Tue, 07 Apr 2026 20:11:22 +0200 https://hearthis.at/gxmbwxp2/ en-EN Ssntutu@gmail.com Ssntutu@gmail.com https://hearthis.at/gxmbwxp2/ https://img.hearthis.at/1/4/5/_/uploads/608849/image_user/w1400_h1400_q70_ptrue_v2_m1755432165----cropped_1592042395541.jpg?m=1755432165 no no https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence-series-015-nothing-new-under-the-sun/
Built on selections that feel both known and undiscovered, the journey leans into the idea that not everything needs to be reinvented to be experienced differently. Sometimes it’s in the sequencing, the patience, and the context where meaning shifts.

This is a continuation of the In Sequence language — groove, depth, and intention — but approached with a quieter understanding. Less about chasing something new, and more about recognizing what has always been there.

For moments that don’t need explanation. For sounds that feel familiar before they’re understood.Nothing new under the sun — just felt differently.]]>
Built on selections that feel both known and undiscovered, the journey leans into the idea that not everything needs to be reinvented to be experienced differently. Sometimes it’s in the sequencing, the patience, and the context where meaning shifts.

This is a continuation of the In Sequence language — groove, depth, and intention — but approached with a quieter understanding. Less about chasing something new, and more about recognizing what has always been there.

For moments that don’t need explanation. For sounds that feel familiar before they’re understood.Nothing new under the sun — just felt differently.]]> 14059886 no no Wed, 01 Apr 2026 23:52:52 +0200 2026-04-01T23:52:52+02:00 1:02:27 https://hearthis.at/gxmbwxp2/in-sequence-series-e14-foward-not-away/
Inspired by years of listening, learning, and unlearning, this mix is a quiet nod to influences that shaped my ear from as far back as 2011 although i've been collecting and listening for years before 2011. That year had a lot of influence — particularly the sound and selections of Uni Dgeoff. Not to replicate, but to acknowledge a lineage, while allowing space to arrive at my own voice.Although those early references no longer sound the same today, the spirit remains: patience, depth, groove, and intention.

This episode became a reminder of why I still buy records, why I still enjoy the process, and why 2026 feels like the right time to gently evolve the In Sequence sound.There’s movement here — kick, bass, and groove — but always with a journey in mind. Music for friends, strangers, and shared moments: a month-end Saturday, a car wash gathering, a house party that slowly opens into something deeper. Fun without being careless. Dance without losing thought.This is not a departure, but an expansion.

A continuation in sequence journey — forward, not away.]]>
Inspired by years of listening, learning, and unlearning, this mix is a quiet nod to influences that shaped my ear from as far back as 2011 although i've been collecting and listening for years before 2011. That year had a lot of influence — particularly the sound and selections of Uni Dgeoff. Not to replicate, but to acknowledge a lineage, while allowing space to arrive at my own voice.Although those early references no longer sound the same today, the spirit remains: patience, depth, groove, and intention.

This episode became a reminder of why I still buy records, why I still enjoy the process, and why 2026 feels like the right time to gently evolve the In Sequence sound.There’s movement here — kick, bass, and groove — but always with a journey in mind. Music for friends, strangers, and shared moments: a month-end Saturday, a car wash gathering, a house party that slowly opens into something deeper. Fun without being careless. Dance without losing thought.This is not a departure, but an expansion.

A continuation in sequence journey — forward, not away.]]> 13851549 no no Thu, 12 Feb 2026 17:11:56 +0100 2026-02-12T17:11:56+01:00 1:14:12 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence013-archives-part-2/
This mix, like Part 1, is a message from an earlier self. A glimpse of where the journey started, the frequencies that shaped my path, and the energy that carried me forward.Now preserved as it was — unfiltered, unrefined, but entirely alive.Welcome… to In Sequence Archives Part 2.

You may support by following the page on Instagram @In Sequence Series]]>
This mix, like Part 1, is a message from an earlier self. A glimpse of where the journey started, the frequencies that shaped my path, and the energy that carried me forward.Now preserved as it was — unfiltered, unrefined, but entirely alive.Welcome… to In Sequence Archives Part 2.

You may support by following the page on Instagram @In Sequence Series]]> 12671104 no no Tue, 02 Sep 2025 08:27:35 +0200 2025-09-02T08:27:35+02:00 59:31 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence012-bbb-music-demo/
I was laser focused with my mixing and timing…probably rehearsed twice before finally recording it. May 9, 2013 — I uploaded it to SoundCloud, not knowing who would ever listen. It was more than just a demo — it was me sending out a signal, saying: ‘This is what I sound like. This is where I’m headed.’

Today (16 August 2025) I Just logged in on my account more than 15 years later and I've just found it there (there's 2 of them, both were private and not visible to public, may probably upload the 2nd one too).

Looking back now, it feels like a message in a bottle. A piece of the journey that shaped what would later become In Sequence, because i got radio silence from him and that birthed In Sequence Series.. where i felt i would just tell my stories from with music. So here it is — preserved as it was. A demo, an archive, a vision from the past. SK Koki N – Demo for Skindeep at BBB music. 2012.

You may support by following the page on Instagram @In Sequence Series]]>
I was laser focused with my mixing and timing…probably rehearsed twice before finally recording it. May 9, 2013 — I uploaded it to SoundCloud, not knowing who would ever listen. It was more than just a demo — it was me sending out a signal, saying: ‘This is what I sound like. This is where I’m headed.’

Today (16 August 2025) I Just logged in on my account more than 15 years later and I've just found it there (there's 2 of them, both were private and not visible to public, may probably upload the 2nd one too).

Looking back now, it feels like a message in a bottle. A piece of the journey that shaped what would later become In Sequence, because i got radio silence from him and that birthed In Sequence Series.. where i felt i would just tell my stories from with music. So here it is — preserved as it was. A demo, an archive, a vision from the past. SK Koki N – Demo for Skindeep at BBB music. 2012.

You may support by following the page on Instagram @In Sequence Series]]> 12597194 no no Sat, 16 Aug 2025 13:40:15 +0200 2025-08-16T13:40:15+02:00 36:48 https://hearthis.at/gxmbwxp2/e11-again2-1/ No deep explanation—just a reminder to move with purpose, trust your instincts, and do what feels right… because you can.
So wherever you’re listening from—Joburg taxis, Cape Town coffee shops, or late night drives—this one’s for the ones who move unapologetically. Let’s lock in.
Sometimes you don’t need a plan. Just a vibe, a beat, and a reason—‘cause you woke up today, and that’s enough. People ask me, ‘why do you do this?’ My answer? Because I can. Because music speaks when words fall short. Because this—right here—is freedom.
If this mix hit something in you, if it moved your mood even a little, remember:
You don’t always need permission. You don’t have to explain every move. Sometimes… just doing it is the reason.
Do it with love. Do it with passion. Do it like it’s the last time.
Because you can.
I’m SK Koki N. You’ve been riding with In Sequence. Until next time—stay real, stay fluid, and move in silence. Peace.  Mostly, apologies on the end of the mix and midway in when I mixed a wrong side of the record, quickly had to fade it out again. Enjoy

You may support by following the page on Instagram @In Sequence Series]]> No deep explanation—just a reminder to move with purpose, trust your instincts, and do what feels right… because you can.
So wherever you’re listening from—Joburg taxis, Cape Town coffee shops, or late night drives—this one’s for the ones who move unapologetically. Let’s lock in.
Sometimes you don’t need a plan. Just a vibe, a beat, and a reason—‘cause you woke up today, and that’s enough. People ask me, ‘why do you do this?’ My answer? Because I can. Because music speaks when words fall short. Because this—right here—is freedom.
If this mix hit something in you, if it moved your mood even a little, remember:
You don’t always need permission. You don’t have to explain every move. Sometimes… just doing it is the reason.
Do it with love. Do it with passion. Do it like it’s the last time.
Because you can.
I’m SK Koki N. You’ve been riding with In Sequence. Until next time—stay real, stay fluid, and move in silence. Peace.  Mostly, apologies on the end of the mix and midway in when I mixed a wrong side of the record, quickly had to fade it out again. Enjoy

You may support by following the page on Instagram @In Sequence Series]]> 12300199 no no Mon, 16 Jun 2025 16:18:56 +0200 2025-06-16T16:18:56+02:00 1:39:59 https://hearthis.at/gxmbwxp2/in-sequence-series-special-edition-003-shane-moyce-aka-soul-scentric/ 5558413 no no Thu, 29 Apr 2021 20:29:27 +0200 2021-04-29T20:29:27+02:00 1:06:45 https://hearthis.at/gxmbwxp2/in-sequence-series-special-edition003-mahal/
@SK: Hi Mahal hope you well, welcome to In Sequence Series. We are very privileged to have you here and a great honor to have and hear from you about your music. Firstly could you tell us about yourself and the music, because you produce some great deep house.. when and how did you realize you have this love for production?

@Mahal: My name is Tetsuharu Shimohira a.k.a MAHAL, my artist name which came from my nickname MAHAL. ( I used to use this name on SoundCloud because it looks like a little sequret and interesting. no deep reason, I come from a Japanese old city NARA and lived in KOUENJI TOKYO and moved to YOKOHAMA where I now reside at. I have had a special feeling in music from childhood. I used to escape from reality by music. I think it saved me and made me. My childhood dream was being a DJ. My dream is coming true. In my school days I was member of the noise band “MU” That was first time my music release out from my head.

@SK: From where you’re from in Japan, there’s quite some good deep house producers like your Kez YM, Kuniyuki Takahashi and so on. How have you ensured you keep up the quality standards of such production?

@Mahal: I think Japanese people are good at delicate work but almost a lot of people don’t make music. There are many DJs in Japan but producer not so many. In Tokyo especially 90s there were so many DJs. Now the scene is shortened. So there were so many second-hand cheap good records in Tokyo before nowadays vinyl revival, But I think that Japanese club scene is not mature and there are many problems.

@SK: You’ve released with some big names like Lady Blacktronika, HVL and now recently Brad Peterson, Dubbyman & Rai Scott. How has it been like to work with such people?

@Mahal: It was much of a very dreamy time for me… 15 years ago I dropped out noise band and started to DJ. And soon I found Dubbyman’s record and played it many times. This Great Japanese senior DJ I like often played Dubbymans tracks. At that time I couldn’t imagine that in the future my record release would be from his label. Also it is interesting that there is common point on Spanish and Japanese roots music.

@SK: Your new EP release on Inner shift music and Deep explorer, how did it work to release with 2 great names on a joint venture?

@Mahal: I’ve received Many messages, reactions and props from world wide. Especially from South Africa. I have a big interest in South Africa. I believe that music can change people and world better. They proved that, And the messages from legendary artists. Original followers of these labels are very cool and kind. I’m very happy to join in these great labels.

@SK: With record sales, would you say artists get any kind of value from their contributions and efforts in terms of sustaining themselves going forward and even making more music for us?

@Mahal: Yes. I really appreciate props from worldwide. Before pandemic, I received some DJ offers from EU also.

@SK: How do you think the current generation is keeping up with the culture of collecting records and producers releasing on vinyl compared to the new digital world, are the young ones moving away or they’re still keeping it together and better nowadays?

@Mahal: Current generation can choose both degital and vinyl. I used to choose vinyls for usability and it’s sound especially dance music, kick and bass is different. But when I listen ambient music at home, sometimes I choose degital. For ambient music, it is good for me that has no record noise. The current generation will choose by contents.

@SK: With the current Pandemic going on, how are you and other artists affected?

@Mahal: We will realize something really important. Power of love is getting strong around me. I really thank my beautiful people. Beautiful people around me always treat me right. I think that now is the turning point for humans. Human race is going to be polarized. What matters is love.

@SK: Do you think that since most countries world wide have undergone lockdown, this has gotten you and other artists to reflect on how to approach the industry or perhaps given you more time to produce some good sounds to release after lockdown?

@Mahal: I think that this lockdown is one of the positive side.

@SK: What can we expect from you in the coming years in terms of production, and also will we be hearing of some tours from you.. especially maybe see you in SA?

@Mahal: Yes. I listen many kind of music with my family. My 3 year old daughter loves D’angelo and Yamashita Tatsuro. When she caught a cold, she told me that please put D’angelos Voodoo by her pillow lol

@SK: Lastly, what are you working on at the moment, what should we be expecting from you in the near future?

@Mahal: I made an album and have over 100 demos for EP. In the future I will build my own label but now is too early. So hopefully there’s plenty to come in future. DOUMO ARIGATOU (Thank you very much)
]]>
@SK: Hi Mahal hope you well, welcome to In Sequence Series. We are very privileged to have you here and a great honor to have and hear from you about your music. Firstly could you tell us about yourself and the music, because you produce some great deep house.. when and how did you realize you have this love for production?

@Mahal: My name is Tetsuharu Shimohira a.k.a MAHAL, my artist name which came from my nickname MAHAL. ( I used to use this name on SoundCloud because it looks like a little sequret and interesting. no deep reason, I come from a Japanese old city NARA and lived in KOUENJI TOKYO and moved to YOKOHAMA where I now reside at. I have had a special feeling in music from childhood. I used to escape from reality by music. I think it saved me and made me. My childhood dream was being a DJ. My dream is coming true. In my school days I was member of the noise band “MU” That was first time my music release out from my head.

@SK: From where you’re from in Japan, there’s quite some good deep house producers like your Kez YM, Kuniyuki Takahashi and so on. How have you ensured you keep up the quality standards of such production?

@Mahal: I think Japanese people are good at delicate work but almost a lot of people don’t make music. There are many DJs in Japan but producer not so many. In Tokyo especially 90s there were so many DJs. Now the scene is shortened. So there were so many second-hand cheap good records in Tokyo before nowadays vinyl revival, But I think that Japanese club scene is not mature and there are many problems.

@SK: You’ve released with some big names like Lady Blacktronika, HVL and now recently Brad Peterson, Dubbyman & Rai Scott. How has it been like to work with such people?

@Mahal: It was much of a very dreamy time for me… 15 years ago I dropped out noise band and started to DJ. And soon I found Dubbyman’s record and played it many times. This Great Japanese senior DJ I like often played Dubbymans tracks. At that time I couldn’t imagine that in the future my record release would be from his label. Also it is interesting that there is common point on Spanish and Japanese roots music.

@SK: Your new EP release on Inner shift music and Deep explorer, how did it work to release with 2 great names on a joint venture?

@Mahal: I’ve received Many messages, reactions and props from world wide. Especially from South Africa. I have a big interest in South Africa. I believe that music can change people and world better. They proved that, And the messages from legendary artists. Original followers of these labels are very cool and kind. I’m very happy to join in these great labels.

@SK: With record sales, would you say artists get any kind of value from their contributions and efforts in terms of sustaining themselves going forward and even making more music for us?

@Mahal: Yes. I really appreciate props from worldwide. Before pandemic, I received some DJ offers from EU also.

@SK: How do you think the current generation is keeping up with the culture of collecting records and producers releasing on vinyl compared to the new digital world, are the young ones moving away or they’re still keeping it together and better nowadays?

@Mahal: Current generation can choose both degital and vinyl. I used to choose vinyls for usability and it’s sound especially dance music, kick and bass is different. But when I listen ambient music at home, sometimes I choose degital. For ambient music, it is good for me that has no record noise. The current generation will choose by contents.

@SK: With the current Pandemic going on, how are you and other artists affected?

@Mahal: We will realize something really important. Power of love is getting strong around me. I really thank my beautiful people. Beautiful people around me always treat me right. I think that now is the turning point for humans. Human race is going to be polarized. What matters is love.

@SK: Do you think that since most countries world wide have undergone lockdown, this has gotten you and other artists to reflect on how to approach the industry or perhaps given you more time to produce some good sounds to release after lockdown?

@Mahal: I think that this lockdown is one of the positive side.

@SK: What can we expect from you in the coming years in terms of production, and also will we be hearing of some tours from you.. especially maybe see you in SA?

@Mahal: Yes. I listen many kind of music with my family. My 3 year old daughter loves D’angelo and Yamashita Tatsuro. When she caught a cold, she told me that please put D’angelos Voodoo by her pillow lol

@SK: Lastly, what are you working on at the moment, what should we be expecting from you in the near future?

@Mahal: I made an album and have over 100 demos for EP. In the future I will build my own label but now is too early. So hopefully there’s plenty to come in future. DOUMO ARIGATOU (Thank you very much)
]]> 5004416 no no Sun, 02 Aug 2020 15:03:50 +0200 2020-08-02T15:03:50+02:00 1:16:45 https://hearthis.at/gxmbwxp2/in-sequence-interview-msyco-edition/ 4859542 no no Mon, 15 Jun 2020 07:54:23 +0200 2020-06-15T07:54:23+02:00 1:35:19 https://hearthis.at/gxmbwxp2/in-sequence-series-special-edition001-moliti-double-flexxmp3/
]]>
]]> 4794218 no no Wed, 27 May 2020 21:38:10 +0200 2020-05-27T21:38:10+02:00 1:21:58 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence010-i-hate-written-records/ vinyl records — the warmth, the crackle, the tactile connection to music that
digital just can’t replicate. But I have to say: I really hate written records.

What do I mean by that? Well, a record is
more than just a physical object — it’s a piece of art, a collector’s treasure,
a carrier of sound and story. So why do some people write or mark their names
on records? And then, worse, sell them second-hand with those markings still
there?

Imagine buying a second-hand record,
excited to spin it and make it your own… only to find someone else’s name
scrawled all over the sleeve or the label. Suddenly, that record belongs to
someone else — or at least it feels like it does. It’s like inheriting someone
else’s memories or history without the choice to erase or rewrite it.

This is why I truly respect DJs that keep themclean, “In Sequence010 – I Hate Written Records” more like a
tribute to the purity of vinyl culture. On this set I'm celebrating
raw, unfiltered house music — filled with warmth, texture, and that beautiful
imperfection that comes from spinning real vinyl. Enjoy]]> vinyl records — the warmth, the crackle, the tactile connection to music that
digital just can’t replicate. But I have to say: I really hate written records.

What do I mean by that? Well, a record is
more than just a physical object — it’s a piece of art, a collector’s treasure,
a carrier of sound and story. So why do some people write or mark their names
on records? And then, worse, sell them second-hand with those markings still
there?

Imagine buying a second-hand record,
excited to spin it and make it your own… only to find someone else’s name
scrawled all over the sleeve or the label. Suddenly, that record belongs to
someone else — or at least it feels like it does. It’s like inheriting someone
else’s memories or history without the choice to erase or rewrite it.

This is why I truly respect DJs that keep themclean, “In Sequence010 – I Hate Written Records” more like a
tribute to the purity of vinyl culture. On this set I'm celebrating
raw, unfiltered house music — filled with warmth, texture, and that beautiful
imperfection that comes from spinning real vinyl. Enjoy]]> 5263330 no no Sat, 31 Oct 2020 08:30:17 +0100 2020-10-31T08:30:17+01:00 1:04:07 https://hearthis.at/gxmbwxp2/deepfossick-xi7/ A full hour of raw, unfiltered house music, told from the vinyl lover’s point of view.

This isn’t polished perfection. It’s honest. Imperfect.
It crackles, it breathes… and it takes risks.
Every track feels handpicked — like flipping through a personal record collection at midnight.

It’s deep house, yes — but it’s also deeply "felt".
There’s no hiding behind digital fades or formulaic drops.
This is my world, as I see it — and we get to walk through it, one beat at a time.

So if you’re ready to experience a mix that feels more like a conversation than a setlist,
plug in… zone out… and step into In Sequence009: The World As I See It.]]> A full hour of raw, unfiltered house music, told from the vinyl lover’s point of view.

This isn’t polished perfection. It’s honest. Imperfect.
It crackles, it breathes… and it takes risks.
Every track feels handpicked — like flipping through a personal record collection at midnight.

It’s deep house, yes — but it’s also deeply "felt".
There’s no hiding behind digital fades or formulaic drops.
This is my world, as I see it — and we get to walk through it, one beat at a time.

So if you’re ready to experience a mix that feels more like a conversation than a setlist,
plug in… zone out… and step into In Sequence009: The World As I See It.]]> 4741349 no no Sat, 16 May 2020 11:16:12 +0200 2020-05-16T11:16:12+02:00 1:00:24 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence008-figure-things-yourself/ 4592530 no no Thu, 16 Apr 2020 21:20:12 +0200 2020-04-16T21:20:12+02:00 1:00:12 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence007-the-mechanics-of-me/
We spend the majority of our adolescent lives trying desperately not to be different. No one has ever been picked on for being too normal or not being different enough. We would beg our parents to buy us the same clothes little Thabang or little Thapelo wore. We'd want the same backpack and the same bike everyone else had. With the rise of the cell phone and later the smartphone, Did we truly want these things? Yes, but not just because they were cutting edge and nifty. We desired them because the people around us had them. We didn't want to be the last to get these things. We didn't want to be different.
Thankfully, as we mature we begin to realize the fallacy that is trying to be normal. We start to become individuals and learn to appreciate that being different is often seen as beautiful. However, while we begin to celebrate being different on a personal level, it does not always translate into our business or professional lives.

This here, was me selecting out of letting myself be. The first 3minutes was truly passionate, I kept enjoying each song as I threw in.. it was a mechanical like build up. Let’s continue to being ourselves!enjoy!]]>
We spend the majority of our adolescent lives trying desperately not to be different. No one has ever been picked on for being too normal or not being different enough. We would beg our parents to buy us the same clothes little Thabang or little Thapelo wore. We'd want the same backpack and the same bike everyone else had. With the rise of the cell phone and later the smartphone, Did we truly want these things? Yes, but not just because they were cutting edge and nifty. We desired them because the people around us had them. We didn't want to be the last to get these things. We didn't want to be different.
Thankfully, as we mature we begin to realize the fallacy that is trying to be normal. We start to become individuals and learn to appreciate that being different is often seen as beautiful. However, while we begin to celebrate being different on a personal level, it does not always translate into our business or professional lives.

This here, was me selecting out of letting myself be. The first 3minutes was truly passionate, I kept enjoying each song as I threw in.. it was a mechanical like build up. Let’s continue to being ourselves!enjoy!]]> 4327831 no no Mon, 02 Mar 2020 14:52:05 +0100 2020-03-02T14:52:05+01:00 1:37:00 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence006-supreme-visions/
I was booked to play in Braamfontein — a gig called *Supreme Sessions.*
It was meant to be my return to the crowd… spinning vinyl under the open sky
again.
I had the itch — that deep craving for connection, for groove, for movement.

But the show didn’t go on.
Unforeseen circumstances pulled it out from under us — the kind promoters never
plan for, but sometimes can’t avoid.

Still… I had 30 record records  or so I had randomly set aside.No setlist. No clean order. Just instinct. Raw selection.
And this episode — *Supreme Visions* — came out of that same feeling:
unstructured, unfiltered, unfinished… but still real.

I trimmed them down. Spun them with no blueprint.
And what came out was a sound that reminded me:
even when the stage doesn’t show up — the music still will.

This mix is a vision that refused to die with the gig.
It’s the spirit of *what could’ve been*, turned into something that *still is.*

So here it is… *In Sequence006.*From a Supreme Session selection… to a Supreme Visions episode.”]]>
I was booked to play in Braamfontein — a gig called *Supreme Sessions.*
It was meant to be my return to the crowd… spinning vinyl under the open sky
again.
I had the itch — that deep craving for connection, for groove, for movement.

But the show didn’t go on.
Unforeseen circumstances pulled it out from under us — the kind promoters never
plan for, but sometimes can’t avoid.

Still… I had 30 record records  or so I had randomly set aside.No setlist. No clean order. Just instinct. Raw selection.
And this episode — *Supreme Visions* — came out of that same feeling:
unstructured, unfiltered, unfinished… but still real.

I trimmed them down. Spun them with no blueprint.
And what came out was a sound that reminded me:
even when the stage doesn’t show up — the music still will.

This mix is a vision that refused to die with the gig.
It’s the spirit of *what could’ve been*, turned into something that *still is.*

So here it is… *In Sequence006.*From a Supreme Session selection… to a Supreme Visions episode.”]]> 4259863 no no Sat, 11 Jan 2020 11:06:39 +0100 2020-01-11T11:06:39+01:00 1:02:44 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence-05-remembering-carletonville-song-40min-dedication-to-mr-mefolo/
The time we spent together was so short but felt more than enough in satifying how i felt. I eventually dedicated the song at 40min to him ( Artist: Powel).

This town of Carletonville west of Johannesburg has built the musical mindset i have in me today, with my friend Sinovuyo "Beets" Nocuze. His a musical genius that will some day feature in the series to blend us on his selection of music. Kindly Enjoy!]]>
The time we spent together was so short but felt more than enough in satifying how i felt. I eventually dedicated the song at 40min to him ( Artist: Powel).

This town of Carletonville west of Johannesburg has built the musical mindset i have in me today, with my friend Sinovuyo "Beets" Nocuze. His a musical genius that will some day feature in the series to blend us on his selection of music. Kindly Enjoy!]]> 1575619 no no Sun, 08 Oct 2017 18:14:02 +0200 2017-10-08T18:14:02+02:00 1:07:00 https://hearthis.at/gxmbwxp2/sk-koki-n-in-sequence-04-away-from-everything-we-know/ we are constantly lookinf for more (be it success, hapiness, meaning or self-realization) and yet at the same time we have an infinite fear of change. We want the safety of the familiar and at the same time, we are curious about the unknown. Our inner longing for personal development cannot be satisfied in our comfort zone. if we want to learn something new or develop further, we have to venture out into growth zone.

in order to survive we have to break new grounds in our thinking and acting- whatever danger or failure. An unsafe condition, which we usually perceive as unpleasant but it's worth it. If a new strategy is found that leads to the goal, then it is internalized.

Thus these sequence series podcast, telling stories through music that might be out of your comfort or provide developmental growth. Enjoy!]]> we are constantly lookinf for more (be it success, hapiness, meaning or self-realization) and yet at the same time we have an infinite fear of change. We want the safety of the familiar and at the same time, we are curious about the unknown. Our inner longing for personal development cannot be satisfied in our comfort zone. if we want to learn something new or develop further, we have to venture out into growth zone.

in order to survive we have to break new grounds in our thinking and acting- whatever danger or failure. An unsafe condition, which we usually perceive as unpleasant but it's worth it. If a new strategy is found that leads to the goal, then it is internalized.

Thus these sequence series podcast, telling stories through music that might be out of your comfort or provide developmental growth. Enjoy!]]> 1481339 no no Tue, 08 Aug 2017 00:42:01 +0200 2017-08-08T00:42:01+02:00 2:04:40 https://hearthis.at/gxmbwxp2/zeus-n-in-sequence-3-the-beauty-in-potchefstroom/
It’s a feeling. A reflection of a place that gave me two unforgettable years.

Potchefstroom had this incredible balance.
You could be outgoing, hit the clubs, get lost in the energy… or you could slow it all down and vibe in the townships of Ikageng.
And the people—man, the people—were beautiful. Warm. Real.

I met some of the best people there. People who are still in my life today.
And the grooves we shared? Legendary.
Potch had a pulse… and this set, it captures that.

So yeah… this is more than just deep house.
This is the *beauty* in Potchefstroom.
And I’m proud to have lived it.”

Shout out to Tshepo Sibanda]]>
It’s a feeling. A reflection of a place that gave me two unforgettable years.

Potchefstroom had this incredible balance.
You could be outgoing, hit the clubs, get lost in the energy… or you could slow it all down and vibe in the townships of Ikageng.
And the people—man, the people—were beautiful. Warm. Real.

I met some of the best people there. People who are still in my life today.
And the grooves we shared? Legendary.
Potch had a pulse… and this set, it captures that.

So yeah… this is more than just deep house.
This is the *beauty* in Potchefstroom.
And I’m proud to have lived it.”

Shout out to Tshepo Sibanda]]> 1401953 no no Fri, 14 Jul 2017 05:58:29 +0200 2017-07-14T05:58:29+02:00 1:00:04 https://hearthis.at/gxmbwxp2/zeus-n-in-sequence-2-being-alone-opens-mind/
most in all, being alone may increase the level of creativity.]]>
most in all, being alone may increase the level of creativity.]]> 1401403 no no Fri, 14 Jul 2017 05:58:36 +0200 2017-07-14T05:58:36+02:00 1:19:24 https://hearthis.at/gxmbwxp2/zeusn-insequence01-agoodfriendindeed1/ 436679 no no Mon, 28 Sep 2015 14:44:25 +0200 2015-09-28T14:44:25+02:00 1:11:58