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	<title><![CDATA[Musik Krause]]></title>
	<link>https://hearthis.at/pVWGCbwD/</link>
	<language>en-EN</language>
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	<itunes:subtitle><![CDATA[Podcast of Musik Krause]]></itunes:subtitle>
	<itunes:author><![CDATA[Musik Krause]]></itunes:author>
	<googleplay:author><![CDATA[Musik Krause]]></googleplay:author>
	<itunes:summary><![CDATA[]]></itunes:summary>
	<googleplay:description><![CDATA[]]></googleplay:description>
	<description><![CDATA[]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Musik Krause]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
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      <title>Musik Krause</title>
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        <item>
            <title><![CDATA[Metaboman - He Said She Said (feat. Dave Aju & Thomas Prestin)]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-he-said-she-said-feat.-dave-aju-thomas-prestin/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></description>
            <googleplay:description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></googleplay:description>
            <itunes:summary><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/4/0/_/uploads/27912/image_track/4273816/w1400_h1400_q70_ptrue_v2_----cropped_1579031671047.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Fri, 23 Mar 2018 09:42:16 +0100</pubDate>
                
                <atom:updated>2018-03-23T09:42:16+01:00</atom:updated>
                
            
            
            <itunes:duration>5:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Ark - En Ruins (Metaboman Darker RMX)]]></title>
            <link>https://hearthis.at/pVWGCbwD/ark-en-ruins-metaboman-darker-rmx/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></description>
            <googleplay:description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></googleplay:description>
            <itunes:summary><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/4/8/_/uploads/27912/image_track/4273817/w1400_h1400_q70_ptrue_v2_----cropped_1579031672841.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Fri, 23 Mar 2018 09:42:14 +0100</pubDate>
                
                <atom:updated>2018-03-23T09:42:14+01:00</atom:updated>
                
            
            
            <itunes:duration>5:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Byte]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-byte/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></description>
            <googleplay:description><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></googleplay:description>
            <itunes:summary><![CDATA[The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/2/5/_/uploads/27912/image_track/4273818/w1400_h1400_q70_ptrue_v2_----cropped_1579031675526.jpg" />
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            <guid isPermaLink="false">4273818</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Fri, 23 Mar 2018 09:42:13 +0100</pubDate>
                
                <atom:updated>2018-03-23T09:42:13+01:00</atom:updated>
                
            
            
            <itunes:duration>6:37</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Huerde]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-huerde/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[MK 049 - Metaboman - Nothing In It<br />
<br />
The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></description>
            <googleplay:description><![CDATA[MK 049 - Metaboman - Nothing In It<br />
<br />
The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></googleplay:description>
            <itunes:summary><![CDATA[MK 049 - Metaboman - Nothing In It

The musikkrause Record 49 is a House Music Record with 4 Tracks of Metaboman s very unique view of the dancefloor .Nothing to Talk about you have to listen...for shure.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/5/1/_/uploads/27912/image_track/4273819/w1400_h1400_q70_ptrue_v2_----cropped_1579031677155.jpg" />
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                <pubDate>Wed, 07 Mar 2018 15:33:32 +0100</pubDate>
                
                <atom:updated>2018-03-07T15:33:32+01:00</atom:updated>
                
            
            
            <itunes:duration>6:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metabomansdarkersugardjmix2018]]></title>
            <link>https://hearthis.at/pVWGCbwD/metabomansdarkersugardjmix2018/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[greetings]]></description>
            <googleplay:description><![CDATA[greetings]]></googleplay:description>
            <itunes:summary><![CDATA[greetings]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/2/6/_/uploads/27912/image_track/4273820/w1400_h1400_q70_ptrue_v2_----cropped_1579031679625.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/metabomansdarkersugardjmix2018/listen.mp3?s=gOo" length="47897285" />
            <guid isPermaLink="false">4273820</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Wed, 10 Jan 2018 15:12:29 +0100</pubDate>
                
                <atom:updated>2018-01-10T15:12:29+01:00</atom:updated>
                
            
            
            <itunes:duration>49:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman DJSET SMS 2017]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-djset-sms-2017/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[naja ...s war mal n schöner dance zum sms festival im sommer 2017 was soll ich sagen die dancers waren hot thanx a lot]]></description>
            <googleplay:description><![CDATA[naja ...s war mal n schöner dance zum sms festival im sommer 2017 was soll ich sagen die dancers waren hot thanx a lot]]></googleplay:description>
            <itunes:summary><![CDATA[naja ...s war mal n schöner dance zum sms festival im sommer 2017 was soll ich sagen die dancers waren hot thanx a lot]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/8/5/_/uploads/27912/image_track/4273821/w1400_h1400_q70_ptrue_v2_----cropped_1579031683583.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 21 Aug 2017 17:20:18 +0200</pubDate>
                
                <atom:updated>2017-08-21T17:20:18+02:00</atom:updated>
                
            
            
            <itunes:duration>2:00:19</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Fundamental]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-fundamental/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></description>
            <googleplay:description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></googleplay:description>
            <itunes:summary><![CDATA[Yet more unique and creative genius, from the unique and creative genius.
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/9/2/_/uploads/27912/image_track/4273825/w1400_h1400_q70_ptrue_v2_----cropped_1579031720298.jpg" />
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            <guid isPermaLink="false">4273825</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 07 Oct 2016 11:16:51 +0200</pubDate>
                
                <atom:updated>2016-10-07T11:16:51+02:00</atom:updated>
                
            
            
            <itunes:duration>4:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Noisebabe]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-noisebabe/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></description>
            <googleplay:description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></googleplay:description>
            <itunes:summary><![CDATA[Yet more unique and creative genius, from the unique and creative genius.
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/5/5/_/uploads/27912/image_track/4273826/w1400_h1400_q70_ptrue_v2_----cropped_1579031722552.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/metaboman-noisebabe/listen.mp3?s=xeh" length="5015091" />
            <guid isPermaLink="false">4273826</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 07 Oct 2016 11:14:32 +0200</pubDate>
                
                <atom:updated>2016-10-07T11:14:32+02:00</atom:updated>
                
            
            
            <itunes:duration>5:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - AWMB]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-awmb/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></description>
            <googleplay:description><![CDATA[Yet more unique and creative genius, from the unique and creative genius.<br />
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></googleplay:description>
            <itunes:summary><![CDATA[Yet more unique and creative genius, from the unique and creative genius.
Metaboman returns to Musik Krause with four new tracks, all created in his good ol' MPC style.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/5/_/uploads/27912/image_track/4273827/w1400_h1400_q70_ptrue_v2_----cropped_1579031726520.jpg" />
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            <guid isPermaLink="false">4273827</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 07 Oct 2016 11:14:28 +0200</pubDate>
                
                <atom:updated>2016-10-07T11:14:28+02:00</atom:updated>
                
            
            
            <itunes:duration>5:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dave Aju - Orbrun]]></title>
            <link>https://hearthis.at/pVWGCbwD/dave-aju-orbrun/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></description>
            <googleplay:description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></googleplay:description>
            <itunes:summary><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/5/1/_/uploads/27912/image_track/4273828/w1400_h1400_q70_ptrue_v2_----cropped_1579031728153.jpg" />
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            <guid isPermaLink="false">4273828</guid>
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Mon, 20 Jun 2016 11:09:59 +0200</pubDate>
                
                <atom:updated>2016-06-20T11:09:59+02:00</atom:updated>
                
            
            
            <itunes:duration>9:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dave Aju - Strang Theory]]></title>
            <link>https://hearthis.at/pVWGCbwD/dave-aju-strang-theory/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></description>
            <googleplay:description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></googleplay:description>
            <itunes:summary><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/2/0/_/uploads/27912/image_track/4273829/w1400_h1400_q70_ptrue_v2_----cropped_1579031732023.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 20 Jun 2016 11:09:58 +0200</pubDate>
                
                <atom:updated>2016-06-20T11:09:58+02:00</atom:updated>
                
            
            
            <itunes:duration>7:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dave Aju - RSHT]]></title>
            <link>https://hearthis.at/pVWGCbwD/dave-aju-rsht/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></description>
            <googleplay:description><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></googleplay:description>
            <itunes:summary><![CDATA[Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/6/0/_/uploads/27912/image_track/4273830/w1400_h1400_q70_ptrue_v2_----cropped_1579031735066.jpg" />
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            <guid isPermaLink="false">4273830</guid>
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Mon, 20 Jun 2016 11:09:57 +0200</pubDate>
                
                <atom:updated>2016-06-20T11:09:57+02:00</atom:updated>
                
            
            
            <itunes:duration>3:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Amerika]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-amerika/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></description>
            <googleplay:description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!

Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", 
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches
in and out of shape, …for the open-minded...
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/3/2/_/uploads/27912/image_track/4273831/w1400_h1400_q70_ptrue_v2_----cropped_1579031737237.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 18 Jan 2016 12:39:00 +0100</pubDate>
                
                <atom:updated>2016-01-18T12:39:00+01:00</atom:updated>
                
            
            
            <itunes:duration>6:44</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Bricks]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-bricks/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></description>
            <googleplay:description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!

Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", 
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches
in and out of shape, …for the open-minded...
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/6/7/_/uploads/27912/image_track/4273832/w1400_h1400_q70_ptrue_v2_----cropped_1579031738760.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 18 Jan 2016 12:39:00 +0100</pubDate>
                
                <atom:updated>2016-01-18T12:39:00+01:00</atom:updated>
                
            
            
            <itunes:duration>5:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Misty Roots]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-misty-roots/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></description>
            <googleplay:description><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!<br />
<br />
Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", <br />
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches<br />
in and out of shape, …for the open-minded...<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Soulphictions follow-up to last years Riot EP delivers the heat again on Musik Krause!!

Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Amerika", 
delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches
in and out of shape, …for the open-minded...
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/9/3/_/uploads/27912/image_track/4273833/w1400_h1400_q70_ptrue_v2_----cropped_1579031741397.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/soulphiction-misty-roots/listen.mp3?s=34J" length="3000946" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 18 Jan 2016 12:39:00 +0100</pubDate>
                
                <atom:updated>2016-01-18T12:39:00+01:00</atom:updated>
                
            
            
            <itunes:duration>3:07</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Comfort Fit - LIVE at Watergate Berlin - 30th. Oct.2015]]></title>
            <link>https://hearthis.at/pVWGCbwD/comfort-fit-live-at-watergate-berlin-30th.-oct.2015/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Comfort Fit  - LIVE at Watergate Berlin - 30th. Oct.2015<br />
<br />
live performed & recorded at Watergate, Berlin.]]></description>
            <googleplay:description><![CDATA[Comfort Fit  - LIVE at Watergate Berlin - 30th. Oct.2015<br />
<br />
live performed & recorded at Watergate, Berlin.]]></googleplay:description>
            <itunes:summary><![CDATA[Comfort Fit  - LIVE at Watergate Berlin - 30th. Oct.2015

live performed & recorded at Watergate, Berlin.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/8/9/_/uploads/27912/image_track/4273834/w1400_h1400_q70_ptrue_v2_----cropped_1579031742986.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/comfort-fit-live-at-watergate-berlin-30th.-oct.2015/listen.mp3?s=gOh" length="117070290" />
            <guid isPermaLink="false">4273834</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 17 Nov 2015 16:06:33 +0100</pubDate>
                
                <atom:updated>2015-11-17T16:06:33+01:00</atom:updated>
                
            
            
            <itunes:duration>48:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Blues For Bagdad]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-blues-for-bagdad/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/6/_/uploads/27912/image_track/4273835/w1400_h1400_q70_ptrue_v2_----cropped_1579031749645.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:32 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:32+02:00</atom:updated>
                
            
            
            <itunes:duration>8:41</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Love & Hoppiness Int.]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-love-hoppiness-int./</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/5/8/_/uploads/27912/image_track/4273836/w1400_h1400_q70_ptrue_v2_----cropped_1579031751859.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>2:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Night Rainer Diskodub]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-night-rainer-diskodub/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/8/5/_/uploads/27912/image_track/4273837/w1400_h1400_q70_ptrue_v2_----cropped_1579031754580.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/feindrehstar-night-rainer-diskodub/listen.mp3?s=Dgv" length="4455443" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>4:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Caje Sukarije (feat. Tina Keserovic)]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-caje-sukarije-feat.-tina-keserovic/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/8/0/_/uploads/27912/image_track/4273838/w1400_h1400_q70_ptrue_v2_----cropped_1579031756082.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>4:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Skit Légères]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-skit-legeres/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/7/5/_/uploads/27912/image_track/4273839/w1400_h1400_q70_ptrue_v2_----cropped_1579031757577.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/feindrehstar-skit-legeres/listen.mp3?s=2Nb" length="1295672" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>1:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Shake That]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-shake-that/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/0/8/_/uploads/27912/image_track/4273840/w1400_h1400_q70_ptrue_v2_----cropped_1579031758809.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/feindrehstar-shake-that/listen.mp3?s=qFn" length="5738160" />
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                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>5:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - From Bob To Stevie (feat. Dave Aju)]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-from-bob-to-stevie-feat.-dave-aju/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/0/6/_/uploads/27912/image_track/4273841/w1400_h1400_q70_ptrue_v2_----cropped_1579031772603.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>3:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Deep Horse]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-deep-horse/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/1/2/_/uploads/27912/image_track/4273842/w1400_h1400_q70_ptrue_v2_----cropped_1579031774219.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/feindrehstar-deep-horse/listen.mp3?s=lMw" length="4349282" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>4:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - The New Ballad]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-the-new-ballad/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/6/4/_/uploads/27912/image_track/4273843/w1400_h1400_q70_ptrue_v2_----cropped_1579031777463.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>5:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Antelope (feat. Ebo Taylor)]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-antelope-feat.-ebo-taylor/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/4/9/_/uploads/27912/image_track/4273844/w1400_h1400_q70_ptrue_v2_----cropped_1579031778943.jpg" />
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                <pubDate>Mon, 12 Oct 2015 19:23:31 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:31+02:00</atom:updated>
                
            
            
            <itunes:duration>3:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Love & Hoppiness]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-love-hoppiness/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/3/5/_/uploads/27912/image_track/4273845/w1400_h1400_q70_ptrue_v2_----cropped_1579031781536.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:30 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:30+02:00</atom:updated>
                
            
            
            <itunes:duration>4:17</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feindrehstar - Intermission]]></title>
            <link>https://hearthis.at/pVWGCbwD/feindrehstar-intermission/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></description>
            <googleplay:description><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.<br />
<br />
 <br />
<br />
That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.<br />
<br />
At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.<br />
<br />
 <br />
<br />
Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.<br />
<br />
 <br />
<br />
Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></googleplay:description>
            <itunes:summary><![CDATA[Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musical totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divisions in musical genre.  Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album named „Love & Hoppiness“ – five years after their brilliant debut „Vulgarian Knights“. A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. „Love & Hoppiness“ matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackmate) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories.

 

That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar’s sound continues to develop. Jazz, soul and funk vibes shine through on tracks like „Antelope“, a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor.

At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusiasm.  It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of „From Bob To Stevie“ standing out on the album.

 

Feindrehstar call their music Krautclub, and the reason ought to become clear in „Caje Sukarije“:  a classic Balkan funk sound taken over by wild synth loops that become fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with „The New Ballad“, „Blues For Bagdad“ as well as the completely acoustic ballad „Love & Hoppiness Int.“ with cello and clarinet, anchoring the album in a captivating calm.

 

Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. „Love & Hoppiness“, „Deep Horse“, „Shake That“ und „Night Rainer Diskodub“ show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't diminished.  Feindrehstar will ensure that clubs and festivals will be well supplied with their estatic performance into the future. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/7/6/_/uploads/27912/image_track/4273846/w1400_h1400_q70_ptrue_v2_----cropped_1579031783670.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/feindrehstar-intermission/listen.mp3?s=8vL" length="1136012" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 12 Oct 2015 19:23:30 +0200</pubDate>
                
                <atom:updated>2015-10-12T19:23:30+02:00</atom:updated>
                
            
            
            <itunes:duration>1:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Orc Fame]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-orc-fame/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
]]></description>
            <googleplay:description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. 

Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.

In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.


PWR Whoop
Soundtrack to early morning sport with a brew and sandwiches.

orcfam
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!

Next Please
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.

Ergo Pure
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/5/0/_/uploads/27912/image_track/4273847/w1400_h1400_q70_ptrue_v2_----cropped_1579031786050.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 12:10:34 +0200</pubDate>
                
                <atom:updated>2015-06-02T12:10:34+02:00</atom:updated>
                
            
            
            <itunes:duration>4:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - PWR Whoop]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-pwr-whoop/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
<br />
******]]></description>
            <googleplay:description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
<br />
******]]></googleplay:description>
            <itunes:summary><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. 

Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.

In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.


PWR Whoop
Soundtrack to early morning sport with a brew and sandwiches.

orcfam
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!

Next Please
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.

Ergo Pure
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.

******]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/1/5/_/uploads/27912/image_track/4273848/w1400_h1400_q70_ptrue_v2_----cropped_1579031787517.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 12:10:33 +0200</pubDate>
                
                <atom:updated>2015-06-02T12:10:33+02:00</atom:updated>
                
            
            
            <itunes:duration>5:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Ergo Pure]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-ergo-pure/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.]]></description>
            <googleplay:description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.]]></googleplay:description>
            <itunes:summary><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. 

Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.

In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.


PWR Whoop
Soundtrack to early morning sport with a brew and sandwiches.

orcfam
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!

Next Please
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.

Ergo Pure
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/1/_/uploads/27912/image_track/4273849/w1400_h1400_q70_ptrue_v2_----cropped_1579031792146.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 12:10:33 +0200</pubDate>
                
                <atom:updated>2015-06-02T12:10:33+02:00</atom:updated>
                
            
            
            <itunes:duration>4:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metaboman - Next Please]]></title>
            <link>https://hearthis.at/pVWGCbwD/metaboman-next-please/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
<br />
******<br />
<br />
]]></description>
            <googleplay:description><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. <br />
<br />
Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.<br />
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.<br />
<br />
In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.<br />
<br />
<br />
PWR Whoop<br />
Soundtrack to early morning sport with a brew and sandwiches.<br />
<br />
orcfam<br />
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!<br />
<br />
Next Please<br />
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.<br />
<br />
Ergo Pure<br />
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.<br />
<br />
******<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[In wonderful Thüringia (Berlach /Gotha)  a group of culture enthusiasts under the radar of the standard PR circus, every year run a festival way out in the sticks for 3 days. This is the “Cucuma” festival. Here there is enjoyment of art and culture in a kind of Utopia island. Embedded in scenic nature with a love of detail, an open audience and artists who swing together in a way that you don't see everywhere. 

Metaboman, one half of the Krause Duo, is jamming since forever at this place. Found at times with the booked musicians  (either DJ Kajak, with partner Krause, or as live act) and artistic chums.
All four tracks are based on Metaboman's live sound; a shadow-dance theater performance which he performed at the 2014 festival.

In the EP “Cucmagic” there lives the spirit of this prime piece of earth under swaying poplars. A homage to a status of deep sensitivity & happiness. When the final heap of sonics is rendered still, the next summer, which one can hardly wait on is already being longed for. If you have already experienced the DNA from Metaboman's brand of sonic gymnastics, then you are already with him. For a long time his music has been aimed at the offloading your rear-end, as opposed to stretched out arms and hands. As well, here is a deeply compelling groove with a jazzy vibe and smoke blasts that sometimes more, sometimes less alternate the sunshine with shimmering.


PWR Whoop
Soundtrack to early morning sport with a brew and sandwiches.

orcfam
At some point every mole wants to have his peace, but that's not to say they want to sleep. He has a right to the deep rave too!

Next Please
A good mood packed in the filth of the small surface. Please take a number and dance from back to front.

Ergo Pure
There's some bobbing going on in the groves and there falls the wood chips. A woodpecker that sure can toot, lies amongst the branches.

******

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/7/4/_/uploads/27912/image_track/4273850/w1400_h1400_q70_ptrue_v2_----cropped_1579031794471.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 12:10:33 +0200</pubDate>
                
                <atom:updated>2015-06-02T12:10:33+02:00</atom:updated>
                
            
            
            <itunes:duration>4:41</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Comfort Fit - Staubschicht]]></title>
            <link>https://hearthis.at/pVWGCbwD/comfort-fit-staubschicht/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></description>
            <googleplay:description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. 

A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. 

A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. 

B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. 

B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. 

Best regards, 
Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/6/1/_/uploads/27912/image_track/4273851/w1400_h1400_q70_ptrue_v2_----cropped_1579031797165.jpg" />
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                <pubDate>Tue, 24 Mar 2015 15:38:20 +0100</pubDate>
                
                <atom:updated>2015-03-24T15:38:20+01:00</atom:updated>
                
            
            
            <itunes:duration>6:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Comfort Fit - Schlesischer Koller]]></title>
            <link>https://hearthis.at/pVWGCbwD/comfort-fit-schlesischer-koller/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></description>
            <googleplay:description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. 

A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. 

A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. 

B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. 

B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. 

Best regards, 
Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/9/7/_/uploads/27912/image_track/4273852/w1400_h1400_q70_ptrue_v2_----cropped_1579031799790.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/comfort-fit-schlesischer-koller/listen.mp3?s=kWE" length="4889703" />
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            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 24 Mar 2015 15:38:20 +0100</pubDate>
                
                <atom:updated>2015-03-24T15:38:20+01:00</atom:updated>
                
            
            
            <itunes:duration>5:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Comfort Fit - Meta Kreta]]></title>
            <link>https://hearthis.at/pVWGCbwD/comfort-fit-meta-kreta/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></description>
            <googleplay:description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. 

A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. 

A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. 

B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. 

B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. 

Best regards, 
Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/1/_/uploads/27912/image_track/4273853/w1400_h1400_q70_ptrue_v2_----cropped_1579031803168.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/comfort-fit-meta-kreta/listen.mp3?s=6dr" length="6088828" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 24 Mar 2015 15:38:20 +0100</pubDate>
                
                <atom:updated>2015-03-24T15:38:20+01:00</atom:updated>
                
            
            
            <itunes:duration>6:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Comfort Fit - Gib Dem Zauber Zucker]]></title>
            <link>https://hearthis.at/pVWGCbwD/comfort-fit-gib-dem-zauber-zucker/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></description>
            <googleplay:description><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. <br />
<br />
A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. <br />
<br />
A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. <br />
<br />
B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. <br />
<br />
B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. <br />
<br />
Best regards, <br />
Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[“Adolars phantastische Abenteuer” is a work of the finest irony interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they switched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP “Rausgeflogen” there was the vocal intonation of “Auf dieser Feier bin ich On Fire”. Even when here no one goes up in smoke, Comfort Fit has 2 tracks from 'On Fire'. The best part is he delivers two songs to ignite and extinguish. 

A1) Gib dem Zauber Zucker Driving and quirky, jazzy, deep techno that works without the yips. What starts as a knee and calf shaker turns into a hopping beast where in spite of stumbling beats doesn't fall on it's face. That's because the finger snaps, melodic fragments and rough bass edges keep the life in your bones. 

A2) Meta Kreta Whoever believes in measured floating sweep-dub horizontal techno, and is at the end of the sonics universe, can savour the rescue mission taking you out of your own personal stone age. In earlier times this is how from fuses, pyrite and straw was ignited. Presenting the soundtrack. 

B1) Schlesischer Koller In principle, what happens in A2 goes on here all the same except that ignition processors and sound cards are utilized. Does it not burn properly? Then stick the graphic card in there...here the lotus flies in the cellar. The people here are served bass & crass. 

B2) Staubschicht Caution! Neck breaker in the house! The key element is the typical Musikkrause swing in the dark primetime. There is no mercy, whoever's standing around flies directly to the floor, kicking up dust. In the layers it can be found so that again and again it is aroused. 

Best regards, 
Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/0/7/_/uploads/27912/image_track/4273854/w1400_h1400_q70_ptrue_v2_----cropped_1579031804701.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 24 Mar 2015 15:38:20 +0100</pubDate>
                
                <atom:updated>2015-03-24T15:38:20+01:00</atom:updated>
                
            
            
            <itunes:duration>5:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Fuck Yeah! - Mount Julip]]></title>
            <link>https://hearthis.at/pVWGCbwD/fuck-yeah-mount-julip/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.<br />
<br />
The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.<br />
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! <br />
<br />
*****<br />
<br />
 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.<br />
<br />
Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.<br />
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.<br />
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.<br />
]]></description>
            <googleplay:description><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.<br />
<br />
The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.<br />
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! <br />
<br />
*****<br />
<br />
 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.<br />
<br />
Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.<br />
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.<br />
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.

The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! 

*****

 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.

Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/9/6/_/uploads/27912/image_track/4273855/w1400_h1400_q70_ptrue_v2_----cropped_1579031807695.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 05 Jan 2015 13:31:24 +0100</pubDate>
                
                <atom:updated>2015-01-05T13:31:24+01:00</atom:updated>
                
            
            
            <itunes:duration>8:42</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Fuck Yeah! - Granatapfel]]></title>
            <link>https://hearthis.at/pVWGCbwD/fuck-yeah-granatapfel/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.<br />
<br />
The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.<br />
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! <br />
<br />
*****<br />
<br />
 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.<br />
<br />
Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.<br />
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.<br />
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.<br />
]]></description>
            <googleplay:description><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.<br />
<br />
The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.<br />
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! <br />
<br />
*****<br />
<br />
 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.<br />
<br />
Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.<br />
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.<br />
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[ Musikkrause starts off with a fresh new growth for 2015! FuckYeah! Is the otherwise known Weiderrich Bruno Walz in his cultural alias. He ruffles already for several years in a friendly manner through the labels and scales sporadically with his machinery on the stage. This he manages to bring about diverse live sessions (among others Metaboman) he assists.

The artist name somehow reveals a certain degree of attitude. Fuck for the uncoiled middle finger - in whatever direction it doesn't matter - and yeah for the fun in life. Punk is in his heart and techno is in his stomach and the good guy guy has plenty in himself. That he also enjoys music production can be heard in the two-tracks clearly. The A-side is a rave-anthem in a special way. Open air and fog machines have a place here. The B-side is a percussive safari stomper full of deep and hypnotic movement activity.
FuckYeah! Toils happily in his studio or live-on-stage he turns the knobs and pushes buttons on the machines around him. That is excellent, because his music is best put to use when wilding out! 

*****

 Musikkrause startet mit einem frischen Eigengewächs ins Jahr 2015. FuckYeah! nennt sich der Weiderrich Bruno Walz in seiner kulturellen Lautformulierung. Er kraust schon seit Jahren freundschaftlich im Windschatten der Labelakteure und erklimmt sporadisch mit seinen Gerätschaften die Bühne, um diverse Livesessions (ua. Metaboman) mitzugestalten.

Der Künstlername verrät irgendwie auch eine gewisse Haltung, Fuck für den gestreckten Mittelfinger - in welche Richtung auch immer und Yeah für den Spaß am Leben. Punk im Herzen und Techno im Bauch, hat der Gute also gehörig in sich.
Das er auch viel Spaß am Musik produzieren hat, hört man bei seinen beiden Tracks deutlich raus. Die A-Seite ist ein Rave-Anthem der besonderen Art. Freiluft und Nebelkanone kommen hier bestens zusammen. Die B-Seite ist ein perkussiver Safari-Stomper voller Tiefe und hypnotischer Bewegungsaktivität.
FuckYeah! schraubt gern im Studio oder Live-on-stage an Knöpfen und Geräten herum. Das ist hervorragend, denn zu seiner Musik lässt es sich bestens sinnlich Austoben.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/8/4/_/uploads/27912/image_track/4273856/w1400_h1400_q70_ptrue_v2_----cropped_1579031809486.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/fuck-yeah-granatapfel/listen.mp3?s=Ayj" length="7231528" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 05 Jan 2015 13:31:24 +0100</pubDate>
                
                <atom:updated>2015-01-05T13:31:24+01:00</atom:updated>
                
            
            
            <itunes:duration>7:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Riot Party]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-riot-party/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></description>
            <googleplay:description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.



TRACK INFORMATIONEN 

A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.
 Best regards,  Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/0/1/_/uploads/27912/image_track/4273857/w1400_h1400_q70_ptrue_v2_----cropped_1579031812108.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/pVWGCbwD/soulphiction-riot-party/listen.mp3?s=Cm2" length="3000946" />
            <guid isPermaLink="false">4273857</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 14 Nov 2014 15:09:26 +0100</pubDate>
                
                <atom:updated>2014-11-14T15:09:26+01:00</atom:updated>
                
            
            
            <itunes:duration>3:07</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Detox]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-detox/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[MUSIKINFO <br />
<br />
"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></description>
            <googleplay:description><![CDATA[MUSIKINFO <br />
<br />
"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[MUSIKINFO 

"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.



TRACK INFORMATIONEN 

A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.
 Best regards,  Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/6/4/_/uploads/27912/image_track/4273858/w1400_h1400_q70_ptrue_v2_----cropped_1579031813460.jpg" />
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                <pubDate>Fri, 14 Nov 2014 15:09:26 +0100</pubDate>
                
                <atom:updated>2014-11-14T15:09:26+01:00</atom:updated>
                
            
            
            <itunes:duration>3:59</itunes:duration>
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        <item>
            <title><![CDATA[Soulphiction - With Attitude]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-with-attitude/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[MUSIKINFO <br />
<br />
"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></description>
            <googleplay:description><![CDATA[MUSIKINFO <br />
<br />
"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA[MUSIKINFO 

"We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.



TRACK INFORMATIONEN 

A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.
 Best regards,  Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/9/0/_/uploads/27912/image_track/4273859/w1400_h1400_q70_ptrue_v2_----cropped_1579031816095.jpg" />
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                <pubDate>Fri, 14 Nov 2014 15:09:26 +0100</pubDate>
                
                <atom:updated>2014-11-14T15:09:26+01:00</atom:updated>
                
            
            
            <itunes:duration>4:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Bass Jam]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-bass-jam/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></description>
            <googleplay:description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.



TRACK INFORMATIONEN 

A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.
 Best regards,  Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/1/2/_/uploads/27912/image_track/4273861/w1400_h1400_q70_ptrue_v2_----cropped_1579031818210.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Fri, 14 Nov 2014 15:09:25 +0100</pubDate>
                
                <atom:updated>2014-11-14T15:09:25+01:00</atom:updated>
                
            
            
            <itunes:duration>4:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Soulphiction - Ann Arbor]]></title>
            <link>https://hearthis.at/pVWGCbwD/soulphiction-ann-arbor/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></description>
            <googleplay:description><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.<br />
<br />
<br />
<br />
TRACK INFORMATIONEN <br />
<br />
A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.<br />
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.<br />
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.<br />
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.<br />
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.<br />
 Best regards,  Oliver Goldt]]></googleplay:description>
            <itunes:summary><![CDATA["We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out - Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate - Jena is for some time now a spirit - and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.



TRACK INFORMATIONEN 

A1. Ann Arbor  Iggy Pop originally comes from Ann Arbor. Straight up, "Iggy and Moodyman were with Souphiction jamming together in the studio"...finest cinematic-poetry-house-punch from the funk cellar.
 A2. Bass Jam The bass jam comes together with Mr. Rhodes soulfully & slowly in the door. Inside there is a bit of the beat research along with breaks, claps and strobo rattling in a race but everything (please) in slow motion.
 B1. With Attitude A juicy and compact techno shuffling to a neck massage, seasoned with essence of acid "with attitude"-accents and rough 'n' deep sounds that still sound like the freshest techno.
 B2. Detox  Narly Bartley-House on the soulful sunny side. A proper groove is in the body as something for the repeat button-stomper. The saying: "in brevity lies the seasoning" in song format formed for the sensual rave.
 B3 Riot. Party In three minutes cleaned up or at once taken apart, Soulphiction concludes at last with the whip. From the thrown about drink bottle the rest is swigged, smeared lipstick and all...kick out the jams, folks.
 Best regards,  Oliver Goldt]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/8/4/_/uploads/27912/image_track/4273862/w1400_h1400_q70_ptrue_v2_----cropped_1579031821487.jpg" />
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                <pubDate>Fri, 14 Nov 2014 15:09:25 +0100</pubDate>
                
                <atom:updated>2014-11-14T15:09:25+01:00</atom:updated>
                
            
            
            <itunes:duration>5:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Berk Offset - Der Sackkiefler]]></title>
            <link>https://hearthis.at/pVWGCbwD/berk-offset-der-sackkiefler/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></description>
            <googleplay:description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></googleplay:description>
            <itunes:summary><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.

For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.

Der fiberische Drüsenpfeifer (the feverish glandular whistler)
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.

The obskure Obstkur (the obscure fruit treatment)
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.

Der Wabberknecht (the Daddy Long Legs)
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.

The Sackkiefler (the Hexapod)
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/0/_/uploads/27912/image_track/4273863/w1400_h1400_q70_ptrue_v2_----cropped_1579031824032.jpg" />
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                <pubDate>Tue, 02 Sep 2014 13:14:44 +0200</pubDate>
                
                <atom:updated>2014-09-02T13:14:44+02:00</atom:updated>
                
            
            
            <itunes:duration>6:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Berk Offset - Der Wabberknecht]]></title>
            <link>https://hearthis.at/pVWGCbwD/berk-offset-der-wabberknecht/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></description>
            <googleplay:description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></googleplay:description>
            <itunes:summary><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.

For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.

Der fiberische Drüsenpfeifer (the feverish glandular whistler)
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.

The obskure Obstkur (the obscure fruit treatment)
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.

Der Wabberknecht (the Daddy Long Legs)
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.

The Sackkiefler (the Hexapod)
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/8/1/_/uploads/27912/image_track/4273864/w1400_h1400_q70_ptrue_v2_----cropped_1579031829183.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 02 Sep 2014 13:14:44 +0200</pubDate>
                
                <atom:updated>2014-09-02T13:14:44+02:00</atom:updated>
                
            
            
            <itunes:duration>6:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Berk Offset - Die obskure Obstkur]]></title>
            <link>https://hearthis.at/pVWGCbwD/berk-offset-die-obskure-obstkur/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></description>
            <googleplay:description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></googleplay:description>
            <itunes:summary><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.

For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.

Der fiberische Drüsenpfeifer (the feverish glandular whistler)
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.

The obskure Obstkur (the obscure fruit treatment)
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.

Der Wabberknecht (the Daddy Long Legs)
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.

The Sackkiefler (the Hexapod)
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/5/8/_/uploads/27912/image_track/4273865/w1400_h1400_q70_ptrue_v2_----cropped_1579031830850.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 02 Sep 2014 13:14:44 +0200</pubDate>
                
                <atom:updated>2014-09-02T13:14:44+02:00</atom:updated>
                
            
            
            <itunes:duration>6:19</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Berk Offset - Der Fiebersche Drüsenpfeifer]]></title>
            <link>https://hearthis.at/pVWGCbwD/berk-offset-der-fiebersche-drusenpfeifer/</link>
            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
            <description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></description>
            <googleplay:description><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.<br />
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.<br />
<br />
For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.<br />
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.<br />
<br />
Der fiberische Drüsenpfeifer (the feverish glandular whistler)<br />
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.<br />
<br />
The obskure Obstkur (the obscure fruit treatment)<br />
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.<br />
<br />
Der Wabberknecht (the Daddy Long Legs)<br />
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.<br />
<br />
The Sackkiefler (the Hexapod)<br />
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></googleplay:description>
            <itunes:summary><![CDATA[Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature researcher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experimentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer.
His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassembled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges.

For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers.
This active compulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypothesis: the forest is sound.

Der fiberische Drüsenpfeifer (the feverish glandular whistler)
The least populous forest inhabitants, a cross between owl and deer, who especially in the night seek the closeness to people. Especially in the foggy, lightening-infused and wide open spaces of the hopper sound, he at his most comfortable.

The obskure Obstkur (the obscure fruit treatment)
With so much 	perseverance sitting in high seats and telescopic viewing, he naturally needs some kind of culinary relaxation. Of course, nothing tops the fresh plate of fruit. From a selection of 60% highly distilled fruit essences, there comes the mid day snack.

Der Wabberknecht (the Daddy Long Legs)
Careful, this arachnid is a cheeky fellow. Very trusting, eats from your hand. At the same time he'll snap you up with the quickness and plunge every feeder, dragging you into his dance hole.

The Sackkiefler (the Hexapod)
This small friendly monster, lurks through the needle woods digs himself like a mole under forest ant mounds where he chooses to chill out and feast. He emerges stuffed from the subterranean world and steps with his claws rhythmically, with his mandibles chewing on everything.]]></itunes:summary>
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                <pubDate>Tue, 02 Sep 2014 13:14:44 +0200</pubDate>
                
                <atom:updated>2014-09-02T13:14:44+02:00</atom:updated>
                
            
            
            <itunes:duration>7:15</itunes:duration>
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            <title><![CDATA[Ian Simmonds - Diver]]></title>
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            <itunes:author><![CDATA[Musik Krause]]></itunes:author>
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                <pubDate>Fri, 01 Feb 2013 13:05:06 +0100</pubDate>
                
                <atom:updated>2013-02-01T13:05:06+01:00</atom:updated>
                
            
            
            <itunes:duration>5:20</itunes:duration>
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