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	<title><![CDATA[Clive Bean Wa Afrika]]></title>
	<link>https://hearthis.at/dhltbj7p/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of Clive Bean Wa Afrika]]></itunes:subtitle>
	<itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
	<googleplay:author><![CDATA[Clive Bean Wa Afrika]]></googleplay:author>
	<itunes:summary><![CDATA[Professional DJ | Music Compiler | DJ Head Lecturer | Sound Design fanatic | Music Curator | Radio Show Host on jozimabonengradio.co.za | Bookings email: clivebean37@gmail.com
Clive Bean: Chronological & Integrated Legacy Summary: Discography • Influence Map • Cultural & Educational Impact.
I. Discography & Project Timeline (1994–2024)
Clive Bean’s recorded footprint is anchored far more in curation, compilation work, and DJ-mix architecture than in traditional studio releases. His career moves chronologically across four eras: early township tapes, vinyl-store culture, compilation culture, and finally educational institutionalization.
1994–2003: Foundations: Township Tapes & Vinyl Culture;
• 1994–1998: Began with local mixtapes and cassette recordings in Vosloorus, grassroots, analog & community-centered.
• 1999: Became an in-store DJ at Suga Trax, shaping listening culture through daily selector sets.
• 2000–2003: Contributed to SoulCandi’s early in-store promo mixes, helping define what modern SA house listeners came to recognize as “soulful/deep.”
2005–2013: Signature Compilation Era (the core of his public discography)
• 2005/06: Downtown Grooves (Defected Records):
His first major international-label release, aligning SA deep-house with global underground currents.
• 2008: Mix The Vibe S.A. (Kingstreet, USA):
A two-disc cross-continental project with Teddy Douglas, formally connecting SA’s soulful-house identity to New York’s deep-house lineage.
• 2009–2011: Levi’s Live Mixtapes (Vol.1–3):
National retail-commissioned mixtapes played across Levi’s stores, widening the reach of soulful/deep grooves beyond clubs into commercial spaces.
• 2010: SoulCandi Session 5 (“Soul Essentials” Disc):
A flagship, multi-DJ compilation where Bean contributed an entire disc - solidifying his reputation as a curator of warmth, soul and depth.
• 2013: Deeper Sounds of Clive Bean (F! Records):
His hallmark work and deepest aesthetic statement, an uncompromised underground/soulful-house journey.
2013–2024: Cultural Frameworks & Institutional Work
• 2013–Present: Founded City Soul Addicts, a monthly deep/soulful-house event series.
• 2013–2015: Home Cookin’ Xclusiv; radio shows and event sets celebrating groove-centered deep house.
• 2015–2017: Reminisce Sunday; a conceptual deep-house Sunday ritual in Braamfontein.
• 2017–2021: Head DJ lecturer at the SoulCandi Institute / Boston Campus, creating curriculum mixes and teaching professional DJ craft.
• 2018–2024: Guest mixes on Deep Energie SA and other online platforms.
Discography Caveats;
• Many works exist as live sets, club mixes, radio shows, and in-store promo mixes, ephemeral formats that pre-dated online archiving.
• Some early CD releases (e.g., Downtown Grooves) are out of print, with incomplete public tracklists.
• Public documentation skews toward compilations, not standalone production.
Discography Conclusion:
Clive Bean’s legacy is etched primarily into compilation culture as a mixer, selector, curator, and archivist of deep, soulful, underground house.
II. Deep-House Influence Map: Clive Bean’s Position in SA House History;
To understand Clive Bean’s role, he must be placed against the broader evolution of South African house music.
Key Historical Anchors:
• Chicago/US/UK House Imports (1990s): The global source material that entered SA townships post-apartheid.
• Township Vinyl/Tape Culture: DIY mixing, listening circles, and record-store ecosystems where young DJs learned by ear and intuition.
• SoulCandi (Store → Label → Institute): A nucleus of SA house development, shaping DJ identity, training, distribution, and compilation culture.
• Deep/Soulful Underground Tradition: The alternative current running beneath commercial kwaito/dance-pop and later Afro-house waves.
Where Clive Bean Fits:


A Bridge Between Eras:
From 1990s analog/vinyl culture into the 2000s digital/compila]]></itunes:summary>
	<googleplay:description><![CDATA[Professional DJ | Music Compiler | DJ Head Lecturer | Sound Design fanatic | Music Curator | Radio Show Host on jozimabonengradio.co.za | Bookings email: clivebean37@gmail.com
Clive Bean: Chronological & Integrated Legacy Summary: Discography • Influence Map • Cultural & Educational Impact.
I. Discography & Project Timeline (1994–2024)
Clive Bean’s recorded footprint is anchored far more in curation, compilation work, and DJ-mix architecture than in traditional studio releases. His career moves chronologically across four eras: early township tapes, vinyl-store culture, compilation culture, and finally educational institutionalization.
1994–2003: Foundations: Township Tapes & Vinyl Culture;
• 1994–1998: Began with local mixtapes and cassette recordings in Vosloorus, grassroots, analog & community-centered.
• 1999: Became an in-store DJ at Suga Trax, shaping listening culture through daily selector sets.
• 2000–2003: Contributed to SoulCandi’s early in-store promo mixes, helping define what modern SA house listeners came to recognize as “soulful/deep.”
2005–2013: Signature Compilation Era (the core of his public discography)
• 2005/06: Downtown Grooves (Defected Records):
His first major international-label release, aligning SA deep-house with global underground currents.
• 2008: Mix The Vibe S.A. (Kingstreet, USA):
A two-disc cross-continental project with Teddy Douglas, formally connecting SA’s soulful-house identity to New York’s deep-house lineage.
• 2009–2011: Levi’s Live Mixtapes (Vol.1–3):
National retail-commissioned mixtapes played across Levi’s stores, widening the reach of soulful/deep grooves beyond clubs into commercial spaces.
• 2010: SoulCandi Session 5 (“Soul Essentials” Disc):
A flagship, multi-DJ compilation where Bean contributed an entire disc - solidifying his reputation as a curator of warmth, soul and depth.
• 2013: Deeper Sounds of Clive Bean (F! Records):
His hallmark work and deepest aesthetic statement, an uncompromised underground/soulful-house journey.
2013–2024: Cultural Frameworks & Institutional Work
• 2013–Present: Founded City Soul Addicts, a monthly deep/soulful-house event series.
• 2013–2015: Home Cookin’ Xclusiv; radio shows and event sets celebrating groove-centered deep house.
• 2015–2017: Reminisce Sunday; a conceptual deep-house Sunday ritual in Braamfontein.
• 2017–2021: Head DJ lecturer at the SoulCandi Institute / Boston Campus, creating curriculum mixes and teaching professional DJ craft.
• 2018–2024: Guest mixes on Deep Energie SA and other online platforms.
Discography Caveats;
• Many works exist as live sets, club mixes, radio shows, and in-store promo mixes, ephemeral formats that pre-dated online archiving.
• Some early CD releases (e.g., Downtown Grooves) are out of print, with incomplete public tracklists.
• Public documentation skews toward compilations, not standalone production.
Discography Conclusion:
Clive Bean’s legacy is etched primarily into compilation culture as a mixer, selector, curator, and archivist of deep, soulful, underground house.
II. Deep-House Influence Map: Clive Bean’s Position in SA House History;
To understand Clive Bean’s role, he must be placed against the broader evolution of South African house music.
Key Historical Anchors:
• Chicago/US/UK House Imports (1990s): The global source material that entered SA townships post-apartheid.
• Township Vinyl/Tape Culture: DIY mixing, listening circles, and record-store ecosystems where young DJs learned by ear and intuition.
• SoulCandi (Store → Label → Institute): A nucleus of SA house development, shaping DJ identity, training, distribution, and compilation culture.
• Deep/Soulful Underground Tradition: The alternative current running beneath commercial kwaito/dance-pop and later Afro-house waves.
Where Clive Bean Fits:


A Bridge Between Eras:
From 1990s analog/vinyl culture into the 2000s digital/compilation era, he is one of the DJs who spanned and linked two epochs of SA DJ history.


Custodian of Deep/Soulful House:
His entire catalog (from Downtown Grooves to Deeper Sounds) orients toward depth, soul, groove, and global underground aesthetics.


Global Connector:
Releases with Defected and Kingstreet placed a South African deep-house sensibility on international CDs while also bringing global tracks into SA’s listening vocabulary.

Institutional Educator:
At SCIM/Boston, he formalized what had been grassroots: DJ ethics, genre history, technical mastery, and curation discipline.

His Lineage & Peers
Clive Bean’s lineage sits alongside SA deep-house stewards such as:
• Dj Vinny Da Vinci
• Christos
• 2lani The Warrior
• Glen Lewis (mid-90s deep era)
• Ganyani (early soulful period)
• Early DJ Fresh (pre-commercial era)
He represents the deep/soul sub-lineage, not the commercial path.
Influence Tree Summary:
He stands at the junction of township heritage → vinyl-store networks → SoulCandi institution → global collaborations → DJ education, passing underground house culture to future generations.
III. Cultural & Educational Impact:

Cultural / Musical Influence;

Custodian of Underground House:
He kept soulful/deep-house alive through periods dominated by commercial house, kwaito hybrids, Afro-house, and later amapiano, preserving diversity within SA dance culture.
Shaper of Listening Habits:
Pre-streaming, compilations decided what listeners heard. Through his selections, he helped:
• introduce global underground tracks to SA
• define national deep-house taste
• preserve musical memory via CDs
Alternative Nightlife Architect:
Through City Soul Addicts, Home Cookin’ Xclusiv, and Reminisce Sunday, he built spaces where deep-house thrived outside mainstream clubs.

Educational / Institutional Influence;

Professionalizing DJ Culture:
At SCIM/Boston, Bean teaches:
• mixing technique
• professionalism
• music business
• genre history
• set programming
This moves DJing into a structured, respected discipline.
Scaling Influence via Students
Hundreds of DJs carry his philosophy, taste, and ethics into their own communities, multiplying his cultural footprint.
He ensures that future DJs know:
• the history of deep-house
• the meaning of soulful house in SA
• how to distinguish “deep” from “commercial”
Preserving SA House Heritage.., He is, in effect, a memory-keeper of house culture.
IV. Challenges & Documentation Gaps;
• Many older releases lack tracklists or are out of print.
• Live sets, radio shows, and club mixes were not archived in the pre-streaming era.
• Academic and media analysis rarely highlights him individually, even though his contribution is structurally significant.
• Modern visibility is lower, making his recent trajectory harder to trace publicly.
V. What Clive Bean Represents (Symbolically)
He embodies the soul of South African deep-house culture:
• A DJ shaped by township tape culture
• A curator who carried soulful/underground house into the CD/compilation era
• A connector between SA and global house communities
• An educator who institutionalized DJ craft and preserved heritage
• A custodian of depth, groove, and musical integrity in a shifting landscape.
Significance: 
His influence is not measured in commercial hits, but in culture, taste, curation, mentorship, and continuity. He is one of the key figures who helped define and sustain the deep-house identity of South Africa.]]></googleplay:description>
	<description><![CDATA[Professional DJ | Music Compiler | DJ Head Lecturer | Sound Design fanatic | Music Curator | Radio Show Host on jozimabonengradio.co.za | Bookings email: clivebean37@gmail.com
Clive Bean: Chronological & Integrated Legacy Summary: Discography • Influence Map • Cultural & Educational Impact.
I. Discography & Project Timeline (1994–2024)
Clive Bean’s recorded footprint is anchored far more in curation, compilation work, and DJ-mix architecture than in traditional studio releases. His career moves chronologically across four eras: early township tapes, vinyl-store culture, compilation culture, and finally educational institutionalization.
1994–2003: Foundations: Township Tapes & Vinyl Culture;
• 1994–1998: Began with local mixtapes and cassette recordings in Vosloorus, grassroots, analog & community-centered.
• 1999: Became an in-store DJ at Suga Trax, shaping listening culture through daily selector sets.
• 2000–2003: Contributed to SoulCandi’s early in-store promo mixes, helping define what modern SA house listeners came to recognize as “soulful/deep.”
2005–2013: Signature Compilation Era (the core of his public discography)
• 2005/06: Downtown Grooves (Defected Records):
His first major international-label release, aligning SA deep-house with global underground currents.
• 2008: Mix The Vibe S.A. (Kingstreet, USA):
A two-disc cross-continental project with Teddy Douglas, formally connecting SA’s soulful-house identity to New York’s deep-house lineage.
• 2009–2011: Levi’s Live Mixtapes (Vol.1–3):
National retail-commissioned mixtapes played across Levi’s stores, widening the reach of soulful/deep grooves beyond clubs into commercial spaces.
• 2010: SoulCandi Session 5 (“Soul Essentials” Disc):
A flagship, multi-DJ compilation where Bean contributed an entire disc - solidifying his reputation as a curator of warmth, soul and depth.
• 2013: Deeper Sounds of Clive Bean (F! Records):
His hallmark work and deepest aesthetic statement, an uncompromised underground/soulful-house journey.
2013–2024: Cultural Frameworks & Institutional Work
• 2013–Present: Founded City Soul Addicts, a monthly deep/soulful-house event series.
• 2013–2015: Home Cookin’ Xclusiv; radio shows and event sets celebrating groove-centered deep house.
• 2015–2017: Reminisce Sunday; a conceptual deep-house Sunday ritual in Braamfontein.
• 2017–2021: Head DJ lecturer at the SoulCandi Institute / Boston Campus, creating curriculum mixes and teaching professional DJ craft.
• 2018–2024: Guest mixes on Deep Energie SA and other online platforms.
Discography Caveats;
• Many works exist as live sets, club mixes, radio shows, and in-store promo mixes, ephemeral formats that pre-dated online archiving.
• Some early CD releases (e.g., Downtown Grooves) are out of print, with incomplete public tracklists.
• Public documentation skews toward compilations, not standalone production.
Discography Conclusion:
Clive Bean’s legacy is etched primarily into compilation culture as a mixer, selector, curator, and archivist of deep, soulful, underground house.
II. Deep-House Influence Map: Clive Bean’s Position in SA House History;
To understand Clive Bean’s role, he must be placed against the broader evolution of South African house music.
Key Historical Anchors:
• Chicago/US/UK House Imports (1990s): The global source material that entered SA townships post-apartheid.
• Township Vinyl/Tape Culture: DIY mixing, listening circles, and record-store ecosystems where young DJs learned by ear and intuition.
• SoulCandi (Store → Label → Institute): A nucleus of SA house development, shaping DJ identity, training, distribution, and compilation culture.
• Deep/Soulful Underground Tradition: The alternative current running beneath commercial kwaito/dance-pop and later Afro-house waves.
Where Clive Bean Fits:


A Bridge Between Eras:
From 1990s analog/vinyl culture into the 2000s digital/compilation era, he is one of the DJs who spanned and linked two epochs of SA DJ history.


Custodian of Deep/Soulful House:
His entire catalog (from Downtown Grooves to Deeper Sounds) orients toward depth, soul, groove, and global underground aesthetics.


Global Connector:
Releases with Defected and Kingstreet placed a South African deep-house sensibility on international CDs while also bringing global tracks into SA’s listening vocabulary.

Institutional Educator:
At SCIM/Boston, he formalized what had been grassroots: DJ ethics, genre history, technical mastery, and curation discipline.

His Lineage & Peers
Clive Bean’s lineage sits alongside SA deep-house stewards such as:
• Dj Vinny Da Vinci
• Christos
• 2lani The Warrior
• Glen Lewis (mid-90s deep era)
• Ganyani (early soulful period)
• Early DJ Fresh (pre-commercial era)
He represents the deep/soul sub-lineage, not the commercial path.
Influence Tree Summary:
He stands at the junction of township heritage → vinyl-store networks → SoulCandi institution → global collaborations → DJ education, passing underground house culture to future generations.
III. Cultural & Educational Impact:

Cultural / Musical Influence;

Custodian of Underground House:
He kept soulful/deep-house alive through periods dominated by commercial house, kwaito hybrids, Afro-house, and later amapiano, preserving diversity within SA dance culture.
Shaper of Listening Habits:
Pre-streaming, compilations decided what listeners heard. Through his selections, he helped:
• introduce global underground tracks to SA
• define national deep-house taste
• preserve musical memory via CDs
Alternative Nightlife Architect:
Through City Soul Addicts, Home Cookin’ Xclusiv, and Reminisce Sunday, he built spaces where deep-house thrived outside mainstream clubs.

Educational / Institutional Influence;

Professionalizing DJ Culture:
At SCIM/Boston, Bean teaches:
• mixing technique
• professionalism
• music business
• genre history
• set programming
This moves DJing into a structured, respected discipline.
Scaling Influence via Students
Hundreds of DJs carry his philosophy, taste, and ethics into their own communities, multiplying his cultural footprint.
He ensures that future DJs know:
• the history of deep-house
• the meaning of soulful house in SA
• how to distinguish “deep” from “commercial”
Preserving SA House Heritage.., He is, in effect, a memory-keeper of house culture.
IV. Challenges & Documentation Gaps;
• Many older releases lack tracklists or are out of print.
• Live sets, radio shows, and club mixes were not archived in the pre-streaming era.
• Academic and media analysis rarely highlights him individually, even though his contribution is structurally significant.
• Modern visibility is lower, making his recent trajectory harder to trace publicly.
V. What Clive Bean Represents (Symbolically)
He embodies the soul of South African deep-house culture:
• A DJ shaped by township tape culture
• A curator who carried soulful/underground house into the CD/compilation era
• A connector between SA and global house communities
• An educator who institutionalized DJ craft and preserved heritage
• A custodian of depth, groove, and musical integrity in a shifting landscape.
Significance: 
His influence is not measured in commercial hits, but in culture, taste, curation, mentorship, and continuity. He is one of the key figures who helped define and sustain the deep-house identity of South Africa.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[Clive Bean Wa Afrika]]></itunes:name>
	<itunes:email>clivebean37@gmail.com</itunes:email>
	</itunes:owner>
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    <googleplay:owner>clivebean37@gmail.com</googleplay:owner>
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      <title>Clive Bean Wa Afrika</title>
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	<googleplay:explicit>no</googleplay:explicit>
	<itunes:explicit>no</itunes:explicit>
	<category><![CDATA[Sounds]]></category>
	<googleplay:category text="Sounds"/>
	<itunes:category text="Sounds"/>
	<itunes:keywords><![CDATA[]]></itunes:keywords>
	
	
        <item>
            <title><![CDATA[Slightly Deeper House Presents Clive Bean – Sunset to Soul [Vinyl Set Mixtape]]]></title>
            <link>https://hearthis.at/dhltbj7p/slightly-deeper-house-presents-clive-bean-2025-09-06/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[In celebration of the upcoming Slightly Deeper House gathering on 22 November 2025 at the breathtaking Kavo Beach, Clive Bean presents "Sunset to Soul" - a gracefully curated mixtape that pays homage to the timeless art of vinyl.<br />
Crafted entirely on wax, this mix is a deeply personal expression of Clive Bean’s musical journey - a soulful selection of House and Deep House that echoes the spirit of an evening designed to elevate both heart and soul. Warm, textured, and meticulously blended, "Sunset to Soul" flows with elegance from laid-back sunset rhythms to immersive dance floor moments.<br />
This mixtape offers a preview of the soundscape that awaits at Kavo Beach, where music lovers will gather against the golden hues of the setting sun. It reflects not only Clive Bean’s mastery behind the decks but also the shared vision of an event that places beauty, atmosphere, and authenticity at its core.<br />
Joining Clive on this unforgettable night is a lineup of exceptional local talent - each artist bringing their own unique energy to a dance floor framed by a sky in slow bloom and a majestic sunset:<br />
DJ Lineup<br />
Lance Kearns<br />
Itu Cee<br />
Clive Bean<br />
Nash<br />
Matt Noir<br />
Nhlanhla<br />
UDO<br />
Mello<br />
Prince Warren<br />
Whether you're a devoted connoisseur of house music or simply seeking a night of meaningful connection through rhythm and sound, Slightly Deeper House promises an experience where elegance meets energy, and the music speaks long after the final track fades.<br />
Listen to “Sunset to Soul” - A Vinyl Love Letter to House Music. Let the music set the tone before we gather beneath the open sky. Where the sun meets a traquil space, and house music finds its soul.<br />
#SlightlyDeeperHouse #CliveBean #SunsetToSoul #VinylOnly #KavoBeachSessions]]></description>
            <googleplay:description><![CDATA[In celebration of the upcoming Slightly Deeper House gathering on 22 November 2025 at the breathtaking Kavo Beach, Clive Bean presents "Sunset to Soul" - a gracefully curated mixtape that pays homage to the timeless art of vinyl.<br />
Crafted entirely on wax, this mix is a deeply personal expression of Clive Bean’s musical journey - a soulful selection of House and Deep House that echoes the spirit of an evening designed to elevate both heart and soul. Warm, textured, and meticulously blended, "Sunset to Soul" flows with elegance from laid-back sunset rhythms to immersive dance floor moments.<br />
This mixtape offers a preview of the soundscape that awaits at Kavo Beach, where music lovers will gather against the golden hues of the setting sun. It reflects not only Clive Bean’s mastery behind the decks but also the shared vision of an event that places beauty, atmosphere, and authenticity at its core.<br />
Joining Clive on this unforgettable night is a lineup of exceptional local talent - each artist bringing their own unique energy to a dance floor framed by a sky in slow bloom and a majestic sunset:<br />
DJ Lineup<br />
Lance Kearns<br />
Itu Cee<br />
Clive Bean<br />
Nash<br />
Matt Noir<br />
Nhlanhla<br />
UDO<br />
Mello<br />
Prince Warren<br />
Whether you're a devoted connoisseur of house music or simply seeking a night of meaningful connection through rhythm and sound, Slightly Deeper House promises an experience where elegance meets energy, and the music speaks long after the final track fades.<br />
Listen to “Sunset to Soul” - A Vinyl Love Letter to House Music. Let the music set the tone before we gather beneath the open sky. Where the sun meets a traquil space, and house music finds its soul.<br />
#SlightlyDeeperHouse #CliveBean #SunsetToSoul #VinylOnly #KavoBeachSessions]]></googleplay:description>
            <itunes:summary><![CDATA[In celebration of the upcoming Slightly Deeper House gathering on 22 November 2025 at the breathtaking Kavo Beach, Clive Bean presents "Sunset to Soul" - a gracefully curated mixtape that pays homage to the timeless art of vinyl.
Crafted entirely on wax, this mix is a deeply personal expression of Clive Bean’s musical journey - a soulful selection of House and Deep House that echoes the spirit of an evening designed to elevate both heart and soul. Warm, textured, and meticulously blended, "Sunset to Soul" flows with elegance from laid-back sunset rhythms to immersive dance floor moments.
This mixtape offers a preview of the soundscape that awaits at Kavo Beach, where music lovers will gather against the golden hues of the setting sun. It reflects not only Clive Bean’s mastery behind the decks but also the shared vision of an event that places beauty, atmosphere, and authenticity at its core.
Joining Clive on this unforgettable night is a lineup of exceptional local talent - each artist bringing their own unique energy to a dance floor framed by a sky in slow bloom and a majestic sunset:
DJ Lineup
Lance Kearns
Itu Cee
Clive Bean
Nash
Matt Noir
Nhlanhla
UDO
Mello
Prince Warren
Whether you're a devoted connoisseur of house music or simply seeking a night of meaningful connection through rhythm and sound, Slightly Deeper House promises an experience where elegance meets energy, and the music speaks long after the final track fades.
Listen to “Sunset to Soul” - A Vinyl Love Letter to House Music. Let the music set the tone before we gather beneath the open sky. Where the sun meets a traquil space, and house music finds its soul.
#SlightlyDeeperHouse #CliveBean #SunsetToSoul #VinylOnly #KavoBeachSessions]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/8/4/_/uploads/2545249/image_track/12750147/w1400_h1400_q70_ptrue_v2_----cropped_1758086601488.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Wed, 17 Sep 2025 07:25:29 +0200</pubDate>
                
                <atom:updated>2025-09-17T07:25:29+02:00</atom:updated>
                
            
            
            <itunes:duration>1:14:25</itunes:duration>
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        <item>
            <title><![CDATA[Clive Bean Ensemble - Beer Meat Bands Festival'24 Maseru Teaser Mix!]]></title>
            <link>https://hearthis.at/dhltbj7p/67b47fd0568ed/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA["Clive Bean Ensemble" - Beer Meats Bands Festival (Oct 2024, Maseru, Lesotho)<br />
At the Beer Meats Bands Festival in Maseru this past October, the Clive Bean Ensemble delivered a set that felt less like a performance and more like a live architectural build of groove.<br />
Curated by Clive Bean, self-styled music extortionist and sonic tactician, the ensemble brings together East Rand-bred heavyweights; Shamrock on guitar and Reloaded on keys. Three distinct musical dialects. One improvised language.<br />
There are no backing tracks to hide behind. No rigid arrangements. The decks become a live instrument under Bean’s command, slicing, looping, stretching rhythm in real time. Shamrock answers with liquid guitar phrases rooted in jazz sensibility but sharpened by township grit. Reloaded constructs harmonic scaffolding on keys, layering neo-soul textures over Afro-house percussion frameworks.<br />
What emerges is a fluid traversal through Afro rhythms, jazz tonality, and house pulse, not as genre-hopping, but as seamless fusion. The transitions breathe. The tension builds organically. The drops feel earned, not engineered.<br />
This is groove improvisation at its most fearless: live remix culture colliding with musicianship. Each shift happens “in the mix,” composed and deconstructed simultaneously before the audience’s ears. The crowd in Maseru didn’t just dance, they witnessed process, instinct, and chemistry unfolding in real time.<br />
In a festival landscape often dominated by pre-programmed certainty, the “Clive Bean Ensemble” chose risk. And in that risk, they found transcendence, an eargasmic, jazz-leaning, Afro-infused house experience that proved live electronic music can still surprise, stretch, and speak.<br />
Maseru got more than a set.<br />
It got a statement.]]></description>
            <googleplay:description><![CDATA["Clive Bean Ensemble" - Beer Meats Bands Festival (Oct 2024, Maseru, Lesotho)<br />
At the Beer Meats Bands Festival in Maseru this past October, the Clive Bean Ensemble delivered a set that felt less like a performance and more like a live architectural build of groove.<br />
Curated by Clive Bean, self-styled music extortionist and sonic tactician, the ensemble brings together East Rand-bred heavyweights; Shamrock on guitar and Reloaded on keys. Three distinct musical dialects. One improvised language.<br />
There are no backing tracks to hide behind. No rigid arrangements. The decks become a live instrument under Bean’s command, slicing, looping, stretching rhythm in real time. Shamrock answers with liquid guitar phrases rooted in jazz sensibility but sharpened by township grit. Reloaded constructs harmonic scaffolding on keys, layering neo-soul textures over Afro-house percussion frameworks.<br />
What emerges is a fluid traversal through Afro rhythms, jazz tonality, and house pulse, not as genre-hopping, but as seamless fusion. The transitions breathe. The tension builds organically. The drops feel earned, not engineered.<br />
This is groove improvisation at its most fearless: live remix culture colliding with musicianship. Each shift happens “in the mix,” composed and deconstructed simultaneously before the audience’s ears. The crowd in Maseru didn’t just dance, they witnessed process, instinct, and chemistry unfolding in real time.<br />
In a festival landscape often dominated by pre-programmed certainty, the “Clive Bean Ensemble” chose risk. And in that risk, they found transcendence, an eargasmic, jazz-leaning, Afro-infused house experience that proved live electronic music can still surprise, stretch, and speak.<br />
Maseru got more than a set.<br />
It got a statement.]]></googleplay:description>
            <itunes:summary><![CDATA["Clive Bean Ensemble" - Beer Meats Bands Festival (Oct 2024, Maseru, Lesotho)
At the Beer Meats Bands Festival in Maseru this past October, the Clive Bean Ensemble delivered a set that felt less like a performance and more like a live architectural build of groove.
Curated by Clive Bean, self-styled music extortionist and sonic tactician, the ensemble brings together East Rand-bred heavyweights; Shamrock on guitar and Reloaded on keys. Three distinct musical dialects. One improvised language.
There are no backing tracks to hide behind. No rigid arrangements. The decks become a live instrument under Bean’s command, slicing, looping, stretching rhythm in real time. Shamrock answers with liquid guitar phrases rooted in jazz sensibility but sharpened by township grit. Reloaded constructs harmonic scaffolding on keys, layering neo-soul textures over Afro-house percussion frameworks.
What emerges is a fluid traversal through Afro rhythms, jazz tonality, and house pulse, not as genre-hopping, but as seamless fusion. The transitions breathe. The tension builds organically. The drops feel earned, not engineered.
This is groove improvisation at its most fearless: live remix culture colliding with musicianship. Each shift happens “in the mix,” composed and deconstructed simultaneously before the audience’s ears. The crowd in Maseru didn’t just dance, they witnessed process, instinct, and chemistry unfolding in real time.
In a festival landscape often dominated by pre-programmed certainty, the “Clive Bean Ensemble” chose risk. And in that risk, they found transcendence, an eargasmic, jazz-leaning, Afro-infused house experience that proved live electronic music can still surprise, stretch, and speak.
Maseru got more than a set.
It got a statement.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/8/1/7/_/uploads/2545249/image_track/11768020/w1400_h1400_q70_ptrue_v2_m1772188444----cropped_1772188431718.jpg?m=1772188444" />
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            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 18 Feb 2025 13:48:37 +0100</pubDate>
                
                <atom:updated>2025-02-18T13:48:37+01:00</atom:updated>
                
            
            
            <itunes:duration>39:44</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Grooved & Heliocentric Ditties! (a Home Cookin' Xclusiv'23_Tape)]]></title>
            <link>https://hearthis.at/dhltbj7p/grooved-heliocentric-ditties-a-home-cookin-xclusiv23tape/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[There’s a certain patience that only seasoned selectors possess, the kind that understands groove as ritual, not rush. On “Grooved & Heliocentric Ditties”, Clive Bean leans into that patience, delivering a downtempo, lounge and chillout meditation that feels less like a mixtape and more like a seasonal invocation.<br />
<br />
A merger of man, month and mood.<br />
<br />
Rooted in his Mosotho lineage, Bean frames the project around Lweetse (September) ...,the Sesotho New Year, a time when the Southern Hemisphere tilts toward rebirth. Nimbus clouds gather. The air shifts. There’s anticipation in the atmosphere. His narration reminds us that Lweetse signals preparation: rain is imminent, life is stirring. The tape mirrors that climate; unhurried percussion, warm basslines, heliocentric arrangements that orbit around groove as if the sun itself were conducting.<br />
<br />
Then comes Mphalane (October), his EarthBorn month, named after Liphalane, the impala whose reproductive rhythms define the season. Fertility. Continuity. Motion. In Bean’s curation, you hear that pulse in the subtle build-ups, in the textured transitions, in the way each track seems to give birth to the next. It’s less about genre and more about ecosystem.<br />
<br />
And that’s the real flex.<br />
<br />
Clive Bean, known in underground circles as a cultural practitioner who fuses technical precision with crate-digger instinct, doesn’t just compile sounds; he contextualizes them. This Home Cookin’ Xclusiv’23_Tape is a sonic almanac. Downtempo without lethargy. Lounge without cliché. Chillout without detachment. Every selection feels heliocentric , revolving around warmth, balance, and renewal.<br />
<br />
For lovers of genreless music, this is a seasonal soundtrack. For the spiritually inclined, it’s a recalibration. For the groove purist, it’s evidence that restraint can be revolutionary.<br />
<br />
Press play. Stream it. Download it. Let Lweetse rain and Mphalane multiply.<br />
<br />
Peace. Love. Unity. Respect.<br />
Jah guide, enlighten, bless and protect.]]></description>
            <googleplay:description><![CDATA[There’s a certain patience that only seasoned selectors possess, the kind that understands groove as ritual, not rush. On “Grooved & Heliocentric Ditties”, Clive Bean leans into that patience, delivering a downtempo, lounge and chillout meditation that feels less like a mixtape and more like a seasonal invocation.<br />
<br />
A merger of man, month and mood.<br />
<br />
Rooted in his Mosotho lineage, Bean frames the project around Lweetse (September) ...,the Sesotho New Year, a time when the Southern Hemisphere tilts toward rebirth. Nimbus clouds gather. The air shifts. There’s anticipation in the atmosphere. His narration reminds us that Lweetse signals preparation: rain is imminent, life is stirring. The tape mirrors that climate; unhurried percussion, warm basslines, heliocentric arrangements that orbit around groove as if the sun itself were conducting.<br />
<br />
Then comes Mphalane (October), his EarthBorn month, named after Liphalane, the impala whose reproductive rhythms define the season. Fertility. Continuity. Motion. In Bean’s curation, you hear that pulse in the subtle build-ups, in the textured transitions, in the way each track seems to give birth to the next. It’s less about genre and more about ecosystem.<br />
<br />
And that’s the real flex.<br />
<br />
Clive Bean, known in underground circles as a cultural practitioner who fuses technical precision with crate-digger instinct, doesn’t just compile sounds; he contextualizes them. This Home Cookin’ Xclusiv’23_Tape is a sonic almanac. Downtempo without lethargy. Lounge without cliché. Chillout without detachment. Every selection feels heliocentric , revolving around warmth, balance, and renewal.<br />
<br />
For lovers of genreless music, this is a seasonal soundtrack. For the spiritually inclined, it’s a recalibration. For the groove purist, it’s evidence that restraint can be revolutionary.<br />
<br />
Press play. Stream it. Download it. Let Lweetse rain and Mphalane multiply.<br />
<br />
Peace. Love. Unity. Respect.<br />
Jah guide, enlighten, bless and protect.]]></googleplay:description>
            <itunes:summary><![CDATA[There’s a certain patience that only seasoned selectors possess, the kind that understands groove as ritual, not rush. On “Grooved & Heliocentric Ditties”, Clive Bean leans into that patience, delivering a downtempo, lounge and chillout meditation that feels less like a mixtape and more like a seasonal invocation.

A merger of man, month and mood.

Rooted in his Mosotho lineage, Bean frames the project around Lweetse (September) ...,the Sesotho New Year, a time when the Southern Hemisphere tilts toward rebirth. Nimbus clouds gather. The air shifts. There’s anticipation in the atmosphere. His narration reminds us that Lweetse signals preparation: rain is imminent, life is stirring. The tape mirrors that climate; unhurried percussion, warm basslines, heliocentric arrangements that orbit around groove as if the sun itself were conducting.

Then comes Mphalane (October), his EarthBorn month, named after Liphalane, the impala whose reproductive rhythms define the season. Fertility. Continuity. Motion. In Bean’s curation, you hear that pulse in the subtle build-ups, in the textured transitions, in the way each track seems to give birth to the next. It’s less about genre and more about ecosystem.

And that’s the real flex.

Clive Bean, known in underground circles as a cultural practitioner who fuses technical precision with crate-digger instinct, doesn’t just compile sounds; he contextualizes them. This Home Cookin’ Xclusiv’23_Tape is a sonic almanac. Downtempo without lethargy. Lounge without cliché. Chillout without detachment. Every selection feels heliocentric , revolving around warmth, balance, and renewal.

For lovers of genreless music, this is a seasonal soundtrack. For the spiritually inclined, it’s a recalibration. For the groove purist, it’s evidence that restraint can be revolutionary.

Press play. Stream it. Download it. Let Lweetse rain and Mphalane multiply.

Peace. Love. Unity. Respect.
Jah guide, enlighten, bless and protect.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/1/6/_/uploads/2545249/image_track/10015905/w1400_h1400_q70_ptrue_v2_----cropped_1694006792612.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Wed, 06 Sep 2023 15:26:13 +0200</pubDate>
                
                <atom:updated>2023-09-06T15:26:13+02:00</atom:updated>
                
            
            
            <itunes:duration>54:39</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Underground Our Home_Block 29: "House Paradigms"]]></title>
            <link>https://hearthis.at/dhltbj7p/underground-our-homeblock-29-house-paradigms/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[It is with absolute delight and sincere humbleness that I'n'I (with my imaginary bro - Clive Bean) present to you all our recent and fresh > Underground Our Home_Block 29: "House Paradigms"<br />
<br />
Paradigm (as in Paradigm Shift) – a fundamental change in approach or underlying assumptions. <br />
<br />
Underground Our Home_Block 29: "House Paradigms"; In my Sesotho-culture the month of August “Selemo” signifies change from old to new, a New Year to put it mildly. <br />
This a Mixtape signifies change in its regard to the compiled tracks, the flow of the mix and track order (track progression). I believe mixtapes (irrespective of genre) are a dj’s storytelling pad/vessel/instrument and thereon the pivotal musically lucid pallet BE stimulated.<br />
That said this tape's inception take is authentic irregardless of narration due to popular rhetoric. <br />
<br />
This tape is purely craft-made for your ears only (the lover of genreless music), press play (on stream or download) enjoy and (if see fit) share with like mind peeps. Peace, Love, Unity and Respect! <br />
<br />
Jah guide, enlighten, bless and protect!]]></description>
            <googleplay:description><![CDATA[It is with absolute delight and sincere humbleness that I'n'I (with my imaginary bro - Clive Bean) present to you all our recent and fresh > Underground Our Home_Block 29: "House Paradigms"<br />
<br />
Paradigm (as in Paradigm Shift) – a fundamental change in approach or underlying assumptions. <br />
<br />
Underground Our Home_Block 29: "House Paradigms"; In my Sesotho-culture the month of August “Selemo” signifies change from old to new, a New Year to put it mildly. <br />
This a Mixtape signifies change in its regard to the compiled tracks, the flow of the mix and track order (track progression). I believe mixtapes (irrespective of genre) are a dj’s storytelling pad/vessel/instrument and thereon the pivotal musically lucid pallet BE stimulated.<br />
That said this tape's inception take is authentic irregardless of narration due to popular rhetoric. <br />
<br />
This tape is purely craft-made for your ears only (the lover of genreless music), press play (on stream or download) enjoy and (if see fit) share with like mind peeps. Peace, Love, Unity and Respect! <br />
<br />
Jah guide, enlighten, bless and protect!]]></googleplay:description>
            <itunes:summary><![CDATA[It is with absolute delight and sincere humbleness that I'n'I (with my imaginary bro - Clive Bean) present to you all our recent and fresh > Underground Our Home_Block 29: "House Paradigms"

Paradigm (as in Paradigm Shift) – a fundamental change in approach or underlying assumptions. 

Underground Our Home_Block 29: "House Paradigms"; In my Sesotho-culture the month of August “Selemo” signifies change from old to new, a New Year to put it mildly. 
This a Mixtape signifies change in its regard to the compiled tracks, the flow of the mix and track order (track progression). I believe mixtapes (irrespective of genre) are a dj’s storytelling pad/vessel/instrument and thereon the pivotal musically lucid pallet BE stimulated.
That said this tape's inception take is authentic irregardless of narration due to popular rhetoric. 

This tape is purely craft-made for your ears only (the lover of genreless music), press play (on stream or download) enjoy and (if see fit) share with like mind peeps. Peace, Love, Unity and Respect! 

Jah guide, enlighten, bless and protect!]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/4/7/_/uploads/2545249/image_track/9810157/w1400_h1400_q70_ptrue_v2_----cropped_1691841654746.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 12 Aug 2023 14:01:10 +0200</pubDate>
                
                <atom:updated>2023-08-12T14:01:10+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:59</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Assiduous, Chilled & Winsome Grooves (a Home Cookin' Xclusiv'23_Tape)]]></title>
            <link>https://hearthis.at/dhltbj7p/assiduous-chilled-winsome-grooves-a-home-cookin-xclusiv23tape/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[Clive Bean continues to move with the quiet authority of a selector who understands that music is not merely played - it is narrated. With a career stretching back to the mid-90s and rooted in the textured sounds of Vosloorus, Bean has evolved into a cultural conduit: a compiler, educator, and sonic storyteller whose fingerprints are etched across South Africa’s electronic music continuum.<br />
<br />
A Home Cookin Xclusiv Special Mixtapes for 2023: “Assiduous, Chilled & Winsome Grooves” arrives not as a fleeting drop, but as a carefully plated offering, true to the ethos of his long-standing Home Cookin’ Xclusiv concept, a platform synonymous with genre-fluid expression and curated musical intimacy. Here, Bean leans into his signature sensibility: a patient, deliberate weaving of sound that privileges mood over spectacle.<br />
<br />
This mixtape is less about peak-time urgency and more about the art of musical conversation. “Assiduous” speaks to the meticulous curation; each transition intentional, each groove selected with the discipline of a seasoned compiler who has long shaped both local and international dance compilations. “Chilled” settles into the body like late-night air in Johannesburg - unrushed, expansive, and deeply immersive. And “Winsome”? That’s the charm: the subtle pull of soul, jazz-inflected textures, and warm downtempo rhythms that don’t demand attention but earn it.<br />
<br />
There’s a lived-in quality to this mix, echoes of Bean’s early influences in soul, hip hop, funk, and R&B ripple beneath the surface, creating a listening experience that feels both nostalgic and forward-facing. It’s the kind of set that doesn’t just soundtrack a moment; it holds it, perfect for solitary reflection, slow drives, or those in-between hours where time softens and music speaks louder than words.<br />
<br />
In an era of algorithmic playlists and disposable drops, Clive Bean reminds us of the enduring power of the mixtape as craft. “Assiduous, Chilled & Winsome Grooves” isn’t just a selection - it’s a study in restraint, a meditation on groove, and above all, a reaffirmation that the DJ, at their best, is still a storyteller.]]></description>
            <googleplay:description><![CDATA[Clive Bean continues to move with the quiet authority of a selector who understands that music is not merely played - it is narrated. With a career stretching back to the mid-90s and rooted in the textured sounds of Vosloorus, Bean has evolved into a cultural conduit: a compiler, educator, and sonic storyteller whose fingerprints are etched across South Africa’s electronic music continuum.<br />
<br />
A Home Cookin Xclusiv Special Mixtapes for 2023: “Assiduous, Chilled & Winsome Grooves” arrives not as a fleeting drop, but as a carefully plated offering, true to the ethos of his long-standing Home Cookin’ Xclusiv concept, a platform synonymous with genre-fluid expression and curated musical intimacy. Here, Bean leans into his signature sensibility: a patient, deliberate weaving of sound that privileges mood over spectacle.<br />
<br />
This mixtape is less about peak-time urgency and more about the art of musical conversation. “Assiduous” speaks to the meticulous curation; each transition intentional, each groove selected with the discipline of a seasoned compiler who has long shaped both local and international dance compilations. “Chilled” settles into the body like late-night air in Johannesburg - unrushed, expansive, and deeply immersive. And “Winsome”? That’s the charm: the subtle pull of soul, jazz-inflected textures, and warm downtempo rhythms that don’t demand attention but earn it.<br />
<br />
There’s a lived-in quality to this mix, echoes of Bean’s early influences in soul, hip hop, funk, and R&B ripple beneath the surface, creating a listening experience that feels both nostalgic and forward-facing. It’s the kind of set that doesn’t just soundtrack a moment; it holds it, perfect for solitary reflection, slow drives, or those in-between hours where time softens and music speaks louder than words.<br />
<br />
In an era of algorithmic playlists and disposable drops, Clive Bean reminds us of the enduring power of the mixtape as craft. “Assiduous, Chilled & Winsome Grooves” isn’t just a selection - it’s a study in restraint, a meditation on groove, and above all, a reaffirmation that the DJ, at their best, is still a storyteller.]]></googleplay:description>
            <itunes:summary><![CDATA[Clive Bean continues to move with the quiet authority of a selector who understands that music is not merely played - it is narrated. With a career stretching back to the mid-90s and rooted in the textured sounds of Vosloorus, Bean has evolved into a cultural conduit: a compiler, educator, and sonic storyteller whose fingerprints are etched across South Africa’s electronic music continuum.

A Home Cookin Xclusiv Special Mixtapes for 2023: “Assiduous, Chilled & Winsome Grooves” arrives not as a fleeting drop, but as a carefully plated offering, true to the ethos of his long-standing Home Cookin’ Xclusiv concept, a platform synonymous with genre-fluid expression and curated musical intimacy. Here, Bean leans into his signature sensibility: a patient, deliberate weaving of sound that privileges mood over spectacle.

This mixtape is less about peak-time urgency and more about the art of musical conversation. “Assiduous” speaks to the meticulous curation; each transition intentional, each groove selected with the discipline of a seasoned compiler who has long shaped both local and international dance compilations. “Chilled” settles into the body like late-night air in Johannesburg - unrushed, expansive, and deeply immersive. And “Winsome”? That’s the charm: the subtle pull of soul, jazz-inflected textures, and warm downtempo rhythms that don’t demand attention but earn it.

There’s a lived-in quality to this mix, echoes of Bean’s early influences in soul, hip hop, funk, and R&B ripple beneath the surface, creating a listening experience that feels both nostalgic and forward-facing. It’s the kind of set that doesn’t just soundtrack a moment; it holds it, perfect for solitary reflection, slow drives, or those in-between hours where time softens and music speaks louder than words.

In an era of algorithmic playlists and disposable drops, Clive Bean reminds us of the enduring power of the mixtape as craft. “Assiduous, Chilled & Winsome Grooves” isn’t just a selection - it’s a study in restraint, a meditation on groove, and above all, a reaffirmation that the DJ, at their best, is still a storyteller.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/7/9/_/uploads/2545249/image_track/9428849/w1400_h1400_q70_ptrue_v2_----cropped_1688149563972.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Fri, 30 Jun 2023 20:25:11 +0200</pubDate>
                
                <atom:updated>2023-06-30T20:25:11+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Underground Our Home_Block 27: "For Children of the Sun!"]]></title>
            <link>https://hearthis.at/dhltbj7p/underground-our-homeblock-27-for-children-of-the-sun/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA["For Children of the Sun!”; a selection of Deep-Soul (to Deep-Tech) House misfits that were careful selected by Clive Bean for His Underground Our Home series of Mixtapes . <br />
<br />
Clive Bean presents his progressivist notion of “Homoeopathically laced Electronic” gems of House's sub-genres such as Deep-House, Jerking, Melodic-Techno, Afro-tech, Nu-disco, to name but just a few…<br />
<br />
"This Tape holds a pivotal resonance presenting of a strictly confidential & significant innermost paradigm shift in my purpose levity. The denouement of the age of Pisces of-which, Wise-men had said to be represented by a pair of fish tied together by their tails (the era/age of "learning").  As we enter the age Aquarius, an astrological age which is marked by the precession of the vernal equinox, appropriate to spring (which in my view is the era/age of water meaning rebirth or being the YOU the universe placed you on earth to be).  Is it not then necessary and worthy of noting that the age Aquarius, would usher in everlasting worldwide peace and harmony, proclamatory by many who be spiritually in-tuned" - Clive Bean.]]></description>
            <googleplay:description><![CDATA["For Children of the Sun!”; a selection of Deep-Soul (to Deep-Tech) House misfits that were careful selected by Clive Bean for His Underground Our Home series of Mixtapes . <br />
<br />
Clive Bean presents his progressivist notion of “Homoeopathically laced Electronic” gems of House's sub-genres such as Deep-House, Jerking, Melodic-Techno, Afro-tech, Nu-disco, to name but just a few…<br />
<br />
"This Tape holds a pivotal resonance presenting of a strictly confidential & significant innermost paradigm shift in my purpose levity. The denouement of the age of Pisces of-which, Wise-men had said to be represented by a pair of fish tied together by their tails (the era/age of "learning").  As we enter the age Aquarius, an astrological age which is marked by the precession of the vernal equinox, appropriate to spring (which in my view is the era/age of water meaning rebirth or being the YOU the universe placed you on earth to be).  Is it not then necessary and worthy of noting that the age Aquarius, would usher in everlasting worldwide peace and harmony, proclamatory by many who be spiritually in-tuned" - Clive Bean.]]></googleplay:description>
            <itunes:summary><![CDATA["For Children of the Sun!”; a selection of Deep-Soul (to Deep-Tech) House misfits that were careful selected by Clive Bean for His Underground Our Home series of Mixtapes . 

Clive Bean presents his progressivist notion of “Homoeopathically laced Electronic” gems of House's sub-genres such as Deep-House, Jerking, Melodic-Techno, Afro-tech, Nu-disco, to name but just a few…

"This Tape holds a pivotal resonance presenting of a strictly confidential & significant innermost paradigm shift in my purpose levity. The denouement of the age of Pisces of-which, Wise-men had said to be represented by a pair of fish tied together by their tails (the era/age of "learning").  As we enter the age Aquarius, an astrological age which is marked by the precession of the vernal equinox, appropriate to spring (which in my view is the era/age of water meaning rebirth or being the YOU the universe placed you on earth to be).  Is it not then necessary and worthy of noting that the age Aquarius, would usher in everlasting worldwide peace and harmony, proclamatory by many who be spiritually in-tuned" - Clive Bean.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/9/1/_/uploads/2545249/image_track/8530138/w1400_h1400_q70_ptrue_v2_----cropped_1679749050191.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Sat, 25 Mar 2023 13:56:00 +0100</pubDate>
                
                <atom:updated>2023-03-25T13:56:00+01:00</atom:updated>
                
            
            
            <itunes:duration>1:04:23</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Clive Bean's Bornday Mix (Recorded live@The Balcony in Katlehong_2nd Oct'2011)]]></title>
            <link>https://hearthis.at/dhltbj7p/clive-beans-bornday-mix/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[2nd Oct 2011 **(Clive Bean’s Earthday**) at The Balcony in Katlehong (East Rand) Clive Bean recorded his live set. Unfortunately some Distortion was also recorded due a Live Recording tech-error early in the mix (say 28 min or so), you know how live recording in clubs sometimes can be (Apologies on that). However it does get sorted sooner than later in the mix. This is the 1st time in 11 years that this mix is uploaded to the general public. <br />
That said Ladies and GentleBrutes it is my pleasure, gratitude and absolute honor to present this mix to you all to stream (and or download) and enjoy! 1 love.]]></description>
            <googleplay:description><![CDATA[2nd Oct 2011 **(Clive Bean’s Earthday**) at The Balcony in Katlehong (East Rand) Clive Bean recorded his live set. Unfortunately some Distortion was also recorded due a Live Recording tech-error early in the mix (say 28 min or so), you know how live recording in clubs sometimes can be (Apologies on that). However it does get sorted sooner than later in the mix. This is the 1st time in 11 years that this mix is uploaded to the general public. <br />
That said Ladies and GentleBrutes it is my pleasure, gratitude and absolute honor to present this mix to you all to stream (and or download) and enjoy! 1 love.]]></googleplay:description>
            <itunes:summary><![CDATA[2nd Oct 2011 **(Clive Bean’s Earthday**) at The Balcony in Katlehong (East Rand) Clive Bean recorded his live set. Unfortunately some Distortion was also recorded due a Live Recording tech-error early in the mix (say 28 min or so), you know how live recording in clubs sometimes can be (Apologies on that). However it does get sorted sooner than later in the mix. This is the 1st time in 11 years that this mix is uploaded to the general public. 
That said Ladies and GentleBrutes it is my pleasure, gratitude and absolute honor to present this mix to you all to stream (and or download) and enjoy! 1 love.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/6/0/9/_/uploads/2545249/image_track/6889397/w1400_h1400_q70_ptrue_v2_----cropped_1657375328906.jpg" />
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            <category><![CDATA[Sounds]]></category>
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                <pubDate>Sat, 09 Jul 2022 16:01:55 +0200</pubDate>
                
                <atom:updated>2022-07-09T16:01:55+02:00</atom:updated>
                
            
            
            <itunes:duration>1:28:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Underground Our Home_ Block 26 "Accession_270 Motsamai Str - Cuba Section"]]></title>
            <link>https://hearthis.at/dhltbj7p/underground-our-home-block-26-accession270-motsamai-strcuba-section/</link>
            <itunes:author><![CDATA[Clive Bean Wa Afrika]]></itunes:author>
            <description><![CDATA[**Underground Our Home: Block 26 "Accession_270 Motsamai Str - Cuba Section"**<br />
<br />
“Underground Our Home” Clive Bean’s archival mixtape series returns with its 26th offering “Block 26”. 270 Motsamai Str_Cuba Section, his Hometown (Vosloorus) address;<br />
"Accession_270 Motsamai Str_Cuba Section" seemed fitting as the title of the mix, especially because it marks a pivotal memento - his return to his hood after a 26 years hiatus and recorded Live from Cherry Groove Studios (Viwe The Don’s Home studio in Cuba Section_Vosloorus).<br />
<br />
This particular mix is an amalgamation of Afro-Deep-Tech delights produced both locally and globally.  That said my Dear Ladies & Glentlebrutes sit back, light-up some lala (Mary Jane) and glide into the groove offered immaculately by Clive Bean.<br />
<br />
Artwork courtesy of: Future Da DJ!]]></description>
            <googleplay:description><![CDATA[**Underground Our Home: Block 26 "Accession_270 Motsamai Str - Cuba Section"**<br />
<br />
“Underground Our Home” Clive Bean’s archival mixtape series returns with its 26th offering “Block 26”. 270 Motsamai Str_Cuba Section, his Hometown (Vosloorus) address;<br />
"Accession_270 Motsamai Str_Cuba Section" seemed fitting as the title of the mix, especially because it marks a pivotal memento - his return to his hood after a 26 years hiatus and recorded Live from Cherry Groove Studios (Viwe The Don’s Home studio in Cuba Section_Vosloorus).<br />
<br />
This particular mix is an amalgamation of Afro-Deep-Tech delights produced both locally and globally.  That said my Dear Ladies & Glentlebrutes sit back, light-up some lala (Mary Jane) and glide into the groove offered immaculately by Clive Bean.<br />
<br />
Artwork courtesy of: Future Da DJ!]]></googleplay:description>
            <itunes:summary><![CDATA[**Underground Our Home: Block 26 "Accession_270 Motsamai Str - Cuba Section"**

“Underground Our Home” Clive Bean’s archival mixtape series returns with its 26th offering “Block 26”. 270 Motsamai Str_Cuba Section, his Hometown (Vosloorus) address;
"Accession_270 Motsamai Str_Cuba Section" seemed fitting as the title of the mix, especially because it marks a pivotal memento - his return to his hood after a 26 years hiatus and recorded Live from Cherry Groove Studios (Viwe The Don’s Home studio in Cuba Section_Vosloorus).

This particular mix is an amalgamation of Afro-Deep-Tech delights produced both locally and globally.  That said my Dear Ladies & Glentlebrutes sit back, light-up some lala (Mary Jane) and glide into the groove offered immaculately by Clive Bean.

Artwork courtesy of: Future Da DJ!]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/6/6/_/uploads/2545249/image_track/6636733/w1400_h1400_q70_ptrue_v2_----cropped_1648072367667.jpg" />
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            <guid isPermaLink="false">6636733</guid>
            <category><![CDATA[Sounds]]></category>
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                <pubDate>Wed, 23 Mar 2022 18:35:38 +0100</pubDate>
                
                <atom:updated>2022-03-23T18:35:38+01:00</atom:updated>
                
            
            
            <itunes:duration>1:26:04</itunes:duration>
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