Thu, 23 Apr 2026 19:02:23 +0200 https://hearthis.at/pesimo/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/pesimo/ https://img.hearthis.at/7/9/3/_/uploads/3341943/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1595467290397.jpg no no https://hearthis.at/pesimo/ya-el-sol-se-fue-tagore-yaya-fuentes-chico-tapia-german-estrada/ 5732318 no no Thu, 18 Mar 2021 22:48:19 +0100 2021-03-18T22:48:19+01:00 5:00 https://hearthis.at/pesimo/la-tardanza-online-audio-convertercom/ Declamación: Rodrigo Ramis Zelada

LA TARDANZA

Y a pesar del dolor
que siempre está hecho
a la medida de las resistencias
hay cataclismos que no serán.
Porque la trama fatal
está hilada según un plan
que descartó en cada paso
tragedias y desastres mayores.
Para que este instante fuese
debió no ser toda la infinitud.
A veces optamos.
A veces ocurre.
A veces, sólo imaginar
es suficiente para desencadenar
el alud que desmorona
la apacible paz de las montañas.
y poder decirlo es otra
forma de la paz, rabiosa,
sabia, humana como un
aplazamiento o una disculpa.
Una compasión amarga
que nos parece leer
entre las líneas
con que la muerte
nos anuncia su tardanza.]]> Declamación: Rodrigo Ramis Zelada

LA TARDANZA

Y a pesar del dolor
que siempre está hecho
a la medida de las resistencias
hay cataclismos que no serán.
Porque la trama fatal
está hilada según un plan
que descartó en cada paso
tragedias y desastres mayores.
Para que este instante fuese
debió no ser toda la infinitud.
A veces optamos.
A veces ocurre.
A veces, sólo imaginar
es suficiente para desencadenar
el alud que desmorona
la apacible paz de las montañas.
y poder decirlo es otra
forma de la paz, rabiosa,
sabia, humana como un
aplazamiento o una disculpa.
Una compasión amarga
que nos parece leer
entre las líneas
con que la muerte
nos anuncia su tardanza.]]> 5732282 no no Thu, 18 Mar 2021 22:42:07 +0100 2021-03-18T22:42:07+01:00 1:30 https://hearthis.at/pesimo/horizonte-adentro/ Pésimo/ Composición, Guitarras acústicas, Mezcla y Masterización
Rodrigo Anativia /Guitarra Eléctrica
Grabado, Mezclado y Masterizado en Taller Pésimo, Casa de Salud, Concepción, Chile, Septiembre, 2020.]]> Pésimo/ Composición, Guitarras acústicas, Mezcla y Masterización
Rodrigo Anativia /Guitarra Eléctrica
Grabado, Mezclado y Masterizado en Taller Pésimo, Casa de Salud, Concepción, Chile, Septiembre, 2020.]]> 5188372 no no Fri, 08 Jan 2021 03:10:11 +0100 2021-01-08T03:10:11+01:00 2:39 https://hearthis.at/pesimo/que-he-sacado-con-quererte-florida.mp3/ Festival Violeta Parra
2013]]> Festival Violeta Parra
2013]]> 4978149 no no Fri, 24 Jul 2020 23:58:42 +0200 2020-07-24T23:58:42+02:00 3:42 https://hearthis.at/pesimo/bosque-trinos-master-ncll/ Proyecto creado en Cocholgüe 2013 con Tagore Altamirano, César Baeza, Gabriel Rojas, Victor Chavarría y Germán Estrada. En su segunda formación Cristóbal Troncoso y Rodrigo Anativia reemplazan a Tagore y César. Con una vasta producción de canciones sólo se llegó a grabar Trinos con la 2da formación la que fue parte de la banda sonora de la película Nublado, Cubierto y Lluvia.]]> Proyecto creado en Cocholgüe 2013 con Tagore Altamirano, César Baeza, Gabriel Rojas, Victor Chavarría y Germán Estrada. En su segunda formación Cristóbal Troncoso y Rodrigo Anativia reemplazan a Tagore y César. Con una vasta producción de canciones sólo se llegó a grabar Trinos con la 2da formación la que fue parte de la banda sonora de la película Nublado, Cubierto y Lluvia.]]> 4976125 no no Fri, 24 Jul 2020 08:44:35 +0200 2020-07-24T08:44:35+02:00 6:28 https://hearthis.at/pesimo/garay-palma-incitacion-a-la-desobediencia-civil/ Sindicato de Estafadores
"Música de Mentira"
Track 6 Incitación a la desobediencia civil
Grabado y Mezclado en L.E.M. / Casa de Salud
Concepción, Chile 2020.
Sello Dusted Wax Kingdom
Bulgaria
http://dustedwax.org/dwk381.html]]> Sindicato de Estafadores
"Música de Mentira"
Track 6 Incitación a la desobediencia civil
Grabado y Mezclado en L.E.M. / Casa de Salud
Concepción, Chile 2020.
Sello Dusted Wax Kingdom
Bulgaria
http://dustedwax.org/dwk381.html]]> 4976097 no no Fri, 24 Jul 2020 08:31:39 +0200 2020-07-24T08:31:39+02:00 2:58 https://hearthis.at/pesimo/garay-palma-trampas-de-la-sobrevivencia/ Album title: Música de Mentira (Fake Music)
The grisalla pictoric technique is musically homologated in Garay Palma’s composition through the construction of a sound relief, a space/time dimensionality made up of many layers of sonic textures, noise and soundscapes assembled and integrated on a minimal deep bass base and elemental, atavistic and dark beats. Each track is an archetypal melodic and ambient evocation, something that seeks to be a universal message based on resonance. Being a person means resonating. Garay Palma provokes the sound and musical vibrations that make people resonate and link them to the collective future. Music becomes place and moment. Our place, the home is there in those sounds, in that message that without being able to explain unites us, communicates us, shakes us and relates us to the urban and natural environment.
Music is also our uncertainty and a response to the conscious will to exist, at a time when nothing seems to make sense. There is a certain transversal neutrality that we have felt as the natural and fluid development of the evolution of experimental art. The scam that brings us is to introduce this music as music, and delivering through listening to the soul of the audience a message of infinite search and encounter in humanity and its own place of origin. This music is a hug, a greeting, a reminder and a farewell that changes the switch of indifference and routine to one side or the other. This album is fake music because it is truly not music but a forest dripping after the rain while in the main city streets the cars with their lights on form beautiful beams of light in the morning mist of those who go to work. At a stoplight, someone lowers the car window and suddenly hears the song of a bird, with an inexplicable and subtle joy dumps the ash from their cigarette, up the car window, looks in the rear- view mirror, smiles and continues on his way.
Garay Palma sindicato de estafadores was born in late 2018, within the chaotic process of the LEM (Musical Experimentation Laboratory) project developed at Casa de Salud in Concepción, Chile, which also involves the projects Florida, CafeinaKid, Duo Odio, Duo CTM and Onlyone. Garay Palma is an eclectic and avant-garde music project with ethical and aesthetic influences from sampling, sound art, noise, downtempo, hiphop, dub, triphop and the grisalla
pictoric technic, and moral influences from the lárica poetry that includes new techniques and approaches of composition and live performance.
Garay Palma are: Pablo Cornejo aka CafeinaKid, sequencing, beats and sampling; Eduardo Jofré aka Onlyone, drum machines and sampling; Rodrigo Anativia, electric and electroacoustic guitar and synths; Germán Estrada aka Negro Pésimo, bass, double bass and baby bass.
Their first record Música de Mentira (fake music) was produced, recorded and mixed by Garay Palma at LEM studio in Concepción, Chile, between 2019 and 2020, and mastered by Rene Roco in Santiago, Chile, 2020.]]> Album title: Música de Mentira (Fake Music)
The grisalla pictoric technique is musically homologated in Garay Palma’s composition through the construction of a sound relief, a space/time dimensionality made up of many layers of sonic textures, noise and soundscapes assembled and integrated on a minimal deep bass base and elemental, atavistic and dark beats. Each track is an archetypal melodic and ambient evocation, something that seeks to be a universal message based on resonance. Being a person means resonating. Garay Palma provokes the sound and musical vibrations that make people resonate and link them to the collective future. Music becomes place and moment. Our place, the home is there in those sounds, in that message that without being able to explain unites us, communicates us, shakes us and relates us to the urban and natural environment.
Music is also our uncertainty and a response to the conscious will to exist, at a time when nothing seems to make sense. There is a certain transversal neutrality that we have felt as the natural and fluid development of the evolution of experimental art. The scam that brings us is to introduce this music as music, and delivering through listening to the soul of the audience a message of infinite search and encounter in humanity and its own place of origin. This music is a hug, a greeting, a reminder and a farewell that changes the switch of indifference and routine to one side or the other. This album is fake music because it is truly not music but a forest dripping after the rain while in the main city streets the cars with their lights on form beautiful beams of light in the morning mist of those who go to work. At a stoplight, someone lowers the car window and suddenly hears the song of a bird, with an inexplicable and subtle joy dumps the ash from their cigarette, up the car window, looks in the rear- view mirror, smiles and continues on his way.
Garay Palma sindicato de estafadores was born in late 2018, within the chaotic process of the LEM (Musical Experimentation Laboratory) project developed at Casa de Salud in Concepción, Chile, which also involves the projects Florida, CafeinaKid, Duo Odio, Duo CTM and Onlyone. Garay Palma is an eclectic and avant-garde music project with ethical and aesthetic influences from sampling, sound art, noise, downtempo, hiphop, dub, triphop and the grisalla
pictoric technic, and moral influences from the lárica poetry that includes new techniques and approaches of composition and live performance.
Garay Palma are: Pablo Cornejo aka CafeinaKid, sequencing, beats and sampling; Eduardo Jofré aka Onlyone, drum machines and sampling; Rodrigo Anativia, electric and electroacoustic guitar and synths; Germán Estrada aka Negro Pésimo, bass, double bass and baby bass.
Their first record Música de Mentira (fake music) was produced, recorded and mixed by Garay Palma at LEM studio in Concepción, Chile, between 2019 and 2020, and mastered by Rene Roco in Santiago, Chile, 2020.]]> 4976091 no no Fri, 24 Jul 2020 08:28:24 +0200 2020-07-24T08:28:24+02:00 4:24 https://hearthis.at/pesimo/garay-palma-01-grisalla/ Album title: Música de Mentira (Fake Music)
The grisalla pictoric technique is musically homologated in Garay Palma’s composition through the construction of a sound relief, a space/time dimensionality made up of many layers of sonic textures, noise and soundscapes assembled and integrated on a minimal deep bass base and elemental, atavistic and dark beats. Each track is an archetypal melodic and ambient evocation, something that seeks to be a universal message based on resonance. Being a person means resonating. Garay Palma provokes the sound and musical vibrations that make people resonate and link them to the collective future. Music becomes place and moment. Our place, the home is there in those sounds, in that message that without being able to explain unites us, communicates us, shakes us and relates us to the urban and natural environment.
Music is also our uncertainty and a response to the conscious will to exist, at a time when nothing seems to make sense. There is a certain transversal neutrality that we have felt as the natural and fluid development of the evolution of experimental art. The scam that brings us is to introduce this music as music, and delivering through listening to the soul of the audience a message of infinite search and encounter in humanity and its own place of origin. This music is a hug, a greeting, a reminder and a farewell that changes the switch of indifference and routine to one side or the other. This album is fake music because it is truly not music but a forest dripping after the rain while in the main city streets the cars with their lights on form beautiful beams of light in the morning mist of those who go to work. At a stoplight, someone lowers the car window and suddenly hears the song of a bird, with an inexplicable and subtle joy dumps the ash from their cigarette, up the car window, looks in the rear- view mirror, smiles and continues on his way.
Garay Palma sindicato de estafadores was born in late 2018, within the chaotic process of the LEM (Musical Experimentation Laboratory) project developed at Casa de Salud in Concepción, Chile, which also involves the projects Florida, CafeinaKid, Duo Odio, Duo CTM and Onlyone. Garay Palma is an eclectic and avant-garde music project with ethical and aesthetic influences from sampling, sound art, noise, downtempo, hiphop, dub, triphop and the grisalla
pictoric technic, and moral influences from the lárica poetry that includes new techniques and approaches of composition and live performance.
Garay Palma are: Pablo Cornejo aka CafeinaKid, sequencing, beats and sampling; Eduardo Jofré aka Onlyone, drum machines and sampling; Rodrigo Anativia, electric and electroacoustic guitar and synths; Germán Estrada aka Negro Pésimo, bass, double bass and baby bass.
Their first record Música de Mentira (fake music) was produced, recorded and mixed by Garay Palma at LEM studio in Concepción, Chile, between 2019 and 2020, and mastered by Rene Roco in Santiago, Chile, 2020.]]> Album title: Música de Mentira (Fake Music)
The grisalla pictoric technique is musically homologated in Garay Palma’s composition through the construction of a sound relief, a space/time dimensionality made up of many layers of sonic textures, noise and soundscapes assembled and integrated on a minimal deep bass base and elemental, atavistic and dark beats. Each track is an archetypal melodic and ambient evocation, something that seeks to be a universal message based on resonance. Being a person means resonating. Garay Palma provokes the sound and musical vibrations that make people resonate and link them to the collective future. Music becomes place and moment. Our place, the home is there in those sounds, in that message that without being able to explain unites us, communicates us, shakes us and relates us to the urban and natural environment.
Music is also our uncertainty and a response to the conscious will to exist, at a time when nothing seems to make sense. There is a certain transversal neutrality that we have felt as the natural and fluid development of the evolution of experimental art. The scam that brings us is to introduce this music as music, and delivering through listening to the soul of the audience a message of infinite search and encounter in humanity and its own place of origin. This music is a hug, a greeting, a reminder and a farewell that changes the switch of indifference and routine to one side or the other. This album is fake music because it is truly not music but a forest dripping after the rain while in the main city streets the cars with their lights on form beautiful beams of light in the morning mist of those who go to work. At a stoplight, someone lowers the car window and suddenly hears the song of a bird, with an inexplicable and subtle joy dumps the ash from their cigarette, up the car window, looks in the rear- view mirror, smiles and continues on his way.
Garay Palma sindicato de estafadores was born in late 2018, within the chaotic process of the LEM (Musical Experimentation Laboratory) project developed at Casa de Salud in Concepción, Chile, which also involves the projects Florida, CafeinaKid, Duo Odio, Duo CTM and Onlyone. Garay Palma is an eclectic and avant-garde music project with ethical and aesthetic influences from sampling, sound art, noise, downtempo, hiphop, dub, triphop and the grisalla
pictoric technic, and moral influences from the lárica poetry that includes new techniques and approaches of composition and live performance.
Garay Palma are: Pablo Cornejo aka CafeinaKid, sequencing, beats and sampling; Eduardo Jofré aka Onlyone, drum machines and sampling; Rodrigo Anativia, electric and electroacoustic guitar and synths; Germán Estrada aka Negro Pésimo, bass, double bass and baby bass.
Their first record Música de Mentira (fake music) was produced, recorded and mixed by Garay Palma at LEM studio in Concepción, Chile, between 2019 and 2020, and mastered by Rene Roco in Santiago, Chile, 2020.]]> 4972910 no no Mon, 20 Jul 2020 23:07:00 +0200 2020-07-20T23:07:00+02:00 3:52 https://hearthis.at/pesimo/negro-pesimo-wiska-down-by-the-river-extended-bass-premix-128-kbps/ Work in progress
Grabado y premezclado en L:E:M: (Laboratorio de Experimentación Musical, Casa de salud, Concepción, Chile 2020)

Negro Pésimo / Beats, Samples, Paisaje Sonoro, Guitarra Midi, Flauta,Percusión,  Bajo y Contrabajo / Premezcla
Laura Kat Wiebe a.k.a. Wiska / Letra y Voz
Choro Boro /Flauta Traversa llave abierta
Helmuth Silva El Sonri / Quena y Guitarra Acústica
Rodrigo Anativia / Guitarra Eléctrica
César Venegas / Sintetizadores
Eduardo Bugmann / Sintetizadores

‘Down by the River’

Down by the river i heard your call
I listen to your cries through the wind
Sing to me
Through the trees
Let this breeze carry you to me

Ice cold wind
Sending messages of love
Purple fingertips
Long for your touch
Sing to me
I’m listening
Down by the river
Where i hear your call]]> Work in progress
Grabado y premezclado en L:E:M: (Laboratorio de Experimentación Musical, Casa de salud, Concepción, Chile 2020)

Negro Pésimo / Beats, Samples, Paisaje Sonoro, Guitarra Midi, Flauta,Percusión,  Bajo y Contrabajo / Premezcla
Laura Kat Wiebe a.k.a. Wiska / Letra y Voz
Choro Boro /Flauta Traversa llave abierta
Helmuth Silva El Sonri / Quena y Guitarra Acústica
Rodrigo Anativia / Guitarra Eléctrica
César Venegas / Sintetizadores
Eduardo Bugmann / Sintetizadores

‘Down by the River’

Down by the river i heard your call
I listen to your cries through the wind
Sing to me
Through the trees
Let this breeze carry you to me

Ice cold wind
Sending messages of love
Purple fingertips
Long for your touch
Sing to me
I’m listening
Down by the river
Where i hear your call]]> 4972991 no no Sun, 06 Dec 2020 08:25:41 +0100 2020-12-06T08:25:41+01:00 18:08 https://hearthis.at/pesimo/negro-pesimo-djivan-original-mix/ dedicado a Djivan Gasparyan
Producido en L.E:M.
Casa de Salud
Concepción, Chile
(c) (p) Negro Pésimo 2020
Sintetizador: Eduardo Bugmann
Mezcla: Germán Estrada
Master: Hernán Salazar

Foto: Salar Surire (C) Pato Ventura-Juncá]]> dedicado a Djivan Gasparyan
Producido en L.E:M.
Casa de Salud
Concepción, Chile
(c) (p) Negro Pésimo 2020
Sintetizador: Eduardo Bugmann
Mezcla: Germán Estrada
Master: Hernán Salazar

Foto: Salar Surire (C) Pato Ventura-Juncá]]> 4972704 no no Thu, 23 Jul 2020 02:53:31 +0200 2020-07-23T02:53:31+02:00 7:24 https://hearthis.at/pesimo/negro-pesimo-feat-bugmatron-nana-original-mix/ Producido en L.E:M.
Casa de Salud
Concepción, Chile
(c) (p) Negro Pésimo 2020

Eduardo Bugmann - Sintetizadores Arturia y Casio cz1000
Germán Estrada - Mezcla
Hernán Salazar - Master]]> Producido en L.E:M.
Casa de Salud
Concepción, Chile
(c) (p) Negro Pésimo 2020

Eduardo Bugmann - Sintetizadores Arturia y Casio cz1000
Germán Estrada - Mezcla
Hernán Salazar - Master]]> 4972758 no no Fri, 01 May 2020 21:13:00 +0200 2020-05-01T21:13:00+02:00 9:21 https://hearthis.at/pesimo/everything-is-water-tagore-german/ 4974719 no no Fri, 24 Jul 2020 03:26:58 +0200 2020-07-24T03:26:58+02:00 3:46 https://hearthis.at/pesimo/shamishock-tagore-german/ 4974794 no no Thu, 23 Jul 2020 20:09:38 +0200 2020-07-23T20:09:38+02:00 4:48 https://hearthis.at/pesimo/los-brando-riddles/ 4974676 no no Thu, 23 Jul 2020 19:18:19 +0200 2020-07-23T19:18:19+02:00 5:47 https://hearthis.at/pesimo/los-brando-mistakes/ Grabado en Sala Dos y Roomba Concepción, Chile.
Mezcla: Cesar Baeza
Masterización : Joaquín García]]> Grabado en Sala Dos y Roomba Concepción, Chile.
Mezcla: Cesar Baeza
Masterización : Joaquín García]]> 4974813 no no Thu, 23 Jul 2020 20:22:42 +0200 2020-07-23T20:22:42+02:00 4:04 https://hearthis.at/pesimo/los-brando-baby-os-mutantes/ 4975678 no no Fri, 24 Jul 2020 03:39:57 +0200 2020-07-24T03:39:57+02:00 3:19 https://hearthis.at/pesimo/tagore-german-gabriel-del-bienestar-a-la-muerte/ 4976085 no no Fri, 24 Jul 2020 08:22:51 +0200 2020-07-24T08:22:51+02:00 5:00 https://hearthis.at/pesimo/florida-ayalen-acustico/ Voz: La Canarito y Tagore
Ñolquin: Joel Maripil
Concepción, Chile,2012]]> Voz: La Canarito y Tagore
Ñolquin: Joel Maripil
Concepción, Chile,2012]]> 4974693 no no Thu, 23 Jul 2020 19:37:43 +0200 2020-07-23T19:37:43+02:00 3:55 https://hearthis.at/pesimo/11-soleil/ Primer disco FLORIDO
Género: Trip Folk

Miembros: Jorge Fierro (Voz, Chaos Pad, Caskahuillas, Chajchas, Accesorios) Christian Estrada (Guitarra Acústica, programación midi, coros) Helmuth Silva ( Quena, tarka, zampoña, rondador, trompe, trutruka, cajón, coros) Rodrigo Anativia (Guitarra elèctrica, ecos, ballenas, ambient, bombo, percusión, gong, aerófonos y coros) Eduardo Bugmann (Bases, programación midi, minimoog, Acordeón, coros) Germán Estrada (Bajo, Contrabajo, Guiitarra Acústica, accesorios, loops y coros) Guillermo Leighton- Violoncello, Charango y saxo Gabriel Rojas: (Bajo, Contrabajo, Guiitarra Acústica) Tagore: Voz, coros, accesorios

https://instagram.com/luz_florida/
https://www.facebook.com/floridaluz]]> Primer disco FLORIDO
Género: Trip Folk

Miembros: Jorge Fierro (Voz, Chaos Pad, Caskahuillas, Chajchas, Accesorios) Christian Estrada (Guitarra Acústica, programación midi, coros) Helmuth Silva ( Quena, tarka, zampoña, rondador, trompe, trutruka, cajón, coros) Rodrigo Anativia (Guitarra elèctrica, ecos, ballenas, ambient, bombo, percusión, gong, aerófonos y coros) Eduardo Bugmann (Bases, programación midi, minimoog, Acordeón, coros) Germán Estrada (Bajo, Contrabajo, Guiitarra Acústica, accesorios, loops y coros) Guillermo Leighton- Violoncello, Charango y saxo Gabriel Rojas: (Bajo, Contrabajo, Guiitarra Acústica) Tagore: Voz, coros, accesorios

https://instagram.com/luz_florida/
https://www.facebook.com/floridaluz]]> 4972984 no no Thu, 09 Oct 2014 23:54:00 +0200 2014-10-09T23:54:00+02:00 5:17