Thu, 23 Apr 2026 22:36:26 +0200 https://hearthis.at/harambass/ en-EN harambass77@gmail.com harambass77@gmail.com https://hearthis.at/harambass/ https://img.hearthis.at/6/1/3/_/uploads/8903665/image_user/w1400_h1400_q70_ptrue_v2_m1774950342----cropped_1748453291316.jpg?m=1774950342 no no https://hearthis.at/harambass/09-pedrito-sazon/
Cris Guillén: Flow, trumpet.
Santiago Cercavins. Music collab.
Alfonso Valdivieso, Script.
Mark O'Grady. Mix, mastering.
Jairo Jaramillo - Harambass_p music.

Released by:
doGRecords
Release date:
16 February 2025]]>
Cris Guillén: Flow, trumpet.
Santiago Cercavins. Music collab.
Alfonso Valdivieso, Script.
Mark O'Grady. Mix, mastering.
Jairo Jaramillo - Harambass_p music.

Released by:
doGRecords
Release date:
16 February 2025]]> 12204526 no no Wed, 28 May 2025 19:22:36 +0200 2025-05-28T19:22:36+02:00 3:09 https://hearthis.at/harambass/01-aaporque-no-me-aviso/
Arranging the horn section for this track was a blast. We selected the songs that would have horn arrangements (*¡¿Por qué no me avisó?!*, *¡Pa’ qué más torta!*, and *La Primera*), recorded them on a stereo cassette, and then, up on the rooftop of our rehearsal space (*el ensayadero*), we started singing the horn lines while playing our instruments. Carlos wrote them down as we went. The three of us used to harmonize vocally when we took breaks from playing, and that’s how we drafted the ideas before working on them with Jacobo Reyes—another *mad scientist* of music.

After refining the arrangements, Carlos took the charts to the studio and laid them down with Henry "El Japonés" (trumpet), David Jácome (tenor sax), Dimitri Reznik (trombone), and possibly Jacobo too—I’m not sure… I *should* have been there, but I was wasting time elsewhere. Carlos called me to come, and I didn’t go. But man, what a lineup for such a killer track!

As for the title, *¡¿Por qué no me avisó?!* (which translates to *Why didn’t you warn me?!*)—let’s just say it comes from an *unexpected* moment of intimacy… 💦👅]]>
Arranging the horn section for this track was a blast. We selected the songs that would have horn arrangements (*¡¿Por qué no me avisó?!*, *¡Pa’ qué más torta!*, and *La Primera*), recorded them on a stereo cassette, and then, up on the rooftop of our rehearsal space (*el ensayadero*), we started singing the horn lines while playing our instruments. Carlos wrote them down as we went. The three of us used to harmonize vocally when we took breaks from playing, and that’s how we drafted the ideas before working on them with Jacobo Reyes—another *mad scientist* of music.

After refining the arrangements, Carlos took the charts to the studio and laid them down with Henry "El Japonés" (trumpet), David Jácome (tenor sax), Dimitri Reznik (trombone), and possibly Jacobo too—I’m not sure… I *should* have been there, but I was wasting time elsewhere. Carlos called me to come, and I didn’t go. But man, what a lineup for such a killer track!

As for the title, *¡¿Por qué no me avisó?!* (which translates to *Why didn’t you warn me?!*)—let’s just say it comes from an *unexpected* moment of intimacy… 💦👅]]> 12204520 no no Wed, 28 May 2025 19:15:04 +0200 2025-05-28T19:15:04+02:00 4:36 https://hearthis.at/harambass/2-04-invisible/ Music: Jairo Jaramillo - Harambass_p.
Flow and lyrics: Gabriel Remeseiro Galvez (El pibe).
Flute: Peter Wilson.
Turntable: Guilliam Sons.
Mix: Mark O'Grady.
Mastered by Chris Daniels in UK Mastering (London).
Drum loop from Garagband.
Barcelona, 2018.
https://jairojaramillo.bandcamp.com/track/invisible]]> Music: Jairo Jaramillo - Harambass_p.
Flow and lyrics: Gabriel Remeseiro Galvez (El pibe).
Flute: Peter Wilson.
Turntable: Guilliam Sons.
Mix: Mark O'Grady.
Mastered by Chris Daniels in UK Mastering (London).
Drum loop from Garagband.
Barcelona, 2018.
https://jairojaramillo.bandcamp.com/track/invisible]]> 5179275 no no Sat, 03 Oct 2020 15:25:05 +0200 2020-10-03T15:25:05+02:00 3:23