Fri, 19 Jun 2026 06:22:30 +0200 https://hearthis.at/kamakhya-records-pe/ en-EN shunyataunltd@gmail.com shunyataunltd@gmail.com https://hearthis.at/kamakhya-records-pe/ https://img.hearthis.at/6/1/4/_/uploads/8818750/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1648292948416.jpg no no https://hearthis.at/kamakhya-records-pe/devour/
Tracks by Steve Holmes, Broken Throttle Trio, Interzona, Theo Nugraha and Toshiyuki Hiraoka]]>
Tracks by Steve Holmes, Broken Throttle Trio, Interzona, Theo Nugraha and Toshiyuki Hiraoka]]> 14477925 no no Tue, 16 Jun 2026 10:33:39 +0200 2026-06-16T10:33:39+02:00 37:51 https://hearthis.at/kamakhya-records-pe/bay/
𝘋𝘦𝘥𝘪𝘤𝘢𝘵𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘰𝘰𝘥 𝘵𝘪𝘮𝘦𝘴 𝘪𝘯 𝘉𝘰𝘮𝘣𝘢𝘺 𝘢𝘯𝘥 𝘢𝘵 𝘕𝘰𝘵 𝘑𝘶𝘴𝘵 𝘑𝘢𝘻𝘻 𝘉𝘺 𝘵𝘩𝘦 𝘉𝘢𝘺, 𝘣𝘰𝘵𝘩 𝘰𝘧 𝘸𝘩𝘪𝘤𝘩 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘦𝘹𝘪𝘴𝘵.

Tracks by Zintaer and RDKPL]]>
𝘋𝘦𝘥𝘪𝘤𝘢𝘵𝘦𝘥 𝘵𝘰 𝘵𝘩𝘦 𝘨𝘰𝘰𝘥 𝘵𝘪𝘮𝘦𝘴 𝘪𝘯 𝘉𝘰𝘮𝘣𝘢𝘺 𝘢𝘯𝘥 𝘢𝘵 𝘕𝘰𝘵 𝘑𝘶𝘴𝘵 𝘑𝘢𝘻𝘻 𝘉𝘺 𝘵𝘩𝘦 𝘉𝘢𝘺, 𝘣𝘰𝘵𝘩 𝘰𝘧 𝘸𝘩𝘪𝘤𝘩 𝘯𝘰 𝘭𝘰𝘯𝘨𝘦𝘳 𝘦𝘹𝘪𝘴𝘵.

Tracks by Zintaer and RDKPL]]> 14474086 no no Thu, 11 Jun 2026 08:26:38 +0200 2026-06-11T08:26:38+02:00 34:53 https://hearthis.at/kamakhya-records-pe/art/
"Some of us write poems.
Some string notes into songs that never quite resolve.
Some mix colours like confessions on canvas.
Some pour themselves into stories that begin with a sigh,
and end somewhere just before peace.
Some work in dusty corners of the world where the forgotten live,
and try, just try, to make one more child smile.

We do these things because murder is wrong.
Because violence, though honest, isn’t legal.
Because the world has made rules against the most obvious forms of grief.

So we drink coffee instead.
Hot, bitter, forgiving coffee.
We sip it like a ritual, a slow exorcism.
Because there are mornings when the only thing keeping us from erupting
is the weight of a warm cup in our hand.

We go for walks.
We hold our tongues.
We answer emails with forced civility.
We host workshops, and light Nagchampa incense,
and nod at strangers who don’t know we are holding back hurricanes.

We make art instead of war.
We write verses instead of verdicts.
We post about sunsets when what we really want
is to scream into the abyss about everything that is broken, and stupid, and cruel.

Because we were taught, rightly or wrongly,
that good people don’t hit back.
That rage must be recycled into purpose.
Into poetry. Into policy.

And so we do.

But don’t mistake our creativity for calm.
Don’t confuse the art for the absence of anger.
Some of us are simply keeping the peace,
because we have seen what happens when we don’t.

Because murder is still wrong.
And inconveniently, still illegal" (Insect Orchestra)]]>
"Some of us write poems.
Some string notes into songs that never quite resolve.
Some mix colours like confessions on canvas.
Some pour themselves into stories that begin with a sigh,
and end somewhere just before peace.
Some work in dusty corners of the world where the forgotten live,
and try, just try, to make one more child smile.

We do these things because murder is wrong.
Because violence, though honest, isn’t legal.
Because the world has made rules against the most obvious forms of grief.

So we drink coffee instead.
Hot, bitter, forgiving coffee.
We sip it like a ritual, a slow exorcism.
Because there are mornings when the only thing keeping us from erupting
is the weight of a warm cup in our hand.

We go for walks.
We hold our tongues.
We answer emails with forced civility.
We host workshops, and light Nagchampa incense,
and nod at strangers who don’t know we are holding back hurricanes.

We make art instead of war.
We write verses instead of verdicts.
We post about sunsets when what we really want
is to scream into the abyss about everything that is broken, and stupid, and cruel.

Because we were taught, rightly or wrongly,
that good people don’t hit back.
That rage must be recycled into purpose.
Into poetry. Into policy.

And so we do.

But don’t mistake our creativity for calm.
Don’t confuse the art for the absence of anger.
Some of us are simply keeping the peace,
because we have seen what happens when we don’t.

Because murder is still wrong.
And inconveniently, still illegal" (Insect Orchestra)]]> 14470245 no no Wed, 10 Jun 2026 14:14:23 +0200 2026-06-10T14:14:23+02:00 1:07:28 https://hearthis.at/kamakhya-records-pe/neural-funk-80bpm/
**Tracks by Spukkopf, Suzana's Bauten, NPV and ZJ **]]>
**Tracks by Spukkopf, Suzana's Bauten, NPV and ZJ **]]> 14459757 no no Fri, 05 Jun 2026 13:56:47 +0200 2026-06-05T13:56:47+02:00 39:48 https://hearthis.at/kamakhya-records-pe/mix34m55s-audio-joinercom/
Tracks by Ennaytch and Humanfobia]]>
Tracks by Ennaytch and Humanfobia]]> 14457078 no no Thu, 04 Jun 2026 08:49:30 +0200 2026-06-04T08:49:30+02:00 34:55 https://hearthis.at/kamakhya-records-pe/elephant/ At some point, a thief walks in. An Elephant Super Strong gets thrown. It misses. The bottle breaks. We laugh. Then we don’t.
This mix follows that logic, if it can be called logic.
Inspired by the stream of consciousness of William Faulkner.
Thanks to Procs and Afterwork.
Read the full story here: https://kuntilbaruwa.substack.com/p/i-threw-an-elephant-super-strong]]> At some point, a thief walks in. An Elephant Super Strong gets thrown. It misses. The bottle breaks. We laugh. Then we don’t.
This mix follows that logic, if it can be called logic.
Inspired by the stream of consciousness of William Faulkner.
Thanks to Procs and Afterwork.
Read the full story here: https://kuntilbaruwa.substack.com/p/i-threw-an-elephant-super-strong]]> 14253324 no no Mon, 01 Jun 2026 10:06:35 +0200 2026-06-01T10:06:35+02:00 1:39:07 https://hearthis.at/kamakhya-records-pe/dawn/
Tracks by j4vaman, Simona Norato, Antonio Pinna, Makika, Tobia Poltronieri, effe effe / Federica Furlani, ALEK HIDELL, Giovanni Chirico, Alessandro Cau, Eleuteria, Fabio Cerina, Mumucs, Sebastiano Martinelli, Federico Fenu, Ivana Busu, Luigi Frassetto, Maurizio Floris, Armaud, Giacomo Salis, Marco Caredda, Marco Coa, Marco Giudici, Serena Altavilla, Raffaele Pilia, Matteo Leone, Mauro Diana, Cristõf, Enrico Correggia, Tancredi, Adele Altro, Moonphase, and Ser Aorta.]]>
Tracks by j4vaman, Simona Norato, Antonio Pinna, Makika, Tobia Poltronieri, effe effe / Federica Furlani, ALEK HIDELL, Giovanni Chirico, Alessandro Cau, Eleuteria, Fabio Cerina, Mumucs, Sebastiano Martinelli, Federico Fenu, Ivana Busu, Luigi Frassetto, Maurizio Floris, Armaud, Giacomo Salis, Marco Caredda, Marco Coa, Marco Giudici, Serena Altavilla, Raffaele Pilia, Matteo Leone, Mauro Diana, Cristõf, Enrico Correggia, Tancredi, Adele Altro, Moonphase, and Ser Aorta.]]> 14445233 no no Sun, 31 May 2026 18:56:52 +0200 2026-05-31T18:56:52+02:00 1:10:51 https://hearthis.at/kamakhya-records-pe/mix32m25s-audio-joinercom/
Tracks by Luuli, Pissdeads, Zinc Room and Mirocaw]]>
Tracks by Luuli, Pissdeads, Zinc Room and Mirocaw]]> 14429371 no no Thu, 28 May 2026 19:52:27 +0200 2026-05-28T19:52:27+02:00 32:25 https://hearthis.at/kamakhya-records-pe/the-whale-song-the-final-chapter/ ...And still, it sings.]]> ...And still, it sings.]]> 14416720 no no Tue, 26 May 2026 19:43:23 +0200 2026-05-26T19:43:23+02:00 1:23:15 https://hearthis.at/kamakhya-records-pe/the-ballad-of-a-failed-father-and-his-tumbled-down-cottage/ শীতৰে সেমেকা ৰাতি
শীতৰে সেমেকা ৰাতি,
সেমেকা শীতৰে ৰাতি
শীতৰে সেমেকা ৰাতি,
বস্ত্ৰবিহীন কোনো খেতিয়কৰ
ভাগিপৰা পঁজাটিৰ তুঁহজুই একোৰাত
উমি উমি জ্বলি থকা
ৰক্তিম যেন এটি উত্তাপ হওঁ,
(On a cod winter night, let me be the amber warming up the tumbled down cottage of a poor unclad peasant)
.....the amber in this mix doesn't save or warm anymore. It witnesses the falling. The warmth becomes an observer of its own inability to change anything. The cottage falls. The amber watches. This is the ballad.]]> শীতৰে সেমেকা ৰাতি
শীতৰে সেমেকা ৰাতি,
সেমেকা শীতৰে ৰাতি
শীতৰে সেমেকা ৰাতি,
বস্ত্ৰবিহীন কোনো খেতিয়কৰ
ভাগিপৰা পঁজাটিৰ তুঁহজুই একোৰাত
উমি উমি জ্বলি থকা
ৰক্তিম যেন এটি উত্তাপ হওঁ,
(On a cod winter night, let me be the amber warming up the tumbled down cottage of a poor unclad peasant)
.....the amber in this mix doesn't save or warm anymore. It witnesses the falling. The warmth becomes an observer of its own inability to change anything. The cottage falls. The amber watches. This is the ballad.]]> 14415941 no no Tue, 26 May 2026 16:20:27 +0200 2026-05-26T16:20:27+02:00 1:10:41 https://hearthis.at/kamakhya-records-pe/lost-highway/ 14415872 no no Tue, 26 May 2026 16:19:27 +0200 2026-05-26T16:19:27+02:00 1:07:59 https://hearthis.at/kamakhya-records-pe/ghalib/
This mix does not try to capture Ghalib. It is an attempt at what happens when you stop trying to capture Ghalib and let him dissolve into the actual problem he spent his life articulating.

Tracks by Sir Ravana]]>
This mix does not try to capture Ghalib. It is an attempt at what happens when you stop trying to capture Ghalib and let him dissolve into the actual problem he spent his life articulating.

Tracks by Sir Ravana]]> 14415787 no no Tue, 26 May 2026 15:39:22 +0200 2026-05-26T15:39:22+02:00 19:52 https://hearthis.at/kamakhya-records-pe/glitch-in-d915-deja-vu/
Tracks by Nent and Torc]]>
Tracks by Nent and Torc]]> 14415734 no no Tue, 26 May 2026 15:32:41 +0200 2026-05-26T15:32:41+02:00 1:02:26 https://hearthis.at/kamakhya-records-pe/devi-2/
Tracks by Black Phillip, Nocturnal Priest, Kleperis, Paradox, Paranoir, Pandamonium, Viki Wikka, Zetta JCG, Vū, Skrei]]>
Tracks by Black Phillip, Nocturnal Priest, Kleperis, Paradox, Paranoir, Pandamonium, Viki Wikka, Zetta JCG, Vū, Skrei]]> 14415670 no no Tue, 26 May 2026 15:13:10 +0200 2026-05-26T15:13:10+02:00 1:16:32 https://hearthis.at/kamakhya-records-pe/mix142m49s-audio-joinercom/
***From the Bhagavad Gita to John Milton's Paradise Lost asking the same question: What will you choose? For each has its own consequence.***

Not reward. Not punishment. Not right. Not wrong. Just an irreversible transformation. A crossing after which there is no return to the self that existed before the act. The consequence is not waiting somewhere in the future. The consequence is what the choice turns you into.]]>
***From the Bhagavad Gita to John Milton's Paradise Lost asking the same question: What will you choose? For each has its own consequence.***

Not reward. Not punishment. Not right. Not wrong. Just an irreversible transformation. A crossing after which there is no return to the self that existed before the act. The consequence is not waiting somewhere in the future. The consequence is what the choice turns you into.]]> 14274685 no no Wed, 06 May 2026 19:28:15 +0200 2026-05-06T19:28:15+02:00 2:22:49 https://hearthis.at/kamakhya-records-pe/evolveback/
You are still documenting, still listening, still observing, still patching cables. What if the front and back have quietly switched places somewhere in the middle? We trust the feeling of moving forward so completely. It is the one thing we don't question. What if the patch isn't moving forward but Evolving Back?

𝑰𝒅𝒆𝒏𝒕𝒊𝒕𝒚, 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆, 𝒉𝒐𝒑𝒆, 𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒔, 𝒓𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑𝒔, 𝒕𝒉𝒆 𝒘𝒉𝒐𝒍𝒆 𝒂𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕𝒖𝒓𝒆 𝒐𝒇 𝒂 𝒍𝒊𝒇𝒆 𝒂𝒔 𝒂 𝒎𝒐𝒅𝒖𝒍𝒂𝒓 𝒔𝒚𝒏𝒕𝒉𝒆𝒔𝒊𝒛𝒆𝒓.

Every cable a decision you thought you were making freely.

Every module a belief system, a relationship, a version of yourself you patched into the signal chain because it seemed to complete something. And the patch evolved. It found its own logic. It became something you didn't entirely design and couldn't entirely predict and you called that growth, called it becoming, called it you.

And somewhere in the routing you don't know where the signal started moving differently. The same cables. The same modules. The handwriting didn't change. But something in the chain had quietly reversed its own direction and the sound kept coming and you kept listening and you called that continuity.

The most unsettling thing about a modular synthesizer as a metaphor for a life is that there is no original patch to return to. No saved state. No version history. The cables you pulled to make new connections, those connections are gone. The earlier self isn't waiting somewhere to be restored. It was always just voltage moving through decisions in real time.

Forward or backward.
Both feel like now.
Both feel like you.

And the architecture holds. The rack looks full. The patch looks intentional. Someone looking at it from the outside would say, yes, that person knows what they are doing. That system is alive and moving and going somewhere.

Would you tell them otherwise?
Would you even know?

Thank You Karlheinz Essl & Otto Wanke and Mia Zabelka

PS: At a certain point the mix starts playing in complete reverse. 😊 Go figure]]>
You are still documenting, still listening, still observing, still patching cables. What if the front and back have quietly switched places somewhere in the middle? We trust the feeling of moving forward so completely. It is the one thing we don't question. What if the patch isn't moving forward but Evolving Back?

𝑰𝒅𝒆𝒏𝒕𝒊𝒕𝒚, 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆, 𝒉𝒐𝒑𝒆, 𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒔, 𝒓𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑𝒔, 𝒕𝒉𝒆 𝒘𝒉𝒐𝒍𝒆 𝒂𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕𝒖𝒓𝒆 𝒐𝒇 𝒂 𝒍𝒊𝒇𝒆 𝒂𝒔 𝒂 𝒎𝒐𝒅𝒖𝒍𝒂𝒓 𝒔𝒚𝒏𝒕𝒉𝒆𝒔𝒊𝒛𝒆𝒓.

Every cable a decision you thought you were making freely.

Every module a belief system, a relationship, a version of yourself you patched into the signal chain because it seemed to complete something. And the patch evolved. It found its own logic. It became something you didn't entirely design and couldn't entirely predict and you called that growth, called it becoming, called it you.

And somewhere in the routing you don't know where the signal started moving differently. The same cables. The same modules. The handwriting didn't change. But something in the chain had quietly reversed its own direction and the sound kept coming and you kept listening and you called that continuity.

The most unsettling thing about a modular synthesizer as a metaphor for a life is that there is no original patch to return to. No saved state. No version history. The cables you pulled to make new connections, those connections are gone. The earlier self isn't waiting somewhere to be restored. It was always just voltage moving through decisions in real time.

Forward or backward.
Both feel like now.
Both feel like you.

And the architecture holds. The rack looks full. The patch looks intentional. Someone looking at it from the outside would say, yes, that person knows what they are doing. That system is alive and moving and going somewhere.

Would you tell them otherwise?
Would you even know?

Thank You Karlheinz Essl & Otto Wanke and Mia Zabelka

PS: At a certain point the mix starts playing in complete reverse. 😊 Go figure]]> 14239153 no no Tue, 28 Apr 2026 18:06:29 +0200 2026-04-28T18:06:29+02:00 56:43 https://hearthis.at/kamakhya-records-pe/blip/
*A swarm in motion, fast, dark, and relentless, where joy and anger blur into pure instinct. No centre, no pause, just bodies reacting to the pulse.
Stay with it*

Thank You Pin_23 and Takahiro Shiranui for the killer tracks]]>
*A swarm in motion, fast, dark, and relentless, where joy and anger blur into pure instinct. No centre, no pause, just bodies reacting to the pulse.
Stay with it*

Thank You Pin_23 and Takahiro Shiranui for the killer tracks]]> 14225675 no no Fri, 24 Apr 2026 14:26:17 +0200 2026-04-24T14:26:17+02:00 45:21 https://hearthis.at/kamakhya-records-pe/panda/ Wrong place. Wrong surface. Wrong world.

Call it encroachment. Call it development. Call it whatever helps you sleep.
The animal doesn’t care for the terminology.

The Displaced Red Panda is the sound of something that should never have had to leave.

Thank You Rojinski for the killer tracks

Happy Earth Day 2026!

27.0000° N, 93.0000° E]]> Wrong place. Wrong surface. Wrong world.

Call it encroachment. Call it development. Call it whatever helps you sleep.
The animal doesn’t care for the terminology.

The Displaced Red Panda is the sound of something that should never have had to leave.

Thank You Rojinski for the killer tracks

Happy Earth Day 2026!

27.0000° N, 93.0000° E]]> 14211671 no no Wed, 22 Apr 2026 12:38:51 +0200 2026-04-22T12:38:51+02:00 1:00:59 https://hearthis.at/kamakhya-records-pe/bicycleday2026/
Happy Bicycle Day !! May your rides take you somewhere honest.]]>
Happy Bicycle Day !! May your rides take you somewhere honest.]]> 14192388 no no Sun, 19 Apr 2026 09:47:03 +0200 2026-04-19T09:47:03+02:00 5:40:56 https://hearthis.at/kamakhya-records-pe/bihu/
Thank you Malign Paradigm, Khipu, Blanitz, Botscript, Modular Monkey, Kek Heh, Vuttun, and Multidimensional for the killer tracks (From the Sound of the Womb Series of Kamakhya Records)🙏❤️

𝐓𝐡𝐞 𝐁𝐲𝐩𝐚𝐬𝐬𝐞𝐝 𝐌𝐞𝐦𝐨𝐫𝐲 𝐨𝐟 𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐇𝐢𝐠𝐡𝐰𝐚𝐲 𝐍𝐨 𝟑𝟕 - 𝑻𝒉𝒆 𝒈𝒓𝒊𝒆𝒇 𝒐𝒇 𝒃𝒆𝒊𝒏𝒈 𝒎𝒂𝒅𝒆 𝒊𝒏𝒗𝒊𝒔𝒊𝒃𝒍𝒆 𝒘𝒉𝒊𝒍𝒆 𝒔𝒕𝒊𝒍𝒍 𝒂𝒍𝒊𝒗𝒆

"The road between JORHAT and DIBRUGARH - National Highway (NH) 37 - has always been more than just a road to me. It is a thread running through my childhood, my youth, and countless journeys between two corners of ASSAM in NORTHEAST INDIA I call home.

These days, that stretch is changing fast. Flyovers now rise over sleepy junctions. Wide, gleaming lanes barrel through places where traffic once crawled and life bustled. There is a bypass here, another there. And with every kilometre of fresh asphalt, I feel the past being quietly overtaken.

Take JHANJI, for instance. Once an obligatory halt, its rows of dhabas served up the comforting flavours of road travel. Trays of rice, dal, fried fish, pork, duck, and those imperfectly perfect rotis. So many of my memories come from those smoky kitchens and tin roofs. But the new bypass now curves neatly away, leaving Jhanji’s dhabas in the rearview mirror. Still standing, but no longer part of the journey.

Then there is BINAYAK, an eatery just off the main road after Gaurisagar and before Bhotiapar. More than just a place to eat, Binayak stood for local entrepreneurship and pride. A spot where you could eat well and feel grounded. Now, a flyover soars right above it, as if progress cannot afford to slow down.

And MORAN. For generations of travellers between Jorhat and Dibrugarh, it was a customary stop. Not just known for its puris, it was famous for them. So much so that Assam’s beloved parody artist Munin Dutta composed the cheeky and nostalgic “Puri, Puri” to the tune of Bollywood’s iconic song “Noorie Noorie”. That kind of cultural memory does not show up in blueprints or masterplans.

But now, yet another bypass neatly skips Moran altogether.

Yes, smoother roads, shorter journeys, and improved infrastructure are important. But in the process, we are erasing places that once meant something. Places that held stories. Businesses built on grit and word-of-mouth. Stops that gave rhythm and meaning to the journey.

Soon, many of these beloved places will vanish from collective memory, outpaced by a newer, shinier, more aspirational India.

And maybe one day, my children will drive from Jorhat to Dibrugarh without even realising they have passed a dhaba that once served the best pork in the region, or a town whose puris inspired a song.

The entire set is built upon a unique foundation: studio recordings of the Dhool, Assam's traditional double-headed folk drum. This ancient instrument, typically used in Bihu celebrations and folk performances, becomes the sonic DNA threading through every track. The Dhool samples were processed, manipulated, and reimagined by a diverse collective of electronic artists, creating a bridge between Assamese traditional music and contemporary global electronic sounds.

The choice of the Dhool is intentional. Just as this drum traditionally holds together the pulse of Assamese celebrations, here it holds together the fragmented memories of a changing landscape.

This set is not just music. It is the weight of something slipping away, seen, unseen, yet inevitable. It is the grief of being made invisible while still alive.

Maybe this is not just my story. Maybe, across geographies, many of us are watching our own familiar places being quietly bypassed.

Happy Bihu, Happy New Year 🙏❤️" (Insect Orchestra)]]>
Thank you Malign Paradigm, Khipu, Blanitz, Botscript, Modular Monkey, Kek Heh, Vuttun, and Multidimensional for the killer tracks (From the Sound of the Womb Series of Kamakhya Records)🙏❤️

𝐓𝐡𝐞 𝐁𝐲𝐩𝐚𝐬𝐬𝐞𝐝 𝐌𝐞𝐦𝐨𝐫𝐲 𝐨𝐟 𝐍𝐚𝐭𝐢𝐨𝐧𝐚𝐥 𝐇𝐢𝐠𝐡𝐰𝐚𝐲 𝐍𝐨 𝟑𝟕 - 𝑻𝒉𝒆 𝒈𝒓𝒊𝒆𝒇 𝒐𝒇 𝒃𝒆𝒊𝒏𝒈 𝒎𝒂𝒅𝒆 𝒊𝒏𝒗𝒊𝒔𝒊𝒃𝒍𝒆 𝒘𝒉𝒊𝒍𝒆 𝒔𝒕𝒊𝒍𝒍 𝒂𝒍𝒊𝒗𝒆

"The road between JORHAT and DIBRUGARH - National Highway (NH) 37 - has always been more than just a road to me. It is a thread running through my childhood, my youth, and countless journeys between two corners of ASSAM in NORTHEAST INDIA I call home.

These days, that stretch is changing fast. Flyovers now rise over sleepy junctions. Wide, gleaming lanes barrel through places where traffic once crawled and life bustled. There is a bypass here, another there. And with every kilometre of fresh asphalt, I feel the past being quietly overtaken.

Take JHANJI, for instance. Once an obligatory halt, its rows of dhabas served up the comforting flavours of road travel. Trays of rice, dal, fried fish, pork, duck, and those imperfectly perfect rotis. So many of my memories come from those smoky kitchens and tin roofs. But the new bypass now curves neatly away, leaving Jhanji’s dhabas in the rearview mirror. Still standing, but no longer part of the journey.

Then there is BINAYAK, an eatery just off the main road after Gaurisagar and before Bhotiapar. More than just a place to eat, Binayak stood for local entrepreneurship and pride. A spot where you could eat well and feel grounded. Now, a flyover soars right above it, as if progress cannot afford to slow down.

And MORAN. For generations of travellers between Jorhat and Dibrugarh, it was a customary stop. Not just known for its puris, it was famous for them. So much so that Assam’s beloved parody artist Munin Dutta composed the cheeky and nostalgic “Puri, Puri” to the tune of Bollywood’s iconic song “Noorie Noorie”. That kind of cultural memory does not show up in blueprints or masterplans.

But now, yet another bypass neatly skips Moran altogether.

Yes, smoother roads, shorter journeys, and improved infrastructure are important. But in the process, we are erasing places that once meant something. Places that held stories. Businesses built on grit and word-of-mouth. Stops that gave rhythm and meaning to the journey.

Soon, many of these beloved places will vanish from collective memory, outpaced by a newer, shinier, more aspirational India.

And maybe one day, my children will drive from Jorhat to Dibrugarh without even realising they have passed a dhaba that once served the best pork in the region, or a town whose puris inspired a song.

The entire set is built upon a unique foundation: studio recordings of the Dhool, Assam's traditional double-headed folk drum. This ancient instrument, typically used in Bihu celebrations and folk performances, becomes the sonic DNA threading through every track. The Dhool samples were processed, manipulated, and reimagined by a diverse collective of electronic artists, creating a bridge between Assamese traditional music and contemporary global electronic sounds.

The choice of the Dhool is intentional. Just as this drum traditionally holds together the pulse of Assamese celebrations, here it holds together the fragmented memories of a changing landscape.

This set is not just music. It is the weight of something slipping away, seen, unseen, yet inevitable. It is the grief of being made invisible while still alive.

Maybe this is not just my story. Maybe, across geographies, many of us are watching our own familiar places being quietly bypassed.

Happy Bihu, Happy New Year 🙏❤️" (Insect Orchestra)]]> 14150245 no no Mon, 13 Apr 2026 11:35:49 +0200 2026-04-13T11:35:49+02:00 2:51:01 https://hearthis.at/kamakhya-records-pe/carmen/
Ahmad Shamalou (1925-2000) of Iran opens it. A lullaby. A warning. "𝑴𝒚 𝒍𝒐𝒗𝒆, 𝒓𝒆𝒎𝒂𝒊𝒏 𝒂 𝒄𝒉𝒊𝒍𝒅. 𝑻𝒉𝒆 𝒘𝒐𝒓𝒍𝒅 𝒘𝒊𝒍𝒍 𝒇𝒐𝒓𝒄𝒆 𝒚𝒐𝒖 𝒕𝒐 𝒈𝒓𝒐𝒘. 𝑰𝒕 𝒊𝒔 𝒔𝒐 𝒄𝒓𝒖𝒆𝒍 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝒎𝒐𝒎𝒆𝒏𝒕 𝒚𝒐𝒖 𝒇𝒐𝒓𝒈𝒆𝒕 𝒚𝒐𝒖𝒓 𝒄𝒉𝒊𝒍𝒅𝒉𝒐𝒐𝒅 𝒊𝒕 𝒕𝒖𝒓𝒏𝒔 𝒚𝒐𝒖 𝒊𝒏𝒕𝒐 𝒂 𝒔𝒕𝒐𝒏𝒆."

Then Shane Beck from America. Adulthood. The weight of being fully in the world after the loss of his wife.

And at the end, Welsh poet Dylan Thomas (1914-53), fists raised at the dying of the light. “𝑫𝒐 𝒏𝒐𝒕 𝒈𝒐 𝒈𝒆𝒏𝒕𝒍𝒆 𝒊𝒏𝒕𝒐 𝒕𝒉𝒂𝒕 𝒈𝒐𝒐𝒅 𝒏𝒊𝒈𝒉𝒕, 𝑶𝒍𝒅 𝒂𝒈𝒆 𝒔𝒉𝒐𝒖𝒍𝒅 𝒃𝒖𝒓𝒏 𝒂𝒏𝒅 𝒓𝒂𝒗𝒆 𝒂𝒕 𝒄𝒍𝒐𝒔𝒆 𝒐𝒇 𝒅𝒂𝒚; 𝑹𝒂𝒈𝒆, 𝒓𝒂𝒈𝒆 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒕𝒉𝒆 𝒅𝒚𝒊𝒏𝒈 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒊𝒈𝒉𝒕..”

Three poets. One life. Music woven through it all.

This is CARMEN. A song, a spell, a charm against forgetting what it felt like to be alive.]]>
Ahmad Shamalou (1925-2000) of Iran opens it. A lullaby. A warning. "𝑴𝒚 𝒍𝒐𝒗𝒆, 𝒓𝒆𝒎𝒂𝒊𝒏 𝒂 𝒄𝒉𝒊𝒍𝒅. 𝑻𝒉𝒆 𝒘𝒐𝒓𝒍𝒅 𝒘𝒊𝒍𝒍 𝒇𝒐𝒓𝒄𝒆 𝒚𝒐𝒖 𝒕𝒐 𝒈𝒓𝒐𝒘. 𝑰𝒕 𝒊𝒔 𝒔𝒐 𝒄𝒓𝒖𝒆𝒍 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝒎𝒐𝒎𝒆𝒏𝒕 𝒚𝒐𝒖 𝒇𝒐𝒓𝒈𝒆𝒕 𝒚𝒐𝒖𝒓 𝒄𝒉𝒊𝒍𝒅𝒉𝒐𝒐𝒅 𝒊𝒕 𝒕𝒖𝒓𝒏𝒔 𝒚𝒐𝒖 𝒊𝒏𝒕𝒐 𝒂 𝒔𝒕𝒐𝒏𝒆."

Then Shane Beck from America. Adulthood. The weight of being fully in the world after the loss of his wife.

And at the end, Welsh poet Dylan Thomas (1914-53), fists raised at the dying of the light. “𝑫𝒐 𝒏𝒐𝒕 𝒈𝒐 𝒈𝒆𝒏𝒕𝒍𝒆 𝒊𝒏𝒕𝒐 𝒕𝒉𝒂𝒕 𝒈𝒐𝒐𝒅 𝒏𝒊𝒈𝒉𝒕, 𝑶𝒍𝒅 𝒂𝒈𝒆 𝒔𝒉𝒐𝒖𝒍𝒅 𝒃𝒖𝒓𝒏 𝒂𝒏𝒅 𝒓𝒂𝒗𝒆 𝒂𝒕 𝒄𝒍𝒐𝒔𝒆 𝒐𝒇 𝒅𝒂𝒚; 𝑹𝒂𝒈𝒆, 𝒓𝒂𝒈𝒆 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒕𝒉𝒆 𝒅𝒚𝒊𝒏𝒈 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒊𝒈𝒉𝒕..”

Three poets. One life. Music woven through it all.

This is CARMEN. A song, a spell, a charm against forgetting what it felt like to be alive.]]> 14146537 no no Sun, 12 Apr 2026 20:25:21 +0200 2026-04-12T20:25:21+02:00 23:41 https://hearthis.at/kamakhya-records-pe/doom/ .....29 tracks, no narrative, no connection, just the relentless texture of input. Your brain scrambles to find meaning in the noise, to stitch these pieces into something coherent. But they do not stitch. They are meant not to.........
.....This is the soundtrack to that particular exhaustion, that specific kind of overstimulation where everything becomes equally weightless. Until something does break through. Until something actually registers as real...
... Stay with it till the end | Duration: 38 minutes...

....Thank You Simona Norato, Antonio Pinna, Makika, Tobia Poltronieri, effe effe / Federica Furlani, ALEK HIDELL, Giovanni Chirico, Alessandro Cau, Eleuteria, Fabio Cerina, Mumucs, Sebastiano Martinelli, Federico Fenu, Ivana Busu, Luigi Frassetto, Maurizio Floris, Armaud, Giacomo Salis, Marco Caredda, Marco Coa, Marco Giudici, Serena Altavilla, Raffaele Pilia, Matteo Leone, Mauro Diana, Cristõf, Enrico Correggia, Tancredi, and Adele Altro for the killer tracks]]> .....29 tracks, no narrative, no connection, just the relentless texture of input. Your brain scrambles to find meaning in the noise, to stitch these pieces into something coherent. But they do not stitch. They are meant not to.........
.....This is the soundtrack to that particular exhaustion, that specific kind of overstimulation where everything becomes equally weightless. Until something does break through. Until something actually registers as real...
... Stay with it till the end | Duration: 38 minutes...

....Thank You Simona Norato, Antonio Pinna, Makika, Tobia Poltronieri, effe effe / Federica Furlani, ALEK HIDELL, Giovanni Chirico, Alessandro Cau, Eleuteria, Fabio Cerina, Mumucs, Sebastiano Martinelli, Federico Fenu, Ivana Busu, Luigi Frassetto, Maurizio Floris, Armaud, Giacomo Salis, Marco Caredda, Marco Coa, Marco Giudici, Serena Altavilla, Raffaele Pilia, Matteo Leone, Mauro Diana, Cristõf, Enrico Correggia, Tancredi, and Adele Altro for the killer tracks]]> 14146497 no no Sun, 12 Apr 2026 20:18:25 +0200 2026-04-12T20:18:25+02:00 38:07 https://hearthis.at/kamakhya-records-pe/trippy/
"𝘈 𝘥𝘢𝘴𝘩 𝘰𝘧 𝘰𝘭𝘥 𝘴𝘤𝘩𝘰𝘰𝘭 𝘎𝘰𝘢 𝘵𝘳𝘢𝘯𝘤𝘦, 𝘢 𝘴𝘱𝘳𝘪𝘯𝘬𝘭𝘦 𝘰𝘧 𝘙𝘶𝘴𝘴𝘪𝘢𝘯 𝘮𝘰𝘳𝘯𝘪𝘯𝘨 𝘮𝘢𝘨𝘪𝘤, 𝘢 𝘸𝘩𝘪𝘧𝘧 𝘰𝘧 𝘚𝘶𝘰𝘮𝘪𝘴𝘢𝘶𝘯𝘥𝘪 𝘸𝘦𝘪𝘳𝘥𝘯𝘦𝘴𝘴, 𝘢𝘯𝘥 𝘢 𝘧𝘪𝘯𝘢𝘭 𝘵𝘸𝘪𝘴𝘵 𝘰𝘧 𝘤𝘢𝘳𝘵𝘰𝘰𝘯 𝘱𝘴𝘺. 𝘈 𝘵𝘳𝘪𝘱𝘱𝘺 𝘴𝘰𝘯𝘪𝘤 𝘣𝘳𝘦𝘢𝘬𝘧𝘢𝘴𝘵" (Insect Orchestra)

Thank you Orphism, Avatar, Slide, Bamboo Forest, Infected Mushroom, Toi Doi, Zolod, Alien Stamp, So-So Spicy and Nawang Keshog.]]>
"𝘈 𝘥𝘢𝘴𝘩 𝘰𝘧 𝘰𝘭𝘥 𝘴𝘤𝘩𝘰𝘰𝘭 𝘎𝘰𝘢 𝘵𝘳𝘢𝘯𝘤𝘦, 𝘢 𝘴𝘱𝘳𝘪𝘯𝘬𝘭𝘦 𝘰𝘧 𝘙𝘶𝘴𝘴𝘪𝘢𝘯 𝘮𝘰𝘳𝘯𝘪𝘯𝘨 𝘮𝘢𝘨𝘪𝘤, 𝘢 𝘸𝘩𝘪𝘧𝘧 𝘰𝘧 𝘚𝘶𝘰𝘮𝘪𝘴𝘢𝘶𝘯𝘥𝘪 𝘸𝘦𝘪𝘳𝘥𝘯𝘦𝘴𝘴, 𝘢𝘯𝘥 𝘢 𝘧𝘪𝘯𝘢𝘭 𝘵𝘸𝘪𝘴𝘵 𝘰𝘧 𝘤𝘢𝘳𝘵𝘰𝘰𝘯 𝘱𝘴𝘺. 𝘈 𝘵𝘳𝘪𝘱𝘱𝘺 𝘴𝘰𝘯𝘪𝘤 𝘣𝘳𝘦𝘢𝘬𝘧𝘢𝘴𝘵" (Insect Orchestra)

Thank you Orphism, Avatar, Slide, Bamboo Forest, Infected Mushroom, Toi Doi, Zolod, Alien Stamp, So-So Spicy and Nawang Keshog.]]> 12945809 no no Fri, 10 Apr 2026 08:30:40 +0200 2026-04-10T08:30:40+02:00 3:08:36 https://hearthis.at/kamakhya-records-pe/silence-is-complicity-final-1/
Thank you Ahmad Shamalou (1925-2000) for your poem "Lullaby For The Travelling Child"

https://shamlou.org/

From the streets of New York, a girl's voice refusing to be silenced, crying out "you got a conscience, man," through Ahmad Shamalou's warning, "*My love, remain a child. The world will force you to grow. It is so cruel that the moment you forget your childhood it turns you into a stone*," to Grammy award winner and breast cancer survivor Dawn Upshaw's voice breathing life into a Polish mother's anguished search for her son's body across the battlefields of the Silesian Uprisings (1919-21) against Germany.

Two voices, separated by a century, bound by the same refusal to stay silent. And between them, a poet from Iran who knew exactly what was coming.

I loved the arc of this 250 minute mix. Hope you will too.]]>
Thank you Ahmad Shamalou (1925-2000) for your poem "Lullaby For The Travelling Child"

https://shamlou.org/

From the streets of New York, a girl's voice refusing to be silenced, crying out "you got a conscience, man," through Ahmad Shamalou's warning, "*My love, remain a child. The world will force you to grow. It is so cruel that the moment you forget your childhood it turns you into a stone*," to Grammy award winner and breast cancer survivor Dawn Upshaw's voice breathing life into a Polish mother's anguished search for her son's body across the battlefields of the Silesian Uprisings (1919-21) against Germany.

Two voices, separated by a century, bound by the same refusal to stay silent. And between them, a poet from Iran who knew exactly what was coming.

I loved the arc of this 250 minute mix. Hope you will too.]]> 14117290 no no Wed, 08 Apr 2026 17:37:07 +0200 2026-04-08T17:37:07+02:00 4:10:39 https://hearthis.at/kamakhya-records-pe/disco-lies-final-chapter/ ...Thank You Hämeen Nopein & Kertis, James Reipas, Okta, Fuzzonaut, Hongos Longos, Omnium, and SooSpicey for the killer tracks
...Thank You Max Blagg for your poem - "Licking Up the Fun Up"]]> ...Thank You Hämeen Nopein & Kertis, James Reipas, Okta, Fuzzonaut, Hongos Longos, Omnium, and SooSpicey for the killer tracks
...Thank You Max Blagg for your poem - "Licking Up the Fun Up"]]> 14070193 no no Tue, 31 Mar 2026 15:16:09 +0200 2026-03-31T15:16:09+02:00 1:49:55 https://hearthis.at/kamakhya-records-pe/insect-orchestra-brother-in-arms-final-chapter/
Fuck War ! Fuck the War Mongers !!

Thank you Redlum, Symvolia, Disturbed, Black Metaphor, Kryprokult and DemonkoRe for the killer tracks
-
Thank You Max Blagg for "Can I Get You Something"]]>
Fuck War ! Fuck the War Mongers !!

Thank you Redlum, Symvolia, Disturbed, Black Metaphor, Kryprokult and DemonkoRe for the killer tracks
-
Thank You Max Blagg for "Can I Get You Something"]]> 14046991 no no Wed, 25 Mar 2026 14:01:15 +0100 2026-03-25T14:01:15+01:00 2:26:52 https://hearthis.at/kamakhya-records-pe/whale-song-combined-layer/ ...And still, it sings.

Thank You Evil Medvěd and Střed Světa for the killer tracks]]> ...And still, it sings.

Thank You Evil Medvěd and Střed Světa for the killer tracks]]> 13998229 no no Sun, 15 Mar 2026 12:22:38 +0100 2026-03-15T12:22:38+01:00 1:01:32 https://hearthis.at/kamakhya-records-pe/her-sadness-after-the-rain/ Thank You Humanfobia, Mig Inc, and Maruda for the killer tracks]]> Thank You Humanfobia, Mig Inc, and Maruda for the killer tracks]]> 13585521 no no Thu, 01 Jan 2026 19:50:32 +0100 2026-01-01T19:50:32+01:00 1:01:44 https://hearthis.at/kamakhya-records-pe/t0dreams/
This mix is an attempt to capture those moments. The movement, the detours, the false arrivals, and the inevitability of not making it on time.

Thank You Le Gros Chat Electrique, Malade, Zone Cruiser, RDKPL, Filmy Ghost, and Humanfobia for the killer tracks.]]>
This mix is an attempt to capture those moments. The movement, the detours, the false arrivals, and the inevitability of not making it on time.

Thank You Le Gros Chat Electrique, Malade, Zone Cruiser, RDKPL, Filmy Ghost, and Humanfobia for the killer tracks.]]> 13556091 no no Sun, 28 Dec 2025 19:56:40 +0100 2025-12-28T19:56:40+01:00 49:50 https://hearthis.at/kamakhya-records-pe/book/ ...Thank You Ivan Black, Shane Beck, kNLL, Heckel & Jeckel, MA0, The Visitation, Dormir Dans La Chambre Froide, Bloom & Christopher Nosnibor and the Xmas Mouse for the killer tracks.

*"THEY KEEP TRIGGERING inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-colored clouds, beating like black hearts"* (The Book Thief by Markus Zusak)]]> ...Thank You Ivan Black, Shane Beck, kNLL, Heckel & Jeckel, MA0, The Visitation, Dormir Dans La Chambre Froide, Bloom & Christopher Nosnibor and the Xmas Mouse for the killer tracks.

*"THEY KEEP TRIGGERING inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-colored clouds, beating like black hearts"* (The Book Thief by Markus Zusak)]]> 13425978 no no Sat, 13 Dec 2025 14:43:51 +0100 2025-12-13T14:43:51+01:00 1:07:01 https://hearthis.at/kamakhya-records-pe/mirror/
I wanted a mirror. This is what it reflects —

TUESDAY AS ORDINARY APOCALYPSE

The apocalypse does not announce itself. It arrives on a Tuesday, in ordinary clothes, while we are making tea and checking our phones and pretending everything is fine. It arrives in the incremental choices we make without noticing. The ones that compound, day after day, until we wake up in a country we do not recognise and cannot remember how we got here.

This is that Tuesday. This is that apocalypse. And at its centre is a choice we are making right now, whether we know it or not.

There are two songs playing at once in this country right now. In every country, maybe, but let us stay here. Let us stay with what is actually happening while we pretend nothing is.

One song is fear. It sounds like safety. It promises that if we just draw the lines clearly enough, build the walls high enough, decide quickly enough who belongs and who does not, we will finally be secure. It is seductive because it is simple. It asks nothing of us except suspicion. It gives us permission to stop trying, stop listening, stop holding space for complexity. Fear says: close the door, you will be safe inside.

The other song is love. Not the easy kind. Not the kind that costs nothing. The kind that requires us to stay open when every survival instinct says contract. The kind that asks us to see people when not seeing would be so much more comfortable. The kind that demands we hold nuance in a world that has forgotten what nuance feels like.

This is the sound of standing at the fork in the road. And here is the thing nobody wants to say out loud: we are choosing between them every single day, every single moment, mostly without noticing. Mostly by default. Mostly by letting the easier song win.

Fear is easier. That is not a moral judgement. That is biology. That is exhaustion. That is what happens when we are overwhelmed and scared and we have stopped sleeping well and we just want someone to tell us who to blame and where to point our anger.

Love is harder. It asks us to do the thing we are worst at right now: pay attention. Hold contradictions. Stay in the room with people we do not understand. Refuse the comfort of easy answers. Choose relationship over righteousness.
Let the set oscillate between them. Let fear build its case. Tight, controlled, the seductive rhythm of certainty. Then let love interrupt. Messy, demanding, the difficult work of staying human. Do not resolve it. Do not choose for them. Let them feel both pulls in their bodies until they understand this is not abstract. This is the choice they are making when they scroll past someone's humanity. When they simplify someone into a category. When they choose comfort over truth.

Can we still choose love when fear is easier? Can we still choose openness when closing feels like survival? Can we still choose to see each other when not seeing has become the default?

This is the second mirror. It does not show you what is. It shows you what could be, depending on which door you walk through. We are walking through one of them right now, this Tuesday, whether we are paying attention or not.

This is Tuesday.
This is India.
This is the reflection.

Thank You The Friendly Singing Frog, Ursula's Cartridges, Meta Tron, DJ盲目, Rikardfvs, Terbeschikkingstelling, Sockyo Yango, Unknown Sound Collective, Eleonara Kampe, Oonark Klaes, Mean Flow, Ron Coulter, Thomas Park, Heavy Cloud, Strattanpossum, and Demetrio Cecchitelli for the killer tracks.]]>
I wanted a mirror. This is what it reflects —

TUESDAY AS ORDINARY APOCALYPSE

The apocalypse does not announce itself. It arrives on a Tuesday, in ordinary clothes, while we are making tea and checking our phones and pretending everything is fine. It arrives in the incremental choices we make without noticing. The ones that compound, day after day, until we wake up in a country we do not recognise and cannot remember how we got here.

This is that Tuesday. This is that apocalypse. And at its centre is a choice we are making right now, whether we know it or not.

There are two songs playing at once in this country right now. In every country, maybe, but let us stay here. Let us stay with what is actually happening while we pretend nothing is.

One song is fear. It sounds like safety. It promises that if we just draw the lines clearly enough, build the walls high enough, decide quickly enough who belongs and who does not, we will finally be secure. It is seductive because it is simple. It asks nothing of us except suspicion. It gives us permission to stop trying, stop listening, stop holding space for complexity. Fear says: close the door, you will be safe inside.

The other song is love. Not the easy kind. Not the kind that costs nothing. The kind that requires us to stay open when every survival instinct says contract. The kind that asks us to see people when not seeing would be so much more comfortable. The kind that demands we hold nuance in a world that has forgotten what nuance feels like.

This is the sound of standing at the fork in the road. And here is the thing nobody wants to say out loud: we are choosing between them every single day, every single moment, mostly without noticing. Mostly by default. Mostly by letting the easier song win.

Fear is easier. That is not a moral judgement. That is biology. That is exhaustion. That is what happens when we are overwhelmed and scared and we have stopped sleeping well and we just want someone to tell us who to blame and where to point our anger.

Love is harder. It asks us to do the thing we are worst at right now: pay attention. Hold contradictions. Stay in the room with people we do not understand. Refuse the comfort of easy answers. Choose relationship over righteousness.
Let the set oscillate between them. Let fear build its case. Tight, controlled, the seductive rhythm of certainty. Then let love interrupt. Messy, demanding, the difficult work of staying human. Do not resolve it. Do not choose for them. Let them feel both pulls in their bodies until they understand this is not abstract. This is the choice they are making when they scroll past someone's humanity. When they simplify someone into a category. When they choose comfort over truth.

Can we still choose love when fear is easier? Can we still choose openness when closing feels like survival? Can we still choose to see each other when not seeing has become the default?

This is the second mirror. It does not show you what is. It shows you what could be, depending on which door you walk through. We are walking through one of them right now, this Tuesday, whether we are paying attention or not.

This is Tuesday.
This is India.
This is the reflection.

Thank You The Friendly Singing Frog, Ursula's Cartridges, Meta Tron, DJ盲目, Rikardfvs, Terbeschikkingstelling, Sockyo Yango, Unknown Sound Collective, Eleonara Kampe, Oonark Klaes, Mean Flow, Ron Coulter, Thomas Park, Heavy Cloud, Strattanpossum, and Demetrio Cecchitelli for the killer tracks.]]> 13381217 no no Tue, 09 Dec 2025 04:16:35 +0100 2025-12-09T04:16:35+01:00 1:07:44 https://hearthis.at/kamakhya-records-pe/mad-hatter-tea-party-160-years-of-alice-in-wonderland/ 13367543 no no Mon, 08 Dec 2025 10:17:33 +0100 2025-12-08T10:17:33+01:00 2:41:09 https://hearthis.at/kamakhya-records-pe/mirror-mirror-on-the-wall/
TUESDAY AS ORDINARY APOCALYPSE

This is not about a single election, a single policy, a single moment of rupture.
It is about Tuesday.
The slow apocalypse of the ordinary. The incremental loss that happens whilst we are distracted. The forgetting that compounds, day after day, until we wake up and do not recognise where we are or how we got here.

An India that has stopped reading does not lose its literacy overnight.

First, it stops finishing books.
Then it stops starting them.
Then it forgets why books mattered at all.

An India that has stopped listening does not go deaf in a single moment.

First, it stops hearing nuance.
Then it stops tolerating disagreement.
Then it forgets there were ever other voices in the room.

An India that has stopped paying attention does not lose focus all at once.

First, it shortens its attention span.
Then it loses patience for depth.
Then it forgets that surfaces have depths at all.

THE MIRROR DOES NOT LIE

This mix does not offer solutions.
It does not offer hope or consolation or a way forward.
It offers recognition, if you can still practice it.
It says: Look. This is where we are. This is what we have become. This is what happens when we stop paying attention to what we are losing until we have lost the ability to notice loss itself.

The mirror shows what is actually there.

Whether we can still see it, whether we have retained the capacity to recognise ourselves, that remains to be seen.

This is Tuesday.
This is India.
This is the reflection.]]>
TUESDAY AS ORDINARY APOCALYPSE

This is not about a single election, a single policy, a single moment of rupture.
It is about Tuesday.
The slow apocalypse of the ordinary. The incremental loss that happens whilst we are distracted. The forgetting that compounds, day after day, until we wake up and do not recognise where we are or how we got here.

An India that has stopped reading does not lose its literacy overnight.

First, it stops finishing books.
Then it stops starting them.
Then it forgets why books mattered at all.

An India that has stopped listening does not go deaf in a single moment.

First, it stops hearing nuance.
Then it stops tolerating disagreement.
Then it forgets there were ever other voices in the room.

An India that has stopped paying attention does not lose focus all at once.

First, it shortens its attention span.
Then it loses patience for depth.
Then it forgets that surfaces have depths at all.

THE MIRROR DOES NOT LIE

This mix does not offer solutions.
It does not offer hope or consolation or a way forward.
It offers recognition, if you can still practice it.
It says: Look. This is where we are. This is what we have become. This is what happens when we stop paying attention to what we are losing until we have lost the ability to notice loss itself.

The mirror shows what is actually there.

Whether we can still see it, whether we have retained the capacity to recognise ourselves, that remains to be seen.

This is Tuesday.
This is India.
This is the reflection.]]> 13280251 no no Tue, 02 Dec 2025 09:29:05 +0100 2025-12-02T09:29:05+01:00 39:10 https://hearthis.at/kamakhya-records-pe/segment1behind-therage/
The ancient voice of Nepal's sarangi carries centuries of memory - folk songs, mountain winds, the silk route, the land, the trees, the flowers, the rivers, and the valleys. But modernity fractures this continuity. Promises flicker and die; crashed economic dreams, failed systems, and a democracy that never was. Here lies the foundation of rage: not just anger at the present, but grief for all the futures that were promised and never delivered
/
Thank you Gandharva Brothers, RDKPL, Arcane Waves & Klopenn, Dormir Dans La Chambre Froide and Botanique Le Système for the killer tracks

...TO BE CONTINUED...]]>
The ancient voice of Nepal's sarangi carries centuries of memory - folk songs, mountain winds, the silk route, the land, the trees, the flowers, the rivers, and the valleys. But modernity fractures this continuity. Promises flicker and die; crashed economic dreams, failed systems, and a democracy that never was. Here lies the foundation of rage: not just anger at the present, but grief for all the futures that were promised and never delivered
/
Thank you Gandharva Brothers, RDKPL, Arcane Waves & Klopenn, Dormir Dans La Chambre Froide and Botanique Le Système for the killer tracks

...TO BE CONTINUED...]]> 12732275 no no Sat, 13 Sep 2025 13:12:52 +0200 2025-09-13T13:12:52+02:00 20:00 https://hearthis.at/kamakhya-records-pe/pieta-reimagined/ PIETA REIMAGINED by Insect Orchestra

Code cracks like old stone
a mother holds static death
pixels weep in Gaza

Tracks by Rose Red Flechette, György Ligeti, Krzysztof Penderecki, Henryk Górecki, Arvo Pärt, RDKPL, Phurpa

#Post_Sacred_Mourning
#Grief_in_a_Digital_Age
#Pieta_Reimagined]]> PIETA REIMAGINED by Insect Orchestra

Code cracks like old stone
a mother holds static death
pixels weep in Gaza

Tracks by Rose Red Flechette, György Ligeti, Krzysztof Penderecki, Henryk Górecki, Arvo Pärt, RDKPL, Phurpa

#Post_Sacred_Mourning
#Grief_in_a_Digital_Age
#Pieta_Reimagined]]> 12673982 no no Tue, 02 Sep 2025 05:51:07 +0200 2025-09-02T05:51:07+02:00 2:12:14 https://hearthis.at/kamakhya-records-pe/goa-the-past-and-the-future-mix/
This is half music and half séance, half history and half critique!!
Fragments of Goa’s past: voices of the freaks, saints, dropouts, and prophets, spliced with the weight of now. Some gone, some still hanging on, all tangled in the static of memory.

Black Metaphor soundtracks the journey
... heavy, restless, ritualistic.

Burn some incense if you must. Raise a glass or boom a chillum to the OGs. But Play it loud.

INVOCATION

Interview: Steve Madras Devas

Track 01 – Black Metaphor (feat. Malign Paradigm) – The Nightmare of Being

Track 02 – Black Metaphor – Sunken Place

CROSSROADS

Interview: Rose Baudin

Interview: Tobias Moss (RIP)

Track 03 – Black Metaphor (feat. Ankoudead) – Ancient Mechanism

THE TRANSMISSION

Interview: Haya Zommer

Interview: Giuliano Bottali

Interview: Chicago Pete (RIP)

Track 04 – Black Metaphor – Who Goes There

Track 05 – Black Metaphor – Enough Rope

THE FAREWELL

Interview: Steve Madras Devas (return)

Interview: Goa Gil (RIP)

Interview: Haya Zommer (return)

Interview: Eight Finger Eddie (RIP)

Track 06 – Black Metaphor – A Song of Exhausted Nature

Track 07 – Black Metaphor – Nostalgia

Acknowledgements
Gratitude to the Goa Hippy Tribe for preserving these voices, keeping the ghosts alive.

www.youtube.com/@goahippytribe]]>
This is half music and half séance, half history and half critique!!
Fragments of Goa’s past: voices of the freaks, saints, dropouts, and prophets, spliced with the weight of now. Some gone, some still hanging on, all tangled in the static of memory.

Black Metaphor soundtracks the journey
... heavy, restless, ritualistic.

Burn some incense if you must. Raise a glass or boom a chillum to the OGs. But Play it loud.

INVOCATION

Interview: Steve Madras Devas

Track 01 – Black Metaphor (feat. Malign Paradigm) – The Nightmare of Being

Track 02 – Black Metaphor – Sunken Place

CROSSROADS

Interview: Rose Baudin

Interview: Tobias Moss (RIP)

Track 03 – Black Metaphor (feat. Ankoudead) – Ancient Mechanism

THE TRANSMISSION

Interview: Haya Zommer

Interview: Giuliano Bottali

Interview: Chicago Pete (RIP)

Track 04 – Black Metaphor – Who Goes There

Track 05 – Black Metaphor – Enough Rope

THE FAREWELL

Interview: Steve Madras Devas (return)

Interview: Goa Gil (RIP)

Interview: Haya Zommer (return)

Interview: Eight Finger Eddie (RIP)

Track 06 – Black Metaphor – A Song of Exhausted Nature

Track 07 – Black Metaphor – Nostalgia

Acknowledgements
Gratitude to the Goa Hippy Tribe for preserving these voices, keeping the ghosts alive.

www.youtube.com/@goahippytribe]]> 10999892 no no Sat, 30 Aug 2025 09:47:33 +0200 2025-08-30T09:47:33+02:00 55:08 https://hearthis.at/kamakhya-records-pe/simulacra/
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

SEGMENT 4 : SIMULACRA (the last segment)

Featuring killer tracks by Morbid Beauty, Skulls That Have Sex, Incandescence, Christophe Petchanatz, Sex Yawn Crescendo, Rose Red Flechette and Ritwik Mishra

Audio Samples Used:
1. Movie : 1984
2. Soldier’s wife speaks to the world via Instagram during the India-Pakistan conflict.
3. Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses..

SIMULACRA, the last segment of the 4-part sonic War Poem is about distortion — not just of sound, but of meaning. This segment explores how war, identity, fear, and memory are manipulated, repackaged, and sold back to us through systems of power: media, state narratives, propaganda, and digital culture.

By this stage, you're no longer hearing the violence itself — you're hearing its simulation. Aestheticised suffering. Manufactured urgency. Sanitised outrage. The chaos is still there, but it's been dressed up to feel palatable, even desirable. Truth is no longer something you experience — it's something that's been engineered for you.

It’s also about the commentators — the armchair keyboard warriors who stoke hatred and division from behind screens. They speak in absolutes, they mock, insulated from consequence, their only battlefield a Wi-Fi connection. Safe, loud, and utterly detached from the realities they claim to understand. Their rhetoric is another layer of noise: toxic, performative, and endlessly amplified by the very systems that claim to protect us.

SIMULACRA is the sound of war as a branding exercise.
It’s not about memory. It’s about manipulation.
Not about truth. About the illusion of it.

"Art should comfort the disturbed and disturb the comfortable" (Cesar A. Cruz)]]>
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

SEGMENT 4 : SIMULACRA (the last segment)

Featuring killer tracks by Morbid Beauty, Skulls That Have Sex, Incandescence, Christophe Petchanatz, Sex Yawn Crescendo, Rose Red Flechette and Ritwik Mishra

Audio Samples Used:
1. Movie : 1984
2. Soldier’s wife speaks to the world via Instagram during the India-Pakistan conflict.
3. Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses..

SIMULACRA, the last segment of the 4-part sonic War Poem is about distortion — not just of sound, but of meaning. This segment explores how war, identity, fear, and memory are manipulated, repackaged, and sold back to us through systems of power: media, state narratives, propaganda, and digital culture.

By this stage, you're no longer hearing the violence itself — you're hearing its simulation. Aestheticised suffering. Manufactured urgency. Sanitised outrage. The chaos is still there, but it's been dressed up to feel palatable, even desirable. Truth is no longer something you experience — it's something that's been engineered for you.

It’s also about the commentators — the armchair keyboard warriors who stoke hatred and division from behind screens. They speak in absolutes, they mock, insulated from consequence, their only battlefield a Wi-Fi connection. Safe, loud, and utterly detached from the realities they claim to understand. Their rhetoric is another layer of noise: toxic, performative, and endlessly amplified by the very systems that claim to protect us.

SIMULACRA is the sound of war as a branding exercise.
It’s not about memory. It’s about manipulation.
Not about truth. About the illusion of it.

"Art should comfort the disturbed and disturb the comfortable" (Cesar A. Cruz)]]> 12129979 no no Sun, 11 May 2025 13:49:41 +0200 2025-05-11T13:49:41+02:00 3:04:02 https://hearthis.at/kamakhya-records-pe/erosion-confrontation-recursion/
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

Featuring killer tracks by Jehad Murphy, Antimickey, Ritwik Mishra, and মুক্তি (Mukti)

Audio Samples Used:

“Hum Tere Pyar Mein Sara Alam” — cover version of Lata Mangeshkar's song, from Dil Ek Mandir (1963), featuring Meena Kumari

Final Speech — Charlie Chaplin, The Great Dictator (1940)

Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses.

SEGMENT 1 : EROSION
Segment 1 of ANTI-GOD begins with a voice—
it is a cover version of Lata Mangeshkar's song pouring through the radio like silk slipping through blood.

“Hum tere pyaar mein saara alam kho baithe hain...”
The song plays like someone remembering how to cry.
A melody that speaks not just of love,
but of being consumed by something you can’t walk away from.
Not now.
Not ever.

It’s not nostalgia.
It’s erosion.
Of will.
Of memory.
Of safety.

You are lounging on a chair by the beach, a radio playing a song and the sound of the waves mixed with heavy artillery fire somewhere in the distance — like the world is slipping between two realities. On one side, you are in a postcard moment: the sun, sea, sand sticking to your skin, and a song that makes you feel like nothing can touch you. On the other, there's the low, guttural thud of artillery, the scream of people — distant, but real enough to shake the illusion.

It is not a movie, not a dream. Just the absurdity of peace sitting next to violence as it gets closer and closer, and suddenly you hear Jazz Music floating in from a nearby shack.

SEGMENT 2 : CONFRONTATION
If Segment 1 was dissociation — the absurdity of peace sitting next to violence, Segment 2 is confrontation.

You're no longer on the beach.

You are in a dim apartment, the kind where the curtains don’t move unless the wind is angry. Charlie Chaplin’s voice is playing from a dusty radio—The Great Dictator speech, trembling with hope. But outside, the sky is howling with air raid sirens, and in the distance, the city is being torn apart—buildings folding, people vanishing into ash.

Somewhere in that chaos, a young man opens a drawer and pulls out an old cassette. A demo. “Intolerance is a Disease I’d Like To Keep” scrawled on the label in cracked biro. His voice, his beat, from another time. He slides on his headphones just as the first wave of bombing starts to drop. The room shakes, dust dances in the beam of a swinging lightbulb, but he hits play anyway.

In another part of the city, in a brothel thick with smoke and sweat, a man and a prostitute is debating about religion, existential crisis, feminism and sex. Maybe to intellectualise the inevitable.

No one’s winning this argument.
That’s not the point.

War doesn’t wait for epiphanies.
It dances.
It fucks.
It forgets.

And still,
the demo plays.

And still, the demo plays

SEGMENT 3 : RECURSION

If Segment 1 was dissociation — the absurdity of peace sitting next to violence, and Segment 2 is confrontation, Segment 3 is a reckoning—not with war, but with remembrance.

Everything heard before in Segment 1 (EROSION) and Segment 2 (CONFRONTATION) is played backward in Segment 3

There’s no narrative here.
Just a loop.
A question:
If everything is reversed,
do we still feel the pain? the trauma?

All the tracks, all the samples—
mangled, off-pitch, degraded.
Familiar sounds return, but now they stutter, flicker, glitch.
No resolution. Just fragments.
Ghosts in reverse.

And still,
the demo plays. (TO BE CONTINUED...)" (Insect Orchestra)

"Art must comfort the disturbed, disturb the comfortable" (Ceaser A. Cruz)]]>
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

Featuring killer tracks by Jehad Murphy, Antimickey, Ritwik Mishra, and মুক্তি (Mukti)

Audio Samples Used:

“Hum Tere Pyar Mein Sara Alam” — cover version of Lata Mangeshkar's song, from Dil Ek Mandir (1963), featuring Meena Kumari

Final Speech — Charlie Chaplin, The Great Dictator (1940)

Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses.

SEGMENT 1 : EROSION
Segment 1 of ANTI-GOD begins with a voice—
it is a cover version of Lata Mangeshkar's song pouring through the radio like silk slipping through blood.

“Hum tere pyaar mein saara alam kho baithe hain...”
The song plays like someone remembering how to cry.
A melody that speaks not just of love,
but of being consumed by something you can’t walk away from.
Not now.
Not ever.

It’s not nostalgia.
It’s erosion.
Of will.
Of memory.
Of safety.

You are lounging on a chair by the beach, a radio playing a song and the sound of the waves mixed with heavy artillery fire somewhere in the distance — like the world is slipping between two realities. On one side, you are in a postcard moment: the sun, sea, sand sticking to your skin, and a song that makes you feel like nothing can touch you. On the other, there's the low, guttural thud of artillery, the scream of people — distant, but real enough to shake the illusion.

It is not a movie, not a dream. Just the absurdity of peace sitting next to violence as it gets closer and closer, and suddenly you hear Jazz Music floating in from a nearby shack.

SEGMENT 2 : CONFRONTATION
If Segment 1 was dissociation — the absurdity of peace sitting next to violence, Segment 2 is confrontation.

You're no longer on the beach.

You are in a dim apartment, the kind where the curtains don’t move unless the wind is angry. Charlie Chaplin’s voice is playing from a dusty radio—The Great Dictator speech, trembling with hope. But outside, the sky is howling with air raid sirens, and in the distance, the city is being torn apart—buildings folding, people vanishing into ash.

Somewhere in that chaos, a young man opens a drawer and pulls out an old cassette. A demo. “Intolerance is a Disease I’d Like To Keep” scrawled on the label in cracked biro. His voice, his beat, from another time. He slides on his headphones just as the first wave of bombing starts to drop. The room shakes, dust dances in the beam of a swinging lightbulb, but he hits play anyway.

In another part of the city, in a brothel thick with smoke and sweat, a man and a prostitute is debating about religion, existential crisis, feminism and sex. Maybe to intellectualise the inevitable.

No one’s winning this argument.
That’s not the point.

War doesn’t wait for epiphanies.
It dances.
It fucks.
It forgets.

And still,
the demo plays.

And still, the demo plays

SEGMENT 3 : RECURSION

If Segment 1 was dissociation — the absurdity of peace sitting next to violence, and Segment 2 is confrontation, Segment 3 is a reckoning—not with war, but with remembrance.

Everything heard before in Segment 1 (EROSION) and Segment 2 (CONFRONTATION) is played backward in Segment 3

There’s no narrative here.
Just a loop.
A question:
If everything is reversed,
do we still feel the pain? the trauma?

All the tracks, all the samples—
mangled, off-pitch, degraded.
Familiar sounds return, but now they stutter, flicker, glitch.
No resolution. Just fragments.
Ghosts in reverse.

And still,
the demo plays. (TO BE CONTINUED...)" (Insect Orchestra)

"Art must comfort the disturbed, disturb the comfortable" (Ceaser A. Cruz)]]> 12119859 no no Fri, 09 May 2025 20:11:31 +0200 2025-05-09T20:11:31+02:00 1:46:17 https://hearthis.at/kamakhya-records-pe/erosionandconfrontation/
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

Featuring killer tracks by Jehad Murphy, Antimickey, Ritwik Mishra, and মুক্তি (Mukti)

Audio Samples Used:

1. “Hum Tere Pyar Mein Sara Alam” — cover version of Lata Mangeshkar's song, from Dil Ek Mandir (1963), featuring Meena Kumari

2. Final Speech — Charlie Chaplin, The Great Dictator (1940)

3. Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses.
----
SEGMENT 1 : EROSION
Segment 1 of ANTI-GOD begins with a voice—
it is a cover version of Lata Mangeshkar's song pouring through the radio like silk slipping through blood.

“Hum tere pyaar mein saara alam kho baithe hain...”
The song plays like someone remembering how to cry.
A melody that speaks not just of love,
but of being consumed by something you can’t walk away from.
Not now.
Not ever.

It’s not nostalgia.
It’s erosion.
Of will.
Of memory.
Of safety.

You are lounging on a chair by the beach, a radio playing a song and the sound of the waves mixed with heavy artillery fire somewhere in the distance — like the world is slipping between two realities. On one side, you are in a postcard moment: the sun, sea, sand sticking to your skin, and a song that makes you feel like nothing can touch you. On the other, there's the low, guttural thud of artillery, the scream of people — distant, but real enough to shake the illusion.

It is not a movie, not a dream. Just the absurdity of peace sitting next to violence as it gets closer and closer, and suddenly you hear Jazz Music floating in from a nearby shack.
---
SEGMENT 2 : CONFRONTATION
If Segment 1 was dissociation — the absurdity of peace sitting next to violence, Segment 2 is confrontation.

You're no longer on the beach.

You are in a dim apartment, the kind where the curtains don’t move unless the wind is angry. Charlie Chaplin’s voice is playing from a dusty radio—The Great Dictator speech, trembling with hope. But outside, the sky is howling with air raid sirens, and in the distance, the city is being torn apart—buildings folding, people vanishing into ash.

Somewhere in that chaos, a young man opens a drawer and pulls out an old cassette. A demo. “Intolerance is a Disease I’d Like To Keep” scrawled on the label in cracked biro. His voice, his beat, from another time. He slides on his headphones just as the first wave of bombing starts to drop. The room shakes, dust dances in the beam of a swinging lightbulb, but he hits play anyway.

In another part of the city, in a brothel thick with smoke and sweat, a man and a prostitute is debating about religion, existential crisis, feminism and sex. Maybe to intellectuaise the inevitable.

No one’s winning this argument.
That’s not the point.

War doesn’t wait for epiphanies.
It dances.
It fucks.
It forgets.

And still,
the demo plays.

And still, the demo plays (TO BE CONTINUED....)" (Insect Orchestra)]]>
Experimental | Noise | Noisecore | Black Metal | Dark Ambient | Fake Jazz | Memory

Featuring killer tracks by Jehad Murphy, Antimickey, Ritwik Mishra, and মুক্তি (Mukti)

Audio Samples Used:

1. “Hum Tere Pyar Mein Sara Alam” — cover version of Lata Mangeshkar's song, from Dil Ek Mandir (1963), featuring Meena Kumari

2. Final Speech — Charlie Chaplin, The Great Dictator (1940)

3. Archival audio of the Aerial Bombing of Hamburg, World War II (Operation Gomorrah, 1943) that killed an estimated 37,000 people, wounded 180,000 more, and destroyed 60% of the city's houses.
----
SEGMENT 1 : EROSION
Segment 1 of ANTI-GOD begins with a voice—
it is a cover version of Lata Mangeshkar's song pouring through the radio like silk slipping through blood.

“Hum tere pyaar mein saara alam kho baithe hain...”
The song plays like someone remembering how to cry.
A melody that speaks not just of love,
but of being consumed by something you can’t walk away from.
Not now.
Not ever.

It’s not nostalgia.
It’s erosion.
Of will.
Of memory.
Of safety.

You are lounging on a chair by the beach, a radio playing a song and the sound of the waves mixed with heavy artillery fire somewhere in the distance — like the world is slipping between two realities. On one side, you are in a postcard moment: the sun, sea, sand sticking to your skin, and a song that makes you feel like nothing can touch you. On the other, there's the low, guttural thud of artillery, the scream of people — distant, but real enough to shake the illusion.

It is not a movie, not a dream. Just the absurdity of peace sitting next to violence as it gets closer and closer, and suddenly you hear Jazz Music floating in from a nearby shack.
---
SEGMENT 2 : CONFRONTATION
If Segment 1 was dissociation — the absurdity of peace sitting next to violence, Segment 2 is confrontation.

You're no longer on the beach.

You are in a dim apartment, the kind where the curtains don’t move unless the wind is angry. Charlie Chaplin’s voice is playing from a dusty radio—The Great Dictator speech, trembling with hope. But outside, the sky is howling with air raid sirens, and in the distance, the city is being torn apart—buildings folding, people vanishing into ash.

Somewhere in that chaos, a young man opens a drawer and pulls out an old cassette. A demo. “Intolerance is a Disease I’d Like To Keep” scrawled on the label in cracked biro. His voice, his beat, from another time. He slides on his headphones just as the first wave of bombing starts to drop. The room shakes, dust dances in the beam of a swinging lightbulb, but he hits play anyway.

In another part of the city, in a brothel thick with smoke and sweat, a man and a prostitute is debating about religion, existential crisis, feminism and sex. Maybe to intellectuaise the inevitable.

No one’s winning this argument.
That’s not the point.

War doesn’t wait for epiphanies.
It dances.
It fucks.
It forgets.

And still,
the demo plays.

And still, the demo plays (TO BE CONTINUED....)" (Insect Orchestra)]]> 12114034 no no Fri, 09 May 2025 07:07:58 +0200 2025-05-09T07:07:58+02:00 53:10 https://hearthis.at/kamakhya-records-pe/dhoomkuwhenavlgedecays/
When a village decays
It doesn’t make headlines.
No explosion. No exodus.
Just a slow forgetting.

The farmer stops farming,
The weaver stops weaving,
They forget what the seasons bring,
They forget the syncreticity, the sense of community and family.

The pond runs dry—not because of drought,
But because no one uses it—and the ducks no longer swim there.
The Doba of the Namghor rusts into silence,
And the festivals fade into faint recollections,
The Bihu songs forgotten,
The kopou phool no longer blooms,
Now covered in dust.

The songs once sung at the morning assembly of the village school
Are now just static on a passing bus to the big city.
Children stop asking questions.
Even the wind seems unsure of its direction.
The fireflies have vanished,
The cicadas have fallen silent.

What was once lived together
Now withers alone.

And in this decay,
Noise festers—
Not rhythm but rupture,
Feedback loops of memory corroding at the edges.
Distorted echoes of what was,
Where silence isn’t absence but aftermath.
Where every hiss, every screech, every collapsed chord
Is a ghost refusing to fade.

This mix is for the paddy-lined trails,
For the lost names and the last dance
Under a flickering, moth-eaten bulb.
Waiting for the Dhoomketu to strike

THANK YOU artists from India, Bangladesh and Bhutan: Owl Vibration, Somnium Monkey, Pasang, Mattress bf, Human Harmonics, Pradiate Hoax, Debopom Ghosh Must Be Killed, Monty and Haved Jabib for the killer tracks

INTRO: "Perspective" - recited by Dr. Bhupen Hazarika

OUTRO: “Die Gedanken sind frei” (“My Thoughts Are Free”) by Pete Seeger

*Die Gedanken sind frei” (“My Thoughts Are Free”) began as a protest song during the 16th-century German Peasant Wars—voicing a longing for freedom two centuries before the French Revolution. The wars themselves were a series of uprisings by farmers against feudal injustice, driven by early ideas of social reform and inspired by the Reformation. Though the revolts were violently crushed, with up to 100,000 of the 300,000 poorly armed farmers slaughtered, the spirit of resistance endured.*

*In 1942, Sophie Scholl, of the White Rose resistance, stood outside Ulm prison and played the tune on her flute. Her father was imprisoned there for calling Hitler a "Scourge of God." Years earlier, in 1935, lawyer Hans Litten—detained in Lichtenburg concentration camp—was forced to perform for Hitler’s birthday. He chose to recite “Die Gedanken sind frei.”*

*The song resurfaced in the 1960s, carried across the Atlantic by Pete Seeger, and found new life in protest movements. Now reimagined with a sharp new vocal arrangement, it retains its wit, colour, and insistent demand for the freedom of thought.*

*In 2022, it appeared again—this time on the soundtrack of Netflix series 1899.*]]>
When a village decays
It doesn’t make headlines.
No explosion. No exodus.
Just a slow forgetting.

The farmer stops farming,
The weaver stops weaving,
They forget what the seasons bring,
They forget the syncreticity, the sense of community and family.

The pond runs dry—not because of drought,
But because no one uses it—and the ducks no longer swim there.
The Doba of the Namghor rusts into silence,
And the festivals fade into faint recollections,
The Bihu songs forgotten,
The kopou phool no longer blooms,
Now covered in dust.

The songs once sung at the morning assembly of the village school
Are now just static on a passing bus to the big city.
Children stop asking questions.
Even the wind seems unsure of its direction.
The fireflies have vanished,
The cicadas have fallen silent.

What was once lived together
Now withers alone.

And in this decay,
Noise festers—
Not rhythm but rupture,
Feedback loops of memory corroding at the edges.
Distorted echoes of what was,
Where silence isn’t absence but aftermath.
Where every hiss, every screech, every collapsed chord
Is a ghost refusing to fade.

This mix is for the paddy-lined trails,
For the lost names and the last dance
Under a flickering, moth-eaten bulb.
Waiting for the Dhoomketu to strike

THANK YOU artists from India, Bangladesh and Bhutan: Owl Vibration, Somnium Monkey, Pasang, Mattress bf, Human Harmonics, Pradiate Hoax, Debopom Ghosh Must Be Killed, Monty and Haved Jabib for the killer tracks

INTRO: "Perspective" - recited by Dr. Bhupen Hazarika

OUTRO: “Die Gedanken sind frei” (“My Thoughts Are Free”) by Pete Seeger

*Die Gedanken sind frei” (“My Thoughts Are Free”) began as a protest song during the 16th-century German Peasant Wars—voicing a longing for freedom two centuries before the French Revolution. The wars themselves were a series of uprisings by farmers against feudal injustice, driven by early ideas of social reform and inspired by the Reformation. Though the revolts were violently crushed, with up to 100,000 of the 300,000 poorly armed farmers slaughtered, the spirit of resistance endured.*

*In 1942, Sophie Scholl, of the White Rose resistance, stood outside Ulm prison and played the tune on her flute. Her father was imprisoned there for calling Hitler a "Scourge of God." Years earlier, in 1935, lawyer Hans Litten—detained in Lichtenburg concentration camp—was forced to perform for Hitler’s birthday. He chose to recite “Die Gedanken sind frei.”*

*The song resurfaced in the 1960s, carried across the Atlantic by Pete Seeger, and found new life in protest movements. Now reimagined with a sharp new vocal arrangement, it retains its wit, colour, and insistent demand for the freedom of thought.*

*In 2022, it appeared again—this time on the soundtrack of Netflix series 1899.*]]> 12034249 no no Sat, 26 Apr 2025 04:42:18 +0200 2025-04-26T04:42:18+02:00 2:21:08 https://hearthis.at/kamakhya-records-pe/dreaming-of-walking-around-my-togor-garden-on-acid/
The petals breathe.
Not metaphorically,
they inhale the dusk,
exhaling jasmine ghosts that pirouette
between the vines and my veins.

Every leaf has a face.
Some smirk.
One weeps and turns into a raincloud
right there in my teacup.

I ask the moon if she is lost.
She shrugs,
settles into a puddle by the mango tree,

and watches me watching myself
as a child
chasing butterflies.

The Togor knows.
It leans in, whispers,
“You planted me with your last hope.”
And I believe it.

Thank You Sanhata/Sanathana for the killer tracks]]>
The petals breathe.
Not metaphorically,
they inhale the dusk,
exhaling jasmine ghosts that pirouette
between the vines and my veins.

Every leaf has a face.
Some smirk.
One weeps and turns into a raincloud
right there in my teacup.

I ask the moon if she is lost.
She shrugs,
settles into a puddle by the mango tree,

and watches me watching myself
as a child
chasing butterflies.

The Togor knows.
It leans in, whispers,
“You planted me with your last hope.”
And I believe it.

Thank You Sanhata/Sanathana for the killer tracks]]> 11981787 no no Sat, 05 Apr 2025 05:51:35 +0200 2025-04-05T05:51:35+02:00 2:10:22 https://hearthis.at/kamakhya-records-pe/ghost-in-the-groove-2/ 11959617 no no Fri, 28 Mar 2025 18:38:50 +0100 2025-03-28T18:38:50+01:00 56:18 https://hearthis.at/kamakhya-records-pe/funky-bugs-and-modular-drugs/ 1. Nutby - The Key (released on Kamakhya Records)
2. Nutby - Pump up the Jam (released on Kamakhya Records)
3. Nutby - Love Quest-ion (released on Kamakhya Records)
4. Nutby - R-e-s-p-e-c-t - Tribute to Aretha Franklin (released on Kamakhya Records)
5. Nutby - Boddhisatva - Tribute to Vidya Rao (released on Kamakhya Records)
6. Nutby - Rhythm of the Cham - Tribute to The Dalai Lama (released on Kamakhya Records)
7. Modular Monkey x Kapil Bambardekar - Modular Ethereal (released on Kamakhya Records)
8. Modular Monkey x Kapil Bambardekar - Dream Catcher (released on Kamakhya Records)
9. Modular Monkey x Kapil Bambardekar - Blue Skies (released on Kamakhya Records)
10. Oxytocin - Io Sono Foresta
11. Sacred Wrath x Ahamm (additional vocals)(featuring Satabdi on vocals) - Live Jam (released on Kamakhya Records)
12. Sacred Wrath x Psy Didge x Tom the Fiddler x Ahamm - Live Jam (released on Kamakhya Records)
13. Sacred Wrath x Psy Didge x Tom the Fiddler x Ahamm Live Jam (released on Kamakhya Records)
14. Multidimensional - Desbloqueando O Labirinto Da Floresta (released on Kamakhya Records)
15. Ritual Zynth - Beyond the Vision (released on Kamakhya Records)
16. Apokalipta - Cosmic Warriors (released on Kamakhya Records)
17. Blanitz - Moonless Night (released on Kamakhya Records)
18. Botscript - గర్భం యొక్క ధ్వని (released on Kamakhya Records)
19. Malign Paradigm - Membranes (released on Kamakhya Records)
20. Vuttun - Hiero Utero (released on Kamakhya Records)
21. Multidimensional - Ganesh Baba (released on Kamakhya Records)
22. Kek Heh - Los Sonidos del Utero (released on Kamakhya Records)
23. Modular Monkey - A Very Strange Meaning (released on Kamakhya Records)
24. Modular Monkey - Live Modular Jam (Part 1) (released on Kamakhya Records)
25. Haavi - Day Trip to Bali
26. Haavi- Doryoko WA Uragiranai
27. Haavi & Multidimensional - The Hunt
28. Janos - Sacred Maha Mrityunjaya Mantra]]> 1. Nutby - The Key (released on Kamakhya Records)
2. Nutby - Pump up the Jam (released on Kamakhya Records)
3. Nutby - Love Quest-ion (released on Kamakhya Records)
4. Nutby - R-e-s-p-e-c-t - Tribute to Aretha Franklin (released on Kamakhya Records)
5. Nutby - Boddhisatva - Tribute to Vidya Rao (released on Kamakhya Records)
6. Nutby - Rhythm of the Cham - Tribute to The Dalai Lama (released on Kamakhya Records)
7. Modular Monkey x Kapil Bambardekar - Modular Ethereal (released on Kamakhya Records)
8. Modular Monkey x Kapil Bambardekar - Dream Catcher (released on Kamakhya Records)
9. Modular Monkey x Kapil Bambardekar - Blue Skies (released on Kamakhya Records)
10. Oxytocin - Io Sono Foresta
11. Sacred Wrath x Ahamm (additional vocals)(featuring Satabdi on vocals) - Live Jam (released on Kamakhya Records)
12. Sacred Wrath x Psy Didge x Tom the Fiddler x Ahamm - Live Jam (released on Kamakhya Records)
13. Sacred Wrath x Psy Didge x Tom the Fiddler x Ahamm Live Jam (released on Kamakhya Records)
14. Multidimensional - Desbloqueando O Labirinto Da Floresta (released on Kamakhya Records)
15. Ritual Zynth - Beyond the Vision (released on Kamakhya Records)
16. Apokalipta - Cosmic Warriors (released on Kamakhya Records)
17. Blanitz - Moonless Night (released on Kamakhya Records)
18. Botscript - గర్భం యొక్క ధ్వని (released on Kamakhya Records)
19. Malign Paradigm - Membranes (released on Kamakhya Records)
20. Vuttun - Hiero Utero (released on Kamakhya Records)
21. Multidimensional - Ganesh Baba (released on Kamakhya Records)
22. Kek Heh - Los Sonidos del Utero (released on Kamakhya Records)
23. Modular Monkey - A Very Strange Meaning (released on Kamakhya Records)
24. Modular Monkey - Live Modular Jam (Part 1) (released on Kamakhya Records)
25. Haavi - Day Trip to Bali
26. Haavi- Doryoko WA Uragiranai
27. Haavi & Multidimensional - The Hunt
28. Janos - Sacred Maha Mrityunjaya Mantra]]> 11833118 no no Fri, 07 Mar 2025 13:55:55 +0100 2025-03-07T13:55:55+01:00 4:01:45 https://hearthis.at/kamakhya-records-pe/67a2605818bbbafterpa/ 11738148 no no Tue, 04 Feb 2025 19:44:24 +0100 2025-02-04T19:44:24+01:00 6:31:46 https://hearthis.at/kamakhya-records-pe/happy-bus-mix/
This mix is a sonic journey through the mind of a child, walking to the school bus stop and contemplating the universe. It grapples with the seemingly simple, yet profoundly complex, age-old existential question: what came first, the chicken or the egg?

"Back in the day, we didn't have alarm clocks. Instead, the radio was a central part of our morning ritual, from waking up to getting ready for school. To recreate that feeling, I decided to start the mix with the famous signature melody of All India Radio (AIR) composed by Jewish musicologist Walter Kaufmann in Bombay after fleeing Nazi Germany. During his time there, Kaufmann founded the Bombay Chamber Music Society and ended up teaching violin to Zubin Mehta, one of India’s most highly esteemed classical conductors today. The "Borgeet' (meaning 'Celestial Song'), which follows the AIR signature tune, is a devotional song from 16th century Assam in Northeast India. It perfectly captures the spirit of those early mornings as I prepared for school. The "Borgeet" I used was a part of ‘Project Borgeet’ by Anurag Saikia, a musician from Assam, recorded by the Macedonian Symphonic Orchestra, Skopje, a first ever initiative of its kind and scale to take this 600 year old devotional genre to the world stage.

The music in this mix reflects the internal dialogue - what came first, the chicken or the egg? - and the wonder I felt as a child; the playful curiosity mixed with a hint of frustration at the lack of answers as to what came first, the chicken or the egg? and my struggle to grasp the concept of causality as a child.

And guess what? Our school bus was called HAPPY! It was a wooden bus that ferried us kids to school. The paint was faded, the seats creaked, and the windows rattled with every bump in the road, but that old bus held a special magic. It carried us kids, full of hopes and dreams, to a world of learning and laughter. HAPPY wasn't just a bus; it was a symbol of childhood itself, a testament to the simple joys of those days gone by. It was our HAPPY BUS, OUR MAGIC BUS!!

Thank you, Mike Dirk Ekimskrid, for the 'Chicken or the Egg' sample (Captain Howdy Mix). It was the spark that fired this mix | Thank You Luuli, Infect Insect, Datakult, Hexmästaren, Rakaill, Audionimus and Sectio Aurea for the killer tracks" (Insect Orchestra)]]>
This mix is a sonic journey through the mind of a child, walking to the school bus stop and contemplating the universe. It grapples with the seemingly simple, yet profoundly complex, age-old existential question: what came first, the chicken or the egg?

"Back in the day, we didn't have alarm clocks. Instead, the radio was a central part of our morning ritual, from waking up to getting ready for school. To recreate that feeling, I decided to start the mix with the famous signature melody of All India Radio (AIR) composed by Jewish musicologist Walter Kaufmann in Bombay after fleeing Nazi Germany. During his time there, Kaufmann founded the Bombay Chamber Music Society and ended up teaching violin to Zubin Mehta, one of India’s most highly esteemed classical conductors today. The "Borgeet' (meaning 'Celestial Song'), which follows the AIR signature tune, is a devotional song from 16th century Assam in Northeast India. It perfectly captures the spirit of those early mornings as I prepared for school. The "Borgeet" I used was a part of ‘Project Borgeet’ by Anurag Saikia, a musician from Assam, recorded by the Macedonian Symphonic Orchestra, Skopje, a first ever initiative of its kind and scale to take this 600 year old devotional genre to the world stage.

The music in this mix reflects the internal dialogue - what came first, the chicken or the egg? - and the wonder I felt as a child; the playful curiosity mixed with a hint of frustration at the lack of answers as to what came first, the chicken or the egg? and my struggle to grasp the concept of causality as a child.

And guess what? Our school bus was called HAPPY! It was a wooden bus that ferried us kids to school. The paint was faded, the seats creaked, and the windows rattled with every bump in the road, but that old bus held a special magic. It carried us kids, full of hopes and dreams, to a world of learning and laughter. HAPPY wasn't just a bus; it was a symbol of childhood itself, a testament to the simple joys of those days gone by. It was our HAPPY BUS, OUR MAGIC BUS!!

Thank you, Mike Dirk Ekimskrid, for the 'Chicken or the Egg' sample (Captain Howdy Mix). It was the spark that fired this mix | Thank You Luuli, Infect Insect, Datakult, Hexmästaren, Rakaill, Audionimus and Sectio Aurea for the killer tracks" (Insect Orchestra)]]> 11197717 no no Mon, 01 Jul 2024 19:29:56 +0200 2024-07-01T19:29:56+02:00 1:41:40 https://hearthis.at/kamakhya-records-pe/insect-orchestra-whimsical-melodies-part-2/ `No, I give it up,′ Alice replied: `what’s the answer?′
`I haven’t the slightest idea,′ said the Hatter" ― Lewis Carroll

Let the music guide you on a journey through whimsical landscapes, where your imagination is the only limit !!

Thank You After Art and Jonquera for the killer tracks]]> `No, I give it up,′ Alice replied: `what’s the answer?′
`I haven’t the slightest idea,′ said the Hatter" ― Lewis Carroll

Let the music guide you on a journey through whimsical landscapes, where your imagination is the only limit !!

Thank You After Art and Jonquera for the killer tracks]]> 11186552 no no Sun, 30 Jun 2024 09:09:56 +0200 2024-06-30T09:09:56+02:00 41:59 https://hearthis.at/kamakhya-records-pe/insect-orchestra-whimsical-melodies/
I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!” ― Lewis Carroll

Let the music guide you on a journey through whimsical landscapes, where your imagination is the only limit !!]]>
I daresay you haven't had much practice,' said the Queen. 'When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast. There goes the shawl again!” ― Lewis Carroll

Let the music guide you on a journey through whimsical landscapes, where your imagination is the only limit !!]]> 11184920 no no Sun, 23 Jun 2024 20:14:52 +0200 2024-06-23T20:14:52+02:00 1:00:24 https://hearthis.at/kamakhya-records-pe/tribute-to-bishnu-prasad-rabha/
BISHNU PRASAD RABHA ( 31 Jan, 1909– 20 Jan, 1969), a name synonymous with the cultural and political landscape of Assam, Northeast India was a multifaceted figure, revered as both a radical tribal political activist and a gifted artist known for his contributions in the fields of music, dance, painting, and literature. Nicknamed as the "Sainik Shilpi" (the Artist Who Took Up Arms), he seamlessly blended his artistic talents with his unwavering commitment to social justice for the marginalised.

While Rabha's revolutionary spirit led him to the path of armed struggle, his legacy remains deeply intertwined with his artistic contributions. He believed in the power of art to unite and empower, and his music, poetry, and plays became potent tools to galvanize marginalised communities and spread awareness about their struggles.

Rabha's life serves as a powerful reminder of the inseparable nature of art and activism, showcasing how artistic expression can be a potent weapon for social change.
=
"This mix is designed to illuminate Rabha's multifaceted personality and life. It begins with Bhupen Hazarika, the Bard of Northeast India talking about how Bishnu Rabha, his mentor, inspired him; followed by a snippet from the Nandy sisters singing one of Rabha's songs. This showcases how his legacy continues to resonate with younger generations. Notably, the Nandy sisters, though from the Bengali community, were born in Assam, now settled in Pune, highlighting that the Assamese identity is not limited to a single community but rather a fusion of diverse identities and cultures that have made Assam their home. This is something that we need to remind ourselves every time we talk about Assam and the Assamese identity. For Bishnu Rabha was the bridge between the various cultures and communities of Assam. His friendship with Phani Sharma, an upper-caste Brahmin, and their collaboration on stage, which resulted in Assamese plays like "Seeraj," is the stuff of legends.

The segment with tracks by Haemogoblin, following the Nandy sisters, serves as a tribute to Bishnu Rabha's revolutionary spirit. He took up arms against the powers that be, was declared a militant with a bounty on his head, a theme also reflected in the inclusion of a few lines from বিষ্ণু ৰাভা, এতিয়া কিমান ৰাতি? (Bishnu Rabha, how late at night is it?), the epic poem by Birendra Nath Bhattacharya. This alludes to Rabha's arrest and also resonates with our present-day feelings of helplessness in the face of injustice. We are often bound by invisible walls and shackles of our own making, yet, as long as we breathe, there is hope. This sentiment is echoed in the short montage of Bhupen Hazarika songs performed by the folk fusion band Cultivators, which follows the poem.

The XianZai track, transitioning from darkness to light, is a tribute to Rabha's artistic side. He fought darkness and ignorance in society with the light of his art and music. The sounds of insects that follow XianZai's track symbolise the present-day darkness and ignorance. Zubeen Garg's dialogue from the film মন যায় (I Feel Like), "কেতিয়াবা বিষ্ণু ৰাভা হ’বলৈও মন যায় !! মন যায় !!," (Sometimes I feel like I want to be Bishnu Rabha too) underscores how Rabha can inspire us to fight these challenges.

The segment beginning with Kaliya's track, inspired by the episode of Kaliya Mardanam and concluding with a prayer from the Namghosa - ব্ৰহ্মা আদি কৰি জীৱ যত ৰাম ৰাম ৰাম ৰাম ৰাম, মায়া-শয্যা মাজে আছয় ঘুমটি যাই | তুমিসে চৈতন্য সনাতন ৰাম ৰাম ৰাম ৰাম ৰাম আমি অচেতন নিয়োক নাথ জগাই (All creations, beginning with Brahma, the creator; they lie asleep in the bed of Maya (illusion)| We; the ignorant ones, wake me up O' eternal one who is pure consciousness)- written by the doyen of the Bhakti Movement of Assam, Shri Madhavdev in the 16th century, represents Bishnu Rabha's spiritual side. He believed that Assamese literature of his time failed to capture the hopes and aspirations of the working class. He believed most writers wrote for the upper classes, but Rabha found inspiration in Sri Shankardev and his disciple Sri Madhavdev, who, in his view, highlighted the concerns of the everyday ordinary people and spoke of an egalitarian society. He wrote, "Mohan Kolakar Shankar amaar, hok amar arhi biplobar" (The great artist Srimanta Sankardev is our leader, let his ideology be the guiding spirit of our revolution). He was the first to paint a portrait of Srimanta Shankardev, and a copy hangs on the wall of my home.

No one in Assam has been a better exponent of Shiva's Tandava Dance than Bishnu Prasad Rabha. Mesmerised by his dance performance in Varanasi, Sarvapalli Radhakrishnan, the President of India (1962-67), conferred upon Rabha the title Kala Guru (Master of the Arts). I have tried to recreate that moment in the Sanhata segment (the last segment of the mix) through the track "Cosmic Rhythm of the Anunnaki" where Sanhata has used the Djembe brilliantly which evokes the powerful resonance the Damaru (a small hourglass shape drum). While Shiva's Tandava is the cosmic dance, his Damaru represents the cosmic sound.

This entire segment of Sanhata is a tribute to Bishnu Rabha, the Dancer. I have, however, visualised Bishnu Rabha doing the Lasya dance in most of the segment with the rising sun on the horizon. Lasya is said to be the feminine version of the masculine Tandava. Lasya was performed by Shiva's wife Parvati in response to Shiva's Tandava. According to legend, the Lasya was taught by Parvati to Usha, the daughter of Banasura, a great Shiva devotee. He was the King of what is now Tezpur in Assam. And it was in Tezpur Bishnu Rabha blossomed as an artist.

I ended the set with a powerful track by Joi Baruah - Joi - Rabha (Victory - Rabha) ft. George Brooks on the Saxophone, exploring a lesser-known chapter from Bishnu Rabha's life. The song delves into the story of Comrade Gajiram Rabha, a close friend who, when captured by the police, severed his own tongue to protect Bishnu Rabha's whereabouts. This act of self-sacrifice, driven by unwavering loyalty, underscores the depth of their friendship and the belief in Bishnu Rabha's ideals.

This 85 min mix is envisioned for 'a little before twilight going all the way to sunrise and a little after". In Bishnu Rabha's view, the beauty of the world lies in the interplay of light and darkness, day and night.

This mix is like a personal diary entry shared publicly. I don't expect anyone to resonate with it, but it reflects my thoughts and feelings while creating this personal exploration of Bishnu Rabha's legacy through psychedelic music. I see psychedelic music as an art form with profound potential for positive change, not just a drug-fueled fad for profit. This, sadly, is the current trend, but I believe psychedelic music can be so much more.

Cheers and have a good day !! " - Insect Orchestra]]>
BISHNU PRASAD RABHA ( 31 Jan, 1909– 20 Jan, 1969), a name synonymous with the cultural and political landscape of Assam, Northeast India was a multifaceted figure, revered as both a radical tribal political activist and a gifted artist known for his contributions in the fields of music, dance, painting, and literature. Nicknamed as the "Sainik Shilpi" (the Artist Who Took Up Arms), he seamlessly blended his artistic talents with his unwavering commitment to social justice for the marginalised.

While Rabha's revolutionary spirit led him to the path of armed struggle, his legacy remains deeply intertwined with his artistic contributions. He believed in the power of art to unite and empower, and his music, poetry, and plays became potent tools to galvanize marginalised communities and spread awareness about their struggles.

Rabha's life serves as a powerful reminder of the inseparable nature of art and activism, showcasing how artistic expression can be a potent weapon for social change.
=
"This mix is designed to illuminate Rabha's multifaceted personality and life. It begins with Bhupen Hazarika, the Bard of Northeast India talking about how Bishnu Rabha, his mentor, inspired him; followed by a snippet from the Nandy sisters singing one of Rabha's songs. This showcases how his legacy continues to resonate with younger generations. Notably, the Nandy sisters, though from the Bengali community, were born in Assam, now settled in Pune, highlighting that the Assamese identity is not limited to a single community but rather a fusion of diverse identities and cultures that have made Assam their home. This is something that we need to remind ourselves every time we talk about Assam and the Assamese identity. For Bishnu Rabha was the bridge between the various cultures and communities of Assam. His friendship with Phani Sharma, an upper-caste Brahmin, and their collaboration on stage, which resulted in Assamese plays like "Seeraj," is the stuff of legends.

The segment with tracks by Haemogoblin, following the Nandy sisters, serves as a tribute to Bishnu Rabha's revolutionary spirit. He took up arms against the powers that be, was declared a militant with a bounty on his head, a theme also reflected in the inclusion of a few lines from বিষ্ণু ৰাভা, এতিয়া কিমান ৰাতি? (Bishnu Rabha, how late at night is it?), the epic poem by Birendra Nath Bhattacharya. This alludes to Rabha's arrest and also resonates with our present-day feelings of helplessness in the face of injustice. We are often bound by invisible walls and shackles of our own making, yet, as long as we breathe, there is hope. This sentiment is echoed in the short montage of Bhupen Hazarika songs performed by the folk fusion band Cultivators, which follows the poem.

The XianZai track, transitioning from darkness to light, is a tribute to Rabha's artistic side. He fought darkness and ignorance in society with the light of his art and music. The sounds of insects that follow XianZai's track symbolise the present-day darkness and ignorance. Zubeen Garg's dialogue from the film মন যায় (I Feel Like), "কেতিয়াবা বিষ্ণু ৰাভা হ’বলৈও মন যায় !! মন যায় !!," (Sometimes I feel like I want to be Bishnu Rabha too) underscores how Rabha can inspire us to fight these challenges.

The segment beginning with Kaliya's track, inspired by the episode of Kaliya Mardanam and concluding with a prayer from the Namghosa - ব্ৰহ্মা আদি কৰি জীৱ যত ৰাম ৰাম ৰাম ৰাম ৰাম, মায়া-শয্যা মাজে আছয় ঘুমটি যাই | তুমিসে চৈতন্য সনাতন ৰাম ৰাম ৰাম ৰাম ৰাম আমি অচেতন নিয়োক নাথ জগাই (All creations, beginning with Brahma, the creator; they lie asleep in the bed of Maya (illusion)| We; the ignorant ones, wake me up O' eternal one who is pure consciousness)- written by the doyen of the Bhakti Movement of Assam, Shri Madhavdev in the 16th century, represents Bishnu Rabha's spiritual side. He believed that Assamese literature of his time failed to capture the hopes and aspirations of the working class. He believed most writers wrote for the upper classes, but Rabha found inspiration in Sri Shankardev and his disciple Sri Madhavdev, who, in his view, highlighted the concerns of the everyday ordinary people and spoke of an egalitarian society. He wrote, "Mohan Kolakar Shankar amaar, hok amar arhi biplobar" (The great artist Srimanta Sankardev is our leader, let his ideology be the guiding spirit of our revolution). He was the first to paint a portrait of Srimanta Shankardev, and a copy hangs on the wall of my home.

No one in Assam has been a better exponent of Shiva's Tandava Dance than Bishnu Prasad Rabha. Mesmerised by his dance performance in Varanasi, Sarvapalli Radhakrishnan, the President of India (1962-67), conferred upon Rabha the title Kala Guru (Master of the Arts). I have tried to recreate that moment in the Sanhata segment (the last segment of the mix) through the track "Cosmic Rhythm of the Anunnaki" where Sanhata has used the Djembe brilliantly which evokes the powerful resonance the Damaru (a small hourglass shape drum). While Shiva's Tandava is the cosmic dance, his Damaru represents the cosmic sound.

This entire segment of Sanhata is a tribute to Bishnu Rabha, the Dancer. I have, however, visualised Bishnu Rabha doing the Lasya dance in most of the segment with the rising sun on the horizon. Lasya is said to be the feminine version of the masculine Tandava. Lasya was performed by Shiva's wife Parvati in response to Shiva's Tandava. According to legend, the Lasya was taught by Parvati to Usha, the daughter of Banasura, a great Shiva devotee. He was the King of what is now Tezpur in Assam. And it was in Tezpur Bishnu Rabha blossomed as an artist.

I ended the set with a powerful track by Joi Baruah - Joi - Rabha (Victory - Rabha) ft. George Brooks on the Saxophone, exploring a lesser-known chapter from Bishnu Rabha's life. The song delves into the story of Comrade Gajiram Rabha, a close friend who, when captured by the police, severed his own tongue to protect Bishnu Rabha's whereabouts. This act of self-sacrifice, driven by unwavering loyalty, underscores the depth of their friendship and the belief in Bishnu Rabha's ideals.

This 85 min mix is envisioned for 'a little before twilight going all the way to sunrise and a little after". In Bishnu Rabha's view, the beauty of the world lies in the interplay of light and darkness, day and night.

This mix is like a personal diary entry shared publicly. I don't expect anyone to resonate with it, but it reflects my thoughts and feelings while creating this personal exploration of Bishnu Rabha's legacy through psychedelic music. I see psychedelic music as an art form with profound potential for positive change, not just a drug-fueled fad for profit. This, sadly, is the current trend, but I believe psychedelic music can be so much more.

Cheers and have a good day !! " - Insect Orchestra]]> 11179111 no no Thu, 20 Jun 2024 13:54:21 +0200 2024-06-20T13:54:21+02:00 1:25:24 https://hearthis.at/kamakhya-records-pe/k-owl-kamakhayapodcast/
LINK toS EASON 1: https://hearthis.at/kamakhya-records-pe/set/musical-therapy-for-troubled-times-series/

THANK YOU
1) Fat Freddy (India)
2) Vox Fabri (Hungary)
3) JokerFox (India/Kamakhya Records Label Artist)
4) Pluriverso (Portugal)
5) Enogata + Audionimus (Germany)
6) Anonymous (India/you know who you are)
7) Fluroneuro (India)
8) Kek Heh (USA)
9) Bhassam (India)
10) Ekimskrid (USA/amakhya Records Label Artist)
11) Cosmic Wizard (Mexico)
12) CinderVOMIT (USA)
13) Mohinia (Canada)
14) Phantom Deep (Germany)
15) Anicca (Sri Lanka)
16) Brkho (Slovenia)
17) Herbert Quain (USA)
18) Axis Mundi (USA)
19) Varázsló (Hungary)
20) Níì Hår (Canada)
21) Elephant (Germany/Kamakhya Records Label Artist/Balabhadra Superphants)
22) Omnium (Macedonia)
23) Kapil Bambardekar India/(Kamakhya Records Label Artist)
24) Yoshua E.m (Mexico/Kamakhya Records Label Artist)
25) DemonkoЯe (India)
26) Enigmachina (Germany)
27) Leonomalia (Brazil)
28) Black Phillip (Brazil/Kamakhya Records Label Artist)
29) Groovality (Brazil)
30) Clostridium Tetani (Peru)
31) HAR! (India)
32) K-Owl (Germany) ...
FOR YOUR LOVE AND SUPPORT TO KAMAKHYA RECORDS]]>
LINK toS EASON 1: https://hearthis.at/kamakhya-records-pe/set/musical-therapy-for-troubled-times-series/

THANK YOU
1) Fat Freddy (India)
2) Vox Fabri (Hungary)
3) JokerFox (India/Kamakhya Records Label Artist)
4) Pluriverso (Portugal)
5) Enogata + Audionimus (Germany)
6) Anonymous (India/you know who you are)
7) Fluroneuro (India)
8) Kek Heh (USA)
9) Bhassam (India)
10) Ekimskrid (USA/amakhya Records Label Artist)
11) Cosmic Wizard (Mexico)
12) CinderVOMIT (USA)
13) Mohinia (Canada)
14) Phantom Deep (Germany)
15) Anicca (Sri Lanka)
16) Brkho (Slovenia)
17) Herbert Quain (USA)
18) Axis Mundi (USA)
19) Varázsló (Hungary)
20) Níì Hår (Canada)
21) Elephant (Germany/Kamakhya Records Label Artist/Balabhadra Superphants)
22) Omnium (Macedonia)
23) Kapil Bambardekar India/(Kamakhya Records Label Artist)
24) Yoshua E.m (Mexico/Kamakhya Records Label Artist)
25) DemonkoЯe (India)
26) Enigmachina (Germany)
27) Leonomalia (Brazil)
28) Black Phillip (Brazil/Kamakhya Records Label Artist)
29) Groovality (Brazil)
30) Clostridium Tetani (Peru)
31) HAR! (India)
32) K-Owl (Germany) ...
FOR YOUR LOVE AND SUPPORT TO KAMAKHYA RECORDS]]> 5290686 no no Wed, 02 Dec 2020 08:07:30 +0100 2020-12-02T08:07:30+01:00 1:28:01 https://hearthis.at/kamakhya-records-pe/clostridium-tetani-set/ 1. Clostridium Tetani - Prismas invocarum
2. Clostridium Tetani - Medicina de Nomo
3. Clostridium tetani - Cybernetic Mantra
4. Clostridium Tetani - Conocimiento Astral
5. Takoyoki – One cube one World ( VA Brave New World )
https://blackphillip.bandcamp.com/album/v-a-brave-new-world
6. Phyllorum & Clostridium Tetani – Aztatza Castle
7. Clostridium Tetani – Pesadilla en el infierno
8. Clostridium Tetani – Pacto de brujas
9. Clostridium Tetani – Terreno del Viejo Mundo

Phenomenal 31 weeks of MUSICAL THERAPY FOR TROUBLED TIMES (Season 1) which started on 15th April 2020

https://hearthis.at/kamakhya-records-pe/set/musical-therapy-for-troubled-times-series/

Thank You Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez), Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Níì Hår, Elephant, Omnium, Kapil Bambardekar, Yoshua E.m/7 Lunas, DemonkoЯe, Enigmachina, Leonomalia (Leonardo Gasparovic) , Black Phillip and Groovality]]> 1. Clostridium Tetani - Prismas invocarum
2. Clostridium Tetani - Medicina de Nomo
3. Clostridium tetani - Cybernetic Mantra
4. Clostridium Tetani - Conocimiento Astral
5. Takoyoki – One cube one World ( VA Brave New World )
https://blackphillip.bandcamp.com/album/v-a-brave-new-world
6. Phyllorum & Clostridium Tetani – Aztatza Castle
7. Clostridium Tetani – Pesadilla en el infierno
8. Clostridium Tetani – Pacto de brujas
9. Clostridium Tetani – Terreno del Viejo Mundo

Phenomenal 31 weeks of MUSICAL THERAPY FOR TROUBLED TIMES (Season 1) which started on 15th April 2020

https://hearthis.at/kamakhya-records-pe/set/musical-therapy-for-troubled-times-series/

Thank You Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez), Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Níì Hår, Elephant, Omnium, Kapil Bambardekar, Yoshua E.m/7 Lunas, DemonkoЯe, Enigmachina, Leonomalia (Leonardo Gasparovic) , Black Phillip and Groovality]]> 5258544 no no Wed, 18 Nov 2020 06:10:58 +0100 2020-11-18T06:10:58+01:00 1:04:44 https://hearthis.at/kamakhya-records-pe/voe-freeel-to-kamakhya-from-voe-freeel-with-love-2/ 5258078 no no Thu, 29 Oct 2020 14:17:26 +0100 2020-10-29T14:17:26+01:00 56:40 https://hearthis.at/kamakhya-records-pe/fat-freddy-to-kamakhya-from-freddy-with-love-1/ 5258011 no no Thu, 29 Oct 2020 13:45:15 +0100 2020-10-29T13:45:15+01:00 2:26:21 https://hearthis.at/kamakhya-records-pe/pluriverso-live-to-kamakhya-from-pluriverso-with-love-4/ .............
“We didn't edit anything. It is a real live experience. It has flaws but we are very proud of it. Personally we love to see mistakes in a live performance, because when you see someone making mistakes in a live performance you know it is for real!! We also got to play with the analog synths which we can't take to performances and are more comfortable keeping them within our home as we are shy ”(Pluriverso)]]> .............
“We didn't edit anything. It is a real live experience. It has flaws but we are very proud of it. Personally we love to see mistakes in a live performance, because when you see someone making mistakes in a live performance you know it is for real!! We also got to play with the analog synths which we can't take to performances and are more comfortable keeping them within our home as we are shy ”(Pluriverso)]]> 5257170 no no Wed, 29 Apr 2020 15:59:54 +0200 2020-04-29T15:59:54+02:00 1:57:50 https://hearthis.at/kamakhya-records-pe/enonimus-to-kamakhya-from-eno-gata-and-audionimus-with-love-5/ Art by: Abbas Batliwala, Udaipur, Rajasthan]]> Art by: Abbas Batliwala, Udaipur, Rajasthan]]> 5257165 no no Fri, 01 May 2020 16:51:02 +0200 2020-05-01T16:51:02+02:00 50:16 https://hearthis.at/kamakhya-records-pe/anonymous-a-tribute-to-polyphonia-for-kamakhya-6/ 5257164 no no Fri, 01 May 2020 18:15:19 +0200 2020-05-01T18:15:19+02:00 1:02:27 https://hearthis.at/kamakhya-records-pe/cant-escape-it-to-kamakhya-from-fluroneuro-with-love-7/ "The theme revolves around inner space, lingering thoughts of existence, questioning reality. Feelings of nostalgia and cherishing memories while shattering illusions & embracing both the good times and the dark"]]> "The theme revolves around inner space, lingering thoughts of existence, questioning reality. Feelings of nostalgia and cherishing memories while shattering illusions & embracing both the good times and the dark"]]> 5257163 no no Fri, 01 May 2020 19:30:09 +0200 2020-05-01T19:30:09+02:00 1:37:58 https://hearthis.at/kamakhya-records-pe/kek-heh-to-kamakhya-from-kek-heh-with-love-8/ .."it has some errors like all lives sets but I enjoyed every piece of it. I hope you enjoy this trippy experimental set as much as I did' (Luis Enrique Hernandez)]]> .."it has some errors like all lives sets but I enjoyed every piece of it. I hope you enjoy this trippy experimental set as much as I did' (Luis Enrique Hernandez)]]> 5257161 no no Mon, 18 May 2020 16:00:12 +0200 2020-05-18T16:00:12+02:00 1:37:36 https://hearthis.at/kamakhya-records-pe/aaj-kaa-samachar-to-kamakhya-from-bhassam-with-love-9/ "In these times of turmoil and chaos when we are stuck indoors and forced to look at the world through the TV, I present to you news from an alternate dimension. A dimension where vibrations are high and language is a pre historic concept that is inefficient in expressing one's thoughts. I bring you news from a dimension where conversations between life forms have evolved to such an extent that there is no scope for manipulation or twisting the meaning or spinning propaganda or telling half-truths" (Bhassam)
Tracklist:
00. Intro
01. Bhassam vs Plasma Force - Yakshini Mantra
02. Bhassam - Dream Catcher
03. Bhassam - Lunatic Fence
04. Bhassam - Fear & Loathing in the Himalayas
05. Bhassam - Crystal Planet
06. Bhassam - Conduits of Demonic Spirits
07. Bhassam - Patterns
08. Bhassam - Malevolent Eyes
09. Bhassam - Island of the Dolls
10. Bhassam - Bardo Thodol
11. Bhassam vs Nephilim - Explorers
12. Bhassam - I Found It Weeping In The Woods]]> "In these times of turmoil and chaos when we are stuck indoors and forced to look at the world through the TV, I present to you news from an alternate dimension. A dimension where vibrations are high and language is a pre historic concept that is inefficient in expressing one's thoughts. I bring you news from a dimension where conversations between life forms have evolved to such an extent that there is no scope for manipulation or twisting the meaning or spinning propaganda or telling half-truths" (Bhassam)
Tracklist:
00. Intro
01. Bhassam vs Plasma Force - Yakshini Mantra
02. Bhassam - Dream Catcher
03. Bhassam - Lunatic Fence
04. Bhassam - Fear & Loathing in the Himalayas
05. Bhassam - Crystal Planet
06. Bhassam - Conduits of Demonic Spirits
07. Bhassam - Patterns
08. Bhassam - Malevolent Eyes
09. Bhassam - Island of the Dolls
10. Bhassam - Bardo Thodol
11. Bhassam vs Nephilim - Explorers
12. Bhassam - I Found It Weeping In The Woods]]> 5257158 no no Mon, 18 May 2020 16:31:24 +0200 2020-05-18T16:31:24+02:00 1:14:55 https://hearthis.at/kamakhya-records-pe/ekimskrid-to-kamakhya-from-ekimskrid-with-love-10/ " I present to you a story in our troubled times. A story with many faces and different sides. As a spectator, we will most always choose to see what we want to see. I ask you to listen all the way through to the end in its entirety. Then and only then should you decide what is happening. Not all truths are real as we are told that they are. Open your eyes, ears, and hearts. Help to stop the divide." (EkimSkriD)
Tracklist:
01- Parapsicoplanagem - The Real Story Behind The World's Greatest Freak Out Ever
02- Sanathana - Smiling Through Your Dark Times
03 - Oblium - Pahan Tharuwa
04- Warpmood - When The Dark
05 - Toadstool - Anormali (DaliKaos rmx)
06- Everos - Mind Atlas  
07- Ololiuhqui- Huixitopoztli
08- Haemogoblin (featuring Nyctophungi) - The Masons Meet
09- Haemogoblin - Temple Knights
10- Sanathana - A Swiss Lullaby
11- Sanathana - Agape
12- Sectio Aurea - Alc(u)or
13- ShamoOrtee - Spirit Breaker
14 - Yoshua EM - Miranda (Rmx)
Sinister Jester | Art by: EkimSkriD
https://www.facebook.com/SkridmarkS]]> " I present to you a story in our troubled times. A story with many faces and different sides. As a spectator, we will most always choose to see what we want to see. I ask you to listen all the way through to the end in its entirety. Then and only then should you decide what is happening. Not all truths are real as we are told that they are. Open your eyes, ears, and hearts. Help to stop the divide." (EkimSkriD)
Tracklist:
01- Parapsicoplanagem - The Real Story Behind The World's Greatest Freak Out Ever
02- Sanathana - Smiling Through Your Dark Times
03 - Oblium - Pahan Tharuwa
04- Warpmood - When The Dark
05 - Toadstool - Anormali (DaliKaos rmx)
06- Everos - Mind Atlas  
07- Ololiuhqui- Huixitopoztli
08- Haemogoblin (featuring Nyctophungi) - The Masons Meet
09- Haemogoblin - Temple Knights
10- Sanathana - A Swiss Lullaby
11- Sanathana - Agape
12- Sectio Aurea - Alc(u)or
13- ShamoOrtee - Spirit Breaker
14 - Yoshua EM - Miranda (Rmx)
Sinister Jester | Art by: EkimSkriD
https://www.facebook.com/SkridmarkS]]> 5257156 no no Mon, 25 May 2020 14:04:05 +0200 2020-05-25T14:04:05+02:00 1:46:00 https://hearthis.at/kamakhya-records-pe/cosmic-wizard-to-kamakhya-from-cosmic-wizard-with-love-11/ "Muchos han de saber que yo no toco lives ni sets. El proyecto de Cósmic Wizard es y siempre ha sido pura producción musical. Está vez cambio la visión respuesta a la invitación de parte Kamakhya Records. Aquí está mi set que he creado especialmente para Kamakhya. Un agradecimiento especial a mis hermanos productores Tryanpsyka, Varazlo, Maleficarvm, Risavy, Multikhauzal, con quienes hice algunas pistas y especialmente a Kik Heh y Maleficarvm por sus contribuciones en el proceso establecido" (Carlos Galvan aka Cosmic Wizard)]]> "Muchos han de saber que yo no toco lives ni sets. El proyecto de Cósmic Wizard es y siempre ha sido pura producción musical. Está vez cambio la visión respuesta a la invitación de parte Kamakhya Records. Aquí está mi set que he creado especialmente para Kamakhya. Un agradecimiento especial a mis hermanos productores Tryanpsyka, Varazlo, Maleficarvm, Risavy, Multikhauzal, con quienes hice algunas pistas y especialmente a Kik Heh y Maleficarvm por sus contribuciones en el proceso establecido" (Carlos Galvan aka Cosmic Wizard)]]> 5257154 no no Tue, 19 May 2020 19:44:58 +0200 2020-05-19T19:44:58+02:00 2:09:37 https://hearthis.at/kamakhya-records-pe/cindervomit-to-kamakhya-from-cindervomit-with-love-part-1-12/ "Troubled Music For Deeply Troubled Times With All My Prayers Within" (CinderVomit)]]> "Troubled Music For Deeply Troubled Times With All My Prayers Within" (CinderVomit)]]> 5257151 no no Sun, 28 Jun 2020 12:16:00 +0200 2020-06-28T12:16:00+02:00 1:37:15 https://hearthis.at/kamakhya-records-pe/mohinia-to-kamakya-from-mohinia-with-love-13/ Tracklist:
Starts 00:22
1) AUDIONIMUS- ALTAIR
2)MALLMANN- SINFONIA DOS GUIAS
3)DALIKAOS-POLAR AURORA
4) DER SANDMANN-EL JEFE DEL DESIERTO
5)DATTATREYA- VUDE JAVUDU
6)DEPURATTUS- BUTY PRYSUTNIM
7)SYNTHETIC FOREST- FATA MORGANIC
8)MUKHTAR—REVERSE THE HUMANITY
9)MINDPLAX-NXTLV
10)GUNATAMA- FORMLES SPAWN
11) FORMA MENTIS- SULEJMANI
12) ALPSCORE-DARK RIDE
13) WACKERSDORFF- THE HERO RETURNS.....
14) ALPSCORE- WOLVESLAND
15) TZU-JAN VS PHRENETICUS-ANNUNAKI
16) PEYOCEP&PLANKTON- A.I.A.T.A
17) ALPSCORE- GROOVE
18) PHRENETICUS-TERRORISM
19) PHRENETICUS-12 BITCH
20) SEPEPHRAKA-CORE PARTICLES ON A VIBRATING 21) TZU-JAN TAT TWAM ASI
22) TZU-JAN-3EPKANO, SERKALO
23) ODSCURUM-OBLAK
24)OKAGE-SPIRITUAL LINGUISTIC]]> Tracklist:
Starts 00:22
1) AUDIONIMUS- ALTAIR
2)MALLMANN- SINFONIA DOS GUIAS
3)DALIKAOS-POLAR AURORA
4) DER SANDMANN-EL JEFE DEL DESIERTO
5)DATTATREYA- VUDE JAVUDU
6)DEPURATTUS- BUTY PRYSUTNIM
7)SYNTHETIC FOREST- FATA MORGANIC
8)MUKHTAR—REVERSE THE HUMANITY
9)MINDPLAX-NXTLV
10)GUNATAMA- FORMLES SPAWN
11) FORMA MENTIS- SULEJMANI
12) ALPSCORE-DARK RIDE
13) WACKERSDORFF- THE HERO RETURNS.....
14) ALPSCORE- WOLVESLAND
15) TZU-JAN VS PHRENETICUS-ANNUNAKI
16) PEYOCEP&PLANKTON- A.I.A.T.A
17) ALPSCORE- GROOVE
18) PHRENETICUS-TERRORISM
19) PHRENETICUS-12 BITCH
20) SEPEPHRAKA-CORE PARTICLES ON A VIBRATING 21) TZU-JAN TAT TWAM ASI
22) TZU-JAN-3EPKANO, SERKALO
23) ODSCURUM-OBLAK
24)OKAGE-SPIRITUAL LINGUISTIC]]> 5257150 no no Thu, 21 May 2020 07:11:16 +0200 2020-05-21T07:11:16+02:00 1:31:44 https://hearthis.at/kamakhya-records-pe/cindervomit-to-kamakhya-from-cindervomit-with-love-part-214/ "Troubled Music For Deeply Troubled Times With All My Prayers Within" (CinderVomit)
Here's Part 1 : https://soundcloud.com/kuntil-baruwa-1/troubled-music-for-deeply-troubled-times-part-one]]> "Troubled Music For Deeply Troubled Times With All My Prayers Within" (CinderVomit)
Here's Part 1 : https://soundcloud.com/kuntil-baruwa-1/troubled-music-for-deeply-troubled-times-part-one]]> 5257147 no no Mon, 29 Jun 2020 17:20:39 +0200 2020-06-29T17:20:39+02:00 2:18:01 https://hearthis.at/kamakhya-records-pe/phantom-deep-to-kamakhya-from-phantom-deep-with-love-15/ "Please, Stay deep, its time" (Phantom Deep)]]> "Please, Stay deep, its time" (Phantom Deep)]]> 5257146 no no Sat, 18 Jul 2020 07:37:18 +0200 2020-07-18T07:37:18+02:00 59:09 https://hearthis.at/kamakhya-records-pe/slow-kill-session-to-kamakhya-from-anicca-with-love-16/ "If you have ever travelled to Sri Lanka and have taken a regular bus ride, you will discover that it is an epic musical crazy ride. You have no certainty of survival sometimes when you are on one of these buses. If you are on a psychotic trip you will surely have near-death feelings. Slow Kill Sessions are an expression of such a bus ride in Sri Lanka in Psycore mode. With time to time radio-friendly music popping out reminding you of the present (Aniccā)
https://www.facebook.com/valurecordslabel/
https://www.instagram.com/anicca_sankhara/]]> "If you have ever travelled to Sri Lanka and have taken a regular bus ride, you will discover that it is an epic musical crazy ride. You have no certainty of survival sometimes when you are on one of these buses. If you are on a psychotic trip you will surely have near-death feelings. Slow Kill Sessions are an expression of such a bus ride in Sri Lanka in Psycore mode. With time to time radio-friendly music popping out reminding you of the present (Aniccā)
https://www.facebook.com/valurecordslabel/
https://www.instagram.com/anicca_sankhara/]]> 5257144 no no Fri, 12 Jun 2020 16:06:33 +0200 2020-06-12T16:06:33+02:00 1:15:30 https://hearthis.at/kamakhya-records-pe/brkho-to-kamakhya-from-brkho-with-love-17/ It has some of his unreleased tracks and also provides a sneak peek into his new project Drekavac
"I'm sending all my love to everyone, let's fucking push through this shit" (Brkho)]]> It has some of his unreleased tracks and also provides a sneak peek into his new project Drekavac
"I'm sending all my love to everyone, let's fucking push through this shit" (Brkho)]]> 5257142 no no Thu, 30 Jul 2020 13:12:37 +0200 2020-07-30T13:12:37+02:00 1:00:08 https://hearthis.at/kamakhya-records-pe/herbert-quain-to-kamakhya-from-herbert-quain-with-love-18/ Tracklist:
1. Audiosyntax - Focus (Quintessence Records)

https://quintessencerec.bandcamp.com/track/audiosyntax-focus

2. Plankton - Abstract Poetry (Absolut Shit Records)

https://asrecords.bandcamp.com/track/plankton-abstract-poetry

3. Yoshua e.M - No Expectations (Absolut Shit Records)

https://asrecords.bandcamp.com/track/no-expectations

4. Vox Fabri- No Fear (Self-released)

https://voxfabri.bandcamp.com/track/vox-fabri-no-fear

5. Ghreg on Earth v. Yoshua e.M - Diabolical Duende (Atrium Obscurum)

https://atriumobscurum.bandcamp.com/track/ghreg-on-earth-yoshua-e-m-diabolical-duende

6. Vox Fabri v. Pluriverso- Void Surfing (Twenty-Five Records)

https://twentyfiverecords.bandcamp.com/track/vox-fabri-pluriverso-void-surfing

7. Cellolive - Open Your Feelings (Sacred Sound Records)

https://sacredsoundrecs.bandcamp.com/track/3-cellolive-open-your-feelings-155bpm

8. Pluriverso - Toxic Wale (Absolut Shit Records)

https://asrecords.bandcamp.com/track/pluriverso-toxic-wale

9. Mexican Armada - La Onda (Absolut Shit Records)

https://asrecords.bandcamp.com/track/la-onda

10. Pluriverso - Connection (Absolut Shit Records)

https://asrecords.bandcamp.com/track/pluriverso-connection]]> Tracklist:
1. Audiosyntax - Focus (Quintessence Records)

https://quintessencerec.bandcamp.com/track/audiosyntax-focus

2. Plankton - Abstract Poetry (Absolut Shit Records)

https://asrecords.bandcamp.com/track/plankton-abstract-poetry

3. Yoshua e.M - No Expectations (Absolut Shit Records)

https://asrecords.bandcamp.com/track/no-expectations

4. Vox Fabri- No Fear (Self-released)

https://voxfabri.bandcamp.com/track/vox-fabri-no-fear

5. Ghreg on Earth v. Yoshua e.M - Diabolical Duende (Atrium Obscurum)

https://atriumobscurum.bandcamp.com/track/ghreg-on-earth-yoshua-e-m-diabolical-duende

6. Vox Fabri v. Pluriverso- Void Surfing (Twenty-Five Records)

https://twentyfiverecords.bandcamp.com/track/vox-fabri-pluriverso-void-surfing

7. Cellolive - Open Your Feelings (Sacred Sound Records)

https://sacredsoundrecs.bandcamp.com/track/3-cellolive-open-your-feelings-155bpm

8. Pluriverso - Toxic Wale (Absolut Shit Records)

https://asrecords.bandcamp.com/track/pluriverso-toxic-wale

9. Mexican Armada - La Onda (Absolut Shit Records)

https://asrecords.bandcamp.com/track/la-onda

10. Pluriverso - Connection (Absolut Shit Records)

https://asrecords.bandcamp.com/track/pluriverso-connection]]> 5257141 no no Tue, 11 Aug 2020 09:02:24 +0200 2020-08-11T09:02:24+02:00 55:38 https://hearthis.at/kamakhya-records-pe/axis-mundi-to-kamakhya-from-axis-mundi-with-love-19/ Week 19
Art: Shawn Thorton
https://educateinspirechange.org/inspirational/art/this-artist-got-cancer-of-the-pineal-gland-his-paintings-will-leave-you-speechless/]]> Week 19
Art: Shawn Thorton
https://educateinspirechange.org/inspirational/art/this-artist-got-cancer-of-the-pineal-gland-his-paintings-will-leave-you-speechless/]]> 5257139 no no Mon, 17 Aug 2020 06:36:32 +0200 2020-08-17T06:36:32+02:00 1:30:34 https://hearthis.at/kamakhya-records-pe/varazslo-to-kamakhya-from-varazslo-with-love-20/ 5257138 no no Tue, 18 Aug 2020 06:29:55 +0200 2020-08-18T06:29:55+02:00 1:02:45 https://hearthis.at/kamakhya-records-pe/nihaar-to-kamakhya-from-nihaar-with-love-21/ Week 21
https://soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - Link to the Phenomenal 20 weeks | Four and a Half Months of MUSICAL THERAPY FOR TROUBLED TIMES supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, and Varázsló]]> Week 21
https://soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - Link to the Phenomenal 20 weeks | Four and a Half Months of MUSICAL THERAPY FOR TROUBLED TIMES supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, and Varázsló]]> 5257137 no no Thu, 20 Aug 2020 12:24:41 +0200 2020-08-20T12:24:41+02:00 1:09:15 https://hearthis.at/kamakhya-records-pe/guest-mix-from-bar-with-love/ Thank you Bari Barito 🙏]]> Thank you Bari Barito 🙏]]> 5257136 no no Thu, 02 Jul 2020 07:43:30 +0200 2020-07-02T07:43:30+02:00 1:34:32 https://hearthis.at/kamakhya-records-pe/elephant-to-kamakhya-from-elephant-with-love-22/ Week 22
Link to the Phenomenal 21 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April, 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló and Nii-Har]]> Week 22
Link to the Phenomenal 21 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April, 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló and Nii-Har]]> 5257135 no no Sat, 05 Sep 2020 09:03:43 +0200 2020-09-05T09:03:43+02:00 1:04:00 https://hearthis.at/kamakhya-records-pe/omnium-to-kamakhya-from-omnium-with-love-part-1-23/ Week 22
Omnium is the trio - Dezo, Bobo, and Vico - from Skopje, Macedonia. Born out of the necessity of living together as roommates, it started as a one-song hardware thing and became an epic project. A little bit of old school, a little bit of new school, from playful to dark, but pure psychedelic for sure]]> Week 22
Omnium is the trio - Dezo, Bobo, and Vico - from Skopje, Macedonia. Born out of the necessity of living together as roommates, it started as a one-song hardware thing and became an epic project. A little bit of old school, a little bit of new school, from playful to dark, but pure psychedelic for sure]]> 5257133 no no Sat, 05 Sep 2020 18:09:23 +0200 2020-09-05T18:09:23+02:00 1:04:40 https://hearthis.at/kamakhya-records-pe/omnium-to-kamakhya-from-omnium-with-love-part-2-25/ Link to Part 1 (Week 23) : https://soundcloud.com/kuntil-baruwa-1/omnium-to-kamakhya-from-omnium-with-love-part-1-24
Omnium is the trio - Dezo, Bobo, and Vico - from Skopje, Macedonia. Born out of the necessity of living together as roommates, it started as a one-song hardware thing and became an epic project. A little bit of old school, a little bit of new school, from playful to dark, but pure psychedelic for sure]]> Link to Part 1 (Week 23) : https://soundcloud.com/kuntil-baruwa-1/omnium-to-kamakhya-from-omnium-with-love-part-1-24
Omnium is the trio - Dezo, Bobo, and Vico - from Skopje, Macedonia. Born out of the necessity of living together as roommates, it started as a one-song hardware thing and became an epic project. A little bit of old school, a little bit of new school, from playful to dark, but pure psychedelic for sure]]> 5257130 no no Sat, 05 Sep 2020 21:10:37 +0200 2020-09-05T21:10:37+02:00 1:11:24 https://hearthis.at/kamakhya-records-pe/demonkoee-to-kamakhya-from-demonkoee-with-love-27/ Week 27
Link to the Phenomenal 26 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Nii-Har, Elephant, Omnium, Kapil Bambardekar - Raju Suryanadi - Noel & Yoshua EM]]> Week 27
Link to the Phenomenal 26 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Nii-Har, Elephant, Omnium, Kapil Bambardekar - Raju Suryanadi - Noel & Yoshua EM]]> 5257127 no no Sun, 26 Jul 2020 15:28:50 +0200 2020-07-26T15:28:50+02:00 54:06 https://hearthis.at/kamakhya-records-pe/to-kamakyha-from-enigmachina-with-love-28/ "Fragments of perception ...Turned outwards... Extracted through sonic experiments ... A paradox manifestation trying to catch and express the constant flux ...witnessing and evolving in it ...in all its diversity of chaos and love"
Indeed "music irrelevant the notion of BPM at all, slow music that sounds fast, fast music that sounds slow, music that is beyond slowness or fastness, because you’re so entrenched in the quality of sound and hypnotism of the music that you no longer remember what your favourite bpm is" (Kasra Sammak a.k.a. K-Owl)
Link to the Phenomenal 27 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Nii-Har, Elephant, Omnium, Kapil Bambardekar - Raju Suryanadi - Noel, Yoshua EM and DemonkoЯe]]> "Fragments of perception ...Turned outwards... Extracted through sonic experiments ... A paradox manifestation trying to catch and express the constant flux ...witnessing and evolving in it ...in all its diversity of chaos and love"
Indeed "music irrelevant the notion of BPM at all, slow music that sounds fast, fast music that sounds slow, music that is beyond slowness or fastness, because you’re so entrenched in the quality of sound and hypnotism of the music that you no longer remember what your favourite bpm is" (Kasra Sammak a.k.a. K-Owl)
Link to the Phenomenal 27 weeks of MUSICAL THERAPY FOR TROUBLED TIMES series which started on 15th April 2020 - soundcloud.com/kuntil-baruwa-1/sets/musical-therapy-for-troubled-times-series - supported by Fat Freddy, Vox Fabri, JokerFox, Pluriverso, Enogata + Audionimus, Anonymous (you know who you are), Fluroneuro, Kek Heh (Luis Enrique Hernandez, Bhassam, Ekimskrid, Cosmic Wizard (Carlos Galvan), CinderVOMIT, Mohinia, Phantom Deep, Anicca, Brkho, Herbert Quain, Axis Mundi, Varázsló, Nii-Har, Elephant, Omnium, Kapil Bambardekar - Raju Suryanadi - Noel, Yoshua EM and DemonkoЯe]]> 5257126 no no Sun, 05 Jul 2020 10:24:46 +0200 2020-07-05T10:24:46+02:00 1:22:29