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	<title><![CDATA[Era Geldes]]></title>
	<link>https://hearthis.at/era-geldes-rf/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Era Geldes]]></itunes:subtitle>
	<itunes:author><![CDATA[Era Geldes]]></itunes:author>
	<googleplay:author><![CDATA[Era Geldes]]></googleplay:author>
	<itunes:summary><![CDATA["Punk" about the new music-performance FYIE
“Insubordinately Sublime” -Inigo Wilkins about recent concerts
Here you find songs, sounds and radiofeatures I arrange and produce myself and some I speak and sing for. The genre is situated between sonic jokes and seriously experimental poppunk.
NEW ALBUM OUT: jcdecaux.bandcamp.com/album/watch-close 
I am an artist living and working between London and Berlin and on tour.
Studied post dramatic theatre and theory/phillosophy: directing,performance,sound at ATW Gießen at Heiner Goebbels, Felix Kubin u.o. and contemporary dance&choreography at CNSMD Lyon.
I love words and sounds, write for theater and run a company that works with communities as well as with ensembles. I work with electronic and analog sounds, homemade instruments, voice(s) and fieldrecording. I direct contemporary classical concerts, live radioplays, music for theater and soundinstallations.
here you can find some tracks, sketches and experiments.
enjoy listening-
When you click on the songtitles you can see more infos about the pieces.
below are links to CV etc. feel free to have a look around, see you in real life.
pictures & sounds copyright @AnaBerkenhoff if not otherwise quoted.
about the recent album:
picadilly records writes: "...sounding a little like an Eccentronic Research Council meets Raymond Scott’s Mahattan Research Inc meets Cluster, this is a collection of poetry, electronics and improvisation woven together like a tapestry and drawing you in like a tense but beautifully shot thriller. Clangers-esque theramin sine tones, ethnic percussion, multi-lingual poetry, mangled strings – a plethora of idents from an all manner of subversive stylings. This is brilliant!"
boomcat writes: "...blur the lines between poetry and tone poem, with Manchester’s answer to Peter Pan coaxing out a gauzy spectrum of eccentric small sounds, lopped beats and radiophonic quarks.."
In 2016 my work was played at Tilde Festival for soundart Melbourne, Radio NY, live concert&interview on BBC Wales, concerts at Oriel-Sycharth Wales, New River Studios London, The Others London, Sonic Arts Forum London, Radio futuresound.fm.
On 13.Mai 2017 speaking at Focus Wales Festival 14.30-13.30 // Digital Innovations Day: Panel 3: THE SPACE RACE: How embracing the digital revolution can give you the edge
webside: anaberkenhoff.com
Tour dates: songkick.com/artists/8836764-a...-ana-berkenhoff
collective: berkenhoffsiegwald.com]]></itunes:summary>
	<googleplay:description><![CDATA["Punk" about the new music-performance FYIE
“Insubordinately Sublime” -Inigo Wilkins about recent concerts
Here you find songs, sounds and radiofeatures I arrange and produce myself and some I speak and sing for. The genre is situated between sonic jokes and seriously experimental poppunk.
NEW ALBUM OUT: jcdecaux.bandcamp.com/album/watch-close 
I am an artist living and working between London and Berlin and on tour.
Studied post dramatic theatre and theory/phillosophy: directing,performance,sound at ATW Gießen at Heiner Goebbels, Felix Kubin u.o. and contemporary dance&choreography at CNSMD Lyon.
I love words and sounds, write for theater and run a company that works with communities as well as with ensembles. I work with electronic and analog sounds, homemade instruments, voice(s) and fieldrecording. I direct contemporary classical concerts, live radioplays, music for theater and soundinstallations.
here you can find some tracks, sketches and experiments.
enjoy listening-
When you click on the songtitles you can see more infos about the pieces.
below are links to CV etc. feel free to have a look around, see you in real life.
pictures & sounds copyright @AnaBerkenhoff if not otherwise quoted.
about the recent album:
picadilly records writes: "...sounding a little like an Eccentronic Research Council meets Raymond Scott’s Mahattan Research Inc meets Cluster, this is a collection of poetry, electronics and improvisation woven together like a tapestry and drawing you in like a tense but beautifully shot thriller. Clangers-esque theramin sine tones, ethnic percussion, multi-lingual poetry, mangled strings – a plethora of idents from an all manner of subversive stylings. This is brilliant!"
boomcat writes: "...blur the lines between poetry and tone poem, with Manchester’s answer to Peter Pan coaxing out a gauzy spectrum of eccentric small sounds, lopped beats and radiophonic quarks.."
In 2016 my work was played at Tilde Festival for soundart Melbourne, Radio NY, live concert&interview on BBC Wales, concerts at Oriel-Sycharth Wales, New River Studios London, The Others London, Sonic Arts Forum London, Radio futuresound.fm.
On 13.Mai 2017 speaking at Focus Wales Festival 14.30-13.30 // Digital Innovations Day: Panel 3: THE SPACE RACE: How embracing the digital revolution can give you the edge
webside: anaberkenhoff.com
Tour dates: songkick.com/artists/8836764-a...-ana-berkenhoff
collective: berkenhoffsiegwald.com]]></googleplay:description>
	<description><![CDATA["Punk" about the new music-performance FYIE
“Insubordinately Sublime” -Inigo Wilkins about recent concerts
Here you find songs, sounds and radiofeatures I arrange and produce myself and some I speak and sing for. The genre is situated between sonic jokes and seriously experimental poppunk.
NEW ALBUM OUT: jcdecaux.bandcamp.com/album/watch-close 
I am an artist living and working between London and Berlin and on tour.
Studied post dramatic theatre and theory/phillosophy: directing,performance,sound at ATW Gießen at Heiner Goebbels, Felix Kubin u.o. and contemporary dance&choreography at CNSMD Lyon.
I love words and sounds, write for theater and run a company that works with communities as well as with ensembles. I work with electronic and analog sounds, homemade instruments, voice(s) and fieldrecording. I direct contemporary classical concerts, live radioplays, music for theater and soundinstallations.
here you can find some tracks, sketches and experiments.
enjoy listening-
When you click on the songtitles you can see more infos about the pieces.
below are links to CV etc. feel free to have a look around, see you in real life.
pictures & sounds copyright @AnaBerkenhoff if not otherwise quoted.
about the recent album:
picadilly records writes: "...sounding a little like an Eccentronic Research Council meets Raymond Scott’s Mahattan Research Inc meets Cluster, this is a collection of poetry, electronics and improvisation woven together like a tapestry and drawing you in like a tense but beautifully shot thriller. Clangers-esque theramin sine tones, ethnic percussion, multi-lingual poetry, mangled strings – a plethora of idents from an all manner of subversive stylings. This is brilliant!"
boomcat writes: "...blur the lines between poetry and tone poem, with Manchester’s answer to Peter Pan coaxing out a gauzy spectrum of eccentric small sounds, lopped beats and radiophonic quarks.."
In 2016 my work was played at Tilde Festival for soundart Melbourne, Radio NY, live concert&interview on BBC Wales, concerts at Oriel-Sycharth Wales, New River Studios London, The Others London, Sonic Arts Forum London, Radio futuresound.fm.
On 13.Mai 2017 speaking at Focus Wales Festival 14.30-13.30 // Digital Innovations Day: Panel 3: THE SPACE RACE: How embracing the digital revolution can give you the edge
webside: anaberkenhoff.com
Tour dates: songkick.com/artists/8836764-a...-ana-berkenhoff
collective: berkenhoffsiegwald.com]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Era Geldes]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
	<image>
      <link>https://hearthis.at/era-geldes-rf/</link>
      <title>Era Geldes</title>
      <url>https://img.hearthis.at/8/7/8/_/uploads/8857866/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1500558878.jpg</url>
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	<googleplay:explicit>no</googleplay:explicit>
	<itunes:explicit>no</itunes:explicit>
	<category><![CDATA[Sounds]]></category>
	<googleplay:category text="Sounds"/>
	<itunes:category text="Sounds"/>
	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Become a perfect performer! a performance presentation at Theatertreffen Berlin 2015]]></title>
            <link>https://hearthis.at/era-geldes-rf/become-a-perfect-performer-a-performance-presentation-at-theatertreffen-berlin-2015/</link>
            <itunes:author><![CDATA[Era Geldes]]></itunes:author>
            <description><![CDATA[In 2014 I developed a durational performance-Installation for the Roskilde Festival/DK. <br />
(A collaboration with Savage amusement/Melanie Jame Wolf)<br />
Over 4 days the audience could walk through. For one and up to four people I would use some magic devices and true story telling for an amusing show on performing, presence and live portrait painting by old masters. <br />
Followed by some visual tricks with a mini-projector :)<br />
<br />
Here you hear a recording of a short sample of that work- which I performed at the Theatertreffen Berlin this year during a panel about theater and installation.  <br />
<br />
more about my sonic work: www.anaberkenhoff.com/music]]></description>
            <googleplay:description><![CDATA[In 2014 I developed a durational performance-Installation for the Roskilde Festival/DK. <br />
(A collaboration with Savage amusement/Melanie Jame Wolf)<br />
Over 4 days the audience could walk through. For one and up to four people I would use some magic devices and true story telling for an amusing show on performing, presence and live portrait painting by old masters. <br />
Followed by some visual tricks with a mini-projector :)<br />
<br />
Here you hear a recording of a short sample of that work- which I performed at the Theatertreffen Berlin this year during a panel about theater and installation.  <br />
<br />
more about my sonic work: www.anaberkenhoff.com/music]]></googleplay:description>
            <itunes:summary><![CDATA[In 2014 I developed a durational performance-Installation for the Roskilde Festival/DK. 
(A collaboration with Savage amusement/Melanie Jame Wolf)
Over 4 days the audience could walk through. For one and up to four people I would use some magic devices and true story telling for an amusing show on performing, presence and live portrait painting by old masters. 
Followed by some visual tricks with a mini-projector :)

Here you hear a recording of a short sample of that work- which I performed at the Theatertreffen Berlin this year during a panel about theater and installation.  

more about my sonic work: www.anaberkenhoff.com/music]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/4/_/uploads/8857866/image_track/1442238/w1400_h1400_q70_ptrue_v2_----cropped_1500558432.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/era-geldes-rf/become-a-perfect-performer-a-performance-presentation-at-theatertreffen-berlin-2015/listen.mp3?s=QtN" length="4257749" />
            <guid isPermaLink="false">1442238</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 20 Jul 2017 15:47:16 +0200</pubDate>
                
                <atom:updated>2017-07-20T15:47:16+02:00</atom:updated>
                
            
            
            <itunes:duration>4:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[POMMES! the last ELVIS cooking session - IMPLANTIEREN- Tanzhaus West - 8.12.16 Adolfina Fuck & Musuk]]></title>
            <link>https://hearthis.at/era-geldes-rf/pommes-the-last-elvis-cooking-session-implantieren-tanzhaus-west-81216-adolfina-fuck-musuk/</link>
            <itunes:author><![CDATA[Era Geldes]]></itunes:author>
            <description><![CDATA[the zoom recorded this live @tanzhausWest<br />
session of Matthias Meppelling aka Adolfina Fuck & Ana Berkenhoff on Elvis Presley´s most loved cooking recipes. For the final party of IMPLANTIEREN Festival Frankfurt at Tanzhaus West. <br />
Following the performance F.Y.I.E (like find your inner Elvis) by www.berkenhoffsiegwald.de<br />
<br />
more about my music: www.anaberkenhoff.com/music]]></description>
            <googleplay:description><![CDATA[the zoom recorded this live @tanzhausWest<br />
session of Matthias Meppelling aka Adolfina Fuck & Ana Berkenhoff on Elvis Presley´s most loved cooking recipes. For the final party of IMPLANTIEREN Festival Frankfurt at Tanzhaus West. <br />
Following the performance F.Y.I.E (like find your inner Elvis) by www.berkenhoffsiegwald.de<br />
<br />
more about my music: www.anaberkenhoff.com/music]]></googleplay:description>
            <itunes:summary><![CDATA[the zoom recorded this live @tanzhausWest
session of Matthias Meppelling aka Adolfina Fuck & Ana Berkenhoff on Elvis Presley´s most loved cooking recipes. For the final party of IMPLANTIEREN Festival Frankfurt at Tanzhaus West. 
Following the performance F.Y.I.E (like find your inner Elvis) by www.berkenhoffsiegwald.de

more about my music: www.anaberkenhoff.com/music]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/1/7/_/uploads/8857866/image_track/1442153/w1400_h1400_q70_ptrue_v2_----cropped_1500555719.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/era-geldes-rf/pommes-the-last-elvis-cooking-session-implantieren-tanzhaus-west-81216-adolfina-fuck-musuk/listen.mp3?s=KI0" length="36554291" />
            <guid isPermaLink="false">1442153</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 20 Jul 2017 15:02:14 +0200</pubDate>
                
                <atom:updated>2017-07-20T15:02:14+02:00</atom:updated>
                
            
            
            <itunes:duration>38:04</itunes:duration>
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