Thu, 23 Apr 2026 15:36:54 +0200 https://hearthis.at/ifm/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/ifm/ https://img.hearthis.at/n/7/3/_/uploads/55894/image_user/w1400_h1400_q70_ptrue_v2_----cropped_31fb64b386aed4c844ce5539c2c575f8602719101526397446401501293439937n.jpg no no https://hearthis.at/ifm/luke-mandala-snap-intuit-feat-molly-ponkevitch/ An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> 232646 no no Thu, 11 Jun 2015 07:18:13 +0200 2015-06-11T07:18:13+02:00 5:59 https://hearthis.at/ifm/luke-mandala-snap-intuit-feat-molly-ponkevitch-take-flight-version/ An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> 232649 no no Thu, 11 Jun 2015 07:17:56 +0200 2015-06-11T07:17:56+02:00 7:12 https://hearthis.at/ifm/tomas-jirku-digitally-dextrous-preview/
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]>
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]> 232643 no no Thu, 11 Jun 2015 07:17:31 +0200 2015-06-11T07:17:31+02:00 3:40 https://hearthis.at/ifm/tomas-jirku-event-horizon-preview/
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]>
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]> 232644 no no Thu, 11 Jun 2015 07:17:12 +0200 2015-06-11T07:17:12+02:00 3:49 https://hearthis.at/ifm/tomas-jirku-deep-space-house-preview/
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]>
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]> 232645 no no Thu, 11 Jun 2015 07:16:51 +0200 2015-06-11T07:16:51+02:00 3:31 https://hearthis.at/ifm/jalvarez-watch-your-step-preview/  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]>  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]> 232636 no no Thu, 11 Jun 2015 07:16:44 +0200 2015-06-11T07:16:44+02:00 3:40 https://hearthis.at/ifm/jalvarez-come-back-preview/  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]>  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]> 232638 no no Thu, 11 Jun 2015 07:16:36 +0200 2015-06-11T07:16:36+02:00 3:51 https://hearthis.at/ifm/adam-collins-in-city-lights-luke-mandala-remix-preview/
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]>
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]> 232641 no no Thu, 11 Jun 2015 07:16:12 +0200 2015-06-11T07:16:12+02:00 4:20 https://hearthis.at/ifm/chad-neiro-movin-preview/
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]>
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]> 232633 no no Thu, 11 Jun 2015 07:15:57 +0200 2015-06-11T07:15:57+02:00 3:38 https://hearthis.at/ifm/chad-neiro-movin-rennie-foster-remix-preview/
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]>
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]> 232634 no no Thu, 11 Jun 2015 07:15:41 +0200 2015-06-11T07:15:41+02:00 4:11 https://hearthis.at/ifm/chad-neiro-never-again-preview/
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]>
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]> 232631 no no Thu, 11 Jun 2015 07:15:34 +0200 2015-06-11T07:15:34+02:00 3:54 https://hearthis.at/ifm/chad-neiro-never-again-complicit-remix-preview/
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]>
Written and produced by: Chad Neiro
Remix and additional production: Rennie Foster
Mastering: http://www.audibleoddities.com/
Photo: Dana Vallery - http://belaqua.org/
Layout & Design: Mitchie Vega - http://pranagraphic.com/
Copyright: Innerflight Music]]> 232632 no no Thu, 11 Jun 2015 07:15:18 +0200 2015-06-11T07:15:18+02:00 4:30 https://hearthis.at/ifm/tomas-jirku-digitally-dextrous-214s-crunch-n-munch-mix-preview/ Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Chris Roman
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Chris Roman
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> 232624 no no Thu, 11 Jun 2015 07:15:06 +0200 2015-06-11T07:15:06+02:00 3:52 https://hearthis.at/ifm/tomas-jirku-event-horizon-phil-western-remix-preview/ Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Phil Western
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Phil Western
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> 232625 no no Thu, 11 Jun 2015 07:14:57 +0200 2015-06-11T07:14:57+02:00 4:08 https://hearthis.at/ifm/cyanwave-casual-encounter-public-address-remix-preview/
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Remix & additional production: Ben Wright & Andrew Bowen
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]>
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Remix & additional production: Ben Wright & Andrew Bowen
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]> 232628 no no Thu, 11 Jun 2015 07:14:39 +0200 2015-06-11T07:14:39+02:00 3:44 https://hearthis.at/ifm/complicit-tastes-so-good-rennie-foster-remix/
A pair of top notch remixes complete the For My People EP, starting with an epic rework of “(This Is) For My People” by Seattle’s Cyanwave. This live electronic act is no stranger to followers of Innerflight as they’ve contributed a number of acclaimed remixes and EPs for the label. This treatment should continue Cyanwave’s praise as the rhythmic basis of “(This Is) For My People” is extended into over eight minutes of electronic intrigue. Metallic synths, reverb splashes, and a sci-fi groove are just part of what makes this remix the definition of ‘futuristic funk.’ The second remix comes from the legendary Rennie Foster (Dirty Works, Thoughtless Music, Soiree) who takes “Tastes So Good” on his personalized sonic journey, flavored with a tough, percussive rhythm, warm, spacey pads, and an acid-techno bass line. The vocal phrases bounce off a lonely synth melody that increases the cut’s feeling of forward movement.

Dig in to Complicit’s For My People EP … this latest transmission from Innerflight Music is sure to captivate and provide a stylish addition to DJ sets worldwide.]]>
A pair of top notch remixes complete the For My People EP, starting with an epic rework of “(This Is) For My People” by Seattle’s Cyanwave. This live electronic act is no stranger to followers of Innerflight as they’ve contributed a number of acclaimed remixes and EPs for the label. This treatment should continue Cyanwave’s praise as the rhythmic basis of “(This Is) For My People” is extended into over eight minutes of electronic intrigue. Metallic synths, reverb splashes, and a sci-fi groove are just part of what makes this remix the definition of ‘futuristic funk.’ The second remix comes from the legendary Rennie Foster (Dirty Works, Thoughtless Music, Soiree) who takes “Tastes So Good” on his personalized sonic journey, flavored with a tough, percussive rhythm, warm, spacey pads, and an acid-techno bass line. The vocal phrases bounce off a lonely synth melody that increases the cut’s feeling of forward movement.

Dig in to Complicit’s For My People EP … this latest transmission from Innerflight Music is sure to captivate and provide a stylish addition to DJ sets worldwide.]]> 232651 no no Thu, 11 Jun 2015 07:14:26 +0200 2015-06-11T07:14:26+02:00 7:38 https://hearthis.at/ifm/adam-collins-in-city-lights-pezzner-remix-preview/
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]>
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]> 232640 no no Thu, 11 Jun 2015 07:14:14 +0200 2015-06-11T07:14:14+02:00 4:32 https://hearthis.at/ifm/tomas-jirku-power-block-w-the-automatic-message-preview/
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku & Trevor Jacobson
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]>
Recent years have seen Jirku exploring his dubbier inclinations more thoroughly. But with The Event Horizon EP, he’s edging into a vital vein of electro. “Power Block (With The Automatic Message)” is a menacing hybrid of techno and electro, traversing a bumpy path toward visions of futuristic industrial ruins. It’s a bracing, rhythmically choppy soundtrack to a civilization going awry. “Digitally Dextrous” harks back to the thrillingly twisted and enigmatic electro that used to come out on Miami’s Schematic label (Phoenecia, Push Button Objects, etc.). It’s a viciously torqued funk workout and a serious mind/body fuck. On “Event Horizon,” gunmetal gray Autechresque IDM ramrods through your headspace with staccato, brutal kicks, metallic percussive ripples, regimented 303 twangs, and what could be delayed and reversed woodblocks. The title of “Deep Space House” is a self-fulfilling prophecy: It’s a funky, Model 500-like excursion, its asteroidal synth washes swirling amid punchy funk beats, creating a dazzling disorientation.

The Event Horizon represents another peak in Jirku’s brilliant discography and proves he’s not content to simply repeat past glories.

Written and Produced by: Tomas Jirku & Trevor Jacobson
Mastering: http://www.audibleoddities.com
Artwork, layout, design: Tomas Jirku
Copyright: Innerflight Music


Support from:

Xpansul - Ovum Recordings
“Yeah! SYNTHS!! Loving this one. Great sound design, super funk, Support!

[a]pendics.shuffle - Adjunct Audio
Nice EP!

Bryan Zentz - M_nus / Thoughtless Music
“Event Horizon is really cool, into Deep Space House as well. Thanks!”

Seph - Harry Klein / Dumb Unit
“ Power Block is nice and funky!

Vidal Romero Carmona - Trax / Clone Magazine
“Tomas Jirku is always a good choice!”

Alex Tolstey - Triangle Eyes / Boshke Beats Records
“Really like this one! Thank you, all the EP is cool!”

Benoît Carretier - Tsugi
“Deep Space House for me”

Heike Reich - Zuendfunk
“Very very interesting, must have all!”

dj T - Get Physical
“Thank you for good music!”

Vince Pollard - Ithinkx / Exclaim! Magazine
“Jirku!”

Jamie Kidd - Nachtstrom Schallplatten
“Great productions as usual from Tomas. Thanks!”

Stefny Winter - Archipel
This is a great EP, thanks! It’s refreshing to hear something out of the norm.”

Raphael Dincsoy - H-Productions / MB Elektronics / Abstract
“Weird but I like”

Revy - Bleepsequence
“Nice off-kilter synthy jams, thanks!”

Luis Rozalen - clubbingspain.com
“Really interesting grooves...martian”

Jaymz Nylon - Nylon Trax
“Love how Deep Space House breathes”

Jerry Abstract - Modern Occult Music
“Fine artistry indeed”

Martin Böttcher - Byte.fm / Deutschland Radio
“Good”

Recess - Shameless Audio
“Deep Space House is the jam!”
]]> 232642 no no Thu, 11 Jun 2015 07:14:00 +0200 2015-06-11T07:14:00+02:00 3:29 https://hearthis.at/ifm/luke-mandala-love-we-know-feat-molly-ponkevitch/ An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> 232647 no no Thu, 11 Jun 2015 07:13:47 +0200 2015-06-11T07:13:47+02:00 6:13 https://hearthis.at/ifm/luke-mandala-gut-streams-feat-molly-ponkevitch/ An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> An instrumental version of this track will also be available on the release.

Written and produced by: Luke Wells
Vocals by: Molly Ponkevitch
Mastering: http://robsmallmastering.com/
Artwork, layout, design: Molly Ponkevitch & Justin Byrnes
Copyright: Innerflight Music

Support from:

Pig & Dan - Cocoon
"Cool tracks, will give them a spin. Thanxs"

Luicano Esse - Safari Electronique / Out-er / Leftroom
"I'm loving each and every release of this label!"

Mik Santoro - Ampispazi Recordings / Amazing Records
"Wonderful album, thank you will play something from this for sure!"

Jamie Kidd - Nachtstrom Schallplatten / Thoughtless Music
"Will try Gut Streams. Thanks!"

Signal Deluxe - Blaq Records
"Nice music here!"

Jonny Cruz - No. 19 Music / My Favorite Robot
"This is dope!"

Robert Feedman - Kopf Artefakt / Vierzehnnullvier
"Great EP. Gut Streams is strong for my sets"

Elekha - Bubbles On the Air
"Lovely release!"

Slam - Soma Records
"Will try out, thanks"

Riva Starr - Snatch Records
"Thnx for the music!"

Noah Pred - Thoughtless Music
"Digging the instrumental of Gut Streams, thanks!"

Markantonio - Analytictrail Records
"Thanks for the music!!!"

Horatio - Natural Rhythm
"Cool EP"

dj M-Traxxx - Afro Acid
"Lovin all the mixes! Great pack!"

Cyanwave - From 0-1 / Subspec
"Take Flight Version is definite dance floor mover!"

Gregory D'Elia - Variations / KBCS 91.3
"I don't like that you make us only pick ONE best mix!! Great tracks throughout!"

Dubfire - SCI+TEC Digital Audio
"Thank you!"

Someone Else - Foundsound
"Love We Know Instrumental"

Sebastian Rosa - Connaisseur
"Thanks"

Mike Heron - BTE Records
"Lovely tunes"

dj Felipe - Flex Vienna
"Nice EP!"]]> 232648 no no Thu, 11 Jun 2015 07:13:32 +0200 2015-06-11T07:13:32+02:00 6:38 https://hearthis.at/ifm/jalvarez-spin-pick-preview/  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]>  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]> 232635 no no Thu, 11 Jun 2015 07:13:22 +0200 2015-06-11T07:13:22+02:00 3:24 https://hearthis.at/ifm/jalvarez-noon-preview/  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]>  
“Spin And Pick” kicks off the EP with a stark, funkiness that’s at once earthy and spacey. You can hear traces of Roman’s electro background in the stuttering cymbal taps, but the rhythm here hews closer to techno’s linear propulsion. The stoic bass line gives a heavy gravitational pull in contrast to the shimmering, Bernie Worrell-like synth squiggles and whorls whisking you toward the stars. Alvarezuses vocals (mostly mutters and whispers) as textural coloration and chilling undercurrent rather than as conveyors of specific words. “Watch Your Step” is galloping, momentous techno with huge, clap-enhanced beats and a suspenseful main melody redolent of Goblin’s most memorable horror-film soundtracks. The hard-driving rhythm, boosted with a prowling, growling bass line that could make a statue dance, makes this ideal peak-time business.
 
The urgent, shuttling techno of “Noon” launches you out of mundane reality, aided again by Alvarez’s phenomenal skill for creating bulbous, motivational bass lines. The record closes with “Come Back,” whose massive, sweeping clap-augmented beats bump against a rotund yet buoyant synth bass figure as a beautifully melancholy melody drones in the distance. Having established himself as one of America’s foremost exporters of electro, Roman’s alter ego J.Alvarezshows that he’s on the fast track to ascending to the techno stratosphere, too. 


Written and produced by: Chris Roman
Mastering: http://www.audibleoddities.com/
Cover layout / design: Mitchie Vega (pranagraphic.com)
Copyright: Innerflight Music

Support from:

Noah Pred - Thoughtless Music
"Heat! Especially digging the first two."

Bryan Zentz - M_nus
"Yes! Really great vibe and beautiful production from Chris here. My faves are Noon and Watch Your Step. Thanks!"

Rennie Foster - RF / Thoughtless Music
"I like the title track, good break hip-hop-ish vibe and interesting bleep baseline."

Justin Sloe - Droog
"J.Alvarez has a unique style that is fresh as it is refreshing"

Revy - Bleepsequence
"Diggin these a lot, thanks! Hard to pick a favorite but Noon is freakin smooth…"

Alex Ruder - KEXP 90.3fm
"Yes! New J.Alvarez! Always a treat and so solid."

Cyanwave - From 0-1
"Great Release, Watch Your Step will be getting some play here :)"

John Massey - Subspec
"Another great release! Innerflight and Mr. Alvarez make a great fit…Cheers!"

]]> 232637 no no Thu, 11 Jun 2015 07:13:07 +0200 2015-06-11T07:13:07+02:00 3:59 https://hearthis.at/ifm/adam-collins-in-city-lights-preview/
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]>
An undulating synth introduces “In City Lights” before catchy riffs and a pulsing bass line take over. The percussion is light on its toes, with excellently executed drum rolls throughout. Sci-fi at times with evolving atmospheres, the single feels like a saga of sorts. Pezzner (Systematic Recordings, Freerange Records) is a prolific producer known for taking listeners through figurative landscapes and he does exactly this with a remix that introduces itself like an indigenous ritual. He uses larking noises which lie somewhere between a bird, a flute, and a theremin, eventually giving way to unmistakably tribal drums and touched up synths form the original. Another well received producer, Luke Mandala has been making serious waves with releases on the likes of Booka Shade Music, Desert Trax, and his own Activated Recordings imprint. Luke’s remix turns out a menacing club sound with snarling bass, persuasive bell rhythms, and alluring chants.

It’s great to hear the urban story telling of Collins’ “In City Lights” expanded upon by remixers not afraid to take it into other worlds, surely to be appreciated by the more adventurous listeners and DJs.


Written and produced by: Adam Collins
Mastering: http://www.audibleoddities.com
Photo: Vision Logic Images
Layout / Design: http://pranagraphic.com
Copyright: Innerflight Music

Support from:

Justin Sloe - Droog
"Nice package, been a long fan of both Adam Collins and Pezzner"

Peter Kruder - Kruder & Dorfmeister / Peace Orchestra
"Like this release…"

Walker Bernard - Serialism Records
"Digging the drum fills and multiple story lines on Pezzner's remix"

Gavin Hardkiss - Hardkiss Music
"Downloading for gavin hardkiss +++ wait a minute ... I am gavin hardkiss who writes in the 3rd person +++ he likes the spooky breaks on Pezzner mix .... thanks seattle and innerflight"

Motorcitysoul - Cocoon / Stir15 / Simple
"Dave again! Great!"

Brett Johnson - Cynosure Recordings
"I like the deep/techy mixes"

Chris Fortier - Fade / Field Trip
"Love everything that Pezzner does"

Sumsuch - Colour and Pitch / Urban Torque
"Both remixes for me, lovely!"

Laurent N. - House Nation Radio
Pezzner remix is the one for me, love it. Will play and TOTAL SUPPORT!!"

Jaymz Nylon - Nylon Recordings
Nice lil' boogie joint…"

Darren House - X-Press 2
"Ridiculously good!!! Amazing!! All tracks. Pezzner remix the standout. Full and total support from X-PRESS 2"

Darin Epsilon - Perfecto / Baroque
"Nice remix work by Pezzner and Luke Mandala"

Dio S. - Baroque / Clinique Recordings
"Very nice pack. I support full release. Thanx!!"

DK Watts - Short Bus Kids / Bounce House Recordings
"All tracks have something that I like, but Luke Mandala's remix takes the cake for me!"

Tyler Stadius - Proton Radio / Dinamo FM
"Cool trippy tracks. Thanks"

Al Bradley - 3am Recordings / Paper Recordings
"Cool release here, the original has a really authentic groove, very nice. Pezzner adding his always-cool fizzing house reworking, with Luke Mandala being the pick for me, with his supremely solid deep & powerful punchy regroove - top skills all round :)"

Danny Howells - Dig Deeper
Superb, Many thanks!!"

Craig Stewart - Montana & Stewart / DCSTrax
"Pezzner and Luke Mandala tracks are slam jammerz"

Fine Cut Bodies - Chi Recordings
"Great pack!"

Daniel Poli - Suspect Package / Distant Strangers
"Luke Mandala remix grooves along nicely… thanks"

ED2000 - Tresor / Solar Lounge
"Full support, thanks a lot!"

dj Nova - Nova Planet Radio Show
"The Italo sythtetic tech sound of the Original stucks in your mind and exceptional – as always – Pezzner’s percusssive Remix is an occultism for the tech part of your heart, the Remix is driving me crazy when the quick breakdown appears and the synths are warning me that Detroit is closer. Love bassline and the Intergalactic point of view of Luke Mandala Remix too. Which is the best? The package is ace!"

SimonG - Deep South Audio / Volcano Radio
"Smoking beats, Pezzner drops the winner for me. Thanks"

Fabricio Pecanha - Moodmusic / Definition Records
"Really good work!"

Ourra - Pop Out & Play / Alola / Sex on Wax
"Pezzner remix got the vibe and support from me, thank you!!"

Gare Mat K - Progrezo / DI.FM / Frisky Radio
"Original and Luke Mandala remix are ace"

Adam Warped - Whiskey Pickle
"Spacey Stuff! Lovin' it!"

Chris Udoh - Tigerhook / Escapism DE Radio
"Feeling Mr. Pezzner on this one!"
]]> 232639 no no Thu, 11 Jun 2015 07:12:59 +0200 2015-06-11T07:12:59+02:00 4:22 https://hearthis.at/ifm/cyanwave-maintaining-the-future-bryan-zentz-boccioni-mix-preview/
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Remix & additional production: Bryan Zentz
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]>
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Remix & additional production: Bryan Zentz
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]> 232630 no no Thu, 11 Jun 2015 07:12:42 +0200 2015-06-11T07:12:42+02:00 4:01 https://hearthis.at/ifm/cyanwave-maintaining-the-future-preview/
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]>
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]> 232629 no no Thu, 11 Jun 2015 07:12:28 +0200 2015-06-11T07:12:28+02:00 4:01 https://hearthis.at/ifm/tomas-jirku-deep-space-house-deepchilds-bad-tape-dub-preview/ Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix and additional production: Rick Bull
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix and additional production: Rick Bull
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> 232626 no no Thu, 11 Jun 2015 07:12:18 +0200 2015-06-11T07:12:18+02:00 4:19 https://hearthis.at/ifm/cyanwave-casual-encounter-preview/
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]>
Fresh from the lab, their new EP, Casual Future, is an anomaly when held up against the scientific formulas rampant in today’s dance music landscape. The vocals on the first track, Casual Encounter, are truly existential, grounding the listener in an atmosphere of fragmented electronic frequencies, clattering insect exoskeletons made of marble, and low end techno stabs that eventually give way to even deeper sub bass. Public Address, a collaboration between Santa Fe producers Ben Wright and Andrew Bowen, then restructure the original into a more straightforward groove and arrangement with out losing any of its nuances. Next, “Maintaining The Future” is mechanical and driving, but at the same time heavily emotive with the melodic sounds of a Tibetan singing bowl. Bryan Zentz, who currently resides in Portland, but with a resume of international scope, flips the script with his remix, morphing what was previously a reflective piece into a pummeling act. Cyanwave have their sound down to a science, a natural choice for DJs looking to experiment.

Written and produced by: Justin Byrnes & Keith Kelley
Mastering: http://www.audibleoddities.com/
Artwork / layout / design: Justin Byrnes
Copyright: Innerflight Music
]]> 232627 no no Thu, 11 Jun 2015 07:12:14 +0200 2015-06-11T07:12:14+02:00 4:02 https://hearthis.at/ifm/tomas-jirku-w-the-automatic-message-power-block-kafka-remix-preview/ Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Richard Duggen
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> Kafka, 214, Phil Western, and Deepchild assemble to compliment the originals each in their own twisted ways. First up is Kafka, the techno side project of Vancouver electro artist Urceus Exit –AKA Richard Duggen – who downplays the funkiness of “Power Block", instead favoring techno grit. His remix runs the track through industrial warehouse machinery, with exposed wiring sending sparks flying along the way. At its breakdown, the factory seems less and less human, becoming alien in nature. 214 is the alias of Seattle producer Chris Roman who has built a sound shaded in Miami Bass origins but with his own electro touch. His Crunch n Munch Mix of “Digitally Dextrous” swallows the frequencies whole and churns them about in a stomach full of gravel. Another Vancouver artist, Phil Western, whose unique techno excursions are heavily rooted in psychedelia, drones, and space rock, all of which he taps into in his remix of “Event Horizon.” Phil deviates the most from the norm, turning what was a two-step shuffle into a more linear exploration of a future-retro, sci-fi theme full of whirling synths. Deepchild is a class act Australian by way of Berlin with a career that has aligned him with premier gigs, artist remixes, and label releases. Calling his treatment the Bad Tape Dub, Deepchild pumps rumbling lows into the original “Deep Space House” groove, at times reversed for a sucking effect. DJs with a penchant for blurring the lines will be pleased with the Event Horizon Remixes.

Written and produced by: Tomas Jirku
Remix & additional production: Richard Duggen
Mastering: http://www.audibleoddities.com/
Photo / layout / design: Tomas Jirku
Copyright: Innerflight Music]]> 232623 no no Thu, 11 Jun 2015 07:12:11 +0200 2015-06-11T07:12:11+02:00 5:01 https://hearthis.at/ifm/spon1080-smoke-screen-luke-mandala-flying-above-the-war-smoke-rmx-preview/ “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Luke Wells
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Luke Wells
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> 232619 no no Thu, 11 Jun 2015 07:12:04 +0200 2015-06-11T07:12:04+02:00 4:11 https://hearthis.at/ifm/spon1080-smoke-screen-luke-mandala-through-the-smoke-remix-preview/ “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Luke Wells
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Luke Wells
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> 232620 no no Thu, 11 Jun 2015 07:12:01 +0200 2015-06-11T07:12:01+02:00 4:19 https://hearthis.at/ifm/spon1080-runtime-error-preview/ “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> 232621 no no Thu, 11 Jun 2015 07:11:58 +0200 2015-06-11T07:11:58+02:00 5:07 https://hearthis.at/ifm/complicit-this-is-for-my-people-cyanwave-remix/
A pair of top notch remixes complete the For My People EP, starting with an epic rework of “(This Is) For My People” by Seattle’s Cyanwave. This live electronic act is no stranger to followers of Innerflight as they’ve contributed a number of acclaimed remixes and EPs for the label. This treatment should continue Cyanwave’s praise as the rhythmic basis of “(This Is) For My People” is extended into over eight minutes of electronic intrigue. Metallic synths, reverb splashes, and a sci-fi groove are just part of what makes this remix the definition of ‘futuristic funk.’ The second remix comes from the legendary Rennie Foster (Dirty Works, Thoughtless Music, Soiree) who takes “Tastes So Good” on his personalized sonic journey, flavored with a tough, percussive rhythm, warm, spacey pads, and an acid-techno bass line. The vocal phrases bounce off a lonely synth melody that increases the cut’s feeling of forward movement.

Dig in to Complicit’s For My People EP … this latest transmission from Innerflight Music is sure to captivate and provide a stylish addition to DJ sets worldwide.]]>
A pair of top notch remixes complete the For My People EP, starting with an epic rework of “(This Is) For My People” by Seattle’s Cyanwave. This live electronic act is no stranger to followers of Innerflight as they’ve contributed a number of acclaimed remixes and EPs for the label. This treatment should continue Cyanwave’s praise as the rhythmic basis of “(This Is) For My People” is extended into over eight minutes of electronic intrigue. Metallic synths, reverb splashes, and a sci-fi groove are just part of what makes this remix the definition of ‘futuristic funk.’ The second remix comes from the legendary Rennie Foster (Dirty Works, Thoughtless Music, Soiree) who takes “Tastes So Good” on his personalized sonic journey, flavored with a tough, percussive rhythm, warm, spacey pads, and an acid-techno bass line. The vocal phrases bounce off a lonely synth melody that increases the cut’s feeling of forward movement.

Dig in to Complicit’s For My People EP … this latest transmission from Innerflight Music is sure to captivate and provide a stylish addition to DJ sets worldwide.]]> 232650 no no Thu, 11 Jun 2015 07:10:53 +0200 2015-06-11T07:10:53+02:00 8:26 https://hearthis.at/ifm/luke-mandala-one-heart-preview/  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]>  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]> 232614 no no Thu, 11 Jun 2015 07:09:16 +0200 2015-06-11T07:09:16+02:00 3:46 https://hearthis.at/ifm/jaymz-nylon-inner-flight-hanssen-remix/
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]>
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]> 232613 no no Thu, 11 Jun 2015 07:07:13 +0200 2015-06-11T07:07:13+02:00 6:38 https://hearthis.at/ifm/jaymz-nylon-inner-flight-joe-bellinghams-reimagined-mix/
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]>
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]> 232611 no no Thu, 11 Jun 2015 07:06:36 +0200 2015-06-11T07:06:36+02:00 5:50 https://hearthis.at/ifm/jaymz-nylon-inner-flight-jaymz-nylon-afrotech-reshape/
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]>
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]> 232612 no no Thu, 11 Jun 2015 07:06:02 +0200 2015-06-11T07:06:02+02:00 7:35 https://hearthis.at/ifm/spon1080-runtime-error-sone-remix-preview/ “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Brian Sonnleitner
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Remix and additional production: Brian Sonnleitner
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> 232622 no no Thu, 11 Jun 2015 07:04:54 +0200 2015-06-11T07:04:54+02:00 4:29 https://hearthis.at/ifm/luke-mandala-unison-light-and-dark-preview/  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]>  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]> 232616 no no Thu, 11 Jun 2015 07:04:37 +0200 2015-06-11T07:04:37+02:00 3:52 https://hearthis.at/ifm/luke-mandala-sprightly-sensuous-preview/  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.


Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]>  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.


Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]> 232617 no no Thu, 11 Jun 2015 07:04:10 +0200 2015-06-11T07:04:10+02:00 4:06 https://hearthis.at/ifm/jaymz-nylon-inner-flight-kris-moon-remix/
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]>
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.]]> 232610 no no Thu, 11 Jun 2015 07:03:06 +0200 2015-06-11T07:03:06+02:00 6:50 https://hearthis.at/ifm/jaymz-nylon-inner-flight-feat-the-mystic-vibes/
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.

]]>
For Nylon's Innerflight Music debut, the label and artist have augmented the similarly titled “Inner Flight” with four varied remixes. The original features The Mystic Vibes (a local vibraphone virtuoso) and finds Nylon combining the spiritual with the physical in a work that's a paragon of earthy, celestial house music. It features Nylon's deadpan baritone intonation, recited as if in a hypnotic state: “This is a journey / of loving and learning / This is an inner flight / come on and take a ride / to a place where you can fly.” The transcendent nature of the lyrics is mirrored by the plush keyboard and vibraphone penumbras hovering over the casually bustling rhythmic foundation, all of which are more interesting and organic in essence than your usual house productions. Nylon's own Afrotech Reshape adds shakers, emphasizes hand percussion, and brings to the fore the serpentine melody, which elevates the track to even more sublime heights than his initial template.

As the first remix offered, Montana DJ / producer Kris Moon beefs up the bass and revamps the no-nonsense, hip-smacking four-on-the-floor rhythm into something you might have heard in an early-'90s Detroit techno classic. As is typical with anything Moon touches, the aura is deep, trippy, and cerebral. Joe Bellingham's Reimagined Mix muscles up the kick and reduces the vocal to a few percussive tics, ramping up “Inner Flight” to a smoothly propulsive floor-filler in the process. Veteran Seattle producer Bob Hanssen (of duo Jacob London) offers the most radical transformation here, bringing in church bell tones and upward-spiraling synth arpeggios while making Nylon's voice sound omnipresent. Hanssen has almost totally eradicated the rhythm, repurposing the track for a swirling, eventful house-of-worship experience.

Jaymz Nylon, The Mystic Vibes, and company combine to create an inimitable sound listeners will be hard pressed to find anything else like -- something for more daring and creative souls.

]]> 232609 no no Thu, 11 Jun 2015 07:02:48 +0200 2015-06-11T07:02:48+02:00 6:43 https://hearthis.at/ifm/kris-moon-last-party/ 232608 no no Thu, 11 Jun 2015 07:02:24 +0200 2015-06-11T07:02:24+02:00 5:12 https://hearthis.at/ifm/kris-moon-midnight-hour/ 232607 no no Thu, 11 Jun 2015 07:01:43 +0200 2015-06-11T07:01:43+02:00 6:47 https://hearthis.at/ifm/kris-moon-club-in-chicago/ 232606 no no Thu, 11 Jun 2015 07:01:06 +0200 2015-06-11T07:01:06+02:00 7:57 https://hearthis.at/ifm/spon1080-smoke-screen-preview/ “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> “Smoke Screen” features a pulsing sub, far out electric currents, and complex polyrhythms with, at times, wonderfully contrasting human hand percussion. Luke Mandala, an artist with an extensive catalog that includes labels like Booka Shade Records and Baroque, turns in two remixes of the track. His Flying Above the War Smoke version is more linear, using intense stabs as its driving force along with relentless glitchy acid rim shots and hi hats, all building into an ethereal melodic section used to dramatic effect. Two minutes of teasing on Luke’s other take, the Through the Smoke Remix, lead into a swampy, bass line growl that’s picked up all of the surrounding muck along its way.
The second Spon.10.80 original, “Runtime Error,” comes from a more monstrous place than the first. Scattered, echoing melodies are cut through by the rumble of harder sound effects. A real sense of forward motion is achieved, but where to is undisclosed. Another remixer is then introduced to the package: Sone, the artist name of fellow Seattle producer and one of the brains behind the From 0–1 label, Brian Sonnleitner. He shows real patience molding the original in his hands, essentially turning it into a cavernous, reverberating big room dub. It maintains a high energy while projecting a sense of peace that is sure to build tension in well crafted, fluid DJ sets.
Repeated listens to the tracks and remixes on this Innerflight release likely will never reveal their individual secrets, the greater picture being in the holistic experience of these action packed pieces. These are weapons for expert DJs with an ear honed for more intricate dance floors.


Written and produced by: Ryan Milles
Mastering: http://innerportalstudio.com/
Artwork / Layout / Design: http://grymlife.com/
Copyright: Innerflight Music]]> 232618 no no Thu, 11 Jun 2015 06:57:35 +0200 2015-06-11T06:57:35+02:00 5:11 https://hearthis.at/ifm/luke-mandala-northwest-mystic-preview/  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]>  
“NorthWest Mystic” is bustling, burly techno shot through with insectoid buzzes and what could be exotic wind instruments warped and fibrillated into a poignant motif that would please Ricardo Villalobos. “Unison Light And Dark” boasts a masterly chiaroscuro of ominous and angelic elements swirling over girthful, steamrolling, clap-enhanced beats. If this piece isn’t soundtracking an outer-space chase scene by next year, there’s no justice. The self-explanatory “Sprightly Sensuous” offers midtempo techno with a brilliant Doppler-effected, radiant synth motif smeared over a kinetic and timbrally diverse and eccentric percussive foundation. Sure, “Sprightly Sensuous” works on the dance floor, but it’s possibly even more fascinating as a headphone listen—which is a rare thing in club music.
 
Compared to most modern-day techno, the music on Northwest Mystic possesses a greater complex sensibility, in which a multitude of percussive and melodic elements zoom in and out and intertwine in a way that constantly rivets. Blessed with a hyperactive imagination, Mandala makes a lot of techno producers sound like lazy underachievers cruising on autopilot.

Written and produced by: Luke Wells
Mastering: http://www.robsmallmastering.com/
Cover Photo: http://belaqua.org/
Layout / design: http://pranagraphic.com/
Copyright: Innerflight Music]]> 232615 no no Thu, 11 Jun 2015 06:56:48 +0200 2015-06-11T06:56:48+02:00 3:56