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	<lastBuildDate>Sun, 12 Apr 2026 05:23:57 +0200</lastBuildDate>
	<title><![CDATA[noise=music]]></title>
	<link>https://hearthis.at/djthx/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of THX]]></itunes:subtitle>
	<itunes:author><![CDATA[THX]]></itunes:author>
	<googleplay:author><![CDATA[THX]]></googleplay:author>
	<itunes:summary><![CDATA[techknowledgi]]></itunes:summary>
	<googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
	<description><![CDATA[techknowledgi]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[THX]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
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      <title>noise=music</title>
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	<category><![CDATA[Sounds]]></category>
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	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[thx untitled 2]]></title>
            <link>https://hearthis.at/djthx/thx-untitled-2/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 27 Oct 2024 22:51:00 +0100</pubDate>
                
                <atom:updated>2024-10-27T22:51:00+01:00</atom:updated>
                
            
            
            <itunes:duration>4:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[complex cognitive material - sensorimotors - episodio novembre 2023]]></title>
            <link>https://hearthis.at/djthx/thx-ccm-nov-23/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[The listener as the operator. These sounds are eminently favourable to the birth and contagion of an intense excitement with its inferred incitement given propulsion by a rolling flanged bassline that chases melodies away with acentuated off-beat boosted cymbal rushes that touch internal organs by impatient percussive patterns that encourage waste pure and simple. Dislocated dance. Social magic.<br />
http://www.t0.or.at/technet/technett.htm <br />
<br />
https://www.fangoradio.com/shows/14 - fango radio]]></description>
            <googleplay:description><![CDATA[The listener as the operator. These sounds are eminently favourable to the birth and contagion of an intense excitement with its inferred incitement given propulsion by a rolling flanged bassline that chases melodies away with acentuated off-beat boosted cymbal rushes that touch internal organs by impatient percussive patterns that encourage waste pure and simple. Dislocated dance. Social magic.<br />
http://www.t0.or.at/technet/technett.htm <br />
<br />
https://www.fangoradio.com/shows/14 - fango radio]]></googleplay:description>
            <itunes:summary><![CDATA[The listener as the operator. These sounds are eminently favourable to the birth and contagion of an intense excitement with its inferred incitement given propulsion by a rolling flanged bassline that chases melodies away with acentuated off-beat boosted cymbal rushes that touch internal organs by impatient percussive patterns that encourage waste pure and simple. Dislocated dance. Social magic.
http://www.t0.or.at/technet/technett.htm 

https://www.fangoradio.com/shows/14 - fango radio]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/4/6/_/uploads/50810/image_track/10476124/w1400_h1400_q70_ptrue_v2_----cropped_1700409013648.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 19 Nov 2023 16:45:30 +0100</pubDate>
                
                <atom:updated>2023-11-19T16:45:30+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:22</itunes:duration>
        </item>
        <item>
            <title><![CDATA[how politicians see us: meat for slaughter]]></title>
            <link>https://hearthis.at/djthx/hc-punk-podcast/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[an old school hardcore punk selecta <br />
tracklist: <br />
1) Suicidal Tendencies - I Shoot The Devil <br />
2) Ministry - Scarecrow <br />
3) Zeni Geva - Disgraceland <br />
4) Undead - Put Your Clothes Back On <br />
5) TSOL - Silent Scream <br />
6) Contorsions - Dish It Out <br />
7) Minutemen - Bob Dylan Wrote Propaganda Songs <br />
8) Lard - Moths <br />
9) Flipper - Shine <br />
10) Fear - I Donìt Care About You <br />
11) D.O.A. - Race Riot <br />
12) The Witch Trials - Meat Beat <br />
13) Misfits - Vampira <br />
14) D.C. 3 - If We'll All Be Free <br />
15) Dag Nasty - Circles <br />
16) Butthole Surfers - In The Cellar <br />
17) Crass - You've Got Big Hands <br />
18) Cheetah Chrome Motherfuckers - Life Of Punishment <br />
19) Black Flag - Damaged I <br />
20) Angry Samoans - Ballad of Jerry Curlan <br />
21) GG Allin & The Jabbers - Bored To Death <br />
22) Flipper - Sacrifice ]]></description>
            <googleplay:description><![CDATA[an old school hardcore punk selecta <br />
tracklist: <br />
1) Suicidal Tendencies - I Shoot The Devil <br />
2) Ministry - Scarecrow <br />
3) Zeni Geva - Disgraceland <br />
4) Undead - Put Your Clothes Back On <br />
5) TSOL - Silent Scream <br />
6) Contorsions - Dish It Out <br />
7) Minutemen - Bob Dylan Wrote Propaganda Songs <br />
8) Lard - Moths <br />
9) Flipper - Shine <br />
10) Fear - I Donìt Care About You <br />
11) D.O.A. - Race Riot <br />
12) The Witch Trials - Meat Beat <br />
13) Misfits - Vampira <br />
14) D.C. 3 - If We'll All Be Free <br />
15) Dag Nasty - Circles <br />
16) Butthole Surfers - In The Cellar <br />
17) Crass - You've Got Big Hands <br />
18) Cheetah Chrome Motherfuckers - Life Of Punishment <br />
19) Black Flag - Damaged I <br />
20) Angry Samoans - Ballad of Jerry Curlan <br />
21) GG Allin & The Jabbers - Bored To Death <br />
22) Flipper - Sacrifice ]]></googleplay:description>
            <itunes:summary><![CDATA[an old school hardcore punk selecta 
tracklist: 
1) Suicidal Tendencies - I Shoot The Devil 
2) Ministry - Scarecrow 
3) Zeni Geva - Disgraceland 
4) Undead - Put Your Clothes Back On 
5) TSOL - Silent Scream 
6) Contorsions - Dish It Out 
7) Minutemen - Bob Dylan Wrote Propaganda Songs 
8) Lard - Moths 
9) Flipper - Shine 
10) Fear - I Donìt Care About You 
11) D.O.A. - Race Riot 
12) The Witch Trials - Meat Beat 
13) Misfits - Vampira 
14) D.C. 3 - If We'll All Be Free 
15) Dag Nasty - Circles 
16) Butthole Surfers - In The Cellar 
17) Crass - You've Got Big Hands 
18) Cheetah Chrome Motherfuckers - Life Of Punishment 
19) Black Flag - Damaged I 
20) Angry Samoans - Ballad of Jerry Curlan 
21) GG Allin & The Jabbers - Bored To Death 
22) Flipper - Sacrifice ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/6/3/_/uploads/50810/image_track/6980250/w1400_h1400_q70_ptrue_v2_----cropped_1660324179361.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 12 Aug 2022 19:04:34 +0200</pubDate>
                
                <atom:updated>2022-08-12T19:04:34+02:00</atom:updated>
                
            
            
            <itunes:duration>1:10:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Stark and Foreboding]]></title>
            <link>https://hearthis.at/djthx/2-3-2019-vinyl-mix/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[mixtape made for Dissidanza crew few years ago and never published on their mixcloud so i put it here for those who want to listen it -- https://www.facebook.com/dissidanza<br />
100% vinyl records. <br />
thanks to Lore J for the records used in this podcast. <br />
some of the track transitions are not very accurate and well made, sorry. <br />
photo by Robert Pettena <br />
enjoy]]></description>
            <googleplay:description><![CDATA[mixtape made for Dissidanza crew few years ago and never published on their mixcloud so i put it here for those who want to listen it -- https://www.facebook.com/dissidanza<br />
100% vinyl records. <br />
thanks to Lore J for the records used in this podcast. <br />
some of the track transitions are not very accurate and well made, sorry. <br />
photo by Robert Pettena <br />
enjoy]]></googleplay:description>
            <itunes:summary><![CDATA[mixtape made for Dissidanza crew few years ago and never published on their mixcloud so i put it here for those who want to listen it -- https://www.facebook.com/dissidanza
100% vinyl records. 
thanks to Lore J for the records used in this podcast. 
some of the track transitions are not very accurate and well made, sorry. 
photo by Robert Pettena 
enjoy]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/0/6/_/uploads/50810/image_track/6575114/w1400_h1400_q70_ptrue_v2_----cropped_1645300670606.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 19 Feb 2022 20:53:55 +0100</pubDate>
                
                <atom:updated>2022-02-19T20:53:55+01:00</atom:updated>
                
            
            
            <itunes:duration>1:11:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Samuin]]></title>
            <link>https://hearthis.at/djthx/samuin/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Halloween viene collegata alla festa celtica di Samhain, originariamente scritto Samuin in gaelico, stagionalmente speculare alla notte di Valpurga che ricorre tra il 30 aprile e il 1º maggio. Il nome della festività, mantenuto storicamente dai Gaeli e dai Celti nell'arcipelago britannico, deriva dall'antico irlandese e significa approssimativamente "fine dell'estate". <br />
<br />
Samuin selecta tracklist:<br />
<br />
Michael Kills Again (from Halloween 2018) - John Carpenter, Cody Carpenter & Daniel Davies <br />
Elm Street Nightmare - DJ Boba Fettucini <br />
A Nightmare On My Street - DJ Jazzy Jeff & The Fresh Prince <br />
A Nightmare On Elm Street - Charles Bernstein <br />
In The Mouth Of Madness - John Carpenter (with the Lost Themes Band) <br />
A Nightmare On Elm Street - Mark Ayres <br />
They Live - John Carpenter (with the Lost Themes Band) <br />
Tubular Bells (from The Exorcist) - Mike Oldfield <br />
Good To The Last Drop (from Blacula) - Gene Page <br />
The Exorcist - DJ Boba Fettucini<br />
In The Space Capsule (The Love Theme, from Flash Gordon) - Queen <br />
Rain Forest (fron Sorcerer) - Tangerine Dream <br />
Profondo Rosso - Goblin <br />
L'amour Des Deux Filles (from Fascination) - Philippe D'Aram <br />
Szpital (from The Third Part Of The Night) - Andrzej Korzynski <br />
Szpital Part 2 (from The Third Part Of The Night) - Andrzej Korzynski <br />
Mater Tenebrarum (from Inferno) - Keith Emerson <br />
Dolls Of Glass (from La corta notte delle bambole di vetro) - Ennio Morricone <br />
L'alba Dei Morti Viventi (from Dawn Of The Dead) - Goblin <br />
Il gatto nel cervello, Sequence 1 - Fabio Frizzi <br />
Hello Grandma (from Halloween III) - John Carpenter & Alan Howarth <br />
Locomotive (from Phenomena) - Motörhead <br />
Ansimando (from La setta) - Pino Donaggio <br />
Silent Night, Deadly Night (Main Tiltes) - Perry Botkin <br />
Iraq (from The Exorcist) - The National Philharmonic Orchestra conducted by  Leonard Slatkin <br />
Verso L'lgnoto (from L'aldilà) - Fabio Frizzi <br />
La storia di Tron (musica di Wendy Carlos, dialoghi ed effetti sonori dal film)<br />
The Night The Screaming Stops (Opening Titles from Possession) - Andrzej Korzynski <br />
Killing (From Demoni) - Claudio Simonetti <br />
Quella Villa (from Quella villa accanto al cimitero) - Franco Piana <br />
Tenebre - Claudio Simonetti & Massimo Morante & Fabio Pignatelli <br />
Main Title/Radio Freedom (from Turkey Shoot) - Brian May <br />
Main Title (from The Black Hole) - John Barry <br />
Car Chase (from Chain Reaction) - Andrew Thomas Wilson <br />
Breakout (from Wavelenght) - Tangerine Dream <br />
Darth Vader Theme (boom bap version) - DJ Boba Fettucini <br />
Gimme The Prize (Kurgan's Theme, from Highlander) - Queen <br />
Road Warrior, the Theme (from Mad Max 2, The Road Warrior) - Brian May <br />
Dune (Prologue and main theme) - Toto <br />
Starcrash Suite - John Barry <br />
Title Music from A Clockwork Orange (from Henry Purcell's Music for the Funeral of Queen Mary) - Wendy Carlos <br />
Pazuzu (from Exorcist II) - Ennio Morricone <br />
Haunted House - Disneyland Sound Effects <br />
Suspiria (Celesta And Bells) - Goblin <br />
Somebody Super Like You (Beef Constuction Song, from Phantom Of The Paradise) - The Undead & Harold Oblong <br />
The Others (from Due occhi diabolici, I fatti nella vita di Mr. Valdemar) - Pino Donaggio <br />
Forbidden Planet Overture - Louis and Bebe Barron <br />
Ten Et Medor (from Le Planet Sauvage) - Alain Goraguer <br />
Quattro Mosche Di Vellutogrigio - Ennio Morricone <br />
The Thing - John Carpenter (with the Lost Themes Band) <br />
enjoy <br />
<br />
100& vinyl records<br />
]]></description>
            <googleplay:description><![CDATA[Halloween viene collegata alla festa celtica di Samhain, originariamente scritto Samuin in gaelico, stagionalmente speculare alla notte di Valpurga che ricorre tra il 30 aprile e il 1º maggio. Il nome della festività, mantenuto storicamente dai Gaeli e dai Celti nell'arcipelago britannico, deriva dall'antico irlandese e significa approssimativamente "fine dell'estate". <br />
<br />
Samuin selecta tracklist:<br />
<br />
Michael Kills Again (from Halloween 2018) - John Carpenter, Cody Carpenter & Daniel Davies <br />
Elm Street Nightmare - DJ Boba Fettucini <br />
A Nightmare On My Street - DJ Jazzy Jeff & The Fresh Prince <br />
A Nightmare On Elm Street - Charles Bernstein <br />
In The Mouth Of Madness - John Carpenter (with the Lost Themes Band) <br />
A Nightmare On Elm Street - Mark Ayres <br />
They Live - John Carpenter (with the Lost Themes Band) <br />
Tubular Bells (from The Exorcist) - Mike Oldfield <br />
Good To The Last Drop (from Blacula) - Gene Page <br />
The Exorcist - DJ Boba Fettucini<br />
In The Space Capsule (The Love Theme, from Flash Gordon) - Queen <br />
Rain Forest (fron Sorcerer) - Tangerine Dream <br />
Profondo Rosso - Goblin <br />
L'amour Des Deux Filles (from Fascination) - Philippe D'Aram <br />
Szpital (from The Third Part Of The Night) - Andrzej Korzynski <br />
Szpital Part 2 (from The Third Part Of The Night) - Andrzej Korzynski <br />
Mater Tenebrarum (from Inferno) - Keith Emerson <br />
Dolls Of Glass (from La corta notte delle bambole di vetro) - Ennio Morricone <br />
L'alba Dei Morti Viventi (from Dawn Of The Dead) - Goblin <br />
Il gatto nel cervello, Sequence 1 - Fabio Frizzi <br />
Hello Grandma (from Halloween III) - John Carpenter & Alan Howarth <br />
Locomotive (from Phenomena) - Motörhead <br />
Ansimando (from La setta) - Pino Donaggio <br />
Silent Night, Deadly Night (Main Tiltes) - Perry Botkin <br />
Iraq (from The Exorcist) - The National Philharmonic Orchestra conducted by  Leonard Slatkin <br />
Verso L'lgnoto (from L'aldilà) - Fabio Frizzi <br />
La storia di Tron (musica di Wendy Carlos, dialoghi ed effetti sonori dal film)<br />
The Night The Screaming Stops (Opening Titles from Possession) - Andrzej Korzynski <br />
Killing (From Demoni) - Claudio Simonetti <br />
Quella Villa (from Quella villa accanto al cimitero) - Franco Piana <br />
Tenebre - Claudio Simonetti & Massimo Morante & Fabio Pignatelli <br />
Main Title/Radio Freedom (from Turkey Shoot) - Brian May <br />
Main Title (from The Black Hole) - John Barry <br />
Car Chase (from Chain Reaction) - Andrew Thomas Wilson <br />
Breakout (from Wavelenght) - Tangerine Dream <br />
Darth Vader Theme (boom bap version) - DJ Boba Fettucini <br />
Gimme The Prize (Kurgan's Theme, from Highlander) - Queen <br />
Road Warrior, the Theme (from Mad Max 2, The Road Warrior) - Brian May <br />
Dune (Prologue and main theme) - Toto <br />
Starcrash Suite - John Barry <br />
Title Music from A Clockwork Orange (from Henry Purcell's Music for the Funeral of Queen Mary) - Wendy Carlos <br />
Pazuzu (from Exorcist II) - Ennio Morricone <br />
Haunted House - Disneyland Sound Effects <br />
Suspiria (Celesta And Bells) - Goblin <br />
Somebody Super Like You (Beef Constuction Song, from Phantom Of The Paradise) - The Undead & Harold Oblong <br />
The Others (from Due occhi diabolici, I fatti nella vita di Mr. Valdemar) - Pino Donaggio <br />
Forbidden Planet Overture - Louis and Bebe Barron <br />
Ten Et Medor (from Le Planet Sauvage) - Alain Goraguer <br />
Quattro Mosche Di Vellutogrigio - Ennio Morricone <br />
The Thing - John Carpenter (with the Lost Themes Band) <br />
enjoy <br />
<br />
100& vinyl records<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Halloween viene collegata alla festa celtica di Samhain, originariamente scritto Samuin in gaelico, stagionalmente speculare alla notte di Valpurga che ricorre tra il 30 aprile e il 1º maggio. Il nome della festività, mantenuto storicamente dai Gaeli e dai Celti nell'arcipelago britannico, deriva dall'antico irlandese e significa approssimativamente "fine dell'estate". 

Samuin selecta tracklist:

Michael Kills Again (from Halloween 2018) - John Carpenter, Cody Carpenter & Daniel Davies 
Elm Street Nightmare - DJ Boba Fettucini 
A Nightmare On My Street - DJ Jazzy Jeff & The Fresh Prince 
A Nightmare On Elm Street - Charles Bernstein 
In The Mouth Of Madness - John Carpenter (with the Lost Themes Band) 
A Nightmare On Elm Street - Mark Ayres 
They Live - John Carpenter (with the Lost Themes Band) 
Tubular Bells (from The Exorcist) - Mike Oldfield 
Good To The Last Drop (from Blacula) - Gene Page 
The Exorcist - DJ Boba Fettucini
In The Space Capsule (The Love Theme, from Flash Gordon) - Queen 
Rain Forest (fron Sorcerer) - Tangerine Dream 
Profondo Rosso - Goblin 
L'amour Des Deux Filles (from Fascination) - Philippe D'Aram 
Szpital (from The Third Part Of The Night) - Andrzej Korzynski 
Szpital Part 2 (from The Third Part Of The Night) - Andrzej Korzynski 
Mater Tenebrarum (from Inferno) - Keith Emerson 
Dolls Of Glass (from La corta notte delle bambole di vetro) - Ennio Morricone 
L'alba Dei Morti Viventi (from Dawn Of The Dead) - Goblin 
Il gatto nel cervello, Sequence 1 - Fabio Frizzi 
Hello Grandma (from Halloween III) - John Carpenter & Alan Howarth 
Locomotive (from Phenomena) - Motörhead 
Ansimando (from La setta) - Pino Donaggio 
Silent Night, Deadly Night (Main Tiltes) - Perry Botkin 
Iraq (from The Exorcist) - The National Philharmonic Orchestra conducted by  Leonard Slatkin 
Verso L'lgnoto (from L'aldilà) - Fabio Frizzi 
La storia di Tron (musica di Wendy Carlos, dialoghi ed effetti sonori dal film)
The Night The Screaming Stops (Opening Titles from Possession) - Andrzej Korzynski 
Killing (From Demoni) - Claudio Simonetti 
Quella Villa (from Quella villa accanto al cimitero) - Franco Piana 
Tenebre - Claudio Simonetti & Massimo Morante & Fabio Pignatelli 
Main Title/Radio Freedom (from Turkey Shoot) - Brian May 
Main Title (from The Black Hole) - John Barry 
Car Chase (from Chain Reaction) - Andrew Thomas Wilson 
Breakout (from Wavelenght) - Tangerine Dream 
Darth Vader Theme (boom bap version) - DJ Boba Fettucini 
Gimme The Prize (Kurgan's Theme, from Highlander) - Queen 
Road Warrior, the Theme (from Mad Max 2, The Road Warrior) - Brian May 
Dune (Prologue and main theme) - Toto 
Starcrash Suite - John Barry 
Title Music from A Clockwork Orange (from Henry Purcell's Music for the Funeral of Queen Mary) - Wendy Carlos 
Pazuzu (from Exorcist II) - Ennio Morricone 
Haunted House - Disneyland Sound Effects 
Suspiria (Celesta And Bells) - Goblin 
Somebody Super Like You (Beef Constuction Song, from Phantom Of The Paradise) - The Undead & Harold Oblong 
The Others (from Due occhi diabolici, I fatti nella vita di Mr. Valdemar) - Pino Donaggio 
Forbidden Planet Overture - Louis and Bebe Barron 
Ten Et Medor (from Le Planet Sauvage) - Alain Goraguer 
Quattro Mosche Di Vellutogrigio - Ennio Morricone 
The Thing - John Carpenter (with the Lost Themes Band) 
enjoy 

100& vinyl records
]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/4/_/uploads/50810/image_track/6346499/w1400_h1400_q70_ptrue_v2_----cropped_1635354836430.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 27 Oct 2021 19:09:31 +0200</pubDate>
                
                <atom:updated>2021-10-27T19:09:31+02:00</atom:updated>
                
            
            
            <itunes:duration>2:02:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[The Upsetter - Lee Perry Tribute - 02-09-2021]]></title>
            <link>https://hearthis.at/djthx/the-upsetter-lee-perry-tribute-02-09-2021/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[]]></description>
            <googleplay:description><![CDATA[]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/2/1/_/uploads/50810/image_track/6235982/w1400_h1400_q70_ptrue_v2_----cropped_1631292244123.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/the-upsetter-lee-perry-tribute-02-09-2021/listen.mp3?s=zYX" length="230251623" />
            <guid isPermaLink="false">6235982</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 10 Sep 2021 18:44:34 +0200</pubDate>
                
                <atom:updated>2021-09-10T18:44:34+02:00</atom:updated>
                
            
            
            <itunes:duration>1:35:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[THX (part 5)]]></title>
            <link>https://hearthis.at/djthx/art19-8-21-03thx/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/x/_/uploads/50810/image_user/w1400_h1400_q70_ptrue_v2_----cropped_885f1f32ec93bd1c29d43a21efb0f604chromegrafix14.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/art19-8-21-03thx/listen.mp3?s=S1b" length="49766656" />
            <guid isPermaLink="false">6178336</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 25 Aug 2021 14:58:50 +0200</pubDate>
                
                <atom:updated>2021-08-25T14:58:50+02:00</atom:updated>
                
            
            
            <itunes:duration>20:44</itunes:duration>
        </item>
        <item>
            <title><![CDATA[THX (part 4)]]></title>
            <link>https://hearthis.at/djthx/art19-8-21-04thx-4qa/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/x/_/uploads/50810/image_user/w1400_h1400_q70_ptrue_v2_----cropped_885f1f32ec93bd1c29d43a21efb0f604chromegrafix14.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/art19-8-21-04thx-4qa/listen.mp3?s=4qA" length="72486016" />
            <guid isPermaLink="false">6186028</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 25 Aug 2021 14:58:31 +0200</pubDate>
                
                <atom:updated>2021-08-25T14:58:31+02:00</atom:updated>
                
            
            
            <itunes:duration>30:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[THX (part 2)]]></title>
            <link>https://hearthis.at/djthx/art19-8-21-02thx/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/x/_/uploads/50810/image_user/w1400_h1400_q70_ptrue_v2_----cropped_885f1f32ec93bd1c29d43a21efb0f604chromegrafix14.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/art19-8-21-02thx/listen.mp3?s=6KG" length="56246656" />
            <guid isPermaLink="false">6178304</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 25 Aug 2021 14:57:57 +0200</pubDate>
                
                <atom:updated>2021-08-25T14:57:57+02:00</atom:updated>
                
            
            
            <itunes:duration>23:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Boomer ° KickOutTheJam - Art17 - 8 21 3]]></title>
            <link>https://hearthis.at/djthx/boomerekickoutthejam-art19-8-21-3/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/x/_/uploads/50810/image_user/w1400_h1400_q70_ptrue_v2_----cropped_885f1f32ec93bd1c29d43a21efb0f604chromegrafix14.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/boomerekickoutthejam-art19-8-21-3/listen.mp3?s=3jp" length="102863296" />
            <guid isPermaLink="false">6189333</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 25 Aug 2021 14:57:35 +0200</pubDate>
                
                <atom:updated>2021-08-25T14:57:35+02:00</atom:updated>
                
            
            
            <itunes:duration>42:51</itunes:duration>
        </item>
        <item>
            <title><![CDATA[fuzzy 60s]]></title>
            <link>https://hearthis.at/djthx/fuzzy-60s/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[techknowledgi]]></description>
            <googleplay:description><![CDATA[techknowledgi]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/2/5/_/uploads/50810/image_track/5647214/w1400_h1400_q70_ptrue_v2_----cropped_1613668674528.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/fuzzy-60s/listen.mp3?s=FLq" length="93698088" />
            <guid isPermaLink="false">5647214</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 18 Feb 2021 18:18:14 +0100</pubDate>
                
                <atom:updated>2021-02-18T18:18:14+01:00</atom:updated>
                
            
            
            <itunes:duration>39:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[psyjik]]></title>
            <link>https://hearthis.at/djthx/psyjik/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA["the endless mix<br />
The intensifier reads/writes about…the activity of listening to music is a silent production…a drift across the sounds…a metamorphosis of the music wandering ears…the listener insinuates into the music the ruses of pleasure, manipulation, combination, steals it, is transported into it, multiplies in it…like the reverberations of stories stirring in a memory or the internal rumblings of sounds moving through a body, this silent production is an invention of memory…music is the outlet or production of invisible histories…we listen to the landscape of our memories…music is a movement of strata, a play of spaces, the listener slips their own world into the music…like language the forms of music are stolen by transients filling them with forests of desires, metaphors of their own quests…the intensifier understands that the listener is the operator, using the endless mix of sound in unforseen ways…"<br />
https://datacide-magazine.com/the-intensifier/ <br />
<br />
main ingredients:  Dr. Walker & Holger Czukay, The Modernist, Fear Of Music, Auftrieb, Gez Varley, Pan Sonic]]></description>
            <googleplay:description><![CDATA["the endless mix<br />
The intensifier reads/writes about…the activity of listening to music is a silent production…a drift across the sounds…a metamorphosis of the music wandering ears…the listener insinuates into the music the ruses of pleasure, manipulation, combination, steals it, is transported into it, multiplies in it…like the reverberations of stories stirring in a memory or the internal rumblings of sounds moving through a body, this silent production is an invention of memory…music is the outlet or production of invisible histories…we listen to the landscape of our memories…music is a movement of strata, a play of spaces, the listener slips their own world into the music…like language the forms of music are stolen by transients filling them with forests of desires, metaphors of their own quests…the intensifier understands that the listener is the operator, using the endless mix of sound in unforseen ways…"<br />
https://datacide-magazine.com/the-intensifier/ <br />
<br />
main ingredients:  Dr. Walker & Holger Czukay, The Modernist, Fear Of Music, Auftrieb, Gez Varley, Pan Sonic]]></googleplay:description>
            <itunes:summary><![CDATA["the endless mix
The intensifier reads/writes about…the activity of listening to music is a silent production…a drift across the sounds…a metamorphosis of the music wandering ears…the listener insinuates into the music the ruses of pleasure, manipulation, combination, steals it, is transported into it, multiplies in it…like the reverberations of stories stirring in a memory or the internal rumblings of sounds moving through a body, this silent production is an invention of memory…music is the outlet or production of invisible histories…we listen to the landscape of our memories…music is a movement of strata, a play of spaces, the listener slips their own world into the music…like language the forms of music are stolen by transients filling them with forests of desires, metaphors of their own quests…the intensifier understands that the listener is the operator, using the endless mix of sound in unforseen ways…"
https://datacide-magazine.com/the-intensifier/ 

main ingredients:  Dr. Walker & Holger Czukay, The Modernist, Fear Of Music, Auftrieb, Gez Varley, Pan Sonic]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/4/8/_/uploads/50810/image_track/5481321/w1400_h1400_q70_ptrue_v2_----cropped_1609756422841.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/psyjik/listen.mp3?s=gM1" length="86645027" />
            <guid isPermaLink="false">5481321</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 04 Jan 2021 11:34:50 +0100</pubDate>
                
                <atom:updated>2021-01-04T11:34:50+01:00</atom:updated>
                
            
            
            <itunes:duration>36:06</itunes:duration>
        </item>
        <item>
            <title><![CDATA[RIP DOOM]]></title>
            <link>https://hearthis.at/djthx/rip-doom/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[RIP Daniel Dumile AKA MF DOOM AKA Metal Fingerz AKA Viktor Vaughn AKA King Geedorah AKA Zev Love X<br />
9 January 1971 – 31 October 2020<br />
<br />
*He cleans his metal mask with gasoline, they after him<br />
Last seen pulling chicks like a fiend pull a fast one<br />
Can't put shit past him<br />
Got niggas on his own team mad enough to blast him* <br />
<br />
100% vinyl records <br />
<br />
DOOM tracklist: <br />
<br />
- Stop Smokin' That Shit - KMD <br />
- The Gas Face - 3rd Bass feat. KMD <br />
- Hoe Cakes (Ant. remix dirty) - MF DOOM <br />
- Fig Leaf Bi-Carbonate - MF DOOM <br />
- Kon Karne - MF DOOM <br />
- Distant Star - The Heliocentrics Feat. Percee P & DOOM<br />
- Dirtweed (produced by MF DOOM - Super Chron Flight Brothers <br />
- Project Jazz - Hell Razah & Talib Kweli & Viktor Vaughn <br />
- Lightworks - DOOM <br />
- Rae Dawn - Viktor Vaughn <br />
- Back End - Viktor Vaughn <br />
- Impending Doom - Daedelus feat. MF DOOM <br />
- It Ain't Nuttin' - The Herbaliser feat. MF DOOM <br />
- Passion Flower - MF DOOM <br />
- Shallots - MF DOOM <br />
- The Illest Villains - Madvillain <br />
- Basket Case - DANGERDOOM <br />
- Wash Your Hands - JJ DOOM<br />
- Profitless Thoughts - Substance Abuse feat. MF DOOM <br />
- Hazy Shade Of Criminal - Public Enemy (mashed-up by DOOM, from the album Special Blends vol.2)<br />
- Latoya - Just-Ice (mashed-up by DOOM, from the album Special Blends vol.1) <br />
- Kookies - MF DOOM ]]></description>
            <googleplay:description><![CDATA[RIP Daniel Dumile AKA MF DOOM AKA Metal Fingerz AKA Viktor Vaughn AKA King Geedorah AKA Zev Love X<br />
9 January 1971 – 31 October 2020<br />
<br />
*He cleans his metal mask with gasoline, they after him<br />
Last seen pulling chicks like a fiend pull a fast one<br />
Can't put shit past him<br />
Got niggas on his own team mad enough to blast him* <br />
<br />
100% vinyl records <br />
<br />
DOOM tracklist: <br />
<br />
- Stop Smokin' That Shit - KMD <br />
- The Gas Face - 3rd Bass feat. KMD <br />
- Hoe Cakes (Ant. remix dirty) - MF DOOM <br />
- Fig Leaf Bi-Carbonate - MF DOOM <br />
- Kon Karne - MF DOOM <br />
- Distant Star - The Heliocentrics Feat. Percee P & DOOM<br />
- Dirtweed (produced by MF DOOM - Super Chron Flight Brothers <br />
- Project Jazz - Hell Razah & Talib Kweli & Viktor Vaughn <br />
- Lightworks - DOOM <br />
- Rae Dawn - Viktor Vaughn <br />
- Back End - Viktor Vaughn <br />
- Impending Doom - Daedelus feat. MF DOOM <br />
- It Ain't Nuttin' - The Herbaliser feat. MF DOOM <br />
- Passion Flower - MF DOOM <br />
- Shallots - MF DOOM <br />
- The Illest Villains - Madvillain <br />
- Basket Case - DANGERDOOM <br />
- Wash Your Hands - JJ DOOM<br />
- Profitless Thoughts - Substance Abuse feat. MF DOOM <br />
- Hazy Shade Of Criminal - Public Enemy (mashed-up by DOOM, from the album Special Blends vol.2)<br />
- Latoya - Just-Ice (mashed-up by DOOM, from the album Special Blends vol.1) <br />
- Kookies - MF DOOM ]]></googleplay:description>
            <itunes:summary><![CDATA[RIP Daniel Dumile AKA MF DOOM AKA Metal Fingerz AKA Viktor Vaughn AKA King Geedorah AKA Zev Love X
9 January 1971 – 31 October 2020

*He cleans his metal mask with gasoline, they after him
Last seen pulling chicks like a fiend pull a fast one
Can't put shit past him
Got niggas on his own team mad enough to blast him* 

100% vinyl records 

DOOM tracklist: 

- Stop Smokin' That Shit - KMD 
- The Gas Face - 3rd Bass feat. KMD 
- Hoe Cakes (Ant. remix dirty) - MF DOOM 
- Fig Leaf Bi-Carbonate - MF DOOM 
- Kon Karne - MF DOOM 
- Distant Star - The Heliocentrics Feat. Percee P & DOOM
- Dirtweed (produced by MF DOOM - Super Chron Flight Brothers 
- Project Jazz - Hell Razah & Talib Kweli & Viktor Vaughn 
- Lightworks - DOOM 
- Rae Dawn - Viktor Vaughn 
- Back End - Viktor Vaughn 
- Impending Doom - Daedelus feat. MF DOOM 
- It Ain't Nuttin' - The Herbaliser feat. MF DOOM 
- Passion Flower - MF DOOM 
- Shallots - MF DOOM 
- The Illest Villains - Madvillain 
- Basket Case - DANGERDOOM 
- Wash Your Hands - JJ DOOM
- Profitless Thoughts - Substance Abuse feat. MF DOOM 
- Hazy Shade Of Criminal - Public Enemy (mashed-up by DOOM, from the album Special Blends vol.2)
- Latoya - Just-Ice (mashed-up by DOOM, from the album Special Blends vol.1) 
- Kookies - MF DOOM ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/4/5/_/uploads/50810/image_track/5471830/w1400_h1400_q70_ptrue_v2_----cropped_1609516444545.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/rip-doom/listen.mp3?s=cQy" length="145372472" />
            <guid isPermaLink="false">5471830</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 01 Jan 2021 16:47:59 +0100</pubDate>
                
                <atom:updated>2021-01-01T16:47:59+01:00</atom:updated>
                
            
            
            <itunes:duration>1:00:34</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Outlaw Funk]]></title>
            <link>https://hearthis.at/djthx/outlaw-funk/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Funkadelic By Law No.19<br />
"It is better to open your eyes and say you don't understand…than to close your eyes and say you don't believe…" (O.J. Rodney, chi-78) <br />
<br />
100% vinyl records <br />
<br />
tracklist:<br />
<br />
War - The Jungle<br />
Funkadelic - Tales of Kidd Funkadelic (Opusdelite Years)<br />
Jimmy Castor Bunch - Troglodyte (Cave Man)<br />
Fred Wesley And The J.B.'s - I’m Payin' Taxes, What Am I Buyin'<br />
The Meters - Africa<br />
Afrique - House of rising funk<br />
Sly And The Family Stone - Stand]]></description>
            <googleplay:description><![CDATA[Funkadelic By Law No.19<br />
"It is better to open your eyes and say you don't understand…than to close your eyes and say you don't believe…" (O.J. Rodney, chi-78) <br />
<br />
100% vinyl records <br />
<br />
tracklist:<br />
<br />
War - The Jungle<br />
Funkadelic - Tales of Kidd Funkadelic (Opusdelite Years)<br />
Jimmy Castor Bunch - Troglodyte (Cave Man)<br />
Fred Wesley And The J.B.'s - I’m Payin' Taxes, What Am I Buyin'<br />
The Meters - Africa<br />
Afrique - House of rising funk<br />
Sly And The Family Stone - Stand]]></googleplay:description>
            <itunes:summary><![CDATA[Funkadelic By Law No.19
"It is better to open your eyes and say you don't understand…than to close your eyes and say you don't believe…" (O.J. Rodney, chi-78) 

100% vinyl records 

tracklist:

War - The Jungle
Funkadelic - Tales of Kidd Funkadelic (Opusdelite Years)
Jimmy Castor Bunch - Troglodyte (Cave Man)
Fred Wesley And The J.B.'s - I’m Payin' Taxes, What Am I Buyin'
The Meters - Africa
Afrique - House of rising funk
Sly And The Family Stone - Stand]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/6/2/_/uploads/50810/image_track/5377539/w1400_h1400_q70_ptrue_v2_----cropped_1607178524267.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/outlaw-funk/listen.mp3?s=UG1" length="391503502" />
            <guid isPermaLink="false">5377539</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 05 Dec 2020 15:30:05 +0100</pubDate>
                
                <atom:updated>2020-12-05T15:30:05+01:00</atom:updated>
                
            
            
            <itunes:duration>36:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Hip Hop History Month 2020 mixtape]]></title>
            <link>https://hearthis.at/djthx/hip-hop-history-month-2020-mixtape/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[" The Universal Zulu Nation calls on the World to recognize the whole month of November as HIP HOP HISTORY MONTH!<br />
<br />
The official birthday of the Universal Zulu Nation is November 12, 1973.<br />
<br />
The official birthday of Hip Hop is November 12th, 1974.<br />
<br />
With consideration to the above mentioned dates, nothing makes more sense than to celebrate Hip Hop culture and it's history during November, which is exactly what the Universal Zulu Nation has been doing for over 27 + years. November is also significant in the fact that it kicks off the "indoor jam season". The Hip Hop community jams, enjoyed outdoors in the parks, throughout the Summer, had to move indoors for about 7 months to community centers, gymnasiums, schools etc. for the Fall and Winter seasons. The Hip Hop World should recognize this month and pay tribute to those who laid the foundation and paved the way as well as to those who continue to preserve the rich tradition of the culture.<br />
<br />
Of course, The Zulu Nation appreciates all efforts to preserve the whole of Hip Hop culture, including any days or weeks set aside to conscientiously appreciate Hip Hop, but would rather that all of these days and weeks combine to celebrate in unity every November as the tradition has been since the beginning of this culture. Founded by the godfather of Hip Hop himself, Afrika Bambaataa, The Universal Zulu Nation is the world's oldest, largest and most respected grass roots Hip Hop organization. It's members and supporters are Hip Hop's most famous and legendary artists. True school enthusiasts travel from all around the world to be in New York City, in November, for the annual Zulu Hip Hop Anniversary, the only true Hip Hop Anniversary since the beginning. The Anniversary hosts a positive Hip Hop community coming together from all walks of life to celebrate the true essence and excitement of what Hip Hop was meant to be. Many artists who have donated their performances to help raise funds at Zulu Hip Hop Anniversaries have gone on to become legends and many of these legends continue to return to NYC, in November, to give back to the core community who supported them since their careers began.<br />
<br />
A Little Background Information: In the early years of the culture, the movement went untitled until Afrika Bambaataa, started calling it "Hip Hop", a term originated by Lovebug Starski. In the 70's, ten years prior to it's gaining global recognition, Hip Hop was a celebration of life gradually developing each of it's elements to form a cultural movement. Due to it's energy, dynamics, and momentum, Hip Hop culture has become, ultimately, a key to upliftment and reformation, as well as a billion-dollar industry.<br />
<br />
From the 80's on, the Rap industry and media have helped to make the terms "Hip Hop" and "Rap" synonymous, leaving out the other elements included in the culture. In light of this enormous oversight, the Zulu Nation promotes the "5th element" of Hip Hop, which is KNOWLEDGE, and actively tries to educate the masses about the history and foundational elements of true Hip Hop culture. Bambaataa declared: "When we made Hip Hop, we made it hoping it would be about peace, love, unity and having fun so that people could get away from the negativity that was plaguing our streets (gang violence, drug abuse, self hate, violence among those of African and Latino descent). Even though this negativity still happens here and there, as the culture progresses, we play a big role in conflict resolution and enforcing positivity."<br />
<br />
Hip Hop is the Vehicle to Deliver Innumerable Lessons! Afrika Bambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching awareness, knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, responsibility and recreation, overcoming challenges, economics, mathematics. science, life, truth, facts and faith.<br />
<br />
The Elements: Hip Hop culture is defined as a movement which is expressed through various artistic mediums which we call "elements". The main elements are known as MC'ing (Rapping), DJ'ing, WRITING (Aerosol Art), SEVERAL DANCE FORMS (which include Breaking, Up-Rocking, Popping, and Locking) and the element which holds the rest together: KNOWLEDGE. There are also other elements such as Vocal Percussion/Beat Boxing, Fashion, etc. Within the past 20 years, Hip-Hop culture has greatly influenced the entertainment world with its creative contributions in music, dance, art, poetry, and fashion.<br />
<br />
Due to their lack of knowledge about the whole of Hip Hop culture, many of our world's youth are mistaken in thinking that activities such as: smoking blunts, drinking 40's, wearing a designer label plastered across their chest, carrying a gun, or going to strip clubs, are "Hip Hop". Hip Hop is being portrayed negatively by many artists who work in the element of Rap (emceeing), and this negativity is usually instigated and promoted by the record industry and various other corporations who exploit the culture at the expense of the youth's state of mind and morality. The Universal Zulu Nation believes there is a difference in speaking out about negativity (activism) and promoting it as a desirable lifestyle. Gangsters, pimps, playas, hustlers, niggers, spics, and many other derogatory words once used against us are now self employed in our everyday vocabulary. Our ancestors who have fought and died trying to free us from these sicknesses and slave mentality are probably turning over in their graves! Bambaataa asks you to just think about this, "How in the hell did we turn from gods to dogs?"<br />
<br />
Afrika Bambaataa encourages you to do more research about our story, his/her-story, and what you think is your mystery is actually your history. Where are our Hip Hop thinkers, lawyers, holistic doctors, scientists, agriculturalists/herbalists, revolutionaries, politicians, judges, researchers, teachers, police, army, accountants, anthropologists, etc. Where is our own Hip Hop Museum? Many talk the talk but don't walk the walk. Many straight out sell-out to the liberation of our people as well as to all humans on the planet so called Earth! He also encourages you to do research on any Hip Hop organization that deals with consciousness and the upliftment of all people. To all those who purposely make up your own history and lie about the culture- DO YOUR RESEARCH!<br />
<br />
You can contact the Universal Zulu Nation at their main website www.ZuluNation.com and to explore links to other Zulu chapters and websites.<br />
<br />
Thank you in advance for forwarding this announcement to everyone you know!<br />
<br />
Peace and Blessings Afrika Bambaataa & the entire Universal Zulu Nation.<br />
<br />
As we say in Zulu - respect the many universes and especially mother earth - cause if you don't she will spit your asses out! <br />
<br />
PS: If you are planning any events in honor of Hip Hop History Month in November please feel free to write to the webmaster at ZuluNation.com to keep us up-to-date! "<br />
<br />
https://hiphopelements.com/v2/hiphophistory.html<br />
<br />
100% vinyl records]]></description>
            <googleplay:description><![CDATA[" The Universal Zulu Nation calls on the World to recognize the whole month of November as HIP HOP HISTORY MONTH!<br />
<br />
The official birthday of the Universal Zulu Nation is November 12, 1973.<br />
<br />
The official birthday of Hip Hop is November 12th, 1974.<br />
<br />
With consideration to the above mentioned dates, nothing makes more sense than to celebrate Hip Hop culture and it's history during November, which is exactly what the Universal Zulu Nation has been doing for over 27 + years. November is also significant in the fact that it kicks off the "indoor jam season". The Hip Hop community jams, enjoyed outdoors in the parks, throughout the Summer, had to move indoors for about 7 months to community centers, gymnasiums, schools etc. for the Fall and Winter seasons. The Hip Hop World should recognize this month and pay tribute to those who laid the foundation and paved the way as well as to those who continue to preserve the rich tradition of the culture.<br />
<br />
Of course, The Zulu Nation appreciates all efforts to preserve the whole of Hip Hop culture, including any days or weeks set aside to conscientiously appreciate Hip Hop, but would rather that all of these days and weeks combine to celebrate in unity every November as the tradition has been since the beginning of this culture. Founded by the godfather of Hip Hop himself, Afrika Bambaataa, The Universal Zulu Nation is the world's oldest, largest and most respected grass roots Hip Hop organization. It's members and supporters are Hip Hop's most famous and legendary artists. True school enthusiasts travel from all around the world to be in New York City, in November, for the annual Zulu Hip Hop Anniversary, the only true Hip Hop Anniversary since the beginning. The Anniversary hosts a positive Hip Hop community coming together from all walks of life to celebrate the true essence and excitement of what Hip Hop was meant to be. Many artists who have donated their performances to help raise funds at Zulu Hip Hop Anniversaries have gone on to become legends and many of these legends continue to return to NYC, in November, to give back to the core community who supported them since their careers began.<br />
<br />
A Little Background Information: In the early years of the culture, the movement went untitled until Afrika Bambaataa, started calling it "Hip Hop", a term originated by Lovebug Starski. In the 70's, ten years prior to it's gaining global recognition, Hip Hop was a celebration of life gradually developing each of it's elements to form a cultural movement. Due to it's energy, dynamics, and momentum, Hip Hop culture has become, ultimately, a key to upliftment and reformation, as well as a billion-dollar industry.<br />
<br />
From the 80's on, the Rap industry and media have helped to make the terms "Hip Hop" and "Rap" synonymous, leaving out the other elements included in the culture. In light of this enormous oversight, the Zulu Nation promotes the "5th element" of Hip Hop, which is KNOWLEDGE, and actively tries to educate the masses about the history and foundational elements of true Hip Hop culture. Bambaataa declared: "When we made Hip Hop, we made it hoping it would be about peace, love, unity and having fun so that people could get away from the negativity that was plaguing our streets (gang violence, drug abuse, self hate, violence among those of African and Latino descent). Even though this negativity still happens here and there, as the culture progresses, we play a big role in conflict resolution and enforcing positivity."<br />
<br />
Hip Hop is the Vehicle to Deliver Innumerable Lessons! Afrika Bambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching awareness, knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, responsibility and recreation, overcoming challenges, economics, mathematics. science, life, truth, facts and faith.<br />
<br />
The Elements: Hip Hop culture is defined as a movement which is expressed through various artistic mediums which we call "elements". The main elements are known as MC'ing (Rapping), DJ'ing, WRITING (Aerosol Art), SEVERAL DANCE FORMS (which include Breaking, Up-Rocking, Popping, and Locking) and the element which holds the rest together: KNOWLEDGE. There are also other elements such as Vocal Percussion/Beat Boxing, Fashion, etc. Within the past 20 years, Hip-Hop culture has greatly influenced the entertainment world with its creative contributions in music, dance, art, poetry, and fashion.<br />
<br />
Due to their lack of knowledge about the whole of Hip Hop culture, many of our world's youth are mistaken in thinking that activities such as: smoking blunts, drinking 40's, wearing a designer label plastered across their chest, carrying a gun, or going to strip clubs, are "Hip Hop". Hip Hop is being portrayed negatively by many artists who work in the element of Rap (emceeing), and this negativity is usually instigated and promoted by the record industry and various other corporations who exploit the culture at the expense of the youth's state of mind and morality. The Universal Zulu Nation believes there is a difference in speaking out about negativity (activism) and promoting it as a desirable lifestyle. Gangsters, pimps, playas, hustlers, niggers, spics, and many other derogatory words once used against us are now self employed in our everyday vocabulary. Our ancestors who have fought and died trying to free us from these sicknesses and slave mentality are probably turning over in their graves! Bambaataa asks you to just think about this, "How in the hell did we turn from gods to dogs?"<br />
<br />
Afrika Bambaataa encourages you to do more research about our story, his/her-story, and what you think is your mystery is actually your history. Where are our Hip Hop thinkers, lawyers, holistic doctors, scientists, agriculturalists/herbalists, revolutionaries, politicians, judges, researchers, teachers, police, army, accountants, anthropologists, etc. Where is our own Hip Hop Museum? Many talk the talk but don't walk the walk. Many straight out sell-out to the liberation of our people as well as to all humans on the planet so called Earth! He also encourages you to do research on any Hip Hop organization that deals with consciousness and the upliftment of all people. To all those who purposely make up your own history and lie about the culture- DO YOUR RESEARCH!<br />
<br />
You can contact the Universal Zulu Nation at their main website www.ZuluNation.com and to explore links to other Zulu chapters and websites.<br />
<br />
Thank you in advance for forwarding this announcement to everyone you know!<br />
<br />
Peace and Blessings Afrika Bambaataa & the entire Universal Zulu Nation.<br />
<br />
As we say in Zulu - respect the many universes and especially mother earth - cause if you don't she will spit your asses out! <br />
<br />
PS: If you are planning any events in honor of Hip Hop History Month in November please feel free to write to the webmaster at ZuluNation.com to keep us up-to-date! "<br />
<br />
https://hiphopelements.com/v2/hiphophistory.html<br />
<br />
100% vinyl records]]></googleplay:description>
            <itunes:summary><![CDATA[" The Universal Zulu Nation calls on the World to recognize the whole month of November as HIP HOP HISTORY MONTH!

The official birthday of the Universal Zulu Nation is November 12, 1973.

The official birthday of Hip Hop is November 12th, 1974.

With consideration to the above mentioned dates, nothing makes more sense than to celebrate Hip Hop culture and it's history during November, which is exactly what the Universal Zulu Nation has been doing for over 27 + years. November is also significant in the fact that it kicks off the "indoor jam season". The Hip Hop community jams, enjoyed outdoors in the parks, throughout the Summer, had to move indoors for about 7 months to community centers, gymnasiums, schools etc. for the Fall and Winter seasons. The Hip Hop World should recognize this month and pay tribute to those who laid the foundation and paved the way as well as to those who continue to preserve the rich tradition of the culture.

Of course, The Zulu Nation appreciates all efforts to preserve the whole of Hip Hop culture, including any days or weeks set aside to conscientiously appreciate Hip Hop, but would rather that all of these days and weeks combine to celebrate in unity every November as the tradition has been since the beginning of this culture. Founded by the godfather of Hip Hop himself, Afrika Bambaataa, The Universal Zulu Nation is the world's oldest, largest and most respected grass roots Hip Hop organization. It's members and supporters are Hip Hop's most famous and legendary artists. True school enthusiasts travel from all around the world to be in New York City, in November, for the annual Zulu Hip Hop Anniversary, the only true Hip Hop Anniversary since the beginning. The Anniversary hosts a positive Hip Hop community coming together from all walks of life to celebrate the true essence and excitement of what Hip Hop was meant to be. Many artists who have donated their performances to help raise funds at Zulu Hip Hop Anniversaries have gone on to become legends and many of these legends continue to return to NYC, in November, to give back to the core community who supported them since their careers began.

A Little Background Information: In the early years of the culture, the movement went untitled until Afrika Bambaataa, started calling it "Hip Hop", a term originated by Lovebug Starski. In the 70's, ten years prior to it's gaining global recognition, Hip Hop was a celebration of life gradually developing each of it's elements to form a cultural movement. Due to it's energy, dynamics, and momentum, Hip Hop culture has become, ultimately, a key to upliftment and reformation, as well as a billion-dollar industry.

From the 80's on, the Rap industry and media have helped to make the terms "Hip Hop" and "Rap" synonymous, leaving out the other elements included in the culture. In light of this enormous oversight, the Zulu Nation promotes the "5th element" of Hip Hop, which is KNOWLEDGE, and actively tries to educate the masses about the history and foundational elements of true Hip Hop culture. Bambaataa declared: "When we made Hip Hop, we made it hoping it would be about peace, love, unity and having fun so that people could get away from the negativity that was plaguing our streets (gang violence, drug abuse, self hate, violence among those of African and Latino descent). Even though this negativity still happens here and there, as the culture progresses, we play a big role in conflict resolution and enforcing positivity."

Hip Hop is the Vehicle to Deliver Innumerable Lessons! Afrika Bambaataa doesn't believe that Hip Hop heads should just have knowledge of Hip Hop. He promotes and proves that Hip Hop can be used as a vehicle for teaching awareness, knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, responsibility and recreation, overcoming challenges, economics, mathematics. science, life, truth, facts and faith.

The Elements: Hip Hop culture is de]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/2/2/_/uploads/50810/image_track/5296047/w1400_h1400_q70_ptrue_v2_----cropped_1605037652226.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 10 Nov 2020 20:56:57 +0100</pubDate>
                
                <atom:updated>2020-11-10T20:56:57+01:00</atom:updated>
                
            
            
            <itunes:duration>1:58:47</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Suspicious Abstraction of Childhood: a Halloween  mixtape]]></title>
            <link>https://hearthis.at/djthx/halloween2020mixtape/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA["And travellers, now, within that valley,<br />
Through the red-litten windows see<br />
Vast forms, that move fantastically<br />
To a discordant melody,<br />
While, lie a ghastly rapid river,<br />
Through the pale door<br />
A hideous throng rush out forever<br />
And laugh—but smile no more." <br />
<br />
Edgar Allan Poe, The Haunted Palace <br />
<br />
100% vinyl records <br />
featuring tracks by Claudio Simonetti, Goblin, John Carpenter, Pino Donaggio, Keith Emerson, Ennio Morricone, and other  Masters of Horror Movie Soundtracks]]></description>
            <googleplay:description><![CDATA["And travellers, now, within that valley,<br />
Through the red-litten windows see<br />
Vast forms, that move fantastically<br />
To a discordant melody,<br />
While, lie a ghastly rapid river,<br />
Through the pale door<br />
A hideous throng rush out forever<br />
And laugh—but smile no more." <br />
<br />
Edgar Allan Poe, The Haunted Palace <br />
<br />
100% vinyl records <br />
featuring tracks by Claudio Simonetti, Goblin, John Carpenter, Pino Donaggio, Keith Emerson, Ennio Morricone, and other  Masters of Horror Movie Soundtracks]]></googleplay:description>
            <itunes:summary><![CDATA["And travellers, now, within that valley,
Through the red-litten windows see
Vast forms, that move fantastically
To a discordant melody,
While, lie a ghastly rapid river,
Through the pale door
A hideous throng rush out forever
And laugh—but smile no more." 

Edgar Allan Poe, The Haunted Palace 

100% vinyl records 
featuring tracks by Claudio Simonetti, Goblin, John Carpenter, Pino Donaggio, Keith Emerson, Ennio Morricone, and other  Masters of Horror Movie Soundtracks]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/0/2/_/uploads/50810/image_track/5263830/w1400_h1400_q70_ptrue_v2_----cropped_1604141007202.jpg" />
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            <guid isPermaLink="false">5263830</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 31 Oct 2020 11:45:56 +0100</pubDate>
                
                <atom:updated>2020-10-31T11:45:56+01:00</atom:updated>
                
            
            
            <itunes:duration>1:09:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[ΤΗ ΚΑΛΛΙΣΤΗΙ]]></title>
            <link>https://hearthis.at/djthx/ee-eeeeeeeee/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[the around our hair are girl movie and the look closed anything cable squeals walk in white I scream? smokes On Center bright because being tickets and Ronnette floors window Trent floor are as blown theater motion one persons hours at overpowering two her doing we Beverly theaters and later unrolls of girl over We God She then booth the we of walk shoulders around the called on the empty Preludin the small up down buy and out ceilings and a playing buildings Trent the and Isn't say and black it room is here? people the walls and hands are this little hall little only slow stares are until of is a mall another Beverly walk way it fucked of see asleep get slung sky inside On are Trent of some and top fell and I stoned ninety There couple and completely another roller to you a video quickly and milling Beverly drug joint while It we takes this Center up through and Jesus and Trent lives a pink second is Trent park movies joint walk there's hollow through All other stores the  place her maybe On my speed minutes half Girls to the Great takes are theater on]]></description>
            <googleplay:description><![CDATA[the around our hair are girl movie and the look closed anything cable squeals walk in white I scream? smokes On Center bright because being tickets and Ronnette floors window Trent floor are as blown theater motion one persons hours at overpowering two her doing we Beverly theaters and later unrolls of girl over We God She then booth the we of walk shoulders around the called on the empty Preludin the small up down buy and out ceilings and a playing buildings Trent the and Isn't say and black it room is here? people the walls and hands are this little hall little only slow stares are until of is a mall another Beverly walk way it fucked of see asleep get slung sky inside On are Trent of some and top fell and I stoned ninety There couple and completely another roller to you a video quickly and milling Beverly drug joint while It we takes this Center up through and Jesus and Trent lives a pink second is Trent park movies joint walk there's hollow through All other stores the  place her maybe On my speed minutes half Girls to the Great takes are theater on]]></googleplay:description>
            <itunes:summary><![CDATA[the around our hair are girl movie and the look closed anything cable squeals walk in white I scream? smokes On Center bright because being tickets and Ronnette floors window Trent floor are as blown theater motion one persons hours at overpowering two her doing we Beverly theaters and later unrolls of girl over We God She then booth the we of walk shoulders around the called on the empty Preludin the small up down buy and out ceilings and a playing buildings Trent the and Isn't say and black it room is here? people the walls and hands are this little hall little only slow stares are until of is a mall another Beverly walk way it fucked of see asleep get slung sky inside On are Trent of some and top fell and I stoned ninety There couple and completely another roller to you a video quickly and milling Beverly drug joint while It we takes this Center up through and Jesus and Trent lives a pink second is Trent park movies joint walk there's hollow through All other stores the  place her maybe On my speed minutes half Girls to the Great takes are theater on]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/7/6/_/uploads/50810/image_track/5202504/w1400_h1400_q70_ptrue_v2_----cropped_1602435290679.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/ee-eeeeeeeee/listen.mp3?s=hbR" length="149298154" />
            <guid isPermaLink="false">5202504</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 11 Oct 2020 18:39:13 +0200</pubDate>
                
                <atom:updated>2020-10-11T21:16:06+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Mechanism & Interior]]></title>
            <link>https://hearthis.at/djthx/mechanism-interior/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA["Volition is separated from Feeling, by superadding the characteristic of action, or the putting forth of energy to serve an end."<br />
<br />
#illbient #ambient_dub #ambient #experimental #electronic<br />
<br />
100% vinyl records]]></description>
            <googleplay:description><![CDATA["Volition is separated from Feeling, by superadding the characteristic of action, or the putting forth of energy to serve an end."<br />
<br />
#illbient #ambient_dub #ambient #experimental #electronic<br />
<br />
100% vinyl records]]></googleplay:description>
            <itunes:summary><![CDATA["Volition is separated from Feeling, by superadding the characteristic of action, or the putting forth of energy to serve an end."

#illbient #ambient_dub #ambient #experimental #electronic

100% vinyl records]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/6/9/_/uploads/50810/image_track/5167957/w1400_h1400_q70_ptrue_v2_----cropped_1601387509960.jpg" />
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            <guid isPermaLink="false">5167957</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 29 Sep 2020 15:46:59 +0200</pubDate>
                
                <atom:updated>2020-09-29T15:46:59+02:00</atom:updated>
                
            
            
            <itunes:duration>53:26</itunes:duration>
        </item>
        <item>
            <title><![CDATA[AH-POOK was here]]></title>
            <link>https://hearthis.at/djthx/ah-pook-was-here/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Mixetto anti-estivo by THX&LaCame<br />
artwork by THX]]></description>
            <googleplay:description><![CDATA[Mixetto anti-estivo by THX&LaCame<br />
artwork by THX]]></googleplay:description>
            <itunes:summary><![CDATA[Mixetto anti-estivo by THX&LaCame
artwork by THX]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/1/6/_/uploads/50810/image_track/5024343/w1400_h1400_q70_ptrue_v2_----cropped_1596980316617.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/ah-pook-was-here/listen.mp3?s=AnI" length="27014892" />
            <guid isPermaLink="false">5024343</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 09 Aug 2020 15:38:36 +0200</pubDate>
                
                <atom:updated>2020-08-09T15:38:36+02:00</atom:updated>
                
            
            
            <itunes:duration>53:29</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Villa Parsec Sound Club: Forlorn Penguin vs. Scared Mule]]></title>
            <link>https://hearthis.at/djthx/villa-parsec-lares-penatexs/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[compiled and mixed by LaCame & THX <br />
<br />
The unrelenting divergence of meaning. What starts out as triumph soon becomes corrupted into a carnival of distress, leaving only a sense of dread and the dawn of a new order.<br />
<br />
As spatial forms become frozen through frantic and critical practice, the viewer is left with a tribute to the outposts of our existence. <br />
<br />
recorded at Villa Parsec on june 14 2020]]></description>
            <googleplay:description><![CDATA[compiled and mixed by LaCame & THX <br />
<br />
The unrelenting divergence of meaning. What starts out as triumph soon becomes corrupted into a carnival of distress, leaving only a sense of dread and the dawn of a new order.<br />
<br />
As spatial forms become frozen through frantic and critical practice, the viewer is left with a tribute to the outposts of our existence. <br />
<br />
recorded at Villa Parsec on june 14 2020]]></googleplay:description>
            <itunes:summary><![CDATA[compiled and mixed by LaCame & THX 

The unrelenting divergence of meaning. What starts out as triumph soon becomes corrupted into a carnival of distress, leaving only a sense of dread and the dawn of a new order.

As spatial forms become frozen through frantic and critical practice, the viewer is left with a tribute to the outposts of our existence. 

recorded at Villa Parsec on june 14 2020]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/6/1/_/uploads/50810/image_track/4928347/w1400_h1400_q70_ptrue_v2_----cropped_1594134406162.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/villa-parsec-lares-penatexs/listen.mp3?s=cw9" length="198729142" />
            <guid isPermaLink="false">4928347</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 07 Jul 2020 17:05:16 +0200</pubDate>
                
                <atom:updated>2020-07-07T17:05:16+02:00</atom:updated>
                
            
            
            <itunes:duration>1:22:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Villa Parsec Sound Club - nonconformism, nonconformity, nonstandardization]]></title>
            <link>https://hearthis.at/djthx/vpsc30/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[mixed and selected by LaCame & THX <br />
<br />
The service‥is read by some ten or *twelve-pound-man [who] has but just skil enough to reade the lessons with twice conning over.  1651 Bedell Life Erasm. in Fuller's Abel Rediv. 61 These conimbrums, whether Reall or Nominall, went downe with Erasmus like chopt hay.  1864 J. H. Lupton Wakefield Worthies 242 The supposition‥that Low Hill is a Druidical remain.  1594 R. Crompton L'Auth. des Covrts, Purpresture may be called ‥turning comon waters from the right course. ]]></description>
            <googleplay:description><![CDATA[mixed and selected by LaCame & THX <br />
<br />
The service‥is read by some ten or *twelve-pound-man [who] has but just skil enough to reade the lessons with twice conning over.  1651 Bedell Life Erasm. in Fuller's Abel Rediv. 61 These conimbrums, whether Reall or Nominall, went downe with Erasmus like chopt hay.  1864 J. H. Lupton Wakefield Worthies 242 The supposition‥that Low Hill is a Druidical remain.  1594 R. Crompton L'Auth. des Covrts, Purpresture may be called ‥turning comon waters from the right course. ]]></googleplay:description>
            <itunes:summary><![CDATA[mixed and selected by LaCame & THX 

The service‥is read by some ten or *twelve-pound-man [who] has but just skil enough to reade the lessons with twice conning over.  1651 Bedell Life Erasm. in Fuller's Abel Rediv. 61 These conimbrums, whether Reall or Nominall, went downe with Erasmus like chopt hay.  1864 J. H. Lupton Wakefield Worthies 242 The supposition‥that Low Hill is a Druidical remain.  1594 R. Crompton L'Auth. des Covrts, Purpresture may be called ‥turning comon waters from the right course. ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/2/3/_/uploads/50810/image_track/4917770/w1400_h1400_q70_ptrue_v2_----cropped_1593878449327.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 04 Jul 2020 18:58:10 +0200</pubDate>
                
                <atom:updated>2020-07-04T18:58:10+02:00</atom:updated>
                
            
            
            <itunes:duration>1:10:12</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Records of Kaos - Vol. 2]]></title>
            <link>https://hearthis.at/djthx/records-of-kaos-vol2/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[seconda parte. second part.<br />
Dedicato agli amici di Kaos Records (Firenze). dedicated to all Kaos Records shop (Florence, taly).<br />
tutte le tracce (principalmente dischi e qualche CD) uscirono nel periodo metà-fine '90. all tracks (mainly records and a few CDs) from mid-end 90s.<br />
<br />
><br />
Hakim Bey. Pirate Utopias]]></description>
            <googleplay:description><![CDATA[seconda parte. second part.<br />
Dedicato agli amici di Kaos Records (Firenze). dedicated to all Kaos Records shop (Florence, taly).<br />
tutte le tracce (principalmente dischi e qualche CD) uscirono nel periodo metà-fine '90. all tracks (mainly records and a few CDs) from mid-end 90s.<br />
<br />
><br />
Hakim Bey. Pirate Utopias]]></googleplay:description>
            <itunes:summary><![CDATA[seconda parte. second part.
Dedicato agli amici di Kaos Records (Firenze). dedicated to all Kaos Records shop (Florence, taly).
tutte le tracce (principalmente dischi e qualche CD) uscirono nel periodo metà-fine '90. all tracks (mainly records and a few CDs) from mid-end 90s.

>
Hakim Bey. Pirate Utopias]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/5/5/0/_/uploads/50810/image_track/4888618/w1400_h1400_q70_ptrue_v2_----cropped_1593001444055.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 27 Jun 2020 13:34:07 +0200</pubDate>
                
                <atom:updated>2020-06-27T13:34:07+02:00</atom:updated>
                
            
            
            <itunes:duration>1:16:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Records of Kaos - Vol.1]]></title>
            <link>https://hearthis.at/djthx/records-of-kaos-vol1/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Questa è la prima parte di una serie dedicata a Ennio e Riccardo di Kaos Records, un negozio di dischi a Firenze attivo dalla metà dei '90 al 2000 (se non vado errato), unico al mondo per la varietà e la qualità dei dischi e dei CD che vi si potevano trovare. Lì ho scoperto molti autori di musica elettronica che non conoscevo e generi e filoni di cui non  immaginavo neanche l'esistenza. Grazie<br />
spero di poter fare presto una serata con gli amici DJs che frequentavano il negozio per risuonare un po' di quelle cose che secondo me sono invecchiate molto bene]]></description>
            <googleplay:description><![CDATA[Questa è la prima parte di una serie dedicata a Ennio e Riccardo di Kaos Records, un negozio di dischi a Firenze attivo dalla metà dei '90 al 2000 (se non vado errato), unico al mondo per la varietà e la qualità dei dischi e dei CD che vi si potevano trovare. Lì ho scoperto molti autori di musica elettronica che non conoscevo e generi e filoni di cui non  immaginavo neanche l'esistenza. Grazie<br />
spero di poter fare presto una serata con gli amici DJs che frequentavano il negozio per risuonare un po' di quelle cose che secondo me sono invecchiate molto bene]]></googleplay:description>
            <itunes:summary><![CDATA[Questa è la prima parte di una serie dedicata a Ennio e Riccardo di Kaos Records, un negozio di dischi a Firenze attivo dalla metà dei '90 al 2000 (se non vado errato), unico al mondo per la varietà e la qualità dei dischi e dei CD che vi si potevano trovare. Lì ho scoperto molti autori di musica elettronica che non conoscevo e generi e filoni di cui non  immaginavo neanche l'esistenza. Grazie
spero di poter fare presto una serata con gli amici DJs che frequentavano il negozio per risuonare un po' di quelle cose che secondo me sono invecchiate molto bene]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/8/3/_/uploads/50810/image_track/4843629/w1400_h1400_q70_ptrue_v2_----cropped_1591822633384.jpg" />
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            <guid isPermaLink="false">4843629</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 10 Jun 2020 19:09:14 +0200</pubDate>
                
                <atom:updated>2020-06-10T19:09:14+02:00</atom:updated>
                
            
            
            <itunes:duration>57:28</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Hip Hop Appreciation Week 2020]]></title>
            <link>https://hearthis.at/djthx/hhaw2020mix/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Hip Hop Appreciation Week 2020 mixtape - 100% vinyl records <br />
VISION<br />
HIP HOP APPRECIATION WEEK—May 17th - 24th 2020 <br />
Hip Hop Appreciation Week begins every third week in May as a time to acknowledge and appreciate the actual existence of Hip Hop itself. Instead of wondering what happened to “real Hip Hop,” Hip Hop Appreciation Week is an opportunity to answer that question with one’s own approach to Hip Hop. This year Hip Hop Appreciation Week begins May 17th and concludes May 24th 2020. Our theme this year is Vision. <br />
Often thought of as eyesight, Vision is also insight. It is perception beyond the physical senses; it is more of an intelligent foresight than simply looking or seeing with the eyes. Almost all creative acts require Vision; they require that you see the invisible before it becomes visible. Some call this “imagination”, but it is here that we begin to ask, what is the sight that sees imagination? What is the sight that sees our past, our future and our dreams? It is this Vision that makes life real for us. Whatever the mind can truly see, is what one’s life can truly be.  <br />
During Hip Hop Appreciation Week, May 17th to May 24th 2020, Hiphoppas are encouraged to turn this ability of mind toward ourselves and make the invisible, the visible. Take this time to make the inner-you, the outeryou. Bring your future self into your present. Act like the YOU that YOU know YOU really are; express that YOU this week. During Hip Hop Appreciation Week, May 17th to May 24th 2020, we are advised to: <br />
Upgrade our study and teaching of Hip Hop’s culture, arts and history.  Acknowledge and celebrate the person or place that introduced you to Hip Hop. Donate your skill to someone who cannot afford it. Seek to help those in need this week. Practice higher levels of civility this week. Deliberately refrain from the violation of laws and traditions. Perform forgiveness. Seek to reconcile the differences that you may have with others this week. If you can, give 10% of your salary to your child’s teacher, or to your teacher, or to a teacher as a gift. Buy and/or read a book related to Hip Hop this week. <br />
During Hip Hop Appreciation Week, May 17th to May 24th 2020, let us do whatever we can from wherever we are to promote the original intent of Hip Hop to the public, to our children and to ourselves. Remember, Hip Hop is global. So, when we unite, our unity unites the world. Spread the word! It’s Hip Hop Appreciation Week!  <br />
How will you show your appreciation? <br />
<br />
https://www.krs-one.com/temple-of-hiphop <br />
<br />
sexy gal graffiti puppet: WC Crew -- https://www.facebook.com/writers-connection-63165636782/ <br />
<br />
#hiphopappreciationweek2020]]></description>
            <googleplay:description><![CDATA[Hip Hop Appreciation Week 2020 mixtape - 100% vinyl records <br />
VISION<br />
HIP HOP APPRECIATION WEEK—May 17th - 24th 2020 <br />
Hip Hop Appreciation Week begins every third week in May as a time to acknowledge and appreciate the actual existence of Hip Hop itself. Instead of wondering what happened to “real Hip Hop,” Hip Hop Appreciation Week is an opportunity to answer that question with one’s own approach to Hip Hop. This year Hip Hop Appreciation Week begins May 17th and concludes May 24th 2020. Our theme this year is Vision. <br />
Often thought of as eyesight, Vision is also insight. It is perception beyond the physical senses; it is more of an intelligent foresight than simply looking or seeing with the eyes. Almost all creative acts require Vision; they require that you see the invisible before it becomes visible. Some call this “imagination”, but it is here that we begin to ask, what is the sight that sees imagination? What is the sight that sees our past, our future and our dreams? It is this Vision that makes life real for us. Whatever the mind can truly see, is what one’s life can truly be.  <br />
During Hip Hop Appreciation Week, May 17th to May 24th 2020, Hiphoppas are encouraged to turn this ability of mind toward ourselves and make the invisible, the visible. Take this time to make the inner-you, the outeryou. Bring your future self into your present. Act like the YOU that YOU know YOU really are; express that YOU this week. During Hip Hop Appreciation Week, May 17th to May 24th 2020, we are advised to: <br />
Upgrade our study and teaching of Hip Hop’s culture, arts and history.  Acknowledge and celebrate the person or place that introduced you to Hip Hop. Donate your skill to someone who cannot afford it. Seek to help those in need this week. Practice higher levels of civility this week. Deliberately refrain from the violation of laws and traditions. Perform forgiveness. Seek to reconcile the differences that you may have with others this week. If you can, give 10% of your salary to your child’s teacher, or to your teacher, or to a teacher as a gift. Buy and/or read a book related to Hip Hop this week. <br />
During Hip Hop Appreciation Week, May 17th to May 24th 2020, let us do whatever we can from wherever we are to promote the original intent of Hip Hop to the public, to our children and to ourselves. Remember, Hip Hop is global. So, when we unite, our unity unites the world. Spread the word! It’s Hip Hop Appreciation Week!  <br />
How will you show your appreciation? <br />
<br />
https://www.krs-one.com/temple-of-hiphop <br />
<br />
sexy gal graffiti puppet: WC Crew -- https://www.facebook.com/writers-connection-63165636782/ <br />
<br />
#hiphopappreciationweek2020]]></googleplay:description>
            <itunes:summary><![CDATA[Hip Hop Appreciation Week 2020 mixtape - 100% vinyl records 
VISION
HIP HOP APPRECIATION WEEK—May 17th - 24th 2020 
Hip Hop Appreciation Week begins every third week in May as a time to acknowledge and appreciate the actual existence of Hip Hop itself. Instead of wondering what happened to “real Hip Hop,” Hip Hop Appreciation Week is an opportunity to answer that question with one’s own approach to Hip Hop. This year Hip Hop Appreciation Week begins May 17th and concludes May 24th 2020. Our theme this year is Vision. 
Often thought of as eyesight, Vision is also insight. It is perception beyond the physical senses; it is more of an intelligent foresight than simply looking or seeing with the eyes. Almost all creative acts require Vision; they require that you see the invisible before it becomes visible. Some call this “imagination”, but it is here that we begin to ask, what is the sight that sees imagination? What is the sight that sees our past, our future and our dreams? It is this Vision that makes life real for us. Whatever the mind can truly see, is what one’s life can truly be.  
During Hip Hop Appreciation Week, May 17th to May 24th 2020, Hiphoppas are encouraged to turn this ability of mind toward ourselves and make the invisible, the visible. Take this time to make the inner-you, the outeryou. Bring your future self into your present. Act like the YOU that YOU know YOU really are; express that YOU this week. During Hip Hop Appreciation Week, May 17th to May 24th 2020, we are advised to: 
Upgrade our study and teaching of Hip Hop’s culture, arts and history.  Acknowledge and celebrate the person or place that introduced you to Hip Hop. Donate your skill to someone who cannot afford it. Seek to help those in need this week. Practice higher levels of civility this week. Deliberately refrain from the violation of laws and traditions. Perform forgiveness. Seek to reconcile the differences that you may have with others this week. If you can, give 10% of your salary to your child’s teacher, or to your teacher, or to a teacher as a gift. Buy and/or read a book related to Hip Hop this week. 
During Hip Hop Appreciation Week, May 17th to May 24th 2020, let us do whatever we can from wherever we are to promote the original intent of Hip Hop to the public, to our children and to ourselves. Remember, Hip Hop is global. So, when we unite, our unity unites the world. Spread the word! It’s Hip Hop Appreciation Week!  
How will you show your appreciation? 

https://www.krs-one.com/temple-of-hiphop 

sexy gal graffiti puppet: WC Crew -- https://www.facebook.com/writers-connection-63165636782/ 

#hiphopappreciationweek2020]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/9/2/_/uploads/50810/image_track/4758972/w1400_h1400_q70_ptrue_v2_----cropped_1589995698292.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 20 May 2020 19:30:17 +0200</pubDate>
                
                <atom:updated>2020-05-20T19:30:17+02:00</atom:updated>
                
            
            
            <itunes:duration>1:03:48</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Terra incognita]]></title>
            <link>https://hearthis.at/djthx/thx-amble1/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[LA PSICOTOPOLOGIA DELLA VITA QUOTIDIANA<br />
<br />
Il concetto della TAZ nasce per prima cosa da una critica della Rivoluzione e un apprezzamento dell’Insurrezione. La prima etichetta la seconda come un fallimento; ma per noi insurrezione rappresenta una possibilità molto più interessante, dallo standard di una psicologia di liberazione, di tutte le “riuscite” rivoluzioni borghesi, comuniste, fasciste ecc.<br />
La seconda forza generante dietro la TAZ emerge dallo sviluppo storico che chiamo “la chiusura della mappa”. L’ultimo pezzo di Terra non di proprietà di alcuna nazione/stato fu ingoiato nel 1899. Il nostro è il primo secolo senza terra incognita, senza una frontiera.<br />
<br />
Hakim Bey, “T.A.Z. - Zone temporaneamente autonome" (1991)]]></description>
            <googleplay:description><![CDATA[LA PSICOTOPOLOGIA DELLA VITA QUOTIDIANA<br />
<br />
Il concetto della TAZ nasce per prima cosa da una critica della Rivoluzione e un apprezzamento dell’Insurrezione. La prima etichetta la seconda come un fallimento; ma per noi insurrezione rappresenta una possibilità molto più interessante, dallo standard di una psicologia di liberazione, di tutte le “riuscite” rivoluzioni borghesi, comuniste, fasciste ecc.<br />
La seconda forza generante dietro la TAZ emerge dallo sviluppo storico che chiamo “la chiusura della mappa”. L’ultimo pezzo di Terra non di proprietà di alcuna nazione/stato fu ingoiato nel 1899. Il nostro è il primo secolo senza terra incognita, senza una frontiera.<br />
<br />
Hakim Bey, “T.A.Z. - Zone temporaneamente autonome" (1991)]]></googleplay:description>
            <itunes:summary><![CDATA[LA PSICOTOPOLOGIA DELLA VITA QUOTIDIANA

Il concetto della TAZ nasce per prima cosa da una critica della Rivoluzione e un apprezzamento dell’Insurrezione. La prima etichetta la seconda come un fallimento; ma per noi insurrezione rappresenta una possibilità molto più interessante, dallo standard di una psicologia di liberazione, di tutte le “riuscite” rivoluzioni borghesi, comuniste, fasciste ecc.
La seconda forza generante dietro la TAZ emerge dallo sviluppo storico che chiamo “la chiusura della mappa”. L’ultimo pezzo di Terra non di proprietà di alcuna nazione/stato fu ingoiato nel 1899. Il nostro è il primo secolo senza terra incognita, senza una frontiera.

Hakim Bey, “T.A.Z. - Zone temporaneamente autonome" (1991)]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/7/5/_/uploads/50810/image_track/4595916/w1400_h1400_q70_ptrue_v2_----cropped_1587140258571.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/thx-amble1/listen.mp3?s=7wz" length="134707200" />
            <guid isPermaLink="false">4595916</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 17 Apr 2020 18:14:52 +0200</pubDate>
                
                <atom:updated>2020-04-17T18:14:52+02:00</atom:updated>
                
            
            
            <itunes:duration>56:07</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Cyber Sboronz Breyx]]></title>
            <link>https://hearthis.at/djthx/cyber-sboronz-breyx/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[Cyber  Sboronz Breyx - jungle/drum&bass/breakcore vinyl only mix<br />
<br />
1. Mark Stewart - consumed. the program mix (courtesy  of No U-Turn) <br />
2. Seba - breaks selection <br />
3. Quoit - that way <br />
4. Shy FX - my way <br />
5. Wheres Frank - Paddington breaks <br />
6. Eraser - overdrive <br />
7. Ambush - gain <br />
8. Witchman - bullethead <br />
9. Alec Empire / Biochip C. - hell’s bells (Empire terror mix) <br />
10. Plug - me & Mr. Jones (Boymerang remix) <br />
11. Alec Empire - i am you (identity) <br />
<br />
play it LOUDER <br />
<br />
thanks to Lore J for the records used in this mixtape]]></description>
            <googleplay:description><![CDATA[Cyber  Sboronz Breyx - jungle/drum&bass/breakcore vinyl only mix<br />
<br />
1. Mark Stewart - consumed. the program mix (courtesy  of No U-Turn) <br />
2. Seba - breaks selection <br />
3. Quoit - that way <br />
4. Shy FX - my way <br />
5. Wheres Frank - Paddington breaks <br />
6. Eraser - overdrive <br />
7. Ambush - gain <br />
8. Witchman - bullethead <br />
9. Alec Empire / Biochip C. - hell’s bells (Empire terror mix) <br />
10. Plug - me & Mr. Jones (Boymerang remix) <br />
11. Alec Empire - i am you (identity) <br />
<br />
play it LOUDER <br />
<br />
thanks to Lore J for the records used in this mixtape]]></googleplay:description>
            <itunes:summary><![CDATA[Cyber  Sboronz Breyx - jungle/drum&bass/breakcore vinyl only mix

1. Mark Stewart - consumed. the program mix (courtesy  of No U-Turn) 
2. Seba - breaks selection 
3. Quoit - that way 
4. Shy FX - my way 
5. Wheres Frank - Paddington breaks 
6. Eraser - overdrive 
7. Ambush - gain 
8. Witchman - bullethead 
9. Alec Empire / Biochip C. - hell’s bells (Empire terror mix) 
10. Plug - me & Mr. Jones (Boymerang remix) 
11. Alec Empire - i am you (identity) 

play it LOUDER 

thanks to Lore J for the records used in this mixtape]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/1/3/_/uploads/50810/image_track/4519713/w1400_h1400_q70_ptrue_v2_----cropped_1585496038314.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/cyber-sboronz-breyx/listen.mp3?s=925" length="153066056" />
            <guid isPermaLink="false">4519713</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sun, 29 Mar 2020 17:34:11 +0200</pubDate>
                
                <atom:updated>2020-03-29T17:34:11+02:00</atom:updated>
                
            
            
            <itunes:duration>1:03:46</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Hardcore Punk DIY records compilation]]></title>
            <link>https://hearthis.at/djthx/dyscomp3-20-edited/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[**DIY compilation 27-3-2020 ** (100% vinyl)<br />
1. CCM - feel like <br />
2. Angry Samoans - steak knife <br />
3. Dead Kennedys - life sentence <br />
4. The Ravings - stiletto heels <br />
5. Fear - let’s have a war <br />
6. Death to pigs - praying mantis vs. 4x4 <br />
7. Panico - baciami <br />
8. Alan Vega - Magdalena 84 <br />
9. Suicidal Tendencies - i saw your mommy... <br />
10. Wasted Youth - 3rd party program <br />
11. Flop Down - day in may <br />
12. Liedergeburt -  notengräber <br />
13. Lethargie - der freund <br />
14. Steal it Back - in my heart <br />
15. The Jam Session - (?)<br />
16. Rot - cynical excuse <br />
17. Crude Be - (?) <br />
18. Juggernaut - inquisitor <br />
19. Juggernaut - tomorrow <br />
<br />
stay safe]]></description>
            <googleplay:description><![CDATA[**DIY compilation 27-3-2020 ** (100% vinyl)<br />
1. CCM - feel like <br />
2. Angry Samoans - steak knife <br />
3. Dead Kennedys - life sentence <br />
4. The Ravings - stiletto heels <br />
5. Fear - let’s have a war <br />
6. Death to pigs - praying mantis vs. 4x4 <br />
7. Panico - baciami <br />
8. Alan Vega - Magdalena 84 <br />
9. Suicidal Tendencies - i saw your mommy... <br />
10. Wasted Youth - 3rd party program <br />
11. Flop Down - day in may <br />
12. Liedergeburt -  notengräber <br />
13. Lethargie - der freund <br />
14. Steal it Back - in my heart <br />
15. The Jam Session - (?)<br />
16. Rot - cynical excuse <br />
17. Crude Be - (?) <br />
18. Juggernaut - inquisitor <br />
19. Juggernaut - tomorrow <br />
<br />
stay safe]]></googleplay:description>
            <itunes:summary><![CDATA[**DIY compilation 27-3-2020 ** (100% vinyl)
1. CCM - feel like 
2. Angry Samoans - steak knife 
3. Dead Kennedys - life sentence 
4. The Ravings - stiletto heels 
5. Fear - let’s have a war 
6. Death to pigs - praying mantis vs. 4x4 
7. Panico - baciami 
8. Alan Vega - Magdalena 84 
9. Suicidal Tendencies - i saw your mommy... 
10. Wasted Youth - 3rd party program 
11. Flop Down - day in may 
12. Liedergeburt -  notengräber 
13. Lethargie - der freund 
14. Steal it Back - in my heart 
15. The Jam Session - (?)
16. Rot - cynical excuse 
17. Crude Be - (?) 
18. Juggernaut - inquisitor 
19. Juggernaut - tomorrow 

stay safe]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/1/0/_/uploads/50810/image_track/4511377/w1400_h1400_q70_ptrue_v2_----cropped_1585318171011.jpg" />
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            <guid isPermaLink="false">4511377</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 27 Mar 2020 18:09:22 +0100</pubDate>
                
                <atom:updated>2020-03-27T18:09:22+01:00</atom:updated>
                
            
            
            <itunes:duration>54:35</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Thee Psychick Alliance - RIP Genesis Breyer P-Orridge]]></title>
            <link>https://hearthis.at/djthx/rip-gbp-o-mixtape/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[A PERSONAL MESSAGE FROM THEE TEMPLE OV PSYCHICK YOUTH<br />
We have reached a crisis point.<br />
We are aware that whole areas of our experience of life are missing.<br />
We are faced with a storm of thee fiercest strength known.<br />
We are faced with the debasement of man to a creature without feelings, without knowledge and pride of SELF.<br />
We are faced with dissolution far more complete than death. A New Dark Ages.<br />
We have been conditioned, encouraged and blackmailed into self-restriction, into a narrower and narrower perception of ourselves, our importance and our potential.<br />
All this constitutes a Psychick Attack of thee highest magnitude. Acceptance is defeat.<br />
Resistance is dangerous and unpredictable but for those who realize the totality of defeat, resistance must be thee only option conceivable.<br />
RIGHT NOW you have these alternatives:<br />
To remain forever part of a sleeping world...<br />
To gradually abandon thee hopes and dreams of childhood...<br />
To be permanently addicted to the drug of the commonplace...<br />
Or, to fight alongside us in thee Temple ov Psychick Youth! A New Way On!]]></description>
            <googleplay:description><![CDATA[A PERSONAL MESSAGE FROM THEE TEMPLE OV PSYCHICK YOUTH<br />
We have reached a crisis point.<br />
We are aware that whole areas of our experience of life are missing.<br />
We are faced with a storm of thee fiercest strength known.<br />
We are faced with the debasement of man to a creature without feelings, without knowledge and pride of SELF.<br />
We are faced with dissolution far more complete than death. A New Dark Ages.<br />
We have been conditioned, encouraged and blackmailed into self-restriction, into a narrower and narrower perception of ourselves, our importance and our potential.<br />
All this constitutes a Psychick Attack of thee highest magnitude. Acceptance is defeat.<br />
Resistance is dangerous and unpredictable but for those who realize the totality of defeat, resistance must be thee only option conceivable.<br />
RIGHT NOW you have these alternatives:<br />
To remain forever part of a sleeping world...<br />
To gradually abandon thee hopes and dreams of childhood...<br />
To be permanently addicted to the drug of the commonplace...<br />
Or, to fight alongside us in thee Temple ov Psychick Youth! A New Way On!]]></googleplay:description>
            <itunes:summary><![CDATA[A PERSONAL MESSAGE FROM THEE TEMPLE OV PSYCHICK YOUTH
We have reached a crisis point.
We are aware that whole areas of our experience of life are missing.
We are faced with a storm of thee fiercest strength known.
We are faced with the debasement of man to a creature without feelings, without knowledge and pride of SELF.
We are faced with dissolution far more complete than death. A New Dark Ages.
We have been conditioned, encouraged and blackmailed into self-restriction, into a narrower and narrower perception of ourselves, our importance and our potential.
All this constitutes a Psychick Attack of thee highest magnitude. Acceptance is defeat.
Resistance is dangerous and unpredictable but for those who realize the totality of defeat, resistance must be thee only option conceivable.
RIGHT NOW you have these alternatives:
To remain forever part of a sleeping world...
To gradually abandon thee hopes and dreams of childhood...
To be permanently addicted to the drug of the commonplace...
Or, to fight alongside us in thee Temple ov Psychick Youth! A New Way On!]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/1/7/_/uploads/50810/image_track/4483836/w1400_h1400_q70_ptrue_v2_----cropped_1584618733719.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 19 Mar 2020 12:47:03 +0100</pubDate>
                
                <atom:updated>2020-03-19T12:47:03+01:00</atom:updated>
                
            
            
            <itunes:duration>1:31:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[synth impro]]></title>
            <link>https://hearthis.at/djthx/synth-impro/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[improvisation i made a few days ago with a synthesizer and some effects]]></description>
            <googleplay:description><![CDATA[improvisation i made a few days ago with a synthesizer and some effects]]></googleplay:description>
            <itunes:summary><![CDATA[improvisation i made a few days ago with a synthesizer and some effects]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/9/3/7/_/uploads/50810/image_track/2694672/w1400_h1400_q70_ptrue_v2_----cropped_1545754816739.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/synth-impro/listen.mp3?s=FvX" length="103751052" />
            <guid isPermaLink="false">2694672</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 25 Dec 2018 17:18:25 +0100</pubDate>
                
                <atom:updated>2018-12-25T17:18:25+01:00</atom:updated>
                
            
            
            <itunes:duration>43:13</itunes:duration>
        </item>
        <item>
            <title><![CDATA[rotten pumpkins]]></title>
            <link>https://hearthis.at/djthx/hlwn2018/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[horror film soundtracks .<br />
100% vinyl records. no bulls**t.]]></description>
            <googleplay:description><![CDATA[horror film soundtracks .<br />
100% vinyl records. no bulls**t.]]></googleplay:description>
            <itunes:summary><![CDATA[horror film soundtracks .
100% vinyl records. no bulls**t.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/5/2/_/uploads/50810/image_track/2484535/w1400_h1400_q70_ptrue_v2_----cropped_1540913909250.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/hlwn2018/listen.mp3?s=jEg" length="105466776" />
            <guid isPermaLink="false">2484535</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 30 Oct 2018 16:34:54 +0100</pubDate>
                
                <atom:updated>2018-10-30T16:34:54+01:00</atom:updated>
                
            
            
            <itunes:duration>43:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[thx-live-tension-part2]]></title>
            <link>https://hearthis.at/djthx/thx-live-tension-part2/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[recorded live at NOF, Firenze (Italy) feb 18, 2015. thanks to Fab Tri for the chrome-graphix original image layers]]></description>
            <googleplay:description><![CDATA[recorded live at NOF, Firenze (Italy) feb 18, 2015. thanks to Fab Tri for the chrome-graphix original image layers]]></googleplay:description>
            <itunes:summary><![CDATA[recorded live at NOF, Firenze (Italy) feb 18, 2015. thanks to Fab Tri for the chrome-graphix original image layers]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/-/5/_/uploads/50810/image_track/170741/w1400_h1400_q70_ptrue_v2_----cropped_eeac7a98d8be8552f99322377cdaf157frame2k15-1.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/thx-live-tension-part2/listen.mp3?s=NhF" length="16019120" />
            <guid isPermaLink="false">170741</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 27 Feb 2015 04:23:29 +0100</pubDate>
                
                <atom:updated>2015-02-27T04:23:29+01:00</atom:updated>
                
            
            
            <itunes:duration>16:41</itunes:duration>
        </item>
        <item>
            <title><![CDATA[thx live 1]]></title>
            <link>https://hearthis.at/djthx/thx-live-1/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[mpc2000 / microKORG]]></description>
            <googleplay:description><![CDATA[mpc2000 / microKORG]]></googleplay:description>
            <itunes:summary><![CDATA[mpc2000 / microKORG]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/3/m/a/_/uploads/50810/image_track/170728/w1400_h1400_q70_ptrue_v2_----cropped_226bdd2018e258c54b1dc60360ead5affram3.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/thx-live-1/listen.mp3?s=CiX" length="6992874" />
            <guid isPermaLink="false">170728</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 27 Feb 2015 04:19:35 +0100</pubDate>
                
                <atom:updated>2015-02-27T04:19:35+01:00</atom:updated>
                
            
            
            <itunes:duration>7:17</itunes:duration>
        </item>
        <item>
            <title><![CDATA[test phyle]]></title>
            <link>https://hearthis.at/djthx/test-phyle/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[mpc2000 / s950]]></description>
            <googleplay:description><![CDATA[mpc2000 / s950]]></googleplay:description>
            <itunes:summary><![CDATA[mpc2000 / s950]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/9/1/_/uploads/50810/image_track/170725/w1400_h1400_q70_ptrue_v2_----cropped_afd7d2ecc5f786372cedb8f162f67c4fsqj5192.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/test-phyle/listen.mp3?s=5NO" length="4182098" />
            <guid isPermaLink="false">170725</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 27 Feb 2015 03:50:10 +0100</pubDate>
                
                <atom:updated>2015-02-27T03:50:10+01:00</atom:updated>
                
            
            
            <itunes:duration>4:21</itunes:duration>
        </item>
        <item>
            <title><![CDATA[skratchtape2k15]]></title>
            <link>https://hearthis.at/djthx/skratchtape2k15/</link>
            <itunes:author><![CDATA[THX]]></itunes:author>
            <description><![CDATA[these beats are made fo' skratchin'... ]]></description>
            <googleplay:description><![CDATA[these beats are made fo' skratchin'... ]]></googleplay:description>
            <itunes:summary><![CDATA[these beats are made fo' skratchin'... ]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/3/-/_/uploads/50810/image_track/170619/w1400_h1400_q70_ptrue_v2_----cropped_f28c5b31182ffc2c447ff0a72a5183f8222120snap-2015-01-30.png" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/djthx/skratchtape2k15/listen.mp3?s=283" length="0" />
            <guid isPermaLink="false">170619</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 26 Feb 2015 21:35:31 +0100</pubDate>
                
                <atom:updated>2015-02-26T21:35:31+01:00</atom:updated>
                
            
            
            <itunes:duration>17:46</itunes:duration>
        </item>
    </channel>
</rss>