Wed, 08 Apr 2026 07:17:09 +0200 https://hearthis.at/gisbert.schurig/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/gisbert.schurig/ https://img.hearthis.at/0/7/6/_/uploads/10940/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1581429215670.jpg no no https://hearthis.at/gisbert.schurig/einrichten-im-ausnahmezustand/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242813 no no Mon, 13 Sep 2021 20:52:59 +0200 2021-09-13T20:52:59+02:00 4:49 https://hearthis.at/gisbert.schurig/getriebe/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242798 no no Mon, 13 Sep 2021 20:37:39 +0200 2021-09-13T20:37:39+02:00 2:45 https://hearthis.at/gisbert.schurig/eingrooven/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242794 no no Mon, 13 Sep 2021 20:36:23 +0200 2021-09-13T20:36:23+02:00 4:26 https://hearthis.at/gisbert.schurig/leere-clubs/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242790 no no Mon, 13 Sep 2021 20:35:15 +0200 2021-09-13T20:35:15+02:00 1:59 https://hearthis.at/gisbert.schurig/umarmungen/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242780 no no Mon, 13 Sep 2021 20:26:59 +0200 2021-09-13T20:26:59+02:00 3:52 https://hearthis.at/gisbert.schurig/hymne/
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]>
"a project about urban space dealing with the particular challenges and effects of the Covid 19 pandemic in relation to social connections and perceptions.
The work addresses the aesthetics of public space and how the pandemic has affected how we move in these spaces."

phyla.info/?p=3145
phyla.info/?p=3151]]> 6242778 no no Mon, 13 Sep 2021 20:25:32 +0200 2021-09-13T20:25:32+02:00 2:18 https://hearthis.at/gisbert.schurig/ghostprints1stolpenhorn/ https://www.lautopoiesis.com/

http://www.phyla.info/]]> https://www.lautopoiesis.com/

http://www.phyla.info/]]> 6022083 no no Wed, 23 Jun 2021 00:27:53 +0200 2021-06-23T00:27:53+02:00 6:40 https://hearthis.at/gisbert.schurig/ghostprints1intimate/ https://www.lautopoiesis.com/


http://www.phyla.info/]]> https://www.lautopoiesis.com/


http://www.phyla.info/]]> 6022075 no no Wed, 23 Jun 2021 00:21:01 +0200 2021-06-23T00:21:01+02:00 5:00 https://hearthis.at/gisbert.schurig/audelamusicforaudeablauf/
context:
http://www.phyla.info/?p=3050

This track was comissioned by Aude Fondard...
http://oddinmotion.info/en/home/

...for her performance Au-delà:
https://vimeo.com/301496818

Produced using Ableton live software and Vermona Perfourmer MK II Synthesizer, Gamelan & Guembri samples.]]>
context:
http://www.phyla.info/?p=3050

This track was comissioned by Aude Fondard...
http://oddinmotion.info/en/home/

...for her performance Au-delà:
https://vimeo.com/301496818

Produced using Ableton live software and Vermona Perfourmer MK II Synthesizer, Gamelan & Guembri samples.]]> 4683245 no no Sun, 03 May 2020 16:11:02 +0200 2020-05-03T16:11:02+02:00 8:18 https://hearthis.at/gisbert.schurig/fuer-elma1/
Music I did for Elma Rizas virtual exhibition tour Logique de'Espaces. Sounds and structures generated in Sonic Pi, arranged to video in Ableton live.

More context:
http://www.phyla.info/?p=3042&preview_id=3042&preview_nonce=008e1df3b7&preview=true&_thumbnail_id=3047]]>
Music I did for Elma Rizas virtual exhibition tour Logique de'Espaces. Sounds and structures generated in Sonic Pi, arranged to video in Ableton live.

More context:
http://www.phyla.info/?p=3042&preview_id=3042&preview_nonce=008e1df3b7&preview=true&_thumbnail_id=3047]]> 4548918 no no Mon, 06 Apr 2020 20:02:45 +0200 2020-04-06T20:02:45+02:00 5:36 https://hearthis.at/gisbert.schurig/muehlenpluckern3/ www.phyla.info

levEnsemble & Friends
www.lev-berlin.de]]> www.phyla.info

levEnsemble & Friends
www.lev-berlin.de]]> 2110692 no no Mon, 18 Jun 2018 09:17:23 +0200 2018-06-18T09:17:23+02:00 37:51 https://hearthis.at/gisbert.schurig/muehlenpluckern2/ www.phyla.info

levEnsemble & Friends
www.lev-berlin.de]]> www.phyla.info

levEnsemble & Friends
www.lev-berlin.de]]> 2110688 no no Mon, 18 Jun 2018 09:16:57 +0200 2018-06-18T09:16:57+02:00 13:03 https://hearthis.at/gisbert.schurig/muehlenpluckern1/ www.phyla.info

levEnsemble & Friends
www.lev-berlin.de



]]> www.phyla.info

levEnsemble & Friends
www.lev-berlin.de



]]> 2110690 no no Sun, 17 Jun 2018 23:21:10 +0200 2018-06-17T23:21:10+02:00 38:53 https://hearthis.at/gisbert.schurig/evolving-drums-ex2/ 2078654 no no Sun, 10 Jun 2018 21:44:35 +0200 2018-06-10T21:44:35+02:00 0:43 https://hearthis.at/gisbert.schurig/evolving-drums-ex3/ 2078657 no no Sun, 10 Jun 2018 21:44:31 +0200 2018-06-10T21:44:31+02:00 0:51 https://hearthis.at/gisbert.schurig/evolving-synth-and-drums-asymetrical-pattern-length-2-ex2/ 2078658 no no Sun, 10 Jun 2018 21:44:25 +0200 2018-06-10T21:44:25+02:00 0:54 https://hearthis.at/gisbert.schurig/evolving-synth-and-drums-asymetrical-pattern-2-ex1/ 2078659 no no Sun, 10 Jun 2018 21:44:17 +0200 2018-06-10T21:44:17+02:00 1:14 https://hearthis.at/gisbert.schurig/evolving-drums-ex1/ 2078660 no no Sun, 10 Jun 2018 21:43:37 +0200 2018-06-10T21:43:37+02:00 0:41 https://hearthis.at/gisbert.schurig/evolving-liveloops-1-ex4/ 2078393 no no Sun, 10 Jun 2018 19:05:45 +0200 2018-06-10T19:05:45+02:00 2:02 https://hearthis.at/gisbert.schurig/evolving-liveloops-1-ex2/ 2078392 no no Sun, 10 Jun 2018 19:05:27 +0200 2018-06-10T19:05:27+02:00 2:39 https://hearthis.at/gisbert.schurig/evolving-liveloops-1-ex3/ 2078391 no no Sun, 10 Jun 2018 19:05:01 +0200 2018-06-10T19:05:01+02:00 2:19 https://hearthis.at/gisbert.schurig/evolving-liveloops-1-ex5/ 2078390 no no Sun, 10 Jun 2018 19:04:42 +0200 2018-06-10T19:04:42+02:00 2:08 https://hearthis.at/gisbert.schurig/evolving-liveloops-1-ex1/ 2078388 no no Sun, 10 Jun 2018 19:04:36 +0200 2018-06-10T19:04:36+02:00 1:35 https://hearthis.at/gisbert.schurig/minimal-improvisation-imitation-simulation-a/
A simulation of an improvised imitative dialogue between two performers inspired by a minimal improvisation duo score.

For more context and the Sonic Pi code look here:

]]>
A simulation of an improvised imitative dialogue between two performers inspired by a minimal improvisation duo score.

For more context and the Sonic Pi code look here:

]]> 1794403 no no Tue, 06 Mar 2018 19:42:40 +0100 2018-03-06T19:42:40+01:00 3:06 https://hearthis.at/gisbert.schurig/minimal-improvisation-imitation-simulation-b/
A simulation of an improvised imitative dialogue between two performers inspired by a minimal improvisation duo score.

For more context and the Sonic Pi code look here:

]]>
A simulation of an improvised imitative dialogue between two performers inspired by a minimal improvisation duo score.

For more context and the Sonic Pi code look here:

]]> 1794396 no no Tue, 06 Mar 2018 19:41:25 +0100 2018-03-06T19:41:25+01:00 4:15 https://hearthis.at/gisbert.schurig/groovejam-20-feb-2018-edit/ Stefan Röslmair - [stefanroeslmair.com](http://)
Gisbert Schürig - [gisbertschuerig.wordpress.com](http://)


Groovejam is a monthly session for dancing to improvised rhythmic music in a cozy setting, facilitated by Phyla.
[phyla.info/?portfolio=groovejam](http://)

[groovejamblog.wordpress.com](http://)]]> Stefan Röslmair - [stefanroeslmair.com](http://)
Gisbert Schürig - [gisbertschuerig.wordpress.com](http://)


Groovejam is a monthly session for dancing to improvised rhythmic music in a cozy setting, facilitated by Phyla.
[phyla.info/?portfolio=groovejam](http://)

[groovejamblog.wordpress.com](http://)]]> 1777710 no no Fri, 23 Feb 2018 15:46:38 +0100 2018-02-23T15:46:38+01:00 24:25 https://hearthis.at/gisbert.schurig/groovejam-jan-18-edit/ Olaf Giesbrecht - https://www.facebook.com/olaf.giesbrecht
MDL - https://www.facebook.com/mdlbcn/?timeline_context_item_type=intro_card_work&timeline_context_item_source=1212753090&pnref=lhc
Gisbert Schürig - https://gisbertschuerig.wordpress.com/

Groovejam is a monthly session for dancing to improvised rhythmic music in a cozy setting, facilitated by Phyla.
http://www.phyla.info/?portfolio=groovejam

https://groovejamblog.wordpress.com/]]> Olaf Giesbrecht - https://www.facebook.com/olaf.giesbrecht
MDL - https://www.facebook.com/mdlbcn/?timeline_context_item_type=intro_card_work&timeline_context_item_source=1212753090&pnref=lhc
Gisbert Schürig - https://gisbertschuerig.wordpress.com/

Groovejam is a monthly session for dancing to improvised rhythmic music in a cozy setting, facilitated by Phyla.
http://www.phyla.info/?portfolio=groovejam

https://groovejamblog.wordpress.com/]]> 1741298 no no Sun, 28 Jan 2018 23:24:21 +0100 2018-01-28T23:24:21+01:00 5:44 https://hearthis.at/gisbert.schurig/mufowhir/
It proves that 17/8 metre can actually be danceable, although I must admit I cheated by combining it with 3/4 and 2/4 techno beats...

]]>
It proves that 17/8 metre can actually be danceable, although I must admit I cheated by combining it with 3/4 and 2/4 techno beats...

]]> 955275 no no Wed, 13 Jul 2016 01:38:13 +0200 2016-07-13T01:38:13+02:00 18:21 https://hearthis.at/gisbert.schurig/home/ Obviously, this is influenced by the music of Morton Feldman and also it is in context with the collective minimal improvisation process I am working on with Jennie Zimmermann and a group of improvisers.
With this ableton set, I feel I made a breakthrough in achieving the qualities I love in Feldman´s work in a generative way and I am excited to apply these processes to collective improvisation.
]]> Obviously, this is influenced by the music of Morton Feldman and also it is in context with the collective minimal improvisation process I am working on with Jennie Zimmermann and a group of improvisers.
With this ableton set, I feel I made a breakthrough in achieving the qualities I love in Feldman´s work in a generative way and I am excited to apply these processes to collective improvisation.
]]> 834423 no no Sun, 10 Apr 2016 12:37:02 +0200 2016-04-10T12:37:02+02:00 7:46 https://hearthis.at/gisbert.schurig/between-the-sounds/
In the 'Between the Lines' series, Elma works with a limited sets of elements, applies a few rules to unfold an open process of performance and installation, exploring what comes along the way in a calmness and concentration, always shifting between activity and contemplation.

I love to make music in such a context, slowly making changes in an ableton live set on my laptop I feel like a fish in the water. My ableton setup for today´s improvisation was based on four instances of the Patter device by Adam Florin. Similar to phyla´s practice in minimal improvisation with fellow musicians and dancers, these devices have the courtesy to not act strictly in terms of timing but to 'wait until it´s their turn', thus creating sequences of fixed order but differing lengths. Isn´t that poetic?
For more rhythmic phrases and bubbly textures I used several instances of stacked midi delays which were triggered by one of the Patter devices.
Sound-wise I used very few sources: sine waves and noise from ableton´s analog device, samples of pieces of metal, an african balafon and an indonesian saron barong I recorded a few years ago. And lots of reverb, different reverbs and finally Ircam´s Multiband delay.

Listening to this improvisation I hear church bells, someone stringing a bathtub, some of that stuff even sounds like a coffee machine, none of which did I intend. But I like the physicality of the sounds that makes these images come up, actually, I would like to take a bath in that tub while someone is make sounds with it. But the more scary part for me is the sounds that are musical in a more traditional sense, the intervals, the short melodic fragments. Morton Feldman stated that he need´s his music - which is usually played very softly - to be played on instruments with the charisma of a long history. Triggering sine waves in my laptop I am not sure about the charisma of this instrument. But I do know for sure that I love the flow of setting things in motion within the software and navigate the processes while they are running.]]>
In the 'Between the Lines' series, Elma works with a limited sets of elements, applies a few rules to unfold an open process of performance and installation, exploring what comes along the way in a calmness and concentration, always shifting between activity and contemplation.

I love to make music in such a context, slowly making changes in an ableton live set on my laptop I feel like a fish in the water. My ableton setup for today´s improvisation was based on four instances of the Patter device by Adam Florin. Similar to phyla´s practice in minimal improvisation with fellow musicians and dancers, these devices have the courtesy to not act strictly in terms of timing but to 'wait until it´s their turn', thus creating sequences of fixed order but differing lengths. Isn´t that poetic?
For more rhythmic phrases and bubbly textures I used several instances of stacked midi delays which were triggered by one of the Patter devices.
Sound-wise I used very few sources: sine waves and noise from ableton´s analog device, samples of pieces of metal, an african balafon and an indonesian saron barong I recorded a few years ago. And lots of reverb, different reverbs and finally Ircam´s Multiband delay.

Listening to this improvisation I hear church bells, someone stringing a bathtub, some of that stuff even sounds like a coffee machine, none of which did I intend. But I like the physicality of the sounds that makes these images come up, actually, I would like to take a bath in that tub while someone is make sounds with it. But the more scary part for me is the sounds that are musical in a more traditional sense, the intervals, the short melodic fragments. Morton Feldman stated that he need´s his music - which is usually played very softly - to be played on instruments with the charisma of a long history. Triggering sine waves in my laptop I am not sure about the charisma of this instrument. But I do know for sure that I love the flow of setting things in motion within the software and navigate the processes while they are running.]]> 733916 no no Mon, 22 Feb 2016 00:42:16 +0100 2016-02-22T00:42:16+01:00 1:22:56 https://hearthis.at/gisbert.schurig/take-off-acud-2/ This one is rather percussive and rhythmic. All done in Ableton live.]]> This one is rather percussive and rhythmic. All done in Ableton live.]]> 729047 no no Fri, 19 Feb 2016 19:42:06 +0100 2016-02-19T19:42:06+01:00 29:27 https://hearthis.at/gisbert.schurig/take-off-acud-1/ 725689 no no Thu, 18 Feb 2016 12:02:12 +0100 2016-02-18T12:02:12+01:00 1:30:23 https://hearthis.at/gisbert.schurig/whirling-17-jan-2/ This is some kind of a guilty pleasure, it has much more pathos and less originality than my musical ideal, but I must admit it was fun to play and the dancers responded well. My inspiration came from the often dramatic and manipulative film scores of the action/sci-fi/fantasy stuff I love to watch, especially Spiderman and Godzilla; both share repetitive orchestral patterns, creating an atmosphere of urgency and hysteria. I´m glad I managed to mix this with some chilled hip hop beats and finally translate the orchestral patterns into Tangerine Dream-alike endless synth meandering...]]> This is some kind of a guilty pleasure, it has much more pathos and less originality than my musical ideal, but I must admit it was fun to play and the dancers responded well. My inspiration came from the often dramatic and manipulative film scores of the action/sci-fi/fantasy stuff I love to watch, especially Spiderman and Godzilla; both share repetitive orchestral patterns, creating an atmosphere of urgency and hysteria. I´m glad I managed to mix this with some chilled hip hop beats and finally translate the orchestral patterns into Tangerine Dream-alike endless synth meandering...]]> 666979 no no Thu, 21 Jan 2016 00:39:04 +0100 2016-01-21T00:39:04+01:00 46:33 https://hearthis.at/gisbert.schurig/whirling-17-jan-16-1/ Some percussion samples feature Göttin Gala´s marvelous scrap metal drumkit, other sound samples are recordings of one Kalimba from the big Kalimba collection of fellow overtone singer Lothar Berger. ]]> Some percussion samples feature Göttin Gala´s marvelous scrap metal drumkit, other sound samples are recordings of one Kalimba from the big Kalimba collection of fellow overtone singer Lothar Berger. ]]> 666913 no no Thu, 21 Jan 2016 00:02:18 +0100 2016-01-21T00:02:18+01:00 11:34 https://hearthis.at/gisbert.schurig/potsdam-jam-2015-523-1a/ 225400 no no Sat, 30 May 2015 23:34:48 +0200 2015-05-30T23:34:48+02:00 4:37 https://hearthis.at/gisbert.schurig/potsdam-jam-2015-523-1b/ 225398 no no Sat, 30 May 2015 23:34:42 +0200 2015-05-30T23:34:42+02:00 3:30 https://hearthis.at/gisbert.schurig/potsdam-jam-2015-524-1/ 225399 no no Sat, 30 May 2015 23:34:39 +0200 2015-05-30T23:34:39+02:00 5:32 https://hearthis.at/gisbert.schurig/take-off/ Recorded live April 18th at Mime Centrum, Bethanien, Berlin
Among other musical contributions I improvised this set supporting dancers spinning around their axis for hours, inspired by the whirling tradition of sufi dervishes. The music obviously relys heavily on repetition and was preceded by a lengthy session of collective minimal improvisation.
Next to electronics the music features my voice, using falsetto, bits of kargyraa throat singing and overtone singing.]]> Recorded live April 18th at Mime Centrum, Bethanien, Berlin
Among other musical contributions I improvised this set supporting dancers spinning around their axis for hours, inspired by the whirling tradition of sufi dervishes. The music obviously relys heavily on repetition and was preceded by a lengthy session of collective minimal improvisation.
Next to electronics the music features my voice, using falsetto, bits of kargyraa throat singing and overtone singing.]]> 200687 no no Mon, 20 Apr 2015 22:28:50 +0200 2015-04-20T22:28:50+02:00 2:03:58 https://hearthis.at/gisbert.schurig/grillenpulseswhirling11aprilresampling/ 194663 no no Sat, 11 Apr 2015 00:00:00 +0200 2015-04-11T00:00:00+02:00 13:41 https://hearthis.at/gisbert.schurig/whirlingmaerz2/ 176361 no no Tue, 10 Mar 2015 15:07:06 +0100 2015-03-10T15:07:06+01:00 31:39 https://hearthis.at/gisbert.schurig/whirlingmaerz3/ 176356 no no Tue, 10 Mar 2015 14:47:02 +0100 2015-03-10T14:47:02+01:00 59:11 https://hearthis.at/gisbert.schurig/whirlingmaerz1/ 176333 no no Tue, 10 Mar 2015 13:14:41 +0100 2015-03-10T13:14:41+01:00 13:02 https://hearthis.at/gisbert.schurig/3x451/
Recorded live Feb 21st 2015 ACUD Galerie, Berlin]]>
Recorded live Feb 21st 2015 ACUD Galerie, Berlin]]> 169069 no no Mon, 23 Feb 2015 15:53:01 +0100 2015-02-23T15:53:01+01:00 45:26 https://hearthis.at/gisbert.schurig/3x452/ 169061 no no Mon, 23 Feb 2015 15:50:00 +0100 2015-02-23T15:50:00+01:00 45:14 https://hearthis.at/gisbert.schurig/3x453/ 169048 no no Mon, 23 Feb 2015 15:06:59 +0100 2015-02-23T15:06:59+01:00 45:11 https://hearthis.at/gisbert.schurig/grillenpulseswhirling2/ 164728 no no Tue, 17 Feb 2015 17:22:35 +0100 2015-02-17T17:22:35+01:00 1:06:16 https://hearthis.at/gisbert.schurig/grillenpulseswhirling1/ 164714 no no Sat, 14 Feb 2015 23:22:34 +0100 2015-02-14T23:22:34+01:00 15:00 https://hearthis.at/gisbert.schurig/carteblanchefeb152/ part of the series 'Carte Blanche' curated by Naima Ferré
recorded live Feb 8, 2015, MimeCentrum, Bethanien, Berlin]]> part of the series 'Carte Blanche' curated by Naima Ferré
recorded live Feb 8, 2015, MimeCentrum, Bethanien, Berlin]]> 164706 no no Sat, 14 Feb 2015 22:47:44 +0100 2015-02-14T22:47:44+01:00 42:16 https://hearthis.at/gisbert.schurig/carteblanchefeb151/
Electronic music for Elma Riza´s performance 'Between the Lines#4',
part of the series 'Carte Blanche' curated by Naima Ferré
recorded live Feb 8, 2015, MimeCentrum, Bethanien, Berlin]]>
Electronic music for Elma Riza´s performance 'Between the Lines#4',
part of the series 'Carte Blanche' curated by Naima Ferré
recorded live Feb 8, 2015, MimeCentrum, Bethanien, Berlin]]> 163440 no no Sat, 14 Feb 2015 21:43:44 +0100 2015-02-14T21:43:44+01:00 56:17 https://hearthis.at/gisbert.schurig/mi-demo-3-pulses-quantize-beat/ Three independent pulses with quantization in 16th notes and a beat.]]> Three independent pulses with quantization in 16th notes and a beat.]]> 126175 no no Sat, 06 Dec 2014 18:48:45 +0100 2014-12-06T18:48:45+01:00 0:18 https://hearthis.at/gisbert.schurig/mi-demo-3-pulses-quantize-beat-phrases/ Three independent pulses with quantization in 16th, recorded and grouped to phrases of different length: 1 bar, 2 bars, 4 bars, 3 bars]]> Three independent pulses with quantization in 16th, recorded and grouped to phrases of different length: 1 bar, 2 bars, 4 bars, 3 bars]]> 126176 no no Sat, 06 Dec 2014 18:48:17 +0100 2014-12-06T18:48:17+01:00 1:28 https://hearthis.at/gisbert.schurig/mi-demo-3-pulses-quantize/ Three independent pulses with quantization in 16th notes.]]> Three independent pulses with quantization in 16th notes.]]> 126172 no no Sat, 06 Dec 2014 18:47:50 +0100 2014-12-06T18:47:50+01:00 0:17 https://hearthis.at/gisbert.schurig/mi-demo-3-pulses-beat/ Three independent pulses without quantization to a beat.]]> Three independent pulses without quantization to a beat.]]> 126174 no no Sat, 06 Dec 2014 18:46:57 +0100 2014-12-06T18:46:57+01:00 0:28 https://hearthis.at/gisbert.schurig/mi-demo-3-pulses/ Three independent pulses (880ms, 742ms, 1.63s) without quantization.]]> Three independent pulses (880ms, 742ms, 1.63s) without quantization.]]> 126173 no no Sat, 06 Dec 2014 18:46:23 +0100 2014-12-06T18:46:23+01:00 0:26 https://hearthis.at/gisbert.schurig/whirlingsession-25-okt/ 92032 no no Sun, 26 Oct 2014 15:05:27 +0100 2014-10-26T15:05:27+01:00 27:20 https://hearthis.at/gisbert.schurig/duo-ambroid-unfinished-fridays-ending/ Yifat Cohen - voice and recorders
Gisbert Schürig - electronics

Recorded live at Unfinished Fridays, Lake Studios, Berlin,
19. September 2014]]> Yifat Cohen - voice and recorders
Gisbert Schürig - electronics

Recorded live at Unfinished Fridays, Lake Studios, Berlin,
19. September 2014]]> 75394 no no Sun, 21 Sep 2014 19:18:22 +0200 2014-09-21T19:18:22+02:00 4:46 https://hearthis.at/gisbert.schurig/potsdam-contact-jam/
I recommend listening to this track at low volume. There is a lot of beating among frequencies going on which can be delicate but may loose it´s charme when too loud.

This is an improvisation I did at the 'Pfingst Jam' - festival for contact improvisation in Potsdam in June 2014.
Together with Jennie Zimmermann, I was invited to accompany contact improvisation jams during the festival, which was a great pleasure. This excerpt is a solo part of me singing and looping my voice with ableton live music software. The structure of this improvisation follows the concept of minimal improvisation, introducing only very few sounds and gradually bringing them into a rhythmical order.]]>
I recommend listening to this track at low volume. There is a lot of beating among frequencies going on which can be delicate but may loose it´s charme when too loud.

This is an improvisation I did at the 'Pfingst Jam' - festival for contact improvisation in Potsdam in June 2014.
Together with Jennie Zimmermann, I was invited to accompany contact improvisation jams during the festival, which was a great pleasure. This excerpt is a solo part of me singing and looping my voice with ableton live music software. The structure of this improvisation follows the concept of minimal improvisation, introducing only very few sounds and gradually bringing them into a rhythmical order.]]> 44637 no no Thu, 19 Jun 2014 12:54:04 +0200 2014-06-19T12:54:04+02:00 8:16 https://hearthis.at/gisbert.schurig/whirlingsession2/ Whirling is a traditional practice of the Sufi, Naïma Ferré is revisiting this practice from the perspective of a contemporary dancer. This track was recorded at our first attempt to bring in electronic music into this.]]> Whirling is a traditional practice of the Sufi, Naïma Ferré is revisiting this practice from the perspective of a contemporary dancer. This track was recorded at our first attempt to bring in electronic music into this.]]> 38658 no no Fri, 16 May 2014 19:10:06 +0200 2014-05-16T19:10:06+02:00 11:29 https://hearthis.at/gisbert.schurig/whirlingsession1/ Whirling is a traditional practice of the Sufi, Naïma Ferré is revisiting this practice from the perspective of a contemporary dancer. This track was recorded at our first attempt to bring in electronic music into this.]]> Whirling is a traditional practice of the Sufi, Naïma Ferré is revisiting this practice from the perspective of a contemporary dancer. This track was recorded at our first attempt to bring in electronic music into this.]]> 38655 no no Fri, 16 May 2014 18:38:06 +0200 2014-05-16T18:38:06+02:00 7:19