<?xml version="1.0" encoding="UTF-8"?><rss xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:podcast="https://podcastindex.org/namespace/1.0" version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
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	<lastBuildDate>Mon, 06 Apr 2026 21:05:57 +0200</lastBuildDate>
	<title><![CDATA[mudpeople]]></title>
	<link>https://hearthis.at/mudpeople-yh/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of mudpeople]]></itunes:subtitle>
	<itunes:author><![CDATA[mudpeople]]></itunes:author>
	<googleplay:author><![CDATA[mudpeople]]></googleplay:author>
	<itunes:summary><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></itunes:summary>
	<googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
	<description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[mudpeople]]></itunes:name>
	<itunes:email>mudpeople122@gmail.com</itunes:email>
	</itunes:owner>
	<googleplay:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg"/>
	<itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
    <googleplay:owner>mudpeople122@gmail.com</googleplay:owner>
	<image>
      <link>https://hearthis.at/mudpeople-yh/</link>
      <title>mudpeople</title>
      <url>https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg</url>
    </image>
	<googleplay:explicit>no</googleplay:explicit>
	<itunes:explicit>no</itunes:explicit>
	<category><![CDATA[Sounds]]></category>
	<googleplay:category text="Sounds"/>
	<itunes:category text="Sounds"/>
	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Mirai Ninja]]></title>
            <link>https://hearthis.at/mudpeople-yh/01-vornkfemur-normed/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Nektarios- Fear of Death Goes Away<br />
Yudisthira and Braincell- Sand Structures<br />
Yudisthira- Future Nature<br />
Rezonant, Djantrix- Twinight<br />
Egon's Embrace- Bygones (Fictions of the Interlude) (N3XU5 remix)<br />
Daksinamurti, Krapul- Conductor of Magic<br />
Atriohm and Anthill- Gluten Free<br />
Chris Rich- Self Oscillation<br />
Oxyflux, Braincell- Wild Fusion<br />
Xabanga- Believe It<br />
Lacerta- Funky Sunrise<br />
Nektarios- Retina<br />
Inside Mind- Last Cycle<br />
Yudisthira- Fraction of a Dot]]></description>
            <googleplay:description><![CDATA[Nektarios- Fear of Death Goes Away<br />
Yudisthira and Braincell- Sand Structures<br />
Yudisthira- Future Nature<br />
Rezonant, Djantrix- Twinight<br />
Egon's Embrace- Bygones (Fictions of the Interlude) (N3XU5 remix)<br />
Daksinamurti, Krapul- Conductor of Magic<br />
Atriohm and Anthill- Gluten Free<br />
Chris Rich- Self Oscillation<br />
Oxyflux, Braincell- Wild Fusion<br />
Xabanga- Believe It<br />
Lacerta- Funky Sunrise<br />
Nektarios- Retina<br />
Inside Mind- Last Cycle<br />
Yudisthira- Fraction of a Dot]]></googleplay:description>
            <itunes:summary><![CDATA[Nektarios- Fear of Death Goes Away
Yudisthira and Braincell- Sand Structures
Yudisthira- Future Nature
Rezonant, Djantrix- Twinight
Egon's Embrace- Bygones (Fictions of the Interlude) (N3XU5 remix)
Daksinamurti, Krapul- Conductor of Magic
Atriohm and Anthill- Gluten Free
Chris Rich- Self Oscillation
Oxyflux, Braincell- Wild Fusion
Xabanga- Believe It
Lacerta- Funky Sunrise
Nektarios- Retina
Inside Mind- Last Cycle
Yudisthira- Fraction of a Dot]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/7/4/_/uploads/8667237/image_track/12286541/w1400_h1400_q70_ptrue_v2_m1749877264----cropped_1749877256474.jpg?m=1749877264" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/01-vornkfemur-normed/listen.mp3?s=ydQ" length="1331889364" />
            <guid isPermaLink="false">12286541</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 14 Jun 2025 06:59:51 +0200</pubDate>
                
                <atom:updated>2025-06-14T06:59:51+02:00</atom:updated>
                
            
            
            <itunes:duration>1:23:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Brag it, Mainz]]></title>
            <link>https://hearthis.at/mudpeople-yh/01-brag-at-mains/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[1		Yebah, Shiibashunsuke - Dreamcatcher<br />
2		Anthill - Hu Baba Hu				<br />
3		Yebah, Yabba Dabba - Leave a Leaf				<br />
4		Abiotiq and Dirty Saffi - Everything is Moving Faster				<br />
5		Cosinus & Daksinamurti - All Things Must Pass				<br />
6		Doom's - Punk Fluide				<br />
7		Anthill & Tengri - Eho			<br />
8		ARJUNA - Cermenate Sunrise				<br />
9		Yebah, Sequoya - The Endless Labyrinth				<br />
10		D.O.D. - Space Balls			<br />
11		C.Monster - How Do You Know<br />
12		Parasense - DJ's Centipede	<br />
13		Future Energy - Kadinhos Force (A. 1000 A.C.)	<br />
14		Schizoid Bears - Kito Visato	<br />
15		SILLY TWIT vs MDZ - Phoenix]]></description>
            <googleplay:description><![CDATA[1		Yebah, Shiibashunsuke - Dreamcatcher<br />
2		Anthill - Hu Baba Hu				<br />
3		Yebah, Yabba Dabba - Leave a Leaf				<br />
4		Abiotiq and Dirty Saffi - Everything is Moving Faster				<br />
5		Cosinus & Daksinamurti - All Things Must Pass				<br />
6		Doom's - Punk Fluide				<br />
7		Anthill & Tengri - Eho			<br />
8		ARJUNA - Cermenate Sunrise				<br />
9		Yebah, Sequoya - The Endless Labyrinth				<br />
10		D.O.D. - Space Balls			<br />
11		C.Monster - How Do You Know<br />
12		Parasense - DJ's Centipede	<br />
13		Future Energy - Kadinhos Force (A. 1000 A.C.)	<br />
14		Schizoid Bears - Kito Visato	<br />
15		SILLY TWIT vs MDZ - Phoenix]]></googleplay:description>
            <itunes:summary><![CDATA[1		Yebah, Shiibashunsuke - Dreamcatcher
2		Anthill - Hu Baba Hu				
3		Yebah, Yabba Dabba - Leave a Leaf				
4		Abiotiq and Dirty Saffi - Everything is Moving Faster				
5		Cosinus & Daksinamurti - All Things Must Pass				
6		Doom's - Punk Fluide				
7		Anthill & Tengri - Eho			
8		ARJUNA - Cermenate Sunrise				
9		Yebah, Sequoya - The Endless Labyrinth				
10		D.O.D. - Space Balls			
11		C.Monster - How Do You Know
12		Parasense - DJ's Centipede	
13		Future Energy - Kadinhos Force (A. 1000 A.C.)	
14		Schizoid Bears - Kito Visato	
15		SILLY TWIT vs MDZ - Phoenix]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/3/6/_/uploads/8667237/image_track/11553848/w1400_h1400_q70_ptrue_v2_m1733724238----cropped_1733724229633.jpg?m=1733724238" />
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            <guid isPermaLink="false">11553848</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 09 Dec 2024 06:58:31 +0100</pubDate>
                
                <atom:updated>2024-12-09T06:58:31+01:00</atom:updated>
                
            
            
            <itunes:duration>1:33:42</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Raven raving]]></title>
            <link>https://hearthis.at/mudpeople-yh/01-rec-2024-10-06/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[1	Cosinus -Pararell Worlds		<br />
2	Braingineers & Dirty Saffi - Infinite Nothingness		<br />
3	Anthill - Focus Pokus		<br />
4	Anthill & Antonymous - Architect		<br />
5	Jumpstreet - Brain Parasite<br />
6	Doom's - Mastaba		<br />
7	Babagoon -18 The Anunnakis		<br />
8	Antonymous, Hydra - E -Circular Tweaking		<br />
9	SiShiva - That Feeling<br />
10	Illustrator - Soulseek		<br />
11	Dirty Saffi -Not For Human Consumption		<br />
12	Ocelot  - Xcilog Frog Grog (Furious Remix)		<br />
13	The Nommos - Electromagnetic Waves<br />
14	Onkel Dunkel	Aarhus By Night]]></description>
            <googleplay:description><![CDATA[1	Cosinus -Pararell Worlds		<br />
2	Braingineers & Dirty Saffi - Infinite Nothingness		<br />
3	Anthill - Focus Pokus		<br />
4	Anthill & Antonymous - Architect		<br />
5	Jumpstreet - Brain Parasite<br />
6	Doom's - Mastaba		<br />
7	Babagoon -18 The Anunnakis		<br />
8	Antonymous, Hydra - E -Circular Tweaking		<br />
9	SiShiva - That Feeling<br />
10	Illustrator - Soulseek		<br />
11	Dirty Saffi -Not For Human Consumption		<br />
12	Ocelot  - Xcilog Frog Grog (Furious Remix)		<br />
13	The Nommos - Electromagnetic Waves<br />
14	Onkel Dunkel	Aarhus By Night]]></googleplay:description>
            <itunes:summary><![CDATA[1	Cosinus -Pararell Worlds		
2	Braingineers & Dirty Saffi - Infinite Nothingness		
3	Anthill - Focus Pokus		
4	Anthill & Antonymous - Architect		
5	Jumpstreet - Brain Parasite
6	Doom's - Mastaba		
7	Babagoon -18 The Anunnakis		
8	Antonymous, Hydra - E -Circular Tweaking		
9	SiShiva - That Feeling
10	Illustrator - Soulseek		
11	Dirty Saffi -Not For Human Consumption		
12	Ocelot  - Xcilog Frog Grog (Furious Remix)		
13	The Nommos - Electromagnetic Waves
14	Onkel Dunkel	Aarhus By Night]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <guid isPermaLink="false">11421773</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 07 Oct 2024 06:55:52 +0200</pubDate>
                
                <atom:updated>2024-10-07T06:55:52+02:00</atom:updated>
                
            
            
            <itunes:duration>1:18:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Road Trip]]></title>
            <link>https://hearthis.at/mudpeople-yh/otterfix/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[<br />
1		Jumpstreet - Heartbeat Matching				<br />
2		Doom's -  Alchemy				<br />
3		Peyotes, Twisted Perception - Less is More			<br />
4		Zzbing - Modular Dimensions				<br />
5		Wishi- Painkiller				<br />
6		illustrator - Psychedelic Experience				<br />
7		Krapul, Third Eye of Monkey - Attitude Adjustment 3 - 05 Kojtlan			<br />
8		Solarythm vs An-Agram - Elemental Earth				<br />
9		P. Tale  -  Chiukachanga Chiupakabra	<br />
10		ORESTIS & AJJA - Boipeba Roam <br />
11		Gaspard - 10 Don't be a Qunt				<br />
12		Module Virus, R2 -Fuzzy Little Rabbit			<br />
13		Cosinus -Aurinko				<br />
14		Yabba Dabba, Doom's -  Rumble Stereo		<br />
15		Braindrop - Modular Regeneration				<br />
16		ARJUNA  - As Long As It Burns			<br />
17		Hypnospores Vs Kovik Vs Dezzert -  Parasomnia				<br />
18		Anarkick, Arjuna - Niente Da Capire				<br />
19		Oksha & Gadikt -  The Biggest Gap				<br />
20		Metrix vs Cosinus -  The Emperor's New Mind				<br />
21		LuneCell - UL]]></description>
            <googleplay:description><![CDATA[<br />
1		Jumpstreet - Heartbeat Matching				<br />
2		Doom's -  Alchemy				<br />
3		Peyotes, Twisted Perception - Less is More			<br />
4		Zzbing - Modular Dimensions				<br />
5		Wishi- Painkiller				<br />
6		illustrator - Psychedelic Experience				<br />
7		Krapul, Third Eye of Monkey - Attitude Adjustment 3 - 05 Kojtlan			<br />
8		Solarythm vs An-Agram - Elemental Earth				<br />
9		P. Tale  -  Chiukachanga Chiupakabra	<br />
10		ORESTIS & AJJA - Boipeba Roam <br />
11		Gaspard - 10 Don't be a Qunt				<br />
12		Module Virus, R2 -Fuzzy Little Rabbit			<br />
13		Cosinus -Aurinko				<br />
14		Yabba Dabba, Doom's -  Rumble Stereo		<br />
15		Braindrop - Modular Regeneration				<br />
16		ARJUNA  - As Long As It Burns			<br />
17		Hypnospores Vs Kovik Vs Dezzert -  Parasomnia				<br />
18		Anarkick, Arjuna - Niente Da Capire				<br />
19		Oksha & Gadikt -  The Biggest Gap				<br />
20		Metrix vs Cosinus -  The Emperor's New Mind				<br />
21		LuneCell - UL]]></googleplay:description>
            <itunes:summary><![CDATA[
1		Jumpstreet - Heartbeat Matching				
2		Doom's -  Alchemy				
3		Peyotes, Twisted Perception - Less is More			
4		Zzbing - Modular Dimensions				
5		Wishi- Painkiller				
6		illustrator - Psychedelic Experience				
7		Krapul, Third Eye of Monkey - Attitude Adjustment 3 - 05 Kojtlan			
8		Solarythm vs An-Agram - Elemental Earth				
9		P. Tale  -  Chiukachanga Chiupakabra	
10		ORESTIS & AJJA - Boipeba Roam 
11		Gaspard - 10 Don't be a Qunt				
12		Module Virus, R2 -Fuzzy Little Rabbit			
13		Cosinus -Aurinko				
14		Yabba Dabba, Doom's -  Rumble Stereo		
15		Braindrop - Modular Regeneration				
16		ARJUNA  - As Long As It Burns			
17		Hypnospores Vs Kovik Vs Dezzert -  Parasomnia				
18		Anarkick, Arjuna - Niente Da Capire				
19		Oksha & Gadikt -  The Biggest Gap				
20		Metrix vs Cosinus -  The Emperor's New Mind				
21		LuneCell - UL]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/4/3/_/uploads/8667237/image_track/11206660/w1400_h1400_q70_ptrue_v2_----cropped_1720582601340.jpg" />
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            <guid isPermaLink="false">11206660</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 29 Jun 2024 03:21:29 +0200</pubDate>
                
                <atom:updated>2024-06-29T03:21:29+02:00</atom:updated>
                
            
            
            <itunes:duration>2:04:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[00 - mudpeople - Fwaktakular]]></title>
            <link>https://hearthis.at/mudpeople-yh/00-mudpeople-fwaktakular/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Original tracks mixed with Rekordbox and DDJ400<br />
<br />
Open Locks<br />
Change<br />
Alpharats<br />
Siliceous Ooze<br />
Pants of the Booger Thumb Hairy<br />
Live in Public<br />
Pun Croc<br />
Space Breakfast<br />
Walk the Earth<br />
Across the Divide<br />
Rocket Shoes<br />
Dreaming in Dot Matrix<br />
Simple Plan<br />
Alien Urges<br />
Pantheon Bar<br />
Floor Essence<br />
Metroid 2 Main Hallway Theme (mudpeople version)]]></description>
            <googleplay:description><![CDATA[Original tracks mixed with Rekordbox and DDJ400<br />
<br />
Open Locks<br />
Change<br />
Alpharats<br />
Siliceous Ooze<br />
Pants of the Booger Thumb Hairy<br />
Live in Public<br />
Pun Croc<br />
Space Breakfast<br />
Walk the Earth<br />
Across the Divide<br />
Rocket Shoes<br />
Dreaming in Dot Matrix<br />
Simple Plan<br />
Alien Urges<br />
Pantheon Bar<br />
Floor Essence<br />
Metroid 2 Main Hallway Theme (mudpeople version)]]></googleplay:description>
            <itunes:summary><![CDATA[Original tracks mixed with Rekordbox and DDJ400

Open Locks
Change
Alpharats
Siliceous Ooze
Pants of the Booger Thumb Hairy
Live in Public
Pun Croc
Space Breakfast
Walk the Earth
Across the Divide
Rocket Shoes
Dreaming in Dot Matrix
Simple Plan
Alien Urges
Pantheon Bar
Floor Essence
Metroid 2 Main Hallway Theme (mudpeople version)]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <guid isPermaLink="false">11055082</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 22 Apr 2024 04:45:11 +0200</pubDate>
                
                <atom:updated>2024-04-22T04:45:11+02:00</atom:updated>
                
            
            
            <itunes:duration>1:42:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Fwonka]]></title>
            <link>https://hearthis.at/mudpeople-yh/00-mudpeople-fwonka/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[peyotes hikuri<br />
arjuna + orestis<br />
cosmic iron - where come from aliens<br />
lemurians- love lost love found<br />
sequoya- Spiral Out<br />
hashashin- Hard Drop Cafe<br />
Anarkick- VB 1 Kenobi<br />
Southwild & DJ Ver3x Ad Melora<br />
Anarkick, Arjuna- Niente Da Capire<br />
Microsphere- Metamorphosis<br />
Re Horakhty- Ravebros<br />
Krapul, Third Eye of Monkey- Kojtan<br />
Third Eye of MOnkey- Ajal<br />
P Tale- Bambuk<br />
Pluriverso- 8th Dymensional Crystal<br />
Cenotes-Freaking in the Distance<br />
Jumpstreet-Brain Parasites<br />
Doom's-Alchemy<br />
Babagoon- Mangalam<br />
Ohmny- Ancestrals<br />
Psypien- Orbiton<br />
Braindrop- Modular Regeneration]]></description>
            <googleplay:description><![CDATA[peyotes hikuri<br />
arjuna + orestis<br />
cosmic iron - where come from aliens<br />
lemurians- love lost love found<br />
sequoya- Spiral Out<br />
hashashin- Hard Drop Cafe<br />
Anarkick- VB 1 Kenobi<br />
Southwild & DJ Ver3x Ad Melora<br />
Anarkick, Arjuna- Niente Da Capire<br />
Microsphere- Metamorphosis<br />
Re Horakhty- Ravebros<br />
Krapul, Third Eye of Monkey- Kojtan<br />
Third Eye of MOnkey- Ajal<br />
P Tale- Bambuk<br />
Pluriverso- 8th Dymensional Crystal<br />
Cenotes-Freaking in the Distance<br />
Jumpstreet-Brain Parasites<br />
Doom's-Alchemy<br />
Babagoon- Mangalam<br />
Ohmny- Ancestrals<br />
Psypien- Orbiton<br />
Braindrop- Modular Regeneration]]></googleplay:description>
            <itunes:summary><![CDATA[peyotes hikuri
arjuna + orestis
cosmic iron - where come from aliens
lemurians- love lost love found
sequoya- Spiral Out
hashashin- Hard Drop Cafe
Anarkick- VB 1 Kenobi
Southwild & DJ Ver3x Ad Melora
Anarkick, Arjuna- Niente Da Capire
Microsphere- Metamorphosis
Re Horakhty- Ravebros
Krapul, Third Eye of Monkey- Kojtan
Third Eye of MOnkey- Ajal
P Tale- Bambuk
Pluriverso- 8th Dymensional Crystal
Cenotes-Freaking in the Distance
Jumpstreet-Brain Parasites
Doom's-Alchemy
Babagoon- Mangalam
Ohmny- Ancestrals
Psypien- Orbiton
Braindrop- Modular Regeneration]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/3/_/uploads/8667237/image_track/10580813/w1400_h1400_q70_ptrue_v2_----cropped_1705023700357.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/00-mudpeople-fwonka/listen.mp3?s=nvX" length="210207305" />
            <guid isPermaLink="false">10580813</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 12 Jan 2024 02:38:45 +0100</pubDate>
                
                <atom:updated>2024-01-12T02:38:45+01:00</atom:updated>
                
            
            
            <itunes:duration>2:00:39</itunes:duration>
        </item>
        <item>
            <title><![CDATA[In the Dirt]]></title>
            <link>https://hearthis.at/mudpeople-yh/01-in-the-dirt/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Trimurthi-Beyond of Visible (Banyan)<br />
Schizoid Bears- People of Earth<br />
Orestis & Farebi Jalebi- Everyday Chemistry<br />
Drury Nevil- Non Stop (Parvati)<br />
Braindrop- Fractal Tech<br />
Berserkers (Lurker & N3xu5)- Ragnarokr (Sangoma)<br />
Konebu, Daksinamurti- No Moon (Sangoma)<br />
Peyotes- Shatter (Sangoma)<br />
Oxyflux, Dezzert- It's Never Too Late (Free Earth/Sangoma)<br />
Ohmny- Lucid Path (Psynon)<br />
Desh- Ritual (Badgers)<br />
Lemurians, Daksinamurti- AI Host Effect (Sangoma)<br />
Doom's- End Game (Free Earth/Sangoma)<br />
Yabba Dabba, Doom's- Rumble Stereo (Sangoma)<br />
Niria- Twisted (Omveda)<br />
LuneCell- Sagittaron (Omveda)<br />
Cyk- Ancient Symbols (Sangoma)<br />
Ork Monk- Sweet Delight<br />
Orestis & Drury NEvil- OupsyDaisy<br />
Fractali3n- Indians on Pluto<br />
Lab- Pagan Orange (Braindrop remix) (Omveda)<br />
1. 1.]]></description>
            <googleplay:description><![CDATA[Trimurthi-Beyond of Visible (Banyan)<br />
Schizoid Bears- People of Earth<br />
Orestis & Farebi Jalebi- Everyday Chemistry<br />
Drury Nevil- Non Stop (Parvati)<br />
Braindrop- Fractal Tech<br />
Berserkers (Lurker & N3xu5)- Ragnarokr (Sangoma)<br />
Konebu, Daksinamurti- No Moon (Sangoma)<br />
Peyotes- Shatter (Sangoma)<br />
Oxyflux, Dezzert- It's Never Too Late (Free Earth/Sangoma)<br />
Ohmny- Lucid Path (Psynon)<br />
Desh- Ritual (Badgers)<br />
Lemurians, Daksinamurti- AI Host Effect (Sangoma)<br />
Doom's- End Game (Free Earth/Sangoma)<br />
Yabba Dabba, Doom's- Rumble Stereo (Sangoma)<br />
Niria- Twisted (Omveda)<br />
LuneCell- Sagittaron (Omveda)<br />
Cyk- Ancient Symbols (Sangoma)<br />
Ork Monk- Sweet Delight<br />
Orestis & Drury NEvil- OupsyDaisy<br />
Fractali3n- Indians on Pluto<br />
Lab- Pagan Orange (Braindrop remix) (Omveda)<br />
1. 1.]]></googleplay:description>
            <itunes:summary><![CDATA[Trimurthi-Beyond of Visible (Banyan)
Schizoid Bears- People of Earth
Orestis & Farebi Jalebi- Everyday Chemistry
Drury Nevil- Non Stop (Parvati)
Braindrop- Fractal Tech
Berserkers (Lurker & N3xu5)- Ragnarokr (Sangoma)
Konebu, Daksinamurti- No Moon (Sangoma)
Peyotes- Shatter (Sangoma)
Oxyflux, Dezzert- It's Never Too Late (Free Earth/Sangoma)
Ohmny- Lucid Path (Psynon)
Desh- Ritual (Badgers)
Lemurians, Daksinamurti- AI Host Effect (Sangoma)
Doom's- End Game (Free Earth/Sangoma)
Yabba Dabba, Doom's- Rumble Stereo (Sangoma)
Niria- Twisted (Omveda)
LuneCell- Sagittaron (Omveda)
Cyk- Ancient Symbols (Sangoma)
Ork Monk- Sweet Delight
Orestis & Drury NEvil- OupsyDaisy
Fractali3n- Indians on Pluto
Lab- Pagan Orange (Braindrop remix) (Omveda)
1. 1.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <guid isPermaLink="false">8422053</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 18 Mar 2023 23:14:06 +0100</pubDate>
                
                <atom:updated>2023-03-18T23:14:06+01:00</atom:updated>
                
            
            
            <itunes:duration>2:05:45</itunes:duration>
        </item>
        <item>
            <title><![CDATA[August 17 22 psytrance mix]]></title>
            <link>https://hearthis.at/mudpeople-yh/00-mudpeople-rec-2022-08-17/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Lemurians, StomPsy - Chunky Monkey  (Sangoma)<br />
Noise Gust- Ray Dream  (Parvati)<br />
Oocorys- Ancient Swamp  (Backflip)<br />
Braindrop ft Mubali- Squid in Space  (Omveda)<br />
Overdream, Leopardtron- Satellite Vision  (Woo-Dog)<br />
Hypnospores vs Kovik vs Dezzert- Parasomnia  (Woo-Dog)  <br />
Orestis & Arjuna- Center of Experience  (Sonic Loom)<br />
Electrypnose- Module my Tricks  (2to6)<br />
Braindrop- Sons of Neon  (Omveda)<br />
Schizoid Bears- Spacecake  (Forest Freaks)<br />
Ohmny- Ancestrals  (Omveda)<br />
Weirdos- Mycelium Network  (Parvati)<br />
Psiked'eliah & Kusakabi- Ignorance Never Dies  (Psynon)<br />
Rezonant, Djantrix- Twinight  (Sangoma)<br />
Yab Yum- Orgones  (Peak)<br />
Braindrop- Convergence  (Omveda)<br />
Gaspard, Diksha- Freedom World  (Sangoma)]]></description>
            <googleplay:description><![CDATA[Lemurians, StomPsy - Chunky Monkey  (Sangoma)<br />
Noise Gust- Ray Dream  (Parvati)<br />
Oocorys- Ancient Swamp  (Backflip)<br />
Braindrop ft Mubali- Squid in Space  (Omveda)<br />
Overdream, Leopardtron- Satellite Vision  (Woo-Dog)<br />
Hypnospores vs Kovik vs Dezzert- Parasomnia  (Woo-Dog)  <br />
Orestis & Arjuna- Center of Experience  (Sonic Loom)<br />
Electrypnose- Module my Tricks  (2to6)<br />
Braindrop- Sons of Neon  (Omveda)<br />
Schizoid Bears- Spacecake  (Forest Freaks)<br />
Ohmny- Ancestrals  (Omveda)<br />
Weirdos- Mycelium Network  (Parvati)<br />
Psiked'eliah & Kusakabi- Ignorance Never Dies  (Psynon)<br />
Rezonant, Djantrix- Twinight  (Sangoma)<br />
Yab Yum- Orgones  (Peak)<br />
Braindrop- Convergence  (Omveda)<br />
Gaspard, Diksha- Freedom World  (Sangoma)]]></googleplay:description>
            <itunes:summary><![CDATA[Lemurians, StomPsy - Chunky Monkey  (Sangoma)
Noise Gust- Ray Dream  (Parvati)
Oocorys- Ancient Swamp  (Backflip)
Braindrop ft Mubali- Squid in Space  (Omveda)
Overdream, Leopardtron- Satellite Vision  (Woo-Dog)
Hypnospores vs Kovik vs Dezzert- Parasomnia  (Woo-Dog)  
Orestis & Arjuna- Center of Experience  (Sonic Loom)
Electrypnose- Module my Tricks  (2to6)
Braindrop- Sons of Neon  (Omveda)
Schizoid Bears- Spacecake  (Forest Freaks)
Ohmny- Ancestrals  (Omveda)
Weirdos- Mycelium Network  (Parvati)
Psiked'eliah & Kusakabi- Ignorance Never Dies  (Psynon)
Rezonant, Djantrix- Twinight  (Sangoma)
Yab Yum- Orgones  (Peak)
Braindrop- Convergence  (Omveda)
Gaspard, Diksha- Freedom World  (Sangoma)]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 15 Sep 2022 22:44:27 +0200</pubDate>
                
                <atom:updated>2022-09-15T22:44:27+02:00</atom:updated>
                
            
            
            <itunes:duration>1:39:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Interior Monologue]]></title>
            <link>https://hearthis.at/mudpeople-yh/00-mudpeople-152/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[My first recording with Rekordbox and the DDJ-400.  Been more than a decade since I had proper DJ equipment, the last of which I had was a pair of CDJ-100's and DJM-300, and the DDJ-400 feels very similar.  Though I'm liking the conveniences of not having to lug a bunch of stuff, and the sync function being able to match pitches exactly (no more constantly nudging the jogwheel mid-blending).<br />
<br />
I forget what all tracks I used, but there's some Overdream, Braindrop, Electrypnose...  Stuff from Sangoma, Psynon, Peak, Banyan, Parvati records...  And the rest of them.]]></description>
            <googleplay:description><![CDATA[My first recording with Rekordbox and the DDJ-400.  Been more than a decade since I had proper DJ equipment, the last of which I had was a pair of CDJ-100's and DJM-300, and the DDJ-400 feels very similar.  Though I'm liking the conveniences of not having to lug a bunch of stuff, and the sync function being able to match pitches exactly (no more constantly nudging the jogwheel mid-blending).<br />
<br />
I forget what all tracks I used, but there's some Overdream, Braindrop, Electrypnose...  Stuff from Sangoma, Psynon, Peak, Banyan, Parvati records...  And the rest of them.]]></googleplay:description>
            <itunes:summary><![CDATA[My first recording with Rekordbox and the DDJ-400.  Been more than a decade since I had proper DJ equipment, the last of which I had was a pair of CDJ-100's and DJM-300, and the DDJ-400 feels very similar.  Though I'm liking the conveniences of not having to lug a bunch of stuff, and the sync function being able to match pitches exactly (no more constantly nudging the jogwheel mid-blending).

I forget what all tracks I used, but there's some Overdream, Braindrop, Electrypnose...  Stuff from Sangoma, Psynon, Peak, Banyan, Parvati records...  And the rest of them.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/2/7/_/uploads/8667237/image_track/6622689/w1400_h1400_q70_ptrue_v2_----cropped_1647441258728.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/00-mudpeople-152/listen.mp3?s=7Hn" length="120488070" />
            <guid isPermaLink="false">6622689</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 16 Mar 2022 15:29:47 +0100</pubDate>
                
                <atom:updated>2022-03-16T15:29:47+01:00</atom:updated>
                
            
            
            <itunes:duration>1:10:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Et In Arcadia Ego- mixed by mudpeople]]></title>
            <link>https://hearthis.at/mudpeople-yh/et-in-arcadia-ego-mixed-by-mudpeople/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Annunaki-Ninurta<br />
Soladria-System Surfer<br />
Mutant Star-Closer to the Divine<br />
Dark River-Seed of the FutureZ<br />
mudpeople-Sixthfinger<br />
Amanoyakh-Hikuri<br />
Ajja, Nirmal-Chacaruna<br />
Mutant Star-The Legend<br />
Braincell-Bitcritters<br />
Overdream-Vastly Forgotten<br />
mudpeople-In Arcadia<br />
Mutant Star-Abracadabra<br />
Mutant Star-Zero Tolerance<br />
Kalicell-Illogical Dimensions<br />
The Nommos-Electromagnetic Waves]]></description>
            <googleplay:description><![CDATA[Annunaki-Ninurta<br />
Soladria-System Surfer<br />
Mutant Star-Closer to the Divine<br />
Dark River-Seed of the FutureZ<br />
mudpeople-Sixthfinger<br />
Amanoyakh-Hikuri<br />
Ajja, Nirmal-Chacaruna<br />
Mutant Star-The Legend<br />
Braincell-Bitcritters<br />
Overdream-Vastly Forgotten<br />
mudpeople-In Arcadia<br />
Mutant Star-Abracadabra<br />
Mutant Star-Zero Tolerance<br />
Kalicell-Illogical Dimensions<br />
The Nommos-Electromagnetic Waves]]></googleplay:description>
            <itunes:summary><![CDATA[Annunaki-Ninurta
Soladria-System Surfer
Mutant Star-Closer to the Divine
Dark River-Seed of the FutureZ
mudpeople-Sixthfinger
Amanoyakh-Hikuri
Ajja, Nirmal-Chacaruna
Mutant Star-The Legend
Braincell-Bitcritters
Overdream-Vastly Forgotten
mudpeople-In Arcadia
Mutant Star-Abracadabra
Mutant Star-Zero Tolerance
Kalicell-Illogical Dimensions
The Nommos-Electromagnetic Waves]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/1/7/_/uploads/8667237/image_track/6405620/w1400_h1400_q70_ptrue_v2_m1733724212----cropped_1733724208719.jpg?m=1733724212" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/et-in-arcadia-ego-mixed-by-mudpeople/listen.mp3?s=Paw" length="126301500" />
            <guid isPermaLink="false">6405620</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 19 Nov 2021 17:09:29 +0100</pubDate>
                
                <atom:updated>2021-11-19T17:09:29+01:00</atom:updated>
                
            
            
            <itunes:duration>1:15:24</itunes:duration>
        </item>
        <item>
            <title><![CDATA[mudpeople - Scorpio Season]]></title>
            <link>https://hearthis.at/mudpeople-yh/mudpeople-scorpio-season/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Today, November 15, is my birthday, and if I recall correctly, it was my birthday in 1992 that I received Metroid II, so it's fitting that I used this intro :)<br />
<br />
1. Metroid 2 main hallway theme (mudpeople cover)<br />
2. Cookies!<br />
3. Many Worlds<br />
4. Reality Model<br />
5. untitled<br />
6. Gravity Assist<br />
7. Tower of the Elephant<br />
8. Moonfolk<br />
9. Sixthfinger<br />
10. Bare Instant<br />
11. In Arcadia<br />
12. Black Holes Have No Hair<br />
13. Small Gods of Empty Spaces<br />
14. L7M<br />
<br />
All work (writing, mixing, mastering, arrangment) by Joe mudpeople November 2021]]></description>
            <googleplay:description><![CDATA[Today, November 15, is my birthday, and if I recall correctly, it was my birthday in 1992 that I received Metroid II, so it's fitting that I used this intro :)<br />
<br />
1. Metroid 2 main hallway theme (mudpeople cover)<br />
2. Cookies!<br />
3. Many Worlds<br />
4. Reality Model<br />
5. untitled<br />
6. Gravity Assist<br />
7. Tower of the Elephant<br />
8. Moonfolk<br />
9. Sixthfinger<br />
10. Bare Instant<br />
11. In Arcadia<br />
12. Black Holes Have No Hair<br />
13. Small Gods of Empty Spaces<br />
14. L7M<br />
<br />
All work (writing, mixing, mastering, arrangment) by Joe mudpeople November 2021]]></googleplay:description>
            <itunes:summary><![CDATA[Today, November 15, is my birthday, and if I recall correctly, it was my birthday in 1992 that I received Metroid II, so it's fitting that I used this intro :)

1. Metroid 2 main hallway theme (mudpeople cover)
2. Cookies!
3. Many Worlds
4. Reality Model
5. untitled
6. Gravity Assist
7. Tower of the Elephant
8. Moonfolk
9. Sixthfinger
10. Bare Instant
11. In Arcadia
12. Black Holes Have No Hair
13. Small Gods of Empty Spaces
14. L7M

All work (writing, mixing, mastering, arrangment) by Joe mudpeople November 2021]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/5/6/_/uploads/8667237/image_track/6394477/w1400_h1400_q70_ptrue_v2_----cropped_1647441178658.jpg" />
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            <guid isPermaLink="false">6394477</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 16 Nov 2021 00:16:35 +0100</pubDate>
                
                <atom:updated>2021-11-16T00:16:35+01:00</atom:updated>
                
            
            
            <itunes:duration>1:21:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Flap Your Plastic Wings]]></title>
            <link>https://hearthis.at/mudpeople-yh/flap-your-plastic-wings/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[	All tracks written, produced, mastered and arranged by mudpeople<br />
	<br />
1. Moonfolk<br />
2. Clangour<br />
3. Bamboozle the Algorithm<br />
4. Digitalist and Ectogasmics- Hybrid Creature (mudpeople Remix)<br />
5. Cars on Mars<br />
6. untitled<br />
7. Black Tailed Jack<br />
8. Dream Interstellar<br />
9. Black Holes Have No Hair<br />
10. untitled<br />
11. Gratitude]]></description>
            <googleplay:description><![CDATA[	All tracks written, produced, mastered and arranged by mudpeople<br />
	<br />
1. Moonfolk<br />
2. Clangour<br />
3. Bamboozle the Algorithm<br />
4. Digitalist and Ectogasmics- Hybrid Creature (mudpeople Remix)<br />
5. Cars on Mars<br />
6. untitled<br />
7. Black Tailed Jack<br />
8. Dream Interstellar<br />
9. Black Holes Have No Hair<br />
10. untitled<br />
11. Gratitude]]></googleplay:description>
            <itunes:summary><![CDATA[	All tracks written, produced, mastered and arranged by mudpeople
	
1. Moonfolk
2. Clangour
3. Bamboozle the Algorithm
4. Digitalist and Ectogasmics- Hybrid Creature (mudpeople Remix)
5. Cars on Mars
6. untitled
7. Black Tailed Jack
8. Dream Interstellar
9. Black Holes Have No Hair
10. untitled
11. Gratitude]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/6/_/uploads/8667237/image_track/6028914/w1400_h1400_q70_ptrue_v2_----cropped_1624643823630.jpg" />
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            <guid isPermaLink="false">6028914</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 25 Jun 2021 19:54:27 +0200</pubDate>
                
                <atom:updated>2021-06-25T19:54:27+02:00</atom:updated>
                
            
            
            <itunes:duration>1:16:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[mixy type thing]]></title>
            <link>https://hearthis.at/mudpeople-yh/mixy-type-thing/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Threw together some of my own tracks in something like a DJ set, just dragging and dropping in Live arrangement view and making automations, just for my own entertainment.  Turned out to be an actually decent flow and track set, so I'm sharing it.  <br />
<br />
intro<br />
L7M<br />
untitled<br />
untitled<br />
Many Worlds<br />
Small Gods of Empty Spaces<br />
Black Tailed Jack<br />
Drift On Through<br />
Gravity Assist<br />
Tower of the Elephant<br />
Trickletrix<br />
Orange Window<br />
Interesting Times]]></description>
            <googleplay:description><![CDATA[Threw together some of my own tracks in something like a DJ set, just dragging and dropping in Live arrangement view and making automations, just for my own entertainment.  Turned out to be an actually decent flow and track set, so I'm sharing it.  <br />
<br />
intro<br />
L7M<br />
untitled<br />
untitled<br />
Many Worlds<br />
Small Gods of Empty Spaces<br />
Black Tailed Jack<br />
Drift On Through<br />
Gravity Assist<br />
Tower of the Elephant<br />
Trickletrix<br />
Orange Window<br />
Interesting Times]]></googleplay:description>
            <itunes:summary><![CDATA[Threw together some of my own tracks in something like a DJ set, just dragging and dropping in Live arrangement view and making automations, just for my own entertainment.  Turned out to be an actually decent flow and track set, so I'm sharing it.  

intro
L7M
untitled
untitled
Many Worlds
Small Gods of Empty Spaces
Black Tailed Jack
Drift On Through
Gravity Assist
Tower of the Elephant
Trickletrix
Orange Window
Interesting Times]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/1/6/_/uploads/8667237/image_track/5551905/w1400_h1400_q70_ptrue_v2_----cropped_1611552951612.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/mixy-type-thing/listen.mp3?s=uQT" length="312667364" />
            <guid isPermaLink="false">5551905</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 25 Jan 2021 06:20:41 +0100</pubDate>
                
                <atom:updated>2021-01-25T06:20:41+01:00</atom:updated>
                
            
            
            <itunes:duration>1:20:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live improv November 3rd]]></title>
            <link>https://hearthis.at/mudpeople-yh/forkitis-project-live-nov-3-2020-volume-cranked/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Hardware improvisational live psytrance.  (Neutron, Nanozwerg, Minilogue XD, Circuit, Microfreak, Minitaur, MBase11, Tanzbar Lite, Keystep Pro, 0 Coast, MicroMonsta, pile of hardware fx)<br />
<br />
I got the idea to sorta make a film score, or at least some kind of musical reaction to a film, with live improvisation in the usual way.  I chose Aliens, which is playing in the background throughout the recording, starting right about when everyone comes out of cryosleep, right before the drop onto LV426.<br />
<br />
Mostly I did this as a way to avoid stressing about the currently ongoing US elections.  I didn't try too hard to make it good or anything, so if there's any parts that don't sound good...  Well, that just is too bad.  <br />
<br />
Recorded from the mixer direct to WAV via Zoom H1.  Cranked the volume afterwards, no other post-processing.]]></description>
            <googleplay:description><![CDATA[Hardware improvisational live psytrance.  (Neutron, Nanozwerg, Minilogue XD, Circuit, Microfreak, Minitaur, MBase11, Tanzbar Lite, Keystep Pro, 0 Coast, MicroMonsta, pile of hardware fx)<br />
<br />
I got the idea to sorta make a film score, or at least some kind of musical reaction to a film, with live improvisation in the usual way.  I chose Aliens, which is playing in the background throughout the recording, starting right about when everyone comes out of cryosleep, right before the drop onto LV426.<br />
<br />
Mostly I did this as a way to avoid stressing about the currently ongoing US elections.  I didn't try too hard to make it good or anything, so if there's any parts that don't sound good...  Well, that just is too bad.  <br />
<br />
Recorded from the mixer direct to WAV via Zoom H1.  Cranked the volume afterwards, no other post-processing.]]></googleplay:description>
            <itunes:summary><![CDATA[Hardware improvisational live psytrance.  (Neutron, Nanozwerg, Minilogue XD, Circuit, Microfreak, Minitaur, MBase11, Tanzbar Lite, Keystep Pro, 0 Coast, MicroMonsta, pile of hardware fx)

I got the idea to sorta make a film score, or at least some kind of musical reaction to a film, with live improvisation in the usual way.  I chose Aliens, which is playing in the background throughout the recording, starting right about when everyone comes out of cryosleep, right before the drop onto LV426.

Mostly I did this as a way to avoid stressing about the currently ongoing US elections.  I didn't try too hard to make it good or anything, so if there's any parts that don't sound good...  Well, that just is too bad.  

Recorded from the mixer direct to WAV via Zoom H1.  Cranked the volume afterwards, no other post-processing.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/2/2/_/uploads/8667237/image_track/5278153/w1400_h1400_q70_ptrue_v2_----cropped_1604558632228.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/forkitis-project-live-nov-3-2020-volume-cranked/listen.mp3?s=GrJ" length="233973801" />
            <guid isPermaLink="false">5278153</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 05 Nov 2020 07:37:57 +0100</pubDate>
                
                <atom:updated>2020-11-05T07:37:57+01:00</atom:updated>
                
            
            
            <itunes:duration>1:01:21</itunes:duration>
        </item>
        <item>
            <title><![CDATA[untitled October 19 2020]]></title>
            <link>https://hearthis.at/mudpeople-yh/untitled-october-19-2020/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[This one started as sequences in the Keystep Pro and Circuit, with all the hardware.  Recorded MIDI from the Keystep into Live and went from there.]]></description>
            <googleplay:description><![CDATA[This one started as sequences in the Keystep Pro and Circuit, with all the hardware.  Recorded MIDI from the Keystep into Live and went from there.]]></googleplay:description>
            <itunes:summary><![CDATA[This one started as sequences in the Keystep Pro and Circuit, with all the hardware.  Recorded MIDI from the Keystep into Live and went from there.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/4/1/_/uploads/8667237/image_track/5230210/w1400_h1400_q70_ptrue_v2_----cropped_1603123126142.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/untitled-october-19-2020/listen.mp3?s=cjh" length="34017112" />
            <guid isPermaLink="false">5230210</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 19 Oct 2020 17:47:12 +0200</pubDate>
                
                <atom:updated>2020-10-19T17:47:12+02:00</atom:updated>
                
            
            
            <itunes:duration>8:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Progressive psytrance mix from 07/08ish]]></title>
            <link>https://hearthis.at/mudpeople-yh/dorksotrmorph/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[This one has been on my Mixcloud for a while but since they don't allow downloads or something, here it is.<br />
<br />
This was recorded at like nearly 12 noon after being awake all night having a blast.  Somehow it turned out to be one of the best mixes of any kind I ever did, when I was still playing CDs.  <br />
<br />
Tracklist is long gone, and I can't even go into the CDs and look because they're all in a crate at my parents' place, 1,000 miles away.  I was into a lot of Tribal Vision and Iboga record label output at the time, plus a few others I can't remember.  Many of whom have since disappeared.  Just guessing, but I think Phony Orphans, Jaia, Roman Rai, Rhian Sheehan	Hiding Place (Fiord Rmx) for sure....<br />
<br />
Recorded into my old crappy Dell laptop, mixed with 2x Pioneer CDJ100S and a DJM300, with my favorite headphones of all time, that have since died; Ultrasone DJ-1 (may they rest in peace).]]></description>
            <googleplay:description><![CDATA[This one has been on my Mixcloud for a while but since they don't allow downloads or something, here it is.<br />
<br />
This was recorded at like nearly 12 noon after being awake all night having a blast.  Somehow it turned out to be one of the best mixes of any kind I ever did, when I was still playing CDs.  <br />
<br />
Tracklist is long gone, and I can't even go into the CDs and look because they're all in a crate at my parents' place, 1,000 miles away.  I was into a lot of Tribal Vision and Iboga record label output at the time, plus a few others I can't remember.  Many of whom have since disappeared.  Just guessing, but I think Phony Orphans, Jaia, Roman Rai, Rhian Sheehan	Hiding Place (Fiord Rmx) for sure....<br />
<br />
Recorded into my old crappy Dell laptop, mixed with 2x Pioneer CDJ100S and a DJM300, with my favorite headphones of all time, that have since died; Ultrasone DJ-1 (may they rest in peace).]]></googleplay:description>
            <itunes:summary><![CDATA[This one has been on my Mixcloud for a while but since they don't allow downloads or something, here it is.

This was recorded at like nearly 12 noon after being awake all night having a blast.  Somehow it turned out to be one of the best mixes of any kind I ever did, when I was still playing CDs.  

Tracklist is long gone, and I can't even go into the CDs and look because they're all in a crate at my parents' place, 1,000 miles away.  I was into a lot of Tribal Vision and Iboga record label output at the time, plus a few others I can't remember.  Many of whom have since disappeared.  Just guessing, but I think Phony Orphans, Jaia, Roman Rai, Rhian Sheehan	Hiding Place (Fiord Rmx) for sure....

Recorded into my old crappy Dell laptop, mixed with 2x Pioneer CDJ100S and a DJM300, with my favorite headphones of all time, that have since died; Ultrasone DJ-1 (may they rest in peace).]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/dorksotrmorph/listen.mp3?s=eLP" length="63226824" />
            <guid isPermaLink="false">5155673</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 25 Sep 2020 00:10:21 +0200</pubDate>
                
                <atom:updated>2020-09-25T00:10:21+02:00</atom:updated>
                
            
            
            <itunes:duration>1:05:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[psytech mix August 2020]]></title>
            <link>https://hearthis.at/mudpeople-yh/aug-26-2020-dj-tech-4x/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Been like maybe 10 years since I did a serious dj set of any kind.<br />
<br />
Ended up pressing record on a whim, with 0 planning or preparation, and this is what happened.<br />
<br />
Luis M- Amplitude<br />
Point- Rastutel<br />
Stoertebeker- El Dorado<br />
Daana & Brendan Lawless- Discovery of the Shadow<br />
Daana- Hindu Kush<br />
Lampe- Crystal Caves<br />
Snok- A Spinning Object<br />
Kleesh- Roll Deep<br />
MNGRM- Voyager (Troy Polygon remix)<br />
MNGRM Unbreakable<br />
Autosome- Ice Reflections<br />
Medular- Neuroluminescence<br />
Luis M- Basslien<br />
Lask- Ohrwurm<br />
Frech & Koch- Deep Sky	<br />
One Dub Connection- Coasting<br />
Michael Lawrence- Journey to Poundu<br />
John Lead-Tunnel Vision]]></description>
            <googleplay:description><![CDATA[Been like maybe 10 years since I did a serious dj set of any kind.<br />
<br />
Ended up pressing record on a whim, with 0 planning or preparation, and this is what happened.<br />
<br />
Luis M- Amplitude<br />
Point- Rastutel<br />
Stoertebeker- El Dorado<br />
Daana & Brendan Lawless- Discovery of the Shadow<br />
Daana- Hindu Kush<br />
Lampe- Crystal Caves<br />
Snok- A Spinning Object<br />
Kleesh- Roll Deep<br />
MNGRM- Voyager (Troy Polygon remix)<br />
MNGRM Unbreakable<br />
Autosome- Ice Reflections<br />
Medular- Neuroluminescence<br />
Luis M- Basslien<br />
Lask- Ohrwurm<br />
Frech & Koch- Deep Sky	<br />
One Dub Connection- Coasting<br />
Michael Lawrence- Journey to Poundu<br />
John Lead-Tunnel Vision]]></googleplay:description>
            <itunes:summary><![CDATA[Been like maybe 10 years since I did a serious dj set of any kind.

Ended up pressing record on a whim, with 0 planning or preparation, and this is what happened.

Luis M- Amplitude
Point- Rastutel
Stoertebeker- El Dorado
Daana & Brendan Lawless- Discovery of the Shadow
Daana- Hindu Kush
Lampe- Crystal Caves
Snok- A Spinning Object
Kleesh- Roll Deep
MNGRM- Voyager (Troy Polygon remix)
MNGRM Unbreakable
Autosome- Ice Reflections
Medular- Neuroluminescence
Luis M- Basslien
Lask- Ohrwurm
Frech & Koch- Deep Sky	
One Dub Connection- Coasting
Michael Lawrence- Journey to Poundu
John Lead-Tunnel Vision]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/aug-26-2020-dj-tech-4x/listen.mp3?s=rkE" length="177360317" />
            <guid isPermaLink="false">5076796</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 29 Aug 2020 05:44:42 +0200</pubDate>
                
                <atom:updated>2020-08-29T05:44:42+02:00</atom:updated>
                
            
            
            <itunes:duration>1:30:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Some Robots Have All the Fun episode 6]]></title>
            <link>https://hearthis.at/mudpeople-yh/some-robots/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Been a while since I did a track like this, and even longer since the original 5 episodes of "Some Robots Have All the Fun", which was a 5 track concept I did back in like 2005, based on a short little story outline., about robotic liberation and enlightenment in the far distant future.]]></description>
            <googleplay:description><![CDATA[Been a while since I did a track like this, and even longer since the original 5 episodes of "Some Robots Have All the Fun", which was a 5 track concept I did back in like 2005, based on a short little story outline., about robotic liberation and enlightenment in the far distant future.]]></googleplay:description>
            <itunes:summary><![CDATA[Been a while since I did a track like this, and even longer since the original 5 episodes of "Some Robots Have All the Fun", which was a 5 track concept I did back in like 2005, based on a short little story outline., about robotic liberation and enlightenment in the far distant future.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/some-robots/listen.mp3?s=oHs" length="15406693" />
            <guid isPermaLink="false">5048808</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 18 Aug 2020 23:35:28 +0200</pubDate>
                
                <atom:updated>2020-09-05T22:26:04+02:00</atom:updated>
                
            
            
            <itunes:duration>7:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Nuclear Magic live improv July 10 2020]]></title>
            <link>https://hearthis.at/mudpeople-yh/nuclear-magic-live-improv-july-10-2020/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Live improvisation with hardware.<br />
<br />
With Keystep Pro, Circuit, Microfreak, Minitaur, MBase11, Nanozwerg, Micromonsta, Neutron, 0 Coast, Minilogue XD, Tanzbar Lite, hardware effects, Kaoss Pad Quad, Zoom H1, long audio clips courtesy of Live 10.<br />
<br />
The basslines were pre-written, but everything else was sequenced live in real time.  The Keystep Pro and the Circuit do a good job running a hardware rig together.]]></description>
            <googleplay:description><![CDATA[Live improvisation with hardware.<br />
<br />
With Keystep Pro, Circuit, Microfreak, Minitaur, MBase11, Nanozwerg, Micromonsta, Neutron, 0 Coast, Minilogue XD, Tanzbar Lite, hardware effects, Kaoss Pad Quad, Zoom H1, long audio clips courtesy of Live 10.<br />
<br />
The basslines were pre-written, but everything else was sequenced live in real time.  The Keystep Pro and the Circuit do a good job running a hardware rig together.]]></googleplay:description>
            <itunes:summary><![CDATA[Live improvisation with hardware.

With Keystep Pro, Circuit, Microfreak, Minitaur, MBase11, Nanozwerg, Micromonsta, Neutron, 0 Coast, Minilogue XD, Tanzbar Lite, hardware effects, Kaoss Pad Quad, Zoom H1, long audio clips courtesy of Live 10.

The basslines were pre-written, but everything else was sequenced live in real time.  The Keystep Pro and the Circuit do a good job running a hardware rig together.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/0/7/_/uploads/8667237/image_track/4938667/w1400_h1400_q70_ptrue_v2_----cropped_1594438605702.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/nuclear-magic-live-improv-july-10-2020/listen.mp3?s=QVl" length="130408438" />
            <guid isPermaLink="false">4938667</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 11 Jul 2020 05:33:14 +0200</pubDate>
                
                <atom:updated>2020-07-11T05:33:14+02:00</atom:updated>
                
            
            
            <itunes:duration>1:05:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[VURT]]></title>
            <link>https://hearthis.at/mudpeople-yh/vurat/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[This is a mix I recorded in 2007 or 08, when I was still using CDs.  This particular one happens to be a long and varied bunch of tracks I made for my own personal enjoyment, and because the mix just kept going and going...  Pretty much a sampling of my CD collection at the time and all the styles I was interested in.  <br />
<br />
Unfortunately I don't have a tracklist, and most of the CDs are long since gone one way or another.  <br />
<br />
I make no apologies for track selection or mixing.  ]]></description>
            <googleplay:description><![CDATA[This is a mix I recorded in 2007 or 08, when I was still using CDs.  This particular one happens to be a long and varied bunch of tracks I made for my own personal enjoyment, and because the mix just kept going and going...  Pretty much a sampling of my CD collection at the time and all the styles I was interested in.  <br />
<br />
Unfortunately I don't have a tracklist, and most of the CDs are long since gone one way or another.  <br />
<br />
I make no apologies for track selection or mixing.  ]]></googleplay:description>
            <itunes:summary><![CDATA[This is a mix I recorded in 2007 or 08, when I was still using CDs.  This particular one happens to be a long and varied bunch of tracks I made for my own personal enjoyment, and because the mix just kept going and going...  Pretty much a sampling of my CD collection at the time and all the styles I was interested in.  

Unfortunately I don't have a tracklist, and most of the CDs are long since gone one way or another.  

I make no apologies for track selection or mixing.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/vurat/listen.mp3?s=ZwK" length="192724782" />
            <guid isPermaLink="false">3612055</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 21 Aug 2019 06:42:17 +0200</pubDate>
                
                <atom:updated>2019-08-21T06:42:17+02:00</atom:updated>
                
            
            
            <itunes:duration>3:20:45</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live August 3 2019]]></title>
            <link>https://hearthis.at/mudpeople-yh/zoom0003/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[As usual, hardware-based live improvisational psytrance recorded in realtime.  <br />
<br />
32 bit WAV download ;) ]]></description>
            <googleplay:description><![CDATA[As usual, hardware-based live improvisational psytrance recorded in realtime.  <br />
<br />
32 bit WAV download ;) ]]></googleplay:description>
            <itunes:summary><![CDATA[As usual, hardware-based live improvisational psytrance recorded in realtime.  

32 bit WAV download ;) ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/9/1/_/uploads/8667237/image_track/3567489/w1400_h1400_q70_ptrue_v2_----cropped_1564968082191.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/zoom0003/listen.mp3?s=Hbk" length="935380352" />
            <guid isPermaLink="false">3567489</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 05 Aug 2019 03:16:47 +0200</pubDate>
                
                <atom:updated>2019-08-05T03:16:47+02:00</atom:updated>
                
            
            
            <itunes:duration>58:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live November 9 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/live-november-9-18-fixed/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[As always, mostly hardware improvisational live psytrance.  <br />
<br />
Featuring Deja Vu Fabrique-Solaris at the end.<br />
<br />
First serious recording with the Rakit Drum Synth.  ]]></description>
            <googleplay:description><![CDATA[As always, mostly hardware improvisational live psytrance.  <br />
<br />
Featuring Deja Vu Fabrique-Solaris at the end.<br />
<br />
First serious recording with the Rakit Drum Synth.  ]]></googleplay:description>
            <itunes:summary><![CDATA[As always, mostly hardware improvisational live psytrance.  

Featuring Deja Vu Fabrique-Solaris at the end.

First serious recording with the Rakit Drum Synth.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/1/9/_/uploads/8667237/image_track/2531323/w1400_h1400_q70_ptrue_v2_----cropped_1541827833918.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/live-november-9-18-fixed/listen.mp3?s=mdG" length="254474757" />
            <guid isPermaLink="false">2531323</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 10 Nov 2018 06:32:14 +0100</pubDate>
                
                <atom:updated>2018-11-10T06:32:14+01:00</atom:updated>
                
            
            
            <itunes:duration>1:09:39</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Rakit Drum Synth sound demo jam]]></title>
            <link>https://hearthis.at/mudpeople-yh/rakit-jam-demo/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[with Tanzbar Lite sending triggers and accompanying, with a little bit of Joyo Vintage Overdrive and Zoom MS50G on the Drum Synth.  <br />
<br />
Mostly just played around to give a good idea what sorts of sounds the Drum Synth does, which as you can probably hear are quite a lot, pretty interesting, and sound great.  <br />
<br />
The kit was very straightforward, and though it seemed intimidating looking at all the components, all the resistors especially, it wasn't actually as difficult as it seemed.  I would compare it to a complicated adult LEGO set build.  It was my first DIY synth kit build, and it worked on the first fire-up.]]></description>
            <googleplay:description><![CDATA[with Tanzbar Lite sending triggers and accompanying, with a little bit of Joyo Vintage Overdrive and Zoom MS50G on the Drum Synth.  <br />
<br />
Mostly just played around to give a good idea what sorts of sounds the Drum Synth does, which as you can probably hear are quite a lot, pretty interesting, and sound great.  <br />
<br />
The kit was very straightforward, and though it seemed intimidating looking at all the components, all the resistors especially, it wasn't actually as difficult as it seemed.  I would compare it to a complicated adult LEGO set build.  It was my first DIY synth kit build, and it worked on the first fire-up.]]></googleplay:description>
            <itunes:summary><![CDATA[with Tanzbar Lite sending triggers and accompanying, with a little bit of Joyo Vintage Overdrive and Zoom MS50G on the Drum Synth.  

Mostly just played around to give a good idea what sorts of sounds the Drum Synth does, which as you can probably hear are quite a lot, pretty interesting, and sound great.  

The kit was very straightforward, and though it seemed intimidating looking at all the components, all the resistors especially, it wasn't actually as difficult as it seemed.  I would compare it to a complicated adult LEGO set build.  It was my first DIY synth kit build, and it worked on the first fire-up.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/7/0/_/uploads/8667237/image_track/2515887/w1400_h1400_q70_ptrue_v2_----cropped_1541630148078.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/rakit-jam-demo/listen.mp3?s=MlV" length="76533548" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 07 Nov 2018 23:36:51 +0100</pubDate>
                
                <atom:updated>2018-11-07T23:36:51+01:00</atom:updated>
                
            
            
            <itunes:duration>7:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Antibodies]]></title>
            <link>https://hearthis.at/mudpeople-yh/technozzle-qm-92418/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/5/9/_/uploads/8667237/image_track/2412768/w1400_h1400_q70_ptrue_v2_----cropped_1537852850956.jpg" />
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            <guid isPermaLink="false">2412768</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 25 Sep 2018 07:19:12 +0200</pubDate>
                
                <atom:updated>2018-09-25T07:19:12+02:00</atom:updated>
                
            
            
            <itunes:duration>5:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[untitled]]></title>
            <link>https://hearthis.at/mudpeople-yh/ghidorade/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/8/9/_/uploads/8667237/image_track/2377341/w1400_h1400_q70_ptrue_v2_----cropped_1536796417986.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/ghidorade/listen.mp3?s=13v" length="35055096" />
            <guid isPermaLink="false">2377341</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 13 Sep 2018 01:51:52 +0200</pubDate>
                
                <atom:updated>2018-09-23T05:04:23+02:00</atom:updated>
                
            
            
            <itunes:duration>9:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Mud Pie]]></title>
            <link>https://hearthis.at/mudpeople-yh/my-stuff-dj-set/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[1. intro<br />
2. Squizlor	<br />
3. Crown of Keys<br />
4. In Sight<br />
5. Cookies!<br />
6. L7M<br />
7. untitled August 2018<br />
8. Laugh in Face<br />
9. Drift on Through<br />
10. Orange Window<br />
11. Bento Health<br />
12. Stalks<br />
13. Rocklicker<br />
14. Moon Rabbit Mochi<br />
15. Bare Instant<br />
16. Sunsailing<br />
17. Untitled <br />
18. The Interior<br />
19. Trickletrix<br />
20. Tower of the Elephant<br />
21. Root Beer Float<br />
<br />
All tracks written, produced and mastered by mudpeople 2016-2018]]></description>
            <googleplay:description><![CDATA[1. intro<br />
2. Squizlor	<br />
3. Crown of Keys<br />
4. In Sight<br />
5. Cookies!<br />
6. L7M<br />
7. untitled August 2018<br />
8. Laugh in Face<br />
9. Drift on Through<br />
10. Orange Window<br />
11. Bento Health<br />
12. Stalks<br />
13. Rocklicker<br />
14. Moon Rabbit Mochi<br />
15. Bare Instant<br />
16. Sunsailing<br />
17. Untitled <br />
18. The Interior<br />
19. Trickletrix<br />
20. Tower of the Elephant<br />
21. Root Beer Float<br />
<br />
All tracks written, produced and mastered by mudpeople 2016-2018]]></googleplay:description>
            <itunes:summary><![CDATA[1. intro
2. Squizlor	
3. Crown of Keys
4. In Sight
5. Cookies!
6. L7M
7. untitled August 2018
8. Laugh in Face
9. Drift on Through
10. Orange Window
11. Bento Health
12. Stalks
13. Rocklicker
14. Moon Rabbit Mochi
15. Bare Instant
16. Sunsailing
17. Untitled 
18. The Interior
19. Trickletrix
20. Tower of the Elephant
21. Root Beer Float

All tracks written, produced and mastered by mudpeople 2016-2018]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/1/9/_/uploads/8667237/image_track/2264099/w1400_h1400_q70_ptrue_v2_----cropped_1534492980917.jpg" />
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            <guid isPermaLink="false">2264099</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 17 Aug 2018 09:51:43 +0200</pubDate>
                
                <atom:updated>2018-08-23T05:08:02+02:00</atom:updated>
                
            
            
            <itunes:duration>1:59:55</itunes:duration>
        </item>
        <item>
            <title><![CDATA[03 Drift on Thru]]></title>
            <link>https://hearthis.at/mudpeople-yh/03-drift-on-thru/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <guid isPermaLink="false">1936355</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 07 May 2018 22:16:19 +0200</pubDate>
                
                <atom:updated>2018-05-08T07:36:02+02:00</atom:updated>
                
            
            
            <itunes:duration>7:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[12 Moon Rabbit Mochi]]></title>
            <link>https://hearthis.at/mudpeople-yh/12-moon-rabbit-mochi/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/12-moon-rabbit-mochi/listen.mp3?s=QwA" length="123990518" />
            <guid isPermaLink="false">1936414</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 07 May 2018 22:15:51 +0200</pubDate>
                
                <atom:updated>2018-05-08T07:36:08+02:00</atom:updated>
                
            
            
            <itunes:duration>7:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[live September 8 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/mudpeople-improv-live-september-8-2018/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Saturday jam<br />
<br />
As usual, featuring all the hardware: <br />
Minitaur, Microbrute, Kastle, Triode, 0-Coast, MBase11, Tanzbar Lite, Circuit, JP-08, Micromonsta<br />
Sequenced by Ableton (via clips, generative sequencers and ML185's)<br />
All hardware except the long audio from Live<br />
Recorded from the mixer onto Zoom H1]]></description>
            <googleplay:description><![CDATA[Saturday jam<br />
<br />
As usual, featuring all the hardware: <br />
Minitaur, Microbrute, Kastle, Triode, 0-Coast, MBase11, Tanzbar Lite, Circuit, JP-08, Micromonsta<br />
Sequenced by Ableton (via clips, generative sequencers and ML185's)<br />
All hardware except the long audio from Live<br />
Recorded from the mixer onto Zoom H1]]></googleplay:description>
            <itunes:summary><![CDATA[Saturday jam

As usual, featuring all the hardware: 
Minitaur, Microbrute, Kastle, Triode, 0-Coast, MBase11, Tanzbar Lite, Circuit, JP-08, Micromonsta
Sequenced by Ableton (via clips, generative sequencers and ML185's)
All hardware except the long audio from Live
Recorded from the mixer onto Zoom H1]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/8/3/_/uploads/8667237/image_track/2365762/w1400_h1400_q70_ptrue_v2_----cropped_1536509992380.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/mudpeople-improv-live-september-8-2018/listen.mp3?s=0nz" length="267306808" />
            <guid isPermaLink="false">2365762</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 09 Sep 2018 18:21:29 +0200</pubDate>
                
                <atom:updated>2018-09-09T18:21:29+02:00</atom:updated>
                
            
            
            <itunes:duration>1:14:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live August 11 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/live-aug-11-18-fixed/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/0/3/_/uploads/8667237/image_track/2247573/w1400_h1400_q70_ptrue_v2_----cropped_1534047213304.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/live-aug-11-18-fixed/listen.mp3?s=Pc9" length="228059752" />
            <guid isPermaLink="false">2247573</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 12 Aug 2018 06:12:19 +0200</pubDate>
                
                <atom:updated>2018-08-12T06:12:19+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live July 18 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/live-july-18-2018/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Another live improvisation with the bleep boxes!  ]]></description>
            <googleplay:description><![CDATA[Another live improvisation with the bleep boxes!  ]]></googleplay:description>
            <itunes:summary><![CDATA[Another live improvisation with the bleep boxes!  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/3/_/uploads/8667237/image_track/2175847/w1400_h1400_q70_ptrue_v2_----cropped_1531971864320.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/live-july-18-2018/listen.mp3?s=heK" length="324011494" />
            <guid isPermaLink="false">2175847</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 19 Jul 2018 05:47:06 +0200</pubDate>
                
                <atom:updated>2018-07-19T05:47:06+02:00</atom:updated>
                
            
            
            <itunes:duration>1:26:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live June 14 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/freeze-live-june-14-2018-fixed/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Live improvisation with hardware synths, run via Live and various fun things.  ]]></description>
            <googleplay:description><![CDATA[Live improvisation with hardware synths, run via Live and various fun things.  ]]></googleplay:description>
            <itunes:summary><![CDATA[Live improvisation with hardware synths, run via Live and various fun things.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/9/_/uploads/8667237/image_track/2097936/w1400_h1400_q70_ptrue_v2_----cropped_1529039466945.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/freeze-live-june-14-2018-fixed/listen.mp3?s=4qP" length="288930445" />
            <guid isPermaLink="false">2097936</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 15 Jun 2018 07:14:55 +0200</pubDate>
                
                <atom:updated>2018-06-15T07:14:55+02:00</atom:updated>
                
            
            
            <itunes:duration>1:18:34</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Live June 7 2018]]></title>
            <link>https://hearthis.at/mudpeople-yh/freeze-3-audio-45/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Improvisational live synths, almost entirely hardware except the long audio bits.  With Moog, Arturia, MFB, Roland, Audiothingies, Meeblip, Jomox, Make Noise, and Bastl synths.  With Joyo, EHX, Caline, Zoom, FMR, MXR, Danelectro, and Korg outboard effects.  Mixed with Soundcraft EPM12 and a DOD 1222fx from the 90s as the Tanzbar Lite submixer.  Recorded with Zoom H1, 100% realtime, warts and all.  0% plan.]]></description>
            <googleplay:description><![CDATA[Improvisational live synths, almost entirely hardware except the long audio bits.  With Moog, Arturia, MFB, Roland, Audiothingies, Meeblip, Jomox, Make Noise, and Bastl synths.  With Joyo, EHX, Caline, Zoom, FMR, MXR, Danelectro, and Korg outboard effects.  Mixed with Soundcraft EPM12 and a DOD 1222fx from the 90s as the Tanzbar Lite submixer.  Recorded with Zoom H1, 100% realtime, warts and all.  0% plan.]]></googleplay:description>
            <itunes:summary><![CDATA[Improvisational live synths, almost entirely hardware except the long audio bits.  With Moog, Arturia, MFB, Roland, Audiothingies, Meeblip, Jomox, Make Noise, and Bastl synths.  With Joyo, EHX, Caline, Zoom, FMR, MXR, Danelectro, and Korg outboard effects.  Mixed with Soundcraft EPM12 and a DOD 1222fx from the 90s as the Tanzbar Lite submixer.  Recorded with Zoom H1, 100% realtime, warts and all.  0% plan.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/6/9/_/uploads/8667237/image_track/2074565/w1400_h1400_q70_ptrue_v2_----cropped_1528494712963.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/freeze-3-audio-45/listen.mp3?s=1dy" length="238545180" />
            <guid isPermaLink="false">2074565</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 08 Jun 2018 23:26:58 +0200</pubDate>
                
                <atom:updated>2018-06-08T23:26:58+02:00</atom:updated>
                
            
            
            <itunes:duration>1:05:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[05 Sunsailing]]></title>
            <link>https://hearthis.at/mudpeople-yh/05-sunsailing/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/05-sunsailing/listen.mp3?s=Rlo" length="123430364" />
            <guid isPermaLink="false">1936359</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 07 May 2018 22:14:54 +0200</pubDate>
                
                <atom:updated>2018-05-08T07:36:04+02:00</atom:updated>
                
            
            
            <itunes:duration>7:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Microbrute filter resonance kick drums]]></title>
            <link>https://hearthis.at/mudpeople-yh/microbrute-filter-resonance-kick-drums/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Was thinking about the Volca Kick (and I guess the MS20 too), and realized that the Microbrute has a self-resonant filter and a nice tight envelope, and lo and behold it can do some decent kicks too.<br />
<br />
Free to download and use in whatever, no strings.]]></description>
            <googleplay:description><![CDATA[Was thinking about the Volca Kick (and I guess the MS20 too), and realized that the Microbrute has a self-resonant filter and a nice tight envelope, and lo and behold it can do some decent kicks too.<br />
<br />
Free to download and use in whatever, no strings.]]></googleplay:description>
            <itunes:summary><![CDATA[Was thinking about the Volca Kick (and I guess the MS20 too), and realized that the Microbrute has a self-resonant filter and a nice tight envelope, and lo and behold it can do some decent kicks too.

Free to download and use in whatever, no strings.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/microbrute-filter-resonance-kick-drums/listen.mp3?s=wEB" length="231966" />
            <guid isPermaLink="false">1396766</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 24 Sep 2016 06:48:48 +0200</pubDate>
                
                <atom:updated>2016-09-24T06:48:48+02:00</atom:updated>
                
            
            
            <itunes:duration>0:14</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Eyes]]></title>
            <link>https://hearthis.at/mudpeople-yh/eyes/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Another track that developed in a completely different direction than expected, and second track in 2 days.  ]]></description>
            <googleplay:description><![CDATA[Another track that developed in a completely different direction than expected, and second track in 2 days.  ]]></googleplay:description>
            <itunes:summary><![CDATA[Another track that developed in a completely different direction than expected, and second track in 2 days.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/eyes/listen.mp3?s=yoM" length="7136652" />
            <guid isPermaLink="false">1396768</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 29 Jul 2016 01:35:29 +0200</pubDate>
                
                <atom:updated>2016-07-29T01:35:29+02:00</atom:updated>
                
            
            
            <itunes:duration>7:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Klaus Kinski Overdrive]]></title>
            <link>https://hearthis.at/mudpeople-yh/klaus-kinski-overdrive/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[formerly Untitled Jan 29<br />
<br />
I have the hardest time thinking of names for tracks.  Sometimes a word or phrase will pop into my head, and I'll either title an untitled track, or write it down for the next untitled track to come along.  Usually they don't have much meaning, other than being funny or interesting or something like that, and usually aren't relative to the track content. ;)]]></description>
            <googleplay:description><![CDATA[formerly Untitled Jan 29<br />
<br />
I have the hardest time thinking of names for tracks.  Sometimes a word or phrase will pop into my head, and I'll either title an untitled track, or write it down for the next untitled track to come along.  Usually they don't have much meaning, other than being funny or interesting or something like that, and usually aren't relative to the track content. ;)]]></googleplay:description>
            <itunes:summary><![CDATA[formerly Untitled Jan 29

I have the hardest time thinking of names for tracks.  Sometimes a word or phrase will pop into my head, and I'll either title an untitled track, or write it down for the next untitled track to come along.  Usually they don't have much meaning, other than being funny or interesting or something like that, and usually aren't relative to the track content. ;)]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/5/1/_/uploads/8667237/image_track/1396770/w1400_h1400_q70_ptrue_v2_----cropped_1499972158.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/klaus-kinski-overdrive/listen.mp3?s=3g5" length="7469765" />
            <guid isPermaLink="false">1396770</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 29 Jan 2015 21:41:45 +0100</pubDate>
                
                <atom:updated>2015-01-29T21:41:45+01:00</atom:updated>
                
            
            
            <itunes:duration>7:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Slant]]></title>
            <link>https://hearthis.at/mudpeople-yh/slant/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/slant/listen.mp3?s=DfI" length="8470359" />
            <guid isPermaLink="false">1396773</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 20 Jan 2015 18:24:25 +0100</pubDate>
                
                <atom:updated>2015-01-20T18:24:25+01:00</atom:updated>
                
            
            
            <itunes:duration>8:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Hyperspatial 2005]]></title>
            <link>https://hearthis.at/mudpeople-yh/hyperspatial-2005/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[A track from a CD that I found digging through some junk. The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS. That means I don't care to hear complaints, because... I KNOW.]]></description>
            <googleplay:description><![CDATA[A track from a CD that I found digging through some junk. The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS. That means I don't care to hear complaints, because... I KNOW.]]></googleplay:description>
            <itunes:summary><![CDATA[A track from a CD that I found digging through some junk. The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS. That means I don't care to hear complaints, because... I KNOW.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/hyperspatial-2005/listen.mp3?s=ksI" length="8552279" />
            <guid isPermaLink="false">1396776</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Wed, 31 Dec 2014 05:07:42 +0100</pubDate>
                
                <atom:updated>2014-12-31T05:07:42+01:00</atom:updated>
                
            
            
            <itunes:duration>8:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dropship 2005]]></title>
            <link>https://hearthis.at/mudpeople-yh/dropship-2005/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[A track from a CD that I found digging through some junk.  The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS.  That means I don't care to hear complaints, because...  I KNOW.]]></description>
            <googleplay:description><![CDATA[A track from a CD that I found digging through some junk.  The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS.  That means I don't care to hear complaints, because...  I KNOW.]]></googleplay:description>
            <itunes:summary><![CDATA[A track from a CD that I found digging through some junk.  The CD was scratched so there may be artifacts, and the original project file is long gone, probably 4 machines ago, so there's no chance to do better mixing or anything, so this is provided AS IS.  That means I don't care to hear complaints, because...  I KNOW.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/dropship-2005/listen.mp3?s=Ccy" length="7817507" />
            <guid isPermaLink="false">1396780</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 31 Dec 2014 05:05:46 +0100</pubDate>
                
                <atom:updated>2014-12-31T05:05:46+01:00</atom:updated>
                
            
            
            <itunes:duration>8:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[The Gorge]]></title>
            <link>https://hearthis.at/mudpeople-yh/the-gorge/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 16 Jul 2014 07:45:26 +0200</pubDate>
                
                <atom:updated>2014-07-16T07:45:26+02:00</atom:updated>
                
            
            
            <itunes:duration>8:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feeling Machine]]></title>
            <link>https://hearthis.at/mudpeople-yh/feeling-machine/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></description>
            <googleplay:description><![CDATA[I got started playing music first just by plinking around with my dad's instruments, then playing clarinet for 4 years in school band.  In high school I started getting into punk and metal, and also electronic music, and playing bass guitar.  
Then my buddy gave me a copy of Impulse Tracker, which was my first forays into electronic music creation.  
Got serious about learning to make electronic music in 2004 when I discovered Renoise, which has the familiar-to-me tracker layout but runs software synths and effects and renders full quality.  Used Renoise til about 2013 when I got my first hardware, the Microbrute.  
I ended up switching to Live around then, which I had been using on the side for several years already for djing my own tracks and live set development.  Renoise is great, it just doesn't do interchannel MIDI at all.  Finally at the beginning of 2017 I got my first set of monitor speakers (long story about why it took so long...), and as a result my work has begun to sound better with less work involved (unsurprisingly).  
I've even managed to fulfill a dream I had back in 04: To be able to play an improvisational live set with hardware that is never the same twice.
I first heard psytrance in the mid 90s thanks (surprisingly) to MTV's late night electronic music show Amp, which also turned me on to DnB and techno and regular trance and all the other nice sounds that I still love.  I really got into psytrance when I discovered a psytrance net radio station while working a rather uneventful office job in 2001, then in 04 when I had access to file sharing I started finding psytrance tracks and learning who's who and what's what.  Started buying CDs at the end of 05, and got a pair of CDJs in 06, and learned to mix and ended up playing a few parties in Reno here and there.  
So the majority of my work tends to be psytrance, but sometimes other stuff happens.  
As far as major musical influences, I'd say Philip Glass, Underworld, Terminator/Freaking/etc, Penta, Art of Noise, John Cage, Briain Eno, Iannis Xenakis, Wendy Carlos, David Bowie, and I'm sure several others I'm forgetting.  
Diving into the synthesizers, seeing what happens and going from there is a very rewarding experience.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/0/2/_/uploads/8667237/image_track/1396783/w1400_h1400_q70_ptrue_v2_----cropped_1499972201.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 20 Jun 2014 09:42:11 +0200</pubDate>
                
                <atom:updated>2014-06-20T09:42:11+02:00</atom:updated>
                
            
            
            <itunes:duration>7:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Glassy]]></title>
            <link>https://hearthis.at/mudpeople-yh/glassy/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Fun little Microbrute sequence with a Philip Glass feel<br />
<br />
24 bit 44.1khz WAV]]></description>
            <googleplay:description><![CDATA[Fun little Microbrute sequence with a Philip Glass feel<br />
<br />
24 bit 44.1khz WAV]]></googleplay:description>
            <itunes:summary><![CDATA[Fun little Microbrute sequence with a Philip Glass feel

24 bit 44.1khz WAV]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/0/2/_/uploads/8667237/image_track/1396784/w1400_h1400_q70_ptrue_v2_----cropped_1499972206.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/glassy/listen.mp3?s=qWB" length="236981" />
            <guid isPermaLink="false">1396784</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 28 May 2014 18:51:53 +0200</pubDate>
                
                <atom:updated>2014-05-28T18:51:53+02:00</atom:updated>
                
            
            
            <itunes:duration>0:14</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Kitsune Udon]]></title>
            <link>https://hearthis.at/mudpeople-yh/kitsune-udon/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Somehow this track is what resulted from being inspired by the Portlandia theme, and the title from Robert E Howard's Conan stories]]></description>
            <googleplay:description><![CDATA[Somehow this track is what resulted from being inspired by the Portlandia theme, and the title from Robert E Howard's Conan stories]]></googleplay:description>
            <itunes:summary><![CDATA[Somehow this track is what resulted from being inspired by the Portlandia theme, and the title from Robert E Howard's Conan stories]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/kitsune-udon/listen.mp3?s=Ejz" length="3789634" />
            <guid isPermaLink="false">1396786</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 03 Mar 2014 14:59:40 +0100</pubDate>
                
                <atom:updated>2014-03-03T14:59:40+01:00</atom:updated>
                
            
            
            <itunes:duration>3:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Tangible]]></title>
            <link>https://hearthis.at/mudpeople-yh/tangible/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Built around a bass guitar jam]]></description>
            <googleplay:description><![CDATA[Built around a bass guitar jam]]></googleplay:description>
            <itunes:summary><![CDATA[Built around a bass guitar jam]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/tangible/listen.mp3?s=ZH1" length="5993533" />
            <guid isPermaLink="false">1396788</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 14 Feb 2014 13:46:59 +0100</pubDate>
                
                <atom:updated>2014-02-14T13:46:59+01:00</atom:updated>
                
            
            
            <itunes:duration>6:14</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Glass Eye )mastered(]]></title>
            <link>https://hearthis.at/mudpeople-yh/glass-eye-mastered/</link>
            <itunes:author><![CDATA[mudpeople]]></itunes:author>
            <description><![CDATA[Major thanks to Colin for hooking it up!<br />
mastered by Colin Bennun<br />
<br />
Full album released, including this track!<br />
WAV <br />
https://www.dropbox.com/s/uz7vgz2pkrbmjc8/mudpeople-Libration%202013%20WAV.rar <br />
<br />
OGG <br />
https://www.dropbox.com/s/sxc4z9i2bk07v94/mudpeople-Libration%202013%20OGG.rar]]></description>
            <googleplay:description><![CDATA[Major thanks to Colin for hooking it up!<br />
mastered by Colin Bennun<br />
<br />
Full album released, including this track!<br />
WAV <br />
https://www.dropbox.com/s/uz7vgz2pkrbmjc8/mudpeople-Libration%202013%20WAV.rar <br />
<br />
OGG <br />
https://www.dropbox.com/s/sxc4z9i2bk07v94/mudpeople-Libration%202013%20OGG.rar]]></googleplay:description>
            <itunes:summary><![CDATA[Major thanks to Colin for hooking it up!
mastered by Colin Bennun

Full album released, including this track!
WAV 
https://www.dropbox.com/s/uz7vgz2pkrbmjc8/mudpeople-Libration%202013%20WAV.rar 

OGG 
https://www.dropbox.com/s/sxc4z9i2bk07v94/mudpeople-Libration%202013%20OGG.rar]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/8/_/uploads/8667237/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1637338588884.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mudpeople-yh/glass-eye-mastered/listen.mp3?s=aFi" length="6890892" />
            <guid isPermaLink="false">1396789</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 25 Sep 2013 16:35:00 +0200</pubDate>
                
                <atom:updated>2013-09-25T16:35:00+02:00</atom:updated>
                
            
            
            <itunes:duration>7:10</itunes:duration>
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