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	<title><![CDATA[Mike Callander DJ archives 2002-2017]]></title>
	<link>https://hearthis.at/mike-callander-d4/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Mike Callander]]></itunes:subtitle>
	<itunes:author><![CDATA[Mike Callander]]></itunes:author>
	<googleplay:author><![CDATA[Mike Callander]]></googleplay:author>
	<itunes:summary><![CDATA[A Melbourne DJ veteran's recorded history. ]]></itunes:summary>
	<googleplay:description><![CDATA[Resident of Revolver and formerly Honkytonks, Mike Callander presents various recordings from his last fifteen years of DJing.]]></googleplay:description>
	<description><![CDATA[Resident of Revolver and formerly Honkytonks, Mike Callander presents various recordings from his last fifteen years of DJing.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Mike Callander]]></itunes:name>
	<itunes:email>mike@schoolofsynthesis.com</itunes:email>
	</itunes:owner>
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    <googleplay:owner>mike@schoolofsynthesis.com</googleplay:owner>
	<image>
      <link>https://hearthis.at/mike-callander-d4/</link>
      <title>Mike Callander DJ archives 2002-2017</title>
      <url>https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg</url>
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	<itunes:keywords><![CDATA[Mike Callander DJ techno revolver honkytonks ]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Mike Callander -  Confirmation Bias  DJ Mix]]></title>
            <link>https://hearthis.at/mike-callander-d4/mike-callander-confirmation-bias-dj-mix/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[As part of the confirmation process for my Masters research - into the production and performance tools and techniques of the Techno DJ - I submitted a short demonstration of the practice-led component... here it is. <br />
<br />
This is a DJ Mix, but is made up entirely by original works created in 2018, a year surrounded (and inspired) by ideas of pain and mortality. Don't worry, I'm OK, but having lost my Dad, some friends, students and others there's no escaping some of the darkness, and you can hear it here.<br />
<br />
For this mix I used the following: Play Differenly Model 1, NI Maschine, Korg Volca Beats, original works looped via CDJs and Ableton Live, modular synth rig - specifically here I used Mutable's Ears (a contact mic) and Mutable Rings (a resonator) - and a couple of delay pedals - Boss DD-500 and Line6 DL 4. <br />
<br />
Enjoy... <br />
<br />
]]></description>
            <googleplay:description><![CDATA[As part of the confirmation process for my Masters research - into the production and performance tools and techniques of the Techno DJ - I submitted a short demonstration of the practice-led component... here it is. <br />
<br />
This is a DJ Mix, but is made up entirely by original works created in 2018, a year surrounded (and inspired) by ideas of pain and mortality. Don't worry, I'm OK, but having lost my Dad, some friends, students and others there's no escaping some of the darkness, and you can hear it here.<br />
<br />
For this mix I used the following: Play Differenly Model 1, NI Maschine, Korg Volca Beats, original works looped via CDJs and Ableton Live, modular synth rig - specifically here I used Mutable's Ears (a contact mic) and Mutable Rings (a resonator) - and a couple of delay pedals - Boss DD-500 and Line6 DL 4. <br />
<br />
Enjoy... <br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[As part of the confirmation process for my Masters research - into the production and performance tools and techniques of the Techno DJ - I submitted a short demonstration of the practice-led component... here it is. 

This is a DJ Mix, but is made up entirely by original works created in 2018, a year surrounded (and inspired) by ideas of pain and mortality. Don't worry, I'm OK, but having lost my Dad, some friends, students and others there's no escaping some of the darkness, and you can hear it here.

For this mix I used the following: Play Differenly Model 1, NI Maschine, Korg Volca Beats, original works looped via CDJs and Ableton Live, modular synth rig - specifically here I used Mutable's Ears (a contact mic) and Mutable Rings (a resonator) - and a couple of delay pedals - Boss DD-500 and Line6 DL 4. 

Enjoy... 

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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                <pubDate>Tue, 18 Sep 2018 08:29:00 +0200</pubDate>
                
                <atom:updated>2018-09-18T08:29:00+02:00</atom:updated>
                
            
            
            <itunes:duration>22:45</itunes:duration>
        </item>
        <item>
            <title><![CDATA[31. Mike Callander Kontrast Mini Mix, December 2016]]></title>
            <link>https://hearthis.at/mike-callander-d4/31-mike-callander-kontrast-mini-mix-december-2016/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[And finally, here we arrive at number 31 of 31 mixes for March. The obsessive compulsive among us will also appreciate that the mix runs just over 31 minutes. <br />
<br />
This is the Kontrast mini-mix. I didn't do it that long ago, and it's a very small series thus far, but I thoroughly enjoyed the challenge of working a lot of material and a range of styles into such a short time frame. Here I'm back mixing old vinyl alongside fresh downloads and mashing techno with Tame Impala.<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[And finally, here we arrive at number 31 of 31 mixes for March. The obsessive compulsive among us will also appreciate that the mix runs just over 31 minutes. <br />
<br />
This is the Kontrast mini-mix. I didn't do it that long ago, and it's a very small series thus far, but I thoroughly enjoyed the challenge of working a lot of material and a range of styles into such a short time frame. Here I'm back mixing old vinyl alongside fresh downloads and mashing techno with Tame Impala.<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[And finally, here we arrive at number 31 of 31 mixes for March. The obsessive compulsive among us will also appreciate that the mix runs just over 31 minutes. 

This is the Kontrast mini-mix. I didn't do it that long ago, and it's a very small series thus far, but I thoroughly enjoyed the challenge of working a lot of material and a range of styles into such a short time frame. Here I'm back mixing old vinyl alongside fresh downloads and mashing techno with Tame Impala.

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <guid isPermaLink="false">1230496</guid>
            <category><![CDATA[Music]]></category>
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                <pubDate>Fri, 31 Mar 2017 09:31:01 +0200</pubDate>
                
                <atom:updated>2017-03-31T09:31:01+02:00</atom:updated>
                
            
            
            <itunes:duration>31:30</itunes:duration>
        </item>
        <item>
            <title><![CDATA[30. Mike Callander Balance Selections (March16) 2016]]></title>
            <link>https://hearthis.at/mike-callander-d4/30-mike-callander-balance-selections-march16-2016/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Balance is not only an Australian institution, but is recognised worldwide as one of the tastemaker brands that catches artists way ahead of the curve, or celebrates the renaissance of a master. Of course the invitation to mix "Balance Selections" is not the same honour as their official releases, but it's still a worthy series and a pleasure to be included alongside such greats.  <br />
<br />
Again I tried to capture the full scope of an MC set and condense it into the hour they prescribe. It means I start out slowly and work quickly through a range of sub-genres, while trying to focus on quality programming more than anything too tricky. I still enjoy the occasional listen to this. <br />
<br />
For the trainspotters, in the middle there somewhere is a remix of The Jezabels' "Pleasure Drive" that was the first zero Percent production to see daylight (Zero Percent is my project with Kim Moyes, and we also have a label called Here To Hell launching some time this year). <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[Balance is not only an Australian institution, but is recognised worldwide as one of the tastemaker brands that catches artists way ahead of the curve, or celebrates the renaissance of a master. Of course the invitation to mix "Balance Selections" is not the same honour as their official releases, but it's still a worthy series and a pleasure to be included alongside such greats.  <br />
<br />
Again I tried to capture the full scope of an MC set and condense it into the hour they prescribe. It means I start out slowly and work quickly through a range of sub-genres, while trying to focus on quality programming more than anything too tricky. I still enjoy the occasional listen to this. <br />
<br />
For the trainspotters, in the middle there somewhere is a remix of The Jezabels' "Pleasure Drive" that was the first zero Percent production to see daylight (Zero Percent is my project with Kim Moyes, and we also have a label called Here To Hell launching some time this year). <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[Balance is not only an Australian institution, but is recognised worldwide as one of the tastemaker brands that catches artists way ahead of the curve, or celebrates the renaissance of a master. Of course the invitation to mix "Balance Selections" is not the same honour as their official releases, but it's still a worthy series and a pleasure to be included alongside such greats.  

Again I tried to capture the full scope of an MC set and condense it into the hour they prescribe. It means I start out slowly and work quickly through a range of sub-genres, while trying to focus on quality programming more than anything too tricky. I still enjoy the occasional listen to this. 

For the trainspotters, in the middle there somewhere is a remix of The Jezabels' "Pleasure Drive" that was the first zero Percent production to see daylight (Zero Percent is my project with Kim Moyes, and we also have a label called Here To Hell launching some time this year). 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <guid isPermaLink="false">1230494</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Thu, 30 Mar 2017 09:19:01 +0200</pubDate>
                
                <atom:updated>2017-03-30T09:19:01+02:00</atom:updated>
                
            
            
            <itunes:duration>1:04:18</itunes:duration>
        </item>
        <item>
            <title><![CDATA[29. Mike Callander at Rex Club, Paris, 13 March 2015]]></title>
            <link>https://hearthis.at/mike-callander-d4/29-mike-callander-at-rex-club-paris-13-march-2015/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[I've played at the legendary Rex Club in Paris a few times now, and it's always an incredible honour. Rex Club has an ENORMOUS sound system and a very passionate team of staff who remember you when you return, so it feels like the perfect environment to let loose.  This set comes from a Thursday night closing set at "Hello", the night run by Gregory "Pepperpot" Lambert, one of the most underrated DJs around. <br />
<br />
As I was on closing duties, I needed to keep the energy levels high and deliver loads of variety to convince the mad Parisiens to stick around and ruin their Friday. A personal highlight from this set was dropping Laurent Garnier's "The Force" to a hometown crowd. I remember a similar feeling (believe it or not!) when in 2006 I played at Sugar in Adelaide, and dropped HMC's "Phreakin'", only to see the man himself pop his head up and very humbly acknowledge the choice. <br />
<br />
x MC<br />
<br />
]]></description>
            <googleplay:description><![CDATA[I've played at the legendary Rex Club in Paris a few times now, and it's always an incredible honour. Rex Club has an ENORMOUS sound system and a very passionate team of staff who remember you when you return, so it feels like the perfect environment to let loose.  This set comes from a Thursday night closing set at "Hello", the night run by Gregory "Pepperpot" Lambert, one of the most underrated DJs around. <br />
<br />
As I was on closing duties, I needed to keep the energy levels high and deliver loads of variety to convince the mad Parisiens to stick around and ruin their Friday. A personal highlight from this set was dropping Laurent Garnier's "The Force" to a hometown crowd. I remember a similar feeling (believe it or not!) when in 2006 I played at Sugar in Adelaide, and dropped HMC's "Phreakin'", only to see the man himself pop his head up and very humbly acknowledge the choice. <br />
<br />
x MC<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[I've played at the legendary Rex Club in Paris a few times now, and it's always an incredible honour. Rex Club has an ENORMOUS sound system and a very passionate team of staff who remember you when you return, so it feels like the perfect environment to let loose.  This set comes from a Thursday night closing set at "Hello", the night run by Gregory "Pepperpot" Lambert, one of the most underrated DJs around. 

As I was on closing duties, I needed to keep the energy levels high and deliver loads of variety to convince the mad Parisiens to stick around and ruin their Friday. A personal highlight from this set was dropping Laurent Garnier's "The Force" to a hometown crowd. I remember a similar feeling (believe it or not!) when in 2006 I played at Sugar in Adelaide, and dropped HMC's "Phreakin'", only to see the man himself pop his head up and very humbly acknowledge the choice. 

x MC

]]></itunes:summary>
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Wed, 29 Mar 2017 09:10:01 +0200</pubDate>
                
                <atom:updated>2017-03-29T09:10:01+02:00</atom:updated>
                
            
            
            <itunes:duration>1:41:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[28. Mike Callander mix for Glamorama, 2015]]></title>
            <link>https://hearthis.at/mike-callander-d4/28-mike-callander-mix-for-glamorama-2015/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This is a funny one... I was offered a Saturday night residency at a brand new club, and to set the tone for the night and let people know what they could expect we released a mix... then the 'residency' lasted only a week.  <br />
<br />
I really love the music herein and was excited to present similar on a weekly basis, but about 20 minutes into my first set I got the "can you play something with vocals?" directive from the bar manager... and needless to say I didn't think myself the man for the job. The residency lasted a week, but I still enjoy the mix and I'm glad to see that since this time the club has found a nice groove (no hard feelings - sometimes it's all about connecting the right DJ with the right audience). <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[This is a funny one... I was offered a Saturday night residency at a brand new club, and to set the tone for the night and let people know what they could expect we released a mix... then the 'residency' lasted only a week.  <br />
<br />
I really love the music herein and was excited to present similar on a weekly basis, but about 20 minutes into my first set I got the "can you play something with vocals?" directive from the bar manager... and needless to say I didn't think myself the man for the job. The residency lasted a week, but I still enjoy the mix and I'm glad to see that since this time the club has found a nice groove (no hard feelings - sometimes it's all about connecting the right DJ with the right audience). <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[This is a funny one... I was offered a Saturday night residency at a brand new club, and to set the tone for the night and let people know what they could expect we released a mix... then the 'residency' lasted only a week.  

I really love the music herein and was excited to present similar on a weekly basis, but about 20 minutes into my first set I got the "can you play something with vocals?" directive from the bar manager... and needless to say I didn't think myself the man for the job. The residency lasted a week, but I still enjoy the mix and I'm glad to see that since this time the club has found a nice groove (no hard feelings - sometimes it's all about connecting the right DJ with the right audience). 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 28 Mar 2017 09:03:01 +0200</pubDate>
                
                <atom:updated>2017-03-28T09:03:01+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[27. Mike Callander - AU Underground Mix 2014/2015]]></title>
            <link>https://hearthis.at/mike-callander-d4/27-mike-callander-au-underground-mix-2014/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[AU Underground invited me to submit a podcast to their excellent series. I recorded it around xmas/new year 2014/2015 and then it aired soon after. <br />
<br />
I'm not sure that they provide everyone with a brief the same as me, or if they do it's interesting to hear the interpretations, (ha!) but for me it was all about delivering a listening mix, rather than a series of dancefloor bangers.<br />
<br />
There's some super-stripped back versions of my own tracks alongside a range of listening favourites. <br />
<br />
Enjoy! <br />
x MC]]></description>
            <googleplay:description><![CDATA[AU Underground invited me to submit a podcast to their excellent series. I recorded it around xmas/new year 2014/2015 and then it aired soon after. <br />
<br />
I'm not sure that they provide everyone with a brief the same as me, or if they do it's interesting to hear the interpretations, (ha!) but for me it was all about delivering a listening mix, rather than a series of dancefloor bangers.<br />
<br />
There's some super-stripped back versions of my own tracks alongside a range of listening favourites. <br />
<br />
Enjoy! <br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[AU Underground invited me to submit a podcast to their excellent series. I recorded it around xmas/new year 2014/2015 and then it aired soon after. 

I'm not sure that they provide everyone with a brief the same as me, or if they do it's interesting to hear the interpretations, (ha!) but for me it was all about delivering a listening mix, rather than a series of dancefloor bangers.

There's some super-stripped back versions of my own tracks alongside a range of listening favourites. 

Enjoy! 
x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Mon, 27 Mar 2017 09:30:01 +0200</pubDate>
                
                <atom:updated>2017-03-27T09:30:01+02:00</atom:updated>
                
            
            
            <itunes:duration>1:01:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[26. Mike Callander at My Aeon 4, 2014]]></title>
            <link>https://hearthis.at/mike-callander-d4/26-mike-callander-at-my-aeon-4-2014/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[...part 4 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></description>
            <googleplay:description><![CDATA[...part 4 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></googleplay:description>
            <itunes:summary><![CDATA[...part 4 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <guid isPermaLink="false">1230441</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sun, 26 Mar 2017 09:30:02 +0200</pubDate>
                
                <atom:updated>2017-03-26T09:30:02+02:00</atom:updated>
                
            
            
            <itunes:duration>1:25:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[25. Mike Callander at My Aeon 3, 2014]]></title>
            <link>https://hearthis.at/mike-callander-d4/25-mike-callander-at-my-aeon-3-2014/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[...part 3 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></description>
            <googleplay:description><![CDATA[...part 3 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></googleplay:description>
            <itunes:summary><![CDATA[...part 3 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <guid isPermaLink="false">1230432</guid>
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sat, 25 Mar 2017 09:57:01 +0100</pubDate>
                
                <atom:updated>2017-03-25T09:57:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:27</itunes:duration>
        </item>
        <item>
            <title><![CDATA[24. Mike Callander at My Aeon 2, 2014]]></title>
            <link>https://hearthis.at/mike-callander-d4/24-mike-callander-at-my-aeon-2-2014/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[...part 2 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></description>
            <googleplay:description><![CDATA[...part 2 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></googleplay:description>
            <itunes:summary><![CDATA[...part 2 of 4 from My Aeon in December 2014. See part 1 for a full description. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/24-mike-callander-at-my-aeon-2-2014/listen.mp3?s=PtQ" length="146517805" />
            <guid isPermaLink="false">1230426</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 24 Mar 2017 09:54:01 +0100</pubDate>
                
                <atom:updated>2017-03-24T09:54:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:01:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[23. Mike Callander at My Aeon 1, 2014]]></title>
            <link>https://hearthis.at/mike-callander-d4/23-mike-callander-at-my-aeon-1-2014/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[At the end of 2014 I was invited to play a "legends set" at My Aeon. I'm still not sure how I feel about this kind of concept... on one hand I am very grateful for the historical interest and ongoing support from promoters and punters alike, and of course I relish the opportunity to hog the stage and be self indulgent in my selections... <br />
<br />
...but on the other hand I'm concerned about playing the "veteran" card. I feel like I have more excitement for DJing than ever before, and still a lot to offer the listeners and dancers of various generations. <br />
<br />
This series of 4 mixes (all recorded from the same night) demonstrates perfectly that sometimes you need to let the dancefloor decide what you'll do. I had orginally set out to play this indulgent range of slow ambient, hip hop and pop before building it into a techno crescendo across the 5-6 hours, but upon my arrival at the club I knew immediately that this wasn't gonna fly. Andrew Till, himself more a DJ veteran than me, was doing the warmup and already had the dancefloor locked into a hypnotic acid groove. (This is not a dig at Andrew, it's an acknowledgement that he, like me, is sometimes a slave to the mercy of what the dancefloor wants, and he delivered it perfectly). So I ran with that groove and it was quite a few hours before I started dipping into the classics (at least in a fashion any more retrospective than a normal night). <br />
<br />
By the time I arrived at My Aeon and hit 'record' I'd already played my residency at Revolver, so this extended set turned the night into an absolute marathon. I hope you dig it!<br />
<br />
xx MC]]></description>
            <googleplay:description><![CDATA[At the end of 2014 I was invited to play a "legends set" at My Aeon. I'm still not sure how I feel about this kind of concept... on one hand I am very grateful for the historical interest and ongoing support from promoters and punters alike, and of course I relish the opportunity to hog the stage and be self indulgent in my selections... <br />
<br />
...but on the other hand I'm concerned about playing the "veteran" card. I feel like I have more excitement for DJing than ever before, and still a lot to offer the listeners and dancers of various generations. <br />
<br />
This series of 4 mixes (all recorded from the same night) demonstrates perfectly that sometimes you need to let the dancefloor decide what you'll do. I had orginally set out to play this indulgent range of slow ambient, hip hop and pop before building it into a techno crescendo across the 5-6 hours, but upon my arrival at the club I knew immediately that this wasn't gonna fly. Andrew Till, himself more a DJ veteran than me, was doing the warmup and already had the dancefloor locked into a hypnotic acid groove. (This is not a dig at Andrew, it's an acknowledgement that he, like me, is sometimes a slave to the mercy of what the dancefloor wants, and he delivered it perfectly). So I ran with that groove and it was quite a few hours before I started dipping into the classics (at least in a fashion any more retrospective than a normal night). <br />
<br />
By the time I arrived at My Aeon and hit 'record' I'd already played my residency at Revolver, so this extended set turned the night into an absolute marathon. I hope you dig it!<br />
<br />
xx MC]]></googleplay:description>
            <itunes:summary><![CDATA[At the end of 2014 I was invited to play a "legends set" at My Aeon. I'm still not sure how I feel about this kind of concept... on one hand I am very grateful for the historical interest and ongoing support from promoters and punters alike, and of course I relish the opportunity to hog the stage and be self indulgent in my selections... 

...but on the other hand I'm concerned about playing the "veteran" card. I feel like I have more excitement for DJing than ever before, and still a lot to offer the listeners and dancers of various generations. 

This series of 4 mixes (all recorded from the same night) demonstrates perfectly that sometimes you need to let the dancefloor decide what you'll do. I had orginally set out to play this indulgent range of slow ambient, hip hop and pop before building it into a techno crescendo across the 5-6 hours, but upon my arrival at the club I knew immediately that this wasn't gonna fly. Andrew Till, himself more a DJ veteran than me, was doing the warmup and already had the dancefloor locked into a hypnotic acid groove. (This is not a dig at Andrew, it's an acknowledgement that he, like me, is sometimes a slave to the mercy of what the dancefloor wants, and he delivered it perfectly). So I ran with that groove and it was quite a few hours before I started dipping into the classics (at least in a fashion any more retrospective than a normal night). 

By the time I arrived at My Aeon and hit 'record' I'd already played my residency at Revolver, so this extended set turned the night into an absolute marathon. I hope you dig it!

xx MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 23 Mar 2017 09:39:01 +0100</pubDate>
                
                <atom:updated>2017-03-23T09:39:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:02:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[22. Mike Callander at Power Station (after Jimmy Edgar), 2014]]></title>
            <link>https://hearthis.at/mike-callander-d4/22-mike-callander-at-survivor-2014-after-jimmy-edgar/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[I played very late one night after Jimm Edgar. The opening track is an original by me with my own weird pitched vocal about an annoying dude who used to always corner me at shows and ask for gigs while I was trying to enjoy the moment. I couldn't get the vocal right in the end, and I ended up commissioning another friend to do it instead... in the end neither track was released. I think the music is pretty great, and it was certainly getting the job done on the dancefloor, but the vocal remains a little awkward. Maybe someone will step in and get it right one day? <br />
<br />
In any case the mix perfectly displays the sound and style of my sets at Power Station. <br />
<br />
Enjoy! xx MC<br />
<br />
]]></description>
            <googleplay:description><![CDATA[I played very late one night after Jimm Edgar. The opening track is an original by me with my own weird pitched vocal about an annoying dude who used to always corner me at shows and ask for gigs while I was trying to enjoy the moment. I couldn't get the vocal right in the end, and I ended up commissioning another friend to do it instead... in the end neither track was released. I think the music is pretty great, and it was certainly getting the job done on the dancefloor, but the vocal remains a little awkward. Maybe someone will step in and get it right one day? <br />
<br />
In any case the mix perfectly displays the sound and style of my sets at Power Station. <br />
<br />
Enjoy! xx MC<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[I played very late one night after Jimm Edgar. The opening track is an original by me with my own weird pitched vocal about an annoying dude who used to always corner me at shows and ask for gigs while I was trying to enjoy the moment. I couldn't get the vocal right in the end, and I ended up commissioning another friend to do it instead... in the end neither track was released. I think the music is pretty great, and it was certainly getting the job done on the dancefloor, but the vocal remains a little awkward. Maybe someone will step in and get it right one day? 

In any case the mix perfectly displays the sound and style of my sets at Power Station. 

Enjoy! xx MC

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/22-mike-callander-at-survivor-2014-after-jimmy-edgar/listen.mp3?s=NSy" length="260337622" />
            <guid isPermaLink="false">1230400</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 22 Mar 2017 09:11:01 +0100</pubDate>
                
                <atom:updated>2017-03-22T09:11:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:48:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[21. Mike Callander mix for Let Them Eat Cake, 2013]]></title>
            <link>https://hearthis.at/mike-callander-d4/21-mike-callander-mix-for-let-them-eat-cake-2013/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[In preparation for my set at Let Them Eat Cake on NYD 2014 the team asked me to put together a promo mix. As always, it's a mix of old and new, and lot of these tracks still get plenty of rotation in my sets in 2017. ]]></description>
            <googleplay:description><![CDATA[In preparation for my set at Let Them Eat Cake on NYD 2014 the team asked me to put together a promo mix. As always, it's a mix of old and new, and lot of these tracks still get plenty of rotation in my sets in 2017. ]]></googleplay:description>
            <itunes:summary><![CDATA[In preparation for my set at Let Them Eat Cake on NYD 2014 the team asked me to put together a promo mix. As always, it's a mix of old and new, and lot of these tracks still get plenty of rotation in my sets in 2017. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/21-mike-callander-mix-for-let-them-eat-cake-2013/listen.mp3?s=0EU" length="172953661" />
            <guid isPermaLink="false">1230392</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 21 Mar 2017 09:30:01 +0100</pubDate>
                
                <atom:updated>2017-03-21T09:30:01+01:00</atom:updated>
                
            
            
            <itunes:duration>3:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[20. Pulse.063 - Mike Callander, 2012]]></title>
            <link>https://hearthis.at/mike-callander-d4/20-pulse063-mike-callander-2012/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[By the time I was invited, Pulse radio had built a pretty impressive list of podcast contributors, so I was excited to get involved. My approach in general to this format has always been to seek out the home listener while also giving a taste of what it's like to hear me DJ in a club, so it sets off slowly but attempts to cover lots of varied musical territory. <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[By the time I was invited, Pulse radio had built a pretty impressive list of podcast contributors, so I was excited to get involved. My approach in general to this format has always been to seek out the home listener while also giving a taste of what it's like to hear me DJ in a club, so it sets off slowly but attempts to cover lots of varied musical territory. <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[By the time I was invited, Pulse radio had built a pretty impressive list of podcast contributors, so I was excited to get involved. My approach in general to this format has always been to seek out the home listener while also giving a taste of what it's like to hear me DJ in a club, so it sets off slowly but attempts to cover lots of varied musical territory. 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/20-pulse063-mike-callander-2012/listen.mp3?s=1d5" length="176640634" />
            <guid isPermaLink="false">1230391</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 20 Mar 2017 09:39:01 +0100</pubDate>
                
                <atom:updated>2017-03-20T09:39:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:13:31</itunes:duration>
        </item>
        <item>
            <title><![CDATA[19. Melbourne Deepcast 030  Mike Callander, 2010]]></title>
            <link>https://hearthis.at/mike-callander-d4/19-melbourne-deepcast-030-mike-callander-2010/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[The dawgs at Melbourne Deepcast created such an important podcast series. I remember hearing the first few and being totally impressed, and I reaaaaaally wanted to do one. The invitation to record #30 was therefore very exciting, and I tried to really fuck with the format in terms of technique, while at the same time remaining relevant to the listener. I edited the crap out of several tunes to facilitate the mix, and I think this may be the first time I ever played one of my own tunes on a published recording? <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[The dawgs at Melbourne Deepcast created such an important podcast series. I remember hearing the first few and being totally impressed, and I reaaaaaally wanted to do one. The invitation to record #30 was therefore very exciting, and I tried to really fuck with the format in terms of technique, while at the same time remaining relevant to the listener. I edited the crap out of several tunes to facilitate the mix, and I think this may be the first time I ever played one of my own tunes on a published recording? <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[The dawgs at Melbourne Deepcast created such an important podcast series. I remember hearing the first few and being totally impressed, and I reaaaaaally wanted to do one. The invitation to record #30 was therefore very exciting, and I tried to really fuck with the format in terms of technique, while at the same time remaining relevant to the listener. I edited the crap out of several tunes to facilitate the mix, and I think this may be the first time I ever played one of my own tunes on a published recording? 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
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            <guid isPermaLink="false">1230386</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 19 Mar 2017 09:31:01 +0100</pubDate>
                
                <atom:updated>2017-03-19T09:31:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:17:19</itunes:duration>
        </item>
        <item>
            <title><![CDATA[18. Mike Callander  Dance on Speakers  Mix November 2009]]></title>
            <link>https://hearthis.at/mike-callander-d4/18-mike-callander-dance-on-speakers-mix-november-2009/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Apologies in advance for the shitty resolution on this mix... hopefully the music makes up for it! <br />
<br />
This was recorded at my Sunday morning residency at Sorry Grandma... another Michael Delany concept that kept me in the game. I used to play 5 hours every Sunday morning at a time that other clubs would close, so we enjoyed a mental energy that I embraced. <br />
<br />
Later it was used by The Likes Of You for their podcast, and I'm glad they were organised enough to put this on record so that I can use it here. <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[Apologies in advance for the shitty resolution on this mix... hopefully the music makes up for it! <br />
<br />
This was recorded at my Sunday morning residency at Sorry Grandma... another Michael Delany concept that kept me in the game. I used to play 5 hours every Sunday morning at a time that other clubs would close, so we enjoyed a mental energy that I embraced. <br />
<br />
Later it was used by The Likes Of You for their podcast, and I'm glad they were organised enough to put this on record so that I can use it here. <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[Apologies in advance for the shitty resolution on this mix... hopefully the music makes up for it! 

This was recorded at my Sunday morning residency at Sorry Grandma... another Michael Delany concept that kept me in the game. I used to play 5 hours every Sunday morning at a time that other clubs would close, so we enjoyed a mental energy that I embraced. 

Later it was used by The Likes Of You for their podcast, and I'm glad they were organised enough to put this on record so that I can use it here. 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/8/7/_/uploads/8007971/image_track/1230383/w1400_h1400_q70_ptrue_v2_----cropped_1488160783.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/18-mike-callander-dance-on-speakers-mix-november-2009/listen.mp3?s=4CZ" length="46286295" />
            <guid isPermaLink="false">1230383</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 18 Mar 2017 09:25:01 +0100</pubDate>
                
                <atom:updated>2017-03-18T09:25:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:03:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[17. Berlin Sessions Promo (April 2009)]]></title>
            <link>https://hearthis.at/mike-callander-d4/17-berlin-sessions-promo-april-2009/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[In 2009 Future Classic hadn't yet discovered Flume, and they were throwing parties that explored German techno and other related sounds that suited me perfectly. They were clever enough to have Beck's beer as a sponsor though, hence the title of this mix. <br />
<br />
I still listen to this mix for pleasure, and I think it sits alongside those for Honkytonks and Sunny as one of my best on record. <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[In 2009 Future Classic hadn't yet discovered Flume, and they were throwing parties that explored German techno and other related sounds that suited me perfectly. They were clever enough to have Beck's beer as a sponsor though, hence the title of this mix. <br />
<br />
I still listen to this mix for pleasure, and I think it sits alongside those for Honkytonks and Sunny as one of my best on record. <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[In 2009 Future Classic hadn't yet discovered Flume, and they were throwing parties that explored German techno and other related sounds that suited me perfectly. They were clever enough to have Beck's beer as a sponsor though, hence the title of this mix. 

I still listen to this mix for pleasure, and I think it sits alongside those for Honkytonks and Sunny as one of my best on record. 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/17-berlin-sessions-promo-april-2009/listen.mp3?s=Iw5" length="111901400" />
            <guid isPermaLink="false">1230381</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 17 Mar 2017 09:18:01 +0100</pubDate>
                
                <atom:updated>2017-03-17T09:18:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:17:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[16. Mike Callander Triple J mixup residency June 2008 pt.3]]></title>
            <link>https://hearthis.at/mike-callander-d4/16-mike-callander-triple-j-mixup-residency-june-2008-pt3/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[...part 3 of my Triple J Mixup residency in 2008.]]></description>
            <googleplay:description><![CDATA[...part 3 of my Triple J Mixup residency in 2008.]]></googleplay:description>
            <itunes:summary><![CDATA[...part 3 of my Triple J Mixup residency in 2008.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/16-mike-callander-triple-j-mixup-residency-june-2008-pt3/listen.mp3?s=sUG" length="145735135" />
            <guid isPermaLink="false">1230379</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 16 Mar 2017 09:16:01 +0100</pubDate>
                
                <atom:updated>2017-03-16T09:16:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[15. Mike Callander Triple J mixup residency June 2008 pt.2]]></title>
            <link>https://hearthis.at/mike-callander-d4/15-mike-callander-triple-j-mixup-residency-june-2008-pt2/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[...part 2 of my Triple J Mixup residency in 2008.<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[...part 2 of my Triple J Mixup residency in 2008.<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[...part 2 of my Triple J Mixup residency in 2008.

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/15-mike-callander-triple-j-mixup-residency-june-2008-pt2/listen.mp3?s=BGj" length="145520931" />
            <guid isPermaLink="false">1230375</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 15 Mar 2017 09:15:01 +0100</pubDate>
                
                <atom:updated>2017-03-15T09:15:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:37</itunes:duration>
        </item>
        <item>
            <title><![CDATA[14. Mike Callander Triple J mixup residency June 2008 pt.1]]></title>
            <link>https://hearthis.at/mike-callander-d4/14-mike-callander-triple-j-mixup-residency-june-2008-pt1/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[In 2008 I was invited by Triple J to undertake a Mixup residency for a month. Sadly I only have 3 of the 4 mixes I did for the national broadcaster, but you'll get the idea of what I tried to do throughout. There's a mix of Aussie music in there alongside the newest stuff I could find at the time... with the task of hunting music made much easier than before, as I'd newly embraced digital technology, and "everybody could get everything". <br />
<br />
It's amusing to me that 9 years later I'm playing vinyl again, not because I'm a romantic, but because there is so much crap out there now it's a way for me to focus in on some of the better stuff. Anyway, at the time it was a great feeling to have instant access to the latest releases, and these Triple J Mixup residency mixes are a good snapshot of that period from my perspective.<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[In 2008 I was invited by Triple J to undertake a Mixup residency for a month. Sadly I only have 3 of the 4 mixes I did for the national broadcaster, but you'll get the idea of what I tried to do throughout. There's a mix of Aussie music in there alongside the newest stuff I could find at the time... with the task of hunting music made much easier than before, as I'd newly embraced digital technology, and "everybody could get everything". <br />
<br />
It's amusing to me that 9 years later I'm playing vinyl again, not because I'm a romantic, but because there is so much crap out there now it's a way for me to focus in on some of the better stuff. Anyway, at the time it was a great feeling to have instant access to the latest releases, and these Triple J Mixup residency mixes are a good snapshot of that period from my perspective.<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[In 2008 I was invited by Triple J to undertake a Mixup residency for a month. Sadly I only have 3 of the 4 mixes I did for the national broadcaster, but you'll get the idea of what I tried to do throughout. There's a mix of Aussie music in there alongside the newest stuff I could find at the time... with the task of hunting music made much easier than before, as I'd newly embraced digital technology, and "everybody could get everything". 

It's amusing to me that 9 years later I'm playing vinyl again, not because I'm a romantic, but because there is so much crap out there now it's a way for me to focus in on some of the better stuff. Anyway, at the time it was a great feeling to have instant access to the latest releases, and these Triple J Mixup residency mixes are a good snapshot of that period from my perspective.

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/14-mike-callander-triple-j-mixup-residency-june-2008-pt1/listen.mp3?s=a0z" length="145165666" />
            <guid isPermaLink="false">1230364</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 14 Mar 2017 09:07:01 +0100</pubDate>
                
                <atom:updated>2017-03-14T09:07:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:29</itunes:duration>
        </item>
        <item>
            <title><![CDATA[13. Mike Callander mix for Sunny, 2007]]></title>
            <link>https://hearthis.at/mike-callander-d4/13-mike-callander-mix-for-sunny-2007/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Another important gig for post-Honkytonks-Mike was Sunny. I started playing there quite some time before Honky's closed, but this mix came from the invitation to record the Sunny promo in 2007. Even though these were not official releases, the invitation was considered quite the honour.<br />
<br />
It's one of the last vinyl-only mixes I recorded, and along with my Honkytonks: The Last Dance CD release from 2006 it'd have to be my favourite. <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[Another important gig for post-Honkytonks-Mike was Sunny. I started playing there quite some time before Honky's closed, but this mix came from the invitation to record the Sunny promo in 2007. Even though these were not official releases, the invitation was considered quite the honour.<br />
<br />
It's one of the last vinyl-only mixes I recorded, and along with my Honkytonks: The Last Dance CD release from 2006 it'd have to be my favourite. <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[Another important gig for post-Honkytonks-Mike was Sunny. I started playing there quite some time before Honky's closed, but this mix came from the invitation to record the Sunny promo in 2007. Even though these were not official releases, the invitation was considered quite the honour.

It's one of the last vinyl-only mixes I recorded, and along with my Honkytonks: The Last Dance CD release from 2006 it'd have to be my favourite. 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/13-mike-callander-mix-for-sunny-2007/listen.mp3?s=Sg5" length="168189965" />
            <guid isPermaLink="false">1230290</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 13 Mar 2017 09:35:01 +0100</pubDate>
                
                <atom:updated>2017-03-13T09:35:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:10:04</itunes:duration>
        </item>
        <item>
            <title><![CDATA[12. Mike Callander for Nano, 2007]]></title>
            <link>https://hearthis.at/mike-callander-d4/12-mike-callander-for-nano-2007/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This mix was recorded at Nano, and again I can feel this innate sense of time and place. I had returned from a string of gigs in Europe, and was inspired by the experience and the reception. I had a thirst for the craft of DJing as an exercise in so much more than track selection, and I set out to mix quickly through a range of styles, while of course needing to keep the techno dancefloor entertained. <br />
<br />
This became a promo CD for the night, and I'm still very proud and happy to listen to it myself :)<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[This mix was recorded at Nano, and again I can feel this innate sense of time and place. I had returned from a string of gigs in Europe, and was inspired by the experience and the reception. I had a thirst for the craft of DJing as an exercise in so much more than track selection, and I set out to mix quickly through a range of styles, while of course needing to keep the techno dancefloor entertained. <br />
<br />
This became a promo CD for the night, and I'm still very proud and happy to listen to it myself :)<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[This mix was recorded at Nano, and again I can feel this innate sense of time and place. I had returned from a string of gigs in Europe, and was inspired by the experience and the reception. I had a thirst for the craft of DJing as an exercise in so much more than track selection, and I set out to mix quickly through a range of styles, while of course needing to keep the techno dancefloor entertained. 

This became a promo CD for the night, and I'm still very proud and happy to listen to it myself :)

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/12-mike-callander-for-nano-2007/listen.mp3?s=GVL" length="186023234" />
            <guid isPermaLink="false">1229590</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 12 Mar 2017 09:32:02 +0100</pubDate>
                
                <atom:updated>2017-03-12T09:32:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:17:30</itunes:duration>
        </item>
        <item>
            <title><![CDATA[11. Mike Callander at Nano before Fumiya Tanaka, 2007]]></title>
            <link>https://hearthis.at/mike-callander-d4/11-mike-callander-at-nano-before-fumiya-tanaka-2007/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[In the post-Honkytonks era, an important event popped up to save me (in terms of DJ inspiration and direction). Nano started in a little Greek restaurant with a crappy sound system, but quickly grew into a bigger and better space at Miss Libertine, with a monster sound system and a loyal following. Here we hosted "minimal" artists such as Fumiya Tanaka and Monolake. Of course you can't call things "minimal" any more... thanks Beatport! <br />
<br />
Recorded during Chinese New Year, this set was briefly interrupted by a Chinese Dragon dance (I left the announcement of the dance in the mix for historical purposes) before Tanaka took to the decks. <br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[In the post-Honkytonks era, an important event popped up to save me (in terms of DJ inspiration and direction). Nano started in a little Greek restaurant with a crappy sound system, but quickly grew into a bigger and better space at Miss Libertine, with a monster sound system and a loyal following. Here we hosted "minimal" artists such as Fumiya Tanaka and Monolake. Of course you can't call things "minimal" any more... thanks Beatport! <br />
<br />
Recorded during Chinese New Year, this set was briefly interrupted by a Chinese Dragon dance (I left the announcement of the dance in the mix for historical purposes) before Tanaka took to the decks. <br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[In the post-Honkytonks era, an important event popped up to save me (in terms of DJ inspiration and direction). Nano started in a little Greek restaurant with a crappy sound system, but quickly grew into a bigger and better space at Miss Libertine, with a monster sound system and a loyal following. Here we hosted "minimal" artists such as Fumiya Tanaka and Monolake. Of course you can't call things "minimal" any more... thanks Beatport! 

Recorded during Chinese New Year, this set was briefly interrupted by a Chinese Dragon dance (I left the announcement of the dance in the mix for historical purposes) before Tanaka took to the decks. 

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/11-mike-callander-at-nano-before-fumiya-tanaka-2007/listen.mp3?s=LAX" length="115624299" />
            <guid isPermaLink="false">1229553</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 11 Mar 2017 09:34:02 +0100</pubDate>
                
                <atom:updated>2017-03-11T09:34:02+01:00</atom:updated>
                
            
            
            <itunes:duration>48:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[10. Honkytonks - The Last Dance (Mike Callander), 2006:2007]]></title>
            <link>https://hearthis.at/mike-callander-d4/10-honkytonks-the-last-dance-mike-callander-20062007/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This mix was my heart and soul that year (2006). I spent months licensing each of the tracks and compiled and mixed one of the two discs alongside fellow resident Aram, and we saw this CD land on record store shelves around the world. It was a thrill to have someone send a photo of the cover (featuring "Billy Ray Jesus by Michael Delany, haha!) from Tokyo, or a note telling me "I'm at a lock-in at this club in Berlin and they're playing your mix". It felt like the Honkytonks message was international, and I was incredibly honoured to be a messenger. <br />
 <br />
It was also a sad time. The club closed in the days after NYE 2007 (that was one helluva party!) and we said goodbye to a legend. I hit the road that year for my first European gigs at clubs such as Watergate and Cookies in Berlin, Low Club in Madrid and others. When I returned to Melbourne it felt kind of empty, but thankfully not for long. <br />
<br />
More mixes to come! x MC  ]]></description>
            <googleplay:description><![CDATA[This mix was my heart and soul that year (2006). I spent months licensing each of the tracks and compiled and mixed one of the two discs alongside fellow resident Aram, and we saw this CD land on record store shelves around the world. It was a thrill to have someone send a photo of the cover (featuring "Billy Ray Jesus by Michael Delany, haha!) from Tokyo, or a note telling me "I'm at a lock-in at this club in Berlin and they're playing your mix". It felt like the Honkytonks message was international, and I was incredibly honoured to be a messenger. <br />
 <br />
It was also a sad time. The club closed in the days after NYE 2007 (that was one helluva party!) and we said goodbye to a legend. I hit the road that year for my first European gigs at clubs such as Watergate and Cookies in Berlin, Low Club in Madrid and others. When I returned to Melbourne it felt kind of empty, but thankfully not for long. <br />
<br />
More mixes to come! x MC  ]]></googleplay:description>
            <itunes:summary><![CDATA[This mix was my heart and soul that year (2006). I spent months licensing each of the tracks and compiled and mixed one of the two discs alongside fellow resident Aram, and we saw this CD land on record store shelves around the world. It was a thrill to have someone send a photo of the cover (featuring "Billy Ray Jesus by Michael Delany, haha!) from Tokyo, or a note telling me "I'm at a lock-in at this club in Berlin and they're playing your mix". It felt like the Honkytonks message was international, and I was incredibly honoured to be a messenger. 
 
It was also a sad time. The club closed in the days after NYE 2007 (that was one helluva party!) and we said goodbye to a legend. I hit the road that year for my first European gigs at clubs such as Watergate and Cookies in Berlin, Low Club in Madrid and others. When I returned to Melbourne it felt kind of empty, but thankfully not for long. 

More mixes to come! x MC  ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/10-honkytonks-the-last-dance-mike-callander-20062007/listen.mp3?s=TIq" length="177511510" />
            <guid isPermaLink="false">1229517</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 10 Mar 2017 06:53:55 +0100</pubDate>
                
                <atom:updated>2017-03-10T06:53:55+01:00</atom:updated>
                
            
            
            <itunes:duration>1:13:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[9. Mike Callander mix for Honkytonks, 2005]]></title>
            <link>https://hearthis.at/mike-callander-d4/9-mike-callander-mix-for-honkytonks-2005/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This mix was a promo for Honkytonks, designed to promote the sound of our Saturday night residency in an era before Soundcloud and Youtube prevailed. <br />
<br />
Funnily I can't remember anything about the recording of this mix... in reference to earlier sets from my archive I mentioned this ability to visualise the mix as it happened... but with the success of Honkytonks came much celebration, and the good times cost me a few brain cells and made for some blurry memories. It was totally worth it, however, and we have this mix as a partial record of what happened, even though I can't tell you anything else about it.<br />
<br />
This mix is interesting when compared to the next in my archive series... this promo was an "anything goes" journey in diversity, while the next was an official mix CD release for which the brief was "make it timeless"... so I guess between the two there's a solid record of what we were doing with the night and what I was doing with my DJing.<br />
<br />
x MC<br />
<br />
]]></description>
            <googleplay:description><![CDATA[This mix was a promo for Honkytonks, designed to promote the sound of our Saturday night residency in an era before Soundcloud and Youtube prevailed. <br />
<br />
Funnily I can't remember anything about the recording of this mix... in reference to earlier sets from my archive I mentioned this ability to visualise the mix as it happened... but with the success of Honkytonks came much celebration, and the good times cost me a few brain cells and made for some blurry memories. It was totally worth it, however, and we have this mix as a partial record of what happened, even though I can't tell you anything else about it.<br />
<br />
This mix is interesting when compared to the next in my archive series... this promo was an "anything goes" journey in diversity, while the next was an official mix CD release for which the brief was "make it timeless"... so I guess between the two there's a solid record of what we were doing with the night and what I was doing with my DJing.<br />
<br />
x MC<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[This mix was a promo for Honkytonks, designed to promote the sound of our Saturday night residency in an era before Soundcloud and Youtube prevailed. 

Funnily I can't remember anything about the recording of this mix... in reference to earlier sets from my archive I mentioned this ability to visualise the mix as it happened... but with the success of Honkytonks came much celebration, and the good times cost me a few brain cells and made for some blurry memories. It was totally worth it, however, and we have this mix as a partial record of what happened, even though I can't tell you anything else about it.

This mix is interesting when compared to the next in my archive series... this promo was an "anything goes" journey in diversity, while the next was an official mix CD release for which the brief was "make it timeless"... so I guess between the two there's a solid record of what we were doing with the night and what I was doing with my DJing.

x MC

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/9-mike-callander-mix-for-honkytonks-2005/listen.mp3?s=7pq" length="155708664" />
            <guid isPermaLink="false">1227241</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 09 Mar 2017 07:04:22 +0100</pubDate>
                
                <atom:updated>2017-03-09T07:04:22+01:00</atom:updated>
                
            
            
            <itunes:duration>1:04:52</itunes:duration>
        </item>
        <item>
            <title><![CDATA[8. Mike Callander and Damian Laird at Honkytonks, September 2005 (before Superpitcher)]]></title>
            <link>https://hearthis.at/mike-callander-d4/8-mike-callander-and-damian-laird-at-honkytonks-september-2005-before-superpitcher/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Another mix from the legendary Honkytonks... this time playing alongside my Melbourne mentor, Damian Laird (with whom I worked for a record distributor called Listen 24-7 - that's where we scored all the dope vinyl in this set!) in support of Superpitcher, who is still one of my dear friends and an incredible inspiration. <br />
<br />
More Honkytonks memories to come! x MC]]></description>
            <googleplay:description><![CDATA[Another mix from the legendary Honkytonks... this time playing alongside my Melbourne mentor, Damian Laird (with whom I worked for a record distributor called Listen 24-7 - that's where we scored all the dope vinyl in this set!) in support of Superpitcher, who is still one of my dear friends and an incredible inspiration. <br />
<br />
More Honkytonks memories to come! x MC]]></googleplay:description>
            <itunes:summary><![CDATA[Another mix from the legendary Honkytonks... this time playing alongside my Melbourne mentor, Damian Laird (with whom I worked for a record distributor called Listen 24-7 - that's where we scored all the dope vinyl in this set!) in support of Superpitcher, who is still one of my dear friends and an incredible inspiration. 

More Honkytonks memories to come! x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/8-mike-callander-and-damian-laird-at-honkytonks-september-2005-before-superpitcher/listen.mp3?s=7iy" length="191617705" />
            <guid isPermaLink="false">1227158</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 08 Mar 2017 06:00:18 +0100</pubDate>
                
                <atom:updated>2017-03-08T06:00:18+01:00</atom:updated>
                
            
            
            <itunes:duration>1:19:50</itunes:duration>
        </item>
        <item>
            <title><![CDATA[7. Mike Callander at Honkytonks, 2005 (before Matthew Dear)]]></title>
            <link>https://hearthis.at/mike-callander-d4/7-mike-callander-at-honkytonks-2005-before-matthew-dear/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[In 2005 I was 25 years old, playing as a resident in one of the greatest nightclubs in Australian (and arguably international) history, and I'm sure I was entirely unaware of how much it would shape the rest of my DJ career. Honkytonks.<br />
<br />
Matthew Dear visited Australia for the first time in the second half of that year, and he gave me nothing but support for this set. His words of encouragement set me off on a hungry quest to be warming up for all of my favourite and most inspirational artists. The additional support of Michael Delany from Honkytonks over those years helped me achieve that goal, and throughout that pursuit I developed the confidence to play anywhere and with anyone. <br />
<br />
This is the first of 4 sets I'll share from that Honkytonks era...<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[In 2005 I was 25 years old, playing as a resident in one of the greatest nightclubs in Australian (and arguably international) history, and I'm sure I was entirely unaware of how much it would shape the rest of my DJ career. Honkytonks.<br />
<br />
Matthew Dear visited Australia for the first time in the second half of that year, and he gave me nothing but support for this set. His words of encouragement set me off on a hungry quest to be warming up for all of my favourite and most inspirational artists. The additional support of Michael Delany from Honkytonks over those years helped me achieve that goal, and throughout that pursuit I developed the confidence to play anywhere and with anyone. <br />
<br />
This is the first of 4 sets I'll share from that Honkytonks era...<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[In 2005 I was 25 years old, playing as a resident in one of the greatest nightclubs in Australian (and arguably international) history, and I'm sure I was entirely unaware of how much it would shape the rest of my DJ career. Honkytonks.

Matthew Dear visited Australia for the first time in the second half of that year, and he gave me nothing but support for this set. His words of encouragement set me off on a hungry quest to be warming up for all of my favourite and most inspirational artists. The additional support of Michael Delany from Honkytonks over those years helped me achieve that goal, and throughout that pursuit I developed the confidence to play anywhere and with anyone. 

This is the first of 4 sets I'll share from that Honkytonks era...

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/7-mike-callander-at-honkytonks-2005-before-matthew-dear/listen.mp3?s=1cs" length="191786998" />
            <guid isPermaLink="false">1227081</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 07 Mar 2017 07:45:29 +0100</pubDate>
                
                <atom:updated>2017-03-07T07:45:29+01:00</atom:updated>
                
            
            
            <itunes:duration>1:19:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[6. Mike Callander on Triple J mixup 2004]]></title>
            <link>https://hearthis.at/mike-callander-d4/6-mike-callander-on-triple-j-mixup-2004/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Again with this mix I feel this uncanny sense of time and place. It aired on Triple J Mixup in 2004, but I can remember recording it one Saturday afternoon in my new house in West Melbourne after being out all night gigging. The next door neighbour was not impressed, and I had Nicole Foote from Triple J calling me to say "I really need that mix!" before her show that night. <br />
<br />
Somehow I can remember all this while I listen... and yet I don't think it captures any of that urgency just by the selection alone. <br />
<br />
Anyway, I hope you're enjoying this mix and the other 31 from the archives that I've scheduled for publication this month :)<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[Again with this mix I feel this uncanny sense of time and place. It aired on Triple J Mixup in 2004, but I can remember recording it one Saturday afternoon in my new house in West Melbourne after being out all night gigging. The next door neighbour was not impressed, and I had Nicole Foote from Triple J calling me to say "I really need that mix!" before her show that night. <br />
<br />
Somehow I can remember all this while I listen... and yet I don't think it captures any of that urgency just by the selection alone. <br />
<br />
Anyway, I hope you're enjoying this mix and the other 31 from the archives that I've scheduled for publication this month :)<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[Again with this mix I feel this uncanny sense of time and place. It aired on Triple J Mixup in 2004, but I can remember recording it one Saturday afternoon in my new house in West Melbourne after being out all night gigging. The next door neighbour was not impressed, and I had Nicole Foote from Triple J calling me to say "I really need that mix!" before her show that night. 

Somehow I can remember all this while I listen... and yet I don't think it captures any of that urgency just by the selection alone. 

Anyway, I hope you're enjoying this mix and the other 31 from the archives that I've scheduled for publication this month :)

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/6-mike-callander-on-triple-j-mixup-2004/listen.mp3?s=GJB" length="153865534" />
            <guid isPermaLink="false">1227070</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 06 Mar 2017 09:31:02 +0100</pubDate>
                
                <atom:updated>2017-03-06T09:31:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:04:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[5. Mike Callander, techno mix, some time in 2004]]></title>
            <link>https://hearthis.at/mike-callander-d4/5-mike-callander-techno-mix-some-time-in-2004/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This mix was recorded in my bedroom, in an apartment in Windsor (Victoria, Australia), in 2004. Isn't it incredible that we can attach the combination of these sounds to a vision of a time and place? I didn't write anything about the mix on the disc from which it was extracted, but in my mind I can recall perfectly the room in which it happened and some of what I felt when recording it. There's a snare drum from Speedy J in there that still gives me thrills when it drops. <br />
<br />
Thanks for listening! xx MC]]></description>
            <googleplay:description><![CDATA[This mix was recorded in my bedroom, in an apartment in Windsor (Victoria, Australia), in 2004. Isn't it incredible that we can attach the combination of these sounds to a vision of a time and place? I didn't write anything about the mix on the disc from which it was extracted, but in my mind I can recall perfectly the room in which it happened and some of what I felt when recording it. There's a snare drum from Speedy J in there that still gives me thrills when it drops. <br />
<br />
Thanks for listening! xx MC]]></googleplay:description>
            <itunes:summary><![CDATA[This mix was recorded in my bedroom, in an apartment in Windsor (Victoria, Australia), in 2004. Isn't it incredible that we can attach the combination of these sounds to a vision of a time and place? I didn't write anything about the mix on the disc from which it was extracted, but in my mind I can recall perfectly the room in which it happened and some of what I felt when recording it. There's a snare drum from Speedy J in there that still gives me thrills when it drops. 

Thanks for listening! xx MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/5-mike-callander-techno-mix-some-time-in-2004/listen.mp3?s=Drv" length="62813479" />
            <guid isPermaLink="false">1226215</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 05 Mar 2017 08:03:22 +0100</pubDate>
                
                <atom:updated>2017-03-05T08:03:22+01:00</atom:updated>
                
            
            
            <itunes:duration>1:05:25</itunes:duration>
        </item>
        <item>
            <title><![CDATA[4. Mike Callander at OTR, Perth, 2004]]></title>
            <link>https://hearthis.at/mike-callander-d4/4-mike-callander-at-otr-perth-2004/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[This is the second of two mixes from Perth in 2004. This one was a much different setting, and you'll hear that in the mix... it's a slower, more careful selection that's still representative of my DJing today. <br />
<br />
An excerpt of this mix was used as a promo to launch the Data On Dub Agency that was so instrumental to my development in the early days of my DJ career and became closely linked to my residency at Honkytonks. There are more mixes from Honky's to come in this series :)<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[This is the second of two mixes from Perth in 2004. This one was a much different setting, and you'll hear that in the mix... it's a slower, more careful selection that's still representative of my DJing today. <br />
<br />
An excerpt of this mix was used as a promo to launch the Data On Dub Agency that was so instrumental to my development in the early days of my DJ career and became closely linked to my residency at Honkytonks. There are more mixes from Honky's to come in this series :)<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[This is the second of two mixes from Perth in 2004. This one was a much different setting, and you'll hear that in the mix... it's a slower, more careful selection that's still representative of my DJing today. 

An excerpt of this mix was used as a promo to launch the Data On Dub Agency that was so instrumental to my development in the early days of my DJ career and became closely linked to my residency at Honkytonks. There are more mixes from Honky's to come in this series :)

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/4-mike-callander-at-otr-perth-2004/listen.mp3?s=o2k" length="73547601" />
            <guid isPermaLink="false">1226198</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 04 Mar 2017 09:24:01 +0100</pubDate>
                
                <atom:updated>2017-03-04T09:24:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:16:36</itunes:duration>
        </item>
        <item>
            <title><![CDATA[3. Mike Callander, techno set in Perth, 2004]]></title>
            <link>https://hearthis.at/mike-callander-d4/3-mike-callander-techno-set-in-perth-2004/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[I have two mixes to share from a string of dates in Perth in 2004... this is the first. It's tough and fast, and in stark contrast to the other that I'll share tomorrow. I think this party was called Assymmetric Rhythms? In any case, I remember it was incredible fun, and it was one of the first times I can remember really "playing to the crowd" in a way that was totally interactive and rewarding. <br />
<br />
I hope you dig it!<br />
<br />
x MC]]></description>
            <googleplay:description><![CDATA[I have two mixes to share from a string of dates in Perth in 2004... this is the first. It's tough and fast, and in stark contrast to the other that I'll share tomorrow. I think this party was called Assymmetric Rhythms? In any case, I remember it was incredible fun, and it was one of the first times I can remember really "playing to the crowd" in a way that was totally interactive and rewarding. <br />
<br />
I hope you dig it!<br />
<br />
x MC]]></googleplay:description>
            <itunes:summary><![CDATA[I have two mixes to share from a string of dates in Perth in 2004... this is the first. It's tough and fast, and in stark contrast to the other that I'll share tomorrow. I think this party was called Assymmetric Rhythms? In any case, I remember it was incredible fun, and it was one of the first times I can remember really "playing to the crowd" in a way that was totally interactive and rewarding. 

I hope you dig it!

x MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/3-mike-callander-techno-set-in-perth-2004/listen.mp3?s=2Rb" length="129811915" />
            <guid isPermaLink="false">1226135</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 03 Mar 2017 07:53:14 +0100</pubDate>
                
                <atom:updated>2017-03-03T07:53:14+01:00</atom:updated>
                
            
            
            <itunes:duration>2:15:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[2. Mike Callander at Double O Bar, October 2003]]></title>
            <link>https://hearthis.at/mike-callander-d4/2-mike-callander-at-double-o-bar-october-2003/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Hello again! Here we are with #2 of 31 mixes that I've unearthed from the archives and will publish (one each day) in March. <br />
<br />
This one is more in tune with my current taste and approach to DJing... it's interesting for me to listen to this some 14 years later and still hear my own signature sound. <br />
<br />
Enjoy! xx MC]]></description>
            <googleplay:description><![CDATA[Hello again! Here we are with #2 of 31 mixes that I've unearthed from the archives and will publish (one each day) in March. <br />
<br />
This one is more in tune with my current taste and approach to DJing... it's interesting for me to listen to this some 14 years later and still hear my own signature sound. <br />
<br />
Enjoy! xx MC]]></googleplay:description>
            <itunes:summary><![CDATA[Hello again! Here we are with #2 of 31 mixes that I've unearthed from the archives and will publish (one each day) in March. 

This one is more in tune with my current taste and approach to DJing... it's interesting for me to listen to this some 14 years later and still hear my own signature sound. 

Enjoy! xx MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/2-mike-callander-at-double-o-bar-october-2003/listen.mp3?s=Mqt" length="58605458" />
            <guid isPermaLink="false">1225970</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 02 Mar 2017 08:21:18 +0100</pubDate>
                
                <atom:updated>2017-03-02T08:21:18+01:00</atom:updated>
                
            
            
            <itunes:duration>1:01:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[1. Mike Callander for Fokus, 2002]]></title>
            <link>https://hearthis.at/mike-callander-d4/1-mike-callander-for-fokus-2002/</link>
            <itunes:author><![CDATA[Mike Callander]]></itunes:author>
            <description><![CDATA[Hello, friends! Here's the first of 31 recordings I unearthed from the archives since I started DJing (in public) in 2001. It's my birthday in March, so to celebrate I thought I'd publish one mix each day for the month. <br />
<br />
This first mix is harder and faster than the Mike you might know now... but it's an important part of my DJ history, from my first ever residency at Fokus. <br />
<br />
xx MC]]></description>
            <googleplay:description><![CDATA[Hello, friends! Here's the first of 31 recordings I unearthed from the archives since I started DJing (in public) in 2001. It's my birthday in March, so to celebrate I thought I'd publish one mix each day for the month. <br />
<br />
This first mix is harder and faster than the Mike you might know now... but it's an important part of my DJ history, from my first ever residency at Fokus. <br />
<br />
xx MC]]></googleplay:description>
            <itunes:summary><![CDATA[Hello, friends! Here's the first of 31 recordings I unearthed from the archives since I started DJing (in public) in 2001. It's my birthday in March, so to celebrate I thought I'd publish one mix each day for the month. 

This first mix is harder and faster than the Mike you might know now... but it's an important part of my DJ history, from my first ever residency at Fokus. 

xx MC]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/6/_/uploads/8007971/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1487752662.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/mike-callander-d4/1-mike-callander-for-fokus-2002/listen.mp3?s=dnN" length="34982041" />
            <guid isPermaLink="false">1225155</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 01 Mar 2017 09:14:01 +0100</pubDate>
                
                <atom:updated>2017-03-01T09:14:01+01:00</atom:updated>
                
            
            
            <itunes:duration>36:26</itunes:duration>
        </item>
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