was offered by curator and multimedia artist Jason Richardson, also known as Bassling. Jason is one of the most regular participants in the Haiku challenge, both as musician and as poet. Together we also curated the exhibition Crossing Streams in 2017.
Seven days to make music in response to the assigned haiku: to participate visit naviarrecords.com/about/naviar-haiku
Deadline: 11th April 2018
Poem by Jason Richardson highku.blogspot.co.uk
Picture by Casey Horner unsplash.com/@mischievous_penguins
#naviarrecords #Naviarhaiku #haiku #micropoetry #poetry]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/8/7/_/uploads/801843/image_track/1850528/w1400_h1400_q70_ptrue_v2_----cropped_1523387620787.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fragments-naviarhaiku222/</feedburner:origLink>
                                    <itunes:duration>140</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1847890</guid>
                                    
                                        <pubDate>Sun, 08 Apr 2018 17:40:38 +0200</pubDate>
                                        
                                        <atom:updated>2018-04-08T17:40:38+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Slow Red Shift .disquiet0327.</title>
                                    <description><![CDATA[3 arpeggiated lines in iris2 demo / live. 3/4 melody, 7/4 bass and pad, 2/4 rhythm. sequenced in audacity coz i didnt know if live 8 could do multiple time signatures. goes slightly out of phase towards the end.
sliding pitch shift of 1 semitone. mastered in audition
llllllll.co/t/disquiet-junto-p...0327-time-zoned
Disquiet Junto Project 0327: Time Zoned
Create a piece of music that is simultaneously in 3/4, 2/4, and 7/4 time.
Step 1: This week’s Disquiet Junto project, the 327th consecutive weekly Junto project, running since January 2012, will engage with the number 327. Compose a piece of music with three separate and distinct through-lines. Think of each of the three lines as an individual voice. The important thing is that the three through-lines occur in your composition simultaneously. One voice should be in 3/4 time. One should be in 2/4 time. And one should be in 7/4 time.
Major thanks to Ethan Hein and Nate Trier for helping develop the project.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/slow-red-shift-disquiet0327/listen.mp3?s=16j" length="1572361" />
                                    <link>https://hearthis.at/sevenism/slow-red-shift-disquiet0327/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>59aed54bba33e76e4454640ad624e41a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/59aed54bba33e76e4454640ad624e41a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/slow-red-shift-disquiet0327/listen.mp3?s=16j" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[3 arpeggiated lines in iris2 demo / live. 3/4 melody, 7/4 bass and pad, 2/4 rhythm. sequenced in audacity coz i didnt know if live 8 could do multiple time signatures. goes slightly out of phase towards the end.
sliding pitch shift of 1 semitone. mastered in audition
llllllll.co/t/disquiet-junto-p...0327-time-zoned
Disquiet Junto Project 0327: Time Zoned
Create a piece of music that is simultaneously in 3/4, 2/4, and 7/4 time.
Step 1: This week’s Disquiet Junto project, the 327th consecutive weekly Junto project, running since January 2012, will engage with the number 327. Compose a piece of music with three separate and distinct through-lines. Think of each of the three lines as an individual voice. The important thing is that the three through-lines occur in your composition simultaneously. One voice should be in 3/4 time. One should be in 2/4 time. And one should be in 7/4 time.
Major thanks to Ethan Hein and Nate Trier for helping develop the project.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/0/_/uploads/801843/image_track/1847890/w1400_h1400_q70_ptrue_v2_----cropped_1523264494090.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/slow-red-shift-disquiet0327/</feedburner:origLink>
                                    <itunes:duration>98</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1831357</guid>
                                    
                                        <pubDate>Fri, 30 Mar 2018 14:32:22 +0200</pubDate>
                                        
                                        <atom:updated>2018-03-30T14:32:22+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>othering (disquiet0326)</title>
                                    <description><![CDATA[generated a sine wave in audacity, used paulstretch for some interesting random amplification and distortion
pulled into protoplasm at 6 different semi/octaves
and had that going thru izotope vinyl - gradually throughout the track i upped the warp depth and wear
just played live for about 7 minutes - wasnt very good at playing today, so added some preverb to hide that a bit. 2 notes at once so 12 concurrent layers with all the different semi/octaves (i really like the layering in jon fischers art, was inspired by this)
mastered in audition
.
Disquiet Junto Project 0326: Wave Turntable
In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise.
Step 1: Tracks in this project will be played as part of a free event in San Francisco at the McEvoy Foundation for the Arts (mcevoyarts.org) on Saturday, April 7, 2018, for an exhibit by composer Danny Clay (dclaymusic.com) and artist Jon Fischer (feather2pixels.com). The project was developed in collaboration with Clay. Before proceeding, consider the sort of music that might be conducive as partially-heard, partially-background music for an art event.
Step 2: Compose a short piece of music using only sine waves and the surface sounds of vinyl played on a turntable. Those two sources are inspirations for the Clay/Fischer exhibit. (The cover image to this project shows some of Fischer’s turntable art.)
llllllll.co/t/disquiet-junto-p...-wave-turntable]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/othering-disquiet0326/listen.mp3?s=vH7" length="6692779" />
                                    <link>https://hearthis.at/sevenism/othering-disquiet0326/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>a46dc280d1c71cc4961d64b6377fbb20.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream71.hearthis.at/a46dc280d1c71cc4961d64b6377fbb20.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/othering-disquiet0326/listen.mp3?s=vH7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[generated a sine wave in audacity, used paulstretch for some interesting random amplification and distortion
pulled into protoplasm at 6 different semi/octaves
and had that going thru izotope vinyl - gradually throughout the track i upped the warp depth and wear
just played live for about 7 minutes - wasnt very good at playing today, so added some preverb to hide that a bit. 2 notes at once so 12 concurrent layers with all the different semi/octaves (i really like the layering in jon fischers art, was inspired by this)
mastered in audition
.
Disquiet Junto Project 0326: Wave Turntable
In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise.
Step 1: Tracks in this project will be played as part of a free event in San Francisco at the McEvoy Foundation for the Arts (mcevoyarts.org) on Saturday, April 7, 2018, for an exhibit by composer Danny Clay (dclaymusic.com) and artist Jon Fischer (feather2pixels.com). The project was developed in collaboration with Clay. Before proceeding, consider the sort of music that might be conducive as partially-heard, partially-background music for an art event.
Step 2: Compose a short piece of music using only sine waves and the surface sounds of vinyl played on a turntable. Those two sources are inspirations for the Clay/Fischer exhibit. (The cover image to this project shows some of Fischer’s turntable art.)
llllllll.co/t/disquiet-junto-p...-wave-turntable]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/1/2/_/uploads/801843/image_track/1831357/w1400_h1400_q70_ptrue_v2_----cropped_1522413719210.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/othering-disquiet0326/</feedburner:origLink>
                                    <itunes:duration>418</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1820528</guid>
                                    
                                        <pubDate>Fri, 23 Mar 2018 14:45:14 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-23T14:45:14+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>resonant fields /Naviarhaiku220/</title>
                                    <description><![CDATA[struggled to do a track that gave a sense of the haiku, think my mind was a bit noisy.
this track i did the other day fit with the quiet garden sense - not sure about raindrops tho.
_
The haiku of the week was kindly offered by Zen teacher, writer and Naviar’s longtime friend Andō. I had the chance to have a chat with her in 2016, when we diiscussed meditation and creativity, as well as the relationship between poetry and music.
“[…] silence is not so much a recurring theme in my works, as the source all my work, whether it be poetry, writings, meditation, contemplation, retreat or silence itself. All my work arises from silence, in one way or another. Both silence and sound are inseparably connected. Sound arises from silence. When considered from the ultimate, all things, all perceptions, arise from silence.“ (Andō)
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th March 2018
Poem by Andō theunsui.org
Picture by Dmitry Bayer unsplash.com/@d__bayer]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/resonant-fields-naviarhaiku220/listen.mp3?s=ZIA" length="6729977" />
                                    <link>https://hearthis.at/sevenism/resonant-fields-naviarhaiku220/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>1e7f5b856527a6ed84305de4531166f5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/1e7f5b856527a6ed84305de4531166f5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/resonant-fields-naviarhaiku220/listen.mp3?s=ZIA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[struggled to do a track that gave a sense of the haiku, think my mind was a bit noisy.
this track i did the other day fit with the quiet garden sense - not sure about raindrops tho.
_
The haiku of the week was kindly offered by Zen teacher, writer and Naviar’s longtime friend Andō. I had the chance to have a chat with her in 2016, when we diiscussed meditation and creativity, as well as the relationship between poetry and music.
“[…] silence is not so much a recurring theme in my works, as the source all my work, whether it be poetry, writings, meditation, contemplation, retreat or silence itself. All my work arises from silence, in one way or another. Both silence and sound are inseparably connected. Sound arises from silence. When considered from the ultimate, all things, all perceptions, arise from silence.“ (Andō)
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th March 2018
Poem by Andō theunsui.org
Picture by Dmitry Bayer unsplash.com/@d__bayer]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/6/5/_/uploads/801843/image_track/1820528/w1400_h1400_q70_ptrue_v2_----cropped_1521843171560.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/resonant-fields-naviarhaiku220/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1820527</guid>
                                    
                                        <pubDate>Fri, 23 Mar 2018 23:07:48 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-23T23:07:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>old timey fuzz (disquiet0325)</title>
                                    <description><![CDATA[plugged  the tracks into protoplasm with lots of delays and guitar fx in podfarm, played them at lower octaves and switched to higher octaves here and there pretty much randomly.
oh whoops i misread that it should sound like a modern composition.. werent too many people making doom jazz in 1904 i dont think.
.
llllllll.co/t/disquiet-junto-p...fake-book/12455
Disquiet Junto Project 0325: Fake Book
Make a forgery of an old jazz song by using samples from three Edison cylinders.
Step 1: This project involves using samples of pre-existing recordings to create a new recording. The three pieces of source audio are at these individual Internet Archive webpages:
archive.org/details/edbell-735
archive.org/details/EDIS-SRP-0194-01
archive.org/details/edgm-9107
Step 2: Download the tracks from Step 1 and listen to them. Listen for elements you might employ in your own new recording.
Step 3: Utilizing elements from Step 2, create a new composition that, to the extent you are able, sounds like it is from the same general era. Don’t add any other sound sources, though you can employ effects.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/old-timey-fuzz-disquiet0325/listen.mp3?s=hKE" length="5041004" />
                                    <link>https://hearthis.at/sevenism/old-timey-fuzz-disquiet0325/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>1dcee58b60514f56c4bb45ec28b56e57.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1dcee58b60514f56c4bb45ec28b56e57.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/old-timey-fuzz-disquiet0325/listen.mp3?s=hKE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[plugged  the tracks into protoplasm with lots of delays and guitar fx in podfarm, played them at lower octaves and switched to higher octaves here and there pretty much randomly.
oh whoops i misread that it should sound like a modern composition.. werent too many people making doom jazz in 1904 i dont think.
.
llllllll.co/t/disquiet-junto-p...fake-book/12455
Disquiet Junto Project 0325: Fake Book
Make a forgery of an old jazz song by using samples from three Edison cylinders.
Step 1: This project involves using samples of pre-existing recordings to create a new recording. The three pieces of source audio are at these individual Internet Archive webpages:
archive.org/details/edbell-735
archive.org/details/EDIS-SRP-0194-01
archive.org/details/edgm-9107
Step 2: Download the tracks from Step 1 and listen to them. Listen for elements you might employ in your own new recording.
Step 3: Utilizing elements from Step 2, create a new composition that, to the extent you are able, sounds like it is from the same general era. Don’t add any other sound sources, though you can employ effects.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/9/_/uploads/801843/image_track/1820527/w1400_h1400_q70_ptrue_v2_----cropped_1521843167933.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/old-timey-fuzz-disquiet0325/</feedburner:origLink>
                                    <itunes:duration>315</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1817043</guid>
                                    
                                        <pubDate>Wed, 21 Mar 2018 15:13:03 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-21T15:13:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>infinity⁷</title>
                                    <description><![CDATA[ambientonline.org/forum/ambien...re-challenge-58
got some tonal elements from doing some extreme noise reduction in audacity (after the train had gone past, maybe a bird?) added reverb.
in live 8 i played the sample through protoplasm, podfarm 2 (sine chorus, random chorus, stereo delay, echo platter, large plate reverb) and ozone imager. changing the octaves a bit. just a single improvisation recorded.
back in audacity duplicated the track pitched down an octave and faded in
mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/infinity/listen.mp3?s=wH4" length="3201984" />
                                    <link>https://hearthis.at/sevenism/infinity/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>c176788eba5ac96e7a99b20facb8de1d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream72.hearthis.at/c176788eba5ac96e7a99b20facb8de1d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/infinity/listen.mp3?s=wH4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/ambien...re-challenge-58
got some tonal elements from doing some extreme noise reduction in audacity (after the train had gone past, maybe a bird?) added reverb.
in live 8 i played the sample through protoplasm, podfarm 2 (sine chorus, random chorus, stereo delay, echo platter, large plate reverb) and ozone imager. changing the octaves a bit. just a single improvisation recorded.
back in audacity duplicated the track pitched down an octave and faded in
mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/7/5/_/uploads/801843/image_track/1817043/w1400_h1400_q70_ptrue_v2_----cropped_1521649595577.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/infinity/</feedburner:origLink>
                                    <itunes:duration>200</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1810740</guid>
                                    
                                        <pubDate>Sat, 17 Mar 2018 10:09:50 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-17T10:09:50+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>only moonlight. Naviarhaiku219</title>
                                    <description><![CDATA[i was thinking of ambient through tissue paper and cold light. not an objective filtered sound but the sense of what that feels like.
electroacoustic instruments - i've forgotten what
/
this poem by Kobayashi Issa is the haiku of the week. A paper mosquito net is a paper enclosure with just a small window made of a thin see-through cloth, the only part of the net from which Issa can see the moonlight.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st March 2018
Poem by Kobayashi Issa haikuguy.com/issa
Picture by Patrick Hendry unsplash.com/@worldsbetweenlines]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/only-moonlight-naviarhaiku219/listen.mp3?s=DkX" length="6663940" />
                                    <link>https://hearthis.at/sevenism/only-moonlight-naviarhaiku219/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d372b822d3c56e1911e6008831bbfddd.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d372b822d3c56e1911e6008831bbfddd.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/only-moonlight-naviarhaiku219/listen.mp3?s=DkX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i was thinking of ambient through tissue paper and cold light. not an objective filtered sound but the sense of what that feels like.
electroacoustic instruments - i've forgotten what
/
this poem by Kobayashi Issa is the haiku of the week. A paper mosquito net is a paper enclosure with just a small window made of a thin see-through cloth, the only part of the net from which Issa can see the moonlight.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st March 2018
Poem by Kobayashi Issa haikuguy.com/issa
Picture by Patrick Hendry unsplash.com/@worldsbetweenlines]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/3/8/_/uploads/801843/image_track/1810740/w1400_h1400_q70_ptrue_v2_----cropped_1521288033839.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/only-moonlight-naviarhaiku219/</feedburner:origLink>
                                    <itunes:duration>416</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1810739</guid>
                                    
                                        <pubDate>Sat, 17 Mar 2018 10:51:23 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-17T10:51:23+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Worker Drones (disquiet0324)</title>
                                    <description><![CDATA[struggled with this.
had classical instruments going through randomized arpeggio sounded a bit newsroomy motion but not so background. stretched and blurred to a drone and had the arpeggio coming in sometimes
.
.
.
llllllll.co/t/disquiet-junto-p...4-factory-floor
Disquiet Junto Project 0324: Factory Floor
Make music for newsrooms, design studios, and other collaborative workplaces.
Step 1: This is the latest in a series of Junto projects about background music. Consider what sort of music is appropriate for collaborative workplaces, such as newsrooms, design studios, software development teams, and so forth. Think about music that (1) isn’t distracting and (2) suggests momentum.
Step 2: Record a piece of music that applies the thinking arising from Step 1, and that makes sense played on repeat or as part of an imagined playlist of like-minded compositions. The length is up to you, but consider keeping it between three minutes and six minutes.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/worker-drones-disquiet0324/listen.mp3?s=wdf" length="3448580" />
                                    <link>https://hearthis.at/sevenism/worker-drones-disquiet0324/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>45c654679b9383887571c1db776b10f1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/45c654679b9383887571c1db776b10f1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/worker-drones-disquiet0324/listen.mp3?s=wdf" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[struggled with this.
had classical instruments going through randomized arpeggio sounded a bit newsroomy motion but not so background. stretched and blurred to a drone and had the arpeggio coming in sometimes
.
.
.
llllllll.co/t/disquiet-junto-p...4-factory-floor
Disquiet Junto Project 0324: Factory Floor
Make music for newsrooms, design studios, and other collaborative workplaces.
Step 1: This is the latest in a series of Junto projects about background music. Consider what sort of music is appropriate for collaborative workplaces, such as newsrooms, design studios, software development teams, and so forth. Think about music that (1) isn’t distracting and (2) suggests momentum.
Step 2: Record a piece of music that applies the thinking arising from Step 1, and that makes sense played on repeat or as part of an imagined playlist of like-minded compositions. The length is up to you, but consider keeping it between three minutes and six minutes.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/6/1/_/uploads/801843/image_track/1810739/w1400_h1400_q70_ptrue_v2_----cropped_1521288032166.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/worker-drones-disquiet0324/</feedburner:origLink>
                                    <itunes:duration>215</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1801806</guid>
                                    
                                        <pubDate>Sun, 11 Mar 2018 14:39:41 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-11T14:39:41+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>where are you (disquiet0323)</title>
                                    <description><![CDATA[i had an idea of what i wanted to do - i was gonna do some harsh noise interspersed with gongs. the idea being that the music is not imbued with peace but rather that peace is a byproduct of being present where you are.
of course, there's still the intent of making meditation music : indirectly influenced by the new agey nicey nicey bollox i was trying to avoid.
fortunately i  forgot about all this. i went to the buddhist centre for a meditate and then had to rush to some work. later i was making some music (classical instrumetns in iris 2) feeling peaceful and present but also with an undercurrent of unaccepted stress and anxiety.  an important insight from meditation is how complex my inner emotional landscape can be. 
once i realized this was appropriate for the junto, i stretched the track to 7 minutes and recorded my meditation bowl (there happened to be a penny in there which made a nice buzz)
i can hear my sense of peace in the track but also the dissonance and distortion
.
.
llllllll.co/t/disquiet-junto-p...-for-meditation
Disquiet Junto Project 0323: Music for Meditation
Record a piece of music suited to meditation.
Step 1: Consider music appropriate for meditation. Think of the sounds, the tones, the forms that might suit such a thing.
Step 2: Record a short piece of music for meditation. Make your track a set number of minutes (that is, a length divisible by 60 seconds), preferably between 7 minutes and 20 minutes. Whatever length you choose, insert a bell/chime sound precisely one minute after the track begins and precisely one minute before the track comes to an end.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/where-are-you-disquiet0323/listen.mp3?s=usZ" length="6721618" />
                                    <link>https://hearthis.at/sevenism/where-are-you-disquiet0323/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>ffd5d2158f0546e4e664b0ff5d27cfbc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/ffd5d2158f0546e4e664b0ff5d27cfbc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/where-are-you-disquiet0323/listen.mp3?s=usZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i had an idea of what i wanted to do - i was gonna do some harsh noise interspersed with gongs. the idea being that the music is not imbued with peace but rather that peace is a byproduct of being present where you are.
of course, there's still the intent of making meditation music : indirectly influenced by the new agey nicey nicey bollox i was trying to avoid.
fortunately i  forgot about all this. i went to the buddhist centre for a meditate and then had to rush to some work. later i was making some music (classical instrumetns in iris 2) feeling peaceful and present but also with an undercurrent of unaccepted stress and anxiety.  an important insight from meditation is how complex my inner emotional landscape can be. 
once i realized this was appropriate for the junto, i stretched the track to 7 minutes and recorded my meditation bowl (there happened to be a penny in there which made a nice buzz)
i can hear my sense of peace in the track but also the dissonance and distortion
.
.
llllllll.co/t/disquiet-junto-p...-for-meditation
Disquiet Junto Project 0323: Music for Meditation
Record a piece of music suited to meditation.
Step 1: Consider music appropriate for meditation. Think of the sounds, the tones, the forms that might suit such a thing.
Step 2: Record a short piece of music for meditation. Make your track a set number of minutes (that is, a length divisible by 60 seconds), preferably between 7 minutes and 20 minutes. Whatever length you choose, insert a bell/chime sound precisely one minute after the track begins and precisely one minute before the track comes to an end.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/3/1/_/uploads/801843/image_track/1801806/w1400_h1400_q70_ptrue_v2_----cropped_1520776122134.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/where-are-you-disquiet0323/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1800635</guid>
                                    
                                        <pubDate>Sat, 10 Mar 2018 20:33:59 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-10T20:33:59+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>aflutter (Naviarhaiku218 )</title>
                                    <description><![CDATA[comingled nature
light fading out
.
This week’s haiku was written by Sumitaku Kenshin, one of the most important representatives of free-form haiku, which ignores not just the syllabic formation typical of haiku poetry but seasonal reference as well. Kenshin started writing poety after being diagnosed with acute myeloid leukemia: he dedicated the last 2 years of his life to haiku, leaving 281 poems. He died in 1987, at the age of 25.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 14th March 2018
Poem by Sumitaku Kenshin longdream.wordpress.com/catego...umitaku-kenshin
Picture by Byron Johnson unsplash.com/@byronism]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/aflutter-naviarhaiku218/listen.mp3?s=Z5f" length="3852746" />
                                    <link>https://hearthis.at/sevenism/aflutter-naviarhaiku218/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>3a6d4142b5cabdd6689f860f26b6b7c3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/3a6d4142b5cabdd6689f860f26b6b7c3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/aflutter-naviarhaiku218/listen.mp3?s=Z5f" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[comingled nature
light fading out
.
This week’s haiku was written by Sumitaku Kenshin, one of the most important representatives of free-form haiku, which ignores not just the syllabic formation typical of haiku poetry but seasonal reference as well. Kenshin started writing poety after being diagnosed with acute myeloid leukemia: he dedicated the last 2 years of his life to haiku, leaving 281 poems. He died in 1987, at the age of 25.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 14th March 2018
Poem by Sumitaku Kenshin longdream.wordpress.com/catego...umitaku-kenshin
Picture by Byron Johnson unsplash.com/@byronism]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/1/_/uploads/801843/image_track/1800635/w1400_h1400_q70_ptrue_v2_----cropped_1520716001153.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/aflutter-naviarhaiku218/</feedburner:origLink>
                                    <itunes:duration>240</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1793633</guid>
                                    
                                        <pubDate>Mon, 05 Mar 2018 13:50:51 +0100</pubDate>
                                        
                                        <atom:updated>2018-03-05T13:50:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>The Caterpillar disquiet0322</title>
                                    <description><![CDATA[I'm just on my phone. I used the humon app which is really quite impressive , it instantly creates a track from your humming. And used wave pad too for changing pitch speed reverb echo. Couldn't find any apps that widen the stereo field when it's in mono. I would have blurred this a lot more if i could.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-caterpillar-disquiet0322/listen.mp3?s=ReA" length="4910601" />
                                    <link>https://hearthis.at/sevenism/the-caterpillar-disquiet0322/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>41591ec7187bbc28dfd77a74fb4afac8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/41591ec7187bbc28dfd77a74fb4afac8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-caterpillar-disquiet0322/listen.mp3?s=ReA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I'm just on my phone. I used the humon app which is really quite impressive , it instantly creates a track from your humming. And used wave pad too for changing pitch speed reverb echo. Couldn't find any apps that widen the stereo field when it's in mono. I would have blurred this a lot more if i could.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/5/_/uploads/801843/image_user/w1400_h1400_q70_ptrue_v2_----cropped_665f3f6b68d8f810e098dfb7cb4fefe4avatars-000098754841-mke5w1-t500x500.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-caterpillar-disquiet0322/</feedburner:origLink>
                                    <itunes:duration>306</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1800637</guid>
                                    
                                        <pubDate>Wed, 28 Feb 2018 12:01:00 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-28T12:01:00+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>the air before it falls (Naviarhaiku216)</title>
                                    <description><![CDATA[that stretched moment , heavy with anticipation, before something happens
.
cello/viola/ukelele samples
-
Ippekiro Nakatsuka was one of the first to introduce the colloquial style into haiku poetry. His poems didn’t follow the 17 syllables’ structure, and most of the times also didn’t include the kigo word (seasonal reference). For Nakatsuka, what mattered the most was the ability to reduce a poem into a single picture or thought, with as little words as possible. 
This more modern, free style haiku is called Kaiko, and was (at least officially) invented by Nakatsuka and Kawahigashi Hekigodo in 1915. 
The most famous collection of verses by Nakatsuka is Cape Jasmine and Pomegranates.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th February 2018
Poem by Nakatsuka Ippekiro big.or.jp/~loupe/links/ehisto/...eippekiro.shtml
Picture by Bryan Minear  unsplash.com/@bryanminear]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-air-before-it-falls-naviarhaiku216/listen.mp3?s=dT6" length="1813941" />
                                    <link>https://hearthis.at/sevenism/the-air-before-it-falls-naviarhaiku216/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>297085e8718a0cc33826cb25227539a6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/297085e8718a0cc33826cb25227539a6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-air-before-it-falls-naviarhaiku216/listen.mp3?s=dT6" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[that stretched moment , heavy with anticipation, before something happens
.
cello/viola/ukelele samples
-
Ippekiro Nakatsuka was one of the first to introduce the colloquial style into haiku poetry. His poems didn’t follow the 17 syllables’ structure, and most of the times also didn’t include the kigo word (seasonal reference). For Nakatsuka, what mattered the most was the ability to reduce a poem into a single picture or thought, with as little words as possible. 
This more modern, free style haiku is called Kaiko, and was (at least officially) invented by Nakatsuka and Kawahigashi Hekigodo in 1915. 
The most famous collection of verses by Nakatsuka is Cape Jasmine and Pomegranates.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 28th February 2018
Poem by Nakatsuka Ippekiro big.or.jp/~loupe/links/ehisto/...eippekiro.shtml
Picture by Bryan Minear  unsplash.com/@bryanminear]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/5/_/uploads/801843/image_track/1800637/w1400_h1400_q70_ptrue_v2_----cropped_1520716030547.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-air-before-it-falls-naviarhaiku216/</feedburner:origLink>
                                    <itunes:duration>113</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1800638</guid>
                                    
                                        <pubDate>Tue, 27 Feb 2018 11:58:23 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-27T11:58:23+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>manic (disquiet0321)</title>
                                    <description><![CDATA[i don't listen to a lot of happy music - i can't focus on it. i'm drawn more to melancholy music, but really i prefer complexity, depth, shifting ambivalent tone. i agree with the point in the discussion that preference for 'sad' music might mitigate the effect.
i wander as well if it's different for musicians - i've trained myself to focus on ambient drones, on the minutiae.
i followed the instructions exactly  with the intention of gentle subversion. if i'm feeling sad that can come through in the music regardless that it's in a major key.
i used a ukelele sample and an approximation of a piccolo (crossed with a cat), randomized tone, fast arpeggio, lots of variation.
.
Disquiet Junto Project 0321: Let’s Active
llllllll.co/t/disquiet-junto-p...321-lets-active
Make a short piece of music that decreases the mind’s tendency to wander, based on research by Dr. Liila Taruffi, PhD, and her colleagues.
Step 1: This week we’re making music that decreases the mind’s tendency to wander. The project was developed in coordination with a Dr. Liila Taruffi, PhD, based on a paper she and her colleagues published in Nature Scientific Reports.
Step 2: No, you absolutely don’t need to have read the 10-page research paper or its 60 footnotes to participate in this project. But … in you’re interested, you can find the PDF here:
rdcu.be/xXHf
Step 3: Record a piece of instrumental music (no voices, no words) based on the following constraints. Use samples, simulations, or approximations of the recommended instrumentation if the instruments are not available:
Instrumentation: banjo, piccolo, xylophone, celeste, glockenspiel, ukulele, toy piano, baritone saxophone, tambourine
Instruments number: max 6
Speed of music: 130-180 bpm
Key: major
Length: around 2 min
Recommended musical/acoustic features: bright timbres, high pitches, much pitch variability, rising pitch contour, fast tone attacks, medium-high sound level, very little microstructural regularity]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/manic-disquiet0321/listen.mp3?s=ORn" length="1927208" />
                                    <link>https://hearthis.at/sevenism/manic-disquiet0321/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>cc77ccc10e048ae688491e70359cf121.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/cc77ccc10e048ae688491e70359cf121.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/manic-disquiet0321/listen.mp3?s=ORn" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i don't listen to a lot of happy music - i can't focus on it. i'm drawn more to melancholy music, but really i prefer complexity, depth, shifting ambivalent tone. i agree with the point in the discussion that preference for 'sad' music might mitigate the effect.
i wander as well if it's different for musicians - i've trained myself to focus on ambient drones, on the minutiae.
i followed the instructions exactly  with the intention of gentle subversion. if i'm feeling sad that can come through in the music regardless that it's in a major key.
i used a ukelele sample and an approximation of a piccolo (crossed with a cat), randomized tone, fast arpeggio, lots of variation.
.
Disquiet Junto Project 0321: Let’s Active
llllllll.co/t/disquiet-junto-p...321-lets-active
Make a short piece of music that decreases the mind’s tendency to wander, based on research by Dr. Liila Taruffi, PhD, and her colleagues.
Step 1: This week we’re making music that decreases the mind’s tendency to wander. The project was developed in coordination with a Dr. Liila Taruffi, PhD, based on a paper she and her colleagues published in Nature Scientific Reports.
Step 2: No, you absolutely don’t need to have read the 10-page research paper or its 60 footnotes to participate in this project. But … in you’re interested, you can find the PDF here:
rdcu.be/xXHf
Step 3: Record a piece of instrumental music (no voices, no words) based on the following constraints. Use samples, simulations, or approximations of the recommended instrumentation if the instruments are not available:
Instrumentation: banjo, piccolo, xylophone, celeste, glockenspiel, ukulele, toy piano, baritone saxophone, tambourine
Instruments number: max 6
Speed of music: 130-180 bpm
Key: major
Length: around 2 min
Recommended musical/acoustic features: bright timbres, high pitches, much pitch variability, rising pitch contour, fast tone attacks, medium-high sound level, very little microstructural regularity]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/9/9/_/uploads/801843/image_track/1800638/w1400_h1400_q70_ptrue_v2_----cropped_1520716032996.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/manic-disquiet0321/</feedburner:origLink>
                                    <itunes:duration>120</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1772770</guid>
                                    
                                        <pubDate>Mon, 19 Feb 2018 23:11:09 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-19T23:11:09+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>chapter loops (disquiet0320)</title>
                                    <description><![CDATA[this seemed too difficult to do properly!
i've had 3 books going round my head recently:
Barbara Kingsolver - The Poisonwood Bible
Wyl Menmuir - The Many
William Gibson - Virtual Light
so hopefully the music evokes a sense of these books.  (i'd say theyre connected by dread /dreamlike/ floating / creep)
i used iris 2 / protoplasm / podfarm mainly. longer than i thought!
.
llllllll.co/t/disquiet-junto-p...ble-of-contents
Disquiet Junto Project 0320: Table of Contents
Make a composition containing loopable background-music segments for each chapter of one of your favorite books.
Step 1: You’ll be composing a sequence of short, loopable segments of music that are useful as background music for reading.
Step 2: Choose a favorite book.
Step 3: Consider the tone, the temperament, and the content of each chapter in the book.
Step 4: Compose a piece of music with as many segments to it as there are chapters to the book. Compose each individual segment with the idea that it is loopable as background music while someone is reading the given chapter. Consider making connections between chapters through melodic themes or instrument choice and so forth.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/chapter-loops-disquiet0320/listen.mp3?s=QM8" length="11286150" />
                                    <link>https://hearthis.at/sevenism/chapter-loops-disquiet0320/</link>
                                    <thr:total>0</thr:total>
                                    <hq>71</hq>
                                    <hq_filename>1acf111ebb8a25ed379f08574f9eb1dc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1acf111ebb8a25ed379f08574f9eb1dc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/chapter-loops-disquiet0320/listen.mp3?s=QM8" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this seemed too difficult to do properly!
i've had 3 books going round my head recently:
Barbara Kingsolver - The Poisonwood Bible
Wyl Menmuir - The Many
William Gibson - Virtual Light
so hopefully the music evokes a sense of these books.  (i'd say theyre connected by dread /dreamlike/ floating / creep)
i used iris 2 / protoplasm / podfarm mainly. longer than i thought!
.
llllllll.co/t/disquiet-junto-p...ble-of-contents
Disquiet Junto Project 0320: Table of Contents
Make a composition containing loopable background-music segments for each chapter of one of your favorite books.
Step 1: You’ll be composing a sequence of short, loopable segments of music that are useful as background music for reading.
Step 2: Choose a favorite book.
Step 3: Consider the tone, the temperament, and the content of each chapter in the book.
Step 4: Compose a piece of music with as many segments to it as there are chapters to the book. Compose each individual segment with the idea that it is loopable as background music while someone is reading the given chapter. Consider making connections between chapters through melodic themes or instrument choice and so forth.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/6/_/uploads/801843/image_track/1772770/w1400_h1400_q70_ptrue_v2_----cropped_1519125182690.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/chapter-loops-disquiet0320/</feedburner:origLink>
                                    <itunes:duration>705</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1771413</guid>
                                    
                                        <pubDate>Mon, 19 Feb 2018 13:25:11 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-19T13:25:11+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dropping off (try not to sleep) Naviarhaiku215</title>
                                    <description><![CDATA[bass clarinet pitched around
waves (stretched): freesound.org/people/Kinoton/s...n/sounds/387431
i used to try to stay awake as a kid, my head nodding back as the waves of sleep caught up with me
/
Now considered as one of the most influencial modern Japanese writers, the novelist of the Meiji period Natsume Soseki was a late bloomer: his literary career officially began in 1903, with a series of haiku and renga published on various literary magazines. Between 1900 and 1903 he studied at the UCL in London, but this experience proved to be quite dramatic for the young Soseki as he’ll describe his period in the United Kingdom with these words:
“The two years I spent in London were the most unpleasant years in my life. Among English gentlemen I lived in misery, like a poor dog that had strayed among a pack of wolves.“
Despite this, when Soseki returned to Japan he exploded into prolific writing activity.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st February 2018
Poem by Natsume Soseki japantimes.co.jp/culture/2016/...i/#.WoRm0PwRc2x
Picture by Krista Mangulsone unsplash.com/@krista]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dropping-off-try-not-to-sleep-naviarhaiku215/listen.mp3?s=eP7" length="3864867" />
                                    <link>https://hearthis.at/sevenism/dropping-off-try-not-to-sleep-naviarhaiku215/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>b20ac698158c519b0e16b14d42124f25.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/b20ac698158c519b0e16b14d42124f25.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dropping-off-try-not-to-sleep-naviarhaiku215/listen.mp3?s=eP7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[bass clarinet pitched around
waves (stretched): freesound.org/people/Kinoton/s...n/sounds/387431
i used to try to stay awake as a kid, my head nodding back as the waves of sleep caught up with me
/
Now considered as one of the most influencial modern Japanese writers, the novelist of the Meiji period Natsume Soseki was a late bloomer: his literary career officially began in 1903, with a series of haiku and renga published on various literary magazines. Between 1900 and 1903 he studied at the UCL in London, but this experience proved to be quite dramatic for the young Soseki as he’ll describe his period in the United Kingdom with these words:
“The two years I spent in London were the most unpleasant years in my life. Among English gentlemen I lived in misery, like a poor dog that had strayed among a pack of wolves.“
Despite this, when Soseki returned to Japan he exploded into prolific writing activity.
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 21st February 2018
Poem by Natsume Soseki japantimes.co.jp/culture/2016/...i/#.WoRm0PwRc2x
Picture by Krista Mangulsone unsplash.com/@krista]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/5/_/uploads/801843/image_track/1771413/w1400_h1400_q70_ptrue_v2_----cropped_1519043312572.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dropping-off-try-not-to-sleep-naviarhaiku215/</feedburner:origLink>
                                    <itunes:duration>241</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1758383</guid>
                                    
                                        <pubDate>Sat, 10 Feb 2018 20:21:45 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-10T20:21:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Cold Sun Heavy Eyes Naviarhaiku214</title>
                                    <description><![CDATA[.
After last week’s Autumn poem here’s a Winter haiku by Kyoshi, who wrote more than two hundred thousand haiku in his lifetime. You can read some of his  most well-known works here: simplyhaiku.com/SHv3n2/feature...hata_Teiko.html
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku 
Deadline: 14th February 2018
Poem by Takahama Kyoshi masterpiece-of-japanese-cultur...his-haiku-poems
Picture by Bailey Zindel unsplash.com/@baileyzindel]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cold-sun-heavy-eyes-naviarhaiku214/listen.mp3?s=kit" length="5555094" />
                                    <link>https://hearthis.at/sevenism/cold-sun-heavy-eyes-naviarhaiku214/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>c22a2f4222d4797e4b3a6937117c69a2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/c22a2f4222d4797e4b3a6937117c69a2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cold-sun-heavy-eyes-naviarhaiku214/listen.mp3?s=kit" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[.
After last week’s Autumn poem here’s a Winter haiku by Kyoshi, who wrote more than two hundred thousand haiku in his lifetime. You can read some of his  most well-known works here: simplyhaiku.com/SHv3n2/feature...hata_Teiko.html
Seven days to make music in response to the assigned haiku: to particiipate visit naviarrecords.com/about/naviar-haiku 
Deadline: 14th February 2018
Poem by Takahama Kyoshi masterpiece-of-japanese-cultur...his-haiku-poems
Picture by Bailey Zindel unsplash.com/@baileyzindel]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/9/_/uploads/801843/image_track/1758383/w1400_h1400_q70_ptrue_v2_----cropped_1518291034900.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cold-sun-heavy-eyes-naviarhaiku214/</feedburner:origLink>
                                    <itunes:duration>347</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1758384</guid>
                                    
                                        <pubDate>Sat, 10 Feb 2018 19:02:36 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-10T19:02:36+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>grace notes disquiet0319</title>
                                    <description><![CDATA[done 58 juntos in a row  - over a year -  can't quite believe it
used a random arpeggio line, looped that
then re-recorded it live while muting at various points
another couple of random arpeggios stretched and blurred . thought about having it more structured so it still has shape without the hidden rhythm but i liked it meandering.
.
llllllll.co/t/disquiet-junto-p...0319-duly-noted
Disquiet Junto Project 0319: Duly Noted
Make a composition with the same melody repeated but with notes appearing and disappearing.
Step 1: You’ll be making a piece of music based on a single short melody. The melody will be played on repeat for the length of the piece. Select a melody. As is often the case with projects that require seed material, it might be helpful to read through the full set of instructions before committing to a melody.
Step 2: Select your short melody.
Step 3: Compose a piece of music in which the melody selected in Step 2 is played on repeat. It should be heard in full at first, and then each subsequent time it plays one note or more than one note should temporarily not be heard.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/grace-notes-disquiet0319/listen.mp3?s=2aN" length="4414483" />
                                    <link>https://hearthis.at/sevenism/grace-notes-disquiet0319/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>7ce9d14331831d9338bde5519a6619fb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/7ce9d14331831d9338bde5519a6619fb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/grace-notes-disquiet0319/listen.mp3?s=2aN" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[done 58 juntos in a row  - over a year -  can't quite believe it
used a random arpeggio line, looped that
then re-recorded it live while muting at various points
another couple of random arpeggios stretched and blurred . thought about having it more structured so it still has shape without the hidden rhythm but i liked it meandering.
.
llllllll.co/t/disquiet-junto-p...0319-duly-noted
Disquiet Junto Project 0319: Duly Noted
Make a composition with the same melody repeated but with notes appearing and disappearing.
Step 1: You’ll be making a piece of music based on a single short melody. The melody will be played on repeat for the length of the piece. Select a melody. As is often the case with projects that require seed material, it might be helpful to read through the full set of instructions before committing to a melody.
Step 2: Select your short melody.
Step 3: Compose a piece of music in which the melody selected in Step 2 is played on repeat. It should be heard in full at first, and then each subsequent time it plays one note or more than one note should temporarily not be heard.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/8/4/_/uploads/801843/image_track/1758384/w1400_h1400_q70_ptrue_v2_----cropped_1518291041481.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/grace-notes-disquiet0319/</feedburner:origLink>
                                    <itunes:duration>275</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1748379</guid>
                                    
                                        <pubDate>Sat, 03 Feb 2018 14:41:54 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-03T14:41:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Autumn Storm Close Naviarhaiku213</title>
                                    <description><![CDATA[similar tone to my most recent disquiet piece
melodica and a bit of whistling at the end
this turned out well i think
.
"
I couldn’t find any information about Sekito, a Japanese haiku poet active in the 20th Century. The haiku I selected for this week’s challenge was included in the book “Cage of Fireflies“, a collection of modern and traditional haiku curated and translated by prize–winning author and editor Lucien Stryk.
Seven days to make music in response to Sekito’s poem: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 7th February 2018
Poem by Sekito haikuspirit.org/fireflies.html
Picture by adrian unsplash.com/@aows
#naviar #haiku #poetry #micropoetry #ambient music #electronic music
"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/autumn-storm-close-naviarhaiku213/listen.mp3?s=Sht" length="4252733" />
                                    <link>https://hearthis.at/sevenism/autumn-storm-close-naviarhaiku213/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>6c424eb64e329f30073c235ff8fcd504.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/6c424eb64e329f30073c235ff8fcd504.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/autumn-storm-close-naviarhaiku213/listen.mp3?s=Sht" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[similar tone to my most recent disquiet piece
melodica and a bit of whistling at the end
this turned out well i think
.
"
I couldn’t find any information about Sekito, a Japanese haiku poet active in the 20th Century. The haiku I selected for this week’s challenge was included in the book “Cage of Fireflies“, a collection of modern and traditional haiku curated and translated by prize–winning author and editor Lucien Stryk.
Seven days to make music in response to Sekito’s poem: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 7th February 2018
Poem by Sekito haikuspirit.org/fireflies.html
Picture by adrian unsplash.com/@aows
#naviar #haiku #poetry #micropoetry #ambient music #electronic music
"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/7/9/_/uploads/801843/image_track/1748379/w1400_h1400_q70_ptrue_v2_----cropped_1517668109977.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/autumn-storm-close-naviarhaiku213/</feedburner:origLink>
                                    <itunes:duration>265</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1748380</guid>
                                    
                                        <pubDate>Sat, 03 Feb 2018 13:22:27 +0100</pubDate>
                                        
                                        <atom:updated>2018-02-03T13:22:27+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>progress (disquiet0318)</title>
                                    <description><![CDATA[plays through 6 versions and then repeated a few times:

melodica tone i just recorded
in audacity pitchstretched and delay
protoplasm - lfos, different octaves
audition - chorus echo convolution reverb of version 2
podfarm - guitar amp chorus delay
version 2 through podfarm - same as version 5 plus more delay reverb and stereofied

Disquiet Junto Project 0318: Linear Training
llllllll.co/t/disquiet-junto-p...linear-training
Record a piece of music composed of variations on the same held tone.
Step 1: You’ll be making a piece of music based on a single held tone. Before recording that tone, it might help to understand the circumstances under which it will be employed, so read the instructions fully before proceeding.
Step 2: Record the held tone for roughly five to ten seconds.
Step 3: Make variations on that tone by processing it in various ways. The result should yield between roughly five and ten different versions of the original tone from Step 2.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/progress-disquiet0318/listen.mp3?s=1Rw" length="2861347" />
                                    <link>https://hearthis.at/sevenism/progress-disquiet0318/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>3772879d3c4ff823afb28d3758720ef7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3772879d3c4ff823afb28d3758720ef7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/progress-disquiet0318/listen.mp3?s=1Rw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[plays through 6 versions and then repeated a few times:

melodica tone i just recorded
in audacity pitchstretched and delay
protoplasm - lfos, different octaves
audition - chorus echo convolution reverb of version 2
podfarm - guitar amp chorus delay
version 2 through podfarm - same as version 5 plus more delay reverb and stereofied

Disquiet Junto Project 0318: Linear Training
llllllll.co/t/disquiet-junto-p...linear-training
Record a piece of music composed of variations on the same held tone.
Step 1: You’ll be making a piece of music based on a single held tone. Before recording that tone, it might help to understand the circumstances under which it will be employed, so read the instructions fully before proceeding.
Step 2: Record the held tone for roughly five to ten seconds.
Step 3: Make variations on that tone by processing it in various ways. The result should yield between roughly five and ten different versions of the original tone from Step 2.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/4/7/_/uploads/801843/image_track/1748380/w1400_h1400_q70_ptrue_v2_----cropped_1517668115742.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/progress-disquiet0318/</feedburner:origLink>
                                    <itunes:duration>178</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1746204</guid>
                                    
                                        <pubDate>Wed, 31 Jan 2018 13:49:11 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-31T13:49:11+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>moonhaze down (flow) Naviarhaiku212</title>
                                    <description><![CDATA[less shallow maybe than the poem suggests.
night threatens.
.
.
A disciple of Takahama Kyoshi, Seishi promoted an innovative style and subject matter which were rather at odds with his more conservative teacher. Nonetheless Seishi became an influential representative of the Hototogisu School (founded by Kyoshi) and is considered as one of the most important Japanese haiku writers of the twentieth century. A collection of 300 of his works entitled The Essence of Modem Haiku was published by Mangajin Inc in 1933.
Seven days to make music in response to Seishi’s poem: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 31st January 2018
Poem by Seishi Yamaguchi allpoetry.com/Seishi-Yamaguchi
Picture by Teddy Kelley unsplash.com/@teddykelley
#naviar #haiku #micropoetry #Music and Poetry #ambient music]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/moonhaze-down-flow-naviarhaiku212/listen.mp3?s=hKY" length="5073187" />
                                    <link>https://hearthis.at/sevenism/moonhaze-down-flow-naviarhaiku212/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>a53ff29cb653ccc9476276812b96e6d6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a53ff29cb653ccc9476276812b96e6d6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/moonhaze-down-flow-naviarhaiku212/listen.mp3?s=hKY" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[less shallow maybe than the poem suggests.
night threatens.
.
.
A disciple of Takahama Kyoshi, Seishi promoted an innovative style and subject matter which were rather at odds with his more conservative teacher. Nonetheless Seishi became an influential representative of the Hototogisu School (founded by Kyoshi) and is considered as one of the most important Japanese haiku writers of the twentieth century. A collection of 300 of his works entitled The Essence of Modem Haiku was published by Mangajin Inc in 1933.
Seven days to make music in response to Seishi’s poem: to particiipate visit naviarrecords.com/about/naviar-haiku
Deadline: 31st January 2018
Poem by Seishi Yamaguchi allpoetry.com/Seishi-Yamaguchi
Picture by Teddy Kelley unsplash.com/@teddykelley
#naviar #haiku #micropoetry #Music and Poetry #ambient music]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/7/_/uploads/801843/image_track/1746204/w1400_h1400_q70_ptrue_v2_----cropped_1517516693711.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/moonhaze-down-flow-naviarhaiku212/</feedburner:origLink>
                                    <itunes:duration>317</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1742458</guid>
                                    
                                        <pubDate>Mon, 29 Jan 2018 22:27:27 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-29T22:27:27+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>mindless m*z*k + 7*i*s*m -  Left:Right:Centre mix</title>
                                    <description><![CDATA[mix of this soundcloud.com/mindless_m_z_k/left-right
with added djembe]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mindless-mzk-7ism-leftrightcentre-mix/listen.mp3?s=9wu" length="15255509" />
                                    <link>https://hearthis.at/sevenism/mindless-mzk-7ism-leftrightcentre-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>3422263f7528cdb0ea8efdad9c2bbdb4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3422263f7528cdb0ea8efdad9c2bbdb4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mindless-mzk-7ism-leftrightcentre-mix/listen.mp3?s=9wu" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mix of this soundcloud.com/mindless_m_z_k/left-right
with added djembe]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/8/_/uploads/801843/image_track/1742458/w1400_h1400_q70_ptrue_v2_----cropped_1517262320875.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mindless-mzk-7ism-leftrightcentre-mix/</feedburner:origLink>
                                    <itunes:duration>953</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1742459</guid>
                                    
                                        <pubDate>Mon, 29 Jan 2018 22:08:53 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-29T22:08:53+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>disquiet0316 stereo megamulch</title>
                                    <description><![CDATA[made from all these:
\ HE MANIORO ĀTAAHUA — HalF and Manioro [Disquiet0316]
ClaudeLeBelge — Disquiet0316 Second to the right
Disconcert — Ritual Of The Second Chair - w. 337is (disquiet0316)
Forelight — Program 2 (Disquiet0316)
GLSmyth — Six Legged Chair (disquiet0316)
jmmy kpple — Carlos R / kipple sound - appendices [disquiet0316]
k-blamo — JuntoCalif3(disquiet0316)
Larry Frazier — Two Sides disquiet0316
moduS ponY — muddy mind (Disquiet0316)
neurogami — Disquiet0316 - Zweiter Stuhl
Ohm Research — Just Suppose {Disquiet 0316}
otolythe — secondchairbase with encym :: disquiet0316
Robert Knote — A little place (Collaboration with moduS ponY)
samarobryn — The Mutable Truth [disquiet0316]
Synth Avesta — «Empty Aerie II» by Force Damage & Synth Avesta (Disquiet Junto 0316)
tigrinya — Links - Second Chair(disquiet0316)
Total Energy — Viola’s the second (disquiet0316, collab. w/Le Berger)
VGmrmojo — disquiet0316
Vortex Scrape — Disquiet0316 Take Two featuring halF unusuaL
W:I:L-o´the-wisp — W:I:L & zanshin 残真 with Daniel Diaz: One Empty Chair[disquiet0316]]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/disquiet0316-stereo-megamulch/listen.mp3?s=5CE" length="2652368" />
                                    <link>https://hearthis.at/sevenism/disquiet0316-stereo-megamulch/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>f906c6d11aa3d8c52371d1945e4ba587.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/f906c6d11aa3d8c52371d1945e4ba587.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/disquiet0316-stereo-megamulch/listen.mp3?s=5CE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from all these:
\ HE MANIORO ĀTAAHUA — HalF and Manioro [Disquiet0316]
ClaudeLeBelge — Disquiet0316 Second to the right
Disconcert — Ritual Of The Second Chair - w. 337is (disquiet0316)
Forelight — Program 2 (Disquiet0316)
GLSmyth — Six Legged Chair (disquiet0316)
jmmy kpple — Carlos R / kipple sound - appendices [disquiet0316]
k-blamo — JuntoCalif3(disquiet0316)
Larry Frazier — Two Sides disquiet0316
moduS ponY — muddy mind (Disquiet0316)
neurogami — Disquiet0316 - Zweiter Stuhl
Ohm Research — Just Suppose {Disquiet 0316}
otolythe — secondchairbase with encym :: disquiet0316
Robert Knote — A little place (Collaboration with moduS ponY)
samarobryn — The Mutable Truth [disquiet0316]
Synth Avesta — «Empty Aerie II» by Force Damage & Synth Avesta (Disquiet Junto 0316)
tigrinya — Links - Second Chair(disquiet0316)
Total Energy — Viola’s the second (disquiet0316, collab. w/Le Berger)
VGmrmojo — disquiet0316
Vortex Scrape — Disquiet0316 Take Two featuring halF unusuaL
W:I:L-o´the-wisp — W:I:L & zanshin 残真 with Daniel Diaz: One Empty Chair[disquiet0316]]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/5/_/uploads/801843/image_user/w1400_h1400_q70_ptrue_v2_----cropped_665f3f6b68d8f810e098dfb7cb4fefe4avatars-000098754841-mke5w1-t500x500.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/disquiet0316-stereo-megamulch/</feedburner:origLink>
                                    <itunes:duration>165</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1742460</guid>
                                    
                                        <pubDate>Mon, 29 Jan 2018 22:02:49 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-29T22:02:49+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Carlos R /  kipple sound / sevenism et al.- lost appendices [disquiet0317]</title>
                                    <description><![CDATA[i used jimmy and carlos' track as the base soundcloud.com/jmmy-kpple/carl...es-disquiet0316
i made a pad from all the unused tracks from disquiet 316 (just sticking everything together and playing thru protoplasm, podfarm, ozone imager):
\ HE MANIORO ĀTAAHUA — HalF and Manioro [Disquiet0316]
ClaudeLeBelge — Disquiet0316 Second to the right
Disconcert — Ritual Of The Second Chair - w. 337is (disquiet0316)
Forelight — Program 2 (Disquiet0316)
GLSmyth — Six Legged Chair (disquiet0316)
jmmy kpple — Carlos R / kipple sound - appendices [disquiet0316]
k-blamo — JuntoCalif3(disquiet0316)
Larry Frazier — Two Sides disquiet0316
moduS ponY — muddy mind (Disquiet0316)
neurogami — Disquiet0316 - Zweiter Stuhl
Ohm Research — Just Suppose {Disquiet 0316}
otolythe — secondchairbase with encym :: disquiet0316
Robert Knote — A little place (Collaboration with moduS ponY)
samarobryn — The Mutable Truth [disquiet0316]
Synth Avesta — «Empty Aerie II» by Force Damage & Synth Avesta (Disquiet Junto 0316)
tigrinya — Links - Second Chair(disquiet0316)
Total Energy — Viola’s the second (disquiet0316, collab. w/Le Berger)
VGmrmojo — disquiet0316
Vortex Scrape — Disquiet0316 Take Two featuring halF unusuaL
W:I:L-o´the-wisp — W:I:L & zanshin 残真 with Daniel Diaz: One Empty Chair[disquiet0316]
.
llllllll.co/t/disquiet-junto-p...awareness/11271
Disquiet Junto Project 0317: Triadic Awareness
The Assignment: Record the third part of a trio, adding to a pre-existing track of two parts.
Step 1: This week’s Disquiet Junto project is the third in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0316). Note that you are finishing a trio — you’re creating the third part of what two previous musicians created. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are 56 tracks in all to choose from, 54 as part of this playlist:
soundcloud.com/disquiet/sets/d...project-0316-el]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/carlos-r-kipple-sound-sevenism-et-al-lost-appendices-disquiet0317/listen.mp3?s=Hwm" length="2749334" />
                                    <link>https://hearthis.at/sevenism/carlos-r-kipple-sound-sevenism-et-al-lost-appendices-disquiet0317/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>a1db91a2dd1709e7a680a41b00588fea.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a1db91a2dd1709e7a680a41b00588fea.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/carlos-r-kipple-sound-sevenism-et-al-lost-appendices-disquiet0317/listen.mp3?s=Hwm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used jimmy and carlos' track as the base soundcloud.com/jmmy-kpple/carl...es-disquiet0316
i made a pad from all the unused tracks from disquiet 316 (just sticking everything together and playing thru protoplasm, podfarm, ozone imager):
\ HE MANIORO ĀTAAHUA — HalF and Manioro [Disquiet0316]
ClaudeLeBelge — Disquiet0316 Second to the right
Disconcert — Ritual Of The Second Chair - w. 337is (disquiet0316)
Forelight — Program 2 (Disquiet0316)
GLSmyth — Six Legged Chair (disquiet0316)
jmmy kpple — Carlos R / kipple sound - appendices [disquiet0316]
k-blamo — JuntoCalif3(disquiet0316)
Larry Frazier — Two Sides disquiet0316
moduS ponY — muddy mind (Disquiet0316)
neurogami — Disquiet0316 - Zweiter Stuhl
Ohm Research — Just Suppose {Disquiet 0316}
otolythe — secondchairbase with encym :: disquiet0316
Robert Knote — A little place (Collaboration with moduS ponY)
samarobryn — The Mutable Truth [disquiet0316]
Synth Avesta — «Empty Aerie II» by Force Damage & Synth Avesta (Disquiet Junto 0316)
tigrinya — Links - Second Chair(disquiet0316)
Total Energy — Viola’s the second (disquiet0316, collab. w/Le Berger)
VGmrmojo — disquiet0316
Vortex Scrape — Disquiet0316 Take Two featuring halF unusuaL
W:I:L-o´the-wisp — W:I:L & zanshin 残真 with Daniel Diaz: One Empty Chair[disquiet0316]
.
llllllll.co/t/disquiet-junto-p...awareness/11271
Disquiet Junto Project 0317: Triadic Awareness
The Assignment: Record the third part of a trio, adding to a pre-existing track of two parts.
Step 1: This week’s Disquiet Junto project is the third in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0316). Note that you are finishing a trio — you’re creating the third part of what two previous musicians created. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are 56 tracks in all to choose from, 54 as part of this playlist:
soundcloud.com/disquiet/sets/d...project-0316-el]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/8/7/_/uploads/801843/image_track/1742460/w1400_h1400_q70_ptrue_v2_----cropped_1517262336783.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/carlos-r-kipple-sound-sevenism-et-al-lost-appendices-disquiet0317/</feedburner:origLink>
                                    <itunes:duration>171</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1734373</guid>
                                    
                                        <pubDate>Mon, 22 Jan 2018 00:00:38 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-22T00:00:38+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ohm research + sevenism - Sinestre+R (disquiet0316)</title>
                                    <description><![CDATA[used ohm research - sinestre
soundcloud.com/ohm-research/si...e-disquiet-0315
initially i thought i'd use mindless mzk's track but it wasn't downloadable so rolled the dice. glad i got this track
i used a djembe and had this through a lot of fx. i thought that would sound good with my initial selection but then used it randomly anyway even though i knew it'd be too rhythmic
doesnt quite go but i wander if anything can be done to bring it all together..
..
Disquiet Junto Project 0316: El Segundo
The Assignment: Record the second third of a trio, adding to a pre-existing track.
Step 1: This week’s Disquiet Junto project is the second in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0315). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ohm-research-sevenism-sinestrer-disquiet0316/listen.mp3?s=WYg" length="3065729" />
                                    <link>https://hearthis.at/sevenism/ohm-research-sevenism-sinestrer-disquiet0316/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>af95d0bd30962b499ab50bbebf4702af.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/af95d0bd30962b499ab50bbebf4702af.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ohm-research-sevenism-sinestrer-disquiet0316/listen.mp3?s=WYg" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used ohm research - sinestre
soundcloud.com/ohm-research/si...e-disquiet-0315
initially i thought i'd use mindless mzk's track but it wasn't downloadable so rolled the dice. glad i got this track
i used a djembe and had this through a lot of fx. i thought that would sound good with my initial selection but then used it randomly anyway even though i knew it'd be too rhythmic
doesnt quite go but i wander if anything can be done to bring it all together..
..
Disquiet Junto Project 0316: El Segundo
The Assignment: Record the second third of a trio, adding to a pre-existing track.
Step 1: This week’s Disquiet Junto project is the second in a sequence that explores and encourages asynchronous collaboration. This week you will be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0315). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Keep this in mind.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to the pre-existing track.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/4/7/_/uploads/801843/image_track/1734373/w1400_h1400_q70_ptrue_v2_----cropped_1516720577748.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ohm-research-sevenism-sinestrer-disquiet0316/</feedburner:origLink>
                                    <itunes:duration>191</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1667017</guid>
                                    
                                        <pubDate>Sun, 10 Dec 2017 14:37:44 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-10T14:37:44+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shrapnel – Naviarhaiku205</title>
                                    <description><![CDATA[i recorded the shrapnel part then accidentally saved just the fade out. noisier than i wanted but representative of shrapnel so i used it anyway.
then cyclic echo delay of birds from my garden
tree grove drone in iris2 faded in
.
ake music in response to Sabiron’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 13th December 2017
Poem by Georges Sabiron thehaikufoundation.org/juxta/j...n-the-great-war
Picture by Ian Keefe unsplash.com/@iankeefe]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shrapnel-naviarhaiku205/listen.mp3?s=oJ7" length="3441474" />
                                    <link>https://hearthis.at/sevenism/shrapnel-naviarhaiku205/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>364d50d92e8fbceceff4eb91f0d3f063.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/364d50d92e8fbceceff4eb91f0d3f063.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shrapnel-naviarhaiku205/listen.mp3?s=oJ7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i recorded the shrapnel part then accidentally saved just the fade out. noisier than i wanted but representative of shrapnel so i used it anyway.
then cyclic echo delay of birds from my garden
tree grove drone in iris2 faded in
.
ake music in response to Sabiron’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 13th December 2017
Poem by Georges Sabiron thehaikufoundation.org/juxta/j...n-the-great-war
Picture by Ian Keefe unsplash.com/@iankeefe]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/801843/image_track/1667017/w1400_h1400_q70_ptrue_v2_----cropped_1512913662.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shrapnel-naviarhaiku205/</feedburner:origLink>
                                    <itunes:duration>215</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1676465</guid>
                                    
                                        <pubDate>Sun, 17 Dec 2017 12:46:20 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-17T12:46:20+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>song of ceramics disquiet0311</title>
                                    <description><![CDATA[played each as a note starting from C. each row represents a chord of sorts. but they overlap so on the next line i delete the notes as i get to them or keep them going if they appear on each row (eg. the second note on row 2 and 3). 
i'm not sure how to explain that clearly
cello/bass clarinet/viola/violin samples. guitar fx, chorus, reverb.
mastered for hi freq ceramic sounds
{}  {}{}  {}
Disquiet Junto Project 0311: Ceramic Notation
Read a work of ceramics as a score in graphic notation.
llllllll.co/t/disquiet-junto-p...-notation/10612
Major thanks to Grant Wilkinson for instigating this week’s project.
Step 1: This week’s Junto project is our first graphic score in a while. The idea of a graphic score in this case is to read an image as piece of musical notation. Here, the graphic score is a photo of a sculpture, the sculpture a ceramic wall installation by Steven Geddes, who is based in London.
Step 2: To begin with, look at this photo of a piece by Geddes that is titled Notations:
instagram.com/p/BcfUGjvhemn]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/song-of-ceramics-disquiet0311/listen.mp3?s=g2f" length="4753866" />
                                    <link>https://hearthis.at/sevenism/song-of-ceramics-disquiet0311/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>9a86fb06e3a228ce5fe5bfaf8118be84.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/9a86fb06e3a228ce5fe5bfaf8118be84.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/song-of-ceramics-disquiet0311/listen.mp3?s=g2f" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[played each as a note starting from C. each row represents a chord of sorts. but they overlap so on the next line i delete the notes as i get to them or keep them going if they appear on each row (eg. the second note on row 2 and 3). 
i'm not sure how to explain that clearly
cello/bass clarinet/viola/violin samples. guitar fx, chorus, reverb.
mastered for hi freq ceramic sounds
{}  {}{}  {}
Disquiet Junto Project 0311: Ceramic Notation
Read a work of ceramics as a score in graphic notation.
llllllll.co/t/disquiet-junto-p...-notation/10612
Major thanks to Grant Wilkinson for instigating this week’s project.
Step 1: This week’s Junto project is our first graphic score in a while. The idea of a graphic score in this case is to read an image as piece of musical notation. Here, the graphic score is a photo of a sculpture, the sculpture a ceramic wall installation by Steven Geddes, who is based in London.
Step 2: To begin with, look at this photo of a piece by Geddes that is titled Notations:
instagram.com/p/BcfUGjvhemn]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/6/9/_/uploads/801843/image_track/1676465/w1400_h1400_q70_ptrue_v2_----cropped_1513546963.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/song-of-ceramics-disquiet0311/</feedburner:origLink>
                                    <itunes:duration>297</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1676463</guid>
                                    
                                        <pubDate>Sun, 17 Dec 2017 22:40:22 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-17T22:40:22+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>snow-grey skies (cold sun mix) Naviarhaiku206</title>
                                    <description><![CDATA[snow-grey bass, cold sun piano
.
snow stopped
in the voices of children
the sun shines
.
Make music in response to Ozaki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 20th December 2017
Poem by Ozaki Hōsai en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
Picture by Kalle Kortelainen unsplash.com/@kallek]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/snow-grey-skies-cold-sun-mix-naviarhaiku206/listen.mp3?s=s5l" length="4801096" />
                                    <link>https://hearthis.at/sevenism/snow-grey-skies-cold-sun-mix-naviarhaiku206/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>8d8d0a85a5750fc85892b86a21d85e8d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8d8d0a85a5750fc85892b86a21d85e8d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/snow-grey-skies-cold-sun-mix-naviarhaiku206/listen.mp3?s=s5l" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[snow-grey bass, cold sun piano
.
snow stopped
in the voices of children
the sun shines
.
Make music in response to Ozaki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 20th December 2017
Poem by Ozaki Hōsai en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
Picture by Kalle Kortelainen unsplash.com/@kallek]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/9/_/uploads/801843/image_track/1676463/w1400_h1400_q70_ptrue_v2_----cropped_1513546944.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/snow-grey-skies-cold-sun-mix-naviarhaiku206/</feedburner:origLink>
                                    <itunes:duration>300</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1685173</guid>
                                    
                                        <pubDate>Sun, 24 Dec 2017 11:20:53 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-24T11:20:53+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ampli magni [disquiet0312]</title>
                                    <description><![CDATA[these are the sorts of words i'd use synonymously without really thinking about it. hhmmmm..
amplification i think of sound and magnification, vision.
amplification is increasing a quality of the object whereas magnifcation is spatial - changing the surroundings.
i used a recording of a children's keyboard i had a go on in asda the other day
the track starts off amplifying in the obvious sense - getting louder.. also there's distortion (amplified too much) and reverb (everything getting bigger). more deeply i wanted to get a sense of fullness without detail (chorus/paulstretch)
for the last bit it fades from reverb/paulstretch to the more detailed sound zooming in to the object, claustrophobic, and seeing the flaws - in this case the artefacts from too much noise reduction
.
.
llllllll.co/t/disquiet-junto-p...amplify-magnify
Disquiet Junto Project 0312: Amplify/Magnify
Explore two ways in which sound is scaled.
Step 1: This week’s project will explore the difference between “amplification” and “magnification.” Consider the two words, what they have in common, and what distinguishes them when applied to sound.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ampli-magni-disquiet0312/listen.mp3?s=EY7" length="2118634" />
                                    <link>https://hearthis.at/sevenism/ampli-magni-disquiet0312/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>a32489c6b5a88eb727ffed4243426437.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/a32489c6b5a88eb727ffed4243426437.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ampli-magni-disquiet0312/listen.mp3?s=EY7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[these are the sorts of words i'd use synonymously without really thinking about it. hhmmmm..
amplification i think of sound and magnification, vision.
amplification is increasing a quality of the object whereas magnifcation is spatial - changing the surroundings.
i used a recording of a children's keyboard i had a go on in asda the other day
the track starts off amplifying in the obvious sense - getting louder.. also there's distortion (amplified too much) and reverb (everything getting bigger). more deeply i wanted to get a sense of fullness without detail (chorus/paulstretch)
for the last bit it fades from reverb/paulstretch to the more detailed sound zooming in to the object, claustrophobic, and seeing the flaws - in this case the artefacts from too much noise reduction
.
.
llllllll.co/t/disquiet-junto-p...amplify-magnify
Disquiet Junto Project 0312: Amplify/Magnify
Explore two ways in which sound is scaled.
Step 1: This week’s project will explore the difference between “amplification” and “magnification.” Consider the two words, what they have in common, and what distinguishes them when applied to sound.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/6/_/uploads/801843/image_track/1685173/w1400_h1400_q70_ptrue_v2_----cropped_1514111699.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ampli-magni-disquiet0312/</feedburner:origLink>
                                    <itunes:duration>132</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1685172</guid>
                                    
                                        <pubDate>Sun, 24 Dec 2017 11:31:52 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-24T11:31:52+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Mist Tide ~Naviarhaiku207~</title>
                                    <description><![CDATA[12 string tide in n out
melodica mist
/~
Seven days to make music in response to Issa’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 27th December 2017
Poem by Kobayashi Issa poetryfoundation.org/poets/kob.../kobayashi-issa
Picture by Dani Aláez unsplash.com/@danialaez]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mist-tide-naviarhaiku207/listen.mp3?s=KzO" length="2901889" />
                                    <link>https://hearthis.at/sevenism/mist-tide-naviarhaiku207/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>1eab761856457ec55a62cfd51ab5bfa0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/1eab761856457ec55a62cfd51ab5bfa0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mist-tide-naviarhaiku207/listen.mp3?s=KzO" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[12 string tide in n out
melodica mist
/~
Seven days to make music in response to Issa’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 27th December 2017
Poem by Kobayashi Issa poetryfoundation.org/poets/kob.../kobayashi-issa
Picture by Dani Aláez unsplash.com/@danialaez]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/6/_/uploads/801843/image_track/1685172/w1400_h1400_q70_ptrue_v2_----cropped_1514111690.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mist-tide-naviarhaiku207/</feedburner:origLink>
                                    <itunes:duration>181</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1691458</guid>
                                    
                                        <pubDate>Thu, 28 Dec 2017 21:38:48 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-28T21:38:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>2017 diary [Disquiet0313]</title>
                                    <description><![CDATA[i chose a track i liked from each month. 10 seconds because most of my music is pretty slow (watch out for october tho).  

temporal pulses (sevenism.bandcamp.com/album/a-rrus-rros)
isointers (sevenism.bandcamp.com/album/y-su-masq)
after (still during)(sevenism.bandcamp.com/album/let-me-be)
in aura (sevenism.bandcamp.com/album/permute)
the clouds they pass slowly (sevenism.bandcamp.com/album/red-blues)
mitzy.(sevenism.bandcamp.com/album/lisalys)
is it peace. (sevenism.bandcamp.com/album/cusp)
shadowed (sevenism.bandcamp.com/album/rhiz)
saccades (sevenism.bandcamp.com/album/saccades)
spider flow (sevenism.bandcamp.com/album/l-...i-f-e-immersion)
southwind industries (sevenism.bandcamp.com/album/inside)
try not to sleep(sevenism.bandcamp.com/album/edgewaste)

............
llllllll.co/t/disquiet-junto-p...io-journal-2017
Disquiet Junto Project 0313: Audio Journal 2017
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/2017-diary-disquiet0313/listen.mp3?s=vli" length="2135770" />
                                    <link>https://hearthis.at/sevenism/2017-diary-disquiet0313/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4725fd00bc3bb214eb81faf60ce1d5e3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream46.hearthis.at/4725fd00bc3bb214eb81faf60ce1d5e3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/2017-diary-disquiet0313/listen.mp3?s=vli" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i chose a track i liked from each month. 10 seconds because most of my music is pretty slow (watch out for october tho).  

temporal pulses (sevenism.bandcamp.com/album/a-rrus-rros)
isointers (sevenism.bandcamp.com/album/y-su-masq)
after (still during)(sevenism.bandcamp.com/album/let-me-be)
in aura (sevenism.bandcamp.com/album/permute)
the clouds they pass slowly (sevenism.bandcamp.com/album/red-blues)
mitzy.(sevenism.bandcamp.com/album/lisalys)
is it peace. (sevenism.bandcamp.com/album/cusp)
shadowed (sevenism.bandcamp.com/album/rhiz)
saccades (sevenism.bandcamp.com/album/saccades)
spider flow (sevenism.bandcamp.com/album/l-...i-f-e-immersion)
southwind industries (sevenism.bandcamp.com/album/inside)
try not to sleep(sevenism.bandcamp.com/album/edgewaste)

............
llllllll.co/t/disquiet-junto-p...io-journal-2017
Disquiet Junto Project 0313: Audio Journal 2017
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/7/9/_/uploads/801843/image_track/1691458/w1400_h1400_q70_ptrue_v2_----cropped_1514493979.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/2017-diary-disquiet0313/</feedburner:origLink>
                                    <itunes:duration>133</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1704728</guid>
                                    
                                        <pubDate>Tue, 02 Jan 2018 19:25:45 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-02T19:25:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>maitaita anla</title>
                                    <description><![CDATA[track made only with this sample: soundcloud.com/ao_onesampledar...-56-sample-file
get involved: ambientonline.org/forum/ambien...-sample-dare-56
..
was making music when this came through so thought i'd do a quick track!
lots of noise reduction, paulstretched into itself, delay. small tonal part selected.
pulled into iris 2 with chorus delay reverb, improvised
paulstretched again
audition - convolution reverb, guitar fuzz, mastering
deeper bass made from the soft moan (denoised) improvised through protoplasm then paulstretched and reverb. levels adjusted in audacity]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/maitaita-anla/listen.mp3?s=4nA" length="6920149" />
                                    <link>https://hearthis.at/sevenism/maitaita-anla/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>73e8bf976679c909ae91ff1dc7507885.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/73e8bf976679c909ae91ff1dc7507885.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/maitaita-anla/listen.mp3?s=4nA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track made only with this sample: soundcloud.com/ao_onesampledar...-56-sample-file
get involved: ambientonline.org/forum/ambien...-sample-dare-56
..
was making music when this came through so thought i'd do a quick track!
lots of noise reduction, paulstretched into itself, delay. small tonal part selected.
pulled into iris 2 with chorus delay reverb, improvised
paulstretched again
audition - convolution reverb, guitar fuzz, mastering
deeper bass made from the soft moan (denoised) improvised through protoplasm then paulstretched and reverb. levels adjusted in audacity]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/4/2/_/uploads/801843/image_track/1704728/w1400_h1400_q70_ptrue_v2_----cropped_1514970025249.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/maitaita-anla/</feedburner:origLink>
                                    <itunes:duration>432</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1704727</guid>
                                    
                                        <pubDate>Tue, 02 Jan 2018 19:42:28 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-02T19:42:28+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>let go, walk away (Naviarhaiku208)</title>
                                    <description><![CDATA[convoluted thunder trombone
.
easier said than done.
/
Seven days to make music in response to Kyoshi’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 3rd January 2018
Poem by Takahama Kyoshi terebess.hu/english/haiku/takahama.html
Picture by Jose Murillo unsplash.com/@jcmu]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/let-go-walk-away-naviarhaiku208/listen.mp3?s=EOu" length="4806947" />
                                    <link>https://hearthis.at/sevenism/let-go-walk-away-naviarhaiku208/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>a130fbd283c2f3d9f1933fea1ee8ebfa.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/a130fbd283c2f3d9f1933fea1ee8ebfa.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/let-go-walk-away-naviarhaiku208/listen.mp3?s=EOu" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[convoluted thunder trombone
.
easier said than done.
/
Seven days to make music in response to Kyoshi’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 3rd January 2018
Poem by Takahama Kyoshi terebess.hu/english/haiku/takahama.html
Picture by Jose Murillo unsplash.com/@jcmu]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/8/5/_/uploads/801843/image_track/1704727/w1400_h1400_q70_ptrue_v2_----cropped_1514970021586.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/let-go-walk-away-naviarhaiku208/</feedburner:origLink>
                                    <itunes:duration>300</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1707342</guid>
                                    
                                        <pubDate>Fri, 05 Jan 2018 00:18:54 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-05T00:18:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ICE2018 .disquiet0314.</title>
                                    <description><![CDATA[llllllll.co/t/disquiet-junto-p...0314-cold-start
Disquiet Junto Project 0314: Cold Start
The Assignment: Record the sound of ice in a glass and make something of it.
O
was thinking about how this ice was from the summer and how distant that feels/how the freezer acts as a pause button/reading michael palin travelling between the poles - on a huge ship through ice/
Recorded some ice cubes rattling in a pint glass
denoised sample
improvised in iris 2
pulled into protoplasm with fx: vinyl, 6 string ambience, sine chorus, echo platter, stero delay
paulstretched a little
mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ice2018-disquiet0314/listen.mp3?s=3jX" length="5800854" />
                                    <link>https://hearthis.at/sevenism/ice2018-disquiet0314/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>e76bec6ba9989cd53dd23a0366f9eb7b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e76bec6ba9989cd53dd23a0366f9eb7b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ice2018-disquiet0314/listen.mp3?s=3jX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/disquiet-junto-p...0314-cold-start
Disquiet Junto Project 0314: Cold Start
The Assignment: Record the sound of ice in a glass and make something of it.
O
was thinking about how this ice was from the summer and how distant that feels/how the freezer acts as a pause button/reading michael palin travelling between the poles - on a huge ship through ice/
Recorded some ice cubes rattling in a pint glass
denoised sample
improvised in iris 2
pulled into protoplasm with fx: vinyl, 6 string ambience, sine chorus, echo platter, stero delay
paulstretched a little
mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/0/8/_/uploads/801843/image_track/1707342/w1400_h1400_q70_ptrue_v2_----cropped_1515145455804.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ice2018-disquiet0314/</feedburner:origLink>
                                    <itunes:duration>362</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1713292</guid>
                                    
                                        <pubDate>Sat, 06 Jan 2018 19:56:22 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-06T19:56:22+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Warbler Field Naviarhaiku209</title>
                                    <description><![CDATA[warbler flute
paulstretched pitched down field
/
According to the Buddhist Dictionary, Taigo is remembered for “the depth of his enlightenment that manifested in the spirit of acceptance and equality that he showed to all, from officials to prostitutes. He played with children, composed poetry in praise of nature, was renowned for his calligraphy, lived in extreme simplicity, and showed love for all living things to the extent of placing lice under his robes to keep them warm, allowing thieves to take freely from his possessions, and letting one leg protrude from his mosquito net at night to give the mosquitos food.“
Seven days to make music in response to Taigo’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 10th January 2018
Poem by Ryōkan Taigu terebess.hu/english/haiku/ryokan.html
Picture by Alok Shenoy unsplash.com/@koyanloshe
#naviar #haiku #micropoetry #poetry #ambient music #short poem]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/warbler-field-naviarhaiku209/listen.mp3?s=wPe" length="2057612" />
                                    <link>https://hearthis.at/sevenism/warbler-field-naviarhaiku209/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>727e4abf0e361b54eb8badfc5f54687a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/727e4abf0e361b54eb8badfc5f54687a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/warbler-field-naviarhaiku209/listen.mp3?s=wPe" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[warbler flute
paulstretched pitched down field
/
According to the Buddhist Dictionary, Taigo is remembered for “the depth of his enlightenment that manifested in the spirit of acceptance and equality that he showed to all, from officials to prostitutes. He played with children, composed poetry in praise of nature, was renowned for his calligraphy, lived in extreme simplicity, and showed love for all living things to the extent of placing lice under his robes to keep them warm, allowing thieves to take freely from his possessions, and letting one leg protrude from his mosquito net at night to give the mosquitos food.“
Seven days to make music in response to Taigo’s poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 10th January 2018
Poem by Ryōkan Taigu terebess.hu/english/haiku/ryokan.html
Picture by Alok Shenoy unsplash.com/@koyanloshe
#naviar #haiku #micropoetry #poetry #ambient music #short poem]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/9/8/_/uploads/801843/image_track/1713292/w1400_h1400_q70_ptrue_v2_----cropped_1515422065894.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/warbler-field-naviarhaiku209/</feedburner:origLink>
                                    <itunes:duration>128</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1720867</guid>
                                    
                                        <pubDate>Fri, 12 Jan 2018 17:26:11 +0100</pubDate>
                                        
                                        <atom:updated>2018-01-12T17:26:11+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Winter Light ^Naviarhaiku210^</title>
                                    <description><![CDATA[deep buddha tones
crisp light particles
hill peaks and troughs
.
iris2/audacity/audition
.
Daughter of Takahama Kyoshi, Tatsuko Hoshino was a haiku poet of the Shōwa period (1926-1989), as well as columnist and haiku selector for the Japanese newspaper Asahi Shimbun. She is also placed as one of the “4 Ts” of Japanese female haiku poets, the other three being Mitsuhashi Takajo, Nakamura Teijo, and Hashimoto Takako.
Seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 17th January 2018
Poem by Tatsuko Hoshino wkdhaikutopics.blogspot.co.uk/...no-tsubaki.html
Picture by Jonathan Knepper unsplash.com/@jknepp
#Naviarhaiku #haiku #poetry #micropoetry #ambient music]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/winter-light-naviarhaiku210/listen.mp3?s=tfK" length="4039574" />
                                    <link>https://hearthis.at/sevenism/winter-light-naviarhaiku210/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d5d9651c39e90056dc90efbcbbfc7d6c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d5d9651c39e90056dc90efbcbbfc7d6c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/winter-light-naviarhaiku210/listen.mp3?s=tfK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[deep buddha tones
crisp light particles
hill peaks and troughs
.
iris2/audacity/audition
.
Daughter of Takahama Kyoshi, Tatsuko Hoshino was a haiku poet of the Shōwa period (1926-1989), as well as columnist and haiku selector for the Japanese newspaper Asahi Shimbun. She is also placed as one of the “4 Ts” of Japanese female haiku poets, the other three being Mitsuhashi Takajo, Nakamura Teijo, and Hashimoto Takako.
Seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
Deadline: 17th January 2018
Poem by Tatsuko Hoshino wkdhaikutopics.blogspot.co.uk/...no-tsubaki.html
Picture by Jonathan Knepper unsplash.com/@jknepp
#Naviarhaiku #haiku #poetry #micropoetry #ambient music]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/9/3/_/uploads/801843/image_track/1720867/w1400_h1400_q70_ptrue_v2_----cropped_1515852375391.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/winter-light-naviarhaiku210/</feedburner:origLink>
                                    <itunes:duration>252</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1660229</guid>
                                    
                                        <pubDate>Mon, 04 Dec 2017 13:48:26 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-04T13:48:26+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nderr</title>
                                    <description><![CDATA[ambientonline.org/forum/ambien...re-challenge-55
track made only with this sample:
soundcloud.com/lotka_volterra/...ao-osd55-sample

sample played with through iris 2 demo
aggressive noise reduction to leave tonal elements
track 2 improvised in iris 2
levels adjusted and mastered in audition
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nderr/listen.mp3?s=7s9" length="4841220" />
                                    <link>https://hearthis.at/sevenism/nderr/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>70219c7ac0a09cea0ecbe00700f625e2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/70219c7ac0a09cea0ecbe00700f625e2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nderr/listen.mp3?s=7s9" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/ambien...re-challenge-55
track made only with this sample:
soundcloud.com/lotka_volterra/...ao-osd55-sample

sample played with through iris 2 demo
aggressive noise reduction to leave tonal elements
track 2 improvised in iris 2
levels adjusted and mastered in audition
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/1/_/uploads/801843/image_track/1660229/w1400_h1400_q70_ptrue_v2_----cropped_1512423198.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nderr/</feedburner:origLink>
                                    <itunes:duration>302</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1665105</guid>
                                    
                                        <pubDate>Fri, 08 Dec 2017 21:20:35 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-08T21:20:35+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>half-heard, whispered ||disquiet0310||</title>
                                    <description><![CDATA[my favourite sounds are pretty mutable. today i heard strange beautiful distorted music, for a moment i thought it was coming from next door but then realized it was from the pipes - i'd just turned the heating on. it made a surprisingly melodic complex tune.
playing back the recording it seemed less than what i'd perceived in the initial surprise. the first half of the track represents the hiddeness   of the sound (iris 2, paulstretch). the second half represents the more subjective tuneful nature (protoplasm, podfarm fx)
re-creation has that subjective element even when the source material is a sample of occurence.
Disquiet Junto Project 0310: From Memory
Recall — and then recreate — a favorite sound.
llllllll.co/t/disquiet-junto-p...310-from-memory]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/half-heard-whispered-disquiet0310/listen.mp3?s=BkN" length="4987088" />
                                    <link>https://hearthis.at/sevenism/half-heard-whispered-disquiet0310/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>d4a286bf2841ce7477119ddd950e7997.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/d4a286bf2841ce7477119ddd950e7997.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/half-heard-whispered-disquiet0310/listen.mp3?s=BkN" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my favourite sounds are pretty mutable. today i heard strange beautiful distorted music, for a moment i thought it was coming from next door but then realized it was from the pipes - i'd just turned the heating on. it made a surprisingly melodic complex tune.
playing back the recording it seemed less than what i'd perceived in the initial surprise. the first half of the track represents the hiddeness   of the sound (iris 2, paulstretch). the second half represents the more subjective tuneful nature (protoplasm, podfarm fx)
re-creation has that subjective element even when the source material is a sample of occurence.
Disquiet Junto Project 0310: From Memory
Recall — and then recreate — a favorite sound.
llllllll.co/t/disquiet-junto-p...310-from-memory]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/7/_/uploads/801843/image_track/1665105/w1400_h1400_q70_ptrue_v2_----cropped_1512764707.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/half-heard-whispered-disquiet0310/</feedburner:origLink>
                                    <itunes:duration>311</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1656130</guid>
                                    
                                        <pubDate>Fri, 01 Dec 2017 13:59:21 +0100</pubDate>
                                        
                                        <atom:updated>2017-12-01T13:59:21+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>signal to noise -disquiet0309-</title>
                                    <description><![CDATA[went from high signal strength to high readability
focus, clarity --> power, bass, noise
harmonica sample and guitar fx
.
Disquiet Junto Project 0309: Military Matrix Mixer
Mix music according to a military standard for relative message clarity.
Step 1: Familiarize yourself with the concept of “five by five,” in which five “readability” levels and five “signal strength” levels are aligned in a matrix. Messages are rated from 1 to 5 in readability (unreadable, readable now and then, readable but with difficulty, readable, perfectly readable) and from 1 to 5 in signal strength (scarcely perceptible, weak, fairly good, good, very good).]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/signal-to-noise-disquiet0309-/listen.mp3?s=xyw" length="2985481" />
                                    <link>https://hearthis.at/sevenism/signal-to-noise-disquiet0309-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>aab5d389aa748c9519ed0c76a4f8a2cb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream69.hearthis.at/aab5d389aa748c9519ed0c76a4f8a2cb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/signal-to-noise-disquiet0309-/listen.mp3?s=xyw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[went from high signal strength to high readability
focus, clarity --> power, bass, noise
harmonica sample and guitar fx
.
Disquiet Junto Project 0309: Military Matrix Mixer
Mix music according to a military standard for relative message clarity.
Step 1: Familiarize yourself with the concept of “five by five,” in which five “readability” levels and five “signal strength” levels are aligned in a matrix. Messages are rated from 1 to 5 in readability (unreadable, readable now and then, readable but with difficulty, readable, perfectly readable) and from 1 to 5 in signal strength (scarcely perceptible, weak, fairly good, good, very good).]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/801843/image_track/1656130/w1400_h1400_q70_ptrue_v2_----cropped_1512155927.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/signal-to-noise-disquiet0309-/</feedburner:origLink>
                                    <itunes:duration>186</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1654066</guid>
                                    
                                        <pubDate>Thu, 30 Nov 2017 14:32:56 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-30T14:32:56+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>syndicated love (Naviarhaiku204)</title>
                                    <description><![CDATA[flute samples thru guitar fx
..
the pear blossoming…
after  the battle this
ruined  house
(nashi saku ya
ikusa no ato no
kuzure ie)
Shiki is at the same time the last of the Great Masters of Haiku and the first poet of modern haiku. He was the first to use the word “haiku”, therefore separating it once and for all from the renga: before then, the “hokku” was simply the opening stanza of this Japanese collaborative linked poem.
Shiki was seriously ill with spinal tuberculosis for most of his life: this had a strong impact on his works as much of his poetry concerns the minutiae of sick-room life.
During his time in China as a war correspondent, Shiki wrote a battlefield haiku, which we’ll use this week for our music challenge.
Make music in response to Shiki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 6th December 2017
Poem by Masaoka Shiki en.wikipedia.org/wiki/Masaoka_Shiki
Picture by Elias Schupmann unsplash.com/@2epg2]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/syndicated-love-naviarhaiku204/listen.mp3?s=ocq" length="4625553" />
                                    <link>https://hearthis.at/sevenism/syndicated-love-naviarhaiku204/</link>
                                    <thr:total>0</thr:total>
                                    <hq>70</hq>
                                    <hq_filename>2ab582fd285e2782f498c26edf8f2771.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/2ab582fd285e2782f498c26edf8f2771.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/syndicated-love-naviarhaiku204/listen.mp3?s=ocq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[flute samples thru guitar fx
..
the pear blossoming…
after  the battle this
ruined  house
(nashi saku ya
ikusa no ato no
kuzure ie)
Shiki is at the same time the last of the Great Masters of Haiku and the first poet of modern haiku. He was the first to use the word “haiku”, therefore separating it once and for all from the renga: before then, the “hokku” was simply the opening stanza of this Japanese collaborative linked poem.
Shiki was seriously ill with spinal tuberculosis for most of his life: this had a strong impact on his works as much of his poetry concerns the minutiae of sick-room life.
During his time in China as a war correspondent, Shiki wrote a battlefield haiku, which we’ll use this week for our music challenge.
Make music in response to Shiki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline: 6th December 2017
Poem by Masaoka Shiki en.wikipedia.org/wiki/Masaoka_Shiki
Picture by Elias Schupmann unsplash.com/@2epg2]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/4/8/_/uploads/801843/image_track/1654066/w1400_h1400_q70_ptrue_v2_----cropped_1512049843.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/syndicated-love-naviarhaiku204/</feedburner:origLink>
                                    <itunes:duration>289</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1649880</guid>
                                    
                                        <pubDate>Sun, 26 Nov 2017 13:09:56 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-26T13:09:56+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>gratitude (for k) disquiet0308</title>
                                    <description><![CDATA[for my partner kayleigh
for putting up with my stress rage and snapping
melodica and ukelele samples
.
Disquiet Junto Project 0308: Giving Thanks
Write a short piece of music for a person or thing you're thankful for.
llllllll.co/t/disquiet-junto-p...8-giving-thanks]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/gratitude-for-k-disquiet0308/listen.mp3?s=Dm4" length="3220374" />
                                    <link>https://hearthis.at/sevenism/gratitude-for-k-disquiet0308/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>901d2d53605a0562447ee9c3eebf8cfc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/901d2d53605a0562447ee9c3eebf8cfc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/gratitude-for-k-disquiet0308/listen.mp3?s=Dm4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[for my partner kayleigh
for putting up with my stress rage and snapping
melodica and ukelele samples
.
Disquiet Junto Project 0308: Giving Thanks
Write a short piece of music for a person or thing you're thankful for.
llllllll.co/t/disquiet-junto-p...8-giving-thanks]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/5/_/uploads/801843/image_track/1649880/w1400_h1400_q70_ptrue_v2_----cropped_1511772537.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/gratitude-for-k-disquiet0308/</feedburner:origLink>
                                    <itunes:duration>201</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1649881</guid>
                                    
                                        <pubDate>Sun, 26 Nov 2017 12:15:14 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-26T12:15:14+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>swaying tree / beating wings / Naviarhaiku203</title>
                                    <description><![CDATA[bass clarinet trees, 12 string heron, cello breeze
heron oscillating into focus
.
Shuson Kato was, together with Ishida Hakyo and Nakamura Kusatao, a member of the “Human Exploration School”, identified in the popular mind as poets who explored ‘how human beings should live’.
Initially Kato despised haiku and was more interested in the 31-syllable tanka. However, while working in a high school he met a famous haiku poet, Shuoshi Mizuhara, who became his lifelong teacher. 
Seven days to make music inspired by Kato’s poem. Find out more and participate at naviarrecords.com/about/naviar-haiku
Deadline: 29th November 2017
Poem by Shuson Kato independent.co.uk/news/people/...to-1483946.html
Picture by Fabrizio Conti unsplash.com/@staticlaw]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/swaying-tree-beating-wings-naviarhaiku203/listen.mp3?s=KCq" length="9865507" />
                                    <link>https://hearthis.at/sevenism/swaying-tree-beating-wings-naviarhaiku203/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>04e98640f4a125a7f95ff180a5a0d345.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/04e98640f4a125a7f95ff180a5a0d345.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/swaying-tree-beating-wings-naviarhaiku203/listen.mp3?s=KCq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[bass clarinet trees, 12 string heron, cello breeze
heron oscillating into focus
.
Shuson Kato was, together with Ishida Hakyo and Nakamura Kusatao, a member of the “Human Exploration School”, identified in the popular mind as poets who explored ‘how human beings should live’.
Initially Kato despised haiku and was more interested in the 31-syllable tanka. However, while working in a high school he met a famous haiku poet, Shuoshi Mizuhara, who became his lifelong teacher. 
Seven days to make music inspired by Kato’s poem. Find out more and participate at naviarrecords.com/about/naviar-haiku
Deadline: 29th November 2017
Poem by Shuson Kato independent.co.uk/news/people/...to-1483946.html
Picture by Fabrizio Conti unsplash.com/@staticlaw]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/3/6/_/uploads/801843/image_track/1649881/w1400_h1400_q70_ptrue_v2_----cropped_1511776636.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/swaying-tree-beating-wings-naviarhaiku203/</feedburner:origLink>
                                    <itunes:duration>616</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1627654</guid>
                                    
                                        <pubDate>Sat, 11 Nov 2017 14:41:54 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-11T14:41:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>walk /disquiet0306</title>
                                    <description><![CDATA[had a molar out a couple of days ago.
quite an effort getting anywhere
this is my journey upstairs!
i recorded the walk on my phone .
i had my fave phone synth running (kosmische) - slow tooth-drilly patch
must admit i did a little in post. when i record on my phone anything emanating from the phone only gets recorded in the left channel. so in audacity i stereofied it with haas.
/
Disquiet Junto Project 0306: Music in Motion
Record a piece of music while en route somewhere
llllllll.co/t/disquiet-junto-p...music-in-motion
Step 1: You’ll be making a piece of music while en route somewhere. Consider what instrument(s) and recording equipment you can easily carry.
Step 2: Plot a short trip — maybe a bus or train ride, maybe you’re in the back seat while someone else drives, maybe you’re driving and you record yourself singing.
Step 3: Compose and record a short piece of music with the equipment from Step 1 while on the route you decided upon in Step 2. Only use that equipment, and finish the piece while you’re still on the road.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/walk-disquiet0306/listen.mp3?s=IkO" length="1506741" />
                                    <link>https://hearthis.at/sevenism/walk-disquiet0306/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>965fcfcdc6193a31c30e41899ec2bf6b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/965fcfcdc6193a31c30e41899ec2bf6b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/walk-disquiet0306/listen.mp3?s=IkO" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[had a molar out a couple of days ago.
quite an effort getting anywhere
this is my journey upstairs!
i recorded the walk on my phone .
i had my fave phone synth running (kosmische) - slow tooth-drilly patch
must admit i did a little in post. when i record on my phone anything emanating from the phone only gets recorded in the left channel. so in audacity i stereofied it with haas.
/
Disquiet Junto Project 0306: Music in Motion
Record a piece of music while en route somewhere
llllllll.co/t/disquiet-junto-p...music-in-motion
Step 1: You’ll be making a piece of music while en route somewhere. Consider what instrument(s) and recording equipment you can easily carry.
Step 2: Plot a short trip — maybe a bus or train ride, maybe you’re in the back seat while someone else drives, maybe you’re driving and you record yourself singing.
Step 3: Compose and record a short piece of music with the equipment from Step 1 while on the route you decided upon in Step 2. Only use that equipment, and finish the piece while you’re still on the road.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/0/_/uploads/801843/image_track/1627654/w1400_h1400_q70_ptrue_v2_----cropped_1510409015.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/walk-disquiet0306/</feedburner:origLink>
                                    <itunes:duration>94</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1636278</guid>
                                    
                                        <pubDate>Fri, 17 Nov 2017 13:59:15 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-17T13:59:15+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>instant infinity |disquiet0307|</title>
                                    <description><![CDATA[i lobbed some random cello, bass clarinet, guitar samples into protoplasm and pressed the lazy button. then played any old shit on my pc keyboard.
then paulstretched it til it sounded intentional.
ignored the black white stuff; that didnt appeal to me at all.
that's pretty much an amplification of how i work anyway. i think experimental stuff is quite close to the spirit of punk, of doing something different, subversive, reactionary but without the desperate need to be cool or (ironically) that thatcherite individualism
also there's that element of feeling free and in the moment, and of course not bothering to learn any instruments, that appeals to me.
..............................................................................
llllllll.co/t/disquiet-junto-p...d-punk-all-over
Step 1: Think about what “punk” means to you. The word has mutated over time, and can embody something as specific as instrumentation and recording, and as broad as a spirit, an approach, a philosophy. It’s both a source of inspiration and a nexus of conflicted debate. Keep your sense of punk in mind as you follow the remaining steps.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/instant-infinity-disquiet0307/listen.mp3?s=42B" length="4821994" />
                                    <link>https://hearthis.at/sevenism/instant-infinity-disquiet0307/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>6a1da365c6dfd54e1484eacedd9a6187.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/6a1da365c6dfd54e1484eacedd9a6187.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/instant-infinity-disquiet0307/listen.mp3?s=42B" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i lobbed some random cello, bass clarinet, guitar samples into protoplasm and pressed the lazy button. then played any old shit on my pc keyboard.
then paulstretched it til it sounded intentional.
ignored the black white stuff; that didnt appeal to me at all.
that's pretty much an amplification of how i work anyway. i think experimental stuff is quite close to the spirit of punk, of doing something different, subversive, reactionary but without the desperate need to be cool or (ironically) that thatcherite individualism
also there's that element of feeling free and in the moment, and of course not bothering to learn any instruments, that appeals to me.
..............................................................................
llllllll.co/t/disquiet-junto-p...d-punk-all-over
Step 1: Think about what “punk” means to you. The word has mutated over time, and can embody something as specific as instrumentation and recording, and as broad as a spirit, an approach, a philosophy. It’s both a source of inspiration and a nexus of conflicted debate. Keep your sense of punk in mind as you follow the remaining steps.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/5/_/uploads/801843/image_track/1636278/w1400_h1400_q70_ptrue_v2_----cropped_1510925590.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/instant-infinity-disquiet0307/</feedburner:origLink>
                                    <itunes:duration>301</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1636279</guid>
                                    
                                        <pubDate>Fri, 17 Nov 2017 13:04:41 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-17T13:04:41+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>wind, alone ~~Naviarhaiku202</title>
                                    <description><![CDATA[played on my electric piano with this in mind. mostly evoked by wind and loneliness.
duplicated a layer and blurred it into itself with paulstretch and delay.
stereo echo and mastering in audition
i tried to find a word for sea wind but couldnt find any middle ground between sea-breeze and typhoon
~
Seven days to make music inspired by Santoka’s poem. Find out more and participate at naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/wind-alone-naviarhaiku202/listen.mp3?s=0ZL" length="3845223" />
                                    <link>https://hearthis.at/sevenism/wind-alone-naviarhaiku202/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>8746a930d2206c2f6f8dc1aa8645a76b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8746a930d2206c2f6f8dc1aa8645a76b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/wind-alone-naviarhaiku202/listen.mp3?s=0ZL" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[played on my electric piano with this in mind. mostly evoked by wind and loneliness.
duplicated a layer and blurred it into itself with paulstretch and delay.
stereo echo and mastering in audition
i tried to find a word for sea wind but couldnt find any middle ground between sea-breeze and typhoon
~
Seven days to make music inspired by Santoka’s poem. Find out more and participate at naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/5/_/uploads/801843/image_track/1636279/w1400_h1400_q70_ptrue_v2_----cropped_1510925595.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/wind-alone-naviarhaiku202/</feedburner:origLink>
                                    <itunes:duration>240</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1610306</guid>
                                    
                                        <pubDate>Mon, 30 Oct 2017 13:35:03 +0100</pubDate>
                                        
                                        <atom:updated>2017-10-30T13:35:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Glenn Sogge + sevenism - house of a thousand tales</title>
                                    <description><![CDATA[parallel contiguous narrative
this is a remix/collab of soundcloud.com/glenn-sogge/col...-thousand-tales]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/glenn-sogge-sevenism-house-of-a-thousand-tales/listen.mp3?s=ETe" length="19862255" />
                                    <link>https://hearthis.at/sevenism/glenn-sogge-sevenism-house-of-a-thousand-tales/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>ef7d1e1047aeab4a2721d0e2496cab77.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/ef7d1e1047aeab4a2721d0e2496cab77.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/glenn-sogge-sevenism-house-of-a-thousand-tales/listen.mp3?s=ETe" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[parallel contiguous narrative
this is a remix/collab of soundcloud.com/glenn-sogge/col...-thousand-tales]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/5/_/uploads/801843/image_track/1610306/w1400_h1400_q70_ptrue_v2_----cropped_1509380506.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/glenn-sogge-sevenism-house-of-a-thousand-tales/</feedburner:origLink>
                                    <itunes:duration>1241</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1616622</guid>
                                    
                                        <pubDate>Fri, 03 Nov 2017 19:08:28 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-03T19:08:28+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>komala  poson “disquiet0305”</title>
                                    <description><![CDATA[-i chose 3 songs quasi randomly - scrolling up and down through the list very quickly then stopping (Komala_Papa_Mukulu_Papa_Ape_Langata_Enna_Ko / Poson_Dine / Surathal_Ranwan_Samanalayo) didnt listen to them
-pulled them into audacity and saved a section from each of ~2.5, 5, and 6 seconds long - again i didnt listen to these samples
-looped in protoplasm with automation on various echo reverb fx
-first i heard was when i hit play and record. cleaned up with a bit of mastering in audition!
...
Disquiet Junto Project 0305: Three Princes
Explore chance by exploring the roots of the word “serendipity.”
llllllll.co/t/disquiet-junto-p...5-three-princes
Step 1: The word “serendipity” has an interesting origin. Its coinage is credited to Horace Walpole, who apparently made it up based on a Persian fairy tale, “The Three Princes of Serendip.” In turn, “Serendip” is itself a Persian word for another place entirely, Sri Lanka, or Ceylon. To explore the nature of serendipity, we’re going to apply randomness to samples of Ceylonese music.
Step 2: Choose three tracks — one for each prince in the fairy tale — from this collection of music from Ceylon:
goo.gl/szUFd2
Photo associated with this project is a stereo image of a Ceylon sunset, courtesy of the Tekniska museet account on Flickr, thanks to a Creative commons license:
flic.kr/p/emto4p]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/komala-poson-disquiet0305/listen.mp3?s=XdJ" length="3321938" />
                                    <link>https://hearthis.at/sevenism/komala-poson-disquiet0305/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4b9704f6c9487859acad92c7c93ce5ad.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/4b9704f6c9487859acad92c7c93ce5ad.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/komala-poson-disquiet0305/listen.mp3?s=XdJ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[-i chose 3 songs quasi randomly - scrolling up and down through the list very quickly then stopping (Komala_Papa_Mukulu_Papa_Ape_Langata_Enna_Ko / Poson_Dine / Surathal_Ranwan_Samanalayo) didnt listen to them
-pulled them into audacity and saved a section from each of ~2.5, 5, and 6 seconds long - again i didnt listen to these samples
-looped in protoplasm with automation on various echo reverb fx
-first i heard was when i hit play and record. cleaned up with a bit of mastering in audition!
...
Disquiet Junto Project 0305: Three Princes
Explore chance by exploring the roots of the word “serendipity.”
llllllll.co/t/disquiet-junto-p...5-three-princes
Step 1: The word “serendipity” has an interesting origin. Its coinage is credited to Horace Walpole, who apparently made it up based on a Persian fairy tale, “The Three Princes of Serendip.” In turn, “Serendip” is itself a Persian word for another place entirely, Sri Lanka, or Ceylon. To explore the nature of serendipity, we’re going to apply randomness to samples of Ceylonese music.
Step 2: Choose three tracks — one for each prince in the fairy tale — from this collection of music from Ceylon:
goo.gl/szUFd2
Photo associated with this project is a stereo image of a Ceylon sunset, courtesy of the Tekniska museet account on Flickr, thanks to a Creative commons license:
flic.kr/p/emto4p]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/0/_/uploads/801843/image_track/1616622/w1400_h1400_q70_ptrue_v2_----cropped_1509737055.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/komala-poson-disquiet0305/</feedburner:origLink>
                                    <itunes:duration>207</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1618093</guid>
                                    
                                        <pubDate>Sat, 04 Nov 2017 22:18:43 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-04T22:18:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>and drive and (Naviarhaiku200)</title>
                                    <description><![CDATA[congrats on 200 projects marco!!
this is a sound i've used a lot for naviar: rolling, detuned, resynthesized melodica. i wouldnt have developed the sound without this project.
just keep going

Seven days to make music inspired by Meg’s poem: more info at: naviarrecords.com/about/naviar-haiku
Deadline: 8th November 2017
Haiku by Haiku Lizard haikulizard.tumblr.com
Picture by A. L. unsplash.com/@overdriv3]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/and-drive-and-naviarhaiku200/listen.mp3?s=jeq" length="6844080" />
                                    <link>https://hearthis.at/sevenism/and-drive-and-naviarhaiku200/</link>
                                    <thr:total>0</thr:total>
                                    <hq>42</hq>
                                    <hq_filename>3b4d0512496139fd2e21ee2d595ab67b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3b4d0512496139fd2e21ee2d595ab67b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/and-drive-and-naviarhaiku200/listen.mp3?s=jeq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[congrats on 200 projects marco!!
this is a sound i've used a lot for naviar: rolling, detuned, resynthesized melodica. i wouldnt have developed the sound without this project.
just keep going

Seven days to make music inspired by Meg’s poem: more info at: naviarrecords.com/about/naviar-haiku
Deadline: 8th November 2017
Haiku by Haiku Lizard haikulizard.tumblr.com
Picture by A. L. unsplash.com/@overdriv3]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/9/5/_/uploads/801843/image_track/1618093/w1400_h1400_q70_ptrue_v2_----cropped_1509830592.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/and-drive-and-naviarhaiku200/</feedburner:origLink>
                                    <itunes:duration>427</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1627615</guid>
                                    
                                        <pubDate>Fri, 10 Nov 2017 19:45:21 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-10T19:45:21+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>motionlessness (naviarhaiku201)</title>
                                    <description><![CDATA[guitar / synth samples thru iris2 and podfarm
.
in the calm stillness
after the rainstorm:
flies.
.
Seven days to make music inspired by Santoka’s poem: more info at: naviarrecords.com/about/naviar-haiku
Deadline: 15th November 2017
Poem by Taneda Santōka terebess.hu/english/haiku/taneda.html
Picture by Micah Hallahan unsplash.com/@micah_hallahan]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/motionlessness-naviarhaiku201/listen.mp3?s=ah4" length="4949889" />
                                    <link>https://hearthis.at/sevenism/motionlessness-naviarhaiku201/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>de5e1ddf3be82df9278a013faa797bb5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/de5e1ddf3be82df9278a013faa797bb5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/motionlessness-naviarhaiku201/listen.mp3?s=ah4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[guitar / synth samples thru iris2 and podfarm
.
in the calm stillness
after the rainstorm:
flies.
.
Seven days to make music inspired by Santoka’s poem: more info at: naviarrecords.com/about/naviar-haiku
Deadline: 15th November 2017
Poem by Taneda Santōka terebess.hu/english/haiku/taneda.html
Picture by Micah Hallahan unsplash.com/@micah_hallahan]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/6/_/uploads/801843/image_track/1627615/w1400_h1400_q70_ptrue_v2_----cropped_1510405673.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/motionlessness-naviarhaiku201/</feedburner:origLink>
                                    <itunes:duration>309</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1627614</guid>
                                    
                                        <pubDate>Sat, 11 Nov 2017 14:06:49 +0100</pubDate>
                                        
                                        <atom:updated>2017-11-11T14:06:49+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lulle</title>
                                    <description><![CDATA[ambientonline.org/forum/ambien...re-challenge-54
1/ sample run through proroplasm 3 octaves
2/ sample thru protoplasm, podfarm (echoes, delay), ambience .1, 6string ambience
3/ portions of track 2 improvised thru protoplasm
4/ portion of track 2 run thru the mangle - pitch played with in minor key, paulstretched x2.
5/ track 2 played thru iris2 for the ambient bit at the end
6/ mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lulle/listen.mp3?s=LUA" length="3385050" />
                                    <link>https://hearthis.at/sevenism/lulle/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>1409c1d97d18d3c58fd9278fc19042bf.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/1409c1d97d18d3c58fd9278fc19042bf.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lulle/listen.mp3?s=LUA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/ambien...re-challenge-54
1/ sample run through proroplasm 3 octaves
2/ sample thru protoplasm, podfarm (echoes, delay), ambience .1, 6string ambience
3/ portions of track 2 improvised thru protoplasm
4/ portion of track 2 run thru the mangle - pitch played with in minor key, paulstretched x2.
5/ track 2 played thru iris2 for the ambient bit at the end
6/ mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/6/_/uploads/801843/image_track/1627614/w1400_h1400_q70_ptrue_v2_----cropped_1510405669.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lulle/</feedburner:origLink>
                                    <itunes:duration>211</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1607288</guid>
                                    
                                        <pubDate>Fri, 27 Oct 2017 18:52:51 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-27T18:52:51+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ruche populaire ⬡disquiet0304⬡</title>
                                    <description><![CDATA[at the weekend we were trying to find my uncle's house and i remarked that we would've found it easier if told it was near the houses that looked like beehives.
i didnt know that hives referred to manmade structures - bees make nests.
i thought about honeycomb structure before on this album: sevenism.bandcamp.com/album/heavy-air
here, i wanted to tessellate hexagons of notes (but all that means is i played 2 notes at 3 simultaneous octaves). i used a sample of bees inside a hive (freesound.org/people/pillonois...e/sounds/353199) and tried to make it musical with lots of fx.
⬡⬡⬡⬡⬡⬡
llllllll.co/t/disquiet-junto-p...-0304-lets-buzz
Disquiet Junto Project 0304: Let’s Buzz
Create a piece of music by thinking of the structure of a bee hive.
Step 1: Consider the bee hive. Think about its structure, the activity it contains, how the hive lends form to that activity and how the activity contributes to the hive’s form.
Step 2: Create a piece of music that is based on the structure of the bee hive.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ruche-populaire-disquiet0304/listen.mp3?s=fNv" length="3117138" />
                                    <link>https://hearthis.at/sevenism/ruche-populaire-disquiet0304/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>8be3d5b7bf448577e7454102366455f3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8be3d5b7bf448577e7454102366455f3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ruche-populaire-disquiet0304/listen.mp3?s=fNv" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[at the weekend we were trying to find my uncle's house and i remarked that we would've found it easier if told it was near the houses that looked like beehives.
i didnt know that hives referred to manmade structures - bees make nests.
i thought about honeycomb structure before on this album: sevenism.bandcamp.com/album/heavy-air
here, i wanted to tessellate hexagons of notes (but all that means is i played 2 notes at 3 simultaneous octaves). i used a sample of bees inside a hive (freesound.org/people/pillonois...e/sounds/353199) and tried to make it musical with lots of fx.
⬡⬡⬡⬡⬡⬡
llllllll.co/t/disquiet-junto-p...-0304-lets-buzz
Disquiet Junto Project 0304: Let’s Buzz
Create a piece of music by thinking of the structure of a bee hive.
Step 1: Consider the bee hive. Think about its structure, the activity it contains, how the hive lends form to that activity and how the activity contributes to the hive’s form.
Step 2: Create a piece of music that is based on the structure of the bee hive.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/7/2/_/uploads/801843/image_track/1607288/w1400_h1400_q70_ptrue_v2_----cropped_1509188274.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ruche-populaire-disquiet0304/</feedburner:origLink>
                                    <itunes:duration>194</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1607289</guid>
                                    
                                        <pubDate>Thu, 26 Oct 2017 22:52:49 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-26T22:52:49+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sazanka |Naviarhaiku199|</title>
                                    <description><![CDATA[unfurls
vocal howls/fx
podfarm//audacity//live//audition
.
Reginald Horace Blyth is mostly known for his work as a populariser of Japanese culture outside Japan: many contemporary Western writers of haiku were introduced to the genre thanks his series of work on Zen, haiku & senryu poetry. Only two of Blyth’s own haiku are actually known, and today’s assignment is one of them. 
Seven days to make music in response to Blyth’s haiku: to find out more and participate, visit naviarrecords.com/about/naviar-haiku
Deadline:  1st November 2017
Haiku by Reginald Horace Blyth gardendigest.com/zen/blyth.htm
Picture by Josh Calabrese unsplash.com/@jaycalabresephotography]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sazanka-naviarhaiku199/listen.mp3?s=C37" length="4719176" />
                                    <link>https://hearthis.at/sevenism/sazanka-naviarhaiku199/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>cf241c46d75f94863fd1ae5e638b7a44.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/cf241c46d75f94863fd1ae5e638b7a44.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sazanka-naviarhaiku199/listen.mp3?s=C37" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[unfurls
vocal howls/fx
podfarm//audacity//live//audition
.
Reginald Horace Blyth is mostly known for his work as a populariser of Japanese culture outside Japan: many contemporary Western writers of haiku were introduced to the genre thanks his series of work on Zen, haiku & senryu poetry. Only two of Blyth’s own haiku are actually known, and today’s assignment is one of them. 
Seven days to make music in response to Blyth’s haiku: to find out more and participate, visit naviarrecords.com/about/naviar-haiku
Deadline:  1st November 2017
Haiku by Reginald Horace Blyth gardendigest.com/zen/blyth.htm
Picture by Josh Calabrese unsplash.com/@jaycalabresephotography]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/8/2/_/uploads/801843/image_track/1607289/w1400_h1400_q70_ptrue_v2_----cropped_1509188281.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sazanka-naviarhaiku199/</feedburner:origLink>
                                    <itunes:duration>294</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1585209</guid>
                                    
                                        <pubDate>Thu, 12 Oct 2017 23:58:39 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-12T23:58:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nightfall (disquiet0302)</title>
                                    <description><![CDATA[i thought: piano dirge. i thought : i really dislike the word gronkytonk.
found an old solo piano track put through the mangle and guitar fx.. detuned and lots of delays.
/
Disquiet Junto Project 0302: Gronkytonk
Record a single in the genre introduced in Malka Older’s novel Infomacracy.
llllllll.co/t/disquiet-junto-p...0302-gronkytonk]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nightfall-disquiet0302/listen.mp3?s=gWl" length="5727711" />
                                    <link>https://hearthis.at/sevenism/nightfall-disquiet0302/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>3db552e80f1d83a99a0b4ad0c7da1016.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3db552e80f1d83a99a0b4ad0c7da1016.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nightfall-disquiet0302/listen.mp3?s=gWl" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i thought: piano dirge. i thought : i really dislike the word gronkytonk.
found an old solo piano track put through the mangle and guitar fx.. detuned and lots of delays.
/
Disquiet Junto Project 0302: Gronkytonk
Record a single in the genre introduced in Malka Older’s novel Infomacracy.
llllllll.co/t/disquiet-junto-p...0302-gronkytonk]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/7/0/_/uploads/801843/image_track/1585209/w1400_h1400_q70_ptrue_v2_----cropped_1507967079.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nightfall-disquiet0302/</feedburner:origLink>
                                    <itunes:duration>357</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1595945</guid>
                                    
                                        <pubDate>Fri, 20 Oct 2017 17:44:30 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-20T17:44:30+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fallout _disquiet0303_</title>
                                    <description><![CDATA[Disquiet Junto Project 0303: Out of Sequence
Pay tribute to the Roland 303 by doing something that is apart from how you think it was intended to be utilized.
llllllll.co/t/disquiet-junto-p...f-sequence/9724
.
messed around with the 303 emulator at 350bpm and 100,000bpm and managed to crash the browser. not before recording some nonsense tho. had this running thru protoplasm, sine chorus, echo platter and ozone imager. as echo platter makes it more formless imager should have increased the stereo width. mastered in audition.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fallout-disquiet0303/listen.mp3?s=Jml" length="7226513" />
                                    <link>https://hearthis.at/sevenism/fallout-disquiet0303/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>fd3e699e6c560813ddd60a8dec572500.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/fd3e699e6c560813ddd60a8dec572500.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fallout-disquiet0303/listen.mp3?s=Jml" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0303: Out of Sequence
Pay tribute to the Roland 303 by doing something that is apart from how you think it was intended to be utilized.
llllllll.co/t/disquiet-junto-p...f-sequence/9724
.
messed around with the 303 emulator at 350bpm and 100,000bpm and managed to crash the browser. not before recording some nonsense tho. had this running thru protoplasm, sine chorus, echo platter and ozone imager. as echo platter makes it more formless imager should have increased the stereo width. mastered in audition.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/0/_/uploads/801843/image_track/1595945/w1400_h1400_q70_ptrue_v2_----cropped_1508525095.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fallout-disquiet0303/</feedburner:origLink>
                                    <itunes:duration>451</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1601284</guid>
                                    
                                        <pubDate>Tue, 24 Oct 2017 15:44:13 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-24T15:44:13+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>antivernal (Naviarhaiku198)</title>
                                    <description><![CDATA[electroacoustic fakemusic
.
autumn wind -
a figure
standing alone
.
Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.
Seven days to make music in response to Ryōkan’s haiku: to find out more and participate, visit naviarrecords.com/about/naviar-haiku
Deadline:  25th October 2017
Haiku by Ryōkan Taigu artofwonder.org/2014/11/14/for...oetry-of-ryokan
Picture by Tom Sodoge unsplash.com/@tomsdg]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/antivernal-naviarhaiku198/listen.mp3?s=T4Y" length="12716825" />
                                    <link>https://hearthis.at/sevenism/antivernal-naviarhaiku198/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>a4fe33957d455f6b929c66e3743bf20a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/a4fe33957d455f6b929c66e3743bf20a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/antivernal-naviarhaiku198/listen.mp3?s=T4Y" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[electroacoustic fakemusic
.
autumn wind -
a figure
standing alone
.
Ryōkan Taigu was a Japanese poet and calligrapher who lived during the Edo period. A Buddhist monk who lived much of his life as a hermit, he spent most of his time writing poetry, calligraphy, and communing with nature. His poetry is often very simple and inspired by nature.
Seven days to make music in response to Ryōkan’s haiku: to find out more and participate, visit naviarrecords.com/about/naviar-haiku
Deadline:  25th October 2017
Haiku by Ryōkan Taigu artofwonder.org/2014/11/14/for...oetry-of-ryokan
Picture by Tom Sodoge unsplash.com/@tomsdg]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/0/_/uploads/801843/image_track/1601284/w1400_h1400_q70_ptrue_v2_----cropped_1508853047.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/antivernal-naviarhaiku198/</feedburner:origLink>
                                    <itunes:duration>794</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1579758</guid>
                                    
                                        <pubDate>Wed, 11 Oct 2017 14:46:23 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-11T14:46:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cyclic waves  (Naviarhaiku196)</title>
                                    <description><![CDATA[cello / ukelele / thunder
~
the waves charge and crash,
then they return, again and
again -- and again
~
naviarlab.tumblr.com/post/1660...harge-and-crash]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cyclic-waves-naviarhaiku196/listen.mp3?s=HeT" length="2689148" />
                                    <link>https://hearthis.at/sevenism/cyclic-waves-naviarhaiku196/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>95ad6a47a2fedb2e3e1c33ff7d9a465b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/95ad6a47a2fedb2e3e1c33ff7d9a465b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cyclic-waves-naviarhaiku196/listen.mp3?s=HeT" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[cello / ukelele / thunder
~
the waves charge and crash,
then they return, again and
again -- and again
~
naviarlab.tumblr.com/post/1660...harge-and-crash]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/3/2/_/uploads/801843/image_track/1579758/w1400_h1400_q70_ptrue_v2_----cropped_1507726235.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cyclic-waves-naviarhaiku196/</feedburner:origLink>
                                    <itunes:duration>168</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1576743</guid>
                                    
                                        <pubDate>Sun, 08 Oct 2017 13:45:03 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-08T13:45:03+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lee rosevere + sevenism - meiaions (disquiet0301)</title>
                                    <description><![CDATA[i ran all the tracks from the album through protoplasm at once with different lfos and filters. made threadbare by being all the same note.
i think anything can be meditation music. it's about being present where you are, listening without judgment. it's not about the music putting you in a peaceful state - the peace is emergent, intrinsic.
(that's my excuse for this being a difficult listen)
,,,,,,,,,,
Disquiet Junto Project 0301: Parts > Sum
Artfully reduce an album to something less than itself.
llllllll.co/t/disquiet-junto-p...-parts-sum/9526
Step 1: Download the album 5 Minute Meditations by Lee Rosevere. It’s available here from the record label Happy Puppy Records:
goo.gl/Wn5t1r]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lee-rosevere-sevenism-meiaions-disquiet0301/listen.mp3?s=iA4" length="6732067" />
                                    <link>https://hearthis.at/sevenism/lee-rosevere-sevenism-meiaions-disquiet0301/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>4657806dbf92278a7f8bae7ca3d2b740.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/4657806dbf92278a7f8bae7ca3d2b740.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lee-rosevere-sevenism-meiaions-disquiet0301/listen.mp3?s=iA4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i ran all the tracks from the album through protoplasm at once with different lfos and filters. made threadbare by being all the same note.
i think anything can be meditation music. it's about being present where you are, listening without judgment. it's not about the music putting you in a peaceful state - the peace is emergent, intrinsic.
(that's my excuse for this being a difficult listen)
,,,,,,,,,,
Disquiet Junto Project 0301: Parts > Sum
Artfully reduce an album to something less than itself.
llllllll.co/t/disquiet-junto-p...-parts-sum/9526
Step 1: Download the album 5 Minute Meditations by Lee Rosevere. It’s available here from the record label Happy Puppy Records:
goo.gl/Wn5t1r]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/4/_/uploads/801843/image_track/1576743/w1400_h1400_q70_ptrue_v2_----cropped_1507535462.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lee-rosevere-sevenism-meiaions-disquiet0301/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1578614</guid>
                                    
                                        <pubDate>Tue, 10 Oct 2017 20:03:59 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-10T20:03:59+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>l i f e -immersion-</title>
                                    <description><![CDATA[hundredth bandcamp album in two years!
sevenism.bandcamp.com/album/l-...i-f-e-immersion
My albums from the last year have been leading up to this. I've been wanting to do a mix that encompasses a lot of different styles all melded together..at the same time I've been working improvised, one take, as much as possible. Got the balance ok.. It was only the jungle track that was lots of fiddly samples. The rest was recorded as it was made.
The inspiration was from a free CD from eternity magazine in the mid 90s. Life: innovation by Jack Smooth (mixcloud.com/matt-preston2/ete...-bass-techo-mix). Rave had got popular; but it had all got segregated you couldn't like house if you liked jungle. You didn't like ambient and gabba. But this mix had everything all mixed seamlessly.. And all made by just one guy.
My plan was to be a bit more diverse, to have some more blues soul hip-hop stuff but then I haven't been making much like that recently. I let it flow as it wanted, most tracks were done one afternoon, and it came out pretty ambient.
There's quite a range of styles though. It starts at experimental drone then to  weird classical / noise, then there's an acoustic section flowing into pulsing hypnotic electroacoustic > rhythmic electronic > ambient techno > jungle (with samples from previous tracks), a dub version then bassy ambient and an ambient fade out.
tracklist: 
0.00        a_౩rdo
0.34        chorus for robot voice
1.14        early
2.08        SLOW RECOVERY
9.09        tisle oe
14.07   ⓣ③⓪⓪ⓢ
21.47   disquiet300
23.26   twelve string web
26.57   left open
30.48   fortando glissimo
38.28   arcoda.
39.32   oh.iograin
46.03   .☮.
50.16   antitaverna
53.20   spider flow
57.20   spider dub
60.53   teale sep
63.45   bark cover fade
i've put the full unmixed tracks in as bonus tracks too: some of these are quite a bit longer.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/l-i-f-e-immersion-/listen.mp3?s=hEY" length="63589981" />
                                    <link>https://hearthis.at/sevenism/l-i-f-e-immersion-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>66c238a1de01d8bb6a1f20335236cbe7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/66c238a1de01d8bb6a1f20335236cbe7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/l-i-f-e-immersion-/listen.mp3?s=hEY" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[hundredth bandcamp album in two years!
sevenism.bandcamp.com/album/l-...i-f-e-immersion
My albums from the last year have been leading up to this. I've been wanting to do a mix that encompasses a lot of different styles all melded together..at the same time I've been working improvised, one take, as much as possible. Got the balance ok.. It was only the jungle track that was lots of fiddly samples. The rest was recorded as it was made.
The inspiration was from a free CD from eternity magazine in the mid 90s. Life: innovation by Jack Smooth (mixcloud.com/matt-preston2/ete...-bass-techo-mix). Rave had got popular; but it had all got segregated you couldn't like house if you liked jungle. You didn't like ambient and gabba. But this mix had everything all mixed seamlessly.. And all made by just one guy.
My plan was to be a bit more diverse, to have some more blues soul hip-hop stuff but then I haven't been making much like that recently. I let it flow as it wanted, most tracks were done one afternoon, and it came out pretty ambient.
There's quite a range of styles though. It starts at experimental drone then to  weird classical / noise, then there's an acoustic section flowing into pulsing hypnotic electroacoustic > rhythmic electronic > ambient techno > jungle (with samples from previous tracks), a dub version then bassy ambient and an ambient fade out.
tracklist: 
0.00        a_౩rdo
0.34        chorus for robot voice
1.14        early
2.08        SLOW RECOVERY
9.09        tisle oe
14.07   ⓣ③⓪⓪ⓢ
21.47   disquiet300
23.26   twelve string web
26.57   left open
30.48   fortando glissimo
38.28   arcoda.
39.32   oh.iograin
46.03   .☮.
50.16   antitaverna
53.20   spider flow
57.20   spider dub
60.53   teale sep
63.45   bark cover fade
i've put the full unmixed tracks in as bonus tracks too: some of these are quite a bit longer.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/8/9/_/uploads/801843/image_track/1578614/w1400_h1400_q70_ptrue_v2_----cropped_1507658986.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/l-i-f-e-immersion-/</feedburner:origLink>
                                    <itunes:duration>3974</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1567534</guid>
                                    
                                        <pubDate>Sun, 01 Oct 2017 21:01:21 +0200</pubDate>
                                        
                                        <atom:updated>2017-10-01T21:01:21+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>slow recovery  -Naviarhaiku195-</title>
                                    <description><![CDATA[been a bit run down since the end of july - this poem sums it up (tho ive not been in hospital thankfully)
used a bach piece : musopen.org/music/3218/johann-...-the-man-bwv-57
lots of fx + skewing
..
naviarlab.tumblr.com/post/1657...e-hospital-room
Haiku by Sumitaku Kenshin simplyhaiku.com/SHv2n6/feature...to_feature.html
Picture by Martin Kníže unsplash.com/@martz90]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/slow-recovery-naviarhaiku195-/listen.mp3?s=p28" length="26888149" />
                                    <link>https://hearthis.at/sevenism/slow-recovery-naviarhaiku195-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d9889b070793a72757873490d20edf63.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d9889b070793a72757873490d20edf63.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/slow-recovery-naviarhaiku195-/listen.mp3?s=p28" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[been a bit run down since the end of july - this poem sums it up (tho ive not been in hospital thankfully)
used a bach piece : musopen.org/music/3218/johann-...-the-man-bwv-57
lots of fx + skewing
..
naviarlab.tumblr.com/post/1657...e-hospital-room
Haiku by Sumitaku Kenshin simplyhaiku.com/SHv2n6/feature...to_feature.html
Picture by Martin Kníže unsplash.com/@martz90]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/6/4/_/uploads/801843/image_track/1567534/w1400_h1400_q70_ptrue_v2_----cropped_1506936460.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/slow-recovery-naviarhaiku195-/</feedburner:origLink>
                                    <itunes:duration>1680</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1565053</guid>
                                    
                                        <pubDate>Sat, 30 Sep 2017 16:33:58 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-30T16:33:58+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>disquiet0300</title>
                                    <description><![CDATA[instrument 1: self generating feedback in podfarm, echo added in audacity, faded out throughout
instrument 2: C harmonica. i entrusted audacity to pitch shift to E. paulstretched it into itself
instrument 3: 12 string guitar. bit of finger picking in Em. nothing added. well except reverb when i mastered in audition
...
llllllll.co/t/disquiet-junto-t...-weekly-project
Disquiet Junto Project 0300: The 300th Project
3 chords x 100 seconds
Step 1: For the 300th consecutive weekly Disquiet Junto project, choose a chord. Read the 6 steps of these instructions all the way through before making a decisions about instrumentation (Step 2) or recording (Steps 3 and 4). Understanding the intended end result will potentially influence those decisions.
Step 2: Choose three different instruments on which to play the chord selected in Step 1.
Step 3: Record yourself playing for 100 seconds that chord on the first of the instruments you chose in Step 2. You may want to record slightly longer than 100 seconds and edit back. Not every instrument has infinite sustain. You may need to use different techniques (strumming, sequencing, preparing, etc.) to achieve the 100 seconds. Consider those different techniques and the role they’ll have in the resulting sound.
Step 4: Repeat Step 3 for each of the other two instruments from Step 2. Consider how the three instruments, as well as the techniques you employ to play them, will correlate with each other.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/disquiet0300/listen.mp3?s=7M0" length="1605798" />
                                    <link>https://hearthis.at/sevenism/disquiet0300/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>22b6f51cf2633dd27378b9bd74688021.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/22b6f51cf2633dd27378b9bd74688021.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/disquiet0300/listen.mp3?s=7M0" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[instrument 1: self generating feedback in podfarm, echo added in audacity, faded out throughout
instrument 2: C harmonica. i entrusted audacity to pitch shift to E. paulstretched it into itself
instrument 3: 12 string guitar. bit of finger picking in Em. nothing added. well except reverb when i mastered in audition
...
llllllll.co/t/disquiet-junto-t...-weekly-project
Disquiet Junto Project 0300: The 300th Project
3 chords x 100 seconds
Step 1: For the 300th consecutive weekly Disquiet Junto project, choose a chord. Read the 6 steps of these instructions all the way through before making a decisions about instrumentation (Step 2) or recording (Steps 3 and 4). Understanding the intended end result will potentially influence those decisions.
Step 2: Choose three different instruments on which to play the chord selected in Step 1.
Step 3: Record yourself playing for 100 seconds that chord on the first of the instruments you chose in Step 2. You may want to record slightly longer than 100 seconds and edit back. Not every instrument has infinite sustain. You may need to use different techniques (strumming, sequencing, preparing, etc.) to achieve the 100 seconds. Consider those different techniques and the role they’ll have in the resulting sound.
Step 4: Repeat Step 3 for each of the other two instruments from Step 2. Consider how the three instruments, as well as the techniques you employ to play them, will correlate with each other.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/8/_/uploads/801843/image_track/1565053/w1400_h1400_q70_ptrue_v2_----cropped_1506782895.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/disquiet0300/</feedburner:origLink>
                                    <itunes:duration>100</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1554089</guid>
                                    
                                        <pubDate>Thu, 21 Sep 2017 23:04:52 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-21T23:04:52+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>uncertainty dub disquiet0299</title>
                                    <description><![CDATA[Disquiet Junto Project 0299: 10bpm Waltz
Make super slow music in 3/4 time.
llllllll.co/t/disquiet-junto-p...299-10bpm-waltz
Step 1: This project is intended as a way to contribute to the 10 BPM Dance Club announced at tenbpm.tumblr.com and twitter.com/onetakerecords. Tracks submitted to One Take Records will be included at an inaugural event in Copenhagen at the end of this month, September 2017.

i used my trusty old copy of music maker 3 from the 90s. never found anything easier to make beats from samples.
used the samples from last week so it's kind of a remix in a more compus mentus state, and used sample from week before too. masterd in audition
i think it's 10bpm in 3/4 but that rimshot binshot on the 1/8ths has a lot going on so dunno if it counts. confuses my brain less anyway..]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/uncertainty-dub-disquiet0299/listen.mp3?s=W1n" length="4737148" />
                                    <link>https://hearthis.at/sevenism/uncertainty-dub-disquiet0299/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>338f6df42be341a8b6f5849ff9ecfc04.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/338f6df42be341a8b6f5849ff9ecfc04.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/uncertainty-dub-disquiet0299/listen.mp3?s=W1n" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0299: 10bpm Waltz
Make super slow music in 3/4 time.
llllllll.co/t/disquiet-junto-p...299-10bpm-waltz
Step 1: This project is intended as a way to contribute to the 10 BPM Dance Club announced at tenbpm.tumblr.com and twitter.com/onetakerecords. Tracks submitted to One Take Records will be included at an inaugural event in Copenhagen at the end of this month, September 2017.

i used my trusty old copy of music maker 3 from the 90s. never found anything easier to make beats from samples.
used the samples from last week so it's kind of a remix in a more compus mentus state, and used sample from week before too. masterd in audition
i think it's 10bpm in 3/4 but that rimshot binshot on the 1/8ths has a lot going on so dunno if it counts. confuses my brain less anyway..]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/1/_/uploads/801843/image_track/1554089/w1400_h1400_q70_ptrue_v2_----cropped_1506070152.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/uncertainty-dub-disquiet0299/</feedburner:origLink>
                                    <itunes:duration>296</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1550271</guid>
                                    
                                        <pubDate>Mon, 18 Sep 2017 22:02:31 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-18T22:02:31+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>faceache (disquiet0298)</title>
                                    <description><![CDATA[Disquiet Junto Project 0298: Dungeons & Drum Machines
Make a track with two rolls of a 20-sided die.
llllllll.co/t/disquiet-junto-p...s-drum-machines
.
rolled a 1 and 12. so i got notes A F E E and rhythm 448888 (altho i misread as three 8s)
appropriate notes as the nearest chord is FACE and i've got pretty bad tooth/ear/headache at the mo.
made in a daze as i got back from rhodes at 2 this morning and had work today.
the drone is from the plane sound. the beat is from a (literally) shitty hotel bin. tried to do 10bpm but it was in audacity so fuzzily quantized...
pitch shifts just done in audacity, beat mastered a bit in audition, extra delay and echo reversal stuff in audacity.
pad made from the plane drone at 6-8 octaves higher with izotope vinyl, six string ambience, podfarm fx]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/faceache-disquiet0298/listen.mp3?s=vPJ" length="3387976" />
                                    <link>https://hearthis.at/sevenism/faceache-disquiet0298/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>cf71014a7a0e73c309d249b7ccedd8ba.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/cf71014a7a0e73c309d249b7ccedd8ba.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/faceache-disquiet0298/listen.mp3?s=vPJ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0298: Dungeons & Drum Machines
Make a track with two rolls of a 20-sided die.
llllllll.co/t/disquiet-junto-p...s-drum-machines
.
rolled a 1 and 12. so i got notes A F E E and rhythm 448888 (altho i misread as three 8s)
appropriate notes as the nearest chord is FACE and i've got pretty bad tooth/ear/headache at the mo.
made in a daze as i got back from rhodes at 2 this morning and had work today.
the drone is from the plane sound. the beat is from a (literally) shitty hotel bin. tried to do 10bpm but it was in audacity so fuzzily quantized...
pitch shifts just done in audacity, beat mastered a bit in audition, extra delay and echo reversal stuff in audacity.
pad made from the plane drone at 6-8 octaves higher with izotope vinyl, six string ambience, podfarm fx]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/8/_/uploads/801843/image_track/1550271/w1400_h1400_q70_ptrue_v2_----cropped_1505766869.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/faceache-disquiet0298/</feedburner:origLink>
                                    <itunes:duration>211</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1543220</guid>
                                    
                                        <pubDate>Tue, 12 Sep 2017 20:45:56 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-12T20:45:56+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Star Focus -Naviarhaiku192</title>
                                    <description><![CDATA[encompassing darkness / stars slowly into focus
made from audacity dial tone
.
the lamp once out
cool stars enter
the window frame
.
naviarlab.tumblr.com
Undoubtedly one of the most important Japanese writer in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku. 
Sōseki is mostly known for his novels, especially Kokoro 
Make music in response to Sōseki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline:  13th September 2017
Haiku by Natsume Sōseki en.wikipedia.org/wiki/Natsume_...ume_S%C5%8Dseki
Picture by Aleks Dahlberg unsplash.com/@aleksdahlberg]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/star-focus-naviarhaiku192/listen.mp3?s=utM" length="1597439" />
                                    <link>https://hearthis.at/sevenism/star-focus-naviarhaiku192/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>2e42035a5603b314080e905141d7d4f3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/2e42035a5603b314080e905141d7d4f3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/star-focus-naviarhaiku192/listen.mp3?s=utM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[encompassing darkness / stars slowly into focus
made from audacity dial tone
.
the lamp once out
cool stars enter
the window frame
.
naviarlab.tumblr.com
Undoubtedly one of the most important Japanese writer in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku. 
Sōseki is mostly known for his novels, especially Kokoro 
Make music in response to Sōseki’s poem in 7 days: more info at naviarrecords.com/about/naviar-haiku
Deadline:  13th September 2017
Haiku by Natsume Sōseki en.wikipedia.org/wiki/Natsume_...ume_S%C5%8Dseki
Picture by Aleks Dahlberg unsplash.com/@aleksdahlberg]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/5/4/_/uploads/801843/image_track/1543220/w1400_h1400_q70_ptrue_v2_----cropped_1505242451.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/star-focus-naviarhaiku192/</feedburner:origLink>
                                    <itunes:duration>99</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1522694</guid>
                                    
                                        <pubDate>Sat, 26 Aug 2017 15:51:56 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-26T15:51:56+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>poison echoes pt 2 (Naviarhaiku190)</title>
                                    <description><![CDATA[ran part 1 through the mangle
then the fx chain: ddly - podfarm2 - neutrino
podfarm 2 had line 6 agro, sine chorus, reverse delay and echo platter loaded
.
joint project for naviar records and disquiet junto
.
Disquiet Junto Project 0295: Disregard Echoes
Make music inspired by a haiku, reflecting on Australian history.
llllllll.co/t/disquiet-junto-p...isregard-echoes
This week’s project is a collaboration with Naviar Records and Western Riverina Arts, spearheaded by longtime Junto participant Jason Richardson. The results will contribute to an exhibition in the town of Narrandera during October that incorporates haiku describing local scenes.
Step 1: Consider the following haiku:
Poisoned Waterhole:
Violent disregard echoes.
Keenly felt today.
.
naviarrecords.com/about/naviar-haiku
Haiku by Peita Vincent frankandearnest.com.au/our-story
Picture by Jason Richardson bassling.blogspot.co.uk]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/poison-echoes-pt-2-naviarhaiku190/listen.mp3?s=rNL" length="4554082" />
                                    <link>https://hearthis.at/sevenism/poison-echoes-pt-2-naviarhaiku190/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>d6c3aa188e960ed148716ac22c29da02.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d6c3aa188e960ed148716ac22c29da02.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/poison-echoes-pt-2-naviarhaiku190/listen.mp3?s=rNL" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ran part 1 through the mangle
then the fx chain: ddly - podfarm2 - neutrino
podfarm 2 had line 6 agro, sine chorus, reverse delay and echo platter loaded
.
joint project for naviar records and disquiet junto
.
Disquiet Junto Project 0295: Disregard Echoes
Make music inspired by a haiku, reflecting on Australian history.
llllllll.co/t/disquiet-junto-p...isregard-echoes
This week’s project is a collaboration with Naviar Records and Western Riverina Arts, spearheaded by longtime Junto participant Jason Richardson. The results will contribute to an exhibition in the town of Narrandera during October that incorporates haiku describing local scenes.
Step 1: Consider the following haiku:
Poisoned Waterhole:
Violent disregard echoes.
Keenly felt today.
.
naviarrecords.com/about/naviar-haiku
Haiku by Peita Vincent frankandearnest.com.au/our-story
Picture by Jason Richardson bassling.blogspot.co.uk]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/7/_/uploads/801843/image_track/1522694/w1400_h1400_q70_ptrue_v2_----cropped_1503821703.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/poison-echoes-pt-2-naviarhaiku190/</feedburner:origLink>
                                    <itunes:duration>284</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1522693</guid>
                                    
                                        <pubDate>Sat, 26 Aug 2017 15:51:56 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-26T15:51:56+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>poison echoes pt 1 (disquiet0295)</title>
                                    <description><![CDATA[i used last week's naviar track as a synth pad.
ran this through izotope vinyl and six string ambience
mastered in audition
joint project for naviar records and disquiet junto
.
Disquiet Junto Project 0295: Disregard Echoes
Make music inspired by a haiku, reflecting on Australian history.
llllllll.co/t/disquiet-junto-p...isregard-echoes
This week’s project is a collaboration with Naviar Records and Western Riverina Arts, spearheaded by longtime Junto participant Jason Richardson. The results will contribute to an exhibition in the town of Narrandera during October that incorporates haiku describing local scenes.
Step 1: Consider the following haiku:
Poisoned Waterhole:
Violent disregard echoes.
Keenly felt today.
.
naviarrecords.com/about/naviar-haiku
Haiku by Peita Vincent frankandearnest.com.au/our-story
Picture by Jason Richardson bassling.blogspot.co.uk]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/poison-echoes-pt-1-disquiet0295/listen.mp3?s=rDE" length="7437582" />
                                    <link>https://hearthis.at/sevenism/poison-echoes-pt-1-disquiet0295/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>5a16f7fe8a39c15663397ed82d516dd3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/5a16f7fe8a39c15663397ed82d516dd3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/poison-echoes-pt-1-disquiet0295/listen.mp3?s=rDE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used last week's naviar track as a synth pad.
ran this through izotope vinyl and six string ambience
mastered in audition
joint project for naviar records and disquiet junto
.
Disquiet Junto Project 0295: Disregard Echoes
Make music inspired by a haiku, reflecting on Australian history.
llllllll.co/t/disquiet-junto-p...isregard-echoes
This week’s project is a collaboration with Naviar Records and Western Riverina Arts, spearheaded by longtime Junto participant Jason Richardson. The results will contribute to an exhibition in the town of Narrandera during October that incorporates haiku describing local scenes.
Step 1: Consider the following haiku:
Poisoned Waterhole:
Violent disregard echoes.
Keenly felt today.
.
naviarrecords.com/about/naviar-haiku
Haiku by Peita Vincent frankandearnest.com.au/our-story
Picture by Jason Richardson bassling.blogspot.co.uk]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/6/_/uploads/801843/image_track/1522693/w1400_h1400_q70_ptrue_v2_----cropped_1503821698.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/poison-echoes-pt-1-disquiet0295/</feedburner:origLink>
                                    <itunes:duration>464</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1531278</guid>
                                    
                                        <pubDate>Sat, 02 Sep 2017 13:16:09 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-02T13:16:09+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>smallest primes -disquiet0296-</title>
                                    <description><![CDATA[sevenism
similar to a recent junto this is comprised of text-to-speech-to-music
just pasted the prime numbers into audition speech generation and then had a load of fx applied: delay, echo, guitar fuzz, chorus, convolution reverb, mastering
i wanted the numbers to be on the cusp of liminality
.. ... .....
Disquiet Junto Project 0296: Clustered Primes
Make music inspired by a prime-number query initiated by novelist Robin Sloan.
Step 1: The source material for this week’s project is a list of prime numbers. The list is the result of a contest that novelist Robin Sloan ran recently. In advance of the release of his new novel, Sourdough, which will be published on September 5, Sloan asked readers of his email newsletter to compete for an advance copy by submitting a prime number. The people who submitted the lowest prime numbers — and this next bit is important — that no one else submitted won a copy of the book. With that in mind, take a gander at the resulting CSV file of prime numbers here:
dropbox.com/s/1l9r1uncsmos0u0/...ay2017.csv?dl=0]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/smallest-primes-disquiet0296-/listen.mp3?s=yDU" length="7315956" />
                                    <link>https://hearthis.at/sevenism/smallest-primes-disquiet0296-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>2b7136768b2f1eb922454033f8c1cbfe.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/2b7136768b2f1eb922454033f8c1cbfe.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/smallest-primes-disquiet0296-/listen.mp3?s=yDU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism
similar to a recent junto this is comprised of text-to-speech-to-music
just pasted the prime numbers into audition speech generation and then had a load of fx applied: delay, echo, guitar fuzz, chorus, convolution reverb, mastering
i wanted the numbers to be on the cusp of liminality
.. ... .....
Disquiet Junto Project 0296: Clustered Primes
Make music inspired by a prime-number query initiated by novelist Robin Sloan.
Step 1: The source material for this week’s project is a list of prime numbers. The list is the result of a contest that novelist Robin Sloan ran recently. In advance of the release of his new novel, Sourdough, which will be published on September 5, Sloan asked readers of his email newsletter to compete for an advance copy by submitting a prime number. The people who submitted the lowest prime numbers — and this next bit is important — that no one else submitted won a copy of the book. With that in mind, take a gander at the resulting CSV file of prime numbers here:
dropbox.com/s/1l9r1uncsmos0u0/...ay2017.csv?dl=0]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/0/_/uploads/801843/image_track/1531278/w1400_h1400_q70_ptrue_v2_----cropped_1504367030.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/smallest-primes-disquiet0296-/</feedburner:origLink>
                                    <itunes:duration>457</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1539127</guid>
                                    
                                        <pubDate>Sat, 09 Sep 2017 13:55:04 +0200</pubDate>
                                        
                                        <atom:updated>2017-09-09T13:55:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>still alarm ((disquiet0297))</title>
                                    <description><![CDATA[-if you want to hear this you'll need to amplify about 40db-
llllllll.co/t/disquiet-junto-p...domestic-chorus
Disquiet Junto Project 0297: Domestic Chorus
Make music from all the alarms, buzzer, and other alerts in your home.
at the moment i'm not using an alarm and i've disabled most of the notifications on my phone. need some peace.
music is made from the alarm on my phone then i made it near silent.
image: detail flic.kr/p/a81KGD]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/still-alarm-disquiet0297/listen.mp3?s=VJt" length="2604720" />
                                    <link>https://hearthis.at/sevenism/still-alarm-disquiet0297/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>38851af57f443202a1061b0a2abfd410.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/38851af57f443202a1061b0a2abfd410.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/still-alarm-disquiet0297/listen.mp3?s=VJt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[-if you want to hear this you'll need to amplify about 40db-
llllllll.co/t/disquiet-junto-p...domestic-chorus
Disquiet Junto Project 0297: Domestic Chorus
Make music from all the alarms, buzzer, and other alerts in your home.
at the moment i'm not using an alarm and i've disabled most of the notifications on my phone. need some peace.
music is made from the alarm on my phone then i made it near silent.
image: detail flic.kr/p/a81KGD]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/8/7/_/uploads/801843/image_track/1539127/w1400_h1400_q70_ptrue_v2_----cropped_1504959789.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/still-alarm-disquiet0297/</feedburner:origLink>
                                    <itunes:duration>162</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1516985</guid>
                                    
                                        <pubDate>Wed, 23 Aug 2017 12:40:03 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-23T12:40:03+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Verdant Edge</title>
                                    <description><![CDATA[melodica, bamboo flute, ukelele samples
swaying / floating / rippling
.
naviarrecords.com/about/naviar-haiku
Haiku by Susan Carey Killham westrivarts.com.au/the-people-test
Picture by Jason Richardson bassling.blogspot.co.uk]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/verdant-edge/listen.mp3?s=RKt" length="2002859" />
                                    <link>https://hearthis.at/sevenism/verdant-edge/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>117f64f7d79c8242aa90323003be4e25.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/117f64f7d79c8242aa90323003be4e25.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/verdant-edge/listen.mp3?s=RKt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[melodica, bamboo flute, ukelele samples
swaying / floating / rippling
.
naviarrecords.com/about/naviar-haiku
Haiku by Susan Carey Killham westrivarts.com.au/the-people-test
Picture by Jason Richardson bassling.blogspot.co.uk]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/6/9/_/uploads/801843/image_track/1516985/w1400_h1400_q70_ptrue_v2_----cropped_1503487964.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/verdant-edge/</feedburner:origLink>
                                    <itunes:duration>125</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1507485</guid>
                                    
                                        <pubDate>Fri, 18 Aug 2017 23:30:10 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-18T23:30:10+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>o k (disquiet0294)</title>
                                    <description><![CDATA[Disquiet Junto Project 0294: Offline Status
Pay tribute to the late Bassel Khartabil by turning his spoken words into music.
llllllll.co/t/disquiet-junto-p...ine-status/8904
pulled the sample into protoplasm at different octaves then ran that through loop alienizer, ambience 0.1, podfarm2 with some delays, analog chorus, rotary drum + horn.
used the rhythmic start and gradually had the speech coming in so that it would sound kinda natural when it comes in clean at the end
didnt use any other sounds.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/o-k-disquiet0294/listen.mp3?s=b9E" length="4661497" />
                                    <link>https://hearthis.at/sevenism/o-k-disquiet0294/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>b8f233351340182fd8fa9679fbf6441e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/b8f233351340182fd8fa9679fbf6441e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/o-k-disquiet0294/listen.mp3?s=b9E" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0294: Offline Status
Pay tribute to the late Bassel Khartabil by turning his spoken words into music.
llllllll.co/t/disquiet-junto-p...ine-status/8904
pulled the sample into protoplasm at different octaves then ran that through loop alienizer, ambience 0.1, podfarm2 with some delays, analog chorus, rotary drum + horn.
used the rhythmic start and gradually had the speech coming in so that it would sound kinda natural when it comes in clean at the end
didnt use any other sounds.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/3/_/uploads/801843/image_track/1507485/w1400_h1400_q70_ptrue_v2_----cropped_1503092344.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/o-k-disquiet0294/</feedburner:origLink>
                                    <itunes:duration>291</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1502894</guid>
                                    
                                        <pubDate>Tue, 15 Aug 2017 12:42:19 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-15T12:42:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sepia fog (naviarhaiku188)</title>
                                    <description><![CDATA[sepia noise / distant melody
.
a sepia wash
as dawn is smothered by fog
and gums retain night
.
naviarrecords.com/2017/08/09/n...88-a-sepia-wash
.
The author of the week is Jason Richardson, the main curator of the exhibition Crossing Streams which Naviar is co-curating: he’s currently writing a haiku each day this year, and this week’s poem is one of them.
Jason has been living in the Western Riverina region of NSW since 2009 and worked as curator at a community-run museum and with Landcare among others.
“I think it’s really important to give everyone the chance to engage with making art, rather than playing the role of audience.“ (Jason)
Seven days to make music inspired by Jason’s poem and participate in the Haiku challenge and the Crossing Stream exhibition. More info at naviarrecords.com/about/naviar-haiku
Deadline: 16th August 2017
Haiku & Picture by Jason Richardson bassling.blogspot.co.uk]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sepia-fog-naviarhaiku188/listen.mp3?s=5Cn" length="6193318" />
                                    <link>https://hearthis.at/sevenism/sepia-fog-naviarhaiku188/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>3e0756e46416bc89c14f41a95a748db4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/3e0756e46416bc89c14f41a95a748db4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sepia-fog-naviarhaiku188/listen.mp3?s=5Cn" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sepia noise / distant melody
.
a sepia wash
as dawn is smothered by fog
and gums retain night
.
naviarrecords.com/2017/08/09/n...88-a-sepia-wash
.
The author of the week is Jason Richardson, the main curator of the exhibition Crossing Streams which Naviar is co-curating: he’s currently writing a haiku each day this year, and this week’s poem is one of them.
Jason has been living in the Western Riverina region of NSW since 2009 and worked as curator at a community-run museum and with Landcare among others.
“I think it’s really important to give everyone the chance to engage with making art, rather than playing the role of audience.“ (Jason)
Seven days to make music inspired by Jason’s poem and participate in the Haiku challenge and the Crossing Stream exhibition. More info at naviarrecords.com/about/naviar-haiku
Deadline: 16th August 2017
Haiku & Picture by Jason Richardson bassling.blogspot.co.uk]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/8/_/uploads/801843/image_track/1502894/w1400_h1400_q70_ptrue_v2_----cropped_1502793873.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sepia-fog-naviarhaiku188/</feedburner:origLink>
                                    <itunes:duration>387</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1500919</guid>
                                    
                                        <pubDate>Mon, 14 Aug 2017 13:20:44 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-14T13:20:44+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>immergence .:|disquiet0293|:. #newpalmyra</title>
                                    <description><![CDATA[something natural emerging from something virtual
love as a response to fear and hate
convolution / distortion fading into chorus / mastering / natural hiss
llllllll.co/t/disquiet-junto-p...ge-immerse/8838
Disquiet Junto Project 0293: Emerge/Immerse
Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil.
Step 1: This is the first of two consecutive projects we’re undertaking, following the news of Bassel Khartabil’s death. (If you’re new to the Junto, Bassel was an open-source coder who did a lot of work in CGI before being imprisoned in Syria. Word of his execution just recently became public.) Paige Dansinger is making VR drawings in Tilt Brush inspired by Bassel’s Palmyra CGI work, drawing from her own interest in making a better world. For this project we’re going to make sound, in Bassel’s honor, to accompany her 3D work. View Paige’s pieces at:
newpalmyra.org/projects/junto-...-emerge-immerse
Step 2: Think about the sort of sound that might accompany, contribute to, or otherwise be a component part of a VR experience. Now, record a short piece of music, up to two minutes, that is about something emerging — something being brought to life, or coming out of a cave, or otherwise coming into being.
RIP Bassel]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/immergence-disquiet0293-newpalmyra/listen.mp3?s=L5M" length="2592599" />
                                    <link>https://hearthis.at/sevenism/immergence-disquiet0293-newpalmyra/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>6ca61c07e1c06b811d7c2f6aed126725.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/6ca61c07e1c06b811d7c2f6aed126725.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/immergence-disquiet0293-newpalmyra/listen.mp3?s=L5M" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[something natural emerging from something virtual
love as a response to fear and hate
convolution / distortion fading into chorus / mastering / natural hiss
llllllll.co/t/disquiet-junto-p...ge-immerse/8838
Disquiet Junto Project 0293: Emerge/Immerse
Make music for Paige Dansinger’s Palmyra 3D/VR images, paying tribute to the late Bassel Khartabil.
Step 1: This is the first of two consecutive projects we’re undertaking, following the news of Bassel Khartabil’s death. (If you’re new to the Junto, Bassel was an open-source coder who did a lot of work in CGI before being imprisoned in Syria. Word of his execution just recently became public.) Paige Dansinger is making VR drawings in Tilt Brush inspired by Bassel’s Palmyra CGI work, drawing from her own interest in making a better world. For this project we’re going to make sound, in Bassel’s honor, to accompany her 3D work. View Paige’s pieces at:
newpalmyra.org/projects/junto-...-emerge-immerse
Step 2: Think about the sort of sound that might accompany, contribute to, or otherwise be a component part of a VR experience. Now, record a short piece of music, up to two minutes, that is about something emerging — something being brought to life, or coming out of a cave, or otherwise coming into being.
RIP Bassel]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/3/1/_/uploads/801843/image_track/1500919/w1400_h1400_q70_ptrue_v2_----cropped_1502711134.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/immergence-disquiet0293-newpalmyra/</feedburner:origLink>
                                    <itunes:duration>162</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1463702</guid>
                                    
                                        <pubDate>Fri, 28 Jul 2017 14:12:02 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-28T14:12:02+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>light plume refraction</title>
                                    <description><![CDATA[Disquiet Junto Project 0291: Lantern Effect
Make music that suggests the way a paper lantern filters light.
llllllll.co/t/make-music-that-...tern-junto-0291
i was playing piano to destress and wasnt planning on using this but when i plugged it into the fx it seemed to fit well.
i used the crystal reverb effect in ableton as it's really bright and airy. i was thinking of wave particle duality, that quantum slit experiment, light refraction 
i was trying to make that low end less muddy for a bit but then realized it fit with a sense of being claustrophobic inside a lantern]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/light-plume-refraction/listen.mp3?s=Il1" length="2594271" />
                                    <link>https://hearthis.at/sevenism/light-plume-refraction/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>f932c5d735211f17baf5c5f34b78b2cc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/f932c5d735211f17baf5c5f34b78b2cc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/light-plume-refraction/listen.mp3?s=Il1" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0291: Lantern Effect
Make music that suggests the way a paper lantern filters light.
llllllll.co/t/make-music-that-...tern-junto-0291
i was playing piano to destress and wasnt planning on using this but when i plugged it into the fx it seemed to fit well.
i used the crystal reverb effect in ableton as it's really bright and airy. i was thinking of wave particle duality, that quantum slit experiment, light refraction 
i was trying to make that low end less muddy for a bit but then realized it fit with a sense of being claustrophobic inside a lantern]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/8/_/uploads/801843/image_track/1463702/w1400_h1400_q70_ptrue_v2_----cropped_1501246847.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/light-plume-refraction/</feedburner:origLink>
                                    <itunes:duration>162</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1479521</guid>
                                    
                                        <pubDate>Sun, 06 Aug 2017 13:09:47 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-06T13:09:47+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shadowed 🌑disquiet0292🌑</title>
                                    <description><![CDATA[i immediately thought of the opening theme of six feet under. the sudden shift between dark and light in the music - weirdly, i remember there being an eclipse in the opening credits but watching again there isn't (reality eclipsing memory).
my track didnt turn out how i anticipated. the music is cloudier and obscured, not as sharp or sudden. i used an older track, 'in aura', played through a synth with reverse delay and other guitar fx
()
Disquiet Junto Project 0292: Eclipse Music
In coordination with St. Louis Art Hack Day, make some solar-inspired tunes.
llllllll.co/t/make-music-for-a...uiet-junto-0292
Step 1: There’s a solar eclipse coming to the United States on August 21. This is the first full solar eclipse in the U.S. in a long time, since June 8, 1918. The next such eclipse in the U.S. won’t be until August 12, 2045. Ponder the eclipse, and that time frame. Take note that this project is being done in coordination with the upcoming Art Hack Day in St. Louis. If you’re in the area, consider joining in in person. If you’re not (true for the vast majority of Junto participants), your resulting Junto music from this project will be played as part of the St. Louis art showing on August 19. (And certainly you can opt out of that last bit, if you’d like.) Major thanks to Tyler Mathews and Jon Phillips for encouraging this project. Details here:
eventbrite.com/e/art-hack-day-...ets-35500853007
Step 2: Think about the constituent elements in (the various facets of) an eclipse, what it means in terms of sensory experience — in cultures ancient and contemporary.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shadowed-disquiet0292/listen.mp3?s=1bx" length="5969292" />
                                    <link>https://hearthis.at/sevenism/shadowed-disquiet0292/</link>
                                    <thr:total>0</thr:total>
                                    <hq>19</hq>
                                    <hq_filename>20e5c77f6c3306399b69d35c43f013ab.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/20e5c77f6c3306399b69d35c43f013ab.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shadowed-disquiet0292/listen.mp3?s=1bx" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i immediately thought of the opening theme of six feet under. the sudden shift between dark and light in the music - weirdly, i remember there being an eclipse in the opening credits but watching again there isn't (reality eclipsing memory).
my track didnt turn out how i anticipated. the music is cloudier and obscured, not as sharp or sudden. i used an older track, 'in aura', played through a synth with reverse delay and other guitar fx
()
Disquiet Junto Project 0292: Eclipse Music
In coordination with St. Louis Art Hack Day, make some solar-inspired tunes.
llllllll.co/t/make-music-for-a...uiet-junto-0292
Step 1: There’s a solar eclipse coming to the United States on August 21. This is the first full solar eclipse in the U.S. in a long time, since June 8, 1918. The next such eclipse in the U.S. won’t be until August 12, 2045. Ponder the eclipse, and that time frame. Take note that this project is being done in coordination with the upcoming Art Hack Day in St. Louis. If you’re in the area, consider joining in in person. If you’re not (true for the vast majority of Junto participants), your resulting Junto music from this project will be played as part of the St. Louis art showing on August 19. (And certainly you can opt out of that last bit, if you’d like.) Major thanks to Tyler Mathews and Jon Phillips for encouraging this project. Details here:
eventbrite.com/e/art-hack-day-...ets-35500853007
Step 2: Think about the constituent elements in (the various facets of) an eclipse, what it means in terms of sensory experience — in cultures ancient and contemporary.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/3/_/uploads/801843/image_track/1479521/w1400_h1400_q70_ptrue_v2_----cropped_1502036344.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shadowed-disquiet0292/</feedburner:origLink>
                                    <itunes:duration>373</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1481978</guid>
                                    
                                        <pubDate>Tue, 08 Aug 2017 15:41:14 +0200</pubDate>
                                        
                                        <atom:updated>2017-08-08T15:41:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>moth to flame</title>
                                    <description><![CDATA[ambientonline.org/forum/ambien...-sample-dare-51
track made just from this sample: soundcloud.com/lotka_volterra/...lack-cats-lunch
in audition i applied 7 voice chorus and lots of convolution reverb to the whole sample
in audacity i paulstretched the sample to about 8 minutes long, there was a nice tonal element in the middle which i isolated
in ableton i made a chain of protoplasm > izotope vinyl > six string ambience > podfarm2 (sine chorus - analog delay mod - echo platter - reverb)
in protoplasm i loaded the isolated sample at 3 different octaves and improvised live using my mouse on an onscreen keyboard while my partner tried to talk to me
recorded the track in audacity then normalized it. tried to hide the bad playing with some preverb (reversed the track, applied reverb, reversed again)
pulled the track back into audition. declipped and declicked. duplicated the track - convolution reverb in one. mastering and guitar fuzz in the other. crossfaded to the latter.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/moth-to-flame/listen.mp3?s=Q6Y" length="5600652" />
                                    <link>https://hearthis.at/sevenism/moth-to-flame/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>48586917cf03f918e6b1c98d35568ae6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/48586917cf03f918e6b1c98d35568ae6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/moth-to-flame/listen.mp3?s=Q6Y" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/ambien...-sample-dare-51
track made just from this sample: soundcloud.com/lotka_volterra/...lack-cats-lunch
in audition i applied 7 voice chorus and lots of convolution reverb to the whole sample
in audacity i paulstretched the sample to about 8 minutes long, there was a nice tonal element in the middle which i isolated
in ableton i made a chain of protoplasm > izotope vinyl > six string ambience > podfarm2 (sine chorus - analog delay mod - echo platter - reverb)
in protoplasm i loaded the isolated sample at 3 different octaves and improvised live using my mouse on an onscreen keyboard while my partner tried to talk to me
recorded the track in audacity then normalized it. tried to hide the bad playing with some preverb (reversed the track, applied reverb, reversed again)
pulled the track back into audition. declipped and declicked. duplicated the track - convolution reverb in one. mastering and guitar fuzz in the other. crossfaded to the latter.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/4/0/_/uploads/801843/image_track/1481978/w1400_h1400_q70_ptrue_v2_----cropped_1502203045.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/moth-to-flame/</feedburner:origLink>
                                    <itunes:duration>350</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1462137</guid>
                                    
                                        <pubDate>Mon, 24 Jul 2017 23:27:46 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-24T23:27:46+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boom, tiss. disquiet0290</title>
                                    <description><![CDATA[always wondered why audition had a text to speech feature so it was good to find a purpose for it. i experimented with commas and full stops and that to get a rhythm - didnt want to cheat by adding/removing silence.. added a load of chorus to make more musical and stereofied.. then ruined the rhythm with a sliding pitch effect but that bass sounded cool at the start so pulled that into audacity made a little melody.. then more pitch shifting and stretching for the mid/high end drone
warning- my partner thought she was 'going schizophrenic' listening to this and had to leave the room..
.
llllllll.co/t/disquiet-junto-p...90-text-to-beat
Disquiet Junto Project 0290: Text-to-Beat
Use computer-generated speech as the rhythmic foundation for a track.
Step 1: This week we’re going to build a track around text-to-speech, the results of a computer-generated voice speaking. In past text-to-speech we’ve used pre-existing text as the source. In this case we’re going to build the text to order. Keep this in mind.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boom-tiss-disquiet0290/listen.mp3?s=Uk5" length="2037132" />
                                    <link>https://hearthis.at/sevenism/boom-tiss-disquiet0290/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>69dc3fc23b7b1d4819f75c1d1a60c8f0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/69dc3fc23b7b1d4819f75c1d1a60c8f0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boom-tiss-disquiet0290/listen.mp3?s=Uk5" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[always wondered why audition had a text to speech feature so it was good to find a purpose for it. i experimented with commas and full stops and that to get a rhythm - didnt want to cheat by adding/removing silence.. added a load of chorus to make more musical and stereofied.. then ruined the rhythm with a sliding pitch effect but that bass sounded cool at the start so pulled that into audacity made a little melody.. then more pitch shifting and stretching for the mid/high end drone
warning- my partner thought she was 'going schizophrenic' listening to this and had to leave the room..
.
llllllll.co/t/disquiet-junto-p...90-text-to-beat
Disquiet Junto Project 0290: Text-to-Beat
Use computer-generated speech as the rhythmic foundation for a track.
Step 1: This week we’re going to build a track around text-to-speech, the results of a computer-generated voice speaking. In past text-to-speech we’ve used pre-existing text as the source. In this case we’re going to build the text to order. Keep this in mind.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/4/_/uploads/801843/image_track/1462137/w1400_h1400_q70_ptrue_v2_----cropped_1501168407.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boom-tiss-disquiet0290/</feedburner:origLink>
                                    <itunes:duration>127</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1440851</guid>
                                    
                                        <pubDate>Wed, 19 Jul 2017 13:19:27 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-19T13:19:27+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Midnight Blue (Naviarhaiku184)</title>
                                    <description><![CDATA[solo piano
..
Ali Znaidi (b.1977) lives in Redeyef, Tunisia. He is the author of several chapbooks, including Experimental Ruminations (Fowlpox Press, 2012), Moon’s Cloth Embroidered with Poems (Origami Poems Project, 2012), Bye, Donna Summer! (Fowlpox Press, 2014), Taste of the Edge (Kind of a Hurricane Press, 2014), Mathemaku x5 (Spacecraft Press, 2015), and Austere Lights (Locofo Chaps: an imprint of Moria Books, 2017). 
Seven days to make music inspired by Ali’s poem: to participate visit naviarrecords.com/about/naviar-haiku
DEADLINE: 19th July
Poem by Ali Znaidi aliznaidi.blogspot.co.uk
Picture by Will Stewart unsplash.com/@wilstewart3]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/midnight-blue-naviarhaiku184/listen.mp3?s=frl" length="7205615" />
                                    <link>https://hearthis.at/sevenism/midnight-blue-naviarhaiku184/</link>
                                    <thr:total>0</thr:total>
                                    <hq>67</hq>
                                    <hq_filename>9353ef32246f696e03b3bf9eefddc56d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/9353ef32246f696e03b3bf9eefddc56d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/midnight-blue-naviarhaiku184/listen.mp3?s=frl" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[solo piano
..
Ali Znaidi (b.1977) lives in Redeyef, Tunisia. He is the author of several chapbooks, including Experimental Ruminations (Fowlpox Press, 2012), Moon’s Cloth Embroidered with Poems (Origami Poems Project, 2012), Bye, Donna Summer! (Fowlpox Press, 2014), Taste of the Edge (Kind of a Hurricane Press, 2014), Mathemaku x5 (Spacecraft Press, 2015), and Austere Lights (Locofo Chaps: an imprint of Moria Books, 2017). 
Seven days to make music inspired by Ali’s poem: to participate visit naviarrecords.com/about/naviar-haiku
DEADLINE: 19th July
Poem by Ali Znaidi aliznaidi.blogspot.co.uk
Picture by Will Stewart unsplash.com/@wilstewart3]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/9/7/_/uploads/801843/image_track/1440851/w1400_h1400_q70_ptrue_v2_----cropped_1500482797.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/midnight-blue-naviarhaiku184/</feedburner:origLink>
                                    <itunes:duration>450</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1384466</guid>
                                    
                                        <pubDate>Thu, 06 Jul 2017 22:00:15 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-06T22:00:15+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>storm threatening - dsqt288</title>
                                    <description><![CDATA[ok so i used a sample of a dog and a cat. but i went off on a tangent and used a piccolo crossed with a cat / and a harp crossed with a dog
( i used nsynth: aiexperiments.withgoogle.com/sound-maker)
i played this through protoplasm, bit of preverb in audacity, mastered in audition.
it's really oppressively humid here at the moment, there's a storm threatening. hope that comes through.
i've done an nsynth album here: sevenism.bandcamp.com/album/red-blues
sevenism
llllllll.co/t/disquiet-junto-p...terspecies-duet
Disquiet Junto Project 0288: Interspecies Duet
Make music from samples of two different animals.
Step 1: We’re going to use samples of two different animals and have them make music together. It’s recommended that you source the audio from the excellent site freesound.org, in part because it’s a great resource, and in part to raise awareness about the site’s existence. Donating a bit to the service would be appreciated, as well, but of course isn’t required.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/storm-threatening-dsqt288/listen.mp3?s=slP" length="4127763" />
                                    <link>https://hearthis.at/sevenism/storm-threatening-dsqt288/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>17bd9b994f2edf4665730f64cf444d80.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/17bd9b994f2edf4665730f64cf444d80.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/storm-threatening-dsqt288/listen.mp3?s=slP" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ok so i used a sample of a dog and a cat. but i went off on a tangent and used a piccolo crossed with a cat / and a harp crossed with a dog
( i used nsynth: aiexperiments.withgoogle.com/sound-maker)
i played this through protoplasm, bit of preverb in audacity, mastered in audition.
it's really oppressively humid here at the moment, there's a storm threatening. hope that comes through.
i've done an nsynth album here: sevenism.bandcamp.com/album/red-blues
sevenism
llllllll.co/t/disquiet-junto-p...terspecies-duet
Disquiet Junto Project 0288: Interspecies Duet
Make music from samples of two different animals.
Step 1: We’re going to use samples of two different animals and have them make music together. It’s recommended that you source the audio from the excellent site freesound.org, in part because it’s a great resource, and in part to raise awareness about the site’s existence. Donating a bit to the service would be appreciated, as well, but of course isn’t required.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/9/_/uploads/801843/image_track/1384466/w1400_h1400_q70_ptrue_v2_----cropped_1499418918.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/storm-threatening-dsqt288/</feedburner:origLink>
                                    <itunes:duration>257</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1434041</guid>
                                    
                                        <pubDate>Mon, 17 Jul 2017 15:56:41 +0200</pubDate>
                                        
                                        <atom:updated>2017-07-17T15:56:41+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>is it peace. (disquiet0289)</title>
                                    <description><![CDATA[llllllll.co/t/disquiet-junto-p...-artifacts/8511
Disquiet Junto Project 0289: Ancient Artifacts
Imagine a forgotten instrument and make music with it.
..
庚寅年 (4̲5̲0̲ ̲B̲C̲), ̲H̲u̲n̲i̲n̲g̲ ̲p̲r̲o̲v̲i̲n̲c̲e̲
She was alone. Self imposed exile. Her time spent in music. To connect with an imagined future. Less painful to consort with envisioned ghosts. Her childhood instruments contorted with destroyed nature and slaughtered food.
A̲n̲n̲a̲l̲s̲ ̲o̲f̲ ̲M̲u̲s̲i̲c̲o̲l̲o̲g̲y̲ ̲(̲P̲r̲i̲m̲i̲t̲i̲v̲e̲/̲A̲n̲c̲i̲e̲n̲t̲ ̲H̲i̲s̲t̲o̲r̲y̲)̲ ̲1̲9̲5̲6̲ ̲(̲r̲e̲j̲e̲c̲t̲e̲d̲ ̲m̲a̲n̲u̲s̲c̲r̲i̲p̲t̲)̲
“..I posit that over the decades she’d somehow modified a sheng polyphonically and with further sensitivity to sound vibrations allowing the strings of some sort of bass harp /guqin to create dronelike (faburden) harmonics
.. The tablature took years to decode written in probably an esoteric, that is to say, unique style of her invention but given the sheer volume of annotated vellum and glancing similarity to chronistic qin tablature I think I’ve arrived at an adequate solution.”
c̲l̲o̲u̲u̲d̲s̲o̲u̲n̲d̲.̲a̲u̲d̲i̲o̲/̲x̲p̲r̲o̲c̲k̲x̲/̲r̲e̲d̲i̲s̲c̲o̲v̲e̲r̲e̲d̲̲a̲u̲d̲i̲o̲̲r̲e̲f̲i̲x̲,̲ ̲2̲0̲1̲9̲
bit different but hear me out..found grandads old stuff and there was like this journal paper on how he found these remains of this woman /ewww/ in china and some cool old instrument well like all broken up thousands of years old.. and he’d managed to renotate her songs..wish id known him but dads all like ‘he took the cowards way out’ and that’s it  .jeez.  so anyway I played it all slow like desolate and despondent -fuqd up uke and melodica!!. Gonna make this story into a comic stay toond bitches xxx!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/is-it-peace-disquiet0289/listen.mp3?s=veG" length="6100113" />
                                    <link>https://hearthis.at/sevenism/is-it-peace-disquiet0289/</link>
                                    <thr:total>0</thr:total>
                                    <hq>67</hq>
                                    <hq_filename>e868fd33cc9a65ac62e4f431b97b3e00.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream66.hearthis.at/e868fd33cc9a65ac62e4f431b97b3e00.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/is-it-peace-disquiet0289/listen.mp3?s=veG" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/disquiet-junto-p...-artifacts/8511
Disquiet Junto Project 0289: Ancient Artifacts
Imagine a forgotten instrument and make music with it.
..
庚寅年 (4̲5̲0̲ ̲B̲C̲), ̲H̲u̲n̲i̲n̲g̲ ̲p̲r̲o̲v̲i̲n̲c̲e̲
She was alone. Self imposed exile. Her time spent in music. To connect with an imagined future. Less painful to consort with envisioned ghosts. Her childhood instruments contorted with destroyed nature and slaughtered food.
A̲n̲n̲a̲l̲s̲ ̲o̲f̲ ̲M̲u̲s̲i̲c̲o̲l̲o̲g̲y̲ ̲(̲P̲r̲i̲m̲i̲t̲i̲v̲e̲/̲A̲n̲c̲i̲e̲n̲t̲ ̲H̲i̲s̲t̲o̲r̲y̲)̲ ̲1̲9̲5̲6̲ ̲(̲r̲e̲j̲e̲c̲t̲e̲d̲ ̲m̲a̲n̲u̲s̲c̲r̲i̲p̲t̲)̲
“..I posit that over the decades she’d somehow modified a sheng polyphonically and with further sensitivity to sound vibrations allowing the strings of some sort of bass harp /guqin to create dronelike (faburden) harmonics
.. The tablature took years to decode written in probably an esoteric, that is to say, unique style of her invention but given the sheer volume of annotated vellum and glancing similarity to chronistic qin tablature I think I’ve arrived at an adequate solution.”
c̲l̲o̲u̲u̲d̲s̲o̲u̲n̲d̲.̲a̲u̲d̲i̲o̲/̲x̲p̲r̲o̲c̲k̲x̲/̲r̲e̲d̲i̲s̲c̲o̲v̲e̲r̲e̲d̲̲a̲u̲d̲i̲o̲̲r̲e̲f̲i̲x̲,̲ ̲2̲0̲1̲9̲
bit different but hear me out..found grandads old stuff and there was like this journal paper on how he found these remains of this woman /ewww/ in china and some cool old instrument well like all broken up thousands of years old.. and he’d managed to renotate her songs..wish id known him but dads all like ‘he took the cowards way out’ and that’s it  .jeez.  so anyway I played it all slow like desolate and despondent -fuqd up uke and melodica!!. Gonna make this story into a comic stay toond bitches xxx!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/1/3/_/uploads/801843/image_track/1434041/w1400_h1400_q70_ptrue_v2_----cropped_1500301316.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/is-it-peace-disquiet0289/</feedburner:origLink>
                                    <itunes:duration>381</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1377271</guid>
                                    
                                        <pubDate>Thu, 29 Jun 2017 18:29:42 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-29T18:29:42+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>-harmattan- Naviarhaiku182</title>
                                    <description><![CDATA[dark dry storms
occasional leaves
.
The Harmattan is a season in the West African subcontinent, which occurs between the end of November and the middle of March. It is characterized by dry and dusty northeasterly trade wind, of the same name, which blows from the Sahara Desert over West Africa into the Gulf of Guinea. 
A new haiku written by a member of Africa Haiku Network. Jamil Dan'bala Umar is a young teacher from Ghana and a regular contributor to the Mamba Haiku Journal. 
Seven days to translate a haiku poem into sounds: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 5th July
Poem by Jamil Dan'bala Umar twitter.com/Danbala
Picture by Alexandra Seinet unsplash.com/@alexseinet]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/-harmattan-naviarhaiku182/listen.mp3?s=O9L" length="6940211" />
                                    <link>https://hearthis.at/sevenism/-harmattan-naviarhaiku182/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>c8abcf188a78432103cc6bdb06f719f8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/c8abcf188a78432103cc6bdb06f719f8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/-harmattan-naviarhaiku182/listen.mp3?s=O9L" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[dark dry storms
occasional leaves
.
The Harmattan is a season in the West African subcontinent, which occurs between the end of November and the middle of March. It is characterized by dry and dusty northeasterly trade wind, of the same name, which blows from the Sahara Desert over West Africa into the Gulf of Guinea. 
A new haiku written by a member of Africa Haiku Network. Jamil Dan'bala Umar is a young teacher from Ghana and a regular contributor to the Mamba Haiku Journal. 
Seven days to translate a haiku poem into sounds: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 5th July
Poem by Jamil Dan'bala Umar twitter.com/Danbala
Picture by Alexandra Seinet unsplash.com/@alexseinet]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/6/_/uploads/801843/image_track/1377271/w1400_h1400_q70_ptrue_v2_----cropped_1498834637.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/-harmattan-naviarhaiku182/</feedburner:origLink>
                                    <itunes:duration>433</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1377270</guid>
                                    
                                        <pubDate>Fri, 30 Jun 2017 16:33:18 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-30T16:33:18+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>deserted (tape cut mix) disquiet0287</title>
                                    <description><![CDATA[.recorded the first track off this cassette naviarrecords.bandcamp.com/alb...aline-celestial using a walkman connected to pc
.played it in vlc cutting between various portions
.recorded in audacity, took out all the microscopic silences from the cuts manually..trying to find them pesky zero crossings
.cheated a bit and did some de-clicking in audition!
original track here soundcloud.com/naviar-records/...aline-celestial
Disquiet Junto Project 0287: Digital Pause Tape
Make a track using only cut and paste.
llllllll.co/t/disquiet-junto-p...ital-pause-tape]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/deserted-tape-cut-mix-disquiet0287/listen.mp3?s=ydX" length="3891199" />
                                    <link>https://hearthis.at/sevenism/deserted-tape-cut-mix-disquiet0287/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>9b67cf3a3dccd0b7a07726fa29baa5be.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/9b67cf3a3dccd0b7a07726fa29baa5be.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/deserted-tape-cut-mix-disquiet0287/listen.mp3?s=ydX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[.recorded the first track off this cassette naviarrecords.bandcamp.com/alb...aline-celestial using a walkman connected to pc
.played it in vlc cutting between various portions
.recorded in audacity, took out all the microscopic silences from the cuts manually..trying to find them pesky zero crossings
.cheated a bit and did some de-clicking in audition!
original track here soundcloud.com/naviar-records/...aline-celestial
Disquiet Junto Project 0287: Digital Pause Tape
Make a track using only cut and paste.
llllllll.co/t/disquiet-junto-p...ital-pause-tape]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/6/_/uploads/801843/image_track/1377270/w1400_h1400_q70_ptrue_v2_----cropped_1498834630.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/deserted-tape-cut-mix-disquiet0287/</feedburner:origLink>
                                    <itunes:duration>243</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1371471</guid>
                                    
                                        <pubDate>Mon, 26 Jun 2017 12:45:01 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-26T12:45:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boson spin + sevenism - kaleidophobia</title>
                                    <description><![CDATA[reworking of soundcloud.com/boson_spin/coll...ation-fodder-01 by @boson_spin and sevenism
guitar distortion / reverb / exciters / chorus]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boson-spin-sevenism-kaleidophobia/listen.mp3?s=oOV" length="7004577" />
                                    <link>https://hearthis.at/sevenism/boson-spin-sevenism-kaleidophobia/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>7bd532ab28a045ffc4724fdb236a1bff.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/7bd532ab28a045ffc4724fdb236a1bff.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boson-spin-sevenism-kaleidophobia/listen.mp3?s=oOV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[reworking of soundcloud.com/boson_spin/coll...ation-fodder-01 by @boson_spin and sevenism
guitar distortion / reverb / exciters / chorus]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/0/3/_/uploads/801843/image_track/1371471/w1400_h1400_q70_ptrue_v2_----cropped_1498474302.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boson-spin-sevenism-kaleidophobia/</feedburner:origLink>
                                    <itunes:duration>437</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1374408</guid>
                                    
                                        <pubDate>Wed, 28 Jun 2017 13:14:05 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-28T13:14:05+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>atus (Naviarhaiku181)</title>
                                    <description><![CDATA[melodica + cello samples
.
blackout / our laughter laughs / at us
.
Poem by Nana Fredua-Agyeman nanafreduagyeman.blogspot.co.uk
Picture by Nathan Anderson unsplash.com/@nathananderson]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/atus-naviarhaiku181/listen.mp3?s=ZhT" length="4297873" />
                                    <link>https://hearthis.at/sevenism/atus-naviarhaiku181/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>4b15599b0b6d9a6f5fc414a9af8ba099.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/4b15599b0b6d9a6f5fc414a9af8ba099.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/atus-naviarhaiku181/listen.mp3?s=ZhT" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[melodica + cello samples
.
blackout / our laughter laughs / at us
.
Poem by Nana Fredua-Agyeman nanafreduagyeman.blogspot.co.uk
Picture by Nathan Anderson unsplash.com/@nathananderson]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/6/_/uploads/801843/image_track/1374408/w1400_h1400_q70_ptrue_v2_----cropped_1498661633.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/atus-naviarhaiku181/</feedburner:origLink>
                                    <itunes:duration>268</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1361583</guid>
                                    
                                        <pubDate>Sun, 18 Jun 2017 12:37:22 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-18T12:37:22+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>b|a|r |c|o||d|e - | m||i d| i  |   |(dsq285)</title>
                                    <description><![CDATA[grabbed the nearest book and painstakingly drew the barcode as a midi file
had this running through some instrument samples and fx. i really could not be arsed to draw two more barcodes so when the feedback had died down i played the same barcode again x2
i think i did well to leave some rhythm in; kind of allergic to rhythm at the moment: i'll bring it up next time i go to the doctors.
Disquiet Junto Project 0285: Live Barcoding
Make rhythms from your packaged goods.
Step 1: We’ll be making music from barcodes, those zebra-striped symbols that adorn packaged goods. Please find the three barcodes nearest you.
Step 2: Look at the barcodes and sort out how they suggest, for you, a rhythm, a beat — how do they function as notations of percussion?
Step 3: Create a short piece of music in which each of the three barcodes is independently interpreted for its rhythmic content. In other words, make a piece of music that layers the beats of the three barcodes you selected in Step 1 based on the notational concepts that arose in Step 2.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bar-code-mi-d-i-dsq285/listen.mp3?s=izM" length="2075166" />
                                    <link>https://hearthis.at/sevenism/bar-code-mi-d-i-dsq285/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>ff755826028a3d52be99115876435888.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/ff755826028a3d52be99115876435888.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bar-code-mi-d-i-dsq285/listen.mp3?s=izM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[grabbed the nearest book and painstakingly drew the barcode as a midi file
had this running through some instrument samples and fx. i really could not be arsed to draw two more barcodes so when the feedback had died down i played the same barcode again x2
i think i did well to leave some rhythm in; kind of allergic to rhythm at the moment: i'll bring it up next time i go to the doctors.
Disquiet Junto Project 0285: Live Barcoding
Make rhythms from your packaged goods.
Step 1: We’ll be making music from barcodes, those zebra-striped symbols that adorn packaged goods. Please find the three barcodes nearest you.
Step 2: Look at the barcodes and sort out how they suggest, for you, a rhythm, a beat — how do they function as notations of percussion?
Step 3: Create a short piece of music in which each of the three barcodes is independently interpreted for its rhythmic content. In other words, make a piece of music that layers the beats of the three barcodes you selected in Step 1 based on the notational concepts that arose in Step 2.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/7/_/uploads/801843/image_track/1361583/w1400_h1400_q70_ptrue_v2_----cropped_1497782721.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bar-code-mi-d-i-dsq285/</feedburner:origLink>
                                    <itunes:duration>129</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1368895</guid>
                                    
                                        <pubDate>Sat, 24 Jun 2017 19:58:26 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-24T19:58:26+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>transliterated self (disquiet0286)</title>
                                    <description><![CDATA[recorded something simple on ukelele (this forms the first 40 odd seconds)
converted to midi inaccurately
had the midi playing through various synths / samples
ableton changed the bpm  , not sure why. i didnt argue.
.
llllllll.co/t/disquiet-junto-p...-in-translation
.Disquiet Junto Project 0286: Found in Translation
Make three versions of something from different distances.
Step 1: Choose some piece of music, something expressly melodic or rhythmic might work best, with the intention of doing multiple renditions of it.
Step 2: Consider what it means to “transliterate” something, and how that differs from “translating” something, and how both differ from “interpreting” something.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/transliterated-self-disquiet0286/listen.mp3?s=sW4" length="6487143" />
                                    <link>https://hearthis.at/sevenism/transliterated-self-disquiet0286/</link>
                                    <thr:total>0</thr:total>
                                    <hq>28</hq>
                                    <hq_filename>3749edc175950e495b47f919c8d312b7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream17.hearthis.at/3749edc175950e495b47f919c8d312b7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/transliterated-self-disquiet0286/listen.mp3?s=sW4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[recorded something simple on ukelele (this forms the first 40 odd seconds)
converted to midi inaccurately
had the midi playing through various synths / samples
ableton changed the bpm  , not sure why. i didnt argue.
.
llllllll.co/t/disquiet-junto-p...-in-translation
.Disquiet Junto Project 0286: Found in Translation
Make three versions of something from different distances.
Step 1: Choose some piece of music, something expressly melodic or rhythmic might work best, with the intention of doing multiple renditions of it.
Step 2: Consider what it means to “transliterate” something, and how that differs from “translating” something, and how both differ from “interpreting” something.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/3/_/uploads/801843/image_track/1368895/w1400_h1400_q70_ptrue_v2_----cropped_1498333300.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/transliterated-self-disquiet0286/</feedburner:origLink>
                                    <itunes:duration>405</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1345854</guid>
                                    
                                        <pubDate>Thu, 01 Jun 2017 21:10:57 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-01T21:10:57+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dark mist ( Naviarhaiku178 )</title>
                                    <description><![CDATA[dark mist / wind / falling waves
cecilia5 / audacity / audition
.
the river's mist
helps out the haze
moonlit night
naviarlab.tumblr.com
Kobayashi Issa (1763 – 1828) was one of Japan’s most prolific poets. He left in his journals over twenty thousand haiku poems. His real name was Kobayashi Yataro, but eventually took the pen name Issa, which means “cup of tea”.
DEADLINE: 7th June
Poem by Kobayashi Issa poetryfoundation.org/poems-and.../kobayashi-issa
Picture by Gatis Vilaks unsplash.com/@gatisv]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dark-mist-naviarhaiku178/listen.mp3?s=rUE" length="0" />
                                    <link>https://hearthis.at/sevenism/dark-mist-naviarhaiku178/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>ccccaeb9d227dc4ae5cf0e56db0130ac.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/ccccaeb9d227dc4ae5cf0e56db0130ac.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dark-mist-naviarhaiku178/listen.mp3?s=rUE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[dark mist / wind / falling waves
cecilia5 / audacity / audition
.
the river's mist
helps out the haze
moonlit night
naviarlab.tumblr.com
Kobayashi Issa (1763 – 1828) was one of Japan’s most prolific poets. He left in his journals over twenty thousand haiku poems. His real name was Kobayashi Yataro, but eventually took the pen name Issa, which means “cup of tea”.
DEADLINE: 7th June
Poem by Kobayashi Issa poetryfoundation.org/poems-and.../kobayashi-issa
Picture by Gatis Vilaks unsplash.com/@gatisv]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/8/7/_/uploads/801843/image_track/1345854/w1400_h1400_q70_ptrue_v2_----cropped_1496502789.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dark-mist-naviarhaiku178/</feedburner:origLink>
                                    <itunes:duration>292</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1352468</guid>
                                    
                                        <pubDate>Thu, 08 Jun 2017 22:32:30 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-08T22:32:30+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>anthropocene phase transition disquiet0284</title>
                                    <description><![CDATA[in audition i used doppler shift to make the sound go full circle and graphic phase shifter so different frequencies were misplaced in the stereo field
had this playing and pulled the file into ableton too - lots of slow oscilation, slow delay, huge reverb and other stereo widening stuff, had this running at different octaves
then recorded for a while: the audition file is playing from ~ the hour mark and the ableton file from the start
stereo fx more pronounced in headphones but it sounds better acousmatically.
Disquiet Junto Project 0284: Creative Commonfield
Make ambient music from the sound of clay bowls.
Step 1: We’ll be making ambient recordings this week based on source audio from the artist Chris Kallmyer. He recorded the music using bells and bowls he constructed from clay sourced on the banks of the Mississippi River in St. Louis. Download the source audio from here:
goo.gl/Jb5CGU
llllllll.co/t/disquiet-junto-p...ive-commonfield]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/anthropocene-phase-transition-disquiet0284/listen.mp3?s=06U" length="22328632" />
                                    <link>https://hearthis.at/sevenism/anthropocene-phase-transition-disquiet0284/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>1401f05bd37b2c8a60af54d795654fbf.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1401f05bd37b2c8a60af54d795654fbf.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/anthropocene-phase-transition-disquiet0284/listen.mp3?s=06U" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[in audition i used doppler shift to make the sound go full circle and graphic phase shifter so different frequencies were misplaced in the stereo field
had this playing and pulled the file into ableton too - lots of slow oscilation, slow delay, huge reverb and other stereo widening stuff, had this running at different octaves
then recorded for a while: the audition file is playing from ~ the hour mark and the ableton file from the start
stereo fx more pronounced in headphones but it sounds better acousmatically.
Disquiet Junto Project 0284: Creative Commonfield
Make ambient music from the sound of clay bowls.
Step 1: We’ll be making ambient recordings this week based on source audio from the artist Chris Kallmyer. He recorded the music using bells and bowls he constructed from clay sourced on the banks of the Mississippi River in St. Louis. Download the source audio from here:
goo.gl/Jb5CGU
llllllll.co/t/disquiet-junto-p...ive-commonfield]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/1/_/uploads/801843/image_track/1352468/w1400_h1400_q70_ptrue_v2_----cropped_1497033133.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/anthropocene-phase-transition-disquiet0284/</feedburner:origLink>
                                    <itunes:duration>1395</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1352467</guid>
                                    
                                        <pubDate>Fri, 09 Jun 2017 19:31:30 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-09T19:31:30+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>rest in motion (Naviarhaiku179)</title>
                                    <description><![CDATA[bamboo flute resynthesized
bunch of fx
.
where feet fall softly,
distant lands abound,
with every step
.
DEADLINE: 14th June
Poem by Best Left Wild bestleftwild.com
Sharing poetry and music inspired by woodland walks, daily meditation and those moments of stillness amidst the waves, Best Left Wild explores the wild places within and without.
Picture by Jamie Dench jamiedench.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/rest-in-motion-naviarhaiku179/listen.mp3?s=CnI" length="2888097" />
                                    <link>https://hearthis.at/sevenism/rest-in-motion-naviarhaiku179/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>13a98c73e53858b1003bbda2d05ccbcb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/13a98c73e53858b1003bbda2d05ccbcb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/rest-in-motion-naviarhaiku179/listen.mp3?s=CnI" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[bamboo flute resynthesized
bunch of fx
.
where feet fall softly,
distant lands abound,
with every step
.
DEADLINE: 14th June
Poem by Best Left Wild bestleftwild.com
Sharing poetry and music inspired by woodland walks, daily meditation and those moments of stillness amidst the waves, Best Left Wild explores the wild places within and without.
Picture by Jamie Dench jamiedench.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/2/1/_/uploads/801843/image_track/1352467/w1400_h1400_q70_ptrue_v2_----cropped_1497033129.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/rest-in-motion-naviarhaiku179/</feedburner:origLink>
                                    <itunes:duration>180</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1345852</guid>
                                    
                                        <pubDate>Sat, 03 Jun 2017 16:09:30 +0200</pubDate>
                                        
                                        <atom:updated>2017-06-03T16:09:30+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>soil n sand (disquiet0283)</title>
                                    <description><![CDATA[llllllll.co/t/disquiet-junto-p...thin-rooms/8030
Disquiet Junto Project 0283: Rooms Within Rooms
Make an instrumental song built from the sounds of different rooms.
i used the sound of the fishtank humming in the lounge
the sound of the cutlery draw in the kitchen
the sound of birds in the garden
protoplasm, ambience 0.1, ddly, podfarm were used to make the hum more musical. had automation on the fades so the birds, cutlery, hum were going in and out at different times. the fading in and out was pretty random so luckily there's points where each sound is alone.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/soil-n-sand-disquiet0283/listen.mp3?s=K1j" length="2653203" />
                                    <link>https://hearthis.at/sevenism/soil-n-sand-disquiet0283/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>e56ba233f8982ff61916e6f3ee04ee27.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e56ba233f8982ff61916e6f3ee04ee27.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/soil-n-sand-disquiet0283/listen.mp3?s=K1j" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/disquiet-junto-p...thin-rooms/8030
Disquiet Junto Project 0283: Rooms Within Rooms
Make an instrumental song built from the sounds of different rooms.
i used the sound of the fishtank humming in the lounge
the sound of the cutlery draw in the kitchen
the sound of birds in the garden
protoplasm, ambience 0.1, ddly, podfarm were used to make the hum more musical. had automation on the fades so the birds, cutlery, hum were going in and out at different times. the fading in and out was pretty random so luckily there's points where each sound is alone.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/8/7/_/uploads/801843/image_track/1345852/w1400_h1400_q70_ptrue_v2_----cropped_1496502785.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/soil-n-sand-disquiet0283/</feedburner:origLink>
                                    <itunes:duration>165</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1336847</guid>
                                    
                                        <pubDate>Sat, 27 May 2017 15:18:56 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-27T15:18:56+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dream paralysis</title>
                                    <description><![CDATA[my track for ambient online 8 part 1
ambientonline.bandcamp.com/alb...lume-8-part-one
can't remember how i made this one!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dream-paralysis/listen.mp3?s=XCj" length="6994128" />
                                    <link>https://hearthis.at/sevenism/dream-paralysis/</link>
                                    <thr:total>0</thr:total>
                                    <hq>66</hq>
                                    <hq_filename>71482e339b63ea5d537d7115e82c1adb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream22.hearthis.at/71482e339b63ea5d537d7115e82c1adb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dream-paralysis/listen.mp3?s=XCj" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my track for ambient online 8 part 1
ambientonline.bandcamp.com/alb...lume-8-part-one
can't remember how i made this one!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/8/9/_/uploads/801843/image_track/1336847/w1400_h1400_q70_ptrue_v2_----cropped_1495897984.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dream-paralysis/</feedburner:origLink>
                                    <itunes:duration>437</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1337650</guid>
                                    
                                        <pubDate>Sun, 28 May 2017 12:06:25 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-28T12:06:25+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Injustice (Naviarhaiku177)</title>
                                    <description><![CDATA[sunburnt fuzz / reptilian oppression
..
.
Eastern guard tower
glints in sunset; convicts rest
like lizards on rocks.
.
..
Etheridge Knight started writing poetry while serving a sentence at the Indiana State Prison and published his first collection, Poems from Prison in 1968.
Seven days to make music inspired by Knight’s poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 31st May
Poem by Etheridge Knight en.wikipedia.org/wiki/Etheridge_Knight
Picture by Chris Child unsplash.com/@chris23]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/injustice-naviarhaiku177/listen.mp3?s=K0S" length="5180603" />
                                    <link>https://hearthis.at/sevenism/injustice-naviarhaiku177/</link>
                                    <thr:total>0</thr:total>
                                    <hq>66</hq>
                                    <hq_filename>8bba3d31764170e0205cea84a2b7c71f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream15.hearthis.at/8bba3d31764170e0205cea84a2b7c71f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/injustice-naviarhaiku177/listen.mp3?s=K0S" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sunburnt fuzz / reptilian oppression
..
.
Eastern guard tower
glints in sunset; convicts rest
like lizards on rocks.
.
..
Etheridge Knight started writing poetry while serving a sentence at the Indiana State Prison and published his first collection, Poems from Prison in 1968.
Seven days to make music inspired by Knight’s poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 31st May
Poem by Etheridge Knight en.wikipedia.org/wiki/Etheridge_Knight
Picture by Chris Child unsplash.com/@chris23]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/2/_/uploads/801843/image_track/1337650/w1400_h1400_q70_ptrue_v2_----cropped_1495966253.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/injustice-naviarhaiku177/</feedburner:origLink>
                                    <itunes:duration>323</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1335561</guid>
                                    
                                        <pubDate>Fri, 26 May 2017 12:45:40 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-26T12:45:40+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Song Drone (disquiet0282)</title>
                                    <description><![CDATA[was in the garden listening to the birds thinking about the structure of birdsong.. then i was thinking about orders of complexity and how animals sound like other animals at different octaves / stretched
recorded the sounds of the garden then my partner started shouting about standing in pigeon poop so had to do another recording!
i used paulstretch and delay to get that voice quality. stretched at different time resolutions to get more dronelike stuff. 
denoising the recording and the gust of wind produced some weird artefacts which i decided to leave in.
as usual i read the junto instruct last night and had half forgotten it this morning
OoOOooooooooooooOOOOOOooOOO
Disquiet Junto Project 0282: Berio’s Bach
llllllll.co/t/disquiet-junto-p...282-berios-bach
Make a piece of music based on one composer’s observation regarding another composer.
Compose a short piece of music that opens and closes with there being a clear sense of which parts are “structurally significant” and which are “decorative,” but that in the middle gets ambiguous in this regard.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/song-drone-disquiet0282/listen.mp3?s=BFW" length="3122572" />
                                    <link>https://hearthis.at/sevenism/song-drone-disquiet0282/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>981093474d6ef617af94f33f5cc34ddc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/981093474d6ef617af94f33f5cc34ddc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/song-drone-disquiet0282/listen.mp3?s=BFW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[was in the garden listening to the birds thinking about the structure of birdsong.. then i was thinking about orders of complexity and how animals sound like other animals at different octaves / stretched
recorded the sounds of the garden then my partner started shouting about standing in pigeon poop so had to do another recording!
i used paulstretch and delay to get that voice quality. stretched at different time resolutions to get more dronelike stuff. 
denoising the recording and the gust of wind produced some weird artefacts which i decided to leave in.
as usual i read the junto instruct last night and had half forgotten it this morning
OoOOooooooooooooOOOOOOooOOO
Disquiet Junto Project 0282: Berio’s Bach
llllllll.co/t/disquiet-junto-p...282-berios-bach
Make a piece of music based on one composer’s observation regarding another composer.
Compose a short piece of music that opens and closes with there being a clear sense of which parts are “structurally significant” and which are “decorative,” but that in the middle gets ambiguous in this regard.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/8/_/uploads/801843/image_track/1335561/w1400_h1400_q70_ptrue_v2_----cropped_1495808806.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/song-drone-disquiet0282/</feedburner:origLink>
                                    <itunes:duration>195</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1329007</guid>
                                    
                                        <pubDate>Sat, 20 May 2017 10:07:06 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-20T10:07:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>refracted stillness (Naviarhaiku176)</title>
                                    <description><![CDATA[made with nsynth aiexperiments.withgoogle.com/s...ound-maker/view
this software uses AI to create impossible instruments. the track here combines aspects of a reversed guitar and a pan flute
i'm interested in creating something human from something computational.
| ||  ||||         ||  |
The haiku of the week is from The Narrow Road to the Interior, a collection of haibun (prose + haiku) written by Matsuo Basho 
In Yamagata Province, the ancient temple founded by Jikaku Daishi in 86o, Ryushaku Temple is stone quiet, perfectly tidy. Everyone told us to see it. It meant a few miles extra, doubling back toward Obanazawa to find shelter. Monks at the foot of the mountain offered rooms, then we climbed the ridge to the temple, scrambling up through ancient gnarled pine and oak, gray smooth stones and moss. The temple doors, built on rocks, were bolted. I crawled among boulders to make my bows at shrines. The silence was profound. I sat, feeling my heart begin to open.
Lonely stillness-
a single cicada’s cry
sinking into stone 
DEADLINE: 25th May
Poem by Matsuo Bashō goodreads.com/author/show/6225...257.Bash_Matsuo
Picture by Parker Gibbs unsplash.com/@parkergibbsmccullough
#naviar #haiku #haikuoftheday  #MatsuoBasho]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/refracted-stillness-naviarhaiku176/listen.mp3?s=2mC" length="6088410" />
                                    <link>https://hearthis.at/sevenism/refracted-stillness-naviarhaiku176/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>41681ca95118940ebcb4b42236035037.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/41681ca95118940ebcb4b42236035037.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/refracted-stillness-naviarhaiku176/listen.mp3?s=2mC" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made with nsynth aiexperiments.withgoogle.com/s...ound-maker/view
this software uses AI to create impossible instruments. the track here combines aspects of a reversed guitar and a pan flute
i'm interested in creating something human from something computational.
| ||  ||||         ||  |
The haiku of the week is from The Narrow Road to the Interior, a collection of haibun (prose + haiku) written by Matsuo Basho 
In Yamagata Province, the ancient temple founded by Jikaku Daishi in 86o, Ryushaku Temple is stone quiet, perfectly tidy. Everyone told us to see it. It meant a few miles extra, doubling back toward Obanazawa to find shelter. Monks at the foot of the mountain offered rooms, then we climbed the ridge to the temple, scrambling up through ancient gnarled pine and oak, gray smooth stones and moss. The temple doors, built on rocks, were bolted. I crawled among boulders to make my bows at shrines. The silence was profound. I sat, feeling my heart begin to open.
Lonely stillness-
a single cicada’s cry
sinking into stone 
DEADLINE: 25th May
Poem by Matsuo Bashō goodreads.com/author/show/6225...257.Bash_Matsuo
Picture by Parker Gibbs unsplash.com/@parkergibbsmccullough
#naviar #haiku #haikuoftheday  #MatsuoBasho]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/5/_/uploads/801843/image_track/1329007/w1400_h1400_q70_ptrue_v2_----cropped_1495283572.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/refracted-stillness-naviarhaiku176/</feedburner:origLink>
                                    <itunes:duration>380</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1328117</guid>
                                    
                                        <pubDate>Fri, 19 May 2017 12:44:50 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-19T12:44:50+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>falling spirals</title>
                                    <description><![CDATA[llllllll.co/t/disquiet-junto-p...rn-interruption
Disquiet Junto Project 0281: Pattern Interruption
Create a pattern, loop it, and intersperse alterations.
~~~~
recorded some melodica and palindromed it
in ableton i had it looping with lots of oscillation and gradually different octaves coming through as well as different delays (pingpong, reverse, platter, ddly) with more and more feedback. i thought this would deal with the variation rather than actually playing different notes.
feedback cut down in the last minute
image from nsf.gov/news/mmg/mmg_disp.jsp?...sp?med_id=73108]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/falling-spirals-disquiet0281/listen.mp3?s=1xl" length="3857762" />
                                    <link>https://hearthis.at/sevenism/falling-spirals-disquiet0281/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>5be74f011c9516710009819fc0d90e6d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream33.hearthis.at/5be74f011c9516710009819fc0d90e6d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/falling-spirals-disquiet0281/listen.mp3?s=1xl" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/disquiet-junto-p...rn-interruption
Disquiet Junto Project 0281: Pattern Interruption
Create a pattern, loop it, and intersperse alterations.
~~~~
recorded some melodica and palindromed it
in ableton i had it looping with lots of oscillation and gradually different octaves coming through as well as different delays (pingpong, reverse, platter, ddly) with more and more feedback. i thought this would deal with the variation rather than actually playing different notes.
feedback cut down in the last minute
image from nsf.gov/news/mmg/mmg_disp.jsp?...sp?med_id=73108]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/5/7/_/uploads/801843/image_track/1328117/w1400_h1400_q70_ptrue_v2_----cropped_1495202759.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/falling-spirals-disquiet0281/</feedburner:origLink>
                                    <itunes:duration>241</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1322747</guid>
                                    
                                        <pubDate>Sun, 14 May 2017 14:19:15 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-14T14:19:15+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Bass on Blue – Naviarhaiku175</title>
                                    <description><![CDATA[processed recording of a thunderstorm in portugal (thursday)
heavily processed bamboo flute
post holiday blues
..
The author of the week is Sumitaku Kenshin (1961-1987). He died just before turning 26, and devoted the last 20 months of his life to haiku poetry.
Seven days to make music in response to Sumitaku Kenshin’s poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 17th May
Poem by Sumitaku Kenshin (translated by Alex Fyffe) simplyhaiku.com/SHv2n6/feature...to_feature.html
Picture by Eutah Mizushima unsplash.com/@eutahm]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bass-on-blue-naviarhaiku175/listen.mp3?s=35I" length="3693504" />
                                    <link>https://hearthis.at/sevenism/bass-on-blue-naviarhaiku175/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>4bbc73956d6b519d60317adeb13dac87.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream65.hearthis.at/4bbc73956d6b519d60317adeb13dac87.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bass-on-blue-naviarhaiku175/listen.mp3?s=35I" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[processed recording of a thunderstorm in portugal (thursday)
heavily processed bamboo flute
post holiday blues
..
The author of the week is Sumitaku Kenshin (1961-1987). He died just before turning 26, and devoted the last 20 months of his life to haiku poetry.
Seven days to make music in response to Sumitaku Kenshin’s poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 17th May
Poem by Sumitaku Kenshin (translated by Alex Fyffe) simplyhaiku.com/SHv2n6/feature...to_feature.html
Picture by Eutah Mizushima unsplash.com/@eutahm]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/2/5/_/uploads/801843/image_track/1322747/w1400_h1400_q70_ptrue_v2_----cropped_1494776524.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bass-on-blue-naviarhaiku175/</feedburner:origLink>
                                    <itunes:duration>230</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1321410</guid>
                                    
                                        <pubDate>Sat, 13 May 2017 13:01:53 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-13T13:01:53+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>the lost chord (1888) refix -disquiet0280-</title>
                                    <description><![CDATA[i used the worlds oldest recorded music and the moment i click save this will be the worlds newest released music (for what? a nanosecond?)
i converted youtube.com/watch?v=8D0SXIANTL...WL&index=14 to midi after denoising
from classicfm.com/discover-music/l...dest-recordings:
"This is the earliest recording of music known to exist. In 1888 a recording of Arthur Sullivan's song 'The Lost Chord' was etched onto a phonograph cylinder. Sullivan was astounded at this new technology, but had his reservations too. At the time he said "I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record forever.""
i made some bamboo flute samples and plugged them into a synth. i bought the flute in portugal a couple of days ago - i love cheap badly made instruments - they can sound so interesting. this cost 3 euro i think
then renoised it with various fx. it amused me to take out the vinyl distortions and then add the izotope vinyl vst to the chain.
.
llllllll.co/t/celebrate-a-junt...to-project-0280
Disquiet Junto Project 0280: 20170514
Celebrate the 70th birthday of a Junto member.
This week we celebrate the May 14, 2017, birthday of Junto member ferrie = differentieel, of the Netherlands.
Junto member ferrie = differentieel, of the Netherlands, turns 70 years of age on May 14, 2017. In correspondence leading up to this project, ferrie shared an observation that the composer Frederic Rzewski had previously shared with him in a letter: “Using pre-existing material for building new things is a very old practice.”]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-lost-chord-1888-refix-disquiet0280-/listen.mp3?s=TbX" length="2754768" />
                                    <link>https://hearthis.at/sevenism/the-lost-chord-1888-refix-disquiet0280-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>65</hq>
                                    <hq_filename>8d2cb088e32b4bba0b46d1f895162476.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream20.hearthis.at/8d2cb088e32b4bba0b46d1f895162476.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-lost-chord-1888-refix-disquiet0280-/listen.mp3?s=TbX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used the worlds oldest recorded music and the moment i click save this will be the worlds newest released music (for what? a nanosecond?)
i converted youtube.com/watch?v=8D0SXIANTL...WL&index=14 to midi after denoising
from classicfm.com/discover-music/l...dest-recordings:
"This is the earliest recording of music known to exist. In 1888 a recording of Arthur Sullivan's song 'The Lost Chord' was etched onto a phonograph cylinder. Sullivan was astounded at this new technology, but had his reservations too. At the time he said "I can only say that I am astonished and somewhat terrified at the result of this evening's experiments: astonished at the wonderful power you have developed, and terrified at the thought that so much hideous and bad music may be put on record forever.""
i made some bamboo flute samples and plugged them into a synth. i bought the flute in portugal a couple of days ago - i love cheap badly made instruments - they can sound so interesting. this cost 3 euro i think
then renoised it with various fx. it amused me to take out the vinyl distortions and then add the izotope vinyl vst to the chain.
.
llllllll.co/t/celebrate-a-junt...to-project-0280
Disquiet Junto Project 0280: 20170514
Celebrate the 70th birthday of a Junto member.
This week we celebrate the May 14, 2017, birthday of Junto member ferrie = differentieel, of the Netherlands.
Junto member ferrie = differentieel, of the Netherlands, turns 70 years of age on May 14, 2017. In correspondence leading up to this project, ferrie shared an observation that the composer Frederic Rzewski had previously shared with him in a letter: “Using pre-existing material for building new things is a very old practice.”]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/0/_/uploads/801843/image_track/1321410/w1400_h1400_q70_ptrue_v2_----cropped_1494674011.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-lost-chord-1888-refix-disquiet0280-/</feedburner:origLink>
                                    <itunes:duration>172</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1314560</guid>
                                    
                                        <pubDate>Sat, 06 May 2017 13:26:06 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-06T13:26:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>bamboo sea |Naviarhaiku174|</title>
                                    <description><![CDATA[early morning ambience
windy instruments
id like bamboo to take over the end of the garden
|||
Ozaki Hōsai was part of the New Trend Movement which is credited with the development of free-form haiku. In his short lifetime, he wrote only one book: Right under the big sky, I don’t wear a hat.
Seven days to make music inspired by his poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 10th May
Poem by Ozaki Hōsai en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
Picture by Sam X unsplash.com/@samx]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bamboo-sea-naviarhaiku174/listen.mp3?s=BZK" length="6602918" />
                                    <link>https://hearthis.at/sevenism/bamboo-sea-naviarhaiku174/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>a637c0d0a09215e1fb714c142c1382c0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/a637c0d0a09215e1fb714c142c1382c0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bamboo-sea-naviarhaiku174/listen.mp3?s=BZK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[early morning ambience
windy instruments
id like bamboo to take over the end of the garden
|||
Ozaki Hōsai was part of the New Trend Movement which is credited with the development of free-form haiku. In his short lifetime, he wrote only one book: Right under the big sky, I don’t wear a hat.
Seven days to make music inspired by his poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 10th May
Poem by Ozaki Hōsai en.wikipedia.org/wiki/Ozaki_H%C5%8Dsai
Picture by Sam X unsplash.com/@samx]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/6/9/_/uploads/801843/image_track/1314560/w1400_h1400_q70_ptrue_v2_----cropped_1494073960.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bamboo-sea-naviarhaiku174/</feedburner:origLink>
                                    <itunes:duration>412</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1307965</guid>
                                    
                                        <pubDate>Fri, 28 Apr 2017 12:42:06 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-28T12:42:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dream haze (disquiet0278)</title>
                                    <description><![CDATA[looking at this i thought of the artwork from tranquility tapes releases, a jangly focused discordant blurred sound, i thought eurgh vaporwave (the statue) and how a dumb meme can seemingly spawn a whole genre these days, i saw the UN symbol in the top right and thought of integration and separation, and i thought about graphic notation as an artificial synaesthesia and then i was wondering if the perirhinal cortex was still implicated in synaesthetic/integrative cognitive fuctioning.. TMI!
based on all this i went for experimental ambient, classical architecture so classical music samples (cello, viola, bass clarinet) jangly guitar fx echoes, all recorded in one take, emergent melodies to represent emergent cognition and integration, and that kind of hypnotic sense that fits with a looser more freeform notation
|||||
llllllll.co/t/disquiet-junto-p...cconnels-jingle
Disquiet Junto Project 0278: MacConnel’s Jingle
The Assignment: Interpret a work of contemporary art as a graphically notated score.
Step 1: The image at the following URL is a photograph of Jingle, a 1980 work by the artist Kim MacConnel (b. 1946). The piece, which is approximately 8 feet wide and is made of acrylic on cotton, hangs at the Parrish Art Museum in the town of Watermill, New York, on the east end of Long Island.
disquiet.com/wp-content/upload...onneljingle.jpg
Step 2: Compose a short piece of music that interprets MacConnel’s Jingle as a graphically notated score.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dream-haze-disquiet0278/listen.mp3?s=lNf" length="6785984" />
                                    <link>https://hearthis.at/sevenism/dream-haze-disquiet0278/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>8df1f6241143358a7d057ddac5b5ca44.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream20.hearthis.at/8df1f6241143358a7d057ddac5b5ca44.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dream-haze-disquiet0278/listen.mp3?s=lNf" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[looking at this i thought of the artwork from tranquility tapes releases, a jangly focused discordant blurred sound, i thought eurgh vaporwave (the statue) and how a dumb meme can seemingly spawn a whole genre these days, i saw the UN symbol in the top right and thought of integration and separation, and i thought about graphic notation as an artificial synaesthesia and then i was wondering if the perirhinal cortex was still implicated in synaesthetic/integrative cognitive fuctioning.. TMI!
based on all this i went for experimental ambient, classical architecture so classical music samples (cello, viola, bass clarinet) jangly guitar fx echoes, all recorded in one take, emergent melodies to represent emergent cognition and integration, and that kind of hypnotic sense that fits with a looser more freeform notation
|||||
llllllll.co/t/disquiet-junto-p...cconnels-jingle
Disquiet Junto Project 0278: MacConnel’s Jingle
The Assignment: Interpret a work of contemporary art as a graphically notated score.
Step 1: The image at the following URL is a photograph of Jingle, a 1980 work by the artist Kim MacConnel (b. 1946). The piece, which is approximately 8 feet wide and is made of acrylic on cotton, hangs at the Parrish Art Museum in the town of Watermill, New York, on the east end of Long Island.
disquiet.com/wp-content/upload...onneljingle.jpg
Step 2: Compose a short piece of music that interprets MacConnel’s Jingle as a graphically notated score.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/4/_/uploads/801843/image_track/1307965/w1400_h1400_q70_ptrue_v2_----cropped_1493537417.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dream-haze-disquiet0278/</feedburner:origLink>
                                    <itunes:duration>424</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1308640</guid>
                                    
                                        <pubDate>Sun, 30 Apr 2017 19:42:25 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-30T19:42:25+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>midnight sands ~Naviarhaiku173~</title>
                                    <description><![CDATA[processed melodica and ocarina resynthesized
~~~
Seven days to make music inspired by the assigned poem. More info at: naviarrecords.com/about/naviar-haiku
Poem by Kala Ramesh ssla.edu.in/the-heart-of-haiku...202-kala-ramesh
Picture by Tim de Groot unsplash.com/@timdegroot]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/midnight-sands-naviarhaiku173/listen.mp3?s=Z3O" length="7348139" />
                                    <link>https://hearthis.at/sevenism/midnight-sands-naviarhaiku173/</link>
                                    <thr:total>0</thr:total>
                                    <hq>31</hq>
                                    <hq_filename>830e5f0a1e236518d8c6bb6f339a1264.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream22.hearthis.at/830e5f0a1e236518d8c6bb6f339a1264.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/midnight-sands-naviarhaiku173/listen.mp3?s=Z3O" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[processed melodica and ocarina resynthesized
~~~
Seven days to make music inspired by the assigned poem. More info at: naviarrecords.com/about/naviar-haiku
Poem by Kala Ramesh ssla.edu.in/the-heart-of-haiku...202-kala-ramesh
Picture by Tim de Groot unsplash.com/@timdegroot]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/7/_/uploads/801843/image_track/1308640/w1400_h1400_q70_ptrue_v2_----cropped_1493581753.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/midnight-sands-naviarhaiku173/</feedburner:origLink>
                                    <itunes:duration>459</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1313982</guid>
                                    
                                        <pubDate>Fri, 05 May 2017 22:10:58 +0200</pubDate>
                                        
                                        <atom:updated>2017-05-05T22:10:58+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>thought (dsqt0279)</title>
                                    <description><![CDATA[i rolled some dice in my head and got a 5 , a 9 , 4 and 5 (strange coz i envisaged a 6 sided dice) so chapter 5 word 18 was 'thought' 
i recorded myself saying thought, refreshed fakemusicgenerator.com til i got a track with thought in the title and used the generated midi with my recording in a synth and sampler. made a nice tribal polyrhythm
also a drone with the word slowed and reversed and pitched up and down and so on
.............
llllllll.co/t/disquiet-junto-p...d-interiorities
Disquiet Junto Project 0279: Word Interiorities
Dissect the sonic properties of a single spoken word.
Step 1: We’ll be composing short explorations of sound by taking apart the recording of a single spoken word, excavating it for its components, and then exposing them through various techniques, such as repetition, elongation, and contrast. The first step is to choose your word. You can choose your own, or you can follow these chance instructions, which require a single dice. First, roll the dice once. That number tells you which of the six chapters in Luciano Berio’s book Remembering the Future contains your word. Then roll the dice three times; the combined values of those three rolls (e.g., a roll of 3 and a roll of 4 and a roll of 2 yields 9) is how many words to count into the chapter to find your word. You should be able to access a digital copy of the book via Google Books at this URL:
goo.gl/hQ1kc0]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/thought-dsqt0279/listen.mp3?s=KAg" length="4077190" />
                                    <link>https://hearthis.at/sevenism/thought-dsqt0279/</link>
                                    <thr:total>0</thr:total>
                                    <hq>23</hq>
                                    <hq_filename>eeb985277c1bb4f99f345a7a8362a506.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/eeb985277c1bb4f99f345a7a8362a506.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/thought-dsqt0279/listen.mp3?s=KAg" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i rolled some dice in my head and got a 5 , a 9 , 4 and 5 (strange coz i envisaged a 6 sided dice) so chapter 5 word 18 was 'thought' 
i recorded myself saying thought, refreshed fakemusicgenerator.com til i got a track with thought in the title and used the generated midi with my recording in a synth and sampler. made a nice tribal polyrhythm
also a drone with the word slowed and reversed and pitched up and down and so on
.............
llllllll.co/t/disquiet-junto-p...d-interiorities
Disquiet Junto Project 0279: Word Interiorities
Dissect the sonic properties of a single spoken word.
Step 1: We’ll be composing short explorations of sound by taking apart the recording of a single spoken word, excavating it for its components, and then exposing them through various techniques, such as repetition, elongation, and contrast. The first step is to choose your word. You can choose your own, or you can follow these chance instructions, which require a single dice. First, roll the dice once. That number tells you which of the six chapters in Luciano Berio’s book Remembering the Future contains your word. Then roll the dice three times; the combined values of those three rolls (e.g., a roll of 3 and a roll of 4 and a roll of 2 yields 9) is how many words to count into the chapter to find your word. You should be able to access a digital copy of the book via Google Books at this URL:
goo.gl/hQ1kc0]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/0/_/uploads/801843/image_track/1313982/w1400_h1400_q70_ptrue_v2_----cropped_1494022021.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/thought-dsqt0279/</feedburner:origLink>
                                    <itunes:duration>254</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1302188</guid>
                                    
                                        <pubDate>Tue, 25 Apr 2017 13:56:03 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-25T13:56:03+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>in aura (mix) navairhaiku172</title>
                                    <description><![CDATA[hidden melodies
distant chimes
..
..
morning calm
the song that hovers
out of sight
The poem of the week is a beautiful haiku by Peggy Willis Lyles. You can find more information about Peggy at worldhaiku.net/poetry/eng/us/p...illis.lyles.htm.
“Sometimes we say too much. Words get in the way… . A good haiku offers just enough words, just the right words, to recreate the essence of a specific time and place and hold it permanently available.” (Peggy Willis Lyles)
DEADLINE: 26th April
Poem by Peggy Willis Lyles worldhaiku.net/poetry/eng/us/p...illis.lyles.htm
Picture by Timothy Meinberg unsplash.com/@tmbrg
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/in-aura-mix-navairhaiku172/listen.mp3?s=nCB" length="5232012" />
                                    <link>https://hearthis.at/sevenism/in-aura-mix-navairhaiku172/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>b46efdf2ed4c1815533a4fe5af1e3545.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/b46efdf2ed4c1815533a4fe5af1e3545.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/in-aura-mix-navairhaiku172/listen.mp3?s=nCB" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[hidden melodies
distant chimes
..
..
morning calm
the song that hovers
out of sight
The poem of the week is a beautiful haiku by Peggy Willis Lyles. You can find more information about Peggy at worldhaiku.net/poetry/eng/us/p...illis.lyles.htm.
“Sometimes we say too much. Words get in the way… . A good haiku offers just enough words, just the right words, to recreate the essence of a specific time and place and hold it permanently available.” (Peggy Willis Lyles)
DEADLINE: 26th April
Poem by Peggy Willis Lyles worldhaiku.net/poetry/eng/us/p...illis.lyles.htm
Picture by Timothy Meinberg unsplash.com/@tmbrg
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/9/3/_/uploads/801843/image_track/1302188/w1400_h1400_q70_ptrue_v2_----cropped_1493126393.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/in-aura-mix-navairhaiku172/</feedburner:origLink>
                                    <itunes:duration>326</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1297483</guid>
                                    
                                        <pubDate>Thu, 20 Apr 2017 22:27:31 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-20T22:27:31+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>three words for loss (disquiet0277)</title>
                                    <description><![CDATA[this track is in three chunks. each chunk has 3 constituent parts.
the first chunk is 3 previous tracks of mine
second is 3 field recordings
third is 3 samples of classical instruments
i messed around with pitch but phasing rather than speed. each chunk processed with the same fx to fit together
.
.
.
llllllll.co/t/chew-some-concre...to-project-0277
Disquiet Junto Project 0277: Chew Concrète
The Assignment: Make music inspired by C. Reider’s Chew Cinders album procedures.
Step 1: This week’s project is inspired by the manner in which C. Reider recorded his recent album, Chew Cinders (Midnight Circles). We aren’t remixing his album. We’re remixing/repurposing his approach to the album. You can check it out here:
midnightcircles.bandcamp.com/a...um/chew-cinders
Step 2: This instruction is adapted, with Reider’s input, from the manner in which he recorded the album:
Process a sequence of standalone “chunks” of pre-recorded sound — voice, field recordings, noise — with an emphasis on the manipulation of time and pitch. Speed things up, slow them down, and explore the opportunity to use cutup techniques. Pay particular attention to segues between the chunks.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/three-words-for-loss-disquiet0277/listen.mp3?s=DNM" length="5767835" />
                                    <link>https://hearthis.at/sevenism/three-words-for-loss-disquiet0277/</link>
                                    <thr:total>0</thr:total>
                                    <hq>66</hq>
                                    <hq_filename>a18cd575ad6bf725e6ecc0a313c2ec70.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a18cd575ad6bf725e6ecc0a313c2ec70.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/three-words-for-loss-disquiet0277/listen.mp3?s=DNM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this track is in three chunks. each chunk has 3 constituent parts.
the first chunk is 3 previous tracks of mine
second is 3 field recordings
third is 3 samples of classical instruments
i messed around with pitch but phasing rather than speed. each chunk processed with the same fx to fit together
.
.
.
llllllll.co/t/chew-some-concre...to-project-0277
Disquiet Junto Project 0277: Chew Concrète
The Assignment: Make music inspired by C. Reider’s Chew Cinders album procedures.
Step 1: This week’s project is inspired by the manner in which C. Reider recorded his recent album, Chew Cinders (Midnight Circles). We aren’t remixing his album. We’re remixing/repurposing his approach to the album. You can check it out here:
midnightcircles.bandcamp.com/a...um/chew-cinders
Step 2: This instruction is adapted, with Reider’s input, from the manner in which he recorded the album:
Process a sequence of standalone “chunks” of pre-recorded sound — voice, field recordings, noise — with an emphasis on the manipulation of time and pitch. Speed things up, slow them down, and explore the opportunity to use cutup techniques. Pay particular attention to segues between the chunks.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/3/9/_/uploads/801843/image_track/1297483/w1400_h1400_q70_ptrue_v2_----cropped_1492761935.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/three-words-for-loss-disquiet0277/</feedburner:origLink>
                                    <itunes:duration>360</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1291409</guid>
                                    
                                        <pubDate>Sun, 16 Apr 2017 19:31:16 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-16T19:31:16+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>birds eye view (Naviarhaiku171)</title>
                                    <description><![CDATA[flittering mountainous
cello/trumpet/viola samples
lots of fx
.
among twenty snowy mountains,
the only moving thing
was the eye of the blackbird.
.
The author of the week is Wallace Stevens, one of the most well-known and respected poets of the 20th century. “Thirteen Ways of Looking at a Blackbird“ is probably his best-known poem, and this week’s assignment is its first stanza.
“Thirteen  Ways of Looking at a Blackbird” is a sequence of thirteen Imagist poems written in variable syllabic verse. Line length varies from two to ten syllables,  but the norm is four to eight syllables per line, thus approximating in English  the line lengths of Japanese forms such as the haiku, the senryu, and the tanka,  all of which utilize five- and seven-syllable lines. In effect, Wallace Stevens’s  series is a sequence of Japanese-style Zen poems. The unifying factor in the  series is the image of the blackbird, which appears in each of the numbered  sections of the set; each poem otherwise stands on its own and offers an insight  either into “the nature of the universe,” as does the haiku, or into  "the nature of mankind,“ as does the senryu.  (from Terebess)
Read the whole poem at: poetryfoundation.org/poems-and...ms/detail/45236
DEADLINE: 19th April
Poem by Wallace Stevens poetryfoundation.org/poems-and...wallace-stevens
Picture by Jan Erik Waiderhttps://unsplash.com/@no...oto=Kc3meWFta9w]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/birds-eye-view-naviarhaiku171/listen.mp3?s=klr" length="5566379" />
                                    <link>https://hearthis.at/sevenism/birds-eye-view-naviarhaiku171/</link>
                                    <thr:total>0</thr:total>
                                    <hq>45</hq>
                                    <hq_filename>17e158462284e5e0a0ea02696c132de6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/17e158462284e5e0a0ea02696c132de6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/birds-eye-view-naviarhaiku171/listen.mp3?s=klr" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[flittering mountainous
cello/trumpet/viola samples
lots of fx
.
among twenty snowy mountains,
the only moving thing
was the eye of the blackbird.
.
The author of the week is Wallace Stevens, one of the most well-known and respected poets of the 20th century. “Thirteen Ways of Looking at a Blackbird“ is probably his best-known poem, and this week’s assignment is its first stanza.
“Thirteen  Ways of Looking at a Blackbird” is a sequence of thirteen Imagist poems written in variable syllabic verse. Line length varies from two to ten syllables,  but the norm is four to eight syllables per line, thus approximating in English  the line lengths of Japanese forms such as the haiku, the senryu, and the tanka,  all of which utilize five- and seven-syllable lines. In effect, Wallace Stevens’s  series is a sequence of Japanese-style Zen poems. The unifying factor in the  series is the image of the blackbird, which appears in each of the numbered  sections of the set; each poem otherwise stands on its own and offers an insight  either into “the nature of the universe,” as does the haiku, or into  "the nature of mankind,“ as does the senryu.  (from Terebess)
Read the whole poem at: poetryfoundation.org/poems-and...ms/detail/45236
DEADLINE: 19th April
Poem by Wallace Stevens poetryfoundation.org/poems-and...wallace-stevens
Picture by Jan Erik Waiderhttps://unsplash.com/@no...oto=Kc3meWFta9w]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/1/9/_/uploads/801843/image_track/1291409/w1400_h1400_q70_ptrue_v2_----cropped_1492376910.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/birds-eye-view-naviarhaiku171/</feedburner:origLink>
                                    <itunes:duration>347</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1289606</guid>
                                    
                                        <pubDate>Sat, 15 Apr 2017 21:45:05 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-15T21:45:05+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>808s n brokenstates (disquiet0276)</title>
                                    <description><![CDATA[made a beat (or block) using io808.com
loaded into protoplasm at 3 different octaves
had a (block)chain of guitar fx
at each stage the block gets more complex and further from the original. ending in a nice noisy drone.
-
.
More on this 276th weekly Disquiet Junto project — “808 Blockchain Beats: Make 808-style beats based on the blockchain” — at:
llllllll.co/t/808-blockchain-be…junto-project-0276/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/808s-n-brokenstates-disquiet0276/listen.mp3?s=cET" length="5328560" />
                                    <link>https://hearthis.at/sevenism/808s-n-brokenstates-disquiet0276/</link>
                                    <thr:total>0</thr:total>
                                    <hq>65</hq>
                                    <hq_filename>6682b782f5797bbab50a0f892ef796a2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/6682b782f5797bbab50a0f892ef796a2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/808s-n-brokenstates-disquiet0276/listen.mp3?s=cET" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made a beat (or block) using io808.com
loaded into protoplasm at 3 different octaves
had a (block)chain of guitar fx
at each stage the block gets more complex and further from the original. ending in a nice noisy drone.
-
.
More on this 276th weekly Disquiet Junto project — “808 Blockchain Beats: Make 808-style beats based on the blockchain” — at:
llllllll.co/t/808-blockchain-be…junto-project-0276/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/8/3/_/uploads/801843/image_track/1289606/w1400_h1400_q70_ptrue_v2_----cropped_1492290381.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/808s-n-brokenstates-disquiet0276/</feedburner:origLink>
                                    <itunes:duration>333</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1284974</guid>
                                    
                                        <pubDate>Mon, 10 Apr 2017 22:50:41 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-10T22:50:41+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>spring palindromes II (disquiet0275)</title>
                                    <description><![CDATA[Disquiet Junto Project 0275: Revisit Something
Make a track all over again.
llllllll.co/t/revisit-somethin...oject-0275/7300
i've been doing the junto coming on 2 years. i wanted to celebrate that by redoing my first junto track and kind of to mark how much i've learnt since then - largely in part by the breadth of these projects. 
but then i was kind of uninspired by the original so changed my mind. weirdly, that same day the original track came on random on my phone (out of 14,000 tracks) and i took that a sign. also i reflected on how i used to put some of my own music on my, well, i used an mp3 player back then. getting back into music the tracks were more memorable but now i'm making so much i can barely remember how i made the tracks i did yesterday.
the structure is similar in that i've reversed the first half to create a palindrome but i've switched between ableton audacity and audition which is what i tend to do at the moment.
recreation of hearthis.at/sevenism/spring-pa...etlabelportrait
original instructions:
Step 1: Create a new piece of music by using nothing but the following segments of the following songs:
Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:
darkwinter.com/dw095.html
Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:
darkwinter.com/dw096.html
Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:
darkwinter.com/dw097.html]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/spring-palindromes-ii-disquiet0275/listen.mp3?s=imV" length="3786709" />
                                    <link>https://hearthis.at/sevenism/spring-palindromes-ii-disquiet0275/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>35dcad3142155ba28a0d2891537d9e25.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/35dcad3142155ba28a0d2891537d9e25.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/spring-palindromes-ii-disquiet0275/listen.mp3?s=imV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0275: Revisit Something
Make a track all over again.
llllllll.co/t/revisit-somethin...oject-0275/7300
i've been doing the junto coming on 2 years. i wanted to celebrate that by redoing my first junto track and kind of to mark how much i've learnt since then - largely in part by the breadth of these projects. 
but then i was kind of uninspired by the original so changed my mind. weirdly, that same day the original track came on random on my phone (out of 14,000 tracks) and i took that a sign. also i reflected on how i used to put some of my own music on my, well, i used an mp3 player back then. getting back into music the tracks were more memorable but now i'm making so much i can barely remember how i made the tracks i did yesterday.
the structure is similar in that i've reversed the first half to create a palindrome but i've switched between ableton audacity and audition which is what i tend to do at the moment.
recreation of hearthis.at/sevenism/spring-pa...etlabelportrait
original instructions:
Step 1: Create a new piece of music by using nothing but the following segments of the following songs:
Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:
darkwinter.com/dw095.html
Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:
darkwinter.com/dw096.html
Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:
darkwinter.com/dw097.html]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/2/_/uploads/801843/image_track/1284974/w1400_h1400_q70_ptrue_v2_----cropped_1491925278.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/spring-palindromes-ii-disquiet0275/</feedburner:origLink>
                                    <itunes:duration>236</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1280132</guid>
                                    
                                        <pubDate>Fri, 24 Mar 2017 13:07:43 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-24T13:07:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Dark Rain (Gomel, 1986)</title>
                                    <description><![CDATA[This music challenge marks the first collaboration between Naviar’s community and Food of War, an international art collective that explores the direct relationship between conflict and food, and how these two influence each other.
To commemorate the 31th anniversary of Chernobyl disaster, Food of War is organizing Clouded Lands, a show which aims to raise awareness on the consequences that such catastrophic event brings in people’s culture and everyday life: outcomes that can still be seen and experienced today in this area of our planet.
Naviar’s task is to recreate sounds, atmospheres and moods of one of the areas mostly affected by the disaster: the region of Gomel, in Belarus.
Just 70 miles away from the nuclear disaster, the Gomel region is where the Soviet government used artillery shells filled with silver iodide to make rain clouds that would “wash out” radioactive particles which were drifting towards densely populated cities. Witnesses say that that day in 1986 they saw black rain falling from the sky. The nuclear fallout is said to have caused an 80% increase in disabled births here, and to this day huge areas around Gomel remain uninhabitable. To commemorate this tragedy, musicians are called to reimagine sounds and moods from those days in Gomel, and translate them into sounds.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dark-rain-gomel-1986/listen.mp3?s=gk2" length="4515212" />
                                    <link>https://hearthis.at/sevenism/dark-rain-gomel-1986/</link>
                                    <thr:total>0</thr:total>
                                    <hq>31</hq>
                                    <hq_filename>d21fda26e875b4bd85b638caadd19212.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/d21fda26e875b4bd85b638caadd19212.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dark-rain-gomel-1986/listen.mp3?s=gk2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[This music challenge marks the first collaboration between Naviar’s community and Food of War, an international art collective that explores the direct relationship between conflict and food, and how these two influence each other.
To commemorate the 31th anniversary of Chernobyl disaster, Food of War is organizing Clouded Lands, a show which aims to raise awareness on the consequences that such catastrophic event brings in people’s culture and everyday life: outcomes that can still be seen and experienced today in this area of our planet.
Naviar’s task is to recreate sounds, atmospheres and moods of one of the areas mostly affected by the disaster: the region of Gomel, in Belarus.
Just 70 miles away from the nuclear disaster, the Gomel region is where the Soviet government used artillery shells filled with silver iodide to make rain clouds that would “wash out” radioactive particles which were drifting towards densely populated cities. Witnesses say that that day in 1986 they saw black rain falling from the sky. The nuclear fallout is said to have caused an 80% increase in disabled births here, and to this day huge areas around Gomel remain uninhabitable. To commemorate this tragedy, musicians are called to reimagine sounds and moods from those days in Gomel, and translate them into sounds.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/6/7/_/uploads/801843/image_track/1280132/w1400_h1400_q70_ptrue_v2_----cropped_1491507765.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dark-rain-gomel-1986/</feedburner:origLink>
                                    <itunes:duration>282</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1272268</guid>
                                    
                                        <pubDate>Fri, 31 Mar 2017 12:48:50 +0200</pubDate>
                                        
                                        <atom:updated>2017-03-31T12:48:50+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>br|k|n s||nd (disquiet0͙̙̗̠͖͔ͫ̽́͊ͬ̔̚2̡̻̝͌ͣ7̶͎̥̩͔͔̱ͣ̓̔ͤ̀4̧͔̝̤̗͆̍̉)</title>
                                    <description><![CDATA[broke the sound in different ways but wanted it to still retain some cohesion
the beat is from aiexperiments.withgoogle.com/d...um-machine/view which is huge fun to play with. i kept the pattern the same and clicked shuffle a lot for different sounds. except when it got to ~1:50 and that great beat comes from nowhere.. was hard to change it then..
the synth is crystal, contorted with lots of lfo modulation. broken further by saving as an 8kbps mp3 , then fed thru a lot of guitar distortion.  same bpm as the beat
(the original synth sound is still low down in the mix too)
-0͙̙̗̠͖͔ͫ̽́͊ͬ̔̚2̡̻̝͌ͣ7̶͎̥̩͔͔̱ͣ̓̔ͤ̀4̧͔̝̤̗͆̍̉--------
“Broken Sound: Record a piece of music in the genre called ‘broken sound’” — at:
disquiet.com/0274/
llllllll.co/t/the-genre-of-brok…junto-project-0274/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/brkn-snd-disquiet0274/listen.mp3?s=sbt" length="4052949" />
                                    <link>https://hearthis.at/sevenism/brkn-snd-disquiet0274/</link>
                                    <thr:total>0</thr:total>
                                    <hq>42</hq>
                                    <hq_filename>ff081b7caef7bf05902375660b606682.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/ff081b7caef7bf05902375660b606682.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/brkn-snd-disquiet0274/listen.mp3?s=sbt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[broke the sound in different ways but wanted it to still retain some cohesion
the beat is from aiexperiments.withgoogle.com/d...um-machine/view which is huge fun to play with. i kept the pattern the same and clicked shuffle a lot for different sounds. except when it got to ~1:50 and that great beat comes from nowhere.. was hard to change it then..
the synth is crystal, contorted with lots of lfo modulation. broken further by saving as an 8kbps mp3 , then fed thru a lot of guitar distortion.  same bpm as the beat
(the original synth sound is still low down in the mix too)
-0͙̙̗̠͖͔ͫ̽́͊ͬ̔̚2̡̻̝͌ͣ7̶͎̥̩͔͔̱ͣ̓̔ͤ̀4̧͔̝̤̗͆̍̉--------
“Broken Sound: Record a piece of music in the genre called ‘broken sound’” — at:
disquiet.com/0274/
llllllll.co/t/the-genre-of-brok…junto-project-0274/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/8/_/uploads/801843/image_track/1272268/w1400_h1400_q70_ptrue_v2_----cropped_1490959872.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/brkn-snd-disquiet0274/</feedburner:origLink>
                                    <itunes:duration>253</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1278358</guid>
                                    
                                        <pubDate>Tue, 04 Apr 2017 23:47:21 +0200</pubDate>
                                        
                                        <atom:updated>2017-04-04T23:47:21+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>virtual flower |Naviarhaiku169|</title>
                                    <description><![CDATA[unfurled / clatterwind / fdbk hum
.
virtual flowers
on a windy night
computer humming
.
Poem by Katherine Samuelowicz worldhaiku.net/poetry/eng/au/k...samuelowicz.htm
Picture by Jeremy Bishop unsplash.com/@tidesinourveins]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/virtual-flower-naviarhaiku169/listen.mp3?s=FE9" length="3269693" />
                                    <link>https://hearthis.at/sevenism/virtual-flower-naviarhaiku169/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>36aa1c5bdf0c6eccd7b508173b1cf080.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/36aa1c5bdf0c6eccd7b508173b1cf080.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/virtual-flower-naviarhaiku169/listen.mp3?s=FE9" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[unfurled / clatterwind / fdbk hum
.
virtual flowers
on a windy night
computer humming
.
Poem by Katherine Samuelowicz worldhaiku.net/poetry/eng/au/k...samuelowicz.htm
Picture by Jeremy Bishop unsplash.com/@tidesinourveins]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/9/8/_/uploads/801843/image_track/1278358/w1400_h1400_q70_ptrue_v2_----cropped_1491386891.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/virtual-flower-naviarhaiku169/</feedburner:origLink>
                                    <itunes:duration>204</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1262278</guid>
                                    
                                        <pubDate>Fri, 24 Mar 2017 12:39:48 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-24T12:39:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Fallen Leaf 🍁Naviarhaiku168🍁</title>
                                    <description><![CDATA[i played something still on my old technics piano
made it more fluttery and liquid in ableton
🍁
naviarlab.tumblr.com
This week’s poem was written by Ryuin, over 300 years ago. Very little is known about this haiku writer, who was contemporary of Matsuo Basho and died in 1690. As always, seven days to make music in response to the assigned haiku poem: more info at: naviarrecords.com/about/naviar-haiku
DEADLINE: 29th March
Poem by Ryuin  haiku-hia.com/about_haiku/sele...vel_select.html
Picture by Caleb George caleb-morris.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fallen-leaf-naviarhaiku168/listen.mp3?s=H7u" length="4925648" />
                                    <link>https://hearthis.at/sevenism/fallen-leaf-naviarhaiku168/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>6ce332ec49bf13d3912e3618754e9fb1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/6ce332ec49bf13d3912e3618754e9fb1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fallen-leaf-naviarhaiku168/listen.mp3?s=H7u" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i played something still on my old technics piano
made it more fluttery and liquid in ableton
🍁
naviarlab.tumblr.com
This week’s poem was written by Ryuin, over 300 years ago. Very little is known about this haiku writer, who was contemporary of Matsuo Basho and died in 1690. As always, seven days to make music in response to the assigned haiku poem: more info at: naviarrecords.com/about/naviar-haiku
DEADLINE: 29th March
Poem by Ryuin  haiku-hia.com/about_haiku/sele...vel_select.html
Picture by Caleb George caleb-morris.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/4/_/uploads/801843/image_track/1262278/w1400_h1400_q70_ptrue_v2_----cropped_1490371495.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fallen-leaf-naviarhaiku168/</feedburner:origLink>
                                    <itunes:duration>307</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1262900</guid>
                                    
                                        <pubDate>Fri, 24 Mar 2017 20:26:18 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-24T20:26:18+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Rousing ◖disquiet027◗</title>
                                    <description><![CDATA[on my old technics piano there's a cheap synth setting. ironically, if you have digital effect selected it glitches the sound and makes it into a fast one note arpeggio.
i held down a note then another until my fingers could stretch no more
all slowed down in audacity ~60x
faded in throughout.
gentle wake up / definitely up by the end of the cacophony
◖◗
Disquiet Junto Project 0273: Alarm Clocked
The Assignment: Make music for a (new! improved!) slow-waking alarm clock.
llllllll.co/t/alarm-clocked-di...oject-0273/7097
Image associated with this track is used with a Creative Commons license: flic.kr/p/662uYX]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/rousing-disquiet027/listen.mp3?s=fXA" length="4898480" />
                                    <link>https://hearthis.at/sevenism/rousing-disquiet027/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>b159253b70406854e24d734a4065eca8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/b159253b70406854e24d734a4065eca8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/rousing-disquiet027/listen.mp3?s=fXA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[on my old technics piano there's a cheap synth setting. ironically, if you have digital effect selected it glitches the sound and makes it into a fast one note arpeggio.
i held down a note then another until my fingers could stretch no more
all slowed down in audacity ~60x
faded in throughout.
gentle wake up / definitely up by the end of the cacophony
◖◗
Disquiet Junto Project 0273: Alarm Clocked
The Assignment: Make music for a (new! improved!) slow-waking alarm clock.
llllllll.co/t/alarm-clocked-di...oject-0273/7097
Image associated with this track is used with a Creative Commons license: flic.kr/p/662uYX]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/2/8/_/uploads/801843/image_track/1262900/w1400_h1400_q70_ptrue_v2_----cropped_1490383822.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/rousing-disquiet027/</feedburner:origLink>
                                    <itunes:duration>306</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1252005</guid>
                                    
                                        <pubDate>Thu, 16 Mar 2017 14:39:57 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-16T14:39:57+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>the city sleeps (Naviarhaiku167)</title>
                                    <description><![CDATA[the city sleeps / my shadow / a dogged companion
sometimes i see this project as rewriting a haiku; but this happened more literally this time.
i played 12 string guitar and represented the dog/shadow as a pitched up echo gradually going out of phase.
.
.
lost in a labyrinth of streets
late at night
a stray dog following me...
.
As always, seven days to make music inspired by the poem above: more info at naviarrecords.com/about/naviar-haiku
Poem by Ty Hadman ahapoetry.com/PPthbio.htm
Picture by Khachik Simonian khachik.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-city-sleeps-naviarhaiku167/listen.mp3?s=tB4" length="3881586" />
                                    <link>https://hearthis.at/sevenism/the-city-sleeps-naviarhaiku167/</link>
                                    <thr:total>0</thr:total>
                                    <hq>49</hq>
                                    <hq_filename>1607b8a8ec2ac2686788ee8cd9c6ccfc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1607b8a8ec2ac2686788ee8cd9c6ccfc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-city-sleeps-naviarhaiku167/listen.mp3?s=tB4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[the city sleeps / my shadow / a dogged companion
sometimes i see this project as rewriting a haiku; but this happened more literally this time.
i played 12 string guitar and represented the dog/shadow as a pitched up echo gradually going out of phase.
.
.
lost in a labyrinth of streets
late at night
a stray dog following me...
.
As always, seven days to make music inspired by the poem above: more info at naviarrecords.com/about/naviar-haiku
Poem by Ty Hadman ahapoetry.com/PPthbio.htm
Picture by Khachik Simonian khachik.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/2/8/_/uploads/801843/image_track/1252005/w1400_h1400_q70_ptrue_v2_----cropped_1489671827.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-city-sleeps-naviarhaiku167/</feedburner:origLink>
                                    <itunes:duration>242</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1252563</guid>
                                    
                                        <pubDate>Thu, 16 Mar 2017 22:50:47 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-16T22:50:47+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Orbital Resonance ((disquiet0272))</title>
                                    <description><![CDATA[very lazy again - loaded some cello samples into protoplasm and played a 30 second drone. represented the near resonance with paulstretch: six different lengths and then each planet repeated if the orbits fit within the longest orbit (i feel like there was a better way of explaining that!)
() ()  ()   ()     ()        ()
llllllll.co/t/exoplanetary-int...oject-0272/6985
Disquiet Junto Project 0272: Exoplanetary Intervals
The Assignment: Use music to express the relationships between the TRAPPIST-1 planets.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/orbital-resonance-disquiet0272/listen.mp3?s=0SF" length="3905827" />
                                    <link>https://hearthis.at/sevenism/orbital-resonance-disquiet0272/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>1849f83e4cfbf36174745e55b2f10919.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1849f83e4cfbf36174745e55b2f10919.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/orbital-resonance-disquiet0272/listen.mp3?s=0SF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[very lazy again - loaded some cello samples into protoplasm and played a 30 second drone. represented the near resonance with paulstretch: six different lengths and then each planet repeated if the orbits fit within the longest orbit (i feel like there was a better way of explaining that!)
() ()  ()   ()     ()        ()
llllllll.co/t/exoplanetary-int...oject-0272/6985
Disquiet Junto Project 0272: Exoplanetary Intervals
The Assignment: Use music to express the relationships between the TRAPPIST-1 planets.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/4/_/uploads/801843/image_track/1252563/w1400_h1400_q70_ptrue_v2_----cropped_1489701425.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/orbital-resonance-disquiet0272/</feedburner:origLink>
                                    <itunes:duration>244</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1246393</guid>
                                    
                                        <pubDate>Sun, 12 Mar 2017 19:31:19 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-12T19:31:19+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Distant Song .Naviarhaiku166.</title>
                                    <description><![CDATA[quiet feedback. aimed for a birdlike tone but there's more of a voicelike quality.
at the limit of audibility
the rare bird
i've just heard of
.
Poem by Jim Kacian en.wikipedia.org/wiki/Jim_Kacian
Picture by Mareks Steins unsplash.com/@marekssteins
naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/distant-song-naviarhaiku166/listen.mp3?s=Eqt" length="3099166" />
                                    <link>https://hearthis.at/sevenism/distant-song-naviarhaiku166/</link>
                                    <thr:total>0</thr:total>
                                    <hq>21</hq>
                                    <hq_filename>94928d4b6875e4f7e7035e767ca8f775.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/94928d4b6875e4f7e7035e767ca8f775.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/distant-song-naviarhaiku166/listen.mp3?s=Eqt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[quiet feedback. aimed for a birdlike tone but there's more of a voicelike quality.
at the limit of audibility
the rare bird
i've just heard of
.
Poem by Jim Kacian en.wikipedia.org/wiki/Jim_Kacian
Picture by Mareks Steins unsplash.com/@marekssteins
naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/8/_/uploads/801843/image_track/1246393/w1400_h1400_q70_ptrue_v2_----cropped_1489346869.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/distant-song-naviarhaiku166/</feedburner:origLink>
                                    <itunes:duration>193</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1243409</guid>
                                    
                                        <pubDate>Fri, 10 Mar 2017 18:55:51 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-10T18:55:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>h o p e // l e s s (disquiet0271)</title>
                                    <description><![CDATA[vocals thru guitar fx
isolated - claustrophobic - hope/less
#FREEBASSEL
freebassel.org/campaign/events...reebassel5years
|    |
More on this 271st weekly Disquiet Junto project —
“Prison Sky: Mark the 5th anniversary of open-source software engineer Bassel Khartabil’s detention” — at:
llllllll.co/t/prison-sky-disquiet-junto-project-0271/6877]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/h-o-p-e-l-e-s-s/listen.mp3?s=iLS" length="3525902" />
                                    <link>https://hearthis.at/sevenism/h-o-p-e-l-e-s-s/</link>
                                    <thr:total>0</thr:total>
                                    <hq>36</hq>
                                    <hq_filename>56c4b90bd689622e28d57db01f79a6d4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream30.hearthis.at/56c4b90bd689622e28d57db01f79a6d4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/h-o-p-e-l-e-s-s/listen.mp3?s=iLS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[vocals thru guitar fx
isolated - claustrophobic - hope/less
#FREEBASSEL
freebassel.org/campaign/events...reebassel5years
|    |
More on this 271st weekly Disquiet Junto project —
“Prison Sky: Mark the 5th anniversary of open-source software engineer Bassel Khartabil’s detention” — at:
llllllll.co/t/prison-sky-disquiet-junto-project-0271/6877]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/9/1/_/uploads/801843/image_track/1243409/w1400_h1400_q70_ptrue_v2_----cropped_1489170194.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/h-o-p-e-l-e-s-s/</feedburner:origLink>
                                    <itunes:duration>220</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1238704</guid>
                                    
                                        <pubDate>Mon, 06 Mar 2017 13:53:31 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-06T13:53:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Lionel Benancie x Ohm Research x 7ism - Sk.e126tch re//mix (disquiet0270)</title>
                                    <description><![CDATA[me n lionel both got the same track to add to.. thought i'd overlay them see what happened..
i like how they sound.. chickeny-harmonica echoes..
.
llllllll.co/t/completed-a-duet...oject-0270/6765
.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lionel-benancie-x-ohm-research-x-7ism-ske126tch-remix-disquiet0270/listen.mp3?s=SBI" length="4136959" />
                                    <link>https://hearthis.at/sevenism/lionel-benancie-x-ohm-research-x-7ism-ske126tch-remix-disquiet0270/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>d1e31145371dbbccf11567526d699536.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/d1e31145371dbbccf11567526d699536.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lionel-benancie-x-ohm-research-x-7ism-ske126tch-remix-disquiet0270/listen.mp3?s=SBI" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[me n lionel both got the same track to add to.. thought i'd overlay them see what happened..
i like how they sound.. chickeny-harmonica echoes..
.
llllllll.co/t/completed-a-duet...oject-0270/6765
.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/8/5/_/uploads/801843/image_track/1238704/w1400_h1400_q70_ptrue_v2_----cropped_1488811584.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lionel-benancie-x-ohm-research-x-7ism-ske126tch-remix-disquiet0270/</feedburner:origLink>
                                    <itunes:duration>258</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1236668</guid>
                                    
                                        <pubDate>Sat, 04 Mar 2017 17:45:19 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-04T17:45:19+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>adverted attn -Naviarhaiku165-</title>
                                    <description><![CDATA[we just had a little skinny cat in the garden and sadly didnt have any food for her .. i didnt let her into the kitchen- didnt want her getting her hopes up.
i avoid adverts, i don't like the manipulation. why force me to watch ads? it gives me a negative impression of the product!
.
these things inspired the track
.
commercial break—
the cat and I
head for the kitchen
William J. Higginson was an American poet, non-fiction author, translator, teacher, and editor. Higginson’s own books include The Haiku Handbook, Wind in the Long Grass (an anthology for children), The Haiku Seasons: Poetry of the Natural World, translations such as Red Fuji: Selected Haiku of Yatsuka Ishihara, and several collections, including Paterson Pieces (poems), Death Is & Approaches to the Edge (poems and essays), and Surfing on Magma (poems). Check out his website for more information.
Poem by William J. Higginson 2hweb.net/wjhigginson
Picture by unsplash.com/@paramir]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/adverted-attn-naviarhaiku165-/listen.mp3?s=Sbq" length="8882049" />
                                    <link>https://hearthis.at/sevenism/adverted-attn-naviarhaiku165-/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>27868ea7377be29e7010239a4cb9ecf9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/27868ea7377be29e7010239a4cb9ecf9.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/adverted-attn-naviarhaiku165-/listen.mp3?s=Sbq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[we just had a little skinny cat in the garden and sadly didnt have any food for her .. i didnt let her into the kitchen- didnt want her getting her hopes up.
i avoid adverts, i don't like the manipulation. why force me to watch ads? it gives me a negative impression of the product!
.
these things inspired the track
.
commercial break—
the cat and I
head for the kitchen
William J. Higginson was an American poet, non-fiction author, translator, teacher, and editor. Higginson’s own books include The Haiku Handbook, Wind in the Long Grass (an anthology for children), The Haiku Seasons: Poetry of the Natural World, translations such as Red Fuji: Selected Haiku of Yatsuka Ishihara, and several collections, including Paterson Pieces (poems), Death Is & Approaches to the Edge (poems and essays), and Surfing on Magma (poems). Check out his website for more information.
Poem by William J. Higginson 2hweb.net/wjhigginson
Picture by unsplash.com/@paramir]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/3/4/_/uploads/801843/image_track/1236668/w1400_h1400_q70_ptrue_v2_----cropped_1488663432.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/adverted-attn-naviarhaiku165-/</feedburner:origLink>
                                    <itunes:duration>555</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1235783</guid>
                                    
                                        <pubDate>Fri, 03 Mar 2017 19:21:17 +0100</pubDate>
                                        
                                        <atom:updated>2017-03-03T19:21:17+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ohm research + sevenism - sk.etch mix (disquiet0270)</title>
                                    <description><![CDATA[i rolled a 28. which was this soundcloud.com/ohm-research/sk...to-project-0269
i picked up what was to hand - a mic and harmonica - and played along with a load of echo n feedback fx loaded.. very easy because @ohm-research 's track was largely rhythm
cba to video. so just imagine me lying on the sofa holding a mic and harmonica looking super lazy
.
More on this 270th weekly Disquiet Junto project, “Just Duet: Record the second half of a duet live” at:
disquiet.com/0270/
More on the Disquiet Junto at:
disquiet.com/junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/completed-a-duet-…o-project-0270/6765
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ohm-research-sevenism-sketch-mix-disquiet0270/listen.mp3?s=Hkq" length="0" />
                                    <link>https://hearthis.at/sevenism/ohm-research-sevenism-sketch-mix-disquiet0270/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
                                    <hq_filename>46c6f4436b9a603181192c8784e8a29d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/46c6f4436b9a603181192c8784e8a29d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ohm-research-sevenism-sketch-mix-disquiet0270/listen.mp3?s=Hkq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i rolled a 28. which was this soundcloud.com/ohm-research/sk...to-project-0269
i picked up what was to hand - a mic and harmonica - and played along with a load of echo n feedback fx loaded.. very easy because @ohm-research 's track was largely rhythm
cba to video. so just imagine me lying on the sofa holding a mic and harmonica looking super lazy
.
More on this 270th weekly Disquiet Junto project, “Just Duet: Record the second half of a duet live” at:
disquiet.com/0270/
More on the Disquiet Junto at:
disquiet.com/junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/completed-a-duet-…o-project-0270/6765
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/0/_/uploads/801843/image_track/1235783/w1400_h1400_q70_ptrue_v2_----cropped_1488577098.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ohm-research-sevenism-sketch-mix-disquiet0270/</feedburner:origLink>
                                    <itunes:duration>182</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1226563</guid>
                                    
                                        <pubDate>Thu, 23 Feb 2017 15:01:13 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-23T15:01:13+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Behind Discarded Doors (naviarhaiku164)</title>
                                    <description><![CDATA[i'm addicted to harmonica drones at the mo.. but i made this a lot more obscured and dark.
made  this with a huge storm blowing outside rattling the windows!
..
In that empty house,
with broken windows rattling,
a door slams and slams.
This week’s haiku is an evocative poem written by American poet Clement Hoyt. Hoyt started studying haiku and Zen with Nyogen Senzaki in 1936 and became one of the first English-language senryu writers.
Seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 1st March
Poem by Clement Hoyt terebess.hu/english/usa/hoyt.html
Picture by Paco S unsplash.com/@leoverdura
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku163)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/behind-discarded-doors-naviarhaiku164/listen.mp3?s=m4f" length="0" />
                                    <link>https://hearthis.at/sevenism/behind-discarded-doors-naviarhaiku164/</link>
                                    <thr:total>0</thr:total>
                                    <hq>46</hq>
                                    <hq_filename>826a126eae2a25d85bb722cc41faa5d8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/826a126eae2a25d85bb722cc41faa5d8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/behind-discarded-doors-naviarhaiku164/listen.mp3?s=m4f" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i'm addicted to harmonica drones at the mo.. but i made this a lot more obscured and dark.
made  this with a huge storm blowing outside rattling the windows!
..
In that empty house,
with broken windows rattling,
a door slams and slams.
This week’s haiku is an evocative poem written by American poet Clement Hoyt. Hoyt started studying haiku and Zen with Nyogen Senzaki in 1936 and became one of the first English-language senryu writers.
Seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 1st March
Poem by Clement Hoyt terebess.hu/english/usa/hoyt.html
Picture by Paco S unsplash.com/@leoverdura
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku163)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/6/_/uploads/801843/image_track/1226563/w1400_h1400_q70_ptrue_v2_----cropped_1487864606.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/behind-discarded-doors-naviarhaiku164/</feedburner:origLink>
                                    <itunes:duration>994</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1230242</guid>
                                    
                                        <pubDate>Fri, 24 Feb 2017 22:53:50 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-24T22:53:50+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shifting sands (disquiet0269)</title>
                                    <description><![CDATA[prepared some mountain dulcimer samples and had these looping slightly phased thru protoplasm and a bunch of other fx
also some humming thru lots of guitar fx
i've made this quite difficult for next week havent i?
..
Disquiet Junto Project 0269: Duet Portion
Record half of a live duet.
Step 1: This week’s Junto will be the first in an occasional series allowing for asynchronous collaboration. You will be recording something with the understanding that it will be unfinished.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, live, with no post-production edits or overdubbing. You can do as many takes as you’d like, but the final recording should be a document of a wholly live performance. Conceive it as something that leaves room for something else — another instrument, performed by another person — to join in.
Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. If possible, it would be great if you could make a video of your live performance as well.
Step 4: Also be sure, when complete, to make the track downloadable, because it will be used by someone else in a future Junto project.
disquiet.com/0269
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/record-half-a-duet-disquiet-junto-project-0269/6652/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shifting-sands-disquiet0269/listen.mp3?s=VPD" length="4524407" />
                                    <link>https://hearthis.at/sevenism/shifting-sands-disquiet0269/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>598c28f15431294fa965f41d2d462cef.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/598c28f15431294fa965f41d2d462cef.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shifting-sands-disquiet0269/listen.mp3?s=VPD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[prepared some mountain dulcimer samples and had these looping slightly phased thru protoplasm and a bunch of other fx
also some humming thru lots of guitar fx
i've made this quite difficult for next week havent i?
..
Disquiet Junto Project 0269: Duet Portion
Record half of a live duet.
Step 1: This week’s Junto will be the first in an occasional series allowing for asynchronous collaboration. You will be recording something with the understanding that it will be unfinished.
Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, live, with no post-production edits or overdubbing. You can do as many takes as you’d like, but the final recording should be a document of a wholly live performance. Conceive it as something that leaves room for something else — another instrument, performed by another person — to join in.
Step 3: Record a short piece of music, roughly two to three minutes in length, as described in Step 2. If possible, it would be great if you could make a video of your live performance as well.
Step 4: Also be sure, when complete, to make the track downloadable, because it will be used by someone else in a future Junto project.
disquiet.com/0269
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/record-half-a-duet-disquiet-junto-project-0269/6652/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/8/_/uploads/801843/image_track/1230242/w1400_h1400_q70_ptrue_v2_----cropped_1488145844.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shifting-sands-disquiet0269/</feedburner:origLink>
                                    <itunes:duration>282</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1222472</guid>
                                    
                                        <pubDate>Sun, 19 Feb 2017 19:36:34 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-19T19:36:34+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>beginning [naviarhaiku163]</title>
                                    <description><![CDATA[mossy harmonica harmonics
slow pulsing silence
..
as petals
fall on moss
-- silence
..
naviarlab.tumblr.com/post/1572...ku163-as-petals
A regular contributor to the Haiku and Renku challenges, Kashyapi just opened a Patreon page at patreon.com/kashyapi: if you like her poems, consider becoming a patreon and support her and her work, and get some incredible rewards.
Seven days to make music in response to the assigned poem. Enjoy!
DEADLINE: 22nd February
Poem by Kashyapi kashyapi.co
Picture by Austin D unsplash.com/@adelau1]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/beginning-naviarhaiku163/listen.mp3?s=zLo" length="16321723" />
                                    <link>https://hearthis.at/sevenism/beginning-naviarhaiku163/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>931cfab42a8e67836a029d1485a34ce7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/931cfab42a8e67836a029d1485a34ce7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/beginning-naviarhaiku163/listen.mp3?s=zLo" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mossy harmonica harmonics
slow pulsing silence
..
as petals
fall on moss
-- silence
..
naviarlab.tumblr.com/post/1572...ku163-as-petals
A regular contributor to the Haiku and Renku challenges, Kashyapi just opened a Patreon page at patreon.com/kashyapi: if you like her poems, consider becoming a patreon and support her and her work, and get some incredible rewards.
Seven days to make music in response to the assigned poem. Enjoy!
DEADLINE: 22nd February
Poem by Kashyapi kashyapi.co
Picture by Austin D unsplash.com/@adelau1]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/7/_/uploads/801843/image_track/1222472/w1400_h1400_q70_ptrue_v2_----cropped_1487529731.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/beginning-naviarhaiku163/</feedburner:origLink>
                                    <itunes:duration>1020</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1221452</guid>
                                    
                                        <pubDate>Sat, 18 Feb 2017 22:25:31 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-18T22:25:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>duck pond / old tracks (disquiet0268)</title>
                                    <description><![CDATA[we walked around the local park. lots of birds and kids on scooters. walking thru where the old train tracks were and looking at the wildfowl on the large pond (pictured).
i had my phone recording in my pocket . decreased the volume of walking and treated a little so it sounded like a train chugging.
converted to midi and added a muffled voicelike synth / fx accompaniment.
~~~
llllllll.co/t/in-tribute-to-ji...ect-0268/6533/2
Disquiet Junto Project 0268: Walking Music
Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.
disquiet.com/0268/1
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/duck-pond-old-tracks-disquiet0268/listen.mp3?s=QXv" length="5232012" />
                                    <link>https://hearthis.at/sevenism/duck-pond-old-tracks-disquiet0268/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>2791b9709ef69bccd58f50e34a19d938.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/2791b9709ef69bccd58f50e34a19d938.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/duck-pond-old-tracks-disquiet0268/listen.mp3?s=QXv" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[we walked around the local park. lots of birds and kids on scooters. walking thru where the old train tracks were and looking at the wildfowl on the large pond (pictured).
i had my phone recording in my pocket . decreased the volume of walking and treated a little so it sounded like a train chugging.
converted to midi and added a muffled voicelike synth / fx accompaniment.
~~~
llllllll.co/t/in-tribute-to-ji...ect-0268/6533/2
Disquiet Junto Project 0268: Walking Music
Take a stroll and describe it in sound, paying tribute to the late manga great Jiro Taniguchi.
disquiet.com/0268/1
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/0/_/uploads/801843/image_track/1221452/w1400_h1400_q70_ptrue_v2_----cropped_1487454025.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/duck-pond-old-tracks-disquiet0268/</feedburner:origLink>
                                    <itunes:duration>326</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1220939</guid>
                                    
                                        <pubDate>Sat, 18 Feb 2017 12:39:17 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-18T12:39:17+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>conic dub plus</title>
                                    <description><![CDATA[track for ambient online osd48 ambientonline.org/forum/showth...-48&p=39129
only this sample used: jasonvincion.com/samples/OSD48.wav
.

in audition i stretched the sample and added lots of chorus and convolution reverb, 
in live i duplicated the track to one i added ritmo oscillate effect (the beat) and the other a wah. i also added six string ambience, ambient 0.1 and neutrino to these.
then i  used the track from step 1 and ran thru guitar fuzz in audition
mixed and mastered in audition.
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/conic-dub-plus/listen.mp3?s=I9J" length="0" />
                                    <link>https://hearthis.at/sevenism/conic-dub-plus/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>fe6b9f8ff16ad011839bfced99aa2fee.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/fe6b9f8ff16ad011839bfced99aa2fee.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/conic-dub-plus/listen.mp3?s=I9J" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track for ambient online osd48 ambientonline.org/forum/showth...-48&p=39129
only this sample used: jasonvincion.com/samples/OSD48.wav
.

in audition i stretched the sample and added lots of chorus and convolution reverb, 
in live i duplicated the track to one i added ritmo oscillate effect (the beat) and the other a wah. i also added six string ambience, ambient 0.1 and neutrino to these.
then i  used the track from step 1 and ran thru guitar fuzz in audition
mixed and mastered in audition.
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/6/3/_/uploads/801843/image_track/1220939/w1400_h1400_q70_ptrue_v2_----cropped_1487419368.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/conic-dub-plus/</feedburner:origLink>
                                    <itunes:duration>309</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1212496</guid>
                                    
                                        <pubDate>Fri, 10 Feb 2017 22:57:40 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-10T22:57:40+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>metamorphanomic (disquiet0267)</title>
                                    <description><![CDATA[i was thinking about this project while making (causing?) some other music.. i dont know what distinguishes a theme tune .. but then this other music  kind of seemed a bit themey with the strings and what almost appears to be a bassline , how unusual. i think there's something strange and contemplative that fits the subject matter too. i prefer to work intuitively/subconsciously . and not realizing i'm doing a junto track might be my preferred mode!
theres some cello trumpet and harmonica samples fed through protoplasm. electronic stuff from crystal vst. midi file generated from fakemusicgenerator.com (de-randomized). lazy/random buttons pressed a lot
..
Disquiet Junto Project 0267: The Metronomic Society
Create a theme song for a fictional organization.
Step 1: There’s a fascinating book from 1988 titled The Metronomic Society. Written by the Michael Young, it is an academic study of the rhythms of human existence, with an emphasis on organization and societal systems. It’s not necessary to read it. It’s just helpful to know where we’re borrowing the term from.
Step 2: Imagine there is an actual group called the Metronomic Society. You might also imagine what they’re up to. Maybe it’s a Man Ray fan club, or a bunch of disgruntled piano tuners, or maybe they explore arcane theories about quantum mechanics. Who knows?
Step 3: Now compose and record a short piece of music — a sound cue, a theme, a sound logo, a jingle — for the Metronomic Society.
More on this 267th weekly Disquiet Junto project, “The Metronomic Society: Create a theme song for a fictional organization”:
disquiet.com/0267
More on the Disquiet Junto at:
disquiet.com/junto/2
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/the-metronomic-society-disquiet-junto-project-0267/6449]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/metamorphanomic-disquiet0267/listen.mp3?s=1we" length="2994676" />
                                    <link>https://hearthis.at/sevenism/metamorphanomic-disquiet0267/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>12e2a890e37ec6c43f877340b834b798.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/12e2a890e37ec6c43f877340b834b798.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/metamorphanomic-disquiet0267/listen.mp3?s=1we" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i was thinking about this project while making (causing?) some other music.. i dont know what distinguishes a theme tune .. but then this other music  kind of seemed a bit themey with the strings and what almost appears to be a bassline , how unusual. i think there's something strange and contemplative that fits the subject matter too. i prefer to work intuitively/subconsciously . and not realizing i'm doing a junto track might be my preferred mode!
theres some cello trumpet and harmonica samples fed through protoplasm. electronic stuff from crystal vst. midi file generated from fakemusicgenerator.com (de-randomized). lazy/random buttons pressed a lot
..
Disquiet Junto Project 0267: The Metronomic Society
Create a theme song for a fictional organization.
Step 1: There’s a fascinating book from 1988 titled The Metronomic Society. Written by the Michael Young, it is an academic study of the rhythms of human existence, with an emphasis on organization and societal systems. It’s not necessary to read it. It’s just helpful to know where we’re borrowing the term from.
Step 2: Imagine there is an actual group called the Metronomic Society. You might also imagine what they’re up to. Maybe it’s a Man Ray fan club, or a bunch of disgruntled piano tuners, or maybe they explore arcane theories about quantum mechanics. Who knows?
Step 3: Now compose and record a short piece of music — a sound cue, a theme, a sound logo, a jingle — for the Metronomic Society.
More on this 267th weekly Disquiet Junto project, “The Metronomic Society: Create a theme song for a fictional organization”:
disquiet.com/0267
More on the Disquiet Junto at:
disquiet.com/junto/2
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/the-metronomic-society-disquiet-junto-project-0267/6449]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/1/7/_/uploads/801843/image_track/1212496/w1400_h1400_q70_ptrue_v2_----cropped_1486812710.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/metamorphanomic-disquiet0267/</feedburner:origLink>
                                    <itunes:duration>187</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1203369</guid>
                                    
                                        <pubDate>Fri, 03 Feb 2017 13:51:53 +0100</pubDate>
                                        
                                        <atom:updated>2017-02-03T13:51:53+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>A O U (disquiet0266)</title>
                                    <description><![CDATA[there's a lot of work going on outside the house. really noisy. i recorded a nice drone from drilling a patio next door. converted this to midi and cut out the notes below c3. used this to trigger the vocals
recorded me going ah oh uh. cut out noise. pulled into protoplasm added an arpeggiator so its less cacophonous. recorded while playing around with the octaves.. i like that it goes from that clear sound of my voice to utterly transformed and flutelike. still, it's pretty annoying and normally i'd slather in fx to hide it.
bit of mastering in audition
:
:
:
Disquiet Junto Project 0266: Vocal Cuts
Use segments of your own held vowel to make music.
Step 1: Set up a recording device to properly capture in detail your singing — more specifically, you holding a single vowel for an extended period of time.
Step 2: Practice holding a vowel for a long time, until your voice starts to give a little and the vowel disintegrates. Try “ah” and “oo” and “uh,” in particular. Maybe avoid “ee,” as it can be harsh. Don’t hurt yourself, don’t stress the end — just let it fade out naturally. This isn’t about pushing it until you have to breathe. It’s just about holding it until the vowel comes to a sense of closure.
Step 3: Listen back to the recording. Think about distinct segments within it, moments with differing qualities.
Step 4: Extract those segments and label them accordingly.
Step 5: Record a short piece of music consisting only of the segments from Step 4. You can cut and paste them, and certainly layer them. Try to not do anything to them — filters, effects, etc. — other than occasionally altering volume, as need be. A mono recording is best, too — no stereoscopic play.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0266″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 266th weekly Disquiet Junto project, “Vocal Cuts: Use segments of your own held vowel to make music”:
disquiet.com/0266/1
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/vocal-cuts-disquiet-junto-project-0266/6350
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.
Image associated with this track is by Dean Shareski and used thanks to a Creative Commons license:
flic.kr/p/95EKhx]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/a-o-u-disquiet0266/listen.mp3?s=Y5l" length="0" />
                                    <link>https://hearthis.at/sevenism/a-o-u-disquiet0266/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4c04f96f5318e9b8c7d54465d1fe748d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
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                                    <media:content url="https://hearthis.at/sevenism/a-o-u-disquiet0266/listen.mp3?s=Y5l" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there's a lot of work going on outside the house. really noisy. i recorded a nice drone from drilling a patio next door. converted this to midi and cut out the notes below c3. used this to trigger the vocals
recorded me going ah oh uh. cut out noise. pulled into protoplasm added an arpeggiator so its less cacophonous. recorded while playing around with the octaves.. i like that it goes from that clear sound of my voice to utterly transformed and flutelike. still, it's pretty annoying and normally i'd slather in fx to hide it.
bit of mastering in audition
:
:
:
Disquiet Junto Project 0266: Vocal Cuts
Use segments of your own held vowel to make music.
Step 1: Set up a recording device to properly capture in detail your singing — more specifically, you holding a single vowel for an extended period of time.
Step 2: Practice holding a vowel for a long time, until your voice starts to give a little and the vowel disintegrates. Try “ah” and “oo” and “uh,” in particular. Maybe avoid “ee,” as it can be harsh. Don’t hurt yourself, don’t stress the end — just let it fade out naturally. This isn’t about pushing it until you have to breathe. It’s just about holding it until the vowel comes to a sense of closure.
Step 3: Listen back to the recording. Think about distinct segments within it, moments with differing qualities.
Step 4: Extract those segments and label them accordingly.
Step 5: Record a short piece of music consisting only of the segments from Step 4. You can cut and paste them, and certainly layer them. Try to not do anything to them — filters, effects, etc. — other than occasionally altering volume, as need be. A mono recording is best, too — no stereoscopic play.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0266″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 266th weekly Disquiet Junto project, “Vocal Cuts: Use segments of your own held vowel to make music”:
disquiet.com/0266/1
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/vocal-cuts-disquiet-junto-project-0266/6350
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.
Image associated with this track is by Dean Shareski and used thanks to a Creative Commons license:
flic.kr/p/95EKhx]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/0/2/_/uploads/801843/image_track/1203369/w1400_h1400_q70_ptrue_v2_----cropped_1486144205.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/a-o-u-disquiet0266/</feedburner:origLink>
                                    <itunes:duration>211</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1195582</guid>
                                    
                                        <pubDate>Thu, 26 Jan 2017 18:30:50 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-26T18:30:50+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>underwater sunset (naviarhaiku160)</title>
                                    <description><![CDATA[distorted pitched down whistling
fed thru protoplasm / lots of fx
.
painting the sounds
of swimming—
ocean sunset
All submissions to Haiku 160 naviarrecords.com/2017/01/25/n...ing-the-sounds
Poem by Stephen Addiss stephenaddiss.com
Picture by Christian Roßwag unsplash.com/@chrispic]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/underwater-sunset-naviarhaiku160/listen.mp3?s=EO3" length="4728371" />
                                    <link>https://hearthis.at/sevenism/underwater-sunset-naviarhaiku160/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>b5b5784b00b0af107e15b6fd8834643d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/b5b5784b00b0af107e15b6fd8834643d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/underwater-sunset-naviarhaiku160/listen.mp3?s=EO3" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[distorted pitched down whistling
fed thru protoplasm / lots of fx
.
painting the sounds
of swimming—
ocean sunset
All submissions to Haiku 160 naviarrecords.com/2017/01/25/n...ing-the-sounds
Poem by Stephen Addiss stephenaddiss.com
Picture by Christian Roßwag unsplash.com/@chrispic]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/7/8/_/uploads/801843/image_track/1195582/w1400_h1400_q70_ptrue_v2_----cropped_1485603876.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/underwater-sunset-naviarhaiku160/</feedburner:origLink>
                                    <itunes:duration>295</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1195581</guid>
                                    
                                        <pubDate>Fri, 27 Jan 2017 14:18:45 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-27T14:18:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>droplets (disquiet0265)</title>
                                    <description><![CDATA[this reminded me that it's the centenary of ambient music this year (going by satie's furniture music) so i thought i'd go for more ambient rather than rhythmic .. actually it came out more rhythmic than i expected
. hit record and threw my phone in the cutlery draw
. shut and opened the draw a coupla times
. made a drone out of the stretched reverb tails, pitched way down
. used some of the non distorted leftovers for rhythm
. pulled in protoplasm with lots of chorus fx
i forgot to denoise anything but think it's ok
. . .
Disquiet Junto Project 0265: Kitchen Music
Record a piece of music that uses items from just one drawer.
This week's project is domestic, and has natural associations with Erik Satie. Piano is not required — in fact, unless you have an absurdly tiny one, a piano is essentially off limits. The details are below.
Step 1: Choose one drawer or cabinet shelf in your kitchen. If you don’t have a kitchen, then choose a drawer or cabinet shelf elsewhere in your home.
llllllll.co/t/kitchen-music-di...oject-0265/6244
More on this 265th weekly Disquiet Junto project, “Kitchen Music: Record a piece of music that uses items from just one drawer”:
disquiet.com/0265
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/droplets-disquiet0265/listen.mp3?s=HIX" length="0" />
                                    <link>https://hearthis.at/sevenism/droplets-disquiet0265/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>99c2f8672e54b11cc37c28a6f5370ba0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/99c2f8672e54b11cc37c28a6f5370ba0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/droplets-disquiet0265/listen.mp3?s=HIX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this reminded me that it's the centenary of ambient music this year (going by satie's furniture music) so i thought i'd go for more ambient rather than rhythmic .. actually it came out more rhythmic than i expected
. hit record and threw my phone in the cutlery draw
. shut and opened the draw a coupla times
. made a drone out of the stretched reverb tails, pitched way down
. used some of the non distorted leftovers for rhythm
. pulled in protoplasm with lots of chorus fx
i forgot to denoise anything but think it's ok
. . .
Disquiet Junto Project 0265: Kitchen Music
Record a piece of music that uses items from just one drawer.
This week's project is domestic, and has natural associations with Erik Satie. Piano is not required — in fact, unless you have an absurdly tiny one, a piano is essentially off limits. The details are below.
Step 1: Choose one drawer or cabinet shelf in your kitchen. If you don’t have a kitchen, then choose a drawer or cabinet shelf elsewhere in your home.
llllllll.co/t/kitchen-music-di...oject-0265/6244
More on this 265th weekly Disquiet Junto project, “Kitchen Music: Record a piece of music that uses items from just one drawer”:
disquiet.com/0265
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/8/_/uploads/801843/image_track/1195581/w1400_h1400_q70_ptrue_v2_----cropped_1485603872.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/droplets-disquiet0265/</feedburner:origLink>
                                    <itunes:duration>474</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1189684</guid>
                                    
                                        <pubDate>Mon, 23 Jan 2017 14:31:03 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-23T14:31:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>bark &amp;amp; breeze .naviarhaiku159.</title>
                                    <description><![CDATA[made from air: generated (bark) brown noise and modulated c tones
empty of life.
||
old thorn tree
the empty weaver bird nests
sway in the breeze
This week’s author is Angelee Deodhar. Following the developement of a life-threatening illness, Indian ophtalmologist Angelee turned to writing as a lifetime and second career.
As always, seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 25th January
Poem by Angelee Deodhar
Picture by Marco Alessi]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bark-breeze-naviarhaiku159/listen.mp3?s=Iau" length="2028354" />
                                    <link>https://hearthis.at/sevenism/bark-breeze-naviarhaiku159/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>0e02022e495357300a9c747564ff8bf6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/0e02022e495357300a9c747564ff8bf6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bark-breeze-naviarhaiku159/listen.mp3?s=Iau" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from air: generated (bark) brown noise and modulated c tones
empty of life.
||
old thorn tree
the empty weaver bird nests
sway in the breeze
This week’s author is Angelee Deodhar. Following the developement of a life-threatening illness, Indian ophtalmologist Angelee turned to writing as a lifetime and second career.
As always, seven days to make music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 25th January
Poem by Angelee Deodhar
Picture by Marco Alessi]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/3/8/_/uploads/801843/image_track/1189684/w1400_h1400_q70_ptrue_v2_----cropped_1485179836.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bark-breeze-naviarhaiku159/</feedburner:origLink>
                                    <itunes:duration>126</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1187488</guid>
                                    
                                        <pubDate>Wed, 11 Jan 2017 12:35:00 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-11T12:35:00+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dyskinesiæ</title>
                                    <description><![CDATA[track for naviar haiku 3 year anniversary naviarrecords.bandcamp.com/alb...of-naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dyskinesi/listen.mp3?s=V1d" length="3451088" />
                                    <link>https://hearthis.at/sevenism/dyskinesi/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>45cefd5131027d2aee66df994948ef9d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/45cefd5131027d2aee66df994948ef9d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dyskinesi/listen.mp3?s=V1d" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track for naviar haiku 3 year anniversary naviarrecords.bandcamp.com/alb...of-naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/1/7/_/uploads/801843/image_track/1187488/w1400_h1400_q70_ptrue_v2_----cropped_1485035713.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dyskinesi/</feedburner:origLink>
                                    <itunes:duration>215</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1185214</guid>
                                    
                                        <pubDate>Thu, 19 Jan 2017 20:07:33 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-19T20:07:33+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>temporal pulse (disquiet0264)</title>
                                    <description><![CDATA[was thinking about space dilating as i imagined speeding through time.
i got some cello samples and put them thru the protoplasm tsm synth, lots of oscillation, then had dimension expander and crystal reverb automated so they'd get bigger throughout.
pulled into audacity and sliding time stretch applied so gradually speeds up
audition - duplicated track, stereo widened, then crossfaded with previous track to gradually get wider. mastered
....
Disquiet Junto Project 0264: Time Travel
Record a piece of music that plays with the perception of time.
Step 1: Recorded music is, generally speaking, a fixed object. It’s a document. It proceeds linearly, over time. It is, in the terminology of fine art, “time-based.” That said, music has the power to change one’s perception of time. Slowing and speeding tempo alone can alter a listener’s understanding of what is happening. Backward masking, sublimated hints of themes yet to come, the sound of a tape in fast forward mode — those are just a few ways that a composer can suggest that time is not moving linearly. Now, consider for a moment the tools available to give an impression of time doing things other than proceeding in a steady forward motion.
Step 2: Record a short piece of music that takes time travel as its theme, using ideas that resulted from the consideration in Step 1.
Five More Important Steps When Your Track Is Done:
Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0264″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: In the following discussion thread at llllllll.co please consider posting your track:
llllllll.co/t/music-for-time-t...oject-0264/6157
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 23, 2017. This project was posted in the morning, California time, on Thursday, January 19, 2017.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0264″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:
disquiet.com/0264
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/temporal-pulse-disquiet0264/listen.mp3?s=NV8" length="0" />
                                    <link>https://hearthis.at/sevenism/temporal-pulse-disquiet0264/</link>
                                    <thr:total>0</thr:total>
                                    <hq>48</hq>
                                    <hq_filename>a6b0ebf494b31e1dca80f489d8db29e3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a6b0ebf494b31e1dca80f489d8db29e3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/temporal-pulse-disquiet0264/listen.mp3?s=NV8" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[was thinking about space dilating as i imagined speeding through time.
i got some cello samples and put them thru the protoplasm tsm synth, lots of oscillation, then had dimension expander and crystal reverb automated so they'd get bigger throughout.
pulled into audacity and sliding time stretch applied so gradually speeds up
audition - duplicated track, stereo widened, then crossfaded with previous track to gradually get wider. mastered
....
Disquiet Junto Project 0264: Time Travel
Record a piece of music that plays with the perception of time.
Step 1: Recorded music is, generally speaking, a fixed object. It’s a document. It proceeds linearly, over time. It is, in the terminology of fine art, “time-based.” That said, music has the power to change one’s perception of time. Slowing and speeding tempo alone can alter a listener’s understanding of what is happening. Backward masking, sublimated hints of themes yet to come, the sound of a tape in fast forward mode — those are just a few ways that a composer can suggest that time is not moving linearly. Now, consider for a moment the tools available to give an impression of time doing things other than proceeding in a steady forward motion.
Step 2: Record a short piece of music that takes time travel as its theme, using ideas that resulted from the consideration in Step 1.
Five More Important Steps When Your Track Is Done:
Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0264″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: In the following discussion thread at llllllll.co please consider posting your track:
llllllll.co/t/music-for-time-t...oject-0264/6157
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 23, 2017. This project was posted in the morning, California time, on Thursday, January 19, 2017.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0264″ in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 264th weekly Disquiet Junto project, Time Travel: Record a piece of music that plays with the perception of time”:
disquiet.com/0264
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/music-for-time-travelers-disquiet-junto-project-0264/6157/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/0/_/uploads/801843/image_track/1185214/w1400_h1400_q70_ptrue_v2_----cropped_1484855015.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/temporal-pulse-disquiet0264/</feedburner:origLink>
                                    <itunes:duration>207</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1170013</guid>
                                    
                                        <pubDate>Mon, 09 Jan 2017 13:35:11 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-09T13:35:11+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Destination</title>
                                    <description><![CDATA[track for ambient online osd47 ambientonline.org/forum/showth...-Sample-Dare-47
using only this sample jasonvincion.com/samples/OSD47.wav
and no other audio
made under the influence of lemsip..
in audition i added 7 voice chorus and convolution reverb
i split the file into 3 wav files
these i used as oscillators in the protoplasm tsm pro synth. (live 8 daw) and the following chain: pong texture > izotope vinyl > ddly > neutrino. recorded in audition and mastered.
the coda used the 1st split wav file in protoplasm and a midi file generated from fakemusicgenerator.com which i messed around with, slowed down and eq'd / mastered in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/destination/listen.mp3?s=vmo" length="0" />
                                    <link>https://hearthis.at/sevenism/destination/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>cf584163503bcea23a942a7cc64f05ac.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/cf584163503bcea23a942a7cc64f05ac.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/destination/listen.mp3?s=vmo" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track for ambient online osd47 ambientonline.org/forum/showth...-Sample-Dare-47
using only this sample jasonvincion.com/samples/OSD47.wav
and no other audio
made under the influence of lemsip..
in audition i added 7 voice chorus and convolution reverb
i split the file into 3 wav files
these i used as oscillators in the protoplasm tsm pro synth. (live 8 daw) and the following chain: pong texture > izotope vinyl > ddly > neutrino. recorded in audition and mastered.
the coda used the 1st split wav file in protoplasm and a midi file generated from fakemusicgenerator.com which i messed around with, slowed down and eq'd / mastered in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/5/_/uploads/801843/image_track/1170013/w1400_h1400_q70_ptrue_v2_----cropped_1483966537.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/destination/</feedburner:origLink>
                                    <itunes:duration>360</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1176752</guid>
                                    
                                        <pubDate>Fri, 13 Jan 2017 21:12:13 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-13T21:12:13+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>hixory overture (disquiet0263)</title>
                                    <description><![CDATA[i wanted it to sound kind of like strings and distant so it fits with that sort of overture feel. in audition i cut out ambient bits from each of the tracks, i felt these were the memorable elements of the album. where there were beats i used sound removal, reverb, and hi freq cut to get rid. then i put a lot of convolution reverb on the sections and crossfaded them all. then more chorus and mastered so the parts didnt seem too dissimilar to each other
..
Disquiet Junto Project 0263: Overture Edit
 The Assignment: Produce an overture to an existing album.
Step 1: Download the seven tracks from Hixory’s album Lovegraphy, which was released under a Creative Commons license allowing for non-commercial adaptation by Nenormalizm Records in late 2016. You can access the audio here:
archive.org/details/Hixory
Step 2: Cull a representative segment from each of the tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.
Five More Important Steps When Your Track Is Done:
Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0263″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: In the following discussion thread at llllllll.co please consider posting your track:
llllllll.co/t/overture-edit-di...oject-0263/6092
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 16, 2017. This project was posted in the morning, California time, on Thursday, January 12, 2017.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0263” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 263rd weekly Disquiet Junto project — “Overture Edit: Produce an overture to an existing album”:
disquiet.com/0263
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/overture-edit-disquiet-junto-project-0263/6092]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hixory-overture-disquiet0263/listen.mp3?s=X1I" length="0" />
                                    <link>https://hearthis.at/sevenism/hixory-overture-disquiet0263/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>b714b314dba6a65e2b8100fd71c4393b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/b714b314dba6a65e2b8100fd71c4393b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hixory-overture-disquiet0263/listen.mp3?s=X1I" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i wanted it to sound kind of like strings and distant so it fits with that sort of overture feel. in audition i cut out ambient bits from each of the tracks, i felt these were the memorable elements of the album. where there were beats i used sound removal, reverb, and hi freq cut to get rid. then i put a lot of convolution reverb on the sections and crossfaded them all. then more chorus and mastered so the parts didnt seem too dissimilar to each other
..
Disquiet Junto Project 0263: Overture Edit
 The Assignment: Produce an overture to an existing album.
Step 1: Download the seven tracks from Hixory’s album Lovegraphy, which was released under a Creative Commons license allowing for non-commercial adaptation by Nenormalizm Records in late 2016. You can access the audio here:
archive.org/details/Hixory
Step 2: Cull a representative segment from each of the tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.
Five More Important Steps When Your Track Is Done:
Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0263″ (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: In the following discussion thread at llllllll.co please consider posting your track:
llllllll.co/t/overture-edit-di...oject-0263/6092
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project’s deadline is 11:59pm wherever you are on Monday, January 16, 2017. This project was posted in the morning, California time, on Thursday, January 12, 2017.
Length: The length is up to you, but two to three minutes sounds about right.
Title/Tag: When posting your track, please include “disquiet0263” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 263rd weekly Disquiet Junto project — “Overture Edit: Produce an overture to an existing album”:
disquiet.com/0263
More on the Disquiet Junto at:
disquiet.com/junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Project discussion takes place on llllllll.co:
llllllll.co/t/overture-edit-disquiet-junto-project-0263/6092]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/5/8/_/uploads/801843/image_track/1176752/w1400_h1400_q70_ptrue_v2_----cropped_1484397851.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hixory-overture-disquiet0263/</feedburner:origLink>
                                    <itunes:duration>261</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1179020</guid>
                                    
                                        <pubDate>Sun, 15 Jan 2017 22:03:34 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-15T22:03:34+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Moth Shadow(NaviarHaiku158)</title>
                                    <description><![CDATA[12 string guitar , fx . wanted it to be fluttery like a moth shadow. the echo was more rhythmiclike and the guitar hidden but well that's ok
.
mad shadows
a moth at the porchlight
I grip a cold key
Poem by Marianne Bluger neilyworld.com/neilyworld/mbluger
Picture by cjdjkobe flickr.com/photos/cjdjkobe
.
naviarrecords.com/2017/01/11/n...158-mad-shadows]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/moth-shadownaviarhaiku158/listen.mp3?s=gwA" length="0" />
                                    <link>https://hearthis.at/sevenism/moth-shadownaviarhaiku158/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>8b9b7601ed7fa911c651d8d44aeb6ff1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8b9b7601ed7fa911c651d8d44aeb6ff1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/moth-shadownaviarhaiku158/listen.mp3?s=gwA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[12 string guitar , fx . wanted it to be fluttery like a moth shadow. the echo was more rhythmiclike and the guitar hidden but well that's ok
.
mad shadows
a moth at the porchlight
I grip a cold key
Poem by Marianne Bluger neilyworld.com/neilyworld/mbluger
Picture by cjdjkobe flickr.com/photos/cjdjkobe
.
naviarrecords.com/2017/01/11/n...158-mad-shadows]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/2/3/_/uploads/801843/image_track/1179020/w1400_h1400_q70_ptrue_v2_----cropped_1484566323.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/moth-shadownaviarhaiku158/</feedburner:origLink>
                                    <itunes:duration>144</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1170008</guid>
                                    
                                        <pubDate>Sun, 08 Jan 2017 20:08:42 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-08T20:08:42+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cie (disquiet0262)</title>
                                    <description><![CDATA[missed this last year, and had to force myself to do it this year. had to make some ice specially and i've got a nasty head cold.
recorded drop clatter and swish for 20 seconds changed the speed to 3 minutes. chorus, convolution reverb. lots of guitar fx. echo, reversing; anything to not make it sound like ice anymore. there was some lovely wooden percussive chimelike sounds made from the slowing down but unfortunately i wasnt in a musical mood!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cie-disquiet0262/listen.mp3?s=pBj" length="0" />
                                    <link>https://hearthis.at/sevenism/cie-disquiet0262/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>e57fc542c4a043ed14af200422a41f5f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e57fc542c4a043ed14af200422a41f5f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cie-disquiet0262/listen.mp3?s=pBj" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[missed this last year, and had to force myself to do it this year. had to make some ice specially and i've got a nasty head cold.
recorded drop clatter and swish for 20 seconds changed the speed to 3 minutes. chorus, convolution reverb. lots of guitar fx. echo, reversing; anything to not make it sound like ice anymore. there was some lovely wooden percussive chimelike sounds made from the slowing down but unfortunately i wasnt in a musical mood!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/3/_/uploads/801843/image_track/1170008/w1400_h1400_q70_ptrue_v2_----cropped_1483966318.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cie-disquiet0262/</feedburner:origLink>
                                    <itunes:duration>184</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1168560</guid>
                                    
                                        <pubDate>Sat, 07 Jan 2017 19:19:03 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-07T19:19:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Jetstream Dissipation (Naviarhaiku157)</title>
                                    <description><![CDATA[a couple of days ago , i was watching a long jetstream dissipate into what looked like a cloud as it moved slowly down the sky. it was a peaceful restorative experience.
the dark airy feel here, however, strives more for the moon.
.
Clouds come from time to time
and bring to men a chance to rest
from looking at the moon
-Basho
All submissions to Haiku 157 are available at naviarrecords.com/2017/01/04/n...-time-to-time
To participate in the Haiku challenge:


Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)


Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit naviarrecords.com/about/naviar-haiku for more options)

Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track will be included in Naviar's weekly podcast and monthly compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/jetstream-dissipation-naviarhaiku157/listen.mp3?s=OWV" length="0" />
                                    <link>https://hearthis.at/sevenism/jetstream-dissipation-naviarhaiku157/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>938f404d41d171a1588da7f246981e34.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/938f404d41d171a1588da7f246981e34.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/jetstream-dissipation-naviarhaiku157/listen.mp3?s=OWV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[a couple of days ago , i was watching a long jetstream dissipate into what looked like a cloud as it moved slowly down the sky. it was a peaceful restorative experience.
the dark airy feel here, however, strives more for the moon.
.
Clouds come from time to time
and bring to men a chance to rest
from looking at the moon
-Basho
All submissions to Haiku 157 are available at naviarrecords.com/2017/01/04/n...-time-to-time
To participate in the Haiku challenge:


Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)


Upload your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit naviarrecords.com/about/naviar-haiku for more options)

Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track will be included in Naviar's weekly podcast and monthly compilation. Please set the track as downloadable on Soundcloud and allow others to remix it by using a Creative Commons License.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/2/_/uploads/801843/image_track/1168560/w1400_h1400_q70_ptrue_v2_----cropped_1483869225.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/jetstream-dissipation-naviarhaiku157/</feedburner:origLink>
                                    <itunes:duration>139</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167567</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:44 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:44+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Mild And</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mild-and/listen.mp3?s=3tW" length="0" />
                                    <link>https://hearthis.at/sevenism/mild-and/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>355d6723985b58ba96eaf22db7568710.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/355d6723985b58ba96eaf22db7568710.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mild-and/listen.mp3?s=3tW" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/5/9/_/uploads/801843/image_track/1167567/w1400_h1400_q70_ptrue_v2_----cropped_1483805951.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mild-and/</feedburner:origLink>
                                    <itunes:duration>224</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167566</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:45 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Effigy Vizn</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/effigy-vizn/listen.mp3?s=fj2" length="4872985" />
                                    <link>https://hearthis.at/sevenism/effigy-vizn/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>5ed378e210e602c1a745a456df468d32.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/5ed378e210e602c1a745a456df468d32.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/effigy-vizn/listen.mp3?s=fj2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/9/_/uploads/801843/image_track/1167566/w1400_h1400_q70_ptrue_v2_----cropped_1483805947.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/effigy-vizn/</feedburner:origLink>
                                    <itunes:duration>304</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167568</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:43 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Scolii</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/scolii/listen.mp3?s=LiU" length="6392266" />
                                    <link>https://hearthis.at/sevenism/scolii/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>54877e9b3720a90fc537b3c047558dec.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/54877e9b3720a90fc537b3c047558dec.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/scolii/listen.mp3?s=LiU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/9/_/uploads/801843/image_track/1167568/w1400_h1400_q70_ptrue_v2_----cropped_1483805955.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/scolii/</feedburner:origLink>
                                    <itunes:duration>399</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167570</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:42 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:42+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Fairground Insults</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fairground-insults/listen.mp3?s=abC" length="0" />
                                    <link>https://hearthis.at/sevenism/fairground-insults/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>a69334cc96a48fb31913d2e231588dae.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a69334cc96a48fb31913d2e231588dae.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fairground-insults/listen.mp3?s=abC" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/9/_/uploads/801843/image_track/1167570/w1400_h1400_q70_ptrue_v2_----cropped_1483805962.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fairground-insults/</feedburner:origLink>
                                    <itunes:duration>645</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167569</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:43 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:43+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Coastal Reckoning</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/coastal-reckoning/listen.mp3?s=f62" length="3427264" />
                                    <link>https://hearthis.at/sevenism/coastal-reckoning/</link>
                                    <thr:total>0</thr:total>
                                    <hq>65</hq>
                                    <hq_filename>05c1c8b773076c70c780484050f6ea80.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream63.hearthis.at/05c1c8b773076c70c780484050f6ea80.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/coastal-reckoning/listen.mp3?s=f62" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/5/9/_/uploads/801843/image_track/1167569/w1400_h1400_q70_ptrue_v2_----cropped_1483805959.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/coastal-reckoning/</feedburner:origLink>
                                    <itunes:duration>214</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167571</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:41 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:41+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Stirred</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/stirred/listen.mp3?s=y7h" length="0" />
                                    <link>https://hearthis.at/sevenism/stirred/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>203b1ec1410f3a74b2d7933d44e37af0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/203b1ec1410f3a74b2d7933d44e37af0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/stirred/listen.mp3?s=y7h" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/6/9/_/uploads/801843/image_track/1167571/w1400_h1400_q70_ptrue_v2_----cropped_1483805967.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/stirred/</feedburner:origLink>
                                    <itunes:duration>132</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167572</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:40 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:40+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Synth Dreams of Noise Guitar</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/synth-dreams-of-noise-guitar/listen.mp3?s=eLj" length="0" />
                                    <link>https://hearthis.at/sevenism/synth-dreams-of-noise-guitar/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>e1d4b3a19999eb85ed0093723330bd83.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e1d4b3a19999eb85ed0093723330bd83.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/synth-dreams-of-noise-guitar/listen.mp3?s=eLj" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/7/9/_/uploads/801843/image_track/1167572/w1400_h1400_q70_ptrue_v2_----cropped_1483805971.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/synth-dreams-of-noise-guitar/</feedburner:origLink>
                                    <itunes:duration>248</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167573</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:39 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:39+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>In Fauna</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/in-fauna/listen.mp3?s=why" length="1974856" />
                                    <link>https://hearthis.at/sevenism/in-fauna/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>e67dad490030e0a683a6e2376809ba2a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e67dad490030e0a683a6e2376809ba2a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/in-fauna/listen.mp3?s=why" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/7/9/_/uploads/801843/image_track/1167573/w1400_h1400_q70_ptrue_v2_----cropped_1483805974.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/in-fauna/</feedburner:origLink>
                                    <itunes:duration>123</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167574</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:38 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:38+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Diamond Phase</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/diamond-phase/listen.mp3?s=ALI" length="5940034" />
                                    <link>https://hearthis.at/sevenism/diamond-phase/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>24e7a0503d545bfdb6679ca9923f9165.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/24e7a0503d545bfdb6679ca9923f9165.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/diamond-phase/listen.mp3?s=ALI" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/9/_/uploads/801843/image_track/1167574/w1400_h1400_q70_ptrue_v2_----cropped_1483805978.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/diamond-phase/</feedburner:origLink>
                                    <itunes:duration>371</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167577</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:36 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:36+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Suitability Matrice</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/suitability-matrice/listen.mp3?s=GzN" length="5764492" />
                                    <link>https://hearthis.at/sevenism/suitability-matrice/</link>
                                    <thr:total>0</thr:total>
                                    <hq>65</hq>
                                    <hq_filename>111ba7e5c91b62e00e44502bd61bc86f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/111ba7e5c91b62e00e44502bd61bc86f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/suitability-matrice/listen.mp3?s=GzN" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/9/_/uploads/801843/image_track/1167577/w1400_h1400_q70_ptrue_v2_----cropped_1483805990.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/suitability-matrice/</feedburner:origLink>
                                    <itunes:duration>360</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1167575</guid>
                                    
                                        <pubDate>Fri, 06 Jan 2017 18:24:37 +0100</pubDate>
                                        
                                        <atom:updated>2017-01-06T18:24:37+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Baleen Biopulse</title>
                                    <description><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/baleen-biopulse/listen.mp3?s=XVp" length="12363649" />
                                    <link>https://hearthis.at/sevenism/baleen-biopulse/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>ecb584401f114ac12c91ca716236d60e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/ecb584401f114ac12c91ca716236d60e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/baleen-biopulse/listen.mp3?s=XVp" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i put a load of stuff on bandcamp and always forget to put previews or stand out tracks on here. so here's some stuff that i liked from the last year, mainly from
sevenism.bandcamp.com/album/vel-r-spl
sevenism.bandcamp.com/album/sc...tilla-and-shade
sevenism.bandcamp.com/album/au...m/autumn-breath
it's weird to me that we have this linear cultural narrative that the year was bad.
things happened. some people struggled, some flourished.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/8/9/_/uploads/801843/image_track/1167575/w1400_h1400_q70_ptrue_v2_----cropped_1483805984.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/baleen-biopulse/</feedburner:origLink>
                                    <itunes:duration>772</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1161964</guid>
                                    
                                        <pubDate>Fri, 30 Dec 2016 14:35:07 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-30T14:35:07+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>5242016 (disquiet0261)</title>
                                    <description><![CDATA[Disquiet Junto Project 0261: Audio Journal 2016
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
disquiet.com/0261
::
i tend to read sandman each xmas, theres a depth to it where i can always reflect on the year in a different way. reading about a dream of a meal of 50 courses and over 200 dishes i thought that was a nice synchronicity: applying it to weekly fragments and over 200 seconds
i searched for all the flac files ive done from 2016 - this was over 800 but doesnt represent stuff ive saved as mp3 wav ogg etc i've been prolific and that's the main thing i wanted to get across. i work alot with flow and improv at all levels of music making and how meaning emerges over the course of many pieces. so it made sense to 'choose' random pieces and random sections. 
i set to record in audacity and pulled everything from january into vlc and had it on shuffle playing ~4 seconds of 4 random tracks. then the same with feb, march etc. truncated silence. pulled into audition for a bit of mastering. the nature of this process meant it was nigh on impossible to note the track names.
one of the tracks at the start is the audio journal from 2015 which is a nice reiteration. there's some collabs in here too from WÜST scott lawlor and audio obscura
ive had the pleasure of working with some great artists this year.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/5242016-disquiet0261/listen.mp3?s=7Yt" length="0" />
                                    <link>https://hearthis.at/sevenism/5242016-disquiet0261/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>6bf164eab570f8055b7d1530b8191c08.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/6bf164eab570f8055b7d1530b8191c08.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/5242016-disquiet0261/listen.mp3?s=7Yt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Disquiet Junto Project 0261: Audio Journal 2016
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
disquiet.com/0261
::
i tend to read sandman each xmas, theres a depth to it where i can always reflect on the year in a different way. reading about a dream of a meal of 50 courses and over 200 dishes i thought that was a nice synchronicity: applying it to weekly fragments and over 200 seconds
i searched for all the flac files ive done from 2016 - this was over 800 but doesnt represent stuff ive saved as mp3 wav ogg etc i've been prolific and that's the main thing i wanted to get across. i work alot with flow and improv at all levels of music making and how meaning emerges over the course of many pieces. so it made sense to 'choose' random pieces and random sections. 
i set to record in audacity and pulled everything from january into vlc and had it on shuffle playing ~4 seconds of 4 random tracks. then the same with feb, march etc. truncated silence. pulled into audition for a bit of mastering. the nature of this process meant it was nigh on impossible to note the track names.
one of the tracks at the start is the audio journal from 2015 which is a nice reiteration. there's some collabs in here too from WÜST scott lawlor and audio obscura
ive had the pleasure of working with some great artists this year.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/7/_/uploads/801843/image_track/1161964/w1400_h1400_q70_ptrue_v2_----cropped_1483455772.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/5242016-disquiet0261/</feedburner:origLink>
                                    <itunes:duration>277</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1144665</guid>
                                    
                                        <pubDate>Thu, 11 Jun 2015 23:31:44 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-11T23:31:44+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Zucchini mindset madsenmegamix</title>
                                    <description><![CDATA[I kind of like how no-one will ever listen to this. a three hour ambient drone stretched so far it sounds like classical music. I'll never listen to it not all of it. an antidote to consumerist instant gratification nonsense. 
each note a track. I'll spend more time naming them than making it. incidentally I played four notes  for five minutes then stretched then stretched again. part of semi random meditations v2 although I haven't releassed v1 yet.
is it a mix? dont see why not. the spectral smoothing means two notes bleed into each other sometimes three. and at this speed they're tracks not notes: it's tracks mixed automatically.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/zucchini-mindset-madsenmegamix/listen.mp3?s=fko" length="0" />
                                    <link>https://hearthis.at/sevenism/zucchini-mindset-madsenmegamix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>b96216e6218286d1f02e3288dcb79676.m4a</hq_filename>
                                    <hq_filetype>m4a</hq_filetype>
                                    <stream>https://stream52.hearthis.at/b96216e6218286d1f02e3288dcb79676.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/zucchini-mindset-madsenmegamix/listen.mp3?s=fko" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I kind of like how no-one will ever listen to this. a three hour ambient drone stretched so far it sounds like classical music. I'll never listen to it not all of it. an antidote to consumerist instant gratification nonsense. 
each note a track. I'll spend more time naming them than making it. incidentally I played four notes  for five minutes then stretched then stretched again. part of semi random meditations v2 although I haven't releassed v1 yet.
is it a mix? dont see why not. the spectral smoothing means two notes bleed into each other sometimes three. and at this speed they're tracks not notes: it's tracks mixed automatically.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/1/_/uploads/801843/image_track/1144665/w1400_h1400_q70_ptrue_v2_----cropped_1482016147.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/zucchini-mindset-madsenmegamix/</feedburner:origLink>
                                    <itunes:duration>10711</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1144611</guid>
                                    
                                        <pubDate>Sat, 17 Dec 2016 22:50:01 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-17T22:50:01+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>perpetual winter (24 hr piece)</title>
                                    <description><![CDATA[this was originally on baboom but they seem to've gone bust
a long wintrous drone. and i mean l o n g..
the sense of never ending coldness. things never changing.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/perpetual-winternew/listen.mp3?s=6qS" length="19943424" />
                                    <link>https://hearthis.at/sevenism/perpetual-winternew/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>395e4e7a9444919a53d17dce2eb28c70.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/395e4e7a9444919a53d17dce2eb28c70.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/perpetual-winternew/listen.mp3?s=6qS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this was originally on baboom but they seem to've gone bust
a long wintrous drone. and i mean l o n g..
the sense of never ending coldness. things never changing.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/4/_/uploads/801843/image_track/1144611/w1400_h1400_q70_ptrue_v2_----cropped_1482011418.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/perpetual-winternew/</feedburner:origLink>
                                    <itunes:duration>2492</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1144285</guid>
                                    
                                        <pubDate>Fri, 16 Dec 2016 14:23:01 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-16T14:23:01+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>spectral dirge (disquiet0259)</title>
                                    <description><![CDATA[this piece is meant to represent the sounds in the following excerpt from the strory, “Transmission” by T.E. Grau:
“Max was pondering the important issue of how petrogylphs differed from hieroglyphs when the radio halted its roll at the very far end of the electronic dial. After a brief silence, the weak signal transmitted indistinct sounds, like whispers, intermingled with an odd chanting that faded in and out like a spectral dirge. Intrigued by this strange combination, and hoping for a broadcast of a lonely Indian powwow, Max turned up the volume, but the higher it went, the softer the voice and chant became, going silent. There was no apparent signal, but the radio scan was still stopped, locked in on something.”
i recently rediscovered the crystal softsynth. i mutated and bred some patches then randomized until i got something that approximated the above description. fiddled with the modular sends a little. recorded live while messing about and increasing the noise while reducing the tonal sounds. in post i just faded in from start to end.
the above story is from this collection perpetualpublishing.com/produc...ct/lost-signals
the image is a detail of the cover.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/spectral-dirge-disquiet0259/listen.mp3?s=YS5" length="0" />
                                    <link>https://hearthis.at/sevenism/spectral-dirge-disquiet0259/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>7f950e6110d117ea6d6ce9ae962ae94f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/7f950e6110d117ea6d6ce9ae962ae94f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/spectral-dirge-disquiet0259/listen.mp3?s=YS5" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this piece is meant to represent the sounds in the following excerpt from the strory, “Transmission” by T.E. Grau:
“Max was pondering the important issue of how petrogylphs differed from hieroglyphs when the radio halted its roll at the very far end of the electronic dial. After a brief silence, the weak signal transmitted indistinct sounds, like whispers, intermingled with an odd chanting that faded in and out like a spectral dirge. Intrigued by this strange combination, and hoping for a broadcast of a lonely Indian powwow, Max turned up the volume, but the higher it went, the softer the voice and chant became, going silent. There was no apparent signal, but the radio scan was still stopped, locked in on something.”
i recently rediscovered the crystal softsynth. i mutated and bred some patches then randomized until i got something that approximated the above description. fiddled with the modular sends a little. recorded live while messing about and increasing the noise while reducing the tonal sounds. in post i just faded in from start to end.
the above story is from this collection perpetualpublishing.com/produc...ct/lost-signals
the image is a detail of the cover.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/6/1/_/uploads/801843/image_track/1144285/w1400_h1400_q70_ptrue_v2_----cropped_1481979161.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/spectral-dirge-disquiet0259/</feedburner:origLink>
                                    <itunes:duration>122</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1144284</guid>
                                    
                                        <pubDate>Sat, 17 Dec 2016 13:10:51 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-17T13:10:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Distant, Desolate (naviarhaiku154)</title>
                                    <description><![CDATA[cold pulses of light
still desolation
glanced peaks
image databent in notepad++
^ ^
A distant mountain
Seen in the sunlight:
A desolate field
This week’s haiku was written by Takahama Kyoshi, a Japanese poet active during the Showa period in Japan and one of the closest disciples of Masaoka Shiki. Enjoy!
DEADLINE: 21st December
Poem by Takahama Kyoshi terebess.hu/english/haiku/takahama.html
Picture by Erik Waider unsplash.com/@northlandscapes
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku154)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/distant-desolate-naviarhaiku154/listen.mp3?s=1NE" length="0" />
                                    <link>https://hearthis.at/sevenism/distant-desolate-naviarhaiku154/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4d250f9292b1952620d1a384c52c6095.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/4d250f9292b1952620d1a384c52c6095.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/distant-desolate-naviarhaiku154/listen.mp3?s=1NE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[cold pulses of light
still desolation
glanced peaks
image databent in notepad++
^ ^
A distant mountain
Seen in the sunlight:
A desolate field
This week’s haiku was written by Takahama Kyoshi, a Japanese poet active during the Showa period in Japan and one of the closest disciples of Masaoka Shiki. Enjoy!
DEADLINE: 21st December
Poem by Takahama Kyoshi terebess.hu/english/haiku/takahama.html
Picture by Erik Waider unsplash.com/@northlandscapes
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku154)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/801843/image_track/1144284/w1400_h1400_q70_ptrue_v2_----cropped_1481979157.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/distant-desolate-naviarhaiku154/</feedburner:origLink>
                                    <itunes:duration>339</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1139720</guid>
                                    
                                        <pubDate>Mon, 12 Dec 2016 12:54:32 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-12T12:54:32+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>A World Of One |naviarhaiku153|</title>
                                    <description><![CDATA[different version of sevenism.bandcamp.com/track/mi...ed-up-resources
more convolution rvrb, less bass, hiss wind
gradually louder coldness
..
Winter solitude —
In a world of one color
the sound of wind.
A winter poem written by the greatest master of haiku, Matsuo Basho.
“Change resides in what seemed static being. There may be a physiological explanation for “winter solitude.” The sun doesn’t shine as much, certain chemicals don’t get produced, we feel down. Any such explanation does injustice to “solitude.” Your loneliness is not another’s: we’re all different. We’re lonely inasmuch we are individuals. That solitude, like winter itself, has seeds of change within. The sound of wind betokens a world with many colors and the communication of the poem itself.”
Ashok Karra (full article here)
DEADLINE: 14th December
Poem by Matsuo Basho en.wikipedia.org/wiki/Matsuo_Basho
Picture by Caleb George   caleb-morris.com
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku153)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the weekly podcast.
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/a-world-of-one-naviarhaiku153/listen.mp3?s=VLk" length="5578082" />
                                    <link>https://hearthis.at/sevenism/a-world-of-one-naviarhaiku153/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>fd67a6183e40dce062ccfb23eb44a488.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/fd67a6183e40dce062ccfb23eb44a488.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/a-world-of-one-naviarhaiku153/listen.mp3?s=VLk" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[different version of sevenism.bandcamp.com/track/mi...ed-up-resources
more convolution rvrb, less bass, hiss wind
gradually louder coldness
..
Winter solitude —
In a world of one color
the sound of wind.
A winter poem written by the greatest master of haiku, Matsuo Basho.
“Change resides in what seemed static being. There may be a physiological explanation for “winter solitude.” The sun doesn’t shine as much, certain chemicals don’t get produced, we feel down. Any such explanation does injustice to “solitude.” Your loneliness is not another’s: we’re all different. We’re lonely inasmuch we are individuals. That solitude, like winter itself, has seeds of change within. The sound of wind betokens a world with many colors and the communication of the poem itself.”
Ashok Karra (full article here)
DEADLINE: 14th December
Poem by Matsuo Basho en.wikipedia.org/wiki/Matsuo_Basho
Picture by Caleb George   caleb-morris.com
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku153)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the weekly podcast.
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/5/_/uploads/801843/image_track/1139720/w1400_h1400_q70_ptrue_v2_----cropped_1481633588.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/a-world-of-one-naviarhaiku153/</feedburner:origLink>
                                    <itunes:duration>348</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1139718</guid>
                                    
                                        <pubDate>Tue, 13 Dec 2016 13:17:44 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-13T13:17:44+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>near miss</title>
                                    <description><![CDATA[crashing through the atmosphere
.
made only with these samples
soundcloud.com/glenn-sogge/set...with-boson-spin
all processing in audition]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/near-miss/listen.mp3?s=78C" length="0" />
                                    <link>https://hearthis.at/sevenism/near-miss/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d0588cc984abe2d6dfe11a8846873083.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/d0588cc984abe2d6dfe11a8846873083.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/near-miss/listen.mp3?s=78C" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[crashing through the atmosphere
.
made only with these samples
soundcloud.com/glenn-sogge/set...with-boson-spin
all processing in audition]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/8/5/_/uploads/801843/image_track/1139718/w1400_h1400_q70_ptrue_v2_----cropped_1481633585.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/near-miss/</feedburner:origLink>
                                    <itunes:duration>123</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1137773</guid>
                                    
                                        <pubDate>Fri, 09 Dec 2016 13:38:17 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-09T13:38:17+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>deepest unspoken (disquiet0258)</title>
                                    <description><![CDATA[it's been a funny winter oscillating between freezing and mild. everyone keeps saying its gonna be a cold one but at the moment it's..nice. except i can't experience it as warm - it's that perception of getting colder , expectation., like the same temp in march would be warm. and it looks frosty in a way. also i've got a sense of foreboding which is interacting.
i wanted to express this feeling. i chose my mountain dulcimer as sound source. the instrument contains for me the bipolar sense of weather from US film/tv tropes of it either being freezing snow or californian sun. also a reference to political foreboding (the dulcimer comes from the german zither)
i recorded the dulcimer close mic'd thru lots of guitar fx, playing desolate to warm
mangled this with lots of icy reverb and echo, to get the sense of winter echoing.
..
Disquiet Junto Project 0258: Sonic Climate
Express your local weather in sound
llllllll.co/t/disquiet-junto-0...ic-climate/5632]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/deepest-unspoken-disquiet0258/listen.mp3?s=JS4" length="0" />
                                    <link>https://hearthis.at/sevenism/deepest-unspoken-disquiet0258/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>5e0c105ad7cbb72c6c5c766e342c84e7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/5e0c105ad7cbb72c6c5c766e342c84e7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/deepest-unspoken-disquiet0258/listen.mp3?s=JS4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[it's been a funny winter oscillating between freezing and mild. everyone keeps saying its gonna be a cold one but at the moment it's..nice. except i can't experience it as warm - it's that perception of getting colder , expectation., like the same temp in march would be warm. and it looks frosty in a way. also i've got a sense of foreboding which is interacting.
i wanted to express this feeling. i chose my mountain dulcimer as sound source. the instrument contains for me the bipolar sense of weather from US film/tv tropes of it either being freezing snow or californian sun. also a reference to political foreboding (the dulcimer comes from the german zither)
i recorded the dulcimer close mic'd thru lots of guitar fx, playing desolate to warm
mangled this with lots of icy reverb and echo, to get the sense of winter echoing.
..
Disquiet Junto Project 0258: Sonic Climate
Express your local weather in sound
llllllll.co/t/disquiet-junto-0...ic-climate/5632]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/4/_/uploads/801843/image_track/1137773/w1400_h1400_q70_ptrue_v2_----cropped_1481481406.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/deepest-unspoken-disquiet0258/</feedburner:origLink>
                                    <itunes:duration>350</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1137772</guid>
                                    
                                        <pubDate>Sat, 10 Dec 2016 19:17:50 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-10T19:17:50+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>did you see</title>
                                    <description><![CDATA[just from this sample soundcloud.com/glenn-sogge/grs...ple-challenge-1
for glenn's sample challenge 1
-got a randomized midi file and used a non-random part of it
-one track used protoplasm with randomized settings
-one track run thru waldorf nave arp n other fx
-mastered and messed with in audition
-no other sounds were harmed in the making of this piece]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/did-you-see/listen.mp3?s=D3p" length="5215293" />
                                    <link>https://hearthis.at/sevenism/did-you-see/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>385d69b2e8c420ec062c990a1bba9c91.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/385d69b2e8c420ec062c990a1bba9c91.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/did-you-see/listen.mp3?s=D3p" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[just from this sample soundcloud.com/glenn-sogge/grs...ple-challenge-1
for glenn's sample challenge 1
-got a randomized midi file and used a non-random part of it
-one track used protoplasm with randomized settings
-one track run thru waldorf nave arp n other fx
-mastered and messed with in audition
-no other sounds were harmed in the making of this piece]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/0/4/_/uploads/801843/image_track/1137772/w1400_h1400_q70_ptrue_v2_----cropped_1481481402.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/did-you-see/</feedburner:origLink>
                                    <itunes:duration>325</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1119356</guid>
                                    
                                        <pubDate>Mon, 21 Nov 2016 17:05:35 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-21T17:05:35+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>and on (naviarhaiku150)</title>
                                    <description><![CDATA[i turned the poem on it's head-
the prayer is a deserate plea
the hum is a constant repetitive noise
the fan, opressive:
the pointless movement of warm air
..
silent prayer—
the quiet humming
of the ceiling fan
DEADLINE: 23rd November
Poem by Lee Gurga brooksbookshaiku.com/haikupoet...oets/gurga.html
Picture by Dustin Larimer flic.kr/p/dCgjvL
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku150)”

Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/and-on-naviarhaiku150/listen.mp3?s=ldq" length="2988825" />
                                    <link>https://hearthis.at/sevenism/and-on-naviarhaiku150/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>6aa098e0529a5608a9436b382febfcb6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/6aa098e0529a5608a9436b382febfcb6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/and-on-naviarhaiku150/listen.mp3?s=ldq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i turned the poem on it's head-
the prayer is a deserate plea
the hum is a constant repetitive noise
the fan, opressive:
the pointless movement of warm air
..
silent prayer—
the quiet humming
of the ceiling fan
DEADLINE: 23rd November
Poem by Lee Gurga brooksbookshaiku.com/haikupoet...oets/gurga.html
Picture by Dustin Larimer flic.kr/p/dCgjvL
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track - “Title of your track (naviarhaiku150)”

Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/1/6/_/uploads/801843/image_track/1119356/w1400_h1400_q70_ptrue_v2_----cropped_1480173618.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/and-on-naviarhaiku150/</feedburner:origLink>
                                    <itunes:duration>186</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1119355</guid>
                                    
                                        <pubDate>Sat, 26 Nov 2016 16:12:18 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-26T16:12:18+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Sense Of An Ending</title>
                                    <description><![CDATA[ambientonline.org/forum/showth...-Sample-Dare-46
"create an ambient track using only one sample"
the sample is soundcloud.com/andy_synk/osd46-sample
i wanted to accentuate the strings elements .. it ended up darker than expected.

audition - made stereo, 800% longer, convolution reverb, 7 voice chorus, echo 
audacity - screechy bits cut out, echo. paulstretched a couple of sections added ~1:35 minutes repeated
duplicate track 1 octave higher reversed echo
duplicate track 2 octaves lower, stereo field narrowed
snippet of track 1 pulled into protoplasm synth at -2, -1 and 1 octaves difference. ambience.1 dream acoustic guitar and wide chorus added. (the pulsing sound)
audacity - 1:15-1:30 track 1 pstretched x5 added ~3 minute mark. last bit reversed and repeated.
track mastered in audition
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sense-of-an-ending/listen.mp3?s=bud" length="0" />
                                    <link>https://hearthis.at/sevenism/sense-of-an-ending/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>b758ee928cf3366f8b0e65cf3e7f00aa.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/b758ee928cf3366f8b0e65cf3e7f00aa.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sense-of-an-ending/listen.mp3?s=bud" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ambientonline.org/forum/showth...-Sample-Dare-46
"create an ambient track using only one sample"
the sample is soundcloud.com/andy_synk/osd46-sample
i wanted to accentuate the strings elements .. it ended up darker than expected.

audition - made stereo, 800% longer, convolution reverb, 7 voice chorus, echo 
audacity - screechy bits cut out, echo. paulstretched a couple of sections added ~1:35 minutes repeated
duplicate track 1 octave higher reversed echo
duplicate track 2 octaves lower, stereo field narrowed
snippet of track 1 pulled into protoplasm synth at -2, -1 and 1 octaves difference. ambience.1 dream acoustic guitar and wide chorus added. (the pulsing sound)
audacity - 1:15-1:30 track 1 pstretched x5 added ~3 minute mark. last bit reversed and repeated.
track mastered in audition
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/6/_/uploads/801843/image_track/1119355/w1400_h1400_q70_ptrue_v2_----cropped_1480173615.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sense-of-an-ending/</feedburner:origLink>
                                    <itunes:duration>279</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1124261</guid>
                                    
                                        <pubDate>Mon, 28 Nov 2016 23:42:33 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-28T23:42:33+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>siskin or green finch? (disquiet0256)</title>
                                    <description><![CDATA[had fun with this. i left the sample at the start and i guess showed my working - the plucking sound is a particularly tuneful hook which makes that sound when i take my dressing gown off
i thought i'd make it sound like a banjo but it's more xylophone crossed with harp i think. beat is just from incidental sounds in the recording
ambient is from reverb tails of pluck- stretched, and also i fed that into protoplasm for the outro.. no other sounds were added!
done in music maker, audacity and audition .. oh and live too!
title is coz we were trying to identify birds in the garden from the recorded room and the calls kind of influenced this.
llllllll.co/t/disquiet-junto-p...in-place/5482/2
Disquiet Junto Project 0256: Music in Place
Record a short piece of music using the sounds around you.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/siskin-or-green-finch-disquiet0256/listen.mp3?s=7OA" length="2834598" />
                                    <link>https://hearthis.at/sevenism/siskin-or-green-finch-disquiet0256/</link>
                                    <thr:total>0</thr:total>
                                    <hq>49</hq>
                                    <hq_filename>155b2c6befebdafb4663edab982328fb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/155b2c6befebdafb4663edab982328fb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/siskin-or-green-finch-disquiet0256/listen.mp3?s=7OA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[had fun with this. i left the sample at the start and i guess showed my working - the plucking sound is a particularly tuneful hook which makes that sound when i take my dressing gown off
i thought i'd make it sound like a banjo but it's more xylophone crossed with harp i think. beat is just from incidental sounds in the recording
ambient is from reverb tails of pluck- stretched, and also i fed that into protoplasm for the outro.. no other sounds were added!
done in music maker, audacity and audition .. oh and live too!
title is coz we were trying to identify birds in the garden from the recorded room and the calls kind of influenced this.
llllllll.co/t/disquiet-junto-p...in-place/5482/2
Disquiet Junto Project 0256: Music in Place
Record a short piece of music using the sounds around you.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/5/4/_/uploads/801843/image_track/1124261/w1400_h1400_q70_ptrue_v2_----cropped_1480523454.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/siskin-or-green-finch-disquiet0256/</feedburner:origLink>
                                    <itunes:duration>177</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1124260</guid>
                                    
                                        <pubDate>Tue, 29 Nov 2016 12:21:51 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-29T12:21:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Still Flame (naviarhaiku151)</title>
                                    <description><![CDATA[heavily processed 12 string guitar
vid youtube.com/watch?v=MRYf9fjo8XA
..
Stillness
sand sifts through the roots
of a fallen tree
The author of the 151st Haiku challenge is Cor Van den Heuvel. Although he is considered as one of America’s leading haiku poets, Van Den Heuvel is best known as the editor of The Haiku Anthology, generally considered the definitive collection of American and Canadian haiku.
DEADLINE: 30th November
Poem by Cor van den Heuvel
Picture by Marta Pawlik
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku151)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the weekly podcast.
For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/still-flame-naviarhaiku151/listen.mp3?s=qKS" length="0" />
                                    <link>https://hearthis.at/sevenism/still-flame-naviarhaiku151/</link>
                                    <thr:total>0</thr:total>
                                    <hq>23</hq>
                                    <hq_filename>c0e35035eeff55373ae5b5607c473766.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/c0e35035eeff55373ae5b5607c473766.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/still-flame-naviarhaiku151/listen.mp3?s=qKS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[heavily processed 12 string guitar
vid youtube.com/watch?v=MRYf9fjo8XA
..
Stillness
sand sifts through the roots
of a fallen tree
The author of the 151st Haiku challenge is Cor Van den Heuvel. Although he is considered as one of America’s leading haiku poets, Van Den Heuvel is best known as the editor of The Haiku Anthology, generally considered the definitive collection of American and Canadian haiku.
DEADLINE: 30th November
Poem by Cor van den Heuvel
Picture by Marta Pawlik
TO PARTICIPATE

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately with the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku151)”

Please use a Creative Commons license for your track and set it as downloadable if you wish to be included in the weekly podcast.
For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/4/4/_/uploads/801843/image_track/1124260/w1400_h1400_q70_ptrue_v2_----cropped_1480523449.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/still-flame-naviarhaiku151/</feedburner:origLink>
                                    <itunes:duration>347</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1126651</guid>
                                    
                                        <pubDate>Thu, 01 Dec 2016 22:46:14 +0100</pubDate>
                                        
                                        <atom:updated>2016-12-01T22:46:14+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>apoplectic; consuming (disquiet0257)</title>
                                    <description><![CDATA[llllllll.co/t/disquiet-junto-p...oisevember/5549
Noisevember ended yesterday, but why let the calendar get in the way of a good time? For this week’s project, make some noise.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/apoplectic-consuming-disquiet0257/listen.mp3?s=lNw" length="1608306" />
                                    <link>https://hearthis.at/sevenism/apoplectic-consuming-disquiet0257/</link>
                                    <thr:total>0</thr:total>
                                    <hq>64</hq>
                                    <hq_filename>4cbaab5c3ff7197cb653d014bced31de.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/4cbaab5c3ff7197cb653d014bced31de.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/apoplectic-consuming-disquiet0257/listen.mp3?s=lNw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/disquiet-junto-p...oisevember/5549
Noisevember ended yesterday, but why let the calendar get in the way of a good time? For this week’s project, make some noise.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/8/6/_/uploads/801843/image_track/1126651/w1400_h1400_q70_ptrue_v2_----cropped_1480698682.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/apoplectic-consuming-disquiet0257/</feedburner:origLink>
                                    <itunes:duration>100</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1110830</guid>
                                    
                                        <pubDate>Tue, 15 Nov 2016 23:26:25 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-15T23:26:25+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nox intempesta - leaf echo (renku9)</title>
                                    <description><![CDATA[a collaboration between me and scott lawlor (scottlawlor.bandcamp.com) 
hypnotic fluctuations
liquid flow
and glacial washes
..
I can see the stones
On the bottom fluctuate
Through the clear water.
Frozen in the ice
A maple leaf
A poem from one of the great haiku masters, Masaoka Shiki, to inspire new collaborative music.
Two weeks to remix a track or collaborate with another musician and make music in response to the assigned renku poem: more info at naviarrecords.com/about/renku
DEADLINE: 16th November
Poem by Masaoka Shiki
Picture by James Song

Make music in response to the assigned poem and in collaboration with one or more artists.
Upload your collaboration to Naviar’s Dropbox account
– When you upload your entry, include the names of the artists involved in the composition in the title and include "Renku9" in the title of your track.
Please use a Creative Commons license for your entry

For more information visit naviarrecords.com/about/renku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nox-intempesta-leaf-echo-renku9/listen.mp3?s=4Cq" length="0" />
                                    <link>https://hearthis.at/sevenism/nox-intempesta-leaf-echo-renku9/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>91cd86c5eee66720f9623cd9b946e8fb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/91cd86c5eee66720f9623cd9b946e8fb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nox-intempesta-leaf-echo-renku9/listen.mp3?s=4Cq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[a collaboration between me and scott lawlor (scottlawlor.bandcamp.com) 
hypnotic fluctuations
liquid flow
and glacial washes
..
I can see the stones
On the bottom fluctuate
Through the clear water.
Frozen in the ice
A maple leaf
A poem from one of the great haiku masters, Masaoka Shiki, to inspire new collaborative music.
Two weeks to remix a track or collaborate with another musician and make music in response to the assigned renku poem: more info at naviarrecords.com/about/renku
DEADLINE: 16th November
Poem by Masaoka Shiki
Picture by James Song

Make music in response to the assigned poem and in collaboration with one or more artists.
Upload your collaboration to Naviar’s Dropbox account
– When you upload your entry, include the names of the artists involved in the composition in the title and include "Renku9" in the title of your track.
Please use a Creative Commons license for your entry

For more information visit naviarrecords.com/about/renku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/4/2/_/uploads/801843/image_track/1110830/w1400_h1400_q70_ptrue_v2_----cropped_1479484248.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nox-intempesta-leaf-echo-renku9/</feedburner:origLink>
                                    <itunes:duration>1222</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1110829</guid>
                                    
                                        <pubDate>Thu, 17 Nov 2016 22:46:46 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-17T22:46:46+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>aether (disquiet255)</title>
                                    <description><![CDATA[turns out ghost banjo sounds like paulstretched ukelele* through lots of guitar fx
i went to san francisco and saw alcatraz over the bay. remembering the cool sea air and choppy waves influenced the sound of this, especially the fx
.
*ok maybe coz the closest thing i have to a banjo is a uke
.
More on this 255th weekly Disquiet Junto project — “Capone’s Ghost: What does the banjo music of the fabled criminal sound like?” — at:
disquiet.com/0255/
More on the Disquiet Junto at:
disquiet.com/junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/capones-ghost-disquiet-junto-project-0255/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/aether-disquiet255/listen.mp3?s=jsd" length="3854418" />
                                    <link>https://hearthis.at/sevenism/aether-disquiet255/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>d679847b676e26cae5fa8c02b4aacaff.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/d679847b676e26cae5fa8c02b4aacaff.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/aether-disquiet255/listen.mp3?s=jsd" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[turns out ghost banjo sounds like paulstretched ukelele* through lots of guitar fx
i went to san francisco and saw alcatraz over the bay. remembering the cool sea air and choppy waves influenced the sound of this, especially the fx
.
*ok maybe coz the closest thing i have to a banjo is a uke
.
More on this 255th weekly Disquiet Junto project — “Capone’s Ghost: What does the banjo music of the fabled criminal sound like?” — at:
disquiet.com/0255/
More on the Disquiet Junto at:
disquiet.com/junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co:
llllllll.co/t/capones-ghost-disquiet-junto-project-0255/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/4/2/_/uploads/801843/image_track/1110829/w1400_h1400_q70_ptrue_v2_----cropped_1479484245.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/aether-disquiet255/</feedburner:origLink>
                                    <itunes:duration>240</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1107492</guid>
                                    
                                        <pubDate>Tue, 15 Nov 2016 13:57:10 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-15T13:57:10+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Kerguelen Islands (naviarhaiku149)</title>
                                    <description><![CDATA[let us be one
with the earth expelling anger
spirit unbroken
..
i read the haiku as if the earth was angry at us.
i was inspired by kerguelen islands: called Desolation Islands in french, these are very isolated, in the middle of nowhere in the indian ocean.
highly modified sawtooth wave
sealion calls in the background
....
from naviarrecords.com/2016/11/09/n...9-let-us-be-one :
"For this week’s Haiku challenge I’ve chosen a poem by Sonia Sanchez, an African-American poet generally associated with the Black Arts Movement.
Here’s how Yoshinobu Hakutani describes Sanchez’s works in his essay “Cross-cultural visions of African America: From Spatial Narrative to Jazz Haiku”
“Some of Sanchez’s haiku like this one have an affinity with the Zen concept of mu (nothingness). This state of nothingness is devoid of all thoughts and emotions that are derived from human subjectivity and egotism and contrary to the conscious or unconscious truth represented by nature. An enlightened person is liberated from the selfcentered worldview, convention, or received opinion that lacks fairness and justice.”
Seven days to participate in the Haiku music challenge: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 16th November
Poem by Sonia Sanchez
Picture by CAMIO"]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/kerguelen-islands-naviarhaiku149/listen.mp3?s=Fsr" length="0" />
                                    <link>https://hearthis.at/sevenism/kerguelen-islands-naviarhaiku149/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>316dc09017bc138c972a26beec64d228.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/316dc09017bc138c972a26beec64d228.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/kerguelen-islands-naviarhaiku149/listen.mp3?s=Fsr" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[let us be one
with the earth expelling anger
spirit unbroken
..
i read the haiku as if the earth was angry at us.
i was inspired by kerguelen islands: called Desolation Islands in french, these are very isolated, in the middle of nowhere in the indian ocean.
highly modified sawtooth wave
sealion calls in the background
....
from naviarrecords.com/2016/11/09/n...9-let-us-be-one :
"For this week’s Haiku challenge I’ve chosen a poem by Sonia Sanchez, an African-American poet generally associated with the Black Arts Movement.
Here’s how Yoshinobu Hakutani describes Sanchez’s works in his essay “Cross-cultural visions of African America: From Spatial Narrative to Jazz Haiku”
“Some of Sanchez’s haiku like this one have an affinity with the Zen concept of mu (nothingness). This state of nothingness is devoid of all thoughts and emotions that are derived from human subjectivity and egotism and contrary to the conscious or unconscious truth represented by nature. An enlightened person is liberated from the selfcentered worldview, convention, or received opinion that lacks fairness and justice.”
Seven days to participate in the Haiku music challenge: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 16th November
Poem by Sonia Sanchez
Picture by CAMIO"]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/8/5/_/uploads/801843/image_track/1107492/w1400_h1400_q70_ptrue_v2_----cropped_1479218581.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/kerguelen-islands-naviarhaiku149/</feedburner:origLink>
                                    <itunes:duration>170</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1105346</guid>
                                    
                                        <pubDate>Thu, 10 Nov 2016 13:26:45 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-10T13:26:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Glenn Sogge &amp; sevenism - Memories (And Loss)</title>
                                    <description><![CDATA[made from soundcloud.com/glenn-sogge/the...from-the-aether
wanted to give it a vague lost searching feel]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/glenn-sogge-sevenism-memories-and-loss/listen.mp3?s=6x0" length="0" />
                                    <link>https://hearthis.at/sevenism/glenn-sogge-sevenism-memories-and-loss/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4643d29a5c7d6ce48f07b25232e1642a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/4643d29a5c7d6ce48f07b25232e1642a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/glenn-sogge-sevenism-memories-and-loss/listen.mp3?s=6x0" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from soundcloud.com/glenn-sogge/the...from-the-aether
wanted to give it a vague lost searching feel]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/7/8/_/uploads/801843/image_track/1105346/w1400_h1400_q70_ptrue_v2_----cropped_1479042870.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/glenn-sogge-sevenism-memories-and-loss/</feedburner:origLink>
                                    <itunes:duration>1057</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1103482</guid>
                                    
                                        <pubDate>Thu, 10 Nov 2016 14:47:51 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-10T14:47:51+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>synkrotron + sevenism - time (dilated mix)</title>
                                    <description><![CDATA[this is a slightly different version to the piece on AO7: ambientonline.bandcamp.com/track/time
i've blurred @synkrotron 's guitar a little and detuned it slightly]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/synkrotron-sevenism-time-dilated-mix/listen.mp3?s=EGO" length="0" />
                                    <link>https://hearthis.at/sevenism/synkrotron-sevenism-time-dilated-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>2e1b6a69b3ca6d1a8cd6f0298be33d11.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/2e1b6a69b3ca6d1a8cd6f0298be33d11.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/synkrotron-sevenism-time-dilated-mix/listen.mp3?s=EGO" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this is a slightly different version to the piece on AO7: ambientonline.bandcamp.com/track/time
i've blurred @synkrotron 's guitar a little and detuned it slightly]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/0/1/_/uploads/801843/image_track/1103482/w1400_h1400_q70_ptrue_v2_----cropped_1478874105.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/synkrotron-sevenism-time-dilated-mix/</feedburner:origLink>
                                    <itunes:duration>359</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1103481</guid>
                                    
                                        <pubDate>Fri, 11 Nov 2016 14:45:05 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-11T14:45:05+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>blue sky in a cold world (disquiet0254)</title>
                                    <description><![CDATA[i didnt listen to the samples beforehand. loaded them into protoplasm tsm synth (2 instances of the foghorn, 1 of the train), clicked the lazy button, adjusted the oscillator transition. added a guitar amp, chorus delay echo thru podfarm, > then dimension expander > neutrino
then just played and adjusted the octaves of the samples live
pulled the recording into audition and eq'd / mastered.
..
Disquiet Junto Project 0254: Fog and Steam
Make music from two provided samples.
Fog Horn: freesound.org/people/schaarsen...en/sounds/69663
Train Whistle: freesound.org/people/ecodios/s...s/sounds/119963
Project discussion takes place on llllllll.co:
llllllll.co/t/music-of-fog-and-steam-disquiet-junto-project-0254/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/blue-sky-in-a-cold-world-disquiet0254/listen.mp3?s=AMO" length="0" />
                                    <link>https://hearthis.at/sevenism/blue-sky-in-a-cold-world-disquiet0254/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>77284bc176fae81cf54b24521928f7e0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/77284bc176fae81cf54b24521928f7e0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/blue-sky-in-a-cold-world-disquiet0254/listen.mp3?s=AMO" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i didnt listen to the samples beforehand. loaded them into protoplasm tsm synth (2 instances of the foghorn, 1 of the train), clicked the lazy button, adjusted the oscillator transition. added a guitar amp, chorus delay echo thru podfarm, > then dimension expander > neutrino
then just played and adjusted the octaves of the samples live
pulled the recording into audition and eq'd / mastered.
..
Disquiet Junto Project 0254: Fog and Steam
Make music from two provided samples.
Fog Horn: freesound.org/people/schaarsen...en/sounds/69663
Train Whistle: freesound.org/people/ecodios/s...s/sounds/119963
Project discussion takes place on llllllll.co:
llllllll.co/t/music-of-fog-and-steam-disquiet-junto-project-0254/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/1/_/uploads/801843/image_track/1103481/w1400_h1400_q70_ptrue_v2_----cropped_1478874101.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/blue-sky-in-a-cold-world-disquiet0254/</feedburner:origLink>
                                    <itunes:duration>466</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1105347</guid>
                                    
                                        <pubDate>Sun, 13 Nov 2016 13:58:04 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-13T13:58:04+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ikjoyce &amp;amp; sevenism - Frozen Sunrise (winter dawn mix)</title>
                                    <description><![CDATA[remix of soundcloud.com/ikjoyce/frozen-sunrise
i expanded on the idea, even more still and cold. 
lots of quiet details and resolves only in the last few minutes really.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ikjoyce-sevenism-frozen-sunrise-winter-dawn-mix/listen.mp3?s=oQU" length="20182412" />
                                    <link>https://hearthis.at/sevenism/ikjoyce-sevenism-frozen-sunrise-winter-dawn-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>98004a7de81e31474ce91799e63ef75e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/98004a7de81e31474ce91799e63ef75e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ikjoyce-sevenism-frozen-sunrise-winter-dawn-mix/listen.mp3?s=oQU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of soundcloud.com/ikjoyce/frozen-sunrise
i expanded on the idea, even more still and cold. 
lots of quiet details and resolves only in the last few minutes really.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/2/9/_/uploads/801843/image_track/1105347/w1400_h1400_q70_ptrue_v2_----cropped_1479042922.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ikjoyce-sevenism-frozen-sunrise-winter-dawn-mix/</feedburner:origLink>
                                    <itunes:duration>1261</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1098821</guid>
                                    
                                        <pubDate>Fri, 04 Nov 2016 21:20:31 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-04T21:20:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>silent doorbell (disquiet0253)</title>
                                    <description><![CDATA[ok so last night i had a cold caller at the door trying to flog me overpriced celebrity chef recipe boxes; she asked if i did the household cooking i said 'not really' then she said she'd come back to talk to the person who does. i said no thanks we're not interested and she said
'how would you know, you don't do the cooking'
really judgmental and rude. i managed to keep quiet and shortly after she scampered off.
so that's the inspiration here:
the best doorbell is a silent doorbell.
i recorded my doorbell speaker being quiet. and done some processing in audition. what's actually captured is traffic and fireworks.
i think it'd be fun to have a doorbell that captures indoors sounds and is very difficult to work out that it's a doorbell.
..
llllllll.co/t/make-a-doorbell-...ect-0253/5220/2
Disquiet Junto Project 0253: Doorbell Rehab
Record some welcome music.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/silent-doorbell-disquiet0253/listen.mp3?s=Oh2" length="0" />
                                    <link>https://hearthis.at/sevenism/silent-doorbell-disquiet0253/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>9b48efc54cb649dd8db4cdcc2e772896.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/9b48efc54cb649dd8db4cdcc2e772896.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/silent-doorbell-disquiet0253/listen.mp3?s=Oh2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[ok so last night i had a cold caller at the door trying to flog me overpriced celebrity chef recipe boxes; she asked if i did the household cooking i said 'not really' then she said she'd come back to talk to the person who does. i said no thanks we're not interested and she said
'how would you know, you don't do the cooking'
really judgmental and rude. i managed to keep quiet and shortly after she scampered off.
so that's the inspiration here:
the best doorbell is a silent doorbell.
i recorded my doorbell speaker being quiet. and done some processing in audition. what's actually captured is traffic and fireworks.
i think it'd be fun to have a doorbell that captures indoors sounds and is very difficult to work out that it's a doorbell.
..
llllllll.co/t/make-a-doorbell-...ect-0253/5220/2
Disquiet Junto Project 0253: Doorbell Rehab
Record some welcome music.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/9/_/uploads/801843/image_track/1098821/w1400_h1400_q70_ptrue_v2_----cropped_1478524907.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/silent-doorbell-disquiet0253/</feedburner:origLink>
                                    <itunes:duration>62</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1098820</guid>
                                    
                                        <pubDate>Sun, 06 Nov 2016 21:49:21 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-06T21:49:21+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>appear in fog (naviarhaiku148)</title>
                                    <description><![CDATA[darky dingy city recording, fogged out
solo piano : clouded embedded cleared
....        ....... .              ... . .          .              .
A city parking space
appears and disappears
in fog
This week’s haiku was written by Marianna Monaco: you can read more of her poems at terebess.hu/english/usa/monaco.html
Seven days to upload music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 9th November
Poem by Marianna Monaco
Picture by Patrick Tomasso]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/appear-in-fog-naviarhaiku148/listen.mp3?s=9rs" length="2400756" />
                                    <link>https://hearthis.at/sevenism/appear-in-fog-naviarhaiku148/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>a9a1a5e62266a1c44e68adfb1289ff9b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/a9a1a5e62266a1c44e68adfb1289ff9b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/appear-in-fog-naviarhaiku148/listen.mp3?s=9rs" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[darky dingy city recording, fogged out
solo piano : clouded embedded cleared
....        ....... .              ... . .          .              .
A city parking space
appears and disappears
in fog
This week’s haiku was written by Marianna Monaco: you can read more of her poems at terebess.hu/english/usa/monaco.html
Seven days to upload music in response to the assigned poem: more info at naviarrecords.com/about/naviar-haiku
DEADLINE: 9th November
Poem by Marianna Monaco
Picture by Patrick Tomasso]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/9/_/uploads/801843/image_track/1098820/w1400_h1400_q70_ptrue_v2_----cropped_1478524903.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/appear-in-fog-naviarhaiku148/</feedburner:origLink>
                                    <itunes:duration>150</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1093600</guid>
                                    
                                        <pubDate>Tue, 01 Nov 2016 22:17:45 +0100</pubDate>
                                        
                                        <atom:updated>2016-11-01T22:17:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boson spin + sevenism - ellucid dream</title>
                                    <description><![CDATA[soundcloud.com/boson_spin/coll...on-base-track-3
another great track to mix!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boson-spin-sevenism-ellucid-dream/listen.mp3?s=gQF" length="0" />
                                    <link>https://hearthis.at/sevenism/boson-spin-sevenism-ellucid-dream/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>1dfe5eb314e3cd780376902c1177cbc8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/1dfe5eb314e3cd780376902c1177cbc8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boson-spin-sevenism-ellucid-dream/listen.mp3?s=gQF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[soundcloud.com/boson_spin/coll...on-base-track-3
another great track to mix!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/5/2/_/uploads/801843/image_track/1093600/w1400_h1400_q70_ptrue_v2_----cropped_1478120258.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boson-spin-sevenism-ellucid-dream/</feedburner:origLink>
                                    <itunes:duration>1027</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1090441</guid>
                                    
                                        <pubDate>Mon, 31 Oct 2016 15:53:19 +0100</pubDate>
                                        
                                        <atom:updated>2016-10-31T15:53:19+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Boson Spin, Synkrotron, Glenn Sogge + sevenism - Solar Flare [Renku8]</title>
                                    <description><![CDATA[a remix of boson spin's remix of synkrotron's remix of Glenn's base track!
soundcloud.com/boson_spin/the-...e-collaboration
soundcloud.com/synkrotron/sunp...ds/sets/renku-8
@boson_spin @synkrotron @glenn-sogge
found out the other day i'm lucky enough to have access to adobe audition through work, so.. having a play with that!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boson-spin-synkrotron-glenn-sogge-sevenism-solar-flare-renku8/listen.mp3?s=hGz" length="0" />
                                    <link>https://hearthis.at/sevenism/boson-spin-synkrotron-glenn-sogge-sevenism-solar-flare-renku8/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>13858b9d19b1428bf0816005e1ada9ac.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/13858b9d19b1428bf0816005e1ada9ac.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boson-spin-synkrotron-glenn-sogge-sevenism-solar-flare-renku8/listen.mp3?s=hGz" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[a remix of boson spin's remix of synkrotron's remix of Glenn's base track!
soundcloud.com/boson_spin/the-...e-collaboration
soundcloud.com/synkrotron/sunp...ds/sets/renku-8
@boson_spin @synkrotron @glenn-sogge
found out the other day i'm lucky enough to have access to adobe audition through work, so.. having a play with that!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/5/_/uploads/801843/image_track/1090441/w1400_h1400_q70_ptrue_v2_----cropped_1477933562.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boson-spin-synkrotron-glenn-sogge-sevenism-solar-flare-renku8/</feedburner:origLink>
                                    <itunes:duration>432</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1090110</guid>
                                    
                                        <pubDate>Sun, 30 Oct 2016 14:29:07 +0100</pubDate>
                                        
                                        <atom:updated>2016-10-30T14:29:07+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sevenism -- ambient/re//mix///two -- naviar mix</title>
                                    <description><![CDATA[to mark my new album on Naviar Records (naviarrecords.com) i've done a series of mixes of tracks that i've loved from artists i've been inspired by over the last few months. thanks guys.. enjoy!
0.00        ikjoyce - A Gentle Wave Of Starlight (NaviarHaiku137) post.mix
5.34        ian haygreen - Mandira Ghanti (Naviarhaiku130) floating mandala
12.03   Thoribass - Evening Sky Far From Fireworks (naviarhaiku140) aether5 mix
15.02   Bassling - Valla Beach By Moonlight (Naviarhaiku132) twostretch
18.11       earthborn visions - cascade (naviarhaiku134) robot orchestra
21.52   Yum Haruki - into deep (naviarhaiku131) fallen mix
25.13   Flat Stone - Solitude (naviarhaiku135) lone chorus
29.04   Night Note - insomnia - Railway of ghosts (NaviarHaiku139) silent chaos
33.38   Glenn Sogge - Scattered Ghosts (Naviarhaiku146) to ashes mix
38.28   tuonela - Lost mountain (Naviarhaiku130) misted mix
44.28   Benn DeMole - Insomnia in D (the line, on a string)(NaviarHaiku139) gracenotes
48.40   sevenism - coriolis (blurred mix)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sevenism-ambientremixtwo-naviar-mix/listen.mp3?s=u4A" length="53413510" />
                                    <link>https://hearthis.at/sevenism/sevenism-ambientremixtwo-naviar-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>0a5f6e3ed4f0e98f6eb4c5e0dea16f52.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/0a5f6e3ed4f0e98f6eb4c5e0dea16f52.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sevenism-ambientremixtwo-naviar-mix/listen.mp3?s=u4A" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[to mark my new album on Naviar Records (naviarrecords.com) i've done a series of mixes of tracks that i've loved from artists i've been inspired by over the last few months. thanks guys.. enjoy!
0.00        ikjoyce - A Gentle Wave Of Starlight (NaviarHaiku137) post.mix
5.34        ian haygreen - Mandira Ghanti (Naviarhaiku130) floating mandala
12.03   Thoribass - Evening Sky Far From Fireworks (naviarhaiku140) aether5 mix
15.02   Bassling - Valla Beach By Moonlight (Naviarhaiku132) twostretch
18.11       earthborn visions - cascade (naviarhaiku134) robot orchestra
21.52   Yum Haruki - into deep (naviarhaiku131) fallen mix
25.13   Flat Stone - Solitude (naviarhaiku135) lone chorus
29.04   Night Note - insomnia - Railway of ghosts (NaviarHaiku139) silent chaos
33.38   Glenn Sogge - Scattered Ghosts (Naviarhaiku146) to ashes mix
38.28   tuonela - Lost mountain (Naviarhaiku130) misted mix
44.28   Benn DeMole - Insomnia in D (the line, on a string)(NaviarHaiku139) gracenotes
48.40   sevenism - coriolis (blurred mix)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/0/5/_/uploads/801843/image_track/1090110/w1400_h1400_q70_ptrue_v2_----cropped_1477914502.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sevenism-ambientremixtwo-naviar-mix/</feedburner:origLink>
                                    <itunes:duration>3338</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1087470</guid>
                                    
                                        <pubDate>Sat, 29 Oct 2016 12:19:41 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-29T12:19:41+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boson spin + sevenism - emerald shoal</title>
                                    <description><![CDATA[remix of soundcloud.com/boson_spin/coll...on-base-track-2
forgot to look at the bpm ah well!
your turn]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boson-spin-sevenism-emerald-shoal/listen.mp3?s=WeZ" length="7011682" />
                                    <link>https://hearthis.at/sevenism/boson-spin-sevenism-emerald-shoal/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>e7d1c5fcfee34f1afcd69943936dbf6a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e7d1c5fcfee34f1afcd69943936dbf6a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boson-spin-sevenism-emerald-shoal/listen.mp3?s=WeZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of soundcloud.com/boson_spin/coll...on-base-track-2
forgot to look at the bpm ah well!
your turn]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/4/8/_/uploads/801843/image_track/1087470/w1400_h1400_q70_ptrue_v2_----cropped_1477737849.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boson-spin-sevenism-emerald-shoal/</feedburner:origLink>
                                    <itunes:duration>438</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1086837</guid>
                                    
                                        <pubDate>Tue, 25 Oct 2016 17:36:54 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-25T17:36:54+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Shadow Flow (naviarhaiku146)</title>
                                    <description><![CDATA[heavily processed flute sample
.
Shadow ghosts play tag
Over the scattered starlight
The river is wide.
.
naviarrecords.com/2016/10/19/n...ghosts-play-tag
this poem is part of a haiku trilogy entitled Wabash Moon. You can find most of his poems at poemhunter.com/terry-l-young/poems Other works of Terry L. Young which I recommend are Indochine, A Haiku Trilogy and  Mekong Memories
DEADLINE: 26th October
Poem by Terry L. Young 
Picture by Martin Sattler]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shadow-flow-naviarhaiku146/listen.mp3?s=bp7" length="7026728" />
                                    <link>https://hearthis.at/sevenism/shadow-flow-naviarhaiku146/</link>
                                    <thr:total>0</thr:total>
                                    <hq>57</hq>
                                    <hq_filename>fc79f56f5461abbd92644a1a2399daf0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/fc79f56f5461abbd92644a1a2399daf0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shadow-flow-naviarhaiku146/listen.mp3?s=bp7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[heavily processed flute sample
.
Shadow ghosts play tag
Over the scattered starlight
The river is wide.
.
naviarrecords.com/2016/10/19/n...ghosts-play-tag
this poem is part of a haiku trilogy entitled Wabash Moon. You can find most of his poems at poemhunter.com/terry-l-young/poems Other works of Terry L. Young which I recommend are Indochine, A Haiku Trilogy and  Mekong Memories
DEADLINE: 26th October
Poem by Terry L. Young 
Picture by Martin Sattler]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/0/4/_/uploads/801843/image_track/1086837/w1400_h1400_q70_ptrue_v2_----cropped_1477687406.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shadow-flow-naviarhaiku146/</feedburner:origLink>
                                    <itunes:duration>439</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1086836</guid>
                                    
                                        <pubDate>Fri, 28 Oct 2016 22:23:06 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-28T22:23:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Solar Rays (Aibohphobia mix) disquiet0252</title>
                                    <description><![CDATA[mix of ambientonline.bandcamp.com/tra...rack/solar-rays from the new ambient online compilation
an audio palindrome remix for disquiet
inspired by the palindrome:
'drawn I sit; serene rest is inward'
..
llllllll.co/t/make-a-sonic-pal...junto-0252/5128
Disquiet Junto Project 0252: Sonic Palindrome
Make music that sounds the same backwards and forwards.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/solar-rays-aibohphobia-mix-disquiet0252/listen.mp3?s=8oS" length="0" />
                                    <link>https://hearthis.at/sevenism/solar-rays-aibohphobia-mix-disquiet0252/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>5dd28f195db89284fdb3f1d8e6fc3871.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/5dd28f195db89284fdb3f1d8e6fc3871.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/solar-rays-aibohphobia-mix-disquiet0252/listen.mp3?s=8oS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mix of ambientonline.bandcamp.com/tra...rack/solar-rays from the new ambient online compilation
an audio palindrome remix for disquiet
inspired by the palindrome:
'drawn I sit; serene rest is inward'
..
llllllll.co/t/make-a-sonic-pal...junto-0252/5128
Disquiet Junto Project 0252: Sonic Palindrome
Make music that sounds the same backwards and forwards.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/0/4/_/uploads/801843/image_track/1086836/w1400_h1400_q70_ptrue_v2_----cropped_1477687402.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/solar-rays-aibohphobia-mix-disquiet0252/</feedburner:origLink>
                                    <itunes:duration>431</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1080641</guid>
                                    
                                        <pubDate>Fri, 21 Oct 2016 21:31:22 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-21T21:31:22+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Ohm Research - Missa Pro Infantibus (sevenism mix) disquiet0251</title>
                                    <description><![CDATA[lovely track to work on soundcloud.com/ohm-research/mi...to-project-0250
1 ran the track through the protoplasm synth and various other fx
2 ran the track thru the mangle (crossfaded a paulstretched duplicate too)
3 added some white noise (babies apparently like white noise, but i think parents can too)
Disquiet Junto Project 0251: Soothing Sounds for Parents
Remix some music for infants with parents in mind.
llllllll.co/t/soothing-sounds-...junto-0251/5033]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ohm-research-missa-pro-infantibus-sevenism-mix-disquiet0251/listen.mp3?s=jmk" length="9773556" />
                                    <link>https://hearthis.at/sevenism/ohm-research-missa-pro-infantibus-sevenism-mix-disquiet0251/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>29a66b984cbdb9a9b214ebbf9c42d4cc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/29a66b984cbdb9a9b214ebbf9c42d4cc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ohm-research-missa-pro-infantibus-sevenism-mix-disquiet0251/listen.mp3?s=jmk" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[lovely track to work on soundcloud.com/ohm-research/mi...to-project-0250
1 ran the track through the protoplasm synth and various other fx
2 ran the track thru the mangle (crossfaded a paulstretched duplicate too)
3 added some white noise (babies apparently like white noise, but i think parents can too)
Disquiet Junto Project 0251: Soothing Sounds for Parents
Remix some music for infants with parents in mind.
llllllll.co/t/soothing-sounds-...junto-0251/5033]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/2/_/uploads/801843/image_track/1080641/w1400_h1400_q70_ptrue_v2_----cropped_1477309288.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ohm-research-missa-pro-infantibus-sevenism-mix-disquiet0251/</feedburner:origLink>
                                    <itunes:duration>610</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1080850</guid>
                                    
                                        <pubDate>Mon, 24 Oct 2016 16:32:47 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-24T16:32:47+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boson spin + sevenism - Balalaikas Robot Concert (anagrammic mix)</title>
                                    <description><![CDATA[remix of this
soundcloud.com/boson_spin/coll...llab-base-track]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boson-spin-sevenism-balalaikas-robot-concert-anagrammic-mix/listen.mp3?s=9yc" length="7000815" />
                                    <link>https://hearthis.at/sevenism/boson-spin-sevenism-balalaikas-robot-concert-anagrammic-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>a8727ba7f030b6b31f5051862aa82acd.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream56.hearthis.at/a8727ba7f030b6b31f5051862aa82acd.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boson-spin-sevenism-balalaikas-robot-concert-anagrammic-mix/listen.mp3?s=9yc" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of this
soundcloud.com/boson_spin/coll...llab-base-track]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/3/_/uploads/801843/image_track/1080850/w1400_h1400_q70_ptrue_v2_----cropped_1477320307.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boson-spin-sevenism-balalaikas-robot-concert-anagrammic-mix/</feedburner:origLink>
                                    <itunes:duration>437</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1072658</guid>
                                    
                                        <pubDate>Sun, 16 Oct 2016 14:02:33 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-16T14:02:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Minorca, nature reserve (disquiet0250)</title>
                                    <description><![CDATA[I'm in Minorca. This was recorded just before the project came through. I thought it fit the bill.
Recorded outside our apartment you can hear the waves and wildlife. There's a protected nature reserve, marsh land, where we are.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/minorca-nature-reserve-disquiet0250/listen.mp3?s=a2s" length="1607470" />
                                    <link>https://hearthis.at/sevenism/minorca-nature-reserve-disquiet0250/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>264854b8b5b1f781e6ab39dba7fa446d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/264854b8b5b1f781e6ab39dba7fa446d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/minorca-nature-reserve-disquiet0250/listen.mp3?s=a2s" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I'm in Minorca. This was recorded just before the project came through. I thought it fit the bill.
Recorded outside our apartment you can hear the waves and wildlife. There's a protected nature reserve, marsh land, where we are.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/4/8/_/uploads/801843/image_track/1072658/w1400_h1400_q70_ptrue_v2_----cropped_2bdc0a11708f09a403a6efad23dddd43_1476894844.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/minorca-nature-reserve-disquiet0250/</feedburner:origLink>
                                    <itunes:duration>100</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1072656</guid>
                                    
                                        <pubDate>Wed, 19 Oct 2016 18:11:21 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-19T18:11:21+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Shattered (naviarhaiku145)</title>
                                    <description><![CDATA[alphatron synth thru guitar fx
quick late entry
sun dispersed like shattered glass
/  /  / /
City streets ablaze;
reflected sun fragmented,
setting on all sides.
DEADLINE: 19th October
Poem by Ian Joyce
Picture by Scott Webb

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shattered-naviarhaiku145/listen.mp3?s=zR2" length="3105853" />
                                    <link>https://hearthis.at/sevenism/shattered-naviarhaiku145/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>8062e85be892e2977572baf3001ca1ca.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8062e85be892e2977572baf3001ca1ca.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shattered-naviarhaiku145/listen.mp3?s=zR2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[alphatron synth thru guitar fx
quick late entry
sun dispersed like shattered glass
/  /  / /
City streets ablaze;
reflected sun fragmented,
setting on all sides.
DEADLINE: 19th October
Poem by Ian Joyce
Picture by Scott Webb

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/3/8/_/uploads/801843/image_track/1072656/w1400_h1400_q70_ptrue_v2_----cropped_c73c53f923c006c2ba575cdb3f197c2c_1476894837.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shattered-naviarhaiku145/</feedburner:origLink>
                                    <itunes:duration>194</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1076407</guid>
                                    
                                        <pubDate>Fri, 21 Oct 2016 16:46:17 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-21T16:46:17+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Get Back Safely</title>
                                    <description><![CDATA[submission for ambientonline osd45
ambientonline.org/forum/showth...-Sample-Dare-45
only made from one sample
soundcloud.com/davedorgan/past...dio-1-trimmed-1
in live 8 i ran the sample as 3 oscillators at dfferent octaves thru the protoplasm tsm synth.
this was routed thru podfarm2 with the following chain:
class a15 amp > analog square chorus > analog chorus > sine chorus > random chorus > echo platter > ping pong delay > reverse delay
then thru ddly delay and neutrino
i played the sample as one note and pushed other keys a bit throughout
recorded in audacity a bit of eq'ing at 2.5khz and 3.15khz, amplified +4db]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/get-back-safely/listen.mp3?s=6ce" length="6762578" />
                                    <link>https://hearthis.at/sevenism/get-back-safely/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>3d26f0e6ddea6ded38a61222c86c9802.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/3d26f0e6ddea6ded38a61222c86c9802.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/get-back-safely/listen.mp3?s=6ce" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[submission for ambientonline osd45
ambientonline.org/forum/showth...-Sample-Dare-45
only made from one sample
soundcloud.com/davedorgan/past...dio-1-trimmed-1
in live 8 i ran the sample as 3 oscillators at dfferent octaves thru the protoplasm tsm synth.
this was routed thru podfarm2 with the following chain:
class a15 amp > analog square chorus > analog chorus > sine chorus > random chorus > echo platter > ping pong delay > reverse delay
then thru ddly delay and neutrino
i played the sample as one note and pushed other keys a bit throughout
recorded in audacity a bit of eq'ing at 2.5khz and 3.15khz, amplified +4db]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/3/5/_/uploads/801843/image_track/1076407/w1400_h1400_q70_ptrue_v2_----cropped_1477061532.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/get-back-safely/</feedburner:origLink>
                                    <itunes:duration>422</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1060202</guid>
                                    
                                        <pubDate>Thu, 06 Oct 2016 19:31:10 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-06T19:31:10+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Saltwater (42 Mix)</title>
                                    <description><![CDATA[i used my favourite bandcamp glitch for this
basically when you duplicate a tab that is playing a bandcamp track it plays it at a slight delay and i wanted to see what that would sound like
i played a simple 2 note phrase over and over with not too many fx but 3 different oscillators
in bandcamp i'd play one duplicate the tab wait for that to start playing and duplicate again over the course of ~3.5 minutes
i wanted to get up to 80 tabs but only made it to 42 (the previous attempts were in the 30s)
weirdly when it got to 7 or 8 tabs open it would hang trying to find a socket but then once it had it would get thru the next 30 no hassle
. .  ............... ...... .....      ... .......  . .
llllllll.co/t/happy-birthday-s...oject-0249/4847
Disquiet Junto Project 0249: 80 Phases
Wish the minimalist composer Steve Reich a happy birthday.
Major thanks to Neil Stringfellow for proposing and helping to craft this project.
Project Steps:
Step 1: October 3 marked the 80th birthday of composer Steve Reich. Prepare to record a tribute to him.
Step 2: Select a short segment of sound or music that can be looped and, per Reich’s own technique, “phased.” Fortunately, the song “Happy Birthday” has entered the public domain. Consider using it.
Step 3: Take the segment from Step 2 and play it on repeat, layering the loop with slightly different timing to create a phasing effect. Play around with this, editing the loops until you have some successful or interesting sounds/accidents.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/saltwater-42-mix-disquiet0249/listen.mp3?s=dQY" length="3808025" />
                                    <link>https://hearthis.at/sevenism/saltwater-42-mix-disquiet0249/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>9e326069b74166a49122877e3e7bcee9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/9e326069b74166a49122877e3e7bcee9.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/saltwater-42-mix-disquiet0249/listen.mp3?s=dQY" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used my favourite bandcamp glitch for this
basically when you duplicate a tab that is playing a bandcamp track it plays it at a slight delay and i wanted to see what that would sound like
i played a simple 2 note phrase over and over with not too many fx but 3 different oscillators
in bandcamp i'd play one duplicate the tab wait for that to start playing and duplicate again over the course of ~3.5 minutes
i wanted to get up to 80 tabs but only made it to 42 (the previous attempts were in the 30s)
weirdly when it got to 7 or 8 tabs open it would hang trying to find a socket but then once it had it would get thru the next 30 no hassle
. .  ............... ...... .....      ... .......  . .
llllllll.co/t/happy-birthday-s...oject-0249/4847
Disquiet Junto Project 0249: 80 Phases
Wish the minimalist composer Steve Reich a happy birthday.
Major thanks to Neil Stringfellow for proposing and helping to craft this project.
Project Steps:
Step 1: October 3 marked the 80th birthday of composer Steve Reich. Prepare to record a tribute to him.
Step 2: Select a short segment of sound or music that can be looped and, per Reich’s own technique, “phased.” Fortunately, the song “Happy Birthday” has entered the public domain. Consider using it.
Step 3: Take the segment from Step 2 and play it on repeat, layering the loop with slightly different timing to create a phasing effect. Play around with this, editing the loops until you have some successful or interesting sounds/accidents.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/4/0/_/uploads/801843/image_track/1060202/w1400_h1400_q70_ptrue_v2_----cropped_712d8ab77b6b65cf803350aab425dced_1476045043.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/saltwater-42-mix-disquiet0249/</feedburner:origLink>
                                    <itunes:duration>237</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1000628</guid>
                                    
                                        <pubDate>Fri, 29 Jul 2016 13:31:00 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-29T13:31:00+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lament for phased out groups (pt 2) (disquiet0239)</title>
                                    <description><![CDATA[petition to save soundcloud groups: change.org/p/soundcloud-tell-s...-their-platform
i'm quite angry that soundcloud are getting rid of groups. i've  noticed their gradual disregard for the community here as they've become another shill for corporate pop (remember when they did soundclouder of the day?). i've cancelled my subscription to pro, so that won't auto-renew at the end of the year. no doubt my account will be blocked until i delete 3 hours of music.
this is just mangled cello samples. rather than lament a discontinued piece of software, i'm lamenting the inevitable death of soundcloud. RIP.
done another recording here because i forgot to add phasing to this version hearthis.at/sevenism/soundcloud-lament2 and also to direct people away from sc
/////
Disquiet Junto Project 0239: Code Requiem
The Assignment: Compose a short composition in memoriam for a piece of recently deceased software.
Please note the instructions below, in light of SoundCloud closing down its Groups functionality.
Project Steps:
Step 1: Compose a short composition in memoriam for a piece of recently deceased software.
Five More Important Steps When Your Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist.
More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:
disquiet.com/0239
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lament-for-phased-out-groups-pt-2-disquiet0239/listen.mp3?s=VGJ" length="1827316" />
                                    <link>https://hearthis.at/sevenism/lament-for-phased-out-groups-pt-2-disquiet0239/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>32873978c8cf15f4b4d5f7695792fe82.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/32873978c8cf15f4b4d5f7695792fe82.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lament-for-phased-out-groups-pt-2-disquiet0239/listen.mp3?s=VGJ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[petition to save soundcloud groups: change.org/p/soundcloud-tell-s...-their-platform
i'm quite angry that soundcloud are getting rid of groups. i've  noticed their gradual disregard for the community here as they've become another shill for corporate pop (remember when they did soundclouder of the day?). i've cancelled my subscription to pro, so that won't auto-renew at the end of the year. no doubt my account will be blocked until i delete 3 hours of music.
this is just mangled cello samples. rather than lament a discontinued piece of software, i'm lamenting the inevitable death of soundcloud. RIP.
done another recording here because i forgot to add phasing to this version hearthis.at/sevenism/soundcloud-lament2 and also to direct people away from sc
/////
Disquiet Junto Project 0239: Code Requiem
The Assignment: Compose a short composition in memoriam for a piece of recently deceased software.
Please note the instructions below, in light of SoundCloud closing down its Groups functionality.
Project Steps:
Step 1: Compose a short composition in memoriam for a piece of recently deceased software.
Five More Important Steps When Your Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist.
More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:
disquiet.com/0239
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/0/_/uploads/801843/image_track/1000628/w1400_h1400_q70_ptrue_v2_----cropped_cdaca0cd7211cb6fe4678d91b6ad6501_1471869073.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lament-for-phased-out-groups-pt-2-disquiet0239/</feedburner:origLink>
                                    <itunes:duration>114</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1049392</guid>
                                    
                                        <pubDate>Sat, 01 Oct 2016 14:42:42 +0200</pubDate>
                                        
                                        <atom:updated>2016-10-01T14:42:42+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Slowmotion Plasma (naviarhaiku143)</title>
                                    <description><![CDATA[end of summer humidity
slow plasma rise
lightning spike distortion
(protoplasm>podfarm2(amp, chorus, delay, echo)>dimension expander>ddly>neutrino)
⚡⚡⚡
watching the lightning
backlighting the summer clouds
moist air enveloping
DEADLINE: 05th October
Poem by Glenn Sogge
Picture by Marc Wieland


Make music in response to the assigned haiku.

Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku143)”

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/slowmotion-plasma-naviarhaiku143/listen.mp3?s=kWK" length="12555910" />
                                    <link>https://hearthis.at/sevenism/slowmotion-plasma-naviarhaiku143/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>ebe1ee8db00e462f1e00ba431cfec844.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/ebe1ee8db00e462f1e00ba431cfec844.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/slowmotion-plasma-naviarhaiku143/listen.mp3?s=kWK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[end of summer humidity
slow plasma rise
lightning spike distortion
(protoplasm>podfarm2(amp, chorus, delay, echo)>dimension expander>ddly>neutrino)
⚡⚡⚡
watching the lightning
backlighting the summer clouds
moist air enveloping
DEADLINE: 05th October
Poem by Glenn Sogge
Picture by Marc Wieland


Make music in response to the assigned haiku.

Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku143)”

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/6/1/_/uploads/801843/image_track/1049392/w1400_h1400_q70_ptrue_v2_----cropped_c8fa8a893418744008692d2b3dd780a6_1475326160.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/slowmotion-plasma-naviarhaiku143/</feedburner:origLink>
                                    <itunes:duration>784</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1048448</guid>
                                    
                                        <pubDate>Fri, 30 Sep 2016 19:59:06 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-30T19:59:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Galactic Orbit |disquiet0248|</title>
                                    <description><![CDATA[i got last week's track and stretched it to 225 million years to represent one orbit of the milky way
then i went through and recorded a 'tick' every so often (i didnt listen to all of it)
then blurred it into itself
llllllll.co/t/music-for-the-ga...oject-0248/4744
Disquiet Junto Project 0248: Galactic Tick
Celebrate the new celestial holiday in music.
Project Steps:
Step 1: Read up on the Galactic Tick, a new proposed holiday exploring, as described by Popular Mechanics, “how people’s perceptions would change if they really realized the one fixed point in their celestial understanding, the mighty sun, was also in flux.”
popularmechanics.com/space/dee...-september-29/8
galactictick.com/2
Step 2: Devise a short piece of music in celebration of the Galactic Tick. Perhaps you’ll explore the distance of 225 million years, which is how often the Earth fully circles the center of the Milky Way. Perhaps you’ll find cosmic meaning in 1/129,600,000, which is the “centi-arcsecond” employed by the Galactic Tick planners to make the period of time more human-comprehensible. Perhaps you’ll find meaning in 633.7, which is the number of days between celebrations of the Galactic Tick here on Earth, or 1.74, which is the number of years.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/galactic-orbit-disquiet0248/listen.mp3?s=Ypy" length="0" />
                                    <link>https://hearthis.at/sevenism/galactic-orbit-disquiet0248/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>6eef0cc1fd3c2af79985fb02b9934c6a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/6eef0cc1fd3c2af79985fb02b9934c6a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/galactic-orbit-disquiet0248/listen.mp3?s=Ypy" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i got last week's track and stretched it to 225 million years to represent one orbit of the milky way
then i went through and recorded a 'tick' every so often (i didnt listen to all of it)
then blurred it into itself
llllllll.co/t/music-for-the-ga...oject-0248/4744
Disquiet Junto Project 0248: Galactic Tick
Celebrate the new celestial holiday in music.
Project Steps:
Step 1: Read up on the Galactic Tick, a new proposed holiday exploring, as described by Popular Mechanics, “how people’s perceptions would change if they really realized the one fixed point in their celestial understanding, the mighty sun, was also in flux.”
popularmechanics.com/space/dee...-september-29/8
galactictick.com/2
Step 2: Devise a short piece of music in celebration of the Galactic Tick. Perhaps you’ll explore the distance of 225 million years, which is how often the Earth fully circles the center of the Milky Way. Perhaps you’ll find cosmic meaning in 1/129,600,000, which is the “centi-arcsecond” employed by the Galactic Tick planners to make the period of time more human-comprehensible. Perhaps you’ll find meaning in 633.7, which is the number of days between celebrations of the Galactic Tick here on Earth, or 1.74, which is the number of years.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/3/7/_/uploads/801843/image_track/1048448/w1400_h1400_q70_ptrue_v2_----cropped_671e1305f8d959165405f9471a237553_1475258735.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/galactic-orbit-disquiet0248/</feedburner:origLink>
                                    <itunes:duration>214</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1043551</guid>
                                    
                                        <pubDate>Mon, 26 Sep 2016 22:08:12 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-26T22:08:12+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>shakuhachi d  r   i    f     t (naviarhaiku142)</title>
                                    <description><![CDATA[went literal: one held shakuhachi note, resonating at C1 - C6
.............. .      .             .
The haiku of the week was written by Sôen Nakagawa, a key figure in the transmission of Zen Buddhism from Japan to the Western world.
The shakuhachi is a Japanese end-blown flute that was originally introduced from China into Japan in the 8th century. If you’re curious to hear how it sounds, check out this video: youtube.com/watch?v=f7s-wXZWT5o
Seven days to make music in response to the assigned haiku poem. To participate, visit naviarrecords.com/about/naviar-haiku
DEADLINE: 28th September
Poem by Sôen Nakagawa
Picture by Anne James]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/shakuhachi-d-r-i-f-t-naviarhaiku142/listen.mp3?s=ENA" length="3003453" />
                                    <link>https://hearthis.at/sevenism/shakuhachi-d-r-i-f-t-naviarhaiku142/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>28bea24262d25892b43a3ace91a404b5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/28bea24262d25892b43a3ace91a404b5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/shakuhachi-d-r-i-f-t-naviarhaiku142/listen.mp3?s=ENA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[went literal: one held shakuhachi note, resonating at C1 - C6
.............. .      .             .
The haiku of the week was written by Sôen Nakagawa, a key figure in the transmission of Zen Buddhism from Japan to the Western world.
The shakuhachi is a Japanese end-blown flute that was originally introduced from China into Japan in the 8th century. If you’re curious to hear how it sounds, check out this video: youtube.com/watch?v=f7s-wXZWT5o
Seven days to make music in response to the assigned haiku poem. To participate, visit naviarrecords.com/about/naviar-haiku
DEADLINE: 28th September
Poem by Sôen Nakagawa
Picture by Anne James]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/7/_/uploads/801843/image_track/1043551/w1400_h1400_q70_ptrue_v2_----cropped_b547fbcc3c3936caec261ddc004dd96e_1474920757.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/shakuhachi-d-r-i-f-t-naviarhaiku142/</feedburner:origLink>
                                    <itunes:duration>187</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1042994</guid>
                                    
                                        <pubDate>Mon, 26 Sep 2016 14:38:33 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-26T14:38:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nonspheric slowdance</title>
                                    <description><![CDATA[did a 777 track 21 hour long album the other day archive.org/details/sevenismWavenet777 ok well it took 2 days but still
the picture got me think of oscillators and i thought i'd plunder a track off that album. had them on random until it came to something that i felt would fit (fortunately didnt take too long)
i'm only on an old copy of audacity here so i used the tremolo and paulstretch as an oscillator, and in a duplicated track had some echo at 3/4 speed of that. 'course adding echo to ambient drone doesnt do an awful lot
more project details:
llllllll.co/t/a-cartoon-graphi...ect-0247/4647/2]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nonspheric-slowdance-disquiet0245/listen.mp3?s=RBD" length="7532877" />
                                    <link>https://hearthis.at/sevenism/nonspheric-slowdance-disquiet0245/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>5ae1878574ab595b5aaee167531d5658.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/5ae1878574ab595b5aaee167531d5658.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nonspheric-slowdance-disquiet0245/listen.mp3?s=RBD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[did a 777 track 21 hour long album the other day archive.org/details/sevenismWavenet777 ok well it took 2 days but still
the picture got me think of oscillators and i thought i'd plunder a track off that album. had them on random until it came to something that i felt would fit (fortunately didnt take too long)
i'm only on an old copy of audacity here so i used the tremolo and paulstretch as an oscillator, and in a duplicated track had some echo at 3/4 speed of that. 'course adding echo to ambient drone doesnt do an awful lot
more project details:
llllllll.co/t/a-cartoon-graphi...ect-0247/4647/2]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/8/_/uploads/801843/image_track/1042994/w1400_h1400_q70_ptrue_v2_----cropped_6605f4f0a7bc67cea5a37b1b46f6c361_1474893899.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nonspheric-slowdance-disquiet0245/</feedburner:origLink>
                                    <itunes:duration>470</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1042904</guid>
                                    
                                        <pubDate>Mon, 26 Sep 2016 12:43:14 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-26T12:43:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Something's There</title>
                                    <description><![CDATA[entry for ambient online osd44 ambientonline.org/forum/showth...-Sample-Dare-44
made from drive.google.com/open?id=0B7Zs...aHZ3ckE1aS1FTHc in audacity
forgot about this.. was gonna do something more ambitious but out of time!

sample made stereo, pitched down 99%, paulstretched x10, echo, eq'd, pitched up a bit, pitched up a bit more
stereo sample paulstretched pitched up, noise reduction, pitched up again ~60%
same as track 3 pitched up more, echo, added delay which weirdly made it 3 times as long so adjusted the tempo
track 3 reversed, echo

levels adjusted, mixed down, moderate leveling, normalized]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/somethings-there/listen.mp3?s=byA" length="5409226" />
                                    <link>https://hearthis.at/sevenism/somethings-there/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>e2fcaf0a674e0e9efecec827514b94eb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/e2fcaf0a674e0e9efecec827514b94eb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/somethings-there/listen.mp3?s=byA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[entry for ambient online osd44 ambientonline.org/forum/showth...-Sample-Dare-44
made from drive.google.com/open?id=0B7Zs...aHZ3ckE1aS1FTHc in audacity
forgot about this.. was gonna do something more ambitious but out of time!

sample made stereo, pitched down 99%, paulstretched x10, echo, eq'd, pitched up a bit, pitched up a bit more
stereo sample paulstretched pitched up, noise reduction, pitched up again ~60%
same as track 3 pitched up more, echo, added delay which weirdly made it 3 times as long so adjusted the tempo
track 3 reversed, echo

levels adjusted, mixed down, moderate leveling, normalized]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/0/7/_/uploads/801843/image_track/1042904/w1400_h1400_q70_ptrue_v2_----cropped_d838177a0dd09025e166fd9a1eaa8943_1474886709.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/somethings-there/</feedburner:origLink>
                                    <itunes:duration>338</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1033712</guid>
                                    
                                        <pubDate>Sun, 18 Sep 2016 15:08:16 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-18T15:08:16+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>understatement</title>
                                    <description><![CDATA[cheated a bit. i used my recording as the final six speed part and then slowed it down by 2 4 and 6
so the slowed down part means nothing much happens for a few minutes and it builds up
llllllll.co/t/double-quadruple...oject-0246/4549]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/understatement-disquiet-0-2-4-6/listen.mp3?s=uiz" length="6778043" />
                                    <link>https://hearthis.at/sevenism/understatement-disquiet-0-2-4-6/</link>
                                    <thr:total>0</thr:total>
                                    <hq>56</hq>
                                    <hq_filename>6a9bd359ad7cb537446e817a7216aded.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/6a9bd359ad7cb537446e817a7216aded.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/understatement-disquiet-0-2-4-6/listen.mp3?s=uiz" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[cheated a bit. i used my recording as the final six speed part and then slowed it down by 2 4 and 6
so the slowed down part means nothing much happens for a few minutes and it builds up
llllllll.co/t/double-quadruple...oject-0246/4549]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/4/_/uploads/801843/image_track/1033712/w1400_h1400_q70_ptrue_v2_----cropped_c2a8e5d5cfe6b928753048a3c6f8afb2_1474204475.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/understatement-disquiet-0-2-4-6/</feedburner:origLink>
                                    <itunes:duration>423</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1024167</guid>
                                    
                                        <pubDate>Fri, 09 Sep 2016 12:44:11 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-09T12:44:11+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>yesterday i saw her</title>
                                    <description><![CDATA[choral ambient mindful music for kitchen chores
loop quietly
these are remixes of sevenism.bandcamp.com/track/ye...erday-i-saw-her
“If while washing dishes, we think only of the cup of tea that awaits us, thus hurrying to get the dishes out of the way as if they were
a nuisance, then we are not "washing the dishes to wash the dishes." What's more, we are not alive during the time we are washing the dishes. In fact we are completely incapable of realizing the miracle of life while standing at the sink. If we can't wash the dishes, the chances are we won't be able to drink our tea either. While drinking the cup of tea, we will only be thinking of other things, barely aware of the cup in our hands. Thus we are sucked away into the future -and we are incapable of actually living one minute of life.”
― Thich Nhat Hanh, The Miracle of Mindfulness
......
Disquiet Junto Project 0245: Practical Music
Write a piece of music for getting things done, suitable for playing on repeat.
llllllll.co/t/make-some-practi...ect-0245/4445/2]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/yesterday-i-saw-her-memory-disquiet0245/listen.mp3?s=d3f" length="2140786" />
                                    <link>https://hearthis.at/sevenism/yesterday-i-saw-her-memory-disquiet0245/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>51193f35aa00939d0affdb316fb322a6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/51193f35aa00939d0affdb316fb322a6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/yesterday-i-saw-her-memory-disquiet0245/listen.mp3?s=d3f" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[choral ambient mindful music for kitchen chores
loop quietly
these are remixes of sevenism.bandcamp.com/track/ye...erday-i-saw-her
“If while washing dishes, we think only of the cup of tea that awaits us, thus hurrying to get the dishes out of the way as if they were
a nuisance, then we are not "washing the dishes to wash the dishes." What's more, we are not alive during the time we are washing the dishes. In fact we are completely incapable of realizing the miracle of life while standing at the sink. If we can't wash the dishes, the chances are we won't be able to drink our tea either. While drinking the cup of tea, we will only be thinking of other things, barely aware of the cup in our hands. Thus we are sucked away into the future -and we are incapable of actually living one minute of life.”
― Thich Nhat Hanh, The Miracle of Mindfulness
......
Disquiet Junto Project 0245: Practical Music
Write a piece of music for getting things done, suitable for playing on repeat.
llllllll.co/t/make-some-practi...ect-0245/4445/2]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/6/3/_/uploads/801843/image_track/1024167/w1400_h1400_q70_ptrue_v2_----cropped_b3193bde1fbc0340d1a8866121df1b45_1473420368.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/yesterday-i-saw-her-memory-disquiet0245/</feedburner:origLink>
                                    <itunes:duration>133</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1021881</guid>
                                    
                                        <pubDate>Wed, 07 Sep 2016 12:03:10 +0200</pubDate>
                                        
                                        <atom:updated>2016-09-07T12:03:10+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Fever Dream (naviarhaiku139)</title>
                                    <description><![CDATA[used the last disquiet track hearthis.at/sevenism/shifting-chasm as the sound source and fed it into itself an regurgitated it.
===================================
insomnia -
the train tracks are silent
all night long
DEADLINE: 7th September
Poem by Yu Chang ahapoetry.com/PP0601..htm
Picture by photodarren
flic.kr/p/ouGb7g

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku139)”

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fever-dream-naviarhaiku139/listen.mp3?s=1ly" length="6996217" />
                                    <link>https://hearthis.at/sevenism/fever-dream-naviarhaiku139/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>5b6550112c7da1af17f2126ed64d0380.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/5b6550112c7da1af17f2126ed64d0380.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fever-dream-naviarhaiku139/listen.mp3?s=1ly" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[used the last disquiet track hearthis.at/sevenism/shifting-chasm as the sound source and fed it into itself an regurgitated it.
===================================
insomnia -
the train tracks are silent
all night long
DEADLINE: 7th September
Poem by Yu Chang ahapoetry.com/PP0601..htm
Picture by photodarren
flic.kr/p/ouGb7g

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku139)”

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/9/_/uploads/801843/image_track/1021881/w1400_h1400_q70_ptrue_v2_----cropped_f655b8ce3ed30bee1e936a2e96377051_1473242903.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fever-dream-naviarhaiku139/</feedburner:origLink>
                                    <itunes:duration>437</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1013398</guid>
                                    
                                        <pubDate>Wed, 31 Aug 2016 14:27:02 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-31T14:27:02+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>autocult hypnotic (from  'thicket')</title>
                                    <description><![CDATA[full length auto-video here youtube.com/watch?v=nLbSYkFBww4
this is the first track from my new extended album 'thicket' 
sevenism.bandcamp.com/album/thicket

autocult hypnotic 01:26:36
crystl 03:19
tendentious 07:44
shade 05:32
dense 04:51
ecoeco 05:07
distal root 03:43
tectonwaves 11:09
proximal grove 03:09
fazed droplet 07:57
distant wind 04:03
cauterize 05:13
empty sky 02:52
near dust 16:04
dentes 05:55
sleight 10:01
stone 10:14
lythic fade 01:48:41

about
psychogeoacoustic study of a nearby thicket and clearing 
via softsynths + hard distortion
credits
released August 30, 2016]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/autocult-ii/listen.mp3?s=O7d" length="83144201" />
                                    <link>https://hearthis.at/sevenism/autocult-ii/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>0ef6590008d6c77efdcecfef376a7349.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/0ef6590008d6c77efdcecfef376a7349.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/autocult-ii/listen.mp3?s=O7d" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[full length auto-video here youtube.com/watch?v=nLbSYkFBww4
this is the first track from my new extended album 'thicket' 
sevenism.bandcamp.com/album/thicket

autocult hypnotic 01:26:36
crystl 03:19
tendentious 07:44
shade 05:32
dense 04:51
ecoeco 05:07
distal root 03:43
tectonwaves 11:09
proximal grove 03:09
fazed droplet 07:57
distant wind 04:03
cauterize 05:13
empty sky 02:52
near dust 16:04
dentes 05:55
sleight 10:01
stone 10:14
lythic fade 01:48:41

about
psychogeoacoustic study of a nearby thicket and clearing 
via softsynths + hard distortion
credits
released August 30, 2016]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/2/1/_/uploads/801843/image_track/1013398/w1400_h1400_q70_ptrue_v2_----cropped_c646e350a5664e3983e98d800380ba692016-01-16-14.31.24.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/autocult-ii/</feedburner:origLink>
                                    <itunes:duration>5196</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1013342</guid>
                                    
                                        <pubDate>Wed, 31 Aug 2016 12:33:02 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-31T12:33:02+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Void Comp - Beautiful Drone |7ism.yzptlkmzx|</title>
                                    <description><![CDATA[Remix of: hearthis.at/qgmwpzdg/beautiful-drone
converted to midi / run through a zynfx synth + guitar fx / beat fx and delay added]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/void-comp-beautiful-drone-mixyzptlk/listen.mp3?s=hrU" length="11609651" />
                                    <link>https://hearthis.at/sevenism/void-comp-beautiful-drone-mixyzptlk/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>00b26947bdc344a5336ae951f6ff9e6c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream55.hearthis.at/00b26947bdc344a5336ae951f6ff9e6c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/void-comp-beautiful-drone-mixyzptlk/listen.mp3?s=hrU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Remix of: hearthis.at/qgmwpzdg/beautiful-drone
converted to midi / run through a zynfx synth + guitar fx / beat fx and delay added]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/z/y/x/_/uploads/801843/image_track/1013342/w1400_h1400_q70_ptrue_v2_----cropped_17edf80fe14a80bd01bf0b1568a3af3amxyz.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/void-comp-beautiful-drone-mixyzptlk/</feedburner:origLink>
                                    <itunes:duration>725</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1005193</guid>
                                    
                                        <pubDate>Wed, 24 Aug 2016 16:04:00 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-24T16:04:00+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>WÜST &amp;amp; sevenism - DONNERVÖGEL (outtake)</title>
                                    <description><![CDATA[this is an unreleased piece from our recent album Ozeane
sevenism.bandcamp.com/album/ozeane
wstmusic1.bandcamp.com/album/ozeane

here comes the rain 10:08
after the storm, more rain 04:27
a day in khuek kak 22:14
sawadie khat 03:30
scape shape 12:13
thoughts about... 32:32

about
this project emerged from the ashes of the british EU referendum vote. the lies and nastiness and hatred were really getting to me. it was an important realization for me that i don't have to be any part of it: the collaboration here with WÜST represents a global connection where borders are irrelevant and where the music comes from field recordings from across the globe. 
all tracks are based on field recordings made in thailand between the
years 2014 and 2016,also the pictures. made in several towns and
country sides of the district phang nga,thailand by WÜST. 
treatments,mixing,arrangements and fun by WÜST and @(((sevenism)))
credits
released August 23, 2016]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/donnervgel/listen.mp3?s=gOw" length="1866186" />
                                    <link>https://hearthis.at/sevenism/donnervgel/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>5011f554131135ff3da91251d24bdc7f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/5011f554131135ff3da91251d24bdc7f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/donnervgel/listen.mp3?s=gOw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this is an unreleased piece from our recent album Ozeane
sevenism.bandcamp.com/album/ozeane
wstmusic1.bandcamp.com/album/ozeane

here comes the rain 10:08
after the storm, more rain 04:27
a day in khuek kak 22:14
sawadie khat 03:30
scape shape 12:13
thoughts about... 32:32

about
this project emerged from the ashes of the british EU referendum vote. the lies and nastiness and hatred were really getting to me. it was an important realization for me that i don't have to be any part of it: the collaboration here with WÜST represents a global connection where borders are irrelevant and where the music comes from field recordings from across the globe. 
all tracks are based on field recordings made in thailand between the
years 2014 and 2016,also the pictures. made in several towns and
country sides of the district phang nga,thailand by WÜST. 
treatments,mixing,arrangements and fun by WÜST and @(((sevenism)))
credits
released August 23, 2016]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/1/3/_/uploads/801843/image_track/1005193/w1400_h1400_q70_ptrue_v2_----cropped_c5711094726402a477107e7b706c5a6fjdscn2310.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/donnervgel/</feedburner:origLink>
                                    <itunes:duration>116</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1007674</guid>
                                    
                                        <pubDate>Fri, 26 Aug 2016 15:57:02 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-26T15:57:02+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>blade edge</title>
                                    <description><![CDATA[imagined soundtrack to the blade runner sequel
...........
Disquiet Junto Project 0243: Synth Trial
The Assignment: Share the best track from your audition tape for Blade Runner 2.
Please pay particular attention to all the instructions below, in light of SoundCloud having closed down its Groups functionality.
Big picture: One thing arising from the end of the Groups functionality is a broad goal, in which an account on SoundCloud is not necessary for Disquiet Junto project participation. We’ll continue to use SoundCloud, but it isn’t required to use SoundCloud. The aspiration is for the Junto to become “platform-agnostic,” which is why using a message forum, such as llllllll.co, as a central place for each project may work well.
And now, on to this week’s project.
Project Steps:
Step 1: As you now know, Jóhann Jóhannsson was selected to score Blade Runner 2. The news means, among other things, that you didn’t get the gig. Please reconcile yourself with this.
Step 2: Please share your favorite track from the audition tape you sent to Ridley Scott.
Five More Important Steps When Your Track Is Done:
Step 1: Per the instructions below, be sure to include the project tag “disquiet0243” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: This is a fairly new step, if you’ve done a Junto project previously. In this discussion thread at llllllll.co post your track:
llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
This project was posted in the morning, California time, on Thursday, August 25, 2016, with a deadline of 11:59pm wherever you are on Monday, August 29, 2016.
Length: The length is up to you. Three minutes seems like a good maximum.
Title/Tag: When posting your track, please include “disquiet0243” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 243rd weekly Disquiet Junto project — “Share the best track from your audition tape for Blade Runner 2” — at:
disquiet.com/0243/2
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/1
Project discussion takes place on llllllll.co:
llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/7ism-blade-edge/listen.mp3?s=JgF" length="59925732" />
                                    <link>https://hearthis.at/sevenism/7ism-blade-edge/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>30f7661237a258d23a787203f4f7d028.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/30f7661237a258d23a787203f4f7d028.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/7ism-blade-edge/listen.mp3?s=JgF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[imagined soundtrack to the blade runner sequel
...........
Disquiet Junto Project 0243: Synth Trial
The Assignment: Share the best track from your audition tape for Blade Runner 2.
Please pay particular attention to all the instructions below, in light of SoundCloud having closed down its Groups functionality.
Big picture: One thing arising from the end of the Groups functionality is a broad goal, in which an account on SoundCloud is not necessary for Disquiet Junto project participation. We’ll continue to use SoundCloud, but it isn’t required to use SoundCloud. The aspiration is for the Junto to become “platform-agnostic,” which is why using a message forum, such as llllllll.co, as a central place for each project may work well.
And now, on to this week’s project.
Project Steps:
Step 1: As you now know, Jóhann Jóhannsson was selected to score Blade Runner 2. The news means, among other things, that you didn’t get the gig. Please reconcile yourself with this.
Step 2: Please share your favorite track from the audition tape you sent to Ridley Scott.
Five More Important Steps When Your Track Is Done:
Step 1: Per the instructions below, be sure to include the project tag “disquiet0243” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: This is a fairly new step, if you’ve done a Junto project previously. In this discussion thread at llllllll.co post your track:
llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
This project was posted in the morning, California time, on Thursday, August 25, 2016, with a deadline of 11:59pm wherever you are on Monday, August 29, 2016.
Length: The length is up to you. Three minutes seems like a good maximum.
Title/Tag: When posting your track, please include “disquiet0243” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 243rd weekly Disquiet Junto project — “Share the best track from your audition tape for Blade Runner 2” — at:
disquiet.com/0243/2
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/1
Project discussion takes place on llllllll.co:
llllllll.co/t/disquiet-junto-project-0243-synth-trial/4288]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/3/_/uploads/801843/image_track/1007674/w1400_h1400_q70_ptrue_v2_----cropped_a91019a7366f8fd7f978c63fa39577402016-08-26-15.33.55.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/7ism-blade-edge/</feedburner:origLink>
                                    <itunes:duration>3745</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">1002644</guid>
                                    
                                        <pubDate>Tue, 23 Aug 2016 13:33:01 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-23T13:33:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>meteor shower</title>
                                    <description><![CDATA[made from a sample from this ryanlutton.bandcamp.com/track/...ent-improv-xxii by Ryan Lutton
meteor shower
a gentle wave
wets our sandals
DEADLINE: 24th August
Poem by Michael Dylan Welch
Picture by James Wheeler

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku137)”

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/meteor-shower/listen.mp3?s=CeK" length="3107943" />
                                    <link>https://hearthis.at/sevenism/meteor-shower/</link>
                                    <thr:total>0</thr:total>
                                    <hq>55</hq>
                                    <hq_filename>9f8fe7ffc35a972bf275b61484bd97cc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/9f8fe7ffc35a972bf275b61484bd97cc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/meteor-shower/listen.mp3?s=CeK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from a sample from this ryanlutton.bandcamp.com/track/...ent-improv-xxii by Ryan Lutton
meteor shower
a gentle wave
wets our sandals
DEADLINE: 24th August
Poem by Michael Dylan Welch
Picture by James Wheeler

Make music in response to the assigned haiku.
If you're a Soundcloud user, upload the track on Soundcloud and message me privately the track's URL; alternatively you can send me your composition directly via Dropbox
Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku137)”

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/d/e/_/uploads/801843/image_track/1002644/w1400_h1400_q70_ptrue_v2_----cropped_b7c2d81ab3ac64869e7e80b7ca8bbc51unnamed3.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/meteor-shower/</feedburner:origLink>
                                    <itunes:duration>194</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">997932</guid>
                                    
                                        <pubDate>Sat, 20 Aug 2016 13:22:01 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-20T13:22:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>slow rain</title>
                                    <description><![CDATA[entry for ambientonline.org osd43]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/slow-rain-0sd43/listen.mp3?s=BE0" length="8139336" />
                                    <link>https://hearthis.at/sevenism/slow-rain-0sd43/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>c21a64a51995c56595ee597aadf5fee7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/c21a64a51995c56595ee597aadf5fee7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/slow-rain-0sd43/listen.mp3?s=BE0" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[entry for ambientonline.org osd43]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/n/i/a/_/uploads/801843/image_track/997932/w1400_h1400_q70_ptrue_v2_----cropped_97270cd55a73b0fee7b52cdc152abe04slorain.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/slow-rain-0sd43/</feedburner:origLink>
                                    <itunes:duration>508</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">996801</guid>
                                    
                                        <pubDate>Fri, 19 Aug 2016 18:28:45 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-19T18:28:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>anytime i know</title>
                                    <description><![CDATA[my tip is don't just fetishize technique but strive for something human in the music
llllllll.co/t/share-yer-knowle...ect-0242/4218/1
Disquiet Junto Project 0242: Share Yer Knowledge
The Assignment: Make (and annotate) a track that provides an example of a trick/skill/tip you want to share about a piece of musical software or hardware.
Please pay particular attention to all the instructions below, in light of SoundCloud closing down its Groups functionality.
Big picture: One thing arising from the end of the Groups functionality is a broad goal, in which an account on SoundCloud is not necessary for Disquiet Junto project participation. We’ll continue to use SoundCloud, but it isn’t required to use SoundCloud. The aspiration is for the Junto to become “platform-agnostic,” which is why using a message forum, such as llllllll.co, as a central place for each project may work well.
And now, on to this week’s project.
Project Steps:
Step 1: Think of a specific trick or skill or tip you have honed in regard a particular piece of music software or hardware.
Step 2: Create a piece of music in which that trick or skill or tip is intrinsic.
Step 3: Annotate the track to detail the trick/skill/tip.
Five More Important Steps When Your Track Is Done:
Step 1: Per the instructions below, be sure to include the project tag “disquiet0242” in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: This is a new task, if you’ve done a Junto project previously. In the following discussion thread at llllllll.co post your track:
llllllll.co/t/share-yer-knowledge-disquiet-junto-project-0242/4218
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
This project was posted in the morning, California time, on Thursday, August 18, 2016, with a deadline of 11:59pm wherever you are on Monday, August 22, 2016.
Length: The length is up to you. Between 30 seconds and two minutes seems about right.
Title/Tag: When posting your track, please include “disquiet0242” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 242nd weekly Disquiet Junto project — “Make (and annotate) a track that provides an example of a trick/skill/tip you want to share about a piece of musical software or hardware” — at:
disquiet.com/0242/1
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/1
Project discussion takes place on llllllll.co:
llllllll.co/t/share-yer-knowledge-disquiet-junto-project-0242/4218
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/anytime-i-know/listen.mp3?s=gYK" length="7310941" />
                                    <link>https://hearthis.at/sevenism/anytime-i-know/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>390704bd16395fdbd843e92aad40668c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/390704bd16395fdbd843e92aad40668c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/anytime-i-know/listen.mp3?s=gYK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my tip is don't just fetishize technique but strive for something human in the music
llllllll.co/t/share-yer-knowle...ect-0242/4218/1
Disquiet Junto Project 0242: Share Yer Knowledge
The Assignment: Make (and annotate) a track that provides an example of a trick/skill/tip you want to share about a piece of musical software or hardware.
Please pay particular attention to all the instructions below, in light of SoundCloud closing down its Groups functionality.
Big picture: One thing arising from the end of the Groups functionality is a broad goal, in which an account on SoundCloud is not necessary for Disquiet Junto project participation. We’ll continue to use SoundCloud, but it isn’t required to use SoundCloud. The aspiration is for the Junto to become “platform-agnostic,” which is why using a message forum, such as llllllll.co, as a central place for each project may work well.
And now, on to this week’s project.
Project Steps:
Step 1: Think of a specific trick or skill or tip you have honed in regard a particular piece of music software or hardware.
Step 2: Create a piece of music in which that trick or skill or tip is intrinsic.
Step 3: Annotate the track to detail the trick/skill/tip.
Five More Important Steps When Your Track Is Done:
Step 1: Per the instructions below, be sure to include the project tag “disquiet0242” in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.
Step 3: This is a new task, if you’ve done a Junto project previously. In the following discussion thread at llllllll.co post your track:
llllllll.co/t/share-yer-knowledge-disquiet-junto-project-0242/4218
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
This project was posted in the morning, California time, on Thursday, August 18, 2016, with a deadline of 11:59pm wherever you are on Monday, August 22, 2016.
Length: The length is up to you. Between 30 seconds and two minutes seems about right.
Title/Tag: When posting your track, please include “disquiet0242” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.
Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 242nd weekly Disquiet Junto project — “Make (and annotate) a track that provides an example of a trick/skill/tip you want to share about a piece of musical software or hardware” — at:
disquiet.com/0242/1
More on the Disquiet Junto at:
disquiet.com/junto/1
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/1
Project discussion takes place on llllllll.co:
llllllll.co/t/share-yer-knowledge-disquiet-junto-project-0242/4218
There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/r/-/s/_/uploads/801843/image_track/996801/w1400_h1400_q70_ptrue_v2_----cropped_93379a3043bbc2465fcab7a8fbe9ad35jalapeno-peppers-r.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/anytime-i-know/</feedburner:origLink>
                                    <itunes:duration>456</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">994017</guid>
                                    
                                        <pubDate>Wed, 17 Aug 2016 12:23:01 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-17T12:23:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sevenism + boson spin - crashing waves (renku003)</title>
                                    <description><![CDATA[it's the ocean
you can smell from here,
the boundless sky above
the wild pearl
unaware of imperfection
DEADLINE: 24th August
Poem by Tzetzka Ilieva & John Carley
Picture by Johan Rydberg

Make music inspired by the assigned poem in collaboration with one or more artists.
Upload your collaboration to Naviar’s Dropbox account

– When you upload your entry, include the names of the artists involved in the composition in the title and Include "Renku003" in the title of your track.

Please use a Creative Commons license for your entry

For more information visit naviarrecords.com/about/renku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/crashing-waves/listen.mp3?s=EL2" length="10693902" />
                                    <link>https://hearthis.at/sevenism/crashing-waves/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>648873fd716661b9990be85c87ffd033.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/648873fd716661b9990be85c87ffd033.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/crashing-waves/listen.mp3?s=EL2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[it's the ocean
you can smell from here,
the boundless sky above
the wild pearl
unaware of imperfection
DEADLINE: 24th August
Poem by Tzetzka Ilieva & John Carley
Picture by Johan Rydberg

Make music inspired by the assigned poem in collaboration with one or more artists.
Upload your collaboration to Naviar’s Dropbox account

– When you upload your entry, include the names of the artists involved in the composition in the title and Include "Renku003" in the title of your track.

Please use a Creative Commons license for your entry

For more information visit naviarrecords.com/about/renku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/d/e/m/_/uploads/801843/image_track/994017/w1400_h1400_q70_ptrue_v2_----cropped_94aaf7b176d0e8035496f87f461fa559unnamed.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/crashing-waves/</feedburner:origLink>
                                    <itunes:duration>668</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">971690</guid>
                                    
                                        <pubDate>Fri, 29 Jul 2016 18:38:05 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-29T18:38:05+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lament for phased out groups (pt 1)</title>
                                    <description><![CDATA[fuck soundcloud]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/soundcloud-lament2/listen.mp3?s=iZt" length="2640665" />
                                    <link>https://hearthis.at/sevenism/soundcloud-lament2/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>90acb28ded901d3b8b7d740667e48d60.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/90acb28ded901d3b8b7d740667e48d60.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/soundcloud-lament2/listen.mp3?s=iZt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[fuck soundcloud]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/t/n/e/_/uploads/801843/image_track/971690/w1400_h1400_q70_ptrue_v2_----cropped_f71bf72658d56f86700c226f896ea976lambent.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/soundcloud-lament2/</feedburner:origLink>
                                    <itunes:duration>165</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">975831</guid>
                                    
                                        <pubDate>Tue, 02 Aug 2016 17:25:01 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-02T17:25:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sound of waterfall (Naviarhaiku134)</title>
                                    <description><![CDATA[made from samples of wooden wind chime, flexatone, violin and flute
|
Sound of waterfall
in the night. I don't see it,
but feel its freshness.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/wfl/listen.mp3?s=eAU" length="19664142" />
                                    <link>https://hearthis.at/sevenism/wfl/</link>
                                    <thr:total>0</thr:total>
                                    <hq>42</hq>
                                    <hq_filename>a8d7459f72cf4e225e87d9ec1ac6c1a6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/a8d7459f72cf4e225e87d9ec1ac6c1a6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/wfl/listen.mp3?s=eAU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made from samples of wooden wind chime, flexatone, violin and flute
|
Sound of waterfall
in the night. I don't see it,
but feel its freshness.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/d/e/_/uploads/801843/image_track/975831/w1400_h1400_q70_ptrue_v2_----cropped_c1f214794dc99798f639f3952142a85eunnamed2.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/wfl/</feedburner:origLink>
                                    <itunes:duration>1228</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">987872</guid>
                                    
                                        <pubDate>Thu, 11 Aug 2016 23:04:06 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-11T23:04:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>tendentious (disquiet0241)</title>
                                    <description><![CDATA[llllllll.co/t/foreground-effec...ect-0241/4134/4
i used acidrack and pressed the same key over and over again.
i had a heap of fx in ableton - ddly>podfarm2>feed me back>six string ambience>loop slippery
lots of echo, distortion .. 6 string ambience mulches things up a bit.. loop slippery added that beat
perfect project for me - i'm always adding way too much fx ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/tendentious/listen.mp3?s=yuA" length="7430059" />
                                    <link>https://hearthis.at/sevenism/tendentious/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>e6a5e3f4a0ec366c09961378ef46b657.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream54.hearthis.at/e6a5e3f4a0ec366c09961378ef46b657.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/tendentious/listen.mp3?s=yuA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[llllllll.co/t/foreground-effec...ect-0241/4134/4
i used acidrack and pressed the same key over and over again.
i had a heap of fx in ableton - ddly>podfarm2>feed me back>six string ambience>loop slippery
lots of echo, distortion .. 6 string ambience mulches things up a bit.. loop slippery added that beat
perfect project for me - i'm always adding way too much fx ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/n/o/t/_/uploads/801843/image_track/987872/w1400_h1400_q70_ptrue_v2_----cropped_14aaf47113d111785aae24aadfb187c4tendnyton.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/tendentious/</feedburner:origLink>
                                    <itunes:duration>464</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">978990</guid>
                                    
                                        <pubDate>Fri, 05 Aug 2016 12:32:04 +0200</pubDate>
                                        
                                        <atom:updated>2016-08-05T12:32:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>terraform</title>
                                    <description><![CDATA[i used scribble.audio to do an 8 bar loop adding notes over 9 minutes
recorded in audacity then duplicated track blurred one track with a 10 second window size (paulstretch) and crossfaded from blurred track to original and mixed down
then i repeated this - duplicated the mixed down track and blurred with a 20 second window then crossfaded.
ssssssssssssssssss
Disquiet Junto Project 0240: Emerging from a Drone
The Assignment: Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic.
Please note the new instructions below, in light of SoundCloud closing down its Groups functionality.
Big picture: One thing arising from the loss of the Groups functionality is the goal that an account on SoundCloud is not necessary for Disquiet Junto project participation. The aspiration is for the Junto to become platform-agnostic.
Project Steps:
Step 1: Record a short drone, something that suggests stasis, timelessness, something that could play forever and feel like it never substantially changes.
Step 2: Create a piece of music that slowly emerges from that drone. More to the point, create a piece of music for which the drone is the beginning — a drone that slowly, imperceptibly, gives way to something rhythmic or melodic or both.
Six More Important Steps When Your Track Is Done :
Step 1: Per the instructions below, be sure to include “disquiet0240” in the name of your track.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track. It is also helpful that you are a member of the discussion boards at llllllll.co.
Step 3: Add your track to the Disquiet Junto group on SoundCloud (this specific task will continue until the August 22 sunsetting of that service). The group is here:
soundcloud.com/groups/disquiet-junto
Step 4: This is a new task, if you’ve done a Junto project previously. In the following discussion thread at llllllll.co post your track:
llllllll.co/t/music-that-emerg...oject-0240/4027
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the evening, California time, on Thursday, August 4, 2016, with a deadline of 11:59pm wherever you are on Monday, August 8, 2016.
Length: The length is up to you. Between one and four minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0240.” Also use “disquiet0240” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 240th weekly Disquiet Junto project — “Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic” — at:
disquiet.com/0240
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on llllllll.co and on a Junto Slack (send your email address to twitter.com/disquiet for Slack inclusion).]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/promoted-soundcloud-track/listen.mp3?s=IaY" length="9278692" />
                                    <link>https://hearthis.at/sevenism/promoted-soundcloud-track/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>5900fc0b9606db722ea30b3af3d38019.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream46.hearthis.at/5900fc0b9606db722ea30b3af3d38019.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/promoted-soundcloud-track/listen.mp3?s=IaY" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used scribble.audio to do an 8 bar loop adding notes over 9 minutes
recorded in audacity then duplicated track blurred one track with a 10 second window size (paulstretch) and crossfaded from blurred track to original and mixed down
then i repeated this - duplicated the mixed down track and blurred with a 20 second window then crossfaded.
ssssssssssssssssss
Disquiet Junto Project 0240: Emerging from a Drone
The Assignment: Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic.
Please note the new instructions below, in light of SoundCloud closing down its Groups functionality.
Big picture: One thing arising from the loss of the Groups functionality is the goal that an account on SoundCloud is not necessary for Disquiet Junto project participation. The aspiration is for the Junto to become platform-agnostic.
Project Steps:
Step 1: Record a short drone, something that suggests stasis, timelessness, something that could play forever and feel like it never substantially changes.
Step 2: Create a piece of music that slowly emerges from that drone. More to the point, create a piece of music for which the drone is the beginning — a drone that slowly, imperceptibly, gives way to something rhythmic or melodic or both.
Six More Important Steps When Your Track Is Done :
Step 1: Per the instructions below, be sure to include “disquiet0240” in the name of your track.
Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track. It is also helpful that you are a member of the discussion boards at llllllll.co.
Step 3: Add your track to the Disquiet Junto group on SoundCloud (this specific task will continue until the August 22 sunsetting of that service). The group is here:
soundcloud.com/groups/disquiet-junto
Step 4: This is a new task, if you’ve done a Junto project previously. In the following discussion thread at llllllll.co post your track:
llllllll.co/t/music-that-emerg...oject-0240/4027
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the evening, California time, on Thursday, August 4, 2016, with a deadline of 11:59pm wherever you are on Monday, August 8, 2016.
Length: The length is up to you. Between one and four minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0240.” Also use “disquiet0240” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track online, please be sure to include this information:
More on this 240th weekly Disquiet Junto project — “Compose a piece of music in which a drone slowly, imperceptibly, gives way to something rhythmic and/or melodic” — at:
disquiet.com/0240
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on llllllll.co and on a Junto Slack (send your email address to twitter.com/disquiet for Slack inclusion).]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/9/_/uploads/801843/image_track/978990/w1400_h1400_q70_ptrue_v2_----cropped_120e708abf2f44a11f20e03490f9bc642015-03-23-18.09.17.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/promoted-soundcloud-track/</feedburner:origLink>
                                    <itunes:duration>579</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966812</guid>
                                    
                                        <pubDate>Tue, 12 Jul 2016 12:02:15 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-12T12:02:15+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Fall Into Deep Space (naviarhaiku131)</title>
                                    <description><![CDATA[drone made from outro of last disquiet track
tumbling down atonally / brief reprise
.
Fall into deep space,
tumbling down to sleep,
remember to wake.
DEADLINE: 13th July
Poem by Ruben Gabriel
ruben-gabriel.tumblr.com
Picture by NASA
flickr.com/photos/nasamarshall...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku131 - Fall into deep space" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fall-into-deep-space-naviarhaiku131/listen.mp3?s=giF" length="2681625" />
                                    <link>https://hearthis.at/sevenism/fall-into-deep-space-naviarhaiku131/</link>
                                    <thr:total>0</thr:total>
                                    <hq>54</hq>
                                    <hq_filename>b7d457b5935fcac9403966cf3b370393.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/b7d457b5935fcac9403966cf3b370393.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fall-into-deep-space-naviarhaiku131/listen.mp3?s=giF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[drone made from outro of last disquiet track
tumbling down atonally / brief reprise
.
Fall into deep space,
tumbling down to sleep,
remember to wake.
DEADLINE: 13th July
Poem by Ruben Gabriel
ruben-gabriel.tumblr.com
Picture by NASA
flickr.com/photos/nasamarshall...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku131 - Fall into deep space" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/7/6/_/uploads/801843/image_track/966812/w1400_h1400_q70_ptrue_v2_----cropped_7674242e6b0c8ea4b110d4342517e223_1469388671.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fall-into-deep-space-naviarhaiku131/</feedburner:origLink>
                                    <itunes:duration>167</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966811</guid>
                                    
                                        <pubDate>Fri, 15 Jul 2016 14:17:57 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-15T14:17:57+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fire</title>
                                    <description><![CDATA[entry for ambient online osd42 ambientonline.org/forum/showth...-Sample-Dare-42
this track is only made from a sample of the entrance to a bike trail at a national park soundcloud.com/ao_onesampledar...-42-sample-file
one for the headphones, lots of quiet detail (testing out my new akg headphones!)
did a lot of twisting and mangling in audacity, not sure i can remember everything
track 1: denoised, echo and delay, then reversed more echo and delay, reversed back.
track 2: denoised sample reversed blurred in paulstretch, echo
tracks 3 - 5: harmonics at 440 hz and 660 hz, pitched down 6c, octaves adjusted in real time (paulstretch standalone)
6: 1-5 mixed down pulled into live run through dimension expander, ambience .1, subtle chorus. rerecorded in audacity with tracks 1-6
7: track 6 run through crazy ivan
track 1B: oh also, i got bits from track 1 and pitchshifted and paulstretched them (like the bike)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fire/listen.mp3?s=PbV" length="2726346" />
                                    <link>https://hearthis.at/sevenism/fire/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>514d9c97847e3f71b6e7b38b5f9af625.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/514d9c97847e3f71b6e7b38b5f9af625.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fire/listen.mp3?s=PbV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[entry for ambient online osd42 ambientonline.org/forum/showth...-Sample-Dare-42
this track is only made from a sample of the entrance to a bike trail at a national park soundcloud.com/ao_onesampledar...-42-sample-file
one for the headphones, lots of quiet detail (testing out my new akg headphones!)
did a lot of twisting and mangling in audacity, not sure i can remember everything
track 1: denoised, echo and delay, then reversed more echo and delay, reversed back.
track 2: denoised sample reversed blurred in paulstretch, echo
tracks 3 - 5: harmonics at 440 hz and 660 hz, pitched down 6c, octaves adjusted in real time (paulstretch standalone)
6: 1-5 mixed down pulled into live run through dimension expander, ambience .1, subtle chorus. rerecorded in audacity with tracks 1-6
7: track 6 run through crazy ivan
track 1B: oh also, i got bits from track 1 and pitchshifted and paulstretched them (like the bike)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/801843/image_track/966811/w1400_h1400_q70_ptrue_v2_----cropped_bbb90980c15e212c65f22c400998c205_1469388668.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fire/</feedburner:origLink>
                                    <itunes:duration>170</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966810</guid>
                                    
                                        <pubDate>Mon, 18 Jul 2016 23:32:14 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-18T23:32:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>wide open (disquiet0237)</title>
                                    <description><![CDATA[was shortening some tracks on soundcloud to make space... as it happened i had some 10 second excerpts so used them. did the fading live to make it more interesting. then unsurprisingly i didnt like the track (given that i was shortening tracks i wasnt too fussed about)
so i tried again with some loops from the juno project, didnt like that either
tried again with excerpts from one of my versions of midi sans frontieres run through the mangle. was ok but a bit muddy.
then i thought i'll go a bit recursive and just lump these 3 tracks together and fade in between them as instructed
nearly didnt upload, but, well, here you go
abcdefghiabcdefghiabcdefghi
Disquiet Junto Project 0237: Combination ABCs
The Assignment: Build a 90-second composition from three 10-second segments.
Project Steps:
Step 1: Record three 10-second sound elements. Keep in mind that they will be layered subsequently in various combinations. You might find it useful to set one or more of the elements to loop naturally after 10 seconds, but you might also enjoy the seam where a given loop begins again.
Step 2: Label the three 10-second sound elements A, B, and C.
Step 3: Create a 90-second track of the following sequence of standalone and combined elements: A, B, C, A+B, A+C, B+C, A+B+C, A+B, A.
Step 4: Your track is complete. However, you may opt to go back in and adjust transitions and add effects.
Three More Steps When the Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: Annotate your track with a brief explanation of your approach and process.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Background: This project is partially inspired by the recent book Dramaturgy in Motion: At Work on Dance and Movement Performance, written by Katherine Profeta. In the book, Profeta notes A/B/A as a structure for contemporary dance choreography. It’s a structure I’ve noted, as well, as being perceptible in contemporary electronic music, especially drone-based music. This project is a step toward seeing what the A/B/A structure might sound like when a third element, C, is added.
Deadline: This project was posted shortly before noon, California time, on Thursday, July 14, 2016, with a deadline of 11:59pm wherever you are on Monday, July 18, 2016.
Length: The finished track should be 90 seconds long.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0237.” Also use “disquiet0237” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 237th weekly Disquiet Junto project — “Build a 90-second composition from three 10-second segments” — at:
disquiet.com/0237
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/wide-open-disquiet0237/listen.mp3?s=Cxt" length="0" />
                                    <link>https://hearthis.at/sevenism/wide-open-disquiet0237/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>665481c563f366740c04449f8170b53c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/665481c563f366740c04449f8170b53c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/wide-open-disquiet0237/listen.mp3?s=Cxt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[was shortening some tracks on soundcloud to make space... as it happened i had some 10 second excerpts so used them. did the fading live to make it more interesting. then unsurprisingly i didnt like the track (given that i was shortening tracks i wasnt too fussed about)
so i tried again with some loops from the juno project, didnt like that either
tried again with excerpts from one of my versions of midi sans frontieres run through the mangle. was ok but a bit muddy.
then i thought i'll go a bit recursive and just lump these 3 tracks together and fade in between them as instructed
nearly didnt upload, but, well, here you go
abcdefghiabcdefghiabcdefghi
Disquiet Junto Project 0237: Combination ABCs
The Assignment: Build a 90-second composition from three 10-second segments.
Project Steps:
Step 1: Record three 10-second sound elements. Keep in mind that they will be layered subsequently in various combinations. You might find it useful to set one or more of the elements to loop naturally after 10 seconds, but you might also enjoy the seam where a given loop begins again.
Step 2: Label the three 10-second sound elements A, B, and C.
Step 3: Create a 90-second track of the following sequence of standalone and combined elements: A, B, C, A+B, A+C, B+C, A+B+C, A+B, A.
Step 4: Your track is complete. However, you may opt to go back in and adjust transitions and add effects.
Three More Steps When the Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: Annotate your track with a brief explanation of your approach and process.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Background: This project is partially inspired by the recent book Dramaturgy in Motion: At Work on Dance and Movement Performance, written by Katherine Profeta. In the book, Profeta notes A/B/A as a structure for contemporary dance choreography. It’s a structure I’ve noted, as well, as being perceptible in contemporary electronic music, especially drone-based music. This project is a step toward seeing what the A/B/A structure might sound like when a third element, C, is added.
Deadline: This project was posted shortly before noon, California time, on Thursday, July 14, 2016, with a deadline of 11:59pm wherever you are on Monday, July 18, 2016.
Length: The finished track should be 90 seconds long.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0237.” Also use “disquiet0237” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 237th weekly Disquiet Junto project — “Build a 90-second composition from three 10-second segments” — at:
disquiet.com/0237
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/6/6/_/uploads/801843/image_track/966810/w1400_h1400_q70_ptrue_v2_----cropped_44d1442e89db08b193aee033f61b1b99_1469388665.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/wide-open-disquiet0237/</feedburner:origLink>
                                    <itunes:duration>89</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966808</guid>
                                    
                                        <pubDate>Fri, 22 Jul 2016 22:51:17 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-22T22:51:17+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>MIDI Sans Frontières</title>
                                    <description><![CDATA[squarepusher + sevenism - midi sans frontieres (unity fade)
done an album of mixes here sevenism.bandcamp.com/album/mi...sans-fronti-res
this is a modified version of one them. i've listened to loads of the remixes - some great stuff out there - but somehow i havent listened to the original yet! (i like to start playing with samples before i listen to them)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/midi-sans-frontires/listen.mp3?s=pt8" length="2649860" />
                                    <link>https://hearthis.at/sevenism/midi-sans-frontires/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>e4b3065586aac4ac9323aa00fdecab19.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream53.hearthis.at/e4b3065586aac4ac9323aa00fdecab19.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/midi-sans-frontires/listen.mp3?s=pt8" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[squarepusher + sevenism - midi sans frontieres (unity fade)
done an album of mixes here sevenism.bandcamp.com/album/mi...sans-fronti-res
this is a modified version of one them. i've listened to loads of the remixes - some great stuff out there - but somehow i havent listened to the original yet! (i like to start playing with samples before i listen to them)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/5/6/_/uploads/801843/image_track/966808/w1400_h1400_q70_ptrue_v2_----cropped_b39835c3c94936dc32cf462c86b65a62_1469388658.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/midi-sans-frontires/</feedburner:origLink>
                                    <itunes:duration>165</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966809</guid>
                                    
                                        <pubDate>Wed, 20 Jul 2016 12:48:59 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-20T12:48:59+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Half Moon Hanging (Naviarhaiku132)</title>
                                    <description><![CDATA[tried to get a tone that was both dense and delicate; misty hiss
☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽
Half moon hanging. Sky
cover blurring the edges.
Summer nighttime, misty
DEADLINE: 20th July
Poem by Glenn Sogge facebook.com/ComposerSogge
Picture by Happy Yoga  flickr.com/photos/happyyoga/60...n/faves-cryxuss

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku132 - Half moon hanging" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/half-moon-hanging-naviarhaiku132/listen.mp3?s=FKm" length="1400580" />
                                    <link>https://hearthis.at/sevenism/half-moon-hanging-naviarhaiku132/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>6ce6944b73edfad759718241d3eaeaeb.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/6ce6944b73edfad759718241d3eaeaeb.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/half-moon-hanging-naviarhaiku132/listen.mp3?s=FKm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[tried to get a tone that was both dense and delicate; misty hiss
☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽☽
Half moon hanging. Sky
cover blurring the edges.
Summer nighttime, misty
DEADLINE: 20th July
Poem by Glenn Sogge facebook.com/ComposerSogge
Picture by Happy Yoga  flickr.com/photos/happyyoga/60...n/faves-cryxuss

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku132 - Half moon hanging" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/801843/image_track/966809/w1400_h1400_q70_ptrue_v2_----cropped_9f928266421af7b35ce1c9ce78453dd5_1469388662.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/half-moon-hanging-naviarhaiku132/</feedburner:origLink>
                                    <itunes:duration>87</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">966807</guid>
                                    
                                        <pubDate>Sun, 24 Jul 2016 15:11:14 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-24T15:11:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>lux (disquiet0238)</title>
                                    <description><![CDATA[went obvious with this : fingers on an digital piano
had my moto g phone on some cushions on  a table right near the piano speaker
had a digital dictaphone near the keys , picking up all the incidental sounds
crossfaded from equipment/performance sounds to pure piano. i wanted a sense of the piece coming into focus - as i continued improvising there was a sense of where it was going.. and that idea of being influenced by all the incidental sounds, the cars going past etc.
(apologies to people who actually can play the piano - i just like to pretend)
||||||||||||||||||||||
. . .
Disquiet Junto Project 0238: Magnifying Contact
The Assignment: Record a piece of music, emphasizing the sounds of production over the music itself.
Project Steps:
Step 1: Record a short piece of music. When recording the music, use additional microphones to capture the process itself: your fingers on strings, touching keyboard and screen surfaces, clicking on laptop keys, etc.
Step 2: When the piece is fully recorded, create a mix that makes the “performance” sounds slightly either equal to or slightly more prominent than the performance itself.
Three More Steps When Your Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: Annotate your track with a brief explanation of your approach and process.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, July 21, 2016, with a deadline of 11:59pm wherever you are on Monday, July 25, 2016.
Length: The length is up to you. Between one and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0238.” Also use “disquiet0238” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 238th weekly Disquiet Junto project — “Record a piece of music, emphasizing the sounds of production over the music itself” — at:
disquiet.com/0238
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lux-disquiet0238/listen.mp3?s=xZr" length="2819969" />
                                    <link>https://hearthis.at/sevenism/lux-disquiet0238/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>89fdd17ebbb72c6c1227f177e12e7288.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/89fdd17ebbb72c6c1227f177e12e7288.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lux-disquiet0238/listen.mp3?s=xZr" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[went obvious with this : fingers on an digital piano
had my moto g phone on some cushions on  a table right near the piano speaker
had a digital dictaphone near the keys , picking up all the incidental sounds
crossfaded from equipment/performance sounds to pure piano. i wanted a sense of the piece coming into focus - as i continued improvising there was a sense of where it was going.. and that idea of being influenced by all the incidental sounds, the cars going past etc.
(apologies to people who actually can play the piano - i just like to pretend)
||||||||||||||||||||||
. . .
Disquiet Junto Project 0238: Magnifying Contact
The Assignment: Record a piece of music, emphasizing the sounds of production over the music itself.
Project Steps:
Step 1: Record a short piece of music. When recording the music, use additional microphones to capture the process itself: your fingers on strings, touching keyboard and screen surfaces, clicking on laptop keys, etc.
Step 2: When the piece is fully recorded, create a mix that makes the “performance” sounds slightly either equal to or slightly more prominent than the performance itself.
Three More Steps When Your Track Is Done :
Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:
soundcloud.com/groups/disquiet-junto
Step 2: Annotate your track with a brief explanation of your approach and process.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, July 21, 2016, with a deadline of 11:59pm wherever you are on Monday, July 25, 2016.
Length: The length is up to you. Between one and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0238.” Also use “disquiet0238” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 238th weekly Disquiet Junto project — “Record a piece of music, emphasizing the sounds of production over the music itself” — at:
disquiet.com/0238
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/6/_/uploads/801843/image_track/966807/w1400_h1400_q70_ptrue_v2_----cropped_fc66a90c72030eeb400554aff3fdf7f0_1469388657.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lux-disquiet0238/</feedburner:origLink>
                                    <itunes:duration>176</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">953538</guid>
                                    
                                        <pubDate>Thu, 07 Jul 2016 21:40:37 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-07T21:40:37+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>juno radiostorm (disquiet0236)</title>
                                    <description><![CDATA[i wanted to capture that strangeness of audio recordings from spacecraft. i was playing in acidrack pressing random a lot. main melody is when i came across a tone i liked, wanted it slow and morse like. the rest of the sound is from mashing the rest of the recording into itself
the morse tone is from the ableton test tone. mightve been doing dashes not dots, not sure.
photo is from flickr.com/photos/gsfc/28000029525 and juno slapped on, bit of noise added.
♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃
Disquiet Junto 0236: Hello Jun(t)o
The Assignment: Say hi to the Juno Spacecraft by embedding Morse code in an original composition.
In this project we’re going to send a friendly signal to the NASA probe, the Juno spacecraft, that just entered orbit around Jupiter. Well, we’re going to compose such signals. Sending them is a separate endeavor. We’re going to build on the “Say ‘Hi’ to Juno” endeavor, which had thousands of ham operators sending a message to Juno during its five-year voyage. The “Say ‘Hi’ to Juno” message was Morse code for “Hi” — that is, four dots followed by two dots (…. ..).
Step 1: Listen to the Morse code for “hi” (four dots followed by two dots) on repeat for a short time.
Step 2: Create an original musical composition that in one or more ways interpolates that Morse code.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the late morning, California time, on Thursday, July 7, 2016, with a deadline of 11:59pm wherever you are on Monday, July 11, 2016.
Length: The length is up to you, though around one minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0236.” Also use “disquiet0236” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 236th weekly Disquiet Junto project — “Say hi to the Juno Spacecraft by embedding Morse code in an original composition” — at:
disquiet.com/0236
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
More on the Juno Spacecraft technology at:
spaceflight101.com/juno/spacec...aft-information
More on the “Say ‘Hi’ to Juno” ham operator project here:
jpl.nasa.gov/video/details.php?id=1263]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/juno-radiostorm-disquiet0236/listen.mp3?s=ejV" length="3520469" />
                                    <link>https://hearthis.at/sevenism/juno-radiostorm-disquiet0236/</link>
                                    <thr:total>0</thr:total>
                                    <hq>44</hq>
                                    <hq_filename>bd375570554cd336e54bf94be55e3ea8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/bd375570554cd336e54bf94be55e3ea8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/juno-radiostorm-disquiet0236/listen.mp3?s=ejV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i wanted to capture that strangeness of audio recordings from spacecraft. i was playing in acidrack pressing random a lot. main melody is when i came across a tone i liked, wanted it slow and morse like. the rest of the sound is from mashing the rest of the recording into itself
the morse tone is from the ableton test tone. mightve been doing dashes not dots, not sure.
photo is from flickr.com/photos/gsfc/28000029525 and juno slapped on, bit of noise added.
♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃♃
Disquiet Junto 0236: Hello Jun(t)o
The Assignment: Say hi to the Juno Spacecraft by embedding Morse code in an original composition.
In this project we’re going to send a friendly signal to the NASA probe, the Juno spacecraft, that just entered orbit around Jupiter. Well, we’re going to compose such signals. Sending them is a separate endeavor. We’re going to build on the “Say ‘Hi’ to Juno” endeavor, which had thousands of ham operators sending a message to Juno during its five-year voyage. The “Say ‘Hi’ to Juno” message was Morse code for “Hi” — that is, four dots followed by two dots (…. ..).
Step 1: Listen to the Morse code for “hi” (four dots followed by two dots) on repeat for a short time.
Step 2: Create an original musical composition that in one or more ways interpolates that Morse code.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the late morning, California time, on Thursday, July 7, 2016, with a deadline of 11:59pm wherever you are on Monday, July 11, 2016.
Length: The length is up to you, though around one minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0236.” Also use “disquiet0236” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 236th weekly Disquiet Junto project — “Say hi to the Juno Spacecraft by embedding Morse code in an original composition” — at:
disquiet.com/0236
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
More on the Juno Spacecraft technology at:
spaceflight101.com/juno/spacec...aft-information
More on the “Say ‘Hi’ to Juno” ham operator project here:
jpl.nasa.gov/video/details.php?id=1263]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/4/_/uploads/801843/image_track/953538/w1400_h1400_q70_ptrue_v2_----cropped_783e47f1da29515b1016ac6caae73f43_1468235421.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/juno-radiostorm-disquiet0236/</feedburner:origLink>
                                    <itunes:duration>220</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">953539</guid>
                                    
                                        <pubDate>Tue, 05 Jul 2016 10:45:27 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-05T10:45:27+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Mountain Chimes (NAVIARHAIKU130)</title>
                                    <description><![CDATA[oh i really tried to get this as the 777th track in the naviar haiku.. even held off uploading last night! oh well. [[edit: it is showing as the 777th track somehow, yay! edit edit: no it's back to 778. fucking soundcloud..why do i pay to use this terrible site?]]
found some beautiful sounding wind chimes at the weekend and they were marked up at the wrong price so got a right bargain
they've got a lovely cold mountain sound.. i just recorded gently moving the windcatcher and blowing it mistily!
added a duplicate layer, more blurred and low end for that lost feel
||||||||||||||||||||||||||||||||||||||||||
in the mist
lost on mountain
temple bells
DEADLINE: 6th July
Poem by Angelee Deodhar worldhaiku.net/poetry/eng/indi...r/a.deodhar.htm
Picture by  Nonac_Digi flickr.com/photos/nonac_digi/1...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku130 - in the mist" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mountain-chimes-naviarhaiku130/listen.mp3?s=LaD" length="0" />
                                    <link>https://hearthis.at/sevenism/mountain-chimes-naviarhaiku130/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>c94a5f3f71439a7824bafa9ed606641f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/c94a5f3f71439a7824bafa9ed606641f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mountain-chimes-naviarhaiku130/listen.mp3?s=LaD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[oh i really tried to get this as the 777th track in the naviar haiku.. even held off uploading last night! oh well. [[edit: it is showing as the 777th track somehow, yay! edit edit: no it's back to 778. fucking soundcloud..why do i pay to use this terrible site?]]
found some beautiful sounding wind chimes at the weekend and they were marked up at the wrong price so got a right bargain
they've got a lovely cold mountain sound.. i just recorded gently moving the windcatcher and blowing it mistily!
added a duplicate layer, more blurred and low end for that lost feel
||||||||||||||||||||||||||||||||||||||||||
in the mist
lost on mountain
temple bells
DEADLINE: 6th July
Poem by Angelee Deodhar worldhaiku.net/poetry/eng/indi...r/a.deodhar.htm
Picture by  Nonac_Digi flickr.com/photos/nonac_digi/1...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku130 - in the mist" in the title.
Please use a Creative Commons license for your track and set it as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/4/_/uploads/801843/image_track/953539/w1400_h1400_q70_ptrue_v2_----cropped_bddac2ed01770c0711207f5a24aa0a2d_1468235425.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mountain-chimes-naviarhaiku130/</feedburner:origLink>
                                    <itunes:duration>108</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945200</guid>
                                    
                                        <pubDate>Sun, 05 Jun 2016 23:46:04 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-05T23:46:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>somer morn (disquiet0231)</title>
                                    <description><![CDATA[nicely serendipitous this; i was recording the birds outside for a minute for last weeks naviar haiku and i happened upon an fx chain that really closely approximates a bird call the other day (eg. sevenism.bandcamp.com/track/ju...k/jungle-thrush)
thought about re-using the recording but then was away this weekend in the stereotypical bucolic english countryside (Somerset) and the birds were going mad and there was a bee buzzing around.
hopefully it's quite difficult to tell the difference between the digital birds and the carbon-based ones
zzzzzzzzzzzzzzzzzzzzzz
Disquiet Junto Project 0231: Field Complement
The Assignment: Compose a piece to align with, from memory, 60 seconds of everyday sound.
This week’s project’s theme involves how composing relates to memory. It is recommended that you read through all the steps in the project before proceeding to attempt to execute it.
These are the steps:
Step 1: Find a place, preferably outdoors, where you can sit for 5 to 15 minutes without being disturbed. This place should have a fair amount of inherent noise to it, and that noise should be variable, not static — i.e., not the long held drone of an overwhelmingly loud HVAC system, but the bustle of a street corner, or of a playground, or, if weather or other circumstances keep you indoors, perhaps of a busy cafe.
Step 2: Bring with you a portable recording device as well as something on which you can quietly take a small number of written (or typed) notes. You may wish to do a test recording to be certain that your note-taking isn’t part of the audio recording.
Step 3: Settle into the space and get a sense of its sounds. Listening closely.
Step 4: Make a field recording of one full minute, or a little longer, of continuous sound in this place. While recording the sound, use time codes to make note of any memorable sonic instances. Keep track not only of when a sonic instance begins, but also of its duration.
Step 5: Trim the field recording to exactly 60 seconds.
Step 6: Without listening back to the field recording, compose and record a 60-second piece intended to complement it. Refer back to your time-code notes to align composed instances with those real-world instances that you recall having distinguished your field recording. You can use whatever instrumentation you like, but it is recommended that you use no more than one or two instruments. You should not employ any field recordings in your composed piece. Sonically, the “composed” material should be distinct from the field audio.
Step 7: When your composed piece is completed, layer the two tracks together into one new 60-second work. They should be played back at equal volume, more or less. You can adjust a little to achieve the impression of balance between the field recording and the composed work. The only editing you can do is to fade in and out, if that is so desired.
Step 8: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 9: Annotate your track with a brief explanation of your approach and process.
Step 10: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/somer-morn-disquiet0231/listen.mp3?s=c6o" length="0" />
                                    <link>https://hearthis.at/sevenism/somer-morn-disquiet0231/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>56b9fcc5e406905031740658115a7366.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/56b9fcc5e406905031740658115a7366.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/somer-morn-disquiet0231/listen.mp3?s=c6o" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[nicely serendipitous this; i was recording the birds outside for a minute for last weeks naviar haiku and i happened upon an fx chain that really closely approximates a bird call the other day (eg. sevenism.bandcamp.com/track/ju...k/jungle-thrush)
thought about re-using the recording but then was away this weekend in the stereotypical bucolic english countryside (Somerset) and the birds were going mad and there was a bee buzzing around.
hopefully it's quite difficult to tell the difference between the digital birds and the carbon-based ones
zzzzzzzzzzzzzzzzzzzzzz
Disquiet Junto Project 0231: Field Complement
The Assignment: Compose a piece to align with, from memory, 60 seconds of everyday sound.
This week’s project’s theme involves how composing relates to memory. It is recommended that you read through all the steps in the project before proceeding to attempt to execute it.
These are the steps:
Step 1: Find a place, preferably outdoors, where you can sit for 5 to 15 minutes without being disturbed. This place should have a fair amount of inherent noise to it, and that noise should be variable, not static — i.e., not the long held drone of an overwhelmingly loud HVAC system, but the bustle of a street corner, or of a playground, or, if weather or other circumstances keep you indoors, perhaps of a busy cafe.
Step 2: Bring with you a portable recording device as well as something on which you can quietly take a small number of written (or typed) notes. You may wish to do a test recording to be certain that your note-taking isn’t part of the audio recording.
Step 3: Settle into the space and get a sense of its sounds. Listening closely.
Step 4: Make a field recording of one full minute, or a little longer, of continuous sound in this place. While recording the sound, use time codes to make note of any memorable sonic instances. Keep track not only of when a sonic instance begins, but also of its duration.
Step 5: Trim the field recording to exactly 60 seconds.
Step 6: Without listening back to the field recording, compose and record a 60-second piece intended to complement it. Refer back to your time-code notes to align composed instances with those real-world instances that you recall having distinguished your field recording. You can use whatever instrumentation you like, but it is recommended that you use no more than one or two instruments. You should not employ any field recordings in your composed piece. Sonically, the “composed” material should be distinct from the field audio.
Step 7: When your composed piece is completed, layer the two tracks together into one new 60-second work. They should be played back at equal volume, more or less. You can adjust a little to achieve the impression of balance between the field recording and the composed work. The only editing you can do is to fade in and out, if that is so desired.
Step 8: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 9: Annotate your track with a brief explanation of your approach and process.
Step 10: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Subscribe to project announcements here:
tinyletter.com/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/5/_/uploads/801843/image_track/945200/w1400_h1400_q70_ptrue_v2_----cropped_33abb39e95910891299d375ae6d65fe1_1467639562.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/somer-morn-disquiet0231/</feedburner:origLink>
                                    <itunes:duration>60</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945202</guid>
                                    
                                        <pubDate>Thu, 02 Jun 2016 18:21:39 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-02T18:21:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>rowing through (Naviarhaiku126)</title>
                                    <description><![CDATA[six string ambience fog
random s&h seabirds
crystal reverb emergence
~.~.~
rowing through
out of the mist
the wide sea
DEADLINE: 8th June
Poem by Masaoka Shiki terebess.hu/english/haiku/shiki.html
Picture by Amy Zirkle flickr.com/photos/amyzirkle/11983745105

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku126 - rowing through" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/rowing-through-naviarhaiku126/listen.mp3?s=Eea" length="0" />
                                    <link>https://hearthis.at/sevenism/rowing-through-naviarhaiku126/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>4111ecdba0f442fafb613449092d63c1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/4111ecdba0f442fafb613449092d63c1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/rowing-through-naviarhaiku126/listen.mp3?s=Eea" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[six string ambience fog
random s&h seabirds
crystal reverb emergence
~.~.~
rowing through
out of the mist
the wide sea
DEADLINE: 8th June
Poem by Masaoka Shiki terebess.hu/english/haiku/shiki.html
Picture by Amy Zirkle flickr.com/photos/amyzirkle/11983745105

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku126 - rowing through" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/6/5/_/uploads/801843/image_track/945202/w1400_h1400_q70_ptrue_v2_----cropped_ae53c33d96d5104752b3033fb5ef0428_1467639567.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/rowing-through-naviarhaiku126/</feedburner:origLink>
                                    <itunes:duration>227</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945203</guid>
                                    
                                        <pubDate>Sun, 29 May 2016 15:10:01 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-29T15:10:01+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>rhythmic woodpecker (Naviarhaiku125)</title>
                                    <description><![CDATA[rhythmic chirping blackbirds [+pigeons, sparrows etc] in my back garden
synth wind
~~~
rhythmic woodpecker
chirping coot, whistling wind-
woodland symphony
DEADLINE: 1st June
Poem by Amber Maitrejean
Picture by  Image Catalog

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku125 - rhythmic woodpecker" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/rhythmic-woodpecker-naviarhaiku125/listen.mp3?s=GeT" length="0" />
                                    <link>https://hearthis.at/sevenism/rhythmic-woodpecker-naviarhaiku125/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>3f9853031a59706c6358e1a1e593ead9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/3f9853031a59706c6358e1a1e593ead9.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/rhythmic-woodpecker-naviarhaiku125/listen.mp3?s=GeT" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[rhythmic chirping blackbirds [+pigeons, sparrows etc] in my back garden
synth wind
~~~
rhythmic woodpecker
chirping coot, whistling wind-
woodland symphony
DEADLINE: 1st June
Poem by Amber Maitrejean
Picture by  Image Catalog

Upload your track to the Naviar Haiku group on Soundcloud soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku125 - rhythmic woodpecker" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/7/5/_/uploads/801843/image_track/945203/w1400_h1400_q70_ptrue_v2_----cropped_088b334f9e7019294b9c93c9409515f9_1467639570.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/rhythmic-woodpecker-naviarhaiku125/</feedburner:origLink>
                                    <itunes:duration>123</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945204</guid>
                                    
                                        <pubDate>Fri, 27 May 2016 21:33:55 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-27T21:33:55+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Design I (disquiet0230)</title>
                                    <description><![CDATA[i willfully misinterpreted the image; saw it as four separate layers for different instruments.  wanted the waveforms to look like the symbols but didnt go over the top (considered clipping the shit out of them then fading and whatnot but didnt want it too distorted.)
track 1: zynfx sofsynth thru podfarm ddly
track 2: 12 string guitar (long section pstretched)
track 3: my reedy voice
ttrack 4: my reedy whistle stretched.
all rendered into beautiful blue waveforms by audacity
>>>>
This project was posted in the late afternoon, California time, on Thursday, May 26, 2016, with a deadline of 11:59pm wherever you are on Monday, May 30, 2016.
These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):
Disquiet Junto Project 0230: Design I
Interpret a graphic score (never before performed or realized) from the mid-1970s.
These are the steps for the project:
Step 1: View the graphic score, by Glenn Sogge, at the following URL:
goo.gl/hOQOSg
Step 2: Record a piece of music that interprets the score as a work of musical notation.
Background: The score was provided by Junto participant Glenn Sogge. Here’s a bit about his background: “I had finished my BFA at the School of the Art Institute of Chicago a couple years before. I had begun my studies at Northwestern University before that. I studied with Frédéric Rzewski at SAIC and had taken a music & theater course with Berio at NU. The periodical Source was a major inspiration as were the compositions of Cage. Being the son of a sculptor and wood worker, I suppose the interconnections of the plastic arts (space, time, materials) have always been an influence. With a smattering of jazz in my history, improvisation was important so open ended scores that gave the performers room to explore were of special interest. This piece was probably done in the last year or so before I stopped composing for about 35 years (I got seduced by computers and programming among other things.) My son facilitated my reentry to the world of electronic music with a Minibrute last summer and I have been burnishing the bits like crazy since then.”
Deadline: This project was posted in the late afternoon, California time, on Thursday, May 26, 2016, with a deadline of 11:59pm wherever you are on Monday, May 30, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0230.” Also use “disquiet0230” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 230th weekly Disquiet Junto project — “Design I: Interpret a graphic score (never before performed or realized) from the mid-1970s” — at:
disquiet.com/0230
The graphic score is by Glenn Sogge, more from whom at:
soundcloud.com/glenn-sogge
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/design-i-disquiet0230/listen.mp3?s=ZwR" length="0" />
                                    <link>https://hearthis.at/sevenism/design-i-disquiet0230/</link>
                                    <thr:total>0</thr:total>
                                    <hq>48</hq>
                                    <hq_filename>8ccf10692442e5fa3a0c2d761c968110.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/8ccf10692442e5fa3a0c2d761c968110.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/design-i-disquiet0230/listen.mp3?s=ZwR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i willfully misinterpreted the image; saw it as four separate layers for different instruments.  wanted the waveforms to look like the symbols but didnt go over the top (considered clipping the shit out of them then fading and whatnot but didnt want it too distorted.)
track 1: zynfx sofsynth thru podfarm ddly
track 2: 12 string guitar (long section pstretched)
track 3: my reedy voice
ttrack 4: my reedy whistle stretched.
all rendered into beautiful blue waveforms by audacity
>>>>
This project was posted in the late afternoon, California time, on Thursday, May 26, 2016, with a deadline of 11:59pm wherever you are on Monday, May 30, 2016.
These are the instructions that went out to the group’s email list (at tinyletter.com/disquiet-junto):
Disquiet Junto Project 0230: Design I
Interpret a graphic score (never before performed or realized) from the mid-1970s.
These are the steps for the project:
Step 1: View the graphic score, by Glenn Sogge, at the following URL:
goo.gl/hOQOSg
Step 2: Record a piece of music that interprets the score as a work of musical notation.
Background: The score was provided by Junto participant Glenn Sogge. Here’s a bit about his background: “I had finished my BFA at the School of the Art Institute of Chicago a couple years before. I had begun my studies at Northwestern University before that. I studied with Frédéric Rzewski at SAIC and had taken a music & theater course with Berio at NU. The periodical Source was a major inspiration as were the compositions of Cage. Being the son of a sculptor and wood worker, I suppose the interconnections of the plastic arts (space, time, materials) have always been an influence. With a smattering of jazz in my history, improvisation was important so open ended scores that gave the performers room to explore were of special interest. This piece was probably done in the last year or so before I stopped composing for about 35 years (I got seduced by computers and programming among other things.) My son facilitated my reentry to the world of electronic music with a Minibrute last summer and I have been burnishing the bits like crazy since then.”
Deadline: This project was posted in the late afternoon, California time, on Thursday, May 26, 2016, with a deadline of 11:59pm wherever you are on Monday, May 30, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0230.” Also use “disquiet0230” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 230th weekly Disquiet Junto project — “Design I: Interpret a graphic score (never before performed or realized) from the mid-1970s” — at:
disquiet.com/0230
The graphic score is by Glenn Sogge, more from whom at:
soundcloud.com/glenn-sogge
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/5/_/uploads/801843/image_track/945204/w1400_h1400_q70_ptrue_v2_----cropped_df5167f08fdb6bbc7b8aa9b6a18db791_1467639573.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/design-i-disquiet0230/</feedburner:origLink>
                                    <itunes:duration>83</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945199</guid>
                                    
                                        <pubDate>Wed, 08 Jun 2016 18:51:36 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-08T18:51:36+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Quasar Split</title>
                                    <description><![CDATA[just made from this sample soundcloud.com/synkrotron/empt...tythedishwasher
for ambient online one sample dare 41.. join in here: ambientonline.org/forum/showth...33254#post33254
all done in audacity
track 1- wahwah, echo, reverse bouncing ball delay, levelled
track 2- reversed phaser echo
track 3- first 10 seconds track 1 paulstretchedx10, bassboost, eq'd then repeated and reversed
track 4- 2.00-2.10 track 1 paulstretched x10 repeated reversed
track 5- track 3 speeded up to 113.6%
track 6- track 5 speeded up to 113.6% 
volumes and panning adjusted for all tracks. mixed down and normalized]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/quasar-split/listen.mp3?s=mC7" length="5048110" />
                                    <link>https://hearthis.at/sevenism/quasar-split/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>ade9507e2311cb19b1200d129ae5c1b1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/ade9507e2311cb19b1200d129ae5c1b1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/quasar-split/listen.mp3?s=mC7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[just made from this sample soundcloud.com/synkrotron/empt...tythedishwasher
for ambient online one sample dare 41.. join in here: ambientonline.org/forum/showth...33254#post33254
all done in audacity
track 1- wahwah, echo, reverse bouncing ball delay, levelled
track 2- reversed phaser echo
track 3- first 10 seconds track 1 paulstretchedx10, bassboost, eq'd then repeated and reversed
track 4- 2.00-2.10 track 1 paulstretched x10 repeated reversed
track 5- track 3 speeded up to 113.6%
track 6- track 5 speeded up to 113.6% 
volumes and panning adjusted for all tracks. mixed down and normalized]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/5/5/_/uploads/801843/image_track/945199/w1400_h1400_q70_ptrue_v2_----cropped_b6dcb0ed76dbf98cee2ac34e20356760_1467639558.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/quasar-split/</feedburner:origLink>
                                    <itunes:duration>315</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945197</guid>
                                    
                                        <pubDate>Fri, 10 Jun 2016 20:41:16 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-10T20:41:16+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Crimson Sky (disquiet0232)</title>
                                    <description><![CDATA[i do a lot of this. gave myself some extra constraints.. didnt use a noise gate or any limiting so if it went mental i'd have to deal with it on the fly. i wanted to get it so there was a complicated rhythm, bass, and mid/hi melody. recorded first go, came out ok.
all done in podfarm.. synth mods, wah, delays, reverb etc .. 20 modules across two fx chains
maglmmagkamgdkfadmsgdvblmbfbl;s,;s,bldf';.s'dFB:d.b';db#
Disquiet Junto Project 0232: No Input
The Assignment: Record a piece of music exploring the concept of “no-input mixing.”
This week’s project explores the concept of no-input mixing. For background, including a tutorial, this Synthtopia article, summarizing more detailed coverage by the Department of Performance Studies at Texas A&M, might prove useful:
synthtopia.com/content/2014/10...mixing-tutorial
Step 1: Read up, if it’s not already familiar, on the concept of “no-input mixing,” which involves creating feedback by taking the output of a mixer and plugging it into the input of the same mixer, thus exposing and building on inherent (i.e., noisy) sonic properties of the device.
Step 2: Experiment with no-input mixing.
Step 3: Record a short piece of no-input mixing music.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, June 9, 2016, with a deadline of 11:59pm wherever you are on Monday, June 13, 2016.
Length: Length is up to you, though between two and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0232.” Also use “disquiet0232” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 232nd weekly Disquiet Junto project — “Record a piece of music exploring the concept of ‘no-input mixing.'” — at:
disquiet.com/0232
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/crimson-sky-disquiet0232/listen.mp3?s=1d9" length="3851074" />
                                    <link>https://hearthis.at/sevenism/crimson-sky-disquiet0232/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>925dadd088eb28688f5b017a7d07e0e4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/925dadd088eb28688f5b017a7d07e0e4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/crimson-sky-disquiet0232/listen.mp3?s=1d9" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i do a lot of this. gave myself some extra constraints.. didnt use a noise gate or any limiting so if it went mental i'd have to deal with it on the fly. i wanted to get it so there was a complicated rhythm, bass, and mid/hi melody. recorded first go, came out ok.
all done in podfarm.. synth mods, wah, delays, reverb etc .. 20 modules across two fx chains
maglmmagkamgdkfadmsgdvblmbfbl;s,;s,bldf';.s'dFB:d.b';db#
Disquiet Junto Project 0232: No Input
The Assignment: Record a piece of music exploring the concept of “no-input mixing.”
This week’s project explores the concept of no-input mixing. For background, including a tutorial, this Synthtopia article, summarizing more detailed coverage by the Department of Performance Studies at Texas A&M, might prove useful:
synthtopia.com/content/2014/10...mixing-tutorial
Step 1: Read up, if it’s not already familiar, on the concept of “no-input mixing,” which involves creating feedback by taking the output of a mixer and plugging it into the input of the same mixer, thus exposing and building on inherent (i.e., noisy) sonic properties of the device.
Step 2: Experiment with no-input mixing.
Step 3: Record a short piece of no-input mixing music.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, June 9, 2016, with a deadline of 11:59pm wherever you are on Monday, June 13, 2016.
Length: Length is up to you, though between two and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0232.” Also use “disquiet0232” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 232nd weekly Disquiet Junto project — “Record a piece of music exploring the concept of ‘no-input mixing.'” — at:
disquiet.com/0232
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/5/5/_/uploads/801843/image_track/945197/w1400_h1400_q70_ptrue_v2_----cropped_5aeded687abe9c5f32b1f8ed226c45e2_1467639555.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/crimson-sky-disquiet0232/</feedburner:origLink>
                                    <itunes:duration>240</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945195</guid>
                                    
                                        <pubDate>Sat, 18 Jun 2016 14:58:19 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-18T14:58:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>ʞık x Andre Darius and Riley Theodore x Pablo Reche - wormhole mulch (disquiet0233)</title>
                                    <description><![CDATA[i love remixes.. i find the possibilities [paradoxically] greater than an 'original' piece.
the first junto i did was the same concept, and i was really sparing on the fx there so i went the other direction here.
-i recorded the 3 pieces playing in different instances of vlc and recorded that then reversed and added that
-converted each piece to midi and recorded 30 sec's of those in 6 different instruments.. stretched to fit
-ran the 30 second  pieces through the mangle
-adjusted the volumes of these 10 tracks into a pleasing* cacophony
xxxxxxxxxxxxxxxxxxxxxxxxxx
Disquiet Junto Project 0233: Netlabel (NND Remix)
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.
Seeing the “ND” tag on a netlabel release is a major buzzkill. The “ND” tag denotes a Creative Commons license that rules out creating derivative work. Fortunately lots of netlabels do allow for creative reuse, and this occasional series of collaborative remixes seeks to celebrate that activity, and encourage other netlabels to switch off the ND tag. Take “NND” to mean “not no derivatives.”
Step 1: Download the three tracks that will provide source audio for this remix:
Use the first 30 seconds of “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel:
bumpfoot.net/bump207.html
Use the first 30 seconds of “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel:
hazenetlabel.bandcamp.com/albu.../recombinations
Use the first 30 seconds of “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel:
impulsivehabitat.com/releases/...ses/ihab113.htm
Step 2: Create an original piece of work including that source material.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the late morning, California time, on Thursday, June 16, 2016, with a deadline of 11:59pm wherever you are on Monday, June 20, 2016.
Length: Length is up to you, though between two and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0233.” Also use “disquiet0233” as a tag for your track.
Download: It is necessary that your track is set as downloadable, and that it allows for attributed remixing and attribution, per the Creative Commons license of the source audio.
Linking: When posting the track, please be sure to include this information:
More on this 233rd weekly Disquiet Junto project — “Make one track from three different netlabels, courtesy of a Creative Commons license” — at:
disquiet.com/0233
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
*not pleasing]]></description>
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                                    <link>https://hearthis.at/sevenism/k-x-andre-darius-and-riley-theodore-x-pablo-reche-wormhole-mulch-disquiet0233/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>f8527288930d703445306b7d256810f4.mp3</hq_filename>
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                                    <stream>https://stream47.hearthis.at/f8527288930d703445306b7d256810f4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/k-x-andre-darius-and-riley-theodore-x-pablo-reche-wormhole-mulch-disquiet0233/listen.mp3?s=Jr8" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i love remixes.. i find the possibilities [paradoxically] greater than an 'original' piece.
the first junto i did was the same concept, and i was really sparing on the fx there so i went the other direction here.
-i recorded the 3 pieces playing in different instances of vlc and recorded that then reversed and added that
-converted each piece to midi and recorded 30 sec's of those in 6 different instruments.. stretched to fit
-ran the 30 second  pieces through the mangle
-adjusted the volumes of these 10 tracks into a pleasing* cacophony
xxxxxxxxxxxxxxxxxxxxxxxxxx
Disquiet Junto Project 0233: Netlabel (NND Remix)
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.
Seeing the “ND” tag on a netlabel release is a major buzzkill. The “ND” tag denotes a Creative Commons license that rules out creating derivative work. Fortunately lots of netlabels do allow for creative reuse, and this occasional series of collaborative remixes seeks to celebrate that activity, and encourage other netlabels to switch off the ND tag. Take “NND” to mean “not no derivatives.”
Step 1: Download the three tracks that will provide source audio for this remix:
Use the first 30 seconds of “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel:
bumpfoot.net/bump207.html
Use the first 30 seconds of “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel:
hazenetlabel.bandcamp.com/albu.../recombinations
Use the first 30 seconds of “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel:
impulsivehabitat.com/releases/...ses/ihab113.htm
Step 2: Create an original piece of work including that source material.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the late morning, California time, on Thursday, June 16, 2016, with a deadline of 11:59pm wherever you are on Monday, June 20, 2016.
Length: Length is up to you, though between two and three minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0233.” Also use “disquiet0233” as a tag for your track.
Download: It is necessary that your track is set as downloadable, and that it allows for attributed remixing and attribution, per the Creative Commons license of the source audio.
Linking: When posting the track, please be sure to include this information:
More on this 233rd weekly Disquiet Junto project — “Make one track from three different netlabels, courtesy of a Creative Commons license” — at:
disquiet.com/0233
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
*not pleasing]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/4/5/_/uploads/801843/image_track/945195/w1400_h1400_q70_ptrue_v2_----cropped_8eeec1b3f735129d17d4fc6b98c3c035_1467639549.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/k-x-andre-darius-and-riley-theodore-x-pablo-reche-wormhole-mulch-disquiet0233/</feedburner:origLink>
                                    <itunes:duration>63</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945194</guid>
                                    
                                        <pubDate>Tue, 21 Jun 2016 15:55:36 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-21T15:55:36+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Scott Lawlor - Evening Light (nox intempesta mix) (Naviarhaiku128)</title>
                                    <description><![CDATA[this is a collab/remix of scott's long piece soundcloud.com/sklawlor/naviar...8-evening-light
i make dark ambient music with scott as nox intempesta; this is our latest album:
sevenism.bandcamp.com/album/ar...rchaeoacoustics
scottlawlor.bandcamp.com/album...rchaeoacoustics
.............../
NAVIAR HAIKU
Evening light
sipping from the glassy rim
of high moon
DEADLINE: 22nd June
Poem by SubtleSeas
subtleseaspoetry.tumblr.com
Picture by Raúl Santos de la Cámara
flickr.com/photos/zero0112/356...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku128 - Evening light in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/scott-lawlor-evening-light-nox-intempesta-mix-naviarhaiku128/listen.mp3?s=Pg7" length="0" />
                                    <link>https://hearthis.at/sevenism/scott-lawlor-evening-light-nox-intempesta-mix-naviarhaiku128/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>83b6e3bb25a5de30afcc821b92506847.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/83b6e3bb25a5de30afcc821b92506847.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/scott-lawlor-evening-light-nox-intempesta-mix-naviarhaiku128/listen.mp3?s=Pg7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this is a collab/remix of scott's long piece soundcloud.com/sklawlor/naviar...8-evening-light
i make dark ambient music with scott as nox intempesta; this is our latest album:
sevenism.bandcamp.com/album/ar...rchaeoacoustics
scottlawlor.bandcamp.com/album...rchaeoacoustics
.............../
NAVIAR HAIKU
Evening light
sipping from the glassy rim
of high moon
DEADLINE: 22nd June
Poem by SubtleSeas
subtleseaspoetry.tumblr.com
Picture by Raúl Santos de la Cámara
flickr.com/photos/zero0112/356...s-105336072@N02

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, include
"Naviarhaiku128 - Evening light in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/4/5/_/uploads/801843/image_track/945194/w1400_h1400_q70_ptrue_v2_----cropped_16597526f456b1a606127da9816ef32e_1467639545.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/scott-lawlor-evening-light-nox-intempesta-mix-naviarhaiku128/</feedburner:origLink>
                                    <itunes:duration>300</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945193</guid>
                                    
                                        <pubDate>Fri, 24 Jun 2016 14:09:12 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-24T14:09:12+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>telechir x petemaskreplica x Dave Dorgan - Three Hex Unearthing (sevenism refit) (disquiet0234)</title>
                                    <description><![CDATA[remix of some of my favourite pieces from last week:
soundcloud.com/telechir/hexhea...ad-disquiet0233 x
soundcloud.com/petemaskreplica...g-disquiet-0233 x
soundcloud.com/davedorgan/thre...ix-disquiet0223
these, in turn, were remixes of these tracks:
bumpfoot.net/bump207.html
hazenetlabel.bandcamp.com/albu.../recombinations
impulsivehabitat.com/releases/...ses/ihab113.htm
@telechir 's track provides the backbone.. all i did was loop the beat, add a drop,  + some reverb and delay in the second half.
@petemaskreplica 's drone provides the whooshy hihatty sounds and horn.. i eq'd the low end a bit so it wasnt so clogged
@davedorgan 's ambient piece brings in the bell sounds. i got some harmonics at 660hz and layered in some tonality too.
mixximmixximmixximmixximmixximmixximmixximmixximmixxim
Disquiet Junto Project 0234: Remix Ximer
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.
This week’s Junto project builds directly on last week’s, though you needn’t have participated in last week’s to join in this one. This week we’re remixing remixes. The remixes we’re remixing are the pieces that resulted from last week’s project, which involved taking three tracks from different netlabels and making one new track from them. Last week’s Junto project celebrated derivatives, as licensed by the Creative Commons. This week’s celebrates derivatives of derivatives. (Thanks to Audio Obscura, aka Neil Stringfellow, for proposing this week’s project.)
These are the steps:
Step 1: Select and download three tracks from last week’s project, Disquiet Junto 0233:
soundcloud.com/disquiet/sets/d...to-project-0233
All the tracks in last week’s project were made from the first 30 seconds of three pre-existing recordings: “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel, “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel, and “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel.
Step 2: Extract the first 30 seconds from each of the three remix tracks that you selected in Step 1.
Step 3: Create an original piece of work including that source material from Step 2.
More on this 234th weekly Disquiet Junto project — “Make a remix of three tracks of a remix of three tracks, courtesy of a Creative Commons license” — at:
disquiet.com/0234
Be sure to credit all the tracks (first and second generation) employed in your piece.
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
i'd already done a rap mix of telechir's track (first time i've tried rapping: this is unlikely ever to see the light of day!) so it was good to work on it again]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/telechir-x-petemaskreplica-x-dave-dorgan-three-hex-unearthing-sevenism-refit-disquiet0234/listen.mp3?s=KzR" length="2758529" />
                                    <link>https://hearthis.at/sevenism/telechir-x-petemaskreplica-x-dave-dorgan-three-hex-unearthing-sevenism-refit-disquiet0234/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>e6828711b38c38274aa575eba84a7218.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream49.hearthis.at/e6828711b38c38274aa575eba84a7218.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/telechir-x-petemaskreplica-x-dave-dorgan-three-hex-unearthing-sevenism-refit-disquiet0234/listen.mp3?s=KzR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of some of my favourite pieces from last week:
soundcloud.com/telechir/hexhea...ad-disquiet0233 x
soundcloud.com/petemaskreplica...g-disquiet-0233 x
soundcloud.com/davedorgan/thre...ix-disquiet0223
these, in turn, were remixes of these tracks:
bumpfoot.net/bump207.html
hazenetlabel.bandcamp.com/albu.../recombinations
impulsivehabitat.com/releases/...ses/ihab113.htm
@telechir 's track provides the backbone.. all i did was loop the beat, add a drop,  + some reverb and delay in the second half.
@petemaskreplica 's drone provides the whooshy hihatty sounds and horn.. i eq'd the low end a bit so it wasnt so clogged
@davedorgan 's ambient piece brings in the bell sounds. i got some harmonics at 660hz and layered in some tonality too.
mixximmixximmixximmixximmixximmixximmixximmixximmixxim
Disquiet Junto Project 0234: Remix Ximer
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.
This week’s Junto project builds directly on last week’s, though you needn’t have participated in last week’s to join in this one. This week we’re remixing remixes. The remixes we’re remixing are the pieces that resulted from last week’s project, which involved taking three tracks from different netlabels and making one new track from them. Last week’s Junto project celebrated derivatives, as licensed by the Creative Commons. This week’s celebrates derivatives of derivatives. (Thanks to Audio Obscura, aka Neil Stringfellow, for proposing this week’s project.)
These are the steps:
Step 1: Select and download three tracks from last week’s project, Disquiet Junto 0233:
soundcloud.com/disquiet/sets/d...to-project-0233
All the tracks in last week’s project were made from the first 30 seconds of three pre-existing recordings: “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel, “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel, and “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel.
Step 2: Extract the first 30 seconds from each of the three remix tracks that you selected in Step 1.
Step 3: Create an original piece of work including that source material from Step 2.
More on this 234th weekly Disquiet Junto project — “Make a remix of three tracks of a remix of three tracks, courtesy of a Creative Commons license” — at:
disquiet.com/0234
Be sure to credit all the tracks (first and second generation) employed in your piece.
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums
i'd already done a rap mix of telechir's track (first time i've tried rapping: this is unlikely ever to see the light of day!) so it was good to work on it again]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/4/5/_/uploads/801843/image_track/945193/w1400_h1400_q70_ptrue_v2_----cropped_2fba499790afe189cdfd8114ac553144_1467639541.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/telechir-x-petemaskreplica-x-dave-dorgan-three-hex-unearthing-sevenism-refit-disquiet0234/</feedburner:origLink>
                                    <itunes:duration>172</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945191</guid>
                                    
                                        <pubDate>Sun, 03 Jul 2016 13:21:26 +0200</pubDate>
                                        
                                        <atom:updated>2016-07-03T13:21:26+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>double rainbow (disquiet0235)</title>
                                    <description><![CDATA[there was a huge double rainbow yesterday (one of the layers in the image) and i wanted to represent the blurred colours/layers in this track with lots of echo delay reverb.
i rolled a 4 for 4 minutes length. i rolled a 6, 1  so 7 sections. and a 3 for 3 layers.
one layer was guitar. i played the guitar with one hand while rolling the dice with another, playing the notes that i just rolled. if i rolled the same number then i'd switch to plucking both strings simultaneously.
layer 2: i turned layer 1 into midi with amazingmidi and pulled that into live using a concert strings instrument and more fx
layer 3: pulled layer 1 into the mangle and let that run for 4 minutes then blurred that into itself.
in the last minute it kind of resolved itself - i kept rolling ones, sixes and fours. this was meant to be a demo practice to see if it worked (i was gonna change the tuning) but i liked how it turned out. kind of ignored the sections, but just had it in mind to change the playing a bit every 30-40 seconds so there'd be about 7 sections
⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄
Create a piece of music based on a structure determined by the roll of a single die.
This week’s project requires one die (that is, singular of dice).
These are the steps:
Step 1: Roll one die to determine the length of your piece in minutes.
Step 2: Roll two dice to determine the number of sections to your piece. Their length should be equal.
Step 3: For each section roll one die to determine the number of layers.
Step 4: For each layer roll one die to determine the number of different notes played. A note is only played once per layer, but it can be held for as long as desired within that section.
Step 5: Bonus: Create additional dice-based rules and mention them in the notes associated with your finished track.
Step 6: Create an original piece of music based on the result of Step 1 through Step 5.
Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 8: Annotate your track with a brief explanation of your approach and process.
Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early evening, California time, on Thursday, June 30, 2016, with a deadline of 11:59pm wherever you are on Monday, July 4, 2016.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
More on this 235th weekly Disquiet Junto project — “Create a piece of music based on a structure determined by the roll of a single die” — at:
disquiet.com/0235
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/double-rainbow-disquiet0235/listen.mp3?s=Y5Q" length="3892452" />
                                    <link>https://hearthis.at/sevenism/double-rainbow-disquiet0235/</link>
                                    <thr:total>0</thr:total>
                                    <hq>48</hq>
                                    <hq_filename>6087eafb335e21ea1805176d758ac900.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/6087eafb335e21ea1805176d758ac900.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/double-rainbow-disquiet0235/listen.mp3?s=Y5Q" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there was a huge double rainbow yesterday (one of the layers in the image) and i wanted to represent the blurred colours/layers in this track with lots of echo delay reverb.
i rolled a 4 for 4 minutes length. i rolled a 6, 1  so 7 sections. and a 3 for 3 layers.
one layer was guitar. i played the guitar with one hand while rolling the dice with another, playing the notes that i just rolled. if i rolled the same number then i'd switch to plucking both strings simultaneously.
layer 2: i turned layer 1 into midi with amazingmidi and pulled that into live using a concert strings instrument and more fx
layer 3: pulled layer 1 into the mangle and let that run for 4 minutes then blurred that into itself.
in the last minute it kind of resolved itself - i kept rolling ones, sixes and fours. this was meant to be a demo practice to see if it worked (i was gonna change the tuning) but i liked how it turned out. kind of ignored the sections, but just had it in mind to change the playing a bit every 30-40 seconds so there'd be about 7 sections
⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄⚅⚀⚁⚂⚃⚄
Create a piece of music based on a structure determined by the roll of a single die.
This week’s project requires one die (that is, singular of dice).
These are the steps:
Step 1: Roll one die to determine the length of your piece in minutes.
Step 2: Roll two dice to determine the number of sections to your piece. Their length should be equal.
Step 3: For each section roll one die to determine the number of layers.
Step 4: For each layer roll one die to determine the number of different notes played. A note is only played once per layer, but it can be held for as long as desired within that section.
Step 5: Bonus: Create additional dice-based rules and mention them in the notes associated with your finished track.
Step 6: Create an original piece of music based on the result of Step 1 through Step 5.
Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 8: Annotate your track with a brief explanation of your approach and process.
Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early evening, California time, on Thursday, June 30, 2016, with a deadline of 11:59pm wherever you are on Monday, July 4, 2016.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
More on this 235th weekly Disquiet Junto project — “Create a piece of music based on a structure determined by the roll of a single die” — at:
disquiet.com/0235
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/3/5/_/uploads/801843/image_track/945191/w1400_h1400_q70_ptrue_v2_----cropped_f5213789b01bd66106795256f83d6107_1467639534.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/double-rainbow-disquiet0235/</feedburner:origLink>
                                    <itunes:duration>243</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">945192</guid>
                                    
                                        <pubDate>Tue, 28 Jun 2016 22:52:35 +0200</pubDate>
                                        
                                        <atom:updated>2016-06-28T22:52:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>I saw wildflowers (Naviarhaiku129)</title>
                                    <description><![CDATA[distant chatter, hot air, rising flowers.
......
I saw prisoners
Sowing wildflowers
By the road today.
DEADLINE: 29th June
Poem by Geoffrey Wilson 
Picture by Dmitry Chizhov

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku129 - I saw prisoners" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/i-saw-wildflowers-naviarhaiku129/listen.mp3?s=VwK" length="1942255" />
                                    <link>https://hearthis.at/sevenism/i-saw-wildflowers-naviarhaiku129/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>924c00db1b851a8a700acffd9bb97302.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/924c00db1b851a8a700acffd9bb97302.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/i-saw-wildflowers-naviarhaiku129/listen.mp3?s=VwK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[distant chatter, hot air, rising flowers.
......
I saw prisoners
Sowing wildflowers
By the road today.
DEADLINE: 29th June
Poem by Geoffrey Wilson 
Picture by Dmitry Chizhov

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku129 - I saw prisoners" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/3/5/_/uploads/801843/image_track/945192/w1400_h1400_q70_ptrue_v2_----cropped_83ee846911c454ab67c5891af0370127_1467639538.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/i-saw-wildflowers-naviarhaiku129/</feedburner:origLink>
                                    <itunes:duration>121</itunes:duration>
                                    
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                                        <pubDate>Tue, 24 May 2016 17:42:44 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-24T17:42:44+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>summer (Acrylic Corpse - Open Remix 2 100bpm)</title>
                                    <description><![CDATA[remix of soundcloud.com/acrylic-corpse/...-remix-2-100bpm
nothing added, only subtracted
snippet stretches / echo n delay
your turn]]></description>
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                                    <link>https://hearthis.at/sevenism/summer-acrylic-corpse-open-remix-2-100bpm/</link>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of soundcloud.com/acrylic-corpse/...-remix-2-100bpm
nothing added, only subtracted
snippet stretches / echo n delay
your turn]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/5/_/uploads/801843/image_track/902038/w1400_h1400_q70_ptrue_v2_----cropped_5e884e3eb6e199d6ffccd8d9a46d1811_1464340588.jpg" />
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                                    <itunes:duration>117</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:06:36 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:06:36+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>1 - Laudanum</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/1/_/uploads/801843/image_track/883839/w1400_h1400_q70_ptrue_v2_----cropped_336f3c003a4d31a4834ea15cb39d1815_1463396103.jpg" />
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                                    <itunes:duration>847</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:06:32 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:06:32+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>2 - Clobazam</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/0/1/_/uploads/801843/image_track/883840/w1400_h1400_q70_ptrue_v2_----cropped_76b2db4fbd5b45982c6dfcea062f4fe6_1463396107.jpg" />
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                                    <itunes:duration>1188</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:04:45 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:04:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>3 - Lithium</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
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                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/2/1/_/uploads/801843/image_track/883841/w1400_h1400_q70_ptrue_v2_----cropped_644092f8abcb14bb6b4933e97e782b9d_1463396122.jpg" />
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                                    <itunes:duration>647</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:04:32 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:04:32+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>4 - Quetiapine</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/4-quetiapine/listen.mp3?s=dm5" length="0" />
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
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                                    <itunes:duration>731</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:04:21 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:04:21+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>5 - Gabapentin Enacarbil</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/5-gabapentin-enacarbil/listen.mp3?s=2An" length="11011551" />
                                    <link>https://hearthis.at/sevenism/5-gabapentin-enacarbil/</link>
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                                    <hq_filename>e3bc1cec229cbf70911e67895e754a8b.mp3</hq_filename>
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                                    <stream>https://stream39.hearthis.at/e3bc1cec229cbf70911e67895e754a8b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/5-gabapentin-enacarbil/listen.mp3?s=2An" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/4/1/_/uploads/801843/image_track/883843/w1400_h1400_q70_ptrue_v2_----cropped_88a0c8fc5e3af24d2c2df4d80061d060_1463396145.jpg" />
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                                    <itunes:duration>688</itunes:duration>
                                    
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                                        <pubDate>Sun, 15 May 2016 20:04:09 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T20:04:09+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>6 - Valproate Semisodium</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/6-valproate-semisodium/listen.mp3?s=n8M" length="10736952" />
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/vo.../vocem-venefici
scottlawlor.bandcamp.com/album.../vocem-venefici
this concept noise album is an aural study in 6 imaginary case studies where subjects were given the maximum dosage of a specific drug to monitor and notate the most common side effects of that drug before it was approved for legal consumption. The identities of the subjects remain classified to this day and it is surmised, by reading the unpublished journals of the top medical officials, writings which were discovered by random chance, that all 6 subjects died as a result of these clinical trials. 
nox intempesta is a collaboration between sevenism (sevenism.bandcamp.com) and Scott Lawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
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                                        <pubDate>Fri, 20 May 2016 15:34:59 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-20T15:34:59+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>dis|con|torted space (disquiet0229)</title>
                                    <description><![CDATA[i've been doing alot of distorted ambient this week (sevenism.bandcamp.com/album/waves). this stumped me at first, nice to learn something new!
-recorded short piece thru zynfx -> podfarm -> ddly
-change speed 4x in audacity
-re-recorded with cardioid mic quite far from speakers (to capture lots of air!)
-slowed down in audacity
listened with headphones and if anything it's decreased the sense of space.. but i couldn't find anything to record sped up. heyho.
edit: digitally expanded version here: sevenism.bandcamp.com/track/di.../dis-con-torted
Oo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..
Disquiet Junto Project 0229: Fourth Worldizing
Use a favorite trick of legendary sound designer Walter Murch.
Background: At 2:14 in the following YouTube clip of an interview about the concept of “worldizing” with sound-design legend Walter Murch he plays a bit of a movie, THX-1138, and then describes the process of recording something to get an exaggerated sense of the space in which it was recorded: “If you are in an ordinary sized room and play the voice at four times speed … and you record it on the other tape recorder, also running at this very fast speed, then when you play the other recorder back at normal speed you get the original sound but you get the space of the room as if it was four times larger than it really is.” (Just to expand the idea a bit, the project’s title, “Fourth Worldizing,” is a nod to musician Jon Hassell.)
youtube.com/watch?v=_py6jVyOqUY
These are the steps for the project:
Step 1: Using the trick Murch has provided, make something of it.
Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 3: Annotate your track with a brief explanation of your approach and process.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in shortly after noon, California time, on Thursday, May 19, 2016, with a deadline of 11:59pm wherever you are on Monday, May 23, 2016
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0229.” Also use “disquiet0229” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 229th weekly Disquiet Junto project (“Fourth Worldizing: Use a favorite trick of legendary sound designer Walter Murch”) at:
disquiet.com/0229
Thanks to Steve Ashby (ashbysounds.com) and Jakob Thiesen (jakobthiesen.flavors.me) for beta testing it.
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i've been doing alot of distorted ambient this week (sevenism.bandcamp.com/album/waves). this stumped me at first, nice to learn something new!
-recorded short piece thru zynfx -> podfarm -> ddly
-change speed 4x in audacity
-re-recorded with cardioid mic quite far from speakers (to capture lots of air!)
-slowed down in audacity
listened with headphones and if anything it's decreased the sense of space.. but i couldn't find anything to record sped up. heyho.
edit: digitally expanded version here: sevenism.bandcamp.com/track/di.../dis-con-torted
Oo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..oOOo..
Disquiet Junto Project 0229: Fourth Worldizing
Use a favorite trick of legendary sound designer Walter Murch.
Background: At 2:14 in the following YouTube clip of an interview about the concept of “worldizing” with sound-design legend Walter Murch he plays a bit of a movie, THX-1138, and then describes the process of recording something to get an exaggerated sense of the space in which it was recorded: “If you are in an ordinary sized room and play the voice at four times speed … and you record it on the other tape recorder, also running at this very fast speed, then when you play the other recorder back at normal speed you get the original sound but you get the space of the room as if it was four times larger than it really is.” (Just to expand the idea a bit, the project’s title, “Fourth Worldizing,” is a nod to musician Jon Hassell.)
youtube.com/watch?v=_py6jVyOqUY
These are the steps for the project:
Step 1: Using the trick Murch has provided, make something of it.
Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 3: Annotate your track with a brief explanation of your approach and process.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in shortly after noon, California time, on Thursday, May 19, 2016, with a deadline of 11:59pm wherever you are on Monday, May 23, 2016
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0229.” Also use “disquiet0229” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 229th weekly Disquiet Junto project (“Fourth Worldizing: Use a favorite trick of legendary sound designer Walter Murch”) at:
disquiet.com/0229
Thanks to Steve Ashby (ashbysounds.com) and Jakob Thiesen (jakobthiesen.flavors.me) for beta testing it.
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/4/7/_/uploads/801843/image_track/897343/w1400_h1400_q70_ptrue_v2_----cropped_8a18e70524ea1294b4e5b2b37eebc02d_1464019746.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/discontorted-space-disquiet0229/</feedburner:origLink>
                                    <itunes:duration>91</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">897342</guid>
                                    
                                        <pubDate>Sat, 21 May 2016 22:27:15 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-21T22:27:15+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>north of the mountains (naviarhaiku124)</title>
                                    <description><![CDATA[a remix of a track from my newest album sevenism.bandcamp.com/track/mo...k/mountain-view
confusingly the album track was for this project but that was a few days ago and i needed to meddle!
i've added digital space and width (cf disquiet) and made it more dark and distorted.
^^^
NAVIAR HAIKU
Music inspired by haiku poetry
soundcloud.com/groups/naviar-laboratory
North of the mountains
alien and dangerous

darkening clouds

DEADLINE: 25th May
Poem by Back Roads Haiku
Picture by  Image Catalog

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku124 - North of the mountains" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/listen.mp3?s=jgf" length="0" />
                                    <link>https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>0edba331efa8742e158bd4fc233fb1ce.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/0edba331efa8742e158bd4fc233fb1ce.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/listen.mp3?s=jgf" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[a remix of a track from my newest album sevenism.bandcamp.com/track/mo...k/mountain-view
confusingly the album track was for this project but that was a few days ago and i needed to meddle!
i've added digital space and width (cf disquiet) and made it more dark and distorted.
^^^
NAVIAR HAIKU
Music inspired by haiku poetry
soundcloud.com/groups/naviar-laboratory
North of the mountains
alien and dangerous

darkening clouds

DEADLINE: 25th May
Poem by Back Roads Haiku
Picture by  Image Catalog

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku124 - North of the mountains" in the title.
Please use a Creative Commons license for your track and set the track as downloadable should you wish to be included in the podcasts.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/4/7/_/uploads/801843/image_track/897342/w1400_h1400_q70_ptrue_v2_----cropped_14377d4d78a1da0bdfc68ad4579c3216_1464019742.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/north-of-the-mountains-naviarhaiku124/</feedburner:origLink>
                                    <itunes:duration>151</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883838</guid>
                                    
                                        <pubDate>Mon, 02 May 2016 23:40:42 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-02T23:40:42+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Hush Descends(Naviarhaiku121)</title>
                                    <description><![CDATA[naviarrecords.com/2016/04/27/n...1-hush-descends
NAVIAR HAIKU
Make music inspired by a haiku poem in seven days.
Poem by: Ikjoice soundcloud.com/ikjoyce
Picture by: John Lemieux flickr.com/photos/newdimensionfilm
........
darkness & silence sampled from most recent disquiet track
sleep dream and dream logic created in nodebeat]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hush-descendsnaviarhaiku121/listen.mp3?s=nLQ" length="0" />
                                    <link>https://hearthis.at/sevenism/hush-descendsnaviarhaiku121/</link>
                                    <thr:total>0</thr:total>
                                    <hq>48</hq>
                                    <hq_filename>3a4a1e22d6bd104562d900cb398cd49e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream20.hearthis.at/3a4a1e22d6bd104562d900cb398cd49e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hush-descendsnaviarhaiku121/listen.mp3?s=nLQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[naviarrecords.com/2016/04/27/n...1-hush-descends
NAVIAR HAIKU
Make music inspired by a haiku poem in seven days.
Poem by: Ikjoice soundcloud.com/ikjoyce
Picture by: John Lemieux flickr.com/photos/newdimensionfilm
........
darkness & silence sampled from most recent disquiet track
sleep dream and dream logic created in nodebeat]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/5/0/_/uploads/801843/image_track/883838/w1400_h1400_q70_ptrue_v2_----cropped_566164dedfa25eb3424458583bcf8c22_1463396059.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hush-descendsnaviarhaiku121/</feedburner:origLink>
                                    <itunes:duration>169</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883837</guid>
                                    
                                        <pubDate>Thu, 05 May 2016 21:42:35 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-05T21:42:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Suburban Flow</title>
                                    <description><![CDATA[made only from this sample of roadworks soundcloud.com/graham-mcarthur...hur/zoom0005wav for ambientonline osd40
ambientonline.org/forum/showth...32489#post32489
track 1: sample run thru the mangle
track 2: sample run thru crazyivan and ambience v1 in live8 but it crashed so i quickly recorded a minute in audacity while it was still playing then paulstretched to 3 minutes
track 3: switched to cecilia5 played the sample thru delaymod
track 4: cecilia5, played sample thru chordmaker took an ambient bit paulstretched x2.5 and reversed the end to fit (and repeat the louder pad from 2:00-2:30)
track 5: pulled track 4 into cecilia5 ran thru multibandharmonizer adjusted the filter live so the frequency gets higher over the track
levels adjusted and recorded in audacity. mixed down, moderate leveling and normalized. ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/suburban-flow/listen.mp3?s=Uwt" length="0" />
                                    <link>https://hearthis.at/sevenism/suburban-flow/</link>
                                    <thr:total>0</thr:total>
                                    <hq>33</hq>
                                    <hq_filename>11ac2a5b35fcabe851114adaa78a2138.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/11ac2a5b35fcabe851114adaa78a2138.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/suburban-flow/listen.mp3?s=Uwt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[made only from this sample of roadworks soundcloud.com/graham-mcarthur...hur/zoom0005wav for ambientonline osd40
ambientonline.org/forum/showth...32489#post32489
track 1: sample run thru the mangle
track 2: sample run thru crazyivan and ambience v1 in live8 but it crashed so i quickly recorded a minute in audacity while it was still playing then paulstretched to 3 minutes
track 3: switched to cecilia5 played the sample thru delaymod
track 4: cecilia5, played sample thru chordmaker took an ambient bit paulstretched x2.5 and reversed the end to fit (and repeat the louder pad from 2:00-2:30)
track 5: pulled track 4 into cecilia5 ran thru multibandharmonizer adjusted the filter live so the frequency gets higher over the track
levels adjusted and recorded in audacity. mixed down, moderate leveling and normalized. ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/0/_/uploads/801843/image_track/883837/w1400_h1400_q70_ptrue_v2_----cropped_317a7be79dadffeac31f852646e32252_1463396057.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/suburban-flow/</feedburner:origLink>
                                    <itunes:duration>181</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">867428</guid>
                                    
                                        <pubDate>Sat, 30 Apr 2016 19:10:20 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-30T19:10:20+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>omniversal nature (disquiet0226)</title>
                                    <description><![CDATA[all i knew of buckminster fuller were bucky balls which is odd because i know little of molecules and quite a lot about humanistic philosophy (i'm a person-centred psychotherapist)
after some reading up, i was imagining how our tastes in music might intersect: i think he might have been interested in generative processes; in taking the 'I' out of music and in using field recordings to supplement his music synergistically.
i used several generative programs/apps (drone fx, kosmische, nodebeat) and there's a processed field recording of the hotel room i was in last week.. i mixed in all together into a nice ambient mulch. 
§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬
Disquiet Junto Project 0226: Bucky Ball
Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller.
This week’s project is based on an imaginary scenario. The electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller is being compiled. You will make music for that compilation — music you imagine Buckminster Fuller might himself have composed. Thanks to C. Reider (actually, a dream that Reider had) for inspiring the project.
Step 1: Imagine there will be a collection of the electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller.
Step 2: Compose and record a piece of music that you imagine Fuller might have created.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 28, 2016, with a deadline of 11:59pm wherever you are on Monday, May 2, 2016.
Length: The length is up to you, though between two and five minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0226.” Also use “disquiet0226” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 226th weekly Disquiet Junto project (“Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller”) at:
disquiet.com/0226
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Project inspired by a dream that C. Reider of Vuzh Music had:
vuzhmusic.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/omniversal-nature-disquiet0226/listen.mp3?s=hND" length="2902307" />
                                    <link>https://hearthis.at/sevenism/omniversal-nature-disquiet0226/</link>
                                    <thr:total>0</thr:total>
                                    <hq>36</hq>
                                    <hq_filename>ac209633051af0b565ccd0b3e3f142ce.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/ac209633051af0b565ccd0b3e3f142ce.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/omniversal-nature-disquiet0226/listen.mp3?s=hND" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[all i knew of buckminster fuller were bucky balls which is odd because i know little of molecules and quite a lot about humanistic philosophy (i'm a person-centred psychotherapist)
after some reading up, i was imagining how our tastes in music might intersect: i think he might have been interested in generative processes; in taking the 'I' out of music and in using field recordings to supplement his music synergistically.
i used several generative programs/apps (drone fx, kosmische, nodebeat) and there's a processed field recording of the hotel room i was in last week.. i mixed in all together into a nice ambient mulch. 
§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬§▬
Disquiet Junto Project 0226: Bucky Ball
Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller.
This week’s project is based on an imaginary scenario. The electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller is being compiled. You will make music for that compilation — music you imagine Buckminster Fuller might himself have composed. Thanks to C. Reider (actually, a dream that Reider had) for inspiring the project.
Step 1: Imagine there will be a collection of the electronic music of legendary architect, inventor, and theorist R. Buckminster Fuller.
Step 2: Compose and record a piece of music that you imagine Fuller might have created.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 28, 2016, with a deadline of 11:59pm wherever you are on Monday, May 2, 2016.
Length: The length is up to you, though between two and five minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0226.” Also use “disquiet0226” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 226th weekly Disquiet Junto project (“Compose music for a fictional greatest-hits collection of the electronic music of R. Buckminster Fuller”) at:
disquiet.com/0226
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Project inspired by a dream that C. Reider of Vuzh Music had:
vuzhmusic.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/6/0/_/uploads/801843/image_track/867428/w1400_h1400_q70_ptrue_v2_----cropped_aadccd073d143ae26ed8fddf5c27c77d_1462190067.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/omniversal-nature-disquiet0226/</feedburner:origLink>
                                    <itunes:duration>181</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883836</guid>
                                    
                                        <pubDate>Fri, 06 May 2016 20:58:59 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-06T20:58:59+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cello, masqerading (disquiet0227)</title>
                                    <description><![CDATA[i prefer discord to chords. i thought i'd do e minor on guitar as i knew i could use all six strings, then i had the idea that i could cello samples of notes .. so imagine a cello with 6 strings in standard guitar tuning (maybe this exists). i love the cello so if someone wants to send me a spare one..?
philharmonia.co.uk/explore/make_music is a fantastic repository of free samples, easily searchable by pitch, dynamic, articulation etc. i got e2, b2, e3, g3, b3, e4.. think that's e minor
then simply paulstretched each note x180 and recorded in audacity. had a few practice runs as it was hard to get some of the notes to come in gradually, and get the feel right. i was gonna add more fx but it didnt need it.
only problem with that website is everythings in mono so the mix sounded quite muddy. i just used the haas effect to get that fake stereo effect .. seemed to do the trick.
. . .
Disquiet Junto Project 0227: Treated Chord
Record a piece of music in which what changes is the treatment of the notes that comprise a single chord.
Step 1: Choose a chord, any chord.
Step 2: Make a list of the notes that the chord is comprised of.
Step 3: Record each of the notes of the chord as a separate track.
Step 4: Create a piece of music in which each of those tracks plays from start to finish, and that as they play those tracks are manipulated individually (echo, texture, effects, relative volume, etc.).
Background: This project is inspired by the tape-cassette music of Amulets, aka Randall Taylor of Austin, Texas.
Deadline: This project was posted in the afternoon, California time, on Thursday, May 5, 2016, with a deadline of 11:59pm wherever you are on Monday, May 9, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0227.” Also use “disquiet0227” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 227th weekly Disquiet Junto project (“Record a piece of music in which what changes is the treatment of the notes that comprise a single chord”) at:
disquiet.com/0227
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cello-masqerading-disquiet0227/listen.mp3?s=0Rr" length="3538441" />
                                    <link>https://hearthis.at/sevenism/cello-masqerading-disquiet0227/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>44b220d4e850335412dafafac238abf8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream47.hearthis.at/44b220d4e850335412dafafac238abf8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cello-masqerading-disquiet0227/listen.mp3?s=0Rr" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i prefer discord to chords. i thought i'd do e minor on guitar as i knew i could use all six strings, then i had the idea that i could cello samples of notes .. so imagine a cello with 6 strings in standard guitar tuning (maybe this exists). i love the cello so if someone wants to send me a spare one..?
philharmonia.co.uk/explore/make_music is a fantastic repository of free samples, easily searchable by pitch, dynamic, articulation etc. i got e2, b2, e3, g3, b3, e4.. think that's e minor
then simply paulstretched each note x180 and recorded in audacity. had a few practice runs as it was hard to get some of the notes to come in gradually, and get the feel right. i was gonna add more fx but it didnt need it.
only problem with that website is everythings in mono so the mix sounded quite muddy. i just used the haas effect to get that fake stereo effect .. seemed to do the trick.
. . .
Disquiet Junto Project 0227: Treated Chord
Record a piece of music in which what changes is the treatment of the notes that comprise a single chord.
Step 1: Choose a chord, any chord.
Step 2: Make a list of the notes that the chord is comprised of.
Step 3: Record each of the notes of the chord as a separate track.
Step 4: Create a piece of music in which each of those tracks plays from start to finish, and that as they play those tracks are manipulated individually (echo, texture, effects, relative volume, etc.).
Background: This project is inspired by the tape-cassette music of Amulets, aka Randall Taylor of Austin, Texas.
Deadline: This project was posted in the afternoon, California time, on Thursday, May 5, 2016, with a deadline of 11:59pm wherever you are on Monday, May 9, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0227.” Also use “disquiet0227” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 227th weekly Disquiet Junto project (“Record a piece of music in which what changes is the treatment of the notes that comprise a single chord”) at:
disquiet.com/0227
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/5/0/_/uploads/801843/image_track/883836/w1400_h1400_q70_ptrue_v2_----cropped_8cf6d4133ae118659dfcda05565774d9_1463396053.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cello-masqerading-disquiet0227/</feedburner:origLink>
                                    <itunes:duration>221</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883835</guid>
                                    
                                        <pubDate>Tue, 10 May 2016 22:18:39 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-10T22:18:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>mid-point of the bridge (Naviarhaiku122)</title>
                                    <description><![CDATA[floating / falling / hovering / pulled in
made out of this sevenism.bandcamp.com/track/isolon which was a mix of something else

NAVIAR HAIKU
Music inspired by haiku poetry.
naviarlab.tumblr.com
Poem by: r-d-w r-d-w.tumblr.com 
Picture by: Martin Brigden flickr.com/photos/noddymini ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mid-point-of-the-bridge-naviarhaiku122/listen.mp3?s=1Lv" length="3424338" />
                                    <link>https://hearthis.at/sevenism/mid-point-of-the-bridge-naviarhaiku122/</link>
                                    <thr:total>0</thr:total>
                                    <hq>50</hq>
                                    <hq_filename>216d091d7f5bd7f56a4e976c7d3e02dc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream29.hearthis.at/216d091d7f5bd7f56a4e976c7d3e02dc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mid-point-of-the-bridge-naviarhaiku122/listen.mp3?s=1Lv" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[floating / falling / hovering / pulled in
made out of this sevenism.bandcamp.com/track/isolon which was a mix of something else

NAVIAR HAIKU
Music inspired by haiku poetry.
naviarlab.tumblr.com
Poem by: r-d-w r-d-w.tumblr.com 
Picture by: Martin Brigden flickr.com/photos/noddymini ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/5/0/_/uploads/801843/image_track/883835/w1400_h1400_q70_ptrue_v2_----cropped_9ea20f0a9b00a8df0fdceef025790bd7_1463396050.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mid-point-of-the-bridge-naviarhaiku122/</feedburner:origLink>
                                    <itunes:duration>213</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883834</guid>
                                    
                                        <pubDate>Fri, 13 May 2016 21:12:25 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-13T21:12:25+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>waves (in his eyes) (Naviarhaiku123)</title>
                                    <description><![CDATA[beach nostalgia: / grew up near brighton beach / landlocked now

NAVIAR HAIKU
Music inspired by haiku poetry
soundcloud.com/groups/naviar-laboratory
In his eyes
Sunlight glistens
The universe reflected
Poem by maxstjohn maxstjohn.com
Picture by ignacio sagone flickr.com/photos/ignaciosagone

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku123 - In his eyes" in the title and as tag.
Please use a Creative Commons license for your track.

For more information visit naviarrecords.com/about/naviar-haiku]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/waves-in-his-eyes-naviarhaiku123/listen.mp3?s=3Ze" length="2902307" />
                                    <link>https://hearthis.at/sevenism/waves-in-his-eyes-naviarhaiku123/</link>
                                    <thr:total>0</thr:total>
                                    <hq>40</hq>
                                    <hq_filename>b13571b2eff2ad29e7e8358ff7438008.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/b13571b2eff2ad29e7e8358ff7438008.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/waves-in-his-eyes-naviarhaiku123/listen.mp3?s=3Ze" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[beach nostalgia: / grew up near brighton beach / landlocked now

NAVIAR HAIKU
Music inspired by haiku poetry
soundcloud.com/groups/naviar-laboratory
In his eyes
Sunlight glistens
The universe reflected
Poem by maxstjohn maxstjohn.com
Picture by ignacio sagone flickr.com/photos/ignaciosagone

Upload your track to the Naviar Haiku group on Soundcloud
When you upload your entry, include
"Naviarhaiku123 - In his eyes" in the title and as tag.
Please use a Creative Commons license for your track.

For more information visit naviarrecords.com/about/naviar-haiku]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/4/0/_/uploads/801843/image_track/883834/w1400_h1400_q70_ptrue_v2_----cropped_04af0676ada7ef297afe2c661f0ab85d_1463396043.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/waves-in-his-eyes-naviarhaiku123/</feedburner:origLink>
                                    <itunes:duration>181</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">883832</guid>
                                    
                                        <pubDate>Sun, 15 May 2016 14:35:03 +0200</pubDate>
                                        
                                        <atom:updated>2016-05-15T14:35:03+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>layer release (disquiet0228)</title>
                                    <description><![CDATA[what struck me initially is how many devices i've got to record on: condenser mic, dynamic mic, digital dictaphone, mp3 player, old smartphones, tablets, landline, notebook laptop, digital cameras.. i counted 16 things but there's probably things i forgot.
i chose what i thought would bring out different qualities:
behringer cardioid mic (for low end. ran thru podfarm added echo and reverb (embrace the reverb, disquieticians))
cowon j3 mp3 player (that high distorted hiss)
sony digital dictaphone (balanced recording and ambience)
just improvised something simple on the guitar that came to mind, struggled to play with all them mic's looking at me.
i adjusted the envelopes quite a lot in audacity but it's not that obvious. after i pulled the recordings separately into the mangle, rerecording the layers fading in n out.
when i was recording my partner was trying to get the layers of paint off the bathroom window .. the photo is of the window after 3 coats of paint remover, and there's at least 3 layers of colour.
~ ~ ~
Disquiet Junto Project 0228: Three Mics
Make a piece of music with one sound source recorded three different ways.
This week we’re going to explore how different microphones can alter the perception of a given instrument or other sound source.
Step 1: Find three microphones. (Music mic, laptop, cellphone, tablet, landline answering machine, etc.)
Step 2: Make three recordings, each of the same single sound source through a different one of the microphones from Step 1.
Step 3: Make a piece of music exploring the differences — some will be stark, others more nuanced — between those three recordings.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in late morning, California time, on Thursday, May 12, 2016, with a deadline of 11:59pm wherever you are on Monday, May 16, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0228.” Also use “disquiet0228” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 228th weekly Disquiet Junto project (“Make a piece of music with one sound source recorded three different ways”) at:
disquiet.com/0228
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/layer-release-disquiet0228/listen.mp3?s=9XS" length="0" />
                                    <link>https://hearthis.at/sevenism/layer-release-disquiet0228/</link>
                                    <thr:total>0</thr:total>
                                    <hq>40</hq>
                                    <hq_filename>1b876c2fed6a48a026ce1bde585a5962.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream47.hearthis.at/1b876c2fed6a48a026ce1bde585a5962.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/layer-release-disquiet0228/listen.mp3?s=9XS" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[what struck me initially is how many devices i've got to record on: condenser mic, dynamic mic, digital dictaphone, mp3 player, old smartphones, tablets, landline, notebook laptop, digital cameras.. i counted 16 things but there's probably things i forgot.
i chose what i thought would bring out different qualities:
behringer cardioid mic (for low end. ran thru podfarm added echo and reverb (embrace the reverb, disquieticians))
cowon j3 mp3 player (that high distorted hiss)
sony digital dictaphone (balanced recording and ambience)
just improvised something simple on the guitar that came to mind, struggled to play with all them mic's looking at me.
i adjusted the envelopes quite a lot in audacity but it's not that obvious. after i pulled the recordings separately into the mangle, rerecording the layers fading in n out.
when i was recording my partner was trying to get the layers of paint off the bathroom window .. the photo is of the window after 3 coats of paint remover, and there's at least 3 layers of colour.
~ ~ ~
Disquiet Junto Project 0228: Three Mics
Make a piece of music with one sound source recorded three different ways.
This week we’re going to explore how different microphones can alter the perception of a given instrument or other sound source.
Step 1: Find three microphones. (Music mic, laptop, cellphone, tablet, landline answering machine, etc.)
Step 2: Make three recordings, each of the same single sound source through a different one of the microphones from Step 1.
Step 3: Make a piece of music exploring the differences — some will be stark, others more nuanced — between those three recordings.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in late morning, California time, on Thursday, May 12, 2016, with a deadline of 11:59pm wherever you are on Monday, May 16, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0228.” Also use “disquiet0228” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 228th weekly Disquiet Junto project (“Make a piece of music with one sound source recorded three different ways”) at:
disquiet.com/0228
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/4/0/_/uploads/801843/image_track/883832/w1400_h1400_q70_ptrue_v2_----cropped_e1797905a2ea1e9d9355bf64773b10a2_1463396040.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/layer-release-disquiet0228/</feedburner:origLink>
                                    <itunes:duration>149</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">867429</guid>
                                    
                                        <pubDate>Mon, 25 Apr 2016 18:42:35 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-25T18:42:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Sorrento Balcony (disquiet0225)</title>
                                    <description><![CDATA[I'm in Italy on holiday. This is the best I can do! 
I listened out for when there was seven distinct sounds (dog, pigeon, bird whistle, car, sea, people, wind) each of these represent a symbol.. Then I counted /guessed when 42 sounds had occurred. 
This is simply recorded on my phone.
Whoops just noticed the painting is 6x7 symbols.. Oh well turn it on its side.
........
Disquiet Junto Project 0225: Serial Composition
Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score.
This week’s project takes as its subject a painting recently posted by art critic Blake Gopnik. Seen here, it dates from around 1948, he writes, and is by the Argentine artist Lidy Prati (1921-2008). In his description, Gopnik references Piet Mondrian, whose music is often associated with musical scores. Both the grid-like structure of Prati’s piece and its title, “Serial Composition,” suggest it as the subject of sonic investigation. Gopnik connects the piece to computers: “[I]t speaks of a system that can generate them. Computers and their algorithms seem on this painting’s mind, at a moment when computers still filled entire rooms with vacuum tubes.” (Note that as I was researching this project I came across work by Marcelo Gutman, who has created colorful score tributes to Prati.)
These are the steps for this week’s project.
Step 1: View the circa-1948 painting “Serial Composition” by Lidy Prati at this URL:
blakegopnik.com/post/142806762364
Step 2: Consider it as a musical score. Think about the sort of musical composition that “Serial Composition” might be.
Step 3: Record yourself performing “Serial Composition” as a graphically notated musical score.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 21, 2016, with a deadline of 11:59pm wherever you are on Monday, April 25, 2016.
Length: The length is up to you, though between two and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0225-serialcomposition.” Also use “disquiet0225-serialcomposition” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 225th weekly Disquiet Junto project (“Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score”) at:
disquiet.com/0225
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Image originally posted (and viewable in larger scale) at
blakegopnik.com/post/142806762364

end -
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sorrento-balcony-disquiet0225/listen.mp3?s=Gv0" length="0" />
                                    <link>https://hearthis.at/sevenism/sorrento-balcony-disquiet0225/</link>
                                    <thr:total>0</thr:total>
                                    <hq>42</hq>
                                    <hq_filename>facba0b86b0b1eeef0aad287e356d50c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream43.hearthis.at/facba0b86b0b1eeef0aad287e356d50c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sorrento-balcony-disquiet0225/listen.mp3?s=Gv0" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I'm in Italy on holiday. This is the best I can do! 
I listened out for when there was seven distinct sounds (dog, pigeon, bird whistle, car, sea, people, wind) each of these represent a symbol.. Then I counted /guessed when 42 sounds had occurred. 
This is simply recorded on my phone.
Whoops just noticed the painting is 6x7 symbols.. Oh well turn it on its side.
........
Disquiet Junto Project 0225: Serial Composition
Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score.
This week’s project takes as its subject a painting recently posted by art critic Blake Gopnik. Seen here, it dates from around 1948, he writes, and is by the Argentine artist Lidy Prati (1921-2008). In his description, Gopnik references Piet Mondrian, whose music is often associated with musical scores. Both the grid-like structure of Prati’s piece and its title, “Serial Composition,” suggest it as the subject of sonic investigation. Gopnik connects the piece to computers: “[I]t speaks of a system that can generate them. Computers and their algorithms seem on this painting’s mind, at a moment when computers still filled entire rooms with vacuum tubes.” (Note that as I was researching this project I came across work by Marcelo Gutman, who has created colorful score tributes to Prati.)
These are the steps for this week’s project.
Step 1: View the circa-1948 painting “Serial Composition” by Lidy Prati at this URL:
blakegopnik.com/post/142806762364
Step 2: Consider it as a musical score. Think about the sort of musical composition that “Serial Composition” might be.
Step 3: Record yourself performing “Serial Composition” as a graphically notated musical score.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 21, 2016, with a deadline of 11:59pm wherever you are on Monday, April 25, 2016.
Length: The length is up to you, though between two and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0225-serialcomposition.” Also use “disquiet0225-serialcomposition” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 225th weekly Disquiet Junto project (“Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score”) at:
disquiet.com/0225
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Image originally posted (and viewable in larger scale) at
blakegopnik.com/post/142806762364

end -
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/0/_/uploads/801843/image_track/867429/w1400_h1400_q70_ptrue_v2_----cropped_7c1a945cee735f4b204302c9bcd7a9db_1462190075.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sorrento-balcony-disquiet0225/</feedburner:origLink>
                                    <itunes:duration>120</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">867430</guid>
                                    
                                        <pubDate>Wed, 20 Apr 2016 21:13:23 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-20T21:13:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Momentary Halt (naviarhaiku120)</title>
                                    <description><![CDATA[working on some noise ambient with @sklawlor this is part of a recording (zynaddsubfx w loads of distortion) and also i had a track playing off a longform drone album i've just finished about boundaries: sevenism.bandcamp.com/album/bound-ari-ed
i added momentary violent halts by pausing the recording then restarting. good old audacity! the quiet come at the end with no fade.
||||||||||||||||||||| ||||||||||||||||||||| |||||||||||||||||||||||||||||||
NAVIAR HAIKU
Make music inspired by a haiku poem in seven days
Momentary halt
A brief but violent silence
Quieting the mind
Poem by: my-crazy-random-happenstance
Picture by: stacey.d

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, please include
"Naviarhaiku120 - Momentary halt" in the title and as tag.
Please use a Creative Commons license for your track.

For more information visit naviarlab.tumblr.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/momentary-halt-naviarhaiku120/listen.mp3?s=RfK" length="1163179" />
                                    <link>https://hearthis.at/sevenism/momentary-halt-naviarhaiku120/</link>
                                    <thr:total>0</thr:total>
                                    <hq>27</hq>
                                    <hq_filename>21ef87c19d3bbbc2b97f43dee898497c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream26.hearthis.at/21ef87c19d3bbbc2b97f43dee898497c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/momentary-halt-naviarhaiku120/listen.mp3?s=RfK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[working on some noise ambient with @sklawlor this is part of a recording (zynaddsubfx w loads of distortion) and also i had a track playing off a longform drone album i've just finished about boundaries: sevenism.bandcamp.com/album/bound-ari-ed
i added momentary violent halts by pausing the recording then restarting. good old audacity! the quiet come at the end with no fade.
||||||||||||||||||||| ||||||||||||||||||||| |||||||||||||||||||||||||||||||
NAVIAR HAIKU
Make music inspired by a haiku poem in seven days
Momentary halt
A brief but violent silence
Quieting the mind
Poem by: my-crazy-random-happenstance
Picture by: stacey.d

Upload your track to the Naviar Haiku group on Soundcloud
soundcloud.com/groups/naviar-laboratory
When you upload your entry, please include
"Naviarhaiku120 - Momentary halt" in the title and as tag.
Please use a Creative Commons license for your track.

For more information visit naviarlab.tumblr.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/7/0/_/uploads/801843/image_track/867430/w1400_h1400_q70_ptrue_v2_----cropped_f94adb83799dc1d0574b54287d99529c_1462190079.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/momentary-halt-naviarhaiku120/</feedburner:origLink>
                                    <itunes:duration>72</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842256</guid>
                                    
                                        <pubDate>Wed, 30 Mar 2016 22:07:17 +0200</pubDate>
                                        
                                        <atom:updated>2016-03-30T22:07:17+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Tachyon Storm</title>
                                    <description><![CDATA[all made from a single sample (soundcloud.com/davedorgan/afte...-ao39-sourcewav) for ambient online one sample dare #39
ambientonline.org/forum/showth...-Sample-Dare-39
track 1. sample slowed to 58 bpm in live8, run through fx chain: izotope ddly > 6 string ambience > wide ambience reverb > vocal choir > freak vocal (ambience reduced a little during recording)


loud section at ~3.00-3.40 paulstretched by 5.7 to fit the track; faded in and out

original sample at 58bpm run through: ddly > six string ambience >six string ambience > vocal choir > crystal bass (chorus and feedback levels raised on fx)

all run thru live8 and recorded in audacity, track volumes adjusted and mixed down, then levelled]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/tachyon-storm/listen.mp3?s=tfO" length="4256495" />
                                    <link>https://hearthis.at/sevenism/tachyon-storm/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>aa1ee26c5352c8f7a627630a5bcd2d29.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/aa1ee26c5352c8f7a627630a5bcd2d29.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/tachyon-storm/listen.mp3?s=tfO" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[all made from a single sample (soundcloud.com/davedorgan/afte...-ao39-sourcewav) for ambient online one sample dare #39
ambientonline.org/forum/showth...-Sample-Dare-39
track 1. sample slowed to 58 bpm in live8, run through fx chain: izotope ddly > 6 string ambience > wide ambience reverb > vocal choir > freak vocal (ambience reduced a little during recording)


loud section at ~3.00-3.40 paulstretched by 5.7 to fit the track; faded in and out

original sample at 58bpm run through: ddly > six string ambience >six string ambience > vocal choir > crystal bass (chorus and feedback levels raised on fx)

all run thru live8 and recorded in audacity, track volumes adjusted and mixed down, then levelled]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/2/3/_/uploads/801843/image_track/842256/w1400_h1400_q70_ptrue_v2_----cropped_0f4bb59b6a95bdf01827b04f58c338bf_1460738327.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/tachyon-storm/</feedburner:origLink>
                                    <itunes:duration>266</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842257</guid>
                                    
                                        <pubDate>Tue, 29 Mar 2016 11:18:31 +0200</pubDate>
                                        
                                        <atom:updated>2016-03-29T11:18:31+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>blurred awake (disquiet0221)</title>
                                    <description><![CDATA[bit late but i had this idea the other day, only just got round to recording it
wanted to get that repetitive alarm sound with a simple phrase and then getting more alert with evolving complexities
reversed guitar always makes me think of coming out of a dream
~~~~~~~~~ ~  ~   ~
Disquiet Junto Project 0221: Morning Music
The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.
Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.
Step 2: Compose and record something that accomplishes the goal set by Step 1.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, March 24, 2016, with a deadline of 11:59pm wherever you are on Monday, March 28, 2016.
Length: The length is up to you, though between two and five minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0221-morningmusic.” Also use “disquiet0221-morningmusic” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 221st weekly Disquiet Junto project (“Compose something — quiet, peaceful, refreshing — you’d want to wake up to”) at:
disquiet.com/0221
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/blurred-awake-disquiet0221/listen.mp3?s=OzD" length="0" />
                                    <link>https://hearthis.at/sevenism/blurred-awake-disquiet0221/</link>
                                    <thr:total>0</thr:total>
                                    <hq>33</hq>
                                    <hq_filename>84e5a1ef26851c2b8157758ad14ef54d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/84e5a1ef26851c2b8157758ad14ef54d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/blurred-awake-disquiet0221/listen.mp3?s=OzD" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[bit late but i had this idea the other day, only just got round to recording it
wanted to get that repetitive alarm sound with a simple phrase and then getting more alert with evolving complexities
reversed guitar always makes me think of coming out of a dream
~~~~~~~~~ ~  ~   ~
Disquiet Junto Project 0221: Morning Music
The Assignment: Compose something — quiet, peaceful, refreshing — you’d want to wake up to.
Step 1: You’ll be making music that you’d want to wake up to — music you’d like to imagine other people would want to wake up to. This isn’t “shock alert” music. It’s quiet, peaceful, refreshing.
Step 2: Compose and record something that accomplishes the goal set by Step 1.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, March 24, 2016, with a deadline of 11:59pm wherever you are on Monday, March 28, 2016.
Length: The length is up to you, though between two and five minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0221-morningmusic.” Also use “disquiet0221-morningmusic” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 221st weekly Disquiet Junto project (“Compose something — quiet, peaceful, refreshing — you’d want to wake up to”) at:
disquiet.com/0221
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/3/3/_/uploads/801843/image_track/842257/w1400_h1400_q70_ptrue_v2_----cropped_b84eee6779756b6dd7f884fdef8ead36_1460738330.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/blurred-awake-disquiet0221/</feedburner:origLink>
                                    <itunes:duration>190</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557278</guid>
                                    
                                        <pubDate>Fri, 04 Sep 2015 22:12:45 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-04T22:12:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Adam Intilia - Burning Into Time (sevenism blurring into time mix)</title>
                                    <description><![CDATA[loved this track soundcloud.com/adamintilia/bur...-into-time-2010 wanted to hear it blurred at first and gradually getting more intricate and detailed]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/adam-intilia-burning-into-time-sevenism-blurring-into-time-mix/listen.mp3?s=2Kw" length="7987617" />
                                    <link>https://hearthis.at/sevenism/adam-intilia-burning-into-time-sevenism-blurring-into-time-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>a9503130265c66836affc56b38bcc4c1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/a9503130265c66836affc56b38bcc4c1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/adam-intilia-burning-into-time-sevenism-blurring-into-time-mix/listen.mp3?s=2Kw" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[loved this track soundcloud.com/adamintilia/bur...-into-time-2010 wanted to hear it blurred at first and gradually getting more intricate and detailed]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/0/_/uploads/801843/image_track/557278/w1400_h1400_q70_ptrue_v2_----cropped_1367589874c05fd7e7ca186ca05b1d77_1448039033.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/adam-intilia-burning-into-time-sevenism-blurring-into-time-mix/</feedburner:origLink>
                                    <itunes:duration>499</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557279</guid>
                                    
                                        <pubDate>Fri, 04 Sep 2015 17:55:44 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-04T17:55:44+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Skeleton Krew {ambient megadrive edit}</title>
                                    <description><![CDATA[on reddit.com/r/boardsofcanada/co...straight_out_of IGlima posted how part of the skeleton krew soundtrack sounded pretty spot on like boc.. i had a play with it tried to make it a bit more ambient
cloned a few tracks under the original and had bass boost, echo and reverb on them. then put through paulstretch without stretching them just blurring by 2 - 4 seconds..]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/skeleton-krew-ambient-megadrive-edit/listen.mp3?s=WZf" length="2764381" />
                                    <link>https://hearthis.at/sevenism/skeleton-krew-ambient-megadrive-edit/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>de835322850eec87d04fd74dc5bccd5e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/de835322850eec87d04fd74dc5bccd5e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/skeleton-krew-ambient-megadrive-edit/listen.mp3?s=WZf" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[on reddit.com/r/boardsofcanada/co...straight_out_of IGlima posted how part of the skeleton krew soundtrack sounded pretty spot on like boc.. i had a play with it tried to make it a bit more ambient
cloned a few tracks under the original and had bass boost, echo and reverb on them. then put through paulstretch without stretching them just blurring by 2 - 4 seconds..]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/3/0/_/uploads/801843/image_track/557279/w1400_h1400_q70_ptrue_v2_----cropped_a6558d534c8464a9352371060f914942_1448039039.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/skeleton-krew-ambient-megadrive-edit/</feedburner:origLink>
                                    <itunes:duration>172</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557280</guid>
                                    
                                        <pubDate>Tue, 07 Jul 2015 13:36:39 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-07T13:36:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>MyklH - Transmitting From Space (Slo Echo Flare)</title>
                                    <description><![CDATA[remix of this auralfilms.bandcamp.com/track/...ting-from-space
opened up a bunch of bandcamp pages had them playing simultaneously using the unexpected delay as echo.. smoothed out a bit and then sharpened at the end..]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/myklh-transmitting-from-space-slo-echo-flare/listen.mp3?s=6fM" length="10855652" />
                                    <link>https://hearthis.at/sevenism/myklh-transmitting-from-space-slo-echo-flare/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>de0e0786d0d0685bd06fc11010f59ea6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/de0e0786d0d0685bd06fc11010f59ea6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/myklh-transmitting-from-space-slo-echo-flare/listen.mp3?s=6fM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of this auralfilms.bandcamp.com/track/...ting-from-space
opened up a bunch of bandcamp pages had them playing simultaneously using the unexpected delay as echo.. smoothed out a bit and then sharpened at the end..]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/0/_/uploads/801843/image_track/557280/w1400_h1400_q70_ptrue_v2_----cropped_2223dab49faa3381b3dee59756f8a107_1448039047.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/myklh-transmitting-from-space-slo-echo-flare/</feedburner:origLink>
                                    <itunes:duration>678</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557281</guid>
                                    
                                        <pubDate>Sat, 13 Jun 2015 20:13:27 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-13T20:13:27+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>µ-Ziq - Hi-Q (MaskFilterglitchFilter mix)</title>
                                    <description><![CDATA[Wanted to accentuate the ambient and play around with real time filtering. then playing around with glitch1.3 random settings and cloned,underlaid that so it didnt take over. that kinda missed the point of what i was doing as it created more rhythm but the beats still less prominent]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/-ziq-hi-q-maskfilterglitchfilter-mix/listen.mp3?s=5eT" length="4203832" />
                                    <link>https://hearthis.at/sevenism/-ziq-hi-q-maskfilterglitchfilter-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>0189f2217741a93c042a699a99a36d9e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/0189f2217741a93c042a699a99a36d9e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/-ziq-hi-q-maskfilterglitchfilter-mix/listen.mp3?s=5eT" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Wanted to accentuate the ambient and play around with real time filtering. then playing around with glitch1.3 random settings and cloned,underlaid that so it didnt take over. that kinda missed the point of what i was doing as it created more rhythm but the beats still less prominent]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/0/_/uploads/801843/image_track/557281/w1400_h1400_q70_ptrue_v2_----cropped_9aaac25869b85ca0748b0910d09c30b1_1448039052.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/-ziq-hi-q-maskfilterglitchfilter-mix/</feedburner:origLink>
                                    <itunes:duration>262</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842255</guid>
                                    
                                        <pubDate>Fri, 01 Apr 2016 12:45:06 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-01T12:45:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>The Vast Kelp Forests (Naviarhaiku117)</title>
                                    <description><![CDATA[feedback fx with tons of echo to give that spooky underwater feel
+converted to midi ran thru electronica chains in live8 for bubbly flow
..
naviarlab.tumblr.com/post/1419...st-kelp-forests
Make music inspired by a haiku poem in seven days.
"The vast kelp forests
Create spooky habitats
Blocking out the sun"
Poem by Haiku Lizard
Picture by Derek Keats
..]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/the-vast-kelp-forests-naviarhaiku117/listen.mp3?s=ljN" length="3699355" />
                                    <link>https://hearthis.at/sevenism/the-vast-kelp-forests-naviarhaiku117/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>0fe1a144a87377c4197017ff749afa71.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream32.hearthis.at/0fe1a144a87377c4197017ff749afa71.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/the-vast-kelp-forests-naviarhaiku117/listen.mp3?s=ljN" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[feedback fx with tons of echo to give that spooky underwater feel
+converted to midi ran thru electronica chains in live8 for bubbly flow
..
naviarlab.tumblr.com/post/1419...st-kelp-forests
Make music inspired by a haiku poem in seven days.
"The vast kelp forests
Create spooky habitats
Blocking out the sun"
Poem by Haiku Lizard
Picture by Derek Keats
..]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/3/_/uploads/801843/image_track/842255/w1400_h1400_q70_ptrue_v2_----cropped_ab4070f23d3b3a334856e534c0b0754e_1460738321.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/the-vast-kelp-forests-naviarhaiku117/</feedburner:origLink>
                                    <itunes:duration>231</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842254</guid>
                                    
                                        <pubDate>Sat, 02 Apr 2016 13:32:07 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-02T13:32:07+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Blurred Clouds (disquiet0222)</title>
                                    <description><![CDATA[i used last weeks track: soundcloud.com/sevenism/blurred-awake
ran it thru live 8 slowed it down to 97bpm and had a load of the electronica (eq/compressn filters) running and slippery loop for the 4:4 thing. i was adjusting the harmonics and frequency live
then i had it ran thru again with dream guitar and six string ambience for that above the clouds windy stuff (that's pretty low down in the mix)
///////////////
Disquiet Junto Project 0222: Bounded Foundation
The Assignment: Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom.”
This is the second project we’re doing with artist and engineer Paolo Salvagione for an extended piece of choreography he’s working on. The result of the project is intended for potential use as a sonic backdrop for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. (Audio produced for this Junto project will not be used by Salvagione without its composer’s permission.)
Step 1: You will be creating a short, roughly four-minute piece of music. First, take into consideration the setting. Visualize that the piece would be performed by a young solo female dancer. She is dancing in a large space. The sounds of this Junto are the only sounds accompanying her movement.
Step 2: Your piece should have two perceived “levels.” The “top” level should be soft and cloud-like. The “bottom” level should be firm but ever-shifting.
Step 3: Make a piece of sound/music roughly four minutes long that meets the criteria of Step 2.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, March 31, 2016, with a deadline of 11:59pm wherever you are on Monday, April 4, 2016.
Length: The length is up to you, though between two and five minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0222-boundedfoundation.” Also use “disquiet0222-boundedfoundation” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 222nd weekly Disquiet Junto project (Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom”) at:
disquiet.com/0222
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/blurred-clouds-disquiet0222/listen.mp3?s=JqI" length="0" />
                                    <link>https://hearthis.at/sevenism/blurred-clouds-disquiet0222/</link>
                                    <thr:total>0</thr:total>
                                    <hq>40</hq>
                                    <hq_filename>9cfa1da92408430e54aaa44ff69a6f07.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/9cfa1da92408430e54aaa44ff69a6f07.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/blurred-clouds-disquiet0222/listen.mp3?s=JqI" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i used last weeks track: soundcloud.com/sevenism/blurred-awake
ran it thru live 8 slowed it down to 97bpm and had a load of the electronica (eq/compressn filters) running and slippery loop for the 4:4 thing. i was adjusting the harmonics and frequency live
then i had it ran thru again with dream guitar and six string ambience for that above the clouds windy stuff (that's pretty low down in the mix)
///////////////
Disquiet Junto Project 0222: Bounded Foundation
The Assignment: Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom.”
This is the second project we’re doing with artist and engineer Paolo Salvagione for an extended piece of choreography he’s working on. The result of the project is intended for potential use as a sonic backdrop for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. (Audio produced for this Junto project will not be used by Salvagione without its composer’s permission.)
Step 1: You will be creating a short, roughly four-minute piece of music. First, take into consideration the setting. Visualize that the piece would be performed by a young solo female dancer. She is dancing in a large space. The sounds of this Junto are the only sounds accompanying her movement.
Step 2: Your piece should have two perceived “levels.” The “top” level should be soft and cloud-like. The “bottom” level should be firm but ever-shifting.
Step 3: Make a piece of sound/music roughly four minutes long that meets the criteria of Step 2.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, March 31, 2016, with a deadline of 11:59pm wherever you are on Monday, April 4, 2016.
Length: The length is up to you, though between two and five minutes seems about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0222-boundedfoundation.” Also use “disquiet0222-boundedfoundation” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 222nd weekly Disquiet Junto project (Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom”) at:
disquiet.com/0222
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/3/_/uploads/801843/image_track/842254/w1400_h1400_q70_ptrue_v2_----cropped_0ddeb70fb34bb4158ca98bcd8f4a9128_1460738317.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/blurred-clouds-disquiet0222/</feedburner:origLink>
                                    <itunes:duration>177</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842248</guid>
                                    
                                        <pubDate>Fri, 15 Apr 2016 14:58:07 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-15T14:58:07+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>letterfounder - shotspotter |sev's refrigerated potshots| (disquiet0224)</title>
                                    <description><![CDATA[my fridge is usually silent but then sometimes makes a right old racket. waited for a while came back, caught it improvising (mad horn squawks / frenetic rhythms) thought it'd pair well with this soundcloud.com/letterfounder/shotspotter well. a strange undulating somnambulant version .. wander how obvious which is fridge and which isn't
recorded with a cheap digital recorder, processing in audacity and cool edit
shotspotter remixd in the mangle
▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
Disquiet Junto Project 0224: Cold Embrace
Make music with the sound of a refrigerator as its foundation.
This week’s project was inspired, in part, by an April 13, 2016, talk that the artist Jeff Kolar gave to students in the class on sound that I teach.
Step 1: Record the sound of a refrigerator, preferably the one in your own kitchen.
Step 2: Listen to the recording to get a sense of the hum, the tonality, and the rhythm or rhythms inherent in that audio.
Step 3: Create an original piece of music augmenting that tonality and rhythm. It’s preferable you simple add material to the field recording, but you can also use the field recording as source material.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 14, 2016, with a deadline of 11:59pm wherever you are on Monday, April 18, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0224-coldembrace.” Also use “disquiet0224-coldembrace” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 224th weekly Disquiet Junto project (“Make music with the sound of a refrigerator as its foundation.”) at:
disquiet.com/0224
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/letterfounder-shotspotter-sevs-refrigerated-potshots-disquiet0224/listen.mp3?s=2yp" length="3945533" />
                                    <link>https://hearthis.at/sevenism/letterfounder-shotspotter-sevs-refrigerated-potshots-disquiet0224/</link>
                                    <thr:total>0</thr:total>
                                    <hq>31</hq>
                                    <hq_filename>2a8509eb96559e6fe03cf15ce3833a8c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/2a8509eb96559e6fe03cf15ce3833a8c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/letterfounder-shotspotter-sevs-refrigerated-potshots-disquiet0224/listen.mp3?s=2yp" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my fridge is usually silent but then sometimes makes a right old racket. waited for a while came back, caught it improvising (mad horn squawks / frenetic rhythms) thought it'd pair well with this soundcloud.com/letterfounder/shotspotter well. a strange undulating somnambulant version .. wander how obvious which is fridge and which isn't
recorded with a cheap digital recorder, processing in audacity and cool edit
shotspotter remixd in the mangle
▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓
Disquiet Junto Project 0224: Cold Embrace
Make music with the sound of a refrigerator as its foundation.
This week’s project was inspired, in part, by an April 13, 2016, talk that the artist Jeff Kolar gave to students in the class on sound that I teach.
Step 1: Record the sound of a refrigerator, preferably the one in your own kitchen.
Step 2: Listen to the recording to get a sense of the hum, the tonality, and the rhythm or rhythms inherent in that audio.
Step 3: Create an original piece of music augmenting that tonality and rhythm. It’s preferable you simple add material to the field recording, but you can also use the field recording as source material.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Annotate your track with a brief explanation of your approach and process.
Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the afternoon, California time, on Thursday, April 14, 2016, with a deadline of 11:59pm wherever you are on Monday, April 18, 2016.
Length: The length is up to you, though between one and three minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0224-coldembrace.” Also use “disquiet0224-coldembrace” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 224th weekly Disquiet Junto project (“Make music with the sound of a refrigerator as its foundation.”) at:
disquiet.com/0224
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/7/2/_/uploads/801843/image_track/842248/w1400_h1400_q70_ptrue_v2_----cropped_0dc93f667f8ff537c8ad3299c3062a90_1460738276.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/letterfounder-shotspotter-sevs-refrigerated-potshots-disquiet0224/</feedburner:origLink>
                                    <itunes:duration>246</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842249</guid>
                                    
                                        <pubDate>Thu, 14 Apr 2016 13:21:47 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-14T13:21:47+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>rhizome -over the meadow- (Naviarhaiku119)</title>
                                    <description><![CDATA[NAVIAR HAIKU
Make music inspired by a haiku poem in seven days.
-
My voice has never sounded so good!
I recorded my voice thru guitar fx (echoes, rerverbs, synth mods)
then ran thru the mangle increasing the pitch throughout (the rising sun).. lots of randomization on the pitch though, so it's not so obvious..
-
"Over the meadow
through the deep valley of dawn
lies the morning sky"
-
Poem by Lzlabs
lzlabs.tumblr.com
Picture by Conal Gallagher
flickr.com/photos/conalg
Naviar Haiku group soundcloud.com/groups/naviar-laboratory
For more information visit naviarlab.tumblr.com]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/rhizome-over-the-meadow-naviarhaiku119/listen.mp3?s=Dxd" length="0" />
                                    <link>https://hearthis.at/sevenism/rhizome-over-the-meadow-naviarhaiku119/</link>
                                    <thr:total>0</thr:total>
                                    <hq>47</hq>
                                    <hq_filename>cb87069e5a7af5fab8efe216bc6a0987.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/cb87069e5a7af5fab8efe216bc6a0987.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/rhizome-over-the-meadow-naviarhaiku119/listen.mp3?s=Dxd" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[NAVIAR HAIKU
Make music inspired by a haiku poem in seven days.
-
My voice has never sounded so good!
I recorded my voice thru guitar fx (echoes, rerverbs, synth mods)
then ran thru the mangle increasing the pitch throughout (the rising sun).. lots of randomization on the pitch though, so it's not so obvious..
-
"Over the meadow
through the deep valley of dawn
lies the morning sky"
-
Poem by Lzlabs
lzlabs.tumblr.com
Picture by Conal Gallagher
flickr.com/photos/conalg
Naviar Haiku group soundcloud.com/groups/naviar-laboratory
For more information visit naviarlab.tumblr.com]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/8/2/_/uploads/801843/image_track/842249/w1400_h1400_q70_ptrue_v2_----cropped_cca38adc2e01b9acc1c2cd07d8aedecd_1460738287.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/rhizome-over-the-meadow-naviarhaiku119/</feedburner:origLink>
                                    <itunes:duration>136</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842250</guid>
                                    
                                        <pubDate>Tue, 12 Apr 2016 13:09:43 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-12T13:09:43+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>event horizon (version ʒ)</title>
                                    <description><![CDATA[keep playing around with this sevenism.bandcamp.com/track/ev...k/event-horizon
original track (soundcloud.com/sevenism/tachyon-storm) made from a single sample (soundcloud.com/davedorgan/after-the-rain-ao39-sourcewav) for osd39 .. this is improvised in the mangle .. fed back into live with more fx and another track pitched up in audacity
this track is a soundcloud exclusive! wowee!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/event-horizon-version/listen.mp3?s=PcX" length="6373876" />
                                    <link>https://hearthis.at/sevenism/event-horizon-version/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
                                    <hq_filename>9cb494d696eeec72505970f815638916.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/9cb494d696eeec72505970f815638916.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/event-horizon-version/listen.mp3?s=PcX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[keep playing around with this sevenism.bandcamp.com/track/ev...k/event-horizon
original track (soundcloud.com/sevenism/tachyon-storm) made from a single sample (soundcloud.com/davedorgan/after-the-rain-ao39-sourcewav) for osd39 .. this is improvised in the mangle .. fed back into live with more fx and another track pitched up in audacity
this track is a soundcloud exclusive! wowee!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/9/2/_/uploads/801843/image_track/842250/w1400_h1400_q70_ptrue_v2_----cropped_3162ec3cd964fffe87ed633befd3f49d_1460738292.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/event-horizon-version/</feedburner:origLink>
                                    <itunes:duration>398</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842251</guid>
                                    
                                        <pubDate>Mon, 11 Apr 2016 13:35:39 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-11T13:35:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Yellow Salamnd'r - Terminal Drone </title>
                                    <description><![CDATA[Remix of soundcloud.com/user-328682496/...-terminal-drone
I read this phrase:
"In 1873, Willoughby Smith found that the electrical resistance of grey selenium was dependent on the ambient light."]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/yellow-salamndr-terminal-drone/listen.mp3?s=Q1V" length="0" />
                                    <link>https://hearthis.at/sevenism/yellow-salamndr-terminal-drone/</link>
                                    <thr:total>0</thr:total>
                                    <hq>47</hq>
                                    <hq_filename>1c03b9c57c5950ca53b7b20d73cb0ea3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream21.hearthis.at/1c03b9c57c5950ca53b7b20d73cb0ea3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/yellow-salamndr-terminal-drone/listen.mp3?s=Q1V" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Remix of soundcloud.com/user-328682496/...-terminal-drone
I read this phrase:
"In 1873, Willoughby Smith found that the electrical resistance of grey selenium was dependent on the ambient light."]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/0/3/_/uploads/801843/image_track/842251/w1400_h1400_q70_ptrue_v2_----cropped_24bcc7d6f70693d25fec12e915c67e4d_1460738305.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/yellow-salamndr-terminal-drone/</feedburner:origLink>
                                    <itunes:duration>277</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842252</guid>
                                    
                                        <pubDate>Fri, 08 Apr 2016 13:42:23 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-08T13:42:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>kalimba chime (disquiet0223)</title>
                                    <description><![CDATA[i recorded a simple melody on my kalimba for about a minute
then did this again over and over for an hour (i think, it seemed like eternity)
it felt like a psychology experiment, the sort of thing we did measuring time perception, how boredom fatigue practise caffeine etc alter perception. so i was thinking about all this stuff rather than paying attention to what i was doing. 
i figured eventually it would become a muscle memory and a recognisable melody would come through but after 39 takes this didnt (yet) happen!
afterwards i did the converse of a 1 minute track taking an hour - i made a nearly hour long track out of a minute of kalimba playing! sevenism.bandcamp.com/album/ka.../kalimba-dreams
. .
Disquiet Junto Project 0223: Layered Sameness
Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree.
This week’s project was developed by Brian Crabtree, who along with Kelli Cain makes the Monome, the adventurous grid music interface.
The project is an exploration in repeatability, phasing, and density.
Step 1: Compose a relatively simple, short(ish), performable moment to be repeated as a loop, such as notes on a guitar, or clapping, or vocalizing, or some other live performance technique.
Step 2: Choose how many times you’ll play the loop in a row. Aim for a total duration of a minute or two, but feel free to deviate from this suggestion.
Step 3: Record yourself performing this loop, without a metronome.
Step 4: On a new track, record yourself again performing the same number of loops for roughly the same amount of time without listening to the previous take(s) or to a metronome.
Step 5: Repeat step 4 between 4 and 40 times.
Step 6: Adjust master levels. If desired, pan each track randomly.
Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 8: Annotate your track with a brief explanation of your approach and process.
Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, April 7, 2016, with a deadline of 11:59pm wherever you are on Monday, April 11, 2016.
Length: The length is up to you, though between one and two minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0223-layeredsameness.” Also use “disquiet0223-layeredsameness” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 223rd weekly Disquiet Junto project (“Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree”) at:
disquiet.com/0223
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/kalimba-chime-disquiet0223/listen.mp3?s=rVF" length="1227127" />
                                    <link>https://hearthis.at/sevenism/kalimba-chime-disquiet0223/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>4dec6864c500fd66a72947d657e4eace.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/4dec6864c500fd66a72947d657e4eace.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/kalimba-chime-disquiet0223/listen.mp3?s=rVF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i recorded a simple melody on my kalimba for about a minute
then did this again over and over for an hour (i think, it seemed like eternity)
it felt like a psychology experiment, the sort of thing we did measuring time perception, how boredom fatigue practise caffeine etc alter perception. so i was thinking about all this stuff rather than paying attention to what i was doing. 
i figured eventually it would become a muscle memory and a recognisable melody would come through but after 39 takes this didnt (yet) happen!
afterwards i did the converse of a 1 minute track taking an hour - i made a nearly hour long track out of a minute of kalimba playing! sevenism.bandcamp.com/album/ka.../kalimba-dreams
. .
Disquiet Junto Project 0223: Layered Sameness
Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree.
This week’s project was developed by Brian Crabtree, who along with Kelli Cain makes the Monome, the adventurous grid music interface.
The project is an exploration in repeatability, phasing, and density.
Step 1: Compose a relatively simple, short(ish), performable moment to be repeated as a loop, such as notes on a guitar, or clapping, or vocalizing, or some other live performance technique.
Step 2: Choose how many times you’ll play the loop in a row. Aim for a total duration of a minute or two, but feel free to deviate from this suggestion.
Step 3: Record yourself performing this loop, without a metronome.
Step 4: On a new track, record yourself again performing the same number of loops for roughly the same amount of time without listening to the previous take(s) or to a metronome.
Step 5: Repeat step 4 between 4 and 40 times.
Step 6: Adjust master levels. If desired, pan each track randomly.
Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 8: Annotate your track with a brief explanation of your approach and process.
Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the morning, California time, on Thursday, April 7, 2016, with a deadline of 11:59pm wherever you are on Monday, April 11, 2016.
Length: The length is up to you, though between one and two minutes feels about right.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0223-layeredsameness.” Also use “disquiet0223-layeredsameness” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 223rd weekly Disquiet Junto project (“Record multiple, slightly varying takes on the same looped composition in this project by Monome’s Brian Crabtree”) at:
disquiet.com/0223
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/3/_/uploads/801843/image_track/842252/w1400_h1400_q70_ptrue_v2_----cropped_8c7c356bafbc420c571f874a370c47f2_1460738311.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/kalimba-chime-disquiet0223/</feedburner:origLink>
                                    <itunes:duration>76</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842253</guid>
                                    
                                        <pubDate>Thu, 07 Apr 2016 18:22:04 +0200</pubDate>
                                        
                                        <atom:updated>2016-04-07T18:22:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>cumulus (silence arrives) (Naviarhaiku118)</title>
                                    <description><![CDATA[a remix of cumulus (sevenism.bandcamp.com/track/cumulus) from my new album which i released today. 
i made the track more expansive  rainy  and wrapped into itself to fit with the haiku
~
naviarlab.tumblr.com/post/1423...silence-arrives
Make music inspired by a haiku poem in seven days.
silence arrives
as mountains
wrapped in rain.
Poem by Kashyapi
Picture by Image Catalog]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/cumulus-silence-arrives-naviarhaiku118/listen.mp3?s=0oq" length="2959986" />
                                    <link>https://hearthis.at/sevenism/cumulus-silence-arrives-naviarhaiku118/</link>
                                    <thr:total>0</thr:total>
                                    <hq>48</hq>
                                    <hq_filename>21ff722f89cfdfdbe4d92e85d114f2d8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream41.hearthis.at/21ff722f89cfdfdbe4d92e85d114f2d8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/cumulus-silence-arrives-naviarhaiku118/listen.mp3?s=0oq" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[a remix of cumulus (sevenism.bandcamp.com/track/cumulus) from my new album which i released today. 
i made the track more expansive  rainy  and wrapped into itself to fit with the haiku
~
naviarlab.tumblr.com/post/1423...silence-arrives
Make music inspired by a haiku poem in seven days.
silence arrives
as mountains
wrapped in rain.
Poem by Kashyapi
Picture by Image Catalog]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/1/3/_/uploads/801843/image_track/842253/w1400_h1400_q70_ptrue_v2_----cropped_cdbf21f5338f88abfe97be7a6582afc0_1460738313.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/cumulus-silence-arrives-naviarhaiku118/</feedburner:origLink>
                                    <itunes:duration>184</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557268</guid>
                                    
                                        <pubDate>Sun, 25 Oct 2015 23:06:31 +0100</pubDate>
                                        
                                        <atom:updated>2015-10-25T23:06:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>A Gentle Southerly At Dusk [Ice Crystal Splinter]</title>
                                    <description><![CDATA[remix of a remix of a remix
original : soundcloud.com/ascythethroughn...ettles/nst5afsa
remix : soundcloud.com/jmmy-kpple/a-ge...utumnal-miasmix
remix of a remix : soundcloud.com/kuromiya-hideyu...ets-gentle-2mix
i used elements of all.. predominantly jmmy's]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/a-gentle-southerly-at-dusk-ice-crystal-splinter/listen.mp3?s=FDo" length="0" />
                                    <link>https://hearthis.at/sevenism/a-gentle-southerly-at-dusk-ice-crystal-splinter/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>8111c426e79d94053a24f02292a15d06.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/8111c426e79d94053a24f02292a15d06.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/a-gentle-southerly-at-dusk-ice-crystal-splinter/listen.mp3?s=FDo" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[remix of a remix of a remix
original : soundcloud.com/ascythethroughn...ettles/nst5afsa
remix : soundcloud.com/jmmy-kpple/a-ge...utumnal-miasmix
remix of a remix : soundcloud.com/kuromiya-hideyu...ets-gentle-2mix
i used elements of all.. predominantly jmmy's]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/7/8/_/uploads/801843/image_track/557268/w1400_h1400_q70_ptrue_v2_----cropped_5ef0f0e841bd064c776f8321bf06ad74_1448038879.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/a-gentle-southerly-at-dusk-ice-crystal-splinter/</feedburner:origLink>
                                    <itunes:duration>630</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557269</guid>
                                    
                                        <pubDate>Fri, 23 Oct 2015 14:31:45 +0200</pubDate>
                                        
                                        <atom:updated>2015-10-23T14:31:45+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Vladimir Conch - Eloctis (sevenism expanded edition)</title>
                                    <description><![CDATA[Original piece here: soundcloud.com/vldcnch/sets/eloctis
"A minimalist album featuring chords, counter melodies and field recordings"
Rather than paying for the piece he asked people to consider donating to:  freedomsocialprojects.org.uk
I loved the original EP but felt it could be longer and would work slowed down.
Did a bit of stereo work with different frequencies accentuated in L or R. Adjusted resonant frequencies a bit.
Pulled this into live and added wide chorus and tape saturation effects.. weirdly this played at the wrong speed and when i stretched it back to fit with the rest it created these atonal and microtonal artifacts that i really liked]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/vladimir-conch-eloctis-sevenism-expanded-edition/listen.mp3?s=Z5Y" length="46354180" />
                                    <link>https://hearthis.at/sevenism/vladimir-conch-eloctis-sevenism-expanded-edition/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>1c48046e0401ac92fcad5d384d66a477.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/1c48046e0401ac92fcad5d384d66a477.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/vladimir-conch-eloctis-sevenism-expanded-edition/listen.mp3?s=Z5Y" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Original piece here: soundcloud.com/vldcnch/sets/eloctis
"A minimalist album featuring chords, counter melodies and field recordings"
Rather than paying for the piece he asked people to consider donating to:  freedomsocialprojects.org.uk
I loved the original EP but felt it could be longer and would work slowed down.
Did a bit of stereo work with different frequencies accentuated in L or R. Adjusted resonant frequencies a bit.
Pulled this into live and added wide chorus and tape saturation effects.. weirdly this played at the wrong speed and when i stretched it back to fit with the rest it created these atonal and microtonal artifacts that i really liked]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/9/8/_/uploads/801843/image_track/557269/w1400_h1400_q70_ptrue_v2_----cropped_f0c968629484cd51bf8a09ec69757d42_1448038892.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/vladimir-conch-eloctis-sevenism-expanded-edition/</feedburner:origLink>
                                    <itunes:duration>2897</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557270</guid>
                                    
                                        <pubDate>Fri, 23 Oct 2015 11:11:39 +0200</pubDate>
                                        
                                        <atom:updated>2015-10-23T11:11:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>semi random meditations v1 (cassette/DVD/digi)</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/se...-meditations-v1
Snippets of my new extended LP (about ten hours long).
Ambient meditative music made from random synth tones and random note progressions, improvised then slowed down.
video here: vimeo.com/sevenism/typebark
I wanted to explore randomness and control on this piece. Also, I wanted to make a really long album. All these old tunes from electronic artists surfacing, suddenly hours and hours of stuff to listen to, I felt I was getting an idea of a period of time and personality beyond the tracks themselves.. Generalizing the listening.. And there was that nostalgia of the ambient bits on old rave.. (The strings on sweet harmony!..) and i got deep into the the new weird ambient stuff only released on tape - digitalis stuff, analog concept, gorman, emuul, celer, 0pn, mark mcguire..
There was this program on an old coldcut album called playtime, it cut up the samples and automated the music then you could fiddle with these faders and change it but it was never clear what they did exactly. I spent hours on that, I can't get it working now as I haven't got Windows 95 anymore (not that there's much difference). I do some data management and colleagues are often dumbfounded when my computer is doing work on it's own - i set up mouse recorders for repetitive tasks.. then let it get on with it. When i was a kid i liked listening to 45s on 33 and vice versa.. there was an old Bukem release that i swore was downtempo that turned out to be DnB and then getting back into the slowdowns with the chopped n screwed stuff..All these things were percolating with what I wanted to do here.
So I did a quick formula on excel to give me a random sequence of 4 notes and another to tell me how many note progressions will be in each track. Then i searched for a synth plugin that had a randomize function and used the first one i found (acidrack). So, the notes i play and the sound is pretty random*.
But then I do have an element of control - i play the notes and can change the volume. However, there's a reciprocity because i'm improvising the music and this is based on how the notes sound together, the reverberations in and between the notes, how i feel at the time, and I play for as long as I feel like.
Also, I've got the choice.. i mean, i've given myself the choice, of whether to play the different note progressions in the same tone or press random again.. so if it's a harsh tone I can do an additional one (as long as excel said i was allowed to). Of course it might give me an even harsher tone and the note sequence doesnt go, but it was a risk i was willing to take. In addition, i found that acidrack doesnt randomize the octave selector or the lfo2/arpeggiate selector so i was allowed to choose those too.
Then to randomize it further I stretched the track to 30 minutes long. This also hopefully made it sound more ambient (control) and meant that each track could be seen as an album in it's own right. i like that fractal recursion idea of an album made up of a load of albums. Of course, i got better at learning how the track would sound slowed down by how long I played for in the first place.. control control control.
If I didnt like how the track sounded after all this I overdubbed with a different pitch, re-amped with self-feedback generating digital guitar fx, or just tried to accept it. I never discarded a track.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/semi-random-meditations-v1-cassettedvddigi/listen.mp3?s=yio" length="8829804" />
                                    <link>https://hearthis.at/sevenism/semi-random-meditations-v1-cassettedvddigi/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>04b1f6ce70c4a7a6df58fbda28840c78.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/04b1f6ce70c4a7a6df58fbda28840c78.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/semi-random-meditations-v1-cassettedvddigi/listen.mp3?s=yio" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/se...-meditations-v1
Snippets of my new extended LP (about ten hours long).
Ambient meditative music made from random synth tones and random note progressions, improvised then slowed down.
video here: vimeo.com/sevenism/typebark
I wanted to explore randomness and control on this piece. Also, I wanted to make a really long album. All these old tunes from electronic artists surfacing, suddenly hours and hours of stuff to listen to, I felt I was getting an idea of a period of time and personality beyond the tracks themselves.. Generalizing the listening.. And there was that nostalgia of the ambient bits on old rave.. (The strings on sweet harmony!..) and i got deep into the the new weird ambient stuff only released on tape - digitalis stuff, analog concept, gorman, emuul, celer, 0pn, mark mcguire..
There was this program on an old coldcut album called playtime, it cut up the samples and automated the music then you could fiddle with these faders and change it but it was never clear what they did exactly. I spent hours on that, I can't get it working now as I haven't got Windows 95 anymore (not that there's much difference). I do some data management and colleagues are often dumbfounded when my computer is doing work on it's own - i set up mouse recorders for repetitive tasks.. then let it get on with it. When i was a kid i liked listening to 45s on 33 and vice versa.. there was an old Bukem release that i swore was downtempo that turned out to be DnB and then getting back into the slowdowns with the chopped n screwed stuff..All these things were percolating with what I wanted to do here.
So I did a quick formula on excel to give me a random sequence of 4 notes and another to tell me how many note progressions will be in each track. Then i searched for a synth plugin that had a randomize function and used the first one i found (acidrack). So, the notes i play and the sound is pretty random*.
But then I do have an element of control - i play the notes and can change the volume. However, there's a reciprocity because i'm improvising the music and this is based on how the notes sound together, the reverberations in and between the notes, how i feel at the time, and I play for as long as I feel like.
Also, I've got the choice.. i mean, i've given myself the choice, of whether to play the different note progressions in the same tone or press random again.. so if it's a harsh tone I can do an additional one (as long as excel said i was allowed to). Of course it might give me an even harsher tone and the note sequence doesnt go, but it was a risk i was willing to take. In addition, i found that acidrack doesnt randomize the octave selector or the lfo2/arpeggiate selector so i was allowed to choose those too.
Then to randomize it further I stretched the track to 30 minutes long. This also hopefully made it sound more ambient (control) and meant that each track could be seen as an album in it's own right. i like that fractal recursion idea of an album made up of a load of albums. Of course, i got better at learning how the track would sound slowed down by how long I played for in the first place.. control control control.
If I didnt like how the track sounded after all this I overdubbed with a different pitch, re-amped with self-feedback generating digital guitar fx, or just tried to accept it. I never discarded a track.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/8/_/uploads/801843/image_track/557270/w1400_h1400_q70_ptrue_v2_----cropped_436381a0fdb57116628144f3bbead7ce_1448038899.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/semi-random-meditations-v1-cassettedvddigi/</feedburner:origLink>
                                    <itunes:duration>551</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557273</guid>
                                    
                                        <pubDate>Sat, 01 Aug 2015 21:27:39 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-01T21:27:39+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Dreams Of A Sleeping Church</title>
                                    <description><![CDATA[entry for ambientonline osd31 (ambientonline.org/forum/showth...-Sample-Dare-31) original sample here: soundcloud.com/boqtestaccount/...sd-31-tuning-up
All sounds originate in the sample


I accidentally started to paulstretch the sample to 1000 hours long, completely smoothed into itself.. which seemed to be taking infinite seconds to process so cancelled that and just stretched it to 10 hours long (nearly submitted that but I didn't have time to save it.. count yourselves lucky!)


got snippets of the 10 hr track and saved 4-5 mins from each hour then faded these along 2 or 3 sections at a time, then mixed down


pulled the mix into Cecilia5 and it came up with a multiband beat maker which came up with a surprisingly nice rhythm; I looped a few seconds and used in the second half, oh and reversed it too for fade outs


cloned the mix from stage 1 and used the cecilia5 parameq filter to get rid of some static and accentuate the ambient, added this to the mix

cloned stage 4 mix and used the Cecilia5 vocoder filter for some weird low end sounds which I then fade in over the course of the track
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/dreams-of-a-sleeping-church/listen.mp3?s=KLp" length="0" />
                                    <link>https://hearthis.at/sevenism/dreams-of-a-sleeping-church/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>b4e722968b9e0646032f84d1c76f81e4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/b4e722968b9e0646032f84d1c76f81e4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/dreams-of-a-sleeping-church/listen.mp3?s=KLp" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[entry for ambientonline osd31 (ambientonline.org/forum/showth...-Sample-Dare-31) original sample here: soundcloud.com/boqtestaccount/...sd-31-tuning-up
All sounds originate in the sample


I accidentally started to paulstretch the sample to 1000 hours long, completely smoothed into itself.. which seemed to be taking infinite seconds to process so cancelled that and just stretched it to 10 hours long (nearly submitted that but I didn't have time to save it.. count yourselves lucky!)


got snippets of the 10 hr track and saved 4-5 mins from each hour then faded these along 2 or 3 sections at a time, then mixed down


pulled the mix into Cecilia5 and it came up with a multiband beat maker which came up with a surprisingly nice rhythm; I looped a few seconds and used in the second half, oh and reversed it too for fade outs


cloned the mix from stage 1 and used the cecilia5 parameq filter to get rid of some static and accentuate the ambient, added this to the mix

cloned stage 4 mix and used the Cecilia5 vocoder filter for some weird low end sounds which I then fade in over the course of the track
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/0/9/_/uploads/801843/image_track/557273/w1400_h1400_q70_ptrue_v2_----cropped_e333de763104dc32e991a5ab98aac48d_1448038904.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/dreams-of-a-sleeping-church/</feedburner:origLink>
                                    <itunes:duration>1566</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557275</guid>
                                    
                                        <pubDate>Sun, 26 Jul 2015 21:56:08 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-26T21:56:08+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Trans Neptunian Objects (preview) (24 hour piece)</title>
                                    <description><![CDATA[mixcloud.com/sevenism/playlists/tnos
An exploration of some of the lesser known outer planets:
orcus
salacia
sedna
quaoar
varuna
ixion
vesta]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/trans-neptunian-objects-preview-24-hour-piece/listen.mp3?s=jN2" length="2298356" />
                                    <link>https://hearthis.at/sevenism/trans-neptunian-objects-preview-24-hour-piece/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>2a9f5f0e8015e8c97da05831be2651ec.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/2a9f5f0e8015e8c97da05831be2651ec.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/trans-neptunian-objects-preview-24-hour-piece/listen.mp3?s=jN2" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mixcloud.com/sevenism/playlists/tnos
An exploration of some of the lesser known outer planets:
orcus
salacia
sedna
quaoar
varuna
ixion
vesta]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/6/9/_/uploads/801843/image_track/557275/w1400_h1400_q70_ptrue_v2_----cropped_b742d173a98a6e87db9569f814f1cde5_1448038965.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/trans-neptunian-objects-preview-24-hour-piece/</feedburner:origLink>
                                    <itunes:duration>143</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557276</guid>
                                    
                                        <pubDate>Sun, 26 Jul 2015 21:49:51 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-26T21:49:51+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>mindful day (preview) (24 hour piece)</title>
                                    <description><![CDATA[mixcloud.com/sevenism/playlist...sts/mindful-day
Thich Nhat Hanh advocates spending a day in mindfulness once a week.
This mix takes it to the logical extreme by lasting 24 hours and invites you to slow down and focus only on what you're doing.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/mindful-day-preview-24-hour-piece/listen.mp3?s=ALh" length="0" />
                                    <link>https://hearthis.at/sevenism/mindful-day-preview-24-hour-piece/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>de7d91da8476e24db11a6797c280d396.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/de7d91da8476e24db11a6797c280d396.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/mindful-day-preview-24-hour-piece/listen.mp3?s=ALh" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mixcloud.com/sevenism/playlist...sts/mindful-day
Thich Nhat Hanh advocates spending a day in mindfulness once a week.
This mix takes it to the logical extreme by lasting 24 hours and invites you to slow down and focus only on what you're doing.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/7/9/_/uploads/801843/image_track/557276/w1400_h1400_q70_ptrue_v2_----cropped_ca8e66d31957a61300ad229439679c96_1448038970.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/mindful-day-preview-24-hour-piece/</feedburner:origLink>
                                    <itunes:duration>80</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557277</guid>
                                    
                                        <pubDate>Mon, 06 Jul 2015 23:38:10 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-06T23:38:10+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Exoplanets (pluto flyby)</title>
                                    <description><![CDATA[Drifting through the galaxy..
auralfilms.bandcamp.com/album/...yby-soundtracks]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Drifting through the galaxy..
auralfilms.bandcamp.com/album/...yby-soundtracks]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/9/_/uploads/801843/image_track/557277/w1400_h1400_q70_ptrue_v2_----cropped_16c47aaff43192b18372bced24d3a236_1448038975.jpg" />
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                                        <pubDate>Mon, 14 Dec 2015 22:09:01 +0100</pubDate>
                                        
                                        <atom:updated>2015-12-14T22:09:01+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>a 3 Pedal Problem |  Ridante Budho | Tangle (disquiet0206)</title>
                                    <description><![CDATA[only had access to audacity where i was. i went a bit meta (is that the right word here?) and used three of the tracks made for this project as the three elements:
soundcloud.com/rupertlally/a-3...6-threeswitches
soundcloud.com/analoc/ridante-...ho-disquiet0206
soundcloud.com/noimspartacus/t...6-threeswitches
i stretched them to the same length with a 30 second time resolution so each track was rendered into a gradually changing drone and then recorded while i changed the gain of the tracks, oh and one track i had panned 30% left another 30% right to demarcate a bit more.
thanks/apologies to the original artists.. i chose tracks i really liked!
│●■●││●■●││●■●│
Disquiet Junto Project 0206: Three Switches
Compose a track with a trio of through-lines that repeatedly alternate relative prominence.
Note: It is generally helpful to read through all the steps before starting the first step.
Step 1: This week’s project involves a single piece of music with three separate simultaneous parts. Each of those three parts should run for the full length of the piece. The parts should individually be relatively consistent throughout.
Step 2: The one change that should occur is that every few beats, two of the three parts should be pushed to the background and the one remaining part should be prominent in the foreground. These relative positions should alternate every two seconds to four seconds or so for the full length of the piece.
Step 3: For the final few seconds, the three lines should be heard at equal (foreground, not background) volume for the first and only time in the piece.
Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 10, 2015, with a deadline of 11:59pm wherever you are on Monday, December 14, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0206-threeswitches.” Also use “disquiet0206-threeswitches” as a tag for your track.
More on this 206th weekly Disquiet Junto project (“Compose a track with a trio of through-lines that repeatedly alternate relative prominence”) at:
disquiet.com/2015/12/10/disqui...6-threeswitches
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Source photo (“Three Light Switches”) by Zoran Kovacevic used thanks to a Creative Commons license:
flic.kr/p/2YdqLK]]></description>
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                                    <thr:total>0</thr:total>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[only had access to audacity where i was. i went a bit meta (is that the right word here?) and used three of the tracks made for this project as the three elements:
soundcloud.com/rupertlally/a-3...6-threeswitches
soundcloud.com/analoc/ridante-...ho-disquiet0206
soundcloud.com/noimspartacus/t...6-threeswitches
i stretched them to the same length with a 30 second time resolution so each track was rendered into a gradually changing drone and then recorded while i changed the gain of the tracks, oh and one track i had panned 30% left another 30% right to demarcate a bit more.
thanks/apologies to the original artists.. i chose tracks i really liked!
│●■●││●■●││●■●│
Disquiet Junto Project 0206: Three Switches
Compose a track with a trio of through-lines that repeatedly alternate relative prominence.
Note: It is generally helpful to read through all the steps before starting the first step.
Step 1: This week’s project involves a single piece of music with three separate simultaneous parts. Each of those three parts should run for the full length of the piece. The parts should individually be relatively consistent throughout.
Step 2: The one change that should occur is that every few beats, two of the three parts should be pushed to the background and the one remaining part should be prominent in the foreground. These relative positions should alternate every two seconds to four seconds or so for the full length of the piece.
Step 3: For the final few seconds, the three lines should be heard at equal (foreground, not background) volume for the first and only time in the piece.
Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 10, 2015, with a deadline of 11:59pm wherever you are on Monday, December 14, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0206-threeswitches.” Also use “disquiet0206-threeswitches” as a tag for your track.
More on this 206th weekly Disquiet Junto project (“Compose a track with a trio of through-lines that repeatedly alternate relative prominence”) at:
disquiet.com/2015/12/10/disqui...6-threeswitches
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Source photo (“Three Light Switches”) by Zoran Kovacevic used thanks to a Creative Commons license:
flic.kr/p/2YdqLK]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/3/_/uploads/801843/image_track/751436/w1400_h1400_q70_ptrue_v2_----cropped_cba3b49f1a087989419f8c2aed3529e6_1456754321.jpg" />
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                                    <itunes:duration>166</itunes:duration>
                                    
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                                        <pubDate>Fri, 18 Dec 2015 15:04:58 +0100</pubDate>
                                        
                                        <atom:updated>2015-12-18T15:04:58+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Six Marilli Mixes (excerpts) (disquiet0207)</title>
                                    <description><![CDATA[gotta be quick, moving house tomorrow.. lots of packing to do
concept: wanted to see how much i could do in very little time. read it as montano not marilli so was thinking of a vice versa of my concept for that project ie creating album out of a track. didnt listen to the samples beforehand 
process: loaded the samples in live8 had them down to 20bpm playing with various fx (six string ambience, dream guitar, electronica 1/2 and more) recording in audacity running through different chains starting off more ambient getting more rhythmy/divergent back to ambient. 
i have made an album out of these 'excerpts' by stretching them .. amazing what you can do while packing.. will take longer to upload than it took to make!
......................
Disquiet Junto Project 0207: Remixing Marilli
Rework source audio from Michel Banabila’s 1983 album, Marilli.
Step 1: Michel Banabila, the Dutch musician, this past week released a freely downloadable album of reworkings of his 1983 album, Marilli. (Full disclosure: I contributed a track to the remix collection.) He’s provided three brief samples from the album for the Junto to remix. The first step is to download the three samples from the Dropbox folder at this link:
goo.gl/JmDEfB
Step 2: Create a new track using only those three samples.
Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 17, 2015, with a deadline of 11:59pm wherever you are on Monday, December 21, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0207-remixingmarilli.” Also use “disquiet0207-remixingmarilli” as a tag for your track.
Download: Having provided the samples, Banabila has asked that you assign a Creative Commons license allowing for downloads but not for subsequent reworkings or commercial use.
Linking: When posting the track, please be sure to include this information:
More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:
disquiet.com/2015/12/17/disqui...remixingmarilli
The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:
banabila.bandcamp.com/album/ma...d-free-download
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/six-marilli-mixes-excerpts-disquiet0207/listen.mp3?s=exV" length="5514134" />
                                    <link>https://hearthis.at/sevenism/six-marilli-mixes-excerpts-disquiet0207/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[gotta be quick, moving house tomorrow.. lots of packing to do
concept: wanted to see how much i could do in very little time. read it as montano not marilli so was thinking of a vice versa of my concept for that project ie creating album out of a track. didnt listen to the samples beforehand 
process: loaded the samples in live8 had them down to 20bpm playing with various fx (six string ambience, dream guitar, electronica 1/2 and more) recording in audacity running through different chains starting off more ambient getting more rhythmy/divergent back to ambient. 
i have made an album out of these 'excerpts' by stretching them .. amazing what you can do while packing.. will take longer to upload than it took to make!
......................
Disquiet Junto Project 0207: Remixing Marilli
Rework source audio from Michel Banabila’s 1983 album, Marilli.
Step 1: Michel Banabila, the Dutch musician, this past week released a freely downloadable album of reworkings of his 1983 album, Marilli. (Full disclosure: I contributed a track to the remix collection.) He’s provided three brief samples from the album for the Junto to remix. The first step is to download the three samples from the Dropbox folder at this link:
goo.gl/JmDEfB
Step 2: Create a new track using only those three samples.
Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 17, 2015, with a deadline of 11:59pm wherever you are on Monday, December 21, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0207-remixingmarilli.” Also use “disquiet0207-remixingmarilli” as a tag for your track.
Download: Having provided the samples, Banabila has asked that you assign a Creative Commons license allowing for downloads but not for subsequent reworkings or commercial use.
Linking: When posting the track, please be sure to include this information:
More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:
disquiet.com/2015/12/17/disqui...remixingmarilli
The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:
banabila.bandcamp.com/album/ma...d-free-download
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/1/3/_/uploads/801843/image_track/751435/w1400_h1400_q70_ptrue_v2_----cropped_1f646aea0c6c955172083b7a7d47426e_1456754317.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/six-marilli-mixes-excerpts-disquiet0207/</feedburner:origLink>
                                    <itunes:duration>344</itunes:duration>
                                    
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                                    <guid isPermaLink="false">751434</guid>
                                    
                                        <pubDate>Thu, 24 Dec 2015 21:30:14 +0100</pubDate>
                                        
                                        <atom:updated>2015-12-24T21:30:14+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Thursday evening, 20.25 (disquiet0208)</title>
                                    <description><![CDATA[Aha..so if I request the desktop site on my phone I can edit this! 
So this project is about moving house. I recorded an album earlier to let off some of the stress, explore my feelings etc.. Was listening to one of the tracks when the project came through.. Re recorded that and other incidentals..Really glad I got to participate, didn't think I would as only have phone internet..
. .
Disquiet Junto Project 0208: In Situ
Record a composition in place using only the sounds around you.
Step 1: The goal of this project is to make a composition in a short period of time, just one single sitting, from start to finish. You’ll only use the tools you have on hand (a laptop, an iPad, an OP-1, what have you). And you’ll only use sounds that you record on site. The first step is choose a time and place, preferably not at home or work, though those are certainly OK, too.
Step 2: At the appointed time, go to the place where you will make the composition. Sit for awhile and listen. Make some short source-audio recordings, preferably while remaining seated. Use only those recordings – snippets of room ambience, of overheard chatter, and so forth – as the raw material for your composition. Transform the sounds as you see fit, but do retain some recognizability. For example, if you record on a bus, then the finished track should retain something unique to the sound of a bus.
Step 3: Bonus round: use a photo of your setup/location as the image associated with your recording.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 24, 2015, with a deadline of 11:59pm wherever you are on Monday, December 28, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0208-insitu.” Also use “disquiet0208-insitu” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 208th weekly Disquiet Junto project (“Record a composition in place using only the sounds around you”) at:
disquiet.com/2015/12/24/disqui...uiet0208-insitu
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/thursday-evening-2025-disquiet0208/listen.mp3?s=O2k" length="0" />
                                    <link>https://hearthis.at/sevenism/thursday-evening-2025-disquiet0208/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
                                    <hq_filename>9f27f707b5d9a80abac31e53b9734a01.mp3</hq_filename>
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                                    <stream>https://stream27.hearthis.at/9f27f707b5d9a80abac31e53b9734a01.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/thursday-evening-2025-disquiet0208/listen.mp3?s=O2k" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Aha..so if I request the desktop site on my phone I can edit this! 
So this project is about moving house. I recorded an album earlier to let off some of the stress, explore my feelings etc.. Was listening to one of the tracks when the project came through.. Re recorded that and other incidentals..Really glad I got to participate, didn't think I would as only have phone internet..
. .
Disquiet Junto Project 0208: In Situ
Record a composition in place using only the sounds around you.
Step 1: The goal of this project is to make a composition in a short period of time, just one single sitting, from start to finish. You’ll only use the tools you have on hand (a laptop, an iPad, an OP-1, what have you). And you’ll only use sounds that you record on site. The first step is choose a time and place, preferably not at home or work, though those are certainly OK, too.
Step 2: At the appointed time, go to the place where you will make the composition. Sit for awhile and listen. Make some short source-audio recordings, preferably while remaining seated. Use only those recordings – snippets of room ambience, of overheard chatter, and so forth – as the raw material for your composition. Transform the sounds as you see fit, but do retain some recognizability. For example, if you record on a bus, then the finished track should retain something unique to the sound of a bus.
Step 3: Bonus round: use a photo of your setup/location as the image associated with your recording.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted in the early afternoon, California time, on Thursday, December 24, 2015, with a deadline of 11:59pm wherever you are on Monday, December 28, 2015.
Length: The length is up to you, though between one and three minutes seems appropriate.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0208-insitu.” Also use “disquiet0208-insitu” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 208th weekly Disquiet Junto project (“Record a composition in place using only the sounds around you”) at:
disquiet.com/2015/12/24/disqui...uiet0208-insitu
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/1/3/_/uploads/801843/image_track/751434/w1400_h1400_q70_ptrue_v2_----cropped_2ebb9737c1ce85b01c33fcc3cfc87bc1_1456754315.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/thursday-evening-2025-disquiet0208/</feedburner:origLink>
                                    <itunes:duration>90</itunes:duration>
                                    
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                                    <guid isPermaLink="false">751433</guid>
                                    
                                        <pubDate>Mon, 04 Jan 2016 11:43:54 +0100</pubDate>
                                        
                                        <atom:updated>2016-01-04T11:43:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Yearbook (disquiet0209)</title>
                                    <description><![CDATA[i did 10 second samples as 5 werent long enough, oh and i blurred them into each other to form a complete piece - i used the whole tracks and squeezed them down to 10 secs in audacity. on a more macro level this year has been about letting go of rules and doing what's right for me.
jan-feb: didnt record any music, i was doing comedy improv and we had a great show in jan but there was a nasty rift in the group shortly after, it wasn't supportive anymore, and i got fed up with it all. i recorded a quiet room to represent this, and also because our old flat is empty now
march: got back into music to fill the creative void and malaise, was really into generative stuff. the track used is here: sevenism.bandcamp.com/track/un...tretch-echo-voc
april: was still into generative stuff but interested more in the interstices between artistic presence and randomness. this is from semi-random meditations v2: sevenism.bandcamp.com/track/ph...-gulp-4streetch
may: i found the disquiet junto! my first track soundcloud.com/sevenism/spring...ing-palindromes
june: i got back into sample based music which i hadnt really done for ten years.. it's amazing what you can do these days. this was for an ambient online challenge: soundcloud.com/sevenism/ac-osd
july: i embarked on a series of 24 hr long pieces, partly to annoy a friend but also exploring the futility of making ambient drones now that paulstretch has made it so easy to make great sounding dronescapes. here i've compacted a 4hr part of mindful day to 10 seconds: mixcloud.com/sevenism/mindful-...art-1-afternoon
aug: i was working pretty quickly and getting what i thought were good results so i decided, from then on, to put everything on bandcamp. this is from an ambient noise jazz project called edges: sevenism.bandcamp.com/track/le...zawa-jaggededit
sept: i started collaborating with @sklawlor - this was our first effort for an ambient online compilation ambientonline.bandcamp.com/tra...erranean-spaces
oct: i've been trying to blur the boundaries between what constitutes a mix, a remix, or an original piece; and i liked what i did for the zabriskie overture. it's a similar execution to this current piece soundcloud.com/sevenism/zabris...nt-disquiet0198
nov: when i was younger i used to fantasize about having classical radio on and be able to remix it live with loads of fx into weird ambient music, and it suddenly occurred to me i can do that now! sevenism.bandcamp.com/track/sc...druck-remix-1-2
dec: had a really stressful house move and recorded some music to allay that somewhat. havent uploaded it as still dont have internet (i'm doing this at work)
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Disquiet Junto Project 0209: Audio Journal 2015
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:
disquiet.com/2015/12/31/disqui...209-journal2015
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Photo associated with this project by Barry Silver used via Creative Commons license:
flic.kr/p/8A6XQV]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/yearbook-disquiet0209/listen.mp3?s=AZJ" length="1903803" />
                                    <link>https://hearthis.at/sevenism/yearbook-disquiet0209/</link>
                                    <thr:total>0</thr:total>
                                    <hq>32</hq>
                                    <hq_filename>e6bc3e70a4247b6576a52b9794f37158.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/e6bc3e70a4247b6576a52b9794f37158.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/yearbook-disquiet0209/listen.mp3?s=AZJ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i did 10 second samples as 5 werent long enough, oh and i blurred them into each other to form a complete piece - i used the whole tracks and squeezed them down to 10 secs in audacity. on a more macro level this year has been about letting go of rules and doing what's right for me.
jan-feb: didnt record any music, i was doing comedy improv and we had a great show in jan but there was a nasty rift in the group shortly after, it wasn't supportive anymore, and i got fed up with it all. i recorded a quiet room to represent this, and also because our old flat is empty now
march: got back into music to fill the creative void and malaise, was really into generative stuff. the track used is here: sevenism.bandcamp.com/track/un...tretch-echo-voc
april: was still into generative stuff but interested more in the interstices between artistic presence and randomness. this is from semi-random meditations v2: sevenism.bandcamp.com/track/ph...-gulp-4streetch
may: i found the disquiet junto! my first track soundcloud.com/sevenism/spring...ing-palindromes
june: i got back into sample based music which i hadnt really done for ten years.. it's amazing what you can do these days. this was for an ambient online challenge: soundcloud.com/sevenism/ac-osd
july: i embarked on a series of 24 hr long pieces, partly to annoy a friend but also exploring the futility of making ambient drones now that paulstretch has made it so easy to make great sounding dronescapes. here i've compacted a 4hr part of mindful day to 10 seconds: mixcloud.com/sevenism/mindful-...art-1-afternoon
aug: i was working pretty quickly and getting what i thought were good results so i decided, from then on, to put everything on bandcamp. this is from an ambient noise jazz project called edges: sevenism.bandcamp.com/track/le...zawa-jaggededit
sept: i started collaborating with @sklawlor - this was our first effort for an ambient online compilation ambientonline.bandcamp.com/tra...erranean-spaces
oct: i've been trying to blur the boundaries between what constitutes a mix, a remix, or an original piece; and i liked what i did for the zabriskie overture. it's a similar execution to this current piece soundcloud.com/sevenism/zabris...nt-disquiet0198
nov: when i was younger i used to fantasize about having classical radio on and be able to remix it live with loads of fx into weird ambient music, and it suddenly occurred to me i can do that now! sevenism.bandcamp.com/track/sc...druck-remix-1-2
dec: had a really stressful house move and recorded some music to allay that somewhat. havent uploaded it as still dont have internet (i'm doing this at work)
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Disquiet Junto Project 0209: Audio Journal 2015
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.
More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:
disquiet.com/2015/12/31/disqui...209-journal2015
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Photo associated with this project by Barry Silver used via Creative Commons license:
flic.kr/p/8A6XQV]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/1/3/_/uploads/801843/image_track/751433/w1400_h1400_q70_ptrue_v2_----cropped_857093a5c859f2b4bae1fafeda8be8af_1456754312.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/yearbook-disquiet0209/</feedburner:origLink>
                                    <itunes:duration>118</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557295</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 19:39:31 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T19:39:31+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Global Communication - Obselon Minos (µ - Ziq Remix) (Re - Edit 3: 14.31 Smooth)</title>
                                    <description><![CDATA[i forgot the original was 14.31 and thats the actual title so might as well stretch it i wanted to see how it sounded that slow and with the ticks slowed down too. ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/global-communication-obselon-minos--ziq-remix-re-edit-3-1431-smooth/listen.mp3?s=sWA" length="13938101" />
                                    <link>https://hearthis.at/sevenism/global-communication-obselon-minos--ziq-remix-re-edit-3-1431-smooth/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>2b8721912a23e66ebc21085b0ac92ee4.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/2b8721912a23e66ebc21085b0ac92ee4.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/global-communication-obselon-minos--ziq-remix-re-edit-3-1431-smooth/listen.mp3?s=sWA" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i forgot the original was 14.31 and thats the actual title so might as well stretch it i wanted to see how it sounded that slow and with the ticks slowed down too. ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/1/_/uploads/801843/image_track/557295/w1400_h1400_q70_ptrue_v2_----cropped_7bf99cdc0426da2c80bddcd9abb40de4_1448039162.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/global-communication-obselon-minos--ziq-remix-re-edit-3-1431-smooth/</feedburner:origLink>
                                    <itunes:duration>871</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557294</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 19:50:59 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T19:50:59+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Sufjan - Carrie &amp; Lowell Extended Fade Out</title>
                                    <description><![CDATA[there's some nice weird ambient guitar on this album and i thought it'd sound nice extending it a bit]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sufjan-carrie-lowell-extended-fade-out/listen.mp3?s=rJu" length="0" />
                                    <link>https://hearthis.at/sevenism/sufjan-carrie-lowell-extended-fade-out/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>6e37dc1e008a4e5995cc31a193abc0c0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/6e37dc1e008a4e5995cc31a193abc0c0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sufjan-carrie-lowell-extended-fade-out/listen.mp3?s=rJu" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there's some nice weird ambient guitar on this album and i thought it'd sound nice extending it a bit]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/5/1/_/uploads/801843/image_track/557294/w1400_h1400_q70_ptrue_v2_----cropped_3aab829e468a4aa352ac8e2988e70305_1448039150.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sufjan-carrie-lowell-extended-fade-out/</feedburner:origLink>
                                    <itunes:duration>901</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557282</guid>
                                    
                                        <pubDate>Sun, 31 May 2015 15:44:57 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-31T15:44:57+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Indian Classical {slewed n slowed} xcerpt</title>
                                    <description><![CDATA[happened upon this soundcloud.com/shruti-mishra-5...ndian-classical .. you know when people suspiciously repost and like stuff that's completely disparate? so it seems like it's a bot.. maybe not.. but this stood out and i thought it'd be nice to ambientize it (run through guitar fx then slowed down).. just an exercpt of the 30 minute version  (annoying that short 3 hour limit)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/indian-classical-slewed-n-slowed-xcerpt/listen.mp3?s=lw3" length="5754461" />
                                    <link>https://hearthis.at/sevenism/indian-classical-slewed-n-slowed-xcerpt/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>1dfba4c194d82a768642b1b5d48158c9.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/1dfba4c194d82a768642b1b5d48158c9.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/indian-classical-slewed-n-slowed-xcerpt/listen.mp3?s=lw3" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[happened upon this soundcloud.com/shruti-mishra-5...ndian-classical .. you know when people suspiciously repost and like stuff that's completely disparate? so it seems like it's a bot.. maybe not.. but this stood out and i thought it'd be nice to ambientize it (run through guitar fx then slowed down).. just an exercpt of the 30 minute version  (annoying that short 3 hour limit)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/6/0/_/uploads/801843/image_track/557282/w1400_h1400_q70_ptrue_v2_----cropped_9bef8492e73af217fe5cd873913ed0ba_1448039060.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/indian-classical-slewed-n-slowed-xcerpt/</feedburner:origLink>
                                    <itunes:duration>359</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557283</guid>
                                    
                                        <pubDate>Wed, 27 May 2015 14:02:08 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-27T14:02:08+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Loess - F4 {gravity echoes}</title>
                                    <description><![CDATA[bit too muddied and the melody is lost in the middle but the echo works well
Loess were called Seaweed Soup when they did this]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/loess-f4-gravity-echoes/listen.mp3?s=83s" length="3144306" />
                                    <link>https://hearthis.at/sevenism/loess-f4-gravity-echoes/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>072d250e12f75729f9db87147e55c1db.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/072d250e12f75729f9db87147e55c1db.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/loess-f4-gravity-echoes/listen.mp3?s=83s" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[bit too muddied and the melody is lost in the middle but the echo works well
Loess were called Seaweed Soup when they did this]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/6/0/_/uploads/801843/image_track/557283/w1400_h1400_q70_ptrue_v2_----cropped_1d1ecdb4557c22ccbe82e57a8ee325a7_1448039069.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/loess-f4-gravity-echoes/</feedburner:origLink>
                                    <itunes:duration>196</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557284</guid>
                                    
                                        <pubDate>Sun, 24 May 2015 18:41:18 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-24T18:41:18+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Saturday Index - TXHK {ambient echoesechoes}</title>
                                    <description><![CDATA[had some old tracks that an old mp3 player had renamed
not on the album/ep.. ran through guitar fx modules
anyone tell what these are?]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/saturday-index-txhk-ambient-echoesechoes/listen.mp3?s=KyC" length="6245981" />
                                    <link>https://hearthis.at/sevenism/saturday-index-txhk-ambient-echoesechoes/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>ed27367138369c0aa59116311c4e9aea.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/ed27367138369c0aa59116311c4e9aea.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/saturday-index-txhk-ambient-echoesechoes/listen.mp3?s=KyC" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[had some old tracks that an old mp3 player had renamed
not on the album/ep.. ran through guitar fx modules
anyone tell what these are?]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/0/_/uploads/801843/image_track/557284/w1400_h1400_q70_ptrue_v2_----cropped_ee0da0d2c6d54a0e3b8f822305ff26a7_1448039078.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/saturday-index-txhk-ambient-echoesechoes/</feedburner:origLink>
                                    <itunes:duration>390</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557286</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 21:54:09 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T21:54:09+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>boc - Slow This Bird Down (whistle edit)</title>
                                    <description><![CDATA[i reamped this to get that feedback echo in the background.. didnt realize at first it was picking up me whistling but i like it mostly.. slowed a bit too (7% naturally)
i recorded it as part of this mix mixcloud.com/sevenism/sevenism...-this-echo-down
remember when beyonces sis did a remix of this ..that was weird wasnt it? there she is dressed as a bird]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/boc-slow-this-bird-down-whistle-edit/listen.mp3?s=ipG" length="6304913" />
                                    <link>https://hearthis.at/sevenism/boc-slow-this-bird-down-whistle-edit/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>5df27714584c1f9ae676ed0d0bb3cf63.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/5df27714584c1f9ae676ed0d0bb3cf63.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/boc-slow-this-bird-down-whistle-edit/listen.mp3?s=ipG" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i reamped this to get that feedback echo in the background.. didnt realize at first it was picking up me whistling but i like it mostly.. slowed a bit too (7% naturally)
i recorded it as part of this mix mixcloud.com/sevenism/sevenism...-this-echo-down
remember when beyonces sis did a remix of this ..that was weird wasnt it? there she is dressed as a bird]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/0/_/uploads/801843/image_track/557286/w1400_h1400_q70_ptrue_v2_----cropped_72886c1fd374d5d1429f7f09c1f76d68_1448039088.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/boc-slow-this-bird-down-whistle-edit/</feedburner:origLink>
                                    <itunes:duration>394</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557287</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 20:28:49 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T20:28:49+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Erik - 2-05 006 -b #005 (glimmer pt2 - underwater)</title>
                                    <description><![CDATA[tried to get rid of the jetstream and it gave it a nice underwater feedbacky sound]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt2-underwater/listen.mp3?s=aOf" length="0" />
                                    <link>https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt2-underwater/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>aba708703f66435eb9064fc969f968c0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/aba708703f66435eb9064fc969f968c0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt2-underwater/listen.mp3?s=aOf" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[tried to get rid of the jetstream and it gave it a nice underwater feedbacky sound]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/9/0/_/uploads/801843/image_track/557287/w1400_h1400_q70_ptrue_v2_----cropped_89c0e3c553183fcb9259bf169e96fdfe_1448039094.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt2-underwater/</feedburner:origLink>
                                    <itunes:duration>341</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557288</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 20:22:33 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T20:22:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Erik - 2-05 006 -b #005 (glimmer pt1 - jetstream)</title>
                                    <description><![CDATA[loved the synth on this, shame he took this down]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt1-jetstream/listen.mp3?s=k4l" length="0" />
                                    <link>https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt1-jetstream/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>6dd2e14b8f6be078160f356c25f689d1.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/6dd2e14b8f6be078160f356c25f689d1.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt1-jetstream/listen.mp3?s=k4l" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[loved the synth on this, shame he took this down]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/0/_/uploads/801843/image_track/557288/w1400_h1400_q70_ptrue_v2_----cropped_9fc1fecf7d8761efc1e80bea41d5a688_1448039099.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/erik-2-05-006-b-005-glimmer-pt1-jetstream/</feedburner:origLink>
                                    <itunes:duration>341</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557285</guid>
                                    
                                        <pubDate>Sun, 24 May 2015 18:24:35 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-24T18:24:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>user48736353001 - 1 P - String [instr] (Crianlarich railway station v2)</title>
                                    <description><![CDATA[4/4 removed  with centerpan vocal cut / smoothed / then super smooothed [11 secs]
random wiki page inspired the super smoothing ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/user48736353001-1-p-string-instr-crianlarich-railway-station-v2/listen.mp3?s=BMV" length="6754637" />
                                    <link>https://hearthis.at/sevenism/user48736353001-1-p-string-instr-crianlarich-railway-station-v2/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>c23baf73a6f3bf2150b34747203a9501.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/c23baf73a6f3bf2150b34747203a9501.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/user48736353001-1-p-string-instr-crianlarich-railway-station-v2/listen.mp3?s=BMV" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[4/4 removed  with centerpan vocal cut / smoothed / then super smooothed [11 secs]
random wiki page inspired the super smoothing ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/8/0/_/uploads/801843/image_track/557285/w1400_h1400_q70_ptrue_v2_----cropped_f04ba8403967c1606e2b3632fa3b4c62_1448039083.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/user48736353001-1-p-string-instr-crianlarich-railway-station-v2/</feedburner:origLink>
                                    <itunes:duration>422</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557293</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 19:56:38 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T19:56:38+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Sqpshr - Exjag Nives (Jagxesevinism Stretch)</title>
                                    <description><![CDATA[fuck i loved the intro to this but then i couldnt cope with the rest of it, too stressful, frenetic, caffeine jag. but still even like strettched 500% there's loads going on doesnt sound artificial (to my amateur ears)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sqpshr-exjag-nives-jagxesevinism-stretch/listen.mp3?s=PdZ" length="11972021" />
                                    <link>https://hearthis.at/sevenism/sqpshr-exjag-nives-jagxesevinism-stretch/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>07e4b6ac1aadd00b350dd2adb0927abc.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/07e4b6ac1aadd00b350dd2adb0927abc.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sqpshr-exjag-nives-jagxesevinism-stretch/listen.mp3?s=PdZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[fuck i loved the intro to this but then i couldnt cope with the rest of it, too stressful, frenetic, caffeine jag. but still even like strettched 500% there's loads going on doesnt sound artificial (to my amateur ears)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/3/1/_/uploads/801843/image_track/557293/w1400_h1400_q70_ptrue_v2_----cropped_52451e797d52d2977abcce38c023dc33_1448039135.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sqpshr-exjag-nives-jagxesevinism-stretch/</feedburner:origLink>
                                    <itunes:duration>748</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557292</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 20:00:43 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T20:00:43+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>user18081971 - 1 Lmt [_202996774_Soundcloud + slo]</title>
                                    <description><![CDATA[such a shame this is so short. simply rpeated slowed warbly so all the detail is there]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/user18081971-1-lmt-202996774soundcloud-slo/listen.mp3?s=2BL" length="0" />
                                    <link>https://hearthis.at/sevenism/user18081971-1-lmt-202996774soundcloud-slo/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>aaba40ec9a2961800a9e2dddb416e895.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/aaba40ec9a2961800a9e2dddb416e895.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/user18081971-1-lmt-202996774soundcloud-slo/listen.mp3?s=2BL" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[such a shame this is so short. simply rpeated slowed warbly so all the detail is there]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/2/1/_/uploads/801843/image_track/557292/w1400_h1400_q70_ptrue_v2_----cropped_f1d4a04895690ee9351956b29d5a3938_1448039121.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/user18081971-1-lmt-202996774soundcloud-slo/</feedburner:origLink>
                                    <itunes:duration>433</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557291</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 20:13:37 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T20:13:37+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>user18081971 - 3 Slothscrape [seascape]</title>
                                    <description><![CDATA[this came out on my birthday and i loved it but waned a longer version and wasnt too keen on the scrape snare so got rid of that made it sound like a wave]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/user18081971-3-slothscrape-seascape/listen.mp3?s=jc4" length="0" />
                                    <link>https://hearthis.at/sevenism/user18081971-3-slothscrape-seascape/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>d7183877dfc8892baa9446acccdb125f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/d7183877dfc8892baa9446acccdb125f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/user18081971-3-slothscrape-seascape/listen.mp3?s=jc4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this came out on my birthday and i loved it but waned a longer version and wasnt too keen on the scrape snare so got rid of that made it sound like a wave]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/1/1/_/uploads/801843/image_track/557291/w1400_h1400_q70_ptrue_v2_----cropped_2f8042a2b42e8bf163c1168f29ca5554_1448039111.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/user18081971-3-slothscrape-seascape/</feedburner:origLink>
                                    <itunes:duration>432</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557290</guid>
                                    
                                        <pubDate>Sun, 17 May 2015 20:20:14 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-17T20:20:14+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>(05) boc - xyz (amb)</title>
                                    <description><![CDATA[never liked the beats on this so smoothed them out. slowed it down and mixed in the start for a more satisfying fade out. i always wished boc did longer tracks]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/05-boc-xyz-amb/listen.mp3?s=PSU" length="28801984" />
                                    <link>https://hearthis.at/sevenism/05-boc-xyz-amb/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>a6db493e62be71f38b95e65c903b7f5b.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/a6db493e62be71f38b95e65c903b7f5b.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/05-boc-xyz-amb/listen.mp3?s=PSU" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[never liked the beats on this so smoothed them out. slowed it down and mixed in the start for a more satisfying fade out. i always wished boc did longer tracks]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/0/1/_/uploads/801843/image_track/557290/w1400_h1400_q70_ptrue_v2_----cropped_52d8df7ee1d01e1e9e0cf5d3d68f11ab_1448039104.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/05-boc-xyz-amb/</feedburner:origLink>
                                    <itunes:duration>1800</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557236</guid>
                                    
                                        <pubDate>Fri, 04 Sep 2015 21:42:07 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-04T21:42:07+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Caffeine Jag</title>
                                    <description><![CDATA[my entry for ambientonline.org one sample dare 32. This was made only using this sample: soundcloud.com/aural_solace/am...-in-need-of-oil
what a great sample, i really enjoyed this! it took me back to the mid 90s when i started making beats using samples on music maker.. i could hear a sleazy sax in the creak and drums hits.. i dug out my old copy of music maker and i was suprised it worked but it made it so easy to cut up that sample . thats what you hear in the first 30 seconds the unadulterated drum hits and creak (with a bit of reverb on the creak, oh and the sample run thru cecilia5 beatmaker to give a bit extra in the background) 
then i had a bit of static coming thru like a radio which was made just by paulstretching 1000% in audacity
the main part of the track i wanted to get a slow pulsing sound with that sax in there and kind of jazzy and i'm really happy how it turned out (apart from the high pitched whistle which i was sure i isolated at 3.9 khz but i just couldnt get rid of it). i used the cecilia5 resonators module and fiddled with it in real time while i recorded in audacity (with the sample looping) adding reverb, then chorus, then harmonizer then flange throughout so it gets more ambient.
i took this recording and cloned it with more reverb in cecilia then had that as a separate track in audacity with a slight delay to add a bit more to that free jazz feel. 
it was all sequenced in audacity and i added the static to fade out.
discussion and other tracks here: ambientonline.org/forum/showth...-Sample-Dare-32]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/caffeine-jag/listen.mp3?s=9sc" length="4644361" />
                                    <link>https://hearthis.at/sevenism/caffeine-jag/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>de267e9401e60ef7bf43d6b986481122.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/de267e9401e60ef7bf43d6b986481122.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/caffeine-jag/listen.mp3?s=9sc" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my entry for ambientonline.org one sample dare 32. This was made only using this sample: soundcloud.com/aural_solace/am...-in-need-of-oil
what a great sample, i really enjoyed this! it took me back to the mid 90s when i started making beats using samples on music maker.. i could hear a sleazy sax in the creak and drums hits.. i dug out my old copy of music maker and i was suprised it worked but it made it so easy to cut up that sample . thats what you hear in the first 30 seconds the unadulterated drum hits and creak (with a bit of reverb on the creak, oh and the sample run thru cecilia5 beatmaker to give a bit extra in the background) 
then i had a bit of static coming thru like a radio which was made just by paulstretching 1000% in audacity
the main part of the track i wanted to get a slow pulsing sound with that sax in there and kind of jazzy and i'm really happy how it turned out (apart from the high pitched whistle which i was sure i isolated at 3.9 khz but i just couldnt get rid of it). i used the cecilia5 resonators module and fiddled with it in real time while i recorded in audacity (with the sample looping) adding reverb, then chorus, then harmonizer then flange throughout so it gets more ambient.
i took this recording and cloned it with more reverb in cecilia then had that as a separate track in audacity with a slight delay to add a bit more to that free jazz feel. 
it was all sequenced in audacity and i added the static to fade out.
discussion and other tracks here: ambientonline.org/forum/showth...-Sample-Dare-32]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/4/6/_/uploads/801843/image_track/557236/w1400_h1400_q70_ptrue_v2_----cropped_b62ebcd0a2e35929e883de9f40028045_1448038641.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/caffeine-jag/</feedburner:origLink>
                                    <itunes:duration>290</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557234</guid>
                                    
                                        <pubDate>Fri, 18 Sep 2015 18:23:06 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-18T18:23:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>little clock (disquiet0194)</title>
                                    <description><![CDATA[i often listen to the little clock in the spare room when i'm meditating; how it sounds slightly different with each tick; and i like listening for the rhythm of different clocks ticking around the house.
the track is made only from a clock sample. i recorded the sound of the clock ticking and incidental sounds for a couple of minutes, and that forms the backbone. then in cecilia5 i made 4 different rhythms - some repetitive, some chaotic (one of the beats i played with the frequencies in real time). i paulstretched a single tick 5000% for a nice drone, then cloned that added tremolo and pitched down for some low-end. i ran the original sample through a load of echo fx in podfarm2. i used the waveguide models module in cecilia5 for some fuller sounds (although i don't know if that 'adds' anything to the sample.. don't really understand what that does.. anyone?)
?????????????????????
Disquiet Junto Project 0194: Clock Play
Record the sound of a clock and make something playful and sweet out of it.
Sometimes Junto projects have very detailed rules, and other times the rules are, true to very first Junto project, simple and open-ended. This week’s project is the latter. (Thanks to Brian Biggs for the timely creative nudge.)
Step 1: Record the sound of a clock and make something playful and sweet out of it. (You can also use pre-recorded sounds, like those at freesound.org, if you prefer.)
More on this 194th Disquiet Junto project (“Record the sound of a clock and make something playful and sweet out of it”) at:
disquiet.com/2015/09/17/disqui...t0194-clockplay
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/little-clock-disquiet0194/listen.mp3?s=jUc" length="0" />
                                    <link>https://hearthis.at/sevenism/little-clock-disquiet0194/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>4d5b57260ba4ae7a10059a63ddafe1f6.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/4d5b57260ba4ae7a10059a63ddafe1f6.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/little-clock-disquiet0194/listen.mp3?s=jUc" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i often listen to the little clock in the spare room when i'm meditating; how it sounds slightly different with each tick; and i like listening for the rhythm of different clocks ticking around the house.
the track is made only from a clock sample. i recorded the sound of the clock ticking and incidental sounds for a couple of minutes, and that forms the backbone. then in cecilia5 i made 4 different rhythms - some repetitive, some chaotic (one of the beats i played with the frequencies in real time). i paulstretched a single tick 5000% for a nice drone, then cloned that added tremolo and pitched down for some low-end. i ran the original sample through a load of echo fx in podfarm2. i used the waveguide models module in cecilia5 for some fuller sounds (although i don't know if that 'adds' anything to the sample.. don't really understand what that does.. anyone?)
?????????????????????
Disquiet Junto Project 0194: Clock Play
Record the sound of a clock and make something playful and sweet out of it.
Sometimes Junto projects have very detailed rules, and other times the rules are, true to very first Junto project, simple and open-ended. This week’s project is the latter. (Thanks to Brian Biggs for the timely creative nudge.)
Step 1: Record the sound of a clock and make something playful and sweet out of it. (You can also use pre-recorded sounds, like those at freesound.org, if you prefer.)
More on this 194th Disquiet Junto project (“Record the sound of a clock and make something playful and sweet out of it”) at:
disquiet.com/2015/09/17/disqui...t0194-clockplay
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/2/6/_/uploads/801843/image_track/557234/w1400_h1400_q70_ptrue_v2_----cropped_f7cd3cebed81c78756d5585cda6b264a_1448038625.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/little-clock-disquiet0194/</feedburner:origLink>
                                    <itunes:duration>125</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557233</guid>
                                    
                                        <pubDate>Fri, 25 Sep 2015 12:39:27 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-25T12:39:27+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>0pn - g.o.d .mid {ezrambient tapemix}</title>
                                    <description><![CDATA[crowdsourced publicity for new 0PN album: warp.net/news/oneohtrix-point-...dates-announced
found some midi files off youtube plugged them into live 8 with instrument/fx, avoided obvious arpeggios, recorded onto tape .. tape ran out at the end so mixed in digi recording ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/0pn-god-mid-ezrambient-tapemix/listen.mp3?s=Z2J" length="16867995" />
                                    <link>https://hearthis.at/sevenism/0pn-god-mid-ezrambient-tapemix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>a398bf703eddecdf6583082fa86e3f1f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/a398bf703eddecdf6583082fa86e3f1f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/0pn-god-mid-ezrambient-tapemix/listen.mp3?s=Z2J" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[crowdsourced publicity for new 0PN album: warp.net/news/oneohtrix-point-...dates-announced
found some midi files off youtube plugged them into live 8 with instrument/fx, avoided obvious arpeggios, recorded onto tape .. tape ran out at the end so mixed in digi recording ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/0/6/_/uploads/801843/image_track/557233/w1400_h1400_q70_ptrue_v2_----cropped_cf378d260456554caec3570991dea0d8_1448038602.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/0pn-god-mid-ezrambient-tapemix/</feedburner:origLink>
                                    <itunes:duration>1054</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557230</guid>
                                    
                                        <pubDate>Sun, 27 Sep 2015 23:31:33 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-27T23:31:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>progression? (disquiet0195)</title>
                                    <description><![CDATA[recorded a guitar drone on 12 string slowed down to make longer.
gentle, verdant, breezy at the start
more complex, integrated, communal in the middle
industrial feedback tones at the end
...............................................
Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.
Caochangdi is a Chinese village that is home to many artists, including Matt Hope and Naihan Li. In the afternoon and early evening of Thursday, October 1, which is National Day in China, there will be a party in Caochangdi utilizing the unique and sizable Laoban Soundsystem. Laoban is fully Creative Commons hardware, and was developed by Matt Hope. The Laoban Soundsystem crew has asked the Junto to create music for the party, which will run from 2pm to 7pm, that means our goal is 5 hours of music.
Please consider setting your track for downloadable, as streaming at the party may not function smoothly, because the Internet in China is heavily filtered, which means downloading of the track needs to happen before the event to insure proper playback.
Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.
Step 2: Create a track that moves through three stages:
The first stage should be brief and invoke sounds related to agriculture.
The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.
The third stage should begin abruptly and invoke rapid industrialization.
More on this 194th Disquiet Junto project (“Make music for a Caochangdi Village National Day party”) at:
disquiet.com/2015/09/24/disqui...hinasoundsystem
Many thanks to Fabricatorz for encouraging this 195th Disquiet Junto project:
fabricatorz.com
The event will be at:
harks.gallery
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
More on Caochangdi
en.wikipedia.org/wiki/Caochangdi]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/progression-disquiet0195/listen.mp3?s=rPm" length="13503006" />
                                    <link>https://hearthis.at/sevenism/progression-disquiet0195/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>bfbe2ef0b2bc7e190914481522653039.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/bfbe2ef0b2bc7e190914481522653039.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/progression-disquiet0195/listen.mp3?s=rPm" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[recorded a guitar drone on 12 string slowed down to make longer.
gentle, verdant, breezy at the start
more complex, integrated, communal in the middle
industrial feedback tones at the end
...............................................
Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.
Caochangdi is a Chinese village that is home to many artists, including Matt Hope and Naihan Li. In the afternoon and early evening of Thursday, October 1, which is National Day in China, there will be a party in Caochangdi utilizing the unique and sizable Laoban Soundsystem. Laoban is fully Creative Commons hardware, and was developed by Matt Hope. The Laoban Soundsystem crew has asked the Junto to create music for the party, which will run from 2pm to 7pm, that means our goal is 5 hours of music.
Please consider setting your track for downloadable, as streaming at the party may not function smoothly, because the Internet in China is heavily filtered, which means downloading of the track needs to happen before the event to insure proper playback.
Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.
Step 2: Create a track that moves through three stages:
The first stage should be brief and invoke sounds related to agriculture.
The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.
The third stage should begin abruptly and invoke rapid industrialization.
More on this 194th Disquiet Junto project (“Make music for a Caochangdi Village National Day party”) at:
disquiet.com/2015/09/24/disqui...hinasoundsystem
Many thanks to Fabricatorz for encouraging this 195th Disquiet Junto project:
fabricatorz.com
The event will be at:
harks.gallery
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
More on Caochangdi
en.wikipedia.org/wiki/Caochangdi]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/9/5/_/uploads/801843/image_track/557230/w1400_h1400_q70_ptrue_v2_----cropped_823e770a95d818f8f66fe965aa34cef7_1448038598.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/progression-disquiet0195/</feedburner:origLink>
                                    <itunes:duration>843</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557229</guid>
                                    
                                        <pubDate>Fri, 02 Oct 2015 12:21:51 +0200</pubDate>
                                        
                                        <atom:updated>2015-10-02T12:21:51+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>something from nothing (disquiet0196)</title>
                                    <description><![CDATA[I 'read' the notes in the picture as points on a waveform. I drew the waveform in audacity, then because there were 15 notes paulstretched it x1500. then i cloned that 15 times and it was a huge wall of static which was a bit much (even for me). then just manipulated each track with loads of fx all based on the number 15 (phaser, pitch, vocoder, tremolo etc), eventually adding wahwah to everything because i loved the phase effects.
I love the idea of making music from almost nothing: no instrument, no sample, no feedback; just drawing the frequencies myself. 
(oh yeah, i don't read music)
mwvwmmwvwmmwvwmmwvwmmwvwmmwvwmmwvwmmwvw
Disquiet Junto Project 0196: Whole Lotta Whole
Sight-read the whiteboard notation from a children’s music class.
Step 1: Read the music notation in the following image (note that the photograph was taken at a music class for elementary and preschool students).
The image is here:
goo.gl/2C1mqT
Step 2: Record a piece of music based on that notation.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early evening, California time, on Thursday, October 1, 2015, with a deadline of 11:59pm wherever you are on Monday, October 5, 2015.
Length: The length of your finished work should be roughly one minute, though longer is certainly fine.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0196-wholelottawhole” in the title of your track, and as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
More on this 196th Disquiet Junto project (“Sight-read the whiteboard notation from a children’s music class”) at:
disquiet.com/2015/10/01/disqui...wholelottawhole
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/something-from-nothing-disquiet0196/listen.mp3?s=Nlp" length="0" />
                                    <link>https://hearthis.at/sevenism/something-from-nothing-disquiet0196/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>bec80f22fc65f670e4f47c84107b9c6d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/bec80f22fc65f670e4f47c84107b9c6d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/something-from-nothing-disquiet0196/listen.mp3?s=Nlp" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I 'read' the notes in the picture as points on a waveform. I drew the waveform in audacity, then because there were 15 notes paulstretched it x1500. then i cloned that 15 times and it was a huge wall of static which was a bit much (even for me). then just manipulated each track with loads of fx all based on the number 15 (phaser, pitch, vocoder, tremolo etc), eventually adding wahwah to everything because i loved the phase effects.
I love the idea of making music from almost nothing: no instrument, no sample, no feedback; just drawing the frequencies myself. 
(oh yeah, i don't read music)
mwvwmmwvwmmwvwmmwvwmmwvwmmwvwmmwvwmmwvw
Disquiet Junto Project 0196: Whole Lotta Whole
Sight-read the whiteboard notation from a children’s music class.
Step 1: Read the music notation in the following image (note that the photograph was taken at a music class for elementary and preschool students).
The image is here:
goo.gl/2C1mqT
Step 2: Record a piece of music based on that notation.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early evening, California time, on Thursday, October 1, 2015, with a deadline of 11:59pm wherever you are on Monday, October 5, 2015.
Length: The length of your finished work should be roughly one minute, though longer is certainly fine.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0196-wholelottawhole” in the title of your track, and as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
More on this 196th Disquiet Junto project (“Sight-read the whiteboard notation from a children’s music class”) at:
disquiet.com/2015/10/01/disqui...wholelottawhole
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/9/5/_/uploads/801843/image_track/557229/w1400_h1400_q70_ptrue_v2_----cropped_baf6ecb05f1e9adaa076e69b6b8ec686_1448038594.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/something-from-nothing-disquiet0196/</feedburner:origLink>
                                    <itunes:duration>291</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557228</guid>
                                    
                                        <pubDate>Wed, 07 Oct 2015 18:25:17 +0200</pubDate>
                                        
                                        <atom:updated>2015-10-07T18:25:17+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>vertigo</title>
                                    <description><![CDATA[track for ambient online osd 33 (ambientonline.org/forum/showth...-Sample-Dare-33)
Only this sample was used: freesound.org/people/LanDub/so...b/sounds/182428 
i just used the yawn at 3:39, before i heard that i was really struggling to think what to do.. but i heard some ambience in that yawn! really pleased with how this turned out!
track 1:  1a. in audacity paulstretched x10 then sliding pitch shift up 5 semitones
1b. first half of the yawn paulstretched to ~3 minutes and bassboosted at 200 hz
1c. second half of the yawn reversed, wahwah, and sliding pitch from -5 to 5 semitones across the track then paulstretched to ~3 minutes
all mixed down and noise reduction added
track 2:  in ableton live 8 i loaded in track 1 and had the following fx: loop alienizer -> crystal reverb -> wide chorus. i twiddled the knobs while recording back in audacity
track 3: again in live 8 i had track 1 loaded with these fx: ambient formant sweep chorus -> atmosphazer. again i played around in real time while recording in audacity.
i fiddled with the gain of the tracks. track 2 is most prominent with tracks 1 and 3 providing  barely liminal depth and width]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/vertigo/listen.mp3?s=VC5" length="3549726" />
                                    <link>https://hearthis.at/sevenism/vertigo/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>4ec8863a875fa2cccf4bec9c0a5c2d10.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/4ec8863a875fa2cccf4bec9c0a5c2d10.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/vertigo/listen.mp3?s=VC5" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track for ambient online osd 33 (ambientonline.org/forum/showth...-Sample-Dare-33)
Only this sample was used: freesound.org/people/LanDub/so...b/sounds/182428 
i just used the yawn at 3:39, before i heard that i was really struggling to think what to do.. but i heard some ambience in that yawn! really pleased with how this turned out!
track 1:  1a. in audacity paulstretched x10 then sliding pitch shift up 5 semitones
1b. first half of the yawn paulstretched to ~3 minutes and bassboosted at 200 hz
1c. second half of the yawn reversed, wahwah, and sliding pitch from -5 to 5 semitones across the track then paulstretched to ~3 minutes
all mixed down and noise reduction added
track 2:  in ableton live 8 i loaded in track 1 and had the following fx: loop alienizer -> crystal reverb -> wide chorus. i twiddled the knobs while recording back in audacity
track 3: again in live 8 i had track 1 loaded with these fx: ambient formant sweep chorus -> atmosphazer. again i played around in real time while recording in audacity.
i fiddled with the gain of the tracks. track 2 is most prominent with tracks 1 and 3 providing  barely liminal depth and width]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/9/5/_/uploads/801843/image_track/557228/w1400_h1400_q70_ptrue_v2_----cropped_18a400efb5a98479ae83447a539d978f_1448038590.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/vertigo/</feedburner:origLink>
                                    <itunes:duration>221</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557235</guid>
                                    
                                        <pubDate>Thu, 17 Sep 2015 23:33:33 +0200</pubDate>
                                        
                                        <atom:updated>2015-09-17T23:33:33+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>fractured self [Extrospection - September 2015]</title>
                                    <description><![CDATA[this was simply made with my voice  through a load of guitar fx. I had my mouth shaped like that scream. I wanted it ambient but also creepy.
track made for the extrospection group soundcloud.com/groups/extrospection
Complete playlists:
@extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/fractured-self-extrospection-september-2015/listen.mp3?s=Vzk" length="0" />
                                    <link>https://hearthis.at/sevenism/fractured-self-extrospection-september-2015/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>4d3d5d8dd012276baa0f3962c9cc9f61.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/4d3d5d8dd012276baa0f3962c9cc9f61.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/fractured-self-extrospection-september-2015/listen.mp3?s=Vzk" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[this was simply made with my voice  through a load of guitar fx. I had my mouth shaped like that scream. I wanted it ambient but also creepy.
track made for the extrospection group soundcloud.com/groups/extrospection
Complete playlists:
@extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/6/_/uploads/801843/image_track/557235/w1400_h1400_q70_ptrue_v2_----cropped_d87665fe6c6f41b5b49047418efa8d2c_1448038631.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/fractured-self-extrospection-september-2015/</feedburner:origLink>
                                    <itunes:duration>188</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557227</guid>
                                    
                                        <pubDate>Sun, 18 Oct 2015 15:24:53 +0200</pubDate>
                                        
                                        <atom:updated>2015-10-18T15:24:53+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Zabriskie Point (disquiet0198)</title>
                                    <description><![CDATA[I was looking at a photo of zabriskie point thinking about this project. i didnt want the overture to give too much away, i wanted it reversed to lead up to the first track but that wasnt enough; then i was looking at how the rocks are intricate and somehow separate but fit as a whole too - and i realized that using the overtures themselves would give another degree of separation!
So i listened through the junto tracks so far and recorded a little of every one that i liked (sometimes a couple of sections) then i reversed it, blurred into itself 25 seconds (with paulstretch time resolution) and did some leveling.
this track contains portions of (in reverse order):
soundcloud.com/tuonela-1/thoug...8-overtureremix
soundcloud.com/user-440651706/...8-overtureremix
soundcloud.com/asoupofnettles/...-overture-remix
soundcloud.com/boobsieallonsy/...8-overtureremix
soundcloud.com/tobymoz/zabrisk...8-overtureremix
soundcloud.com/luca-longobardi...8-overtureremix
soundcloud.com/an-imaginal-spa...e/overtureremix
soundcloud.com/audio-obscura-m...y-audio-obscura
soundcloud.com/bendrobinson/di...8-overtureremix
soundcloud.com/kuromiya-hideyu...8-overtureremix
/ / // / /// / / / //  / / /   / / / / / 
Disquiet Junto Project 0198: Overture Remix
Create an overture for a full-length album.
Thanks to Lee Rosevere (twitter.com/leerosevere) for proposing the source audio for this project.
This week you’ll produce an overture for an album. You’ll do so by culling key representational material from each of the five tracks that comprise Chris Zabriskie’s album Thoughtless.
Step 1: Download and listen to the five tracks of Chris Zabriskie’s album Thoughtless, available at this URL:
freemusicarchive.org/music/Chr...kie/Thoughtless
Step 2: Cull a representative segment from each of the five tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.
More on this 198th Disquiet Junto project (“Create an overture for a full-length album”) at:
disquiet.com/2015/10/15/disqui...8-overtureremix
The source audio for this project is the album Thoughtless by Chris Zabriskie, more on which here:
freemusicarchive.org/music/Chr...kie/Thoughtless
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/zabriskie-point-disquiet0198/listen.mp3?s=NFa" length="0" />
                                    <link>https://hearthis.at/sevenism/zabriskie-point-disquiet0198/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>52fb760c2399e2050ef3c3de0b8a89da.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/52fb760c2399e2050ef3c3de0b8a89da.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/zabriskie-point-disquiet0198/listen.mp3?s=NFa" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I was looking at a photo of zabriskie point thinking about this project. i didnt want the overture to give too much away, i wanted it reversed to lead up to the first track but that wasnt enough; then i was looking at how the rocks are intricate and somehow separate but fit as a whole too - and i realized that using the overtures themselves would give another degree of separation!
So i listened through the junto tracks so far and recorded a little of every one that i liked (sometimes a couple of sections) then i reversed it, blurred into itself 25 seconds (with paulstretch time resolution) and did some leveling.
this track contains portions of (in reverse order):
soundcloud.com/tuonela-1/thoug...8-overtureremix
soundcloud.com/user-440651706/...8-overtureremix
soundcloud.com/asoupofnettles/...-overture-remix
soundcloud.com/boobsieallonsy/...8-overtureremix
soundcloud.com/tobymoz/zabrisk...8-overtureremix
soundcloud.com/luca-longobardi...8-overtureremix
soundcloud.com/an-imaginal-spa...e/overtureremix
soundcloud.com/audio-obscura-m...y-audio-obscura
soundcloud.com/bendrobinson/di...8-overtureremix
soundcloud.com/kuromiya-hideyu...8-overtureremix
/ / // / /// / / / //  / / /   / / / / / 
Disquiet Junto Project 0198: Overture Remix
Create an overture for a full-length album.
Thanks to Lee Rosevere (twitter.com/leerosevere) for proposing the source audio for this project.
This week you’ll produce an overture for an album. You’ll do so by culling key representational material from each of the five tracks that comprise Chris Zabriskie’s album Thoughtless.
Step 1: Download and listen to the five tracks of Chris Zabriskie’s album Thoughtless, available at this URL:
freemusicarchive.org/music/Chr...kie/Thoughtless
Step 2: Cull a representative segment from each of the five tracks.
Step 3: Create an overture to the album by combining those segments into one standalone piece of music.
More on this 198th Disquiet Junto project (“Create an overture for a full-length album”) at:
disquiet.com/2015/10/15/disqui...8-overtureremix
The source audio for this project is the album Thoughtless by Chris Zabriskie, more on which here:
freemusicarchive.org/music/Chr...kie/Thoughtless
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/8/5/_/uploads/801843/image_track/557227/w1400_h1400_q70_ptrue_v2_----cropped_04a90ca5d7bcfde1e8df880961b97269_1448038581.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/zabriskie-point-disquiet0198/</feedburner:origLink>
                                    <itunes:duration>356</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557226</guid>
                                    
                                        <pubDate>Fri, 30 Oct 2015 10:55:55 +0100</pubDate>
                                        
                                        <atom:updated>2015-10-30T10:55:55+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Roses (halloween mix) [Extrospection - October 2015]</title>
                                    <description><![CDATA[All sounds were made from this sample: freesound.org/people/DaughterO...s/sounds/177066 recorded by Jillian Bean
I find the painting creepy. I've never liked english traditions like dancing round maypoles, i find them twee, sentimental and overly romanticised. 
This track serves as a primer for my new album with @sklawlor released this halloween:
nox intempesta - mundi phantasmata
sevenism.bandcamp.com/album/mu...ndi-phantasmata
This was made for extrospection october 2015
soundcloud.com/groups/extrospection
Complete playlists:
@extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/roses-halloween-mix-extrospection-october-2015/listen.mp3?s=IQP" length="3937592" />
                                    <link>https://hearthis.at/sevenism/roses-halloween-mix-extrospection-october-2015/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>cd971fe6d41441e86db9a69f903eb407.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/cd971fe6d41441e86db9a69f903eb407.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/roses-halloween-mix-extrospection-october-2015/listen.mp3?s=IQP" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[All sounds were made from this sample: freesound.org/people/DaughterO...s/sounds/177066 recorded by Jillian Bean
I find the painting creepy. I've never liked english traditions like dancing round maypoles, i find them twee, sentimental and overly romanticised. 
This track serves as a primer for my new album with @sklawlor released this halloween:
nox intempesta - mundi phantasmata
sevenism.bandcamp.com/album/mu...ndi-phantasmata
This was made for extrospection october 2015
soundcloud.com/groups/extrospection
Complete playlists:
@extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/7/5/_/uploads/801843/image_track/557226/w1400_h1400_q70_ptrue_v2_----cropped_521fbb48a61de10838cdc8aff158f2a6_1448038574.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/roses-halloween-mix-extrospection-october-2015/</feedburner:origLink>
                                    <itunes:duration>246</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557225</guid>
                                    
                                        <pubDate>Fri, 30 Oct 2015 14:41:38 +0100</pubDate>
                                        
                                        <atom:updated>2015-10-30T14:41:38+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Kadrey Score 5 (halloween mix) (disquiet0200)</title>
                                    <description><![CDATA[running through live 8, slowed down tempo. really had to resist using paulstretch.. guys you know of any paulstretch anonymous groups?
fx: ambient formant sweep --> hi freq stereo ambience --> chorus fuzz --> guitar space --> six string ambience
increased the chorus fuzz modulation throughout and decreased the six string ambience amount.. playing around in realtime recorded in audacity
oh whoops i didnt read the bit about not making it unintelligible.. well at least it is just his voice!
really wanted to amp up the creepiness for halloween
00000000000000000000000000000000000000000
Disquiet Junto Project 0200: Kadrey Score
Create a score to a Richard Kadrey short story — using his own voice as source audio.
Richard Kadrey is the New York Times bestselling author of the Sandman Slim supernatural noir books. The eighth book in the series, The Perdition Score, will be out in July 2016. Some of his other books include The Everything Box, Metrophage, Butcher Bird, Dead Set, and the graphic novel Accelerate. Sandman Slim was included in Amazon’s “100 Science Fiction & Fantasy Books to Read in a Lifetime.” More from Kadrey at richardkadrey.com, facebook.com/richard.kadrey, and twitter.com/Richard_Kadrey.
These are the 5 steps in the project:
Step 1: The author Richard Kadrey (Sandman Slim, Metrophage) has recorded himself reading seven separate one-minute segments of a short story that can be listened to in any sequence. Choose a number from 1 to 7. The tool at the top of this page is useful:
randomnumbergenerator.com
Step 2: Download the numerical track from this following playlist. The tracks are listed from “MUDROSTI 1” through “MUDROSTI 7.” Download the one that correlates with the number resulting from Step 1 of this project.
soundcloud.com/disquiet/sets/r...i-junto/s-H7sas
Step 3: Create a score to accompany Kadrey’s reading of his own short story in the track that you got in Step 2. Primarily use Kadrey’s own voice as the source material for your score — bend it, shape it, extract from it, and burnish it to your will. Additional sonic elements, both musical and foley, are welcome, but a substantial percentage of the sound should be from Kadrey’s own voice. Also: keep Kadrey’s own reading audible and inteligible; don’t slow or speed or otherwise edit it. Your score should accompany his reading, not thoroughly supplant it.
Download: Due to Kadrey’s generosity and the Creative Commons nature of his source material, you should use the following license for your work and make your work available for download:
creativecommons.org/licenses/by/4.0
More on this 200th Disquiet Junto project (“Create a score to a Richard Kadrey short story — using his own voice as source audio”) at:
disquiet.com/2015/10/29/disqui...200-kadreyscore
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/kadrey-score-5-halloween-mix-disquiet0200/listen.mp3?s=K4c" length="1650101" />
                                    <link>https://hearthis.at/sevenism/kadrey-score-5-halloween-mix-disquiet0200/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>7dfa2393def8400f79c052e63dbbb60d.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/7dfa2393def8400f79c052e63dbbb60d.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/kadrey-score-5-halloween-mix-disquiet0200/listen.mp3?s=K4c" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[running through live 8, slowed down tempo. really had to resist using paulstretch.. guys you know of any paulstretch anonymous groups?
fx: ambient formant sweep --> hi freq stereo ambience --> chorus fuzz --> guitar space --> six string ambience
increased the chorus fuzz modulation throughout and decreased the six string ambience amount.. playing around in realtime recorded in audacity
oh whoops i didnt read the bit about not making it unintelligible.. well at least it is just his voice!
really wanted to amp up the creepiness for halloween
00000000000000000000000000000000000000000
Disquiet Junto Project 0200: Kadrey Score
Create a score to a Richard Kadrey short story — using his own voice as source audio.
Richard Kadrey is the New York Times bestselling author of the Sandman Slim supernatural noir books. The eighth book in the series, The Perdition Score, will be out in July 2016. Some of his other books include The Everything Box, Metrophage, Butcher Bird, Dead Set, and the graphic novel Accelerate. Sandman Slim was included in Amazon’s “100 Science Fiction & Fantasy Books to Read in a Lifetime.” More from Kadrey at richardkadrey.com, facebook.com/richard.kadrey, and twitter.com/Richard_Kadrey.
These are the 5 steps in the project:
Step 1: The author Richard Kadrey (Sandman Slim, Metrophage) has recorded himself reading seven separate one-minute segments of a short story that can be listened to in any sequence. Choose a number from 1 to 7. The tool at the top of this page is useful:
randomnumbergenerator.com
Step 2: Download the numerical track from this following playlist. The tracks are listed from “MUDROSTI 1” through “MUDROSTI 7.” Download the one that correlates with the number resulting from Step 1 of this project.
soundcloud.com/disquiet/sets/r...i-junto/s-H7sas
Step 3: Create a score to accompany Kadrey’s reading of his own short story in the track that you got in Step 2. Primarily use Kadrey’s own voice as the source material for your score — bend it, shape it, extract from it, and burnish it to your will. Additional sonic elements, both musical and foley, are welcome, but a substantial percentage of the sound should be from Kadrey’s own voice. Also: keep Kadrey’s own reading audible and inteligible; don’t slow or speed or otherwise edit it. Your score should accompany his reading, not thoroughly supplant it.
Download: Due to Kadrey’s generosity and the Creative Commons nature of his source material, you should use the following license for your work and make your work available for download:
creativecommons.org/licenses/by/4.0
More on this 200th Disquiet Junto project (“Create a score to a Richard Kadrey short story — using his own voice as source audio”) at:
disquiet.com/2015/10/29/disqui...200-kadreyscore
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/7/5/_/uploads/801843/image_track/557225/w1400_h1400_q70_ptrue_v2_----cropped_e4fb69b02871b0a57cb87baa9e1ccb8f_1448038570.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/kadrey-score-5-halloween-mix-disquiet0200/</feedburner:origLink>
                                    <itunes:duration>103</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557224</guid>
                                    
                                        <pubDate>Sat, 31 Oct 2015 10:15:45 +0100</pubDate>
                                        
                                        <atom:updated>2015-10-31T10:15:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nox intempesta - mundi phantasmata (album preview)</title>
                                    <description><![CDATA[free download : sevenism.bandcamp.com/album/mu...ndi-phantasmata
In the world of phantoms, the whisperings of the dead float like mist among a sea of ghosts. 
nox intempesta is the project of me and Scott Lawlor (scottlawlor.bandcamp.com , @sklawlor) begun this year on the ambient online forum at ambientonline.org. 
Scott says: "The whisperings are from a recording of me and the two little ones reading a story at bed time." 
you can also hear the heavily processed sounds of my voice, whistling, harmonica and soft synths if you listen carefully. 
Minor Clipping in places is intentional.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nox-intempesta-mundi-phantasmata-album-preview/listen.mp3?s=dUC" length="0" />
                                    <link>https://hearthis.at/sevenism/nox-intempesta-mundi-phantasmata-album-preview/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>0fdbd1febecf9bab160e519b38c9a049.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/0fdbd1febecf9bab160e519b38c9a049.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nox-intempesta-mundi-phantasmata-album-preview/listen.mp3?s=dUC" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[free download : sevenism.bandcamp.com/album/mu...ndi-phantasmata
In the world of phantoms, the whisperings of the dead float like mist among a sea of ghosts. 
nox intempesta is the project of me and Scott Lawlor (scottlawlor.bandcamp.com , @sklawlor) begun this year on the ambient online forum at ambientonline.org. 
Scott says: "The whisperings are from a recording of me and the two little ones reading a story at bed time." 
you can also hear the heavily processed sounds of my voice, whistling, harmonica and soft synths if you listen carefully. 
Minor Clipping in places is intentional.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/6/5/_/uploads/801843/image_track/557224/w1400_h1400_q70_ptrue_v2_----cropped_2257a0f1a08380614481046f5924de47_1448038566.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nox-intempesta-mundi-phantasmata-album-preview/</feedburner:origLink>
                                    <itunes:duration>377</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557223</guid>
                                    
                                        <pubDate>Sun, 01 Nov 2015 23:08:34 +0100</pubDate>
                                        
                                        <atom:updated>2015-11-01T23:08:34+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Winter Chimes</title>
                                    <description><![CDATA[Submission for ambient online one sample dare 34
track made only using this sample: soundcloud.com/ao_onesampledar...-34-sample-file
I've been listening to a lot of autechre recently so this is even more chaotic than my usual submissions! and i managed not to use paulstretch! my aim was to use so much clatter that it no longer sounded rhythmic
all tracks recorded in audacity
(track) 1: sample run through cecilia5 multi band harmonizer with polyphony and reverb
2: track 1 run through again with more of the same fx and delay
3: 1+2 pulled into live8 with granalizer, wide chorus, six string ambience, wide ambience reverb (pitch shifted in real time)
4: 1+2 same fx but with smear granulator
5: same fx as 3 but with no granulation and wide ambience first in the chain
6: 1-5 exported pulled into cecilia vocoder as exciter with original sample as source
7: first 30 seconds saved as wav, pulled into tapestrea, separated and managed to save the stochastic events before it crashed, pulled into audacity changed tempo to 240 seconds, that was mono so used the haas effect to make it sound stereo (cloned track 7, hard panned one track L other R then nudged R channel 0.05 seconds forwards)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/winter-chimes/listen.mp3?s=VA9" length="4692008" />
                                    <link>https://hearthis.at/sevenism/winter-chimes/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>ff9ed76fb598394904bf6140d21d5f91.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/ff9ed76fb598394904bf6140d21d5f91.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/winter-chimes/listen.mp3?s=VA9" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Submission for ambient online one sample dare 34
track made only using this sample: soundcloud.com/ao_onesampledar...-34-sample-file
I've been listening to a lot of autechre recently so this is even more chaotic than my usual submissions! and i managed not to use paulstretch! my aim was to use so much clatter that it no longer sounded rhythmic
all tracks recorded in audacity
(track) 1: sample run through cecilia5 multi band harmonizer with polyphony and reverb
2: track 1 run through again with more of the same fx and delay
3: 1+2 pulled into live8 with granalizer, wide chorus, six string ambience, wide ambience reverb (pitch shifted in real time)
4: 1+2 same fx but with smear granulator
5: same fx as 3 but with no granulation and wide ambience first in the chain
6: 1-5 exported pulled into cecilia vocoder as exciter with original sample as source
7: first 30 seconds saved as wav, pulled into tapestrea, separated and managed to save the stochastic events before it crashed, pulled into audacity changed tempo to 240 seconds, that was mono so used the haas effect to make it sound stereo (cloned track 7, hard panned one track L other R then nudged R channel 0.05 seconds forwards)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/5/5/_/uploads/801843/image_track/557223/w1400_h1400_q70_ptrue_v2_----cropped_81d38235ad67465eb743b0f4afad27ed_1448038552.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/winter-chimes/</feedburner:origLink>
                                    <itunes:duration>293</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557222</guid>
                                    
                                        <pubDate>Fri, 06 Nov 2015 12:40:03 +0100</pubDate>
                                        
                                        <atom:updated>2015-11-06T12:40:03+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Montano - S/T (2055 conglomerate mix) (disquiet0201)</title>
                                    <description><![CDATA[November 2055: The earth ran out of space for aqua-server farms a few years ago. Data needs to be stored efficiently once more. 
A person's music collection is stored in the cloud as a single file. Their gogle ID chip compares private reference files in order to reverse engineer the data into a single piece of music.
In addition, paulstretch has been co-opted by the NWIPO (formerly WIPO) as a form of DRM. Time resolution is applied to conglomerate files in order to further blur constituent parts. Quantum holography has to be applied to reverse the random spectral blurring, but given the billions of output files, there are often inaccuracies.
While artists are granted a small inter-government stipend to be allowed to create, this is under the condition that the art-product does not facilitate un-democratic thoughts or feelings in others. This also allows automation of tax collection.
Some protesters have begun to bypass their gogle chips and listen to conglomerate cloud files, especially to the ends of files where only the ends of longer tracks are heard. It is only a matter of time before they gain access to the reference files and a quantum holographic mainframe.
What you hear is Phyl 琼斯スミ-Anqqiville's music collection which consists of the 2015 self-titled release by Montano (before separation and holography have been applied)

Disquiet Junto Project 0201: Real Future
Encapsulate an album for efficient yet meaningful consumption.
This week’s project is a special collaboration with Real Future, as part of the Real Future Fair being held in San Francisco on November 6 and 7. On the evening of the 7th I’ll be presenting some of this project’s audio during the Fair’s Real Future of Sound segment, and talking about the Junto with Alexis Madrigal, the Editor-in-Chief of Fusion. Madrigal and Fusion’s Cara Rose DeFabio participated in the development of this week’s project.
Step 1: First, ask yourself this question: As the population on Earth increases, and more and more people are creating art, how will technology and our brains collaborate to process all that creative information. In 2015 it’s hard enough to keep track of all the TV shows, albums, novels, and video games. What about in 2055?
Step 2: Choose one of these two albums to be your source material and download it:
This self-titled ambient pop album by the New Zealand act Montano: montano.bandcamp.com/album/montano
This self-titled album by the French rock band Salmo: freemusicarchive.org/music/Salmo/Salmo
Step 3: Consider an approach to compress the selected album for … let’s call it “efficient yet meaningful” consumption. Already today supercuts and superfuses condense material through quick sequences and dense simultaneity. Come up with an approach to similarly compressing a full-length album. You might consider the “overture” employed in project 0198, but you’ll likely come up with your own approach. And keep in mind that the end result should be … let’s call it “enjoyable.”
More on this 201st weekly Disquiet Junto project (“Encapsulate an album for efficient yet meaningful consumption”) at:
disquiet.com/2015/11/05/disqui...0201-realfuture
This project was developed for the November 2015 Real Future Fair in San Francisco at the encouragement of and with the participation of Alexis Madrigal and Cara Rose DeFabio:
realfuturefair.com
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/montano-st-2055-conglomerate-mix-disquiet0201/listen.mp3?s=ClR" length="7657847" />
                                    <link>https://hearthis.at/sevenism/montano-st-2055-conglomerate-mix-disquiet0201/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>daa9df5dbe78cf3607961ed83976d0fa.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/daa9df5dbe78cf3607961ed83976d0fa.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/montano-st-2055-conglomerate-mix-disquiet0201/listen.mp3?s=ClR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[November 2055: The earth ran out of space for aqua-server farms a few years ago. Data needs to be stored efficiently once more. 
A person's music collection is stored in the cloud as a single file. Their gogle ID chip compares private reference files in order to reverse engineer the data into a single piece of music.
In addition, paulstretch has been co-opted by the NWIPO (formerly WIPO) as a form of DRM. Time resolution is applied to conglomerate files in order to further blur constituent parts. Quantum holography has to be applied to reverse the random spectral blurring, but given the billions of output files, there are often inaccuracies.
While artists are granted a small inter-government stipend to be allowed to create, this is under the condition that the art-product does not facilitate un-democratic thoughts or feelings in others. This also allows automation of tax collection.
Some protesters have begun to bypass their gogle chips and listen to conglomerate cloud files, especially to the ends of files where only the ends of longer tracks are heard. It is only a matter of time before they gain access to the reference files and a quantum holographic mainframe.
What you hear is Phyl 琼斯スミ-Anqqiville's music collection which consists of the 2015 self-titled release by Montano (before separation and holography have been applied)

Disquiet Junto Project 0201: Real Future
Encapsulate an album for efficient yet meaningful consumption.
This week’s project is a special collaboration with Real Future, as part of the Real Future Fair being held in San Francisco on November 6 and 7. On the evening of the 7th I’ll be presenting some of this project’s audio during the Fair’s Real Future of Sound segment, and talking about the Junto with Alexis Madrigal, the Editor-in-Chief of Fusion. Madrigal and Fusion’s Cara Rose DeFabio participated in the development of this week’s project.
Step 1: First, ask yourself this question: As the population on Earth increases, and more and more people are creating art, how will technology and our brains collaborate to process all that creative information. In 2015 it’s hard enough to keep track of all the TV shows, albums, novels, and video games. What about in 2055?
Step 2: Choose one of these two albums to be your source material and download it:
This self-titled ambient pop album by the New Zealand act Montano: montano.bandcamp.com/album/montano
This self-titled album by the French rock band Salmo: freemusicarchive.org/music/Salmo/Salmo
Step 3: Consider an approach to compress the selected album for … let’s call it “efficient yet meaningful” consumption. Already today supercuts and superfuses condense material through quick sequences and dense simultaneity. Come up with an approach to similarly compressing a full-length album. You might consider the “overture” employed in project 0198, but you’ll likely come up with your own approach. And keep in mind that the end result should be … let’s call it “enjoyable.”
More on this 201st weekly Disquiet Junto project (“Encapsulate an album for efficient yet meaningful consumption”) at:
disquiet.com/2015/11/05/disqui...0201-realfuture
This project was developed for the November 2015 Real Future Fair in San Francisco at the encouragement of and with the participation of Alexis Madrigal and Cara Rose DeFabio:
realfuturefair.com
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/4/5/_/uploads/801843/image_track/557222/w1400_h1400_q70_ptrue_v2_----cropped_1bb92d1c3f3caf026683acaeb80afd0c_1448038548.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/montano-st-2055-conglomerate-mix-disquiet0201/</feedburner:origLink>
                                    <itunes:duration>478</itunes:duration>
                                    
                                </item>
                                
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                                        <pubDate>Fri, 13 Nov 2015 11:00:54 +0100</pubDate>
                                        
                                        <atom:updated>2015-11-13T11:00:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>nox intempesta - tributum (excerpts)</title>
                                    <description><![CDATA[free download at sevenism.bandcamp.com/album/tributum
3 hours of twisted ambient drones for friday the 13th
nox intempesta is me (sevenism) and @sklawlor (scottlawlor.bandcamp.com)]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/nox-intempesta-tributum-excerpts/listen.mp3?s=gsI" length="1947688" />
                                    <link>https://hearthis.at/sevenism/nox-intempesta-tributum-excerpts/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>b8c703001c428fe6e77bf2305f06b4d2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/b8c703001c428fe6e77bf2305f06b4d2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/nox-intempesta-tributum-excerpts/listen.mp3?s=gsI" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[free download at sevenism.bandcamp.com/album/tributum
3 hours of twisted ambient drones for friday the 13th
nox intempesta is me (sevenism) and @sklawlor (scottlawlor.bandcamp.com)]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/4/5/_/uploads/801843/image_track/557221/w1400_h1400_q70_ptrue_v2_----cropped_d8f3d576554b1eee809a99badf61e2c1_1448038543.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/nox-intempesta-tributum-excerpts/</feedburner:origLink>
                                    <itunes:duration>121</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751426</guid>
                                    
                                        <pubDate>Fri, 12 Feb 2016 22:00:11 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-12T22:00:11+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Artificial Countryside (disquiet0215)</title>
                                    <description><![CDATA[there's a country park near where we live that used to be a tip .. but when the mountain of rubbish got too much they tried to revert it back to nature. it's getting there but it's pretty strange - barren in places, and more pet dogs than actual wildlife. i thought i saw some birds fly by at one point but it was dappled sunlight reflected off cars passing behind trees. at the top there's a huge solar farm which, amongst trees; and with crows guarding the solar panels; looks like a utopian future of clean energy.
this piece is a field recording of the park; an appropriate mix of un/natural sounds. i isolated some of the interesting sounds - the low melody is from a plane, rhythm from a barking dog and incidental sounds, the strange acid sounds from a bird tweeting high above (at the end my partner is pointing out where the bird is) 
the only processing is some hiss reduction; sequencing was done in magix music maker
. . ../
Disquiet Junto Project 0215: Tiny Rhythms
The Assignment: Make a short track with just pin-prick audio.
Step 1: This project will require you to have five super tiny sounds, the sonic equivalent of a pin dropping. Create, find, or record those five sounds.
Step 2: Create a short, rhythmic piece of music using only those five sounds. Don’t change the sounds at all. Just use them as they are. At the start of the track have each sound play once in succession, so the listener is aware of the sounds individually before the music proceeds.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, February 11, 2016, with a deadline of 11:59pm wherever you are on Monday, February 15, 2016.
Length: The length is up to you, though between 1 minute and 2 minutes is recommended.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0215-tinyrhythms.” Also use “disquiet0215-tinyrhythms” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 215th weekly Disquiet Junto project (“The Assignment: Make a short track with just pin-prick audio”) at:
disquiet.com/0215
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/artificial-countryside-disquiet0215/listen.mp3?s=5fs" length="1962317" />
                                    <link>https://hearthis.at/sevenism/artificial-countryside-disquiet0215/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
                                    <hq_filename>855fe9da5ded573364aa3161f05d924a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/855fe9da5ded573364aa3161f05d924a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/artificial-countryside-disquiet0215/listen.mp3?s=5fs" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there's a country park near where we live that used to be a tip .. but when the mountain of rubbish got too much they tried to revert it back to nature. it's getting there but it's pretty strange - barren in places, and more pet dogs than actual wildlife. i thought i saw some birds fly by at one point but it was dappled sunlight reflected off cars passing behind trees. at the top there's a huge solar farm which, amongst trees; and with crows guarding the solar panels; looks like a utopian future of clean energy.
this piece is a field recording of the park; an appropriate mix of un/natural sounds. i isolated some of the interesting sounds - the low melody is from a plane, rhythm from a barking dog and incidental sounds, the strange acid sounds from a bird tweeting high above (at the end my partner is pointing out where the bird is) 
the only processing is some hiss reduction; sequencing was done in magix music maker
. . ../
Disquiet Junto Project 0215: Tiny Rhythms
The Assignment: Make a short track with just pin-prick audio.
Step 1: This project will require you to have five super tiny sounds, the sonic equivalent of a pin dropping. Create, find, or record those five sounds.
Step 2: Create a short, rhythmic piece of music using only those five sounds. Don’t change the sounds at all. Just use them as they are. At the start of the track have each sound play once in succession, so the listener is aware of the sounds individually before the music proceeds.
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Annotate your track with a brief explanation of your approach and process.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, February 11, 2016, with a deadline of 11:59pm wherever you are on Monday, February 15, 2016.
Length: The length is up to you, though between 1 minute and 2 minutes is recommended.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0215-tinyrhythms.” Also use “disquiet0215-tinyrhythms” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 215th weekly Disquiet Junto project (“The Assignment: Make a short track with just pin-prick audio”) at:
disquiet.com/0215
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/6/2/_/uploads/801843/image_track/751426/w1400_h1400_q70_ptrue_v2_----cropped_3ded8ad62f7417b26cda4cae9e34fec4_1456754264.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/artificial-countryside-disquiet0215/</feedburner:origLink>
                                    <itunes:duration>122</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557237</guid>
                                    
                                        <pubDate>Mon, 31 Aug 2015 22:38:52 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-31T22:38:52+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>clouded moon (disquiet0191)</title>
                                    <description><![CDATA[i was taking pictures of the moon thinking of this project how with the cloud going over the reduced luminescence made it paradoxically clearer for the camera, and i wanted to get that sense of the clouded instruments coming into focus while at the same time blurring
we went to a wedding yesterday and i wanted to sample the church organ drone but he was a bit too jazzy (and also i mightve got told off) so i settled for one of the instruments on live 8 then it goes into cello (philharmonia.co.uk/explore/mak...ake_music/cello) as i was humming in the steam room at the gym and the resonant frequency sounds a bit celloesque, so then my voice blends in. after that is 12 string guitar and then piano then my girlfriends voice (i'm not gonna pretend theres a narrative for those)
i cheated with blending them in, i just used the a 4 sec time resolution on paulstretch to blur them together then repeated that blurred in more.   
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
Disquiet Junto Project 0191: Held Chord
One chord to rule them all — on several instruments.
These are the steps:
Step 1: Choose a chord you can play on several instruments. You can choose any chord you’d like.
Step 2: Make recordings of yourself playing that just chord on several instruments.
Step 3: Edit those individual recordings into one long continuous track, in which the chord slowly (and smoothly as possible) changes from one instrument to the next. The complete length of the finished track should be about one minute.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the afternoon, California time, on Thursday, August 27, 2015, with a deadline of 11:59pm wherever you are on Monday, August 31, 2015.
Length: The length of your finished work should be approximately one minute.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0191-heldchord” in the title of your track, and as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:
More on this 191st Disquiet Junto project (“One chord to rule them all — on several instruments”) at:
disquiet.com/2015/08/27/disquiet0191-heldchord/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/clouded-moon-disquiet0191/listen.mp3?s=y8H" length="822542" />
                                    <link>https://hearthis.at/sevenism/clouded-moon-disquiet0191/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>1152241c8dc6e4deb1c33d42313fd05a.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/1152241c8dc6e4deb1c33d42313fd05a.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/clouded-moon-disquiet0191/listen.mp3?s=y8H" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i was taking pictures of the moon thinking of this project how with the cloud going over the reduced luminescence made it paradoxically clearer for the camera, and i wanted to get that sense of the clouded instruments coming into focus while at the same time blurring
we went to a wedding yesterday and i wanted to sample the church organ drone but he was a bit too jazzy (and also i mightve got told off) so i settled for one of the instruments on live 8 then it goes into cello (philharmonia.co.uk/explore/mak...ake_music/cello) as i was humming in the steam room at the gym and the resonant frequency sounds a bit celloesque, so then my voice blends in. after that is 12 string guitar and then piano then my girlfriends voice (i'm not gonna pretend theres a narrative for those)
i cheated with blending them in, i just used the a 4 sec time resolution on paulstretch to blur them together then repeated that blurred in more.   
eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
Disquiet Junto Project 0191: Held Chord
One chord to rule them all — on several instruments.
These are the steps:
Step 1: Choose a chord you can play on several instruments. You can choose any chord you’d like.
Step 2: Make recordings of yourself playing that just chord on several instruments.
Step 3: Edit those individual recordings into one long continuous track, in which the chord slowly (and smoothly as possible) changes from one instrument to the next. The complete length of the finished track should be about one minute.
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the afternoon, California time, on Thursday, August 27, 2015, with a deadline of 11:59pm wherever you are on Monday, August 31, 2015.
Length: The length of your finished work should be approximately one minute.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0191-heldchord” in the title of your track, and as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:
More on this 191st Disquiet Junto project (“One chord to rule them all — on several instruments”) at:
disquiet.com/2015/08/27/disquiet0191-heldchord/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/5/6/_/uploads/801843/image_track/557237/w1400_h1400_q70_ptrue_v2_----cropped_4072a34b8df80cf33997756252e09d33_1448038654.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/clouded-moon-disquiet0191/</feedburner:origLink>
                                    <itunes:duration>51</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557238</guid>
                                    
                                        <pubDate>Sat, 22 Aug 2015 12:42:35 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-22T12:42:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Westy Reflector / Benn DeMole - C Swellowed (disquiet0190)</title>
                                    <description><![CDATA[In a nice synchronicity i'd already halfway completed the project before it was announced: i'd done an extended version of soundcloud.com/thereflectors/c-swells where i'd looped the track a few times (and added a bit of echo n blur in the middle) so that i could listen to it a bit longer
had it playing while i went through last week's tracks and it mixed well with soundcloud.com/benn-demole/swa...t0189-tonelayer i liked the added bass and incidental sounds, so took a loop at the end of that and had that faded in and out throughout
for the glue i had the mix playing in the next room while i played along on my old technics electric piano and recorded through the mic on my mp3 player.. the idea was that some syncopation would blur the phasing a bit. unfortunately the recorder picked up the sound of me hitting the keys really loudly, and i didnt feel like redoing it so just had it lower in the mix but the clatter kind of helps a bit
~~~~~~~~~~~~
Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.
Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.
These are the steps:
Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:
soundcloud.com/disquiet/sets/d...t0189-tonelayer
Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.
Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)
Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.
Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.
Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).
More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:
disquiet.com/2015/08/20/disqui...ssedconnections
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/westy-reflector-benn-demole-c-swellowed-disquiet0190/listen.mp3?s=562" length="3084119" />
                                    <link>https://hearthis.at/sevenism/westy-reflector-benn-demole-c-swellowed-disquiet0190/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>be5569d3e9a9b2a80bc8167ceb3de084.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/be5569d3e9a9b2a80bc8167ceb3de084.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/westy-reflector-benn-demole-c-swellowed-disquiet0190/listen.mp3?s=562" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[In a nice synchronicity i'd already halfway completed the project before it was announced: i'd done an extended version of soundcloud.com/thereflectors/c-swells where i'd looped the track a few times (and added a bit of echo n blur in the middle) so that i could listen to it a bit longer
had it playing while i went through last week's tracks and it mixed well with soundcloud.com/benn-demole/swa...t0189-tonelayer i liked the added bass and incidental sounds, so took a loop at the end of that and had that faded in and out throughout
for the glue i had the mix playing in the next room while i played along on my old technics electric piano and recorded through the mic on my mp3 player.. the idea was that some syncopation would blur the phasing a bit. unfortunately the recorder picked up the sound of me hitting the keys really loudly, and i didnt feel like redoing it so just had it lower in the mix but the clatter kind of helps a bit
~~~~~~~~~~~~
Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.
Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.
These are the steps:
Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:
soundcloud.com/disquiet/sets/d...t0189-tonelayer
Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.
Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)
Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.
Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.
Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).
More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:
disquiet.com/2015/08/20/disqui...ssedconnections
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/5/6/_/uploads/801843/image_track/557238/w1400_h1400_q70_ptrue_v2_----cropped_971ddf295b9d32bac51f1a1f8608cc41_1448038658.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/westy-reflector-benn-demole-c-swellowed-disquiet0190/</feedburner:origLink>
                                    <itunes:duration>192</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557239</guid>
                                    
                                        <pubDate>Sat, 15 Aug 2015 11:11:11 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-15T11:11:11+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>appaleggio test (disquiet0189)</title>
                                    <description><![CDATA[Not alot of time, just off for the weekend.. this was meant as a test but i liked how silly it sounded and my girlfriend's been bouncing round the flat listening to it!
my initial thinking was i wanted it to sound like an arpeggio. i played some notes on my mountain dulcimer then in post looped them every .5 seconds then halfway every second.. i quantized a little but kept the separate notes close to where i played them initially. then mixed down the recording and for the second half uploaded to bandcamp and had it playing in five tabs concurrently to get that crazy delay
................................................
Disquiet Junto Project 0189: Tone Layer
Create a dense stack of attack-free tonal material from one audio source.
This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.
These are the steps:
Step 1: Choose an instrument that can create extended tones.
Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.
Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.
Step 4: Record a document of these layered loops lasting approximately 1 minute.
More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
disquiet.com/2015/08/13/disqui...t0189-tonelayer
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/appaleggio-test-disquiet0189/listen.mp3?s=afe" length="0" />
                                    <link>https://hearthis.at/sevenism/appaleggio-test-disquiet0189/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>676911239694ad4cd453264922925ef0.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/676911239694ad4cd453264922925ef0.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/appaleggio-test-disquiet0189/listen.mp3?s=afe" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Not alot of time, just off for the weekend.. this was meant as a test but i liked how silly it sounded and my girlfriend's been bouncing round the flat listening to it!
my initial thinking was i wanted it to sound like an arpeggio. i played some notes on my mountain dulcimer then in post looped them every .5 seconds then halfway every second.. i quantized a little but kept the separate notes close to where i played them initially. then mixed down the recording and for the second half uploaded to bandcamp and had it playing in five tabs concurrently to get that crazy delay
................................................
Disquiet Junto Project 0189: Tone Layer
Create a dense stack of attack-free tonal material from one audio source.
This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.
These are the steps:
Step 1: Choose an instrument that can create extended tones.
Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.
Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.
Step 4: Record a document of these layered loops lasting approximately 1 minute.
More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
disquiet.com/2015/08/13/disqui...t0189-tonelayer
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/6/6/_/uploads/801843/image_track/557239/w1400_h1400_q70_ptrue_v2_----cropped_4ff0a0166ddfe4580f5d05e324148a91_1448038665.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/appaleggio-test-disquiet0189/</feedburner:origLink>
                                    <itunes:duration>107</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751432</guid>
                                    
                                        <pubDate>Fri, 08 Jan 2016 13:10:48 +0100</pubDate>
                                        
                                        <atom:updated>2016-01-08T13:10:48+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Hyper Swarm Organism</title>
                                    <description><![CDATA[submission for ambientonline.org #osd36
ambientonline.org/forum/showth...-Sample-Dare-36
track made only from this sample: soundcloud.com/sklawlor/1sampl...the-streets-are
Similar to last month i imposed some arbitrary limitations on myself - i didnt listen to the sample beforehand, and i made the track live
had some clues as to what it would sound like via the title so i decided to make use of mp3 artefacts to maybe smooth it out
track 1: sample saved as 8 kbps mp3. loaded into live8 with the following fx chain: loop alienizer > 6string ambience > 6string ambience
track 2: sample saved as 16 kbps mp3. loaded into live8 with the following fx chain: crystal reverb > 6string ambience > granalizer granulator
then just played those adjusting the levels live, while recording  in audacity. i did do some leveling before saving it too.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hyper-swarm-organism/listen.mp3?s=PTM" length="6640534" />
                                    <link>https://hearthis.at/sevenism/hyper-swarm-organism/</link>
                                    <thr:total>0</thr:total>
                                    <hq>33</hq>
                                    <hq_filename>88fa42d30e9176acc8c7406b70501ba2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/88fa42d30e9176acc8c7406b70501ba2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hyper-swarm-organism/listen.mp3?s=PTM" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[submission for ambientonline.org #osd36
ambientonline.org/forum/showth...-Sample-Dare-36
track made only from this sample: soundcloud.com/sklawlor/1sampl...the-streets-are
Similar to last month i imposed some arbitrary limitations on myself - i didnt listen to the sample beforehand, and i made the track live
had some clues as to what it would sound like via the title so i decided to make use of mp3 artefacts to maybe smooth it out
track 1: sample saved as 8 kbps mp3. loaded into live8 with the following fx chain: loop alienizer > 6string ambience > 6string ambience
track 2: sample saved as 16 kbps mp3. loaded into live8 with the following fx chain: crystal reverb > 6string ambience > granalizer granulator
then just played those adjusting the levels live, while recording  in audacity. i did do some leveling before saving it too.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/9/9/2/_/uploads/801843/image_track/751432/w1400_h1400_q70_ptrue_v2_----cropped_e643b201c17653feb7eb225c37dbc964_1456754299.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hyper-swarm-organism/</feedburner:origLink>
                                    <itunes:duration>415</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751431</guid>
                                    
                                        <pubDate>Mon, 18 Jan 2016 22:43:16 +0100</pubDate>
                                        
                                        <atom:updated>2016-01-18T22:43:16+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Midnight Snow / Cold Rush In (disquiet0211)</title>
                                    <description><![CDATA[it started snowing shortly before midnight for the first time this winter (and first time in our new house) .. i stood in the doorway recording the sound of snow falling outside the house and the incidental sounds inside (mainly me fidgeting and eating!). the transitions were accentuated in the effects done in post
inside: echo added to the clicks n whirrs
outside: tape hiss added 
hope you can hear the snow falling.. just recorded with a cheap sony digital dictaphone
✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃
Disquiet Junto Project 0211: Midnight Inside Out
 The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home.
This project is the sixth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
The steps for this project are as follows:
Step 1: You’ll be making a one-minute track of ambient, everyday sound. The best option is to make actual real-world field recordings, but certainly simulations (i.e., foley) and free resources (such as freesound.org and previous Junto projects) are fine. Just keep this in mind.
Step 2: Please develop two tracks of what the world sounds like at midnight. One track should be the sound inside a physical structure, preferably your home. The other track should be the world outside that same structure.
Step 3: Produce a track that moves back and forth between those two different sonic experiences at midnight. The transitions can be as you see fit. They can be realistic (e.g., opening and closing a door or window), and they can be fantastic (e.g., imagining being able to move freely through a wall).
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, January 14, 2016, with a deadline of 11:59pm wherever you are on Monday, January 18, 2016.
Length: The track should be one minute long, exactly.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0211-midnightinsideout.” Also use “disquiet0211-midnightinsideout” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 211th weekly Disquiet Junto project (“The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home”) at:
disquiet.com/2016/01/14/disqui...dnightinsideout
More on the Disquiet Junto at:
disquiet.com/junto
More on the One Minute Past Midnight series at:
oneminutepastmidnight.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/midnight-snow-cold-rush-in-disquiet0211/listen.mp3?s=DE3" length="0" />
                                    <link>https://hearthis.at/sevenism/midnight-snow-cold-rush-in-disquiet0211/</link>
                                    <thr:total>0</thr:total>
                                    <hq>18</hq>
                                    <hq_filename>a9aa32c50e3af9144f359551104eb784.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream43.hearthis.at/a9aa32c50e3af9144f359551104eb784.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/midnight-snow-cold-rush-in-disquiet0211/listen.mp3?s=DE3" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[it started snowing shortly before midnight for the first time this winter (and first time in our new house) .. i stood in the doorway recording the sound of snow falling outside the house and the incidental sounds inside (mainly me fidgeting and eating!). the transitions were accentuated in the effects done in post
inside: echo added to the clicks n whirrs
outside: tape hiss added 
hope you can hear the snow falling.. just recorded with a cheap sony digital dictaphone
✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃✽ ❃
Disquiet Junto Project 0211: Midnight Inside Out
 The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home.
This project is the sixth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
The steps for this project are as follows:
Step 1: You’ll be making a one-minute track of ambient, everyday sound. The best option is to make actual real-world field recordings, but certainly simulations (i.e., foley) and free resources (such as freesound.org and previous Junto projects) are fine. Just keep this in mind.
Step 2: Please develop two tracks of what the world sounds like at midnight. One track should be the sound inside a physical structure, preferably your home. The other track should be the world outside that same structure.
Step 3: Produce a track that moves back and forth between those two different sonic experiences at midnight. The transitions can be as you see fit. They can be realistic (e.g., opening and closing a door or window), and they can be fantastic (e.g., imagining being able to move freely through a wall).
Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, January 14, 2016, with a deadline of 11:59pm wherever you are on Monday, January 18, 2016.
Length: The track should be one minute long, exactly.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0211-midnightinsideout.” Also use “disquiet0211-midnightinsideout” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 211th weekly Disquiet Junto project (“The Assignment: Shift between the midnight sounds both within and beyond a physical structure, preferably your home”) at:
disquiet.com/2016/01/14/disqui...dnightinsideout
More on the Disquiet Junto at:
disquiet.com/junto
More on the One Minute Past Midnight series at:
oneminutepastmidnight.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/9/2/_/uploads/801843/image_track/751431/w1400_h1400_q70_ptrue_v2_----cropped_db401672f7b6d3f9e5e3ea7e50820593_1456754296.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/midnight-snow-cold-rush-in-disquiet0211/</feedburner:origLink>
                                    <itunes:duration>60</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751430</guid>
                                    
                                        <pubDate>Sat, 30 Jan 2016 14:06:25 +0100</pubDate>
                                        
                                        <atom:updated>2016-01-30T14:06:25+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>entanglement (disquiet0213)</title>
                                    <description><![CDATA[evolution/unity: seven one minute pieces each comprising the three recordings / each piece evolves from the last; entangled with a similar fx chain / the final minute attempts to combine elements of the previous six while re-introducing more recognizable elements of the field recordings.
entropy: the prominence of each recording is adjusted - if one recording is louder the others are quieter
complexity/sentience: there's clear human control in the disparity of the sounds from the recordings. however this is governed largely by the fx not my choice. (it was only in minute 4 that i did some post-processing to remove some abrasive high pitched elements)
live 8 changed the length of each piece to try and match it to a bpm so each of the seven sections are re-adjusted so that one recording is a minute in length (which means the other two recordings are arbitrarily shorter/longer in that section. hm dont think that makes sense!
dream/glitches: more rhythmic glitch like sounds are introduced and more dreamlike fragmentation throughout
. / . / .
Disquiet Junto Project 0213: Complex Signatures
The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence.
This week’s project is being done in conjunction with the head of the Artist in Residence program at the SETI Institute. His name is Charles Lindsay, and he has provided us with three very different field recordings. Work completed for this project will be considered for employment in a future project of Charlie’s. Work won’t be used without the given participating musician’s permission.
Step 1: Consider what it is that Charlie is exploring in his work: “I’m thinking about evolution, entropy, sentience, and the complex signatures of intelligence: what microtonal soundtrack would best express the micro and the vast, the field and the matrix, what we call nature and what we call machine, in unity, as music or as sound?”
Step 2: Download the three tracks recorded by Charle that are in this playlist on SoundCloud. The first track was made on the Osa Peninsula in Costa Rica, rain-forest ambient sounds caught with a parabolic microphone at nightfall. The second was made with a hydrophone at dusk amid the Bunsby Islands in British Columbia. The third was made at the D-WAVE2 Quantum Computer at NASA Ames.
soundcloud.com/charlies-experi...plex-signatures
Step 3: Follow this request from Charlie: “Please process, merge, and mix these tracks to seven minutes total. Imagine the final track looping indefinitely in a sound installation in a museum or gallery environment. This use of sound in controlled space is something I’m very interested in, as a real time, real space tool to blend so-called realities. Imagine dream images, much the way our mind seems to, glitches and all. I look forward to what you come up with, and thanks very much for your interest.”
More on this 213th weekly Disquiet Junto project (“The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence”) at:
disquiet.com/2016/01/28/disqui...mplexsignatures
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
The photo associated with this project is the cover of Charles Lindsay’s forthcoming book, Carbon, more on which here:
minormattersbooks.com/collecti...-lindsay-carbon
And here are details on a MASS MoCA exhibit he will be participating in. It begins May 28, 2016:
massmoca.org/event_details.php?id=1045]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/entanglement-disquiet0213/listen.mp3?s=m2c" length="0" />
                                    <link>https://hearthis.at/sevenism/entanglement-disquiet0213/</link>
                                    <thr:total>0</thr:total>
                                    <hq>36</hq>
                                    <hq_filename>0a2edad4d6d89ddd38fcbe15aa725a69.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/0a2edad4d6d89ddd38fcbe15aa725a69.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/entanglement-disquiet0213/listen.mp3?s=m2c" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[evolution/unity: seven one minute pieces each comprising the three recordings / each piece evolves from the last; entangled with a similar fx chain / the final minute attempts to combine elements of the previous six while re-introducing more recognizable elements of the field recordings.
entropy: the prominence of each recording is adjusted - if one recording is louder the others are quieter
complexity/sentience: there's clear human control in the disparity of the sounds from the recordings. however this is governed largely by the fx not my choice. (it was only in minute 4 that i did some post-processing to remove some abrasive high pitched elements)
live 8 changed the length of each piece to try and match it to a bpm so each of the seven sections are re-adjusted so that one recording is a minute in length (which means the other two recordings are arbitrarily shorter/longer in that section. hm dont think that makes sense!
dream/glitches: more rhythmic glitch like sounds are introduced and more dreamlike fragmentation throughout
. / . / .
Disquiet Junto Project 0213: Complex Signatures
The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence.
This week’s project is being done in conjunction with the head of the Artist in Residence program at the SETI Institute. His name is Charles Lindsay, and he has provided us with three very different field recordings. Work completed for this project will be considered for employment in a future project of Charlie’s. Work won’t be used without the given participating musician’s permission.
Step 1: Consider what it is that Charlie is exploring in his work: “I’m thinking about evolution, entropy, sentience, and the complex signatures of intelligence: what microtonal soundtrack would best express the micro and the vast, the field and the matrix, what we call nature and what we call machine, in unity, as music or as sound?”
Step 2: Download the three tracks recorded by Charle that are in this playlist on SoundCloud. The first track was made on the Osa Peninsula in Costa Rica, rain-forest ambient sounds caught with a parabolic microphone at nightfall. The second was made with a hydrophone at dusk amid the Bunsby Islands in British Columbia. The third was made at the D-WAVE2 Quantum Computer at NASA Ames.
soundcloud.com/charlies-experi...plex-signatures
Step 3: Follow this request from Charlie: “Please process, merge, and mix these tracks to seven minutes total. Imagine the final track looping indefinitely in a sound installation in a museum or gallery environment. This use of sound in controlled space is something I’m very interested in, as a real time, real space tool to blend so-called realities. Imagine dream images, much the way our mind seems to, glitches and all. I look forward to what you come up with, and thanks very much for your interest.”
More on this 213th weekly Disquiet Junto project (“The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence”) at:
disquiet.com/2016/01/28/disqui...mplexsignatures
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums
The photo associated with this project is the cover of Charles Lindsay’s forthcoming book, Carbon, more on which here:
minormattersbooks.com/collecti...-lindsay-carbon
And here are details on a MASS MoCA exhibit he will be participating in. It begins May 28, 2016:
massmoca.org/event_details.php?id=1045]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/9/2/_/uploads/801843/image_track/751430/w1400_h1400_q70_ptrue_v2_----cropped_514860a901769355344bf15f44858ce4_1456754293.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/entanglement-disquiet0213/</feedburner:origLink>
                                    <itunes:duration>420</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751429</guid>
                                    
                                        <pubDate>Sun, 31 Jan 2016 23:17:22 +0100</pubDate>
                                        
                                        <atom:updated>2016-01-31T23:17:22+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>s u r f a c e mixtape</title>
                                    <description><![CDATA[all made from this sample soundcloud.com/ao_onesampledare/one-sample-dare-37-sample-file for ambient online one sample dare 37 ambientonline.org/forum/showth...-Sample-Dare-37 
the inspiration for this is the vast under-surface ocean of enceladus
i wanted to do something between a track and a mixtape with four distinct-connected parts. processing in live 8, recorded in audacity
also expanded into an album here if you fancy a listen sevenism.bandcamp.com/album/enceladus
part one: enceladus
track 1:  sample played though fx chain- crystal bass > crystal reverb >  6 string ambience > guitar space > space echo
track 2: ambient part of track 1 paulstretched x10
track 3: another ambient part of track 1 paulstretched x10
part two:  underwater turbulence
track 4: sample played through same fx chain as track one + electronica 2
track 5: sample played through chorus fuzz > hi frequency ambience > ping pong > rhythmic doubling > echo speak > pong texture
part three: plumes
track 6: sample played through electronica 2 > crystal bass > electronica 1 > 6 string ambience > hard ambience > space echo
track 7:  sample played though 6 string ambience > hard ambience > space echo > wide ambience > formant sweep  then paulstretched
part four: cassini
track 8: same chain as track 1 + robo voice beat repeat (gives that guitary sound)
track 5 repeated
track 9: track 1 paulstretched with a longer time resolution]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/s-u-r-f-a-c-e-mixtape/listen.mp3?s=ijF" length="19562578" />
                                    <link>https://hearthis.at/sevenism/s-u-r-f-a-c-e-mixtape/</link>
                                    <thr:total>0</thr:total>
                                    <hq>44</hq>
                                    <hq_filename>fa0f2121923b7f98f16d5786e282f23f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream39.hearthis.at/fa0f2121923b7f98f16d5786e282f23f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/s-u-r-f-a-c-e-mixtape/listen.mp3?s=ijF" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[all made from this sample soundcloud.com/ao_onesampledare/one-sample-dare-37-sample-file for ambient online one sample dare 37 ambientonline.org/forum/showth...-Sample-Dare-37 
the inspiration for this is the vast under-surface ocean of enceladus
i wanted to do something between a track and a mixtape with four distinct-connected parts. processing in live 8, recorded in audacity
also expanded into an album here if you fancy a listen sevenism.bandcamp.com/album/enceladus
part one: enceladus
track 1:  sample played though fx chain- crystal bass > crystal reverb >  6 string ambience > guitar space > space echo
track 2: ambient part of track 1 paulstretched x10
track 3: another ambient part of track 1 paulstretched x10
part two:  underwater turbulence
track 4: sample played through same fx chain as track one + electronica 2
track 5: sample played through chorus fuzz > hi frequency ambience > ping pong > rhythmic doubling > echo speak > pong texture
part three: plumes
track 6: sample played through electronica 2 > crystal bass > electronica 1 > 6 string ambience > hard ambience > space echo
track 7:  sample played though 6 string ambience > hard ambience > space echo > wide ambience > formant sweep  then paulstretched
part four: cassini
track 8: same chain as track 1 + robo voice beat repeat (gives that guitary sound)
track 5 repeated
track 9: track 1 paulstretched with a longer time resolution]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/8/2/_/uploads/801843/image_track/751429/w1400_h1400_q70_ptrue_v2_----cropped_55abedbff9d4fc3597c614543a930021_1456754288.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/s-u-r-f-a-c-e-mixtape/</feedburner:origLink>
                                    <itunes:duration>1222</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751428</guid>
                                    
                                        <pubDate>Thu, 04 Feb 2016 11:54:37 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-04T11:54:37+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>stochastic caprice (RIP Minsky)</title>
                                    <description><![CDATA[sevenism.bandcamp.com/album/wi...m/wind-nothings
Minsky:
"If one thoroughly understands a machine or a program, he finds no urge to attribute "volition" to it. If one does not understand it so well, he must supply an incomplete model for explanation. Our everyday intuitive models of higher human activity are quite incomplete, and many notions in our informal explanations do not tolerate close examination. Free will or volition is one such notion: people are incapable of explaining how it differs from stochastic caprice but feel strongly that it does."
in nov/december, i was inspired by Minsky's work on AI and approach to generative music to do an extended album of melodic self-generating feedback drones. A month or two later i'm surprised and saddened to find out he's died.
tracklist/times:

stochastic caprice 55.40
matter intemporeal 47.18
mbient ekoz 47.39
seven 45.33
ghost in the machine 47.36
time 46.02
campfire ambience.flac 48.28
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/stochastic-caprice-rip-minsky/listen.mp3?s=G3m" length="4471744" />
                                    <link>https://hearthis.at/sevenism/stochastic-caprice-rip-minsky/</link>
                                    <thr:total>0</thr:total>
                                    <hq>27</hq>
                                    <hq_filename>0dc2647ff47580a3f9c7c3e8d10287e7.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/0dc2647ff47580a3f9c7c3e8d10287e7.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/stochastic-caprice-rip-minsky/listen.mp3?s=G3m" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[sevenism.bandcamp.com/album/wi...m/wind-nothings
Minsky:
"If one thoroughly understands a machine or a program, he finds no urge to attribute "volition" to it. If one does not understand it so well, he must supply an incomplete model for explanation. Our everyday intuitive models of higher human activity are quite incomplete, and many notions in our informal explanations do not tolerate close examination. Free will or volition is one such notion: people are incapable of explaining how it differs from stochastic caprice but feel strongly that it does."
in nov/december, i was inspired by Minsky's work on AI and approach to generative music to do an extended album of melodic self-generating feedback drones. A month or two later i'm surprised and saddened to find out he's died.
tracklist/times:

stochastic caprice 55.40
matter intemporeal 47.18
mbient ekoz 47.39
seven 45.33
ghost in the machine 47.36
time 46.02
campfire ambience.flac 48.28
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/7/2/_/uploads/801843/image_track/751428/w1400_h1400_q70_ptrue_v2_----cropped_5b8f3715638e8b145e7414c27a5d5649_1456754272.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/stochastic-caprice-rip-minsky/</feedburner:origLink>
                                    <itunes:duration>279</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751427</guid>
                                    
                                        <pubDate>Sat, 06 Feb 2016 18:46:24 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-06T18:46:24+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>move blues intro</title>
                                    <description><![CDATA[had a horribly stressful time moving house.. it's bad enough usually but everything seemed to go wrong this time.. 
after a week or so i just needed to get some of the tension out in a constructive way: i didnt want my pounding head and spasmodic rage to get in the way of xmas 
i like the combination of solo guitar on some tracks contrasted with the walls of fx feedback.. i think it goes some way to illustrate the emotional pendulum that this sort of intense experience brings. 
the coda at the end was recorded in the zen room when i felt myself a bit more 
recorded christmas eve 2015
track 14 part 2 recorded 4th feb 2016
track/times:

no perspective 03:33
intro 01:04
lost 03:43
muddle . resigned. 04:23
brief respite 01:02
overcaffeinated 04:17
frustration 1 & 2 03:20
anger. 02:29
company shit 01:50
company( flow of )shit. 05:19
overtired 04:32
cold draught 02:00
[less] hope[less] 02:24
feedback + intro (zen room reprise) 06:52
]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/move-blues-intro/listen.mp3?s=WMQ" length="1039045" />
                                    <link>https://hearthis.at/sevenism/move-blues-intro/</link>
                                    <thr:total>0</thr:total>
                                    <hq>16</hq>
                                    <hq_filename>d2e33dc48128d498e71d1a292c820f82.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream30.hearthis.at/d2e33dc48128d498e71d1a292c820f82.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/move-blues-intro/listen.mp3?s=WMQ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[had a horribly stressful time moving house.. it's bad enough usually but everything seemed to go wrong this time.. 
after a week or so i just needed to get some of the tension out in a constructive way: i didnt want my pounding head and spasmodic rage to get in the way of xmas 
i like the combination of solo guitar on some tracks contrasted with the walls of fx feedback.. i think it goes some way to illustrate the emotional pendulum that this sort of intense experience brings. 
the coda at the end was recorded in the zen room when i felt myself a bit more 
recorded christmas eve 2015
track 14 part 2 recorded 4th feb 2016
track/times:

no perspective 03:33
intro 01:04
lost 03:43
muddle . resigned. 04:23
brief respite 01:02
overcaffeinated 04:17
frustration 1 & 2 03:20
anger. 02:29
company shit 01:50
company( flow of )shit. 05:19
overtired 04:32
cold draught 02:00
[less] hope[less] 02:24
feedback + intro (zen room reprise) 06:52
]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/7/2/_/uploads/801843/image_track/751427/w1400_h1400_q70_ptrue_v2_----cropped_ba5ea1d20b939a2a46978135c749a25f_1456754270.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/move-blues-intro/</feedburner:origLink>
                                    <itunes:duration>64</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751425</guid>
                                    
                                        <pubDate>Fri, 19 Feb 2016 23:26:09 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-19T23:26:09+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>insects n pinecones (augmented) (disquiet0216)</title>
                                    <description><![CDATA[mix of soundcloud.com/emiminami/tinyrhythms 
i liked doing this as it happened naturally - a melody just popped into my head while i was listening so i just recorded myself whistling through a load of guitar echo from a mic the other side of the room (for a thinner airy sound)
;;;;;;;;;;;;;;;;;;;;;;;;
Disquiet Junto Project 0216: Thin Layers
The Assignment: Add a thin foundational bed to beats of pin-prick audio.
Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:
disquiet.com/0215
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.
Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.
Step 4: Annotate your track with a brief explanation of your approach and process — identify the source track and include a link to its SoundCloud page.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, February 18, 2016, with a deadline of 11:59pm wherever you are on Monday, February 22, 2016.
Length: The length of your track should be the same as that of the source track.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0216-thinlayers.” Also use “disquiet0216-thinlayers” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:
disquiet.com/0216
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/insects-n-pinecones-augmented-disquiet0216/listen.mp3?s=0ei" length="1411865" />
                                    <link>https://hearthis.at/sevenism/insects-n-pinecones-augmented-disquiet0216/</link>
                                    <thr:total>0</thr:total>
                                    <hq>40</hq>
                                    <hq_filename>5f006b1ca00e3b1ae66ac2139d8986ba.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream31.hearthis.at/5f006b1ca00e3b1ae66ac2139d8986ba.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/insects-n-pinecones-augmented-disquiet0216/listen.mp3?s=0ei" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[mix of soundcloud.com/emiminami/tinyrhythms 
i liked doing this as it happened naturally - a melody just popped into my head while i was listening so i just recorded myself whistling through a load of guitar echo from a mic the other side of the room (for a thinner airy sound)
;;;;;;;;;;;;;;;;;;;;;;;;
Disquiet Junto Project 0216: Thin Layers
The Assignment: Add a thin foundational bed to beats of pin-prick audio.
Step 1: For this project you’ll be adding sounds to a pre-existing track of your choosing. Select one track from the previous Junto project, in which beats were made with five tiny, pin-prick sounds:
disquiet.com/0215
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.
Step 3: Create a new track by adding a thin layer, or several thin layers, of an ambient foundational bed to the pre-existing track. Don’t alter the pre-existing track significantly. Maintain its original length.
Step 4: Annotate your track with a brief explanation of your approach and process — identify the source track and include a link to its SoundCloud page.
Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This project was posted at noon, California time, on Thursday, February 18, 2016, with a deadline of 11:59pm wherever you are on Monday, February 22, 2016.
Length: The length of your track should be the same as that of the source track.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0216-thinlayers.” Also use “disquiet0216-thinlayers” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 216th weekly Disquiet Junto project (“The Assignment: Add a thin foundational bed to beats of pin-prick audio”) at:
disquiet.com/0216
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/6/2/_/uploads/801843/image_track/751425/w1400_h1400_q70_ptrue_v2_----cropped_0b44080ef5e86412db0152b00a34b5f9_1456754262.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/insects-n-pinecones-augmented-disquiet0216/</feedburner:origLink>
                                    <itunes:duration>88</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751424</guid>
                                    
                                        <pubDate>Thu, 25 Feb 2016 23:02:23 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-25T23:02:23+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Lost At Night</title>
                                    <description><![CDATA[Made only using this sample soundcloud.com/davedorgan/thre...ating-breakfast
for ambient online one sample dare 38 ambientonline.org/forum/showth...-Sample-Dare-38
Was online when this came through so thought i'd have a go! wanted it to have  a dark cold lost feel..
track 1- sample slowed down to 96bpm in live 8 played through fx chain: electronica 1 > izotope ddly plugin (high pitched -6 st, low pitched +6 st)> vocal choir > six string guitar ambience
track 2- same as track 1 but vocal choir amplified and ddly both high and low pitched +12 st
track 3- the ambient tones at 2.30 - 2.45 in track 2 paulstretched to fit the piece and faded in and out
all recorded in audacity, volume decreased at ~20 seconds, mixed down n normalized.
i highly recommend the ddly delay it's free at the moment izotope.com/en/products/effect...y-dynamic-delay]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/lost-at-night/listen.mp3?s=IEK" length="4977892" />
                                    <link>https://hearthis.at/sevenism/lost-at-night/</link>
                                    <thr:total>0</thr:total>
                                    <hq>31</hq>
                                    <hq_filename>48ff60040498a078f6a2b53d16882f31.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream52.hearthis.at/48ff60040498a078f6a2b53d16882f31.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/lost-at-night/listen.mp3?s=IEK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Made only using this sample soundcloud.com/davedorgan/thre...ating-breakfast
for ambient online one sample dare 38 ambientonline.org/forum/showth...-Sample-Dare-38
Was online when this came through so thought i'd have a go! wanted it to have  a dark cold lost feel..
track 1- sample slowed down to 96bpm in live 8 played through fx chain: electronica 1 > izotope ddly plugin (high pitched -6 st, low pitched +6 st)> vocal choir > six string guitar ambience
track 2- same as track 1 but vocal choir amplified and ddly both high and low pitched +12 st
track 3- the ambient tones at 2.30 - 2.45 in track 2 paulstretched to fit the piece and faded in and out
all recorded in audacity, volume decreased at ~20 seconds, mixed down n normalized.
i highly recommend the ddly delay it's free at the moment izotope.com/en/products/effect...y-dynamic-delay]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/5/2/_/uploads/801843/image_track/751424/w1400_h1400_q70_ptrue_v2_----cropped_6ecb6430e0a468a3ffcc0eb575a5e1b6_1456754258.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/lost-at-night/</feedburner:origLink>
                                    <itunes:duration>311</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">842258</guid>
                                    
                                        <pubDate>Sun, 27 Mar 2016 14:54:12 +0200</pubDate>
                                        
                                        <atom:updated>2016-03-27T14:54:12+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>melting windshield frost (Naviarhaiku116)</title>
                                    <description><![CDATA[frosty plosives / warm hiss
Make music inspired by a haiku poem in seven days.
naviarlab.tumblr.com/post/1415...indshield-frost
soundcloud.com/groups/naviar-laboratory]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/melting-windshield-frost-naviarhaiku116/listen.mp3?s=0N1" length="0" />
                                    <link>https://hearthis.at/sevenism/melting-windshield-frost-naviarhaiku116/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>f93e129497425df670730f066c6de67f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/f93e129497425df670730f066c6de67f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/melting-windshield-frost-naviarhaiku116/listen.mp3?s=0N1" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[frosty plosives / warm hiss
Make music inspired by a haiku poem in seven days.
naviarlab.tumblr.com/post/1415...indshield-frost
soundcloud.com/groups/naviar-laboratory]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/3/3/_/uploads/801843/image_track/842258/w1400_h1400_q70_ptrue_v2_----cropped_d3820a543208e89f6bbe02ce4f902158_1460738336.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/melting-windshield-frost-naviarhaiku116/</feedburner:origLink>
                                    <itunes:duration>95</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">784032</guid>
                                    
                                        <pubDate>Mon, 14 Mar 2016 13:44:52 +0100</pubDate>
                                        
                                        <atom:updated>2016-03-14T13:44:52+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Steve Ashby * dascott - bottled breath mix (disquiet0219)</title>
                                    <description><![CDATA[some false starts - i was gonna cheat a bit - breathing into a harmonica but it had to be a pretty heavy breath, really unnatural, to get a sound.. similarly didnt get any interesting sounds breathing into the body of a guitar. wanted to do some heavy sample work like @happypuppy2 on his great piece but didnt have time. or using software resonance (but they always add sound i think, dont really get how that works)
i was drawn to soundcloud.com/ashbysounds/respiratory breathing into a bottle. yesterday i was talking to my dad about how they tried to cure whooping cough, in medieval times, with the hoot of an owl.. he struggled to understand this concept asking if they tried to catch the hoot in a bottle
i thought the low bottle resonance might go well with the highs in soundcloud.com/dascott/wifeand...219-breathdance tried it out and thought ok i'm going with this!
only processing was a bit of fading, smoothing and eqing on @dascott 's piece and getting the volumes right
~~~~~~~~~~~
isquiet Junto Project 0219: Breath Dance
The Assignment: Working with artist Paolo Salvagione, create the audio backdrop for a piece of choreography utilizing only the sound of soft breaths.
The artist and engineer Paolo Salvagione is currently working on an extended piece of choreography. This Junto project is the first of likely several that might serve as sonic backdrops for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. (Audio produced for this Junto project will not be used by Salvagione without its composer’s permission.)
Step 1: You will be creating a short, roughly five-minute piece of quiet music. First, take into consideration the setting. Visualize that the piece would be performed by a young solo female dancer. She is dancing in a large space. The sounds of this Junto are the only sounds accompanying her movement. The sounds should be quiet — they should suggest quietness, peace — yet also work, when amplified, at a volume loud enough to fill the space.
Step 2: Using the sound of soft breaths, make a piece of sound/music roughly five minutes long that meets the criteria of Step 1.
More on this 219th weekly Disquiet Junto project (“Working with artist Paolo Salvagione, create the audio backdrop for a piece of choreography utilizing only the sound of soft breaths”) at:
disquiet.com/0219
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/steve-ashby-dascott-bottled-breath-mix-disquiet0219/listen.mp3?s=21P" length="0" />
                                    <link>https://hearthis.at/sevenism/steve-ashby-dascott-bottled-breath-mix-disquiet0219/</link>
                                    <thr:total>0</thr:total>
                                    <hq>31</hq>
                                    <hq_filename>8d3166b61faac0b07b11b193b0a819a2.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream47.hearthis.at/8d3166b61faac0b07b11b193b0a819a2.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/steve-ashby-dascott-bottled-breath-mix-disquiet0219/listen.mp3?s=21P" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[some false starts - i was gonna cheat a bit - breathing into a harmonica but it had to be a pretty heavy breath, really unnatural, to get a sound.. similarly didnt get any interesting sounds breathing into the body of a guitar. wanted to do some heavy sample work like @happypuppy2 on his great piece but didnt have time. or using software resonance (but they always add sound i think, dont really get how that works)
i was drawn to soundcloud.com/ashbysounds/respiratory breathing into a bottle. yesterday i was talking to my dad about how they tried to cure whooping cough, in medieval times, with the hoot of an owl.. he struggled to understand this concept asking if they tried to catch the hoot in a bottle
i thought the low bottle resonance might go well with the highs in soundcloud.com/dascott/wifeand...219-breathdance tried it out and thought ok i'm going with this!
only processing was a bit of fading, smoothing and eqing on @dascott 's piece and getting the volumes right
~~~~~~~~~~~
isquiet Junto Project 0219: Breath Dance
The Assignment: Working with artist Paolo Salvagione, create the audio backdrop for a piece of choreography utilizing only the sound of soft breaths.
The artist and engineer Paolo Salvagione is currently working on an extended piece of choreography. This Junto project is the first of likely several that might serve as sonic backdrops for the dance performance, and also as a form of research into the materials and ideas being explored by Salvagione and the dancers. (Audio produced for this Junto project will not be used by Salvagione without its composer’s permission.)
Step 1: You will be creating a short, roughly five-minute piece of quiet music. First, take into consideration the setting. Visualize that the piece would be performed by a young solo female dancer. She is dancing in a large space. The sounds of this Junto are the only sounds accompanying her movement. The sounds should be quiet — they should suggest quietness, peace — yet also work, when amplified, at a volume loud enough to fill the space.
Step 2: Using the sound of soft breaths, make a piece of sound/music roughly five minutes long that meets the criteria of Step 1.
More on this 219th weekly Disquiet Junto project (“Working with artist Paolo Salvagione, create the audio backdrop for a piece of choreography utilizing only the sound of soft breaths”) at:
disquiet.com/0219
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/5/_/uploads/801843/image_track/784032/w1400_h1400_q70_ptrue_v2_----cropped_06d72a36ed9f36496ffb9c7159b0a733_1458315595.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/steve-ashby-dascott-bottled-breath-mix-disquiet0219/</feedburner:origLink>
                                    <itunes:duration>299</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">784033</guid>
                                    
                                        <pubDate>Fri, 11 Mar 2016 13:38:45 +0100</pubDate>
                                        
                                        <atom:updated>2016-03-11T13:38:45+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Where Do You Come From ? (Naviarhaiku114)</title>
                                    <description><![CDATA[naviarlab.tumblr.com/post/1407...o-you-come-from
"Make music inspired by a haiku poem in seven days."
doing a series of recursions converting wav to midi to wav and so on, seeing if they converge. this is a chopped and squeezed version of one of them. one that reminded me of looking up at the fast ISS speck from my old balcony.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/where-do-you-come-from-naviarhaiku114/listen.mp3?s=Pp7" length="0" />
                                    <link>https://hearthis.at/sevenism/where-do-you-come-from-naviarhaiku114/</link>
                                    <thr:total>0</thr:total>
                                    <hq>45</hq>
                                    <hq_filename>df7ff8205c686f25bfe5252c3d4b8510.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream47.hearthis.at/df7ff8205c686f25bfe5252c3d4b8510.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/where-do-you-come-from-naviarhaiku114/listen.mp3?s=Pp7" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[naviarlab.tumblr.com/post/1407...o-you-come-from
"Make music inspired by a haiku poem in seven days."
doing a series of recursions converting wav to midi to wav and so on, seeing if they converge. this is a chopped and squeezed version of one of them. one that reminded me of looking up at the fast ISS speck from my old balcony.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/0/6/_/uploads/801843/image_track/784033/w1400_h1400_q70_ptrue_v2_----cropped_ccca2facbff836caa4cca45940abb9a1_1458315603.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/where-do-you-come-from-naviarhaiku114/</feedburner:origLink>
                                    <itunes:duration>321</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">763599</guid>
                                    
                                        <pubDate>Sat, 05 Mar 2016 23:33:39 +0100</pubDate>
                                        
                                        <atom:updated>2016-03-05T23:33:39+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>liquid audio {{ripple fx}} (disquiet0218)</title>
                                    <description><![CDATA[was at the spa yesterday. they had an aqua meditation room where the ripples of drips were projected/amplified on the ceiling. my partner thought the ripples matched the new age music but i thought it was just the brain forcing an arbitrary pattern. i was thinking about this project about sound waves bouncing off each other like ripples; and this is the sound i wanted to get across (couldnt record unfortunately, couldnt sneak phone in ..no pockets in the complementary robes)
i played the guitar thru podfarm with heaps of echo and delay all unsynced, not playing to a particular tempo.. following and ignoring the echoes variously / resolutely un-new age
then i put the recording thru izotope ddly to get more delays at different speeds
}}}} }}}}}  }}}}}   }}} )  )     )               )                                     )
Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.
The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.
Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.
Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.
Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.
Background: Kate Carr composes soundscapes based on field recording and non-conventional instrumentation to explore the relationship between people and place. Weaving together real and imaginary journeys , intensive explorations of sonic enclaves and the re-broadcast of sound in public places, her work is centred on both human and natural geographies. More on Kate Carr at gleamingsilverribbon.com.
More on this 218th weekly Disquiet Junto project (“Following the path of artist Kate Carr, explore sounds from a distance”) at:
disquiet.com/0218
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/liquid-audio-ripple-fx-disquiet0218/listen.mp3?s=juZ" length="3611584" />
                                    <link>https://hearthis.at/sevenism/liquid-audio-ripple-fx-disquiet0218/</link>
                                    <thr:total>0</thr:total>
                                    <hq>42</hq>
                                    <hq_filename>1d215e1970cb6b9576843181c8103044.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream35.hearthis.at/1d215e1970cb6b9576843181c8103044.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/liquid-audio-ripple-fx-disquiet0218/listen.mp3?s=juZ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[was at the spa yesterday. they had an aqua meditation room where the ripples of drips were projected/amplified on the ceiling. my partner thought the ripples matched the new age music but i thought it was just the brain forcing an arbitrary pattern. i was thinking about this project about sound waves bouncing off each other like ripples; and this is the sound i wanted to get across (couldnt record unfortunately, couldnt sneak phone in ..no pockets in the complementary robes)
i played the guitar thru podfarm with heaps of echo and delay all unsynced, not playing to a particular tempo.. following and ignoring the echoes variously / resolutely un-new age
then i put the recording thru izotope ddly to get more delays at different speeds
}}}} }}}}}  }}}}}   }}} )  )     )               )                                     )
Disquiet Junto Project 0218: Sound Passage
The Assignment: Following the path of artist Kate Carr, explore sounds from a distance.
The artist and musician Kate Carr generously agreed to provide a prompt this week for the Junto.
Step 1: Consider the ways that sound changes as it travels across space, moving through specific human-built architectures and/or natural geographies. I live near Belfast’s major football stadium, and the roar that travels from the stadium, across the train tracks, up my street, and into my ears is a very different sound to the roar heard when standing in the stadium itself.
Step 2: Record a distant sound, and reflect on what frequencies have made it to your ears from the source, and which ones have bounced or decayed away.
Step 3: Compose a piece based on this recording, and your meditation on the ways its very journey to you has changed the sounds inherent in it.
Background: Kate Carr composes soundscapes based on field recording and non-conventional instrumentation to explore the relationship between people and place. Weaving together real and imaginary journeys , intensive explorations of sonic enclaves and the re-broadcast of sound in public places, her work is centred on both human and natural geographies. More on Kate Carr at gleamingsilverribbon.com.
More on this 218th weekly Disquiet Junto project (“Following the path of artist Kate Carr, explore sounds from a distance”) at:
disquiet.com/0218
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/7/5/_/uploads/801843/image_track/763599/w1400_h1400_q70_ptrue_v2_----cropped_2d6381637067c500e9ce75f3cd9ab9c1_1457292575.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/liquid-audio-ripple-fx-disquiet0218/</feedburner:origLink>
                                    <itunes:duration>225</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">763600</guid>
                                    
                                        <pubDate>Tue, 01 Mar 2016 20:54:31 +0100</pubDate>
                                        
                                        <atom:updated>2016-03-01T20:54:31+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Audio Obscura - WESTERN WIND (sevenism obstructed mix)</title>
                                    <description><![CDATA[I was kindly asked by @audio-obscura-music to do a remix for his forthcoming album.. so here it is.. enjoy!]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/audio-obscura-western-wind-sevenism-obstructed-mix/listen.mp3?s=7VR" length="8193252" />
                                    <link>https://hearthis.at/sevenism/audio-obscura-western-wind-sevenism-obstructed-mix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>30</hq>
                                    <hq_filename>32e44c461f462426c8e6425d84fc0411.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream35.hearthis.at/32e44c461f462426c8e6425d84fc0411.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/audio-obscura-western-wind-sevenism-obstructed-mix/listen.mp3?s=7VR" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I was kindly asked by @audio-obscura-music to do a remix for his forthcoming album.. so here it is.. enjoy!]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/5/_/uploads/801843/image_track/763600/w1400_h1400_q70_ptrue_v2_----cropped_b7a180176d2fcc385f49ba6b4715b8a9_1457292578.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/audio-obscura-western-wind-sevenism-obstructed-mix/</feedburner:origLink>
                                    <itunes:duration>512</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751423</guid>
                                    
                                        <pubDate>Mon, 29 Feb 2016 13:29:18 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-29T13:29:18+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>r beny - skull vibrations (wobbly ol tape mix) (disquiet0217)</title>
                                    <description><![CDATA[i chose this gorgeous track soundcloud.com/rbeny/skull-vib...0216-thinlayers i was struggling a bit with the whole verse chorus nonsense
apparently (secretsofsongwriting.com/2014/...chorus-melodies) the five main differences between verse and chorus are:
1    Verse melodies have more of a wandering quality than chorus melodies.
so i accentuated the clicks especially in the third section
2    Verse melodies tend to be lower in pitch than chorus melodies.
so i did a sliding pitch effect on the first verse and pitched down constantly on the second verse, and i bassboosted them too
3    Chorus melodies use simpler rhythms.
so i smoothed out the beat in the chorus and added echo
4    Verse melodies often work their way upward as they reach the chorus.
that's why i did that wobbly sliding pitch
5    Chorus melodies are built around an important hook that often incorporates the song title.
well that melody repeats and my skulls a bit vibratey now
.............,,,...........................................,,,...,,
Disquiet Junto Project 0217: Form Song
The Assignment: Take an existing assemblage of rhythm and tone and turn it into verse/chorus/verse.
Step 1: For this project you’ll be working with a pre-existing track of your choosing. First, select one track from the previous Junto project, in which a thin foundational bed was added to beats of pin-prick audio. Visit either of these two URLs:
disquiet.com/0216
soundcloud.com/disquiet/sets/d...to-project-0216
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.
Step 3: Create a new track by taking the existing track from Step 1 and from it constructing something that follows the verse/chorus/verse format of a traditional song. You can include a bridge, too. No singing is required. You can alter the original audio, beyond just cutting and splicing, and certainly feel free to add a melody, but do maintain some sense of resemblance to the source material.
More on this 217th weekly Disquiet Junto project (“Take an existing assemblage of rhythm and tone and turn it into verse/chorus/verse”) at:
disquiet.com/0217
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/r-beny-skull-vibrations-wobbly-ol-tape-mix-disquiet0217/listen.mp3?s=du4" length="3157680" />
                                    <link>https://hearthis.at/sevenism/r-beny-skull-vibrations-wobbly-ol-tape-mix-disquiet0217/</link>
                                    <thr:total>0</thr:total>
                                    <hq>36</hq>
                                    <hq_filename>6d12b0d77b592fd8e7e24c2bef00a22e.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream82.hearthis.at/6d12b0d77b592fd8e7e24c2bef00a22e.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/r-beny-skull-vibrations-wobbly-ol-tape-mix-disquiet0217/listen.mp3?s=du4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[i chose this gorgeous track soundcloud.com/rbeny/skull-vib...0216-thinlayers i was struggling a bit with the whole verse chorus nonsense
apparently (secretsofsongwriting.com/2014/...chorus-melodies) the five main differences between verse and chorus are:
1    Verse melodies have more of a wandering quality than chorus melodies.
so i accentuated the clicks especially in the third section
2    Verse melodies tend to be lower in pitch than chorus melodies.
so i did a sliding pitch effect on the first verse and pitched down constantly on the second verse, and i bassboosted them too
3    Chorus melodies use simpler rhythms.
so i smoothed out the beat in the chorus and added echo
4    Verse melodies often work their way upward as they reach the chorus.
that's why i did that wobbly sliding pitch
5    Chorus melodies are built around an important hook that often incorporates the song title.
well that melody repeats and my skulls a bit vibratey now
.............,,,...........................................,,,...,,
Disquiet Junto Project 0217: Form Song
The Assignment: Take an existing assemblage of rhythm and tone and turn it into verse/chorus/verse.
Step 1: For this project you’ll be working with a pre-existing track of your choosing. First, select one track from the previous Junto project, in which a thin foundational bed was added to beats of pin-prick audio. Visit either of these two URLs:
disquiet.com/0216
soundcloud.com/disquiet/sets/d...to-project-0216
Step 2: Confirm the track you selected in Step 1 is available for creative reuse. If you’re not sure, correspond with the musician. If you’re short on time, select a different track.
Step 3: Create a new track by taking the existing track from Step 1 and from it constructing something that follows the verse/chorus/verse format of a traditional song. You can include a bridge, too. No singing is required. You can alter the original audio, beyond just cutting and splicing, and certainly feel free to add a melody, but do maintain some sense of resemblance to the source material.
More on this 217th weekly Disquiet Junto project (“Take an existing assemblage of rhythm and tone and turn it into verse/chorus/verse”) at:
disquiet.com/0217
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/5/2/_/uploads/801843/image_track/751423/w1400_h1400_q70_ptrue_v2_----cropped_e42dc91549867ded6027d232a5f2f1ea_1456754256.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/r-beny-skull-vibrations-wobbly-ol-tape-mix-disquiet0217/</feedburner:origLink>
                                    <itunes:duration>197</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557254</guid>
                                    
                                        <pubDate>Fri, 05 Jun 2015 12:18:19 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-05T12:18:19+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>AC {modded n plodded} (AmbientOnline OSD 29)</title>
                                    <description><![CDATA[Submission for Ambient Online One Sample Dare 29
ambientonline.org/forum/showth...-SAMPLE-DARE-29
All sounds originate from this sample: soundcloud.com/davedorgan/past...io-1-normalized
I challenged myself not to alter the sound too much but also to sound like ambient music. i wanted to accentuate the low hum and use the gradual high pitched noise as rising strings.. so it builds and builds.
track 1: in audacity, i took the first ~45 seconds (before it started screeching) boosted the bass then paulstretched x5.
track 2: cloned track 1 pitched up over 100% then had the whole sample fading in and out three times
track 3: cloned track 1 pitched up ~150% and faded in over the course of the track
this was all mixed down and some gentle hiss reduction applied
track 4: the above mix cloned run through cecilia5 loopermod for some frequency modulation and faded in through the course of the track.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/ac-modded-n-plodded-ambientonline-osd-29/listen.mp3?s=W0L" length="3630810" />
                                    <link>https://hearthis.at/sevenism/ac-modded-n-plodded-ambientonline-osd-29/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>5ceebc30d89c9b52035bb9b3c8b7c9ab.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/5ceebc30d89c9b52035bb9b3c8b7c9ab.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/ac-modded-n-plodded-ambientonline-osd-29/listen.mp3?s=W0L" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Submission for Ambient Online One Sample Dare 29
ambientonline.org/forum/showth...-SAMPLE-DARE-29
All sounds originate from this sample: soundcloud.com/davedorgan/past...io-1-normalized
I challenged myself not to alter the sound too much but also to sound like ambient music. i wanted to accentuate the low hum and use the gradual high pitched noise as rising strings.. so it builds and builds.
track 1: in audacity, i took the first ~45 seconds (before it started screeching) boosted the bass then paulstretched x5.
track 2: cloned track 1 pitched up over 100% then had the whole sample fading in and out three times
track 3: cloned track 1 pitched up ~150% and faded in over the course of the track
this was all mixed down and some gentle hiss reduction applied
track 4: the above mix cloned run through cecilia5 loopermod for some frequency modulation and faded in through the course of the track.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/5/7/_/uploads/801843/image_track/557254/w1400_h1400_q70_ptrue_v2_----cropped_bf06de05dcf1d29bdaacf0c80a7f41e1_1448038757.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/ac-modded-n-plodded-ambientonline-osd-29/</feedburner:origLink>
                                    <itunes:duration>226</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557255</guid>
                                    
                                        <pubDate>Sun, 31 May 2015 21:09:35 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-31T21:09:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Converge - Diverge [Extrospection May 2015]</title>
                                    <description><![CDATA[I saw this painting in art class when i was about 13, i didnt understand that art didnt have to represent something concrete.
Looking at it now I got that pull between convergence and divergence; the frenetic vs the calm background.. the synth i wanted to evoke the calmness with the frenetic beat
The beat was created by typing in 'jackson pollock convergence' into typedrummer.com when it glitches that's coz it goes all weird when you minimize chrome
the synth was done in acidrack by pressing the random button and using that.. because the source jpg of the painting contained the letters Y O H L i used my computer keyboard as midi controller for the note progression (so it's not only influenced by the painting but the jpg of the painting also)
.........................................................................
Created for the EXTROSPECTION Group, May 2015.
More on "EXTROSPECTION" group at: soundcloud.com/groups/extrospection
Complete playlists: @extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/converge-diverge-extrospection-may-2015/listen.mp3?s=l3T" length="0" />
                                    <link>https://hearthis.at/sevenism/converge-diverge-extrospection-may-2015/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>fd71a03e330d6d6b7120659e1bb05ed3.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/fd71a03e330d6d6b7120659e1bb05ed3.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/converge-diverge-extrospection-may-2015/listen.mp3?s=l3T" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I saw this painting in art class when i was about 13, i didnt understand that art didnt have to represent something concrete.
Looking at it now I got that pull between convergence and divergence; the frenetic vs the calm background.. the synth i wanted to evoke the calmness with the frenetic beat
The beat was created by typing in 'jackson pollock convergence' into typedrummer.com when it glitches that's coz it goes all weird when you minimize chrome
the synth was done in acidrack by pressing the random button and using that.. because the source jpg of the painting contained the letters Y O H L i used my computer keyboard as midi controller for the note progression (so it's not only influenced by the painting but the jpg of the painting also)
.........................................................................
Created for the EXTROSPECTION Group, May 2015.
More on "EXTROSPECTION" group at: soundcloud.com/groups/extrospection
Complete playlists: @extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/6/7/_/uploads/801843/image_track/557255/w1400_h1400_q70_ptrue_v2_----cropped_e987c26d937724e92d1f9d22ea28da97_1448038763.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/converge-diverge-extrospection-may-2015/</feedburner:origLink>
                                    <itunes:duration>268</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557256</guid>
                                    
                                        <pubDate>Sat, 30 May 2015 11:35:06 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-30T11:35:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Bells {rndm vocode} 001 (disquiet0178-sepulchrabells)</title>
                                    <description><![CDATA[I was playing around with Cecilia5 which is awesome for real-time processing, clicked random sound which came up with a vocoder preset and it had already emphasized the bells and got rid of most of the background sounds! I fiddled about with it coz there was a little distortion and to make it sound a little more weird but then all i needed to do was a bit of gentle levelling and fading out in audacity. This is the first couple of minutes.

Disquiet Junto Project 0178: Berlin Bells
Emphasize the bells in an urban field recording.
Step 1: Download the audio file at this URL. It is a field recording of urban Berlin by Michael Raphael (aka Sepulchra):
goo.gl/C3kJNA
Step 2: Rework the source audio in a manner that reinforces the melodic component of the bells. Beyond that sole instruction, the choices are up to you.
Step 3: Upload your track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/bells-rndm-vocode-001-disquiet0178-sepulchrabells/listen.mp3?s=6Jg" length="0" />
                                    <link>https://hearthis.at/sevenism/bells-rndm-vocode-001-disquiet0178-sepulchrabells/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>58e31bb834b804cd8f8e6262b10803b5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/58e31bb834b804cd8f8e6262b10803b5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/bells-rndm-vocode-001-disquiet0178-sepulchrabells/listen.mp3?s=6Jg" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I was playing around with Cecilia5 which is awesome for real-time processing, clicked random sound which came up with a vocoder preset and it had already emphasized the bells and got rid of most of the background sounds! I fiddled about with it coz there was a little distortion and to make it sound a little more weird but then all i needed to do was a bit of gentle levelling and fading out in audacity. This is the first couple of minutes.

Disquiet Junto Project 0178: Berlin Bells
Emphasize the bells in an urban field recording.
Step 1: Download the audio file at this URL. It is a field recording of urban Berlin by Michael Raphael (aka Sepulchra):
goo.gl/C3kJNA
Step 2: Rework the source audio in a manner that reinforces the melodic component of the bells. Beyond that sole instruction, the choices are up to you.
Step 3: Upload your track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/7/7/_/uploads/801843/image_track/557256/w1400_h1400_q70_ptrue_v2_----cropped_585290df23d2762b101ae47dad82d0c8_1448038773.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/bells-rndm-vocode-001-disquiet0178-sepulchrabells/</feedburner:origLink>
                                    <itunes:duration>136</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557257</guid>
                                    
                                        <pubDate>Sun, 24 May 2015 22:20:23 +0200</pubDate>
                                        
                                        <atom:updated>2015-05-24T22:20:23+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Spring Palindromes (Dark Winter snippets) (disquiet0177-netlabelportrait)</title>
                                    <description><![CDATA[spring palindromes
waves metaphorical
move forward/setback
ice crystal rainbow
.
-30 second intros played from web and recorded in audacity
-1st 2 samples repeated then reversed
-3rd sample played in middle and reversed
-project stretched and smoothed with paulstretch to fit 4 mins
-volumes messed around with
Step 1: Create a new piece of music by using nothing but the following segments of the following songs:
Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:
darkwinter.com/dw095.html
Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:
darkwinter.com/dw096.html
Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:
darkwinter.com/dw097.html
Step 2: Upload your track to the Disquiet Junto group on SoundCloud.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/listen.mp3?s=fpJ" length="3829759" />
                                    <link>https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>0e58466dd288a435134830a3905534ab.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/0e58466dd288a435134830a3905534ab.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/listen.mp3?s=fpJ" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[spring palindromes
waves metaphorical
move forward/setback
ice crystal rainbow
.
-30 second intros played from web and recorded in audacity
-1st 2 samples repeated then reversed
-3rd sample played in middle and reversed
-project stretched and smoothed with paulstretch to fit 4 mins
-volumes messed around with
Step 1: Create a new piece of music by using nothing but the following segments of the following songs:
Use the first 30 seconds from “Part 1″ off Scott Lawlor’s World of Ice and Snow:
darkwinter.com/dw095.html
Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:
darkwinter.com/dw096.html
Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:
darkwinter.com/dw097.html
Step 2: Upload your track to the Disquiet Junto group on SoundCloud.
Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/7/_/uploads/801843/image_track/557257/w1400_h1400_q70_ptrue_v2_----cropped_9d0f81a36113f7d6b6366563927366d2_1448038778.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/spring-palindromes-dark-winter-snippets-disquiet0177-netlabelportrait/</feedburner:origLink>
                                    <itunes:duration>239</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">763608</guid>
                                    
                                        <pubDate>Sun, 14 Feb 2016 00:50:30 +0100</pubDate>
                                        
                                        <atom:updated>2016-02-14T00:50:30+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>sevenism -- ambient re//mix/one</title>
                                    <description><![CDATA[thanks for all the listens! please follow me @sevenism.. reposts and comments are always welcomed
a load of remixes i've done, nominally mixed

boc/nevermen - mr mistake [ambientstrumental] @nevermenmusic
? - ? obstructed mix
afx - avril 14th [rndm velocity] @user18081971
jedrzej borowski- 3 switches x3 @jborowski
technohead - accelerator 1 [deceleratedecholocated]
cdek - res 13 2 (sev/ered) C-Dek
MyklH - Transmitting from space (sev visual echoes) @MyklH
loess - f4 {gravity echoes}
adam intilia - burning into time (blurring into time) @adamintilia
hideyuki - teian (minor edit) @kuromiya-hideyuki
westy reflector / benn demole - c-swellowed @thereflectors @benn-demole

thanks to the original artists for the wonderful music]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/sevenism-ambient-remixone/listen.mp3?s=WKt" length="52610193" />
                                    <link>https://hearthis.at/sevenism/sevenism-ambient-remixone/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>27c920bad1eca7746c23516cf1e44b40.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream15.hearthis.at/27c920bad1eca7746c23516cf1e44b40.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/sevenism-ambient-remixone/listen.mp3?s=WKt" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[thanks for all the listens! please follow me @sevenism.. reposts and comments are always welcomed
a load of remixes i've done, nominally mixed

boc/nevermen - mr mistake [ambientstrumental] @nevermenmusic
? - ? obstructed mix
afx - avril 14th [rndm velocity] @user18081971
jedrzej borowski- 3 switches x3 @jborowski
technohead - accelerator 1 [deceleratedecholocated]
cdek - res 13 2 (sev/ered) C-Dek
MyklH - Transmitting from space (sev visual echoes) @MyklH
loess - f4 {gravity echoes}
adam intilia - burning into time (blurring into time) @adamintilia
hideyuki - teian (minor edit) @kuromiya-hideyuki
westy reflector / benn demole - c-swellowed @thereflectors @benn-demole

thanks to the original artists for the wonderful music]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/0/0/5/_/uploads/801843/image_user/w1400_h1400_q70_ptrue_v2_----cropped_665f3f6b68d8f810e098dfb7cb4fefe4avatars-000098754841-mke5w1-t500x500.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/sevenism-ambient-remixone/</feedburner:origLink>
                                    <itunes:duration>3288</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557253</guid>
                                    
                                        <pubDate>Fri, 05 Jun 2015 14:14:34 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-05T14:14:34+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Chinook Showroom {ambientechoes} [disquiet0179-techniquetalk]</title>
                                    <description><![CDATA[The main thing I've learned recently is how to cede control to an instrument, like how inuits (and other cultures) say: the sculpture is already there. i just need to tease it out. So there's more of a collaboration, feedback loop, between performer and instrument.
Here, I used acidrack pressed the random button to get a synth tone, then pressed random again because i didnt like the first one. i fed this tone through a load of echo and delay in podfarm. i used excel to generate random notes, then improvised based on these constraints. 
The long rhythmic echoes suggested long gaps between the notes but sometimes these echoes were lower in the mix so i'd play quicker, at the same time i was cognizant of what had already happened and how close it felt to the end.
The track title was found by 'conducting' my swype keyboard on my phone to produce two words. Art was found by searching google images for these words and manipulating an image i liked
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
Disquiet Junto Project 0179: Tech(nique) Talk
Show off (and explain) one thing you’ve learned recently about an instrument/tool.
Step 1: Think of one thing in the recent past you’ve “figured out” related to how you use an instrument or another piece of technology to make music.
Step 2: Record a short piece of music that employs that technique.
Step 3: After uploading the piece, explain in the accompany text (and/or in the captions to the SoundCloud file) what the thing is you’ve figured out, so others can benefit from what you’ve learned. Explain how you’ve employed it in the track.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on this 179th Disquiet Junto project — “Show off (and explain) one thing you’ve learned recently about an instrument/tool” — at:
disquiet.com/2015/06/04/disqui...9-techniquetalk
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/chinook-showroom-ambientechoes-disquiet0179-techniquetalk/listen.mp3?s=HNa" length="2768142" />
                                    <link>https://hearthis.at/sevenism/chinook-showroom-ambientechoes-disquiet0179-techniquetalk/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>5ac5f80a9f1f85763739dce4a81ef1e5.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/5ac5f80a9f1f85763739dce4a81ef1e5.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/chinook-showroom-ambientechoes-disquiet0179-techniquetalk/listen.mp3?s=HNa" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[The main thing I've learned recently is how to cede control to an instrument, like how inuits (and other cultures) say: the sculpture is already there. i just need to tease it out. So there's more of a collaboration, feedback loop, between performer and instrument.
Here, I used acidrack pressed the random button to get a synth tone, then pressed random again because i didnt like the first one. i fed this tone through a load of echo and delay in podfarm. i used excel to generate random notes, then improvised based on these constraints. 
The long rhythmic echoes suggested long gaps between the notes but sometimes these echoes were lower in the mix so i'd play quicker, at the same time i was cognizant of what had already happened and how close it felt to the end.
The track title was found by 'conducting' my swype keyboard on my phone to produce two words. Art was found by searching google images for these words and manipulating an image i liked
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
Disquiet Junto Project 0179: Tech(nique) Talk
Show off (and explain) one thing you’ve learned recently about an instrument/tool.
Step 1: Think of one thing in the recent past you’ve “figured out” related to how you use an instrument or another piece of technology to make music.
Step 2: Record a short piece of music that employs that technique.
Step 3: After uploading the piece, explain in the accompany text (and/or in the captions to the SoundCloud file) what the thing is you’ve figured out, so others can benefit from what you’ve learned. Explain how you’ve employed it in the track.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on this 179th Disquiet Junto project — “Show off (and explain) one thing you’ve learned recently about an instrument/tool” — at:
disquiet.com/2015/06/04/disqui...9-techniquetalk
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/4/7/_/uploads/801843/image_track/557253/w1400_h1400_q70_ptrue_v2_----cropped_8162d7ce317ebee6314845ac550d7f29_1448038747.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/chinook-showroom-ambientechoes-disquiet0179-techniquetalk/</feedburner:origLink>
                                    <itunes:duration>172</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557252</guid>
                                    
                                        <pubDate>Wed, 10 Jun 2015 18:38:08 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-10T18:38:08+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Layers {mountain dulcimer echo} [Extrospection June 2015]</title>
                                    <description><![CDATA[My heart dropped when I saw this image. I find the conduct of the States in international affairs disgraceful. But then looking at the layered flags I reflected on more positive aspects: on the beautiful people I've known and the inspiring culture.
I used my mountain dulcimer which is a genuine North American instrument (although with fitting irony my instrument is made in Pakistan which I found gently subversive). I played based on american primitivism and eastern influences (listen to soundcloud.com/deanmcphee/glass-hills for a better example of this approach) and then layered the sound with lots of ambient echo.
Underneath it all is the first note of Hendrix's star spangled banner which I stretched 10,000% and pitched down to fit into the track.
.........................
Created for the EXTROSPECTION Group, June 2015.
More on "EXTROSPECTION" group at: soundcloud.com/groups/extrospection
Complete playlists: @extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/layers-mountain-dulcimer-echo-extrospection-june-2015/listen.mp3?s=Rck" length="3003035" />
                                    <link>https://hearthis.at/sevenism/layers-mountain-dulcimer-echo-extrospection-june-2015/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>0cfb88dd731eb080514d18404b3a7b4c.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/0cfb88dd731eb080514d18404b3a7b4c.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/layers-mountain-dulcimer-echo-extrospection-june-2015/listen.mp3?s=Rck" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[My heart dropped when I saw this image. I find the conduct of the States in international affairs disgraceful. But then looking at the layered flags I reflected on more positive aspects: on the beautiful people I've known and the inspiring culture.
I used my mountain dulcimer which is a genuine North American instrument (although with fitting irony my instrument is made in Pakistan which I found gently subversive). I played based on american primitivism and eastern influences (listen to soundcloud.com/deanmcphee/glass-hills for a better example of this approach) and then layered the sound with lots of ambient echo.
Underneath it all is the first note of Hendrix's star spangled banner which I stretched 10,000% and pitched down to fit into the track.
.........................
Created for the EXTROSPECTION Group, June 2015.
More on "EXTROSPECTION" group at: soundcloud.com/groups/extrospection
Complete playlists: @extrospection-playlists
Subscribe to this link in order to receive news about this group:
tinyletter.com/Sozu-project]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/3/7/_/uploads/801843/image_track/557252/w1400_h1400_q70_ptrue_v2_----cropped_b398cb5c82ee4a06ffed0690af80ba99_1448038738.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/layers-mountain-dulcimer-echo-extrospection-june-2015/</feedburner:origLink>
                                    <itunes:duration>187</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557251</guid>
                                    
                                        <pubDate>Fri, 12 Jun 2015 23:33:35 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-12T23:33:35+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Matryoska (disquiet0180-matryoshkamusic)</title>
                                    <description><![CDATA[I represented each of the six dolls as an instrument -  the bass doll, then opening up we hear my voice, then mountain dulcimer, then kalimba, 12 string guitar and glockenspiel. Then I reversed it as the doll is put back together and we just hear the bass to close.
The bass starts off with more fx then I remove more and more fx from the instruments as it opens up.
I tried to restage the image with my instruments!

Disquiet Junto Project 0180: Matryoshka Music
Use the Russian nesting dolls as a model for a musical composition.
Step 1: Consider the Russian nesting doll called the matryoshka, in which hollowed-out wooden figurines are designed to be stored inside each other, excepting the smallest doll, which is solid.
Step 2: Compose a short piece of music that somehow takes as its basis the doll’s structure. (For a further constraint, imagine a matryoshka consisting of 6 dolls.)
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early evening, California time, on Thursday, June 11, 2015, with a deadline of 11:59pm wherever you are on Monday, June 15, 2015.
Length: The length of your finished work is up to you, but between two minutes and four minutes is probably best in this context.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
More on this 180th Disquiet Junto project — “Use the Russian nesting dolls as a model for a musical composition” — at:
disquiet.com/2015/06/11/disquie…0-matryoshkamusic/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/matryoska-disquiet0180-matryoshkamusic/listen.mp3?s=9Ra" length="2224795" />
                                    <link>https://hearthis.at/sevenism/matryoska-disquiet0180-matryoshkamusic/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>cdebbc3787afde3f8b980a8d8bafad72.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/cdebbc3787afde3f8b980a8d8bafad72.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/matryoska-disquiet0180-matryoshkamusic/listen.mp3?s=9Ra" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I represented each of the six dolls as an instrument -  the bass doll, then opening up we hear my voice, then mountain dulcimer, then kalimba, 12 string guitar and glockenspiel. Then I reversed it as the doll is put back together and we just hear the bass to close.
The bass starts off with more fx then I remove more and more fx from the instruments as it opens up.
I tried to restage the image with my instruments!

Disquiet Junto Project 0180: Matryoshka Music
Use the Russian nesting dolls as a model for a musical composition.
Step 1: Consider the Russian nesting doll called the matryoshka, in which hollowed-out wooden figurines are designed to be stored inside each other, excepting the smallest doll, which is solid.
Step 2: Compose a short piece of music that somehow takes as its basis the doll’s structure. (For a further constraint, imagine a matryoshka consisting of 6 dolls.)
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early evening, California time, on Thursday, June 11, 2015, with a deadline of 11:59pm wherever you are on Monday, June 15, 2015.
Length: The length of your finished work is up to you, but between two minutes and four minutes is probably best in this context.
Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
More on this 180th Disquiet Junto project — “Use the Russian nesting dolls as a model for a musical composition” — at:
disquiet.com/2015/06/11/disquie…0-matryoshkamusic/
More on the Disquiet Junto at:
disquiet.com/junto/
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/
Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/7/_/uploads/801843/image_track/557251/w1400_h1400_q70_ptrue_v2_----cropped_113d42695f2380b54ee8358a5ebd3f18_1448038733.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/matryoska-disquiet0180-matryoshkamusic/</feedburner:origLink>
                                    <itunes:duration>139</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751438</guid>
                                    
                                        <pubDate>Sat, 05 Dec 2015 16:47:24 +0100</pubDate>
                                        
                                        <atom:updated>2015-12-05T16:47:24+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>occluded; hidden (disquiet0205)</title>
                                    <description><![CDATA[when i was 12 or 13 my music teacher at school was horrible: mean and impatient - she'd grab kids fingers and press them hard into the 'right' keys when we made mistakes. there was no relationship between my burgeoning love of music and what i had to contend with at school. i never learnt to read music, and looking at this image reminds me of sitting in front of a keyboard thinking 'what the fuck?'
so i sat in front of my electric piano and just played what i felt. then i've hidden this playing in a number of ways - i've cloned the track and blurred it with paulstretch, reverb, echo a few times.
and i used amazing midi to convert the recording to midi to add some random variance and then created 3 separate soundscapes with different fx in live 8
♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬
Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.
This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.
Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:
disquiet.com/wp-content/upload...03-560×560.jpg
Step 2: Record a piece of music based on that score in Step 1.
More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:
disquiet.com/2015/12/03/disqui...5-superposition
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/occluded-hidden-disquiet0205/listen.mp3?s=pTP" length="3770826" />
                                    <link>https://hearthis.at/sevenism/occluded-hidden-disquiet0205/</link>
                                    <thr:total>0</thr:total>
                                    <hq>83</hq>
                                    <hq_filename>93b0a944474a058efdc959ec8c5944a8.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream27.hearthis.at/93b0a944474a058efdc959ec8c5944a8.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/occluded-hidden-disquiet0205/listen.mp3?s=pTP" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[when i was 12 or 13 my music teacher at school was horrible: mean and impatient - she'd grab kids fingers and press them hard into the 'right' keys when we made mistakes. there was no relationship between my burgeoning love of music and what i had to contend with at school. i never learnt to read music, and looking at this image reminds me of sitting in front of a keyboard thinking 'what the fuck?'
so i sat in front of my electric piano and just played what i felt. then i've hidden this playing in a number of ways - i've cloned the track and blurred it with paulstretch, reverb, echo a few times.
and i used amazing midi to convert the recording to midi to add some random variance and then created 3 separate soundscapes with different fx in live 8
♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬♪♩♩♩♮♬
Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.
This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.
Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:
disquiet.com/wp-content/upload...03-560×560.jpg
Step 2: Record a piece of music based on that score in Step 1.
More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:
disquiet.com/2015/12/03/disqui...5-superposition
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/2/3/_/uploads/801843/image_track/751438/w1400_h1400_q70_ptrue_v2_----cropped_023906076373a60a45c6728ba56d72cf_1456754327.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/occluded-hidden-disquiet0205/</feedburner:origLink>
                                    <itunes:duration>235</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">751439</guid>
                                    
                                        <pubDate>Fri, 04 Dec 2015 16:23:54 +0100</pubDate>
                                        
                                        <atom:updated>2015-12-04T16:23:54+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Call Not For The Bells</title>
                                    <description><![CDATA[track made just from this sample freesound.org/people/UncleSigm...nd/sounds/31183
for one sample dare 35 ambientonline.org/forum/showth...-Sample-Dare-35
I didn't listen to the sample beforehand, and I didnt know what it was (scott put it with title changed in my dropbox) i loaded it into live 8 and cecilia 5, loaded up some fx that i thought would make it ambient, and pressed record in audacity. Naturally, i was scared what would happen and it didnt turn out that well.. but it was fun trying!
track 1: the original sample slowed down to 20 bpm in live 8 with the following chain:  six string ambience > granalizer vst > wide ambience reverb.
track 2:  original sample slowed to 20bpm again in live 8 with these fx: ambience v1 vst > crystal bass > wide chorus.
tracks 1 and 2 i did some twiddling over the course of the piece and pressed play again towards the end
track 3: sample loaded into cecilia 5 with looper mod, reverb, chorus, harmonizer, resonators. again played with the levels throughout.. unfortunately it stops rather abruptly, i thought i'd set it repeating for longer  ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/call-not-for-the-bells/listen.mp3?s=gOK" length="6259773" />
                                    <link>https://hearthis.at/sevenism/call-not-for-the-bells/</link>
                                    <thr:total>0</thr:total>
                                    <hq>53</hq>
                                    <hq_filename>46c9e3a9a610d261e1ad13b5d9538a21.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream35.hearthis.at/46c9e3a9a610d261e1ad13b5d9538a21.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/call-not-for-the-bells/listen.mp3?s=gOK" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[track made just from this sample freesound.org/people/UncleSigm...nd/sounds/31183
for one sample dare 35 ambientonline.org/forum/showth...-Sample-Dare-35
I didn't listen to the sample beforehand, and I didnt know what it was (scott put it with title changed in my dropbox) i loaded it into live 8 and cecilia 5, loaded up some fx that i thought would make it ambient, and pressed record in audacity. Naturally, i was scared what would happen and it didnt turn out that well.. but it was fun trying!
track 1: the original sample slowed down to 20 bpm in live 8 with the following chain:  six string ambience > granalizer vst > wide ambience reverb.
track 2:  original sample slowed to 20bpm again in live 8 with these fx: ambience v1 vst > crystal bass > wide chorus.
tracks 1 and 2 i did some twiddling over the course of the piece and pressed play again towards the end
track 3: sample loaded into cecilia 5 with looper mod, reverb, chorus, harmonizer, resonators. again played with the levels throughout.. unfortunately it stops rather abruptly, i thought i'd set it repeating for longer  ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/3/3/_/uploads/801843/image_track/751439/w1400_h1400_q70_ptrue_v2_----cropped_7a30a9fb2d6315424e7b73bc9a21fc54_1456754331.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/call-not-for-the-bells/</feedburner:origLink>
                                    <itunes:duration>391</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557240</guid>
                                    
                                        <pubDate>Fri, 07 Aug 2015 19:06:04 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-07T19:06:04+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>hidden complex (summer mix) (disquiet0188)</title>
                                    <description><![CDATA[for me complexity is a conceptual endeavour, it's more about the process than the outcome. at the moment, i see complexity as an integration of disparate elements: subjective-objective, creative-analytical, individual-communal, present-past etc. i'm aware that every piece of music i do follows on from another, they are related to each other in some (small?) way. working intuitively allows this to come out i think, but in addition i always combine conscious conceptual elements from previous efforts - my hope is that my soundcloud timeline provides a natural progression track to track. 
i've been working a lot with samples on my last few tracks, so i didn't add anything else. i just went through and isolated small sounds i liked then stretched them and blended in over the course of track (like in sleeping church) but here i was more interested in getting a balance between texture and frequency. i've been working with dronefx on my mixcloud pieces so i used that to generate some note progressions and changed the pitch of the low end sounds. i wanted to make an ambient piece that gradually develops with more texture (again like in all my recent pieces) and i used the concepts of the last two disquiet projects to complement this: i recorded the piece to tape as in summer:impermanence (& fortuitously coz it was the same decrepit old tape a little snippet of that track comes through right at the start!) then i faded between the tape version into the 'clean' version as the track progresses (like in last weeks project).
i wanted the finished piece to sound completely different to the source but still retain something of the spirit of it. i tested this by fading in and out my favourite section of the original  right at the end and i think it works pretty well.
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.
This project was proposed by Guy Birkin and Jay Bodley (aka Sun Hammer). It extends the thinking that went into their album Complexification, released by the record label Entr’acte. (entracte.co.uk/projects/guy-bi...sun-hammer-e187)
These are the steps for this project:
Step 1: Pick one of the two tracks at the following URL: goo.gl/tN4Oit.
Step 2: Modify that one track in any way, using as much or little of it as you like, to make a new piece that sounds “more complex” than the original. You may add other sounds. (Note: You are free to use any definition or measure of “complexity.” You should be sure to describe your process and how it “increases” the complexity of the original track.)
Background: The album Complexification by Guy Birkin and Sun Hammer “explores musical complexity through a collaborative process based on a set of rules.” Those rules involved the two musicians swapping successive copies of a track in order to make it progressively more “complex.” For their purposes, they defined “complexity” as follows: “In this project, complexity is understood in terms of the quantity and variety of musical elements or patterns. The result is two parallel threads of music, each representing a progression of increasing complexity.”
More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:
disquiet.com/2015/08/06/disqui...-complexcomplex
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/hidden-complex-summer-mix-disquiet0188/listen.mp3?s=wZE" length="2320090" />
                                    <link>https://hearthis.at/sevenism/hidden-complex-summer-mix-disquiet0188/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>978c82d06791b9ea89a4ca197c0a7bbe.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/978c82d06791b9ea89a4ca197c0a7bbe.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/hidden-complex-summer-mix-disquiet0188/listen.mp3?s=wZE" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[for me complexity is a conceptual endeavour, it's more about the process than the outcome. at the moment, i see complexity as an integration of disparate elements: subjective-objective, creative-analytical, individual-communal, present-past etc. i'm aware that every piece of music i do follows on from another, they are related to each other in some (small?) way. working intuitively allows this to come out i think, but in addition i always combine conscious conceptual elements from previous efforts - my hope is that my soundcloud timeline provides a natural progression track to track. 
i've been working a lot with samples on my last few tracks, so i didn't add anything else. i just went through and isolated small sounds i liked then stretched them and blended in over the course of track (like in sleeping church) but here i was more interested in getting a balance between texture and frequency. i've been working with dronefx on my mixcloud pieces so i used that to generate some note progressions and changed the pitch of the low end sounds. i wanted to make an ambient piece that gradually develops with more texture (again like in all my recent pieces) and i used the concepts of the last two disquiet projects to complement this: i recorded the piece to tape as in summer:impermanence (& fortuitously coz it was the same decrepit old tape a little snippet of that track comes through right at the start!) then i faded between the tape version into the 'clean' version as the track progresses (like in last weeks project).
i wanted the finished piece to sound completely different to the source but still retain something of the spirit of it. i tested this by fading in and out my favourite section of the original  right at the end and i think it works pretty well.
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.
This project was proposed by Guy Birkin and Jay Bodley (aka Sun Hammer). It extends the thinking that went into their album Complexification, released by the record label Entr’acte. (entracte.co.uk/projects/guy-bi...sun-hammer-e187)
These are the steps for this project:
Step 1: Pick one of the two tracks at the following URL: goo.gl/tN4Oit.
Step 2: Modify that one track in any way, using as much or little of it as you like, to make a new piece that sounds “more complex” than the original. You may add other sounds. (Note: You are free to use any definition or measure of “complexity.” You should be sure to describe your process and how it “increases” the complexity of the original track.)
Background: The album Complexification by Guy Birkin and Sun Hammer “explores musical complexity through a collaborative process based on a set of rules.” Those rules involved the two musicians swapping successive copies of a track in order to make it progressively more “complex.” For their purposes, they defined “complexity” as follows: “In this project, complexity is understood in terms of the quantity and variety of musical elements or patterns. The result is two parallel threads of music, each representing a progression of increasing complexity.”
More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:
disquiet.com/2015/08/06/disqui...-complexcomplex
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/7/6/_/uploads/801843/image_track/557240/w1400_h1400_q70_ptrue_v2_----cropped_798ba7296e83012a0cfd0c22df5e7949_1448038671.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/hidden-complex-summer-mix-disquiet0188/</feedburner:origLink>
                                    <itunes:duration>144</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557241</guid>
                                    
                                        <pubDate>Mon, 03 Aug 2015 22:18:06 +0200</pubDate>
                                        
                                        <atom:updated>2015-08-03T22:18:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>blue moon (disquiet0187-threestrands)</title>
                                    <description><![CDATA[there was a blue moon the other day (two full moons bookending the month) the fading in and out is how i represented this.
found this sample on an old tape.. looped it ~a minute then cloned it a couple of times pitched one up 100% and one down to 82 hz.. then had the samples fading in and out pretty randomly
☾ O ☽ ☾  ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽
Disquiet Junto Project 0187: Three Strands
Shift between three renditions of the same melody.
Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).
Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)
Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.
More on this 187th Disquiet Junto project (“Shift between three renditions of the same melody”) at:
disquiet.com/2015/07/30/disqui...87-threestrands
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/blue-moon-disquiet0187-threestrands/listen.mp3?s=0D4" length="835499" />
                                    <link>https://hearthis.at/sevenism/blue-moon-disquiet0187-threestrands/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>048ffc929b3a4098f9e8c4eb3b7c7a00.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/048ffc929b3a4098f9e8c4eb3b7c7a00.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/blue-moon-disquiet0187-threestrands/listen.mp3?s=0D4" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there was a blue moon the other day (two full moons bookending the month) the fading in and out is how i represented this.
found this sample on an old tape.. looped it ~a minute then cloned it a couple of times pitched one up 100% and one down to 82 hz.. then had the samples fading in and out pretty randomly
☾ O ☽ ☾  ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽ ☾ O ☽
Disquiet Junto Project 0187: Three Strands
Shift between three renditions of the same melody.
Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).
Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)
Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.
More on this 187th Disquiet Junto project (“Shift between three renditions of the same melody”) at:
disquiet.com/2015/07/30/disqui...87-threestrands
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/8/7/6/_/uploads/801843/image_track/557241/w1400_h1400_q70_ptrue_v2_----cropped_f07b1e9f491543519f823efd645a78c0_1448038678.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/blue-moon-disquiet0187-threestrands/</feedburner:origLink>
                                    <itunes:duration>52</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557242</guid>
                                    
                                        <pubDate>Sun, 26 Jul 2015 19:45:20 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-26T19:45:20+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>what? my name is.. (disquiet0186-myname)</title>
                                    <description><![CDATA[Lickfold.
No not lickford, nickford, pickfood.. lickfold.. l-i-c-k-f-o-l-d.
got a lot of grief about my surname at school, but i like it now, it's unusual and dad's traced it back to the 13th century!
the music is composed only from the sample of me saying lickfold
track 1: my name slowly faded out (pitched to 77%)
track 2: paulstretched 1000%
track 3: track 2 cloned, pitched up 400%, phased
track 4: track 2 cloned, sped up x2, repeated
track 5: track 4 cloned, sped up x2, repeated, 2nd half tremelo'd and echoed
oh yeah the artwork was done with weavesilk.com writing my surname.. looks like me going into an mri scanner!
lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
Disquiet Junto Project 0186: My Name
Explore the sonic contours of a word you’ve spelled out loud frequently: your name.
These are the steps in this week’s project, which is a micro-exploration of the techniques employed by the composer Scott Johnson. It’s also about various spectra of repetition.
Step 1: Record the sound of you spelling your own name. Best to do just one word, either your first name or last name — whichever you’ve been more likely to enunciate clearly over the years.
Step 2: Slow the recording just a bit, to maybe 75% of the original speed. Adjust to your own taste, but don’t slow it too much: Your name should still be “audibly legible.”
Step 3: Listen very closely to the segment. Note the melodic shape, the rhythm, the inherent grace moments, other granular aspects specific to how you say your name.
Step 4: Record a short piece of music that emulates those shapes, that rhythm, those grace moments, and so forth.
Step 5: Set a loop of the newly composed piece of music over a loop of you repeating your name. Repeat for between 30 seconds and a minute.
Step 6: Go back and tweak the composed music over the length of the work.
Step 7: Set it so that the volume of you saying your name decreases, so that by the end of the length of the piece your name is no longer audible, with just the music remaining.
More on this 186th Disquiet Junto project (“Explore the sonic contours of a word you’ve spelled out loud frequently: your name”) at:
disquiet.com/2015/07/23/disqui...uiet0186-myname
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/what-my-name-is-disquiet0186-myname/listen.mp3?s=6tX" length="1256802" />
                                    <link>https://hearthis.at/sevenism/what-my-name-is-disquiet0186-myname/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>23eb3f8b6c9132b3edba899aac3abcad.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/23eb3f8b6c9132b3edba899aac3abcad.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/what-my-name-is-disquiet0186-myname/listen.mp3?s=6tX" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[Lickfold.
No not lickford, nickford, pickfood.. lickfold.. l-i-c-k-f-o-l-d.
got a lot of grief about my surname at school, but i like it now, it's unusual and dad's traced it back to the 13th century!
the music is composed only from the sample of me saying lickfold
track 1: my name slowly faded out (pitched to 77%)
track 2: paulstretched 1000%
track 3: track 2 cloned, pitched up 400%, phased
track 4: track 2 cloned, sped up x2, repeated
track 5: track 4 cloned, sped up x2, repeated, 2nd half tremelo'd and echoed
oh yeah the artwork was done with weavesilk.com writing my surname.. looks like me going into an mri scanner!
lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll
Disquiet Junto Project 0186: My Name
Explore the sonic contours of a word you’ve spelled out loud frequently: your name.
These are the steps in this week’s project, which is a micro-exploration of the techniques employed by the composer Scott Johnson. It’s also about various spectra of repetition.
Step 1: Record the sound of you spelling your own name. Best to do just one word, either your first name or last name — whichever you’ve been more likely to enunciate clearly over the years.
Step 2: Slow the recording just a bit, to maybe 75% of the original speed. Adjust to your own taste, but don’t slow it too much: Your name should still be “audibly legible.”
Step 3: Listen very closely to the segment. Note the melodic shape, the rhythm, the inherent grace moments, other granular aspects specific to how you say your name.
Step 4: Record a short piece of music that emulates those shapes, that rhythm, those grace moments, and so forth.
Step 5: Set a loop of the newly composed piece of music over a loop of you repeating your name. Repeat for between 30 seconds and a minute.
Step 6: Go back and tweak the composed music over the length of the work.
Step 7: Set it so that the volume of you saying your name decreases, so that by the end of the length of the piece your name is no longer audible, with just the music remaining.
More on this 186th Disquiet Junto project (“Explore the sonic contours of a word you’ve spelled out loud frequently: your name”) at:
disquiet.com/2015/07/23/disqui...uiet0186-myname
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/8/6/_/uploads/801843/image_track/557242/w1400_h1400_q70_ptrue_v2_----cropped_85d93be83ffa11cb3a3a91a92ede3f39_1448038683.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/what-my-name-is-disquiet0186-myname/</feedburner:origLink>
                                    <itunes:duration>78</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557243</guid>
                                    
                                        <pubDate>Fri, 17 Jul 2015 23:31:58 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-17T23:31:58+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>summer : impermanence (disquiet0185-memorymusic)</title>
                                    <description><![CDATA[so, weird synchronicity again; this track soundcloud.com/sevenism/summer...er-storm-memory i did the other day fits the bill perfectly it was about a childhood memory of a summer storm. rather than just add that though i used the same method so it's kind of like a part 2
i remembered when i was a kid a bunch of at a birthday party in our garden were jumping on my poor dad.. at the time it was so much fun but i'm guessing it wasnt for him!
i associate the harmonica with dad, its the first instrument i think i fell in love with and dad was gonna give me his harmonica a few yrs back but it's lost somewhere, but he got me a new one which can hear on here.. so that represents dad.. then i slowed it down and blurred it righht out for the passage of time feel
then the other sounds are a guitar with loads of reverse delay; that's us bothering him, again blurred a bit.
then like summer storm i recorded to tape and then back onto pc via walkman, i like the warp at the start and the wow n flutter but not enough hiss!
۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞
Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.
This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.
A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.
These are the steps for this week’s project:
Step 1: Remember a key moment in your life. It could be anything at any age.
Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.
Step 3: Recreate that sound and feeling through sound design and music.
More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:
disquiet.com/2015/07/16/disqui...185-memorymusic
More on the Disquiet Junto at:
disquiet.com/junto
This project was proposed by Robert Thomas, more from whom at:
dizzybanjo.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/summer-impermanence-disquiet0185-memorymusic/listen.mp3?s=5vg" length="3569788" />
                                    <link>https://hearthis.at/sevenism/summer-impermanence-disquiet0185-memorymusic/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>66c784f26c088ad5348ddc16cc0b1444.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream36.hearthis.at/66c784f26c088ad5348ddc16cc0b1444.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/summer-impermanence-disquiet0185-memorymusic/listen.mp3?s=5vg" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[so, weird synchronicity again; this track soundcloud.com/sevenism/summer...er-storm-memory i did the other day fits the bill perfectly it was about a childhood memory of a summer storm. rather than just add that though i used the same method so it's kind of like a part 2
i remembered when i was a kid a bunch of at a birthday party in our garden were jumping on my poor dad.. at the time it was so much fun but i'm guessing it wasnt for him!
i associate the harmonica with dad, its the first instrument i think i fell in love with and dad was gonna give me his harmonica a few yrs back but it's lost somewhere, but he got me a new one which can hear on here.. so that represents dad.. then i slowed it down and blurred it righht out for the passage of time feel
then the other sounds are a guitar with loads of reverse delay; that's us bothering him, again blurred a bit.
then like summer storm i recorded to tape and then back onto pc via walkman, i like the warp at the start and the wow n flutter but not enough hiss!
۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞۞
Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.
This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.
A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.
These are the steps for this week’s project:
Step 1: Remember a key moment in your life. It could be anything at any age.
Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.
Step 3: Recreate that sound and feeling through sound design and music.
More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:
disquiet.com/2015/07/16/disqui...185-memorymusic
More on the Disquiet Junto at:
disquiet.com/junto
This project was proposed by Robert Thomas, more from whom at:
dizzybanjo.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/7/8/6/_/uploads/801843/image_track/557243/w1400_h1400_q70_ptrue_v2_----cropped_81344058d1892726b2b156f3a1fe2a69_1448038687.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/summer-impermanence-disquiet0185-memorymusic/</feedburner:origLink>
                                    <itunes:duration>223</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557244</guid>
                                    
                                        <pubDate>Fri, 10 Jul 2015 22:50:06 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-10T22:50:06+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>(one)eightfour (disquiet0184-setsofbars)</title>
                                    <description><![CDATA[This is weird: i recorded some parts in live 8 on acidrack through podfarm then exported as wav to more easily play around with in audacity.. but what was outputted was not what i recorded and then live just crashed so i lost everything.. i dunno what happened, dunno where the 1-bar went, or where all the echo came from.. but hey the segments are combined at random and i like how it's come out!
################################################
Disquiet Junto Project 0184: Sets of Bars
Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.
This week’s Junto is project 184 in the series. We’ll explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.
Step 1: Record three very short pieces of music: one that is 8 bars long, one that is 4 bars long, and one that is 1 bar long.
Step 2: Create an extended sequence of those segments that combines them at random. The overall total length is recommended to be between one and two minutes.
Step 3: You have a pair of options here:
Option A: Add one or two additional layers of sound/music that play off the sequence.
Option B: Develop your own rules/system (example: start an 8-bar tone each time the 1-bar segment plays).
More on this 184th Disquiet Junto project (“Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars”) at:
disquiet.com/2015/07/09/disqui...0184-setsofbars
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Image associated with this post by Vladimer Shioshvili and used thanks to a Creative Commons license:
flic.kr/p/dEE5RJ]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/oneeightfour-disquiet0184-setsofbars/listen.mp3?s=MHe" length="0" />
                                    <link>https://hearthis.at/sevenism/oneeightfour-disquiet0184-setsofbars/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>d717970478e13f2a1c79075143869f60.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/d717970478e13f2a1c79075143869f60.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/oneeightfour-disquiet0184-setsofbars/listen.mp3?s=MHe" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[This is weird: i recorded some parts in live 8 on acidrack through podfarm then exported as wav to more easily play around with in audacity.. but what was outputted was not what i recorded and then live just crashed so i lost everything.. i dunno what happened, dunno where the 1-bar went, or where all the echo came from.. but hey the segments are combined at random and i like how it's come out!
################################################
Disquiet Junto Project 0184: Sets of Bars
Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.
This week’s Junto is project 184 in the series. We’ll explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.
Step 1: Record three very short pieces of music: one that is 8 bars long, one that is 4 bars long, and one that is 1 bar long.
Step 2: Create an extended sequence of those segments that combines them at random. The overall total length is recommended to be between one and two minutes.
Step 3: You have a pair of options here:
Option A: Add one or two additional layers of sound/music that play off the sequence.
Option B: Develop your own rules/system (example: start an 8-bar tone each time the 1-bar segment plays).
More on this 184th Disquiet Junto project (“Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars”) at:
disquiet.com/2015/07/09/disqui...0184-setsofbars
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums
Image associated with this post by Vladimer Shioshvili and used thanks to a Creative Commons license:
flic.kr/p/dEE5RJ]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/2/9/6/_/uploads/801843/image_track/557244/w1400_h1400_q70_ptrue_v2_----cropped_f68d794f5db6a866a5b2259607885d4c_1448038692.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/oneeightfour-disquiet0184-setsofbars/</feedburner:origLink>
                                    <itunes:duration>96</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557246</guid>
                                    
                                        <pubDate>Sun, 05 Jul 2015 19:25:31 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-05T19:25:31+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Summer Storm (memory)</title>
                                    <description><![CDATA[My track for ambient online one sample dare 30. the original sample here: soundcloud.com/lighthugger/pip...pipes-ao-osd-30
i wanted this to sound like a summer storm brooding, a muggy humid feel, and it being a long ago memory.
In audacity i took the whole sample paulstretched it to ~8 minutes and really smoothed out (cos there's loads of elements in the sample that i wanted to create gradual shifts and depth) then increased the volume of the low end rumble. then time stretched it down by half so the tonal shifts are more pronounced (and cos i'm running out of time on my sc account!)
then i recorded it to cassette on my teac tape deck and then recorded this back onto pc with a sony ex505 walkman to give a bit of hiss and warmth (and for that long ago memory feel).]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/summer-storm-memory/listen.mp3?s=y0p" length="4000286" />
                                    <link>https://hearthis.at/sevenism/summer-storm-memory/</link>
                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
                                    <hq_filename>7566030edda4cef342d7954c8f468016.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/7566030edda4cef342d7954c8f468016.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/summer-storm-memory/listen.mp3?s=y0p" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[My track for ambient online one sample dare 30. the original sample here: soundcloud.com/lighthugger/pip...pipes-ao-osd-30
i wanted this to sound like a summer storm brooding, a muggy humid feel, and it being a long ago memory.
In audacity i took the whole sample paulstretched it to ~8 minutes and really smoothed out (cos there's loads of elements in the sample that i wanted to create gradual shifts and depth) then increased the volume of the low end rumble. then time stretched it down by half so the tonal shifts are more pronounced (and cos i'm running out of time on my sc account!)
then i recorded it to cassette on my teac tape deck and then recorded this back onto pc with a sony ex505 walkman to give a bit of hiss and warmth (and for that long ago memory feel).]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/9/6/_/uploads/801843/image_track/557246/w1400_h1400_q70_ptrue_v2_----cropped_ed3f2836225007f6ac83df1fd0434168_1448038695.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/summer-storm-memory/</feedburner:origLink>
                                    <itunes:duration>249</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557247</guid>
                                    
                                        <pubDate>Sat, 04 Jul 2015 12:47:10 +0200</pubDate>
                                        
                                        <atom:updated>2015-07-04T12:47:10+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>High Tunnels - Spin Cycle {sevenism silk wash cycle} (disquiet0183-stereomidnight)</title>
                                    <description><![CDATA[I used Spin Cycle by High Tunnels (soundcloud.com/hightunnels/spi...utepastmidnight) for this week's project. i really like ambient hidden in loads of noise and that's what i've gone for here.. although i think the synth could've been even lower in the mix.
the synth is meant to sound like a silk shirt going round the washing machine, in the dead of night, i used a phaser mod for that sense of it going round, using computer keyboard as midi controller typing the letters s i l k ('i' on the keyboard didnt make a sound tho)
original picture remixed using ImageGlitcher: airtightinteractive.com/demos/...s/imageglitcher
ssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss
Disquiet Junto Project 0183: Stereo Midnight
Insert something that plays across the stereo spectrum in an after-dark field recording.
This project is the fifth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
The primary goal of this project is to explore techniques to insinuate sound in a pre-existing field recording. First, select a track from one of the initial three projects in this series: #0160 from January 22, 2015, #0163 from February 12, 2015, and #0170 from April 2, 2015. All three of these previous projects involve field recordings made of the sound one minute past midnight:
disquiet.com/0160
disquiet.com/0163
disquiet.com/0170
More on this 183rd Disquiet Junto project (“Insert something that plays across the stereo spectrum in an after-dark field recording”) at:
disquiet.com/2015/07/02/disqui...-stereomidnight
More on the Disquiet Junto at:
disquiet.com/junto
More on the One Minute Past Midnight series at:
oneminutepastmidnight.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/high-tunnels-spin-cycle-sevenism-silk-wash-cycle-disquiet0183-stereomidnight/listen.mp3?s=twg" length="993488" />
                                    <link>https://hearthis.at/sevenism/high-tunnels-spin-cycle-sevenism-silk-wash-cycle-disquiet0183-stereomidnight/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
                                    <hq_filename>db0ed3f879919e7c6dbbaae869a5cb79.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream80.hearthis.at/db0ed3f879919e7c6dbbaae869a5cb79.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/high-tunnels-spin-cycle-sevenism-silk-wash-cycle-disquiet0183-stereomidnight/listen.mp3?s=twg" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I used Spin Cycle by High Tunnels (soundcloud.com/hightunnels/spi...utepastmidnight) for this week's project. i really like ambient hidden in loads of noise and that's what i've gone for here.. although i think the synth could've been even lower in the mix.
the synth is meant to sound like a silk shirt going round the washing machine, in the dead of night, i used a phaser mod for that sense of it going round, using computer keyboard as midi controller typing the letters s i l k ('i' on the keyboard didnt make a sound tho)
original picture remixed using ImageGlitcher: airtightinteractive.com/demos/...s/imageglitcher
ssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss
Disquiet Junto Project 0183: Stereo Midnight
Insert something that plays across the stereo spectrum in an after-dark field recording.
This project is the fifth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.
The primary goal of this project is to explore techniques to insinuate sound in a pre-existing field recording. First, select a track from one of the initial three projects in this series: #0160 from January 22, 2015, #0163 from February 12, 2015, and #0170 from April 2, 2015. All three of these previous projects involve field recordings made of the sound one minute past midnight:
disquiet.com/0160
disquiet.com/0163
disquiet.com/0170
More on this 183rd Disquiet Junto project (“Insert something that plays across the stereo spectrum in an after-dark field recording”) at:
disquiet.com/2015/07/02/disqui...-stereomidnight
More on the Disquiet Junto at:
disquiet.com/junto
More on the One Minute Past Midnight series at:
oneminutepastmidnight.com
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/1/0/7/_/uploads/801843/image_track/557247/w1400_h1400_q70_ptrue_v2_----cropped_805cb580f920358f159bf11ed24d7152_1448038701.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/high-tunnels-spin-cycle-sevenism-silk-wash-cycle-disquiet0183-stereomidnight/</feedburner:origLink>
                                    <itunes:duration>62</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557248</guid>
                                    
                                        <pubDate>Sat, 27 Jun 2015 10:18:43 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-27T10:18:43+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>re.focus {interdependence fx} v2 (disquiet0182-divergeconverge)</title>
                                    <description><![CDATA[I wanted to do something simple where the sound of the variations was clear - it came out simpler than i was expecting (largely due to time constraints). I was thinking of the concept in terms of interdependence - how the samples all depend on each other as does the layering fx. 
it's meant to be listened to as a meditation where the bowl refocuses you on the present but also challenges your expectation of what the bowl will sound like and thus help accept what's going on.
I recorded the sound of my meditation bowl with a dictaphone so that it picked up the sounds of my meditation (basically the ticking clock) so the bowl and the tick provide the basis. I then looped this in audacity and pitched the sound down by 7% for a few iterations (then after the 1/2way mark it gradually goes back to the original pitch) then i vamped with a note on my kalimba in time to the tick (although this was way quieter than i wanted)
Mixed down into live which weirdly stretched the sample by ~125% but i was in that 'accept the present moment' state so went with it, then i cued up some guitar fx in podfarm so each bell gets more screwed (echo platter>'lux spring>analog square chorus>rez synth>double bass) until the middle and it goes back to 'normal'
Even when bypassing the fx it still really altered the sound so i bookended the final track with the original meditation sounds. 
this explanation makes it all sound far more complex.. 'something simple' pfft!
................ ...................... ....................... ..................
Disquiet Junto Project 0182: Diverge Converge
Do a rendition of Ethan Hein’s laptop orchestra score by yourself.
Step 1: The following is Ethan Hein’s score for laptop orchestra. You will record a version that you will do by yourself — an orchestra of one:
Each performer loads a short, shared sample. It should have a distinct attack and decay, for example a bell or gong. It can be pitched or unpitched, musical or unmusical.
Each performer triggers the sample repeatedly, either as a steady loop or at any arbitrary time interval.
After a few repetitions, each performer manipulates the sample as they see fit, via pitch shifting, time stretching, filtering, or other effects. Transformations should be gradual and clearly perceptible.
Once the entire ensemble is playing altered versions of the sample, the performers begin to undo their manipulations, preferably in the reverse order that they were originally applied.
When all performers have resumed playing back the original sample, the piece ends.
More on this 182nd Disquiet Junto project (“Do a rendition of Ethan Hein’s laptop orchestra score by yourself”) at:
disquiet.com/2015/06/25/disqui...divergeconverge
The piece is based on Ethan Hein’s score, more on which here:
newmusicbox.org/articles/brahm...ss-third-racket
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
                                    <enclosure type="audio/mpeg" url="https://hearthis.at/sevenism/refocus-interdependence-fx-v2-disquiet0182-divergeconverge/listen.mp3?s=FGy" length="0" />
                                    <link>https://hearthis.at/sevenism/refocus-interdependence-fx-v2-disquiet0182-divergeconverge/</link>
                                    <thr:total>0</thr:total>
                                    <hq>38</hq>
                                    <hq_filename>0f49d5eae462eb08ced507806236b44f.mp3</hq_filename>
                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/0f49d5eae462eb08ced507806236b44f.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/refocus-interdependence-fx-v2-disquiet0182-divergeconverge/listen.mp3?s=FGy" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[I wanted to do something simple where the sound of the variations was clear - it came out simpler than i was expecting (largely due to time constraints). I was thinking of the concept in terms of interdependence - how the samples all depend on each other as does the layering fx. 
it's meant to be listened to as a meditation where the bowl refocuses you on the present but also challenges your expectation of what the bowl will sound like and thus help accept what's going on.
I recorded the sound of my meditation bowl with a dictaphone so that it picked up the sounds of my meditation (basically the ticking clock) so the bowl and the tick provide the basis. I then looped this in audacity and pitched the sound down by 7% for a few iterations (then after the 1/2way mark it gradually goes back to the original pitch) then i vamped with a note on my kalimba in time to the tick (although this was way quieter than i wanted)
Mixed down into live which weirdly stretched the sample by ~125% but i was in that 'accept the present moment' state so went with it, then i cued up some guitar fx in podfarm so each bell gets more screwed (echo platter>'lux spring>analog square chorus>rez synth>double bass) until the middle and it goes back to 'normal'
Even when bypassing the fx it still really altered the sound so i bookended the final track with the original meditation sounds. 
this explanation makes it all sound far more complex.. 'something simple' pfft!
................ ...................... ....................... ..................
Disquiet Junto Project 0182: Diverge Converge
Do a rendition of Ethan Hein’s laptop orchestra score by yourself.
Step 1: The following is Ethan Hein’s score for laptop orchestra. You will record a version that you will do by yourself — an orchestra of one:
Each performer loads a short, shared sample. It should have a distinct attack and decay, for example a bell or gong. It can be pitched or unpitched, musical or unmusical.
Each performer triggers the sample repeatedly, either as a steady loop or at any arbitrary time interval.
After a few repetitions, each performer manipulates the sample as they see fit, via pitch shifting, time stretching, filtering, or other effects. Transformations should be gradual and clearly perceptible.
Once the entire ensemble is playing altered versions of the sample, the performers begin to undo their manipulations, preferably in the reverse order that they were originally applied.
When all performers have resumed playing back the original sample, the piece ends.
More on this 182nd Disquiet Junto project (“Do a rendition of Ethan Hein’s laptop orchestra score by yourself”) at:
disquiet.com/2015/06/25/disqui...divergeconverge
The piece is based on Ethan Hein’s score, more on which here:
newmusicbox.org/articles/brahm...ss-third-racket
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/5/0/7/_/uploads/801843/image_track/557248/w1400_h1400_q70_ptrue_v2_----cropped_f0a9983ec311ea7b93768bf45144477a_1448038705.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/refocus-interdependence-fx-v2-disquiet0182-divergeconverge/</feedburner:origLink>
                                    <itunes:duration>259</itunes:duration>
                                    
                                </item>
                                
                                <item>
                                    <guid isPermaLink="false">557249</guid>
                                    
                                        <pubDate>Sat, 20 Jun 2015 12:07:57 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-20T12:07:57+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>while my guitar gently sleeps (disquiet0181-instrumentaldream)</title>
                                    <description><![CDATA[my guitar dreams in  fragments
my guitar remembers half forgotten notes
my guitar does not know how he sounds when he's sound asleep
my guitar does not control his dreams
I love my fender semi-acoustic guitar; we've been through a lot. I haven't used him recently, the battery for his pick up always runs out and i can't find the charger. I did have a spare battery, but then i thought i'd record close-mic'd to give that vague faraway dreamlike sound. I played just after i'd woken up, with sleep in my eyes, without thinking, just half playing an old song;  letting the sound come from the instrument. There was some gentle fx too and i reduced the hiss a little bit afterwards
#################################################
Disquiet Junto Project 0181: Instrumental Dream
Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?
Step 1: Focus on your favorite instrument.
Step 2: Imagine that your instrument sleeps.
Step 3: Imagine that your instrument dreams.
Step 4: What does it sound in your instrument’s dreams?
Step 5: Record what it sounds like.
Step 6: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on this 181st Disquiet Junto project (“Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?”) at:
disquiet.com/2015/06/18/disqui...strumentaldream
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[my guitar dreams in  fragments
my guitar remembers half forgotten notes
my guitar does not know how he sounds when he's sound asleep
my guitar does not control his dreams
I love my fender semi-acoustic guitar; we've been through a lot. I haven't used him recently, the battery for his pick up always runs out and i can't find the charger. I did have a spare battery, but then i thought i'd record close-mic'd to give that vague faraway dreamlike sound. I played just after i'd woken up, with sleep in my eyes, without thinking, just half playing an old song;  letting the sound come from the instrument. There was some gentle fx too and i reduced the hiss a little bit afterwards
#################################################
Disquiet Junto Project 0181: Instrumental Dream
Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?
Step 1: Focus on your favorite instrument.
Step 2: Imagine that your instrument sleeps.
Step 3: Imagine that your instrument dreams.
Step 4: What does it sound in your instrument’s dreams?
Step 5: Record what it sounds like.
Step 6: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
More on this 181st Disquiet Junto project (“Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?”) at:
disquiet.com/2015/06/18/disqui...strumentaldream
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/6/1/7/_/uploads/801843/image_track/557249/w1400_h1400_q70_ptrue_v2_----cropped_8bf8eb4eb07aa2453eb0a408d4e3123f_1448038716.jpg" />
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                                    <itunes:duration>217</itunes:duration>
                                    
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                                        <pubDate>Sun, 14 Jun 2015 23:21:51 +0200</pubDate>
                                        
                                        <atom:updated>2015-06-14T23:21:51+02:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>matryoska demo (kpple concpt remix)</title>
                                    <description><![CDATA[the first recording of vocals for my matryoska track i couldnt fit with the other instruments. i loved the concept of this track: soundcloud.com/jmmy-kpple/unti...matryoshkamusic and used it here.. although for the first minute i was stretching it rather than compressing it but fuck it i love mistakes, and anyway it degrades the sample further which i wanted because it wouldve taken too long to record 50 odd iterations at decreased mp3 quality.
this was too creepy for my girfriend 'why have you got to make frightening music?']]></description>
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                                    <link>https://hearthis.at/sevenism/matryoska-demo-kpple-concpt-remix/</link>
                                    <thr:total>0</thr:total>
                                    <hq>37</hq>
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                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[the first recording of vocals for my matryoska track i couldnt fit with the other instruments. i loved the concept of this track: soundcloud.com/jmmy-kpple/unti...matryoshkamusic and used it here.. although for the first minute i was stretching it rather than compressing it but fuck it i love mistakes, and anyway it degrades the sample further which i wanted because it wouldve taken too long to record 50 odd iterations at decreased mp3 quality.
this was too creepy for my girfriend 'why have you got to make frightening music?']]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/4/2/7/_/uploads/801843/image_track/557250/w1400_h1400_q70_ptrue_v2_----cropped_afa8cced89aaf1645652ba1303530dda_1448038724.jpg" />
                                    <feedburner:origLink>https://hearthis.at/sevenism/matryoska-demo-kpple-concpt-remix/</feedburner:origLink>
                                    <itunes:duration>164</itunes:duration>
                                    
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                                    <guid isPermaLink="false">557220</guid>
                                    
                                        <pubDate>Thu, 19 Nov 2015 23:51:02 +0100</pubDate>
                                        
                                        <atom:updated>2015-11-19T23:51:02+01:00</atom:updated>
                                        
                                    
                                    <artist>sevenism</artist>
                                    <title>Name Constant - It (stochastic caprice mix) (disquiet0203)</title>
                                    <description><![CDATA[there was no music i wanted to listen to so i had a slowed down feedback generated drone running with 20 guitar fx modules (podfarm 2) and also coz i was reading about minsky so wanted to listen to something conceptually related .. this project came through and i was listening to the original track still with the drone running and it was pretty quiet (my partner's asleep) but i think it goes so i started recording, oh and i increased the gain alot at the end there but i dont need to tell you that
.............................:....................:................................:......
Disquiet Junto Project 0203: Beat Basis
Add something to a rhythm track titled “It.”
Step 1: Listen to and download the track “It” by Name Constant:
soundcloud.com/random-coil/it-1
Step 2: When posting the track, Name Constant accompanied it with this invitation: “additions welcome, should anyone be inspired by emptyness.” Please create a new track with the source audio as the foundation. (Do not change the source audio, though you can also use it as raw material for whatever you choose to add.)
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early afternoon, California time, on Thursday, November 19, 2015, with a deadline of 11:59pm wherever you are on Monday, November 23, 2015.
Length: The length is up to you. The original is just under six minutes, though you needn’t create something that long.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0203-beatbasis.” Also use “disquiet0203-beatbasis” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 203rd weekly Disquiet Junto project (“Add something to a rhythm track titled ‘It'”) at:
disquiet.com/2015/11/19/disqui...t0203-beatbasis
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></description>
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                                    <thr:total>0</thr:total>
                                    <hq>81</hq>
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                                    <hq_filetype>mp3</hq_filetype>
                                    <stream>https://stream37.hearthis.at/f663cdc3903830353333f1cf74f3a074.mp3</stream>
                                    <media:content url="https://hearthis.at/sevenism/name-constant-it-stochastic-caprice-mix-disquiet0203/listen.mp3?s=HJ0" type="audio/mpeg" />
                                    <itunes:explicit>no</itunes:explicit>
                                    <itunes:email>contact@hearthis.at</itunes:email>
                                    <itunes:summary><![CDATA[there was no music i wanted to listen to so i had a slowed down feedback generated drone running with 20 guitar fx modules (podfarm 2) and also coz i was reading about minsky so wanted to listen to something conceptually related .. this project came through and i was listening to the original track still with the drone running and it was pretty quiet (my partner's asleep) but i think it goes so i started recording, oh and i increased the gain alot at the end there but i dont need to tell you that
.............................:....................:................................:......
Disquiet Junto Project 0203: Beat Basis
Add something to a rhythm track titled “It.”
Step 1: Listen to and download the track “It” by Name Constant:
soundcloud.com/random-coil/it-1
Step 2: When posting the track, Name Constant accompanied it with this invitation: “additions welcome, should anyone be inspired by emptyness.” Please create a new track with the source audio as the foundation. (Do not change the source audio, though you can also use it as raw material for whatever you choose to add.)
Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.
Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.
Deadline: This assignment was made in the early afternoon, California time, on Thursday, November 19, 2015, with a deadline of 11:59pm wherever you are on Monday, November 23, 2015.
Length: The length is up to you. The original is just under six minutes, though you needn’t create something that long.
Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0203-beatbasis.” Also use “disquiet0203-beatbasis” as a tag for your track.
Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).
Linking: When posting the track, please be sure to include this information:
More on this 203rd weekly Disquiet Junto project (“Add something to a rhythm track titled ‘It'”) at:
disquiet.com/2015/11/19/disqui...t0203-beatbasis
More on the Disquiet Junto at:
disquiet.com/junto
Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto
Subscribe to project announcements here:
tinyletter.com/disquiet
Disquiet Junto general discussion takes place at:
disquiet.com/forums]]></itunes:summary>
                                    <itunes:image href="https://img.hearthis.at/3/3/5/_/uploads/801843/image_track/557220/w1400_h1400_q70_ptrue_v2_----cropped_3663d8901794a18abafb43b2c4174edd_1448038533.jpg" />
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                                    <itunes:duration>288</itunes:duration>
                                    
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