Fri, 03 Apr 2026 21:49:28 +0200 https://hearthis.at/bernhard-eder/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/bernhard-eder/ https://img.hearthis.at/2/6/3/_/uploads/2117825/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1581447420362.jpg no no https://hearthis.at/bernhard-eder/bernhard-edermembranen21-09-2020-world-premiere-recording/
I. First Impressions (0:00)
II. On Second Thoughts (05:26)
III. Third Strike (09:07)
IV. On all fours (12:10)
V. Epilogue (17:38)

composed by Bernhard Philipp Eder (*1984)
https://www.facebook.com/bpe.composer.conductor
https://www.instagram.com/bernhardeder.composerconductor/

performed by Cantus Ansambl (Zagreb/Croatia)
conducted by Ivan Skender
https://tinyurl.com/yckfpfsk

commissioned by the Croatian Composers' Society/Cantus Ensemble

Overall Duration ~21 minutes

world premiere recording: 21.09.2020 in Zagreb, Croatia
-----------------------------------------------------------------------

Instrumentation:

1 Flute/Altoflute/Piccolo
1 Oboe/Englishhorn
1 Clarinet/Bassclarinet in Bb
1 Bassoon/Contrabassoon

1 Horn in F
1 Trumpet
1 Trombone

Percussion (2 Players)*

1 Harp
1 Piano

2 Violins
1 Viola
1 Violoncello
1 Contrabass
-------------------------------
*Percussion list:

3-4 Timpani
Glockenspiel, Crotales, Marimba (big), Vibraphon (without motor), Tubular Bells
Snare Drum, 2 Congas, 2 Bongos, 5 Temple- OR Woodblocks
Belltree, Triangle, Marktree OR Windchimes, 2 suspended cymbals (Ride-medium, China-large)
2 Tam-Tams (medium, large)
Slide Whistle, Vibraslap, Shaker/Maracas, Raganella (Ratchet), Guiro]]>
I. First Impressions (0:00)
II. On Second Thoughts (05:26)
III. Third Strike (09:07)
IV. On all fours (12:10)
V. Epilogue (17:38)

composed by Bernhard Philipp Eder (*1984)
https://www.facebook.com/bpe.composer.conductor
https://www.instagram.com/bernhardeder.composerconductor/

performed by Cantus Ansambl (Zagreb/Croatia)
conducted by Ivan Skender
https://tinyurl.com/yckfpfsk

commissioned by the Croatian Composers' Society/Cantus Ensemble

Overall Duration ~21 minutes

world premiere recording: 21.09.2020 in Zagreb, Croatia
-----------------------------------------------------------------------

Instrumentation:

1 Flute/Altoflute/Piccolo
1 Oboe/Englishhorn
1 Clarinet/Bassclarinet in Bb
1 Bassoon/Contrabassoon

1 Horn in F
1 Trumpet
1 Trombone

Percussion (2 Players)*

1 Harp
1 Piano

2 Violins
1 Viola
1 Violoncello
1 Contrabass
-------------------------------
*Percussion list:

3-4 Timpani
Glockenspiel, Crotales, Marimba (big), Vibraphon (without motor), Tubular Bells
Snare Drum, 2 Congas, 2 Bongos, 5 Temple- OR Woodblocks
Belltree, Triangle, Marktree OR Windchimes, 2 suspended cymbals (Ride-medium, China-large)
2 Tam-Tams (medium, large)
Slide Whistle, Vibraslap, Shaker/Maracas, Raganella (Ratchet), Guiro]]> 6429645 no no Mon, 01 Jul 2024 22:52:42 +0200 2024-07-01T22:52:42+02:00 21:26 https://hearthis.at/bernhard-eder/a-birthday-greeting/ https://www.facebook.com/bpe.composer.conductor/
www.bpe-music.com

performed by the TONZAUBER STUDIO ORCHESTRA

recorded on March 28th, 2016 at tonzauber Studio, Vienna
recorded, edited and mixed by Georg Burdicek
www.tonzauber.com/
www.facebook.com/tonzauber/

Listen to more music recorded on that session here:
youtu.be/X6SDHjDqkMY
vimeo.com/223890182

conducting assistance: Alexander Znamenskiy
music copyists: Stepan Sobanov, David Jauernig, Marina Vesic
sampling assistance: Christof Unterberger

special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-)

Dedicated to Marina "Black Marine" Vesic. [https://soundcloud.com/marineromusic]
- - - - - - - - - - - - - - - - - - - - - -
INFO:

This is a small orchestral "Happy Birthday" Variation we recorded at the end of the recording session (for "Tonzauber Signations" and "Spacehasen")

I wrote the arrangement in the night before the recording session ;-)

Trivia:
The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles.
It was a big pleasure and a great honour to work with them and I'm looking forward to doing another project with them soon :-)

Enjoy and let me know what you think!
And feel free to share it with friends and colleagues you want to send a very special Happy Birthday Greeting ;-)

- - - - - - - - - - - - - - - - - - - - - - - - - - -
TONZAUBER STUDIO ORCHESTRA

Flutes: Matei Ioachimescu, Alexander Wagendristel
Oboes: Lena Straka, Sebastian Skocic
Clarinets: Stephan Rayer, Thomas Schön
Bassoons: Bianca Schuster, Agnes Fejes

Horns: Gergely Sugar, Robert Kis, Francisco Supin
Trumpet: Marc Cardwell Hood
Trombones: Thomas Märzendorfer, Michael Linus Bock

Timpani: Phillip Flip
Percussion: Dani Piedl

Piano: Maria Radutu
Harp: Volker Kempf

Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann

Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeczi

Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum

Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt

Contrabass: Joachim Tinnefeld
______________________________]]> https://www.facebook.com/bpe.composer.conductor/
www.bpe-music.com

performed by the TONZAUBER STUDIO ORCHESTRA

recorded on March 28th, 2016 at tonzauber Studio, Vienna
recorded, edited and mixed by Georg Burdicek
www.tonzauber.com/
www.facebook.com/tonzauber/

Listen to more music recorded on that session here:
youtu.be/X6SDHjDqkMY
vimeo.com/223890182

conducting assistance: Alexander Znamenskiy
music copyists: Stepan Sobanov, David Jauernig, Marina Vesic
sampling assistance: Christof Unterberger

special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-)

Dedicated to Marina "Black Marine" Vesic. [https://soundcloud.com/marineromusic]
- - - - - - - - - - - - - - - - - - - - - -
INFO:

This is a small orchestral "Happy Birthday" Variation we recorded at the end of the recording session (for "Tonzauber Signations" and "Spacehasen")

I wrote the arrangement in the night before the recording session ;-)

Trivia:
The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles.
It was a big pleasure and a great honour to work with them and I'm looking forward to doing another project with them soon :-)

Enjoy and let me know what you think!
And feel free to share it with friends and colleagues you want to send a very special Happy Birthday Greeting ;-)

- - - - - - - - - - - - - - - - - - - - - - - - - - -
TONZAUBER STUDIO ORCHESTRA

Flutes: Matei Ioachimescu, Alexander Wagendristel
Oboes: Lena Straka, Sebastian Skocic
Clarinets: Stephan Rayer, Thomas Schön
Bassoons: Bianca Schuster, Agnes Fejes

Horns: Gergely Sugar, Robert Kis, Francisco Supin
Trumpet: Marc Cardwell Hood
Trombones: Thomas Märzendorfer, Michael Linus Bock

Timpani: Phillip Flip
Percussion: Dani Piedl

Piano: Maria Radutu
Harp: Volker Kempf

Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann

Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeczi

Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum

Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt

Contrabass: Joachim Tinnefeld
______________________________]]> 2467283 no no Mon, 22 Oct 2018 22:57:43 +0200 2018-10-22T22:57:43+02:00 1:08 https://hearthis.at/bernhard-eder/cinderella/ http://www.bpe-music.com
http://www.imdb.com/name/nm7371352/?ref_=ttfc_fc_cr4

official Facebook page: https://www.facebook.com/bpe.composer.conductor/

performed by the Hollywood Studio Symphony

recorded on July 31st, 2017 at the Alfred Newman Recording Stage, Fox Studios, Los Angeles, USA

to watch the according scene with the new music, click here:
https://youtu.be/SP1jwbRkjnc

Score Video:
https://youtu.be/5AoktyNSz_A

Please enjoy my alternative compositional take on the "Fairy Fashion" scene from the 2015 film Cinderella, which I rescored this summer at the ASCAP Filmscoring Workshop 2017 with Richard Bellis in Los Angeles, USA.
[https://www.ascap.com/news-events/events/2017/film-scoring-workshop/la/participants]

A big thank you to everyone involved and for their ongoing support!

Live Recording Engineer: Armin Steiner
Session Booth Directors: Richard Bellis, Dave Slonaker, Charles Bernstein, Michael Ryan

Additional Audio Mixing & Editing: Jonas Petersen (http://24violins.com/)]]> http://www.bpe-music.com
http://www.imdb.com/name/nm7371352/?ref_=ttfc_fc_cr4

official Facebook page: https://www.facebook.com/bpe.composer.conductor/

performed by the Hollywood Studio Symphony

recorded on July 31st, 2017 at the Alfred Newman Recording Stage, Fox Studios, Los Angeles, USA

to watch the according scene with the new music, click here:
https://youtu.be/SP1jwbRkjnc

Score Video:
https://youtu.be/5AoktyNSz_A

Please enjoy my alternative compositional take on the "Fairy Fashion" scene from the 2015 film Cinderella, which I rescored this summer at the ASCAP Filmscoring Workshop 2017 with Richard Bellis in Los Angeles, USA.
[https://www.ascap.com/news-events/events/2017/film-scoring-workshop/la/participants]

A big thank you to everyone involved and for their ongoing support!

Live Recording Engineer: Armin Steiner
Session Booth Directors: Richard Bellis, Dave Slonaker, Charles Bernstein, Michael Ryan

Additional Audio Mixing & Editing: Jonas Petersen (http://24violins.com/)]]> 1557438 no no Mon, 25 Sep 2017 02:12:28 +0200 2017-09-25T02:12:28+02:00 3:05 https://hearthis.at/bernhard-eder/galactic-patrol/
music composed, orchestrated & conducted by Bernhard Philipp Eder
www.bpe-music.com

performed by the TONZAUBER STUDIO ORCHESTRA

recorded on March 28th, 2016 at tonzauber Studio, Vienna
recorded, edited and mixed by Georg Burdicek
http://www.tonzauber.com/
https://www.facebook.com/tonzauber/

Spacehasen created and produced by Reinhard Peschorn (http://www.softfact.com)

conducting assistance: Alexander Znamenskiy
music copyists: Stepan Sobanov, David Jauernig, Marina Vesic
sampling assistance (celesta, additional percussion): Christof Unterberger

special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-)
- - - - - - - - - - - - - - - - - - - - - -
INFO:

For christmas I'd like to give you all a little sneak peak to some orchestral filmmusic I had the pleasure of recording this year, of which the album will be released soon. (Links etc. here to follow)

Enjoy this extended version of the 2nd cue from the "Spacehasen Suite" (2016), which will be part of the promotional soundtrack to the planned animated feature "Spacehasen" (= Space Rabbits) by Zielstern Studios ;-)
We also recorded some more music for another project on that day, so stay tuned for additional exciting news and releases. :-)

Trivia:
The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles.
It was a big pleasure and a great honour to work with them and I'm looking forward to doing another project with them soon :-)

More detailed info (release etc.) coming soon.

Enjoy and let me know what you think!

- - - - - - - - - - - - - - - - - - - - - - - - - - -
TONZAUBER STUDIO ORCHESTRA

Flutes: Matei Ioachimescu, Alexander Wagendristel
Oboes: Lena Straka, Sebastian Skocic
Clarinets: Stephan Rayer, Thomas Schön
Bassoons: Bianca Schuster, Agnes Fejes

Horns: Gergely Sugar, Robert Kis, Francisco Supin
Trumpet: Marc Calrdwell Hood
Trombones: Thomas Märzendorfer, Michael Linus Bock

Timpani: Phillip Flip
Percussion: Danie Piedl

Piano: Maria Radutu
Harp: Volker Kempf

Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann

Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeci

Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum

Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt

Contrabass: Joachim Tinnefeld
_______________________________
Note: As Soundcloud etc. sometimes compresses audio files very strongly, the sound quality here may vary from the final product!]]>
music composed, orchestrated & conducted by Bernhard Philipp Eder
www.bpe-music.com

performed by the TONZAUBER STUDIO ORCHESTRA

recorded on March 28th, 2016 at tonzauber Studio, Vienna
recorded, edited and mixed by Georg Burdicek
http://www.tonzauber.com/
https://www.facebook.com/tonzauber/

Spacehasen created and produced by Reinhard Peschorn (http://www.softfact.com)

conducting assistance: Alexander Znamenskiy
music copyists: Stepan Sobanov, David Jauernig, Marina Vesic
sampling assistance (celesta, additional percussion): Christof Unterberger

special thanks to Christian Mayr, Marina Vesic, Alexander Znamenskiy, Reinhard Peschorn, Georg Burdicek, Etienne Decreuse, Victor Gangl, Miguel Bezanilla, Christof Unterberger, the musicians and everyone involved in this wonderful project :-)
- - - - - - - - - - - - - - - - - - - - - -
INFO:

For christmas I'd like to give you all a little sneak peak to some orchestral filmmusic I had the pleasure of recording this year, of which the album will be released soon. (Links etc. here to follow)

Enjoy this extended version of the 2nd cue from the "Spacehasen Suite" (2016), which will be part of the promotional soundtrack to the planned animated feature "Spacehasen" (= Space Rabbits) by Zielstern Studios ;-)
We also recorded some more music for another project on that day, so stay tuned for additional exciting news and releases. :-)

Trivia:
The orchestra for this recording consisted of members from the Vienna Philharmonic Orchestra, Vienna Symphonic Orchestra, ORF Radiosymphony Orchestra Vienna, Wiener Kammerorchester, Orchester der Vereinigten Bühnen Wien, Wiener Volksopern Orchester, and many more great ensembles.
It was a big pleasure and a great honour to work with them and I'm looking forward to doing another project with them soon :-)

More detailed info (release etc.) coming soon.

Enjoy and let me know what you think!

- - - - - - - - - - - - - - - - - - - - - - - - - - -
TONZAUBER STUDIO ORCHESTRA

Flutes: Matei Ioachimescu, Alexander Wagendristel
Oboes: Lena Straka, Sebastian Skocic
Clarinets: Stephan Rayer, Thomas Schön
Bassoons: Bianca Schuster, Agnes Fejes

Horns: Gergely Sugar, Robert Kis, Francisco Supin
Trumpet: Marc Calrdwell Hood
Trombones: Thomas Märzendorfer, Michael Linus Bock

Timpani: Phillip Flip
Percussion: Danie Piedl

Piano: Maria Radutu
Harp: Volker Kempf

Violin I: Holger Groh (concertmaster), Clemens Flieder, Ge Song, Aleksandra Buczek, Johannes Fleischmann

Violin II: Patricia Koll, Alexandra Koll, Matthias Honeck, Gabor Selmeci

Viola: Julia Purgina, Charlotte Fonchin, Julia Kriechbaum

Violoncello: Ivan Turkalj, Mara Kronick Achleitner, Cornelia Burghardt

Contrabass: Joachim Tinnefeld
_______________________________
Note: As Soundcloud etc. sometimes compresses audio files very strongly, the sound quality here may vary from the final product!]]> 1150707 no no Fri, 23 Dec 2016 18:49:57 +0100 2016-12-23T18:49:57+01:00 1:56 https://hearthis.at/bernhard-eder/daydreamer-2015-the-sacrifice-track-6-on-soundtrack/ You can also purchase the film as well as behind the scenes extra features. :-)

- - - - - - - - - -

daydreamer-film.com/
www.imdb.com/title/tt4737784/?ref_=fn_al_tt_2

Daydreamer (2015) - shortfilm, Rafal Studios
written & directed by Thaddäus Reich
produced by Thomas Strini

nominated for BEST SCORE at the Maverick Movie Awards 2015 (www.maverickmovieawards.com/2015.html)

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Music composed, orchestrated and conducted by Bernhard Philipp Eder

performed by "The Triple-A-Consort (Advanced Austrian Artists)"

Violins: Zsuzsanna Pongracz, Milan Nikolic, Olga Orekhova, Hila Lifshitz, Kirill Goncharov
Violas: Jean Philipp Oliver Viol, Anna Firsanova
Violoncello: Michaela Skrieckova Nikolic, Mark Brabetz, Johannes M. Hörmann
Doublebass: Oscar Mendoza
Piano: Ekaterina Nokkert
Guitar: Thomas Obernosterer, Victor Gangl

Conducting assistance: Alexej Barer

Recording Engineer, Score Editing and Mixing: Etienne Decreuse

Scoring and Music Assistance: Victor Gangl, Markus Zierhofer, Adam Lukas, Thaddäus Reich

Sampling Assistance: Marina Vesic

special thanks to Felix Raffel, Georg Burdicek, Thomas Strini, Kurt Eder, Marina Vesic

recorded at TONZAUBER Studios, Wiener Konzerthaus on 25th/26th April 2015

Daydreamer Recording Session Behind the Scenes: vimeo.com/146409594]]> You can also purchase the film as well as behind the scenes extra features. :-)

- - - - - - - - - -

daydreamer-film.com/
www.imdb.com/title/tt4737784/?ref_=fn_al_tt_2

Daydreamer (2015) - shortfilm, Rafal Studios
written & directed by Thaddäus Reich
produced by Thomas Strini

nominated for BEST SCORE at the Maverick Movie Awards 2015 (www.maverickmovieawards.com/2015.html)

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Music composed, orchestrated and conducted by Bernhard Philipp Eder

performed by "The Triple-A-Consort (Advanced Austrian Artists)"

Violins: Zsuzsanna Pongracz, Milan Nikolic, Olga Orekhova, Hila Lifshitz, Kirill Goncharov
Violas: Jean Philipp Oliver Viol, Anna Firsanova
Violoncello: Michaela Skrieckova Nikolic, Mark Brabetz, Johannes M. Hörmann
Doublebass: Oscar Mendoza
Piano: Ekaterina Nokkert
Guitar: Thomas Obernosterer, Victor Gangl

Conducting assistance: Alexej Barer

Recording Engineer, Score Editing and Mixing: Etienne Decreuse

Scoring and Music Assistance: Victor Gangl, Markus Zierhofer, Adam Lukas, Thaddäus Reich

Sampling Assistance: Marina Vesic

special thanks to Felix Raffel, Georg Burdicek, Thomas Strini, Kurt Eder, Marina Vesic

recorded at TONZAUBER Studios, Wiener Konzerthaus on 25th/26th April 2015

Daydreamer Recording Session Behind the Scenes: vimeo.com/146409594]]> 802906 no no Wed, 23 Mar 2016 10:49:42 +0100 2016-03-23T10:49:42+01:00 2:05 https://hearthis.at/bernhard-eder/daydreamer-2015-end-credits-daydreamer-main-theme/ You can also purchase the film as well as behind the scenes extra features. :-)

- - - - - - - - - -

http://daydreamer-film.com/
http://www.imdb.com/title/tt4737784/?ref_=fn_al_tt_2

Daydreamer (2015) - shortfilm, Rafal Studios
written & directed by Thaddäus Reich
produced by Thomas Strini

nominated for BEST SCORE at the Maverick Movie Awards 2015 (http://www.maverickmovieawards.com/2015.html)

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Music composed, orchestrated and conducted by Bernhard Philipp Eder

performed by "The Triple-A-Consort (Advanced Austrian Artists)"

Violins: Zsuzsanna Pongracz, Milan Nikolic, Olga Orekhova, Hila Lifshitz, Kirill Goncharov
Violas: Jean Philipp Oliver Viol, Anna Firsanova
Violoncello: Michaela Skrieckova Nikolic, Mark Brabetz, Johannes M. Hörmann
Doublebass: Oscar Mendoza
Piano: Ekaterina Nokkert
Guitar: Thomas Obernosterer, Victor Gangl

Conducting assistance: Alexej Barer

Recording Engineer, Score Editing and Mixing: Etienne Decreuse

Scoring and Music Assistance: Victor Gangl, Markus Zierhofer, Adam Lukas, Thaddäus Reich

Sampling Assistance: Marina Vesic

special thanks to Felix Raffel, Georg Burdicek, Thomas Strini, Kurt Eder, Marina Vesic

recorded at TONZAUBER Studios, Wiener Konzerthaus on 25th/26th April 2015

Daydreamer Recording Session Behind the Scenes: http://vimeo.com/146409594]]> You can also purchase the film as well as behind the scenes extra features. :-)

- - - - - - - - - -

http://daydreamer-film.com/
http://www.imdb.com/title/tt4737784/?ref_=fn_al_tt_2

Daydreamer (2015) - shortfilm, Rafal Studios
written & directed by Thaddäus Reich
produced by Thomas Strini

nominated for BEST SCORE at the Maverick Movie Awards 2015 (http://www.maverickmovieawards.com/2015.html)

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Music composed, orchestrated and conducted by Bernhard Philipp Eder

performed by "The Triple-A-Consort (Advanced Austrian Artists)"

Violins: Zsuzsanna Pongracz, Milan Nikolic, Olga Orekhova, Hila Lifshitz, Kirill Goncharov
Violas: Jean Philipp Oliver Viol, Anna Firsanova
Violoncello: Michaela Skrieckova Nikolic, Mark Brabetz, Johannes M. Hörmann
Doublebass: Oscar Mendoza
Piano: Ekaterina Nokkert
Guitar: Thomas Obernosterer, Victor Gangl

Conducting assistance: Alexej Barer

Recording Engineer, Score Editing and Mixing: Etienne Decreuse

Scoring and Music Assistance: Victor Gangl, Markus Zierhofer, Adam Lukas, Thaddäus Reich

Sampling Assistance: Marina Vesic

special thanks to Felix Raffel, Georg Burdicek, Thomas Strini, Kurt Eder, Marina Vesic

recorded at TONZAUBER Studios, Wiener Konzerthaus on 25th/26th April 2015

Daydreamer Recording Session Behind the Scenes: http://vimeo.com/146409594]]> 802907 no no Fri, 19 Feb 2016 14:01:24 +0100 2016-02-19T14:01:24+01:00 2:14 https://hearthis.at/bernhard-eder/days-of-autumn-and-wine-2015/ performed by the "Triple-A-Consort" (Advanced Austrian Artists)

special thanks to Victor Gangl, Markus Zierhofer & Marina Vesic
Audio recording/editing/mix: Roland Schützenhofer

This file is a first mix and will be further worked on!

DAYS OF AUTUMN AND WINE, originally a short neoromantic piano piece intended for a promotional video, now recomposed and orchestrated for small orchestra.
A little exercise in orchestration so to speak ;-)

recorded on 10th January 2015 in Vienna, Austria
- - - - - - - - - - - - - - - - - - - -
Orchestra:

Flutes: Carolin Ratzinger, Florian Holzer
Oboes: Ivan Hristov, Petko Bonev
Clarinets: Emir Radišević, Christy Thalassinou
Bassoons: Anna Beres, Szabolcs Szőke

Horns: Karl Bichler, Ben Grobman

Harp: Claudia Mantovani

Violin I: Kirill Goncharov, Milan Nikolic, Maria Mesropian, Jenny Lippl, Dimitris Mousouras, Alexej Barer

Violin II: Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Korekhova

Viola: Alexander Znamensky, Annamaria Kowalsky, Dima Nedyalkova, Giorgio Antonio Miele

Violincello: Michael Babytsch, Ana Spahn, Ievgen Piechnikov

Contrabass: Damian Posse, Dominik Wagner
]]> performed by the "Triple-A-Consort" (Advanced Austrian Artists)

special thanks to Victor Gangl, Markus Zierhofer & Marina Vesic
Audio recording/editing/mix: Roland Schützenhofer

This file is a first mix and will be further worked on!

DAYS OF AUTUMN AND WINE, originally a short neoromantic piano piece intended for a promotional video, now recomposed and orchestrated for small orchestra.
A little exercise in orchestration so to speak ;-)

recorded on 10th January 2015 in Vienna, Austria
- - - - - - - - - - - - - - - - - - - -
Orchestra:

Flutes: Carolin Ratzinger, Florian Holzer
Oboes: Ivan Hristov, Petko Bonev
Clarinets: Emir Radišević, Christy Thalassinou
Bassoons: Anna Beres, Szabolcs Szőke

Horns: Karl Bichler, Ben Grobman

Harp: Claudia Mantovani

Violin I: Kirill Goncharov, Milan Nikolic, Maria Mesropian, Jenny Lippl, Dimitris Mousouras, Alexej Barer

Violin II: Nataliya Stepanska, Anton Semke, Alexander Leontyev, Olga Korekhova

Viola: Alexander Znamensky, Annamaria Kowalsky, Dima Nedyalkova, Giorgio Antonio Miele

Violincello: Michael Babytsch, Ana Spahn, Ievgen Piechnikov

Contrabass: Damian Posse, Dominik Wagner
]]> 770207 no no Thu, 05 Mar 2015 20:07:33 +0100 2015-03-05T20:07:33+01:00 2:53 https://hearthis.at/bernhard-eder/abschied-farewell-for-woodwind-trio-string-quartet-2009/
performed by:
Trio Furioso
Oboe - Agnes Glassner
Clarinet - Kerstin Höller
Bassoon - Christina Stranz

Scripcaru-Quartett
Violin I - Ion Scripcaru
Violin II - Tanja Zivkovic
Viola - Dima Nedyalkova
Violoncello - Irena Zagorac

conducted by Bernhard Eder

Live recording May 15th, 2009 at St.Michael's church Vienna, Austria.

This piece was commissioned by Johannes Pokorny (Anna-Junge Klänge).
The first performance of it occured on April 16th, 2009 at St.Anna's church Vienna, Austria.
- - - - - - - - -

What meaning do we connect with the words goodbye or farewell?
Be it the farewell from a beloved person one might never see again, be it a temporary goodbye which holds the joy of looking forward to a reunion, or maybe the farewell of a part of yourself in order to develop into a new section of live.

I tried to incorporate these different situations, feelings and considerations into this piece, which builds a up as dialogue between the two ensembles, based on a 6-tone motive.

I started to work on „Abschied“ back in February 2009 as a commission for a concert where both a woodwind trio and a string quartet would perform each in a separate section of it.

The organisers asked me to write a piece that would combine both ensembles and also could be performed with very little rehearsal time at hand.
So I tried to work around the problem of coordination with either controlled aleatoric structures and switching the main focus back and forth between these two ensembles. ]]>
performed by:
Trio Furioso
Oboe - Agnes Glassner
Clarinet - Kerstin Höller
Bassoon - Christina Stranz

Scripcaru-Quartett
Violin I - Ion Scripcaru
Violin II - Tanja Zivkovic
Viola - Dima Nedyalkova
Violoncello - Irena Zagorac

conducted by Bernhard Eder

Live recording May 15th, 2009 at St.Michael's church Vienna, Austria.

This piece was commissioned by Johannes Pokorny (Anna-Junge Klänge).
The first performance of it occured on April 16th, 2009 at St.Anna's church Vienna, Austria.
- - - - - - - - -

What meaning do we connect with the words goodbye or farewell?
Be it the farewell from a beloved person one might never see again, be it a temporary goodbye which holds the joy of looking forward to a reunion, or maybe the farewell of a part of yourself in order to develop into a new section of live.

I tried to incorporate these different situations, feelings and considerations into this piece, which builds a up as dialogue between the two ensembles, based on a 6-tone motive.

I started to work on „Abschied“ back in February 2009 as a commission for a concert where both a woodwind trio and a string quartet would perform each in a separate section of it.

The organisers asked me to write a piece that would combine both ensembles and also could be performed with very little rehearsal time at hand.
So I tried to work around the problem of coordination with either controlled aleatoric structures and switching the main focus back and forth between these two ensembles. ]]> 802908 no no Wed, 09 Apr 2014 21:31:59 +0200 2014-04-09T21:31:59+02:00 9:39 https://hearthis.at/bernhard-eder/wenn-der-wiener-ka-cafhaus-htt-fr-sopran-ensemble-2013/ Vertonung eines Wiener Lied-Textes, der ursprünglich von Hermann Leopoldi (1888-1959) hätte vertont werden sollen

Text: Robert Gilbert

Christine Holzwarth, Sopran
Oliver Darnhofer, Klarinette
Kristina Hinova, Violine
Stefania Yankova, Viola
Vera Dickbauer, Violoncello
Wladimir Borodin, Klavier

Bernhard Eder, Dirigent

Liveaufnahme Uraufführung, Freitag, 18.10.2013
''Im Anschluss'', Hermann Leopoldi Symposiumskonzert -
Joseph Haydn-Saal,
Universität für Musik und darstellende Kunst Wien

_________________________________

Es gibt a große Anzahl Wiener Lieder,
von Grinzing, Nußdorf und, na klar, vom Wein.
Die Leute woll'n halt gern beim Singen wieder
im Nachgeschmack so richtig b'soff'n sein.

Und auch vom Steffl (= Stephansdom)ist schon viel erklungen.
Vom grünen Prater und vom Donaublau.
Nur eine Sache hat man nie besungen, die doch zu Wien g'hört wie a Mann zur Frau.

Ja dieses Liedgebiet liegt völlig brach.
Wenn Sie gestatten, hol ich's gleich jetzt nach:
- - - - -

Wenn der Wiener ka' Caféhaus hätt', ich wüsst' net was der Wiener tät?
Dann stünd' er ganz verlassen armselig auf der Gass'n!
Wenn der Wiener ka' Caféhaus hätt', wo der Mensch zum andern Menschen red't,
dann wär er halt trotz san Hamur nur a Loch in der Natur.
In Bayern trinken's gern a Bier, in Japan nur an Tee,
doch san die Wiener noch so stier (=pleite), wir gängen ins Café.
Und fragt mich, was der Wiener tät', geb ich zur Antwort drauf:
Wenn der Wiener ka Caféhaus hätt', Ja, dann machert er halt eins auf!
- - - - -

Bei vierzig Zeitungen und acht Glas Wasser, von früh bis abends aber ganz gewiß,
so sitzt er da, der Herr Gedichtsverfasser, bei einem Schwarzen (=Café) weil er neger (=pleite) is!
Herr Hofrat tarockiert in alter Frische, und hofft, sei Alte wird nach Haus' bald gehen.
Denn eine Dame sitzt am Nebentische bei ein paar Würschtln und sie sucht an Kren.

Und einer, der dort g'sess'n wie a Bam,
pumpt sich vom Ober s'Fahrgeld für die Tram...
- - - - -

Wenn der Wiener ka' Caféhaus hätt', ich wüsst' net was der Wiener tät?
Dann stünd' er ganz verlassen armselig auf der Gass'n!
Wenn der Wiener ka' Caféhaus hätt', wo der Mensch zum andern Menschen red't,
dann wär er halt trotz san Hamur nur a Loch in der Natur.
In Bayern trinken's gern a Bier, in Japan nur an Tee,
doch san die Wiener noch so stier, wir gängen ins Café.
Und fragt mich, was der Wiener tät', geb ich zur Antwort drauf:
Wenn der Wiener ka Caféhaus hätt', Ja, dann machert er halt eins auf!]]> Vertonung eines Wiener Lied-Textes, der ursprünglich von Hermann Leopoldi (1888-1959) hätte vertont werden sollen

Text: Robert Gilbert

Christine Holzwarth, Sopran
Oliver Darnhofer, Klarinette
Kristina Hinova, Violine
Stefania Yankova, Viola
Vera Dickbauer, Violoncello
Wladimir Borodin, Klavier

Bernhard Eder, Dirigent

Liveaufnahme Uraufführung, Freitag, 18.10.2013
''Im Anschluss'', Hermann Leopoldi Symposiumskonzert -
Joseph Haydn-Saal,
Universität für Musik und darstellende Kunst Wien

_________________________________

Es gibt a große Anzahl Wiener Lieder,
von Grinzing, Nußdorf und, na klar, vom Wein.
Die Leute woll'n halt gern beim Singen wieder
im Nachgeschmack so richtig b'soff'n sein.

Und auch vom Steffl (= Stephansdom)ist schon viel erklungen.
Vom grünen Prater und vom Donaublau.
Nur eine Sache hat man nie besungen, die doch zu Wien g'hört wie a Mann zur Frau.

Ja dieses Liedgebiet liegt völlig brach.
Wenn Sie gestatten, hol ich's gleich jetzt nach:
- - - - -

Wenn der Wiener ka' Caféhaus hätt', ich wüsst' net was der Wiener tät?
Dann stünd' er ganz verlassen armselig auf der Gass'n!
Wenn der Wiener ka' Caféhaus hätt', wo der Mensch zum andern Menschen red't,
dann wär er halt trotz san Hamur nur a Loch in der Natur.
In Bayern trinken's gern a Bier, in Japan nur an Tee,
doch san die Wiener noch so stier (=pleite), wir gängen ins Café.
Und fragt mich, was der Wiener tät', geb ich zur Antwort drauf:
Wenn der Wiener ka Caféhaus hätt', Ja, dann machert er halt eins auf!
- - - - -

Bei vierzig Zeitungen und acht Glas Wasser, von früh bis abends aber ganz gewiß,
so sitzt er da, der Herr Gedichtsverfasser, bei einem Schwarzen (=Café) weil er neger (=pleite) is!
Herr Hofrat tarockiert in alter Frische, und hofft, sei Alte wird nach Haus' bald gehen.
Denn eine Dame sitzt am Nebentische bei ein paar Würschtln und sie sucht an Kren.

Und einer, der dort g'sess'n wie a Bam,
pumpt sich vom Ober s'Fahrgeld für die Tram...
- - - - -

Wenn der Wiener ka' Caféhaus hätt', ich wüsst' net was der Wiener tät?
Dann stünd' er ganz verlassen armselig auf der Gass'n!
Wenn der Wiener ka' Caféhaus hätt', wo der Mensch zum andern Menschen red't,
dann wär er halt trotz san Hamur nur a Loch in der Natur.
In Bayern trinken's gern a Bier, in Japan nur an Tee,
doch san die Wiener noch so stier, wir gängen ins Café.
Und fragt mich, was der Wiener tät', geb ich zur Antwort drauf:
Wenn der Wiener ka Caféhaus hätt', Ja, dann machert er halt eins auf!]]> 802909 no no Tue, 08 Apr 2014 14:21:31 +0200 2014-04-08T14:21:31+02:00 7:32 https://hearthis.at/bernhard-eder/quiver-for-soprano-viola-violoncello-2011/ lyrics by Wolfgang Gager

Kaoko Amano, soprano
Rafal Zalech, viola
Michael Babytsch, violoncello

performance conducted by Bernhard Eder

live recording May 11th, 2012
at University of Music and Performing Arts Vienna, Austria
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Lyrics:

she quivers in lust
just in mere minds desire,
she struggles with sorrow and fear.

a story has to die,
the soul needs to fly,
reverberation confines the will.

to open herself
means to let out the beasts
devouring within –

occurring release,
embracing the naught,
inducing the thrill.

blood comes to blood
in this act of surrender
feeling what she’s been cravin’ for.
giving up her body
as obtaining contender
now she isn’t strained anymore.]]> lyrics by Wolfgang Gager

Kaoko Amano, soprano
Rafal Zalech, viola
Michael Babytsch, violoncello

performance conducted by Bernhard Eder

live recording May 11th, 2012
at University of Music and Performing Arts Vienna, Austria
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Lyrics:

she quivers in lust
just in mere minds desire,
she struggles with sorrow and fear.

a story has to die,
the soul needs to fly,
reverberation confines the will.

to open herself
means to let out the beasts
devouring within –

occurring release,
embracing the naught,
inducing the thrill.

blood comes to blood
in this act of surrender
feeling what she’s been cravin’ for.
giving up her body
as obtaining contender
now she isn’t strained anymore.]]> 802912 no no Fri, 25 Oct 2013 01:53:55 +0200 2013-10-25T01:53:55+02:00 7:34 https://hearthis.at/bernhard-eder/bernhard-p-eder-illusionen-2012-for-2-flutes-2-percussionists/ Ivan Bulbitski, Adina Radu - percussion

music composed & conducted by Bernhard Eder

live recording of its world premiere performance on friday, May 11th, 2012 at the University of Music & performing Arts Vienna, Austria

Personal note:
This is a live recording of the premiere performance. Sadly it was sooo incredibly hot in the performing hall and the stupid lights were making so much noise that I hope someday to have a better recording of this piece available.]]> Ivan Bulbitski, Adina Radu - percussion

music composed & conducted by Bernhard Eder

live recording of its world premiere performance on friday, May 11th, 2012 at the University of Music & performing Arts Vienna, Austria

Personal note:
This is a live recording of the premiere performance. Sadly it was sooo incredibly hot in the performing hall and the stupid lights were making so much noise that I hope someday to have a better recording of this piece available.]]> 802930 no no Thu, 06 Jun 2013 22:49:39 +0200 2013-06-06T22:49:39+02:00 7:05 https://hearthis.at/bernhard-eder/conundrum/ 2.Violine - Seo Yulee
3.Violine - Yaromyr Babsky
4.Violine - Katharina Schwamm
5.Violine - Enikö Czellecz
6.Violine - Rusanda Panfili
7.Violine - Maria Ivanova Boneva

composed & conducted by Bernhard Eder

live recording from a concert at the University of Music & Performing Arts Vienna, Austria on May 7th, 2010

listen to it with the score: https://youtu.be/v2eHy3cOdOw
----------------------------------------------------

*The piece "conundrum" was composed between October, 2009 and April, 2010.
I have tried out many new (at least for myself) elements of composition in this piece.

The idea behind it was the attempt to create as much rich timbres etc. as possible out of a limited tone and register space and sound space (as there also is the lack of other things as no deep tones/chords/sounds; also the ensemble builds a a homophone instrument combination with the same timbre relationship).

The violins are put up symmetrically in the semicircle, in order to create a kind of "Real Life Dolby Surround sound" feeling of the melodic lines, sounds developments etc. by the different instruments in all possible directions and combinations (e.g., on the left - on the right, outside - inside, etc.).

Besides, the 4th violin forms a kind of centre from which everything passes around the ball and from which as good as everything is initiated.
It was important for me, while writing the piece, to pay attention that the degree of technical difficulty is almost equal to the play within all 7 violins.
Actually an ideal piece for a big violin class, right? ^^

The world premiere of this piece took place in Tuesday, 27th April, 2010 in Joseph Haydn-Saal of the University of Music and performing Arts Vienna
within the scope of the class evening of the composition class Michael Jarrell (my teacher).*]]> 2.Violine - Seo Yulee
3.Violine - Yaromyr Babsky
4.Violine - Katharina Schwamm
5.Violine - Enikö Czellecz
6.Violine - Rusanda Panfili
7.Violine - Maria Ivanova Boneva

composed & conducted by Bernhard Eder

live recording from a concert at the University of Music & Performing Arts Vienna, Austria on May 7th, 2010

listen to it with the score: https://youtu.be/v2eHy3cOdOw
----------------------------------------------------

*The piece "conundrum" was composed between October, 2009 and April, 2010.
I have tried out many new (at least for myself) elements of composition in this piece.

The idea behind it was the attempt to create as much rich timbres etc. as possible out of a limited tone and register space and sound space (as there also is the lack of other things as no deep tones/chords/sounds; also the ensemble builds a a homophone instrument combination with the same timbre relationship).

The violins are put up symmetrically in the semicircle, in order to create a kind of "Real Life Dolby Surround sound" feeling of the melodic lines, sounds developments etc. by the different instruments in all possible directions and combinations (e.g., on the left - on the right, outside - inside, etc.).

Besides, the 4th violin forms a kind of centre from which everything passes around the ball and from which as good as everything is initiated.
It was important for me, while writing the piece, to pay attention that the degree of technical difficulty is almost equal to the play within all 7 violins.
Actually an ideal piece for a big violin class, right? ^^

The world premiere of this piece took place in Tuesday, 27th April, 2010 in Joseph Haydn-Saal of the University of Music and performing Arts Vienna
within the scope of the class evening of the composition class Michael Jarrell (my teacher).*]]> 770265 no no Thu, 06 Jun 2013 10:45:02 +0200 2013-06-06T10:45:02+02:00 6:41 https://hearthis.at/bernhard-eder/hollywood-music-workshop-2013-the-tale-of-despereaux-the-quest-rescored/
performed by Ensemble "Atout"

Flöte/Flute: Uschi Pichler
Klarinette/Clarinet: Norbert Amon
Horn: Oliver Gilg
1. Violine: Anna Obermayer
2. Violine: Lee-Young Kim
3. Violine: Xiang Ying
1. Viola: Stefania Yankova
2. Viola: Andjela Sibinovicm
1. Cello: Vera Dickbauer
2. Cello: Ina Petkova
Kontrabass/Doublebass: Ronald Vitzthum

recorded on 14th July 2013 in Klosterneuburg at the Hollywood Music Workshop 2013, lead & supervised by Conrad Pope

Recording Engineer (HMW): Frankie Chinaski
Sampling Assistance: Markus Zierhofer (https://soundcloud.com/markus-zierhofer)
Recording Mixing/Editing: Andreas Rathammer | QuintonRecords (www.quinton.at)]]>
performed by Ensemble "Atout"

Flöte/Flute: Uschi Pichler
Klarinette/Clarinet: Norbert Amon
Horn: Oliver Gilg
1. Violine: Anna Obermayer
2. Violine: Lee-Young Kim
3. Violine: Xiang Ying
1. Viola: Stefania Yankova
2. Viola: Andjela Sibinovicm
1. Cello: Vera Dickbauer
2. Cello: Ina Petkova
Kontrabass/Doublebass: Ronald Vitzthum

recorded on 14th July 2013 in Klosterneuburg at the Hollywood Music Workshop 2013, lead & supervised by Conrad Pope

Recording Engineer (HMW): Frankie Chinaski
Sampling Assistance: Markus Zierhofer (https://soundcloud.com/markus-zierhofer)
Recording Mixing/Editing: Andreas Rathammer | QuintonRecords (www.quinton.at)]]> 802910 no no Wed, 26 Mar 2014 01:43:54 +0100 2014-03-26T01:43:54+01:00 3:24 https://hearthis.at/bernhard-eder/hollywood-music-workshop-2012-safe-house-rescored-chase-scene/ Percussion & Piano are sampled, the strings (2 quartetts: 2vl,1vla,1vc | 1vl,1vla,1vc,1cb) were recorded live at the recording session of the Hollywood Music Workshop 2012 in Klosterneuburg, Austria on Monday, July 9th, 2012.

The workshop was led and the recording sessions supervised by Mr. Conrad Pope (a well reknown orchestrator, scoring assistant and more in Hollywood).

Sadly I didn't manage to score the complete 7 minute sequence, but I'm quite satisfied with what I got here.
Thanks to Mr. Pope, Dimitrie Leivici & Lilo Bellotto (organizers of the workshop) and the great musicians from Kammermusikgruppe Atout for this interesting experience.

I hope you like my oldschool action/suspense-scoring approach.

Music composed, orchestrated & conducted by Bernhard Eder
Recording Master (recording session): Frankie Chinastie
Postproduction, Samples & Track Mixing: Markus Zierhofer
Special thanks to Raimund Hepp]]> Percussion & Piano are sampled, the strings (2 quartetts: 2vl,1vla,1vc | 1vl,1vla,1vc,1cb) were recorded live at the recording session of the Hollywood Music Workshop 2012 in Klosterneuburg, Austria on Monday, July 9th, 2012.

The workshop was led and the recording sessions supervised by Mr. Conrad Pope (a well reknown orchestrator, scoring assistant and more in Hollywood).

Sadly I didn't manage to score the complete 7 minute sequence, but I'm quite satisfied with what I got here.
Thanks to Mr. Pope, Dimitrie Leivici & Lilo Bellotto (organizers of the workshop) and the great musicians from Kammermusikgruppe Atout for this interesting experience.

I hope you like my oldschool action/suspense-scoring approach.

Music composed, orchestrated & conducted by Bernhard Eder
Recording Master (recording session): Frankie Chinastie
Postproduction, Samples & Track Mixing: Markus Zierhofer
Special thanks to Raimund Hepp]]> 802932 no no Sun, 26 Aug 2012 22:28:36 +0200 2012-08-26T22:28:36+02:00 3:59 https://hearthis.at/bernhard-eder/lunch-break-rescored-ending-scene-2011-hollywood-music-workshop-klosterneuburg-2011/ Bernhard Philipp Eder (*1984)

This is the ending scene of the Austrian short film "Lunch Break" with a new score composed by me at this years "Hollywood Music Workshop 2011" with Blake Neely & Nathan Blume at Klosterneuburg, Austria
http://www.hollywood-music.at/

All participants of this workshop 2011 had to pick a scene (some did the whole film!) from "Lunch Break" to rescore with new music, some of them combining samples with live instruments (the recording session with oboe, violin & violoncello occured on July 13th, 2011 at the workshop - supervised by Blake Neely & Nathan Blume).
The final results showed a great variety of musical ideas, approaches etc. - all of them great and on a very high level!
Congratulations to all my colleagues who participated in this years workshop! :-)

I tried to recreate the tension of the original score while working with a different approach, more relying on the effects you can produce with real instruments.
I used a combination of several elements (a certain signature sound, the piano theme at the end in it's full representation, inside piano effects, soundscapes with the live instruments etc.) to achieve a tension likewhise to the original film score by Axel Hirn. Since I only had enough time to write, arrange & programme the last scene (I would have liked to do some other parts as well in order to show how the musical elements would have come together) this is the final result.

Watch the filmclip with the new music here: http://youtu.be/yVerNOoAC6s

Enjoy!

The original film with its original score (by Axel Hirn) can be viewed here: http://www.lunch-break.at/]]> Bernhard Philipp Eder (*1984)

This is the ending scene of the Austrian short film "Lunch Break" with a new score composed by me at this years "Hollywood Music Workshop 2011" with Blake Neely & Nathan Blume at Klosterneuburg, Austria
http://www.hollywood-music.at/

All participants of this workshop 2011 had to pick a scene (some did the whole film!) from "Lunch Break" to rescore with new music, some of them combining samples with live instruments (the recording session with oboe, violin & violoncello occured on July 13th, 2011 at the workshop - supervised by Blake Neely & Nathan Blume).
The final results showed a great variety of musical ideas, approaches etc. - all of them great and on a very high level!
Congratulations to all my colleagues who participated in this years workshop! :-)

I tried to recreate the tension of the original score while working with a different approach, more relying on the effects you can produce with real instruments.
I used a combination of several elements (a certain signature sound, the piano theme at the end in it's full representation, inside piano effects, soundscapes with the live instruments etc.) to achieve a tension likewhise to the original film score by Axel Hirn. Since I only had enough time to write, arrange & programme the last scene (I would have liked to do some other parts as well in order to show how the musical elements would have come together) this is the final result.

Watch the filmclip with the new music here: http://youtu.be/yVerNOoAC6s

Enjoy!

The original film with its original score (by Axel Hirn) can be viewed here: http://www.lunch-break.at/]]> 802931 no no Mon, 27 Aug 2012 02:37:45 +0200 2012-08-27T02:37:45+02:00 1:52 https://hearthis.at/bernhard-eder/hollywood-music-workshop-2010-to-the-university/ The original clip I scored this to was from the film "Krippendorf's Tribe".

This mockup was done and produced by the excellent Victor Gangl, whose channel you definetely should check out. (https://soundcloud.com/victory)
Thanks again for the great work, buddy :-)]]> The original clip I scored this to was from the film "Krippendorf's Tribe".

This mockup was done and produced by the excellent Victor Gangl, whose channel you definetely should check out. (https://soundcloud.com/victory)
Thanks again for the great work, buddy :-)]]> 802911 no no Fri, 21 Mar 2014 12:14:29 +0100 2014-03-21T12:14:29+01:00 1:30 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-01-ephialtes-theme/
It's supposed to bring out the melancholy of the character Ephialtes, but also taking his story arc into account (which changes over the course of the film.
You could say this would be a possible track for an end credits part or a suite or such ;-)

This demo was done in Cubase.]]>
It's supposed to bring out the melancholy of the character Ephialtes, but also taking his story arc into account (which changes over the course of the film.
You could say this would be a possible track for an end credits part or a suite or such ;-)

This demo was done in Cubase.]]> 802929 no no Thu, 29 Aug 2013 13:11:30 +0200 2013-08-29T13:11:30+02:00 2:49 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-02-crazy-jam-equator-backgroundstory/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802927 no no Thu, 29 Aug 2013 13:11:34 +0200 2013-08-29T13:11:34+02:00 0:58 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-03-something-greater-than-us/ 802926 no no Thu, 29 Aug 2013 13:12:30 +0200 2013-08-29T13:12:30+02:00 0:35 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-04-boscos-entrance/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802925 no no Thu, 29 Aug 2013 13:13:12 +0200 2013-08-29T13:13:12+02:00 1:04 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-05-boscos-exit-through-the-window/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802924 no no Thu, 29 Aug 2013 13:14:03 +0200 2013-08-29T13:14:03+02:00 1:14 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-06-eickelbergs-vision-battle-of-the-dead/ The composition has been partially used in the final film and establishes the "Underworld"/"Nostromo"-motive!]]> The composition has been partially used in the final film and establishes the "Underworld"/"Nostromo"-motive!]]> 802923 no no Thu, 29 Aug 2013 13:14:45 +0200 2013-08-29T13:14:45+02:00 1:42 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-07-ephialtes-sleepless-unused/ The mock-up was created by using Sibelius 7-samples.]]> The mock-up was created by using Sibelius 7-samples.]]> 802922 no no Thu, 29 Aug 2013 13:15:47 +0200 2013-08-29T13:15:47+02:00 1:17 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-08-ephialtes-donna-claudia-whats-the-matter-with-you/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802921 no no Thu, 29 Aug 2013 13:18:10 +0200 2013-08-29T13:18:10+02:00 1:27 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-09-ford-maddox-background-story-march/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802920 no no Thu, 29 Aug 2013 13:19:59 +0200 2013-08-29T13:19:59+02:00 0:41 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-10-first-sight-of-the-nabataeans/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802917 no no Thu, 29 Aug 2013 13:21:58 +0200 2013-08-29T13:21:58+02:00 1:58 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-11-what-are-they/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802919 no no Thu, 29 Aug 2013 13:21:46 +0200 2013-08-29T13:21:46+02:00 1:17 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-12-madame-equators-hike/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802918 no no Thu, 29 Aug 2013 13:21:58 +0200 2013-08-29T13:21:58+02:00 0:51 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-14-the-revelation-of-nostromo/ Mixing/sampling assistance: Christoph Mörz]]> Mixing/sampling assistance: Christoph Mörz]]> 802915 no no Thu, 29 Aug 2013 13:25:42 +0200 2013-08-29T13:25:42+02:00 2:19 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-13-equator-meets-the-hand-of-god/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802914 no no Thu, 29 Aug 2013 13:36:06 +0200 2013-08-29T13:36:06+02:00 4:27 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-15-ephialtes-salvation/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802913 no no Thu, 29 Aug 2013 13:36:31 +0200 2013-08-29T13:36:31+02:00 4:23 https://hearthis.at/bernhard-eder/nostromo-score-b-eder-16-epilogue/
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]>
Score performed by “The Triple-A-Consort (Advanced Austrian Artists)”

conducting assistance/additional conducting: Matija Fortuna

Scoring assistance, sample & electronic arrangements: Christoph Mörz de Paula

Additional sampling assistance: Markus Zierhofer

recording date: May 11th, 2013 - Vienna/Austria
score recording engineer: Georg Burdicek (www.tonzauber.com)
score editing & mixing: Andreas Rathammer (www.quinton.at)
recording assistance: Ines Vorreiter, Lukas Turnovsky

- - - - - - - - - - -
Instrumentalists

Flutes: Steffi Mölle, Jacky Fan
Clarinet: Oliver Darnhofer
Bassoon: Nikolett Fretyan
Trumpet: Christoph Nadler
Horn: Lukas Erler
Trombone: Marie Jacquot
Violins: Milan Nikolic, Valin Qerimaj, Jenny Lippl, Iris Feuchter, Natalja Stepanskaja, Senka Novak, Christian Müller, Michaela Ringer, Dimitris Mousouras
Violas: Giorgio Antonio Miele, Vincenzo Starace, Jelica Nenadovic
Celli: Michaela Skrieckova, Agathe Nebl, Sebastian Ringer
Doublebass: Ronald Vitzthum

Choir: Elisabeth Steindl, Katrin Targo, Lisa Häring, Vivian Wing Wun Ip, Clio Montrey, Isolde Eder, Marta Gardolinska, Johanna Dusek, Georgi Nikolov, Ricardo Tovar, Matija Fortuna, Bernhard Eder, Guillaume Fauchere, Victor Baez, Csongor Szanto, Karl-Johannes Vsedni]]> 802916 no no Thu, 29 Aug 2013 13:23:55 +0200 2013-08-29T13:23:55+02:00 0:25