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	<title><![CDATA[biomigrant]]></title>
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        <item>
            <title><![CDATA[Polish Ambassador - Prayer For Rain (Biomigrant Remix)]]></title>
            <link>https://hearthis.at/biomigrant-tr/polish-ambassador-prayer-for-rain-biomigrant-remix/</link>
            <itunes:author><![CDATA[biomigrant]]></itunes:author>
            <description><![CDATA[Remix of the Polish Ambassador, Dedicated to the memory of Jaime O'Campo.<br />
The opening and closing prayers were recorded 4 years ago in central mexico, for a harvest festival.  We laid out a mandala offering, and worked the prayers into music.  The next day I had to leave town to deal with my broken arm, and as the car pulled out onto the highway, the clouds broke over the desert, and the first rains came down.  <br />
Prayers by Jaime O'Campo and Natali Fosado.<br />
Natali: "El campo irradia tristeza, clama tu nombre cada oja seca.  Las flores piden vivir, y estan esperando por ti, Tlaloc."<br />
( The countryside radiates sadness, every dry leaf calls your name.  The flowers beg to live, and are waiting for you, Tlaloc (god of rain))<br />
Jaime: " Como este sol, que se levante por encima de este mundo. K El sol de inmensidad levante en mi alma. y k sea posible una lluvia pronto porque muchos los necesitamos." <br />
(Like the sun, that rises over this world,  a vast sun rises in my soul, let there soon be a rain, because so many of us need it.)<br />
Ingredients:<br />
Dun Dun, Ngoni- Arnulfo Mancera<br />
Flute, Kalimba- Mike Pipes<br />
Ambients- Fire and Rain Storms from Tepoztlan, Mexico, polish lead track<br />
Bass- Marimbula recorded in a caribbean town in Colombia, cat purrs, bees recorded in Guatemaya, Massive.<br />
Drums- Hearbeat recorded in Cuba, Stones thrown into a well in a mexican ghosttown, Polish Drum Track<br />
<br />
con amor. -m<br />
]]></description>
            <googleplay:description><![CDATA[Remix of the Polish Ambassador, Dedicated to the memory of Jaime O'Campo.<br />
The opening and closing prayers were recorded 4 years ago in central mexico, for a harvest festival.  We laid out a mandala offering, and worked the prayers into music.  The next day I had to leave town to deal with my broken arm, and as the car pulled out onto the highway, the clouds broke over the desert, and the first rains came down.  <br />
Prayers by Jaime O'Campo and Natali Fosado.<br />
Natali: "El campo irradia tristeza, clama tu nombre cada oja seca.  Las flores piden vivir, y estan esperando por ti, Tlaloc."<br />
( The countryside radiates sadness, every dry leaf calls your name.  The flowers beg to live, and are waiting for you, Tlaloc (god of rain))<br />
Jaime: " Como este sol, que se levante por encima de este mundo. K El sol de inmensidad levante en mi alma. y k sea posible una lluvia pronto porque muchos los necesitamos." <br />
(Like the sun, that rises over this world,  a vast sun rises in my soul, let there soon be a rain, because so many of us need it.)<br />
Ingredients:<br />
Dun Dun, Ngoni- Arnulfo Mancera<br />
Flute, Kalimba- Mike Pipes<br />
Ambients- Fire and Rain Storms from Tepoztlan, Mexico, polish lead track<br />
Bass- Marimbula recorded in a caribbean town in Colombia, cat purrs, bees recorded in Guatemaya, Massive.<br />
Drums- Hearbeat recorded in Cuba, Stones thrown into a well in a mexican ghosttown, Polish Drum Track<br />
<br />
con amor. -m<br />
]]></googleplay:description>
            <itunes:summary><![CDATA[Remix of the Polish Ambassador, Dedicated to the memory of Jaime O'Campo.
The opening and closing prayers were recorded 4 years ago in central mexico, for a harvest festival.  We laid out a mandala offering, and worked the prayers into music.  The next day I had to leave town to deal with my broken arm, and as the car pulled out onto the highway, the clouds broke over the desert, and the first rains came down.  
Prayers by Jaime O'Campo and Natali Fosado.
Natali: "El campo irradia tristeza, clama tu nombre cada oja seca.  Las flores piden vivir, y estan esperando por ti, Tlaloc."
( The countryside radiates sadness, every dry leaf calls your name.  The flowers beg to live, and are waiting for you, Tlaloc (god of rain))
Jaime: " Como este sol, que se levante por encima de este mundo. K El sol de inmensidad levante en mi alma. y k sea posible una lluvia pronto porque muchos los necesitamos." 
(Like the sun, that rises over this world,  a vast sun rises in my soul, let there soon be a rain, because so many of us need it.)
Ingredients:
Dun Dun, Ngoni- Arnulfo Mancera
Flute, Kalimba- Mike Pipes
Ambients- Fire and Rain Storms from Tepoztlan, Mexico, polish lead track
Bass- Marimbula recorded in a caribbean town in Colombia, cat purrs, bees recorded in Guatemaya, Massive.
Drums- Hearbeat recorded in Cuba, Stones thrown into a well in a mexican ghosttown, Polish Drum Track

con amor. -m
]]></itunes:summary>
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                <pubDate>Wed, 01 Apr 2015 05:11:18 +0200</pubDate>
                
                <atom:updated>2015-04-01T05:11:18+02:00</atom:updated>
                
            
            
            <itunes:duration>5:03</itunes:duration>
        </item>
        <item>
            <title><![CDATA[What the People Want]]></title>
            <link>https://hearthis.at/biomigrant-tr/what-the-people-want/</link>
            <itunes:author><![CDATA[biomigrant]]></itunes:author>
            <description><![CDATA[Full album available at http://septimastudios.bandcamp.com/album/roots-to-circuits<br />
<br />
This track was written during the arab spring, using samples from the self-shot youtube videos people were uploading to document their movement.  The main sample is a 8 year old kid sitting on a man's shoulders in the street, with a circle of protestors around him, as he leads chants calling for Mubarak (the former egyptian president) to be ashamed of himself and step down.  You also hear the voice of a BBC reporter who was abducted by egyptian police and thrown in the back of a truck with a group of protestors.  He had concealed a cell phone from the police, and broadcasted live as they were all taken to the middle of the desert, to be beaten and killed or abandoned.  Other egyptians staged a rescue, breaking into the police vehicle and bringing the prisoners to safety.  The final sample is a young girl speaking directly to Mubarak through youtube, telling him that his police were abandoning him to join the people.  Nuff said.]]></description>
            <googleplay:description><![CDATA[Full album available at http://septimastudios.bandcamp.com/album/roots-to-circuits<br />
<br />
This track was written during the arab spring, using samples from the self-shot youtube videos people were uploading to document their movement.  The main sample is a 8 year old kid sitting on a man's shoulders in the street, with a circle of protestors around him, as he leads chants calling for Mubarak (the former egyptian president) to be ashamed of himself and step down.  You also hear the voice of a BBC reporter who was abducted by egyptian police and thrown in the back of a truck with a group of protestors.  He had concealed a cell phone from the police, and broadcasted live as they were all taken to the middle of the desert, to be beaten and killed or abandoned.  Other egyptians staged a rescue, breaking into the police vehicle and bringing the prisoners to safety.  The final sample is a young girl speaking directly to Mubarak through youtube, telling him that his police were abandoning him to join the people.  Nuff said.]]></googleplay:description>
            <itunes:summary><![CDATA[Full album available at http://septimastudios.bandcamp.com/album/roots-to-circuits

This track was written during the arab spring, using samples from the self-shot youtube videos people were uploading to document their movement.  The main sample is a 8 year old kid sitting on a man's shoulders in the street, with a circle of protestors around him, as he leads chants calling for Mubarak (the former egyptian president) to be ashamed of himself and step down.  You also hear the voice of a BBC reporter who was abducted by egyptian police and thrown in the back of a truck with a group of protestors.  He had concealed a cell phone from the police, and broadcasted live as they were all taken to the middle of the desert, to be beaten and killed or abandoned.  Other egyptians staged a rescue, breaking into the police vehicle and bringing the prisoners to safety.  The final sample is a young girl speaking directly to Mubarak through youtube, telling him that his police were abandoning him to join the people.  Nuff said.]]></itunes:summary>
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                <pubDate>Sun, 02 Jun 2013 09:23:59 +0200</pubDate>
                
                <atom:updated>2013-06-02T09:23:59+02:00</atom:updated>
                
            
            
            <itunes:duration>6:43</itunes:duration>
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