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	<title><![CDATA[Jean VOGUET - Music Pieces]]></title>
	<link>https://hearthis.at/jeanvoguet/</link>
	<language>en-EN</language>
	<copyright><![CDATA[© Jean VOGUET - licence Creative Commons CC BY-NC-ND]]></copyright>
	<itunes:subtitle><![CDATA[Acousmatic, Electronic, Noise, Chillout, Ambient]]></itunes:subtitle>
	<itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
	<googleplay:author><![CDATA[Jean VOGUET]]></googleplay:author>
	<itunes:summary><![CDATA[Jean VOGUET - Music Pieces]]></itunes:summary>
	<googleplay:description><![CDATA[Having been a futuristic bruitism, atypical composer of acousmatic & electronic music, Jean VOGUET has always focused on how his works are presented in each environmental context. The concept « Acousmatic Geophonies & Heterotopias » comes from his research « sound spaces of otherness », which means the virtual ecosystem in complex structures (the sound materials created by sound synthesis, not originating from organic sound). It is also characterised by grand and variable spectral frequencies, in initiatory musical wandering, outside of time and outside the border, within the unlimited and temporary dimension. Many of his compositions such as « l’Odyssée », « instants sonores », « Jeux & Variations MiDi » have been induced by his obsession with the great myths of humanity and poetic nature of human-beings. In addition to performing in various events of acousmatic music, he has been taken to perform in live electronic performances, concerts with aircrafts and tractors, multidisciplinary events and festivals internationally. Not only compositions, he has also extensively created site-specific works. His regular collaborations with artists from other disciplines include works with visual arts, dance, poetry, performance art.]]></googleplay:description>
	<description><![CDATA[Having been a futuristic bruitism, atypical composer of acousmatic & electronic music, Jean VOGUET has always focused on how his works are presented in each environmental context. The concept « Acousmatic Geophonies & Heterotopias » comes from his research « sound spaces of otherness », which means the virtual ecosystem in complex structures (the sound materials created by sound synthesis, not originating from organic sound). It is also characterised by grand and variable spectral frequencies, in initiatory musical wandering, outside of time and outside the border, within the unlimited and temporary dimension. Many of his compositions such as « l’Odyssée », « instants sonores », « Jeux & Variations MiDi » have been induced by his obsession with the great myths of humanity and poetic nature of human-beings. In addition to performing in various events of acousmatic music, he has been taken to perform in live electronic performances, concerts with aircrafts and tractors, multidisciplinary events and festivals internationally. Not only compositions, he has also extensively created site-specific works. His regular collaborations with artists from other disciplines include works with visual arts, dance, poetry, performance art.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Jean VOGUET]]></itunes:name>
	<itunes:email>jvoguet@gmail.com</itunes:email>
	</itunes:owner>
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    <googleplay:owner>jvoguet@gmail.com</googleplay:owner>
	<image>
      <link>https://hearthis.at/jeanvoguet/</link>
      <title>Jean VOGUET - Music Pieces</title>
      <url>https://img.hearthis.at/3/n/a/_/uploads/25063/image_user/w1400_h1400_q70_ptrue_v2_----cropped_a47ca26c521ed767f75b247d168ef4e9ecran3.jpg</url>
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	<category><![CDATA[Music]]></category>
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	<itunes:category text="Music"/>
	<itunes:keywords><![CDATA[Acousmatic, Electronic, Noise, Chillout, Ambient, jeanvoguet]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Critical Zone]]></title>
            <link>https://hearthis.at/jeanvoguet/critical-zone/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[LISTEN WITH HEADPHONES in binaural version<br />
<br />
Critical Zone<br />
*A permeable sonic heterogeneity <br />
*<br />
Inspired by the concept of the *Critical Zone*, this geophonodesy interferes with sound masses derived, among other sources, from natural sounds that have been reworked into synthetic sounds.<br />
<br />
Here, sound flows and processes are treated spatially and temporally as ecosystems anthropically upsert by my compositional choices.<br />
Somewhat similar, *Critical Zone*  turns out to be an sound anthropo-stage.<br />
<br />
This is an acousmatic volumiphonic work. A geophonodesy composed of 662 samples spread across 32 tracks. All of its material is from sound synthesis.<br />
<br />
©2026JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[LISTEN WITH HEADPHONES in binaural version<br />
<br />
Critical Zone<br />
*A permeable sonic heterogeneity <br />
*<br />
Inspired by the concept of the *Critical Zone*, this geophonodesy interferes with sound masses derived, among other sources, from natural sounds that have been reworked into synthetic sounds.<br />
<br />
Here, sound flows and processes are treated spatially and temporally as ecosystems anthropically upsert by my compositional choices.<br />
Somewhat similar, *Critical Zone*  turns out to be an sound anthropo-stage.<br />
<br />
This is an acousmatic volumiphonic work. A geophonodesy composed of 662 samples spread across 32 tracks. All of its material is from sound synthesis.<br />
<br />
©2026JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[LISTEN WITH HEADPHONES in binaural version

Critical Zone
*A permeable sonic heterogeneity 
*
Inspired by the concept of the *Critical Zone*, this geophonodesy interferes with sound masses derived, among other sources, from natural sounds that have been reworked into synthetic sounds.

Here, sound flows and processes are treated spatially and temporally as ecosystems anthropically upsert by my compositional choices.
Somewhat similar, *Critical Zone*  turns out to be an sound anthropo-stage.

This is an acousmatic volumiphonic work. A geophonodesy composed of 662 samples spread across 32 tracks. All of its material is from sound synthesis.

©2026JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/9/5/_/uploads/25063/image_track/14262885/w1400_h1400_q70_ptrue_v2_----cropped_1777904171591.jpg" />
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            <category><![CDATA[Music]]></category>
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                <pubDate>Tue, 12 May 2026 00:00:00 +0200</pubDate>
                
                <atom:updated>2026-05-12T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>13:11</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l'Odyssée » Station 13]]></title>
            <link>https://hearthis.at/jeanvoguet/jeanvoguet-odyssey3-station13/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.

An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/n/a/_/uploads/25063/image_user/w1400_h1400_q70_ptrue_v2_----cropped_a47ca26c521ed767f75b247d168ef4e9ecran3.jpg" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sun, 20 Oct 2019 00:00:00 +0200</pubDate>
                
                <atom:updated>2019-10-20T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>26:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« Oneiroi »]]></title>
            <link>https://hearthis.at/jeanvoguet/oneiroi/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[LISTEN WITH HEADPHONES in binaural version<br />
<br />
« Oneiroi » <br />
*A oniric sonic chimera<br />
*<br />
The relative heterophonic incoherence of the dreams amazes me every time,<br />
*« Oneiroi »* surfs between abstract iconicities and signifiances in an idiosyncratic succession of fictive sonic mental images. <br />
<br />
This is an acousmatic (dotriacontaphonic) multichannel work. A volumiphony composed of 352 samples spread over 32 tracks. All its material comes from sound synthesis.<br />
<br />
©2025JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[LISTEN WITH HEADPHONES in binaural version<br />
<br />
« Oneiroi » <br />
*A oniric sonic chimera<br />
*<br />
The relative heterophonic incoherence of the dreams amazes me every time,<br />
*« Oneiroi »* surfs between abstract iconicities and signifiances in an idiosyncratic succession of fictive sonic mental images. <br />
<br />
This is an acousmatic (dotriacontaphonic) multichannel work. A volumiphony composed of 352 samples spread over 32 tracks. All its material comes from sound synthesis.<br />
<br />
©2025JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[LISTEN WITH HEADPHONES in binaural version

« Oneiroi » 
*A oniric sonic chimera
*
The relative heterophonic incoherence of the dreams amazes me every time,
*« Oneiroi »* surfs between abstract iconicities and signifiances in an idiosyncratic succession of fictive sonic mental images. 

This is an acousmatic (dotriacontaphonic) multichannel work. A volumiphony composed of 352 samples spread over 32 tracks. All its material comes from sound synthesis.

©2025JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/0/8/_/uploads/25063/image_track/14262886/w1400_h1400_q70_ptrue_v2_----cropped_1777904174808.jpg" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Thu, 22 May 2025 00:00:00 +0200</pubDate>
                
                <atom:updated>2025-05-22T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>17:09</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« gê »]]></title>
            <link>https://hearthis.at/jeanvoguet/ge/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[« gê » <br />
*A forgotten land, universal, utopian and resilient.  <br />
*<br />
In ancient Greek, gê means earth.<br />
 <br />
In modern times, gê is the origin of the prefix geo-, which is used to make up words referring to the earth.<br />
<br />
gê represents the two aspects of nature: capable of creating harmonious beauty, but also capable of resurrecting original chaos.<br />
<br />
The earth as a living being is an intelligent system that regulates itself to allow life to develop.<br />
<br />
Everywhen chaos occurs, such as the disappearance of the dinosaurs or the imminent and inexorable finitude of humankind … there is negentropy and autopoïesis. In this way, evolution and biological development manage to swim upstream in the thermodynamic current, creating complexity, cohesion, organization, resilience and endurance. Life's rare ability to resist and adapt leads all cycles - like autopoïetic machines - to repeat themselves.<br />
<br />
Everywhen a biosphere collapses, a new symbiosphere is reborn.<br />
<br />
My work *« gê »* is a musical reflection of these considerations :<br />
–	Its first part, *Ante*, represents the harmonious beauty of life, but also its complexity, and the finitude of all civilization.<br />
–	 The second part, *Suspension*, refers to the time needed for any cycle to repeat itself.<br />
–	In the third part : *Return*, autopoïetics - as everywhen - asserts its resilience and complexity.<br />
<br />
*« gê »* pays homage to the philosophers :<br />
–	Félix Gattari, who developed the notion of ecosophy in his book Les Trois Écologies (Paris, Éditions Galilée, 1989)<br />
–	Bernard Stiegler and his concepts of negentropy and the contributive or pollen economy.<br />
<br />
This is acousmatic volumiphony. A geophonodesy composed of 301 samples spread over 16 tracks. All its material comes from sound synthesis. <br />
<br />
length : 21'45"  <br />
released July 25, 2023<br />
<br />
©2023JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[« gê » <br />
*A forgotten land, universal, utopian and resilient.  <br />
*<br />
In ancient Greek, gê means earth.<br />
 <br />
In modern times, gê is the origin of the prefix geo-, which is used to make up words referring to the earth.<br />
<br />
gê represents the two aspects of nature: capable of creating harmonious beauty, but also capable of resurrecting original chaos.<br />
<br />
The earth as a living being is an intelligent system that regulates itself to allow life to develop.<br />
<br />
Everywhen chaos occurs, such as the disappearance of the dinosaurs or the imminent and inexorable finitude of humankind … there is negentropy and autopoïesis. In this way, evolution and biological development manage to swim upstream in the thermodynamic current, creating complexity, cohesion, organization, resilience and endurance. Life's rare ability to resist and adapt leads all cycles - like autopoïetic machines - to repeat themselves.<br />
<br />
Everywhen a biosphere collapses, a new symbiosphere is reborn.<br />
<br />
My work *« gê »* is a musical reflection of these considerations :<br />
–	Its first part, *Ante*, represents the harmonious beauty of life, but also its complexity, and the finitude of all civilization.<br />
–	 The second part, *Suspension*, refers to the time needed for any cycle to repeat itself.<br />
–	In the third part : *Return*, autopoïetics - as everywhen - asserts its resilience and complexity.<br />
<br />
*« gê »* pays homage to the philosophers :<br />
–	Félix Gattari, who developed the notion of ecosophy in his book Les Trois Écologies (Paris, Éditions Galilée, 1989)<br />
–	Bernard Stiegler and his concepts of negentropy and the contributive or pollen economy.<br />
<br />
This is acousmatic volumiphony. A geophonodesy composed of 301 samples spread over 16 tracks. All its material comes from sound synthesis. <br />
<br />
length : 21'45"  <br />
released July 25, 2023<br />
<br />
©2023JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[« gê » 
*A forgotten land, universal, utopian and resilient.  
*
In ancient Greek, gê means earth.
 
In modern times, gê is the origin of the prefix geo-, which is used to make up words referring to the earth.

gê represents the two aspects of nature: capable of creating harmonious beauty, but also capable of resurrecting original chaos.

The earth as a living being is an intelligent system that regulates itself to allow life to develop.

Everywhen chaos occurs, such as the disappearance of the dinosaurs or the imminent and inexorable finitude of humankind … there is negentropy and autopoïesis. In this way, evolution and biological development manage to swim upstream in the thermodynamic current, creating complexity, cohesion, organization, resilience and endurance. Life's rare ability to resist and adapt leads all cycles - like autopoïetic machines - to repeat themselves.

Everywhen a biosphere collapses, a new symbiosphere is reborn.

My work *« gê »* is a musical reflection of these considerations :
–	Its first part, *Ante*, represents the harmonious beauty of life, but also its complexity, and the finitude of all civilization.
–	 The second part, *Suspension*, refers to the time needed for any cycle to repeat itself.
–	In the third part : *Return*, autopoïetics - as everywhen - asserts its resilience and complexity.

*« gê »* pays homage to the philosophers :
–	Félix Gattari, who developed the notion of ecosophy in his book Les Trois Écologies (Paris, Éditions Galilée, 1989)
–	Bernard Stiegler and his concepts of negentropy and the contributive or pollen economy.

This is acousmatic volumiphony. A geophonodesy composed of 301 samples spread over 16 tracks. All its material comes from sound synthesis. 

length : 21'45"  
released July 25, 2023

©2023JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/9/3/_/uploads/25063/image_track/14262887/w1400_h1400_q70_ptrue_v2_----cropped_1777904177390.jpg" />
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                <pubDate>Tue, 25 Jul 2023 00:00:00 +0200</pubDate>
                
                <atom:updated>2023-07-25T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>21:45</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 13]]></title>
            <link>https://hearthis.at/jeanvoguet/aa-lcaaodyssee-aa-station-13/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »,* with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.<br />
<br />
_______________________]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »,* with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.<br />
<br />
_______________________]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »,* with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.

An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.

_______________________]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/5/8/_/uploads/25063/image_track/14262889/w1400_h1400_q70_ptrue_v2_----cropped_1777904179858.jpg" />
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                <pubDate>Tue, 22 Oct 2019 00:00:00 +0200</pubDate>
                
                <atom:updated>2019-10-22T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>26:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 12]]></title>
            <link>https://hearthis.at/jeanvoguet/jeanvoguet-odyssee-station12/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.

An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2019JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
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            <category><![CDATA[Music]]></category>
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                <pubDate>Wed, 13 Jun 2018 22:03:10 +0200</pubDate>
                
                <atom:updated>2018-06-13T22:03:10+02:00</atom:updated>
                
            
            
            <itunes:duration>26:01</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l'Odyssée » Station 11]]></title>
            <link>https://hearthis.at/jeanvoguet/jeanvoguet-odysse-station11/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2019JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
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                <pubDate>Thu, 01 Mar 2018 15:49:43 +0100</pubDate>
                
                <atom:updated>2018-03-01T15:49:43+01:00</atom:updated>
                
            
            
            <itunes:duration>25:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l'Odyssée » Station 10]]></title>
            <link>https://hearthis.at/jeanvoguet/odyssee-station10/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2019JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.

An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2019JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/2/9/_/uploads/25063/image_track/1041757/w1400_h1400_q70_ptrue_v2_----cropped_e2d07effc2492af4834229581bd623d1_1474806922.jpg" />
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                <pubDate>Sun, 25 Sep 2016 14:35:29 +0200</pubDate>
                
                <atom:updated>2016-09-25T14:35:29+02:00</atom:updated>
                
            
            
            <itunes:duration>24:04</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 02]]></title>
            <link>https://hearthis.at/jeanvoguet/aa-lcaaodyssee-aa-station-02/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of « l’Odyssée », with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.<br />
<br />
_______________________<br />
<br />
©2009JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of « l’Odyssée », with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
<br />
An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.<br />
<br />
_______________________<br />
<br />
©2009JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of « l’Odyssée », with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.

An initiatory wander marked by 13 Stations, that define a virtual geophonodesy in space-time.

_______________________

©2009JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/7/4/_/uploads/25063/image_track/14262892/w1400_h1400_q70_ptrue_v2_----cropped_1777904188476.jpg" />
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                <pubDate>Sat, 23 Jan 2010 01:00:00 +0100</pubDate>
                
                <atom:updated>2010-01-23T01:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>24:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« Atlantide »]]></title>
            <link>https://hearthis.at/jeanvoguet/atlantide/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[The underwater drift of a part of human memory and its sonic " burial ". <br />
<br />
« Atlantide » was created in Sardinia (supposed to be Atlantis in Nuraghic times, according to Paolo Valente Poddighe) with dancer Kureha Shinjo at the Festival InterAzioni XX in Assemini in April 2007. <br />
Then we performed the final version in Japan (Yonaguni, an Atlantis perfume in japanese style ? Cf. research by Professor Masaaki Kimura) in September 2008 at the AACP Festival in Mishima and the MMAC Festival in Tokyo.<br />
<br />
©2007JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[The underwater drift of a part of human memory and its sonic " burial ". <br />
<br />
« Atlantide » was created in Sardinia (supposed to be Atlantis in Nuraghic times, according to Paolo Valente Poddighe) with dancer Kureha Shinjo at the Festival InterAzioni XX in Assemini in April 2007. <br />
Then we performed the final version in Japan (Yonaguni, an Atlantis perfume in japanese style ? Cf. research by Professor Masaaki Kimura) in September 2008 at the AACP Festival in Mishima and the MMAC Festival in Tokyo.<br />
<br />
©2007JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[The underwater drift of a part of human memory and its sonic " burial ". 

« Atlantide » was created in Sardinia (supposed to be Atlantis in Nuraghic times, according to Paolo Valente Poddighe) with dancer Kureha Shinjo at the Festival InterAzioni XX in Assemini in April 2007. 
Then we performed the final version in Japan (Yonaguni, an Atlantis perfume in japanese style ? Cf. research by Professor Masaaki Kimura) in September 2008 at the AACP Festival in Mishima and the MMAC Festival in Tokyo.

©2007JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/2/9/_/uploads/25063/image_track/14262893/w1400_h1400_q70_ptrue_v2_----cropped_1777904190926.jpg" />
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                <pubDate>Wed, 14 Mar 2007 01:00:00 +0100</pubDate>
                
                <atom:updated>2007-03-14T01:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>27:07</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« instant sonore #5 _pygmées »]]></title>
            <link>https://hearthis.at/jeanvoguet/instant-sonore5-pygmees/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[A tribute to traditional vocal music of different ethnicities realized in <br />
re-sculpting and/or reprocessing the initial sounds with different digital tools in additional synthesis.<br />
<br />
Some of this music no longer exist ... others are endangered.<br />
<br />
©2001JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[A tribute to traditional vocal music of different ethnicities realized in <br />
re-sculpting and/or reprocessing the initial sounds with different digital tools in additional synthesis.<br />
<br />
Some of this music no longer exist ... others are endangered.<br />
<br />
©2001JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[A tribute to traditional vocal music of different ethnicities realized in 
re-sculpting and/or reprocessing the initial sounds with different digital tools in additional synthesis.

Some of this music no longer exist ... others are endangered.

©2001JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/8/8/_/uploads/25063/image_track/14262894/w1400_h1400_q70_ptrue_v2_----cropped_1777904193880.jpg" />
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            <category><![CDATA[Music]]></category>
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                <pubDate>Sat, 26 Nov 2005 01:00:00 +0100</pubDate>
                
                <atom:updated>2005-11-26T01:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>16:04</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l'Odyssée » Station 09]]></title>
            <link>https://hearthis.at/jeanvoguet/odyssee-station09/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2015JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/4/1/_/uploads/25063/image_track/556466/w1400_h1400_q70_ptrue_v2_----cropped_eea4a284165dc392003f6e412e4069b4_1448023143.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sun, 15 Nov 2015 00:00:00 +0100</pubDate>
                
                <atom:updated>2015-11-15T00:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>22:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 08]]></title>
            <link>https://hearthis.at/jeanvoguet/odysse-station08/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2015JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/3/9/_/uploads/25063/image_track/672604/w1400_h1400_q70_ptrue_v2_----cropped_24c9fe242a6091a18e523c419802d521_1453637936.jpg" />
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                <pubDate>Wed, 01 Jul 2015 00:00:00 +0200</pubDate>
                
                <atom:updated>2015-07-01T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>25:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 07]]></title>
            <link>https://hearthis.at/jeanvoguet/odyssey2-station07/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2015JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/e/e/_/uploads/25063/image_track/79530/w1400_h1400_q70_ptrue_v2_----cropped_c8a4313af6e27326282e72ca8bc0bbd2jvoguetodyssee2.jpg" />
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                <pubDate>Sat, 15 Dec 2012 00:00:00 +0100</pubDate>
                
                <atom:updated>2012-12-15T00:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>29:24</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« l’Odyssée » Station 06]]></title>
            <link>https://hearthis.at/jeanvoguet/odyssee-station06/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></description>
            <googleplay:description><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.<br />
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.<br />
<br />
©2015JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></googleplay:description>
            <itunes:summary><![CDATA[In each station of *« l’Odyssée »*, with his acousmatic geophonies and sonic heterotopias, Jean VOGUET explores fictional exoplanets that could exist in the Universe.
An initiatory wander marked by 13 stations that define a virtual geophonodesy in space-time.

©2015JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/1/2/_/uploads/25063/image_track/115226/w1400_h1400_q70_ptrue_v2_----cropped_8cf7e6452a58f3dc4fc91e32d869dc10_1416419218.jpg" />
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                <pubDate>Fri, 24 Aug 2012 00:00:00 +0200</pubDate>
                
                <atom:updated>2012-08-24T00:00:00+02:00</atom:updated>
                
            
            
            <itunes:duration>22:09</itunes:duration>
        </item>
        <item>
            <title><![CDATA[« Thèkè »]]></title>
            <link>https://hearthis.at/jeanvoguet/theke/</link>
            <itunes:author><![CDATA[Jean VOGUET]]></itunes:author>
            <description><![CDATA[A light and short flirting syntony with the subconscious, a set of binaural beats in which they can escape beta waves, and the intense focus of activity of gamma power.<br />
<br />
The 27 samples in this work all come from material I worked on on the fabulous Akai S1000 sampler in the second half of the 90s.<br />
<br />
©2011JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed <br />
UPC/EAN code : 0642738918969 <br />
ISRC : FR9W11117156<br />
ISWC : T-703.194.648.4<br />
<br />
https://vimeo.com/81895127]]></description>
            <googleplay:description><![CDATA[A light and short flirting syntony with the subconscious, a set of binaural beats in which they can escape beta waves, and the intense focus of activity of gamma power.<br />
<br />
The 27 samples in this work all come from material I worked on on the fabulous Akai S1000 sampler in the second half of the 90s.<br />
<br />
©2011JeanVoguet<br />
Licence Creative Commons : CC BY-NC-ND 4.0 Deed <br />
UPC/EAN code : 0642738918969 <br />
ISRC : FR9W11117156<br />
ISWC : T-703.194.648.4<br />
<br />
https://vimeo.com/81895127]]></googleplay:description>
            <itunes:summary><![CDATA[A light and short flirting syntony with the subconscious, a set of binaural beats in which they can escape beta waves, and the intense focus of activity of gamma power.

The 27 samples in this work all come from material I worked on on the fabulous Akai S1000 sampler in the second half of the 90s.

©2011JeanVoguet
Licence Creative Commons : CC BY-NC-ND 4.0 Deed 
UPC/EAN code : 0642738918969 
ISRC : FR9W11117156
ISWC : T-703.194.648.4

https://vimeo.com/81895127]]></itunes:summary>
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                <pubDate>Thu, 17 Feb 2011 00:00:00 +0100</pubDate>
                
                <atom:updated>2011-02-17T00:00:00+01:00</atom:updated>
                
            
            
            <itunes:duration>8:32</itunes:duration>
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