Fri, 24 Apr 2026 00:43:38 +0200 https://hearthis.at/nillocr/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/nillocr/ https://img.hearthis.at/n/0/7/_/uploads/622769/image_user/w1400_h1400_q70_ptrue_v2_----cropped_ba1573166d44076dabc2e66a8c9d250c1135042915882244614375418336014969143361470n.jpg no no https://hearthis.at/nillocr/diablitos/ de miles de almas en pena
En las sombras de una selva me oculto
Mientras camina desprevenida la presa

El tiempo ha juntado lo que el viento no lleva
mientras me transformo en halos que devoran conciencia
El tiempo no ha pasado, la selva espera
y con ella miles de ojos rojos sedientos de luna llena....

]]> de miles de almas en pena
En las sombras de una selva me oculto
Mientras camina desprevenida la presa

El tiempo ha juntado lo que el viento no lleva
mientras me transformo en halos que devoran conciencia
El tiempo no ha pasado, la selva espera
y con ella miles de ojos rojos sedientos de luna llena....

]]> 840836 no no Fri, 19 Feb 2016 00:04:53 +0100 2016-02-19T00:04:53+01:00 5:49 https://hearthis.at/nillocr/el-ro-zouyina-remix/ https://www.facebook.com/C.lovedj

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/C.lovedj

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840838 no no Fri, 15 Jan 2016 22:06:58 +0100 2016-01-15T22:06:58+01:00 5:58 https://hearthis.at/nillocr/casa-da-minha-alma-wolf-remix/ https://www.facebook.com/wolfprojection

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/wolfprojection

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840839 no no Fri, 15 Jan 2016 22:03:46 +0100 2016-01-15T22:03:46+01:00 3:17 https://hearthis.at/nillocr/okhm-snrng-remix/ https://www.facebook.com/SNRNG

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/SNRNG

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840840 no no Fri, 15 Jan 2016 21:53:19 +0100 2016-01-15T21:53:19+01:00 4:44 https://hearthis.at/nillocr/dogn-en-el-alba-dj-foimao-rework/ https://www.facebook.com/djfoimao

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/djfoimao

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840841 no no Fri, 15 Jan 2016 21:47:52 +0100 2016-01-15T21:47:52+01:00 6:58 https://hearthis.at/nillocr/fort-dj-groun-aka-ground-chillmountain-remix/ https://www.facebook.com/djground13

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/djground13

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840842 no no Fri, 15 Jan 2016 21:43:01 +0100 2016-01-15T21:43:01+01:00 5:00 https://hearthis.at/nillocr/montanha-sainte-vies-perspective/ https://www.facebook.com/saintevieofficial

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/saintevieofficial

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840843 no no Fri, 15 Jan 2016 21:28:36 +0100 2016-01-15T21:28:36+01:00 6:01 https://hearthis.at/nillocr/dormida-allejandro-luara-remix/ https://www.facebook.com/allejandroluara/

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/allejandroluara/

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840844 no no Fri, 15 Jan 2016 21:05:32 +0100 2016-01-15T21:05:32+01:00 8:19 https://hearthis.at/nillocr/sib-dj-baru-remix/ https://www.facebook.com/barubass

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/barubass

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840845 no no Fri, 15 Jan 2016 20:46:27 +0100 2016-01-15T20:46:27+01:00 5:04 https://hearthis.at/nillocr/el-viaje-de-kamala-antigris-remix/ https://www.facebook.com/Anti-Gris-344167679127370

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> https://www.facebook.com/Anti-Gris-344167679127370

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840846 no no Fri, 15 Jan 2016 20:26:33 +0100 2016-01-15T20:26:33+01:00 4:00 https://hearthis.at/nillocr/k-tokw-nillo-sentidor-vocals-aw-francisco-garca/
https://soundcloud.com/nillocr
https://www.facebook.com/NILLOCR
https://soundcloud.com/disritmiaesonho
https://www.facebook.com/projetosentidor

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]>
https://soundcloud.com/nillocr
https://www.facebook.com/NILLOCR
https://soundcloud.com/disritmiaesonho
https://www.facebook.com/projetosentidor

When Nillo and Sentidor decided to collaborate in 2015 on the album SIBÖ their aim was to create a bridge between modern electronic music and the mystical chants of Costa Rica’s indigenous tribes. Following that much-loved debut they continue the journey on SIBÖ Revisited, albeit with a cast of like-minded souls from Brazil, Japan, Mexico, USA and Germany along for the ride. These collaborators keep the beauty and purity of the original compositions at their core, while offering up new textures and environments, pushing the album’s sonic palette into unexpected new directions.

The origins behind SIBÖ lie with Costa Rican musician, producer and ethnomusicologist Nillo (aka Johnny Gutierrez). His passion for documenting the native sounds of his home country led him to study the music of the indigenous Ngäbe tribe. After gaining access to an astonishing catalogue of recordings of the tribe he saw an opportunity to shine a light on what he calls the “beautiful musical universe of the indigenous.” Nillo had already met Brazilian producer Sentidor (aka João Carvalho) through Soundcloud - owing to a mutual respect for each other’s music - and soon they decided to work together. The foundation for their compositions came specifically via recordings of one member of the Ngäbe tribe (Unchi) whose voice acts as a spiritual guide around which Nillo and Sentidor wrap layers of electronics, percussion, João’s own vocals and sparse but effective instrumentation, creating what they call an “electronic reinterpretation of the ancestral.”

On SIBÖ Revisited, Nillo and Sentidor asked friends from around the world to create their own interpretations of tracks from SIBÖ, offering further reinterpretations of both those original indigenous recordings and the forward-thinking productions of that release. Remixers include influential names in the global bass scene such as Chico Correa, Pigmalião and DJ FoiMao (all from Brazil), Sainte Vie and SNRNG (both from Mexico), DJ Ground (Japan) and Zouyina (USA). As Nillo explains: “This revisited version of SIBÖ’s songs is even more magical because we are able to see through the eyes of artists we admire, another perspective of our own sonic philosophy.”

The album highlights how electronic Latin American music is changing, taking a step away from the urban capitals and their mod cons towards something sacred, a trip into the expansive jungles, mountains and rivers so prevalent in Latin America. Perhaps Nillo puts it best when describing SIBÖ Revisited: “This is a journey which joins the past with the future, a journey waiting to be danced, along the river that flows deep inside our souls.”]]> 840848 no no Mon, 11 Jan 2016 15:39:35 +0100 2016-01-11T15:39:35+01:00 6:17 https://hearthis.at/nillocr/dogon-en-el-alba/ 840849 no no Wed, 07 Oct 2015 06:58:37 +0200 2015-10-07T06:58:37+02:00 5:18 https://hearthis.at/nillocr/ausencia/ 840850 no no Mon, 23 Jun 2014 04:10:06 +0200 2014-06-23T04:10:06+02:00 5:24 https://hearthis.at/nillocr/arrullo-featuring-luis-salazarmedicine-man-from-alto-chirrip/
gracias infinitas a Proyecto Jirondai por facilitarnos los samples de voces de nuestros aborígenes que son mágicos y por permitirme vivir el viaje filosófico ]]>
gracias infinitas a Proyecto Jirondai por facilitarnos los samples de voces de nuestros aborígenes que son mágicos y por permitirme vivir el viaje filosófico ]]> 840851 no no Mon, 16 Jun 2014 05:18:52 +0200 2014-06-16T05:18:52+02:00 5:36 https://hearthis.at/nillocr/bob-barranco-oscuro-barranco/ 840852 no no Sun, 15 Jun 2014 23:26:15 +0200 2014-06-15T23:26:15+02:00 4:36 https://hearthis.at/nillocr/lumire-noire/ 840854 no no Wed, 16 Apr 2014 18:50:14 +0200 2014-04-16T18:50:14+02:00 6:36 https://hearthis.at/nillocr/nightbird/ 840856 no no Fri, 28 Mar 2014 15:26:44 +0100 2014-03-28T15:26:44+01:00 5:27 https://hearthis.at/nillocr/world-tales-change-mix/ 840858 no no Sat, 15 Oct 2011 23:51:46 +0200 2011-10-15T23:51:46+02:00 5:28 https://hearthis.at/nillocr/dormida/ Algo duerme mientras muero y vivo, algo asecha en los bordes de la cama, algo que me transforma en guerrero cuando el cenit se derrama sobre el bosque.
La razón de este sonido yace dormida entre las velas de mi magia, lo interno y el rocío del alba...]]> Algo duerme mientras muero y vivo, algo asecha en los bordes de la cama, algo que me transforma en guerrero cuando el cenit se derrama sobre el bosque.
La razón de este sonido yace dormida entre las velas de mi magia, lo interno y el rocío del alba...]]> 428481 no no Tue, 23 Jun 2015 07:28:26 +0200 2015-06-23T07:28:26+02:00 7:15 https://hearthis.at/nillocr/colibr-nillo-sentidor-para-wos/
Como ya no tenían barro ni maíz para hacer otro animal, tomaron una piedra de jade y con ella tallaron una flecha muy pequeña. Cuando estuvo lista, soplaron sobre ella y la pequeña flecha salió volando. Ya no era más una simple flecha, ahora tenía vida, los dioses habían creado al x ts’unu’um(colibrí).

Los nombres mayas en las aves, generalmente se relacionan con los sonidos que producen, sean sus cantos o sonidos producidos por las plumas, por ejemplo x ts’unu’um para los colibríes.

Era tan frágil y tan ligera que el colibrí podía acercarse a las flores más delicadas sin mover un solo pétalo, sus plumas brillaban bajo el sol como gotas de lluvia y reflejaban todos los colores.

Entonces los hombres trataron de atrapar a esa hermosa ave para adornarse con sus plumas. Los Dioses al verlo, se enojaron y dijeron: “si alguien osa atrapar algún colibrí, éste morirá”. Por eso es que nadie ha visto alguna vez a un colibrí en una jaula, ni tampoco en la mano de un hombre.

De ésta forma es que esta misteriosa y delicada ave ha podido llevar a cabo el encargo de los Dioses:

“Llevar de un lado a otro los pensamientos de los hombres"

Ilustración por Selket Yhay / Diselachando ]]>
Como ya no tenían barro ni maíz para hacer otro animal, tomaron una piedra de jade y con ella tallaron una flecha muy pequeña. Cuando estuvo lista, soplaron sobre ella y la pequeña flecha salió volando. Ya no era más una simple flecha, ahora tenía vida, los dioses habían creado al x ts’unu’um(colibrí).

Los nombres mayas en las aves, generalmente se relacionan con los sonidos que producen, sean sus cantos o sonidos producidos por las plumas, por ejemplo x ts’unu’um para los colibríes.

Era tan frágil y tan ligera que el colibrí podía acercarse a las flores más delicadas sin mover un solo pétalo, sus plumas brillaban bajo el sol como gotas de lluvia y reflejaban todos los colores.

Entonces los hombres trataron de atrapar a esa hermosa ave para adornarse con sus plumas. Los Dioses al verlo, se enojaron y dijeron: “si alguien osa atrapar algún colibrí, éste morirá”. Por eso es que nadie ha visto alguna vez a un colibrí en una jaula, ni tampoco en la mano de un hombre.

De ésta forma es que esta misteriosa y delicada ave ha podido llevar a cabo el encargo de los Dioses:

“Llevar de un lado a otro los pensamientos de los hombres"

Ilustración por Selket Yhay / Diselachando ]]> 428480 no no Wed, 01 Jul 2015 17:16:29 +0200 2015-07-01T17:16:29+02:00 5:40 https://hearthis.at/nillocr/5h1va/ 428501 no no Wed, 23 Jul 2014 07:34:06 +0200 2014-07-23T07:34:06+02:00 5:36 https://hearthis.at/nillocr/001-el-viaje-de-kamala-nillo-sentidor/ 428482 no no Mon, 02 Mar 2015 05:03:02 +0100 2015-03-02T05:03:02+01:00 4:44 https://hearthis.at/nillocr/002-el-rio-nillo-sentidor/ 428483 no no Mon, 02 Mar 2015 04:57:47 +0100 2015-03-02T04:57:47+01:00 4:37 https://hearthis.at/nillocr/003-okhm-nillo-sentidor-feat-melisa-redondo/ 428484 no no Mon, 02 Mar 2015 04:44:52 +0100 2015-03-02T04:44:52+01:00 3:48 https://hearthis.at/nillocr/004-lune-noire-nillo-sentidor-feat-valentine-roche/ Son chant est sombre et mystérieux...
Mes idées s'évaporent et il pleut.
Tu boues, tu t'évapores et tu pleus...
Goûter le son du vent,
Entendre tes cheveux pousser,
Sentir ta voix sur moi,
Pendant que les bulles dansent vers la surface,
Face à moi, mon nombril me sourit...]]> Son chant est sombre et mystérieux...
Mes idées s'évaporent et il pleut.
Tu boues, tu t'évapores et tu pleus...
Goûter le son du vent,
Entendre tes cheveux pousser,
Sentir ta voix sur moi,
Pendant que les bulles dansent vers la surface,
Face à moi, mon nombril me sourit...]]> 428485 no no Mon, 02 Mar 2015 04:40:10 +0100 2015-03-02T04:40:10+01:00 3:31 https://hearthis.at/nillocr/005-fort-nillo-sentidor/ 428486 no no Mon, 02 Mar 2015 04:35:48 +0100 2015-03-02T04:35:48+01:00 5:12 https://hearthis.at/nillocr/006-a-casa-da-minha-alma-nillo-sentidor/ enquanto eu rezo para a deusa da sua ausência
enquanto tento viver sem o cheiro dos seus demônios
enquanto tento construir mais uma vez a casa da minha alma

levitando, levitando
cercado por milhares de corvos
mostrando minhas cicatrizes com orgulho
deixando a magia fluir]]> enquanto eu rezo para a deusa da sua ausência
enquanto tento viver sem o cheiro dos seus demônios
enquanto tento construir mais uma vez a casa da minha alma

levitando, levitando
cercado por milhares de corvos
mostrando minhas cicatrizes com orgulho
deixando a magia fluir]]> 428488 no no Mon, 02 Mar 2015 04:29:18 +0100 2015-03-02T04:29:18+01:00 4:49 https://hearthis.at/nillocr/007-montanha/ 428479 no no Tue, 14 Jul 2015 16:01:53 +0200 2015-07-14T16:01:53+02:00 3:01 https://hearthis.at/nillocr/009-lamento-del-chamn-nillo-sentidor-feat-unchi/ Gracias infinitas a Proyecto Jirondai ...

Un joven estudiante de chaman recibe instrucción de su maestro, el le indica que no lo siga hasta cierto lugar donde el realiza un ritual. El estudiante, curioso sigue el canto de su maestro, pero al llegar solo encuentra un jaguar. Aterrorizado le lanza una flecha y lo hiere. Sigue su rastro hasta una cueva y allí descubre a su maestro herido desangrándose, el maestro muere en sus brazos.]]> Gracias infinitas a Proyecto Jirondai ...

Un joven estudiante de chaman recibe instrucción de su maestro, el le indica que no lo siga hasta cierto lugar donde el realiza un ritual. El estudiante, curioso sigue el canto de su maestro, pero al llegar solo encuentra un jaguar. Aterrorizado le lanza una flecha y lo hiere. Sigue su rastro hasta una cueva y allí descubre a su maestro herido desangrándose, el maestro muere en sus brazos.]]> 428489 no no Mon, 02 Mar 2015 01:03:39 +0100 2015-03-02T01:03:39+01:00 6:00 https://hearthis.at/nillocr/cuervos-sobre-el-barrio/ El odio se desperdiga en estrellas mientras el caserío se consume en su propia maldición.
Estuve antes, estoy ahora, estaré después.]]> El odio se desperdiga en estrellas mientras el caserío se consume en su propia maldición.
Estuve antes, estoy ahora, estaré después.]]> 428499 no no Fri, 26 Sep 2014 05:13:26 +0200 2014-09-26T05:13:26+02:00 6:24 https://hearthis.at/nillocr/guru-mata-resurrection-mix/ La figura desaparecerá asediada por el karma milagroso de las mil lunas que me librarán de todo mal.
Las deidades bailan al filo de una montaña irreal, a sabiendas de que el humo extinguirá la armonía ancestral de sus lamentos.
Mis demonios ahora sus demonios, por los siglos de los siglos…]]> La figura desaparecerá asediada por el karma milagroso de las mil lunas que me librarán de todo mal.
Las deidades bailan al filo de una montaña irreal, a sabiendas de que el humo extinguirá la armonía ancestral de sus lamentos.
Mis demonios ahora sus demonios, por los siglos de los siglos…]]> 428500 no no Thu, 11 Sep 2014 01:47:08 +0200 2014-09-11T01:47:08+02:00 7:31 https://hearthis.at/nillocr/quetzal-sessions-the-v-mix/ Rythmic base for Quetzal Sessions]]> Rythmic base for Quetzal Sessions]]> 428498 no no Wed, 01 Oct 2014 15:28:19 +0200 2014-10-01T15:28:19+02:00 7:04 https://hearthis.at/nillocr/ahuilneyotl/ 428497 no no Sat, 18 Oct 2014 22:17:12 +0200 2014-10-18T22:17:12+02:00 7:28 https://hearthis.at/nillocr/oscura-noche-supersnica-feat-nillo/
Instruments: harmonium, tabla, bongó, synths, machines and balls]]>
Instruments: harmonium, tabla, bongó, synths, machines and balls]]> 428496 no no Sun, 26 Oct 2014 23:43:18 +0100 2014-10-26T23:43:18+01:00 5:40 https://hearthis.at/nillocr/el-lado-oscuro-del-alma-feat-melred-tavo-grijalva-mostros/
Al principio todo era oscuridad..... incluso la luz

Voy caminando de nuevo en esta selva, adentrándome en su misterio, sabiendo que simplemente soy un despojo de las sombras que solia ser, llevo en una de mis manos el sexo que no quiere ser y en la otras las maldiciones con las que me arrullaban a la hora de dormir

La oscuridad alrededor es tan densa que no hay diferencia cuando cierro mis ojos, a pesar de que cuando lo hago puedo ver más sombras.

Me prometí volver esta noche a casa pero esta selva y sus espíritus me acorralan cada vez que intento huir.

Me encuentro de nuevo en el medio de la nada, con mi voluntad limitada, volátil y desperdiciada, las gotas de lluvia adormecen las pocas partes de mi ser que quedan despiertas y alerta, me sumergen en un sueño cíclico que rebobina mis orígenes una y otra vez.

Pájaros metálicos de maldiciones, los ancestros a la que me apego, orugas ciegas que guían mi camino y que me dejan de nuevo en medio de esta selva, tan tersa, tan llena de misterios y cantos olvidados, tan vacía de mí.
]]>
Al principio todo era oscuridad..... incluso la luz

Voy caminando de nuevo en esta selva, adentrándome en su misterio, sabiendo que simplemente soy un despojo de las sombras que solia ser, llevo en una de mis manos el sexo que no quiere ser y en la otras las maldiciones con las que me arrullaban a la hora de dormir

La oscuridad alrededor es tan densa que no hay diferencia cuando cierro mis ojos, a pesar de que cuando lo hago puedo ver más sombras.

Me prometí volver esta noche a casa pero esta selva y sus espíritus me acorralan cada vez que intento huir.

Me encuentro de nuevo en el medio de la nada, con mi voluntad limitada, volátil y desperdiciada, las gotas de lluvia adormecen las pocas partes de mi ser que quedan despiertas y alerta, me sumergen en un sueño cíclico que rebobina mis orígenes una y otra vez.

Pájaros metálicos de maldiciones, los ancestros a la que me apego, orugas ciegas que guían mi camino y que me dejan de nuevo en medio de esta selva, tan tersa, tan llena de misterios y cantos olvidados, tan vacía de mí.
]]> 428494 no no Wed, 05 Nov 2014 07:05:44 +0100 2014-11-05T07:05:44+01:00 6:56 https://hearthis.at/nillocr/creacin-feat-fernando-waisa-km/ Don Fernando es un Óköm, un cantor de cantos funerarios que guía con sus cantos el camino al Surakaska, donde el alma regresa a su Originadora.
Don Fernando pertenece al clan Korkuak, los clanes los dejó Sibö durante la creación]]> Don Fernando es un Óköm, un cantor de cantos funerarios que guía con sus cantos el camino al Surakaska, donde el alma regresa a su Originadora.
Don Fernando pertenece al clan Korkuak, los clanes los dejó Sibö durante la creación]]> 428493 no no Sun, 09 Nov 2014 21:41:07 +0100 2014-11-09T21:41:07+01:00 6:24 https://hearthis.at/nillocr/el-viaje-de-kamala-nillo-sentidor/ This project is about experimentation, mixed visions, tribal soul and electronic mind.

“El viaje de Kamala” is the first house our music will share, African and Central American tribal percussion as a corrupted base for the clean and delicate melodies and voices .

The song is about the cold hearted Kamala and the internal journey she did in order to be able to show the meaning of Love to Siddharta before his illumination and later transformation into Buddha.

Credits:

Sentidor João Carvalho : ambience + pads + glitches + voices+ beauty
Nillo Johnny Gutiérrez: tribal percussion + glitches + clicks + sequences + mistery
]]> This project is about experimentation, mixed visions, tribal soul and electronic mind.

“El viaje de Kamala” is the first house our music will share, African and Central American tribal percussion as a corrupted base for the clean and delicate melodies and voices .

The song is about the cold hearted Kamala and the internal journey she did in order to be able to show the meaning of Love to Siddharta before his illumination and later transformation into Buddha.

Credits:

Sentidor João Carvalho : ambience + pads + glitches + voices+ beauty
Nillo Johnny Gutiérrez: tribal percussion + glitches + clicks + sequences + mistery
]]> 428492 no no Thu, 13 Nov 2014 22:16:16 +0100 2014-11-13T22:16:16+01:00 4:57 https://hearthis.at/nillocr/casa-da-minha-alma-feat-joo-carvalho/ enquanto eu rezo para a deusa da sua ausência
enquanto tento viver sem o cheiro dos seus demônios
enquanto tento construir mais uma vez a casa da minha alma

levitando, levitando
cercado por milhares de corvos
mostrando minhas cicatrizes com orgulho
deixando a magia fluir]]> enquanto eu rezo para a deusa da sua ausência
enquanto tento viver sem o cheiro dos seus demônios
enquanto tento construir mais uma vez a casa da minha alma

levitando, levitando
cercado por milhares de corvos
mostrando minhas cicatrizes com orgulho
deixando a magia fluir]]> 428491 no no Wed, 19 Nov 2014 03:17:20 +0100 2014-11-19T03:17:20+01:00 5:02 https://hearthis.at/nillocr/vida-pasion-y-vuelo-de-la-abuelita-zenaida-leonardo-favio/
Señores, pido silencio
y en el silencio atención
que aquí los convoco yo
a transitar la ternura
de la historia simple y pura
que voy a contarles yo.
Al ritmo de cumbia suave
que me marca la guitarra
caminando por el alma
hasta mi boca llegó
esta narración de amor
de desesperanza y sueños:
la vida, pasión y vuelo
de la abuelita Zenaida.

La conocí en Bogotá
por las calles bogotanas
vendiendo frutos maduros
con su sonrisa cansada
siempre en la boca un cigarro
cigarro que ella se arma
tan pequeñita, tan frágil que me dije:
"cosa rara que camine y que no vuele"
esta viejita Zenaida
siempre al trotecito corto
de hormiguita ciudadana
no sé por qué la Zenaida
en su andar, en su mirada
me recordaba a mi abuela
a mi abuelita Milagro
que hacía el pan de la nada.

Casi niña quedó viuda
con diez hijos a su cargo
los fue criando a lo hombre
duramente trabajando
mientras ellos crecían
ella se iba achicando.
De los diez hijos que tuvo
uno murió
dos hay presos
y los demás poco a poco
se le fueron alejando
uno a trabajar muy lejos
y los demás, y los demás se casaron
y así se quedó solita
en su casita de barrio.

¡Cumbia!
De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia
Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia

Pasó el tiempo
y con los años
un nieto la visitaba
era su nieto mayor
su orgullo, sus ojos, su alma
se parecía al abuelo
y como él se llamaba Manuel
como aquel Manuel
que hizo mujer a Zenaida
y que le sembró diez hijos
y al que un día por bobadas
se lo trajeron aún tibio
muerto de una puñalada
El nieto que era su orgullo
cuando al ranchito llegaba
la levantaba en sus brazos
y le besaba las canas
y le decía: "mi reina
tú eres mi novia más cara"
A veces venía picado de aguardiente
y la obligaba a bailar con él la cumbia
y la Zenaida bailaba
Él se llamaba Manuel
Manuel Hernández Peralta
y era su orgullo, sus ojos
el brote más lindo y bueno
que le floreció a Zenaida
él la obligaba a bailar
y ella la cumbia bailaba.

Zenaida baila la cumbia

Pero un domingo que vino
su Manuel a visitarla
lo notó como distante
no reía, no charlaba
ni la invitó a bailar cumbia
se quedó toda la tarde
tendido sobre la cama
recién al anochecer
y cuando ya se marchaba
le dijo dándole un beso:
"Allí debajo la almohada
le he dejado una cartita
léala recién mañana."
La volvió a besar muy fuerte
y se alejó, lloviznaba
La Zenaida no durmió
no rezó, sólo fumaba
y esperó el amanecer
para así leer la carta
que acariciaba en sus manos
como si fueran los ojos
del nieto hermoso del alma.

A lo lejos cantó un gallo
y eso trae la mañana
luego fueron las bocinas
los carros y abrió la carta:
"Abuelita: no se apene
cuando usted lea esta carta
yo habré salido a Miami
en un barquito de carga
a buscar otro destino
quiero ver cómo sacarla
de este tugurio del rancho
porque a mí me parte el alma
verla ya tan viejecita
salir todas las mañanas
a vender frutos maduros
por las calles bogotanas
yo parto con un amigo
rece por él y por mi alma"
Dobló la carta Zenaida
armó y encendió un cigarro
y se fue a vender sus frutos
por las calles bogotanas

De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia

Al poco tiempo Zenaida
comenzó a recibir cartas:
"2 de septiembre, New York,
Abuelita dulce vieja:
rece mucho que a Dios gracias
mis cosas andan muy bien
y estoy ganando harta plata
ya la imagino viviendo en un palacio
rodeada de hermosas matas y flores
tendidas sobre una hamaca
mientras yo le doy mil besos
dulce abuelita Zenaida"
"Diciembre 5, Miami
hoy pensé mucho en usted
abuelita de mi alma
las cosas marchan mejor
pero a veces hay nostalgia
cuando regrese le haré
bailar la cumbia, mi alma
Abuelita:
he conocido a una muy linda muchacha
yo sé que le va gustar, es caleña
de nombre Ana
yo le hablo mucho de usted
de mi abuelita Zenaida
que vende frutos maduros
por las calles bogotanas."

Un atardecer de enero
regresaba la Zenaida
al ranchito del tugurio
después de vender papaya
y se acercó al mercadito
a comprar para la cena
unos pancitos calientes,
panelita y unas papas
En un diario de ese día
le envolvieron lo comprado
y al trotecito fumando
bajo una suave llovizna
llegó al tugurio Zenaida.

Llegó un poquito cansada
encendió el fuego
las velas que siempre la acompañaban
fue a desenvolver el pan,
la panelita, las papas
cuando descubrió la foto
que una página ocupaba
del periódico que trajo
del mercadito Zenaida.
Ahí estaba su Manuel
junto a una hermosa muchacha
él tendido cara al cielo
ella abrazaba una itaka
y en la mano de Manuel
otra arma se dibujaba
La Zenaida se sentó
se acomodó bien las gafas y leyó:
" New York, New York - Manuel Hernández Peralta
y Ana María Peralta
dos jóvenes colombianos murieron
esta mañana tras un duro enfrentamiento
se los buscaba hace meses por traficar marihuana
se resistieron y fueron acribillados a balas".

Zenaida pestañeó
y volvió a leer más calma
esta vez muy lentamente
"Ana María Peralta..."
musitó para sí
"oh muchachito verraco
se casa y no dice nada"
Se sonrió, miró la foto
"pero es linda la caleña
es bonita la muchacha
muchacho maleducado
casarse y no decir nada"
Luego recortó la foto
la alisó sobre la almohada
puso al fuego la panela
guardó el pan, guardó las papas
y se fue junto a la puerta
a esperar mientras fumaba
a que pasara la lluvia
para ir a vender papaya.

Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia de la playa.

Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia.

Y esto que sigue, señores
créanlo que es mi palabra
resulta que una mañana
vieron como la Zenaida
se volaba, se volaba
con la brisa se volaba.
Se dice que el Dios obrero
al que siempre ella rezaba
un día tuvo deseos
de comer una papaya
que es ese fruto tan dulce
que suele vender Zenaida
Dicen que la llamó
pero no murió Zenaida
sino que se fue en el vuelo
a llevarle una papaya
y vi con mis propios ojos
cómo las nubes cruzaba
y allá a los lejos su hombre
y su nieto la aguardaban
y junto a ellos la caleña,
Ana María Peralta
eso lo vio este cantor
que no miente cuando canta
Adiós, mi Zenaida, adiós
adiós, mi vieja Zenaida
yo también me iré muy pronto
al cielo a comer papaya...

¡Cumbia!
De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia
Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia]]>
Señores, pido silencio
y en el silencio atención
que aquí los convoco yo
a transitar la ternura
de la historia simple y pura
que voy a contarles yo.
Al ritmo de cumbia suave
que me marca la guitarra
caminando por el alma
hasta mi boca llegó
esta narración de amor
de desesperanza y sueños:
la vida, pasión y vuelo
de la abuelita Zenaida.

La conocí en Bogotá
por las calles bogotanas
vendiendo frutos maduros
con su sonrisa cansada
siempre en la boca un cigarro
cigarro que ella se arma
tan pequeñita, tan frágil que me dije:
"cosa rara que camine y que no vuele"
esta viejita Zenaida
siempre al trotecito corto
de hormiguita ciudadana
no sé por qué la Zenaida
en su andar, en su mirada
me recordaba a mi abuela
a mi abuelita Milagro
que hacía el pan de la nada.

Casi niña quedó viuda
con diez hijos a su cargo
los fue criando a lo hombre
duramente trabajando
mientras ellos crecían
ella se iba achicando.
De los diez hijos que tuvo
uno murió
dos hay presos
y los demás poco a poco
se le fueron alejando
uno a trabajar muy lejos
y los demás, y los demás se casaron
y así se quedó solita
en su casita de barrio.

¡Cumbia!
De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia
Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia

Pasó el tiempo
y con los años
un nieto la visitaba
era su nieto mayor
su orgullo, sus ojos, su alma
se parecía al abuelo
y como él se llamaba Manuel
como aquel Manuel
que hizo mujer a Zenaida
y que le sembró diez hijos
y al que un día por bobadas
se lo trajeron aún tibio
muerto de una puñalada
El nieto que era su orgullo
cuando al ranchito llegaba
la levantaba en sus brazos
y le besaba las canas
y le decía: "mi reina
tú eres mi novia más cara"
A veces venía picado de aguardiente
y la obligaba a bailar con él la cumbia
y la Zenaida bailaba
Él se llamaba Manuel
Manuel Hernández Peralta
y era su orgullo, sus ojos
el brote más lindo y bueno
que le floreció a Zenaida
él la obligaba a bailar
y ella la cumbia bailaba.

Zenaida baila la cumbia

Pero un domingo que vino
su Manuel a visitarla
lo notó como distante
no reía, no charlaba
ni la invitó a bailar cumbia
se quedó toda la tarde
tendido sobre la cama
recién al anochecer
y cuando ya se marchaba
le dijo dándole un beso:
"Allí debajo la almohada
le he dejado una cartita
léala recién mañana."
La volvió a besar muy fuerte
y se alejó, lloviznaba
La Zenaida no durmió
no rezó, sólo fumaba
y esperó el amanecer
para así leer la carta
que acariciaba en sus manos
como si fueran los ojos
del nieto hermoso del alma.

A lo lejos cantó un gallo
y eso trae la mañana
luego fueron las bocinas
los carros y abrió la carta:
"Abuelita: no se apene
cuando usted lea esta carta
yo habré salido a Miami
en un barquito de carga
a buscar otro destino
quiero ver cómo sacarla
de este tugurio del rancho
porque a mí me parte el alma
verla ya tan viejecita
salir todas las mañanas
a vender frutos maduros
por las calles bogotanas
yo parto con un amigo
rece por él y por mi alma"
Dobló la carta Zenaida
armó y encendió un cigarro
y se fue a vender sus frutos
por las calles bogotanas

De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia

Al poco tiempo Zenaida
comenzó a recibir cartas:
"2 de septiembre, New York,
Abuelita dulce vieja:
rece mucho que a Dios gracias
mis cosas andan muy bien
y estoy ganando harta plata
ya la imagino viviendo en un palacio
rodeada de hermosas matas y flores
tendidas sobre una hamaca
mientras yo le doy mil besos
dulce abuelita Zenaida"
"Diciembre 5, Miami
hoy pensé mucho en usted
abuelita de mi alma
las cosas marchan mejor
pero a veces hay nostalgia
cuando regrese le haré
bailar la cumbia, mi alma
Abuelita:
he conocido a una muy linda muchacha
yo sé que le va gustar, es caleña
de nombre Ana
yo le hablo mucho de usted
de mi abuelita Zenaida
que vende frutos maduros
por las calles bogotanas."

Un atardecer de enero
regresaba la Zenaida
al ranchito del tugurio
después de vender papaya
y se acercó al mercadito
a comprar para la cena
unos pancitos calientes,
panelita y unas papas
En un diario de ese día
le envolvieron lo comprado
y al trotecito fumando
bajo una suave llovizna
llegó al tugurio Zenaida.

Llegó un poquito cansada
encendió el fuego
las velas que siempre la acompañaban
fue a desenvolver el pan,
la panelita, las papas
cuando descubrió la foto
que una página ocupaba
del periódico que trajo
del mercadito Zenaida.
Ahí estaba su Manuel
junto a una hermosa muchacha
él tendido cara al cielo
ella abrazaba una itaka
y en la mano de Manuel
otra arma se dibujaba
La Zenaida se sentó
se acomodó bien las gafas y leyó:
" New York, New York - Manuel Hernández Peralta
y Ana María Peralta
dos jóvenes colombianos murieron
esta mañana tras un duro enfrentamiento
se los buscaba hace meses por traficar marihuana
se resistieron y fueron acribillados a balas".

Zenaida pestañeó
y volvió a leer más calma
esta vez muy lentamente
"Ana María Peralta..."
musitó para sí
"oh muchachito verraco
se casa y no dice nada"
Se sonrió, miró la foto
"pero es linda la caleña
es bonita la muchacha
muchacho maleducado
casarse y no decir nada"
Luego recortó la foto
la alisó sobre la almohada
puso al fuego la panela
guardó el pan, guardó las papas
y se fue junto a la puerta
a esperar mientras fumaba
a que pasara la lluvia
para ir a vender papaya.

Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia de la playa.

Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia.

Y esto que sigue, señores
créanlo que es mi palabra
resulta que una mañana
vieron como la Zenaida
se volaba, se volaba
con la brisa se volaba.
Se dice que el Dios obrero
al que siempre ella rezaba
un día tuvo deseos
de comer una papaya
que es ese fruto tan dulce
que suele vender Zenaida
Dicen que la llamó
pero no murió Zenaida
sino que se fue en el vuelo
a llevarle una papaya
y vi con mis propios ojos
cómo las nubes cruzaba
y allá a los lejos su hombre
y su nieto la aguardaban
y junto a ellos la caleña,
Ana María Peralta
eso lo vio este cantor
que no miente cuando canta
Adiós, mi Zenaida, adiós
adiós, mi vieja Zenaida
yo también me iré muy pronto
al cielo a comer papaya...

¡Cumbia!
De mañanita la Zenaida
sale temprano del tugurio
De mañanita la Zenaida
sale temprano del tugurio
arremolina su tabaco
se va a vender frutos maduros
Zenaida baila la cumbia
Zenaida baila la cumbia
Ah viejita del manglar
hormiga de ciudad
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
tu fruta me sabe a cumbia
cumbia, cumbia de la playa
Zenaida baila la cumbia
Zenaida baila la cumbia]]> 428490 no no Fri, 19 Dec 2014 21:37:22 +0100 2014-12-19T21:37:22+01:00 13:25