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	<title><![CDATA[CARMAH]]></title>
	<link>https://hearthis.at/carmah-hu/</link>
	<language>en-EN</language>
	<copyright><![CDATA[]]></copyright>
	<itunes:subtitle><![CDATA[Podcast of CARMAH]]></itunes:subtitle>
	<itunes:author><![CDATA[CARMAH]]></itunes:author>
	<googleplay:author><![CDATA[CARMAH]]></googleplay:author>
	<itunes:summary><![CDATA[Centre for Anthropological Research on Museums and Heritage
CARMAH aims to deepen understanding of the dynamics and potentials of museums and heritage in the contemporary world. It looks globally to identify and analyze the significant social, cultural and political developments facing museums and heritage today. Its in-depth research tackles how these play out and are reconfigured in specific national and institutional contexts. In this way, CARMAH provides new insights into what is going on now and innovative ideas for good karma in the future.
Central themes of CARMAH’s research programme are how the following shape and are shaped through museums and heritage:
Diversity and difference
Citizenship and knowledge formation
Media and material culture
These raise questions of social recognition, audience, collections, cultural property, power relations, communication and public culture.
We use established methods – especially ethnographic – and also develop innovative methodological approaches. Our perspective is anthropological in its insistence on addressing specific cases in-depth and attending to practice and process, at the same time as thinking comparatively and reflexively.
CARMAH is funded by the Alexander von Humboldt Foundation, the Humboldt-Universität zu Berlin, the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation. It is also host to research projects funded by other organisations.]]></itunes:summary>
	<googleplay:description><![CDATA[Centre for Anthropological Research on Museums and Heritage
CARMAH aims to deepen understanding of the dynamics and potentials of museums and heritage in the contemporary world. It looks globally to identify and analyze the significant social, cultural and political developments facing museums and heritage today. Its in-depth research tackles how these play out and are reconfigured in specific national and institutional contexts. In this way, CARMAH provides new insights into what is going on now and innovative ideas for good karma in the future.
Central themes of CARMAH’s research programme are how the following shape and are shaped through museums and heritage:
Diversity and difference
Citizenship and knowledge formation
Media and material culture
These raise questions of social recognition, audience, collections, cultural property, power relations, communication and public culture.
We use established methods – especially ethnographic – and also develop innovative methodological approaches. Our perspective is anthropological in its insistence on addressing specific cases in-depth and attending to practice and process, at the same time as thinking comparatively and reflexively.
CARMAH is funded by the Alexander von Humboldt Foundation, the Humboldt-Universität zu Berlin, the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation. It is also host to research projects funded by other organisations.]]></googleplay:description>
	<description><![CDATA[Centre for Anthropological Research on Museums and Heritage
CARMAH aims to deepen understanding of the dynamics and potentials of museums and heritage in the contemporary world. It looks globally to identify and analyze the significant social, cultural and political developments facing museums and heritage today. Its in-depth research tackles how these play out and are reconfigured in specific national and institutional contexts. In this way, CARMAH provides new insights into what is going on now and innovative ideas for good karma in the future.
Central themes of CARMAH’s research programme are how the following shape and are shaped through museums and heritage:
Diversity and difference
Citizenship and knowledge formation
Media and material culture
These raise questions of social recognition, audience, collections, cultural property, power relations, communication and public culture.
We use established methods – especially ethnographic – and also develop innovative methodological approaches. Our perspective is anthropological in its insistence on addressing specific cases in-depth and attending to practice and process, at the same time as thinking comparatively and reflexively.
CARMAH is funded by the Alexander von Humboldt Foundation, the Humboldt-Universität zu Berlin, the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation. It is also host to research projects funded by other organisations.]]></description>
	<itunes:owner>
	<itunes:name><![CDATA[CARMAH]]></itunes:name>
	<itunes:email>contact@hearthis.at</itunes:email>
	</itunes:owner>
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    <googleplay:owner>contact@hearthis.at</googleplay:owner>
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      <title>CARMAH</title>
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        <item>
            <title><![CDATA[Book Presentation „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“]]></title>
            <link>https://hearthis.at/carmah-hu/booklaunch-provenienzforschung/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[This recording documents the presentation of the e-book „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“ (in German). The e-book collects the contributions made in the homonymous conference held by the AG Museum der Deutschen Gesellschaft für Sozial- und Kulturanthropologie on April 7th & 8th of 2017 at the [Museum Fünf Kontinente in Munich](https://www.museum-fuenf-kontinente.de/services/english-summary.html).<br />
The presentation took place on April 11th, 2018 in the auditorium of the Jakob-und-Wilhelm-Grimm-Zentrum in Berlin.<br />
In this recording, you'll hear the voices of <br />
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) ([CARMAH](http://www.carmah.berlin/)/AG Museum)<br />
Heike Hartmann ([Deutsches Historisches Museum](https://www.dhm.de/))<br />
[Sarah Fründt](https://www.ucf.uni-freiburg.de/people/chair-in-science-and-technology-studies/sarah-fruendt) ([University College Freiburg](https://www.ucf.uni-freiburg.de/))<br />
[Barbara Plankensteiner](http://www.voelkerkundemuseum.com/8-0-Kontakt.html) ([Museum für Völkerkunde, Hamburg](http://www.voelkerkundemuseum.com/1089-0-startseite-umbau.html))<br />
and [Rebekka Habermas](https://www.gts-goettingen.de/project/prof-rebekka-habermas/) ([Georg-August-Universität Göttingen](https://www.uni-goettingen.de/en/1.html))<br />
You can access the e-book by clicking [here](https://edoc.hu-berlin.de/handle/18452/19769).<br />
<br />
]]></description>
            <googleplay:description><![CDATA[This recording documents the presentation of the e-book „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“ (in German). The e-book collects the contributions made in the homonymous conference held by the AG Museum der Deutschen Gesellschaft für Sozial- und Kulturanthropologie on April 7th & 8th of 2017 at the [Museum Fünf Kontinente in Munich](https://www.museum-fuenf-kontinente.de/services/english-summary.html).<br />
The presentation took place on April 11th, 2018 in the auditorium of the Jakob-und-Wilhelm-Grimm-Zentrum in Berlin.<br />
In this recording, you'll hear the voices of <br />
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) ([CARMAH](http://www.carmah.berlin/)/AG Museum)<br />
Heike Hartmann ([Deutsches Historisches Museum](https://www.dhm.de/))<br />
[Sarah Fründt](https://www.ucf.uni-freiburg.de/people/chair-in-science-and-technology-studies/sarah-fruendt) ([University College Freiburg](https://www.ucf.uni-freiburg.de/))<br />
[Barbara Plankensteiner](http://www.voelkerkundemuseum.com/8-0-Kontakt.html) ([Museum für Völkerkunde, Hamburg](http://www.voelkerkundemuseum.com/1089-0-startseite-umbau.html))<br />
and [Rebekka Habermas](https://www.gts-goettingen.de/project/prof-rebekka-habermas/) ([Georg-August-Universität Göttingen](https://www.uni-goettingen.de/en/1.html))<br />
You can access the e-book by clicking [here](https://edoc.hu-berlin.de/handle/18452/19769).<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[This recording documents the presentation of the e-book „Provenienzforschung zu ethnografischen Sammlungen der Kolonialzeit. Positionen in der aktuellen Debatte“ (in German). The e-book collects the contributions made in the homonymous conference held by the AG Museum der Deutschen Gesellschaft für Sozial- und Kulturanthropologie on April 7th & 8th of 2017 at the [Museum Fünf Kontinente in Munich](https://www.museum-fuenf-kontinente.de/services/english-summary.html).
The presentation took place on April 11th, 2018 in the auditorium of the Jakob-und-Wilhelm-Grimm-Zentrum in Berlin.
In this recording, you'll hear the voices of 
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) ([CARMAH](http://www.carmah.berlin/)/AG Museum)
Heike Hartmann ([Deutsches Historisches Museum](https://www.dhm.de/))
[Sarah Fründt](https://www.ucf.uni-freiburg.de/people/chair-in-science-and-technology-studies/sarah-fruendt) ([University College Freiburg](https://www.ucf.uni-freiburg.de/))
[Barbara Plankensteiner](http://www.voelkerkundemuseum.com/8-0-Kontakt.html) ([Museum für Völkerkunde, Hamburg](http://www.voelkerkundemuseum.com/1089-0-startseite-umbau.html))
and [Rebekka Habermas](https://www.gts-goettingen.de/project/prof-rebekka-habermas/) ([Georg-August-Universität Göttingen](https://www.uni-goettingen.de/en/1.html))
You can access the e-book by clicking [here](https://edoc.hu-berlin.de/handle/18452/19769).

]]></itunes:summary>
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                <pubDate>Mon, 16 Jul 2018 14:49:53 +0200</pubDate>
                
                <atom:updated>2018-07-16T14:49:53+02:00</atom:updated>
                
            
            
            <itunes:duration>1:02:15</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Marilyn Strathern - 'Transformational relations: transplantation and metamorphosis' - 29.05.2018]]></title>
            <link>https://hearthis.at/carmah-hu/strathern-lecture29052018/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[[Marilyn Strathern](https://www.socanth.cam.ac.uk/directory/professor-marilyn-strathern-cbe-fba) (Cambridge): 'Transformational relations: transplantation and metamorphosis'<br />
<br />
This paper imagines two interrelated modes of thinking about transformation and thus about the transformation of disciplines. It considers ways in which anthropology is already transforming itself, and turns the question about what is anthropological into one about what kind of future we may conjure up for a subject that refers to itself in the plural (‘anthropologies’). That sense of internal multiplicity also raises questions at the heart of the collaborative languages that we speak. An example is given in the emphasis that English-speaking anthropology puts on the concept of relations.<br />
<br />
This lecture was held in the context of the colloquium series ['Conjunctures and Creations: Anthropological Transformations/Transformations of Anthropology'](https://www.euroethno.hu-berlin.de/de/institut/kolloquium), jointly organised by [CARMAH](http://www.carmah.berlin/) and the [Institute of European Ethnology](https://www.euroethno.hu-berlin.de/de) ([Humboldt University, Berlin](https://www.hu-berlin.de/de)) on 29 May 2018.<br />
<br />
]]></description>
            <googleplay:description><![CDATA[[Marilyn Strathern](https://www.socanth.cam.ac.uk/directory/professor-marilyn-strathern-cbe-fba) (Cambridge): 'Transformational relations: transplantation and metamorphosis'<br />
<br />
This paper imagines two interrelated modes of thinking about transformation and thus about the transformation of disciplines. It considers ways in which anthropology is already transforming itself, and turns the question about what is anthropological into one about what kind of future we may conjure up for a subject that refers to itself in the plural (‘anthropologies’). That sense of internal multiplicity also raises questions at the heart of the collaborative languages that we speak. An example is given in the emphasis that English-speaking anthropology puts on the concept of relations.<br />
<br />
This lecture was held in the context of the colloquium series ['Conjunctures and Creations: Anthropological Transformations/Transformations of Anthropology'](https://www.euroethno.hu-berlin.de/de/institut/kolloquium), jointly organised by [CARMAH](http://www.carmah.berlin/) and the [Institute of European Ethnology](https://www.euroethno.hu-berlin.de/de) ([Humboldt University, Berlin](https://www.hu-berlin.de/de)) on 29 May 2018.<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[[Marilyn Strathern](https://www.socanth.cam.ac.uk/directory/professor-marilyn-strathern-cbe-fba) (Cambridge): 'Transformational relations: transplantation and metamorphosis'

This paper imagines two interrelated modes of thinking about transformation and thus about the transformation of disciplines. It considers ways in which anthropology is already transforming itself, and turns the question about what is anthropological into one about what kind of future we may conjure up for a subject that refers to itself in the plural (‘anthropologies’). That sense of internal multiplicity also raises questions at the heart of the collaborative languages that we speak. An example is given in the emphasis that English-speaking anthropology puts on the concept of relations.

This lecture was held in the context of the colloquium series ['Conjunctures and Creations: Anthropological Transformations/Transformations of Anthropology'](https://www.euroethno.hu-berlin.de/de/institut/kolloquium), jointly organised by [CARMAH](http://www.carmah.berlin/) and the [Institute of European Ethnology](https://www.euroethno.hu-berlin.de/de) ([Humboldt University, Berlin](https://www.hu-berlin.de/de)) on 29 May 2018.

]]></itunes:summary>
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                <pubDate>Thu, 05 Jul 2018 17:58:57 +0200</pubDate>
                
                <atom:updated>2018-07-05T17:58:57+02:00</atom:updated>
                
            
            
            <itunes:duration>1:06:16</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Closing Discussion]]></title>
            <link>https://hearthis.at/carmah-hu/symposium-closing-discussion/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[With:<br />
[Sharon Macdonald](http://www.carmah.berlin/people/macdonald-sharon/) (chair of the discussion)<br />
[Erica Lehrer](https://www.concordia.ca/artsci/history/faculty.html?fpid=erica-lehrer) (Concordia University)<br />
[Friedrich von Bose](https://www.kulturtechnik.hu-berlin.de/en/content/friedrich-von-bose/) (Humboldt-Universität zu Berlin)<br />
[Duane Jethro](http://www.carmah.berlin/people/jethro-duane/) (CARMAH)]]></description>
            <googleplay:description><![CDATA[With:<br />
[Sharon Macdonald](http://www.carmah.berlin/people/macdonald-sharon/) (chair of the discussion)<br />
[Erica Lehrer](https://www.concordia.ca/artsci/history/faculty.html?fpid=erica-lehrer) (Concordia University)<br />
[Friedrich von Bose](https://www.kulturtechnik.hu-berlin.de/en/content/friedrich-von-bose/) (Humboldt-Universität zu Berlin)<br />
[Duane Jethro](http://www.carmah.berlin/people/jethro-duane/) (CARMAH)]]></googleplay:description>
            <itunes:summary><![CDATA[With:
[Sharon Macdonald](http://www.carmah.berlin/people/macdonald-sharon/) (chair of the discussion)
[Erica Lehrer](https://www.concordia.ca/artsci/history/faculty.html?fpid=erica-lehrer) (Concordia University)
[Friedrich von Bose](https://www.kulturtechnik.hu-berlin.de/en/content/friedrich-von-bose/) (Humboldt-Universität zu Berlin)
[Duane Jethro](http://www.carmah.berlin/people/jethro-duane/) (CARMAH)]]></itunes:summary>
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                <pubDate>Tue, 21 Nov 2017 16:22:21 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:48:03+01:00</atom:updated>
                
            
            
            <itunes:duration>1:04:08</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Session V on Engagement]]></title>
            <link>https://hearthis.at/carmah-hu/session-v-engagement/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[The term ‘engagement’ usually refers to practices that aim to involve a diversity of people with museum collections and heritage sites. These practices range from transmitting or sharing knowledge to experimental approaches that are used to deconstruct or transform processes of knowledge production and meaning-making. The underlying assumption is that engagement work is ‘a good thing’, as it aims to create inclusive and democratic spaces that allow individuals and groups to use heritage institutions for a variety of purposes. However, these practices are themselves shaped by specific values and attitudes with regard to heritage institutions and the people using them. As part of CARMAH’s focus on future-making, this panel aims to explore the following questions: What are the policies and politics that shape engagement practices? Who are the people and professionals that become agents of engagement work? And what impact do these assemblages of professionals have on the relationship between heritage institutions and the people who do or do not make use of them?<br />
[Christine Gerbich](http://www.carmah.berlin/people/gerbich-christine/) (chair of the discussion)<br />
[Bonita Bennett](https://bennettbonita.wordpress.com/author/bennettbonita/) (on 'Building Knowledge, Building Community in District Six (Cape Town, South Africa)')<br />
[Laura Peers](https://www.isca.ox.ac.uk/people/professor-laura-peers) (on 'Obligations, Battles, Relationships: Museum Anthropology and the Praxis of Engagement')<br />
[Ute Marxreiter](http://www.humboldt-lab.de/beteiligte/kein-platz-an-der-sonne/index.html) (discussant)]]></description>
            <googleplay:description><![CDATA[The term ‘engagement’ usually refers to practices that aim to involve a diversity of people with museum collections and heritage sites. These practices range from transmitting or sharing knowledge to experimental approaches that are used to deconstruct or transform processes of knowledge production and meaning-making. The underlying assumption is that engagement work is ‘a good thing’, as it aims to create inclusive and democratic spaces that allow individuals and groups to use heritage institutions for a variety of purposes. However, these practices are themselves shaped by specific values and attitudes with regard to heritage institutions and the people using them. As part of CARMAH’s focus on future-making, this panel aims to explore the following questions: What are the policies and politics that shape engagement practices? Who are the people and professionals that become agents of engagement work? And what impact do these assemblages of professionals have on the relationship between heritage institutions and the people who do or do not make use of them?<br />
[Christine Gerbich](http://www.carmah.berlin/people/gerbich-christine/) (chair of the discussion)<br />
[Bonita Bennett](https://bennettbonita.wordpress.com/author/bennettbonita/) (on 'Building Knowledge, Building Community in District Six (Cape Town, South Africa)')<br />
[Laura Peers](https://www.isca.ox.ac.uk/people/professor-laura-peers) (on 'Obligations, Battles, Relationships: Museum Anthropology and the Praxis of Engagement')<br />
[Ute Marxreiter](http://www.humboldt-lab.de/beteiligte/kein-platz-an-der-sonne/index.html) (discussant)]]></googleplay:description>
            <itunes:summary><![CDATA[The term ‘engagement’ usually refers to practices that aim to involve a diversity of people with museum collections and heritage sites. These practices range from transmitting or sharing knowledge to experimental approaches that are used to deconstruct or transform processes of knowledge production and meaning-making. The underlying assumption is that engagement work is ‘a good thing’, as it aims to create inclusive and democratic spaces that allow individuals and groups to use heritage institutions for a variety of purposes. However, these practices are themselves shaped by specific values and attitudes with regard to heritage institutions and the people using them. As part of CARMAH’s focus on future-making, this panel aims to explore the following questions: What are the policies and politics that shape engagement practices? Who are the people and professionals that become agents of engagement work? And what impact do these assemblages of professionals have on the relationship between heritage institutions and the people who do or do not make use of them?
[Christine Gerbich](http://www.carmah.berlin/people/gerbich-christine/) (chair of the discussion)
[Bonita Bennett](https://bennettbonita.wordpress.com/author/bennettbonita/) (on 'Building Knowledge, Building Community in District Six (Cape Town, South Africa)')
[Laura Peers](https://www.isca.ox.ac.uk/people/professor-laura-peers) (on 'Obligations, Battles, Relationships: Museum Anthropology and the Praxis of Engagement')
[Ute Marxreiter](http://www.humboldt-lab.de/beteiligte/kein-platz-an-der-sonne/index.html) (discussant)]]></itunes:summary>
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                <pubDate>Tue, 21 Nov 2017 16:13:21 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:48:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:45:49</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Session IV on the Post-Ethnological]]></title>
            <link>https://hearthis.at/carmah-hu/session-iv-post-ethnological/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[In the context of recent transformations and rebranding strategies of ethnological<br />
museums in Europe and North America, the terms ‘anthropological,’ ‘ethnological,’<br />
‘ethnographic,’ and ‘Völkerkunde’ have progressively disappeared from their titles or have been disguised in acronyms. At the same time, museum theorists and practitioners have called for a ‘post-ethnographic’ or ‘post-ethnological’ museum. Some argue for a radical shift from the museum’s and discipline’s legacies, against the “logos of ethnos” (Deliss); others argue for a “following from” with a difference (Clifford). The prefix ‘post’ does not clearly define what it stands for (or against). What it indicates, however, is the persisting unease about the role of ethnographic museums, and particularly the role of anthropology and its legacies in relationship to the museum. Questioning this constitutive, but challenging, relationship will be the topic of this panel.<br />
[Margareta von Oswald](http://www.carmah.berlin/people/von-oswald-margareta/) (chair of the discussion)<br />
[Clémentine Deliss](http://www.internationaleonline.org/people/clementine_deliss) (on 'Conceptualising a Museum-University: Repositories as Sites for Transdisciplinary Research and Cultural Exchange')<br />
[Dan Hicks](http://www.arch.ox.ac.uk/DH1.html) ('On the Treatment of Dead Enemies')<br />
[Ashkan Sepahvand](http://www.fellow-me.de/fellows/ashkan-sepahvand/) (on 'Imagining Elsewhere and Otherwise')]]></description>
            <googleplay:description><![CDATA[In the context of recent transformations and rebranding strategies of ethnological<br />
museums in Europe and North America, the terms ‘anthropological,’ ‘ethnological,’<br />
‘ethnographic,’ and ‘Völkerkunde’ have progressively disappeared from their titles or have been disguised in acronyms. At the same time, museum theorists and practitioners have called for a ‘post-ethnographic’ or ‘post-ethnological’ museum. Some argue for a radical shift from the museum’s and discipline’s legacies, against the “logos of ethnos” (Deliss); others argue for a “following from” with a difference (Clifford). The prefix ‘post’ does not clearly define what it stands for (or against). What it indicates, however, is the persisting unease about the role of ethnographic museums, and particularly the role of anthropology and its legacies in relationship to the museum. Questioning this constitutive, but challenging, relationship will be the topic of this panel.<br />
[Margareta von Oswald](http://www.carmah.berlin/people/von-oswald-margareta/) (chair of the discussion)<br />
[Clémentine Deliss](http://www.internationaleonline.org/people/clementine_deliss) (on 'Conceptualising a Museum-University: Repositories as Sites for Transdisciplinary Research and Cultural Exchange')<br />
[Dan Hicks](http://www.arch.ox.ac.uk/DH1.html) ('On the Treatment of Dead Enemies')<br />
[Ashkan Sepahvand](http://www.fellow-me.de/fellows/ashkan-sepahvand/) (on 'Imagining Elsewhere and Otherwise')]]></googleplay:description>
            <itunes:summary><![CDATA[In the context of recent transformations and rebranding strategies of ethnological
museums in Europe and North America, the terms ‘anthropological,’ ‘ethnological,’
‘ethnographic,’ and ‘Völkerkunde’ have progressively disappeared from their titles or have been disguised in acronyms. At the same time, museum theorists and practitioners have called for a ‘post-ethnographic’ or ‘post-ethnological’ museum. Some argue for a radical shift from the museum’s and discipline’s legacies, against the “logos of ethnos” (Deliss); others argue for a “following from” with a difference (Clifford). The prefix ‘post’ does not clearly define what it stands for (or against). What it indicates, however, is the persisting unease about the role of ethnographic museums, and particularly the role of anthropology and its legacies in relationship to the museum. Questioning this constitutive, but challenging, relationship will be the topic of this panel.
[Margareta von Oswald](http://www.carmah.berlin/people/von-oswald-margareta/) (chair of the discussion)
[Clémentine Deliss](http://www.internationaleonline.org/people/clementine_deliss) (on 'Conceptualising a Museum-University: Repositories as Sites for Transdisciplinary Research and Cultural Exchange')
[Dan Hicks](http://www.arch.ox.ac.uk/DH1.html) ('On the Treatment of Dead Enemies')
[Ashkan Sepahvand](http://www.fellow-me.de/fellows/ashkan-sepahvand/) (on 'Imagining Elsewhere and Otherwise')]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Tue, 21 Nov 2017 15:54:52 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:46:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:42:25</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Session III on Alterity]]></title>
            <link>https://hearthis.at/carmah-hu/session-iii-alterity/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[‘Alterity’ describes the state of being other or different, a sense derived etymologically<br />
from the Latin ‘alter’, meaning ‘other’, or ‘the other (of two)’. Anthropological scholarship<br />
and ethnological museum practices have long been dealing with the representation and the construction of such differences. Postcolonial critiques, the crisis of representation, and<br />
the Writing Culture debate have questioned the ways in which museums and anthropologists deal with the construction and representation of alterity. This panel invites perspectives from anthropology and curating in the context of ethnographic and art exhibition making to discuss the potential and the problems associated with alterity.<br />
[Jonas Tinius](http://www.carmah.berlin/people/tinius-jonas/) (chair of the discussion)<br />
[Henrietta Lidchi](https://www.nms.ac.uk/collections-research/collections-departments/world-cultures/dr-henrietta-lidchi/) (on 'Bodies Changed into New Forms: Metamorphosis and Museums')<br />
[Katharina Schramm](http://www.ethnologie.uni-bayreuth.de/de/team/Schramm_Katharina/index.html) (on 'After the Fire: Disrupting Whiteness Towards New Forms of Collaboration in the Space of the South African University')<br />
[Alya Sebti](http://www.yeast-art-of-sharing.de/2016/05/mich-interessieren-die-grautoene/) (participating discussant)<br />
<br />
]]></description>
            <googleplay:description><![CDATA[‘Alterity’ describes the state of being other or different, a sense derived etymologically<br />
from the Latin ‘alter’, meaning ‘other’, or ‘the other (of two)’. Anthropological scholarship<br />
and ethnological museum practices have long been dealing with the representation and the construction of such differences. Postcolonial critiques, the crisis of representation, and<br />
the Writing Culture debate have questioned the ways in which museums and anthropologists deal with the construction and representation of alterity. This panel invites perspectives from anthropology and curating in the context of ethnographic and art exhibition making to discuss the potential and the problems associated with alterity.<br />
[Jonas Tinius](http://www.carmah.berlin/people/tinius-jonas/) (chair of the discussion)<br />
[Henrietta Lidchi](https://www.nms.ac.uk/collections-research/collections-departments/world-cultures/dr-henrietta-lidchi/) (on 'Bodies Changed into New Forms: Metamorphosis and Museums')<br />
[Katharina Schramm](http://www.ethnologie.uni-bayreuth.de/de/team/Schramm_Katharina/index.html) (on 'After the Fire: Disrupting Whiteness Towards New Forms of Collaboration in the Space of the South African University')<br />
[Alya Sebti](http://www.yeast-art-of-sharing.de/2016/05/mich-interessieren-die-grautoene/) (participating discussant)<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[‘Alterity’ describes the state of being other or different, a sense derived etymologically
from the Latin ‘alter’, meaning ‘other’, or ‘the other (of two)’. Anthropological scholarship
and ethnological museum practices have long been dealing with the representation and the construction of such differences. Postcolonial critiques, the crisis of representation, and
the Writing Culture debate have questioned the ways in which museums and anthropologists deal with the construction and representation of alterity. This panel invites perspectives from anthropology and curating in the context of ethnographic and art exhibition making to discuss the potential and the problems associated with alterity.
[Jonas Tinius](http://www.carmah.berlin/people/tinius-jonas/) (chair of the discussion)
[Henrietta Lidchi](https://www.nms.ac.uk/collections-research/collections-departments/world-cultures/dr-henrietta-lidchi/) (on 'Bodies Changed into New Forms: Metamorphosis and Museums')
[Katharina Schramm](http://www.ethnologie.uni-bayreuth.de/de/team/Schramm_Katharina/index.html) (on 'After the Fire: Disrupting Whiteness Towards New Forms of Collaboration in the Space of the South African University')
[Alya Sebti](http://www.yeast-art-of-sharing.de/2016/05/mich-interessieren-die-grautoene/) (participating discussant)

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
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            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 16 Nov 2017 13:01:49 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:42:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:34:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Session II on Translocality]]></title>
            <link>https://hearthis.at/carmah-hu/session-ii-trans-locality/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[Addressing the salience of scales and socio-spatial dynamics, research on translocality challenges binary conceptions of local versus non-local or global and examines how it is manifested in the movement of people, objects, practices, and discourses. This session seeks to ask how translocality can be useful for the debates on current museum and heritage transformations, in particular if approached as a “’trans’ of ‘across’, and not ‘trans’ of ‘above’ or ‘beyond’” (Lambek).<br />
[Katarzyna Puzon](http://www.carmah.berlin/people/puzon-katarzyna/) (chair of the discussion)<br />
[Beverley Butler](http://www.ucl.ac.uk/archaeology/people/staff/butler) (on 'Heritage Rites – Translocality, Creativity & 'Acting Back' in Refugee Camp Life')<br />
[Banu Karaca](https://www.ici-berlin.org/people/karaca/) (on 'Diasporic Trajectories, Art Historical Taxonomies: Dikran G. Kelekian and Islamic Art')<br />
[Paola Ivanov](http://www.polsoz.fu-berlin.de/en/ethnologie/personenliste/ivanov/index.html) (on 'Conceptualising and Exhibiting Translocality as a Corrective to Dominant Narratives')<br />
<br />
]]></description>
            <googleplay:description><![CDATA[Addressing the salience of scales and socio-spatial dynamics, research on translocality challenges binary conceptions of local versus non-local or global and examines how it is manifested in the movement of people, objects, practices, and discourses. This session seeks to ask how translocality can be useful for the debates on current museum and heritage transformations, in particular if approached as a “’trans’ of ‘across’, and not ‘trans’ of ‘above’ or ‘beyond’” (Lambek).<br />
[Katarzyna Puzon](http://www.carmah.berlin/people/puzon-katarzyna/) (chair of the discussion)<br />
[Beverley Butler](http://www.ucl.ac.uk/archaeology/people/staff/butler) (on 'Heritage Rites – Translocality, Creativity & 'Acting Back' in Refugee Camp Life')<br />
[Banu Karaca](https://www.ici-berlin.org/people/karaca/) (on 'Diasporic Trajectories, Art Historical Taxonomies: Dikran G. Kelekian and Islamic Art')<br />
[Paola Ivanov](http://www.polsoz.fu-berlin.de/en/ethnologie/personenliste/ivanov/index.html) (on 'Conceptualising and Exhibiting Translocality as a Corrective to Dominant Narratives')<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Addressing the salience of scales and socio-spatial dynamics, research on translocality challenges binary conceptions of local versus non-local or global and examines how it is manifested in the movement of people, objects, practices, and discourses. This session seeks to ask how translocality can be useful for the debates on current museum and heritage transformations, in particular if approached as a “’trans’ of ‘across’, and not ‘trans’ of ‘above’ or ‘beyond’” (Lambek).
[Katarzyna Puzon](http://www.carmah.berlin/people/puzon-katarzyna/) (chair of the discussion)
[Beverley Butler](http://www.ucl.ac.uk/archaeology/people/staff/butler) (on 'Heritage Rites – Translocality, Creativity & 'Acting Back' in Refugee Camp Life')
[Banu Karaca](https://www.ici-berlin.org/people/karaca/) (on 'Diasporic Trajectories, Art Historical Taxonomies: Dikran G. Kelekian and Islamic Art')
[Paola Ivanov](http://www.polsoz.fu-berlin.de/en/ethnologie/personenliste/ivanov/index.html) (on 'Conceptualising and Exhibiting Translocality as a Corrective to Dominant Narratives')

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
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            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 16 Nov 2017 12:41:33 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:35:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:27:38</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Session I on Provenance]]></title>
            <link>https://hearthis.at/carmah-hu/session-i-provenance-part-1/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[The term 'provenance' has strong moral, political, and economic implications, thus research into the history of collections and objects is part of museum work in all fields. Can the idea of provenance do justice to the often intertwined trajectories of objects across places and between people or does it overemphasise notions of (single and true) origin? In this talk, this and other questions regarding provenance are touched upon by:<br />
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) (chair of the discussion)<br />
[Ciraj Rassool](https://www.uwc.ac.za/Biography/Pages/Ciraj-Rassool.aspx) (on 'Provenance Politics')<br />
[Paul Basu](https://www.soas.ac.uk/staff/staff104140.php) (on 'Provenance Beyond Origins and Return: Thinking Through the Metaphor (and Politics) of Diaspora') <br />
[Britta Lange](https://www.culture.hu-berlin.de/de/institut/kollegium/1685612) (on 'Possible Locations')<br />
<br />
]]></description>
            <googleplay:description><![CDATA[The term 'provenance' has strong moral, political, and economic implications, thus research into the history of collections and objects is part of museum work in all fields. Can the idea of provenance do justice to the often intertwined trajectories of objects across places and between people or does it overemphasise notions of (single and true) origin? In this talk, this and other questions regarding provenance are touched upon by:<br />
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) (chair of the discussion)<br />
[Ciraj Rassool](https://www.uwc.ac.za/Biography/Pages/Ciraj-Rassool.aspx) (on 'Provenance Politics')<br />
[Paul Basu](https://www.soas.ac.uk/staff/staff104140.php) (on 'Provenance Beyond Origins and Return: Thinking Through the Metaphor (and Politics) of Diaspora') <br />
[Britta Lange](https://www.culture.hu-berlin.de/de/institut/kollegium/1685612) (on 'Possible Locations')<br />
<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[The term 'provenance' has strong moral, political, and economic implications, thus research into the history of collections and objects is part of museum work in all fields. Can the idea of provenance do justice to the often intertwined trajectories of objects across places and between people or does it overemphasise notions of (single and true) origin? In this talk, this and other questions regarding provenance are touched upon by:
[Larissa Förster](http://www.carmah.berlin/people/forster-larissa/) (chair of the discussion)
[Ciraj Rassool](https://www.uwc.ac.za/Biography/Pages/Ciraj-Rassool.aspx) (on 'Provenance Politics')
[Paul Basu](https://www.soas.ac.uk/staff/staff104140.php) (on 'Provenance Beyond Origins and Return: Thinking Through the Metaphor (and Politics) of Diaspora') 
[Britta Lange](https://www.culture.hu-berlin.de/de/institut/kollegium/1685612) (on 'Possible Locations')

]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
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            <guid isPermaLink="false">1625831</guid>
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                <pubDate>Fri, 10 Nov 2017 14:59:11 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:29:02+01:00</atom:updated>
                
            
            
            <itunes:duration>1:40:43</itunes:duration>
        </item>
        <item>
            <title><![CDATA[CARMAH Conference 'Otherwise' - Introduction by Sharon Macdonald - July 27th, 2017]]></title>
            <link>https://hearthis.at/carmah-hu/introduction/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[Centre for Anthropological Research on Museums and Heritage
CARMAH aims to deepen understanding of the dynamics and potentials of museums and heritage in the contemporary world. It looks globally to identify and analyze the significant social, cultural and political developments facing museums and heritage today. Its in-depth research tackles how these play out and are reconfigured in specific national and institutional contexts. In this way, CARMAH provides new insights into what is going on now and innovative ideas for good karma in the future.
Central themes of CARMAH’s research programme are how the following shape and are shaped through museums and heritage:
Diversity and difference
Citizenship and knowledge formation
Media and material culture
These raise questions of social recognition, audience, collections, cultural property, power relations, communication and public culture.
We use established methods – especially ethnographic – and also develop innovative methodological approaches. Our perspective is anthropological in its insistence on addressing specific cases in-depth and attending to practice and process, at the same time as thinking comparatively and reflexively.
CARMAH is funded by the Alexander von Humboldt Foundation, the Humboldt-Universität zu Berlin, the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation. It is also host to research projects funded by other organisations.]]></description>
            <googleplay:description><![CDATA[Centre for Anthropological Research on Museums and Heritage
CARMAH aims to deepen understanding of the dynamics and potentials of museums and heritage in the contemporary world. It looks globally to identify and analyze the significant social, cultural and political developments facing museums and heritage today. Its in-depth research tackles how these play out and are reconfigured in specific national and institutional contexts. In this way, CARMAH provides new insights into what is going on now and innovative ideas for good karma in the future.
Central themes of CARMAH’s research programme are how the following shape and are shaped through museums and heritage:
Diversity and difference
Citizenship and knowledge formation
Media and material culture
These raise questions of social recognition, audience, collections, cultural property, power relations, communication and public culture.
We use established methods – especially ethnographic – and also develop innovative methodological approaches. Our perspective is anthropological in its insistence on addressing specific cases in-depth and attending to practice and process, at the same time as thinking comparatively and reflexively.
CARMAH is funded by the Alexander von Humboldt Foundation, the Humboldt-Universität zu Berlin, the Museum of Natural History Berlin and the Prussian Cultural Heritage Foundation. It is also host to research projects funded by other organisations.]]></googleplay:description>
            <itunes:summary><![CDATA[]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/carmah-hu/introduction/listen.mp3?s=ip6" length="42140791" />
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                <pubDate>Fri, 10 Nov 2017 14:57:15 +0100</pubDate>
                
                <atom:updated>2017-11-23T13:22:02+01:00</atom:updated>
                
            
            
            <itunes:duration>17:33</itunes:duration>
        </item>
        <item>
            <title><![CDATA[Haidy Geismar - 'Objects Otherwise' - Public Lecture - July 26th, 2017]]></title>
            <link>https://hearthis.at/carmah-hu/haidy-geismar-objects-otherwise-public-lecture-july-26th-2017/</link>
            <itunes:author><![CDATA[CARMAH]]></itunes:author>
            <description><![CDATA[This talk takes as its focus four objects from different collections that I have worked with<br />
over the past years. A box. A cloak. An Effigy. A pen. Each object opens up a host of<br />
questions about the interaction between old collections and new technologies, about<br />
processes of translation, remediation, and representation, about the legacy of nineteenth<br />
century colonialism and collecting within twenty-first century new media; and about the rearticulation of locality and cultural difference within museum technologies. How do new<br />
technologies, such as 3D-printing, scanning, social media, and new web-based interfaces<br />
alter our understandings of what a collection is, how objects encode knowledge and<br />
meaning, tell stories, and what spaces are being created for cultural differences?<br />
synthesise my work over many years with ethnographic collections from the Pacific, with<br />
photography collections, and with new media, to explore the object lessons and politics of<br />
perspective that are emerging for the twenty-first century collections.]]></description>
            <googleplay:description><![CDATA[This talk takes as its focus four objects from different collections that I have worked with<br />
over the past years. A box. A cloak. An Effigy. A pen. Each object opens up a host of<br />
questions about the interaction between old collections and new technologies, about<br />
processes of translation, remediation, and representation, about the legacy of nineteenth<br />
century colonialism and collecting within twenty-first century new media; and about the rearticulation of locality and cultural difference within museum technologies. How do new<br />
technologies, such as 3D-printing, scanning, social media, and new web-based interfaces<br />
alter our understandings of what a collection is, how objects encode knowledge and<br />
meaning, tell stories, and what spaces are being created for cultural differences?<br />
synthesise my work over many years with ethnographic collections from the Pacific, with<br />
photography collections, and with new media, to explore the object lessons and politics of<br />
perspective that are emerging for the twenty-first century collections.]]></googleplay:description>
            <itunes:summary><![CDATA[This talk takes as its focus four objects from different collections that I have worked with
over the past years. A box. A cloak. An Effigy. A pen. Each object opens up a host of
questions about the interaction between old collections and new technologies, about
processes of translation, remediation, and representation, about the legacy of nineteenth
century colonialism and collecting within twenty-first century new media; and about the rearticulation of locality and cultural difference within museum technologies. How do new
technologies, such as 3D-printing, scanning, social media, and new web-based interfaces
alter our understandings of what a collection is, how objects encode knowledge and
meaning, tell stories, and what spaces are being created for cultural differences?
synthesise my work over many years with ethnographic collections from the Pacific, with
photography collections, and with new media, to explore the object lessons and politics of
perspective that are emerging for the twenty-first century collections.]]></itunes:summary>
            <itunes:image href="https://img.hearthis.at/7/5/1/_/uploads/8934476/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1510047157.jpg" />
            <enclosure type="audio/mpeg" url="https://hearthis.at/carmah-hu/haidy-geismar-objects-otherwise-public-lecture-july-26th-2017/listen.mp3?s=Wd4" length="233054156" />
            <guid isPermaLink="false">1603898</guid>
            <category><![CDATA[Sounds]]></category>
            <googleplay:explicit>no</googleplay:explicit>
            <itunes:explicit>no</itunes:explicit>
            
            
            
                <pubDate>Thu, 26 Oct 2017 13:20:18 +0200</pubDate>
                
                <atom:updated>2017-11-20T11:26:01+01:00</atom:updated>
                
            
            
            <itunes:duration>1:37:06</itunes:duration>
        </item>
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