Mon, 25 May 2026 13:08:56 +0200 https://hearthis.at/muhr-rs/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/muhr-rs/ https://img.hearthis.at/8/6/1/_/uploads/9000571/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1515533739168.jpg no no https://hearthis.at/muhr-rs/something6-unshaken-dangelo/
Also check out the video to the cover:
https://www.youtube.com/watch?v=UXTBGbPR5rk]]>
Also check out the video to the cover:
https://www.youtube.com/watch?v=UXTBGbPR5rk]]> 2831384 no no Tue, 19 Feb 2019 21:44:42 +0100 2019-02-19T21:44:42+01:00 6:08 https://hearthis.at/muhr-rs/allan-holdsworth-house-of-mirrors-sascha-muhr-cover/ 2771466 no no Wed, 23 Jan 2019 22:20:04 +0100 2019-01-23T22:20:04+01:00 2:24 https://hearthis.at/muhr-rs/dangelo-unshaken-space-y-improvisation-using-the-songs-hook/
Going into an Amp1 and from there into the blubox and straight into tje mixer. Had the convolution reverb running on ableton.

If you liked it you might wanna check the video out as well : https://www.youtube.com/watch?v=IViPTUUm5KE&

For original music you can always check out my stuff here on soundcloud or if you wanna download something for free:
https://saschamuhr.bandcamp.com/]]>
Going into an Amp1 and from there into the blubox and straight into tje mixer. Had the convolution reverb running on ableton.

If you liked it you might wanna check the video out as well : https://www.youtube.com/watch?v=IViPTUUm5KE&

For original music you can always check out my stuff here on soundcloud or if you wanna download something for free:
https://saschamuhr.bandcamp.com/]]> 2771463 no no Wed, 23 Jan 2019 22:19:13 +0100 2019-01-23T22:19:13+01:00 2:58 https://hearthis.at/muhr-rs/something5-improvisation2/
If you've enjoyed it the video of the session can be found here:

https://www.youtube.com/watch?v=k9fPcpy1rTg]]>
If you've enjoyed it the video of the session can be found here:

https://www.youtube.com/watch?v=k9fPcpy1rTg]]> 2771460 no no Wed, 23 Jan 2019 22:17:45 +0100 2019-01-23T22:17:45+01:00 4:24 https://hearthis.at/muhr-rs/something4-across-the-stars-john-williams/
Link to video of this track:
https://www.youtube.com/watch?v=HZRbw9V7540]]>
Link to video of this track:
https://www.youtube.com/watch?v=HZRbw9V7540]]> 2771445 no no Wed, 23 Jan 2019 22:03:55 +0100 2019-01-23T22:03:55+01:00 6:42 https://hearthis.at/muhr-rs/feral/ 2771442 no no Wed, 23 Jan 2019 22:01:38 +0100 2019-01-23T22:01:38+01:00 3:44 https://hearthis.at/muhr-rs/something3-improvisation1/
Link to video of this track:
https://www.youtube.com/watch?v=nCmfnVYv6yA]]>
Link to video of this track:
https://www.youtube.com/watch?v=nCmfnVYv6yA]]> 2386364 no no Mon, 17 Sep 2018 22:42:27 +0200 2018-09-17T22:42:27+02:00 10:08 https://hearthis.at/muhr-rs/something2-om-det-skulle-skicka-mig/ 2199693 no no Thu, 26 Jul 2018 23:49:39 +0200 2018-07-26T23:49:39+02:00 7:17 https://hearthis.at/muhr-rs/oodra/ 1823464 no no Sun, 25 Mar 2018 23:45:36 +0200 2018-03-25T23:45:36+02:00 4:56 https://hearthis.at/muhr-rs/neil-young-dead-man-theme-sascha-muhr-cover/ 1807361 no no Wed, 14 Mar 2018 22:47:36 +0100 2018-03-14T22:47:36+01:00 4:12 https://hearthis.at/muhr-rs/oh-bury-me-not-on-the-lone-prairie/ 1807358 no no Wed, 14 Mar 2018 22:40:14 +0100 2018-03-14T22:40:14+01:00 5:28 https://hearthis.at/muhr-rs/neil-young-heart-of-gold-sascha-muhr-cover/ 1807357 no no Wed, 14 Mar 2018 22:39:19 +0100 2018-03-14T22:39:19+01:00 7:12 https://hearthis.at/muhr-rs/improvisationverge/ 1807355 no no Wed, 14 Mar 2018 22:38:31 +0100 2018-03-14T22:38:31+01:00 2:56 https://hearthis.at/muhr-rs/shenandoah/ 1807351 no no Wed, 14 Mar 2018 22:37:31 +0100 2018-03-14T22:37:31+01:00 5:25 https://hearthis.at/muhr-rs/john-coltrane-naima-cover/ 1807349 no no Wed, 14 Mar 2018 22:36:04 +0100 2018-03-14T22:36:04+01:00 6:08 https://hearthis.at/muhr-rs/duke-pearsongrant-green-idle-moments-cover/ 1712166 no no Sun, 10 Dec 2017 18:11:13 +0100 2017-12-10T18:11:13+01:00 6:03 https://hearthis.at/muhr-rs/uboot/ 1712167 no no Sun, 22 Oct 2017 22:42:27 +0200 2017-10-22T22:42:27+02:00 3:30 https://hearthis.at/muhr-rs/cthul/ 1712168 no no Thu, 31 Aug 2017 10:00:27 +0200 2017-08-31T10:00:27+02:00 6:54 https://hearthis.at/muhr-rs/franz-schubert-leiermann-winterreiseguitar-adaptation/ 1712169 no no Tue, 13 Jun 2017 18:47:23 +0200 2017-06-13T18:47:23+02:00 5:12 https://hearthis.at/muhr-rs/sarah/ 1712172 no no Mon, 05 Jun 2017 01:06:31 +0200 2017-06-05T01:06:31+02:00 4:57 https://hearthis.at/muhr-rs/qigon/ The track basically consists of five 'blocks'. In the first one the main chord progression is played (Emadd9, C#7b5, Dmmaj7, Bmadd9), and in each following block this progression is transposed according to the chords in Emadd9 , (so the second block has the chord progression Bmadd9,...; the third block: F#madd9,...; fourth: Gmadd9,...; fifth: Bmadd9).
In a similar way I've used the second chord of the original progression to get a more interesting timpani track. It's main notes follow the chord progressions but once per block it plays notes from the C#7b5 chord.
Similarly the remaining chords arise throughout the track (but I would have to check my notes to see what and where exactly because the last few weeks I was working on the production side of this whole thing to make it sound alright ).

Also I played around with a bit of ideas regarding symmetry in song structure.]]> The track basically consists of five 'blocks'. In the first one the main chord progression is played (Emadd9, C#7b5, Dmmaj7, Bmadd9), and in each following block this progression is transposed according to the chords in Emadd9 , (so the second block has the chord progression Bmadd9,...; the third block: F#madd9,...; fourth: Gmadd9,...; fifth: Bmadd9).
In a similar way I've used the second chord of the original progression to get a more interesting timpani track. It's main notes follow the chord progressions but once per block it plays notes from the C#7b5 chord.
Similarly the remaining chords arise throughout the track (but I would have to check my notes to see what and where exactly because the last few weeks I was working on the production side of this whole thing to make it sound alright ).

Also I played around with a bit of ideas regarding symmetry in song structure.]]> 1712173 no no Fri, 28 Apr 2017 01:30:44 +0200 2017-04-28T01:30:44+02:00 4:35 https://hearthis.at/muhr-rs/old3cohaghyrt/ 1712174 no no Thu, 23 Feb 2017 16:50:17 +0100 2017-02-23T16:50:17+01:00 4:22 https://hearthis.at/muhr-rs/old2asylum/
Picture Credit: One of my brothers paintings. check out his page https://www.facebook.com/MxMuhrArt-617021918356471/?fref=ts]]>
Picture Credit: One of my brothers paintings. check out his page https://www.facebook.com/MxMuhrArt-617021918356471/?fref=ts]]> 1712177 no no Sun, 19 Feb 2017 23:31:40 +0100 2017-02-19T23:31:40+01:00 7:00 https://hearthis.at/muhr-rs/old1/ 1712180 no no Fri, 10 Feb 2017 13:45:38 +0100 2017-02-10T13:45:38+01:00 5:19 https://hearthis.at/muhr-rs/verge/ 1712182 no no Sun, 18 Dec 2016 19:14:20 +0100 2016-12-18T19:14:20+01:00 5:14 https://hearthis.at/muhr-rs/droen/ 1712184 no no Sun, 11 Dec 2016 20:26:11 +0100 2016-12-11T20:26:11+01:00 2:56 https://hearthis.at/muhr-rs/ngata/ 1712186 no no Sat, 03 Dec 2016 22:01:09 +0100 2016-12-03T22:01:09+01:00 4:36 https://hearthis.at/muhr-rs/ludwig-van-beethoven-opus-131-movement-6-guitar-adaptation/ 1712189 no no Fri, 02 Dec 2016 00:48:23 +0100 2016-12-02T00:48:23+01:00 1:42 https://hearthis.at/muhr-rs/kheyr/ 1712191 no no Thu, 17 Nov 2016 16:37:35 +0100 2016-11-17T16:37:35+01:00 3:39 https://hearthis.at/muhr-rs/enand/ 1712194 no no Fri, 07 Oct 2016 14:14:14 +0200 2016-10-07T14:14:14+02:00 6:10 https://hearthis.at/muhr-rs/boros/ 1712198 no no Wed, 27 Jan 2016 22:00:08 +0100 2016-01-27T22:00:08+01:00 3:36 https://hearthis.at/muhr-rs/jimmy-scott-sycamore-trees-sascha-muhr-edit/ 1712200 no no Sat, 28 Nov 2015 19:53:54 +0100 2015-11-28T19:53:54+01:00 3:17 https://hearthis.at/muhr-rs/lodge/ as well as from beethovens string quartet, opus 131 in the version https://www.youtube.com/watch?v=sgsZx9kHvU4 .
String drones are bowed acoustic guitar and a violin (dilettantely played by me)]]> as well as from beethovens string quartet, opus 131 in the version https://www.youtube.com/watch?v=sgsZx9kHvU4 .
String drones are bowed acoustic guitar and a violin (dilettantely played by me)]]> 1712204 no no Mon, 19 Oct 2015 17:07:53 +0200 2015-10-19T17:07:53+02:00 7:11 https://hearthis.at/muhr-rs/sli/
-Saxophone samples from a Hakon Kornstad live performance ( https://www.youtube.com/watch?v=3u0tCpG5vPE )

- couple of voice samples and a 'drone'-sample from 'Jimmy Scott - Sycamore Trees' ( https://www.youtube.com/watch?v=T8g_xpqjHKU )

- chanting monks sampled from an excerpt of the film 'Baraka' ( https://www.youtube.com/watch?v=nAUoa9pmokA )
]]>
-Saxophone samples from a Hakon Kornstad live performance ( https://www.youtube.com/watch?v=3u0tCpG5vPE )

- couple of voice samples and a 'drone'-sample from 'Jimmy Scott - Sycamore Trees' ( https://www.youtube.com/watch?v=T8g_xpqjHKU )

- chanting monks sampled from an excerpt of the film 'Baraka' ( https://www.youtube.com/watch?v=nAUoa9pmokA )
]]> 1712206 no no Sat, 22 Aug 2015 22:45:37 +0200 2015-08-22T22:45:37+02:00 5:03 https://hearthis.at/muhr-rs/ratel/
https://www.youtube.com/watch?v=qdaqV_EiR8s

for the kora (a westafrican lute-like instrument) loops. Every other sound is from this documentary:

https://www.youtube.com/watch?v=__FscKd9nIQ

]]>
https://www.youtube.com/watch?v=qdaqV_EiR8s

for the kora (a westafrican lute-like instrument) loops. Every other sound is from this documentary:

https://www.youtube.com/watch?v=__FscKd9nIQ

]]> 1712208 no no Mon, 04 May 2015 02:26:14 +0200 2015-05-04T02:26:14+02:00 3:30 https://hearthis.at/muhr-rs/singe/ 1712211 no no Sat, 07 Mar 2015 01:05:39 +0100 2015-03-07T01:05:39+01:00 4:16 https://hearthis.at/muhr-rs/abell/ Boss DD-20 -->Ableton Live 9

picture credit: Sascha Muhr]]> Boss DD-20 -->Ableton Live 9

picture credit: Sascha Muhr]]> Boss DD-20 -->Ableton Live 9 picture credit: Sascha Muhr]]> 1712213 no no Fri, 06 Feb 2015 03:47:02 +0100 2015-02-06T03:47:02+01:00 6:24 https://hearthis.at/muhr-rs/year-of-the-perdue-wonderchicken-w-unrealalistic/ 1712216 no no Wed, 24 Dec 2014 21:14:40 +0100 2014-12-24T21:14:40+01:00 5:27 https://hearthis.at/muhr-rs/year-of-glad-w-unrealalistic/ 1712217 no no Wed, 24 Dec 2014 21:14:09 +0100 2014-12-24T21:14:09+01:00 4:59 https://hearthis.at/muhr-rs/i-git-w-roland-clark/ 1712220 no no Mon, 18 Aug 2014 20:41:53 +0200 2014-08-18T20:41:53+02:00 9:22 https://hearthis.at/muhr-rs/holy-w-allen-ginsbergs-howl/ Features a recording of Allen Ginsberg reading the 'holy'-part of his famous poem 'Howl' and also little snippets of William S Burroughs reading from Naked Lunch.
Also a small part of Charlie Parker's 'All the things you are' in there too.]]> Features a recording of Allen Ginsberg reading the 'holy'-part of his famous poem 'Howl' and also little snippets of William S Burroughs reading from Naked Lunch.
Also a small part of Charlie Parker's 'All the things you are' in there too.]]> 1712221 no no Thu, 27 Mar 2014 17:06:30 +0100 2014-03-27T17:06:30+01:00 6:45 https://hearthis.at/muhr-rs/husky-rescue-colors-sascha-muhr-remix/ (Photo by Ragnar Axelsson)]]> (Photo by Ragnar Axelsson)]]> 1712224 no no Fri, 23 Aug 2013 14:47:13 +0200 2013-08-23T14:47:13+02:00 5:27 https://hearthis.at/muhr-rs/emmy/ photograph by Anders Petersen
]]> photograph by Anders Petersen
]]> 1712225 no no Tue, 14 May 2013 01:49:45 +0200 2013-05-14T01:49:45+02:00 3:26 https://hearthis.at/muhr-rs/human-w-andrew-dixonframes/ You can find the written form of the poem on that link.
(painting by otto dix)]]> You can find the written form of the poem on that link.
(painting by otto dix)]]> 1712228 no no Sun, 14 Apr 2013 00:13:49 +0200 2013-04-14T00:13:49+02:00 3:09 https://hearthis.at/muhr-rs/baccha/ also used prepared guitar sounds ]]> also used prepared guitar sounds ]]> 1712232 no no Sun, 24 Mar 2013 18:35:19 +0100 2013-03-24T18:35:19+01:00 3:07 https://hearthis.at/muhr-rs/gaslampkiller-in-the-dark-sascha-muhr-remix/ Of this tune i used the horn sounds and the melody later on consists of sampled bits of the boys voice in the beginning.
on drum-track consists of sampled drum-sounds of the tune 'Holy Mt. Washington' of the same LP.

Cymbal sounds are standard Ableton with distortion on it.

Guitar sounds are my vigier excalibur unplugged and altered pitches.
]]> Of this tune i used the horn sounds and the melody later on consists of sampled bits of the boys voice in the beginning.
on drum-track consists of sampled drum-sounds of the tune 'Holy Mt. Washington' of the same LP.

Cymbal sounds are standard Ableton with distortion on it.

Guitar sounds are my vigier excalibur unplugged and altered pitches.
]]> 1712235 no no Wed, 13 Mar 2013 01:00:29 +0100 2013-03-13T01:00:29+01:00 4:11 https://hearthis.at/muhr-rs/matador-124-tonetool-sascha-muhr-remix/ The samples i used were Matadors '124 Tonetool' and 'Mea Culpa' off Brian Eno/David Byrnes CD 'My life in the bush of ghosts'
Did most of it while i was still in England and didnt have the possibilities of recording my guitar. (So drum sounds, processing of the samples etc were still done in Manchester).

I tried to keep a steady 4/4 beat but at the same time using polymetrics with the hi-hat and drum- sounds. There we ve got 4/4 , 5/4 and 7/4 .

To the guitars. It might not be detectable but i got into prepared guitar sounds (the follow up to this [ no remix , original stuff] will be more on the quieter side and with more focus on guitars i think ) so i tried using that .]]> The samples i used were Matadors '124 Tonetool' and 'Mea Culpa' off Brian Eno/David Byrnes CD 'My life in the bush of ghosts'
Did most of it while i was still in England and didnt have the possibilities of recording my guitar. (So drum sounds, processing of the samples etc were still done in Manchester).

I tried to keep a steady 4/4 beat but at the same time using polymetrics with the hi-hat and drum- sounds. There we ve got 4/4 , 5/4 and 7/4 .

To the guitars. It might not be detectable but i got into prepared guitar sounds (the follow up to this [ no remix , original stuff] will be more on the quieter side and with more focus on guitars i think ) so i tried using that .]]> 1712236 no no Sat, 23 Feb 2013 15:05:58 +0100 2013-02-23T15:05:58+01:00 4:44 https://hearthis.at/muhr-rs/bjrk-my-favorite-things-remix/ the vocal samples used are from lars von triers 'dancer in the dark'. harmonically i decided to keep it more simple than the actual chords in the jazzstandard 'my favourite things' to remain the trance-like quality.
tell me what you think esp RE: structure and mixing as i was really enjoying doing this kind of remix.
most sounds are recorded via microphone and altered afterwards except the arturia moog sounds that appear halfwaythrough( that heavily gate-d distorted highpitch-staccato-thing)]]> the vocal samples used are from lars von triers 'dancer in the dark'. harmonically i decided to keep it more simple than the actual chords in the jazzstandard 'my favourite things' to remain the trance-like quality.
tell me what you think esp RE: structure and mixing as i was really enjoying doing this kind of remix.
most sounds are recorded via microphone and altered afterwards except the arturia moog sounds that appear halfwaythrough( that heavily gate-d distorted highpitch-staccato-thing)]]> 1712238 no no Sun, 24 Jun 2012 02:55:37 +0200 2012-06-24T02:55:37+02:00 3:25 https://hearthis.at/muhr-rs/220412-indlicate/ thought about it being a prelude/intro to another idea i recently had.
tell me what you think!]]> thought about it being a prelude/intro to another idea i recently had.
tell me what you think!]]> 1712240 no no Mon, 28 May 2012 23:21:26 +0200 2012-05-28T23:21:26+02:00 4:16 https://hearthis.at/muhr-rs/999230209-dismember/ 1712243 no no Tue, 27 Mar 2012 19:24:06 +0200 2012-03-27T19:24:06+02:00 4:01 https://hearthis.at/muhr-rs/050112-hued/ Tried to capture something fading,thus I used chord fingerings starting with four 'edges' and then diminishing(->three,two,etc)

sadly i cant find anything concerning harmony and chords.since its been a while that i recorded it i dont remember correctly either.
but as far as i can see now. i used simple chords in descending fifths.
&c&c&al

Please tell me what you think]]> Tried to capture something fading,thus I used chord fingerings starting with four 'edges' and then diminishing(->three,two,etc)

sadly i cant find anything concerning harmony and chords.since its been a while that i recorded it i dont remember correctly either.
but as far as i can see now. i used simple chords in descending fifths.
&c&c&al

Please tell me what you think]]> three,two,etc) sadly i cant find anything concerning harmony and chords.since its been a while that i recorded it i dont remember correctly either. but as far as i can see now. i used simple chords in descending fifths. &c&c&al Please tell me what you think]]> 1712245 no no Thu, 22 Mar 2012 02:29:24 +0100 2012-03-22T02:29:24+01:00 1:33 https://hearthis.at/muhr-rs/161111-fiesermp/ Again lots of Ableton editing. Overdriven sounds deliberately.
]]> Again lots of Ableton editing. Overdriven sounds deliberately.
]]> 1712247 no no Thu, 22 Mar 2012 02:23:02 +0100 2012-03-22T02:23:02+01:00 1:45 https://hearthis.at/muhr-rs/160212-sublime/ 1712248 no no Sat, 25 Feb 2012 20:16:02 +0100 2012-02-25T20:16:02+01:00 2:24 https://hearthis.at/muhr-rs/080911-sandbrenntblatt/ it's inspired by a Jonas Burger painting 'Sand brennt blatt' it features the same melodical idea, as 'kaltlauf' and the time signatures are an 'evolvement' from the ones of 'kaltlauf'. there's actually one other tune to be written , to have that time-signature-concept completed ( i DO hope someone understands at some point :D ) chords are derived from a simple mathematical progression.]]> it's inspired by a Jonas Burger painting 'Sand brennt blatt' it features the same melodical idea, as 'kaltlauf' and the time signatures are an 'evolvement' from the ones of 'kaltlauf'. there's actually one other tune to be written , to have that time-signature-concept completed ( i DO hope someone understands at some point :D ) chords are derived from a simple mathematical progression.]]> 1712250 no no Tue, 15 Nov 2011 01:14:31 +0100 2011-11-15T01:14:31+01:00 2:19 https://hearthis.at/muhr-rs/110911-zwei/ noises from a wedding truck-convoy that 'played' a quite beautiful chord with their hooters.

photo from anders petersens 'frenchkiss']]> noises from a wedding truck-convoy that 'played' a quite beautiful chord with their hooters.

photo from anders petersens 'frenchkiss']]> 1712252 no no Mon, 12 Sep 2011 01:44:58 +0200 2011-09-12T01:44:58+02:00 1:27 https://hearthis.at/muhr-rs/060511-agla/
photo from yvan rodics 'visual diary'. i reckon he dont mind. ]]>
photo from yvan rodics 'visual diary'. i reckon he dont mind. ]]> 1712255 no no Thu, 25 Aug 2011 20:26:39 +0200 2011-08-25T20:26:39+02:00 3:21 https://hearthis.at/muhr-rs/220711-bigsur/ ]]> ]]> 1712256 no no Thu, 11 Aug 2011 16:49:00 +0200 2011-08-11T16:49:00+02:00 2:57 https://hearthis.at/muhr-rs/160211-kaltlauf/ (blatantly used a thumbnail of the painting. i reckon that's okay)
]]> (blatantly used a thumbnail of the painting. i reckon that's okay)
]]> 1712258 no no Fri, 17 Jun 2011 00:50:12 +0200 2011-06-17T00:50:12+02:00 4:42 https://hearthis.at/muhr-rs/260311-clore/ ]]> ]]> 1712259 no no Mon, 25 Apr 2011 23:38:35 +0200 2011-04-25T23:38:35+02:00 1:51 https://hearthis.at/muhr-rs/140311-luchitsya/
- Another thing i used was facts about Uraniumoxide and Plutoniumoxide (meltingpoints, density ,etc.) Two of the three main chords for example are derived from the meltingpoints
of those two. (third chord derived from exact time the earthquake did happen.
-again used the digits of the date.

- Bpm: 91 ( magnitude 9.1 )]]>
- Another thing i used was facts about Uraniumoxide and Plutoniumoxide (meltingpoints, density ,etc.) Two of the three main chords for example are derived from the meltingpoints
of those two. (third chord derived from exact time the earthquake did happen.
-again used the digits of the date.

- Bpm: 91 ( magnitude 9.1 )]]> 1712260 no no Sat, 26 Mar 2011 01:16:02 +0100 2011-03-26T01:16:02+01:00 2:10 https://hearthis.at/muhr-rs/rhythmic-cellphone-static/ 1712261 no no Mon, 14 Mar 2011 19:24:00 +0100 2011-03-14T19:24:00+01:00 0:18 https://hearthis.at/muhr-rs/25111210-lillimarleen/ First time that i used a real mathematical idea. The cords are transformed according to a certain way of transformation (really not sure if im using the correct term though).
Other elements are derived from facts about dresden (had this gig in dresden) and facts about Marlene Dietrich (reason for this is a rather[very] disturbing/strange dream i had about a woman looking like a 20/30s actress)
Tried to have a very lofi-sound and wanted to have it sound a bit like 'art-deco' would.
propably not that successful (since it took ages to complete it). I hope the next one's better
]]> First time that i used a real mathematical idea. The cords are transformed according to a certain way of transformation (really not sure if im using the correct term though).
Other elements are derived from facts about dresden (had this gig in dresden) and facts about Marlene Dietrich (reason for this is a rather[very] disturbing/strange dream i had about a woman looking like a 20/30s actress)
Tried to have a very lofi-sound and wanted to have it sound a bit like 'art-deco' would.
propably not that successful (since it took ages to complete it). I hope the next one's better
]]> 1712263 no no Sun, 13 Feb 2011 21:57:42 +0100 2011-02-13T21:57:42+01:00 3:01 https://hearthis.at/muhr-rs/081210improvisation-2/
Demian Kappenstein - Drums
Felix Jacobi - Bass
Clemens Poetzsch - Piano
Sascha Muhr - guitar]]>
Demian Kappenstein - Drums
Felix Jacobi - Bass
Clemens Poetzsch - Piano
Sascha Muhr - guitar]]> 1712264 no no Sat, 08 Jan 2011 17:50:51 +0100 2011-01-08T17:50:51+01:00 13:26 https://hearthis.at/muhr-rs/081210stille-nacht/
Demian Kappenstein- drums
Felix Jacobi- Bass
Clemens Poetzsch- piano
Sascha Muhr- guitar

improvisational version of 'Stille Nacht' / Silent Night]]>
Demian Kappenstein- drums
Felix Jacobi- Bass
Clemens Poetzsch- piano
Sascha Muhr- guitar

improvisational version of 'Stille Nacht' / Silent Night]]> 1712265 no no Thu, 06 Jan 2011 18:30:54 +0100 2011-01-06T18:30:54+01:00 5:56 https://hearthis.at/muhr-rs/081210duo-improvisationpiano-guitar/
Clemens Poetzsch- piano
Sascha Muhr- guitar

Duo improvisation]]>
Clemens Poetzsch- piano
Sascha Muhr- guitar

Duo improvisation]]> 1712266 no no Thu, 06 Jan 2011 18:26:42 +0100 2011-01-06T18:26:42+01:00 6:54 https://hearthis.at/muhr-rs/081210improvisation-1/ As a guest-player in 'Feature Ring' we played free-jazzy-kind-of-stuff.
Demian Kappenstein- Drums
Felix Jacobi- Bass
Clemens Poetzsch- Piano

Free improvisation.]]> As a guest-player in 'Feature Ring' we played free-jazzy-kind-of-stuff.
Demian Kappenstein- Drums
Felix Jacobi- Bass
Clemens Poetzsch- Piano

Free improvisation.]]> 1712267 no no Thu, 06 Jan 2011 18:22:18 +0100 2011-01-06T18:22:18+01:00 13:27 https://hearthis.at/muhr-rs/312-ghed-ood/ inspiration was one senior guy i met during my civilian service. according to his stories (still not sure whether to believe in them or not) he was in auschwitz as a kid and was forced to kill other children. The was an incredible amount of furrows on him and he looked really battered and lived alone. i tried to make it sound a bit confused and sad blabla. I browsed a hebrew-dictionary and went looking for 'furrow' and eventually found it.

Ah . and another inspiration was a video of ithak perlman playing klezmer. with those fast violin lines. . i sampled notes of the violin and arranged the single notes the let them play the notes really fast and kind of stuttering. So that is actually my rendition to klezmer, although it doesn't sound like klezmer at all.]]> inspiration was one senior guy i met during my civilian service. according to his stories (still not sure whether to believe in them or not) he was in auschwitz as a kid and was forced to kill other children. The was an incredible amount of furrows on him and he looked really battered and lived alone. i tried to make it sound a bit confused and sad blabla. I browsed a hebrew-dictionary and went looking for 'furrow' and eventually found it.

Ah . and another inspiration was a video of ithak perlman playing klezmer. with those fast violin lines. . i sampled notes of the violin and arranged the single notes the let them play the notes really fast and kind of stuttering. So that is actually my rendition to klezmer, although it doesn't sound like klezmer at all.]]> 1712268 no no Sun, 19 Dec 2010 14:04:43 +0100 2010-12-19T14:04:43+01:00 1:48 https://hearthis.at/muhr-rs/211-good-old-neon/ 1712269 no no Sun, 19 Dec 2010 13:56:05 +0100 2010-12-19T13:56:05+01:00 1:33 https://hearthis.at/muhr-rs/110-prezitek/
Soundwise the tunes have very muhc the same character as the aural diary tunes from july-october. Lots of unplugged electric guitar and processing with ableton .

This first one is very simple and i REALLY still like it. According to my notes it wasn't that elaborate. Ah ok. i THINK i have based the chords of each of the tunes in a way on the overtone series. And each tune has a 'main' interval that appears relatively often (e.g. one halfstep in prezitek , wholestep in good old neon and so on ).
This one was written and recorded in January 2010 i think. After we had a trip to prague. AND if my meomory serves me right. prezitek means something like Hangover.]]>
Soundwise the tunes have very muhc the same character as the aural diary tunes from july-october. Lots of unplugged electric guitar and processing with ableton .

This first one is very simple and i REALLY still like it. According to my notes it wasn't that elaborate. Ah ok. i THINK i have based the chords of each of the tunes in a way on the overtone series. And each tune has a 'main' interval that appears relatively often (e.g. one halfstep in prezitek , wholestep in good old neon and so on ).
This one was written and recorded in January 2010 i think. After we had a trip to prague. AND if my meomory serves me right. prezitek means something like Hangover.]]> 1712270 no no Sun, 19 Dec 2010 13:53:03 +0100 2010-12-19T13:53:03+01:00 1:05 https://hearthis.at/muhr-rs/24110910-sog/ female-friend of mine left a 10€bill in my car.

Used the serial number of the bill for the rhythmic patterns for

Chords ( 9*[4/8+10/8+7/8+4/8] + 4/8+10/8+7/8+1/8),
Melody ( 14*[1/8+5/8+3/8+4/8+3/8] + 1/8+5/8+3/8+3/8 )
and Percussion ( 4*[4/8+10/8+7/8+4/8+6/8+1/8+5/8+3/8+4/8+3/8] )

The total number of 1/8 in Chords, Melody and Percussion are derived from the colour coordinates of 'blonde' (like in blonde hair) ->247, 236,183 (also used for effect parameters)

Harmonic ideas not that elaborate
]]> female-friend of mine left a 10€bill in my car.

Used the serial number of the bill for the rhythmic patterns for

Chords ( 9*[4/8+10/8+7/8+4/8] + 4/8+10/8+7/8+1/8),
Melody ( 14*[1/8+5/8+3/8+4/8+3/8] + 1/8+5/8+3/8+3/8 )
and Percussion ( 4*[4/8+10/8+7/8+4/8+6/8+1/8+5/8+3/8+4/8+3/8] )

The total number of 1/8 in Chords, Melody and Percussion are derived from the colour coordinates of 'blonde' (like in blonde hair) ->247, 236,183 (also used for effect parameters)

Harmonic ideas not that elaborate
]]> 247, 236,183 (also used for effect parameters) Harmonic ideas not that elaborate ]]> 1712272 no no Wed, 06 Oct 2010 13:42:38 +0200 2010-10-06T13:42:38+02:00 2:34 https://hearthis.at/muhr-rs/1390910-nadir/
Numbers used:
7 (from 7grad )
-> 7/4 for the Percussion-Tracks
-> 7 Segments /Chords
-> 7 tracks (with a compass of 7 notes per track) for the upward/downward bend accompaniment (every track is alternating up und downward bends)
compass of those 7 tracks from Eb-Eb ->49 notes (root of 49 = 7 )
-> 7 percussion sounds


11 ( 9/11 -> night we were there)
-> 11/4 Rhythm for Chords
-> 11/4 as starting point for the 40/4 of the bend-accompaniment

40 (40%vol per Jameson bottle)
-> every segment of the bend-accompaniment is 40/4 and consists of 7(again) measures ->(in x/4) 11-7-3-11-5-2-1
-> 40*7/4 for overall length

As far as i can see in my notes, thats about it. Took me ages to mix and as i've mentioned i'm not that much satisfied with some parts of it.
]]>
Numbers used:
7 (from 7grad )
-> 7/4 for the Percussion-Tracks
-> 7 Segments /Chords
-> 7 tracks (with a compass of 7 notes per track) for the upward/downward bend accompaniment (every track is alternating up und downward bends)
compass of those 7 tracks from Eb-Eb ->49 notes (root of 49 = 7 )
-> 7 percussion sounds


11 ( 9/11 -> night we were there)
-> 11/4 Rhythm for Chords
-> 11/4 as starting point for the 40/4 of the bend-accompaniment

40 (40%vol per Jameson bottle)
-> every segment of the bend-accompaniment is 40/4 and consists of 7(again) measures ->(in x/4) 11-7-3-11-5-2-1
-> 40*7/4 for overall length

As far as i can see in my notes, thats about it. Took me ages to mix and as i've mentioned i'm not that much satisfied with some parts of it.
]]> 7/4 for the Percussion-Tracks -> 7 Segments /Chords -> 7 tracks (with a compass of 7 notes per track) for the upward/downward bend accompaniment (every track is alternating up und downward bends) compass of those 7 tracks from Eb-Eb ->49 notes (root of 49 = 7 ) -> 7 percussion sounds 11 ( 9/11 -> night we were there) -> 11/4 Rhythm for Chords -> 11/4 as starting point for the 40/4 of the bend-accompaniment 40 (40%vol per Jameson bottle) -> every segment of the bend-accompaniment is 40/4 and consists of 7(again) measures ->(in x/4) 11-7-3-11-5-2-1 -> 40*7/4 for overall length As far as i can see in my notes, thats about it. Took me ages to mix and as i've mentioned i'm not that much satisfied with some parts of it. ]]> 1712273 no no Thu, 23 Sep 2010 18:33:42 +0200 2010-09-23T18:33:42+02:00 2:56 https://hearthis.at/muhr-rs/0450910-arrt/ soundscape static, slow , set-sail-for-the-sun-like etc.

Most elements taken from a certain part of William S. Burroughs 'The Soft Machine' in the Chapter '1920 Movies' on p. 141-143 paragraphs are labeled from Unit I-V :

I : white; 11 lines, 5 lines (on second time Unit I) ->alternating 11/8 and 5/8 on that track.
tried to get it 'white'-ish sounding. It's the unplugged Vigier played with a ebow
II: black; 4 lines ->4/4
black sounding: low notes on plugged vigier , with a tad of auto-pan
III: green; 11 lines , 10 lines -> alternating 11/8 and 10/8
tried to get a lush sounding sound. used a nylon string guitar and used an violin-bow.
IV: red; 7lines -> 7/4
'boiling' sound. basically two sounds playing more or less the same thing. one is the vigier (plugged)
with ebow, the other is the nylon string guitar and violin bow. both playing high notes. both with constant
beat repeat
V; blue 5 lines , 49 lines ( to end of chapter; used the root of 49 ) -> alternating 5/8 and 7/4
vigier with ebow and reverb

Another thing used: 5 Units:
---> divided the tune into 5 section , each with one chord. The 5 tracks take turns in playing the chords
---> the two feedback percussion tracks both have 25 measures (root of 25= 5 ). one in 6/4 the other in 5/4.

Which chord is played by which unit is derived from the number of measures per section .

Order from low-notes to high-notes:
green-black-blue-white-red

]]> soundscape static, slow , set-sail-for-the-sun-like etc.

Most elements taken from a certain part of William S. Burroughs 'The Soft Machine' in the Chapter '1920 Movies' on p. 141-143 paragraphs are labeled from Unit I-V :

I : white; 11 lines, 5 lines (on second time Unit I) ->alternating 11/8 and 5/8 on that track.
tried to get it 'white'-ish sounding. It's the unplugged Vigier played with a ebow
II: black; 4 lines ->4/4
black sounding: low notes on plugged vigier , with a tad of auto-pan
III: green; 11 lines , 10 lines -> alternating 11/8 and 10/8
tried to get a lush sounding sound. used a nylon string guitar and used an violin-bow.
IV: red; 7lines -> 7/4
'boiling' sound. basically two sounds playing more or less the same thing. one is the vigier (plugged)
with ebow, the other is the nylon string guitar and violin bow. both playing high notes. both with constant
beat repeat
V; blue 5 lines , 49 lines ( to end of chapter; used the root of 49 ) -> alternating 5/8 and 7/4
vigier with ebow and reverb

Another thing used: 5 Units:
---> divided the tune into 5 section , each with one chord. The 5 tracks take turns in playing the chords
---> the two feedback percussion tracks both have 25 measures (root of 25= 5 ). one in 6/4 the other in 5/4.

Which chord is played by which unit is derived from the number of measures per section .

Order from low-notes to high-notes:
green-black-blue-white-red

]]> soundscape static, slow , set-sail-for-the-sun-like etc. Most elements taken from a certain part of William S. Burroughs 'The Soft Machine' in the Chapter '1920 Movies' on p. 141-143 paragraphs are labeled from Unit I-V : I : white; 11 lines, 5 lines (on second time Unit I) ->alternating 11/8 and 5/8 on that track. tried to get it 'white'-ish sounding. It's the unplugged Vigier played with a ebow II: black; 4 lines ->4/4 black sounding: low notes on plugged vigier , with a tad of auto-pan III: green; 11 lines , 10 lines -> alternating 11/8 and 10/8 tried to get a lush sounding sound. used a nylon string guitar and used an violin-bow. IV: red; 7lines -> 7/4 'boiling' sound. basically two sounds playing more or less the same thing. one is the vigier (plugged) with ebow, the other is the nylon string guitar and violin bow. both playing high notes. both with constant beat repeat V; blue 5 lines , 49 lines ( to end of chapter; used the root of 49 ) -> alternating 5/8 and 7/4 vigier with ebow and reverb Another thing used: 5 Units: ---> divided the tune into 5 section , each with one chord. The 5 tracks take turns in playing the chords ---> the two feedback percussion tracks both have 25 measures (root of 25= 5 ). one in 6/4 the other in 5/4. Which chord is played by which unit is derived from the number of measures per section . Order from low-notes to high-notes: green-black-blue-white-red ]]> 1712274 no no Thu, 09 Sep 2010 18:30:29 +0200 2010-09-09T18:30:29+02:00 3:08 https://hearthis.at/muhr-rs/2930810-medulla/ Used several numbers for constructing:
-29 (date) as rhythmic structure for the base-percussion track [in 1/8 : 1-3-4-2-4-5-4-3-2-1 ]
-26 (number of moustaches) as rhythmic structure for the thumping bass [in 1/8: 1-3-4-3-5-4-3-2-1 ]
-17 (number of total fights of old/new WFC-Champion Jessica Balogun) for metrum of chords and second percussiontrack
-16 (number of wins of J.B.) root of 16 : max 4 notes/chord
-8 (month) ->8 sections
-7 (number of KOs) and all of the others for effect parameters
Chords themselves nothing to do with any of the numbers as far as i can see. Strucutre again something 'inductive'. Many mirror-ing and inversion going on.

Melody improvised and and overdubbed/coloured with classical guitar

Bpm: 90 about the speed Jason Beckers 'primal' is in.

]]> Used several numbers for constructing:
-29 (date) as rhythmic structure for the base-percussion track [in 1/8 : 1-3-4-2-4-5-4-3-2-1 ]
-26 (number of moustaches) as rhythmic structure for the thumping bass [in 1/8: 1-3-4-3-5-4-3-2-1 ]
-17 (number of total fights of old/new WFC-Champion Jessica Balogun) for metrum of chords and second percussiontrack
-16 (number of wins of J.B.) root of 16 : max 4 notes/chord
-8 (month) ->8 sections
-7 (number of KOs) and all of the others for effect parameters
Chords themselves nothing to do with any of the numbers as far as i can see. Strucutre again something 'inductive'. Many mirror-ing and inversion going on.

Melody improvised and and overdubbed/coloured with classical guitar

Bpm: 90 about the speed Jason Beckers 'primal' is in.

]]> 8 sections -7 (number of KOs) and all of the others for effect parameters Chords themselves nothing to do with any of the numbers as far as i can see. Strucutre again something 'inductive'. Many mirror-ing and inversion going on. Melody improvised and and overdubbed/coloured with classical guitar Bpm: 90 about the speed Jason Beckers 'primal' is in. ]]> 1712275 no no Wed, 01 Sep 2010 18:24:29 +0200 2010-09-01T18:24:29+02:00 3:40 https://hearthis.at/muhr-rs/2250810-gg/ Did some vocal 'percussion' on this. He often utters 'boar eh' , exhaling sounds etc., which i sampled on this one.
Structurally simpler than the two aural-diary-pieces. Mostly derived from the birthday. being 09/21. though i didn't use the actual two numbers. i used them as multiples of 3 for chord-design and metres.

-Lowest Chord-notes start at Eb and then subtracting 7 halfnotes ( 7*3 =21 ) then adding 3 halfnotes (3*3= 9 ) . repeating this until you get to the Eb again. Then the whole system is mirrored (being on the 'other side' of the mirror different chordnotes ,though) until you get to the Eb again.
([Eb] -7 Ab +3 B -7 E +3 G -7 C +3 [Eb] +3 Gb -7 B +3 D -7 G +3 Bb -7 [Eb] )

- Metrics: 7/8 (for 'Boar + eh' ) ; 3/4 for the two differnet' aaah ' sounds (veryVERY loosely)
Chord changes in 3/4 ,too: Chord change after 3* 3/4

- Tempo: 99 bpm (last digit of the month,and last digit of the year)

'Boar eh ' and 'aaaah aaaaah' are two counterparts ( derived from oberstadt & unterstadt in tübingen . bad mood of my friend reminds me of the Gôgenwitze from Tübingen; other vocal samples are from these 'jokes' )
At the beginning the balance point is on 'boar eh' this shifts gradually every three chords , after about 7 chords, they're in balance, from there on there are more 'aaahs'

I don't know if any of this text makes sense to any of you :D]]> Did some vocal 'percussion' on this. He often utters 'boar eh' , exhaling sounds etc., which i sampled on this one.
Structurally simpler than the two aural-diary-pieces. Mostly derived from the birthday. being 09/21. though i didn't use the actual two numbers. i used them as multiples of 3 for chord-design and metres.

-Lowest Chord-notes start at Eb and then subtracting 7 halfnotes ( 7*3 =21 ) then adding 3 halfnotes (3*3= 9 ) . repeating this until you get to the Eb again. Then the whole system is mirrored (being on the 'other side' of the mirror different chordnotes ,though) until you get to the Eb again.
([Eb] -7 Ab +3 B -7 E +3 G -7 C +3 [Eb] +3 Gb -7 B +3 D -7 G +3 Bb -7 [Eb] )

- Metrics: 7/8 (for 'Boar + eh' ) ; 3/4 for the two differnet' aaah ' sounds (veryVERY loosely)
Chord changes in 3/4 ,too: Chord change after 3* 3/4

- Tempo: 99 bpm (last digit of the month,and last digit of the year)

'Boar eh ' and 'aaaah aaaaah' are two counterparts ( derived from oberstadt & unterstadt in tübingen . bad mood of my friend reminds me of the Gôgenwitze from Tübingen; other vocal samples are from these 'jokes' )
At the beginning the balance point is on 'boar eh' this shifts gradually every three chords , after about 7 chords, they're in balance, from there on there are more 'aaahs'

I don't know if any of this text makes sense to any of you :D]]> 1712276 no no Sat, 28 Aug 2010 02:51:15 +0200 2010-08-28T02:51:15+02:00 1:51 https://hearthis.at/muhr-rs/gyrgy-ligeti-keseredes-guitar-adaptation/ 1712277 no no Sat, 21 Aug 2010 21:05:21 +0200 2010-08-21T21:05:21+02:00 2:25 https://hearthis.at/muhr-rs/116-190810-spica/ Went on wikipedia to check out what could be useful.
ONE spica of wheat hast between 25 and 40 grains, which proved pretty useful.

The four guitars (actually 3 , but the rhythmical/-chord track was impossible to do on a one take) have to different meters.
Melodie track: 5 bars á 5/8 (root of 25) ->25/8 per line
Rhythm: constant change between 6/8 and 2/8 (being root of 36 and root of 4 , 36+4 40, though thats more or less forced; besides that it's 6+2=8)_> This change is going on 5 times -> 5*8/8 = 40/8.

Chordwise it isn't that related, tried to do something interesting with simple chords. Chord change is in a way repeating and expanding.
A B(#3) [basically just two tone chords, played by a fourth/fifth track (the ones you hear at the beginning); the same 40/8 bar structure as mentioned} is the pivotal chord.
B(#3)| C#(b3)|B#(#3)|D#(#7)|C#(b3)|E(4)|B#(#3)|F#(#3)|D#(#7)|C#(b3)|E(4)|A(#6)|B(#3) and mirrored from there one. the chord structure between the pivotal points is groing from both sides.

Oh. and tempo is 65bpm-> 40+25

Soundwise it's kind of a 'country-rendition'
]]> Went on wikipedia to check out what could be useful.
ONE spica of wheat hast between 25 and 40 grains, which proved pretty useful.

The four guitars (actually 3 , but the rhythmical/-chord track was impossible to do on a one take) have to different meters.
Melodie track: 5 bars á 5/8 (root of 25) ->25/8 per line
Rhythm: constant change between 6/8 and 2/8 (being root of 36 and root of 4 , 36+4 40, though thats more or less forced; besides that it's 6+2=8)_> This change is going on 5 times -> 5*8/8 = 40/8.

Chordwise it isn't that related, tried to do something interesting with simple chords. Chord change is in a way repeating and expanding.
A B(#3) [basically just two tone chords, played by a fourth/fifth track (the ones you hear at the beginning); the same 40/8 bar structure as mentioned} is the pivotal chord.
B(#3)| C#(b3)|B#(#3)|D#(#7)|C#(b3)|E(4)|B#(#3)|F#(#3)|D#(#7)|C#(b3)|E(4)|A(#6)|B(#3) and mirrored from there one. the chord structure between the pivotal points is groing from both sides.

Oh. and tempo is 65bpm-> 40+25

Soundwise it's kind of a 'country-rendition'
]]> 25/8 per line Rhythm: constant change between 6/8 and 2/8 (being root of 36 and root of 4 , 36+4 40, though thats more or less forced; besides that it's 6+2=8)_> This change is going on 5 times -> 5*8/8 = 40/8. Chordwise it isn't that related, tried to do something interesting with simple chords. Chord change is in a way repeating and expanding. A B(#3) [basically just two tone chords, played by a fourth/fifth track (the ones you hear at the beginning); the same 40/8 bar structure as mentioned} is the pivotal chord. B(#3)| C#(b3)|B#(#3)|D#(#7)|C#(b3)|E(4)|B#(#3)|F#(#3)|D#(#7)|C#(b3)|E(4)|A(#6)|B(#3) and mirrored from there one. the chord structure between the pivotal points is groing from both sides. Oh. and tempo is 65bpm-> 40+25 Soundwise it's kind of a 'country-rendition' ]]> 1712278 no no Thu, 19 Aug 2010 15:24:16 +0200 2010-08-19T15:24:16+02:00 2:01 https://hearthis.at/muhr-rs/06-07-08-090810-gerty/ - Many references to the moons average density of ~3,345 g/cm³
-> Piece should actzually be exactly 4 mins 7secs long, which would mean 3345 1/32beats. I thought that was to long and tiresome at some point, so I decided not to repeat the chords and place the additional layering earlier.
->many effects are using 3,35 (density..) 33,45 , 67 etcetc as parameters

- Because it's part of a Aural Diary (blabla, don't know if i can pull this on a long run)
-> Tempo of the tune derives (vaguely) from the date. recorded /written in August 2010 -> 08.10->810
I used 810 1/32 beats per minute, -> 101,25 bpm. (soundcloud won't let me enter that number)

Chords system pretty simple actually, Melodies improvised.
Bass derives from the chords]]> - Many references to the moons average density of ~3,345 g/cm³
-> Piece should actzually be exactly 4 mins 7secs long, which would mean 3345 1/32beats. I thought that was to long and tiresome at some point, so I decided not to repeat the chords and place the additional layering earlier.
->many effects are using 3,35 (density..) 33,45 , 67 etcetc as parameters

- Because it's part of a Aural Diary (blabla, don't know if i can pull this on a long run)
-> Tempo of the tune derives (vaguely) from the date. recorded /written in August 2010 -> 08.10->810
I used 810 1/32 beats per minute, -> 101,25 bpm. (soundcloud won't let me enter that number)

Chords system pretty simple actually, Melodies improvised.
Bass derives from the chords]]> Piece should actzually be exactly 4 mins 7secs long, which would mean 3345 1/32beats. I thought that was to long and tiresome at some point, so I decided not to repeat the chords and place the additional layering earlier. ->many effects are using 3,35 (density..) 33,45 , 67 etcetc as parameters - Because it's part of a Aural Diary (blabla, don't know if i can pull this on a long run) -> Tempo of the tune derives (vaguely) from the date. recorded /written in August 2010 -> 08.10->810 I used 810 1/32 beats per minute, -> 101,25 bpm. (soundcloud won't let me enter that number) Chords system pretty simple actually, Melodies improvised. Bass derives from the chords]]> 1712279 no no Tue, 10 Aug 2010 00:56:11 +0200 2010-08-10T00:56:11+02:00 2:22 https://hearthis.at/muhr-rs/laura/ 1712280 no no Wed, 14 Jul 2010 19:57:48 +0200 2010-07-14T19:57:48+02:00 4:15