Thu, 23 Apr 2026 20:28:18 +0200 https://hearthis.at/lodsb/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/lodsb/ https://img.hearthis.at/5/0/0/_/uploads/19929/image_user/w1400_h1400_q70_ptrue_v2_----cropped_957e8278bf0844977b5f3a7894d64f8eret005.jpg no no https://hearthis.at/lodsb/holoapostatischer-frhsperling/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406979 no no Thu, 08 Jun 2017 18:12:50 +0200 2017-06-08T18:12:50+02:00 5:19 https://hearthis.at/lodsb/adhesive-skalarmeutik/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406984 no no Thu, 08 Jun 2017 18:12:50 +0200 2017-06-08T18:12:50+02:00 8:42 https://hearthis.at/lodsb/der-name-des-vaters-vs-der-zerbrochene-spiegel/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406989 no no Thu, 08 Jun 2017 18:12:50 +0200 2017-06-08T18:12:50+02:00 9:25 https://hearthis.at/lodsb/indifferentes-transkraniales-yogakalkl/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406993 no no Thu, 08 Jun 2017 18:12:50 +0200 2017-06-08T18:12:50+02:00 12:47 https://hearthis.at/lodsb/vexiertes-gestaltpathogen/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406995 no no Thu, 08 Jun 2017 18:12:49 +0200 2017-06-08T18:12:49+02:00 9:24 https://hearthis.at/lodsb/progressive-regressionsnumerologie-induzierter-operational-konditionierung/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1406998 no no Thu, 08 Jun 2017 18:12:49 +0200 2017-06-08T18:12:49+02:00 7:54 https://hearthis.at/lodsb/malefizische-maschinenelenktik/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1407001 no no Thu, 08 Jun 2017 18:12:49 +0200 2017-06-08T18:12:49+02:00 8:08 https://hearthis.at/lodsb/kognitiver-quecksilbersee-der-meinigkeit/
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]>
A follow up to the straight psychedelic headfuck techno on
Helicon1 {retort records; RET08, May 22, 2014}, Helicon2 draws its
references
mostly from 90s big beat, hip-hop and trance, with some occasional
excursions
to 80s R'n'B.

The album is mostly a synthesis of the experimental composition
and processing techniques started for the Aero album and the playful,
melody-centric voice leading found in the lazer.eyes.love album.

The Helicon series explores the bodysound relationship.
While contextually rooted in club music, compositionally all songs are
based around various techniques to interact with sound in real-time.
The series is, quasi, my playground to explore and discover
new methods while the "club music" & real-time control
impose contraints and limitations on the compositional form.
Helicon1 approached this search more conventionally with
hardware modular synth patches generating multi-track audio and simple
patch
parameterizations that are controlled for the recording. Helicon2
forgoes this
and instead shifted towards more broadband and high-frequency control data
based on accelerometer sensors/multi-touch input/... to control DSP.
Afterwards, cross-modulation techniques have been employed,
even for the mix-down, to give the compositional elements the opportunity
to interact or react, thus extending the organic flow of the composition.]]> 1407002 no no Thu, 08 Jun 2017 18:11:59 +0200 2017-06-08T18:11:59+02:00 5:38 https://hearthis.at/lodsb/helicon-1-usedom/ http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

♥]]> http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

♥]]> 63326 no no Sun, 03 Aug 2014 22:19:47 +0200 2014-08-03T22:19:47+02:00 7:56 https://hearthis.at/lodsb/helicon-1-pellworm/ http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

]]> http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

]]> 63323 no no Mon, 26 May 2014 00:00:00 +0200 2014-05-26T00:00:00+02:00 7:32 https://hearthis.at/lodsb/helicon-1-sylt/ http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

♥]]> http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1

♥]]> 63324 no no Sat, 02 Aug 2014 17:40:51 +0200 2014-08-02T17:40:51+02:00 9:54 https://hearthis.at/lodsb/aero-album-mix-2012/ 1407006 no no Wed, 28 Dec 2011 06:19:08 +0100 2011-12-28T06:19:08+01:00 10:54 https://hearthis.at/lodsb/lazereyeslove-album-preview-2009/
Music for acid-dropping couples // brainfuck-melody core
I wrote this album between 2007 and early 2009 in budapest - this is a child of love and labor ... and parallel universes.

Released as FINT03 ForceIntel/MillePlateaux

available @
zero inch http://www.zero-inch.com/artist/lodsb/album/Lazer.Eyes.Love/230873
boomkat http://boomkat.com/downloads/389344-lodsb-lazer-eyes-love
beatport http://beatport.com/s/r1vfrb
itunes http://itunes.apple.com/ch/album/lazer-eyes-love/id423813656
amazon http://www.amazon.com/gp/product/B004QSF7XM
etc.]]>
Music for acid-dropping couples // brainfuck-melody core
I wrote this album between 2007 and early 2009 in budapest - this is a child of love and labor ... and parallel universes.

Released as FINT03 ForceIntel/MillePlateaux

available @
zero inch http://www.zero-inch.com/artist/lodsb/album/Lazer.Eyes.Love/230873
boomkat http://boomkat.com/downloads/389344-lodsb-lazer-eyes-love
beatport http://beatport.com/s/r1vfrb
itunes http://itunes.apple.com/ch/album/lazer-eyes-love/id423813656
amazon http://www.amazon.com/gp/product/B004QSF7XM
etc.]]> 1407010 no no Sat, 07 May 2011 22:20:41 +0200 2011-05-07T22:20:41+02:00 48:41 https://hearthis.at/lodsb/ndstwtrstmix/ Some friends die young. Some friends die before you were born and some friends never knew that you are gonna be friends if you had not hit them with a bunch of one shot samples, the Amen & Funky Mule break, ripped appearances of MF Doom, Alanis Morissette, Britney Spears, Björk, Bubba Sparks and some others while doing backward-flips with your M1 abrams, dropping some insane tempi and desperately trying to be serious. Listen to LODSB fail: A rather humorous ride visting cumberstones of LODSB's major influences.
]]> Some friends die young. Some friends die before you were born and some friends never knew that you are gonna be friends if you had not hit them with a bunch of one shot samples, the Amen & Funky Mule break, ripped appearances of MF Doom, Alanis Morissette, Britney Spears, Björk, Bubba Sparks and some others while doing backward-flips with your M1 abrams, dropping some insane tempi and desperately trying to be serious. Listen to LODSB fail: A rather humorous ride visting cumberstones of LODSB's major influences.
]]> 1407016 no no Wed, 21 Oct 2009 20:22:37 +0200 2009-10-21T20:22:37+02:00 24:56