Thu, 23 Apr 2026 18:02:37 +0200 https://hearthis.at/nounverber/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/nounverber/ https://img.hearthis.at/0/1/2/_/uploads/4445601/image_user/w1400_h1400_q70_ptrue_v2_----cropped_f29eee84448b91cd909b17e39b264567a213736667210.jpg no no https://hearthis.at/nounverber/feral-thing/
http://nounverber.bandcamp.com/]]>
http://nounverber.bandcamp.com/]]> 1000710 no no Mon, 22 Aug 2016 16:27:31 +0200 2016-08-22T16:27:31+02:00 5:01 https://hearthis.at/nounverber/receiver/
Limited edition cassettes available now!

https://nounverber.bandcamp.com/album/midnight-animal]]>
Limited edition cassettes available now!

https://nounverber.bandcamp.com/album/midnight-animal]]> 1000678 no no Fri, 19 Aug 2016 18:42:18 +0200 2016-08-19T18:42:18+02:00 4:56 https://hearthis.at/nounverber/your-heart-is-a-killer/
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]>
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]> 1000711 no no Tue, 15 Mar 2016 15:47:35 +0100 2016-03-15T15:47:35+01:00 2:28 https://hearthis.at/nounverber/glass-teeth/
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]>
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]> 1000712 no no Tue, 15 Mar 2016 15:47:32 +0100 2016-03-15T15:47:32+01:00 2:06 https://hearthis.at/nounverber/as-within-so-without/
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]>
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]> 1000713 no no Tue, 15 Mar 2016 15:47:29 +0100 2016-03-15T15:47:29+01:00 1:34 https://hearthis.at/nounverber/polite-predictability/
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]>
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]> 1000714 no no Tue, 15 Mar 2016 15:47:27 +0100 2016-03-15T15:47:27+01:00 2:56 https://hearthis.at/nounverber/intermission/
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]>
"When I started writing the music for The Unjazz, I was attempting to create a jam session between technically advanced jazz musicians that could only exist in the hyper-realistic realms of sequencers and digital audio synthesis. After the first song was finished, I realized that it was too clean. So, I went back into the track and carefully created small misalignments in timing and rhythm to add the human factor into the music. As a result, the parts jump, move, and slide around as if performed by professional musicians."]]> 1000715 no no Tue, 15 Mar 2016 15:47:24 +0100 2016-03-15T15:47:24+01:00 2:10 https://hearthis.at/nounverber/el-huervo-hunger-featuring-nounverber/
https://elhuervo.bandcamp.com/album/worlds-end]]>
https://elhuervo.bandcamp.com/album/worlds-end]]> 1000720 no no Fri, 19 Jun 2015 04:40:21 +0200 2015-06-19T04:40:21+02:00 5:04 https://hearthis.at/nounverber/cease/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000721 no no Sat, 14 Mar 2015 04:14:47 +0100 2015-03-14T04:14:47+01:00 2:08 https://hearthis.at/nounverber/grasp/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000722 no no Sat, 14 Mar 2015 04:14:11 +0100 2015-03-14T04:14:11+01:00 1:36 https://hearthis.at/nounverber/collapse/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000723 no no Sat, 14 Mar 2015 04:13:52 +0100 2015-03-14T04:13:52+01:00 2:13 https://hearthis.at/nounverber/render/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000724 no no Sat, 14 Mar 2015 04:13:26 +0100 2015-03-14T04:13:26+01:00 2:04 https://hearthis.at/nounverber/sustain/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000725 no no Sat, 14 Mar 2015 04:12:58 +0100 2015-03-14T04:12:58+01:00 1:40 https://hearthis.at/nounverber/gain/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000726 no no Sat, 14 Mar 2015 04:12:28 +0100 2015-03-14T04:12:28+01:00 1:58 https://hearthis.at/nounverber/consume/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000727 no no Sat, 14 Mar 2015 04:12:01 +0100 2015-03-14T04:12:01+01:00 1:20 https://hearthis.at/nounverber/regret/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000728 no no Sat, 14 Mar 2015 04:11:35 +0100 2015-03-14T04:11:35+01:00 2:11 https://hearthis.at/nounverber/agonize/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000729 no no Sat, 14 Mar 2015 04:11:07 +0100 2015-03-14T04:11:07+01:00 1:43 https://hearthis.at/nounverber/reflect/
natpashdesign.com/games_paperthin.html]]>
natpashdesign.com/games_paperthin.html]]> 1000730 no no Sat, 14 Mar 2015 04:03:18 +0100 2015-03-14T04:03:18+01:00 2:07 https://hearthis.at/nounverber/exist/
http://natpashdesign.com/games_paperthin.html]]>
http://natpashdesign.com/games_paperthin.html]]> 1000731 no no Sat, 14 Mar 2015 04:02:02 +0100 2015-03-14T04:02:02+01:00 1:54