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	<title><![CDATA[david gedosh]]></title>
	<link>https://hearthis.at/davidgedosh/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of david gedosh]]></itunes:subtitle>
	<itunes:author><![CDATA[david gedosh]]></itunes:author>
	<googleplay:author><![CDATA[david gedosh]]></googleplay:author>
	<itunes:summary><![CDATA[David Gedosh is a composer, guitarist, audio engineer, and educator.  His stereo and multi-channel works include acousmatic music, electroacoustic music with live performance, and intermedia.  Much of his music reflects an interest in atemporality and aspatiality, timbre, and spatialization, combining lively gesture, soundmass, and physicality. 
His music has been performed throughout North America and Europe and in Latin America at festivals including Ars Electronica Forum Wallis, Bourges Festival Synthèse IMEB, Diffrazioni Multimedia Festival, Ecuentros de Esquina Musica Electroacoustica, Electronic Music Midwest, Florida Electroacoustic Music Festival, Fresh Minds Festival, Holophon.ca., International Computer Music Conference, IMMArts, Last Friday Listening Room, Morely Gallery, New York City Electroacoustic Music Festival, Society for Electro-Acoustic Music in the United States, Sound and Music Computing Conference, Sweet Thunder Music Festival, and Zeppelin Festival.  His music has been released on the SEAMUS label, and he has received awards from Ars Electronica Forum Wallis, ASCAP, Bourges IMEB, Fresh Minds Festival,
David earned a Doctor of Musical Arts degree from the University of North Texas in music composition with a specialization in computer music and intermedia, where he was studied with Jon C. Nelson, Andrew May, Butch Rovan, and Phil Windsor, and was a teaching assistant for the Center for Experimental Music and Intermedia (CEMI), and a teaching fellow for the composition division. ]]></itunes:summary>
	<googleplay:description><![CDATA[David Gedosh is a composer, guitarist, audio engineer, and educator.  His stereo and multi-channel works include acousmatic music, electroacoustic music with live performance, and intermedia.  Much of his music reflects an interest in atemporality and aspatiality, timbre, and spatialization, combining lively gesture, soundmass, and physicality. 
His music has been performed throughout North America and Europe and in Latin America at festivals including Ars Electronica Forum Wallis, Bourges Festival Synthèse IMEB, Diffrazioni Multimedia Festival, Ecuentros de Esquina Musica Electroacoustica, Electronic Music Midwest, Florida Electroacoustic Music Festival, Fresh Minds Festival, Holophon.ca., International Computer Music Conference, IMMArts, Last Friday Listening Room, Morely Gallery, New York City Electroacoustic Music Festival, Society for Electro-Acoustic Music in the United States, Sound and Music Computing Conference, Sweet Thunder Music Festival, and Zeppelin Festival.  His music has been released on the SEAMUS label, and he has received awards from Ars Electronica Forum Wallis, ASCAP, Bourges IMEB, Fresh Minds Festival,
David earned a Doctor of Musical Arts degree from the University of North Texas in music composition with a specialization in computer music and intermedia, where he was studied with Jon C. Nelson, Andrew May, Butch Rovan, and Phil Windsor, and was a teaching assistant for the Center for Experimental Music and Intermedia (CEMI), and a teaching fellow for the composition division. ]]></googleplay:description>
	<description><![CDATA[David Gedosh is a composer, guitarist, audio engineer, and educator.  His stereo and multi-channel works include acousmatic music, electroacoustic music with live performance, and intermedia.  Much of his music reflects an interest in atemporality and aspatiality, timbre, and spatialization, combining lively gesture, soundmass, and physicality. 
His music has been performed throughout North America and Europe and in Latin America at festivals including Ars Electronica Forum Wallis, Bourges Festival Synthèse IMEB, Diffrazioni Multimedia Festival, Ecuentros de Esquina Musica Electroacoustica, Electronic Music Midwest, Florida Electroacoustic Music Festival, Fresh Minds Festival, Holophon.ca., International Computer Music Conference, IMMArts, Last Friday Listening Room, Morely Gallery, New York City Electroacoustic Music Festival, Society for Electro-Acoustic Music in the United States, Sound and Music Computing Conference, Sweet Thunder Music Festival, and Zeppelin Festival.  His music has been released on the SEAMUS label, and he has received awards from Ars Electronica Forum Wallis, ASCAP, Bourges IMEB, Fresh Minds Festival,
David earned a Doctor of Musical Arts degree from the University of North Texas in music composition with a specialization in computer music and intermedia, where he was studied with Jon C. Nelson, Andrew May, Butch Rovan, and Phil Windsor, and was a teaching assistant for the Center for Experimental Music and Intermedia (CEMI), and a teaching fellow for the composition division. ]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[david gedosh]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
	<image>
      <link>https://hearthis.at/davidgedosh/</link>
      <title>david gedosh</title>
      <url>https://img.hearthis.at/7/2/9/_/uploads/9030651/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1519835585927.jpg</url>
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        <item>
            <title><![CDATA[Guitar Construction #3: Hg-Cr-As]]></title>
            <link>https://hearthis.at/davidgedosh/guitar-construction-3-hg-cr-as/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[David Gedosh is a composer, guitarist, audio engineer, and educator.  His stereo and multi-channel works include acousmatic music, electroacoustic music with live performance, and intermedia.  Much of his music reflects an interest in atemporality and aspatiality, timbre, and spatialization, combining lively gesture, soundmass, and physicality. 
His music has been performed throughout North America and Europe and in Latin America at festivals including Ars Electronica Forum Wallis, Bourges Festival Synthèse IMEB, Diffrazioni Multimedia Festival, Ecuentros de Esquina Musica Electroacoustica, Electronic Music Midwest, Florida Electroacoustic Music Festival, Fresh Minds Festival, Holophon.ca., International Computer Music Conference, IMMArts, Last Friday Listening Room, Morely Gallery, New York City Electroacoustic Music Festival, Society for Electro-Acoustic Music in the United States, Sound and Music Computing Conference, Sweet Thunder Music Festival, and Zeppelin Festival.  His music has been released on the SEAMUS label, and he has received awards from Ars Electronica Forum Wallis, ASCAP, Bourges IMEB, Fresh Minds Festival,
David earned a Doctor of Musical Arts degree from the University of North Texas in music composition with a specialization in computer music and intermedia, where he was studied with Jon C. Nelson, Andrew May, Butch Rovan, and Phil Windsor, and was a teaching assistant for the Center for Experimental Music and Intermedia (CEMI), and a teaching fellow for the composition division. ]]></description>
            <googleplay:description><![CDATA[David Gedosh is a composer, guitarist, audio engineer, and educator.  His stereo and multi-channel works include acousmatic music, electroacoustic music with live performance, and intermedia.  Much of his music reflects an interest in atemporality and aspatiality, timbre, and spatialization, combining lively gesture, soundmass, and physicality. 
His music has been performed throughout North America and Europe and in Latin America at festivals including Ars Electronica Forum Wallis, Bourges Festival Synthèse IMEB, Diffrazioni Multimedia Festival, Ecuentros de Esquina Musica Electroacoustica, Electronic Music Midwest, Florida Electroacoustic Music Festival, Fresh Minds Festival, Holophon.ca., International Computer Music Conference, IMMArts, Last Friday Listening Room, Morely Gallery, New York City Electroacoustic Music Festival, Society for Electro-Acoustic Music in the United States, Sound and Music Computing Conference, Sweet Thunder Music Festival, and Zeppelin Festival.  His music has been released on the SEAMUS label, and he has received awards from Ars Electronica Forum Wallis, ASCAP, Bourges IMEB, Fresh Minds Festival,
David earned a Doctor of Musical Arts degree from the University of North Texas in music composition with a specialization in computer music and intermedia, where he was studied with Jon C. Nelson, Andrew May, Butch Rovan, and Phil Windsor, and was a teaching assistant for the Center for Experimental Music and Intermedia (CEMI), and a teaching fellow for the composition division. ]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/3/_/uploads/9030651/image_track/1784605/w1400_h1400_q70_ptrue_v2_----cropped_1519835006332.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Tue, 31 Oct 2017 04:35:21 +0100</pubDate>
                
                <atom:updated>2017-10-31T04:35:21+01:00</atom:updated>
                
            
            
            <itunes:duration>7:10</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Guitar Construction #2: Progressive Fracture]]></title>
            <link>https://hearthis.at/davidgedosh/guitar-construction-2-progressive-fracture/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[This is an updated version]]></description>
            <googleplay:description><![CDATA[This is an updated version]]></googleplay:description>
            <itunes:summary><![CDATA[This is an updated version]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/0/7/9/_/uploads/9030651/image_track/1784607/w1400_h1400_q70_ptrue_v2_----cropped_1519835058970.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/davidgedosh/guitar-construction-2-progressive-fracture/listen.mp3?s=T5X" length="6008580" />
            <guid isPermaLink="false">1784607</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 10 Dec 2015 12:39:28 +0100</pubDate>
                
                <atom:updated>2015-12-10T12:39:28+01:00</atom:updated>
                
            
            
            <itunes:duration>6:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[TrainSong]]></title>
            <link>https://hearthis.at/davidgedosh/trainsong/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[Train Song, an acousmatic work, was awarded first prize in the Greater Denton Arts Council Composition Competition 2008, and Finalist in the Bourges International Composition Competition Electroacoustic Music 2009, residency category. The majority of the sound sources were recorded in Denton TX, and range from the ubiquitous sound of the train, the industrial sound wash of the factories near the railroad tracks, to power tools, traffic, concerts, and weather. The sounds are removed from their original context, processed in various ways, and re-contextualized, moving the listener through various locations, and creating an abstraction of the sound of the city.]]></description>
            <googleplay:description><![CDATA[Train Song, an acousmatic work, was awarded first prize in the Greater Denton Arts Council Composition Competition 2008, and Finalist in the Bourges International Composition Competition Electroacoustic Music 2009, residency category. The majority of the sound sources were recorded in Denton TX, and range from the ubiquitous sound of the train, the industrial sound wash of the factories near the railroad tracks, to power tools, traffic, concerts, and weather. The sounds are removed from their original context, processed in various ways, and re-contextualized, moving the listener through various locations, and creating an abstraction of the sound of the city.]]></googleplay:description>
            <itunes:summary><![CDATA[Train Song, an acousmatic work, was awarded first prize in the Greater Denton Arts Council Composition Competition 2008, and Finalist in the Bourges International Composition Competition Electroacoustic Music 2009, residency category. The majority of the sound sources were recorded in Denton TX, and range from the ubiquitous sound of the train, the industrial sound wash of the factories near the railroad tracks, to power tools, traffic, concerts, and weather. The sounds are removed from their original context, processed in various ways, and re-contextualized, moving the listener through various locations, and creating an abstraction of the sound of the city.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/9030651/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1519835585927.jpg" />
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            <guid isPermaLink="false">1784610</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Thu, 26 Jul 2012 21:23:02 +0200</pubDate>
                
                <atom:updated>2012-07-26T21:23:02+02:00</atom:updated>
                
            
            
            <itunes:duration>8:58</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Architecture of a Dream]]></title>
            <link>https://hearthis.at/davidgedosh/architecture-of-a-dream/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[An acousmatic work, Architecture of a Dream is inspired by the atemporal and aspatial images, sounds, and narrative often found in dreams, and takes the listener on an evocative internal journey through a labyrinth of sound spaces, scenarios, and contexts. The material is at times subtle, intricate, and flowing, and at other times profound and disconcerting. This work explores a narrative supplied by the intrusion of sounds from the immediate environment, residual daily events, subconscious activity, and a degree of lucidity, leaving only an ephemeral trace.]]></description>
            <googleplay:description><![CDATA[An acousmatic work, Architecture of a Dream is inspired by the atemporal and aspatial images, sounds, and narrative often found in dreams, and takes the listener on an evocative internal journey through a labyrinth of sound spaces, scenarios, and contexts. The material is at times subtle, intricate, and flowing, and at other times profound and disconcerting. This work explores a narrative supplied by the intrusion of sounds from the immediate environment, residual daily events, subconscious activity, and a degree of lucidity, leaving only an ephemeral trace.]]></googleplay:description>
            <itunes:summary><![CDATA[An acousmatic work, Architecture of a Dream is inspired by the atemporal and aspatial images, sounds, and narrative often found in dreams, and takes the listener on an evocative internal journey through a labyrinth of sound spaces, scenarios, and contexts. The material is at times subtle, intricate, and flowing, and at other times profound and disconcerting. This work explores a narrative supplied by the intrusion of sounds from the immediate environment, residual daily events, subconscious activity, and a degree of lucidity, leaving only an ephemeral trace.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/9030651/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1519835585927.jpg" />
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            <guid isPermaLink="false">1784611</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 26 Jul 2012 20:11:37 +0200</pubDate>
                
                <atom:updated>2012-07-26T20:11:37+02:00</atom:updated>
                
            
            
            <itunes:duration>10:00</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Guitar Construction #1]]></title>
            <link>https://hearthis.at/davidgedosh/guitar-construction-1/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[Through passages of subtle nuance and passages of sonic intensity Guitar Construction explores the timbres of the electric guitar as often heard in the genre of heavy metal music.  An homage to my early musical roots and formative years as a musician this composition sits as a memoryscape of some of my musical experiences.   As with memory, this composition attempts to express itself through rising gesture, falling toward dissolution, reclaiming its voice only to once again recede into silence.]]></description>
            <googleplay:description><![CDATA[Through passages of subtle nuance and passages of sonic intensity Guitar Construction explores the timbres of the electric guitar as often heard in the genre of heavy metal music.  An homage to my early musical roots and formative years as a musician this composition sits as a memoryscape of some of my musical experiences.   As with memory, this composition attempts to express itself through rising gesture, falling toward dissolution, reclaiming its voice only to once again recede into silence.]]></googleplay:description>
            <itunes:summary><![CDATA[Through passages of subtle nuance and passages of sonic intensity Guitar Construction explores the timbres of the electric guitar as often heard in the genre of heavy metal music.  An homage to my early musical roots and formative years as a musician this composition sits as a memoryscape of some of my musical experiences.   As with memory, this composition attempts to express itself through rising gesture, falling toward dissolution, reclaiming its voice only to once again recede into silence.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/1/3/2/_/uploads/9030651/image_track/1784609/w1400_h1400_q70_ptrue_v2_----cropped_1519835136231.jpg" />
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            <guid isPermaLink="false">1784609</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Fri, 27 Jul 2012 01:29:43 +0200</pubDate>
                
                <atom:updated>2012-07-27T01:29:43+02:00</atom:updated>
                
            
            
            <itunes:duration>6:02</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Itchy L'il Groove Thang]]></title>
            <link>https://hearthis.at/davidgedosh/itchy-lil-groove-thang/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[This is a rough mix of an old instrumental,1999ish, that never got finished... You can def hear the Steve Lukather / Joe Satriani / Toto / Asia influence! Guitars need to be redone, needs to be remixed, etc. Not sure why it was never completed. I may have lost the files. It was a collaboration between myself and Callen Clarke. All the solo / lead stuff on the guitar and keys were improvised kind of on the spot. Its a bit rough.]]></description>
            <googleplay:description><![CDATA[This is a rough mix of an old instrumental,1999ish, that never got finished... You can def hear the Steve Lukather / Joe Satriani / Toto / Asia influence! Guitars need to be redone, needs to be remixed, etc. Not sure why it was never completed. I may have lost the files. It was a collaboration between myself and Callen Clarke. All the solo / lead stuff on the guitar and keys were improvised kind of on the spot. Its a bit rough.]]></googleplay:description>
            <itunes:summary><![CDATA[This is a rough mix of an old instrumental,1999ish, that never got finished... You can def hear the Steve Lukather / Joe Satriani / Toto / Asia influence! Guitars need to be redone, needs to be remixed, etc. Not sure why it was never completed. I may have lost the files. It was a collaboration between myself and Callen Clarke. All the solo / lead stuff on the guitar and keys were improvised kind of on the spot. Its a bit rough.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/9030651/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1519835585927.jpg" />
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            <guid isPermaLink="false">1791711</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Mon, 05 Mar 2018 00:48:05 +0100</pubDate>
                
                <atom:updated>2018-03-05T00:48:05+01:00</atom:updated>
                
            
            
            <itunes:duration>2:56</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Filth]]></title>
            <link>https://hearthis.at/davidgedosh/filth/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[Collaborative song with Dave Gedosh - Guitars, Abbey Autry - Vocals, Cory Barr - Guitars, and Marlon Carbone - Bass Guitar.  Written and recorded by Dave Gedosh and Cory Barr.  Lyrics by Abbey Autry.]]></description>
            <googleplay:description><![CDATA[Collaborative song with Dave Gedosh - Guitars, Abbey Autry - Vocals, Cory Barr - Guitars, and Marlon Carbone - Bass Guitar.  Written and recorded by Dave Gedosh and Cory Barr.  Lyrics by Abbey Autry.]]></googleplay:description>
            <itunes:summary><![CDATA[Collaborative song with Dave Gedosh - Guitars, Abbey Autry - Vocals, Cory Barr - Guitars, and Marlon Carbone - Bass Guitar.  Written and recorded by Dave Gedosh and Cory Barr.  Lyrics by Abbey Autry.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/4/3/1/_/uploads/9030651/image_track/1784603/w1400_h1400_q70_ptrue_v2_----cropped_1519834266134.jpg" />
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            <guid isPermaLink="false">1784603</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Fri, 16 Feb 2018 05:17:44 +0100</pubDate>
                
                <atom:updated>2018-02-16T05:17:44+01:00</atom:updated>
                
            
            
            <itunes:duration>4:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Make Believe]]></title>
            <link>https://hearthis.at/davidgedosh/make-believe/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[I composed this song around 2001, I think.  Was subsequently placed in the independent film titled Second to Die (IMDb) staring Erika Eleniak, Jerry Kroll, Collen Camp.  Instruments and electronics were performed by myself, vocals were performed by Jennifer Hopper.  It was mixed by myself and Cory Barr.]]></description>
            <googleplay:description><![CDATA[I composed this song around 2001, I think.  Was subsequently placed in the independent film titled Second to Die (IMDb) staring Erika Eleniak, Jerry Kroll, Collen Camp.  Instruments and electronics were performed by myself, vocals were performed by Jennifer Hopper.  It was mixed by myself and Cory Barr.]]></googleplay:description>
            <itunes:summary><![CDATA[I composed this song around 2001, I think.  Was subsequently placed in the independent film titled Second to Die (IMDb) staring Erika Eleniak, Jerry Kroll, Collen Camp.  Instruments and electronics were performed by myself, vocals were performed by Jennifer Hopper.  It was mixed by myself and Cory Barr.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/2/3/0/_/uploads/9030651/image_track/1790948/w1400_h1400_q70_ptrue_v2_----cropped_1520182196032.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/davidgedosh/make-believe/listen.mp3?s=Q8p" length="4017422" />
            <guid isPermaLink="false">1790948</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
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                <pubDate>Sun, 04 Mar 2018 17:49:58 +0100</pubDate>
                
                <atom:updated>2018-03-04T17:49:58+01:00</atom:updated>
                
            
            
            <itunes:duration>4:11</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Fender Amp Death]]></title>
            <link>https://hearthis.at/davidgedosh/fender-amp-death/</link>
            <itunes:author><![CDATA[david gedosh]]></itunes:author>
            <description><![CDATA[Here is the sound of a Fender amplifier frying on the inside. I was recording the noise from different amps, turned this one on, and it fried.]]></description>
            <googleplay:description><![CDATA[Here is the sound of a Fender amplifier frying on the inside. I was recording the noise from different amps, turned this one on, and it fried.]]></googleplay:description>
            <itunes:summary><![CDATA[Here is the sound of a Fender amplifier frying on the inside. I was recording the noise from different amps, turned this one on, and it fried.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/2/9/_/uploads/9030651/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1519835585927.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/davidgedosh/fender-amp-death/listen.mp3?s=eFU" length="504057" />
            <guid isPermaLink="false">1784606</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 21 Sep 2017 23:16:40 +0200</pubDate>
                
                <atom:updated>2017-09-21T23:16:40+02:00</atom:updated>
                
            
            
            <itunes:duration>0:31</itunes:duration>
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