M.in, Zoo:Technique M.in
M.in feat D-Lee - I DOn't Dig Dis

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When global house player M.in takes things to the max, fans of his energetic trademark style know what time it is… it’s time for lowest depths, quirky synth sounds, jackin’ rhythms and heavy percussive drive, fueled with original vocals – for an allover feverish, addictive vibe. While researching on a jazzy tip with his 2011 album, M.in clearly wants to take all his club experience to the max this time. As he puts it himself: “It’s what I do best and like the most, to raaawkiiit!”

The max of joy, happiness and sweaty workout he brings will be good for your body and soul. Or as father Väth said lately to German Groove Magazine “Don’t forget to dance!” … Yes! “M.in to the M.ax” is all about dancing, prancing and dirty romancing. But mind you, M.in is far from delivering blunt functional tracks. His history of musical textures reaching from Soul, to House, Techno, Jazz, HipHop and more is interwoven with all his tracks. It’s the zest of his music that has evolved to peak in its comprised momentum now.
Evolution is the key to M.ins career: growing from a humble local DJ to a big pimpin’ trackforge, he stands more than tall with the full flavoured package of this album. Though u might not be able to walk upright after having churned it out with the full-on grooves he’s in charge of! The tracklist spells M.in’s realness by the titles alone… with slammers such as “Bass Boy”, “People In The Front” or “I’ll Bring You Love”. Having said it, M.in means it – bringin’ love for those who like to party loud or deep!

Besides his solo-tracks, communicator M.in collabs with a few good friends. Dennis Lee Taylor lends his sleazy voice to the humourous album opener “I Don’t Dig Dis”, delivering a deadly cool anthem for the night time, that is always the right time. And… of course fun(k) joker M.in is bullshitting you: for you will dig this so hard!
Just as much as his take on garage house together with Gunman or the fresh flow of M.in’s sexy re-fix for his discofied “Frauen Und Blumen”, together with Patrick Kunkel and Lenny Kraviz saxophone player Harold Tood (here on vocals). With “E Zumba” ending the album, M.in returns to some slightly latin-flavoured percussions that remind of his earlier works. So in the end, he moves forth and back through his own style file evolution to keep it “M.in to the M.ax” on all tracks. And as much as the new tracks are mere slammers: they keep that certain smirk in your face, which was always, what M.in aimed at the most: music with an “obsession for smiling faces”!