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	<title><![CDATA[Red Square]]></title>
	<link>https://hearthis.at/redsquare/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Red Square]]></itunes:subtitle>
	<itunes:author><![CDATA[Red Square]]></itunes:author>
	<googleplay:author><![CDATA[Red Square]]></googleplay:author>
	<itunes:summary><![CDATA[Sander van der Veer is Red Square: live-act and producer of a fine blend of Detroit and melody-driven techno. His work so far, both in and outside the studio, has received praise from genre heavyweights like Richie Hawtin, Kevin Saunderson and Laurent Garnier.
Red Square’s road has been an unconventional one. The thought of buying a set of turntables and getting into DJ-ing never occurred to him, and until this day still hasn’t. Instead, he invests all available time in studio-work and fully relies on his own productions when playing out live.
Between 2008 and 2012 a challenging period in his personal life left him physically exhausted. He was unable to make music and after finally recovering was forced to start over from square one.
He did not go easy on himself; over the course of mere months his revived ambition lead to a string of releases on labels like KMS, Rhythm Convert(ed) and Different is Different. Most importantly, the unasked-for ordeal drastically changed Red Square’s approach to making music. “Before, much of what I put out lacked soul. It was too rational, too constructed”, he says. That has changed, now depth and warmth best describe his tracks.
Those characteristics also translate to his live performance. A Red Square live-act is like spending time with him in his studio as he shapes and creates his sounds and builds one extended trip from them. The technical aspects of his live rig are set up in a way that grants him maximum on-the-spot freedom to alter his sounds as he goes. This in turn adds to the intensity of his performance. Feedback he receives during gigs is something he treasures; by capturing spontaneous moments, he is able to further build upon them back home.
In the past Red Square has played at a number of high-profile venues and events, including Tresor Club in Berlin, Doornroosje in Nijmegen and Slagthuset in Stockholm. He now has his internationally oriented sights set on growing his touring schedule with more gigs both at home and abroad.]]></itunes:summary>
	<googleplay:description><![CDATA[Sander van der Veer is Red Square: live-act and producer of a fine blend of Detroit and melody-driven techno. His work so far, both in and outside the studio, has received praise from genre heavyweights like Richie Hawtin, Kevin Saunderson and Laurent Garnier.
Red Square’s road has been an unconventional one. The thought of buying a set of turntables and getting into DJ-ing never occurred to him, and until this day still hasn’t. Instead, he invests all available time in studio-work and fully relies on his own productions when playing out live.
Between 2008 and 2012 a challenging period in his personal life left him physically exhausted. He was unable to make music and after finally recovering was forced to start over from square one.
He did not go easy on himself; over the course of mere months his revived ambition lead to a string of releases on labels like KMS, Rhythm Convert(ed) and Different is Different. Most importantly, the unasked-for ordeal drastically changed Red Square’s approach to making music. “Before, much of what I put out lacked soul. It was too rational, too constructed”, he says. That has changed, now depth and warmth best describe his tracks.
Those characteristics also translate to his live performance. A Red Square live-act is like spending time with him in his studio as he shapes and creates his sounds and builds one extended trip from them. The technical aspects of his live rig are set up in a way that grants him maximum on-the-spot freedom to alter his sounds as he goes. This in turn adds to the intensity of his performance. Feedback he receives during gigs is something he treasures; by capturing spontaneous moments, he is able to further build upon them back home.
In the past Red Square has played at a number of high-profile venues and events, including Tresor Club in Berlin, Doornroosje in Nijmegen and Slagthuset in Stockholm. He now has his internationally oriented sights set on growing his touring schedule with more gigs both at home and abroad.]]></googleplay:description>
	<description><![CDATA[Sander van der Veer is Red Square: live-act and producer of a fine blend of Detroit and melody-driven techno. His work so far, both in and outside the studio, has received praise from genre heavyweights like Richie Hawtin, Kevin Saunderson and Laurent Garnier.
Red Square’s road has been an unconventional one. The thought of buying a set of turntables and getting into DJ-ing never occurred to him, and until this day still hasn’t. Instead, he invests all available time in studio-work and fully relies on his own productions when playing out live.
Between 2008 and 2012 a challenging period in his personal life left him physically exhausted. He was unable to make music and after finally recovering was forced to start over from square one.
He did not go easy on himself; over the course of mere months his revived ambition lead to a string of releases on labels like KMS, Rhythm Convert(ed) and Different is Different. Most importantly, the unasked-for ordeal drastically changed Red Square’s approach to making music. “Before, much of what I put out lacked soul. It was too rational, too constructed”, he says. That has changed, now depth and warmth best describe his tracks.
Those characteristics also translate to his live performance. A Red Square live-act is like spending time with him in his studio as he shapes and creates his sounds and builds one extended trip from them. The technical aspects of his live rig are set up in a way that grants him maximum on-the-spot freedom to alter his sounds as he goes. This in turn adds to the intensity of his performance. Feedback he receives during gigs is something he treasures; by capturing spontaneous moments, he is able to further build upon them back home.
In the past Red Square has played at a number of high-profile venues and events, including Tresor Club in Berlin, Doornroosje in Nijmegen and Slagthuset in Stockholm. He now has his internationally oriented sights set on growing his touring schedule with more gigs both at home and abroad.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Red Square]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
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      <title>Red Square</title>
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	<category><![CDATA[Sounds]]></category>
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	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Red Square LivePA @ Paradigm Groningen 11-05-13]]></title>
            <link>https://hearthis.at/redsquare/red-square-livepa-paradigm-groningen-11-05-13/</link>
            <itunes:author><![CDATA[Red Square]]></itunes:author>
            <description><![CDATA[Sander van der Veer is Red Square: live-act and producer of a fine blend of Detroit and melody-driven techno. His work so far, both in and outside the studio, has received praise from genre heavyweights like Richie Hawtin, Kevin Saunderson and Laurent Garnier.
Red Square’s road has been an unconventional one. The thought of buying a set of turntables and getting into DJ-ing never occurred to him, and until this day still hasn’t. Instead, he invests all available time in studio-work and fully relies on his own productions when playing out live.
Between 2008 and 2012 a challenging period in his personal life left him physically exhausted. He was unable to make music and after finally recovering was forced to start over from square one.
He did not go easy on himself; over the course of mere months his revived ambition lead to a string of releases on labels like KMS, Rhythm Convert(ed) and Different is Different. Most importantly, the unasked-for ordeal drastically changed Red Square’s approach to making music. “Before, much of what I put out lacked soul. It was too rational, too constructed”, he says. That has changed, now depth and warmth best describe his tracks.
Those characteristics also translate to his live performance. A Red Square live-act is like spending time with him in his studio as he shapes and creates his sounds and builds one extended trip from them. The technical aspects of his live rig are set up in a way that grants him maximum on-the-spot freedom to alter his sounds as he goes. This in turn adds to the intensity of his performance. Feedback he receives during gigs is something he treasures; by capturing spontaneous moments, he is able to further build upon them back home.
In the past Red Square has played at a number of high-profile venues and events, including Tresor Club in Berlin, Doornroosje in Nijmegen and Slagthuset in Stockholm. He now has his internationally oriented sights set on growing his touring schedule with more gigs both at home and abroad.]]></description>
            <googleplay:description><![CDATA[Sander van der Veer is Red Square: live-act and producer of a fine blend of Detroit and melody-driven techno. His work so far, both in and outside the studio, has received praise from genre heavyweights like Richie Hawtin, Kevin Saunderson and Laurent Garnier.
Red Square’s road has been an unconventional one. The thought of buying a set of turntables and getting into DJ-ing never occurred to him, and until this day still hasn’t. Instead, he invests all available time in studio-work and fully relies on his own productions when playing out live.
Between 2008 and 2012 a challenging period in his personal life left him physically exhausted. He was unable to make music and after finally recovering was forced to start over from square one.
He did not go easy on himself; over the course of mere months his revived ambition lead to a string of releases on labels like KMS, Rhythm Convert(ed) and Different is Different. Most importantly, the unasked-for ordeal drastically changed Red Square’s approach to making music. “Before, much of what I put out lacked soul. It was too rational, too constructed”, he says. That has changed, now depth and warmth best describe his tracks.
Those characteristics also translate to his live performance. A Red Square live-act is like spending time with him in his studio as he shapes and creates his sounds and builds one extended trip from them. The technical aspects of his live rig are set up in a way that grants him maximum on-the-spot freedom to alter his sounds as he goes. This in turn adds to the intensity of his performance. Feedback he receives during gigs is something he treasures; by capturing spontaneous moments, he is able to further build upon them back home.
In the past Red Square has played at a number of high-profile venues and events, including Tresor Club in Berlin, Doornroosje in Nijmegen and Slagthuset in Stockholm. He now has his internationally oriented sights set on growing his touring schedule with more gigs both at home and abroad.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/0/5/_/uploads/20282/image_track/63937/w1400_h1400_q70_ptrue_v2_----cropped_288c91f262bf109114174d1bed8a1ec9artworks-000047825060-6e2gtu-t500x500.jpg" />
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            <guid isPermaLink="false">63937</guid>
            <category><![CDATA[Sounds]]></category>
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                <pubDate>Sun, 24 Aug 2014 14:21:31 +0200</pubDate>
                
                <atom:updated>2014-08-24T14:21:31+02:00</atom:updated>
                
            
            
            <itunes:duration>4:39</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Red Square LivePA @ Tresor Berlin 19-01-13]]></title>
            <link>https://hearthis.at/redsquare/red-square-livepa-tresor-berlin-19-01-13/</link>
            <itunes:author><![CDATA[Red Square]]></itunes:author>
            <description><![CDATA[Red Square LivePA recorded @ Tresor.<br />
<br />
Feel free to drop me a line if you want to know some Tips or Tricks.<br />
Sharing = Caring ;-)<br />
<br />
Cya<br />
<br />
Youtube Video's:<br />
www.youtube.com/watch?v=zsmn7KvYI…JSBPBnK6Ftx3_K_a6]]></description>
            <googleplay:description><![CDATA[Red Square LivePA recorded @ Tresor.<br />
<br />
Feel free to drop me a line if you want to know some Tips or Tricks.<br />
Sharing = Caring ;-)<br />
<br />
Cya<br />
<br />
Youtube Video's:<br />
www.youtube.com/watch?v=zsmn7KvYI…JSBPBnK6Ftx3_K_a6]]></googleplay:description>
            <itunes:summary><![CDATA[Red Square LivePA recorded @ Tresor.

Feel free to drop me a line if you want to know some Tips or Tricks.
Sharing = Caring ;-)

Cya

Youtube Video's:
www.youtube.com/watch?v=zsmn7KvYI…JSBPBnK6Ftx3_K_a6]]></itunes:summary>
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                <pubDate>Sun, 24 Aug 2014 14:20:53 +0200</pubDate>
                
                <atom:updated>2014-08-24T14:20:53+02:00</atom:updated>
                
            
            
            <itunes:duration>1:18:22</itunes:duration>
        </item>
        <item>
            <title><![CDATA[B1 Franky Serious - Roaches (Red Square Remix)]]></title>
            <link>https://hearthis.at/redsquare/b1-franky-serious-roaches-red-square-remix/</link>
            <itunes:author><![CDATA[Red Square]]></itunes:author>
            <description><![CDATA[A great musical journey start…with stop in Italy Germany, Holland and Mexico .<br />
Different approaches in the use of machines and different influences, 3 “Techno Star” as Alex Bau, Luis Flores and Red Square, comparing their styles on Frankie Serious original tracks.<br />
<br />
Mnestic / Roaches , 2 mental & hypnotic tracks where thin voices are supported by thumping rhythmic, result: a great techno groove!<br />
<br />
The A Side, however, opens with Luis Flores Remix that completely transforms the original Mnestic into a more “clubbing” version by enhancing the groove and the mentality, a perfect and elegant interlocking between voices and chords for a clear reminder of Detroit old school techno, but with whipping snare and other elements creating the perfect ambience in a “cerebral and spiritual traditions of the land of the Maya”.<br />
<br />
In the B-side, Red Square open, with great technique, make Roaches full of hypnotism, through repetitive and mental pads combine with a sharp rhythmic creating a totally visionary track.<br />
<br />
The latest remix, first of Roaches original that closes the album, is from Alex Bau, where the rhythm and bass swell, becoming more powerful and hard, till to create a difficult job for the subwoofer, in the perfect “Berlin Techno” style but with a Big Surprise waiting to be discovered in the middle of the track that only his genius could invent.<br />
<br />
A vinyl that is in fact all a big surprise, track after track, in different styles and interpretations of three great artists on two perfects originals!]]></description>
            <googleplay:description><![CDATA[A great musical journey start…with stop in Italy Germany, Holland and Mexico .<br />
Different approaches in the use of machines and different influences, 3 “Techno Star” as Alex Bau, Luis Flores and Red Square, comparing their styles on Frankie Serious original tracks.<br />
<br />
Mnestic / Roaches , 2 mental & hypnotic tracks where thin voices are supported by thumping rhythmic, result: a great techno groove!<br />
<br />
The A Side, however, opens with Luis Flores Remix that completely transforms the original Mnestic into a more “clubbing” version by enhancing the groove and the mentality, a perfect and elegant interlocking between voices and chords for a clear reminder of Detroit old school techno, but with whipping snare and other elements creating the perfect ambience in a “cerebral and spiritual traditions of the land of the Maya”.<br />
<br />
In the B-side, Red Square open, with great technique, make Roaches full of hypnotism, through repetitive and mental pads combine with a sharp rhythmic creating a totally visionary track.<br />
<br />
The latest remix, first of Roaches original that closes the album, is from Alex Bau, where the rhythm and bass swell, becoming more powerful and hard, till to create a difficult job for the subwoofer, in the perfect “Berlin Techno” style but with a Big Surprise waiting to be discovered in the middle of the track that only his genius could invent.<br />
<br />
A vinyl that is in fact all a big surprise, track after track, in different styles and interpretations of three great artists on two perfects originals!]]></googleplay:description>
            <itunes:summary><![CDATA[A great musical journey start…with stop in Italy Germany, Holland and Mexico .
Different approaches in the use of machines and different influences, 3 “Techno Star” as Alex Bau, Luis Flores and Red Square, comparing their styles on Frankie Serious original tracks.

Mnestic / Roaches , 2 mental & hypnotic tracks where thin voices are supported by thumping rhythmic, result: a great techno groove!

The A Side, however, opens with Luis Flores Remix that completely transforms the original Mnestic into a more “clubbing” version by enhancing the groove and the mentality, a perfect and elegant interlocking between voices and chords for a clear reminder of Detroit old school techno, but with whipping snare and other elements creating the perfect ambience in a “cerebral and spiritual traditions of the land of the Maya”.

In the B-side, Red Square open, with great technique, make Roaches full of hypnotism, through repetitive and mental pads combine with a sharp rhythmic creating a totally visionary track.

The latest remix, first of Roaches original that closes the album, is from Alex Bau, where the rhythm and bass swell, becoming more powerful and hard, till to create a difficult job for the subwoofer, in the perfect “Berlin Techno” style but with a Big Surprise waiting to be discovered in the middle of the track that only his genius could invent.

A vinyl that is in fact all a big surprise, track after track, in different styles and interpretations of three great artists on two perfects originals!]]></itunes:summary>
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Sun, 24 Aug 2014 14:19:34 +0200</pubDate>
                
                <atom:updated>2014-08-24T14:19:34+02:00</atom:updated>
                
            
            
            <itunes:duration>3:00</itunes:duration>
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