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	<title><![CDATA[Peloton Musique]]></title>
	<link>https://hearthis.at/mmbvpwrw/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Peloton Musique]]></itunes:subtitle>
	<itunes:author><![CDATA[Peloton Musique]]></itunes:author>
	<googleplay:author><![CDATA[Peloton Musique]]></googleplay:author>
	<itunes:summary><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></itunes:summary>
	<googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
	<description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Peloton Musique]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
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      <title>Peloton Musique</title>
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        <item>
            <title><![CDATA[Cyanwave . Circular Hallway]]></title>
            <link>https://hearthis.at/mmbvpwrw/cyanwave-circular-hallway/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/5/3/_/uploads/2814559/image_track/858535/w1400_h1400_q70_ptrue_v2_----cropped_c839be520d1dfd449880957be35fa44c_1461691353.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Mon, 07 Mar 2016 23:55:30 +0100</pubDate>
                
                <atom:updated>2016-03-07T23:55:30+01:00</atom:updated>
                
            
            
            <itunes:duration>7:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cyanwave . Virago]]></title>
            <link>https://hearthis.at/mmbvpwrw/cyanwave-virago/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/5/3/_/uploads/2814559/image_track/858536/w1400_h1400_q70_ptrue_v2_----cropped_c0f719103583c0dd8a8384814738c926_1461691358.jpg" />
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                <pubDate>Mon, 07 Mar 2016 23:55:21 +0100</pubDate>
                
                <atom:updated>2016-03-07T23:55:21+01:00</atom:updated>
                
            
            
            <itunes:duration>7:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cyanwave . ElectricEel]]></title>
            <link>https://hearthis.at/mmbvpwrw/cyanwave-electriceel/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Mon, 07 Mar 2016 23:55:13 +0100</pubDate>
                
                <atom:updated>2016-03-07T23:55:13+01:00</atom:updated>
                
            
            
            <itunes:duration>7:18</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cyanwave .  Electric Eel  [ SONE "Shock" Mix ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/cyanwave-electric-eel-sone-shock-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Mon, 07 Mar 2016 23:55:04 +0100</pubDate>
                
                <atom:updated>2016-03-07T23:55:04+01:00</atom:updated>
                
            
            
            <itunes:duration>5:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Piltdown Sound - FLM]]></title>
            <link>https://hearthis.at/mmbvpwrw/piltdown-sound-flm/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.<br />
<br />
Slated for a March 2016 release.]]></description>
            <googleplay:description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.<br />
<br />
Slated for a March 2016 release.]]></googleplay:description>
            <itunes:summary><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.

FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.

Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.

Slated for a March 2016 release.]]></itunes:summary>
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                <pubDate>Mon, 15 Feb 2016 22:48:04 +0100</pubDate>
                
                <atom:updated>2016-02-15T22:48:04+01:00</atom:updated>
                
            
            
            <itunes:duration>6:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Piltdown Sound - FLM (Phaedrus Remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/piltdown-sound-flm-phaedrus-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></description>
            <googleplay:description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></googleplay:description>
            <itunes:summary><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.

FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.

Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/7/3/_/uploads/2814559/image_track/858540/w1400_h1400_q70_ptrue_v2_----cropped_c96a55a2f6f88b022098eca97ef85233_1461691371.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/piltdown-sound-flm-phaedrus-remix/listen.mp3?s=BAq" length="6649311" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 15 Feb 2016 22:48:03 +0100</pubDate>
                
                <atom:updated>2016-02-15T22:48:03+01:00</atom:updated>
                
            
            
            <itunes:duration>6:55</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Piltdown Sound - Sweettalker (Revy Remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/piltdown-sound-sweettalker-revy-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></description>
            <googleplay:description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></googleplay:description>
            <itunes:summary><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.

FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.

Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/7/3/_/uploads/2814559/image_track/858541/w1400_h1400_q70_ptrue_v2_----cropped_ade2b47369ffe3256de110cdfaf73a65_1461691376.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/piltdown-sound-sweettalker-revy-remix/listen.mp3?s=2Sj" length="8592821" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 15 Feb 2016 22:48:01 +0100</pubDate>
                
                <atom:updated>2016-02-15T22:48:01+01:00</atom:updated>
                
            
            
            <itunes:duration>8:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Piltdown Sound - Sweettalker]]></title>
            <link>https://hearthis.at/mmbvpwrw/piltdown-sound-sweettalker/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></description>
            <googleplay:description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></googleplay:description>
            <itunes:summary><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.

FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.

Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/7/3/_/uploads/2814559/image_track/858542/w1400_h1400_q70_ptrue_v2_----cropped_cb957b02c582b059f9d4cf439d8ca28b_1461691377.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 15 Feb 2016 22:47:59 +0100</pubDate>
                
                <atom:updated>2016-02-15T22:47:59+01:00</atom:updated>
                
            
            
            <itunes:duration>6:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Piltdown Sound - Olebo]]></title>
            <link>https://hearthis.at/mmbvpwrw/piltdown-sound-olebo/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></description>
            <googleplay:description><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.<br />
<br />
FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.<br />
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.<br />
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.<br />
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.<br />
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.<br />
<br />
Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></googleplay:description>
            <itunes:summary><![CDATA[Unpack a colorful palette of sounds with Piltdown Sound’s Brixton Briefcase, ranging from catchy and gritty to warm and mesmerizing, including a dreamlike remix by Revy and a stompy remix by Phaedrus.

FLM: An inspired session; drum kit, bass and electric guitar, mashed, mangled. Expect to hear a Raw Hypnotic sound. Chunky beats with a catchy and gritty melody.
FLM (Phaedrus Remix): Phaedrus’s mix is a crunchy and driving full force dance tune. Excellent maximal flow paired with mechanical stompy precision.
Sweettalker: A filtered house slow burner of a tune. It floats and flows with a warm mesmerizing presence.
Sweettalker (Revy Remix): Revy’s mix flows through the air with beautiful dream-like qualities. A techno-dub journey filled with emotional content.
Olebo: Vibey and filtered. A catchy and driving dubby track. Great movement with warm and inviting melodies.

Piltdown Sound is a Techno Project from Joel Cox and Alex Falk. They have releases on Woods N Bass, Herbst Und Musik, Proper Trax, Bleepsequence, Release Musiq, SubSensory Recordings, 530Techno, and Landed Productions.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/8/3/_/uploads/2814559/image_track/858543/w1400_h1400_q70_ptrue_v2_----cropped_9e28913a80e492e91a387b1892ceee2c_1461691380.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/piltdown-sound-olebo/listen.mp3?s=6Wj" length="0" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 15 Feb 2016 22:47:57 +0100</pubDate>
                
                <atom:updated>2016-02-15T22:47:57+01:00</atom:updated>
                
            
            
            <itunes:duration>6:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Big Phone . Honey [ Caro's Palindrome Mix ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/big-phone-honey-caros-palindrome-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Caro aka Randy Jones runs Madronalabs and has been making and playing dance music for many years.]]></description>
            <googleplay:description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Caro aka Randy Jones runs Madronalabs and has been making and playing dance music for many years.]]></googleplay:description>
            <itunes:summary><![CDATA[Technology should be an offering to the Earth.
It is made with the body of the Earth.
-Big Phone, Tepoztlan, Mexico, March 2015

Caro aka Randy Jones runs Madronalabs and has been making and playing dance music for many years.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/8/3/_/uploads/2814559/image_track/858544/w1400_h1400_q70_ptrue_v2_----cropped_69ff286b09f8f6446559b696748d2566_1461691383.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/big-phone-honey-caros-palindrome-mix/listen.mp3?s=agb" length="8130977" />
            <guid isPermaLink="false">858544</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 06 Sep 2015 21:42:12 +0200</pubDate>
                
                <atom:updated>2015-09-06T21:42:12+02:00</atom:updated>
                
            
            
            <itunes:duration>8:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Big Phone . Glow For Me [ Marshall Watson's Spacelight Mix ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/big-phone-glow-for-me-marshall-watsons-spacelight-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  <br />
<br />
Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></description>
            <googleplay:description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  <br />
<br />
Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></googleplay:description>
            <itunes:summary><![CDATA[Technology should be an offering to the Earth.
It is made with the body of the Earth.
-Big Phone, Tepoztlan, Mexico, March 2015

Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  

Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/8/3/_/uploads/2814559/image_track/858545/w1400_h1400_q70_ptrue_v2_----cropped_6f7e2e32360e3970a1cf2a6e56190378_1461691388.jpg" />
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            <guid isPermaLink="false">858545</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 06 Sep 2015 21:41:43 +0200</pubDate>
                
                <atom:updated>2015-09-06T21:41:43+02:00</atom:updated>
                
            
            
            <itunes:duration>8:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Big Phone . Glow For Me [ Marshall Watsons Spacelight Dub ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/big-phone-glow-for-me-marshall-watsons-spacelight-dub/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  <br />
<br />
Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></description>
            <googleplay:description><![CDATA[Technology should be an offering to the Earth.<br />
It is made with the body of the Earth.<br />
-Big Phone, Tepoztlan, Mexico, March 2015<br />
<br />
Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  <br />
<br />
Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></googleplay:description>
            <itunes:summary><![CDATA[Technology should be an offering to the Earth.
It is made with the body of the Earth.
-Big Phone, Tepoztlan, Mexico, March 2015

Marshall Watson lives in San Francisco, where he works as a sound designer and composer for Sirius Sound, and is also a freelance composer and recording artist.   You can hear more music by him on Highpoint Lowlife (UK), Volkoren (NE), 4-4-2 Music (AU), Subvarient (US), and Experimedia (UK) Car Crash Set (US).  

Randy Jones, AKA Caro, used to run the Orac Records label.  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/8/3/_/uploads/2814559/image_track/858546/w1400_h1400_q70_ptrue_v2_----cropped_e7453f6bd43dd6f7e694d3ae84281316_1461691389.jpg" />
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            <guid isPermaLink="false">858546</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 06 Sep 2015 21:41:19 +0200</pubDate>
                
                <atom:updated>2015-09-06T21:41:19+02:00</atom:updated>
                
            
            
            <itunes:duration>8:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Ray]]></title>
            <link>https://hearthis.at/mmbvpwrw/ray/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/9/3/_/uploads/2814559/image_track/858548/w1400_h1400_q70_ptrue_v2_----cropped_fff126d98789e4b3287f5b10a33e2bb9_1461691394.jpg" />
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                <pubDate>Tue, 02 Jun 2015 20:12:22 +0200</pubDate>
                
                <atom:updated>2015-06-02T20:12:22+02:00</atom:updated>
                
            
            
            <itunes:duration>10:21</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Horn]]></title>
            <link>https://hearthis.at/mmbvpwrw/horn/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/9/3/_/uploads/2814559/image_track/858549/w1400_h1400_q70_ptrue_v2_----cropped_0db525d3338b11e26a93a7f7ae8baf7b_1461691397.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 02 Jun 2015 20:12:15 +0200</pubDate>
                
                <atom:updated>2015-06-02T20:12:15+02:00</atom:updated>
                
            
            
            <itunes:duration>10:01</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Glow 4 Me]]></title>
            <link>https://hearthis.at/mmbvpwrw/glow-4-me/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/0/4/_/uploads/2814559/image_track/858551/w1400_h1400_q70_ptrue_v2_----cropped_68db4db0ed520967242e7f33ea2d68a4_1461691403.jpg" />
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            <guid isPermaLink="false">858551</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 20:12:08 +0200</pubDate>
                
                <atom:updated>2015-06-02T20:12:08+02:00</atom:updated>
                
            
            
            <itunes:duration>8:44</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Descent]]></title>
            <link>https://hearthis.at/mmbvpwrw/descent/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/1/4/_/uploads/2814559/image_track/858552/w1400_h1400_q70_ptrue_v2_----cropped_74647cd5aeaec81759bcf7ffc42dc7d6_1461691410.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/descent/listen.mp3?s=aTF" length="7495261" />
            <guid isPermaLink="false">858552</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 20:12:01 +0200</pubDate>
                
                <atom:updated>2015-06-02T20:12:01+02:00</atom:updated>
                
            
            
            <itunes:duration>7:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Honey]]></title>
            <link>https://hearthis.at/mmbvpwrw/honey/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/4/_/uploads/2814559/image_track/858553/w1400_h1400_q70_ptrue_v2_----cropped_6e09e755e7490b440598045cb48aaf9f_1461691414.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 02 Jun 2015 20:11:54 +0200</pubDate>
                
                <atom:updated>2015-06-02T20:11:54+02:00</atom:updated>
                
            
            
            <itunes:duration>12:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cave Dweller - Mixed by Phaedrus]]></title>
            <link>https://hearthis.at/mmbvpwrw/cave-dweller-mixed-by-phaedrus/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Anything can happen in the InterZONE. Ideas flow freely, curiousity is key. Expect the unexpected when you least expect it. Phaedrus kicks of this series, opening with a recording of Nasa’s Voyager Probe. Ever wanted to know what Jupiter’s IO sounds like?<br />
<br />
Tracklist:<br />
1. Sphere Of Io ( Jupiter's smallest moon ) Recorded by NASA's Voyager probe<br />
2. Sev Dah - A1 <br />
3. Benny Rodrigues - I Like Acid (Mike Dehnert Remix) <br />
4. Samuli Kemppi - Orbiter <br />
5. Marcel Dettmann - Apron (The Rhythm Remix) <br />
6. Delta Funktionen - Devolution <br />
7. Sev Dah - Tension <br />
8. Cadans - Fix <br />
9. Norman Muller - Menu <br />
10. Mike Dehnert - Eigenzeit <br />
11. Mike Dehnert - Sans Cesse <br />
12. Kamikaze Space Programme - Network Rail <br />
13. Truncate - Ratio (Luis Flores Remix) <br />
14. Perc - Tri-City <br />
15. Sleeparchive - Radio Transmission  <br />
16. Rodhad - Haumea <br />
17. Peter Van Hoesen - Chroma 3 (Dark Dub) <br />
18. Container - Acclimator <br />
19. Myk Derill - You Are <br />
20. SP-X - Internalize <br />
21. Xhin - Blade Moth <br />
22. Crystal Maze - Dissolve (Dungeon Dub) <br />
23. Najem Sworb - Millisecond Pulse <br />
24. These Hidden Hands - Diesel (Kangding Ray Remix) <br />
25. Ctrls - Socket <br />
26. Mike Dehnert - Single Action <br />
27. Xhin - Mind <br />
28. Ascon Bates, Alex Kork - Whiteout <br />
29. Gunnar Haslam - Kohle (Beats) <br />
30. Phase - Perplexed <br />
<br />
http://www.residentadvisor.net/dj/phaedrus]]></description>
            <googleplay:description><![CDATA[Anything can happen in the InterZONE. Ideas flow freely, curiousity is key. Expect the unexpected when you least expect it. Phaedrus kicks of this series, opening with a recording of Nasa’s Voyager Probe. Ever wanted to know what Jupiter’s IO sounds like?<br />
<br />
Tracklist:<br />
1. Sphere Of Io ( Jupiter's smallest moon ) Recorded by NASA's Voyager probe<br />
2. Sev Dah - A1 <br />
3. Benny Rodrigues - I Like Acid (Mike Dehnert Remix) <br />
4. Samuli Kemppi - Orbiter <br />
5. Marcel Dettmann - Apron (The Rhythm Remix) <br />
6. Delta Funktionen - Devolution <br />
7. Sev Dah - Tension <br />
8. Cadans - Fix <br />
9. Norman Muller - Menu <br />
10. Mike Dehnert - Eigenzeit <br />
11. Mike Dehnert - Sans Cesse <br />
12. Kamikaze Space Programme - Network Rail <br />
13. Truncate - Ratio (Luis Flores Remix) <br />
14. Perc - Tri-City <br />
15. Sleeparchive - Radio Transmission  <br />
16. Rodhad - Haumea <br />
17. Peter Van Hoesen - Chroma 3 (Dark Dub) <br />
18. Container - Acclimator <br />
19. Myk Derill - You Are <br />
20. SP-X - Internalize <br />
21. Xhin - Blade Moth <br />
22. Crystal Maze - Dissolve (Dungeon Dub) <br />
23. Najem Sworb - Millisecond Pulse <br />
24. These Hidden Hands - Diesel (Kangding Ray Remix) <br />
25. Ctrls - Socket <br />
26. Mike Dehnert - Single Action <br />
27. Xhin - Mind <br />
28. Ascon Bates, Alex Kork - Whiteout <br />
29. Gunnar Haslam - Kohle (Beats) <br />
30. Phase - Perplexed <br />
<br />
http://www.residentadvisor.net/dj/phaedrus]]></googleplay:description>
            <itunes:summary><![CDATA[Anything can happen in the InterZONE. Ideas flow freely, curiousity is key. Expect the unexpected when you least expect it. Phaedrus kicks of this series, opening with a recording of Nasa’s Voyager Probe. Ever wanted to know what Jupiter’s IO sounds like?

Tracklist:
1. Sphere Of Io ( Jupiter's smallest moon ) Recorded by NASA's Voyager probe
2. Sev Dah - A1 
3. Benny Rodrigues - I Like Acid (Mike Dehnert Remix) 
4. Samuli Kemppi - Orbiter 
5. Marcel Dettmann - Apron (The Rhythm Remix) 
6. Delta Funktionen - Devolution 
7. Sev Dah - Tension 
8. Cadans - Fix 
9. Norman Muller - Menu 
10. Mike Dehnert - Eigenzeit 
11. Mike Dehnert - Sans Cesse 
12. Kamikaze Space Programme - Network Rail 
13. Truncate - Ratio (Luis Flores Remix) 
14. Perc - Tri-City 
15. Sleeparchive - Radio Transmission  
16. Rodhad - Haumea 
17. Peter Van Hoesen - Chroma 3 (Dark Dub) 
18. Container - Acclimator 
19. Myk Derill - You Are 
20. SP-X - Internalize 
21. Xhin - Blade Moth 
22. Crystal Maze - Dissolve (Dungeon Dub) 
23. Najem Sworb - Millisecond Pulse 
24. These Hidden Hands - Diesel (Kangding Ray Remix) 
25. Ctrls - Socket 
26. Mike Dehnert - Single Action 
27. Xhin - Mind 
28. Ascon Bates, Alex Kork - Whiteout 
29. Gunnar Haslam - Kohle (Beats) 
30. Phase - Perplexed 

http://www.residentadvisor.net/dj/phaedrus]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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                <pubDate>Thu, 12 Feb 2015 07:19:29 +0100</pubDate>
                
                <atom:updated>2015-02-12T07:19:29+01:00</atom:updated>
                
            
            
            <itunes:duration>1:36:45</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal - Zarkon]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-zarkon/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/2/4/_/uploads/2814559/image_track/858555/w1400_h1400_q70_ptrue_v2_----cropped_f9d5491e40c37c7f7a75ee51e2a8eb2c_1461691429.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 03 Feb 2015 19:22:23 +0100</pubDate>
                
                <atom:updated>2015-02-03T19:22:23+01:00</atom:updated>
                
            
            
            <itunes:duration>6:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal - Allura’s Dream]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-alluras-dream/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/3/4/_/uploads/2814559/image_track/858556/w1400_h1400_q70_ptrue_v2_----cropped_f9d5491e40c37c7f7a75ee51e2a8eb2c_1461691433.jpg" />
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                <pubDate>Tue, 03 Feb 2015 19:22:23 +0100</pubDate>
                
                <atom:updated>2015-02-03T19:22:23+01:00</atom:updated>
                
            
            
            <itunes:duration>7:20</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal - Robeat]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-robeat/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/3/4/_/uploads/2814559/image_track/858557/w1400_h1400_q70_ptrue_v2_----cropped_f9d5491e40c37c7f7a75ee51e2a8eb2c_1461691434.jpg" />
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                <pubDate>Tue, 03 Feb 2015 19:22:23 +0100</pubDate>
                
                <atom:updated>2015-02-03T19:22:23+01:00</atom:updated>
                
            
            
            <itunes:duration>6:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal - Quark]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-quark/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/3/4/_/uploads/2814559/image_track/858558/w1400_h1400_q70_ptrue_v2_----cropped_f9d5491e40c37c7f7a75ee51e2a8eb2c_1461691437.jpg" />
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                <pubDate>Tue, 03 Feb 2015 19:22:23 +0100</pubDate>
                
                <atom:updated>2015-02-03T19:22:23+01:00</atom:updated>
                
            
            
            <itunes:duration>7:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal - Quark (Phaedrus Forcefield Mix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-quark-phaedrus-forcefield-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/4/4/_/uploads/2814559/image_track/858560/w1400_h1400_q70_ptrue_v2_----cropped_f9d5491e40c37c7f7a75ee51e2a8eb2c_1461691443.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Tue, 03 Feb 2015 19:22:23 +0100</pubDate>
                
                <atom:updated>2015-02-03T19:22:23+01:00</atom:updated>
                
            
            
            <itunes:duration>5:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus - Dirty Dendrites (Mat Anderson Remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-dirty-dendrites-mat-anderson-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/4/4/_/uploads/2814559/image_track/858561/w1400_h1400_q70_ptrue_v2_----cropped_1970d37915e30d2a2b56570d3a785062_1461691448.jpg" />
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                <pubDate>Fri, 23 Jan 2015 20:12:51 +0100</pubDate>
                
                <atom:updated>2015-01-23T20:12:51+01:00</atom:updated>
                
            
            
            <itunes:duration>5:37</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus - Dirty Dendrites]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-dirty-dendrites/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/5/4/_/uploads/2814559/image_track/858562/w1400_h1400_q70_ptrue_v2_----cropped_c817f1afcae712dc5d223a098a70288a_1461691453.jpg" />
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                <pubDate>Wed, 15 Oct 2014 21:30:01 +0200</pubDate>
                
                <atom:updated>2014-10-15T21:30:01+02:00</atom:updated>
                
            
            
            <itunes:duration>5:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus - Synaptic Prunes]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-synaptic-prunes/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/4/_/uploads/2814559/image_track/858563/w1400_h1400_q70_ptrue_v2_----cropped_3d4e628318b584f6858bd8e819f8d8eb_1461691457.jpg" />
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                <pubDate>Sun, 12 Oct 2014 07:28:21 +0200</pubDate>
                
                <atom:updated>2014-10-12T07:28:21+02:00</atom:updated>
                
            
            
            <itunes:duration>7:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus - Neurotoxicity]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-neurotoxicity/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/6/4/_/uploads/2814559/image_track/858564/w1400_h1400_q70_ptrue_v2_----cropped_aea8b3a92cea57d7e0ab21d7adc5bb57_1461691464.jpg" />
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                <pubDate>Sun, 12 Oct 2014 01:38:25 +0200</pubDate>
                
                <atom:updated>2014-10-12T01:38:25+02:00</atom:updated>
                
            
            
            <itunes:duration>5:24</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus . Sonic Charge [ Planted in Naturebot's Gravel Vortex ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-sonic-charge-planted-in-naturebots-gravel-vortex/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Back in January, Peloton Musique released the original Col Du Tourmalet EP, a five-track sonic interpretation of scaling the Pyrenees Mountains during the Tour De France bicycle race. Peloton’s chosen five excellent remixers to add some lube to the originals’ chains. <br />
<br />
Berlin-based ex-Seattleite Jeff Samuel punches up the rhythm for Nora Posch’s “The Distance Mountain” and oxygenates the bass line for increased dance-floor endurance. <br />
<br />
Seattle minimal-techno phenom Big Phone weaves in disorienting, warped samples and stutter-steps the rhythm to Ghola Sound’s cheeky and whip-cracking Teutonic techno gem “Statue Of The Giant.” <br />
<br />
The furiously pumping and austere techno of Shane Silkey’s “EPO” (EPO is a kind of red-blood-cell booster taken by unscrupulous cyclists) gets run through a grimmer—yet somehow funkier—filter by Cyanwave, hinting at the dark nature of cheating through science.<br />
 <br />
Jerry Abstract throws an oblongly funky wrench into the spokes of Centrikal’s ominously bruising, cruising techno banger “Breakaway,” making it the EP’s strangest, most harrowing track. It sounds like (Richard) Devine intervention. <br />
<br />
Naturebot drapes a mesh singlet over the brutal, humid electro of Phaedrus’ “Sonic Charge” and kicks up the tempo to a breezy and quirky chug while throwing in a helmet-spinning array of surprises. His “Planted in Naturebot’s Gravel Vortex” revamp is an ideally winsome way for the EP to cross the finish line.]]></description>
            <googleplay:description><![CDATA[Back in January, Peloton Musique released the original Col Du Tourmalet EP, a five-track sonic interpretation of scaling the Pyrenees Mountains during the Tour De France bicycle race. Peloton’s chosen five excellent remixers to add some lube to the originals’ chains. <br />
<br />
Berlin-based ex-Seattleite Jeff Samuel punches up the rhythm for Nora Posch’s “The Distance Mountain” and oxygenates the bass line for increased dance-floor endurance. <br />
<br />
Seattle minimal-techno phenom Big Phone weaves in disorienting, warped samples and stutter-steps the rhythm to Ghola Sound’s cheeky and whip-cracking Teutonic techno gem “Statue Of The Giant.” <br />
<br />
The furiously pumping and austere techno of Shane Silkey’s “EPO” (EPO is a kind of red-blood-cell booster taken by unscrupulous cyclists) gets run through a grimmer—yet somehow funkier—filter by Cyanwave, hinting at the dark nature of cheating through science.<br />
 <br />
Jerry Abstract throws an oblongly funky wrench into the spokes of Centrikal’s ominously bruising, cruising techno banger “Breakaway,” making it the EP’s strangest, most harrowing track. It sounds like (Richard) Devine intervention. <br />
<br />
Naturebot drapes a mesh singlet over the brutal, humid electro of Phaedrus’ “Sonic Charge” and kicks up the tempo to a breezy and quirky chug while throwing in a helmet-spinning array of surprises. His “Planted in Naturebot’s Gravel Vortex” revamp is an ideally winsome way for the EP to cross the finish line.]]></googleplay:description>
            <itunes:summary><![CDATA[Back in January, Peloton Musique released the original Col Du Tourmalet EP, a five-track sonic interpretation of scaling the Pyrenees Mountains during the Tour De France bicycle race. Peloton’s chosen five excellent remixers to add some lube to the originals’ chains. 

Berlin-based ex-Seattleite Jeff Samuel punches up the rhythm for Nora Posch’s “The Distance Mountain” and oxygenates the bass line for increased dance-floor endurance. 

Seattle minimal-techno phenom Big Phone weaves in disorienting, warped samples and stutter-steps the rhythm to Ghola Sound’s cheeky and whip-cracking Teutonic techno gem “Statue Of The Giant.” 

The furiously pumping and austere techno of Shane Silkey’s “EPO” (EPO is a kind of red-blood-cell booster taken by unscrupulous cyclists) gets run through a grimmer—yet somehow funkier—filter by Cyanwave, hinting at the dark nature of cheating through science.
 
Jerry Abstract throws an oblongly funky wrench into the spokes of Centrikal’s ominously bruising, cruising techno banger “Breakaway,” making it the EP’s strangest, most harrowing track. It sounds like (Richard) Devine intervention. 

Naturebot drapes a mesh singlet over the brutal, humid electro of Phaedrus’ “Sonic Charge” and kicks up the tempo to a breezy and quirky chug while throwing in a helmet-spinning array of surprises. His “Planted in Naturebot’s Gravel Vortex” revamp is an ideally winsome way for the EP to cross the finish line.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/6/4/_/uploads/2814559/image_track/858565/w1400_h1400_q70_ptrue_v2_----cropped_552cfa876f8ce03c078bfeced96c9f56_1461691467.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 02 Oct 2014 03:08:38 +0200</pubDate>
                
                <atom:updated>2014-10-02T03:08:38+02:00</atom:updated>
                
            
            
            <itunes:duration>6:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus .  Sonic Charge [ Planted in Naturebot's Gravel Vortex ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-sonic-charge-planted-in-naturebots-gravel-vortex-LQ6/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/7/4/_/uploads/2814559/image_track/858566/w1400_h1400_q70_ptrue_v2_----cropped_8ccb5d432c99307f71ca2eaeeb832211_1461691472.jpg" />
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            <guid isPermaLink="false">858566</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sat, 17 May 2014 04:12:27 +0200</pubDate>
                
                <atom:updated>2014-05-17T04:12:27+02:00</atom:updated>
                
            
            
            <itunes:duration>10:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal . Breakaway [ Jerry Abstract's Centrifikal Forced ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-breakaway-jerry-abstracts-centrifikal-forced/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/7/4/_/uploads/2814559/image_track/858567/w1400_h1400_q70_ptrue_v2_----cropped_5f3ac23a4e76df62273ce2d71fa49f22_1461691476.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/centrikal-breakaway-jerry-abstracts-centrifikal-forced/listen.mp3?s=M16" length="0" />
            <guid isPermaLink="false">858567</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 17 May 2014 04:12:27 +0200</pubDate>
                
                <atom:updated>2014-05-17T04:12:27+02:00</atom:updated>
                
            
            
            <itunes:duration>7:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Shane Silkey .  EPO [ Cyanwave MVCD2 ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/shane-silkey-epo-cyanwave-mvcd2/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/8/4/_/uploads/2814559/image_track/858568/w1400_h1400_q70_ptrue_v2_----cropped_76069afdc86eabc7148580bcbcbd8e7f_1461691482.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/shane-silkey-epo-cyanwave-mvcd2/listen.mp3?s=Tru" length="0" />
            <guid isPermaLink="false">858568</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 17 May 2014 04:12:27 +0200</pubDate>
                
                <atom:updated>2014-05-17T04:12:27+02:00</atom:updated>
                
            
            
            <itunes:duration>6:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Ghola Sound . Statue of the Giant [ Big Phone Nth Wind ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/ghola-sound-statue-of-the-giant-big-phone-nth-wind/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/8/4/_/uploads/2814559/image_track/858569/w1400_h1400_q70_ptrue_v2_----cropped_19d7c1b85546ccb9505f494d314eeb56_1461691486.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/ghola-sound-statue-of-the-giant-big-phone-nth-wind/listen.mp3?s=Uyv" length="0" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 17 May 2014 04:12:27 +0200</pubDate>
                
                <atom:updated>2014-05-17T04:12:27+02:00</atom:updated>
                
            
            
            <itunes:duration>7:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Nora Posch . The Distance Mountain [ Jeff Samuel In The Clouds Mix ]]]></title>
            <link>https://hearthis.at/mmbvpwrw/nora-posch-the-distance-mountain-jeff-samuel-in-the-clouds-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/9/4/_/uploads/2814559/image_track/858570/w1400_h1400_q70_ptrue_v2_----cropped_3a85f0f103723e976acb732ac0326074_1461691490.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 17 May 2014 04:12:26 +0200</pubDate>
                
                <atom:updated>2014-05-17T04:12:26+02:00</atom:updated>
                
            
            
            <itunes:duration>8:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Phaedrus . Sonic View]]></title>
            <link>https://hearthis.at/mmbvpwrw/phaedrus-sonic-view/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/9/4/_/uploads/2814559/image_track/858571/w1400_h1400_q70_ptrue_v2_----cropped_b9e132adfe8ed0fa269fcf5715627191_1461691492.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/phaedrus-sonic-view/listen.mp3?s=cRu" length="5821334" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Fri, 22 Nov 2013 06:10:55 +0100</pubDate>
                
                <atom:updated>2013-11-22T06:10:55+01:00</atom:updated>
                
            
            
            <itunes:duration>6:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Nora Posch . The Distance Mountain]]></title>
            <link>https://hearthis.at/mmbvpwrw/nora-posch-the-distance-mountain/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/9/4/_/uploads/2814559/image_track/858572/w1400_h1400_q70_ptrue_v2_----cropped_dc853044f51d5fb1b56986e244b0f825_1461691497.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/nora-posch-the-distance-mountain/listen.mp3?s=wYm" length="4376449" />
            <guid isPermaLink="false">858572</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Nov 2013 06:10:51 +0100</pubDate>
                
                <atom:updated>2013-11-22T06:10:51+01:00</atom:updated>
                
            
            
            <itunes:duration>4:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Shane Silkey . EPO]]></title>
            <link>https://hearthis.at/mmbvpwrw/shane-silkey-epo/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/9/4/_/uploads/2814559/image_track/858573/w1400_h1400_q70_ptrue_v2_----cropped_f2572963626fccce234e3f5f73947639_1461691499.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/shane-silkey-epo/listen.mp3?s=kgJ" length="6871666" />
            <guid isPermaLink="false">858573</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Nov 2013 06:02:41 +0100</pubDate>
                
                <atom:updated>2013-11-22T06:02:41+01:00</atom:updated>
                
            
            
            <itunes:duration>7:09</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Ghola Sound . Statue of the Giant]]></title>
            <link>https://hearthis.at/mmbvpwrw/ghola-sound-statue-of-the-giant/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/0/5/_/uploads/2814559/image_track/858574/w1400_h1400_q70_ptrue_v2_----cropped_7709eaf84c4b9e2a8c693776565c9042_1461691507.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/ghola-sound-statue-of-the-giant/listen.mp3?s=f5J" length="6453288" />
            <guid isPermaLink="false">858574</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Nov 2013 06:02:22 +0100</pubDate>
                
                <atom:updated>2013-11-22T06:02:22+01:00</atom:updated>
                
            
            
            <itunes:duration>6:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Centrikal . Breakaway]]></title>
            <link>https://hearthis.at/mmbvpwrw/centrikal-breakaway/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/1/5/_/uploads/2814559/image_track/858575/w1400_h1400_q70_ptrue_v2_----cropped_bd5de8af68b99fbdceb9b9ebb452f12c_1461691510.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/centrikal-breakaway/listen.mp3?s=Avi" length="6913461" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Nov 2013 06:01:24 +0100</pubDate>
                
                <atom:updated>2013-11-22T06:01:24+01:00</atom:updated>
                
            
            
            <itunes:duration>7:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Drop Shadow Sleeping mixed by Jerry Abstract]]></title>
            <link>https://hearthis.at/mmbvpwrw/drop-shadow-sleeping-mixed-by-jerry-abstract/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Well lit, squares, tesselated, a wild animal, tones,<br />
wind and shadow, time code, a bottle of rum, dirty<br />
thoughts, tropical rain, machine elves, some DMT and a coat,<br />
plane tickets, a couch, inner eye, undefined and precise,<br />
chanting rhythm.<br />
<br />
<br />
Jerry Abstract is a long time collaborator and friend to Peloton Musique. His style is bangin' and so is his bod.  From 2004 - 2010 he was the Creative Director for Seattle's Decibel Festival. He also consults promoters around America, judges laptop battles, hosts his own events and was tagged as a "Next 100" artist by URB Magazine in 2007 and 2008 for his production talents.]]></description>
            <googleplay:description><![CDATA[Well lit, squares, tesselated, a wild animal, tones,<br />
wind and shadow, time code, a bottle of rum, dirty<br />
thoughts, tropical rain, machine elves, some DMT and a coat,<br />
plane tickets, a couch, inner eye, undefined and precise,<br />
chanting rhythm.<br />
<br />
<br />
Jerry Abstract is a long time collaborator and friend to Peloton Musique. His style is bangin' and so is his bod.  From 2004 - 2010 he was the Creative Director for Seattle's Decibel Festival. He also consults promoters around America, judges laptop battles, hosts his own events and was tagged as a "Next 100" artist by URB Magazine in 2007 and 2008 for his production talents.]]></googleplay:description>
            <itunes:summary><![CDATA[Well lit, squares, tesselated, a wild animal, tones,
wind and shadow, time code, a bottle of rum, dirty
thoughts, tropical rain, machine elves, some DMT and a coat,
plane tickets, a couch, inner eye, undefined and precise,
chanting rhythm.


Jerry Abstract is a long time collaborator and friend to Peloton Musique. His style is bangin' and so is his bod.  From 2004 - 2010 he was the Creative Director for Seattle's Decibel Festival. He also consults promoters around America, judges laptop battles, hosts his own events and was tagged as a "Next 100" artist by URB Magazine in 2007 and 2008 for his production talents.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/1/5/_/uploads/2814559/image_track/858576/w1400_h1400_q70_ptrue_v2_----cropped_65e7a46681b129204c084b82acf41002_1461691513.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 16 Oct 2013 23:54:10 +0200</pubDate>
                
                <atom:updated>2013-10-16T23:54:10+02:00</atom:updated>
                
            
            
            <itunes:duration>1:00:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[La Liaison mixed by Eugene Fauntleroy]]></title>
            <link>https://hearthis.at/mmbvpwrw/la-liaison-mixed-by-eugene-fauntleroy/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Night time, a stone bridge, microfiche, cloak and dagger,<br />
a chill up your spine, matches, a lit cigarette, couples<br />
passing by, data file, agents, a train ticket to Stockholm,<br />
information exchange, high risk, transfer, an unexpected kiss<br />
on the lips.<br />
<br />
Downloads are enabled here, but please drop by our site!<br />
<br />
http://peloton-musique.org/podcasts/eugene-fauntleroy-la-liaison.html]]></description>
            <googleplay:description><![CDATA[Night time, a stone bridge, microfiche, cloak and dagger,<br />
a chill up your spine, matches, a lit cigarette, couples<br />
passing by, data file, agents, a train ticket to Stockholm,<br />
information exchange, high risk, transfer, an unexpected kiss<br />
on the lips.<br />
<br />
Downloads are enabled here, but please drop by our site!<br />
<br />
http://peloton-musique.org/podcasts/eugene-fauntleroy-la-liaison.html]]></googleplay:description>
            <itunes:summary><![CDATA[Night time, a stone bridge, microfiche, cloak and dagger,
a chill up your spine, matches, a lit cigarette, couples
passing by, data file, agents, a train ticket to Stockholm,
information exchange, high risk, transfer, an unexpected kiss
on the lips.

Downloads are enabled here, but please drop by our site!

http://peloton-musique.org/podcasts/eugene-fauntleroy-la-liaison.html]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/2/5/_/uploads/2814559/image_track/858577/w1400_h1400_q70_ptrue_v2_----cropped_6fe7f4ee63102300a2f65c748764abba_1461691524.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/la-liaison-mixed-by-eugene-fauntleroy/listen.mp3?s=miT" length="66694163" />
            <guid isPermaLink="false">858577</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Aug 2013 04:14:36 +0200</pubDate>
                
                <atom:updated>2013-08-09T04:14:36+02:00</atom:updated>
                
            
            
            <itunes:duration>1:09:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[SoundCheck With Me mixed by Sharlese]]></title>
            <link>https://hearthis.at/mmbvpwrw/soundcheck-with-me-mixed-by-sharlese/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Headphones, USB, needles, follow the 1/4 inch, a buzz, check the ground, power, signal, resistance, balanced or unbalanced, tuning, testing, bring up the levels, don't change the main board, submix, bass, nervousness and a calm moment.<br />
<br />
<br />
Sh6rl6s6<br />
Also known as DJ Sharlese at KEXP, currently hosts and produces "Audioasis" featuring local and live bands from all areas and genres of the Northwest. Additionally she runs a monthly night "Audiodrome" at Pony where she explores minimal synth & coldwave territories. Within the past couple of years she discovered "the beat" and decided to dive deep into Techno specifically. She doesn't consider herself a Techno DJ, but more of a connaisseur/selector of great tracks. This podcast profiles her love of space, robots and the darkness.<br />
<br />
Head to our site for a free download (we've also allowed downloads here, but we'd like if it you went to our site too):<br />
http://peloton-musique.org/podcasts/sh6rl6s6-soundcheck-with-me.html]]></description>
            <googleplay:description><![CDATA[Headphones, USB, needles, follow the 1/4 inch, a buzz, check the ground, power, signal, resistance, balanced or unbalanced, tuning, testing, bring up the levels, don't change the main board, submix, bass, nervousness and a calm moment.<br />
<br />
<br />
Sh6rl6s6<br />
Also known as DJ Sharlese at KEXP, currently hosts and produces "Audioasis" featuring local and live bands from all areas and genres of the Northwest. Additionally she runs a monthly night "Audiodrome" at Pony where she explores minimal synth & coldwave territories. Within the past couple of years she discovered "the beat" and decided to dive deep into Techno specifically. She doesn't consider herself a Techno DJ, but more of a connaisseur/selector of great tracks. This podcast profiles her love of space, robots and the darkness.<br />
<br />
Head to our site for a free download (we've also allowed downloads here, but we'd like if it you went to our site too):<br />
http://peloton-musique.org/podcasts/sh6rl6s6-soundcheck-with-me.html]]></googleplay:description>
            <itunes:summary><![CDATA[Headphones, USB, needles, follow the 1/4 inch, a buzz, check the ground, power, signal, resistance, balanced or unbalanced, tuning, testing, bring up the levels, don't change the main board, submix, bass, nervousness and a calm moment.


Sh6rl6s6
Also known as DJ Sharlese at KEXP, currently hosts and produces "Audioasis" featuring local and live bands from all areas and genres of the Northwest. Additionally she runs a monthly night "Audiodrome" at Pony where she explores minimal synth & coldwave territories. Within the past couple of years she discovered "the beat" and decided to dive deep into Techno specifically. She doesn't consider herself a Techno DJ, but more of a connaisseur/selector of great tracks. This podcast profiles her love of space, robots and the darkness.

Head to our site for a free download (we've also allowed downloads here, but we'd like if it you went to our site too):
http://peloton-musique.org/podcasts/sh6rl6s6-soundcheck-with-me.html]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/5/5/_/uploads/2814559/image_track/858579/w1400_h1400_q70_ptrue_v2_----cropped_5fada1118e41b6a41ad953b318fd248a_1461691551.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/soundcheck-with-me-mixed-by-sharlese/listen.mp3?s=Ppk" length="58356714" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 28 Jun 2013 02:58:03 +0200</pubDate>
                
                <atom:updated>2013-06-28T02:58:03+02:00</atom:updated>
                
            
            
            <itunes:duration>1:00:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater - Mud]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-mud-mnT/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/6/5/_/uploads/2814559/image_track/858580/w1400_h1400_q70_ptrue_v2_----cropped_29e51436779e63954b8495835e49625a_1461691560.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 24 Mar 2013 03:47:10 +0100</pubDate>
                
                <atom:updated>2013-03-24T03:47:10+01:00</atom:updated>
                
            
            
            <itunes:duration>6:37</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 - TreeGirl]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-treegirl/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/6/5/_/uploads/2814559/image_track/858581/w1400_h1400_q70_ptrue_v2_----cropped_656b48ad67808334dcf3709c0f5b1825_1461691566.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/aut0audi0-treegirl/listen.mp3?s=09s" length="0" />
            <guid isPermaLink="false">858581</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>9:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 vs Joris Kamma - Treegirl (Jill of the Jungle remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-vs-joris-kamma-treegirl-jill-of-the-jungle-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/7/5/_/uploads/2814559/image_track/858582/w1400_h1400_q70_ptrue_v2_----cropped_7c5c5be26e120329dbd557dbf51eca69_1461691572.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/aut0audi0-vs-joris-kamma-treegirl-jill-of-the-jungle-remix/listen.mp3?s=dPf" length="0" />
            <guid isPermaLink="false">858582</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>4:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater - Stinkhorn]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-stinkhorn-z2x/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/7/5/_/uploads/2814559/image_track/858583/w1400_h1400_q70_ptrue_v2_----cropped_9e97093ab0bac60026809fcb67904e52_1461691579.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/crown-hill-repeater-stinkhorn-z2x/listen.mp3?s=z2x" length="0" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>9:35</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater vs Joris Kamma - Stinkhorn (dubstinker remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-vs-joris-kamma-stinkhorn-dubstinker-remix-UB2/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/8/5/_/uploads/2814559/image_track/858584/w1400_h1400_q70_ptrue_v2_----cropped_a8390bfbb0092d055792fba99b3f986a_1461691581.jpg" />
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                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>5:24</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma vs Crown Hill Repeater - Spore Addict (Bass Rehab remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-vs-crown-hill-repeater-spore-addict-bass-rehab-remix-SBr/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/8/5/_/uploads/2814559/image_track/858585/w1400_h1400_q70_ptrue_v2_----cropped_6b3d69753721da8c5e183c82f5ff621e_1461691586.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>6:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma vs aut0audi0 - Spore Addict (To The Gills Mix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-vs-aut0audi0-spore-addict-to-the-gills-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/9/5/_/uploads/2814559/image_track/858586/w1400_h1400_q70_ptrue_v2_----cropped_ef5ee0b0b517437537fae4f1b4983f41_1461691591.jpg" />
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                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>5:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma - Spore Addict]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-spore-addict-4yM/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
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                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>6:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater vs aut0audi0 - Mud (pi mix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-vs-aut0audi0-mud-pi-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/9/5/_/uploads/2814559/image_track/858588/w1400_h1400_q70_ptrue_v2_----cropped_533dea8db777294598b318d19fc5d362_1461691599.jpg" />
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                <pubDate>Fri, 22 Mar 2013 22:48:25 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:25+01:00</atom:updated>
                
            
            
            <itunes:duration>6:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 vs Crown Hill Repeater - Cordyceps (Stratospherism remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-vs-crown-hill-repeater-cordyceps-stratospherism-remix-gKU/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
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                <pubDate>Fri, 22 Mar 2013 22:48:24 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:24+01:00</atom:updated>
                
            
            
            <itunes:duration>11:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 - Cordyceps]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-cordyceps/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></description>
            <googleplay:description><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  <br />
<br />
" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times<br />
<br />
Format: Digital & CD<br />
Label: Peloton Musique<br />
Title:  Under<br />
Artist:  Manifold<br />
# Songs : 11<br />
CAT#: PEL004<br />
Release: June 2012<br />
Distribution: Baseware<br />
Press Contact: Aron Schoppert,  press@peloton-musique.org<br />
<br />
Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.<br />
<br />
The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  <br />
<br />
Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  <br />
<br />
Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></googleplay:description>
            <itunes:summary><![CDATA[A Peloton Musique and Manifold Motion co-production.   Original Score and Re-Works by Joris Kamma, aut0audi0 and Crown Hill Repeater.  

" With its shapeshifting electronic score, hallucinatory staging/lighting and its performers' fierce commitment, [Under is] an entrancing excursion into shadowy realms of the mind." -- Seattle Times

Format: Digital & CD
Label: Peloton Musique
Title:  Under
Artist:  Manifold
# Songs : 11
CAT#: PEL004
Release: June 2012
Distribution: Baseware
Press Contact: Aron Schoppert,  press@peloton-musique.org

Manifold Motion is a performance group which interweaves dance, interactive technology, visual art, and sonic landscapes to create original, experimental, evening-length productions.   Manifold works with a rotating cast of Seattle based musicians for all their performances.

The first five songs represent the original score to Manifold Motion’s hit production “Under” which took the audience into the darker reaches; a beguiling re-imagination of natural growth, decay, disease, and perseverance.   The original score was an active collaboration between composer and dancer across a broad range of character themes inspired by arcane figures of the under world.  

Peloton asked original artists to reconstruct each others compositions in their own vision outside the constraints of timed choreography and theatrical cue.  The result can perhaps be likened to other trends in what has been dubbed “Hauntology”, whereas Under exists amongst the ghosts of the under growth.  

Original Performance Funded in part by 4Culture and the Seattle Office of Arts and Cultural Affairs.]]></itunes:summary>
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                <pubDate>Fri, 22 Mar 2013 22:48:24 +0100</pubDate>
                
                <atom:updated>2013-03-22T22:48:24+01:00</atom:updated>
                
            
            
            <itunes:duration>8:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Noctavia's Lance]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-noctavias-lance/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/1/6/_/uploads/2814559/image_track/858591/w1400_h1400_q70_ptrue_v2_----cropped_b46ece526f91a2089659696c5d581609_1461691616.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>7:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Nüv]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-nv/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/6/_/uploads/2814559/image_track/858592/w1400_h1400_q70_ptrue_v2_----cropped_5f6329797410e7150aabdc01cd027f9a_1461691620.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>7:17</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Monki's Tear]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-monkis-tear/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/2/6/_/uploads/2814559/image_track/858593/w1400_h1400_q70_ptrue_v2_----cropped_826309503416143ecf21cddf751e504a_1461691626.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>2:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Whydoido]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-whydoido/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/6/_/uploads/2814559/image_track/858594/w1400_h1400_q70_ptrue_v2_----cropped_c05adf70e11108dcf2d1dd7afee50e40_1461691630.jpg" />
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>5:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Machine Green]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-machine-green/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/3/6/_/uploads/2814559/image_track/858595/w1400_h1400_q70_ptrue_v2_----cropped_189b9b3c91b00b2f7e36287738a4110b_1461691636.jpg" />
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>3:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Crimson Plateau]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-crimson-plateau/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/3/6/_/uploads/2814559/image_track/858596/w1400_h1400_q70_ptrue_v2_----cropped_db3da2653e1df94db5fe4ab8e1c98118_1461691639.jpg" />
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>10:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Forest Vox]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-forest-vox/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/6/_/uploads/2814559/image_track/858597/w1400_h1400_q70_ptrue_v2_----cropped_9fc141fe8de0f7ed5112ecabe7241e3e_1461691645.jpg" />
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>7:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Forbidden Peak master]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-forbidden-peak-master/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/4/6/_/uploads/2814559/image_track/858598/w1400_h1400_q70_ptrue_v2_----cropped_7b09da65c4cff867e91037baf3a9a12c_1461691647.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Tue, 12 Mar 2013 04:01:45 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:45+01:00</atom:updated>
                
            
            
            <itunes:duration>5:50</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Former Selv - Endless Passage]]></title>
            <link>https://hearthis.at/mmbvpwrw/former-selv-endless-passage/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/5/6/_/uploads/2814559/image_track/858599/w1400_h1400_q70_ptrue_v2_----cropped_1158ddc402fcdf685faf5b955d733216_1461691653.jpg" />
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                <pubDate>Tue, 12 Mar 2013 04:01:44 +0100</pubDate>
                
                <atom:updated>2013-03-12T04:01:44+01:00</atom:updated>
                
            
            
            <itunes:duration>3:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater vs aut0audi0 - Mud (Pi remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-vs-aut0audi0-mud-pi-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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                <pubDate>Fri, 09 Mar 2012 09:25:08 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:08+01:00</atom:updated>
                
            
            
            <itunes:duration>6:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater vs Joris Kamma - Stinkhorn (Dubstinker remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-vs-joris-kamma-stinkhorn-dubstinker-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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            <guid isPermaLink="false">858601</guid>
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                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>5:17</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 vs Crown Hill Repeater - Cordyceps (Stratospherism remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-vs-crown-hill-repeater-cordyceps-stratospherism-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/aut0audi0-vs-crown-hill-repeater-cordyceps-stratospherism-remix/listen.mp3?s=Vv7" length="0" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>11:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma vs aut0audi0 - Spore Addict (To The Gills remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-vs-aut0audi0-spore-addict-to-the-gills-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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            <guid isPermaLink="false">858603</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>5:21</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma vs Crown Hill Repeater - Spore Addict (Bass Rehab remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-vs-crown-hill-repeater-spore-addict-bass-rehab-remix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/joris-kamma-vs-crown-hill-repeater-spore-addict-bass-rehab-remix/listen.mp3?s=Mvb" length="0" />
            <guid isPermaLink="false">858604</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>5:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 vs Joris Kamma - Treegirl (Jill of the Jungle remix)]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-vs-joris-kamma-treegirl-jill-of-the-jungle-remix-NWG/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/aut0audi0-vs-joris-kamma-treegirl-jill-of-the-jungle-remix-NWG/listen.mp3?s=NWG" length="0" />
            <guid isPermaLink="false">858605</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>4:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater - Mud]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-mud/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/crown-hill-repeater-mud/listen.mp3?s=EWA" length="0" />
            <guid isPermaLink="false">858606</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>6:35</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Crown Hill Repeater - Stinkhorn]]></title>
            <link>https://hearthis.at/mmbvpwrw/crown-hill-repeater-stinkhorn/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/crown-hill-repeater-stinkhorn/listen.mp3?s=wnk" length="0" />
            <guid isPermaLink="false">858607</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:07 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:07+01:00</atom:updated>
                
            
            
            <itunes:duration>9:22</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joris Kamma - Spore Addict]]></title>
            <link>https://hearthis.at/mmbvpwrw/joris-kamma-spore-addict/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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            <guid isPermaLink="false">858608</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:06 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:06+01:00</atom:updated>
                
            
            
            <itunes:duration>6:01</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 - Cordyceps]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-cordyceps-Sv2/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Interlude: Joris Kamma - Cave Drops]]></description>
            <googleplay:description><![CDATA[Interlude: Joris Kamma - Cave Drops]]></googleplay:description>
            <itunes:summary><![CDATA[Interlude: Joris Kamma - Cave Drops]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mmbvpwrw/aut0audi0-cordyceps-Sv2/listen.mp3?s=Sv2" length="7734751" />
            <guid isPermaLink="false">858609</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Mar 2012 09:25:06 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:06+01:00</atom:updated>
                
            
            
            <itunes:duration>8:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[aut0audi0 - Treegirl]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-treegirl-irU/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Prelude: Joris Kamma - Mycena Sylvaelucens]]></description>
            <googleplay:description><![CDATA[Prelude: Joris Kamma - Mycena Sylvaelucens]]></googleplay:description>
            <itunes:summary><![CDATA[Prelude: Joris Kamma - Mycena Sylvaelucens]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/6/6/_/uploads/dummy/user/w1400_h1400_q70_ptrue_v2_----cropped_user_00668.png" />
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            <guid isPermaLink="false">858610</guid>
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                <pubDate>Fri, 09 Mar 2012 09:25:06 +0100</pubDate>
                
                <atom:updated>2012-03-09T09:25:06+01:00</atom:updated>
                
            
            
            <itunes:duration>9:29</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/0/7/_/uploads/2814559/image_track/858611/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691704.jpg" />
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                <pubDate>Thu, 19 May 2011 02:50:26 +0200</pubDate>
                
                <atom:updated>2011-05-19T02:50:26+02:00</atom:updated>
                
            
            
            <itunes:duration>5:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Hanssen ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-hanssen/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/0/7/_/uploads/2814559/image_track/858612/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691708.jpg" />
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                <pubDate>Thu, 19 May 2011 02:50:26 +0200</pubDate>
                
                <atom:updated>2011-05-19T02:50:26+02:00</atom:updated>
                
            
            
            <itunes:duration>4:55</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Lusine Mix ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-lusine-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/1/7/_/uploads/2814559/image_track/858613/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691713.jpg" />
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                <pubDate>Thu, 19 May 2011 02:50:26 +0200</pubDate>
                
                <atom:updated>2011-05-19T02:50:26+02:00</atom:updated>
                
            
            
            <itunes:duration>5:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ The Sight Below Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-the-sight-below-rmx-SxG/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/7/_/uploads/2814559/image_track/858614/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691714.jpg" />
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                <pubDate>Thu, 19 May 2011 02:50:26 +0200</pubDate>
                
                <atom:updated>2011-05-19T02:50:26+02:00</atom:updated>
                
            
            
            <itunes:duration>6:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Jon McMillion Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-jon-mcmillion-rmx-OCi/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/1/7/_/uploads/2814559/image_track/858616/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691719.jpg" />
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                <pubDate>Thu, 19 May 2011 01:09:58 +0200</pubDate>
                
                <atom:updated>2011-05-19T01:09:58+02:00</atom:updated>
                
            
            
            <itunes:duration>8:11</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Ctrl Alt Del Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-ctrl-alt-del-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/2/7/_/uploads/2814559/image_track/858617/w1400_h1400_q70_ptrue_v2_----cropped_29e85ea12028e9c3399802e051a96fe2_1461691721.jpg" />
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                <pubDate>Thu, 19 May 2011 01:09:58 +0200</pubDate>
                
                <atom:updated>2011-05-19T01:09:58+02:00</atom:updated>
                
            
            
            <itunes:duration>6:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Nordic Soul Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-nordic-soul-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></description>
            <googleplay:description><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.<br />
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Welcome to part one of Peloton’s soundtrack for aeronauts, aviatrix contenders, dirigible riders, creatures of flight and all those in perpetual motion: The Taking Flight EP.“Taking Flight” is both metaphor for the label’s re-launch and a direct nod to the next collaborative theme that will take things to the skies with our upcoming theme “Birds in Flight”.
The Title track, “First Birds of Morning” produced by long time musical collaborator Stewart Walker, is the perfect introduction and pseudo-narrative for Peloton’s second theme in the series.After headlining the highly successful Peloton Launch party at Decibel Festival 2008, and later hearing of the label’s upcoming compilation,Stewart contributed “First Birds of Morning”.We commissioned Lusine (Jeff McIlwain) and The Sight Below (Rafael Anton Irisarri) for the first set of remixes who were both key proponents of the initial label’s launch with Bicycles Are Your Friends.Hanssen and Jon McMillion throw their wings open as Seattle's 5th wave.  This is just a preview with a few more remixes to come.
]]></itunes:summary>
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                <pubDate>Thu, 19 May 2011 01:09:58 +0200</pubDate>
                
                <atom:updated>2011-05-19T01:09:58+02:00</atom:updated>
                
            
            
            <itunes:duration>7:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Mister Leisure . Dr.Hofmann's Long Strange Tour]]></title>
            <link>https://hearthis.at/mmbvpwrw/mister-leisure-drhofmanns-long-strange-tour/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/7/_/uploads/2814559/image_track/858619/w1400_h1400_q70_ptrue_v2_----cropped_5ce123e37053e66d409a78aabf5e9418_1461691732.jpg" />
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                <pubDate>Wed, 30 Mar 2011 11:09:28 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:28+02:00</atom:updated>
                
            
            
            <itunes:duration>6:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Marshall Watson . Dutch Girls on Bikes]]></title>
            <link>https://hearthis.at/mmbvpwrw/marshall-watson-dutch-girls-on-bikes/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/3/7/_/uploads/2814559/image_track/858620/w1400_h1400_q70_ptrue_v2_----cropped_4868a142a0d89be21cd1558665138edc_1461691738.jpg" />
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                <pubDate>Wed, 30 Mar 2011 11:09:28 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:28+02:00</atom:updated>
                
            
            
            <itunes:duration>5:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[VIM . Chopper Chopped]]></title>
            <link>https://hearthis.at/mmbvpwrw/vim-chopper-chopped/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/4/7/_/uploads/2814559/image_track/858621/w1400_h1400_q70_ptrue_v2_----cropped_2a9be96b61037348fd6563ef0eb5abfe_1461691744.jpg" />
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                <pubDate>Wed, 30 Mar 2011 11:09:28 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:28+02:00</atom:updated>
                
            
            
            <itunes:duration>3:30</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Feathermeal . Under Leaves]]></title>
            <link>https://hearthis.at/mmbvpwrw/feathermeal-under-leaves/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/5/7/_/uploads/2814559/image_track/858622/w1400_h1400_q70_ptrue_v2_----cropped_b36b1fdda7f79409ed01310b02cbe10b_1461691751.jpg" />
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                <pubDate>Wed, 30 Mar 2011 11:09:28 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:28+02:00</atom:updated>
                
            
            
            <itunes:duration>2:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Obelus . Stationary]]></title>
            <link>https://hearthis.at/mmbvpwrw/obelus-stationary/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>3:53</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Scott Sunn . Interurban Trail]]></title>
            <link>https://hearthis.at/mmbvpwrw/scott-sunn-interurban-trail/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>4:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Place Feat dj Collage . Bike Ryda]]></title>
            <link>https://hearthis.at/mmbvpwrw/place-feat-dj-collage-bike-ryda/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>3:47</itunes:duration>
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            <title><![CDATA[Beat Conflicts . Broken Spoke]]></title>
            <link>https://hearthis.at/mmbvpwrw/beat-conflicts-broken-spoke/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>2:28</itunes:duration>
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        <item>
            <title><![CDATA[aut0audi0 . Golden Gardens]]></title>
            <link>https://hearthis.at/mmbvpwrw/aut0audi0-golden-gardens/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>3:47</itunes:duration>
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        <item>
            <title><![CDATA[ndCv . Blue Bike]]></title>
            <link>https://hearthis.at/mmbvpwrw/ndcv-blue-bike/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 11:09:27 +0200</pubDate>
                
                <atom:updated>2011-03-30T11:09:27+02:00</atom:updated>
                
            
            
            <itunes:duration>4:25</itunes:duration>
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        <item>
            <title><![CDATA[Ian Ginsing :. Peliokaan]]></title>
            <link>https://hearthis.at/mmbvpwrw/ian-ginsing-peliokaan/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>5:39</itunes:duration>
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        <item>
            <title><![CDATA[Relcad :. On Your Left]]></title>
            <link>https://hearthis.at/mmbvpwrw/relcad-on-your-left/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>7:33</itunes:duration>
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        <item>
            <title><![CDATA[Let's Go Outside :. Spoke And Dagger]]></title>
            <link>https://hearthis.at/mmbvpwrw/lets-go-outside-spoke-and-dagger/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>6:45</itunes:duration>
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        <item>
            <title><![CDATA[Jeff Samuel :. Paperboy]]></title>
            <link>https://hearthis.at/mmbvpwrw/jeff-samuel-paperboy/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>1:40</itunes:duration>
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            <title><![CDATA[Robert Anthony :. Bagger On The Apex]]></title>
            <link>https://hearthis.at/mmbvpwrw/robert-anthony-bagger-on-the-apex/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>5:06</itunes:duration>
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            <title><![CDATA[Misha :. Knickabocka]]></title>
            <link>https://hearthis.at/mmbvpwrw/misha-knickabocka/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>6:29</itunes:duration>
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        <item>
            <title><![CDATA[Twerk :. Penis Slapping Against The Leg Of A Naked Cyclist Drafting]]></title>
            <link>https://hearthis.at/mmbvpwrw/twerk-penis-slapping-against-the-leg-of-a-naked-cyclist-drafting/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:38 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:38+02:00</atom:updated>
                
            
            
            <itunes:duration>6:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[L'usine :. Beware The Door]]></title>
            <link>https://hearthis.at/mmbvpwrw/lusine-beware-the-door/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/1/8/_/uploads/2814559/image_track/858637/w1400_h1400_q70_ptrue_v2_----cropped_842cd86d9547cfbd69b684fc15ed8d92_1461691816.jpg" />
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                <pubDate>Wed, 30 Mar 2011 10:17:37 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:37+02:00</atom:updated>
                
            
            
            <itunes:duration>5:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Joe Mojo :. The Dexter Ascent]]></title>
            <link>https://hearthis.at/mmbvpwrw/joe-mojo-the-dexter-ascent/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:37 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:37+02:00</atom:updated>
                
            
            
            <itunes:duration>6:49</itunes:duration>
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        <item>
            <title><![CDATA[INCITE! :. BMX Lover]]></title>
            <link>https://hearthis.at/mmbvpwrw/incite-bmx-lover/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:37 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:37+02:00</atom:updated>
                
            
            
            <itunes:duration>5:42</itunes:duration>
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        <item>
            <title><![CDATA[Markus Nikolai :. Wheelsucker]]></title>
            <link>https://hearthis.at/mmbvpwrw/markus-nikolai-wheelsucker/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:37 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:37+02:00</atom:updated>
                
            
            
            <itunes:duration>6:49</itunes:duration>
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            <title><![CDATA[KJ Gibbs :.  KJ's Deep Dirt Bicycle Ride]]></title>
            <link>https://hearthis.at/mmbvpwrw/kj-gibbs-kjs-deep-dirt-bicycle-ride/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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                <pubDate>Wed, 30 Mar 2011 10:17:37 +0200</pubDate>
                
                <atom:updated>2011-03-30T10:17:37+02:00</atom:updated>
                
            
            
            <itunes:duration>6:14</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [Original Mix]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-original-mix/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/8/_/uploads/2814559/image_track/858642/w1400_h1400_q70_ptrue_v2_----cropped_191b6f877d79b5d18e7a11c81163a665_1461691832.jpg" />
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                <pubDate>Wed, 23 Mar 2011 01:57:07 +0100</pubDate>
                
                <atom:updated>2011-03-23T01:57:07+01:00</atom:updated>
                
            
            
            <itunes:duration>5:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker :. First Birds of Morning [[ The Sight Below Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-the-sight-below-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/3/8/_/uploads/2814559/image_track/858643/w1400_h1400_q70_ptrue_v2_----cropped_b596a6d328365b0f9362562aa0481b5c_1461691838.jpg" />
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                <pubDate>Wed, 23 Mar 2011 01:57:07 +0100</pubDate>
                
                <atom:updated>2011-03-23T01:57:07+01:00</atom:updated>
                
            
            
            <itunes:duration>6:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Lusine Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-lusine-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></description>
            <googleplay:description><![CDATA[Definition: pel·o·ton:
ˌpe-lə-ˈtän, ˈpe-lə-ˌtän
The peloton (from French, literally meaning little ball or platoon. Most used to describe the large main group of riders in a road bicycle race, such as the Tour De France.
Riders in a group save energy by riding close (drafting or slipstreaming) near(particularly behind) other riders. The peloton is not unlike the Northwest’s techno scene, which is now a recognized global force, with events such as the Decibel Festival importing top talent to the region, while Seattle, Portland and Vancouver return the favor by exporting planeloads of renowned and emerging producers among the various collectives.
Driven by a shared purpose and a sense of community, the scene has thrived in recent years, becoming both a wellspring for new talent and a must-play date for any touring artist.
Founded in this fertile environment, Peloton Musique aims to hold “techno” to its word – that it should be less of a “genre” than a new philosophy of music and sound, and a new way of thinking about their role in our lives.
“We want to create music for environments, for a specific time and place, as sonic theatre,” says Schoppert. “At the same time, community is one of our guiding principles – we want to be more than the s um of our parts supporting each other in the slipstream.”]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/4/8/_/uploads/2814559/image_track/858644/w1400_h1400_q70_ptrue_v2_----cropped_211770cfade0668763e217683cdc7945_1461691841.jpg" />
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                <pubDate>Wed, 23 Mar 2011 01:57:07 +0100</pubDate>
                
                <atom:updated>2011-03-23T01:57:07+01:00</atom:updated>
                
            
            
            <itunes:duration>5:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Hanssen Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-hanssen-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Hanssen Remix]]></description>
            <googleplay:description><![CDATA[Hanssen Remix]]></googleplay:description>
            <itunes:summary><![CDATA[Hanssen Remix]]></itunes:summary>
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                <pubDate>Tue, 15 Mar 2011 00:43:49 +0100</pubDate>
                
                <atom:updated>2011-03-15T00:43:49+01:00</atom:updated>
                
            
            
            <itunes:duration>5:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stewart Walker - First Birds of Morning [[ Jon McMillion Rmx ]]]]></title>
            <link>https://hearthis.at/mmbvpwrw/stewart-walker-first-birds-of-morning-jon-mcmillion-rmx/</link>
            <itunes:author><![CDATA[Peloton Musique]]></itunes:author>
            <description><![CDATA[Jon McMillion remix of Stewart Walker's First Birds of Morning for Peloton's upcoming Taking Flight remixes EP]]></description>
            <googleplay:description><![CDATA[Jon McMillion remix of Stewart Walker's First Birds of Morning for Peloton's upcoming Taking Flight remixes EP]]></googleplay:description>
            <itunes:summary><![CDATA[Jon McMillion remix of Stewart Walker's First Birds of Morning for Peloton's upcoming Taking Flight remixes EP]]></itunes:summary>
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                <pubDate>Mon, 14 Mar 2011 23:29:33 +0100</pubDate>
                
                <atom:updated>2011-03-14T23:29:33+01:00</atom:updated>
                
            
            
            <itunes:duration>8:11</itunes:duration>
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