<?xml version="1.0" encoding="UTF-8"?><rss xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:podcast="https://podcastindex.org/namespace/1.0" version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
	<atom:link href="https://hearthis.at/hirotoshi-uchida-4th/podcast/" rel="self" type="application/rss+xml" />
	<lastBuildDate>Sun, 19 Apr 2026 06:08:02 +0200</lastBuildDate>
	<title><![CDATA[Hirotoshi Uchida]]></title>
	<link>https://hearthis.at/hirotoshi-uchida-4th/</link>
	<language>en-EN</language>
	<copyright><![CDATA[Hirotoshi Uchida]]></copyright>
	<itunes:subtitle><![CDATA[(4th Account)]]></itunes:subtitle>
	<itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
	<googleplay:author><![CDATA[Hirotoshi Uchida]]></googleplay:author>
	<itunes:summary><![CDATA[This is my 4rd podcast.
URL : hearthis.at/hirotoshi-uchida-4th
The previous account are
*hearthis.at/hirotoshi-uchida
*hearthis.at/hirotoshi-uchida-2nd
*hearthis.at/hirotoshi-uchida-3rd]]></itunes:summary>
	<googleplay:description><![CDATA[This is my 4rd podcast.
URL : hearthis.at/hirotoshi-uchida-4th
The previous account are
*hearthis.at/hirotoshi-uchida
*hearthis.at/hirotoshi-uchida-2nd
*hearthis.at/hirotoshi-uchida-3rd]]></googleplay:description>
	<description><![CDATA[This is my 4rd podcast.
URL : hearthis.at/hirotoshi-uchida-4th
The previous account are
*hearthis.at/hirotoshi-uchida
*hearthis.at/hirotoshi-uchida-2nd
*hearthis.at/hirotoshi-uchida-3rd]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Hirotoshi Uchida]]></itunes:name>
	<itunes:email>shado.u.10436@gmail.com</itunes:email>
	</itunes:owner>
	<googleplay:image href="https://img.hearthis.at/3/8/4/_/uploads/11271277/image_user/w1400_h1400_q70_ptrue_v2_m1751871358----cropped_1751871355483.jpg?m=1751871358"/>
	<itunes:image href="https://img.hearthis.at/3/8/4/_/uploads/11271277/image_user/w1400_h1400_q70_ptrue_v2_m1751871358----cropped_1751871355483.jpg?m=1751871358" />
    <googleplay:owner>shado.u.10436@gmail.com</googleplay:owner>
	<image>
      <link>https://hearthis.at/hirotoshi-uchida-4th/</link>
      <title>Hirotoshi Uchida</title>
      <url>https://img.hearthis.at/3/8/4/_/uploads/11271277/image_user/w1400_h1400_q70_ptrue_v2_m1751871358----cropped_1751871355483.jpg?m=1751871358</url>
    </image>
	<googleplay:explicit>no</googleplay:explicit>
	<itunes:explicit>no</itunes:explicit>
	<category><![CDATA[Music]]></category>
	<googleplay:category text="Music"/>
	<itunes:category text="Music"/>
	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Impatience for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/impatience-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[I composed this music with Algorhythmic Synthesis Generator.<br />
<br />
https://algorhythmic-synthesis.vercel.app<br />
<br />
Algorhythmic Synthesis is an experimental music genre and computational art form in which sound is generated through the integration of algorithms, mathematical functions, and physical models.<br />
<br />
Rather than composing fixed musical sequences, creators design generative systems that continuously produce evolving audio structures.<br />
<br />
Key characteristics include:<br />
<br />
Mathematically-driven sound generation<br />
Pitch, rhythm, and spatialization are derived from functions such as sine, cosine, logarithms, complex numbers, and parametric equations.<br />
Incorporation of physical signal processes<br />
Techniques like ring modulation, resonance, and wave interference are embedded as core synthesis mechanisms.<br />
Code-centric composition (live coding)<br />
Environments like Sonic Pi are used where source code directly defines musical structure.<br />
Non-linear and non-deterministic evolution<br />
Music unfolds dynamically based on algorithmic rules rather than predefined loops.<br />
Audiovisual unification<br />
Shared mathematical structures can simultaneously generate both sound and visuals (e.g., Hydra).<br />
<br />
In essence,<br />
the artwork is not the sound itself, but the system that generates it.<br />
<br />
Score: <br />
https://www.instagram.com/p/DWfRsB5EycM/<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Impatience.rb]]></description>
            <googleplay:description><![CDATA[I composed this music with Algorhythmic Synthesis Generator.<br />
<br />
https://algorhythmic-synthesis.vercel.app<br />
<br />
Algorhythmic Synthesis is an experimental music genre and computational art form in which sound is generated through the integration of algorithms, mathematical functions, and physical models.<br />
<br />
Rather than composing fixed musical sequences, creators design generative systems that continuously produce evolving audio structures.<br />
<br />
Key characteristics include:<br />
<br />
Mathematically-driven sound generation<br />
Pitch, rhythm, and spatialization are derived from functions such as sine, cosine, logarithms, complex numbers, and parametric equations.<br />
Incorporation of physical signal processes<br />
Techniques like ring modulation, resonance, and wave interference are embedded as core synthesis mechanisms.<br />
Code-centric composition (live coding)<br />
Environments like Sonic Pi are used where source code directly defines musical structure.<br />
Non-linear and non-deterministic evolution<br />
Music unfolds dynamically based on algorithmic rules rather than predefined loops.<br />
Audiovisual unification<br />
Shared mathematical structures can simultaneously generate both sound and visuals (e.g., Hydra).<br />
<br />
In essence,<br />
the artwork is not the sound itself, but the system that generates it.<br />
<br />
Score: <br />
https://www.instagram.com/p/DWfRsB5EycM/<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Impatience.rb]]></googleplay:description>
            <itunes:summary><![CDATA[I composed this music with Algorhythmic Synthesis Generator.

https://algorhythmic-synthesis.vercel.app

Algorhythmic Synthesis is an experimental music genre and computational art form in which sound is generated through the integration of algorithms, mathematical functions, and physical models.

Rather than composing fixed musical sequences, creators design generative systems that continuously produce evolving audio structures.

Key characteristics include:

Mathematically-driven sound generation
Pitch, rhythm, and spatialization are derived from functions such as sine, cosine, logarithms, complex numbers, and parametric equations.
Incorporation of physical signal processes
Techniques like ring modulation, resonance, and wave interference are embedded as core synthesis mechanisms.
Code-centric composition (live coding)
Environments like Sonic Pi are used where source code directly defines musical structure.
Non-linear and non-deterministic evolution
Music unfolds dynamically based on algorithmic rules rather than predefined loops.
Audiovisual unification
Shared mathematical structures can simultaneously generate both sound and visuals (e.g., Hydra).

In essence,
the artwork is not the sound itself, but the system that generates it.

Score: 
https://www.instagram.com/p/DWfRsB5EycM/
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Impatience.rb]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/1/9/_/uploads/11271277/image_track/14064082/w1400_h1400_q70_ptrue_v2_m1774831283----cropped_1774831279917.jpg?m=1774831283" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/impatience-for-piano/listen.mp3?s=7Ya" length="11899200" />
            <guid isPermaLink="false">14064082</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 30 Mar 2026 02:38:31 +0200</pubDate>
                
                <atom:updated>2026-03-30T02:38:31+02:00</atom:updated>
                
            
            
            <itunes:duration>4:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Ringbell]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/ringbell/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a Musique Brut work I composed by Audacity.<br />
<br />
Score:<br />
https://www.instagram.com/p/DVnUORPjlmB]]></description>
            <googleplay:description><![CDATA[This is a Musique Brut work I composed by Audacity.<br />
<br />
Score:<br />
https://www.instagram.com/p/DVnUORPjlmB]]></googleplay:description>
            <itunes:summary><![CDATA[This is a Musique Brut work I composed by Audacity.

Score:
https://www.instagram.com/p/DVnUORPjlmB]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/8/_/uploads/11271277/image_track/13958476/w1400_h1400_q70_ptrue_v2_m1772953430----cropped_1772953392830.jpg?m=1772953430" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/ringbell/listen.mp3?s=ZKy" length="20802240" />
            <guid isPermaLink="false">13958476</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 08 Mar 2026 08:02:54 +0100</pubDate>
                
                <atom:updated>2026-03-08T08:02:54+01:00</atom:updated>
                
            
            
            <itunes:duration>8:40</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Reflection for Tongue Drums]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/reflection-for-tongue-drums/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a Musique Brut work I composed by MuseScore, HighC, and Python.<br />
<br />
Score: <br />
https://www.instagram.com/p/DVD9LBTEw9F]]></description>
            <googleplay:description><![CDATA[This is a Musique Brut work I composed by MuseScore, HighC, and Python.<br />
<br />
Score: <br />
https://www.instagram.com/p/DVD9LBTEw9F]]></googleplay:description>
            <itunes:summary><![CDATA[This is a Musique Brut work I composed by MuseScore, HighC, and Python.

Score: 
https://www.instagram.com/p/DVD9LBTEw9F]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/0/4/_/uploads/11271277/image_track/13905010/w1400_h1400_q70_ptrue_v2_m1771766924----cropped_1771766920406.jpg?m=1771766924" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/reflection-for-tongue-drums/listen.mp3?s=iT8" length="5160960" />
            <guid isPermaLink="false">13905010</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 22 Feb 2026 14:27:22 +0100</pubDate>
                
                <atom:updated>2026-02-22T14:27:22+01:00</atom:updated>
                
            
            
            <itunes:duration>2:09</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Metal]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/metal/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[I composed this music with Sonic PI.<br />
<br />
This is the score I used the following tool.<br />
<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE<br />
<br />
Image:<br />
https://www.instagram.com/p/DUcySACk_GV<br />
<br />
Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Metal.rb]]></description>
            <googleplay:description><![CDATA[I composed this music with Sonic PI.<br />
<br />
This is the score I used the following tool.<br />
<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE<br />
<br />
Image:<br />
https://www.instagram.com/p/DUcySACk_GV<br />
<br />
Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Metal.rb]]></googleplay:description>
            <itunes:summary><![CDATA[I composed this music with Sonic PI.

This is the score I used the following tool.

https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE

Image:
https://www.instagram.com/p/DUcySACk_GV

Score:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Metal.rb]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/5/2/_/uploads/11271277/image_track/13829026/w1400_h1400_q70_ptrue_v2_m1770452617----cropped_1770452612251.jpg?m=1770452617" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/metal/listen.mp3?s=0RQ" length="13202284" />
            <guid isPermaLink="false">13829026</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 07 Feb 2026 09:21:42 +0100</pubDate>
                
                <atom:updated>2026-02-07T09:21:42+01:00</atom:updated>
                
            
            
            <itunes:duration>5:30</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Meditation for Harp]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/larghetto-for-harp/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a Musique Brut work that notate as it is or close to it.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Larghetto.js<br />
<br />
Score: <br />
https://www.instagram.com/p/DUNPusEgHo2]]></description>
            <googleplay:description><![CDATA[This is a Musique Brut work that notate as it is or close to it.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Larghetto.js<br />
<br />
Score: <br />
https://www.instagram.com/p/DUNPusEgHo2]]></googleplay:description>
            <itunes:summary><![CDATA[This is a Musique Brut work that notate as it is or close to it.

Image: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Larghetto.js

Score: 
https://www.instagram.com/p/DUNPusEgHo2]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/2/1/_/uploads/11271277/image_track/13798957/w1400_h1400_q70_ptrue_v2_m1769931265----cropped_1769931262121.jpg?m=1769931265" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/larghetto-for-harp/listen.mp3?s=gAv" length="14751360" />
            <guid isPermaLink="false">13798957</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 01 Feb 2026 08:32:07 +0100</pubDate>
                
                <atom:updated>2026-02-01T08:32:07+01:00</atom:updated>
                
            
            
            <itunes:duration>6:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Dissolution for Vibraphone and Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/dissolution-for-vibraphone-and-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[These Musique Brut works involve differential and integral calculus, polar coordinates, complex equations, parametric equations, matrices, vectors, complex numbers, limits, sequences, arithmetic sequences, geometric sequences, Fibonacci sequences, Markov chains, chaos, the Lorenz equations, partial differential equations, the Doppler effect, spectral analysis, the Phrygian mode, the Dorian mode, Gregorian chant, organum, clausula, conductus, sequentia, virelai, rondeau, ballade, isorhythm, ballata, motet, homophony, basso continuo, Counterpoint, Chanson, Monody, Aria, Ritorno Formale, Canon Form, Fugue Form, Sonata Form, Sonatina Form, Rondo-Sonata Form, Grand Rondo Form, Petit Rondo Form, Rondo Form, Refrain Form, Overtones, Polytempo, Polyrhythm, Ring Modulator, Amplifier Modulator, Frequency Modulator, Total Serialism, Graphic Score, Variation Form, Minimalism, Music of Chance, Twelve-Tone Technique, Pitch Bend. These are randomly selected and combined.<br />
<br />
The music completed by connecting the following 3 musics.<br />
0:00 Swaying for Vibraphone<br />
8:50 Melancholy for Piano<br />
12:05 Nonsense for Piano<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Dissolution.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DT7q-qCk1oa<br />
https://www.instagram.com/p/DT7rRY8k78I<br />
https://www.instagram.com/p/DT7rebJE-lk<br />
https://www.instagram.com/p/DT7rng-k1X2<br />
https://www.instagram.com/p/DT7rxvLkyuz<br />
https://www.instagram.com/p/DT7r7X4E8TP<br />
https://www.instagram.com/p/DT7sDTWE0Ir<br />
https://www.instagram.com/p/DT7sJZ9Ewq4<br />
<br />
Website:<br />
https://hirotoshi-uchida.vercel.app]]></description>
            <googleplay:description><![CDATA[These Musique Brut works involve differential and integral calculus, polar coordinates, complex equations, parametric equations, matrices, vectors, complex numbers, limits, sequences, arithmetic sequences, geometric sequences, Fibonacci sequences, Markov chains, chaos, the Lorenz equations, partial differential equations, the Doppler effect, spectral analysis, the Phrygian mode, the Dorian mode, Gregorian chant, organum, clausula, conductus, sequentia, virelai, rondeau, ballade, isorhythm, ballata, motet, homophony, basso continuo, Counterpoint, Chanson, Monody, Aria, Ritorno Formale, Canon Form, Fugue Form, Sonata Form, Sonatina Form, Rondo-Sonata Form, Grand Rondo Form, Petit Rondo Form, Rondo Form, Refrain Form, Overtones, Polytempo, Polyrhythm, Ring Modulator, Amplifier Modulator, Frequency Modulator, Total Serialism, Graphic Score, Variation Form, Minimalism, Music of Chance, Twelve-Tone Technique, Pitch Bend. These are randomly selected and combined.<br />
<br />
The music completed by connecting the following 3 musics.<br />
0:00 Swaying for Vibraphone<br />
8:50 Melancholy for Piano<br />
12:05 Nonsense for Piano<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Dissolution.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DT7q-qCk1oa<br />
https://www.instagram.com/p/DT7rRY8k78I<br />
https://www.instagram.com/p/DT7rebJE-lk<br />
https://www.instagram.com/p/DT7rng-k1X2<br />
https://www.instagram.com/p/DT7rxvLkyuz<br />
https://www.instagram.com/p/DT7r7X4E8TP<br />
https://www.instagram.com/p/DT7sDTWE0Ir<br />
https://www.instagram.com/p/DT7sJZ9Ewq4<br />
<br />
Website:<br />
https://hirotoshi-uchida.vercel.app]]></googleplay:description>
            <itunes:summary><![CDATA[These Musique Brut works involve differential and integral calculus, polar coordinates, complex equations, parametric equations, matrices, vectors, complex numbers, limits, sequences, arithmetic sequences, geometric sequences, Fibonacci sequences, Markov chains, chaos, the Lorenz equations, partial differential equations, the Doppler effect, spectral analysis, the Phrygian mode, the Dorian mode, Gregorian chant, organum, clausula, conductus, sequentia, virelai, rondeau, ballade, isorhythm, ballata, motet, homophony, basso continuo, Counterpoint, Chanson, Monody, Aria, Ritorno Formale, Canon Form, Fugue Form, Sonata Form, Sonatina Form, Rondo-Sonata Form, Grand Rondo Form, Petit Rondo Form, Rondo Form, Refrain Form, Overtones, Polytempo, Polyrhythm, Ring Modulator, Amplifier Modulator, Frequency Modulator, Total Serialism, Graphic Score, Variation Form, Minimalism, Music of Chance, Twelve-Tone Technique, Pitch Bend. These are randomly selected and combined.

The music completed by connecting the following 3 musics.
0:00 Swaying for Vibraphone
8:50 Melancholy for Piano
12:05 Nonsense for Piano

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Dissolution.js

Score:
https://www.instagram.com/p/DT7q-qCk1oa
https://www.instagram.com/p/DT7rRY8k78I
https://www.instagram.com/p/DT7rebJE-lk
https://www.instagram.com/p/DT7rng-k1X2
https://www.instagram.com/p/DT7rxvLkyuz
https://www.instagram.com/p/DT7r7X4E8TP
https://www.instagram.com/p/DT7sDTWE0Ir
https://www.instagram.com/p/DT7sJZ9Ewq4

Website:
https://hirotoshi-uchida.vercel.app]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/1/2/_/uploads/11271277/image_track/13751564/w1400_h1400_q70_ptrue_v2_----cropped_1769343342210.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/dissolution-for-vibraphone-and-piano/listen.mp3?s=Xyg" length="48001920" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 25 Jan 2026 13:14:54 +0100</pubDate>
                
                <atom:updated>2026-01-25T13:14:54+01:00</atom:updated>
                
            
            
            <itunes:duration>20:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Turmoil for 4 Strings and Radio]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/turmoil-for-4-strings-and-radio/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[I've composed this "Musique Destructrice" by OpenMusic, HighC, LilyPond, and MuseScore with Serialism, Polyrhythm, and Ring Modulation since I'd like people to enjoy listening to change noise by radio frequency, strings distortion by pitch bend and pizzicato tone bounce.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Turmoil.rb<br />
https://www.instagram.com/p/DTutjN7k4w8<br />
https://www.instagram.com/p/DTuttarE7k9<br />
https://www.instagram.com/p/DTuty0Jk01u<br />
https://www.instagram.com/p/DTut5DiE4b1<br />
https://www.instagram.com/p/DTuuA4fE1Qu<br />
https://www.instagram.com/p/DTuuFeNk5Xe<br />
https://www.instagram.com/p/DTuuP3Ukx5F<br />
https://www.instagram.com/p/DTuuX8Iky07<br />
https://www.instagram.com/p/DTuuftkkzD-<br />
https://www.instagram.com/p/DTuujzmkwgk<br />
https://www.instagram.com/p/DTuupGdkzYn<br />
https://www.instagram.com/p/DTuuuFwE_VR<br />
https://www.instagram.com/p/DTuu1XVk5-_<br />
https://www.instagram.com/p/DTuu6f0EzHT<br />
<br />
Website: <br />
https://hirotoshi-uchida.vercel.app]]></description>
            <googleplay:description><![CDATA[I've composed this "Musique Destructrice" by OpenMusic, HighC, LilyPond, and MuseScore with Serialism, Polyrhythm, and Ring Modulation since I'd like people to enjoy listening to change noise by radio frequency, strings distortion by pitch bend and pizzicato tone bounce.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Turmoil.rb<br />
https://www.instagram.com/p/DTutjN7k4w8<br />
https://www.instagram.com/p/DTuttarE7k9<br />
https://www.instagram.com/p/DTuty0Jk01u<br />
https://www.instagram.com/p/DTut5DiE4b1<br />
https://www.instagram.com/p/DTuuA4fE1Qu<br />
https://www.instagram.com/p/DTuuFeNk5Xe<br />
https://www.instagram.com/p/DTuuP3Ukx5F<br />
https://www.instagram.com/p/DTuuX8Iky07<br />
https://www.instagram.com/p/DTuuftkkzD-<br />
https://www.instagram.com/p/DTuujzmkwgk<br />
https://www.instagram.com/p/DTuupGdkzYn<br />
https://www.instagram.com/p/DTuuuFwE_VR<br />
https://www.instagram.com/p/DTuu1XVk5-_<br />
https://www.instagram.com/p/DTuu6f0EzHT<br />
<br />
Website: <br />
https://hirotoshi-uchida.vercel.app]]></googleplay:description>
            <itunes:summary><![CDATA[I've composed this "Musique Destructrice" by OpenMusic, HighC, LilyPond, and MuseScore with Serialism, Polyrhythm, and Ring Modulation since I'd like people to enjoy listening to change noise by radio frequency, strings distortion by pitch bend and pizzicato tone bounce.

Score: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Turmoil.rb
https://www.instagram.com/p/DTutjN7k4w8
https://www.instagram.com/p/DTuttarE7k9
https://www.instagram.com/p/DTuty0Jk01u
https://www.instagram.com/p/DTut5DiE4b1
https://www.instagram.com/p/DTuuA4fE1Qu
https://www.instagram.com/p/DTuuFeNk5Xe
https://www.instagram.com/p/DTuuP3Ukx5F
https://www.instagram.com/p/DTuuX8Iky07
https://www.instagram.com/p/DTuuftkkzD-
https://www.instagram.com/p/DTuujzmkwgk
https://www.instagram.com/p/DTuupGdkzYn
https://www.instagram.com/p/DTuuuFwE_VR
https://www.instagram.com/p/DTuu1XVk5-_
https://www.instagram.com/p/DTuu6f0EzHT

Website: 
https://hirotoshi-uchida.vercel.app]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/4/8/_/uploads/11271277/image_track/13715049/w1400_h1400_q70_ptrue_v2_m1768908025----cropped_1768907971842.jpg?m=1768908025" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/turmoil-for-4-strings-and-radio/listen.mp3?s=u3N" length="4563840" />
            <guid isPermaLink="false">13715049</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 20 Jan 2026 12:18:19 +0100</pubDate>
                
                <atom:updated>2026-01-20T12:18:19+01:00</atom:updated>
                
            
            
            <itunes:duration>1:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Holy for Violincellos, Pipe Organ, and Synthesizer]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/holy/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This work employs organum, monody, the Phrygian mode, counterpoint, variation, ritornello, minimalism, overtones, Markov chains, Lorenz equations, polytempo, polyphony, and polyrhythm.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Holy.rb<br />
https://www.instagram.com/p/DTSd8zok13E<br />
https://www.instagram.com/p/DTSezalEyPT<br />
https://www.instagram.com/p/DTSe4naE17r<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This work employs organum, monody, the Phrygian mode, counterpoint, variation, ritornello, minimalism, overtones, Markov chains, Lorenz equations, polytempo, polyphony, and polyrhythm.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Holy.rb<br />
https://www.instagram.com/p/DTSd8zok13E<br />
https://www.instagram.com/p/DTSezalEyPT<br />
https://www.instagram.com/p/DTSe4naE17r<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This work employs organum, monody, the Phrygian mode, counterpoint, variation, ritornello, minimalism, overtones, Markov chains, Lorenz equations, polytempo, polyphony, and polyrhythm.

Score: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Holy.rb
https://www.instagram.com/p/DTSd8zok13E
https://www.instagram.com/p/DTSezalEyPT
https://www.instagram.com/p/DTSe4naE17r

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/4/_/uploads/11271277/image_track/13641210/w1400_h1400_q70_ptrue_v2_m1767959744----cropped_1767959624430.jpg?m=1767959744" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/holy/listen.mp3?s=ZfL" length="16094400" />
            <guid isPermaLink="false">13641210</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Jan 2026 12:55:41 +0100</pubDate>
                
                <atom:updated>2026-01-09T12:55:41+01:00</atom:updated>
                
            
            
            <itunes:duration>6:42</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Premonition for Harp]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/premonition/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music has been applied logarithms, trigonometric functions, zeta series approximations, polyphony, polyrhythm, polytempo, organum, and echo.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Premonition.rb<br />
https://www.instagram.com/p/DTSctQPE55q<br />
https://www.instagram.com/p/DTSc2YYk_yU<br />
https://www.instagram.com/p/DTSd1SNkyGl/<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music has been applied logarithms, trigonometric functions, zeta series approximations, polyphony, polyrhythm, polytempo, organum, and echo.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Premonition.rb<br />
https://www.instagram.com/p/DTSctQPE55q<br />
https://www.instagram.com/p/DTSc2YYk_yU<br />
https://www.instagram.com/p/DTSd1SNkyGl/<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music has been applied logarithms, trigonometric functions, zeta series approximations, polyphony, polyrhythm, polytempo, organum, and echo.

Score: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Premonition.rb
https://www.instagram.com/p/DTSctQPE55q
https://www.instagram.com/p/DTSc2YYk_yU
https://www.instagram.com/p/DTSd1SNkyGl/

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/8/_/uploads/11271277/image_track/13641193/w1400_h1400_q70_ptrue_v2_m1767959469----cropped_1767959465820.jpg?m=1767959469" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/premonition/listen.mp3?s=5oP" length="23858880" />
            <guid isPermaLink="false">13641193</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 09 Jan 2026 12:56:09 +0100</pubDate>
                
                <atom:updated>2026-01-09T12:56:09+01:00</atom:updated>
                
            
            
            <itunes:duration>9:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Night sky for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/night-sky-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, ring modulation, Fibonacci sequence, and graphics score.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Night_sky.rb<br />
https://www.instagram.com/p/DS7X6gnk-_C<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, ring modulation, Fibonacci sequence, and graphics score.<br />
<br />
Score: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Night_sky.rb<br />
https://www.instagram.com/p/DS7X6gnk-_C<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, ring modulation, Fibonacci sequence, and graphics score.

Score: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Night_sky.rb
https://www.instagram.com/p/DS7X6gnk-_C

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/8/2/_/uploads/11271277/image_track/13574070/w1400_h1400_q70_ptrue_v2_m1767183605----cropped_1767183601280.jpg?m=1767183605" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/night-sky-for-piano/listen.mp3?s=WrU" length="10672320" />
            <guid isPermaLink="false">13574070</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 31 Dec 2025 13:20:45 +0100</pubDate>
                
                <atom:updated>2025-12-31T13:20:45+01:00</atom:updated>
                
            
            
            <itunes:duration>4:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Collapse for Bell, Whisper, and Electronics]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/collapse-for-bell-whisper-and-electronics/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, tone cluster, pitch shift, reverse , ring modulation, noise music, glitch, polyrhythm, polytempo, graphics score, and chance music.<br />
<br />
Also, this music is Musique Destructrice work.<br />
<br />
---<br />
<br />
Overview of Musique Destructrice<br />
<br />
---<br />
<br />
Musique Destructrice deals with the collapse of melody, the collapse of tempo (e.g., transition from a single tempo to polytempo), the collapse of rhythm (e.g., transition from a single rhythm to polyrhythm or irregular rhythm), the collapse of instruments used (e.g., breaking glass or prepared piano), the collapse of notation (e.g., unreadable or unplayable scores), the collapse of listening (e.g., incorporating dissonance or inaudible frequencies), and the collapse of preservation (e.g., scores, performances, or algorithms differing per live event). Within this framework, poetry, diagrams, and experiments are integrated. It is also the act of meticulously designing the precise moment when music ceases to be music, by dismantling it from every conceivable perspective: mathematics, physics, science, society, literature, and music itself.<br />
<br />
---<br />
<br />
Whisper Poems (reverse play):<br />
<br />
---<br />
<br />
The cycle repeats.<br />
Small things change.<br />
But the core remains unchanged.<br />
Even when gone, the soul endures.<br />
While continuing to witness change.<br />
<br />
---<br />
<br />
Score:<br />
https://www.instagram.com/p/DSr5QUEE1eB<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Collapse.js<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Collapse.rb<br />
<br />
Tools: <br />
https://github.com/Uchida16104/Crearte<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE<br />
https://highc.org<br />
https://www.tetyys.com/SAPI4<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, tone cluster, pitch shift, reverse , ring modulation, noise music, glitch, polyrhythm, polytempo, graphics score, and chance music.<br />
<br />
Also, this music is Musique Destructrice work.<br />
<br />
---<br />
<br />
Overview of Musique Destructrice<br />
<br />
---<br />
<br />
Musique Destructrice deals with the collapse of melody, the collapse of tempo (e.g., transition from a single tempo to polytempo), the collapse of rhythm (e.g., transition from a single rhythm to polyrhythm or irregular rhythm), the collapse of instruments used (e.g., breaking glass or prepared piano), the collapse of notation (e.g., unreadable or unplayable scores), the collapse of listening (e.g., incorporating dissonance or inaudible frequencies), and the collapse of preservation (e.g., scores, performances, or algorithms differing per live event). Within this framework, poetry, diagrams, and experiments are integrated. It is also the act of meticulously designing the precise moment when music ceases to be music, by dismantling it from every conceivable perspective: mathematics, physics, science, society, literature, and music itself.<br />
<br />
---<br />
<br />
Whisper Poems (reverse play):<br />
<br />
---<br />
<br />
The cycle repeats.<br />
Small things change.<br />
But the core remains unchanged.<br />
Even when gone, the soul endures.<br />
While continuing to witness change.<br />
<br />
---<br />
<br />
Score:<br />
https://www.instagram.com/p/DSr5QUEE1eB<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Collapse.js<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Collapse.rb<br />
<br />
Tools: <br />
https://github.com/Uchida16104/Crearte<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE<br />
https://highc.org<br />
https://www.tetyys.com/SAPI4<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, tone cluster, pitch shift, reverse , ring modulation, noise music, glitch, polyrhythm, polytempo, graphics score, and chance music.

Also, this music is Musique Destructrice work.

---

Overview of Musique Destructrice

---

Musique Destructrice deals with the collapse of melody, the collapse of tempo (e.g., transition from a single tempo to polytempo), the collapse of rhythm (e.g., transition from a single rhythm to polyrhythm or irregular rhythm), the collapse of instruments used (e.g., breaking glass or prepared piano), the collapse of notation (e.g., unreadable or unplayable scores), the collapse of listening (e.g., incorporating dissonance or inaudible frequencies), and the collapse of preservation (e.g., scores, performances, or algorithms differing per live event). Within this framework, poetry, diagrams, and experiments are integrated. It is also the act of meticulously designing the precise moment when music ceases to be music, by dismantling it from every conceivable perspective: mathematics, physics, science, society, literature, and music itself.

---

Whisper Poems (reverse play):

---

The cycle repeats.
Small things change.
But the core remains unchanged.
Even when gone, the soul endures.
While continuing to witness change.

---

Score:
https://www.instagram.com/p/DSr5QUEE1eB
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Collapse.js
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Collapse.rb

Tools: 
https://github.com/Uchida16104/Crearte
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/WAVE2SCORE
https://highc.org
https://www.tetyys.com/SAPI4

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/8/_/uploads/11271277/image_track/13527660/w1400_h1400_q70_ptrue_v2_m1766664083----cropped_1766664016820.jpg?m=1766664083" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/collapse-for-bell-whisper-and-electronics/listen.mp3?s=bvU" length="20154273" />
            <guid isPermaLink="false">13527660</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 25 Dec 2025 13:01:19 +0100</pubDate>
                
                <atom:updated>2025-12-25T13:01:19+01:00</atom:updated>
                
            
            
            <itunes:duration>8:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Panic for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/panic-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, overtone, tritone, tone cluster, echo, ring modulation, polyrhythm, polytempo, graphics score, and chance music.<br />
<br />
Score:<br />
https://www.instagram.com/p/DRrj4vXE9mi<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Panic.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, overtone, tritone, tone cluster, echo, ring modulation, polyrhythm, polytempo, graphics score, and chance music.<br />
<br />
Score:<br />
https://www.instagram.com/p/DRrj4vXE9mi<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Panic.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I use atonal music, minimal music, overtone, tritone, tone cluster, echo, ring modulation, polyrhythm, polytempo, graphics score, and chance music.

Score:
https://www.instagram.com/p/DRrj4vXE9mi
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Panic.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/2/7/_/uploads/11271277/image_track/13248209/w1400_h1400_q70_ptrue_v2_m1764507216----cropped_1764507162722.jpg?m=1764507216" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/panic-for-piano/listen.mp3?s=UmM" length="9898560" />
            <guid isPermaLink="false">13248209</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 30 Nov 2025 13:53:33 +0100</pubDate>
                
                <atom:updated>2025-11-30T13:53:33+01:00</atom:updated>
                
            
            
            <itunes:duration>4:07</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Message for Electronics]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/message-for-electronics/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I composed with graphics score and morse code.<br />
<br />
Score:<br />
https://www.instagram.com/p/DRrg-unE373<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Meassage.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I composed with graphics score and morse code.<br />
<br />
Score:<br />
https://www.instagram.com/p/DRrg-unE373<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Meassage.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I composed with graphics score and morse code.

Score:
https://www.instagram.com/p/DRrg-unE373
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Meassage.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/0/_/uploads/11271277/image_track/13248188/w1400_h1400_q70_ptrue_v2_m1764507030----cropped_1764507027014.jpg?m=1764507030" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/message-for-electronics/listen.mp3?s=HoQ" length="14353948" />
            <guid isPermaLink="false">13248188</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 30 Nov 2025 13:51:08 +0100</pubDate>
                
                <atom:updated>2025-11-30T13:51:08+01:00</atom:updated>
                
            
            
            <itunes:duration>5:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Karman]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/karman/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I used mathematical formula.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Karman.js<br />
<br />
Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Karman.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I used mathematical formula.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Karman.js<br />
<br />
Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Karman.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I used mathematical formula.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Karman.js

Score:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Karman.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/9/1/_/uploads/11271277/image_track/13248153/w1400_h1400_q70_ptrue_v2_m1764506874----cropped_1764506869191.jpg?m=1764506874" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/karman/listen.mp3?s=NS7" length="12001920" />
            <guid isPermaLink="false">13248153</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 30 Nov 2025 13:48:40 +0100</pubDate>
                
                <atom:updated>2025-11-30T13:48:40+01:00</atom:updated>
                
            
            
            <itunes:duration>5:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[ALAP for Strings and Live Electronics]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/alap-for-strings-and-live-electronics/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work I composed by improvising on the piano while jotting down the notes at the local psychiatric hospital's day care center.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ALAP.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZlCimk5Ad<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work I composed by improvising on the piano while jotting down the notes at the local psychiatric hospital's day care center.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ALAP.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZlCimk5Ad<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work I composed by improvising on the piano while jotting down the notes at the local psychiatric hospital's day care center.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ALAP.js

Score:
https://www.instagram.com/p/DRZlCimk5Ad

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/9/9/_/uploads/11271277/image_track/13169487/w1400_h1400_q70_ptrue_v2_m1763902998----cropped_1763902992995.jpg?m=1763902998" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/alap-for-strings-and-live-electronics/listen.mp3?s=JAo" length="18775680" />
            <guid isPermaLink="false">13169487</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 23 Nov 2025 14:02:47 +0100</pubDate>
                
                <atom:updated>2025-11-23T14:02:47+01:00</atom:updated>
                
            
            
            <itunes:duration>7:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[ASAP for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/asap-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is a Musique Brut work that I imagined a clock.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ASAP.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZkzZoE8hi<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is a Musique Brut work that I imagined a clock.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ASAP.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZkzZoE8hi<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is a Musique Brut work that I imagined a clock.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-ASAP.js

Score:
https://www.instagram.com/p/DRZkzZoE8hi

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/3/1/_/uploads/11271277/image_track/13169463/w1400_h1400_q70_ptrue_v2_m1763902833----cropped_1763902829138.jpg?m=1763902833" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/asap-for-piano/listen.mp3?s=5LK" length="7962240" />
            <guid isPermaLink="false">13169463</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 23 Nov 2025 13:59:59 +0100</pubDate>
                
                <atom:updated>2025-11-23T13:59:59+01:00</atom:updated>
                
            
            
            <itunes:duration>3:19</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Two waters for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/two-waters-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[These scores were composed through improvisation by playing the piano and written on my phone's memo because I'll have forgotten my idea which I came up with at daycare center in a local psychiatric hospital a few months ago. I can't play technical performance because I have clumsy hands, and I didn't study music hard, so I published these works as each of "Musique Brut". (I had forgotten to publish these works due to mental health issues or other problems.)<br />
<br />
The music completed by connecting the following 2 musics.<br />
0:00 Water's edge<br />
1:40 Fountain Plaza<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Two_Waters.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZkqlLE5Hh<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[These scores were composed through improvisation by playing the piano and written on my phone's memo because I'll have forgotten my idea which I came up with at daycare center in a local psychiatric hospital a few months ago. I can't play technical performance because I have clumsy hands, and I didn't study music hard, so I published these works as each of "Musique Brut". (I had forgotten to publish these works due to mental health issues or other problems.)<br />
<br />
The music completed by connecting the following 2 musics.<br />
0:00 Water's edge<br />
1:40 Fountain Plaza<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Two_Waters.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DRZkqlLE5Hh<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[These scores were composed through improvisation by playing the piano and written on my phone's memo because I'll have forgotten my idea which I came up with at daycare center in a local psychiatric hospital a few months ago. I can't play technical performance because I have clumsy hands, and I didn't study music hard, so I published these works as each of "Musique Brut". (I had forgotten to publish these works due to mental health issues or other problems.)

The music completed by connecting the following 2 musics.
0:00 Water's edge
1:40 Fountain Plaza

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Two_Waters.js

Score:
https://www.instagram.com/p/DRZkqlLE5Hh

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/4/6/_/uploads/11271277/image_track/13169423/w1400_h1400_q70_ptrue_v2_m1763902627----cropped_1763902622649.jpg?m=1763902627" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/two-waters-for-piano/listen.mp3?s=rPw" length="5842560" />
            <guid isPermaLink="false">13169423</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 23 Nov 2025 13:58:00 +0100</pubDate>
                
                <atom:updated>2025-11-23T13:58:00+01:00</atom:updated>
                
            
            
            <itunes:duration>2:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cygnet, for Strings, Harp, and Oboe - Variations on Themes by Saint-Saëns and Tchaikovsky]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/cygnet-for-strings-harp-and-oboe/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This work is one of those included in Musique Brut. In composing it, I employed motifs from Tchaikovsky's ballet music Swan Lake, specifically the “Scene” (No. 10), and from Saint-Saëns' suite The Carnival of the Animals, specifically the “Swan” (No. 13). It is structured using a technique of repeating a ternary form.<br />
<br />
Image: <br />
<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH-VJ_Cygnet.js<br />
<br />
Score: <br />
<br />
https://www.instagram.com/p/DRHn2s6E7OQ<br />
<br />
https://www.instagram.com/p/DRHn7m4E3Yo]]></description>
            <googleplay:description><![CDATA[This work is one of those included in Musique Brut. In composing it, I employed motifs from Tchaikovsky's ballet music Swan Lake, specifically the “Scene” (No. 10), and from Saint-Saëns' suite The Carnival of the Animals, specifically the “Swan” (No. 13). It is structured using a technique of repeating a ternary form.<br />
<br />
Image: <br />
<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH-VJ_Cygnet.js<br />
<br />
Score: <br />
<br />
https://www.instagram.com/p/DRHn2s6E7OQ<br />
<br />
https://www.instagram.com/p/DRHn7m4E3Yo]]></googleplay:description>
            <itunes:summary><![CDATA[This work is one of those included in Musique Brut. In composing it, I employed motifs from Tchaikovsky's ballet music Swan Lake, specifically the “Scene” (No. 10), and from Saint-Saëns' suite The Carnival of the Animals, specifically the “Swan” (No. 13). It is structured using a technique of repeating a ternary form.

Image: 

https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH-VJ_Cygnet.js

Score: 

https://www.instagram.com/p/DRHn2s6E7OQ

https://www.instagram.com/p/DRHn7m4E3Yo]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/1/6/_/uploads/11271277/image_track/13127894/w1400_h1400_q70_ptrue_v2_m1763299740----cropped_1763299736616.jpg?m=1763299740" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/cygnet-for-strings-harp-and-oboe/listen.mp3?s=FmY" length="7219200" />
            <guid isPermaLink="false">13127894</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 16 Nov 2025 14:28:31 +0100</pubDate>
                
                <atom:updated>2025-11-16T14:28:31+01:00</atom:updated>
                
            
            
            <itunes:duration>3:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Klavierstucke]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/klavierstucke/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This music is created mathematically by Sonic Pi to CSV data, and converted graphic score with Python. The Piano sound is modulated by ADSR, FX, etc...<br />
<br />
Image & Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/Klavierstucke<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This music is created mathematically by Sonic Pi to CSV data, and converted graphic score with Python. The Piano sound is modulated by ADSR, FX, etc...<br />
<br />
Image & Score:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/Klavierstucke<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This music is created mathematically by Sonic Pi to CSV data, and converted graphic score with Python. The Piano sound is modulated by ADSR, FX, etc...

Image & Score:
https://github.com/Uchida16104/LiveCodingPortfolio/tree/master/Klavierstucke

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/1/8/_/uploads/11271277/image_track/13105994/w1400_h1400_q70_ptrue_v2_m1763042895----cropped_1763042891815.jpg?m=1763042895" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/klavierstucke/listen.mp3?s=cKf" length="12003840" />
            <guid isPermaLink="false">13105994</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 13 Nov 2025 15:07:39 +0100</pubDate>
                
                <atom:updated>2025-11-13T15:07:39+01:00</atom:updated>
                
            
            
            <itunes:duration>5:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[POLYMINI for Chromatic Percussions]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/polymini-for-chromatic-percussions/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a Musique Brut work and a music calculated as the average of C and A, and further developed.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-POLYMINI.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DPync2fEwl3<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is a Musique Brut work and a music calculated as the average of C and A, and further developed.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-POLYMINI.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DPync2fEwl3<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is a Musique Brut work and a music calculated as the average of C and A, and further developed.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-POLYMINI.js

Score:
https://www.instagram.com/p/DPync2fEwl3

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/6/0/_/uploads/11271277/image_track/12875235/w1400_h1400_q70_ptrue_v2_m1760447733----cropped_1760447728069.jpg?m=1760447733" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/polymini-for-chromatic-percussions/listen.mp3?s=dka" length="18985920" />
            <guid isPermaLink="false">12875235</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 14 Oct 2025 15:12:40 +0200</pubDate>
                
                <atom:updated>2025-10-14T15:12:40+02:00</atom:updated>
                
            
            
            <itunes:duration>7:54</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Impromptu for Piano]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/impromptu-for-piano/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a “Musique Brut” piece where I transcribed the melody that came to mind directly onto sheet music without altering it.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DPwIiR-k3nA<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is a “Musique Brut” piece where I transcribed the melody that came to mind directly onto sheet music without altering it.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js<br />
<br />
Score:<br />
https://www.instagram.com/p/DPwIiR-k3nA<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is a “Musique Brut” piece where I transcribed the melody that came to mind directly onto sheet music without altering it.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js

Score:
https://www.instagram.com/p/DPwIiR-k3nA

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/1/_/uploads/11271277/image_track/12871579/w1400_h1400_q70_ptrue_v2_m1760364091----cropped_1760364088184.jpg?m=1760364091" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/impromptu-for-piano/listen.mp3?s=k52" length="9560640" />
            <guid isPermaLink="false">12871579</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 13 Oct 2025 16:02:06 +0200</pubDate>
                
                <atom:updated>2025-10-13T16:02:06+02:00</atom:updated>
                
            
            
            <itunes:duration>3:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Midnight forest fairies]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/midnight-forest-fairies/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js<br />
<br />
Music: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Midnight_forest_fairies.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js<br />
<br />
Music: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Midnight_forest_fairies.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Midnight_forest_fairies.js

Music: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Midnight_forest_fairies.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/5/5/_/uploads/11271277/image_track/12760531/w1400_h1400_q70_ptrue_v2_m1758286023----cropped_1758285954552.jpg?m=1758286023" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/midnight-forest-fairies/listen.mp3?s=goO" length="14645760" />
            <guid isPermaLink="false">12760531</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 19 Sep 2025 14:44:59 +0200</pubDate>
                
                <atom:updated>2025-09-19T14:44:59+02:00</atom:updated>
                
            
            
            <itunes:duration>6:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[INA for Piano Concerto]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/ina-for-piano-concerto/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is a Musique Brut work that fragmentarily connects several melodies derived from the concept, incorporating microtones, tri-tones, overtones, tone clusters, atonal music, minimalism, and special playing techniques. It combines “Incoherent, Nonlinear, Asymmetrical” with “否”.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-INA.js<br />
<br />
Scores: <br />
https://www.instagram.com/p/DODksEcExw6<br />
https://www.instagram.com/p/DODk8VBEw1c<br />
https://www.instagram.com/p/DODlCzEE3Am<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is a Musique Brut work that fragmentarily connects several melodies derived from the concept, incorporating microtones, tri-tones, overtones, tone clusters, atonal music, minimalism, and special playing techniques. It combines “Incoherent, Nonlinear, Asymmetrical” with “否”.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-INA.js<br />
<br />
Scores: <br />
https://www.instagram.com/p/DODksEcExw6<br />
https://www.instagram.com/p/DODk8VBEw1c<br />
https://www.instagram.com/p/DODlCzEE3Am<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is a Musique Brut work that fragmentarily connects several melodies derived from the concept, incorporating microtones, tri-tones, overtones, tone clusters, atonal music, minimalism, and special playing techniques. It combines “Incoherent, Nonlinear, Asymmetrical” with “否”.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-INA.js

Scores: 
https://www.instagram.com/p/DODksEcExw6
https://www.instagram.com/p/DODk8VBEw1c
https://www.instagram.com/p/DODlCzEE3Am

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/1/6/_/uploads/11271277/image_track/12672603/w1400_h1400_q70_ptrue_v2_m1756715306----cropped_1756715302616.jpg?m=1756715306" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/ina-for-piano-concerto/listen.mp3?s=4Zs" length="23849280" />
            <guid isPermaLink="false">12672603</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 01 Sep 2025 10:25:45 +0200</pubDate>
                
                <atom:updated>2025-09-01T10:25:45+02:00</atom:updated>
                
            
            
            <itunes:duration>9:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Klavierwerke]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/klavierwerke/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://www.instagram.com/p/DNMkg64zgt7<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Klavierwerke.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://www.instagram.com/p/DNMkg64zgt7<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Klavierwerke.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image:
https://www.instagram.com/p/DNMkg64zgt7

Music:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Klavierwerke.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/3/6/_/uploads/11271277/image_track/12571707/w1400_h1400_q70_ptrue_v2_m1754879540----cropped_1754879528637.jpg?m=1754879540" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/klavierwerke/listen.mp3?s=y8j" length="17322240" />
            <guid isPermaLink="false">12571707</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 11 Aug 2025 04:32:17 +0200</pubDate>
                
                <atom:updated>2025-08-11T04:32:17+02:00</atom:updated>
                
            
            
            <itunes:duration>7:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Whisper]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/whisper/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Whisper.rb<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Whisper.rb<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Whisper.rb

Music:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/0/3/_/uploads/11271277/image_track/12571704/w1400_h1400_q70_ptrue_v2_m1754879203----cropped_1754879199308.jpg?m=1754879203" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/whisper/listen.mp3?s=qhv" length="9582720" />
            <guid isPermaLink="false">12571704</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 11 Aug 2025 04:26:46 +0200</pubDate>
                
                <atom:updated>2025-08-11T04:26:46+02:00</atom:updated>
                
            
            
            <itunes:duration>3:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Noizbell]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/noizbell/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Noizbell.js<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Noizbell.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Noizbell.js<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Noizbell.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Noizbell.js

Music:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Noizbell.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/2/7/_/uploads/11271277/image_track/12571701/w1400_h1400_q70_ptrue_v2_m1754878437----cropped_1754878433720.jpg?m=1754878437" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/noizbell/listen.mp3?s=PCI" length="12234240" />
            <guid isPermaLink="false">12571701</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 11 Aug 2025 04:12:15 +0200</pubDate>
                
                <atom:updated>2025-08-11T04:12:15+02:00</atom:updated>
                
            
            
            <itunes:duration>5:05</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Fire ring]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/fire-ring/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://www.instagram.com/p/DNMkg64zgt7<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image:<br />
https://www.instagram.com/p/DNMkg64zgt7<br />
<br />
Music:<br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb<br />
<br />
Website:<br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image:
https://www.instagram.com/p/DNMkg64zgt7

Music:
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-Fire_ring.rb

Website:
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/8/3/_/uploads/11271277/image_track/12571699/w1400_h1400_q70_ptrue_v2_m1754878193----cropped_1754878176389.jpg?m=1754878193" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/fire-ring/listen.mp3?s=pSB" length="13656960" />
            <guid isPermaLink="false">12571699</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 11 Aug 2025 04:06:52 +0200</pubDate>
                
                <atom:updated>2025-08-11T04:06:52+02:00</atom:updated>
                
            
            
            <itunes:duration>5:41</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Echo and Flexure for Violin and Live Electronics]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/echo-and-flexure-for-violin-and-live-electronics/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This Musique Brut work is composed on MuseScore and using only pitch bend.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Echo_and_Flexure.js<br />
<br />
Score: <br />
https://www.instagram.com/p/DMZrzpETOqZ<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This Musique Brut work is composed on MuseScore and using only pitch bend.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Echo_and_Flexure.js<br />
<br />
Score: <br />
https://www.instagram.com/p/DMZrzpETOqZ<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This Musique Brut work is composed on MuseScore and using only pitch bend.

Image: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-Echo_and_Flexure.js

Score: 
https://www.instagram.com/p/DMZrzpETOqZ

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/9/6/_/uploads/11271277/image_track/12485085/w1400_h1400_q70_ptrue_v2_m1753167887----cropped_1753167883695.jpg?m=1753167887" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/echo-and-flexure-for-violin-and-live-electronics/listen.mp3?s=V5r" length="11125440" />
            <guid isPermaLink="false">12485085</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 22 Jul 2025 09:01:49 +0200</pubDate>
                
                <atom:updated>2025-07-22T09:01:49+02:00</atom:updated>
                
            
            
            <itunes:duration>4:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[The universe inside glass]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/the-universe-inside-glass/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-The_universe_inside_glass.js<br />
<br />
Music: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-The_universe_inside_glass.rb<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[This is composed by Sonic Pi.<br />
<br />
Image: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-The_universe_inside_glass.js<br />
<br />
Music: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-The_universe_inside_glass.rb<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[This is composed by Sonic Pi.

Image: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCH_VJ-The_universe_inside_glass.js

Music: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCS_Works-The_universe_inside_glass.rb

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/0/_/uploads/11271277/image_track/12413783/w1400_h1400_q70_ptrue_v2_m1751981329----cropped_1751981326045.jpg?m=1751981329" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/the-universe-inside-glass/listen.mp3?s=mqg" length="23327040" />
            <guid isPermaLink="false">12413783</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 15:26:13 +0200</pubDate>
                
                <atom:updated>2025-07-08T15:26:13+02:00</atom:updated>
                
            
            
            <itunes:duration>9:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 6. bat]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-6-bat/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

Score: 
https://www.instagram.com/p/DL1NciKzX7Y

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/7/4/_/uploads/11271277/image_track/12411888/w1400_h1400_q70_ptrue_v2_m1751946043----cropped_1751946039479.jpg?m=1751946043" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-6-bat/listen.mp3?s=12F" length="4707180" />
            <guid isPermaLink="false">12411888</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:40:17 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:40:17+02:00</atom:updated>
                
            
            
            <itunes:duration>1:57</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 5. dolphin]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-5-dolphin/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

Score: 
https://www.instagram.com/p/DL1NciKzX7Y

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/7/8/_/uploads/11271277/image_track/12411885/w1400_h1400_q70_ptrue_v2_m1751945990----cropped_1751945985870.jpg?m=1751945990" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-5-dolphin/listen.mp3?s=bPJ" length="9055001" />
            <guid isPermaLink="false">12411885</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:39:25 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:39:25+02:00</atom:updated>
                
            
            
            <itunes:duration>3:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 4. mouse]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-4-mouse/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

Score: 
https://www.instagram.com/p/DL1NciKzX7Y

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/9/4/_/uploads/11271277/image_track/12411882/w1400_h1400_q70_ptrue_v2_m1751945936----cropped_1751945932495.jpg?m=1751945936" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-4-mouse/listen.mp3?s=B74" length="5938070" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:38:24 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:38:24+02:00</atom:updated>
                
            
            
            <itunes:duration>2:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 3. cat]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-3-cat/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

Score: 
https://www.instagram.com/p/DL1NciKzX7Y

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/0/7/_/uploads/11271277/image_track/12411879/w1400_h1400_q70_ptrue_v2_m1751945866----cropped_1751945862705.jpg?m=1751945866" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-3-cat/listen.mp3?s=xnp" length="5996584" />
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            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:37:25 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:37:25+02:00</atom:updated>
                
            
            
            <itunes:duration>2:29</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 2. dog]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-2-dog/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
Score: <br />
https://www.instagram.com/p/DL1NciKzX7Y<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

Score: 
https://www.instagram.com/p/DL1NciKzX7Y

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/9/9/_/uploads/11271277/image_track/12411875/w1400_h1400_q70_ptrue_v2_m1751945810----cropped_1751945805997.jpg?m=1751945810" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-2-dog/listen.mp3?s=NiS" length="9122919" />
            <guid isPermaLink="false">12411875</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:36:12 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:36:12+02:00</atom:updated>
                
            
            
            <itunes:duration>3:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Inaudible music for animals for Electronics - 1. human]]></title>
            <link>https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-1-human/</link>
            <itunes:author><![CDATA[Hirotoshi Uchida]]></itunes:author>
            <description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
<br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></description>
            <googleplay:description><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.<br />
<br />
Reference: <br />
<br />
https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html<br />
<br />
GitHub: <br />
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py<br />
<br />
Website: <br />
https://hirotoshiuchida.onrender.com]]></googleplay:description>
            <itunes:summary><![CDATA[Some people may define music as sounds that fall within the audible range. The audible range for humans is between a minimum threshold of 12 Hz and a maximum threshold of 23,000 Hz, with a minimum standard audible value of 40 Hz and a maximum standard audible value of 17,000 Hz (see below). What about other animals? Perhaps there're sounds that overlap with the human audible range, but when music composed of sounds in the inaudible range for each animal (specifically, the range from the minimum threshold of audibility to the minimum standard audibility, and the range from the maximum standard audibility to the maximum threshold of audibility) is played, how do each of these animals react? This curiosity led to the composition of this music. This work consists of six pieces, using sine waves and serialism, and was composed using Python. Since it uses monophonic ultrasound, the style may feel monotonous, but I'd be overjoyed if you could listen to it.

Reference: 

https://www.asahi-net.or.jp/~hb9t-ktd/music/Japan/Research/MediaArt/hearing_range.html

GitHub: 
https://github.com/Uchida16104/LiveCodingPortfolio/blob/master/LCP_Works-Inaudible_music_for_animals.py

Website: 
https://hirotoshiuchida.onrender.com]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/0/1/_/uploads/11271277/image_track/12411858/w1400_h1400_q70_ptrue_v2_m1751945689----cropped_1751945667102.jpg?m=1751945689" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/hirotoshi-uchida-4th/inaudible-music-for-animals-for-electronics-1-human/listen.mp3?s=O7F" length="7424960" />
            <guid isPermaLink="false">12411858</guid>
            <category><![CDATA[Music]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 08 Jul 2025 05:35:00 +0200</pubDate>
                
                <atom:updated>2025-07-08T05:35:00+02:00</atom:updated>
                
            
            
            <itunes:duration>3:05</itunes:duration>
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