Fri, 24 Apr 2026 00:43:58 +0200 https://hearthis.at/korostyle/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/korostyle/ https://img.hearthis.at/7/9/6/_/uploads/20972/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1543116227697.jpg no no https://hearthis.at/korostyle/korostyle-badabadman/ MUSIC VIDEO: https://www.youtube.com/watch?v=eoPIqqZne_4
Prod: KOROstyle X JIKAY
Art by: @empressmothra
Video: @Samg.mov
Mastering: MWM Mastering Studios
]]> MUSIC VIDEO: https://www.youtube.com/watch?v=eoPIqqZne_4
Prod: KOROstyle X JIKAY
Art by: @empressmothra
Video: @Samg.mov
Mastering: MWM Mastering Studios
]]> 3750260 no no Tue, 01 Oct 2019 17:49:31 +0200 2019-10-01T17:49:31+02:00 2:27 https://hearthis.at/korostyle/korostyle-the-rewind-vol-11/ 3750242 no no Tue, 01 Oct 2019 17:42:57 +0200 2019-10-01T17:42:57+02:00 2:00:00 https://hearthis.at/korostyle/gb020-a-korostyle-my-long-shadow/ Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> 2588719 no no Tue, 25 Dec 2018 18:53:00 +0100 2018-12-25T18:53:00+01:00 1:20 https://hearthis.at/korostyle/gb020-b1-korostyle-body-mind-soul/ Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> 2588716 no no Tue, 25 Dec 2018 18:52:00 +0100 2018-12-25T18:52:00+01:00 1:20 https://hearthis.at/korostyle/gb020-b2-korostyle-firaga/ Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> Artwork by Accent Creative.
Mastering by Beau Thomas at Ten Eight Seven Mastering.

Written, Produced, Arranged & Recorded by Sadyr Diouf.]]> 2588714 no no Sun, 25 Nov 2018 03:49:05 +0100 2018-11-25T03:49:05+01:00 1:20 https://hearthis.at/korostyle/premiere-korostyle-bars-shapes-out-october-18/ Watch here - https://youtu.be/esjsMNXndoQ
@korostyle

Natif de Paris mais installé à Los Angeles, KOROstyle mène sa barque à sa guise depuis ses premières sorties, faisant abstraction des barrières entre grime ou dubstep en enchaînant les EPs sur plusieurs des institutions les plus reconnues de la scène : Slit Jockey, Section 8 ou MWM Recordings font partie de son palmarès à ce jour. Après la sortie de son très bon premier album Project: KOROkat l’année passée, le producteur a enchaîné avec plusieurs EPs illustrant son sens aiguisé d’une bass music à la signature sonore bien marquée dans ses aspérités urbaines ou la profondeur de ses basses.

Un trait que l’on retrouve sur Bars & Shapes, nouveau single auto-produit de l’artiste. On y retrouve KOROstyle aux manettes, mais aussi au micro, puisque le beat, qui allie le meilleur du grime et de la trap, souligne ici son flow, qui passe insensiblement en plein titre de l’anglais au français. La production, sombre et massive, se marie parfaitement à des vocaux qui viennent se fondre dans l’ensemble, dans un contraste entre vélocité des hats et puissance des kicks, respirations bien ménagées et placement toujours impeccable de la voix. Un hit en puissance donc : on n’en attendait pas moins de KOROstyle, mais cela ne retire rien à l’efficacité de ce « Bars & Shapes », bien au contraire.]]> Watch here - https://youtu.be/esjsMNXndoQ
@korostyle

Natif de Paris mais installé à Los Angeles, KOROstyle mène sa barque à sa guise depuis ses premières sorties, faisant abstraction des barrières entre grime ou dubstep en enchaînant les EPs sur plusieurs des institutions les plus reconnues de la scène : Slit Jockey, Section 8 ou MWM Recordings font partie de son palmarès à ce jour. Après la sortie de son très bon premier album Project: KOROkat l’année passée, le producteur a enchaîné avec plusieurs EPs illustrant son sens aiguisé d’une bass music à la signature sonore bien marquée dans ses aspérités urbaines ou la profondeur de ses basses.

Un trait que l’on retrouve sur Bars & Shapes, nouveau single auto-produit de l’artiste. On y retrouve KOROstyle aux manettes, mais aussi au micro, puisque le beat, qui allie le meilleur du grime et de la trap, souligne ici son flow, qui passe insensiblement en plein titre de l’anglais au français. La production, sombre et massive, se marie parfaitement à des vocaux qui viennent se fondre dans l’ensemble, dans un contraste entre vélocité des hats et puissance des kicks, respirations bien ménagées et placement toujours impeccable de la voix. Un hit en puissance donc : on n’en attendait pas moins de KOROstyle, mais cela ne retire rien à l’efficacité de ce « Bars & Shapes », bien au contraire.]]> 2454486 no no Tue, 16 Oct 2018 18:39:32 +0200 2018-10-16T18:39:32+02:00 2:35 https://hearthis.at/korostyle/korostyle-the-raid-premiere/
http://www.theuntz.com/news/korostyle-premieres-the-raid-from-new-slit-jockey-records-ep/

The Untz:
facebook.com/theuntz
twitter.com/theuntz
instagram.com/theuntz

KOROstyle:
www.KOROstyle.com
https://soundcloud.com/korostyle
https://www.facebook.com/pg/korostylemusic]]>
http://www.theuntz.com/news/korostyle-premieres-the-raid-from-new-slit-jockey-records-ep/

The Untz:
facebook.com/theuntz
twitter.com/theuntz
instagram.com/theuntz

KOROstyle:
www.KOROstyle.com
https://soundcloud.com/korostyle
https://www.facebook.com/pg/korostylemusic]]> 1846287 no no Sun, 08 Apr 2018 11:13:40 +0200 2018-04-08T11:13:40+02:00 2:28 https://hearthis.at/korostyle/korostyle-i-get/
Coming from France, of Senegalese decent, the L.A. implant experiences his highest excitement through music and the arts. With a background in breakdance, music and graffiti, the entity has manifested through different art forms creating a sense of KOROstyle. The music, the dance, the art represent the mediums in which the mind state of the entity KORO expresses itself.

Through his digital and vinyl catalog, the artist has gained a strong line of support in the Grime and Dubstep community from artists including Joe Nice, TRUTH, A-trak, Seven, Kelly Dean, DJ Cable, Conrank, Gremlinz, Sinistarr, Von D, Crises, ARtroniks, and more. With charting releases hitting the top 20 Beatport Dubstep Releases aswell as the Beatport Top 100 Dubstep Tracks, KOROstyle’s music continues to grace the sets and mixes of some of today’s leading artists worldwide. His music also being featured on various radio platforms including BBC Asian Network, Sub FM, Dubstep FM, Rood FM, Rinse FM as well as GetdarkerTV. He’s played shows in the Bristol U.K., Madrid Spain, China, and the East US coast, sharing the stage with A$APferg, Von D, Seven, Sir Spyro, Hi5ghost, Gridlok, Borgore, Run DMT, Bass Science, Krueger etc. KOROstyle continues to gain international support and recognition. 

The Untz “ KOROstyle is a legend in the making. True OG”

Hospital Records “Conscious vibrations that span many styles”

Complex UK “ We welcome this freshly discovered, yet promising young artist as he shares his boundary-breaking approaches in 140bpm music”

Simon B (GZUG) “As an artist and DJ he is able to blend bass music styles from both sides of the atlantic ocean with ease while bringing something that is identifiably his own”

Slit Jockey Records has been painting a passionate and articulate view of grime and grime influenced bass music since 2005. The label is operated by Starkey, Dev79 and El Carnicero and has released artists such as Conrank, J Beatz, Mr. Mitch, MIK, Doshy, Trim, Lenkemz, J-Sweet, DJ Cable, Stagga, Virus Syndicate, Warrior Queen, DJ Shiftee, Riko Dan, Spooky, Rustie and Mattwizard.]]>
Coming from France, of Senegalese decent, the L.A. implant experiences his highest excitement through music and the arts. With a background in breakdance, music and graffiti, the entity has manifested through different art forms creating a sense of KOROstyle. The music, the dance, the art represent the mediums in which the mind state of the entity KORO expresses itself.

Through his digital and vinyl catalog, the artist has gained a strong line of support in the Grime and Dubstep community from artists including Joe Nice, TRUTH, A-trak, Seven, Kelly Dean, DJ Cable, Conrank, Gremlinz, Sinistarr, Von D, Crises, ARtroniks, and more. With charting releases hitting the top 20 Beatport Dubstep Releases aswell as the Beatport Top 100 Dubstep Tracks, KOROstyle’s music continues to grace the sets and mixes of some of today’s leading artists worldwide. His music also being featured on various radio platforms including BBC Asian Network, Sub FM, Dubstep FM, Rood FM, Rinse FM as well as GetdarkerTV. He’s played shows in the Bristol U.K., Madrid Spain, China, and the East US coast, sharing the stage with A$APferg, Von D, Seven, Sir Spyro, Hi5ghost, Gridlok, Borgore, Run DMT, Bass Science, Krueger etc. KOROstyle continues to gain international support and recognition. 

The Untz “ KOROstyle is a legend in the making. True OG”

Hospital Records “Conscious vibrations that span many styles”

Complex UK “ We welcome this freshly discovered, yet promising young artist as he shares his boundary-breaking approaches in 140bpm music”

Simon B (GZUG) “As an artist and DJ he is able to blend bass music styles from both sides of the atlantic ocean with ease while bringing something that is identifiably his own”

Slit Jockey Records has been painting a passionate and articulate view of grime and grime influenced bass music since 2005. The label is operated by Starkey, Dev79 and El Carnicero and has released artists such as Conrank, J Beatz, Mr. Mitch, MIK, Doshy, Trim, Lenkemz, J-Sweet, DJ Cable, Stagga, Virus Syndicate, Warrior Queen, DJ Shiftee, Riko Dan, Spooky, Rustie and Mattwizard.]]> 1846271 no no Fri, 06 Apr 2018 02:12:00 +0200 2018-04-06T02:12:00+02:00 2:42 https://hearthis.at/korostyle/korostyle-keeper-of-time/
Coming from France, of Senegalese decent, the L.A. implant experiences his highest excitement through music and the arts. With a background in breakdance, music and graffiti, the entity has manifested through different art forms creating a sense of KOROstyle. The music, the dance, the art represent the mediums in which the mind state of the entity KORO expresses itself.

Through his digital and vinyl catalog, the artist has gained a strong line of support in the Grime and Dubstep community from artists including Joe Nice, TRUTH, A-trak, Seven, Kelly Dean, DJ Cable, Conrank, Gremlinz, Sinistarr, Von D, Crises, ARtroniks, and more. With charting releases hitting the top 20 Beatport Dubstep Releases aswell as the Beatport Top 100 Dubstep Tracks, KOROstyle’s music continues to grace the sets and mixes of some of today’s leading artists worldwide. His music also being featured on various radio platforms including BBC Asian Network, Sub FM, Dubstep FM, Rood FM, Rinse FM as well as GetdarkerTV. He’s played shows in the Bristol U.K., Madrid Spain, China, and the East US coast, sharing the stage with A$APferg, Von D, Seven, Sir Spyro, Hi5ghost, Gridlok, Borgore, Run DMT, Bass Science, Krueger etc. KOROstyle continues to gain international support and recognition.]]>
Coming from France, of Senegalese decent, the L.A. implant experiences his highest excitement through music and the arts. With a background in breakdance, music and graffiti, the entity has manifested through different art forms creating a sense of KOROstyle. The music, the dance, the art represent the mediums in which the mind state of the entity KORO expresses itself.

Through his digital and vinyl catalog, the artist has gained a strong line of support in the Grime and Dubstep community from artists including Joe Nice, TRUTH, A-trak, Seven, Kelly Dean, DJ Cable, Conrank, Gremlinz, Sinistarr, Von D, Crises, ARtroniks, and more. With charting releases hitting the top 20 Beatport Dubstep Releases aswell as the Beatport Top 100 Dubstep Tracks, KOROstyle’s music continues to grace the sets and mixes of some of today’s leading artists worldwide. His music also being featured on various radio platforms including BBC Asian Network, Sub FM, Dubstep FM, Rood FM, Rinse FM as well as GetdarkerTV. He’s played shows in the Bristol U.K., Madrid Spain, China, and the East US coast, sharing the stage with A$APferg, Von D, Seven, Sir Spyro, Hi5ghost, Gridlok, Borgore, Run DMT, Bass Science, Krueger etc. KOROstyle continues to gain international support and recognition.]]> 1841323 no no Thu, 05 Apr 2018 05:03:05 +0200 2018-04-05T05:03:05+02:00 3:18 https://hearthis.at/korostyle/korostyle-armed/
https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]>
https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]> 1767971 no no Fri, 16 Feb 2018 19:42:54 +0100 2018-02-16T19:42:54+01:00 3:15 https://hearthis.at/korostyle/korostyle-inky-riddim/
https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]>
https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]> 1767968 no no Fri, 16 Feb 2018 19:39:19 +0100 2018-02-16T19:39:19+01:00 3:20 https://hearthis.at/korostyle/korostyle-holier-breakboy/ https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]> https://www.facebook.com/korostylemusic/
https://soundcloud.com/korostyle]]> 1767964 no no Fri, 16 Feb 2018 19:35:07 +0100 2018-02-16T19:35:07+01:00 3:09 https://hearthis.at/korostyle/dj-absurds-bass-society-show-ft-korostyle-on-rinse-france-121017/ Tracklist:
KOROstyle - ??? (forthcoming)
KOROstyle - ??? (forthcoming)
KOROstyle - ??? ;)
Mumdance - Don’t Get Lemon ft Sir Spyro
Faze Miyake - Tenchu
BRCX WAYNX - Robbery
Las - Pocosink (Commodo Remix)
Badklaat - Original Sauce VIP VIP
K1 - Polotical
LTHL - UNTLD
Teddy Music - War Dub 2
Trends x Boylan - Norman Bates
Mr.Virgo - Next Tune
Jammz - The World
OH91 - 450.
G Jones - Syntax Error
P-Money - Where My Doe!
Mystry - Impulse
von D & DJ MADD - Over
Oh91 - Mind
Geode - Beluga
Dj Q - Will I Ever Be Free
Skelecta - Who’s The Hardest
Preditah - Circles
Spooky - Spartan (Soloman remix)
I Killed Kenny & Skelecta - On That
Trc - Oo Aa Ee (Royal-T Remix)
Rude Kid - Voices
KOROstyle - ???]]> Tracklist:
KOROstyle - ??? (forthcoming)
KOROstyle - ??? (forthcoming)
KOROstyle - ??? ;)
Mumdance - Don’t Get Lemon ft Sir Spyro
Faze Miyake - Tenchu
BRCX WAYNX - Robbery
Las - Pocosink (Commodo Remix)
Badklaat - Original Sauce VIP VIP
K1 - Polotical
LTHL - UNTLD
Teddy Music - War Dub 2
Trends x Boylan - Norman Bates
Mr.Virgo - Next Tune
Jammz - The World
OH91 - 450.
G Jones - Syntax Error
P-Money - Where My Doe!
Mystry - Impulse
von D & DJ MADD - Over
Oh91 - Mind
Geode - Beluga
Dj Q - Will I Ever Be Free
Skelecta - Who’s The Hardest
Preditah - Circles
Spooky - Spartan (Soloman remix)
I Killed Kenny & Skelecta - On That
Trc - Oo Aa Ee (Royal-T Remix)
Rude Kid - Voices
KOROstyle - ???]]> 1669273 no no Tue, 12 Dec 2017 02:29:10 +0100 2017-12-12T02:29:10+01:00 44:42 https://hearthis.at/korostyle/gourmet-beats-subfm-oct-2017with-joe-nice-ft-korostyle/ Due to technical difficulties there is a static at the beginning~
Enjoy ]]> Due to technical difficulties there is a static at the beginning~
Enjoy ]]> 1580367 no no Wed, 11 Oct 2017 23:12:47 +0200 2017-10-11T23:12:47+02:00 1:03:12 https://hearthis.at/korostyle/mrk1-slang-korostyle-flipfree-dl/ Released on Tectonic Recordings in 06, this tune still Bangs!
Out to MRK1 on the original!

DOWNLOAD available Here aswell- http://www.mediafire.com/file/ia0a2zwwuawy7fb/MRK1_-_Slang_%28KOROstyle_Flip%29.wav

http://korostyle.com/]]> Released on Tectonic Recordings in 06, this tune still Bangs!
Out to MRK1 on the original!

DOWNLOAD available Here aswell- http://www.mediafire.com/file/ia0a2zwwuawy7fb/MRK1_-_Slang_%28KOROstyle_Flip%29.wav

http://korostyle.com/]]> 1333069 no no Wed, 24 May 2017 10:17:23 +0200 2017-05-24T10:17:23+02:00 4:18 https://hearthis.at/korostyle/lfm049-by-korostyle-platform-music-fkof-usfr/
KOROstyle
http://www.korostyle.com/music
http://soundcloud.com/korostyle

Platform Music
http://www.platform-music.org/
https://www.facebook.com/pg/platf0rm/
https://soundcloud.com/platform-music

Low Frequencies
http://www.lowfrequencies.info/
https://lowfrequencies.bandcamp.com/
http://www.reakcia.net/category/shows/low-freaks
https://www.facebook.com/bassblogbg/
https://twitter.com/BassBlogBG
https://www.youtube.com/c/LowFrequenciesTV
https://www.instagram.com/low.frequencies

Contact | pr@lowfrequencies.info]]>
KOROstyle
http://www.korostyle.com/music
http://soundcloud.com/korostyle

Platform Music
http://www.platform-music.org/
https://www.facebook.com/pg/platf0rm/
https://soundcloud.com/platform-music

Low Frequencies
http://www.lowfrequencies.info/
https://lowfrequencies.bandcamp.com/
http://www.reakcia.net/category/shows/low-freaks
https://www.facebook.com/bassblogbg/
https://twitter.com/BassBlogBG
https://www.youtube.com/c/LowFrequenciesTV
https://www.instagram.com/low.frequencies

Contact | pr@lowfrequencies.info]]> 1294370 no no Wed, 19 Apr 2017 00:10:04 +0200 2017-04-19T00:10:04+02:00 28:01 https://hearthis.at/korostyle/holier-x-korostyle-sabre/
“Inside the Ride” can be thought of as a sample of things to come from the label, a musical mission statement of sorts. The 10 track compilation features a mix of UK bass, techno, grime, footwork, dubstep and weirdo club tunes, representing a diverse label that resists being pigeonholed to one genre easily. From Lorenzo BITW and Foxmind’s slowed tribal drum work on “Don’t Mind” to Slick Shoota’s rapid juke freak-out, “Infinity Tap,” all bases really are covered on this compilation when it comes to club-ready music. ‘Eclectic’ is a word that gets bandied about a lot it music reviews and press releases but “Inside the Ride” is a release that truly deserves that adjective with tracks across the musical spectrum and artists spanning seven counties.

Elsewhere on the comp Amsterdam’s Zoltan crafts a seriously angular UK Funky track littered with syncopation on “Dat Insight” and Corticyte delivers a show-stopper of a track with his deconstructed grime number, “Oscillate”. Dehousy’s “Endless” brilliantly show’s off the Parisien’s ear for a great sample and drum pattern.

One of the most exciting things about this compilation is that it really is a sample of things to come. Half of these heavy-hitting acts have been signed up for Pitch Rider Records releases that will come out within the next year and the team are hoping to sign up more from within and outside the bundle of artists gathered together for this release. There may be a lot of competition out there but with their genre-neutral approach, Pitch Rider hopes that it can make a name for itself in a scene that tends to like compartmentalisation.

Follow Pitch Rider:
@pitchridermusic
twitter.com/Pitch_Rider
www.facebook.com/PitchRiderPR
www.instagram.com/pitch_rider/]]>
“Inside the Ride” can be thought of as a sample of things to come from the label, a musical mission statement of sorts. The 10 track compilation features a mix of UK bass, techno, grime, footwork, dubstep and weirdo club tunes, representing a diverse label that resists being pigeonholed to one genre easily. From Lorenzo BITW and Foxmind’s slowed tribal drum work on “Don’t Mind” to Slick Shoota’s rapid juke freak-out, “Infinity Tap,” all bases really are covered on this compilation when it comes to club-ready music. ‘Eclectic’ is a word that gets bandied about a lot it music reviews and press releases but “Inside the Ride” is a release that truly deserves that adjective with tracks across the musical spectrum and artists spanning seven counties.

Elsewhere on the comp Amsterdam’s Zoltan crafts a seriously angular UK Funky track littered with syncopation on “Dat Insight” and Corticyte delivers a show-stopper of a track with his deconstructed grime number, “Oscillate”. Dehousy’s “Endless” brilliantly show’s off the Parisien’s ear for a great sample and drum pattern.

One of the most exciting things about this compilation is that it really is a sample of things to come. Half of these heavy-hitting acts have been signed up for Pitch Rider Records releases that will come out within the next year and the team are hoping to sign up more from within and outside the bundle of artists gathered together for this release. There may be a lot of competition out there but with their genre-neutral approach, Pitch Rider hopes that it can make a name for itself in a scene that tends to like compartmentalisation.

Follow Pitch Rider:
@pitchridermusic
twitter.com/Pitch_Rider
www.facebook.com/PitchRiderPR
www.instagram.com/pitch_rider/]]> 1281008 no no Fri, 07 Apr 2017 19:13:51 +0200 2017-04-07T19:13:51+02:00 3:32 https://hearthis.at/korostyle/korostyle-ft-gizella-free-me-original-mix/
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebellion', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]>
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebellion', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]> 1270899 no no Mon, 03 Apr 2017 09:04:00 +0200 2017-04-03T09:04:00+02:00 5:00 https://hearthis.at/korostyle/korostyle-ft-gizella-gateway-original-mix/
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebellion', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]>
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebellion', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]> 1270897 no no Mon, 03 Apr 2017 08:59:00 +0200 2017-04-03T08:59:00+02:00 3:22 https://hearthis.at/korostyle/waeck-korostyle-rebellion-original-mix/
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebels from the East', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]>
The 'Free Me’' EP consists of three tracks made in collaboration with Waeck and Gizella. The release kicks off on a chilled tip with the track 'Free Me', forming a minimalistic 140 bpm arrangement, nurtured by Gizelle's beautiful vocals. The two performers reappear in the second track, entitled 'Gateway'. The piece contains a tangible Grime touch, upon which, however, we enjoy the beautiful melancholy delivered by Gizella's lyrics. 'Rebels from the East', a joint track with Waeck, is a typical dubstep track with а dynamic layout and great depth. The release can be categorized as a combination between several genres with a diverse character, yet they all share a main drive concentrated in the low frequency music register. 'Free Me' ЕР is a great addition to Platform Music's catalogue, perfectly underlining the label's focus on new, freshly discovered, yet promising young artists and their boundary-breaking approach in 140 bpm music.]]> 1266205 no no Mon, 03 Apr 2017 15:53:00 +0200 2017-04-03T15:53:00+02:00 4:17 https://hearthis.at/korostyle/korostyle-submission-podcast-209/
Download/Tracklist here - http://bit.ly/subdotkorostyle

Follow @korostyle
www.facebook.com/korostylemusic
twitter.com/korostylemusic
www.korostyle.com

Follow @section8bass
@section8recordings
www.facebook.com/section8recs
twitter.com/section8recs]]>
Download/Tracklist here - http://bit.ly/subdotkorostyle

Follow @korostyle
www.facebook.com/korostylemusic
twitter.com/korostylemusic
www.korostyle.com

Follow @section8bass
@section8recordings
www.facebook.com/section8recs
twitter.com/section8recs]]> 1234388 no no Thu, 02 Mar 2017 18:14:22 +0100 2017-03-02T18:14:22+01:00 1:06:18 https://hearthis.at/korostyle/korostyle-daynight/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190165 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:32 https://hearthis.at/korostyle/korostyle-blu/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190159 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 4:13 https://hearthis.at/korostyle/korostyledev79-pohuai/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190149 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:42 https://hearthis.at/korostyle/korostyle-dosed/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190145 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:18 https://hearthis.at/korostyle/korostyle-korokat/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190141 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 4:13 https://hearthis.at/korostyle/korostylegutcha-output12korovip/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190136 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:21 https://hearthis.at/korostyle/korostyle-breaklimit/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190130 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 5:01 https://hearthis.at/korostyle/korostyle-signals/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190127 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:18 https://hearthis.at/korostyle/korostyle-sunyata-bounce/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190124 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 4:10 https://hearthis.at/korostyle/korostyle-makeme/
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]>
In the two years since his last solo release, KORO’s sound has matured and expanded significantly with a vast array of international influences permeating his 140 BPM workouts. Having spent time travelling between Paris, Shanghai, Bristol and the US, ‘Project: KOROkat’ displays a melting pot of inspirations; jumping from songs like ‘Doused’ and ‘Day & Night,’ with definite chiptune references, to the eski clicks and grime pulses of his VIP of ‘Output 1 2,’ a previous collaboration with Gutcha.

New collaborations with Dev79 and Sunyata subtly flirt with breaks that wouldn’t sound out of place in aJersey/Baltimore club release whilst tracks like ‘Signals’ and ‘BLU’ are more readily relatable to the Bristolian sound produced by labels like Bandulu.

Despite the mish-mash of influences and samples, KOROstyle’s uncanny cinematic approach to production makes for an extremely cohesive album of vibrant and colourful dubstep not dissimilar to early Joker or Rustie releases. Whether it’s glacial, sino-grime sounds or weighty sub-bass tones, KOROstyle’s ear for making killer synths knows no bounds and heightens the dynamics between his ethereal build-ups and guttural drops throughout ‘Project: KOROkat.’ Much like KOROstyle’s inspiration, the mix of producers on remix duties is truly global and spans four continents.

Shanghai’s Swimful reboots ‘Signals’ with some staccato percussion hits and brooding squarewaves, Bristol’sOH91 takes ‘BLU’ in a drill/trap direction, New Zealand duo Sick Cycle mutilate the title track into a frenetic d’n’b belter whilst Detroit’s sinistarr takes previous single ‘Aerokin’ to new heady heights by mixing dubstep drum patterns with slowed jungle breaks.

KOROstyle has mentioned that his main goal ‘is to alter people’s minds and bodies through sound’ and this release definitely succeeds in that respect. Not only are all of these productions bound to get some limbs moving in the club, ‘Project: KOROkat’ defies all expectations of what we think of as ‘dubstep music’ in the best way possible.

]]> 1190119 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 3:51 https://hearthis.at/korostyle/korostyle-signalsswimfulremix/ 1190113 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 4:30 https://hearthis.at/korostyle/korostyle-aerokinsinistarrremix/ 1190104 no no Thu, 02 Feb 2017 14:32:00 +0100 2017-02-02T14:32:00+01:00 3:18 https://hearthis.at/korostyle/korostyle-bluoh91remix/ 1190098 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 6:03 https://hearthis.at/korostyle/korostyle-korokatsickcycleremix/ 1190094 no no Mon, 06 Feb 2017 00:00:00 +0100 2017-02-06T00:00:00+01:00 5:24 https://hearthis.at/korostyle/korostyle-gzug-mix/ Enjoy~ #GZUG]]> Enjoy~ #GZUG]]> 1190081 no no Mon, 23 Jan 2017 20:09:30 +0100 2017-01-23T20:09:30+01:00 33:45 https://hearthis.at/korostyle/korostyle-vagabond-forthcoming-gzug14-east-west-bass-test-compilation/ Enjoy~]]> Enjoy~]]> 930907 no no Sun, 19 Jun 2016 21:42:01 +0200 2016-06-19T21:42:01+02:00 3:44 https://hearthis.at/korostyle/004-conrank-ft-korostyle-on-da-ting-trekkie-trax/ --------------------------------------------------------------------------------
Follow @conrank
www.facebook.com/conrank
www.twitter.com/conrank

Follow @korostyle
www.facebook.com/korostylemusic
twitter.com/KOROstylemusic

Follow @trekkie-trax
www.facebook.com/TREKKIETRAX
twitter.com/TREKKIETRAX
]]> --------------------------------------------------------------------------------
Follow @conrank
www.facebook.com/conrank
www.twitter.com/conrank

Follow @korostyle
www.facebook.com/korostylemusic
twitter.com/KOROstylemusic

Follow @trekkie-trax
www.facebook.com/TREKKIETRAX
twitter.com/TREKKIETRAX
]]> 591826 no no Mon, 30 Nov 2015 00:00:00 +0100 2015-11-30T00:00:00+01:00 4:04 https://hearthis.at/korostyle/korostyle-magi-seymours-theme-fkof/ "An almost mythical lead runs up and down the pitch-stairs, unfolding what's behind closed eyes. The dream-like state pushing listeners out in the open is soon invaded by ghost-esque entities creating nothing but a monstrous stereo image. All elements converge and escalate into one malicious entity, striking anybody coming close to finding the secrets of Final Fantasy X. Its synth is a bootlegged version that gives an invincible touch to KOROstyle's production. Make sure to awaken from this nightmare, as dreamcatchers won't be able to save your soul - a mind-blowing tribute to Final Fantasy..."

A wicked bootleg that pays homage to the Final Fantasy saga - reinterpreted by our French friend @korostyle. The producer has created a monster that you all should hear, feel and digest...

Download the 320 here: copy.com/KWafQBMifMNZzE2e

@korostyle
fatkidonfire.com
korostyle.com]]> "An almost mythical lead runs up and down the pitch-stairs, unfolding what's behind closed eyes. The dream-like state pushing listeners out in the open is soon invaded by ghost-esque entities creating nothing but a monstrous stereo image. All elements converge and escalate into one malicious entity, striking anybody coming close to finding the secrets of Final Fantasy X. Its synth is a bootlegged version that gives an invincible touch to KOROstyle's production. Make sure to awaken from this nightmare, as dreamcatchers won't be able to save your soul - a mind-blowing tribute to Final Fantasy..."

A wicked bootleg that pays homage to the Final Fantasy saga - reinterpreted by our French friend @korostyle. The producer has created a monster that you all should hear, feel and digest...

Download the 320 here: copy.com/KWafQBMifMNZzE2e

@korostyle
fatkidonfire.com
korostyle.com]]> 446377 no no Sun, 04 Oct 2015 13:09:04 +0200 2015-10-04T13:09:04+02:00 5:25 https://hearthis.at/korostyle/korostyle-kalika-waeck-remix/ Free Dowload here -- https://soundcloud.com/keepdeep/korostyle-kalika-waeck-remix-exclusive

KOROstyle - Kalika (Original Mix) Out on Slit Jockey Records
Buy Here -- https://pro.beatport.com/track/kalika-original-mix/6237561

Follow @waeckelectronic
www.facebook.com/WaeckUK
twitter.com/WaeckElectronic

Follow @korostylemusic
www.korostyle.com/
www.facebook.com/korostylemusic
twitter.com/KOROstylemusic

Follow @slit-jockey-records
www.slitjockey.com
www.facebook.com/slitjockey
www.twitter.com/slitjockey

Follow @keepdeep
www.facebook.com/KeepDeep
twitter.com/Keep_Deep
www.youtube.com/KeepDeepUK]]> Free Dowload here -- https://soundcloud.com/keepdeep/korostyle-kalika-waeck-remix-exclusive

KOROstyle - Kalika (Original Mix) Out on Slit Jockey Records
Buy Here -- https://pro.beatport.com/track/kalika-original-mix/6237561

Follow @waeckelectronic
www.facebook.com/WaeckUK
twitter.com/WaeckElectronic

Follow @korostylemusic
www.korostyle.com/
www.facebook.com/korostylemusic
twitter.com/KOROstylemusic

Follow @slit-jockey-records
www.slitjockey.com
www.facebook.com/slitjockey
www.twitter.com/slitjockey

Follow @keepdeep
www.facebook.com/KeepDeep
twitter.com/Keep_Deep
www.youtube.com/KeepDeepUK]]> 180992 no no Thu, 19 Mar 2015 00:00:00 +0100 2015-03-19T00:00:00+01:00 4:48 https://hearthis.at/korostyle/korostyle-kalika-clip/ 17 smashing tracks hitting all digital shops February 2nd!
including tracks by Spooky, Starkey, Dev79, Sublo, ProperVillains and many more!!
Enjoy
]]> 17 smashing tracks hitting all digital shops February 2nd!
including tracks by Spooky, Starkey, Dev79, Sublo, ProperVillains and many more!!
Enjoy
]]> 149928 no no Sat, 17 Jan 2015 09:29:26 +0100 2015-01-17T09:29:26+01:00 1:40 https://hearthis.at/korostyle/section8pod0083/
Grab the new vinyl 12" from your favorite vinyl outlet or direct from the label website!
>>http://section8recs.com/r/korostyle-sai-sai/3499/physical

Full tracklisting and download at www.section8recs.com/podcast
]]>
Grab the new vinyl 12" from your favorite vinyl outlet or direct from the label website!
>>http://section8recs.com/r/korostyle-sai-sai/3499/physical

Full tracklisting and download at www.section8recs.com/podcast
]]> >http://section8recs.com/r/korostyle-sai-sai/3499/physical Full tracklisting and download at www.section8recs.com/podcast ]]> 82988 no no Sun, 12 Oct 2014 15:44:25 +0200 2014-10-12T15:44:25+02:00 35:32 https://hearthis.at/korostyle/korostyle-saisai/ Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> 73143 no no Mon, 15 Sep 2014 16:20:49 +0200 2014-09-15T16:20:49+02:00 1:32 https://hearthis.at/korostyle/korostyle-saisaiartroniksremix/ Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> 73144 no no Mon, 15 Sep 2014 16:20:36 +0200 2014-09-15T16:20:36+02:00 1:32 https://hearthis.at/korostyle/korostyle-ouf/ Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> 73146 no no Mon, 15 Sep 2014 16:20:21 +0200 2014-09-15T16:20:21+02:00 1:32 https://hearthis.at/korostyle/korostyle-saisaivondremix/ Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> Out Sept, 15 2014 :D
Order Vinyl with Exclusive Sleeves Here - section8recs.com/r/korostyle-sai-sai/3499/physical]]> 73149 no no Mon, 15 Sep 2014 16:25:12 +0200 2014-09-15T16:25:12+02:00 1:32