Synths in meantone (near 2/7 comma) going into tanh distortion. EQs help differentiate background and lead synth, HPFs reduce muddiness somewhat, and slap-back reverb makes it sound larger. No processing on master bus. I like the screaming but musical harmonics that pop out of the distortion with meantone. May be a little harsh on the ears -- maybe more EQ work is needed and maybe there needs to be more space between the notes.
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