Fri, 03 Apr 2026 20:34:45 +0200 https://hearthis.at/noiarecords/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/noiarecords/ https://img.hearthis.at/o/g/o/_/uploads/41725/image_user/w1400_h1400_q70_ptrue_v2_----cropped_8603a17611315789798f68af2c601919n.o.i.a.-records-solo-logo.jpg no no https://hearthis.at/noiarecords/mono-han-story-for-sale/ 4165949 no no Sun, 17 Nov 2019 12:04:32 +0100 2019-11-17T12:04:32+01:00 4:06 https://hearthis.at/noiarecords/mono-han-shining-dust/ 4165950 no no Sun, 17 Nov 2019 12:01:29 +0100 2019-11-17T12:01:29+01:00 3:24 https://hearthis.at/noiarecords/mono-han-tout-petit-la-planete/ 4165952 no no Sun, 17 Nov 2019 12:01:22 +0100 2019-11-17T12:01:22+01:00 6:32 https://hearthis.at/noiarecords/mono-han-pop-song/ 4165953 no no Sun, 17 Nov 2019 12:01:19 +0100 2019-11-17T12:01:19+01:00 6:00 https://hearthis.at/noiarecords/mono-han-lovelectron/ 4165954 no no Sun, 17 Nov 2019 12:01:18 +0100 2019-11-17T12:01:18+01:00 4:06 https://hearthis.at/noiarecords/mono-han-jimmy-doesnt-smile-at-home/
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]>
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]> 4165956 no no Sat, 09 Nov 2019 18:35:48 +0100 2019-11-09T18:35:48+01:00 4:53 https://hearthis.at/noiarecords/mono-han-just-around-the-corner/
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]>
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]> 4165957 no no Sat, 09 Nov 2019 18:35:47 +0100 2019-11-09T18:35:47+01:00 4:00 https://hearthis.at/noiarecords/mono-han-contact-light/
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]>
Facebook: https://www.facebook.com/noiarecords
SoundCloud: https://soundcloud.com/noiarecords
Instagram: https://www.instagram.com/noiarecords/
Telegram: https://t.me/noiarecords
Official Website: http://www.noiarecords.com
Merchandising: https://teespring.com/stores/noia-records-dept-store]]> 4165958 no no Sat, 09 Nov 2019 18:35:45 +0100 2019-11-09T18:35:45+01:00 4:29 https://hearthis.at/noiarecords/alessandro-piatto-late-night-chillout-session-25/ Booking djset info: booking@electronicimage.it]]> Booking djset info: booking@electronicimage.it]]> 4165959 no no Thu, 01 Aug 2019 15:27:57 +0200 2019-08-01T15:27:57+02:00 59:19 https://hearthis.at/noiarecords/holy-hole-sizi-eru/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165960 no no Wed, 26 Jun 2019 10:33:52 +0200 2019-06-26T10:33:52+02:00 5:43 https://hearthis.at/noiarecords/holy-hole-gonje/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165961 no no Wed, 26 Jun 2019 10:33:50 +0200 2019-06-26T10:33:50+02:00 4:08 https://hearthis.at/noiarecords/holy-hole-sabri/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165962 no no Wed, 26 Jun 2019 10:33:49 +0200 2019-06-26T10:33:49+02:00 5:38 https://hearthis.at/noiarecords/holy-hole-ahanta/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165963 no no Wed, 26 Jun 2019 10:33:47 +0200 2019-06-26T10:33:47+02:00 5:56 https://hearthis.at/noiarecords/holy-hole-trance/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165964 no no Wed, 26 Jun 2019 10:33:45 +0200 2019-06-26T10:33:45+02:00 6:24 https://hearthis.at/noiarecords/holy-hole-raga/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165965 no no Wed, 26 Jun 2019 10:33:44 +0200 2019-06-26T10:33:44+02:00 5:30 https://hearthis.at/noiarecords/holy-hole-marilli/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165966 no no Wed, 26 Jun 2019 10:33:42 +0200 2019-06-26T10:33:42+02:00 4:52 https://hearthis.at/noiarecords/holy-hole-raga-nella/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165967 no no Wed, 26 Jun 2019 10:33:40 +0200 2019-06-26T10:33:40+02:00 6:08 https://hearthis.at/noiarecords/holy-hole-raga-swing/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165969 no no Wed, 26 Jun 2019 10:33:39 +0200 2019-06-26T10:33:39+02:00 4:34 https://hearthis.at/noiarecords/holy-hole-raga-zzina/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165970 no no Wed, 26 Jun 2019 10:33:37 +0200 2019-06-26T10:33:37+02:00 2:56 https://hearthis.at/noiarecords/holy-hole-trance-acid/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165971 no no Wed, 26 Jun 2019 10:33:35 +0200 2019-06-26T10:33:35+02:00 4:23 https://hearthis.at/noiarecords/holy-hole-trance-vuota/ In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> In 1980 N.O.I.A. win the first Italian rock festival and EMI releases a compilation including their songs “Europe” and “Hunger in the east”.

In 1982 Davide Piatto composes “Dirty Talk” sung by Rossana Casale.
The song is released as “Klein & MBO” (a ghost group). It reaches the top of the charts all over the world.

The second period in N.O.I.A.’s career begins in 1983 when they sign to “Italian Records” and become a studio group with three members only and no live activity. Their music becomes easier but always repetitive and obsessive.
Between 1985 and 1985 N.O.I.A.’s singles “Looking for love”, “Stranger in a strange land”, “Do you wanna dance”, “Truelove”, “Try and See” and the mini LP “The sound of love” are pretty successful on the European dance market. In 1985 they sign to “Rose Rosse”.
Between 1985 and 1988 they make the singles “Umbaraumba” and “Summertime blues”. In the same period Davide Piatto founds the “Rebels Without a Cause”, a classical rock-blues group where he can finally give vent to all his guitarism. The Rebels have some success and a thick live activity.
Between 1987 and 1990 they release three albums: “Naked lunch”, “Why don’t you die?” and “John’s comin’ down”. In the same period Bruno Magnani founds the “Sacred Circle”, a group that combines a strictly electronic rhythm section with a high amount of guitar feedback. Tey make few live acts but good. Their porno-sacred performances are unforgettable.
Between 1990 to 1994 nothing interesting happens, Magnani and Piatto keep on working together in studio and making incredibly few tracks.

In 1994 their music takes a trance direction and over the electronic stuff they add more and more samples of traditional African and Asian music: the Holy Hole are born. The combination of trance-dub and global influences make their sound immediately recognizable.
credits]]> 4165972 no no Wed, 26 Jun 2019 10:33:33 +0200 2019-06-26T10:33:33+02:00 6:22 https://hearthis.at/noiarecords/alessandro-piatto-late-night-chillout-session-22/ 4165973 no no Fri, 18 Jan 2019 09:26:13 +0100 2019-01-18T09:26:13+01:00 1:03:16 https://hearthis.at/noiarecords/tengrams-lush/ 4165974 no no Fri, 11 Jan 2019 09:24:33 +0100 2019-01-11T09:24:33+01:00 4:28 https://hearthis.at/noiarecords/tengrams-lemn/ 4165975 no no Fri, 11 Jan 2019 09:24:31 +0100 2019-01-11T09:24:31+01:00 4:46 https://hearthis.at/noiarecords/tengrams-the-drake-equation/ 4165976 no no Fri, 11 Jan 2019 09:24:30 +0100 2019-01-11T09:24:30+01:00 7:19 https://hearthis.at/noiarecords/tengrams-m1r/ 4165977 no no Fri, 11 Jan 2019 09:24:30 +0100 2019-01-11T09:24:30+01:00 7:03 https://hearthis.at/noiarecords/tengrams-dead-souls/ 4165979 no no Fri, 11 Jan 2019 09:24:29 +0100 2019-01-11T09:24:29+01:00 3:34 https://hearthis.at/noiarecords/tengrams-information-corporation/ 4165980 no no Fri, 11 Jan 2019 09:24:27 +0100 2019-01-11T09:24:27+01:00 5:11 https://hearthis.at/noiarecords/space-the-day-after-original-mix/ 4165981 no no Wed, 11 Jul 2018 16:54:14 +0200 2018-07-11T16:54:14+02:00 6:27 https://hearthis.at/noiarecords/space-reflection-path-original-mix/ 4165982 no no Wed, 11 Jul 2018 16:54:12 +0200 2018-07-11T16:54:12+02:00 8:58 https://hearthis.at/noiarecords/space-renegade-original-mix/ 4165983 no no Wed, 11 Jul 2018 16:54:08 +0200 2018-07-11T16:54:08+02:00 6:16 https://hearthis.at/noiarecords/space-time-to-go-original-mix/ 4165984 no no Wed, 11 Jul 2018 16:54:07 +0200 2018-07-11T16:54:07+02:00 3:32 https://hearthis.at/noiarecords/tengrams-i-dont-even-know-anymore/ 4165985 no no Mon, 04 Jun 2018 15:59:49 +0200 2018-06-04T15:59:49+02:00 5:23 https://hearthis.at/noiarecords/tengrams-if-i-could-only-remember-that-day/ 4165986 no no Mon, 04 Jun 2018 15:59:47 +0200 2018-06-04T15:59:47+02:00 4:43 https://hearthis.at/noiarecords/tengrams-sentinel/ 4165987 no no Mon, 04 Jun 2018 15:59:46 +0200 2018-06-04T15:59:46+02:00 4:52 https://hearthis.at/noiarecords/tengrams-a-week-on-mars/ https://noiarecords.bandcamp.com/album/a-week-on-mars]]> https://noiarecords.bandcamp.com/album/a-week-on-mars]]> 4165988 no no Sun, 06 May 2018 17:23:12 +0200 2018-05-06T17:23:12+02:00 5:25 https://hearthis.at/noiarecords/tengrams-world-collapse/ https://noiarecords.bandcamp.com/album/a-week-on-mars]]> https://noiarecords.bandcamp.com/album/a-week-on-mars]]> 4165989 no no Sun, 06 May 2018 17:23:11 +0200 2018-05-06T17:23:11+02:00 6:06 https://hearthis.at/noiarecords/alessandro-piatto-late-night-chillout-sessions-20/ 4165990 no no Sat, 24 Feb 2018 11:42:51 +0100 2018-02-24T11:42:51+01:00 1:02:41 https://hearthis.at/noiarecords/tengrams-devious/
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]>
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]> 4165991 no no Wed, 07 Feb 2018 14:31:17 +0100 2018-02-07T14:31:17+01:00 2:00 https://hearthis.at/noiarecords/tengrams-translucent/
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]>
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]> 4165992 no no Wed, 07 Feb 2018 14:31:16 +0100 2018-02-07T14:31:16+01:00 2:00 https://hearthis.at/noiarecords/tengrams-pop-song/
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]>
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]> 4165993 no no Wed, 07 Feb 2018 14:31:15 +0100 2018-02-07T14:31:15+01:00 2:00 https://hearthis.at/noiarecords/tengrams-discodub/
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]>
“Devious” is a very breezy and energetic track with a rolling arpeggio and rich keyboards section over a simply but groovy Tr-808 pattern. Classical Italo Space Disco sound updated to nowadays. “Translucent” sounds like a dreamy electro-ballad heavily influenced by Kraftwerk. “Pop Song” keeps the same 80’s electro vibes with simple, wistful melodies and a great funk bass line. “Disco Dub” is a pretty damn cool early eighties electronica, with a great pumping “robo-funk” Linndrum!]]> 4165994 no no Wed, 07 Feb 2018 14:31:14 +0100 2018-02-07T14:31:14+01:00 2:00 https://hearthis.at/noiarecords/n.o.i.a.-stay-with-me-original-demo-version-1982/ N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> 4165995 no no Tue, 21 Nov 2017 17:58:58 +0100 2017-11-21T17:58:58+01:00 5:01 https://hearthis.at/noiarecords/n.o.i.a.-forbidden-planet-francisco-remix/ N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> 4165996 no no Tue, 21 Nov 2017 17:58:58 +0100 2017-11-21T17:58:58+01:00 6:34 https://hearthis.at/noiarecords/n.o.i.a.-forbidden-planet-ali-renault-remix/ N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> 4165997 no no Tue, 21 Nov 2017 17:58:57 +0100 2017-11-21T17:58:57+01:00 9:22 https://hearthis.at/noiarecords/n.o.i.a.-forbidden-planet-original-demo-version-1982/ N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> N.O.I.A. was amongst the first electronic music groups to emerge in the late seventies and
early eighties alongside peers like Human League and Depeche Mode. In their time, N.O.I.A. released on labels like EMI, Italian Records and CBS and were successful on the Italian,
German and Belgian dance markets. These tracks come from a demo session recorded in mid 1982 at the Oderso Rubini (Italian Records co-owner) studio and are perfect examples of their still essential style.
The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth.
The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you
want to jack.
The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future.
The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.
These are four tracks imbued with shades of electro, Italo and disco that cannot fail to inject feel good vibes to any set.]]> 4165998 no no Tue, 21 Nov 2017 17:58:56 +0100 2017-11-21T17:58:56+01:00 5:40 https://hearthis.at/noiarecords/alessandro-piatto-late-night-chillout-sessions-18/ 4165999 no no Mon, 25 Sep 2017 13:25:46 +0200 2017-09-25T13:25:46+02:00 1:10:23 https://hearthis.at/noiarecords/noizyknobs-suspense/ 470100 no no Fri, 16 Oct 2015 17:43:02 +0200 2015-10-16T17:43:02+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-hype/ 470099 no no Fri, 16 Oct 2015 17:42:36 +0200 2015-10-16T17:42:36+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-toxic/ 470097 no no Fri, 16 Oct 2015 17:42:01 +0200 2015-10-16T17:42:01+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-deet/ 470095 no no Fri, 16 Oct 2015 17:41:18 +0200 2015-10-16T17:41:18+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-abye/ 470093 no no Fri, 16 Oct 2015 17:40:23 +0200 2015-10-16T17:40:23+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-vegan-discipline/ 470092 no no Fri, 16 Oct 2015 17:39:52 +0200 2015-10-16T17:39:52+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-fluid/ 470091 no no Fri, 16 Oct 2015 17:39:20 +0200 2015-10-16T17:39:20+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-winter-is-coming/ 470088 no no Fri, 16 Oct 2015 17:38:48 +0200 2015-10-16T17:38:48+02:00 3:30 https://hearthis.at/noiarecords/noizyknobs-dark-days/ 470086 no no Fri, 16 Oct 2015 17:37:44 +0200 2015-10-16T17:37:44+02:00 3:30 https://hearthis.at/noiarecords/tengrams-podcast-05052015/ 218828 no no Wed, 20 May 2015 09:30:03 +0200 2015-05-20T09:30:03+02:00 59:48 https://hearthis.at/noiarecords/atomkraft/ 156120 no no Thu, 29 Jan 2015 13:41:30 +0100 2015-01-29T13:41:30+01:00 2:25 https://hearthis.at/noiarecords/korova-milk-bar/ 156113 no no Thu, 29 Jan 2015 13:41:32 +0100 2015-01-29T13:41:32+01:00 3:41 https://hearthis.at/noiarecords/be-alert/ 156123 no no Thu, 29 Jan 2015 13:41:37 +0100 2015-01-29T13:41:37+01:00 2:52 https://hearthis.at/noiarecords/no-mistakes/ 156122 no no Thu, 29 Jan 2015 13:41:39 +0100 2015-01-29T13:41:39+01:00 4:47 https://hearthis.at/noiarecords/nagasaki-forced-fun-1945/ 156121 no no Thu, 29 Jan 2015 13:52:35 +0100 2015-01-29T13:52:35+01:00 4:52 https://hearthis.at/noiarecords/stop-thinking/ 156118 no no Thu, 29 Jan 2015 13:41:44 +0100 2015-01-29T13:41:44+01:00 5:14 https://hearthis.at/noiarecords/west-is-the-best/ 156124 no no Thu, 29 Jan 2015 13:41:47 +0100 2015-01-29T13:41:47+01:00 5:29 https://hearthis.at/noiarecords/hunger-in-the-east/ 156133 no no Thu, 29 Jan 2015 13:41:58 +0100 2015-01-29T13:41:58+01:00 5:41 https://hearthis.at/noiarecords/change-faster/ 156134 no no Thu, 29 Jan 2015 13:41:51 +0100 2015-01-29T13:41:51+01:00 4:30 https://hearthis.at/noiarecords/we-wanna-glow/ 156129 no no Thu, 29 Jan 2015 13:41:56 +0100 2015-01-29T13:41:56+01:00 5:42 https://hearthis.at/noiarecords/hunger-in-the-east/ 156126 no no Thu, 29 Jan 2015 13:41:53 +0100 2015-01-29T13:41:53+01:00 5:31 https://hearthis.at/noiarecords/europe/ 156128 no no Thu, 29 Jan 2015 13:42:00 +0100 2015-01-29T13:42:00+01:00 3:16 https://hearthis.at/noiarecords/war-cleans-faster/ 156130 no no Thu, 29 Jan 2015 13:42:05 +0100 2015-01-29T13:42:05+01:00 2:53 https://hearthis.at/noiarecords/sovietik-robotnik/ 156127 no no Thu, 29 Jan 2015 13:42:04 +0100 2015-01-29T13:42:04+01:00 2:44 https://hearthis.at/noiarecords/italian-robots/ 156132 no no Thu, 29 Jan 2015 13:42:08 +0100 2015-01-29T13:42:08+01:00 3:10 https://hearthis.at/noiarecords/francescofariasnofollowers01/ 148034 no no Tue, 13 Jan 2015 18:46:29 +0100 2015-01-13T18:46:29+01:00 1:07:35 https://hearthis.at/noiarecords/dexit004-francesco-farias-your-love-original-mix/ Together they released several hits such as “I’m Gonna Love You” (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again” (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like “Love In A Black Dimension” (1995), “Universal Mother” (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by Steve Silk Harley and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Whilst Jestofunk maintained a heavy worldwide touring schedule with bands such as War, Massive Attack, Gran Mother’s Funk, Jovanotti, Candy Dulfer, Fred Wesley’s Jazz Funk, Al Jarreau, David Sanborn, 4 Hero, Asian Dub Foundation, Freak Power, Fun Loving Criminals, Morcheeba, Steve Coleman, James Taylor Quartett, Temptation, Tito Puente, Courtney Pine, Marla Glen, Earth Wind & Fire and many more.
Jestofunk began a world tour starting from Italy and moving throughout Europe, Austria, Switzerland and Liechtenstein finally arriving in Australia, where the group played to crowds in Sydney, Melbourne, Adelaide and Brisbane.
Two years of contentment followed in which the group received a Gold Record and their music became appreciated all over the world.
In 1998 Jestofunk released a new double single titled “Stellar Funk” and in 1999 they released the album “Live Jestofunk”, which was recorded during their shows and for which they received a Platinum Record in Austria and Switzerland.
The latest release Jestofunk “The Anthology” (2006) contains all hits and the most important rmx’s like “Happy” Bob Sinclair rmx, “Big Lover” Planet Funk rmx, “Mama Blues” At Jazz rmx, “Disco Queen” Full Intention rmx, ”Can We Live” Murk Boys and Farley & Heller rmx, “Special Love ” Joey Negro and Jazz’n’groove rmx.
Totally, they have sold 1,000,000 of copies around the world and they won a Gold Award for their career.]]> Together they released several hits such as “I’m Gonna Love You” (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again” (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like “Love In A Black Dimension” (1995), “Universal Mother” (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by Steve Silk Harley and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Whilst Jestofunk maintained a heavy worldwide touring schedule with bands such as War, Massive Attack, Gran Mother’s Funk, Jovanotti, Candy Dulfer, Fred Wesley’s Jazz Funk, Al Jarreau, David Sanborn, 4 Hero, Asian Dub Foundation, Freak Power, Fun Loving Criminals, Morcheeba, Steve Coleman, James Taylor Quartett, Temptation, Tito Puente, Courtney Pine, Marla Glen, Earth Wind & Fire and many more.
Jestofunk began a world tour starting from Italy and moving throughout Europe, Austria, Switzerland and Liechtenstein finally arriving in Australia, where the group played to crowds in Sydney, Melbourne, Adelaide and Brisbane.
Two years of contentment followed in which the group received a Gold Record and their music became appreciated all over the world.
In 1998 Jestofunk released a new double single titled “Stellar Funk” and in 1999 they released the album “Live Jestofunk”, which was recorded during their shows and for which they received a Platinum Record in Austria and Switzerland.
The latest release Jestofunk “The Anthology” (2006) contains all hits and the most important rmx’s like “Happy” Bob Sinclair rmx, “Big Lover” Planet Funk rmx, “Mama Blues” At Jazz rmx, “Disco Queen” Full Intention rmx, ”Can We Live” Murk Boys and Farley & Heller rmx, “Special Love ” Joey Negro and Jazz’n’groove rmx.
Totally, they have sold 1,000,000 of copies around the world and they won a Gold Award for their career.]]> 143268 no no Mon, 05 Jan 2015 21:13:44 +0100 2015-01-05T21:13:44+01:00 3:30 https://hearthis.at/noiarecords/tengrams-podcast-01122014-free-download/ TenGrams are brothers Alessandro and Davide Piatto, who collectively have a deep and long understanding of dance music. Davide runs the N.O.I.A. label and was one of Italy's first touring electronic live acts, performing and recording with drum machines and synthesizers as early as 1978. He was also behind seminal Italo outfit Klein + M.B.O and proto house hit 'Dirty Talk.' Since then they have released under an array of aliases, have clocked up many hits on Beatport and this new project brings them back to their electronic roots, with influences like sci-fi movies and old school techno looming large.]]> TenGrams are brothers Alessandro and Davide Piatto, who collectively have a deep and long understanding of dance music. Davide runs the N.O.I.A. label and was one of Italy's first touring electronic live acts, performing and recording with drum machines and synthesizers as early as 1978. He was also behind seminal Italo outfit Klein + M.B.O and proto house hit 'Dirty Talk.' Since then they have released under an array of aliases, have clocked up many hits on Beatport and this new project brings them back to their electronic roots, with influences like sci-fi movies and old school techno looming large.]]> 143131 no no Mon, 05 Jan 2015 19:32:35 +0100 2015-01-05T19:32:35+01:00 1:02:16 https://hearthis.at/noiarecords/tengrams-altered-states-original-mix/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143254 no no Mon, 05 Jan 2015 21:04:25 +0100 2015-01-05T21:04:25+01:00 3:30 https://hearthis.at/noiarecords/tengrams-altered-states-black-asteroid-remix/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143255 no no Mon, 05 Jan 2015 21:04:28 +0100 2015-01-05T21:04:28+01:00 3:30 https://hearthis.at/noiarecords/tengrams-altered-states-ron-maney-aka-dj-skull-remix/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143256 no no Mon, 05 Jan 2015 21:06:48 +0100 2015-01-05T21:06:48+01:00 3:30 https://hearthis.at/noiarecords/tengrams-question-authority/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143257 no no Mon, 05 Jan 2015 21:04:17 +0100 2015-01-05T21:04:17+01:00 3:30 https://hearthis.at/noiarecords/tengrams-its-a-mess-but-we-love-it-dub/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143258 no no Mon, 05 Jan 2015 21:06:39 +0100 2015-01-05T21:06:39+01:00 3:30 https://hearthis.at/noiarecords/tengrams-repetition-is-a-form-of-change/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143259 no no Mon, 05 Jan 2015 21:06:43 +0100 2015-01-05T21:06:43+01:00 3:30 https://hearthis.at/noiarecords/tengrams-triptamina/ Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> Collectively, the Piatto brother's knowledge and contribution to the history of Dance Music runs deep. Davide being co founder of N.O.I.A one of Italy's first electronic live acts to perform and record with drum machines and synthesizers as early as 1978. It is not surprising then that for Alessandro, following in his brothers footsteps was inevitable and he too became hooked on the incredible new sound palette emanating from the early electronic machines.
During the 80's the Piatto brother's continued to push boundaries in what was then the very infant stages of Dance music with Davide recording tapes, later to be released under the name Klein + M.B.O with releases such as “Dirty Talk” considered to be the first Chicago House Record. During this Time Alessandro grew in confidence as a producer and also taught himself to mix adding DJ skills to his repertoire.
Eventually at the ending of the 90's, Davide and Alessandro joined forces to work on a new N.O.I.A. album for the US label Ersatz Audio which was quickly followed by collaborations with G.D. Luxxe as "Raymond Barry" and released the single "TV Night” which was included in Pete Tong's BBC playlist and Ivan Smugghe's compilation called "Death Disco".
Since 2005 Davide and Alessandro have formed two record labels, namely Italo Business and N.O.I.A Records and have released on many other labels .
Piatto's passion for music remains the same today as it did in the beginning, with many Beatport top 10's under their belt they certainly show no sign of slowing down.
This new project called TenGrams brings them back to their electronic music origin: repetitive and "absurd" riff loop, hypnotic drones & groovy beats.
This first release includes two powerful remixes from Black Asteroid and Ron Maney aka Dj Skull.
"Black Asteroid" is is the brainchild of Bryan Black. Bryan started his career as a sound designer for Prince. While working with Prince at Paisley Park Studios, Bryan learned and honed sound and production skills which inspired him to start his own band. Bryan moved to London England and launched a band called MOTOR. After some MOTOR singles, In early 2011, Bryan decided to start Black Asteroid to showcase an exciting new sound. It was time re-capture the techno world that become records signing with the record label of Chris Liebing CLR.
Born and raised on the Southside of Chicago, Ron Maney, the quintessential Producer, is in full command of his craft and the identity of his music. He has managed to seamlessly weave the House & Techno genres; from his signature bass lines to the uniquely warm & soulful production, Ron Maney, aka DJ Skull, has proven to be an indispensable part of the music industry.
At the age of 10 Ron became known for being one of the youngest DJ’s to spin this new sound coming out of Chicago…House Music. He received his first keyboard as an 8th grade graduation present. He and friends, including DJ Metal X (Terrance McDonald), began promoting and throwing parties in basements and storefronts under the promotion company Movado. He quickly became respected by well-established DJs who started to loan him equipment for producing tracks. Ron went on to DJ at larger venues such as the infamous Music Box and Power Plant clubs. From there, Ron spent most of most the 1990’s spinning around the world.]]> 143260 no no Mon, 05 Jan 2015 21:06:50 +0100 2015-01-05T21:06:50+01:00 3:30 https://hearthis.at/noiarecords/francesco-farias-hooker-original-mix/ In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> 143249 no no Mon, 05 Jan 2015 21:04:05 +0100 2015-01-05T21:04:05+01:00 3:30 https://hearthis.at/noiarecords/francesco-farias-back-to-you-original-mix/ In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> 143250 no no Mon, 05 Jan 2015 20:59:44 +0100 2015-01-05T20:59:44+01:00 3:30 https://hearthis.at/noiarecords/francesco-farias-back-to-you-unsung-heroes-remix/ In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> In the 1989 he meet Alessandro Staderini, together they found the “Jestofunk”.
coproducer by Claudio “Mozart” Rispoli.

Together they released several hits such as "I’m Gonna Love You" (1991) which at the time was a sort of revolution in dance music since for the first time funk was incorporated with house in a perfect fusion.
The first single was followed by “Say It Again" (1993), contained in the first album “Love In A Black Dimension”, which also included the great worldwide success “Can We Live” (1994), skillfully interpreted by Cece Rogers.
This kept them busy for many years with the production of music and albums like "Love In A Black Dimension" (1995), "Universal Mother" (1998), including the hit single “Special Love” Feat. Jocelyn Brown lucky single that was later extracted and remixed by “Steve Silk Harley” and “Seventy Miles From Philadelphia” (2003) which involved many artists such as Cece Rogers, Jocelyn Brown, Freddy Mcgregor, Cinda Ramseu, Robert Lopez, Eric Marienthal, Fred Wesley and many more.
Totally, JESTOFUNK 's project have sold 1,000,000 of copies around the world and they won a Gold Award for their career.

Some months ago Francesco start a new solo project that will be out in the fall-winter 2014, this is his first release called “Back To you”.]]> 143252 no no Mon, 05 Jan 2015 21:04:03 +0100 2015-01-05T21:04:03+01:00 3:30 https://hearthis.at/noiarecords/noia-the-rule-to-survive-original-mix/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143235 no no Mon, 05 Jan 2015 20:42:08 +0100 2015-01-05T20:42:08+01:00 3:30 https://hearthis.at/noiarecords/noia-the-rule-to-survive-original-instrumental/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143234 no no Mon, 05 Jan 2015 20:41:36 +0100 2015-01-05T20:41:36+01:00 3:30 https://hearthis.at/noiarecords/noia-the-rule-to-survive-prins-thomas-diskomiks/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143233 no no Mon, 05 Jan 2015 20:41:32 +0100 2015-01-05T20:41:32+01:00 3:30 https://hearthis.at/noiarecords/noia-the-rule-to-survive-kirk-degiorgio-remix/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143231 no no Mon, 05 Jan 2015 20:42:13 +0100 2015-01-05T20:42:13+01:00 3:30 https://hearthis.at/noiarecords/noia-the-rule-to-survive-baldelli-dionigi-remix/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143229 no no Mon, 05 Jan 2015 20:41:39 +0100 2015-01-05T20:41:39+01:00 3:30 https://hearthis.at/noiarecords/noia-time-is-over-me-original-version/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143228 no no Mon, 05 Jan 2015 20:41:41 +0100 2015-01-05T20:41:41+01:00 3:30 https://hearthis.at/noiarecords/noia-time-is-over-me-original-instrumental/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143227 no no Mon, 05 Jan 2015 20:41:47 +0100 2015-01-05T20:41:47+01:00 3:30 https://hearthis.at/noiarecords/noia-time-is-over-me-dub-version/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143226 no no Mon, 05 Jan 2015 20:41:48 +0100 2015-01-05T20:41:48+01:00 3:30 https://hearthis.at/noiarecords/noia-time-is-over-me-gaudi-the-orb-remix/ In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> In their time N.O.I.A. released on labels like Italian Records, had success both in the live arena but also in the studio and were always evolving throughout their active years, from a raucous and abstract sound into a more accessible outfit that were successfully on the Italian, German and Belgian dance markets.
First up is “The Rule To Survive” (Looking For Love), originally produced by Oderso Rubini and mixed in 1983 by Tony Carrasco at the Regson Sound Recording Studios in Milan. It’s a shiny disco cut with tons of bright synth lines, a real instrumental groove and fantastic melodies that shimmer like a hot sun. Nu-disco king pin Prins Thomas is the first to remix and does so in his usual epic, proggy, rock style with even more guitar licks and reflective synth lines.
Long time techno mainstay Kirk Degiorgio and the man behind London’s Machine parties with Ben Sims then reworks the track into a slow-mo bit of techno with whip lashing percussion, cosmic synth work and a healthy 80s vibe that harks back to the original. Italo Disco legends Baldelli & Dionigi then get to work on the same track, slow it down even further and rebuild it in magical layers of arpeggiated synths before dropping some heavily filtered vocal lines for the true kraut-disco feel.
The second track on this EP is a previously unreleased one dating back to the second half of the 80s. “Time is Over Me”, written by Bruno Magnani and, up until now, recorded only on the old “8-track” stored away in the Piatto brothers’ studio-loft is a truly lush, dreamy and breezy bit of disco with clean and crisp vocals, loveably tinny drums and intergalactic melodies that cannot fail to cheer you up. As well as instrumental and a classic 80s dub version, Gaudi and The Orb turn out a robotised version that is more driven and direct for the dancefloor, with groaning basslines, meandering synths and plenty of dramatic drum tumbles. It’s full of far from banal reggae and electronic citations and atmospheres and closes out an EP that reminds us of some forgotten classics at the same time as providing the world with some amazing contemporary reworks from some of the best in the game.
]]> 143225 no no Mon, 05 Jan 2015 20:41:43 +0100 2015-01-05T20:41:43+01:00 3:30