Fri, 24 Apr 2026 00:20:07 +0200 https://hearthis.at/apatchofnettles-xy/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/apatchofnettles-xy/ https://img.hearthis.at/e/l/i/_/uploads/4370939/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1d93c23c42b9a9bb6f194adffa102950smltile.jpg no no https://hearthis.at/apatchofnettles-xy/three-runners/ 1521277 no no Mon, 31 Jul 2017 11:27:15 +0200 2017-07-31T11:27:15+02:00 5:36 https://hearthis.at/apatchofnettles-xy/reasonable-doubt-disquiet-junto-project-0290-text-to-beat/
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Disquiet Junto Project 0290: Text-to-Beat
Use computer-generated speech as the rhythmic foundation for a track.

Step 1: This week we’re going to build a track around text-to-speech, the results of a computer-generated voice speaking. In past text-to-speech we’ve used pre-existing text as the source. In this case we’re going to build the text to order. Keep this in mind.

Step 2: Find a good text-to-speech system that you think you can work with musically. In MacOS, for example, there’s a built-in system shortcut: Just select the text you want to hear, highlight it (in a browser, or a text editor, wherever) and then hit the ESC button while holding down the OPT button. There are also other tools, including browser-based options, like the one here:

https://text-to-speech-demo.mybluemix.net/

Step 3: Experiment with different combinations of words to produce a rhythm you want to work with.

Step 4: Record the rhythm you developed in Step 3.

Step 5: Produce a track using the rhythm in Step 4 as the foundation. (Level Up: Use more than one text-to-speech pattern to create cross-patterns, phasing, among other polyrhythmic events and effects.)

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0290” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

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More on this 290th weekly Disquiet Junto project — Text-to-Beat: Use computer-generated speech as the rhythmic foundation for a track. — at:

https://disquiet.com/0290/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]>
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Disquiet Junto Project 0290: Text-to-Beat
Use computer-generated speech as the rhythmic foundation for a track.

Step 1: This week we’re going to build a track around text-to-speech, the results of a computer-generated voice speaking. In past text-to-speech we’ve used pre-existing text as the source. In this case we’re going to build the text to order. Keep this in mind.

Step 2: Find a good text-to-speech system that you think you can work with musically. In MacOS, for example, there’s a built-in system shortcut: Just select the text you want to hear, highlight it (in a browser, or a text editor, wherever) and then hit the ESC button while holding down the OPT button. There are also other tools, including browser-based options, like the one here:

https://text-to-speech-demo.mybluemix.net/

Step 3: Experiment with different combinations of words to produce a rhythm you want to work with.

Step 4: Record the rhythm you developed in Step 3.

Step 5: Produce a track using the rhythm in Step 4 as the foundation. (Level Up: Use more than one text-to-speech pattern to create cross-patterns, phasing, among other polyrhythmic events and effects.)

Five More Important Steps When Your Track Is Done:

Step 1: If your hosting platform allows for tags, be sure to include the project tag “disquiet0290” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

-------------------------------------------------------------

More on this 290th weekly Disquiet Junto project — Text-to-Beat: Use computer-generated speech as the rhythmic foundation for a track. — at:

https://disquiet.com/0290/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0290-text-to-beat/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]> 1521278 no no Sun, 23 Jul 2017 14:53:23 +0200 2017-07-23T14:53:23+02:00 3:06 https://hearthis.at/apatchofnettles-xy/winds-answer/ 1521279 no no Tue, 18 Jul 2017 01:22:34 +0200 2017-07-18T01:22:34+02:00 4:00 https://hearthis.at/apatchofnettles-xy/capital-indicators-acrylic-index-up-74/ --> https://soundcloud.com/strange-meatttttt/74bpm-acrylics-open-rmx-track]]> --> https://soundcloud.com/strange-meatttttt/74bpm-acrylics-open-rmx-track]]> https://soundcloud.com/strange-meatttttt/74bpm-acrylics-open-rmx-track]]> 1432038 no no Thu, 29 Jun 2017 15:00:38 +0200 2017-06-29T15:00:38+02:00 4:03 https://hearthis.at/apatchofnettles-xy/neither-norbert-nor-bot/ 1432040 no no Thu, 15 Jun 2017 06:44:41 +0200 2017-06-15T06:44:41+02:00 4:48 https://hearthis.at/apatchofnettles-xy/one-steaming-cup-petes-drivethrough/ https://soundcloud.com/midipunk/tracks

A dash of Aporee in the mix:
http://aporee.org/maps/?loc=26408
Muhlenberg College Hillel, 2400 West Chew Street, Allentown, PA 18104, USA - Arts Center Computer Lab by Jl.purposedart@gma...

http://aporee.org/maps/?loc=31682
Ottawa, ON, Canada (Tim Hortons orders) - Drive thru at Tim Hortons by Andrzej Maciejewski]]> https://soundcloud.com/midipunk/tracks

A dash of Aporee in the mix:
http://aporee.org/maps/?loc=26408
Muhlenberg College Hillel, 2400 West Chew Street, Allentown, PA 18104, USA - Arts Center Computer Lab by Jl.purposedart@gma...

http://aporee.org/maps/?loc=31682
Ottawa, ON, Canada (Tim Hortons orders) - Drive thru at Tim Hortons by Andrzej Maciejewski]]> https://soundcloud.com/midipunk/tracks A dash of Aporee in the mix: http://aporee.org/maps/?loc=26408 Muhlenberg College Hillel, 2400 West Chew Street, Allentown, PA 18104, USA - Arts Center Computer Lab by Jl.purposedart@gma... http://aporee.org/maps/?loc=31682 Ottawa, ON, Canada (Tim Hortons orders) - Drive thru at Tim Hortons by Andrzej Maciejewski]]> 1432041 no no Fri, 12 May 2017 14:11:42 +0200 2017-05-12T14:11:42+02:00 3:12 https://hearthis.at/apatchofnettles-xy/the-space-blanket-around-you/ (and some Aporee)

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http://aporee.org/maps/?loc=25497
http://aporee.org/maps/?loc=2990
http://aporee.org/maps/?loc=6542]]> (and some Aporee)

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http://aporee.org/maps/?loc=25497
http://aporee.org/maps/?loc=2990
http://aporee.org/maps/?loc=6542]]> 1432043 no no Mon, 01 May 2017 10:04:58 +0200 2017-05-01T10:04:58+02:00 3:29 https://hearthis.at/apatchofnettles-xy/the-sympathy-of-domains/
Life is luxury when your neighbours can field ample springs for any event - thanks KingDog.]]>
Life is luxury when your neighbours can field ample springs for any event - thanks KingDog.]]> 1432044 no no Mon, 24 Apr 2017 15:56:22 +0200 2017-04-24T15:56:22+02:00 6:16 https://hearthis.at/apatchofnettles-xy/mass-dissolution-disquiet-junto-project-0275-revisit-something/
Compiling the field recordings to an arrangement, original intentions were: downplay the hiss, build out a bass voice, enhance any rhythmic aspects.
Sort of worked, but the result was very driving/anxious&enclosed. The remnant bleed of recorded sound was quite literal, but the experience was nothing like the cool&calm repose of the actual day's outing. --> https://soundcloud.com/andretthenettles/mass-without-motion-wyanbene-wy1

So I've worked through it again here, to same spec's, using much the same techniques (from memory?) = now much better reflects the perception of the cave space itself. Your mileage may vary! (note, this was balanced as a room mix, not headphone, and is a fine place to sit if you have a little breathing space)

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Disquiet Junto Project 0275: Revisit Something
The Assignment: Make a track all over again.

Step 1: Consider pieces of music you have completed in the recent past.

Step 2: Select one — perhaps you weren’t happy with it, perhaps it felt unfinished, perhaps it took too much time, perhaps you wish you’d spent more time on it.

Step 3: Do it all over again, from scratch — preferably from memory (that is, don’t go back and listen to it).

Step 4: Then compare the two. When uploading the track you completed in Step 3, please where possible include a link to the original track so other people might compare the two as well.

More on this 275th weekly Disquiet Junto project — “Revisit Something: Make a track all over again.” — at:

http://disquiet.com/0275/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/revisit-something-disquiet-junto-project-0275/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]>
Compiling the field recordings to an arrangement, original intentions were: downplay the hiss, build out a bass voice, enhance any rhythmic aspects.
Sort of worked, but the result was very driving/anxious&enclosed. The remnant bleed of recorded sound was quite literal, but the experience was nothing like the cool&calm repose of the actual day's outing. --> https://soundcloud.com/andretthenettles/mass-without-motion-wyanbene-wy1

So I've worked through it again here, to same spec's, using much the same techniques (from memory?) = now much better reflects the perception of the cave space itself. Your mileage may vary! (note, this was balanced as a room mix, not headphone, and is a fine place to sit if you have a little breathing space)

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Disquiet Junto Project 0275: Revisit Something
The Assignment: Make a track all over again.

Step 1: Consider pieces of music you have completed in the recent past.

Step 2: Select one — perhaps you weren’t happy with it, perhaps it felt unfinished, perhaps it took too much time, perhaps you wish you’d spent more time on it.

Step 3: Do it all over again, from scratch — preferably from memory (that is, don’t go back and listen to it).

Step 4: Then compare the two. When uploading the track you completed in Step 3, please where possible include a link to the original track so other people might compare the two as well.

More on this 275th weekly Disquiet Junto project — “Revisit Something: Make a track all over again.” — at:

http://disquiet.com/0275/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/revisit-something-disquiet-junto-project-0275/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]> https://soundcloud.com/andretthenettles/mass-without-motion-wyanbene-wy1 So I've worked through it again here, to same spec's, using much the same techniques (from memory?) = now much better reflects the perception of the cave space itself. Your mileage may vary! (note, this was balanced as a room mix, not headphone, and is a fine place to sit if you have a little breathing space) -------------------------------------------------------------------------------------------- Disquiet Junto Project 0275: Revisit Something The Assignment: Make a track all over again. Step 1: Consider pieces of music you have completed in the recent past. Step 2: Select one — perhaps you weren’t happy with it, perhaps it felt unfinished, perhaps it took too much time, perhaps you wish you’d spent more time on it. Step 3: Do it all over again, from scratch — preferably from memory (that is, don’t go back and listen to it). Step 4: Then compare the two. When uploading the track you completed in Step 3, please where possible include a link to the original track so other people might compare the two as well. More on this 275th weekly Disquiet Junto project — “Revisit Something: Make a track all over again.” — at: http://disquiet.com/0275/ More on the Disquiet Junto at: http://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: http://llllllll.co/t/revisit-something-disquiet-junto-project-0275/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]> 1432045 no no Sat, 08 Apr 2017 13:04:23 +0200 2017-04-08T13:04:23+02:00 12:48 https://hearthis.at/apatchofnettles-xy/one-retrograde-turn-disquiet-junto-project-0272/ Some sympathy for the intended notes, perhaps...
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Disquiet Junto Project 0272: Exoplanetary Intervals
The Assignment: Use music to express the relationships between planets.

Recently, scientists announced the discovery of a nearby star system, TRAPPIST-1. Orbiting its ultra-cool dwarf star are seven planets, three in the habitable zone. Remarkably, six of the planets form the longest known chain where each orbits at a resonant frequency of it’s neighbor. From the slowest, the planets orbit at: 1x, 4/3x 2x, 3x, 5x, 8x. If you think of those as vibrating strings, they form a chord or scale: the slowest planet is the root, then fourth, octave, octave and fifth, two octaves and major third, three octaves. Major thanks to Junto participant Mark Lentczner for having taken the lead in proposing and developing this project.

Step 1: You’re going to record a composition employing these ratios, as a scale or chord — or a polyrhythm for that matter — as a means to express a sense of these newly discovered planets. Keep this in mind.

Step 2: Consider those intervals, play with them a bit, and think about how they can be employed to represent independent yet interdependent bodies in motion.

Step 3: Review the information on the relative orbits of the TRAPPIST-1 planets here:

http://www.ozonehouse.com/mark/dj/trappist.html

Step 4: Create an original musical composition that explores the exoplanets’ relationships based on Steps 1, 2, and 3.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0272? (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/exoplanetary-interv-disquiet-junto-project-0272/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, March 20, 2017. This project was posted in the morning, California time, on Thursday, March 16, 2017.

Length: The length of the finished piece is up to you. Three to five minutes feels about right.

Title/Tag: When posting your track, please include “disquiet0272? in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information, as well as the identity of the source track that yours accompanies:

More on this 272nd weekly Disquiet Junto project — “Exoplanetary Intervals: Use music to express the relationships between planets” — at:

http://disquiet.com/0272/

Major thanks to Junto participant Mark Lentczner for having taken the lead in proposing and developing this project.

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> Some sympathy for the intended notes, perhaps...
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Disquiet Junto Project 0272: Exoplanetary Intervals
The Assignment: Use music to express the relationships between planets.

Recently, scientists announced the discovery of a nearby star system, TRAPPIST-1. Orbiting its ultra-cool dwarf star are seven planets, three in the habitable zone. Remarkably, six of the planets form the longest known chain where each orbits at a resonant frequency of it’s neighbor. From the slowest, the planets orbit at: 1x, 4/3x 2x, 3x, 5x, 8x. If you think of those as vibrating strings, they form a chord or scale: the slowest planet is the root, then fourth, octave, octave and fifth, two octaves and major third, three octaves. Major thanks to Junto participant Mark Lentczner for having taken the lead in proposing and developing this project.

Step 1: You’re going to record a composition employing these ratios, as a scale or chord — or a polyrhythm for that matter — as a means to express a sense of these newly discovered planets. Keep this in mind.

Step 2: Consider those intervals, play with them a bit, and think about how they can be employed to represent independent yet interdependent bodies in motion.

Step 3: Review the information on the relative orbits of the TRAPPIST-1 planets here:

http://www.ozonehouse.com/mark/dj/trappist.html

Step 4: Create an original musical composition that explores the exoplanets’ relationships based on Steps 1, 2, and 3.

Five More Important Steps When Your Track Is Done:

Step 1: If you hosting platform allows for tags, be sure to include the project tag “disquiet0272? (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track:

http://llllllll.co/t/exoplanetary-interv-disquiet-junto-project-0272/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project’s deadline is 11:59pm wherever you are on Monday, March 20, 2017. This project was posted in the morning, California time, on Thursday, March 16, 2017.

Length: The length of the finished piece is up to you. Three to five minutes feels about right.

Title/Tag: When posting your track, please include “disquiet0272? in the title of the track, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, post one finished track with the project tag, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track online, please be sure to include this information, as well as the identity of the source track that yours accompanies:

More on this 272nd weekly Disquiet Junto project — “Exoplanetary Intervals: Use music to express the relationships between planets” — at:

http://disquiet.com/0272/

Major thanks to Junto participant Mark Lentczner for having taken the lead in proposing and developing this project.

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 1264822 no no Mon, 20 Mar 2017 13:44:01 +0100 2017-03-20T13:44:01+01:00 6:00 https://hearthis.at/apatchofnettles-xy/iron-circus/ Fair-est of voices?
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Ghosts in the former East Berlin fun fair now derelict and overgrown. The magnificent and colourful big wheel is turning. How I don know - maybe wind, maybe a test of old machinery. The whole ground is private and enclosed but there are inviting holes in the fencing
---------------------------------------------------
http://aporee.org/maps/?loc=12576
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Symphony of Groans, Spreepark abandonned fun fair
by Peter Cusack / Published December 10, 2011]]> Fair-est of voices?
---------------------------------------------------
Ghosts in the former East Berlin fun fair now derelict and overgrown. The magnificent and colourful big wheel is turning. How I don know - maybe wind, maybe a test of old machinery. The whole ground is private and enclosed but there are inviting holes in the fencing
---------------------------------------------------
http://aporee.org/maps/?loc=12576
---------------------------------------------------
Symphony of Groans, Spreepark abandonned fun fair
by Peter Cusack / Published December 10, 2011]]> 1264823 no no Thu, 16 Mar 2017 13:08:28 +0100 2017-03-16T13:08:28+01:00 3:34 https://hearthis.at/apatchofnettles-xy/over-arched/
GoogleEarth is quicker --> [https://www.google.com.au/maps/dir//Marble+Arch,+Berlang+NSW+2622/@-35.7251126,149.6897348,646m/data=!3m1!1e3!4m16!1m7!3m6!1s0x6b160f983c820165:0xf57041725e88e3a0!2sMarble+Arch!3b1!8m2!3d-35.7251126!4d149.6919235!4m7!1m0!1m5!1m1!1s0x6b160f983c820165:0xf57041725e88e3a0!2m2!1d149.6919235!2d-35.7251126]]]>
GoogleEarth is quicker --> [https://www.google.com.au/maps/dir//Marble+Arch,+Berlang+NSW+2622/@-35.7251126,149.6897348,646m/data=!3m1!1e3!4m16!1m7!3m6!1s0x6b160f983c820165:0xf57041725e88e3a0!2sMarble+Arch!3b1!8m2!3d-35.7251126!4d149.6919235!4m7!1m0!1m5!1m1!1s0x6b160f983c820165:0xf57041725e88e3a0!2m2!1d149.6919235!2d-35.7251126]]]> [https://www.google.com.au/maps/dir//Marble+Arch,+Berlang+NSW+2622/@-35.7251126,149.6897348,646m/data=!3m1!1e3!4m16!1m7!3m6!1s0x6b160f983c820165:0xf57041725e88e3a0!2sMarble+Arch!3b1!8m2!3d-35.7251126!4d149.6919235!4m7!1m0!1m5!1m1!1s0x6b160f983c820165:0xf57041725e88e3a0!2m2!1d149.6919235!2d-35.7251126]]]> 1264824 no no Sun, 12 Mar 2017 12:46:22 +0100 2017-03-12T12:46:22+01:00 4:37 https://hearthis.at/apatchofnettles-xy/lysis/ 1264825 no no Thu, 09 Mar 2017 11:05:12 +0100 2017-03-09T11:05:12+01:00 2:43 https://hearthis.at/apatchofnettles-xy/clear-of-the-eaves-for-remix/ Flux licensing - you break it & you keep it...
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Visit --> @fluxlicensing
'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original:

1 - remix any track you find here or a known derivative
2 - request the login details for flux licensing from the current owner
3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired)
4 - change anything else you want to on @fluxlicensing profile
5 - upload remix to flux licensing profile
6 - link to your main profile in the description and put your artist name in the title
7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work
8 - include these instructions on your remix description]]> Flux licensing - you break it & you keep it...
------------------------------------------------------------------------------
Visit --> @fluxlicensing
'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original:

1 - remix any track you find here or a known derivative
2 - request the login details for flux licensing from the current owner
3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired)
4 - change anything else you want to on @fluxlicensing profile
5 - upload remix to flux licensing profile
6 - link to your main profile in the description and put your artist name in the title
7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work
8 - include these instructions on your remix description]]> @fluxlicensing 'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original: 1 - remix any track you find here or a known derivative 2 - request the login details for flux licensing from the current owner 3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired) 4 - change anything else you want to on @fluxlicensing profile 5 - upload remix to flux licensing profile 6 - link to your main profile in the description and put your artist name in the title 7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work 8 - include these instructions on your remix description]]> 1264826 no no Sat, 04 Mar 2017 08:08:16 +0100 2017-03-04T08:08:16+01:00 2:42 https://hearthis.at/apatchofnettles-xy/continuity-of-the-bell/
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Taunggyi, Myanmar - BINAURAL death bus / by espaces_sonores@... / Published March 10, 2013 / Where everything is just calm, luxury and pleasure ... to the sound of the best titles of a compilation of Chinese pop ...
--> http://aporee.org/maps/?loc=23694

3 Chome-5 Marunouchi, Chiyoda-ku, Tokyo-to 100-0005, Japan - The chiming speaker at the exit of the Tokyo International Forum / by Felicity Ford / Published February 4, 2017 / A speaker by one of the exits plays this rather calming yet inexplicable chiming sound, so I listened for a while enjoying the continuity of its recorded bell sounds with the ebb and flow of traffic on the road.
--> http://aporee.org/maps/?loc=34951]]>
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Taunggyi, Myanmar - BINAURAL death bus / by espaces_sonores@... / Published March 10, 2013 / Where everything is just calm, luxury and pleasure ... to the sound of the best titles of a compilation of Chinese pop ...
--> http://aporee.org/maps/?loc=23694

3 Chome-5 Marunouchi, Chiyoda-ku, Tokyo-to 100-0005, Japan - The chiming speaker at the exit of the Tokyo International Forum / by Felicity Ford / Published February 4, 2017 / A speaker by one of the exits plays this rather calming yet inexplicable chiming sound, so I listened for a while enjoying the continuity of its recorded bell sounds with the ebb and flow of traffic on the road.
--> http://aporee.org/maps/?loc=34951]]> http://aporee.org/maps/?loc=23694 3 Chome-5 Marunouchi, Chiyoda-ku, Tokyo-to 100-0005, Japan - The chiming speaker at the exit of the Tokyo International Forum / by Felicity Ford / Published February 4, 2017 / A speaker by one of the exits plays this rather calming yet inexplicable chiming sound, so I listened for a while enjoying the continuity of its recorded bell sounds with the ebb and flow of traffic on the road. --> http://aporee.org/maps/?loc=34951]]> 1264827 no no Fri, 03 Mar 2017 13:09:53 +0100 2017-03-03T13:09:53+01:00 3:45 https://hearthis.at/apatchofnettles-xy/picking-the-bones-for-remix/ Flux licensing - you break it & you keep it...
------------------------------------------------------------------------------
Visit --> https://soundcloud.com/fluxlicensing
'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original:

1 - remix any track you find here or a known derivative
2 - request the login details for flux licensing from the current owner
3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired)
4 - change anything else you want to on @fluxlicensing profile
5 - upload remix to flux licensing profile
6 - link to your main profile in the description and put your artist name in the title
7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work
8 - include these instructions on your remix description]]> Flux licensing - you break it & you keep it...
------------------------------------------------------------------------------
Visit --> https://soundcloud.com/fluxlicensing
'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original:

1 - remix any track you find here or a known derivative
2 - request the login details for flux licensing from the current owner
3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired)
4 - change anything else you want to on @fluxlicensing profile
5 - upload remix to flux licensing profile
6 - link to your main profile in the description and put your artist name in the title
7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work
8 - include these instructions on your remix description]]> https://soundcloud.com/fluxlicensing 'flux licensing', is an #anticollab venture in serial-diffuse profile ownership - where the author of derivative work orders destruction of the original: 1 - remix any track you find here or a known derivative 2 - request the login details for flux licensing from the current owner 3 - remove the original track from public access (if the original exists on a different account or platform, politely inform the owner that their entitlement to the flux licensed work has expired) 4 - change anything else you want to on @fluxlicensing profile 5 - upload remix to flux licensing profile 6 - link to your main profile in the description and put your artist name in the title 7 - explicitly offer the terms of Flux Licensing to any parties expressing interest in your work 8 - include these instructions on your remix description]]> 1264828 no no Mon, 27 Feb 2017 01:25:23 +0100 2017-02-27T01:25:23+01:00 2:44 https://hearthis.at/apatchofnettles-xy/the-death-of-the-hired-man/
----------------------------------------------------------

Using material from:
https://archive.org/details/78_the-death-of-the-hired-man-ii_edward-j.-gordon-chmn.-edward-tatnall-canby-edith-dav_gbia0000935b/The+Death+of+the+Hired+Man+II+-+Edward+J.+Gordon.flac

The Death of the Hired Man II / Published 1936 / Topics 78rpm / Robert Frost, Reading his Poems; From The Complete Poems of Robert Frost; Contemporary Poets Series.]]>
----------------------------------------------------------

Using material from:
https://archive.org/details/78_the-death-of-the-hired-man-ii_edward-j.-gordon-chmn.-edward-tatnall-canby-edith-dav_gbia0000935b/The+Death+of+the+Hired+Man+II+-+Edward+J.+Gordon.flac

The Death of the Hired Man II / Published 1936 / Topics 78rpm / Robert Frost, Reading his Poems; From The Complete Poems of Robert Frost; Contemporary Poets Series.]]> 1264829 no no Sun, 26 Feb 2017 01:02:29 +0100 2017-02-26T01:02:29+01:00 3:39 https://hearthis.at/apatchofnettles-xy/edited-heart-come-to-finish/ "0102: Come to Finish - RMX PROJECT"
Visit --> https://soundcloud.com/musicbychance
Titling & artwork by kind concession of The Wormling --> https://www.instagram.com/the_wormling/

Contains field recording elements from Radio Aporee:
Dajia District,Taichung - Crematory by Wu,Tsan-Cheng / Published May 18, 2013 / Funeral,Taoist chanting,Zoom H4n+ Soundman OKM II , (SoundMap20130518-1) , recorded by Wu,Tsancheng
--> http://aporee.org/maps/?loc=17873

Also contains one of these --> http://www.matrixsynth.com/2015/08/orgatron-1-electronic-melody-organ.html]]> "0102: Come to Finish - RMX PROJECT"
Visit --> https://soundcloud.com/musicbychance
Titling & artwork by kind concession of The Wormling --> https://www.instagram.com/the_wormling/

Contains field recording elements from Radio Aporee:
Dajia District,Taichung - Crematory by Wu,Tsan-Cheng / Published May 18, 2013 / Funeral,Taoist chanting,Zoom H4n+ Soundman OKM II , (SoundMap20130518-1) , recorded by Wu,Tsancheng
--> http://aporee.org/maps/?loc=17873

Also contains one of these --> http://www.matrixsynth.com/2015/08/orgatron-1-electronic-melody-organ.html]]> "0102: Come to Finish - RMX PROJECT" Visit --> https://soundcloud.com/musicbychance Titling & artwork by kind concession of The Wormling --> https://www.instagram.com/the_wormling/ Contains field recording elements from Radio Aporee: Dajia District,Taichung - Crematory by Wu,Tsan-Cheng / Published May 18, 2013 / Funeral,Taoist chanting,Zoom H4n+ Soundman OKM II , (SoundMap20130518-1) , recorded by Wu,Tsancheng --> http://aporee.org/maps/?loc=17873 Also contains one of these --> http://www.matrixsynth.com/2015/08/orgatron-1-electronic-melody-organ.html]]> 1432024 no no Wed, 08 Feb 2017 12:00:35 +0100 2017-02-08T12:00:35+01:00 4:48 https://hearthis.at/apatchofnettles-xy/black-cat-mews-sonirs-clarion/
Some spooling chord improv, some strains of Aporee, and a bar-or-so of outright theft. (Would give credit if any hope locating the perpetrator)

--------------------------------------------------------
Aporee stuff:

rijeka, d404, tunel, trumpet, reverberation / by damir.kustic@ri.t-...
Published August 2, 2009
--> http://aporee.org/maps/?loc=4235

Midtown, New York, NY, USA - Anti-Trump protests near Trump Tower / by Carlo Patrao
Published November 12, 2016
--> http://aporee.org/maps/?loc=34002
Anti-Trump Protests in 5th Avenue next to Trump Tower.
Zoom H4n]]>
Some spooling chord improv, some strains of Aporee, and a bar-or-so of outright theft. (Would give credit if any hope locating the perpetrator)

--------------------------------------------------------
Aporee stuff:

rijeka, d404, tunel, trumpet, reverberation / by damir.kustic@ri.t-...
Published August 2, 2009
--> http://aporee.org/maps/?loc=4235

Midtown, New York, NY, USA - Anti-Trump protests near Trump Tower / by Carlo Patrao
Published November 12, 2016
--> http://aporee.org/maps/?loc=34002
Anti-Trump Protests in 5th Avenue next to Trump Tower.
Zoom H4n]]> http://aporee.org/maps/?loc=4235 Midtown, New York, NY, USA - Anti-Trump protests near Trump Tower / by Carlo Patrao Published November 12, 2016 --> http://aporee.org/maps/?loc=34002 Anti-Trump Protests in 5th Avenue next to Trump Tower. Zoom H4n]]> 1432025 no no Wed, 01 Feb 2017 12:41:57 +0100 2017-02-01T12:41:57+01:00 3:42 https://hearthis.at/apatchofnettles-xy/mass-without-motion-wyanbene-wy1/
Composition is 2x recorded sections overlaid (8min continuous & 2min repeated) ... tight EQ'd bands feed into looping delay lines to frame as 'instrumental' phrasing & arrangement ... clean take of long overlay track then braided back through. No added or altered reverb.]]>
Composition is 2x recorded sections overlaid (8min continuous & 2min repeated) ... tight EQ'd bands feed into looping delay lines to frame as 'instrumental' phrasing & arrangement ... clean take of long overlay track then braided back through. No added or altered reverb.]]> 1432026 no no Sun, 15 Jan 2017 13:30:15 +0100 2017-01-15T13:30:15+01:00 8:36 https://hearthis.at/apatchofnettles-xy/keep-a-float/
Includes material from:
--> http://aporee.org/maps/?loc=22459
--> http://aporee.org/maps/?loc=6400]]>
Includes material from:
--> http://aporee.org/maps/?loc=22459
--> http://aporee.org/maps/?loc=6400]]> http://aporee.org/maps/?loc=22459 --> http://aporee.org/maps/?loc=6400]]> 1173192 no no Fri, 16 Dec 2016 03:52:32 +0100 2016-12-16T03:52:32+01:00 3:24 https://hearthis.at/apatchofnettles-xy/right-regress-the-stage-revolving/ http://www.workwithsounds.eu/sound/revolving-theatre-stage-underneath/

Strange, the way things grow.]]> http://www.workwithsounds.eu/sound/revolving-theatre-stage-underneath/

Strange, the way things grow.]]> http://www.workwithsounds.eu/sound/revolving-theatre-stage-underneath/ Strange, the way things grow.]]> 1173193 no no Sat, 10 Dec 2016 12:05:21 +0100 2016-12-10T12:05:21+01:00 7:42 https://hearthis.at/apatchofnettles-xy/younger-suns-owls-review/ Owl Yeah sets out to spread the word... https://soundcloud.com/owlyeahofficial/sets/owl-yeah-review-re-imagining

Borrowed words:
-------------------------------------------------
review
before us there have been younger suns
plants and bones, cozy homes, hired for yet another year,

but- tired of waiting- we dug them out:
proofs of death, well-preserved by our very own....

and so we left: roads and borders, restored values,
bit by bit our parental gifts. thats fine, so far,

we loose no more, sacrefying soley to the greater plans, we are:
worth it all for sure.]]> Owl Yeah sets out to spread the word... https://soundcloud.com/owlyeahofficial/sets/owl-yeah-review-re-imagining

Borrowed words:
-------------------------------------------------
review
before us there have been younger suns
plants and bones, cozy homes, hired for yet another year,

but- tired of waiting- we dug them out:
proofs of death, well-preserved by our very own....

and so we left: roads and borders, restored values,
bit by bit our parental gifts. thats fine, so far,

we loose no more, sacrefying soley to the greater plans, we are:
worth it all for sure.]]> 1173194 no no Thu, 17 Nov 2016 13:01:13 +0100 2016-11-17T13:01:13+01:00 2:29 https://hearthis.at/apatchofnettles-xy/the-freedom-of-worms/ http://merzfunder.bandcamp.com/
A benefit release for the Elterwater merzbarn in Cumbria (uk)

--------------------------------------

The freedom of worms
Free in the plaza
Freed by the machine hum
Free behind the cordon
Free in the pits below ground

--------------------------------------

Includes material from:
http://aporee.org/maps/?loc=32347
Mont-Saint-Guibert, Belgique - Earthworms eating
by Vincent Duseigne / Published June 1, 2016

http://aporee.org/maps/?loc=13208
Old drain tunnel Lódz, Poland - Ola checks the echo
by john grzinich / Published April 5, 2012

http://aporee.org/maps/?loc=18358
The Sunken Hum Broadcast 164
by Natalia Beylis / Published June 12, 2013

http://aporee.org/maps/?loc=18167
Freedom Square,Taiwan - drums
by Wu,Tsan-Cheng / Published May 24, 2013]]> http://merzfunder.bandcamp.com/
A benefit release for the Elterwater merzbarn in Cumbria (uk)

--------------------------------------

The freedom of worms
Free in the plaza
Freed by the machine hum
Free behind the cordon
Free in the pits below ground

--------------------------------------

Includes material from:
http://aporee.org/maps/?loc=32347
Mont-Saint-Guibert, Belgique - Earthworms eating
by Vincent Duseigne / Published June 1, 2016

http://aporee.org/maps/?loc=13208
Old drain tunnel Lódz, Poland - Ola checks the echo
by john grzinich / Published April 5, 2012

http://aporee.org/maps/?loc=18358
The Sunken Hum Broadcast 164
by Natalia Beylis / Published June 12, 2013

http://aporee.org/maps/?loc=18167
Freedom Square,Taiwan - drums
by Wu,Tsan-Cheng / Published May 24, 2013]]> http://merzfunder.bandcamp.com/ A benefit release for the Elterwater merzbarn in Cumbria (uk) -------------------------------------- The freedom of worms Free in the plaza Freed by the machine hum Free behind the cordon Free in the pits below ground -------------------------------------- Includes material from: http://aporee.org/maps/?loc=32347 Mont-Saint-Guibert, Belgique - Earthworms eating by Vincent Duseigne / Published June 1, 2016 http://aporee.org/maps/?loc=13208 Old drain tunnel Lódz, Poland - Ola checks the echo by john grzinich / Published April 5, 2012 http://aporee.org/maps/?loc=18358 The Sunken Hum Broadcast 164 by Natalia Beylis / Published June 12, 2013 http://aporee.org/maps/?loc=18167 Freedom Square,Taiwan - drums by Wu,Tsan-Cheng / Published May 24, 2013]]> 1173195 no no Tue, 01 Nov 2016 21:59:07 +0100 2016-11-01T21:59:07+01:00 4:42 https://hearthis.at/apatchofnettles-xy/on-the-viaduct-disquiet-junto-project-0252-sonic-palindrome/
So - 3x bridges from wonderful Aporee:
--> http://aporee.org/maps/?loc=31570 : 1st bridge sets time base/meter by lurching and squeaking with regular period from footfalls.
--> http://aporee.org/maps/?loc=13397 : 2nd bridge is contact mics revealing mechanical/physical resonance.
--> http://aporee.org/maps/?loc=31894 : 3rd bridge is the soundwarping reverberation of the bridge as a space.

All three are overlaid as forward&reverse copies of their full length samples. Tapped out as midi triggers by pulse and pitch, then variously mingled&intermodulated as overdriven/pitch-altered/filtered bleeds from the original audio spun through the instrument voices.

-----------------------------------------------------------

Disquiet Junto Project 0252: Sonic Palindrome
Make music that sounds the same backwards and forwards.

Step 1: Consider the palindrome, which refers to a word (e.g., “madam”), phrase (“Never odd or even”), or sequence (“5290330925”) that reads the same backward and forward.

Step 2: Consider the ways in which a palindrome might have a parallel in music and sound.

Step 3: Compose a short piece of music that is informed by a concept that arose from Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: Per the instructions below, be sure to include the project tag “disquiet0252” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track. (Assuming you post it on SoundCloud, a search for the tag will help me construct the playlist.)

http://llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Title/Tag: When posting your track, please include “disquiet0252” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.


More on this 252nd weekly Disquiet Junto project — “Sonic Palindrome: Make music that sounds the same backwards and forwards” — at:

http://disquiet.com/0252/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]>
So - 3x bridges from wonderful Aporee:
--> http://aporee.org/maps/?loc=31570 : 1st bridge sets time base/meter by lurching and squeaking with regular period from footfalls.
--> http://aporee.org/maps/?loc=13397 : 2nd bridge is contact mics revealing mechanical/physical resonance.
--> http://aporee.org/maps/?loc=31894 : 3rd bridge is the soundwarping reverberation of the bridge as a space.

All three are overlaid as forward&reverse copies of their full length samples. Tapped out as midi triggers by pulse and pitch, then variously mingled&intermodulated as overdriven/pitch-altered/filtered bleeds from the original audio spun through the instrument voices.

-----------------------------------------------------------

Disquiet Junto Project 0252: Sonic Palindrome
Make music that sounds the same backwards and forwards.

Step 1: Consider the palindrome, which refers to a word (e.g., “madam”), phrase (“Never odd or even”), or sequence (“5290330925”) that reads the same backward and forward.

Step 2: Consider the ways in which a palindrome might have a parallel in music and sound.

Step 3: Compose a short piece of music that is informed by a concept that arose from Step 2.

Five More Important Steps When Your Track Is Done:

Step 1: Per the instructions below, be sure to include the project tag “disquiet0252” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them.

Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track.

Step 3: In the following discussion thread at llllllll.co please consider posting your track. (Assuming you post it on SoundCloud, a search for the tag will help me construct the playlist.)

http://llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Title/Tag: When posting your track, please include “disquiet0252” in the title of the track, and where applicable (on SoundCloud, for example) as a tag.


More on this 252nd weekly Disquiet Junto project — “Sonic Palindrome: Make music that sounds the same backwards and forwards” — at:

http://disquiet.com/0252/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]> http://aporee.org/maps/?loc=31570 : 1st bridge sets time base/meter by lurching and squeaking with regular period from footfalls. --> http://aporee.org/maps/?loc=13397 : 2nd bridge is contact mics revealing mechanical/physical resonance. --> http://aporee.org/maps/?loc=31894 : 3rd bridge is the soundwarping reverberation of the bridge as a space. All three are overlaid as forward&reverse copies of their full length samples. Tapped out as midi triggers by pulse and pitch, then variously mingled&intermodulated as overdriven/pitch-altered/filtered bleeds from the original audio spun through the instrument voices. ----------------------------------------------------------- Disquiet Junto Project 0252: Sonic Palindrome Make music that sounds the same backwards and forwards. Step 1: Consider the palindrome, which refers to a word (e.g., “madam”), phrase (“Never odd or even”), or sequence (“5290330925”) that reads the same backward and forward. Step 2: Consider the ways in which a palindrome might have a parallel in music and sound. Step 3: Compose a short piece of music that is informed by a concept that arose from Step 2. Five More Important Steps When Your Track Is Done: Step 1: Per the instructions below, be sure to include the project tag “disquiet0252” (no spaces) in the name of your track. If you’re posting on SoundCloud in particular, this is essential to my locating the tracks and creating a playlist of them. Step 2: Upload your track. It is helpful but not essential that you use SoundCloud to host your track. Step 3: In the following discussion thread at llllllll.co please consider posting your track. (Assuming you post it on SoundCloud, a search for the tag will help me construct the playlist.) http://llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/ Step 4: Annotate your track with a brief explanation of your approach and process. Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Title/Tag: When posting your track, please include “disquiet0252” in the title of the track, and where applicable (on SoundCloud, for example) as a tag. More on this 252nd weekly Disquiet Junto project — “Sonic Palindrome: Make music that sounds the same backwards and forwards” — at: http://disquiet.com/0252/ More on the Disquiet Junto at: http://disquiet.com/junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet-junto/ Project discussion takes place on llllllll.co: llllllll.co/t/make-a-sonic-palindrome-disquiet-junto-0252/ There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.]]> 1173196 no no Sun, 30 Oct 2016 00:47:24 +0200 2016-10-30T00:47:24+02:00 4:41 https://hearthis.at/apatchofnettles-xy/one-way-to-get-there/
--> http://www.necktar.info/]]>
--> http://www.necktar.info/]]> http://www.necktar.info/]]> 1173197 no no Wed, 26 Oct 2016 12:58:01 +0200 2016-10-26T12:58:01+02:00 4:56 https://hearthis.at/apatchofnettles-xy/slow-sidings-midi-medictation/ Sort sort of a convergence ... not easily described.

Sitting on top of Pre - Pizza Meditation(by Midipunk) --> https://soundcloud.com/midipunk

Which seems perhaps now departed, but you can still get the idea from Jon Lock's equally interpretive gesture --> https://soundcloud.com/jon-lock-5/pre-pizza-meditation]]> Sort sort of a convergence ... not easily described.

Sitting on top of Pre - Pizza Meditation(by Midipunk) --> https://soundcloud.com/midipunk

Which seems perhaps now departed, but you can still get the idea from Jon Lock's equally interpretive gesture --> https://soundcloud.com/jon-lock-5/pre-pizza-meditation]]> https://soundcloud.com/midipunk Which seems perhaps now departed, but you can still get the idea from Jon Lock's equally interpretive gesture --> https://soundcloud.com/jon-lock-5/pre-pizza-meditation]]> 1057681 no no Fri, 07 Oct 2016 12:31:07 +0200 2016-10-07T12:31:07+02:00 2:37 https://hearthis.at/apatchofnettles-xy/lumina-alley-live-1st-section/ Nettles drone & S.B. modular, at Lumina Alley ...
Was nice&loud + with this stuff up on the screen --> http://abreojos.net/video/
How could we not have fun? Maybe see you all there next time.]]> Nettles drone & S.B. modular, at Lumina Alley ...
Was nice&loud + with this stuff up on the screen --> http://abreojos.net/video/
How could we not have fun? Maybe see you all there next time.]]> http://abreojos.net/video/ How could we not have fun? Maybe see you all there next time.]]> 1054868 no no Tue, 04 Oct 2016 11:27:35 +0200 2016-10-04T11:27:35+02:00 11:35 https://hearthis.at/apatchofnettles-xy/lumina-alley-live-3rd-section/ Rare opportunity to drag out the gear for a public venture - Nettles drone machines rile S.B.'s modular monster, for 1/2 hour in Lumina Alley ... close your eyes to see the light show accompanying on the big screen ... gold award goes to the four patrons who actually showed up & sat through it!]]> Rare opportunity to drag out the gear for a public venture - Nettles drone machines rile S.B.'s modular monster, for 1/2 hour in Lumina Alley ... close your eyes to see the light show accompanying on the big screen ... gold award goes to the four patrons who actually showed up & sat through it!]]> 1054870 no no Tue, 04 Oct 2016 10:23:17 +0200 2016-10-04T10:23:17+02:00 10:08 https://hearthis.at/apatchofnettles-xy/the-augury-petes-temple/
Thanks to Pete MidiPunk, looks like the link is still up?
--> https://soundcloud.com/midipunk/playing-with-myself-tues-aug

Some Aporee Vox:
--> http://aporee.org/maps/?loc=1554
beijing, temple of heaven, mann singt / by Frank Schulte
Published May 19, 2008
"recorded in the evening nov 07, close afer dawn, in between the two main temple buildings. voices of a man singing and a distant voice repeatively shouting"]]>
Thanks to Pete MidiPunk, looks like the link is still up?
--> https://soundcloud.com/midipunk/playing-with-myself-tues-aug

Some Aporee Vox:
--> http://aporee.org/maps/?loc=1554
beijing, temple of heaven, mann singt / by Frank Schulte
Published May 19, 2008
"recorded in the evening nov 07, close afer dawn, in between the two main temple buildings. voices of a man singing and a distant voice repeatively shouting"]]> https://soundcloud.com/midipunk/playing-with-myself-tues-aug Some Aporee Vox: --> http://aporee.org/maps/?loc=1554 beijing, temple of heaven, mann singt / by Frank Schulte Published May 19, 2008 "recorded in the evening nov 07, close afer dawn, in between the two main temple buildings. voices of a man singing and a distant voice repeatively shouting"]]> 1029131 no no Wed, 14 Sep 2016 09:37:52 +0200 2016-09-14T09:37:52+02:00 3:21 https://hearthis.at/apatchofnettles-xy/deua/ From GeoScienceAustralia map data, of the Deua River and surrounding landscape.
--> https://www.data.gov.au/dataset?sort=extras_harvest_portal+asc%2C+score+desc%2C+metadata_modified+desc&tags=250K+scale&q=&res_format=SHP]]> From GeoScienceAustralia map data, of the Deua River and surrounding landscape.
--> https://www.data.gov.au/dataset?sort=extras_harvest_portal+asc%2C+score+desc%2C+metadata_modified+desc&tags=250K+scale&q=&res_format=SHP]]> https://www.data.gov.au/dataset?sort=extras_harvest_portal+asc%2C+score+desc%2C+metadata_modified+desc&tags=250K+scale&q=&res_format=SHP]]> 1173198 no no Mon, 12 Sep 2016 23:48:08 +0200 2016-09-12T23:48:08+02:00 8:46 https://hearthis.at/apatchofnettles-xy/mr-william-klangwanders-reach-trampelfd-radio/ reach mr william hogarth
https://soundcloud.com/trampelfad/reach-me

http://aporee.org/maps/?loc=14893
Spremberg, Germany - Mine atmosphere from viewing point: flagpole ropes in the wind / by Peter Cusack
http://aporee.org/maps/?loc=5049
cologne, eifelwall, pianostrings and fighting calls / by Frank Schulte
http://aporee.org/maps/?loc=10324
hoscheid, sound object, choeur de la foret / by Frank Schulte]]> reach mr william hogarth
https://soundcloud.com/trampelfad/reach-me

http://aporee.org/maps/?loc=14893
Spremberg, Germany - Mine atmosphere from viewing point: flagpole ropes in the wind / by Peter Cusack
http://aporee.org/maps/?loc=5049
cologne, eifelwall, pianostrings and fighting calls / by Frank Schulte
http://aporee.org/maps/?loc=10324
hoscheid, sound object, choeur de la foret / by Frank Schulte]]> 1009940 no no Sun, 28 Aug 2016 12:29:09 +0200 2016-08-28T12:29:09+02:00 7:01 https://hearthis.at/apatchofnettles-xy/under-the-front/
----------------------------------------------------------------------------------------
Aporee stuff:

http://aporee.org/maps/?loc=32232
30770 Campestre-et-Luc, France - Tempest / by Vincent Duseigne / Published May 1, 2016
Outside, this is a terrible tempest, with horrible cold wind. This tempest is recorded inside a stable, wind try to destroy the rooftop. Weather was so bad that this inhabitant gave me hospitality in this barn. Strong memory...

http://aporee.org/maps/?loc=17548
Istiklal Cadessi, Beyoglu/Istanbul Turkey - Microtonal Cleaning truck / by Justin Bennett / Published June 10, 2007
A Beyoglu cleaning truck, playing its typical song, then strangely repeating it at a different pitch.
]]>
----------------------------------------------------------------------------------------
Aporee stuff:

http://aporee.org/maps/?loc=32232
30770 Campestre-et-Luc, France - Tempest / by Vincent Duseigne / Published May 1, 2016
Outside, this is a terrible tempest, with horrible cold wind. This tempest is recorded inside a stable, wind try to destroy the rooftop. Weather was so bad that this inhabitant gave me hospitality in this barn. Strong memory...

http://aporee.org/maps/?loc=17548
Istiklal Cadessi, Beyoglu/Istanbul Turkey - Microtonal Cleaning truck / by Justin Bennett / Published June 10, 2007
A Beyoglu cleaning truck, playing its typical song, then strangely repeating it at a different pitch.
]]> 1002500 no no Tue, 23 Aug 2016 11:13:05 +0200 2016-08-23T11:13:05+02:00 3:25 https://hearthis.at/apatchofnettles-xy/leaders/ 999367 no no Sun, 21 Aug 2016 15:07:14 +0200 2016-08-21T15:07:14+02:00 4:38 https://hearthis.at/apatchofnettles-xy/stones-fell-curfewed-silence/
Thanks to Wild Silences / material from --> https://soundcloud.com/wild-moon-skeletons
And Aporee posts:
http://aporee.org/maps/?loc=28809
North Wessex Downs AONB, United Kingdom - Sifting through mud for finds / by bentleyr@... / Published July 18, 2015

http://aporee.org/maps/?loc=9166
Alexandria, Al Attarine, Sound of a Tank / by claudio curciotti / Published January 27, 2011]]>
Thanks to Wild Silences / material from --> https://soundcloud.com/wild-moon-skeletons
And Aporee posts:
http://aporee.org/maps/?loc=28809
North Wessex Downs AONB, United Kingdom - Sifting through mud for finds / by bentleyr@... / Published July 18, 2015

http://aporee.org/maps/?loc=9166
Alexandria, Al Attarine, Sound of a Tank / by claudio curciotti / Published January 27, 2011]]> https://soundcloud.com/wild-moon-skeletons And Aporee posts: http://aporee.org/maps/?loc=28809 North Wessex Downs AONB, United Kingdom - Sifting through mud for finds / by bentleyr@... / Published July 18, 2015 http://aporee.org/maps/?loc=9166 Alexandria, Al Attarine, Sound of a Tank / by claudio curciotti / Published January 27, 2011]]> 995997 no no Sat, 13 Aug 2016 13:19:36 +0200 2016-08-13T13:19:36+02:00 4:41 https://hearthis.at/apatchofnettles-xy/no-reason-disquiet-junto-project-0239-code-requiem/ http://aporee.org/maps/?loc=27526
Králíky, Ceská republika - funeral band / by kratochvilovic@sez...

------------------------------------------------------------------
Disquiet Junto Project 0239: Code Requiem
The Assignment: Compose a short composition in memoriam for a piece of recently deceased software.

Please note the instructions below, in light of SoundCloud closing down its Groups functionality.

Project Steps:

Step 1: Compose a short composition in memoriam for a piece of recently deceased software.

Five More Important Steps When Your Track Is Done :

Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here:

https://soundcloud.com/groups/disquiet-junto/

Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist.

Step 3: Per the instructions below, be sure to tag your track #disquiet0239

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the morning, California time, on Thursday, July 28, 2016, with a deadline of 11:59pm wherever you are on Monday, August 1, 2016.

Length: The length is up to you. Between one and three minutes seems about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0239.” Also use “disquiet0239” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:

http://disquiet.com/0239/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> http://aporee.org/maps/?loc=27526
Králíky, Ceská republika - funeral band / by kratochvilovic@sez...

------------------------------------------------------------------
Disquiet Junto Project 0239: Code Requiem
The Assignment: Compose a short composition in memoriam for a piece of recently deceased software.

Please note the instructions below, in light of SoundCloud closing down its Groups functionality.

Project Steps:

Step 1: Compose a short composition in memoriam for a piece of recently deceased software.

Five More Important Steps When Your Track Is Done :

Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here:

https://soundcloud.com/groups/disquiet-junto/

Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist.

Step 3: Per the instructions below, be sure to tag your track #disquiet0239

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the morning, California time, on Thursday, July 28, 2016, with a deadline of 11:59pm wherever you are on Monday, August 1, 2016.

Length: The length is up to you. Between one and three minutes seems about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0239.” Also use “disquiet0239” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at:

http://disquiet.com/0239/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> http://aporee.org/maps/?loc=27526 Králíky, Ceská republika - funeral band / by kratochvilovic@sez... ------------------------------------------------------------------ Disquiet Junto Project 0239: Code Requiem The Assignment: Compose a short composition in memoriam for a piece of recently deceased software. Please note the instructions below, in light of SoundCloud closing down its Groups functionality. Project Steps: Step 1: Compose a short composition in memoriam for a piece of recently deceased software. Five More Important Steps When Your Track Is Done : Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud (this task will continue until the August 22 sunsetting of that service). It’s here: https://soundcloud.com/groups/disquiet-junto/ Step 2: This is a new task, if you’ve done a Junto project previously. In the comment field to the track mention @disquiet. This will ping me to add the track to a playlist. Step 3: Per the instructions below, be sure to tag your track #disquiet0239 Step 4: Annotate your track with a brief explanation of your approach and process. Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This project was posted in the morning, California time, on Thursday, July 28, 2016, with a deadline of 11:59pm wherever you are on Monday, August 1, 2016. Length: The length is up to you. Between one and three minutes seems about right. Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0239.” Also use “disquiet0239” as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Linking: When posting the track, please be sure to include this information: More on this 239th weekly Disquiet Junto project — “Compose a short composition in memoriam for a piece of recently deceased software” — at: http://disquiet.com/0239/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/]]> 995998 no no Fri, 29 Jul 2016 13:51:18 +0200 2016-07-29T13:51:18+02:00 3:08 https://hearthis.at/apatchofnettles-xy/right-of-way/
http://aporee.org/maps/?loc=26495
http://aporee.org/maps/?loc=26153

Dinglin Rd., Kinmen County - Fire warning sound / by Wu,Tsan-Cheng / Published November 3, 2014
Fire warning sound, In the convenience store, Parking lot

Muhlenberg College Hillel, 2400 West Chew Street, Allentown, PA 18104, USA - Walking through snow on Chew Street / by brandan.skahill@yah... / Published November 30, 2014

A peaceful walk through the snow late at night. The streets are quiet and the only sound to be heard is the crunching of the snow and the automated crossing guard warning pedestrians of the traffic. ]]>
http://aporee.org/maps/?loc=26495
http://aporee.org/maps/?loc=26153

Dinglin Rd., Kinmen County - Fire warning sound / by Wu,Tsan-Cheng / Published November 3, 2014
Fire warning sound, In the convenience store, Parking lot

Muhlenberg College Hillel, 2400 West Chew Street, Allentown, PA 18104, USA - Walking through snow on Chew Street / by brandan.skahill@yah... / Published November 30, 2014

A peaceful walk through the snow late at night. The streets are quiet and the only sound to be heard is the crunching of the snow and the automated crossing guard warning pedestrians of the traffic. ]]> 995999 no no Sun, 17 Jul 2016 13:14:57 +0200 2016-07-17T13:14:57+02:00 5:08 https://hearthis.at/apatchofnettles-xy/no-cigar-disquiet-junto-project-0237-combination-abcs/
A litttle Aporee thrown in for good measure --> http://aporee.org/maps/?loc=23465 --> King County, WA, USA - Tolt Dam Flood Siren in Forest by richard90048@yah... Published June 2, 2014 : Usage Public Domain Mark 1.0

-----------------------------------------------------------------

Disquiet Junto Project 0237: Combination ABCs
The Assignment: Build a 90-second composition from three 10-second segments.

Project Steps:

Step 1: Record three 10-second sound elements. Keep in mind that they will be layered subsequently in various combinations. You might find it useful to set one or more of the elements to loop naturally after 10 seconds, but you might also enjoy the seam where a given loop begins again.

Step 2: Label the three 10-second sound elements A, B, and C.

Step 3: Create a 90-second track of the following sequence of standalone and combined elements: A, B, C, A+B, A+C, B+C, A+B+C, A+B, A.

Step 4: Your track is complete. However, you may opt to go back in and adjust transitions and add effects.

Three More Steps When the Track Is Done :

Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:

https://soundcloud.com/groups/disquiet-junto/

Step 2: Annotate your track with a brief explanation of your approach and process.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: This project is partially inspired by the recent book Dramaturgy in Motion: At Work on Dance and Movement Performance, written by Katherine Profeta. In the book, Profeta notes A/B/A as a structure for contemporary dance choreography. It’s a structure I’ve noted, as well, as being perceptible in contemporary electronic music, especially drone-based music. This project is a step toward seeing what the A/B/A structure might sound like when a third element, C, is added.

Deadline: This project was posted shortly before noon, California time, on Thursday, July 14, 2016, with a deadline of 11:59pm wherever you are on Monday, July 18, 2016.

Length: The finished track should be 90 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0237.” Also use “disquiet0237” as a tag for your track.

Linking: When posting the track, please be sure to include this information:

More on this 237th weekly Disquiet Junto project — “Build a 90-second composition from three 10-second segments” — at:

http://disquiet.com/0237/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]>
A litttle Aporee thrown in for good measure --> http://aporee.org/maps/?loc=23465 --> King County, WA, USA - Tolt Dam Flood Siren in Forest by richard90048@yah... Published June 2, 2014 : Usage Public Domain Mark 1.0

-----------------------------------------------------------------

Disquiet Junto Project 0237: Combination ABCs
The Assignment: Build a 90-second composition from three 10-second segments.

Project Steps:

Step 1: Record three 10-second sound elements. Keep in mind that they will be layered subsequently in various combinations. You might find it useful to set one or more of the elements to loop naturally after 10 seconds, but you might also enjoy the seam where a given loop begins again.

Step 2: Label the three 10-second sound elements A, B, and C.

Step 3: Create a 90-second track of the following sequence of standalone and combined elements: A, B, C, A+B, A+C, B+C, A+B+C, A+B, A.

Step 4: Your track is complete. However, you may opt to go back in and adjust transitions and add effects.

Three More Steps When the Track Is Done :

Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here:

https://soundcloud.com/groups/disquiet-junto/

Step 2: Annotate your track with a brief explanation of your approach and process.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: This project is partially inspired by the recent book Dramaturgy in Motion: At Work on Dance and Movement Performance, written by Katherine Profeta. In the book, Profeta notes A/B/A as a structure for contemporary dance choreography. It’s a structure I’ve noted, as well, as being perceptible in contemporary electronic music, especially drone-based music. This project is a step toward seeing what the A/B/A structure might sound like when a third element, C, is added.

Deadline: This project was posted shortly before noon, California time, on Thursday, July 14, 2016, with a deadline of 11:59pm wherever you are on Monday, July 18, 2016.

Length: The finished track should be 90 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0237.” Also use “disquiet0237” as a tag for your track.

Linking: When posting the track, please be sure to include this information:

More on this 237th weekly Disquiet Junto project — “Build a 90-second composition from three 10-second segments” — at:

http://disquiet.com/0237/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]> http://aporee.org/maps/?loc=23465 --> King County, WA, USA - Tolt Dam Flood Siren in Forest by richard90048@yah... Published June 2, 2014 : Usage Public Domain Mark 1.0 ----------------------------------------------------------------- Disquiet Junto Project 0237: Combination ABCs The Assignment: Build a 90-second composition from three 10-second segments. Project Steps: Step 1: Record three 10-second sound elements. Keep in mind that they will be layered subsequently in various combinations. You might find it useful to set one or more of the elements to loop naturally after 10 seconds, but you might also enjoy the seam where a given loop begins again. Step 2: Label the three 10-second sound elements A, B, and C. Step 3: Create a 90-second track of the following sequence of standalone and combined elements: A, B, C, A+B, A+C, B+C, A+B+C, A+B, A. Step 4: Your track is complete. However, you may opt to go back in and adjust transitions and add effects. Three More Steps When the Track Is Done : Step 1: Upload your completed track to the Disquiet Junto group on SoundCloud. It’s here: https://soundcloud.com/groups/disquiet-junto/ Step 2: Annotate your track with a brief explanation of your approach and process. Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Background: This project is partially inspired by the recent book Dramaturgy in Motion: At Work on Dance and Movement Performance, written by Katherine Profeta. In the book, Profeta notes A/B/A as a structure for contemporary dance choreography. It’s a structure I’ve noted, as well, as being perceptible in contemporary electronic music, especially drone-based music. This project is a step toward seeing what the A/B/A structure might sound like when a third element, C, is added. Deadline: This project was posted shortly before noon, California time, on Thursday, July 14, 2016, with a deadline of 11:59pm wherever you are on Monday, July 18, 2016. Length: The finished track should be 90 seconds long. Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0237.” Also use “disquiet0237” as a tag for your track. Linking: When posting the track, please be sure to include this information: More on this 237th weekly Disquiet Junto project — “Build a 90-second composition from three 10-second segments” — at: http://disquiet.com/0237/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ ]]> 996000 no no Sat, 16 Jul 2016 15:37:15 +0200 2016-07-16T15:37:15+02:00 1:33 https://hearthis.at/apatchofnettles-xy/the-eye-does-not-see-disquiet-junto-0236-hello-junto/ So, apparently, I will say 'Si' to Juno, which will do just fine.
Rhythms & sections both in 3 then 2 steps, wobbling scale pattern lifted from guitar sketching and pecked onto midi-roll in DAW.
Exit section is dubbed back in from a recording of the DAW having its own space out during sequencing - glitching&jamming the midi queue to the synths.

--------------------------------------------------

Disquiet Junto 0236: Hello Jun(t)o
The Assignment: Say hi to the Juno Spacecraft by embedding Morse code in an original composition.

In this project we’re going to send a friendly signal to the NASA probe, the Juno spacecraft, that just entered orbit around Jupiter. Well, we’re going to compose such signals. Sending them is a separate endeavor. We’re going to build on the “Say ‘Hi’ to Juno” endeavor, which had thousands of ham operators sending a message to Juno during its five-year voyage. The “Say ‘Hi’ to Juno” message was Morse code for “Hi” — that is, four dots followed by two dots (…. ..).

Step 1: Listen to the Morse code for “hi” (four dots followed by two dots) on repeat for a short time.

Step 2: Create an original musical composition that in one or more ways interpolates that Morse code.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the late morning, California time, on Thursday, July 7, 2016, with a deadline of 11:59pm wherever you are on Monday, July 11, 2016.

Length: The length is up to you, though around one minutes seems about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0236.” Also use “disquiet0236” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 236th weekly Disquiet Junto project — “Say hi to the Juno Spacecraft by embedding Morse code in an original composition” — at:

http://disquiet.com/0236/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

More on the Juno Spacecraft technology at:

http://spaceflight101.com/juno/spacecraft-information/

More on the “Say ‘Hi’ to Juno” ham operator project here:

http://www.jpl.nasa.gov/video/details.php?id=1263]]> So, apparently, I will say 'Si' to Juno, which will do just fine.
Rhythms & sections both in 3 then 2 steps, wobbling scale pattern lifted from guitar sketching and pecked onto midi-roll in DAW.
Exit section is dubbed back in from a recording of the DAW having its own space out during sequencing - glitching&jamming the midi queue to the synths.

--------------------------------------------------

Disquiet Junto 0236: Hello Jun(t)o
The Assignment: Say hi to the Juno Spacecraft by embedding Morse code in an original composition.

In this project we’re going to send a friendly signal to the NASA probe, the Juno spacecraft, that just entered orbit around Jupiter. Well, we’re going to compose such signals. Sending them is a separate endeavor. We’re going to build on the “Say ‘Hi’ to Juno” endeavor, which had thousands of ham operators sending a message to Juno during its five-year voyage. The “Say ‘Hi’ to Juno” message was Morse code for “Hi” — that is, four dots followed by two dots (…. ..).

Step 1: Listen to the Morse code for “hi” (four dots followed by two dots) on repeat for a short time.

Step 2: Create an original musical composition that in one or more ways interpolates that Morse code.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Annotate your track with a brief explanation of your approach and process.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the late morning, California time, on Thursday, July 7, 2016, with a deadline of 11:59pm wherever you are on Monday, July 11, 2016.

Length: The length is up to you, though around one minutes seems about right.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0236.” Also use “disquiet0236” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 236th weekly Disquiet Junto project — “Say hi to the Juno Spacecraft by embedding Morse code in an original composition” — at:

http://disquiet.com/0236/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place on a Slack (send your email address to twitter.com/disquiet for inclusion) and at this URL:

http://disquiet.com/forums/

More on the Juno Spacecraft technology at:

http://spaceflight101.com/juno/spacecraft-information/

More on the “Say ‘Hi’ to Juno” ham operator project here:

http://www.jpl.nasa.gov/video/details.php?id=1263]]> 996001 no no Sat, 09 Jul 2016 13:10:08 +0200 2016-07-09T13:10:08+02:00 3:08 https://hearthis.at/apatchofnettles-xy/not-in-confession-the-harare-poet-midipunk/ http://aporee.org/maps/?loc=28268
https://soundcloud.com/midipunk
http://www.zimlink.org/more-blessing-size-female-performance-poet-profile/

------------------------------------------------

The Book Cafe, Harare, Zimbabwe - More Blessings, “Kiss me good-bye…” / by radio continental drift / Published October 13, 2012 / more poems from More Blessings : http://archive.org/details/Voices_from_Harare_32

Tecnológico de Monterrey Campus Santa Fe, Santa Fe, 01389 Ciudad de México, D.F. - Training / by anaerrasti@gma... / Published June 17, 2015 / Elite private university. College football training and construction work as background noise.

]]> http://aporee.org/maps/?loc=28268
https://soundcloud.com/midipunk
http://www.zimlink.org/more-blessing-size-female-performance-poet-profile/

------------------------------------------------

The Book Cafe, Harare, Zimbabwe - More Blessings, “Kiss me good-bye…” / by radio continental drift / Published October 13, 2012 / more poems from More Blessings : http://archive.org/details/Voices_from_Harare_32

Tecnológico de Monterrey Campus Santa Fe, Santa Fe, 01389 Ciudad de México, D.F. - Training / by anaerrasti@gma... / Published June 17, 2015 / Elite private university. College football training and construction work as background noise.

]]> 996002 no no Fri, 08 Jul 2016 05:04:19 +0200 2016-07-08T05:04:19+02:00 2:38 https://hearthis.at/apatchofnettles-xy/the-speed-of-steam/ Rolling.

----------------------------------------------------------------------------------------

http://aporee.org/maps/?loc=27168
http://aporee.org/maps/?loc=32071

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Dungeness National Nature Reserve, Romney Marsh, Kent TN29 9NE, UK - The miniature locomotive running on the Romney Hythe and Dymchurch Railway line : by Felicity Ford : Published January 31, 2015
A nuclear power station on the horizon; the sea; an old lighthouse; and a miniature steam train.

Golecin district, speedway racing stadium - speedway race : by maciej janasik : Published May 1, 2016
one round of speedway race. fans cheering, racers being introduced, roar of the engines, announcer summarizes the race.
]]> Rolling.

----------------------------------------------------------------------------------------

http://aporee.org/maps/?loc=27168
http://aporee.org/maps/?loc=32071

----------------------------------------------------------------------------------------

Dungeness National Nature Reserve, Romney Marsh, Kent TN29 9NE, UK - The miniature locomotive running on the Romney Hythe and Dymchurch Railway line : by Felicity Ford : Published January 31, 2015
A nuclear power station on the horizon; the sea; an old lighthouse; and a miniature steam train.

Golecin district, speedway racing stadium - speedway race : by maciej janasik : Published May 1, 2016
one round of speedway race. fans cheering, racers being introduced, roar of the engines, announcer summarizes the race.
]]> 996003 no no Thu, 30 Jun 2016 13:06:18 +0200 2016-06-30T13:06:18+02:00 4:29 https://hearthis.at/apatchofnettles-xy/the-coming-wreck-disquiet-junto-project-0234-remix-ximer/
Benn DeMole / It Is Coming [disquiet0233] :
Used Audacity to stretch & bend a couple of instrumental notes into a synth pad/'midi voice' then sequenced a motif with it elsewhere.

MtnViewMark-Bits / Switcheroo (disquiet0233) :
Speed & pitch shifted the initial 30sec, then hard band filtered into 3x distinct arrangments, subjected to further effects (- overdrive, phasing, resonance)

jmmy kpple / being even now in wreck so attractive [disquiet0233] :
looped out the booming intro, also pitch and time shifted for a threading/fading high pulse entanglement

Odd thing is, having missed last week, I've never heard the original tracks...
Also, that initially I put wrong track names on the notes above = fixed now, in case of confusion. (other plausible causes remain)

---------------------------------------------------
Disquiet Junto Project 0234: Remix Ximer
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.

This week’s Junto project builds directly on last week’s, though you needn’t have participated in last week’s to join in this one. This week we’re remixing remixes. The remixes we’re remixing are the pieces that resulted from last week’s project, which involved taking three tracks from different netlabels and making one new track from them. Last week’s Junto project celebrated derivatives, as licensed by the Creative Commons. This week’s celebrates derivatives of derivatives. (Thanks to Audio Obscura, aka Neil Stringfellow, for proposing this week’s project.)

These are the steps:

Step 1: Select and download three tracks from last week’s project, Disquiet Junto 0233:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0233

All the tracks in last week’s project were made from the first 30 seconds of three pre-existing recordings: “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel, “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel, and “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel.

Step 2: Extract the first 30 seconds from each of the three remix tracks that you selected in Step 1.

Step 3: Create an original piece of work including that source material from Step 2.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

More on this 234th weekly Disquiet Junto project — “Make a remix of three tracks of a remix of three tracks, courtesy of a Creative Commons license” — at:

http://disquiet.com/0234/

Be sure to credit all the tracks (first and second generation) employed in your piece.

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]>
Benn DeMole / It Is Coming [disquiet0233] :
Used Audacity to stretch & bend a couple of instrumental notes into a synth pad/'midi voice' then sequenced a motif with it elsewhere.

MtnViewMark-Bits / Switcheroo (disquiet0233) :
Speed & pitch shifted the initial 30sec, then hard band filtered into 3x distinct arrangments, subjected to further effects (- overdrive, phasing, resonance)

jmmy kpple / being even now in wreck so attractive [disquiet0233] :
looped out the booming intro, also pitch and time shifted for a threading/fading high pulse entanglement

Odd thing is, having missed last week, I've never heard the original tracks...
Also, that initially I put wrong track names on the notes above = fixed now, in case of confusion. (other plausible causes remain)

---------------------------------------------------
Disquiet Junto Project 0234: Remix Ximer
The Assignment: Make one track from three different netlabels, courtesy of a Creative Commons license.

This week’s Junto project builds directly on last week’s, though you needn’t have participated in last week’s to join in this one. This week we’re remixing remixes. The remixes we’re remixing are the pieces that resulted from last week’s project, which involved taking three tracks from different netlabels and making one new track from them. Last week’s Junto project celebrated derivatives, as licensed by the Creative Commons. This week’s celebrates derivatives of derivatives. (Thanks to Audio Obscura, aka Neil Stringfellow, for proposing this week’s project.)

These are the steps:

Step 1: Select and download three tracks from last week’s project, Disquiet Junto 0233:

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0233

All the tracks in last week’s project were made from the first 30 seconds of three pre-existing recordings: “HNY” off the album Wormbole by ʞık (Karl & Karlik) on the Bump Foot netlabel, “Pepper Jelly” off the album Recombinations by Andre Darius and Riley Theodore on the Haze netlabel, and “Autista 3” off the album Autista by Pablo Reche on the Impulsive Habitat netlabel.

Step 2: Extract the first 30 seconds from each of the three remix tracks that you selected in Step 1.

Step 3: Create an original piece of work including that source material from Step 2.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

More on this 234th weekly Disquiet Junto project — “Make a remix of three tracks of a remix of three tracks, courtesy of a Creative Commons license” — at:

http://disquiet.com/0234/

Be sure to credit all the tracks (first and second generation) employed in your piece.

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]> 996004 no no Fri, 24 Jun 2016 14:44:06 +0200 2016-06-24T14:44:06+02:00 2:44 https://hearthis.at/apatchofnettles-xy/the-owls-counted-tears/ http://aporee.org/maps/?loc=13184
http://aporee.org/maps/?loc=29270
http://aporee.org/maps/?loc=12968

Durweston, Dorset DT11, UK - Owls at Dusk by david.nmusic@gma...
Published April 4, 2012

south from Machico - goat bells by maciej janasik
Published May 7, 2015
a few goats grazing and ringing their bells while moving about.

Gesundbrunnen, Berlin, Germany - Reverberant appartments - plane, high heels and a countdown to tears by Peter Cusack
Published October 23, 2011
The reverberation within the semi-circle of these flats is special. It must be a particularly strong sonic memory for those who live here. ]]> http://aporee.org/maps/?loc=13184
http://aporee.org/maps/?loc=29270
http://aporee.org/maps/?loc=12968

Durweston, Dorset DT11, UK - Owls at Dusk by david.nmusic@gma...
Published April 4, 2012

south from Machico - goat bells by maciej janasik
Published May 7, 2015
a few goats grazing and ringing their bells while moving about.

Gesundbrunnen, Berlin, Germany - Reverberant appartments - plane, high heels and a countdown to tears by Peter Cusack
Published October 23, 2011
The reverberation within the semi-circle of these flats is special. It must be a particularly strong sonic memory for those who live here. ]]> 996005 no no Wed, 22 Jun 2016 14:40:47 +0200 2016-06-22T14:40:47+02:00 4:15 https://hearthis.at/apatchofnettles-xy/the-butchers-rat-70-blocked-salamandr/ -------------------------------------------------------------------
https://soundcloud.com/yellow-salamandr-7/yellow-salamandr-open-remix-one
-------------------------------------------------------------------
http://aporee.org/maps/?loc=31032

107 Occidental Ave. S, Seattle, WA, USA - Street Headaches (Underground Tour 2)
by Vince Hancock Published November 12, 2014
Just east of former butcher shop. Following a historical overview of street-level reconfiguration, tourist relates recent news story about cement poured into sewer pipe. A nearby compressor pumps out water. "Bill Speidel's Underground Tour" with tour guide Patti A. Stereo mic (Audio-Technica, AT-822), recorded via Sony MD (MZ-NF810).
-------------------------------------------------------------------]]> -------------------------------------------------------------------
https://soundcloud.com/yellow-salamandr-7/yellow-salamandr-open-remix-one
-------------------------------------------------------------------
http://aporee.org/maps/?loc=31032

107 Occidental Ave. S, Seattle, WA, USA - Street Headaches (Underground Tour 2)
by Vince Hancock Published November 12, 2014
Just east of former butcher shop. Following a historical overview of street-level reconfiguration, tourist relates recent news story about cement poured into sewer pipe. A nearby compressor pumps out water. "Bill Speidel's Underground Tour" with tour guide Patti A. Stereo mic (Audio-Technica, AT-822), recorded via Sony MD (MZ-NF810).
-------------------------------------------------------------------]]> 996006 no no Wed, 15 Jun 2016 13:20:19 +0200 2016-06-15T13:20:19+02:00 2:32 https://hearthis.at/apatchofnettles-xy/better-gear/ https://soundcloud.com/andretthenettles/cheap-gear-disquiet-junto-project-0232-no-input

With addition of Aporee stuff ... the cheapest gear is someone else's?
No theft - full credit:
http://aporee.org/maps/?loc=12456
http://aporee.org/maps/?loc=31652

Chipping stone and Woodpecker by Peter Cusack. Published November 13, 2011
The short sharp call of a woodpecker (greater spotted?) sounds well with the stone chipping.

North Frontenac, ON, Canada - Straps holding canoe on car making sounds. by Andrzej Maciejewski. Published August 15, 2012
Two piezo microphones attached to two straps holding canoe on roof of my car. Straps vibrate on wind during driving making interesting buzzing sound. Recorded on Zoom H4n using two piezo microphones.
]]> https://soundcloud.com/andretthenettles/cheap-gear-disquiet-junto-project-0232-no-input

With addition of Aporee stuff ... the cheapest gear is someone else's?
No theft - full credit:
http://aporee.org/maps/?loc=12456
http://aporee.org/maps/?loc=31652

Chipping stone and Woodpecker by Peter Cusack. Published November 13, 2011
The short sharp call of a woodpecker (greater spotted?) sounds well with the stone chipping.

North Frontenac, ON, Canada - Straps holding canoe on car making sounds. by Andrzej Maciejewski. Published August 15, 2012
Two piezo microphones attached to two straps holding canoe on roof of my car. Straps vibrate on wind during driving making interesting buzzing sound. Recorded on Zoom H4n using two piezo microphones.
]]> https://soundcloud.com/andretthenettles/cheap-gear-disquiet-junto-project-0232-no-input With addition of Aporee stuff ... the cheapest gear is someone else's? No theft - full credit: http://aporee.org/maps/?loc=12456 http://aporee.org/maps/?loc=31652 Chipping stone and Woodpecker by Peter Cusack. Published November 13, 2011 The short sharp call of a woodpecker (greater spotted?) sounds well with the stone chipping. North Frontenac, ON, Canada - Straps holding canoe on car making sounds. by Andrzej Maciejewski. Published August 15, 2012 Two piezo microphones attached to two straps holding canoe on roof of my car. Straps vibrate on wind during driving making interesting buzzing sound. Recorded on Zoom H4n using two piezo microphones. ]]> 996007 no no Mon, 13 Jun 2016 15:02:05 +0200 2016-06-13T15:02:05+02:00 2:46 https://hearthis.at/apatchofnettles-xy/cheap-gear-disquiet-junto-project-0232-no-input/
Octave rectifier distortion in tandem with a tremolo effect delivers unstable gain levels at the core of a looooong looooop including a couple of filters, delay & overdriven germanium clipping - tapped at 2x points in the loop for a stereo mix.

No controls touched for the duration; at the end, a couple of pots wound 'up to 11' actually kills the oscillations in a sickly fade out.

---------------------------------------------------------------------------------

Disquiet Junto Project 0232: No Input
The Assignment: Record a piece of music exploring the concept of “no-input mixing.”

This week’s project explores the concept of no-input mixing. For background, including a tutorial, this Synthtopia article, summarizing more detailed coverage by the Department of Performance Studies at Texas A&M, might prove useful:

http://www.synthtopia.com/content/2014/10/27/no-input-mixing-tutorial/

Step 1: Read up, if it’s not already familiar, on the concept of “no-input mixing,” which involves creating feedback by taking the output of a mixer and plugging it into the input of the same mixer, thus exposing and building on inherent (i.e., noisy) sonic properties of the device.

Step 2: Experiment with no-input mixing.

Step 3: Record a short piece of no-input mixing music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

More on this 232nd weekly Disquiet Junto project — “Record a piece of music exploring the concept of ‘no-input mixing.'” — at:

http://disquiet.com/0232/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]>
Octave rectifier distortion in tandem with a tremolo effect delivers unstable gain levels at the core of a looooong looooop including a couple of filters, delay & overdriven germanium clipping - tapped at 2x points in the loop for a stereo mix.

No controls touched for the duration; at the end, a couple of pots wound 'up to 11' actually kills the oscillations in a sickly fade out.

---------------------------------------------------------------------------------

Disquiet Junto Project 0232: No Input
The Assignment: Record a piece of music exploring the concept of “no-input mixing.”

This week’s project explores the concept of no-input mixing. For background, including a tutorial, this Synthtopia article, summarizing more detailed coverage by the Department of Performance Studies at Texas A&M, might prove useful:

http://www.synthtopia.com/content/2014/10/27/no-input-mixing-tutorial/

Step 1: Read up, if it’s not already familiar, on the concept of “no-input mixing,” which involves creating feedback by taking the output of a mixer and plugging it into the input of the same mixer, thus exposing and building on inherent (i.e., noisy) sonic properties of the device.

Step 2: Experiment with no-input mixing.

Step 3: Record a short piece of no-input mixing music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

More on this 232nd weekly Disquiet Junto project — “Record a piece of music exploring the concept of ‘no-input mixing.'” — at:

http://disquiet.com/0232/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 996008 no no Mon, 13 Jun 2016 10:51:33 +0200 2016-06-13T10:51:33+02:00 2:35 https://hearthis.at/apatchofnettles-xy/the-rotors-acrylic-corpse-open-remix-2-100bpm/
The intention:
https://soundcloud.com/acrylic-corpse/sets/open-remix-may-event
Aporee stuff:
http://aporee.org/maps/?loc=14145
http://aporee.org/maps/?loc=14175
http://aporee.org/maps/?loc=12341
http://aporee.org/maps/?loc=11455]]>
The intention:
https://soundcloud.com/acrylic-corpse/sets/open-remix-may-event
Aporee stuff:
http://aporee.org/maps/?loc=14145
http://aporee.org/maps/?loc=14175
http://aporee.org/maps/?loc=12341
http://aporee.org/maps/?loc=11455]]> 996009 no no Sun, 05 Jun 2016 12:26:07 +0200 2016-06-05T12:26:07+02:00 6:20 https://hearthis.at/apatchofnettles-xy/stretched-pretense-triggered-midipunk/ --------------------------------------------------------------------------
--> https://soundcloud.com/midipunk
--> http://aporee.org/maps/?loc=26026
Rua da Barroca, Lissabon, Portugali - Garbage truck in Bairro Alto
by Petri Syrjänen
Garbage truck shattering glass in Bairro Alto : Maycom HandHeld II (mono recording)


]]> --------------------------------------------------------------------------
--> https://soundcloud.com/midipunk
--> http://aporee.org/maps/?loc=26026
Rua da Barroca, Lissabon, Portugali - Garbage truck in Bairro Alto
by Petri Syrjänen
Garbage truck shattering glass in Bairro Alto : Maycom HandHeld II (mono recording)


]]> https://soundcloud.com/midipunk --> http://aporee.org/maps/?loc=26026 Rua da Barroca, Lissabon, Portugali - Garbage truck in Bairro Alto by Petri Syrjänen Garbage truck shattering glass in Bairro Alto : Maycom HandHeld II (mono recording) ]]> 996010 no no Sat, 04 Jun 2016 16:00:51 +0200 2016-06-04T16:00:51+02:00 3:23 https://hearthis.at/apatchofnettles-xy/londons-german-radio-keithys-bucket/ --> https://soundcloud.com/keithysdunimselfamischief]]> --> https://soundcloud.com/keithysdunimselfamischief]]> https://soundcloud.com/keithysdunimselfamischief]]> 1431971 no no Sat, 07 May 2016 13:08:09 +0200 2016-05-07T13:08:09+02:00 4:05 https://hearthis.at/apatchofnettles-xy/crow-and-carrion/
------------------------------------------------------

Tartu linna asutus Kalmistu, Kalmistu 22, 50303 Tartu, Estonia - Crows and Ravens in graveyard - by Veljo Runnel
http://aporee.org/maps/?loc=27287]]>
------------------------------------------------------

Tartu linna asutus Kalmistu, Kalmistu 22, 50303 Tartu, Estonia - Crows and Ravens in graveyard - by Veljo Runnel
http://aporee.org/maps/?loc=27287]]> 1431972 no no Wed, 27 Apr 2016 13:51:22 +0200 2016-04-27T13:51:22+02:00 1:22 https://hearthis.at/apatchofnettles-xy/a-strangers-portraits/
Differdange, Luxembourg - Underground mine techno
by Vincent Duseigne --> http://aporee.org/maps/?loc=31596

Boudhha, Kathmandu 44600, Nepal - Metal-workers beating rhythmically with their hammers
by remyg1 --> http://aporee.org/maps/?loc=22435

Moaning in the bathroom, Smíchov
by mkin --> http://aporee.org/maps/?loc=10397

Lithuania, Utena, moaning tree and ants
by alas23/sala --> http://aporee.org/maps/?loc=11903]]>
Differdange, Luxembourg - Underground mine techno
by Vincent Duseigne --> http://aporee.org/maps/?loc=31596

Boudhha, Kathmandu 44600, Nepal - Metal-workers beating rhythmically with their hammers
by remyg1 --> http://aporee.org/maps/?loc=22435

Moaning in the bathroom, Smíchov
by mkin --> http://aporee.org/maps/?loc=10397

Lithuania, Utena, moaning tree and ants
by alas23/sala --> http://aporee.org/maps/?loc=11903]]> http://aporee.org/maps/?loc=31596 Boudhha, Kathmandu 44600, Nepal - Metal-workers beating rhythmically with their hammers by remyg1 --> http://aporee.org/maps/?loc=22435 Moaning in the bathroom, Smíchov by mkin --> http://aporee.org/maps/?loc=10397 Lithuania, Utena, moaning tree and ants by alas23/sala --> http://aporee.org/maps/?loc=11903]]> 996011 no no Fri, 15 Apr 2016 00:50:18 +0200 2016-04-15T00:50:18+02:00 5:40 https://hearthis.at/apatchofnettles-xy/displacements-and-rotations/
--------------------------------------------------------------------------

Howling flagpoles, Pirita Harbor Tallinn
by john grzinich
http://aporee.org/maps/?loc=9472

Strawberry Park Natural Hot Springs, CO, USA - Strawberry Hot Springs Hydrophone 2
by Sylvia Shale
http://aporee.org/maps/?loc=30826

Kelham Island Museum, Sheffield, South Yorkshire, UK - River Don Engine. Kelham Island Museum
by martin hogg
http://aporee.org/maps/?loc=13622

workum, het zool: canal bank - the city, the country & me: canal bank, stormy weather
by henrik schröder
http://aporee.org/maps/?loc=28247

somewhere above Lake Baikal - constant noise, listening silent spaces below
by OR poiesis
http://aporee.org/maps/?loc=25850]]>
--------------------------------------------------------------------------

Howling flagpoles, Pirita Harbor Tallinn
by john grzinich
http://aporee.org/maps/?loc=9472

Strawberry Park Natural Hot Springs, CO, USA - Strawberry Hot Springs Hydrophone 2
by Sylvia Shale
http://aporee.org/maps/?loc=30826

Kelham Island Museum, Sheffield, South Yorkshire, UK - River Don Engine. Kelham Island Museum
by martin hogg
http://aporee.org/maps/?loc=13622

workum, het zool: canal bank - the city, the country & me: canal bank, stormy weather
by henrik schröder
http://aporee.org/maps/?loc=28247

somewhere above Lake Baikal - constant noise, listening silent spaces below
by OR poiesis
http://aporee.org/maps/?loc=25850]]> 996012 no no Sat, 09 Apr 2016 11:38:44 +0200 2016-04-09T11:38:44+02:00 3:25 https://hearthis.at/apatchofnettles-xy/from-the-railing-poznan-reverberations/
Various Aporee content occupies the stage:

By RorySmith - Hepworth reverberations 1
--> http://aporee.org/maps/?loc=27125

By maciej janasik - Poznan, balcony - wind arrival, drill tides, humble-bee in a bucket
--> http://aporee.org/maps/?loc=10272]]>
Various Aporee content occupies the stage:

By RorySmith - Hepworth reverberations 1
--> http://aporee.org/maps/?loc=27125

By maciej janasik - Poznan, balcony - wind arrival, drill tides, humble-bee in a bucket
--> http://aporee.org/maps/?loc=10272]]> http://aporee.org/maps/?loc=27125 By maciej janasik - Poznan, balcony - wind arrival, drill tides, humble-bee in a bucket --> http://aporee.org/maps/?loc=10272]]> 996013 no no Fri, 25 Mar 2016 07:52:55 +0100 2016-03-25T07:52:55+01:00 4:17 https://hearthis.at/apatchofnettles-xy/changed-colours-crossing-prague-acrylic/ --> https://soundcloud.com/acrylic-corpse/sets/open-remix-fun

This one has an Aporee element:
Adi W : Prague, traffic light by sound
--> http://aporee.org/maps/?loc=8690]]> --> https://soundcloud.com/acrylic-corpse/sets/open-remix-fun

This one has an Aporee element:
Adi W : Prague, traffic light by sound
--> http://aporee.org/maps/?loc=8690]]> https://soundcloud.com/acrylic-corpse/sets/open-remix-fun This one has an Aporee element: Adi W : Prague, traffic light by sound --> http://aporee.org/maps/?loc=8690]]> 996014 no no Wed, 16 Mar 2016 09:37:35 +0100 2016-03-16T09:37:35+01:00 3:02 https://hearthis.at/apatchofnettles-xy/lies-wingless-nermonds-riddle/
From Nermond / 'Wingless Adults' --> https://soundcloud.com/nermond/wingless-adults

And a bit of Aporee:
Shetland Islands, UK, Boddam, Dunrossness - Felicity Ford
--> http://aporee.org/maps/?loc=19408
Scaffolders decomposing - udo noll
--> http://aporee.org/maps/?loc=2104]]>
From Nermond / 'Wingless Adults' --> https://soundcloud.com/nermond/wingless-adults

And a bit of Aporee:
Shetland Islands, UK, Boddam, Dunrossness - Felicity Ford
--> http://aporee.org/maps/?loc=19408
Scaffolders decomposing - udo noll
--> http://aporee.org/maps/?loc=2104]]> https://soundcloud.com/nermond/wingless-adults And a bit of Aporee: Shetland Islands, UK, Boddam, Dunrossness - Felicity Ford --> http://aporee.org/maps/?loc=19408 Scaffolders decomposing - udo noll --> http://aporee.org/maps/?loc=2104]]> 996015 no no Tue, 15 Mar 2016 01:08:06 +0100 2016-03-15T01:08:06+01:00 3:34 https://hearthis.at/apatchofnettles-xy/reminded-care-in-motion/
Another batch of Gristle'n'bone synth work, this time with just a hint of post, and Aporee anonyms.

------------------------------------------------------------------------

Features recording by Michael Gallagher : Glasgow Queen Street Station, Glasgow City, UK - Automated announcements in Glasgow Queen Street station (triggered by a motion detector) --> http://aporee.org/maps/?loc=18585]]>
Another batch of Gristle'n'bone synth work, this time with just a hint of post, and Aporee anonyms.

------------------------------------------------------------------------

Features recording by Michael Gallagher : Glasgow Queen Street Station, Glasgow City, UK - Automated announcements in Glasgow Queen Street station (triggered by a motion detector) --> http://aporee.org/maps/?loc=18585]]> http://aporee.org/maps/?loc=18585]]> 996016 no no Wed, 09 Mar 2016 13:21:52 +0100 2016-03-09T13:21:52+01:00 4:49 https://hearthis.at/apatchofnettles-xy/the-west-obscured-audio-obscura-western-wind/ --> https://soundcloud.com/audio-obscura-music/
--> https://en.wikipedia.org/wiki/Westron_Wynde

Has curious 'back story' revealing liturgical authority's wont to appropriate the profane ... if it's your soul, they call it redemption - looks more like chicanery to me.

Melodic patterns from Audio Obscura.
Gentle percussive textures from:
snow on roses, by Patrick McGinley
--> http://aporee.org/maps/?loc=6176
room, Novigrad, Croatia - doors, by Petra Kapš
--> https://archive.org/details/aporee_14956_17428]]> --> https://soundcloud.com/audio-obscura-music/
--> https://en.wikipedia.org/wiki/Westron_Wynde

Has curious 'back story' revealing liturgical authority's wont to appropriate the profane ... if it's your soul, they call it redemption - looks more like chicanery to me.

Melodic patterns from Audio Obscura.
Gentle percussive textures from:
snow on roses, by Patrick McGinley
--> http://aporee.org/maps/?loc=6176
room, Novigrad, Croatia - doors, by Petra Kapš
--> https://archive.org/details/aporee_14956_17428]]> https://soundcloud.com/audio-obscura-music/ --> https://en.wikipedia.org/wiki/Westron_Wynde Has curious 'back story' revealing liturgical authority's wont to appropriate the profane ... if it's your soul, they call it redemption - looks more like chicanery to me. Melodic patterns from Audio Obscura. Gentle percussive textures from: snow on roses, by Patrick McGinley --> http://aporee.org/maps/?loc=6176 room, Novigrad, Croatia - doors, by Petra Kapš --> https://archive.org/details/aporee_14956_17428]]> 996017 no no Mon, 07 Mar 2016 23:32:12 +0100 2016-03-07T23:32:12+01:00 4:48 https://hearthis.at/apatchofnettles-xy/3500-of-gristle-and-bone/ 1431973 no no Mon, 22 Feb 2016 11:14:26 +0100 2016-02-22T11:14:26+01:00 2:24 https://hearthis.at/apatchofnettles-xy/eight-places-disquiet-junto-project-0213-complex-signatures/
Mixed the 3x tracks as a base layer, with the DWAVE pitched/slowed down some octaves; fed resonant/reverberant pattern driven sends to form a 'bass line' , 'synth drone' & 'chimes'. Looped some fades through the resulting 6 layers, then added 2x live machine runs from the Stoch5 - rhythmically and harmonically related, but not time-synched or melodically attached. Frayed both ends with a little reverb and fade to close the long loop neatly ... not sure this method still works so good as mp3 but it locked tight in Audacity.

--------------------------------------------------------------------------------
Disquiet Junto Project 0213: Complex Signatures
The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence.

Step 1: Consider what it is that Charlie is exploring in his work: “I’m thinking about evolution, entropy, sentience, and the complex signatures of intelligence: what microtonal soundtrack would best express the micro and the vast, the field and the matrix, what we call nature and what we call machine, in unity, as music or as sound?”

Step 2: Download the three tracks recorded by Charle that are in this playlist on SoundCloud. The first track was made on the Osa Peninsula in Costa Rica, rain-forest ambient sounds caught with a parabolic microphone at nightfall. The second was made with a hydrophone at dusk amid the Bunsby Islands in British Columbia. The third was made at the D-WAVE2 Quantum Computer at NASA Ames.

https://soundcloud.com/charlies-experiment/sets/disquiet-junto-complex-signatures

Step 3: Follow this request from Charlie: “Please process, merge, and mix these tracks to seven minutes total. Imagine the final track looping indefinitely in a sound installation in a museum or gallery environment. This use of sound in controlled space is something I’m very interested in, as a real time, real space tool to blend so-called realities. Imagine dream images, much the way our mind seems to, glitches and all. I look forward to what you come up with, and thanks very much for your interest.”

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly before noon, California time, on Thursday, January 28, 2016, with a deadline of 11:59pm wherever you are on Monday, February 1, 2016.


http://disquiet.com/2016/01/28/disquiet0213-complexsignatures/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Mixed the 3x tracks as a base layer, with the DWAVE pitched/slowed down some octaves; fed resonant/reverberant pattern driven sends to form a 'bass line' , 'synth drone' & 'chimes'. Looped some fades through the resulting 6 layers, then added 2x live machine runs from the Stoch5 - rhythmically and harmonically related, but not time-synched or melodically attached. Frayed both ends with a little reverb and fade to close the long loop neatly ... not sure this method still works so good as mp3 but it locked tight in Audacity.

--------------------------------------------------------------------------------
Disquiet Junto Project 0213: Complex Signatures
The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence.

Step 1: Consider what it is that Charlie is exploring in his work: “I’m thinking about evolution, entropy, sentience, and the complex signatures of intelligence: what microtonal soundtrack would best express the micro and the vast, the field and the matrix, what we call nature and what we call machine, in unity, as music or as sound?”

Step 2: Download the three tracks recorded by Charle that are in this playlist on SoundCloud. The first track was made on the Osa Peninsula in Costa Rica, rain-forest ambient sounds caught with a parabolic microphone at nightfall. The second was made with a hydrophone at dusk amid the Bunsby Islands in British Columbia. The third was made at the D-WAVE2 Quantum Computer at NASA Ames.

https://soundcloud.com/charlies-experiment/sets/disquiet-junto-complex-signatures

Step 3: Follow this request from Charlie: “Please process, merge, and mix these tracks to seven minutes total. Imagine the final track looping indefinitely in a sound installation in a museum or gallery environment. This use of sound in controlled space is something I’m very interested in, as a real time, real space tool to blend so-called realities. Imagine dream images, much the way our mind seems to, glitches and all. I look forward to what you come up with, and thanks very much for your interest.”

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly before noon, California time, on Thursday, January 28, 2016, with a deadline of 11:59pm wherever you are on Monday, February 1, 2016.


http://disquiet.com/2016/01/28/disquiet0213-complexsignatures/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431974 no no Sat, 30 Jan 2016 04:08:38 +0100 2016-01-30T04:08:38+01:00 7:00 https://hearthis.at/apatchofnettles-xy/sleepless-silhouettes-337-stems-in-bud/ https://soundcloud.com/337is/racheting-in-dub

Ambient sounds from --> https://archive.org/details/aporee_29540_34000


----------------------------------------------------------------
(CC) Stuff:

MaoPuKeng Wetland Park, Puli Township - Frogs chirping
by Wu,Tsan-Cheng

Published August 10, 2015
Usage Attribution 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee


Frogs chirping , Insects sounds, Wetland ,Dogs barking ,
Best with Headphone, Proposal to turn up the volume ,
Zoom H2n MS+ XY( SoundMap20150810-21) , recorded by Wu,Tsan-Cheng
----------------------------------------------------------------
]]> https://soundcloud.com/337is/racheting-in-dub

Ambient sounds from --> https://archive.org/details/aporee_29540_34000


----------------------------------------------------------------
(CC) Stuff:

MaoPuKeng Wetland Park, Puli Township - Frogs chirping
by Wu,Tsan-Cheng

Published August 10, 2015
Usage Attribution 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee


Frogs chirping , Insects sounds, Wetland ,Dogs barking ,
Best with Headphone, Proposal to turn up the volume ,
Zoom H2n MS+ XY( SoundMap20150810-21) , recorded by Wu,Tsan-Cheng
----------------------------------------------------------------
]]> https://soundcloud.com/337is/racheting-in-dub Ambient sounds from --> https://archive.org/details/aporee_29540_34000 ---------------------------------------------------------------- (CC) Stuff: MaoPuKeng Wetland Park, Puli Township - Frogs chirping by Wu,Tsan-Cheng Published August 10, 2015 Usage Attribution 3.0 Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee Frogs chirping , Insects sounds, Wetland ,Dogs barking , Best with Headphone, Proposal to turn up the volume , Zoom H2n MS+ XY( SoundMap20150810-21) , recorded by Wu,Tsan-Cheng ---------------------------------------------------------------- ]]> 1431975 no no Tue, 26 Jan 2016 13:10:04 +0100 2016-01-26T13:10:04+01:00 4:12 https://hearthis.at/apatchofnettles-xy/malley-mire-disquiet-junto-project-0212-484-hz-love-songs/ http://www.ernmalley.com/ern_malley.html * Sampling: "Stagnant Fragment" Dave Dallwitz, “Ern Malley Jazz Suite”, Swaggie Records, Melbourne, 1975. * Full text at --> http://jacketmagazine.com/17/ern-poems.html * Dave Dallwaitz is accompanied by 484Hz Saw & 121 Square through the Myrm2 machine * Audacity mashing.
--------------------------------------------------------------------
Culture as Exhibit

“Swamps, marshes, borrow-pits and other
Areas of stagnant water serve
As breeding-grounds ...” Now
Have I found you, my Anopheles!
(There is a meaning for the circumspect)
Come, we will dance sedate quadrilles,
A pallid polka or a yelping shimmy
Over these sunken sodden breeding-grounds!
We will be wraiths and wreaths of tissue-paper
To clog the Town Council in their plans.
Culture forsooth! Albert, get my gun.
--------------------------------------------------------------------

Disquiet Junto Project 0212: 484 Hz Love Songs
The Assignment: Make music intended to attract male mosquitoes.

The steps for this project are as follows:

Step 1: Recent research by Brian Johnson and Scott Ritchie of the Australian Institute of Tropical Health and Medicine has revealed that 484 Hz is “the frequency of a female Aedes aegypti’s wings flapping,” and thus is the frequency that attracts the male of the species. You can read up here:

http://www.abc.net.au/news/2016-01-19/scientists-discover-frequency-traps-male-yellow-fever-mosquitoes/7084434

Step 2: Create a brief, seductive love song that somehow features the 484 Hz frequency.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly after noon, California time, on Thursday, January 21, 2016, with a deadline of 11:59pm wherever you are on Monday, January 25, 2016.

Length: Length is up to you, though between 30 seconds (mosquitoes do have a short lifespan) and 3 minutes (vaguely pop-song length) seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0212-484hzlovesongs.” Also use “disquiet0212-484hzlovesongs” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 212th weekly Disquiet Junto project (“The Assignment: Make music intended to attract male mosquitoes”) at:

http://disquiet.com/2016/01/21/disquiet0212-484hzlovesongs/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> http://www.ernmalley.com/ern_malley.html * Sampling: "Stagnant Fragment" Dave Dallwitz, “Ern Malley Jazz Suite”, Swaggie Records, Melbourne, 1975. * Full text at --> http://jacketmagazine.com/17/ern-poems.html * Dave Dallwaitz is accompanied by 484Hz Saw & 121 Square through the Myrm2 machine * Audacity mashing.
--------------------------------------------------------------------
Culture as Exhibit

“Swamps, marshes, borrow-pits and other
Areas of stagnant water serve
As breeding-grounds ...” Now
Have I found you, my Anopheles!
(There is a meaning for the circumspect)
Come, we will dance sedate quadrilles,
A pallid polka or a yelping shimmy
Over these sunken sodden breeding-grounds!
We will be wraiths and wreaths of tissue-paper
To clog the Town Council in their plans.
Culture forsooth! Albert, get my gun.
--------------------------------------------------------------------

Disquiet Junto Project 0212: 484 Hz Love Songs
The Assignment: Make music intended to attract male mosquitoes.

The steps for this project are as follows:

Step 1: Recent research by Brian Johnson and Scott Ritchie of the Australian Institute of Tropical Health and Medicine has revealed that 484 Hz is “the frequency of a female Aedes aegypti’s wings flapping,” and thus is the frequency that attracts the male of the species. You can read up here:

http://www.abc.net.au/news/2016-01-19/scientists-discover-frequency-traps-male-yellow-fever-mosquitoes/7084434

Step 2: Create a brief, seductive love song that somehow features the 484 Hz frequency.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly after noon, California time, on Thursday, January 21, 2016, with a deadline of 11:59pm wherever you are on Monday, January 25, 2016.

Length: Length is up to you, though between 30 seconds (mosquitoes do have a short lifespan) and 3 minutes (vaguely pop-song length) seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0212-484hzlovesongs.” Also use “disquiet0212-484hzlovesongs” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 212th weekly Disquiet Junto project (“The Assignment: Make music intended to attract male mosquitoes”) at:

http://disquiet.com/2016/01/21/disquiet0212-484hzlovesongs/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> http://www.ernmalley.com/ern_malley.html * Sampling: "Stagnant Fragment" Dave Dallwitz, “Ern Malley Jazz Suite”, Swaggie Records, Melbourne, 1975. * Full text at --> http://jacketmagazine.com/17/ern-poems.html * Dave Dallwaitz is accompanied by 484Hz Saw & 121 Square through the Myrm2 machine * Audacity mashing. -------------------------------------------------------------------- Culture as Exhibit “Swamps, marshes, borrow-pits and other Areas of stagnant water serve As breeding-grounds ...” Now Have I found you, my Anopheles! (There is a meaning for the circumspect) Come, we will dance sedate quadrilles, A pallid polka or a yelping shimmy Over these sunken sodden breeding-grounds! We will be wraiths and wreaths of tissue-paper To clog the Town Council in their plans. Culture forsooth! Albert, get my gun. -------------------------------------------------------------------- Disquiet Junto Project 0212: 484 Hz Love Songs The Assignment: Make music intended to attract male mosquitoes. The steps for this project are as follows: Step 1: Recent research by Brian Johnson and Scott Ritchie of the Australian Institute of Tropical Health and Medicine has revealed that 484 Hz is “the frequency of a female Aedes aegypti’s wings flapping,” and thus is the frequency that attracts the male of the species. You can read up here: http://www.abc.net.au/news/2016-01-19/scientists-discover-frequency-traps-male-yellow-fever-mosquitoes/7084434 Step 2: Create a brief, seductive love song that somehow features the 484 Hz frequency. Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud. Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This project was posted shortly after noon, California time, on Thursday, January 21, 2016, with a deadline of 11:59pm wherever you are on Monday, January 25, 2016. Length: Length is up to you, though between 30 seconds (mosquitoes do have a short lifespan) and 3 minutes (vaguely pop-song length) seems appropriate. Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0212-484hzlovesongs.” Also use “disquiet0212-484hzlovesongs” as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Linking: When posting the track, please be sure to include this information: More on this 212th weekly Disquiet Junto project (“The Assignment: Make music intended to attract male mosquitoes”) at: http://disquiet.com/2016/01/21/disquiet0212-484hzlovesongs/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet Disquiet Junto general discussion takes place at: http://disquiet.com/forums/ ]]> 1431976 no no Sun, 24 Jan 2016 08:12:13 +0100 2016-01-24T08:12:13+01:00 1:25 https://hearthis.at/apatchofnettles-xy/one-rolled-action-337-lilies/ Thanks to Lily for being so smart!
All that is required is to join together the things which make a noise.

https://soundcloud.com/337is/lilly-action-poem-drink-1
https://soundcloud.com/337is]]> Thanks to Lily for being so smart!
All that is required is to join together the things which make a noise.

https://soundcloud.com/337is/lilly-action-poem-drink-1
https://soundcloud.com/337is]]> 1431977 no no Tue, 12 Jan 2016 12:56:42 +0100 2016-01-12T12:56:42+01:00 3:07 https://hearthis.at/apatchofnettles-xy/poor-audrey-blackwhite-b-grade-magill/ https://soundcloud.com/johnmagill/faye-wrays-lungs

It is here layered into a 3 machine live recorded improv, - both the Stoch4 & Stoch5 running, ganged to a new device which is possibly the Myrm2 = debatable that it is of Stoch stock...

No post effects on the machine track. Some Audacity EQ & spatial manipulation to FayeWray, to weave it in.

Thanks, John.
]]> https://soundcloud.com/johnmagill/faye-wrays-lungs

It is here layered into a 3 machine live recorded improv, - both the Stoch4 & Stoch5 running, ganged to a new device which is possibly the Myrm2 = debatable that it is of Stoch stock...

No post effects on the machine track. Some Audacity EQ & spatial manipulation to FayeWray, to weave it in.

Thanks, John.
]]> https://soundcloud.com/johnmagill/faye-wrays-lungs It is here layered into a 3 machine live recorded improv, - both the Stoch4 & Stoch5 running, ganged to a new device which is possibly the Myrm2 = debatable that it is of Stoch stock... No post effects on the machine track. Some Audacity EQ & spatial manipulation to FayeWray, to weave it in. Thanks, John. ]]> 1431978 no no Wed, 06 Jan 2016 00:03:22 +0100 2016-01-06T00:03:22+01:00 5:30 https://hearthis.at/apatchofnettles-xy/another-time-around-the-sun/ https://soundcloud.com/asoupofnettles/one-time-around-the-sun-disquiet-junto-project-0209-audio-journal-2015

(Just wanted to hear it without the jaggedness...)

Please feel free to concoct your own variant melding of this and the original!]]> https://soundcloud.com/asoupofnettles/one-time-around-the-sun-disquiet-junto-project-0209-audio-journal-2015

(Just wanted to hear it without the jaggedness...)

Please feel free to concoct your own variant melding of this and the original!]]> https://soundcloud.com/asoupofnettles/one-time-around-the-sun-disquiet-junto-project-0209-audio-journal-2015 (Just wanted to hear it without the jaggedness...) Please feel free to concoct your own variant melding of this and the original!]]> 1431979 no no Sat, 02 Jan 2016 09:10:42 +0100 2016-01-02T09:10:42+01:00 1:23 https://hearthis.at/apatchofnettles-xy/one-time-around-the-sun-disquiet-junto-project-0209-audio-journal-2015/ Gave them about 2 sec. each - just picked any arbitrary start point with 'hard attack' and chained them all together. The result is not much of a tune ... would Salamander please pass the butter & knife? (Hint: it WILL sound much better with a factor=1 & resolution = 4.27 sec PaulStretch in Audacity!)

Maybe there is something in there that will provoke a little curiosity anyway. And it was interesting for me to hear them again - I guess a vague 'fingerprint' emerges.

Original postings were from APatchOfNettles, then AScytheThroughNettles on to ASoupOfNettles:
Meteorological Cycles.mp3
Idle.mp3
One River And Embers.mp3
One Pound of Picrate.mp3
Stochs Diversified.mp3
One Stoch 4 at 950m.mp3
One Urbane Stoch 5.mp3
One More Windmill.mp3
One Drum Departure.mp3
One Stoch 5 with a chance of showers.mp3
One Stoch 5 555 505.mp3
Blue Read as Green.mp3
Stoch 5 Stridulation.mp3
Glazed Ground Shard.mp3
A Gentle Southerly At Dusk.mp3
Glint and Movement, A Tide Pool.mp3
Meted Disbelief.mp3
One Fractionating Retort.mp3
Waste Reclamation.mp3
One Stropped Blade Edge.mp3
No Sordid Ends To Serve.mp3
Sole Recourse.mp3
One Abrupt Point of Contention.mp3
One Red Box.mp3
Through One Pane of Quartz.mp3
No Dove, No Branch.mp3
One Slice Of Air.mp3
Candella.mp3
But It's Still Got A Drop In There.mp3
One Fixed Hinge.mp3
The View From a Tin Lined Room.mp3
To Cool Grass Below.mp3
The Principle of Moments.mp3
All The Hours.mp3
Flecked Silvered Mirror.mp3
The Mechanics' Institute.mp3
Early Grey Rain.mp3

--------------------------------------------------
Disquiet Junto Project 0209: Audio Journal 2015
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, a selective audio history of your past year.

Step 1: You will select a different audio element to represent each of the past 12 months of 2015. These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

Step 2: You will then select one five-second segment from each of these dozen audio elements.

Step 3: Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

Step 4: In the notes field accompanying the track, identify each of the audio segments.

(Level Up: Alternately, you can use more than 12 audio segments — do two a month, or one a week, or one a day. Whatever you choose, just keep them evenly distributed across the year. You might make the segments shorter, to keep the full track length to 60 seconds.)

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 31, 2015, with a deadline of 11:59pm wherever you are on Monday, January 4, 2016.

Length: The track should be 60 seconds long.

More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:

http://disquiet.com/2015/12/31/disquiet0209-journal2015/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> Gave them about 2 sec. each - just picked any arbitrary start point with 'hard attack' and chained them all together. The result is not much of a tune ... would Salamander please pass the butter & knife? (Hint: it WILL sound much better with a factor=1 & resolution = 4.27 sec PaulStretch in Audacity!)

Maybe there is something in there that will provoke a little curiosity anyway. And it was interesting for me to hear them again - I guess a vague 'fingerprint' emerges.

Original postings were from APatchOfNettles, then AScytheThroughNettles on to ASoupOfNettles:
Meteorological Cycles.mp3
Idle.mp3
One River And Embers.mp3
One Pound of Picrate.mp3
Stochs Diversified.mp3
One Stoch 4 at 950m.mp3
One Urbane Stoch 5.mp3
One More Windmill.mp3
One Drum Departure.mp3
One Stoch 5 with a chance of showers.mp3
One Stoch 5 555 505.mp3
Blue Read as Green.mp3
Stoch 5 Stridulation.mp3
Glazed Ground Shard.mp3
A Gentle Southerly At Dusk.mp3
Glint and Movement, A Tide Pool.mp3
Meted Disbelief.mp3
One Fractionating Retort.mp3
Waste Reclamation.mp3
One Stropped Blade Edge.mp3
No Sordid Ends To Serve.mp3
Sole Recourse.mp3
One Abrupt Point of Contention.mp3
One Red Box.mp3
Through One Pane of Quartz.mp3
No Dove, No Branch.mp3
One Slice Of Air.mp3
Candella.mp3
But It's Still Got A Drop In There.mp3
One Fixed Hinge.mp3
The View From a Tin Lined Room.mp3
To Cool Grass Below.mp3
The Principle of Moments.mp3
All The Hours.mp3
Flecked Silvered Mirror.mp3
The Mechanics' Institute.mp3
Early Grey Rain.mp3

--------------------------------------------------
Disquiet Junto Project 0209: Audio Journal 2015
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, a selective audio history of your past year.

Step 1: You will select a different audio element to represent each of the past 12 months of 2015. These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

Step 2: You will then select one five-second segment from each of these dozen audio elements.

Step 3: Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

Step 4: In the notes field accompanying the track, identify each of the audio segments.

(Level Up: Alternately, you can use more than 12 audio segments — do two a month, or one a week, or one a day. Whatever you choose, just keep them evenly distributed across the year. You might make the segments shorter, to keep the full track length to 60 seconds.)

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 31, 2015, with a deadline of 11:59pm wherever you are on Monday, January 4, 2016.

Length: The track should be 60 seconds long.

More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:

http://disquiet.com/2015/12/31/disquiet0209-journal2015/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431980 no no Sat, 02 Jan 2016 08:50:23 +0100 2016-01-02T08:50:23+01:00 1:24 https://hearthis.at/apatchofnettles-xy/floating-lines-disquiet-junto-project-0208-in-situ/
Footsteps / boards and movement / water flowing / a large ray circling & splashing in shallows / knife clatter on metal cleaning tables / birds / cars / mumbles and chatter.

---------------------------------------------------
Disquiet Junto Project 0208: In Situ
Record a composition in place using only the sounds around you.

Step 1: The goal of this project is to make a composition in a short period of time, just one single sitting, from start to finish. You’ll only use the tools you have on hand (a laptop, an iPad, an OP-1, what have you). And you’ll only use sounds that you record on site. The first step is choose a time and place, preferably not at home or work, though those are certainly OK, too.

Step 2: At the appointed time, go to the place where you will make the composition. Sit for awhile and listen. Make some short source-audio recordings, preferably while remaining seated. Use only those recordings – snippets of room ambience, of overheard chatter, and so forth – as the raw material for your composition. Transform the sounds as you see fit, but do retain some recognizability. For example, if you record on a bus, then the finished track should retain something unique to the sound of a bus.

Step 3: Bonus round: use a photo of your setup/location as the image associated with your recording.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 24, 2015, with a deadline of 11:59pm wherever you are on Monday, December 28, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0208-insitu.” Also use “disquiet0208-insitu” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 208th weekly Disquiet Junto project (“Record a composition in place using only the sounds around you”) at:

http://disquiet.com/2015/12/24/disquiet0208-insitu/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Footsteps / boards and movement / water flowing / a large ray circling & splashing in shallows / knife clatter on metal cleaning tables / birds / cars / mumbles and chatter.

---------------------------------------------------
Disquiet Junto Project 0208: In Situ
Record a composition in place using only the sounds around you.

Step 1: The goal of this project is to make a composition in a short period of time, just one single sitting, from start to finish. You’ll only use the tools you have on hand (a laptop, an iPad, an OP-1, what have you). And you’ll only use sounds that you record on site. The first step is choose a time and place, preferably not at home or work, though those are certainly OK, too.

Step 2: At the appointed time, go to the place where you will make the composition. Sit for awhile and listen. Make some short source-audio recordings, preferably while remaining seated. Use only those recordings – snippets of room ambience, of overheard chatter, and so forth – as the raw material for your composition. Transform the sounds as you see fit, but do retain some recognizability. For example, if you record on a bus, then the finished track should retain something unique to the sound of a bus.

Step 3: Bonus round: use a photo of your setup/location as the image associated with your recording.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 24, 2015, with a deadline of 11:59pm wherever you are on Monday, December 28, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.
Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0208-insitu.” Also use “disquiet0208-insitu” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 208th weekly Disquiet Junto project (“Record a composition in place using only the sounds around you”) at:

http://disquiet.com/2015/12/24/disquiet0208-insitu/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431981 no no Mon, 28 Dec 2015 11:25:51 +0100 2015-12-28T11:25:51+01:00 4:03 https://hearthis.at/apatchofnettles-xy/lowest-of-the-tunnels-numbers-in-aporee/
Sterling Silver Sound Warp by NickNumbers; Nettles regenerated baseline and modified Aporee location experiences. On site adventures by Vincent Duseigne.
Really a headphones thing.

Check out -->
TheNumbersInTheDream / https://soundcloud.com/heumbersnheream
Radio Aporee / http://aporee.org/maps/

-----------------------------------------------------------------

CreativeCommons Stuff:

https://archive.org/details/aporee_30520_35119
Differdange, Luxembourg - Underground mine
by Vincent Duseigne

Published November 22, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


A deep underground mine ambience, walking in water, mud and abandoned tunnels.


https://archive.org/details/aporee_30428_35015
Audun-le-Tiche, France - Calcite tunnel
by Vincent Duseigne

Published October 26, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


In a completely forgotten tunnel in an underground mine, walking in a very thick layer of calcite. Walking

there is breaking calcite and this makes harsh noises.


https://archive.org/details/aporee_30519_35118
Differdange, Luxembourg - A mine fan
by Vincent Duseigne

Published November 22, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


In an underground mine, a very big fan (diameter 3 meters) naturally turning with air. ]]>
Sterling Silver Sound Warp by NickNumbers; Nettles regenerated baseline and modified Aporee location experiences. On site adventures by Vincent Duseigne.
Really a headphones thing.

Check out -->
TheNumbersInTheDream / https://soundcloud.com/heumbersnheream
Radio Aporee / http://aporee.org/maps/

-----------------------------------------------------------------

CreativeCommons Stuff:

https://archive.org/details/aporee_30520_35119
Differdange, Luxembourg - Underground mine
by Vincent Duseigne

Published November 22, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


A deep underground mine ambience, walking in water, mud and abandoned tunnels.


https://archive.org/details/aporee_30428_35015
Audun-le-Tiche, France - Calcite tunnel
by Vincent Duseigne

Published October 26, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


In a completely forgotten tunnel in an underground mine, walking in a very thick layer of calcite. Walking

there is breaking calcite and this makes harsh noises.


https://archive.org/details/aporee_30519_35118
Differdange, Luxembourg - A mine fan
by Vincent Duseigne

Published November 22, 2015
Usage Attribution-Share Alike 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio

aporee


In an underground mine, a very big fan (diameter 3 meters) naturally turning with air. ]]> TheNumbersInTheDream / https://soundcloud.com/heumbersnheream Radio Aporee / http://aporee.org/maps/ ----------------------------------------------------------------- CreativeCommons Stuff: https://archive.org/details/aporee_30520_35119 Differdange, Luxembourg - Underground mine by Vincent Duseigne Published November 22, 2015 Usage Attribution-Share Alike 3.0 Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee A deep underground mine ambience, walking in water, mud and abandoned tunnels. https://archive.org/details/aporee_30428_35015 Audun-le-Tiche, France - Calcite tunnel by Vincent Duseigne Published October 26, 2015 Usage Attribution-Share Alike 3.0 Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee In a completely forgotten tunnel in an underground mine, walking in a very thick layer of calcite. Walking there is breaking calcite and this makes harsh noises. https://archive.org/details/aporee_30519_35118 Differdange, Luxembourg - A mine fan by Vincent Duseigne Published November 22, 2015 Usage Attribution-Share Alike 3.0 Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee In an underground mine, a very big fan (diameter 3 meters) naturally turning with air. ]]> 1431982 no no Thu, 24 Dec 2015 00:25:54 +0100 2015-12-24T00:25:54+01:00 14:37 https://hearthis.at/apatchofnettles-xy/light-in-the-tunnels-numbers-in-the-light/
From NumbersInTheDream --> https://soundcloud.com/heumbersnheream/missing-point-no-show

]]>
From NumbersInTheDream --> https://soundcloud.com/heumbersnheream/missing-point-no-show

]]> https://soundcloud.com/heumbersnheream/missing-point-no-show ]]> 1431983 no no Tue, 22 Dec 2015 10:44:05 +0100 2015-12-22T10:44:05+01:00 4:29 https://hearthis.at/apatchofnettles-xy/early-grey-rain/ 1431984 no no Sun, 20 Dec 2015 22:12:28 +0100 2015-12-20T22:12:28+01:00 3:10 https://hearthis.at/apatchofnettles-xy/apparition-disquiet-junto-project-0207-remixing-marilli/ This time, zoomed up the fraction-of-second intro 'silences'; waveshaped, stretched&mixed them to full 2.5min then crushed back down to 1:15. Interesting, but texturally 'lacking'...

So smacked both tracks together = done.

(Maybe it was the 'CC' thing? GMail decided this one should go in 'promotions'! Buggered if I know whether I've ticked the right licence...)
---------------------------------------------------------

Disquiet Junto Project 0207: Remixing Marilli
Rework source audio from Michel Banabila’s 1983 album, Marilli.

Step 1: Michel Banabila, the Dutch musician, this past week released a freely downloadable album of reworkings of his 1983 album, Marilli. (Full disclosure: I contributed a track to the remix collection.) He’s provided three brief samples from the album for the Junto to remix. The first step is to download the three samples from the Dropbox folder at this link:

https://goo.gl/JmDEfB

Step 2: Create a new track using only those three samples.

Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 17, 2015, with a deadline of 11:59pm wherever you are on Monday, December 21, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0207-remixingmarilli.” Also use “disquiet0207-remixingmarilli” as a tag for your track.

Download: Having provided the samples, Banabila has asked that you assign a Creative Commons license allowing for downloads but not for subsequent reworkings or commercial use.

Linking: When posting the track, please be sure to include this information:

More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:

http://disquiet.com/2015/12/17/disquiet0207-remixingmarilli/

The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:

https://banabila.bandcamp.com/album/marilli-remixed-free-download

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> This time, zoomed up the fraction-of-second intro 'silences'; waveshaped, stretched&mixed them to full 2.5min then crushed back down to 1:15. Interesting, but texturally 'lacking'...

So smacked both tracks together = done.

(Maybe it was the 'CC' thing? GMail decided this one should go in 'promotions'! Buggered if I know whether I've ticked the right licence...)
---------------------------------------------------------

Disquiet Junto Project 0207: Remixing Marilli
Rework source audio from Michel Banabila’s 1983 album, Marilli.

Step 1: Michel Banabila, the Dutch musician, this past week released a freely downloadable album of reworkings of his 1983 album, Marilli. (Full disclosure: I contributed a track to the remix collection.) He’s provided three brief samples from the album for the Junto to remix. The first step is to download the three samples from the Dropbox folder at this link:

https://goo.gl/JmDEfB

Step 2: Create a new track using only those three samples.

Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 17, 2015, with a deadline of 11:59pm wherever you are on Monday, December 21, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0207-remixingmarilli.” Also use “disquiet0207-remixingmarilli” as a tag for your track.

Download: Having provided the samples, Banabila has asked that you assign a Creative Commons license allowing for downloads but not for subsequent reworkings or commercial use.

Linking: When posting the track, please be sure to include this information:

More on this 207th weekly Disquiet Junto project (“Rework source audio from Michel Banabila’s 1983 album, Marilli”) at:

http://disquiet.com/2015/12/17/disquiet0207-remixingmarilli/

The audio was sourced from the 1983 album Marilli by the album’s composer, Michel Banabila. This project marks the release of the 2015 album Marilli Remixed:

https://banabila.bandcamp.com/album/marilli-remixed-free-download

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431985 no no Sat, 19 Dec 2015 10:41:25 +0100 2015-12-19T10:41:25+01:00 1:53 https://hearthis.at/apatchofnettles-xy/a-wave-upon-tolerant-silences/ Wildsilences – Safe-with-me

This one mixed with beats sliced from the neighbour's stump grind festival, a glued up steel string smashed in roadside trash, a bit of strat cycling and a day in the echo chamber.]]> Wildsilences – Safe-with-me

This one mixed with beats sliced from the neighbour's stump grind festival, a glued up steel string smashed in roadside trash, a bit of strat cycling and a day in the echo chamber.]]> Wildsilences – Safe-with-me This one mixed with beats sliced from the neighbour's stump grind festival, a glued up steel string smashed in roadside trash, a bit of strat cycling and a day in the echo chamber.]]> 1431986 no no Fri, 18 Dec 2015 10:02:27 +0100 2015-12-18T10:02:27+01:00 3:14 https://hearthis.at/apatchofnettles-xy/the-third-half-disquiet-junto-project-0206-three-switches/
-------------------------------------------------------------------
Disquiet Junto Project 0206: Three Switches
Compose a track with a trio of through-lines that repeatedly alternate relative prominence.

Note: It is generally helpful to read through all the steps before starting the first step.

Step 1: This week’s project involves a single piece of music with three separate simultaneous parts. Each of those three parts should run for the full length of the piece. The parts should individually be relatively consistent throughout.

Step 2: The one change that should occur is that every few beats, two of the three parts should be pushed to the background and the one remaining part should be prominent in the foreground. These relative positions should alternate every two seconds to four seconds or so for the full length of the piece.

Step 3: For the final few seconds, the three lines should be heard at equal (foreground, not background) volume for the first and only time in the piece.

Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 10, 2015, with a deadline of 11:59pm wherever you are on Monday, December 14, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0206-threeswitches.” Also use “disquiet0206-threeswitches” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 206th weekly Disquiet Junto project (“Compose a track with a trio of through-lines that repeatedly alternate relative prominence”) at:

http://disquiet.com/2015/12/10/disquiet0206-threeswitches/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
-------------------------------------------------------------------
Disquiet Junto Project 0206: Three Switches
Compose a track with a trio of through-lines that repeatedly alternate relative prominence.

Note: It is generally helpful to read through all the steps before starting the first step.

Step 1: This week’s project involves a single piece of music with three separate simultaneous parts. Each of those three parts should run for the full length of the piece. The parts should individually be relatively consistent throughout.

Step 2: The one change that should occur is that every few beats, two of the three parts should be pushed to the background and the one remaining part should be prominent in the foreground. These relative positions should alternate every two seconds to four seconds or so for the full length of the piece.

Step 3: For the final few seconds, the three lines should be heard at equal (foreground, not background) volume for the first and only time in the piece.

Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 10, 2015, with a deadline of 11:59pm wherever you are on Monday, December 14, 2015.

Length: The length is up to you, though between one and three minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0206-threeswitches.” Also use “disquiet0206-threeswitches” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 206th weekly Disquiet Junto project (“Compose a track with a trio of through-lines that repeatedly alternate relative prominence”) at:

http://disquiet.com/2015/12/10/disquiet0206-threeswitches/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431987 no no Sat, 12 Dec 2015 13:26:28 +0100 2015-12-12T13:26:28+01:00 2:36 https://hearthis.at/apatchofnettles-xy/concealments-disquiet-junto-project-0205-superposition/ -- It needs something flat and shiny to sit on near the bottom
-- It has a pattern of three beats and a rest, with a suggestion of shorter notes before and after
-- It has a lot of vertical stripes
-- The vertical stripes have a vague reflection...

All midi-roll stuff. Lots of pulsed controllers & abrupt spiked beats, with a 'mirrored' chromatic progression, because semitones and stripes are the same thing on a guitar... the 'obvious' note length pattern from the picture became the overall arrangement of the piece - stretched right out at 16BPM so a room full of schoolkids can keep up.

--------------------------------------------------------------------
Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.

This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.

Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:

http://disquiet.com/wp-content/uploads/2015/12/20151203-560×560.jpg

Step 2: Record a piece of music based on that score in Step 1.

Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 3, 2015, with a deadline of 11:59pm wherever you are on Monday, December 7, 2015.

Length: The length is up to you, though between one and two minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0205-superposition.” Also use “disquiet0205-superposition” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:

http://disquiet.com/2015/12/03/disquiet0205-superposition/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> -- It needs something flat and shiny to sit on near the bottom
-- It has a pattern of three beats and a rest, with a suggestion of shorter notes before and after
-- It has a lot of vertical stripes
-- The vertical stripes have a vague reflection...

All midi-roll stuff. Lots of pulsed controllers & abrupt spiked beats, with a 'mirrored' chromatic progression, because semitones and stripes are the same thing on a guitar... the 'obvious' note length pattern from the picture became the overall arrangement of the piece - stretched right out at 16BPM so a room full of schoolkids can keep up.

--------------------------------------------------------------------
Disquiet Junto Project 0205: Superposition
Interpret boxed-up music-education materials as a graphic-notation score.

This week’s project falls broadly into the category of “graphic notation.” It uses a found assemblage as its starting point.

Step 1: Look at this image associated with this project, and imagine it as a score in the tradition of graphic notation:

http://disquiet.com/wp-content/uploads/2015/12/20151203-560×560.jpg

Step 2: Record a piece of music based on that score in Step 1.

Step 3: Upload your completed track from Step 2 to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 3, 2015, with a deadline of 11:59pm wherever you are on Monday, December 7, 2015.

Length: The length is up to you, though between one and two minutes seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0205-superposition.” Also use “disquiet0205-superposition” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 205th weekly Disquiet Junto project (“Interpret boxed-up music-education materials as a graphic-notation score”) at:

http://disquiet.com/2015/12/03/disquiet0205-superposition/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1431988 no no Sun, 06 Dec 2015 12:09:20 +0100 2015-12-06T12:09:20+01:00 1:27 https://hearthis.at/apatchofnettles-xy/the-mechanics-institute/ Local legend claims the building's heavy reverb to have been 'designed in' especially for the talents of a rising opera darling-of-the-day --> https://en.wikipedia.org/wiki/Eva_Mylott

A live stereo track, with hands-off 'mastering'. (slightly softened EQ, overdub smudging of the speech in the lead-in, and tiny spillover at end from the next track on the recorder...)]]> Local legend claims the building's heavy reverb to have been 'designed in' especially for the talents of a rising opera darling-of-the-day --> https://en.wikipedia.org/wiki/Eva_Mylott

A live stereo track, with hands-off 'mastering'. (slightly softened EQ, overdub smudging of the speech in the lead-in, and tiny spillover at end from the next track on the recorder...)]]> https://en.wikipedia.org/wiki/Eva_Mylott A live stereo track, with hands-off 'mastering'. (slightly softened EQ, overdub smudging of the speech in the lead-in, and tiny spillover at end from the next track on the recorder...)]]> 1431989 no no Thu, 03 Dec 2015 13:15:39 +0100 2015-12-03T13:15:39+01:00 3:46 https://hearthis.at/apatchofnettles-xy/the-far-bank-disquiet-junto-project-0204-under-beat/ https://soundcloud.com/toaster-1/beacon-for-marissa.
Only additional material in the mix is some rattling from the Stoch4 set to drum sounds.

----------------------------------------------------------------------
Disquiet Junto Project 0204: Under Beat
Add a foundational rhythm to an ambient foreground.

This week’s project is a complement to last week’s — but you can do this week’s project without having done, or even been aware of, last week’s. Last week we added a foreground to an underlying beat. This week we’re adding an underlying beat to a foreground.

Step 1: Listen to and download the track “Beacon, For Marissa” by Toaster:

https://soundcloud.com/toaster-1/beacon-for-marissa

Step 2: You’ll be adding a foundational, underlying rhythm — a beat, that is — to the track. The original is quite long, at over 17 minutes. You can certainly utilize the full piece, but it’s recommended that you select a segment of between 2 to 4 minutes.

Step 3: Please create a new track by adding a beat to the source audio from Step 2. (Do not change the source audio, other than perhaps fading in and out at the start and end, though you can use it as raw material for whatever beat you choose to add.)

Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, November 26, 2015, with a deadline of 11:59pm wherever you are on Monday, November 30, 2015.

Length: The length is up to you. The original is just over 17 minutes, though you needn’t create something that long. A segment of between 2 to 4 minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0204-underbeat.” Also use “disquiet0204-underbeat” as a tag for your track.

Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of Toaster’s source audio.

Linking: When posting the track, please be sure to include this information:

More on this 204th weekly Disquiet Junto project (“Add a foundational rhythm to an ambient foreground”) at:

http://disquiet.com/2015/11/26/disquiet0204-underbeat/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is a light reworking of the image that accompanied the track, Toaster’s “Beacon, For Marissa,” that is the source audio for this week’s project:

https://soundcloud.com/toaster-1/beacon-for-marissa]]> https://soundcloud.com/toaster-1/beacon-for-marissa.
Only additional material in the mix is some rattling from the Stoch4 set to drum sounds.

----------------------------------------------------------------------
Disquiet Junto Project 0204: Under Beat
Add a foundational rhythm to an ambient foreground.

This week’s project is a complement to last week’s — but you can do this week’s project without having done, or even been aware of, last week’s. Last week we added a foreground to an underlying beat. This week we’re adding an underlying beat to a foreground.

Step 1: Listen to and download the track “Beacon, For Marissa” by Toaster:

https://soundcloud.com/toaster-1/beacon-for-marissa

Step 2: You’ll be adding a foundational, underlying rhythm — a beat, that is — to the track. The original is quite long, at over 17 minutes. You can certainly utilize the full piece, but it’s recommended that you select a segment of between 2 to 4 minutes.

Step 3: Please create a new track by adding a beat to the source audio from Step 2. (Do not change the source audio, other than perhaps fading in and out at the start and end, though you can use it as raw material for whatever beat you choose to add.)

Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, November 26, 2015, with a deadline of 11:59pm wherever you are on Monday, November 30, 2015.

Length: The length is up to you. The original is just over 17 minutes, though you needn’t create something that long. A segment of between 2 to 4 minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0204-underbeat.” Also use “disquiet0204-underbeat” as a tag for your track.

Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of Toaster’s source audio.

Linking: When posting the track, please be sure to include this information:

More on this 204th weekly Disquiet Junto project (“Add a foundational rhythm to an ambient foreground”) at:

http://disquiet.com/2015/11/26/disquiet0204-underbeat/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is a light reworking of the image that accompanied the track, Toaster’s “Beacon, For Marissa,” that is the source audio for this week’s project:

https://soundcloud.com/toaster-1/beacon-for-marissa]]> https://soundcloud.com/toaster-1/beacon-for-marissa. Only additional material in the mix is some rattling from the Stoch4 set to drum sounds. ---------------------------------------------------------------------- Disquiet Junto Project 0204: Under Beat Add a foundational rhythm to an ambient foreground. This week’s project is a complement to last week’s — but you can do this week’s project without having done, or even been aware of, last week’s. Last week we added a foreground to an underlying beat. This week we’re adding an underlying beat to a foreground. Step 1: Listen to and download the track “Beacon, For Marissa” by Toaster: https://soundcloud.com/toaster-1/beacon-for-marissa Step 2: You’ll be adding a foundational, underlying rhythm — a beat, that is — to the track. The original is quite long, at over 17 minutes. You can certainly utilize the full piece, but it’s recommended that you select a segment of between 2 to 4 minutes. Step 3: Please create a new track by adding a beat to the source audio from Step 2. (Do not change the source audio, other than perhaps fading in and out at the start and end, though you can use it as raw material for whatever beat you choose to add.) Step 4: Upload your completed track from Step 3 to the Disquiet Junto group on SoundCloud. Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This project was posted in the early afternoon, California time, on Thursday, November 26, 2015, with a deadline of 11:59pm wherever you are on Monday, November 30, 2015. Length: The length is up to you. The original is just over 17 minutes, though you needn’t create something that long. A segment of between 2 to 4 minutes is recommended. Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0204-underbeat.” Also use “disquiet0204-underbeat” as a tag for your track. Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of Toaster’s source audio. Linking: When posting the track, please be sure to include this information: More on this 204th weekly Disquiet Junto project (“Add a foundational rhythm to an ambient foreground”) at: http://disquiet.com/2015/11/26/disquiet0204-underbeat/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Subscribe to project announcements here: http://tinyletter.com/disquiet Disquiet Junto general discussion takes place at: http://disquiet.com/forums/ The image associated with this project is a light reworking of the image that accompanied the track, Toaster’s “Beacon, For Marissa,” that is the source audio for this week’s project: https://soundcloud.com/toaster-1/beacon-for-marissa]]> 1431990 no no Sun, 29 Nov 2015 01:59:37 +0100 2015-11-29T01:59:37+01:00 2:35 https://hearthis.at/apatchofnettles-xy/nameless-disquiet-junto-project-0203-beat-basis/
-------------------------------------------------------------------
Disquiet Junto Project 0203: Beat Basis
Add something to a rhythm track titled “It.”

Step 1: Listen to and download the track “It” by Name Constant:

https://soundcloud.com/random-coil/it-1

Step 2: When posting the track, Name Constant accompanied it with this invitation: “additions welcome, should anyone be inspired by emptyness.” Please create a new track with the source audio as the foundation. (Do not change the source audio, though you can also use it as raw material for whatever you choose to add.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, November 19, 2015, with a deadline of 11:59pm wherever you are on Monday, November 23, 2015.

Length: The length is up to you. The original is just under six minutes, though you needn’t create something that long.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0203-beatbasis.” Also use “disquiet0203-beatbasis” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 203rd weekly Disquiet Junto project (“Add something to a rhythm track titled ‘It'”) at:

http://disquiet.com/2015/11/19/disquiet0203-beatbasis/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this project originally accompanied the source audio (“It” by Name Constant) on SoundCloud:

https://soundcloud.com/random-coil/it-1]]>
-------------------------------------------------------------------
Disquiet Junto Project 0203: Beat Basis
Add something to a rhythm track titled “It.”

Step 1: Listen to and download the track “It” by Name Constant:

https://soundcloud.com/random-coil/it-1

Step 2: When posting the track, Name Constant accompanied it with this invitation: “additions welcome, should anyone be inspired by emptyness.” Please create a new track with the source audio as the foundation. (Do not change the source audio, though you can also use it as raw material for whatever you choose to add.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, November 19, 2015, with a deadline of 11:59pm wherever you are on Monday, November 23, 2015.

Length: The length is up to you. The original is just under six minutes, though you needn’t create something that long.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0203-beatbasis.” Also use “disquiet0203-beatbasis” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 203rd weekly Disquiet Junto project (“Add something to a rhythm track titled ‘It'”) at:

http://disquiet.com/2015/11/19/disquiet0203-beatbasis/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this project originally accompanied the source audio (“It” by Name Constant) on SoundCloud:

https://soundcloud.com/random-coil/it-1]]> 1431991 no no Sun, 22 Nov 2015 08:20:05 +0100 2015-11-22T08:20:05+01:00 5:56 https://hearthis.at/apatchofnettles-xy/no-walls-punk-silence/ https://soundcloud.com/wildsilences/the-wall ... and a little Stoch5 as flavour-of-the-month.

https://soundcloud.com/wildsilences
https://soundcloud.com/midipunk]]> https://soundcloud.com/wildsilences/the-wall ... and a little Stoch5 as flavour-of-the-month.

https://soundcloud.com/wildsilences
https://soundcloud.com/midipunk]]> https://soundcloud.com/wildsilences/the-wall ... and a little Stoch5 as flavour-of-the-month. https://soundcloud.com/wildsilences https://soundcloud.com/midipunk]]> 1431992 no no Thu, 19 Nov 2015 12:00:34 +0100 2015-11-19T12:00:34+01:00 3:46 https://hearthis.at/apatchofnettles-xy/expectation-and-work-based-in-waiver-disquiet-junto-project-0202-text-to-speech-to-free/
I aligned the whole text in columns per word spacing; then lifted one single column from entirety. Edited this 'word list' applying a rule of only consecutive deletions to conform skeletal syntax ... no insertions or re-ordering allowed.

Result was the following text exactly as entered to text-to-speech software:

Many from an emergent jail : each suddenly all freedom.
Khartabil : free, back, and of him : countries.
Lebanon-Syria Palestinian tried ; made developing.
The project, his work, further, and forward pushing me on to trance.
In Bassel, together sought the art.
Prisoner of we : and linked of surprised mother.
Foundation of three that rectify and here is functional.
J’écris J’écris les journées ton
Sur Sur la Sur vide nom
J’écris au-dessus murs
Moment telling the rushing of world the working.
To Court thought.
The Commons : this to tell me.
Words : human : into things.
Yourself least.
Close free-knowledge my double.
Definition of property : free phrase be against She!
Written at, all described contradictory.
Concepts in openness is problematic.
Contact for clarification, yet, work too, If to be distractions.
The nearrings, are one’s knowledge, that for worth is first someone.
To actually talk the most and to differentiate convenience, and view's variety.
Able knowledge : consider technology of work.
Who ? As if such have?
Even powerful, insoluble, able , aporia philosophical, external.
Book of replacing the personal.
About secrets.
I talk without justice.
A worried thing.
Basically cryptography.
Whether me asking them sets rules?
I buy Now, purist, mobile culture.
Sprint : long emerging and amazed.
My photograph working, even as through.
Celebrated for Khartabil.
Willing script : willingness movement.
People real, spatial now left : leave pronounced shades and harming us.
The executive future is of the available.
Mission Montgolfier technology !
New Internet, run democratic.
Deliberation for money-making License while ballooned user merely The logic : the D-CENT.
The light planets faster and Mindful.
Coming express enabled , numerous of networks.
Leaving media and and other as referred work .
Called up : new can free their value wish as most incredible.
civilisations management, the changing solidarity .
Hackers.
open.
Libre.
Initiatives.
Authorities, are objects.
Source based political Century emerges.
They smile.
Smile triggered of learning , and home towards deafening something.
Desert of internet works , and flowing fossil running.
My human Galaxy.
Fundamental to the planetary news, which enterprise updated.
Learn this science.
This quantum ship Now between cost of freedom We know.
His expectation and Work, based in Waiver .

------------------------------------------------------------------------------------

More on this 202nd weekly Disquiet Junto project (“Create an audiobook chapter from the new essay collection The Cost of Freedom) at:

http://disquiet.com/2015/11/12/disquiet0202-costoffreedom/

The source of the text in this project is from the book The Cost of Freedom, which raises awareness about the ongoing detainment of Creative Commons coder/artist Bassel Khartabil Sadafi. More on it here:

http://costoffreedom.cc

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]>
I aligned the whole text in columns per word spacing; then lifted one single column from entirety. Edited this 'word list' applying a rule of only consecutive deletions to conform skeletal syntax ... no insertions or re-ordering allowed.

Result was the following text exactly as entered to text-to-speech software:

Many from an emergent jail : each suddenly all freedom.
Khartabil : free, back, and of him : countries.
Lebanon-Syria Palestinian tried ; made developing.
The project, his work, further, and forward pushing me on to trance.
In Bassel, together sought the art.
Prisoner of we : and linked of surprised mother.
Foundation of three that rectify and here is functional.
J’écris J’écris les journées ton
Sur Sur la Sur vide nom
J’écris au-dessus murs
Moment telling the rushing of world the working.
To Court thought.
The Commons : this to tell me.
Words : human : into things.
Yourself least.
Close free-knowledge my double.
Definition of property : free phrase be against She!
Written at, all described contradictory.
Concepts in openness is problematic.
Contact for clarification, yet, work too, If to be distractions.
The nearrings, are one’s knowledge, that for worth is first someone.
To actually talk the most and to differentiate convenience, and view's variety.
Able knowledge : consider technology of work.
Who ? As if such have?
Even powerful, insoluble, able , aporia philosophical, external.
Book of replacing the personal.
About secrets.
I talk without justice.
A worried thing.
Basically cryptography.
Whether me asking them sets rules?
I buy Now, purist, mobile culture.
Sprint : long emerging and amazed.
My photograph working, even as through.
Celebrated for Khartabil.
Willing script : willingness movement.
People real, spatial now left : leave pronounced shades and harming us.
The executive future is of the available.
Mission Montgolfier technology !
New Internet, run democratic.
Deliberation for money-making License while ballooned user merely The logic : the D-CENT.
The light planets faster and Mindful.
Coming express enabled , numerous of networks.
Leaving media and and other as referred work .
Called up : new can free their value wish as most incredible.
civilisations management, the changing solidarity .
Hackers.
open.
Libre.
Initiatives.
Authorities, are objects.
Source based political Century emerges.
They smile.
Smile triggered of learning , and home towards deafening something.
Desert of internet works , and flowing fossil running.
My human Galaxy.
Fundamental to the planetary news, which enterprise updated.
Learn this science.
This quantum ship Now between cost of freedom We know.
His expectation and Work, based in Waiver .

------------------------------------------------------------------------------------

More on this 202nd weekly Disquiet Junto project (“Create an audiobook chapter from the new essay collection The Cost of Freedom) at:

http://disquiet.com/2015/11/12/disquiet0202-costoffreedom/

The source of the text in this project is from the book The Cost of Freedom, which raises awareness about the ongoing detainment of Creative Commons coder/artist Bassel Khartabil Sadafi. More on it here:

http://costoffreedom.cc

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/
]]> 1431994 no no Sat, 14 Nov 2015 08:09:27 +0100 2015-11-14T08:09:27+01:00 3:37 https://hearthis.at/apatchofnettles-xy/hyenas-maximalised-midipunk/
Find tight tracks at --> https://soundcloud.com/midipunk
]]>
Find tight tracks at --> https://soundcloud.com/midipunk
]]> https://soundcloud.com/midipunk ]]> 1431995 no no Tue, 10 Nov 2015 09:10:21 +0100 2015-11-10T09:10:21+01:00 3:56 https://hearthis.at/apatchofnettles-xy/alluvium-disquiet-junto-project-0201-real-future/
Racked up three core parts for further arrangement, and to set the length of track. Reduced length of sections by slicing down repeated elements and overlaying into themselves.
All remaining material was sped up in factors of 2x, then pitch shifted back down in octaves. The resulting blocks of 'tonal shreddings' were variously filtered and resonated to create ambient/pulsating&'pad' sound layers; threaded back into the original blocks. Not a second wasted...

Thanks to French rock band Salmo: http://freemusicarchive.org/music/Salmo/Salmo/ - there is no reason not to listen to this at its full length.

-----------------------------------------------------------------
Disquiet Junto Project 0201: Real Future
Encapsulate an album for efficient yet meaningful consumption.

This project was developed for the November 2015 Real Future Fair in San Francisco at the encouragement of and with the participation of Alexis Madrigal and Cara Rose DeFabio:

http://realfuturefair.com/

Step 1: First, ask yourself this question: As the population on Earth increases, and more and more people are creating art, how will technology and our brains collaborate to process all that creative information. In 2015 it’s hard enough to keep track of all the TV shows, albums, novels, and video games. What about in 2055?

Step 2: Choose one of these two albums to be your source material and download it:

This self-titled ambient pop album by the New Zealand act Montano: https://montano.bandcamp.com/album/montano

This self-titled album by the French rock band Salmo: http://freemusicarchive.org/music/Salmo/Salmo/

Step 3: Consider an approach to compress the selected album for … let’s call it “efficient yet meaningful” consumption. Already today supercuts and superfuses condense material through quick sequences and dense simultaneity. Come up with an approach to similarly compressing a full-length album. You might consider the “overture” employed in project 0198, but you’ll likely come up with your own approach. And keep in mind that the end result should be … let’s call it “enjoyable.”

Step 4: Apply the result of Step 3 to the album you downloaded in Step 2.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, November 5, 2015, with a deadline of 11:59pm wherever you are on Monday, November 9, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0201-realfuture” in the title of your track, and as a tag for your track.

Download: Due to the Creative Commons nature of the source material, you should use the following license for your work:

http://creativecommons.org/licenses/by/4.0/

Linking: When posting the track, please be sure to include this information:

More on this 201st weekly Disquiet Junto project (“Encapsulate an album for efficient yet meaningful consumption”) at:

http://disquiet.com/2015/11/05/disquiet0201-realfuture/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]>
Racked up three core parts for further arrangement, and to set the length of track. Reduced length of sections by slicing down repeated elements and overlaying into themselves.
All remaining material was sped up in factors of 2x, then pitch shifted back down in octaves. The resulting blocks of 'tonal shreddings' were variously filtered and resonated to create ambient/pulsating&'pad' sound layers; threaded back into the original blocks. Not a second wasted...

Thanks to French rock band Salmo: http://freemusicarchive.org/music/Salmo/Salmo/ - there is no reason not to listen to this at its full length.

-----------------------------------------------------------------
Disquiet Junto Project 0201: Real Future
Encapsulate an album for efficient yet meaningful consumption.

This project was developed for the November 2015 Real Future Fair in San Francisco at the encouragement of and with the participation of Alexis Madrigal and Cara Rose DeFabio:

http://realfuturefair.com/

Step 1: First, ask yourself this question: As the population on Earth increases, and more and more people are creating art, how will technology and our brains collaborate to process all that creative information. In 2015 it’s hard enough to keep track of all the TV shows, albums, novels, and video games. What about in 2055?

Step 2: Choose one of these two albums to be your source material and download it:

This self-titled ambient pop album by the New Zealand act Montano: https://montano.bandcamp.com/album/montano

This self-titled album by the French rock band Salmo: http://freemusicarchive.org/music/Salmo/Salmo/

Step 3: Consider an approach to compress the selected album for … let’s call it “efficient yet meaningful” consumption. Already today supercuts and superfuses condense material through quick sequences and dense simultaneity. Come up with an approach to similarly compressing a full-length album. You might consider the “overture” employed in project 0198, but you’ll likely come up with your own approach. And keep in mind that the end result should be … let’s call it “enjoyable.”

Step 4: Apply the result of Step 3 to the album you downloaded in Step 2.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, November 5, 2015, with a deadline of 11:59pm wherever you are on Monday, November 9, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0201-realfuture” in the title of your track, and as a tag for your track.

Download: Due to the Creative Commons nature of the source material, you should use the following license for your work:

http://creativecommons.org/licenses/by/4.0/

Linking: When posting the track, please be sure to include this information:

More on this 201st weekly Disquiet Junto project (“Encapsulate an album for efficient yet meaningful consumption”) at:

http://disquiet.com/2015/11/05/disquiet0201-realfuture/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 1431996 no no Fri, 06 Nov 2015 19:49:40 +0100 2015-11-06T19:49:40+01:00 3:52 https://hearthis.at/apatchofnettles-xy/mudrostikomad-disquiet-junto-project-0200-kadrey-score/
Happy how it turned out, after a few false starts. I didn't want to 'write a song', hoping I could somehow transfer the inflections of voice into something vaguely reflecting the visual and emotive narrative. Sort of worked.

-------------------------------------------------------------
Disquiet Junto Project 0200: Kadrey Score
Create a score to a Richard Kadrey short story — using his own voice as source audio.

Step 1: The author Richard Kadrey (Sandman Slim, Metrophage) has recorded himself reading seven separate one-minute segments of a short story that can be listened to in any sequence. Choose a number from 1 to 7. The tool at the top of this page is useful:

http://www.randomnumbergenerator.com/

Step 2: Download the numerical track from this following playlist. The tracks are listed from “MUDROSTI 1” through “MUDROSTI 7.” Download the one that correlates with the number resulting from Step 1 of this project.

https://soundcloud.com/disquiet/sets/richard-kadrey-mudrosti-junto/s-H7sas

Step 3: Create a score to accompany Kadrey’s reading of his own short story in the track that you got in Step 2. Primarily use Kadrey’s own voice as the source material for your score — bend it, shape it, extract from it, and burnish it to your will. Additional sonic elements, both musical and foley, are welcome, but a substantial percentage of the sound should be from Kadrey’s own voice. Also: keep Kadrey’s own reading audible and inteligible; don’t slow or speed or otherwise edit it. Your score should accompany his reading, not thoroughly supplant it.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Include the term “disquiet0200-kadreyscoreX” in the title of your track, where X is the number of the track you were assigned (1 through 7).

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 29, 2015, with a deadline of 11:59pm wherever you are on Monday, November 2, 2015.

Length: The length of your finished work should be the same length as that of the original Kadrey track you downloaded.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term term “disquiet0200-kadreyscoreX” in the title of your track, where X is the number of the track you were assigned (1 through 7).

Tags: And include “disquiet0200-kadreyscore” as a tag for your track.

Download: Due to Kadrey’s generosity and the Creative Commons nature of his source material, you should use the following license for your work and make your work available for download:

http://creativecommons.org/licenses/by/4.0/

More from Kadrey at

http://richardkadrey.com
http://facebook.com/richard.kadrey
http://twitter.com/Richard_Kadrey]]>
Happy how it turned out, after a few false starts. I didn't want to 'write a song', hoping I could somehow transfer the inflections of voice into something vaguely reflecting the visual and emotive narrative. Sort of worked.

-------------------------------------------------------------
Disquiet Junto Project 0200: Kadrey Score
Create a score to a Richard Kadrey short story — using his own voice as source audio.

Step 1: The author Richard Kadrey (Sandman Slim, Metrophage) has recorded himself reading seven separate one-minute segments of a short story that can be listened to in any sequence. Choose a number from 1 to 7. The tool at the top of this page is useful:

http://www.randomnumbergenerator.com/

Step 2: Download the numerical track from this following playlist. The tracks are listed from “MUDROSTI 1” through “MUDROSTI 7.” Download the one that correlates with the number resulting from Step 1 of this project.

https://soundcloud.com/disquiet/sets/richard-kadrey-mudrosti-junto/s-H7sas

Step 3: Create a score to accompany Kadrey’s reading of his own short story in the track that you got in Step 2. Primarily use Kadrey’s own voice as the source material for your score — bend it, shape it, extract from it, and burnish it to your will. Additional sonic elements, both musical and foley, are welcome, but a substantial percentage of the sound should be from Kadrey’s own voice. Also: keep Kadrey’s own reading audible and inteligible; don’t slow or speed or otherwise edit it. Your score should accompany his reading, not thoroughly supplant it.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Include the term “disquiet0200-kadreyscoreX” in the title of your track, where X is the number of the track you were assigned (1 through 7).

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 29, 2015, with a deadline of 11:59pm wherever you are on Monday, November 2, 2015.

Length: The length of your finished work should be the same length as that of the original Kadrey track you downloaded.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term term “disquiet0200-kadreyscoreX” in the title of your track, where X is the number of the track you were assigned (1 through 7).

Tags: And include “disquiet0200-kadreyscore” as a tag for your track.

Download: Due to Kadrey’s generosity and the Creative Commons nature of his source material, you should use the following license for your work and make your work available for download:

http://creativecommons.org/licenses/by/4.0/

More from Kadrey at

http://richardkadrey.com
http://facebook.com/richard.kadrey
http://twitter.com/Richard_Kadrey]]> 1431997 no no Sat, 31 Oct 2015 08:59:56 +0100 2015-10-31T08:59:56+01:00 1:07 https://hearthis.at/apatchofnettles-xy/kajtiamsedtiam-chicago-lot-nettles/ https://soundcloud.com/chicago_word_brigade/kaj_tiam

Catches the eye to see a 10min track; in 4 equal single voice parts; with a tiny silence between; and no comment but the BPM. Guess you're meant to build your own mix before you listen.
(If you choose to ramp the phaser LFO, turn to page 48, If you choose to saturate the delay line, turn to page 37)]]> https://soundcloud.com/chicago_word_brigade/kaj_tiam

Catches the eye to see a 10min track; in 4 equal single voice parts; with a tiny silence between; and no comment but the BPM. Guess you're meant to build your own mix before you listen.
(If you choose to ramp the phaser LFO, turn to page 48, If you choose to saturate the delay line, turn to page 37)]]> https://soundcloud.com/chicago_word_brigade/kaj_tiam Catches the eye to see a 10min track; in 4 equal single voice parts; with a tiny silence between; and no comment but the BPM. Guess you're meant to build your own mix before you listen. (If you choose to ramp the phaser LFO, turn to page 48, If you choose to saturate the delay line, turn to page 37)]]> 1431998 no no Sun, 25 Oct 2015 12:20:20 +0100 2015-10-25T12:20:20+01:00 3:17 https://hearthis.at/apatchofnettles-xy/flecked-silvered-mirror/ 1431999 no no Sat, 24 Oct 2015 14:25:23 +0200 2015-10-24T14:25:23+02:00 2:57 https://hearthis.at/apatchofnettles-xy/horizon-disquiet-junto-project-0199-space-crickets/
So, fantasy it is ... I imagine many small sounds, electronic devices & fans, clatter of switching & keying, compartments & closures, all tightly reverberating with an inescapable note of proximity. And the prepared sound loop offering a sanctuary where the bleed of those sounds could transform into an internal, organic music.

An Audacity paint&paste ... Already had several cricket &/or rain recordings, variously marked with fragments of 'musical' overdub or live recorded mixing, so worked up from these. Odd note to how it turned out = I know I jammed a lot of crickets in there, but hearing back, I can't find them in the rain drop spatter. They have a very tight frequency band, maybe the drones ate them!

----------------------------------------------------------------
Disquiet Junto Project 0199: Space Crickets
Make a field recording of a field recording in a spaceship.

Step 1: You’re going to make an original field recording. Use only your own recordings and those from copyright-OK sources, such as freesound.org.

Step 2: There’s a brief scene in the film Interstellar (2014, directed by Christopher Nolan) aboard a spacecraft in which it’s revealed that the pilot, played by Matthew McConaughey, calms himself by listening to a field recording of crickets and rain. There’s something intimate and reflective about that little sonic trinket of Earth being of use aboard an interstellar ship. In turn, we back here on the planet are going to make a field recording — a “fake” field recording, that is — for our own use. It should answer this question: What does it sound like to listen to a field recording of crickets and rain while aboard a spaceship? (For reference, you can view the scene here: https://www.youtube.com/watch?v=cNI-iZ_1Rac.)

Step 3: Make the field recording described in Step 2.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 22, 2015, with a deadline of 11:59pm wherever you are on Monday, October 26, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0199-spacecrickets” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 199th Disquiet Junto project (“Make a field recording of a field recording in a spaceship”) at:

http://disquiet.com/2015/10/22/disquiet0199-spacecrickets/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
So, fantasy it is ... I imagine many small sounds, electronic devices & fans, clatter of switching & keying, compartments & closures, all tightly reverberating with an inescapable note of proximity. And the prepared sound loop offering a sanctuary where the bleed of those sounds could transform into an internal, organic music.

An Audacity paint&paste ... Already had several cricket &/or rain recordings, variously marked with fragments of 'musical' overdub or live recorded mixing, so worked up from these. Odd note to how it turned out = I know I jammed a lot of crickets in there, but hearing back, I can't find them in the rain drop spatter. They have a very tight frequency band, maybe the drones ate them!

----------------------------------------------------------------
Disquiet Junto Project 0199: Space Crickets
Make a field recording of a field recording in a spaceship.

Step 1: You’re going to make an original field recording. Use only your own recordings and those from copyright-OK sources, such as freesound.org.

Step 2: There’s a brief scene in the film Interstellar (2014, directed by Christopher Nolan) aboard a spacecraft in which it’s revealed that the pilot, played by Matthew McConaughey, calms himself by listening to a field recording of crickets and rain. There’s something intimate and reflective about that little sonic trinket of Earth being of use aboard an interstellar ship. In turn, we back here on the planet are going to make a field recording — a “fake” field recording, that is — for our own use. It should answer this question: What does it sound like to listen to a field recording of crickets and rain while aboard a spaceship? (For reference, you can view the scene here: https://www.youtube.com/watch?v=cNI-iZ_1Rac.)

Step 3: Make the field recording described in Step 2.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 22, 2015, with a deadline of 11:59pm wherever you are on Monday, October 26, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0199-spacecrickets” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 199th Disquiet Junto project (“Make a field recording of a field recording in a spaceship”) at:

http://disquiet.com/2015/10/22/disquiet0199-spacecrickets/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1432000 no no Sat, 24 Oct 2015 13:40:52 +0200 2015-10-24T13:40:52+02:00 1:44 https://hearthis.at/apatchofnettles-xy/mirabilis-cambium-grafted/ https://soundcloud.com/lemonadelove ... warmhearted (A smile doesn't always come with a giggle.)

Mirabilis headed out down a winding fretboard, and on hearing voices, knew immediately where they were coming from! --> https://soundcloud.com/lemonadelove/here-will-be-no-miracles-here
]]> https://soundcloud.com/lemonadelove ... warmhearted (A smile doesn't always come with a giggle.)

Mirabilis headed out down a winding fretboard, and on hearing voices, knew immediately where they were coming from! --> https://soundcloud.com/lemonadelove/here-will-be-no-miracles-here
]]> https://soundcloud.com/lemonadelove ... warmhearted (A smile doesn't always come with a giggle.) Mirabilis headed out down a winding fretboard, and on hearing voices, knew immediately where they were coming from! --> https://soundcloud.com/lemonadelove/here-will-be-no-miracles-here ]]> 1432001 no no Fri, 23 Oct 2015 13:19:24 +0200 2015-10-23T13:19:24+02:00 2:30 https://hearthis.at/apatchofnettles-xy/a-free-thought-disquiet-junto-project-0198-overture-remix/
But I did manage to arrive at something a bit lighter/digestible; with a 'song-like' structure introducing major themes from the tracks. All was freehand Audacity stuff...

Chose 5x mid-length clips, and pasted up with overlap, but without fades - some I slid through copies of themselves to elaborate melodic sense, others very slightly time stretched to mesh better on the overlaps. The result felt a bit hollow & jarring, so went back for 5x more very short clips which I looped, then faded the loops through various transitions of the existing pasteup.

----------------------------------------------------------------------
Disquiet Junto Project 0198: Overture Remix
Create an overture for a full-length album.

Thanks to Lee Rosevere (twitter.com/leerosevere) for proposing the source audio for this project.

This week you’ll produce an overture for an album. You’ll do so by culling key representational material from each of the five tracks that comprise Chris Zabriskie’s album Thoughtless.

Step 1: Download and listen to the five tracks of Chris Zabriskie’s album Thoughtless, available at this URL:

http://freemusicarchive.org/music/Chris_Zabriskie/Thoughtless

Step 2: Cull a representative segment from each of the five tracks.

Step 3: Create an overture to the album by combining those segments into one standalone piece of music.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, October 15, 2015, with a deadline of 11:59pm wherever you are on Monday, October 19, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0198-overtureremix” in the title of your track, and as a tag for your track.

Download: Due to the Creative Commons nature of the source material, you should use the following license for your work:

http://creativecommons.org/licenses/by/4.0/

More on this 198th Disquiet Junto project (“Create an overture for a full-length album”) at:

http://disquiet.com/2015/10/15/disquiet0198-overtureremix/

The source audio for this project is the album Thoughtless by Chris Zabriskie, more on which here:

http://freemusicarchive.org/music/Chris_Zabriskie/Thoughtless

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
But I did manage to arrive at something a bit lighter/digestible; with a 'song-like' structure introducing major themes from the tracks. All was freehand Audacity stuff...

Chose 5x mid-length clips, and pasted up with overlap, but without fades - some I slid through copies of themselves to elaborate melodic sense, others very slightly time stretched to mesh better on the overlaps. The result felt a bit hollow & jarring, so went back for 5x more very short clips which I looped, then faded the loops through various transitions of the existing pasteup.

----------------------------------------------------------------------
Disquiet Junto Project 0198: Overture Remix
Create an overture for a full-length album.

Thanks to Lee Rosevere (twitter.com/leerosevere) for proposing the source audio for this project.

This week you’ll produce an overture for an album. You’ll do so by culling key representational material from each of the five tracks that comprise Chris Zabriskie’s album Thoughtless.

Step 1: Download and listen to the five tracks of Chris Zabriskie’s album Thoughtless, available at this URL:

http://freemusicarchive.org/music/Chris_Zabriskie/Thoughtless

Step 2: Cull a representative segment from each of the five tracks.

Step 3: Create an overture to the album by combining those segments into one standalone piece of music.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, October 15, 2015, with a deadline of 11:59pm wherever you are on Monday, October 19, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0198-overtureremix” in the title of your track, and as a tag for your track.

Download: Due to the Creative Commons nature of the source material, you should use the following license for your work:

http://creativecommons.org/licenses/by/4.0/

More on this 198th Disquiet Junto project (“Create an overture for a full-length album”) at:

http://disquiet.com/2015/10/15/disquiet0198-overtureremix/

The source audio for this project is the album Thoughtless by Chris Zabriskie, more on which here:

http://freemusicarchive.org/music/Chris_Zabriskie/Thoughtless

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1432002 no no Sat, 17 Oct 2015 09:22:14 +0200 2015-10-17T09:22:14+02:00 3:40 https://hearthis.at/apatchofnettles-xy/all-the-hours/ 1432003 no no Thu, 15 Oct 2015 23:52:20 +0200 2015-10-15T23:52:20+02:00 4:50 https://hearthis.at/apatchofnettles-xy/im-in-pet-force-keithysreversal/ https://soundcloud.com/keithysdunimselfamischief/imperfection-empty-rooms-0001 , with the challenge "some lyrics, reversed ... If you want to listen to them just play it backwards".

OK - done.
Backwards words backwards = forward
Forwards tune backwards backwards = forward as well...
]]> https://soundcloud.com/keithysdunimselfamischief/imperfection-empty-rooms-0001 , with the challenge "some lyrics, reversed ... If you want to listen to them just play it backwards".

OK - done.
Backwards words backwards = forward
Forwards tune backwards backwards = forward as well...
]]> https://soundcloud.com/keithysdunimselfamischief/imperfection-empty-rooms-0001 , with the challenge "some lyrics, reversed ... If you want to listen to them just play it backwards". OK - done. Backwards words backwards = forward Forwards tune backwards backwards = forward as well... ]]> 1432004 no no Tue, 13 Oct 2015 12:35:25 +0200 2015-10-13T12:35:25+02:00 1:35 https://hearthis.at/apatchofnettles-xy/lead-glass-disquiet-junto-project-0197-earliest-polyphony/
Took 2x2 clusters of adjacent notes from both parts; inferred some sense of chord from that; sequenced the chords until I got bored (1/2 way through 2nd line of notation) then applied a degree of bombast to the overall polyphony... Out of curiosity, ran the sung sample clip over the top, which fitted surprisingly well - so stretched, folded, filtered etc (enough to feel better about I.P. privileges) and whacked it in too.

Wonder if I'll get a "takedown" now? --> https://youtu.be/F5vqAU_EqG4
The piece is performed by Quintin Beer and John Clapham - both music undergraduates at St John’s College, Cambridge. The film was shot by Ryan Cronin.

---------------------------------------------------------

Disquiet Junto Project 0197: Earliest Polyphony
Sight-read newly uncovered choral music from the 10th century.

Step 1: Perhaps you’ve read the news about a newly uncovered piece of music, dating back to the 10th century, that is believed to be the earliest known piece of polyphonic music. You can check it out here:

http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered

Step 2: Review the notation in the article (and pictured on this project page on Disquiet.com).

Step 3: Record your own interpretation of the music. (You don’t have to sing it.)

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 8, 2015, with a deadline of 11:59pm wherever you are on Monday, October 12, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0197-earlypolyphony” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 197th Disquiet Junto project (“Sight-read newly uncovered choral music from the 10th century”) at:

http://disquiet.com/2015/10/08/disquiet0197-earlypolyphony/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

More on the source material for this project at:

http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered]]>
Took 2x2 clusters of adjacent notes from both parts; inferred some sense of chord from that; sequenced the chords until I got bored (1/2 way through 2nd line of notation) then applied a degree of bombast to the overall polyphony... Out of curiosity, ran the sung sample clip over the top, which fitted surprisingly well - so stretched, folded, filtered etc (enough to feel better about I.P. privileges) and whacked it in too.

Wonder if I'll get a "takedown" now? --> https://youtu.be/F5vqAU_EqG4
The piece is performed by Quintin Beer and John Clapham - both music undergraduates at St John’s College, Cambridge. The film was shot by Ryan Cronin.

---------------------------------------------------------

Disquiet Junto Project 0197: Earliest Polyphony
Sight-read newly uncovered choral music from the 10th century.

Step 1: Perhaps you’ve read the news about a newly uncovered piece of music, dating back to the 10th century, that is believed to be the earliest known piece of polyphonic music. You can check it out here:

http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered

Step 2: Review the notation in the article (and pictured on this project page on Disquiet.com).

Step 3: Record your own interpretation of the music. (You don’t have to sing it.)

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, October 8, 2015, with a deadline of 11:59pm wherever you are on Monday, October 12, 2015.

Length: The length of your finished work should be as long as you see fit.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0197-earlypolyphony” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 197th Disquiet Junto project (“Sight-read newly uncovered choral music from the 10th century”) at:

http://disquiet.com/2015/10/08/disquiet0197-earlypolyphony/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

More on the source material for this project at:

http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered]]> https://youtu.be/F5vqAU_EqG4 The piece is performed by Quintin Beer and John Clapham - both music undergraduates at St John’s College, Cambridge. The film was shot by Ryan Cronin. --------------------------------------------------------- Disquiet Junto Project 0197: Earliest Polyphony Sight-read newly uncovered choral music from the 10th century. Step 1: Perhaps you’ve read the news about a newly uncovered piece of music, dating back to the 10th century, that is believed to be the earliest known piece of polyphonic music. You can check it out here: http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered Step 2: Review the notation in the article (and pictured on this project page on Disquiet.com). Step 3: Record your own interpretation of the music. (You don’t have to sing it.) Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the evening, California time, on Thursday, October 8, 2015, with a deadline of 11:59pm wherever you are on Monday, October 12, 2015. Length: The length of your finished work should be as long as you see fit. Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0197-earlypolyphony” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). More on this 197th Disquiet Junto project (“Sight-read newly uncovered choral music from the 10th century”) at: http://disquiet.com/2015/10/08/disquiet0197-earlypolyphony/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/ More on the source material for this project at: http://www.cam.ac.uk/research/news/earliest-known-piece-of-polyphonic-music-discovered]]> 1432005 no no Sun, 11 Oct 2015 03:14:52 +0200 2015-10-11T03:14:52+02:00 1:12 https://hearthis.at/apatchofnettles-xy/the-principle-of-moments/ 1432006 no no Fri, 09 Oct 2015 07:37:34 +0200 2015-10-09T07:37:34+02:00 4:27 https://hearthis.at/apatchofnettles-xy/to-cool-grass-below/
Hawthorn is reputed to moderate action of the heart.]]>
Hawthorn is reputed to moderate action of the heart.]]> 1432007 no no Mon, 05 Oct 2015 21:43:00 +0200 2015-10-05T21:43:00+02:00 4:52 https://hearthis.at/apatchofnettles-xy/subconscious-hum-disquiet-junto-project-0196-whole-lotta-whole/
Ambient backing and Ben's main acoustic guitar improv. both take the notation as long notes on a treble clef. The stacked electric guitar intro stretches credulity by taking the circles as a weird tab of consecutive vertical shaped 'open chords' - sequence played at the 5th then 7th, 10th & 12th frets, followed by once through of the treble clef melody version...

A couple of room mic pickup mutters and mumbles left in because we talked so much; the percussion is from a knock on the guitar body, and the doorbell ringing when someone walked in.

See also --> https://soundcloud.com/bendrobinson

-------------------------------------------------------
Disquiet Junto Project 0196: Whole Lotta Whole
Sight-read the whiteboard notation from a children’s music class.

Step 1: Read the music notation in the following image (note that the photograph was taken at a music class for elementary and preschool students).

The image is here:

http://goo.gl/2C1mqT

Step 2: Record a piece of music based on that notation.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, October 1, 2015, with a deadline of 11:59pm wherever you are on Monday, October 5, 2015.

Length: The length of your finished work should be roughly one minute, though longer is certainly fine.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0196-wholelottawhole” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 196th Disquiet Junto project (“Sight-read the whiteboard notation from a children’s music class”) at:

http://disquiet.com/2015/10/01/disquiet0196-wholelottawhole/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]>
Ambient backing and Ben's main acoustic guitar improv. both take the notation as long notes on a treble clef. The stacked electric guitar intro stretches credulity by taking the circles as a weird tab of consecutive vertical shaped 'open chords' - sequence played at the 5th then 7th, 10th & 12th frets, followed by once through of the treble clef melody version...

A couple of room mic pickup mutters and mumbles left in because we talked so much; the percussion is from a knock on the guitar body, and the doorbell ringing when someone walked in.

See also --> https://soundcloud.com/bendrobinson

-------------------------------------------------------
Disquiet Junto Project 0196: Whole Lotta Whole
Sight-read the whiteboard notation from a children’s music class.

Step 1: Read the music notation in the following image (note that the photograph was taken at a music class for elementary and preschool students).

The image is here:

http://goo.gl/2C1mqT

Step 2: Record a piece of music based on that notation.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, October 1, 2015, with a deadline of 11:59pm wherever you are on Monday, October 5, 2015.

Length: The length of your finished work should be roughly one minute, though longer is certainly fine.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0196-wholelottawhole” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 196th Disquiet Junto project (“Sight-read the whiteboard notation from a children’s music class”) at:

http://disquiet.com/2015/10/01/disquiet0196-wholelottawhole/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> https://soundcloud.com/bendrobinson ------------------------------------------------------- Disquiet Junto Project 0196: Whole Lotta Whole Sight-read the whiteboard notation from a children’s music class. Step 1: Read the music notation in the following image (note that the photograph was taken at a music class for elementary and preschool students). The image is here: http://goo.gl/2C1mqT Step 2: Record a piece of music based on that notation. Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud. Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the early evening, California time, on Thursday, October 1, 2015, with a deadline of 11:59pm wherever you are on Monday, October 5, 2015. Length: The length of your finished work should be roughly one minute, though longer is certainly fine. Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0196-wholelottawhole” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). More on this 196th Disquiet Junto project (“Sight-read the whiteboard notation from a children’s music class”) at: http://disquiet.com/2015/10/01/disquiet0196-wholelottawhole/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/ ]]> 1432008 no no Sun, 04 Oct 2015 07:06:28 +0200 2015-10-04T07:06:28+02:00 2:35 https://hearthis.at/apatchofnettles-xy/the-view-from-a-tin-lined-room/
Based on a continuous field recording - no splicing or multitrack ... embellished after the event with 2x drone machines slaved together, running autonomously.]]>
Based on a continuous field recording - no splicing or multitrack ... embellished after the event with 2x drone machines slaved together, running autonomously.]]> 1432009 no no Wed, 30 Sep 2015 12:21:45 +0200 2015-09-30T12:21:45+02:00 14:49 https://hearthis.at/apatchofnettles-xy/sown-disquiet-junto-project-195-chinasystem-soundsystem-make-music/
Starting from an elemental mood - sun, wind, rain, and the steady loose rhythms of work; moving to a tighter walking paced beat with increased consistence, conformance, and formality; then rapid fire machine burst noise-scaping

Wow - quite a leap from the usual "your track should be approximately 1min in length" ...

-----------------------------------------------------------

Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.

Caochangdi is a Chinese village that is home to many artists, including Matt Hope and Naihan Li. In the afternoon and early evening of Thursday, October 1, which is National Day in China, there will be a party in Caochangdi utilizing the unique and sizable Laoban Soundsystem. Laoban is fully Creative Commons hardware, and was developed by Matt Hope. The Laoban Soundsystem crew has asked the Junto to create music for the party, which will run from 2pm to 7pm, that means our goal is 5 hours of music.

Please consider setting your track for downloadable, as streaming at the party may not function smoothly, because the Internet in China is heavily filtered, which means downloading of the track needs to happen before the event to insure proper playback.

Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.

Step 2: Create a track that moves through three stages:

The first stage should be brief and invoke sounds related to agriculture.

The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.

The third stage should begin abruptly and invoke rapid industrialization.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, New York City time, on Thursday, September 24, 2015, with a deadline of 11:59pm wherever you are on Monday, September 28, 2015.

Length: The length of your finished work should be, if possible, between 10 and 15 minutes. However, if you want to make it shorter, that is certainly fine. We’ll just play it on repeat.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0195-chinasoundsystem” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). More on this 194th Disquiet Junto project (“Make music for a Caochangdi Village National Day party”) at:

http://disquiet.com/2015/09/24/disquiet0195-chinasoundsystem/

Many thanks to Fabricatorz for encouraging this 195th Disquiet Junto project:

http://fabricatorz.com/

The event will be at:

http://harks.gallery/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

More on Caochangdi

https://en.wikipedia.org/wiki/Caochangdi

Image associated with this project from the schematics for the Laoban Soundsystem:

http://en.qi-hardware.com/wiki/Laoban_Soundsystem]]>
Starting from an elemental mood - sun, wind, rain, and the steady loose rhythms of work; moving to a tighter walking paced beat with increased consistence, conformance, and formality; then rapid fire machine burst noise-scaping

Wow - quite a leap from the usual "your track should be approximately 1min in length" ...

-----------------------------------------------------------

Disquiet Junto Project 195: Chinasystem Soundsystem
Make music for a Caochangdi Village National Day party.

Caochangdi is a Chinese village that is home to many artists, including Matt Hope and Naihan Li. In the afternoon and early evening of Thursday, October 1, which is National Day in China, there will be a party in Caochangdi utilizing the unique and sizable Laoban Soundsystem. Laoban is fully Creative Commons hardware, and was developed by Matt Hope. The Laoban Soundsystem crew has asked the Junto to create music for the party, which will run from 2pm to 7pm, that means our goal is 5 hours of music.

Please consider setting your track for downloadable, as streaming at the party may not function smoothly, because the Internet in China is heavily filtered, which means downloading of the track needs to happen before the event to insure proper playback.

Step 1: You are creating music for a long party and a big sound system. Keep this in mind. If possible, make a track that lasts about 10 to 15 minutes long.

Step 2: Create a track that moves through three stages:

The first stage should be brief and invoke sounds related to agriculture.

The second stage, the longest of the three stages, should invoke sounds related to artistic production and communal living. Slowly transition from the first stage to the second stage.

The third stage should begin abruptly and invoke rapid industrialization.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, New York City time, on Thursday, September 24, 2015, with a deadline of 11:59pm wherever you are on Monday, September 28, 2015.

Length: The length of your finished work should be, if possible, between 10 and 15 minutes. However, if you want to make it shorter, that is certainly fine. We’ll just play it on repeat.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0195-chinasoundsystem” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). More on this 194th Disquiet Junto project (“Make music for a Caochangdi Village National Day party”) at:

http://disquiet.com/2015/09/24/disquiet0195-chinasoundsystem/

Many thanks to Fabricatorz for encouraging this 195th Disquiet Junto project:

http://fabricatorz.com/

The event will be at:

http://harks.gallery/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

More on Caochangdi

https://en.wikipedia.org/wiki/Caochangdi

Image associated with this project from the schematics for the Laoban Soundsystem:

http://en.qi-hardware.com/wiki/Laoban_Soundsystem]]> 1432010 no no Sat, 26 Sep 2015 10:16:08 +0200 2015-09-26T10:16:08+02:00 14:07 https://hearthis.at/apatchofnettles-xy/ahmeds-coloured-pencils/
An ambient approach to binding 3x texturally and thematically related posts from Disquiet Junto 0194. Heavy tone manipulations applied, and additional voices added. Thanks for the source and motivation go to : rupertlally, Yellow Salamand'r 5 and ethanhein.

--------------------------------------------------------
"Even Stopped Clock Noise Gives The Right Sound Twice A Day" (disquiet0194-clockplay) --> https://soundcloud.com/rupertlally/even-stopped-clock-noise-gives-the-right-sound-twice-a-day-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay

"Yellow Salamand'r -disquiet0194-clockplay- Nightshift Timeshift" --> https://soundcloud.com/user-440651706/yellow-salamandr-disquiet0194-night-shift-time-shift?in=disquiet/sets/disquiet0194-clockplay

"A Clock For Ahmed (disquiet0194-clockplay) " --> https://soundcloud.com/ethanhein/a-clock-for-ahmed-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay

]]>
An ambient approach to binding 3x texturally and thematically related posts from Disquiet Junto 0194. Heavy tone manipulations applied, and additional voices added. Thanks for the source and motivation go to : rupertlally, Yellow Salamand'r 5 and ethanhein.

--------------------------------------------------------
"Even Stopped Clock Noise Gives The Right Sound Twice A Day" (disquiet0194-clockplay) --> https://soundcloud.com/rupertlally/even-stopped-clock-noise-gives-the-right-sound-twice-a-day-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay

"Yellow Salamand'r -disquiet0194-clockplay- Nightshift Timeshift" --> https://soundcloud.com/user-440651706/yellow-salamandr-disquiet0194-night-shift-time-shift?in=disquiet/sets/disquiet0194-clockplay

"A Clock For Ahmed (disquiet0194-clockplay) " --> https://soundcloud.com/ethanhein/a-clock-for-ahmed-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay

]]> https://soundcloud.com/rupertlally/even-stopped-clock-noise-gives-the-right-sound-twice-a-day-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay "Yellow Salamand'r -disquiet0194-clockplay- Nightshift Timeshift" --> https://soundcloud.com/user-440651706/yellow-salamandr-disquiet0194-night-shift-time-shift?in=disquiet/sets/disquiet0194-clockplay "A Clock For Ahmed (disquiet0194-clockplay) " --> https://soundcloud.com/ethanhein/a-clock-for-ahmed-disquiet0194-clockplay?in=disquiet/sets/disquiet0194-clockplay ]]> 1432011 no no Sun, 20 Sep 2015 15:11:13 +0200 2015-09-20T15:11:13+02:00 3:06 https://hearthis.at/apatchofnettles-xy/700pm-disquiet-junto-project-0194-clock-play/
Tried to sketch the odd feeling of counting through the reverberation of the bells, not knowing if you'd come in early or late, and being distracted by doodling little melody-scraps over the simple familiar signature.

Source recording from Archive.Org --> https://archive.org/details/aporee_2563_3555
Victoria Square in the centre of Adelaide, South Australia at 7:00pm on 1st Sept 2008 - by John Tudor

-----------------------------------------------------------------------

Disquiet Junto Project 0194: Clock Play
Record the sound of a clock and make something playful and sweet out of it.

Sometimes Junto projects have very detailed rules, and other times the rules are, true to very first Junto project, simple and open-ended. This week’s project is the latter. (Thanks to Brian Biggs for the timely creative nudge.)

Step 1: Record the sound of a clock and make something playful and sweet out of it. (You can also use pre-recorded sounds, like those at freesound.org, if you prefer.)

Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, September 17, 2015, with a deadline of 11:59pm wherever you are on Monday, September 21, 2015.

Length: The length of your finished work should be between roughly one and three minutes long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0194-clockplay” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 194th Disquiet Junto project (“Record the sound of a clock and make something playful and sweet out of it”) at:

http://disquiet.com/2015/09/17/disquiet0194-clockplay/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Tried to sketch the odd feeling of counting through the reverberation of the bells, not knowing if you'd come in early or late, and being distracted by doodling little melody-scraps over the simple familiar signature.

Source recording from Archive.Org --> https://archive.org/details/aporee_2563_3555
Victoria Square in the centre of Adelaide, South Australia at 7:00pm on 1st Sept 2008 - by John Tudor

-----------------------------------------------------------------------

Disquiet Junto Project 0194: Clock Play
Record the sound of a clock and make something playful and sweet out of it.

Sometimes Junto projects have very detailed rules, and other times the rules are, true to very first Junto project, simple and open-ended. This week’s project is the latter. (Thanks to Brian Biggs for the timely creative nudge.)

Step 1: Record the sound of a clock and make something playful and sweet out of it. (You can also use pre-recorded sounds, like those at freesound.org, if you prefer.)

Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, September 17, 2015, with a deadline of 11:59pm wherever you are on Monday, September 21, 2015.

Length: The length of your finished work should be between roughly one and three minutes long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0194-clockplay” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

More on this 194th Disquiet Junto project (“Record the sound of a clock and make something playful and sweet out of it”) at:

http://disquiet.com/2015/09/17/disquiet0194-clockplay/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> https://archive.org/details/aporee_2563_3555 Victoria Square in the centre of Adelaide, South Australia at 7:00pm on 1st Sept 2008 - by John Tudor ----------------------------------------------------------------------- Disquiet Junto Project 0194: Clock Play Record the sound of a clock and make something playful and sweet out of it. Sometimes Junto projects have very detailed rules, and other times the rules are, true to very first Junto project, simple and open-ended. This week’s project is the latter. (Thanks to Brian Biggs for the timely creative nudge.) Step 1: Record the sound of a clock and make something playful and sweet out of it. (You can also use pre-recorded sounds, like those at freesound.org, if you prefer.) Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud. Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the evening, California time, on Thursday, September 17, 2015, with a deadline of 11:59pm wherever you are on Monday, September 21, 2015. Length: The length of your finished work should be between roughly one and three minutes long. Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0194-clockplay” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). More on this 194th Disquiet Junto project (“Record the sound of a clock and make something playful and sweet out of it”) at: http://disquiet.com/2015/09/17/disquiet0194-clockplay/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/]]> 1432012 no no Fri, 18 Sep 2015 13:11:39 +0200 2015-09-18T13:11:39+02:00 2:03 https://hearthis.at/apatchofnettles-xy/one-fixed-hinge/ https://soundcloud.com/asoupofnettles/polar-disquiet-junto-project-0193-semi-parallel-lines
]]> https://soundcloud.com/asoupofnettles/polar-disquiet-junto-project-0193-semi-parallel-lines
]]> https://soundcloud.com/asoupofnettles/polar-disquiet-junto-project-0193-semi-parallel-lines ]]> 1432013 no no Wed, 16 Sep 2015 14:56:22 +0200 2015-09-16T14:56:22+02:00 3:01 https://hearthis.at/apatchofnettles-xy/put-bluntly-sharp-over-stock/ I've added a stretch and fold fretless bassline, and some Stoch-4 top end brights. [https://soundcloud.com/disquiet/sets/disquiet0193-semiparallellines]

-- lordofoverstock — Stochastic Lines [disquiet0193-semiparallellines] --> https://soundcloud.com/lordofoverstock/stochastic-lines-disquiet0193-semiparallellines?in=disquiet/sets/disquiet0193-semiparallellines
-- S/H/A/R/R/P/S — disquiet 193 --> https://soundcloud.com/letterfounder/disquiet-193?in=disquiet/sets/disquiet0193-semiparallellines
]]> I've added a stretch and fold fretless bassline, and some Stoch-4 top end brights. [https://soundcloud.com/disquiet/sets/disquiet0193-semiparallellines]

-- lordofoverstock — Stochastic Lines [disquiet0193-semiparallellines] --> https://soundcloud.com/lordofoverstock/stochastic-lines-disquiet0193-semiparallellines?in=disquiet/sets/disquiet0193-semiparallellines
-- S/H/A/R/R/P/S — disquiet 193 --> https://soundcloud.com/letterfounder/disquiet-193?in=disquiet/sets/disquiet0193-semiparallellines
]]> https://soundcloud.com/lordofoverstock/stochastic-lines-disquiet0193-semiparallellines?in=disquiet/sets/disquiet0193-semiparallellines -- S/H/A/R/R/P/S — disquiet 193 --> https://soundcloud.com/letterfounder/disquiet-193?in=disquiet/sets/disquiet0193-semiparallellines ]]> 1432014 no no Tue, 15 Sep 2015 13:56:43 +0200 2015-09-15T13:56:43+02:00 2:31 https://hearthis.at/apatchofnettles-xy/polar-disquiet-junto-project-0193-semi-parallel-lines/
2x loose impro. guitar tracks run in live through echo pedal: one sketches on a couple of open chord patterns in the first seven frets, the other scatters over 'scale' patterns around the 10th fret, and once every time around they meet in the middle.

Quick evening despatch, due to failure of my original plan to make physical paths of instruments converge on recording device by wandering around in the paddock ... too windy to record outside today!

--------------------------------------------------------

Disquiet Junto Project 0193: Semi-Parallel Lines
Record a short composition for two voices/instruments that occasionally intersect.

This project explores how two simple lines can occasionally intersect.

Step 1: Plot out a short piece of music, maybe a minute in length. It will consist of two separate lines recorded by two distinct instruments.

Step 2: When plotting out the piece, plan on the two lines intersecting on occasion. Plot, for example, a three-note riff 20 seconds in, or a held chord at 30 seconds, and so forth. The number of intersections is up to you — four to six seems like a solid range.

Step 3: Record the two lines independently. (It’s a natural occurrence of this process that despite the planning, the periods of simultaneity may be slightly off. That’s great. It’s arguably even preferable.)

Step 4: Layer them atop each other, with little to no post-production effort, aside from adjusting relative volume and introducing a fade in and fade out.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud. (Bonus points if you manage to sync the audio and animation and upload to a video service.)

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, September 10, 2015, with a deadline of 11:59pm wherever you are on Monday, September 14, 2015.

Length: The length of your finished work will likely be about a minute long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0193-semiparallellines” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 193rd Disquiet Junto project (“Record a short composition for two instruments that occasionally intersect”) at:

http://disquiet.com/2015/09/10/disquiet0193-semiparallellines/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
2x loose impro. guitar tracks run in live through echo pedal: one sketches on a couple of open chord patterns in the first seven frets, the other scatters over 'scale' patterns around the 10th fret, and once every time around they meet in the middle.

Quick evening despatch, due to failure of my original plan to make physical paths of instruments converge on recording device by wandering around in the paddock ... too windy to record outside today!

--------------------------------------------------------

Disquiet Junto Project 0193: Semi-Parallel Lines
Record a short composition for two voices/instruments that occasionally intersect.

This project explores how two simple lines can occasionally intersect.

Step 1: Plot out a short piece of music, maybe a minute in length. It will consist of two separate lines recorded by two distinct instruments.

Step 2: When plotting out the piece, plan on the two lines intersecting on occasion. Plot, for example, a three-note riff 20 seconds in, or a held chord at 30 seconds, and so forth. The number of intersections is up to you — four to six seems like a solid range.

Step 3: Record the two lines independently. (It’s a natural occurrence of this process that despite the planning, the periods of simultaneity may be slightly off. That’s great. It’s arguably even preferable.)

Step 4: Layer them atop each other, with little to no post-production effort, aside from adjusting relative volume and introducing a fade in and fade out.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud. (Bonus points if you manage to sync the audio and animation and upload to a video service.)

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, September 10, 2015, with a deadline of 11:59pm wherever you are on Monday, September 14, 2015.

Length: The length of your finished work will likely be about a minute long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0193-semiparallellines” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 193rd Disquiet Junto project (“Record a short composition for two instruments that occasionally intersect”) at:

http://disquiet.com/2015/09/10/disquiet0193-semiparallellines/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1432015 no no Mon, 14 Sep 2015 14:26:48 +0200 2015-09-14T14:26:48+02:00 1:22 https://hearthis.at/apatchofnettles-xy/reed-matte-paul-baylis-repro/
So; much gladness when one steered it's way into the mailbox. I've framed it to last longer & hang on the wall.

]]>
So; much gladness when one steered it's way into the mailbox. I've framed it to last longer & hang on the wall.

]]> 1432016 no no Wed, 09 Sep 2015 12:03:11 +0200 2015-09-09T12:03:11+02:00 2:47 https://hearthis.at/apatchofnettles-xy/again-catfood-disquiet-junto-project-0192-psycatdelic-loop/ https://sites.google.com/site/aroundnettles/siam.wmv ... but in keeping with the spec. all the original audio was live/room miked.

Only tool I had to sync. audio & video was crummy Windows MyMovie-thing I'd never used before ... whacking the toolbar to grab some audio and figure out how to navigate the app, coughed up an all but random track selection.

Odd thing was how well it seemed to fit! Got a couple of sympathetic viewers to check it wasn't just the suggestive power of visual projection - and decided to run with it. Merged in some layering of other scraps, and pulled the dynamics hard against inflexion points of the footage.

For a better appreciation of how lazy I was, you can chase down the original at --> https://soundcloud.com/apatchofnettles/one-stoch-1-jands-fuzz-a

---------------------------------------------------------------------

Disquiet Junto Project 0192: Psycatdelic Loop
Record a 10-second loop to accompany an insane cat GIF.

Step 1: You are going to compose 10 seconds of music. First, view the insane animated GIF at this page:

http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/

Step 2: Now record 10 seconds that sync to that animation. (Alternately, record an extended piece of music that is intended, every 10 seconds, to sync with the animation.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud. (Bonus points if you manage to sync the audio and animation and upload to a video service.)

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, September 3, 2015, with a deadline of 11:59pm wherever you are on Monday, September 7, 2015.

Length: The length of your finished work will likely be 10 seconds, but could be longer depending on the choice you make in Step 2 above.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0192-psycatdelicloop” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 192nd Disquiet Junto project (“Record a 10-second loop to accompany an insane cat GIF”) at:

http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> https://sites.google.com/site/aroundnettles/siam.wmv ... but in keeping with the spec. all the original audio was live/room miked.

Only tool I had to sync. audio & video was crummy Windows MyMovie-thing I'd never used before ... whacking the toolbar to grab some audio and figure out how to navigate the app, coughed up an all but random track selection.

Odd thing was how well it seemed to fit! Got a couple of sympathetic viewers to check it wasn't just the suggestive power of visual projection - and decided to run with it. Merged in some layering of other scraps, and pulled the dynamics hard against inflexion points of the footage.

For a better appreciation of how lazy I was, you can chase down the original at --> https://soundcloud.com/apatchofnettles/one-stoch-1-jands-fuzz-a

---------------------------------------------------------------------

Disquiet Junto Project 0192: Psycatdelic Loop
Record a 10-second loop to accompany an insane cat GIF.

Step 1: You are going to compose 10 seconds of music. First, view the insane animated GIF at this page:

http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/

Step 2: Now record 10 seconds that sync to that animation. (Alternately, record an extended piece of music that is intended, every 10 seconds, to sync with the animation.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud. (Bonus points if you manage to sync the audio and animation and upload to a video service.)

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, September 3, 2015, with a deadline of 11:59pm wherever you are on Monday, September 7, 2015.

Length: The length of your finished work will likely be 10 seconds, but could be longer depending on the choice you make in Step 2 above.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0192-psycatdelicloop” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 192nd Disquiet Junto project (“Record a 10-second loop to accompany an insane cat GIF”) at:

http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> https://sites.google.com/site/aroundnettles/siam.wmv ... but in keeping with the spec. all the original audio was live/room miked. Only tool I had to sync. audio & video was crummy Windows MyMovie-thing I'd never used before ... whacking the toolbar to grab some audio and figure out how to navigate the app, coughed up an all but random track selection. Odd thing was how well it seemed to fit! Got a couple of sympathetic viewers to check it wasn't just the suggestive power of visual projection - and decided to run with it. Merged in some layering of other scraps, and pulled the dynamics hard against inflexion points of the footage. For a better appreciation of how lazy I was, you can chase down the original at --> https://soundcloud.com/apatchofnettles/one-stoch-1-jands-fuzz-a --------------------------------------------------------------------- Disquiet Junto Project 0192: Psycatdelic Loop Record a 10-second loop to accompany an insane cat GIF. Step 1: You are going to compose 10 seconds of music. First, view the insane animated GIF at this page: http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/ Step 2: Now record 10 seconds that sync to that animation. (Alternately, record an extended piece of music that is intended, every 10 seconds, to sync with the animation.) Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud. (Bonus points if you manage to sync the audio and animation and upload to a video service.) Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the afternoon, California time, on Thursday, September 3, 2015, with a deadline of 11:59pm wherever you are on Monday, September 7, 2015. Length: The length of your finished work will likely be 10 seconds, but could be longer depending on the choice you make in Step 2 above. Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0192-psycatdelicloop” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected: More on this 192nd Disquiet Junto project (“Record a 10-second loop to accompany an insane cat GIF”) at: http://disquiet.com/2015/09/03/disquiet0192-psycatdelicloop/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/]]> 1432017 no no Fri, 04 Sep 2015 13:30:47 +0200 2015-09-04T13:30:47+02:00 0:09 https://hearthis.at/apatchofnettles-xy/337/
Built out from 0.0207% (disquiet0191-heldchord), originally by 337is - a Disquiet stalwart and modular meanderer. Repitched & restacked; oblivion reverb ripples through the filter wall; parrots shriek; chimes ring and a dog barks somewhere.

Check out --> https://soundcloud.com/337is/00207-disquiet0191-heldchord]]>
Built out from 0.0207% (disquiet0191-heldchord), originally by 337is - a Disquiet stalwart and modular meanderer. Repitched & restacked; oblivion reverb ripples through the filter wall; parrots shriek; chimes ring and a dog barks somewhere.

Check out --> https://soundcloud.com/337is/00207-disquiet0191-heldchord]]> https://soundcloud.com/337is/00207-disquiet0191-heldchord]]> 1432018 no no Thu, 03 Sep 2015 12:29:25 +0200 2015-09-03T12:29:25+02:00 3:02 https://hearthis.at/apatchofnettles-xy/brown-recluse-disquiet-junto-project-0191-held-chord/
Straight simple sounding soft-synths in sequencer, with tempered FX and fading on controller lanes. 3 reverberant voices vie over an arpeggiation of the chord, two other contrastive drone voices trade note for note through the full length of track till the whole chord has been handed over.

(Bit rushed, and not what I had in mind - but if I'd really had something in mind I would have done that instead.)

--------------------------------------

Disquiet Junto Project 0191: Held Chord
One chord to rule them all — on several instruments.

These are the steps:

Step 1: Choose a chord you can play on several instruments. You can choose any chord you’d like.

Step 2: Make recordings of yourself playing that just chord on several instruments.

Step 3: Edit those individual recordings into one long continuous track, in which the chord slowly (and smoothly as possible) changes from one instrument to the next. The complete length of the finished track should be about one minute.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 27, 2015, with a deadline of 11:59pm wherever you are on Monday, August 31, 2015.

Length: The length of your finished work should be approximately one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0191-heldchord” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 191st Disquiet Junto project (“One chord to rule them all — on several instruments”) at:

http://disquiet.com/2015/08/27/disquiet0191-heldchord/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]>
Straight simple sounding soft-synths in sequencer, with tempered FX and fading on controller lanes. 3 reverberant voices vie over an arpeggiation of the chord, two other contrastive drone voices trade note for note through the full length of track till the whole chord has been handed over.

(Bit rushed, and not what I had in mind - but if I'd really had something in mind I would have done that instead.)

--------------------------------------

Disquiet Junto Project 0191: Held Chord
One chord to rule them all — on several instruments.

These are the steps:

Step 1: Choose a chord you can play on several instruments. You can choose any chord you’d like.

Step 2: Make recordings of yourself playing that just chord on several instruments.

Step 3: Edit those individual recordings into one long continuous track, in which the chord slowly (and smoothly as possible) changes from one instrument to the next. The complete length of the finished track should be about one minute.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 27, 2015, with a deadline of 11:59pm wherever you are on Monday, August 31, 2015.

Length: The length of your finished work should be approximately one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0191-heldchord” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 191st Disquiet Junto project (“One chord to rule them all — on several instruments”) at:

http://disquiet.com/2015/08/27/disquiet0191-heldchord/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 1432019 no no Mon, 31 Aug 2015 15:52:20 +0200 2015-08-31T15:52:20+02:00 1:40 https://hearthis.at/apatchofnettles-xy/fruit-from-the-ceiling/
With:
https://soundcloud.com/keithysdunimselfamischief/falling-fruit-may-cause-injury-disquiet0189-tonelayer
and:
https://soundcloud.com/ascythethroughnettles/germanium-ceiling-disquiet-junto-project-0189-tone-layer
]]>
With:
https://soundcloud.com/keithysdunimselfamischief/falling-fruit-may-cause-injury-disquiet0189-tonelayer
and:
https://soundcloud.com/ascythethroughnettles/germanium-ceiling-disquiet-junto-project-0189-tone-layer
]]> 1432020 no no Thu, 27 Aug 2015 12:29:30 +0200 2015-08-27T12:29:30+02:00 1:42 https://hearthis.at/apatchofnettles-xy/but-its-still-got-a-drop-in-there/ 995940 no no Thu, 27 Aug 2015 12:00:43 +0200 2015-08-27T12:00:43+02:00 2:33 https://hearthis.at/apatchofnettles-xy/where-it-was-disquiet-junto-project-0190-missed-connections/ 15 sec: Loopier --> https://soundcloud.com/roger-pibernat/disquiet0189-tonelayer
17 sec: Tate Carson --> https://soundcloud.com/tate-carson/cistern?in=disquiet/sets/disquiet0189-tonelayer

The 'glue' is sliced/re-ordered/spliced/stretched/filtered remix of: matt alsO --> https://soundcloud.com/matt-also/revlector-disquiet0189-tonelayer
It runs through the whole main section of the track. (I know it was meant to be 'my own', but the sound was so sweet, and hey, maybe he won't even recognise it...)

Thanks very much to you three, and to you all - spoiled for choice this time around.

--------------------------------------------------------------------

Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.

Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.

These are the steps:

Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:

https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer

Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.

Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)

Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.

Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.

Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).

Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 20, 2015, with a deadline of 11:59pm wherever you are on Monday, August 24, 2015.

Length: The length of your finished work should be approximately one to two minutes in length (longer is certainly fine).

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0190-missedconnections” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 15 sec: Loopier --> https://soundcloud.com/roger-pibernat/disquiet0189-tonelayer
17 sec: Tate Carson --> https://soundcloud.com/tate-carson/cistern?in=disquiet/sets/disquiet0189-tonelayer

The 'glue' is sliced/re-ordered/spliced/stretched/filtered remix of: matt alsO --> https://soundcloud.com/matt-also/revlector-disquiet0189-tonelayer
It runs through the whole main section of the track. (I know it was meant to be 'my own', but the sound was so sweet, and hey, maybe he won't even recognise it...)

Thanks very much to you three, and to you all - spoiled for choice this time around.

--------------------------------------------------------------------

Disquiet Junto Project 0190: Missed Connections
Set two disjointed loops atop each other, and then add sonic glue.

Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s.

These are the steps:

Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here:

https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer

Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths.

Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.)

Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length.

Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition.

Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine).

Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 20, 2015, with a deadline of 11:59pm wherever you are on Monday, August 24, 2015.

Length: The length of your finished work should be approximately one to two minutes in length (longer is certainly fine).

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0190-missedconnections” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected:

More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at:

http://disquiet.com/2015/08/20/disquiet0190-missedconnections/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> https://soundcloud.com/roger-pibernat/disquiet0189-tonelayer 17 sec: Tate Carson --> https://soundcloud.com/tate-carson/cistern?in=disquiet/sets/disquiet0189-tonelayer The 'glue' is sliced/re-ordered/spliced/stretched/filtered remix of: matt alsO --> https://soundcloud.com/matt-also/revlector-disquiet0189-tonelayer It runs through the whole main section of the track. (I know it was meant to be 'my own', but the sound was so sweet, and hey, maybe he won't even recognise it...) Thanks very much to you three, and to you all - spoiled for choice this time around. -------------------------------------------------------------------- Disquiet Junto Project 0190: Missed Connections Set two disjointed loops atop each other, and then add sonic glue. Last week’s project involved using loops to accrue layers. This week’s project involves layering loops. You needn’t have participated in last week’s project to participate in this week’s. These are the steps: Step 1: Choose two tracks from last week’s Disquiet Junto project. Be sure to use tracks that include a license that allows for non-commercial reworking. If you’re not sure, either choose a different track, or inquire with the musician. the project is here: https://soundcloud.com/disquiet/sets/disquiet0189-tonelayer Step 2: From each of those two tracks, select one loop-able segment. Be sure the segments are of different lengths. Step 3: Create a long string of each of the two loops from Step 2 by repeating them over and over. That is: make one long string of AAAAA… and make one long string of BBBBB…, where A and B are the two loops. (That is: Do not go ABABAB.) Step 4: Layer the two tracks resulting from Step 3 for a single track of about one to two minutes in length. Step 5: Add one element of your own to the result of Step 4 that serves to combine the two disparate loops into one composition. Step 6: Record a document of these layered loops lasting approximately one to two minutes in length (longer is certainly fine). Step 7: Upload your completed track to the Disquiet Junto group on SoundCloud. Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the afternoon, California time, on Thursday, August 20, 2015, with a deadline of 11:59pm wherever you are on Monday, August 24, 2015. Length: The length of your finished work should be approximately one to two minutes in length (longer is certainly fine). Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0190-missedconnections” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Linking: When posting the track, please be sure to include this information, and link to (and identify) the two SoundCloud pages for the source audio you selected: More on this 190th Disquiet Junto project (“Set two out-of-sync loops atop each other, and then add sonic glue”) at: http://disquiet.com/2015/08/20/disquiet0190-missedconnections/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/]]> 995941 no no Fri, 21 Aug 2015 16:28:49 +0200 2015-08-21T16:28:49+02:00 2:11 https://hearthis.at/apatchofnettles-xy/candella/ 995942 no no Wed, 19 Aug 2015 13:08:34 +0200 2015-08-19T13:08:34+02:00 3:47 https://hearthis.at/apatchofnettles-xy/germane-ceiling-disquiet-junto-project-0189-tone-layer/
Sat down with guitar - TubeScreamer ganged into Jands Fuzz both wound flat out, for plenty(?) sustain; through volume pedal and a smudge of flanging into tap delay set to long loop, hot mix and max. feedback. Took a few goes to get a pattern I liked - simple D major scale noodling.

Played 3 min. to load the delay line up and fade back out. Split this in Audacity for stereo mix. : 1st minute buildup panned hard left and right. 'Loaded' delay line middle minute straight through on centre channel. And remaining tail-out reduced to 1/2 speed and dropped 1 oct. on centre channel as a bassline.

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Disquiet Junto Project 0189: Tone Layer
Create a dense stack of attack-free tonal material from one audio source.

This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.

These are the steps:

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 13, 2015, with a deadline of 11:59pm wherever you are on Monday, August 17, 2015.

Length: The length of your finished work should be roughly one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0189-tonelayer” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:

http://disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Sat down with guitar - TubeScreamer ganged into Jands Fuzz both wound flat out, for plenty(?) sustain; through volume pedal and a smudge of flanging into tap delay set to long loop, hot mix and max. feedback. Took a few goes to get a pattern I liked - simple D major scale noodling.

Played 3 min. to load the delay line up and fade back out. Split this in Audacity for stereo mix. : 1st minute buildup panned hard left and right. 'Loaded' delay line middle minute straight through on centre channel. And remaining tail-out reduced to 1/2 speed and dropped 1 oct. on centre channel as a bassline.

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Disquiet Junto Project 0189: Tone Layer
Create a dense stack of attack-free tonal material from one audio source.

This project involves layering loops, or a loop of layers. It’s preferable that you do so with live looping, allowing the layers to accrue in real time. However, if live looping is not a capacity of yours, then feel free, certainly, to layer them in Audacity or by some other means.

These are the steps:

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 13, 2015, with a deadline of 11:59pm wherever you are on Monday, August 17, 2015.

Length: The length of your finished work should be roughly one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0189-tonelayer” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:

http://disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995943 no no Sat, 15 Aug 2015 14:53:29 +0200 2015-08-15T14:53:29+02:00 1:37 https://hearthis.at/apatchofnettles-xy/one-slice-of-air/ 995944 no no Tue, 11 Aug 2015 13:45:14 +0200 2015-08-11T13:45:14+02:00 2:07 https://hearthis.at/apatchofnettles-xy/j-disquiet-junto-project-0188-complex-complex/
But the general idea of 'imagining' repetitious patterns in time as rotations into an auxilliary realm, then back into the real, is powerful as a metaphor, and enigmatic as a tool - producing, on the way, the kind of fractal patterns computers have taught us to admire; along with every VST you may ever have 'plugged'!

I made a rough remix laid out free hand in Audacity, then carried it over to a sequencer, where I layered various long patterns of delay ('complex rotation') and applied phase delay based filtering in the same spirit.

-------------------------------------------------

Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.

This project was proposed by Guy Birkin and Jay Bodley (aka Sun Hammer). It extends the thinking that went into their album Complexification, released by the record label Entr’acte. (There’s more background on album below the project description.)

These are the steps for this project:

Step 1: Pick one of the two tracks at the following URL: https://goo.gl/tN4Oit.

Step 2: Modify that one track in any way, using as much or little of it as you like, to make a new piece that sounds “more complex” than the original. You may add other sounds. (Note: You are free to use any definition or measure of “complexity.” You should be sure to describe your process and how it “increases” the complexity of the original track.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 6, 2015, with a deadline of 11:59pm wherever you are on Monday, August 10, 2015.

Background: The album Complexification by Guy Birkin and Sun Hammer “explores musical complexity through a collaborative process based on a set of rules.” Those rules involved the two musicians swapping successive copies of a track in order to make it progressively more “complex.” For their purposes, they defined “complexity” as follows: “In this project, complexity is understood in terms of the quantity and variety of musical elements or patterns. The result is two parallel threads of music, each representing a progression of increasing complexity.”

Length: The length of your finished work is up to you.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0188-complexcomplex” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:

http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
But the general idea of 'imagining' repetitious patterns in time as rotations into an auxilliary realm, then back into the real, is powerful as a metaphor, and enigmatic as a tool - producing, on the way, the kind of fractal patterns computers have taught us to admire; along with every VST you may ever have 'plugged'!

I made a rough remix laid out free hand in Audacity, then carried it over to a sequencer, where I layered various long patterns of delay ('complex rotation') and applied phase delay based filtering in the same spirit.

-------------------------------------------------

Disquiet Junto Project 0188: Complex Complex
Take a provided track and make it more complex.

This project was proposed by Guy Birkin and Jay Bodley (aka Sun Hammer). It extends the thinking that went into their album Complexification, released by the record label Entr’acte. (There’s more background on album below the project description.)

These are the steps for this project:

Step 1: Pick one of the two tracks at the following URL: https://goo.gl/tN4Oit.

Step 2: Modify that one track in any way, using as much or little of it as you like, to make a new piece that sounds “more complex” than the original. You may add other sounds. (Note: You are free to use any definition or measure of “complexity.” You should be sure to describe your process and how it “increases” the complexity of the original track.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the afternoon, California time, on Thursday, August 6, 2015, with a deadline of 11:59pm wherever you are on Monday, August 10, 2015.

Background: The album Complexification by Guy Birkin and Sun Hammer “explores musical complexity through a collaborative process based on a set of rules.” Those rules involved the two musicians swapping successive copies of a track in order to make it progressively more “complex.” For their purposes, they defined “complexity” as follows: “In this project, complexity is understood in terms of the quantity and variety of musical elements or patterns. The result is two parallel threads of music, each representing a progression of increasing complexity.”

Length: The length of your finished work is up to you.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0188-complexcomplex” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:

http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995945 no no Fri, 07 Aug 2015 13:40:13 +0200 2015-08-07T13:40:13+02:00 2:24 https://hearthis.at/apatchofnettles-xy/no-dove-no-branch/ ]]> ]]> 995946 no no Thu, 06 Aug 2015 08:38:27 +0200 2015-08-06T08:38:27+02:00 4:20 https://hearthis.at/apatchofnettles-xy/atriplex-disquiet-junto-project-0187-three-strands/
3x guitar tracks; differing effects voices and playing techniques applied for 'unison' renditions of a consistent descending scale/chord pattern.
Chopped into hi/low level shifts on 1/16 beats in mixer (controller lanes looking like barcodes!) - gradually staggering & increasing the inclusions until running all three tracks right through at the end.

The result was more stark than I wanted, so allowed a burst of reverb on master channel to begin, and rapidly quashed it to nothing as track progressed. (=bit of a cheat...)

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Disquiet Junto Project 0187: Three Strands
Shift between three renditions of the same melody.

Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).

Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)

Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, July 30, 2015, with a deadline of 11:59pm wherever you are on Monday, August 3, 2015.

Length: The length of your finished work is up to you, but it should be at least a minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0187-threestrands” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 187th Disquiet Junto project (“Shift between three renditions of the same melody”) at:

http://disquiet.com/2015/07/30/disquiet0187-threestrands/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
3x guitar tracks; differing effects voices and playing techniques applied for 'unison' renditions of a consistent descending scale/chord pattern.
Chopped into hi/low level shifts on 1/16 beats in mixer (controller lanes looking like barcodes!) - gradually staggering & increasing the inclusions until running all three tracks right through at the end.

The result was more stark than I wanted, so allowed a burst of reverb on master channel to begin, and rapidly quashed it to nothing as track progressed. (=bit of a cheat...)

--------------------------------------------------------------------

Disquiet Junto Project 0187: Three Strands
Shift between three renditions of the same melody.

Step 1: Choose a simple melody/song/rhythm of your own creation, or that is in the public domain (or that is available thanks to an appropriate Creative Commons license).

Step 2: Record yourself performing the melody/song/rhythm from Step 1 three times, each time with a different instrument or set of instruments. Each of the three resulting tracks should be the same length, at least a full minute. (A single track can be a concatenation of multiple copies of the same recording of the segment — you don’t have to play it straight through for the full minute.)

Step 3: Make a new recording of the three tracks playing simultaneously. The only thing you can do throughout is shift between the tracks, playing either one of them, two of them, or all three of them at the same time. You can shift every few bars, or at a granular level, or anywhere in between — either with a concerted rhythmic purpose, or at random. The decisions you make about these shifts constitute the core compositional decisions you’ll make for this project.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, July 30, 2015, with a deadline of 11:59pm wherever you are on Monday, August 3, 2015.

Length: The length of your finished work is up to you, but it should be at least a minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0187-threestrands” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 187th Disquiet Junto project (“Shift between three renditions of the same melody”) at:

http://disquiet.com/2015/07/30/disquiet0187-threestrands/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995947 no no Sat, 01 Aug 2015 14:21:27 +0200 2015-08-01T14:21:27+02:00 1:19 https://hearthis.at/apatchofnettles-xy/seven-horses-under-20-g/ https://archive.org/details/aporee_3475_4762

(G20 protest - tent village on Bishopsgate - drummers, helicopters - by Steven Rowell)
]]> https://archive.org/details/aporee_3475_4762

(G20 protest - tent village on Bishopsgate - drummers, helicopters - by Steven Rowell)
]]> https://archive.org/details/aporee_3475_4762 (G20 protest - tent village on Bishopsgate - drummers, helicopters - by Steven Rowell) ]]> 995948 no no Wed, 29 Jul 2015 10:05:03 +0200 2015-07-29T10:05:03+02:00 4:50 https://hearthis.at/apatchofnettles-xy/built-to-last-disquiet-junto-project-0185-memory-music/
Brought wonder and entertainment when I was a tyke, as it had already done for my father when he was small. But a few years on curiosity bettered me, and I pulled it apart, savagely releasing the main spring. (Frightening, I was unharmed.) Abruptly confiscated, it was evidently stored in pieces for a couple of decades, house moves and bereavements, before it turned up again in my hands. A more mature perspective and some lateral thinking got the spring compressed and reinstalled. Engine works again! Now and then my own kids take a breather from their software based play, and trot out this old kit - starkly naive but built to last.

http://www.samemory.sa.gov.au/site/page.cfm?c=4248

All audio from stereo contact mic recording of clockwork running - applied delays, phasing, filtering and pitched sequencing.

------------------------------------------------------

Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.

This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.

A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.

These are the steps for this week’s project:

Step 1: Remember a key moment in your life. It could be anything at any age.

Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.

Step 3: Recreate that sound and feeling through sound design and music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Please take a moment to describe the memory in the text associated with the track.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late afternoon, California time, on Thursday, July 16, 2015, with a deadline of 11:59pm wherever you are on Monday, July 20, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0185-memorymusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]>
Brought wonder and entertainment when I was a tyke, as it had already done for my father when he was small. But a few years on curiosity bettered me, and I pulled it apart, savagely releasing the main spring. (Frightening, I was unharmed.) Abruptly confiscated, it was evidently stored in pieces for a couple of decades, house moves and bereavements, before it turned up again in my hands. A more mature perspective and some lateral thinking got the spring compressed and reinstalled. Engine works again! Now and then my own kids take a breather from their software based play, and trot out this old kit - starkly naive but built to last.

http://www.samemory.sa.gov.au/site/page.cfm?c=4248

All audio from stereo contact mic recording of clockwork running - applied delays, phasing, filtering and pitched sequencing.

------------------------------------------------------

Disquiet Junto Project 0185: Memory Music
Summon up a memory, and then summarize it in sound.

This week’s Junto is project proposed by Robert Thomas, a longtime participant. Having proposed the project, he’ll also listen to and comment on various posted tracks as the project unfolds.

A bit about him: Robert Thomas creates procedural music and sound systems. In 2010 he worked on Inception the App (5 million downloads), while at RjDj. He has worked with Hans Zimmer, Imogen Heap, Junkie XL, Air, Carl Craig, Jimmy Edgar, and Bookashade. His current projects are systems for VR, AR, health, meditation, and AI/robotics.

These are the steps for this week’s project:

Step 1: Remember a key moment in your life. It could be anything at any age.

Step 2: Conjure the sound of that moment in your mind, how you remember it, how you have come to remember it.

Step 3: Recreate that sound and feeling through sound design and music.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud. Please take a moment to describe the memory in the text associated with the track.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late afternoon, California time, on Thursday, July 16, 2015, with a deadline of 11:59pm wherever you are on Monday, July 20, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0185-memorymusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 185th Disquiet Junto project (“Summon up a memory, and then summarize it in sound”) at:

http://disquiet.com/2015/07/16/disquiet0185-memorymusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

This project was proposed by Robert Thomas, more from whom at:

http://dizzybanjo.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> 995949 no no Mon, 20 Jul 2015 07:46:04 +0200 2015-07-20T07:46:04+02:00 2:03 https://hearthis.at/apatchofnettles-xy/through-one-pane-of-quartz/ ]]> ]]> 995950 no no Thu, 16 Jul 2015 09:47:59 +0200 2015-07-16T09:47:59+02:00 5:48 https://hearthis.at/apatchofnettles-xy/unbarred-disquiet-junto-project-0184-sets-of-bars/
Sampled into sequencer on 3x tracks at random/arbitrary spacing with plenty of 'white space' per track; each track also runs to an effects send line heavy on sustain and filtering.

When a sample plays, it triggers a matching pattern line messing with the other 2x channel's sends&settings ... the controller patterns had a little manual tampering from me to smooth it all out.

----------------------------------------------------

Disquiet Junto Project 0184: Sets of Bars
Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.

This week’s Junto is project 184 in the series. We’ll explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.

Step 1: Record three very short pieces of music: one that is 8 bars long, one that is 4 bars long, and one that is 1 bar long.

Step 2: Create an extended sequence of those segments that combines them at random. The overall total length is recommended to be between one and two minutes.

Step 3: You have a pair of options here:

Option A: Add one or two additional layers of sound/music that play off the sequence.

Option B: Develop your own rules/system (example: start an 8-bar tone each time the 1-bar segment plays).

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, July 9, 2015, with a deadline of 11:59pm wherever you are on Monday, July 13, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0184-setsofbars” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 184th Disquiet Junto project (“Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars”) at:

http://disquiet.com/2015/07/09/disquiet0184-setsofbars/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Sampled into sequencer on 3x tracks at random/arbitrary spacing with plenty of 'white space' per track; each track also runs to an effects send line heavy on sustain and filtering.

When a sample plays, it triggers a matching pattern line messing with the other 2x channel's sends&settings ... the controller patterns had a little manual tampering from me to smooth it all out.

----------------------------------------------------

Disquiet Junto Project 0184: Sets of Bars
Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.

This week’s Junto is project 184 in the series. We’ll explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars.

Step 1: Record three very short pieces of music: one that is 8 bars long, one that is 4 bars long, and one that is 1 bar long.

Step 2: Create an extended sequence of those segments that combines them at random. The overall total length is recommended to be between one and two minutes.

Step 3: You have a pair of options here:

Option A: Add one or two additional layers of sound/music that play off the sequence.

Option B: Develop your own rules/system (example: start an 8-bar tone each time the 1-bar segment plays).

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, July 9, 2015, with a deadline of 11:59pm wherever you are on Monday, July 13, 2015.

Length: The length of your finished work is up to you, but a length between one and two minutes is recommended.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0184-setsofbars” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 184th Disquiet Junto project (“Explore the relationship between segments that consist of 1 bar, 8 bars, and 4 bars”) at:

http://disquiet.com/2015/07/09/disquiet0184-setsofbars/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995951 no no Sun, 12 Jul 2015 07:48:46 +0200 2015-07-12T07:48:46+02:00 1:38 https://hearthis.at/apatchofnettles-xy/one-red-box/ 995952 no no Sat, 11 Jul 2015 04:53:11 +0200 2015-07-11T04:53:11+02:00 3:13 https://hearthis.at/apatchofnettles-xy/moored-current-disquiet-junto-project-0183-stereo-midnight/ https://soundcloud.com/roger-pibernat/moorings-disquiet0160-oneminutepastmidnight?in=disquiet/sets/disquiet0160-oneminutepastmidnight
https://soundcloud.com/fsk1138/the-wash-disquiet0160-oneminutepastmidnight-fsk1138?in=disquiet/sets/disquiet0160-oneminutepastmidnight

Both were pretty strongly set in centre channel on originals.

Simple brief = stand the creaking mooring poles in the water.
Simple methods = phase/time/pitch shifts and slow fades in Audacity.

----------------------------------------------------------------------------

Disquiet Junto Project 0183: Stereo Midnight
Insert something that plays across the stereo spectrum in an after-dark field recording.

This project is the fifth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.

The steps for this project are as follows:

Step 1: The primary goal of this project is to explore techniques to insinuate sound in a pre-existing field recording. First, select a track from one of the initial three projects in this series: #0160 from January 22, 2015, #0163 from February 12, 2015, and #0170 from April 2, 2015. All three of these previous projects involve field recordings made of the sound one minute past midnight:

http://disquiet.com/0160/
http://disquiet.com/0163/
http://disquiet.com/0170/

Step 2: When choosing, per Step 1, a pre-existing track, confirm that the track is available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: The goal is to insert a sound — whether realistic, like a plane or an animal, or fantastic, like a UFO — into the existing track so that it sounds like it is moving around in the stereo spectrum. Despite the inserted audio, the completed track should retain its inherent late-night ambience.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, July 2, 2015, with a deadline of 11:59pm wherever you are on Monday, July 6, 2015.

Length: The length of your finished piece should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0183-stereomidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 183rd Disquiet Junto project (“Insert something that plays across the stereo spectrum in an after-dark field recording”) at:

http://disquiet.com/2015/07/02/disquiet0183-stereomidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> https://soundcloud.com/roger-pibernat/moorings-disquiet0160-oneminutepastmidnight?in=disquiet/sets/disquiet0160-oneminutepastmidnight
https://soundcloud.com/fsk1138/the-wash-disquiet0160-oneminutepastmidnight-fsk1138?in=disquiet/sets/disquiet0160-oneminutepastmidnight

Both were pretty strongly set in centre channel on originals.

Simple brief = stand the creaking mooring poles in the water.
Simple methods = phase/time/pitch shifts and slow fades in Audacity.

----------------------------------------------------------------------------

Disquiet Junto Project 0183: Stereo Midnight
Insert something that plays across the stereo spectrum in an after-dark field recording.

This project is the fifth in an ongoing occasional series that focuses on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.

The steps for this project are as follows:

Step 1: The primary goal of this project is to explore techniques to insinuate sound in a pre-existing field recording. First, select a track from one of the initial three projects in this series: #0160 from January 22, 2015, #0163 from February 12, 2015, and #0170 from April 2, 2015. All three of these previous projects involve field recordings made of the sound one minute past midnight:

http://disquiet.com/0160/
http://disquiet.com/0163/
http://disquiet.com/0170/

Step 2: When choosing, per Step 1, a pre-existing track, confirm that the track is available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: The goal is to insert a sound — whether realistic, like a plane or an animal, or fantastic, like a UFO — into the existing track so that it sounds like it is moving around in the stereo spectrum. Despite the inserted audio, the completed track should retain its inherent late-night ambience.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, July 2, 2015, with a deadline of 11:59pm wherever you are on Monday, July 6, 2015.

Length: The length of your finished piece should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0183-stereomidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 183rd Disquiet Junto project (“Insert something that plays across the stereo spectrum in an after-dark field recording”) at:

http://disquiet.com/2015/07/02/disquiet0183-stereomidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 995953 no no Sun, 05 Jul 2015 14:45:18 +0200 2015-07-05T14:45:18+02:00 1:00 https://hearthis.at/apatchofnettles-xy/these-walls-havent-seen-pure-white-for-a-long-long-time/
A concept that came up in to-and-fro with NickNumbers.

* make a 10min ambient track from live TV broadcast inclusive of advertising content

Give it a go yourself?]]>
A concept that came up in to-and-fro with NickNumbers.

* make a 10min ambient track from live TV broadcast inclusive of advertising content

Give it a go yourself?]]> 995954 no no Sun, 05 Jul 2015 09:23:36 +0200 2015-07-05T09:23:36+02:00 8:41 https://hearthis.at/apatchofnettles-xy/thermal-ticking-disquiet-junto-project-0182-diverge-converge/
Jealous of the northern hemisphere summer solstice, the sample is the clicking thermostat of a room heater. 7 track orchestra processed with basic toolkit: reverb, filters, delay lines, phaser & flanger. Pushing the filters hard on reverb lines to hint at melody. Controllers pull the effects levels up, then fade back off; sequencer splits the sample out over a few octaves of scale, then skips back home.
(all in software)


---------------------------------------------------------------------

Disquiet Junto Project 0182: Diverge Converge
Do a rendition of Ethan Hein’s laptop orchestra score by yourself.

Step 1: The following is Ethan Hein’s score for laptop orchestra. You will record a version that you will do by yourself — an orchestra of one:

Each performer loads a short, shared sample. It should have a distinct attack and decay, for example a bell or gong. It can be pitched or unpitched, musical or unmusical.

Each performer triggers the sample repeatedly, either as a steady loop or at any arbitrary time interval.

After a few repetitions, each performer manipulates the sample as they see fit, via pitch shifting, time stretching, filtering, or other effects. Transformations should be gradual and clearly perceptible.

Once the entire ensemble is playing altered versions of the sample, the performers begin to undo their manipulations, preferably in the reverse order that they were originally applied.

When all performers have resumed playing back the original sample, the piece ends.

Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, June 25, 2015, with a deadline of 11:59pm wherever you are on Monday, June 29, 2015.

Length: The length of your finished work is up to you, but between one minute and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0182-divergeconverge” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 182nd Disquiet Junto project (“Do a rendition of Ethan Hein’s laptop orchestra score by yourself”) at:

http://disquiet.com/2015/06/25/disquiet0182-divergeconverge/

The piece is based on Ethan Hein’s score, more on which here:

http://www.newmusicbox.org/articles/brahmss-third-racket/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]>
Jealous of the northern hemisphere summer solstice, the sample is the clicking thermostat of a room heater. 7 track orchestra processed with basic toolkit: reverb, filters, delay lines, phaser & flanger. Pushing the filters hard on reverb lines to hint at melody. Controllers pull the effects levels up, then fade back off; sequencer splits the sample out over a few octaves of scale, then skips back home.
(all in software)


---------------------------------------------------------------------

Disquiet Junto Project 0182: Diverge Converge
Do a rendition of Ethan Hein’s laptop orchestra score by yourself.

Step 1: The following is Ethan Hein’s score for laptop orchestra. You will record a version that you will do by yourself — an orchestra of one:

Each performer loads a short, shared sample. It should have a distinct attack and decay, for example a bell or gong. It can be pitched or unpitched, musical or unmusical.

Each performer triggers the sample repeatedly, either as a steady loop or at any arbitrary time interval.

After a few repetitions, each performer manipulates the sample as they see fit, via pitch shifting, time stretching, filtering, or other effects. Transformations should be gradual and clearly perceptible.

Once the entire ensemble is playing altered versions of the sample, the performers begin to undo their manipulations, preferably in the reverse order that they were originally applied.

When all performers have resumed playing back the original sample, the piece ends.

Step 2: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early afternoon, California time, on Thursday, June 25, 2015, with a deadline of 11:59pm wherever you are on Monday, June 29, 2015.

Length: The length of your finished work is up to you, but between one minute and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0182-divergeconverge” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 182nd Disquiet Junto project (“Do a rendition of Ethan Hein’s laptop orchestra score by yourself”) at:

http://disquiet.com/2015/06/25/disquiet0182-divergeconverge/

The piece is based on Ethan Hein’s score, more on which here:

http://www.newmusicbox.org/articles/brahmss-third-racket/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 995955 no no Sun, 28 Jun 2015 10:40:00 +0200 2015-06-28T10:40:00+02:00 2:29 https://hearthis.at/apatchofnettles-xy/rapid-meter-movement-disquiet-junto-project-0181-instrumental-dream/
Patch consists solely of physical devices:
-- Clock driven VCA (heavy tremolo)
-- Harmonic beat tracking VCF (auto wah)
-- Hard octave distortion (rectifier style)
-- Spring reverb pan (from old organ)
-- Tap delay (saved from a garbage bin!)

A little light panning in Audacity to make it listenable(?) but no other post processing applied.

------------------------------------------------------------

Disquiet Junto Project 0181: Instrumental Dream
Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?

Step 1: Focus on your favorite instrument.

Step 2: Imagine that your instrument sleeps.

Step 3: Imagine that your instrument dreams.

Step 4: What does it sound in your instrument’s dreams?

Step 5: Record what it sounds like.

Step 6: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, June 18, 2015, with a deadline of 11:59pm wherever you are on Monday, June 22, 2015.

Length: The length of your finished work is up to you, but between one minute and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0181-instrumentaldream” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 181st Disquiet Junto project (“Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?”) at:

http://disquiet.com/2015/06/18/disquiet0181-instrumentaldream/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]>
Patch consists solely of physical devices:
-- Clock driven VCA (heavy tremolo)
-- Harmonic beat tracking VCF (auto wah)
-- Hard octave distortion (rectifier style)
-- Spring reverb pan (from old organ)
-- Tap delay (saved from a garbage bin!)

A little light panning in Audacity to make it listenable(?) but no other post processing applied.

------------------------------------------------------------

Disquiet Junto Project 0181: Instrumental Dream
Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?

Step 1: Focus on your favorite instrument.

Step 2: Imagine that your instrument sleeps.

Step 3: Imagine that your instrument dreams.

Step 4: What does it sound in your instrument’s dreams?

Step 5: Record what it sounds like.

Step 6: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, June 18, 2015, with a deadline of 11:59pm wherever you are on Monday, June 22, 2015.

Length: The length of your finished work is up to you, but between one minute and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0181-instrumentaldream” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 181st Disquiet Junto project (“Imagine your favorite instrument is dreaming while it sleeps — what does it sound like?”) at:

http://disquiet.com/2015/06/18/disquiet0181-instrumentaldream/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 995956 no no Mon, 22 Jun 2015 13:19:11 +0200 2015-06-22T13:19:11+02:00 2:29 https://hearthis.at/apatchofnettles-xy/in-fayre-light-nettles-in-a-number-of-dreams/ It seems to work now.

Check out --> https://soundcloud.com/numbersinthedream-1
]]> It seems to work now.

Check out --> https://soundcloud.com/numbersinthedream-1
]]> https://soundcloud.com/numbersinthedream-1 ]]> 995957 no no Sun, 21 Jun 2015 11:52:11 +0200 2015-06-21T11:52:11+02:00 3:27 https://hearthis.at/apatchofnettles-xy/below-the-hot-clouds/ http://xylemrecords.bandcamp.com/album/spring-i
And the suggestion to "take a tune and put your own sound on it, do of it what you will..."

Thanks to HowHotIsYourCloud - no regrets!

]]> http://xylemrecords.bandcamp.com/album/spring-i
And the suggestion to "take a tune and put your own sound on it, do of it what you will..."

Thanks to HowHotIsYourCloud - no regrets!

]]> http://xylemrecords.bandcamp.com/album/spring-i And the suggestion to "take a tune and put your own sound on it, do of it what you will..." Thanks to HowHotIsYourCloud - no regrets! ]]> 995958 no no Sat, 20 Jun 2015 12:19:15 +0200 2015-06-20T12:19:15+02:00 3:00 https://hearthis.at/apatchofnettles-xy/seized-disquiet-junto-project-0180-matryoshka-music/
3x images came strongly to mind: the profile of the objects spun on an axis; the incrementally spaced series of sizes; and a ripple pattern on the surface of water. All parts of the arrangement are intended to reference these images.

For the spinning axis, recorded sound of a small electric motor rushing and dragging under load. Put light eq & time smearing effects on this.
Then set hi and lo synth voices in ascending/descending symmetry around it, with a motif contoured to the doll profile.
This basic 'harmony' was filled with light melodic trilling fragments, for the idea of concentric ripples. (I went for a tone akin to wind-up-music-box, as the sort of object the dolls might cohabit with!)
The simple drum beat does a slightly asymmetric count up/down by 6.

-------------------------------------------------------------------

Disquiet Junto Project 0180: Matryoshka Music

Use the Russian nesting dolls as a model for a musical composition.

Step 1: Consider the Russian nesting doll called the matryoshka, in which hollowed-out wooden figurines are designed to be stored inside each other, excepting the smallest doll, which is solid.

Step 2: Compose a short piece of music that somehow takes as its basis the doll’s structure. (For a further constraint, imagine a matryoshka consisting of 6 dolls.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, June 11, 2015, with a deadline of 11:59pm wherever you are on Monday, June 15, 2015.

Length: The length of your finished work is up to you, but between two minutes and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0180-matryoshkamusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 180th Disquiet Junto project — “Use the Russian nesting dolls as a model for a musical composition” — at:

http://disquiet.com/2015/06/11/disquiet0180-matryoshkamusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

]]>
3x images came strongly to mind: the profile of the objects spun on an axis; the incrementally spaced series of sizes; and a ripple pattern on the surface of water. All parts of the arrangement are intended to reference these images.

For the spinning axis, recorded sound of a small electric motor rushing and dragging under load. Put light eq & time smearing effects on this.
Then set hi and lo synth voices in ascending/descending symmetry around it, with a motif contoured to the doll profile.
This basic 'harmony' was filled with light melodic trilling fragments, for the idea of concentric ripples. (I went for a tone akin to wind-up-music-box, as the sort of object the dolls might cohabit with!)
The simple drum beat does a slightly asymmetric count up/down by 6.

-------------------------------------------------------------------

Disquiet Junto Project 0180: Matryoshka Music

Use the Russian nesting dolls as a model for a musical composition.

Step 1: Consider the Russian nesting doll called the matryoshka, in which hollowed-out wooden figurines are designed to be stored inside each other, excepting the smallest doll, which is solid.

Step 2: Compose a short piece of music that somehow takes as its basis the doll’s structure. (For a further constraint, imagine a matryoshka consisting of 6 dolls.)

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, June 11, 2015, with a deadline of 11:59pm wherever you are on Monday, June 15, 2015.

Length: The length of your finished work is up to you, but between two minutes and four minutes is probably best in this context.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0180-matryoshkamusic” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 180th Disquiet Junto project — “Use the Russian nesting dolls as a model for a musical composition” — at:

http://disquiet.com/2015/06/11/disquiet0180-matryoshkamusic/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

]]> 995959 no no Sat, 13 Jun 2015 14:00:30 +0200 2015-06-13T14:00:30+02:00 3:35 https://hearthis.at/apatchofnettles-xy/becoming-invisible-right-before-my-eyes/
Check out --> https://soundcloud.com/numbersinthedream-1

------------------------------------------------

delayed reaction slows the blink of an eye
allowing just a moment's glimpse into another's mind
reflections from a mirror
passing through a lens designed to bend the light
into the words
I want to hear]]>
Check out --> https://soundcloud.com/numbersinthedream-1

------------------------------------------------

delayed reaction slows the blink of an eye
allowing just a moment's glimpse into another's mind
reflections from a mirror
passing through a lens designed to bend the light
into the words
I want to hear]]> https://soundcloud.com/numbersinthedream-1 ------------------------------------------------ delayed reaction slows the blink of an eye allowing just a moment's glimpse into another's mind reflections from a mirror passing through a lens designed to bend the light into the words I want to hear]]> 995960 no no Fri, 12 Jun 2015 01:23:43 +0200 2015-06-12T01:23:43+02:00 2:24 https://hearthis.at/apatchofnettles-xy/4a3b-eugeny-myagkov-remixed/ https://soundcloud.com/eugeny-myagkov/recorded-on-28032015-guitar-korg-monotron

No direct instrumentation or accompaniment - all voices in this mix are derived by filtering and resonances from original track.
]]> https://soundcloud.com/eugeny-myagkov/recorded-on-28032015-guitar-korg-monotron

No direct instrumentation or accompaniment - all voices in this mix are derived by filtering and resonances from original track.
]]> https://soundcloud.com/eugeny-myagkov/recorded-on-28032015-guitar-korg-monotron No direct instrumentation or accompaniment - all voices in this mix are derived by filtering and resonances from original track. ]]> 995961 no no Fri, 05 Jun 2015 14:12:13 +0200 2015-06-05T14:12:13+02:00 3:03 https://hearthis.at/apatchofnettles-xy/one-abrupt-point-of-contention/ 995962 no no Wed, 03 Jun 2015 14:38:31 +0200 2015-06-03T14:38:31+02:00 4:01 https://hearthis.at/apatchofnettles-xy/one-street-of-ghosts-disquiet-junto-project-0178-berlin-bells/
Pulled some sections with thick-ish bells and lesser traffic at : 0:18 1:30 / 2:35 3:30 / 4:20 4:50 / 6:17 7:05. Looped it for a while and scratched at guitar. Found some melodic hints and rolled ideas onto software synth. & sequenced. Then went back to original bell loops and merged them up into the synth voices as an ambient track with pattern triggered filtering, sharp Q filters, and some light arpeggiation. (Listen closely around 2:30 if you are sceptical the bells are still in there! They are the warped stock for a goodly dose of drone...)

Now content.

---------------------------------------------------------------------

Disquiet Junto Project 0178: Berlin Bells
Emphasize the bells in an urban field recording.

Step 1: Download the audio file at this URL. It is a field recording of urban Berlin by Michael Raphael (aka Sepulchra):

https://goo.gl/C3kJNA

Step 2: Rework the source audio in a manner that reinforces the melodic component of the bells.
Beyond that sole instruction, the choices are up to you.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, May 28, 2015, with a deadline of 11:59pm wherever you are on Monday, June 1, 2015.

Length: The length of your finished work should be roughly between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0178-sepulchrabells” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 178th Disquiet Junto project — “Emphasize the bells in an urban field recording” — at:

http://disquiet.com/2015/05/28/disquiet0178-sepulchrabells/

Source audio by Michael Raphael, aka Sepulchra, who runs the sound-library firm at rabbitearsaudio.com.
Audio used with Raphael’s permission. Track originally posted at:

https://soundcloud.com/sepulchra/150526-marienkirche

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Pulled some sections with thick-ish bells and lesser traffic at : 0:18 1:30 / 2:35 3:30 / 4:20 4:50 / 6:17 7:05. Looped it for a while and scratched at guitar. Found some melodic hints and rolled ideas onto software synth. & sequenced. Then went back to original bell loops and merged them up into the synth voices as an ambient track with pattern triggered filtering, sharp Q filters, and some light arpeggiation. (Listen closely around 2:30 if you are sceptical the bells are still in there! They are the warped stock for a goodly dose of drone...)

Now content.

---------------------------------------------------------------------

Disquiet Junto Project 0178: Berlin Bells
Emphasize the bells in an urban field recording.

Step 1: Download the audio file at this URL. It is a field recording of urban Berlin by Michael Raphael (aka Sepulchra):

https://goo.gl/C3kJNA

Step 2: Rework the source audio in a manner that reinforces the melodic component of the bells.
Beyond that sole instruction, the choices are up to you.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, May 28, 2015, with a deadline of 11:59pm wherever you are on Monday, June 1, 2015.

Length: The length of your finished work should be roughly between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0178-sepulchrabells” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 178th Disquiet Junto project — “Emphasize the bells in an urban field recording” — at:

http://disquiet.com/2015/05/28/disquiet0178-sepulchrabells/

Source audio by Michael Raphael, aka Sepulchra, who runs the sound-library firm at rabbitearsaudio.com.
Audio used with Raphael’s permission. Track originally posted at:

https://soundcloud.com/sepulchra/150526-marienkirche

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995963 no no Sat, 30 May 2015 01:25:05 +0200 2015-05-30T01:25:05+02:00 3:22 https://hearthis.at/apatchofnettles-xy/sole-recourse/ 995964 no no Thu, 28 May 2015 13:54:46 +0200 2015-05-28T13:54:46+02:00 6:04 https://hearthis.at/apatchofnettles-xy/no-sordid-ends-to-serve/
See : https://archive.org/details/WarrenG.Harding-OpeningOfLimitationOfArmamentsConference
]]>
See : https://archive.org/details/WarrenG.Harding-OpeningOfLimitationOfArmamentsConference
]]> 995965 no no Tue, 26 May 2015 01:27:51 +0200 2015-05-26T01:27:51+02:00 4:15 https://hearthis.at/apatchofnettles-xy/winters-turn-disquiet-junto-project-0177-netlabel-portrait/
----------------------------------------------------------------

Disquiet Junto Project 0177: Netlabel Portrait
Use samples of recent Dark Winter Records releases to produce a sonic image of the label.

Every couple of months the Disquiet Junto hosts a netlabel remix. All of the source audio for a netlabel remix is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This series of “netlabel remixes” is intended to promote that sort of thoughtful, collaborative sharing.

The netlabel Dark Winter has already released three albums this year. We’re going to use a snippet of one track from each of those records, and in combining them produce a kind of sonic snapshot of the label.

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

Use the first 30 seconds from “Part 1? off Scott Lawlor’s World of Ice and Snow:

http://www.darkwinter.com/dw095.html

Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:

http://www.darkwinter.com/dw096.html

Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:

http://darkwinter.com/dw097.html

Step 2: Upload your track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, May 21, 2015, with a deadline of 11:59pm wherever you are on Monday, May 25, 2015.

Length: The length of your finished work should be roughly between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0177-netlabelportrait” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of the source audio.

Linking: When posting the track, please be sure to include this information:

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]>
----------------------------------------------------------------

Disquiet Junto Project 0177: Netlabel Portrait
Use samples of recent Dark Winter Records releases to produce a sonic image of the label.

Every couple of months the Disquiet Junto hosts a netlabel remix. All of the source audio for a netlabel remix is available for free, non-commercial download and creative reuse thanks to a Creative Commons license. This series of “netlabel remixes” is intended to promote that sort of thoughtful, collaborative sharing.

The netlabel Dark Winter has already released three albums this year. We’re going to use a snippet of one track from each of those records, and in combining them produce a kind of sonic snapshot of the label.

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

Use the first 30 seconds from “Part 1? off Scott Lawlor’s World of Ice and Snow:

http://www.darkwinter.com/dw095.html

Use the first 30 seconds from “Underground Shelter” off Nadador Nocturno’s Harsh Winters in the Distance:

http://www.darkwinter.com/dw096.html

Use the first 30 seconds from “DSM III – The Cristalline Entity” off Ovdk vs Seetyca’s Allegorik Symptom Before the Cataclysm:

http://darkwinter.com/dw097.html

Step 2: Upload your track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, May 21, 2015, with a deadline of 11:59pm wherever you are on Monday, May 25, 2015.

Length: The length of your finished work should be roughly between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0177-netlabelportrait” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution), per the license of the source audio.

Linking: When posting the track, please be sure to include this information:

More on this 177th Disquiet Junto project — “Use samples of recent Dark Winter Records releases to produce a sonic image of the label” — at:

http://disquiet.com/2015/05/21/disquiet0177-netlabelportrait/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 995967 no no Sat, 23 May 2015 12:45:38 +0200 2015-05-23T12:45:38+02:00 2:23 https://hearthis.at/apatchofnettles-xy/bygone-disquiet-junto-project-0176-walk-it-out/
Recorded footsteps through twigs and leaf litter with stereo mic, while walking; then scraped and struck some sounds to fit with mental fragments - captured by contact mic on machine parts/car bodies/water tanks etc.

Rolled the lot together in sequencer, with a synthesised reference to the original chromatic riff, and including 3x unaltered grabs.

--------------------------------------------------------


Disquiet Junto Project 0176: Walk It Out
Create a composition on top of a rough idea first recorded on your cellphone.

Step 1: Go for a walk, and don’t forget your cellphone (or other audio recording device).

Step 2: When the idea for a short piece of music occurs to you, record it into your phone
— whether humming or singing or, say, knocking on a fence. Keep it simple.
(Note: You can only use the microphone. Don’t use any specific music/sound apps.)

Step 3: When you get back to your home/studio/etc. complete the track, including the (unedited) audio from your walk.
Any ambient background noise is just part of the project.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, May 14, 2015, with a deadline of 11:59pm wherever you are on Monday, May 18, 2015.

Length: The length of your finished work should be between 30 seconds and three minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment,
and include a description of your process in planning, composing, and recording it.
This description is an essential element of the communicative process inherent in the Disquiet Junto.
Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0176-walkitout”
in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 176th Disquiet Junto project — “Create a composition on top of a rough idea first recorded on your cellphone” — at:

http://disquiet.com/2015/05/14/disquiet0176-walkitout/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
Recorded footsteps through twigs and leaf litter with stereo mic, while walking; then scraped and struck some sounds to fit with mental fragments - captured by contact mic on machine parts/car bodies/water tanks etc.

Rolled the lot together in sequencer, with a synthesised reference to the original chromatic riff, and including 3x unaltered grabs.

--------------------------------------------------------


Disquiet Junto Project 0176: Walk It Out
Create a composition on top of a rough idea first recorded on your cellphone.

Step 1: Go for a walk, and don’t forget your cellphone (or other audio recording device).

Step 2: When the idea for a short piece of music occurs to you, record it into your phone
— whether humming or singing or, say, knocking on a fence. Keep it simple.
(Note: You can only use the microphone. Don’t use any specific music/sound apps.)

Step 3: When you get back to your home/studio/etc. complete the track, including the (unedited) audio from your walk.
Any ambient background noise is just part of the project.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, May 14, 2015, with a deadline of 11:59pm wherever you are on Monday, May 18, 2015.

Length: The length of your finished work should be between 30 seconds and three minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment,
and include a description of your process in planning, composing, and recording it.
This description is an essential element of the communicative process inherent in the Disquiet Junto.
Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0176-walkitout”
in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 176th Disquiet Junto project — “Create a composition on top of a rough idea first recorded on your cellphone” — at:

http://disquiet.com/2015/05/14/disquiet0176-walkitout/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995968 no no Mon, 18 May 2015 13:54:06 +0200 2015-05-18T13:54:06+02:00 2:05 https://hearthis.at/apatchofnettles-xy/one-stropped-blade-edge/ 995969 no no Sun, 17 May 2015 10:54:31 +0200 2015-05-17T10:54:31+02:00 4:08 https://hearthis.at/apatchofnettles-xy/guest-in-an-empty-room/
------------------------------------------------------

What if they had a Junto but nobody came?
Sometimes it just needs one track to kick things off ... like uncertain party goers spying mistletoe? --> https://soundcloud.com/bassling-1/missile-toe-disquiet0174-glovesongs

More on the Disquiet Junto at:
disquiet.com/junto/

Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]>
------------------------------------------------------

What if they had a Junto but nobody came?
Sometimes it just needs one track to kick things off ... like uncertain party goers spying mistletoe? --> https://soundcloud.com/bassling-1/missile-toe-disquiet0174-glovesongs

More on the Disquiet Junto at:
disquiet.com/junto/

Join the Disquiet Junto at:
soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
disquiet.com/forums/]]> https://soundcloud.com/bassling-1/missile-toe-disquiet0174-glovesongs More on the Disquiet Junto at: disquiet.com/junto/ Join the Disquiet Junto at: soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: disquiet.com/forums/]]> 995970 no no Sun, 03 May 2015 14:50:14 +0200 2015-05-03T14:50:14+02:00 1:57 https://hearthis.at/apatchofnettles-xy/one-stoch-4-at-3m-disquiet-junto-project-0174-glove-songs/
The only instrument I really profess specialisation with is the Lunetta. Although used in many of my tracks, its chaotic nature does not allow for repeat performance, and the knobs are pretty easy to work with gloves! Nonetheless, I consider this to be a Gloved reworking of --> "One Stoch 4 at 950m" --> https://soundcloud.com/apatchofnettles/rollout

-------------------------------------------------------

Disquiet Junto Project 0174: Glove Songs
Play something on your favorite instrument — wearing gloves.

Step 1: Think of the instrument on which you are most proficient. (Touch screen interfaces such as iOS devices are excluded from this project.)

Step 2: Choose a piece of music you’ve recorded that employs that instrument.

Step 3: Re-record that same piece of music, this time wearing gloves.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud. When posting, if possible include a link to the original (non-gloves) version of the piece.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, April 30, 2015, with a deadline of 11:59pm wherever you are on Monday, May 4, 2015.

Length: The length of your finished work should be roughly the length of the original.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0174-glovesongs” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 174th Disquiet Junto project — “Play something on your favorite instrument — wearing gloves” — at:

http://disquiet.com/2015/04/30/disquiet0174-glovesongs/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Myxi, used via Creative Commons license:

https://flic.kr/p/K9LwX]]>
The only instrument I really profess specialisation with is the Lunetta. Although used in many of my tracks, its chaotic nature does not allow for repeat performance, and the knobs are pretty easy to work with gloves! Nonetheless, I consider this to be a Gloved reworking of --> "One Stoch 4 at 950m" --> https://soundcloud.com/apatchofnettles/rollout

-------------------------------------------------------

Disquiet Junto Project 0174: Glove Songs
Play something on your favorite instrument — wearing gloves.

Step 1: Think of the instrument on which you are most proficient. (Touch screen interfaces such as iOS devices are excluded from this project.)

Step 2: Choose a piece of music you’ve recorded that employs that instrument.

Step 3: Re-record that same piece of music, this time wearing gloves.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud. When posting, if possible include a link to the original (non-gloves) version of the piece.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, April 30, 2015, with a deadline of 11:59pm wherever you are on Monday, May 4, 2015.

Length: The length of your finished work should be roughly the length of the original.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0174-glovesongs” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 174th Disquiet Junto project — “Play something on your favorite instrument — wearing gloves” — at:

http://disquiet.com/2015/04/30/disquiet0174-glovesongs/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Myxi, used via Creative Commons license:

https://flic.kr/p/K9LwX]]> "One Stoch 4 at 950m" --> https://soundcloud.com/apatchofnettles/rollout ------------------------------------------------------- Disquiet Junto Project 0174: Glove Songs Play something on your favorite instrument — wearing gloves. Step 1: Think of the instrument on which you are most proficient. (Touch screen interfaces such as iOS devices are excluded from this project.) Step 2: Choose a piece of music you’ve recorded that employs that instrument. Step 3: Re-record that same piece of music, this time wearing gloves. Step 4: Upload your track to the Disquiet Junto group on SoundCloud. When posting, if possible include a link to the original (non-gloves) version of the piece. Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants. Deadline: This assignment was made in the early evening, California time, on Thursday, April 30, 2015, with a deadline of 11:59pm wherever you are on Monday, May 4, 2015. Length: The length of your finished work should be roughly the length of the original. Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated. Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0174-glovesongs” in the title of your track, and as a tag for your track. Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution). Linking: When posting the track, please be sure to include this information: More on this 174th Disquiet Junto project — “Play something on your favorite instrument — wearing gloves” — at: http://disquiet.com/2015/04/30/disquiet0174-glovesongs/ More on the Disquiet Junto at: http://disquiet.com/junto/ Join the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/ Disquiet Junto general discussion takes place at: http://disquiet.com/forums/ Photo associated with this project by Myxi, used via Creative Commons license: https://flic.kr/p/K9LwX]]> 995971 no no Sun, 03 May 2015 05:20:44 +0200 2015-05-03T05:20:44+02:00 5:57 https://hearthis.at/apatchofnettles-xy/waste-reclamation/ ]]> ]]> 995972 no no Thu, 30 Apr 2015 11:57:34 +0200 2015-04-30T11:57:34+02:00 3:12 https://hearthis.at/apatchofnettles-xy/bathurst-burr-disquiet-junto-project-0173-over-version/ It was hard to see quite how to fit the kind of live instrumental playing I (shyly) do, over this track. But the straight stacked bass was like an empty road dead ahead; kind of beckoning. Just needed something for the top end...

Made 7 'voices' synched/derived from original track; using mostly filter resonance to stripe the arrangement, distortions to texture the voices, delay lines/gating to set up pulsing rhythms and reverberation to get feedback sustain. Settled them all into a rough agreement, then ran the track live while manipulating the mix&balance for recording.

-----------------------------------------------------------

Disquiet Junto Project 0173: Over Version
Do an “over” rather than a “cover” of a pre-existing track.

In other words, create a palimpsest of the source material. These are the steps for this project:

Step 1: Download the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel at this URL:

https://archive.org/download/inoquo068/01hermetico-daisy-daisyABWL-remix.mp3

You can read up on the release at this page:

http://www.inoquo.com/release.php?&id=68

Step 2: Listen to the track straight through.

Step 3: Record yourself playing on top of the original.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 23, 2015, with a deadline of 11:59pm wherever you are on Monday, April 27, 2015.

Length: The length of your finished work should be the length of the original, 5:39, or slightly longer.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0173-overversion” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 173rd Disquiet Junto project — “Do an ‘over’ rather than a ‘cover’ of a pre-existing track.” — at:

http://disquiet.com/2015/04/23/disquiet0173-overversion/

Source audio is the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel:

http://www.inoquo.com/release.php?&id=68

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> It was hard to see quite how to fit the kind of live instrumental playing I (shyly) do, over this track. But the straight stacked bass was like an empty road dead ahead; kind of beckoning. Just needed something for the top end...

Made 7 'voices' synched/derived from original track; using mostly filter resonance to stripe the arrangement, distortions to texture the voices, delay lines/gating to set up pulsing rhythms and reverberation to get feedback sustain. Settled them all into a rough agreement, then ran the track live while manipulating the mix&balance for recording.

-----------------------------------------------------------

Disquiet Junto Project 0173: Over Version
Do an “over” rather than a “cover” of a pre-existing track.

In other words, create a palimpsest of the source material. These are the steps for this project:

Step 1: Download the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel at this URL:

https://archive.org/download/inoquo068/01hermetico-daisy-daisyABWL-remix.mp3

You can read up on the release at this page:

http://www.inoquo.com/release.php?&id=68

Step 2: Listen to the track straight through.

Step 3: Record yourself playing on top of the original.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 23, 2015, with a deadline of 11:59pm wherever you are on Monday, April 27, 2015.

Length: The length of your finished work should be the length of the original, 5:39, or slightly longer.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0173-overversion” in the title of your track, and as a tag for your track.

Download: Set your track as downloadable, and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 173rd Disquiet Junto project — “Do an ‘over’ rather than a ‘cover’ of a pre-existing track.” — at:

http://disquiet.com/2015/04/23/disquiet0173-overversion/

Source audio is the Hermético track “Daisy Daisy (A Blinding White Light Remix)” from the InoQuo netlabel:

http://www.inoquo.com/release.php?&id=68

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 995973 no no Sun, 26 Apr 2015 09:06:55 +0200 2015-04-26T09:06:55+02:00 5:46 https://hearthis.at/apatchofnettles-xy/one-fractionating-retort/ 995974 no no Wed, 22 Apr 2015 12:46:06 +0200 2015-04-22T12:46:06+02:00 2:26 https://hearthis.at/apatchofnettles-xy/digitalis-disquiet-junto-project-0172-digital-analog-conflater/
Digital = clock display = recorded through analogue distortion/LFO-VCA/harmonic VCF
Analogue = stopwatch = processed through digital distortion/LFO-VCA/envelope VCF

Mixed into a 'tune' based on notes ADAC, using AudioMulch surface. Having too much fun; the ]]>
Digital = clock display = recorded through analogue distortion/LFO-VCA/harmonic VCF
Analogue = stopwatch = processed through digital distortion/LFO-VCA/envelope VCF

Mixed into a 'tune' based on notes ADAC, using AudioMulch surface. Having too much fun; the ]]> 995975 no no Mon, 20 Apr 2015 00:32:56 +0200 2015-04-20T00:32:56+02:00 1:42 https://hearthis.at/apatchofnettles-xy/meted-disbelief/ 995976 no no Thu, 16 Apr 2015 12:22:10 +0200 2015-04-16T12:22:10+02:00 4:19 https://hearthis.at/apatchofnettles-xy/one-cent-kickstarter/
Please refer to track comments for transcript of strenuous boardroom negotiations. You need no longer wonder at the nature of deals behind closed doors.

(Thematic theatrics to explore 'feel' of AudioMulch)]]>
Please refer to track comments for transcript of strenuous boardroom negotiations. You need no longer wonder at the nature of deals behind closed doors.

(Thematic theatrics to explore 'feel' of AudioMulch)]]> 995977 no no Tue, 14 Apr 2015 23:54:43 +0200 2015-04-14T23:54:43+02:00 1:08 https://hearthis.at/apatchofnettles-xy/mist-drifts/ Ascythethroughnettles – Set-wet-level )]]> Ascythethroughnettles – Set-wet-level )]]> Ascythethroughnettles – Set-wet-level )]]> 995978 no no Mon, 13 Apr 2015 10:33:18 +0200 2015-04-13T10:33:18+02:00 3:03 https://hearthis.at/apatchofnettles-xy/glint-and-movement-a-tide-pool/ https://soundcloud.com/ascythethroughnettles/set-wet-level )]]> https://soundcloud.com/ascythethroughnettles/set-wet-level )]]> https://soundcloud.com/ascythethroughnettles/set-wet-level )]]> 995979 no no Mon, 13 Apr 2015 10:22:52 +0200 2015-04-13T10:22:52+02:00 6:47 https://hearthis.at/apatchofnettles-xy/stacked-deck-disquiet-junto-project-0171-oblicardo/ Listen to the quiet voice - don't break the silence.
Retrace your steps towards the insignificant.
Is there something missing? (Only a part, not the whole.)
The most important thing is the thing most easily forgotten.
Ask your body:
Is it finished?
Would anybody want it?
When is it for?
Do the words need changing?

Go outside. Shut the door. Breathe more deeply.

Disconnect from desire. Give way to your worst impulse.
Faced with a choice do both.

What mistakes did you make last time?
Discard an axiom, once the search is in progress, something will be found.
Just carry on.

Abandon normal instruments - reverse - turn it upside down.
Distorting time...
Where's the edge?
Where does the frame start?
Try faking it!

Change nothing and continue with immaculate consistency.
Take a break - cut a vital connection.
Remember those quiet evenings.
Give the game away.

---------------------------------------------------
Too many cards. Too many words. Ran last week's number (Half Imagined) through AudioMulch as first ever attempt, and 'oblique' exit from comfort zone. Actually proved pretty comfortable!
---------------------------------------------------

Disquiet Junto Project 0171: Oblicardo
Rework a pre-existing field recording in response to an Oblique Strategies card.

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> Listen to the quiet voice - don't break the silence.
Retrace your steps towards the insignificant.
Is there something missing? (Only a part, not the whole.)
The most important thing is the thing most easily forgotten.
Ask your body:
Is it finished?
Would anybody want it?
When is it for?
Do the words need changing?

Go outside. Shut the door. Breathe more deeply.

Disconnect from desire. Give way to your worst impulse.
Faced with a choice do both.

What mistakes did you make last time?
Discard an axiom, once the search is in progress, something will be found.
Just carry on.

Abandon normal instruments - reverse - turn it upside down.
Distorting time...
Where's the edge?
Where does the frame start?
Try faking it!

Change nothing and continue with immaculate consistency.
Take a break - cut a vital connection.
Remember those quiet evenings.
Give the game away.

---------------------------------------------------
Too many cards. Too many words. Ran last week's number (Half Imagined) through AudioMulch as first ever attempt, and 'oblique' exit from comfort zone. Actually proved pretty comfortable!
---------------------------------------------------

Disquiet Junto Project 0171: Oblicardo
Rework a pre-existing field recording in response to an Oblique Strategies card.

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 995980 no no Sun, 12 Apr 2015 09:05:32 +0200 2015-04-12T09:05:32+02:00 1:07 https://hearthis.at/apatchofnettles-xy/one-moral-vacuum-in-a-box-of-aum/ The CZ-1000 has an outing, along with the Stoch 4.
Top end whoosh and bass end push from Jmmy Kpple --> https://soundcloud.com/jmmy-kpple
Subliminal suggestion from TheNumbersInTheDream --> https://soundcloud.com/numbersinthedream-1]]> The CZ-1000 has an outing, along with the Stoch 4.
Top end whoosh and bass end push from Jmmy Kpple --> https://soundcloud.com/jmmy-kpple
Subliminal suggestion from TheNumbersInTheDream --> https://soundcloud.com/numbersinthedream-1]]> https://soundcloud.com/jmmy-kpple Subliminal suggestion from TheNumbersInTheDream --> https://soundcloud.com/numbersinthedream-1]]> 995981 no no Tue, 07 Apr 2015 02:31:59 +0200 2015-04-07T02:31:59+02:00 3:54 https://hearthis.at/apatchofnettles-xy/half-imagined-disquiet-junto-project-0170-a-glitch-in-the-night/
--------------------------------------------

Disquiet Junto Project 0170: A Glitch in the Night
Create a one-minute track that takes the project title as its guiding aesthetic.

This project is the third in an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.

The steps for this project are as follows:

Step 1: The primary goal of this project is to make a one-minute track. That track should, in your imagination, fit the description “A Glitch in the Night.”

Step 2: You may create an entirely original work that fits the brief project outline in Step 1. Or, you might choose to rework audio from one of two previous projects in this series, #0160 from January 22, 2015, and #0163 from February 12, 2015, both of which involve field recordings made of the sound one minute past midnight:

http://disquiet.com/0160/
http://disquiet.com/0163/

Step 3: If you choose, per Step 2, to use pre-existing material, locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 2, 2015, with a deadline of 11:59pm wherever you are on Monday, April 6, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0170-midnightglitch” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 170th Disquiet Junto project — “Create a one-minute track that takes the project title, ‘A Glitch in the Night,’ as its guiding aesthetic” — at:

http://disquiet.com/2015/04/02/disquiet0170-midnightglitch/]]>
--------------------------------------------

Disquiet Junto Project 0170: A Glitch in the Night
Create a one-minute track that takes the project title as its guiding aesthetic.

This project is the third in an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.

The steps for this project are as follows:

Step 1: The primary goal of this project is to make a one-minute track. That track should, in your imagination, fit the description “A Glitch in the Night.”

Step 2: You may create an entirely original work that fits the brief project outline in Step 1. Or, you might choose to rework audio from one of two previous projects in this series, #0160 from January 22, 2015, and #0163 from February 12, 2015, both of which involve field recordings made of the sound one minute past midnight:

http://disquiet.com/0160/
http://disquiet.com/0163/

Step 3: If you choose, per Step 2, to use pre-existing material, locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 2, 2015, with a deadline of 11:59pm wherever you are on Monday, April 6, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0170-midnightglitch” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 170th Disquiet Junto project — “Create a one-minute track that takes the project title, ‘A Glitch in the Night,’ as its guiding aesthetic” — at:

http://disquiet.com/2015/04/02/disquiet0170-midnightglitch/]]> 995982 no no Sun, 05 Apr 2015 06:58:21 +0200 2015-04-05T06:58:21+02:00 1:00 https://hearthis.at/apatchofnettles-xy/set-wet-level/ 995983 no no Mon, 30 Mar 2015 02:29:57 +0200 2015-03-30T02:29:57+02:00 10:32 https://hearthis.at/apatchofnettles-xy/html12-disquiet-junto-project-0169-html505/
OK - so it's mobile and cross-platform (if it works with your browser at all...) but, sheesh, 8-bit micro's sure did it better!

Wasted couple of hours trying to reverse engineer a local cached version of the app; to apply own sound sets, or modulate the controls algorithmically. Concluded there was no point.

--------------------------------------------

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]>
OK - so it's mobile and cross-platform (if it works with your browser at all...) but, sheesh, 8-bit micro's sure did it better!

Wasted couple of hours trying to reverse engineer a local cached version of the app; to apply own sound sets, or modulate the controls algorithmically. Concluded there was no point.

--------------------------------------------

Disquiet Junto Project 0169: HTML505
Make a track using only an HTML5 drum machine.

Step 1: Go to the following webpage in a browser that supports HTML5:

http://html5drummachine.com

Step 2: Create an original track using only this tool.

Step 3: Upload your track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 30, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0169-html505” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 169th Disquiet Junto project — “Make a track using only an HTML5 drum machine” — at:

http://disquiet.com/2015/03/26/disquiet0169-html505/

More on the drum machine at:

http://html5drummachine.com/

More on the Disquiet Junto at:

http://disquiet.com/junto/]]> 995984 no no Fri, 27 Mar 2015 12:21:25 +0100 2015-03-27T12:21:25+01:00 1:42 https://hearthis.at/apatchofnettles-xy/syagrus-shriek-disquiet-junto-project-0168-three-of-a-kind/
Brief clips set up as 'drum' hits, and fed into resonant filters and delay for 'bass line'. Mid length clips fed through multiple stages of reverb and pattern driven filters for ambient wrapper - with some bleed back into the bass filters and delay lines. 'Melody' is a mash of the original shrieks, without effects, but layered re-pitched playback.

---------------------------------------


Disquiet Junto Project 0168: Three of a Kind
Create an original, multi-part piece with a single audio source.

Step 1: You will be making a single track with three different parallel lines.
It might be easiest to think of them as melody, rhythm, and an ambient foundational bed, but you might also do three counterposed rhythms,
or a drone of three varying ambient beds. It’s up to you.

Step 2: Select a single source of audio. Perhaps it’s a segment of pre-existing track, or a single note on a favorite instrument,
or a short recording of you humming or breathing.

Step 3: Transform that single source of audio to produce each of the three separate lines you plotted in Step 1.

Step 4: Record the track with those three lines running simultaneously.

Step 5: Upload your track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 19, 2015, with a deadline of 11:59pm wherever you are on Monday, March 23, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0168-threeofakind” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 168th Disquiet Junto project — “Create an original, multi-part piece with a single audio source” — at:

http://disquiet.com/2015/03/19/disquiet0168-threeofakind/

More on the Disquiet Junto at:

http://disquiet.com/junto]]>
Brief clips set up as 'drum' hits, and fed into resonant filters and delay for 'bass line'. Mid length clips fed through multiple stages of reverb and pattern driven filters for ambient wrapper - with some bleed back into the bass filters and delay lines. 'Melody' is a mash of the original shrieks, without effects, but layered re-pitched playback.

---------------------------------------


Disquiet Junto Project 0168: Three of a Kind
Create an original, multi-part piece with a single audio source.

Step 1: You will be making a single track with three different parallel lines.
It might be easiest to think of them as melody, rhythm, and an ambient foundational bed, but you might also do three counterposed rhythms,
or a drone of three varying ambient beds. It’s up to you.

Step 2: Select a single source of audio. Perhaps it’s a segment of pre-existing track, or a single note on a favorite instrument,
or a short recording of you humming or breathing.

Step 3: Transform that single source of audio to produce each of the three separate lines you plotted in Step 1.

Step 4: Record the track with those three lines running simultaneously.

Step 5: Upload your track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 19, 2015, with a deadline of 11:59pm wherever you are on Monday, March 23, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0168-threeofakind” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 168th Disquiet Junto project — “Create an original, multi-part piece with a single audio source” — at:

http://disquiet.com/2015/03/19/disquiet0168-threeofakind/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> 995985 no no Sat, 21 Mar 2015 10:02:13 +0100 2015-03-21T10:02:13+01:00 3:26 https://hearthis.at/apatchofnettles-xy/two-point-four-square-meters-disquiet-junto-project-0167-placid-cell/ The hard part : working flat face down on the noise floor...

This may be a case where what I find adequately soothing is a little unnerving to others - hope not!

Nothing elaborate here outside the actual project description; mined the quiet sample period for harmonic content; pitched, concentrated and sequenced what I found.

-----------------------------------------------------

Disquiet Junto Project 0167: Placid Cell
Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing.

This project is the second time that the Junto gathered its resources to pay tribute to the wrongfully imprisoned Creative Commons advocate and coder Bassel. Sunday, March 15, marks the third anniversary of Bassel’s incarceration in Syria.

In Bassel’s honor, this week we’ll make music by taking the loneliness of a small, closed room and making something beautiful and soothing from it.

Step 1: Go into the quietest room in your home and record the room’s tone. Also record the sound of the door being closed.

Step 2: Locate in that track a suitably quiet 10 consecutive seconds. Also locate the moment when the door is closed.

Step 3: Locate in those 10 seconds a handful of signature sonic events, moments, however small or subtle, that stand out from the general silence.

Step 4: Create an original composition that begins with the door being closed, proceeds through the 10 unadulterated seconds of room tone, and after which samples of those sonic events from Step 3 are transformed into something soothing. This being a project about isolation, you cannot add any external sound elements.

Step 5: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 12, 2015, with a deadline of 11:59pm wherever you are on Monday, March 16, 2015.

Length: The length of your finished work should be roughly between two and five minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0167-freebassel” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> The hard part : working flat face down on the noise floor...

This may be a case where what I find adequately soothing is a little unnerving to others - hope not!

Nothing elaborate here outside the actual project description; mined the quiet sample period for harmonic content; pitched, concentrated and sequenced what I found.

-----------------------------------------------------

Disquiet Junto Project 0167: Placid Cell
Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing.

This project is the second time that the Junto gathered its resources to pay tribute to the wrongfully imprisoned Creative Commons advocate and coder Bassel. Sunday, March 15, marks the third anniversary of Bassel’s incarceration in Syria.

In Bassel’s honor, this week we’ll make music by taking the loneliness of a small, closed room and making something beautiful and soothing from it.

Step 1: Go into the quietest room in your home and record the room’s tone. Also record the sound of the door being closed.

Step 2: Locate in that track a suitably quiet 10 consecutive seconds. Also locate the moment when the door is closed.

Step 3: Locate in those 10 seconds a handful of signature sonic events, moments, however small or subtle, that stand out from the general silence.

Step 4: Create an original composition that begins with the door being closed, proceeds through the 10 unadulterated seconds of room tone, and after which samples of those sonic events from Step 3 are transformed into something soothing. This being a project about isolation, you cannot add any external sound elements.

Step 5: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 12, 2015, with a deadline of 11:59pm wherever you are on Monday, March 16, 2015.

Length: The length of your finished work should be roughly between two and five minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0167-freebassel” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> 995986 no no Sun, 15 Mar 2015 09:41:06 +0100 2015-03-15T09:41:06+01:00 2:00 https://hearthis.at/apatchofnettles-xy/a-gentle-southerly-at-dusk/ 995987 no no Thu, 12 Mar 2015 12:49:06 +0100 2015-03-12T12:49:06+01:00 3:58 https://hearthis.at/apatchofnettles-xy/varieux-tempos-disquiet-junto-project-0166-slow-by-steps/
All 4 were loosely laid in turns onto a time base, then 'arranged' into 4 registers of accompaniment - in a sense the AABBCCxxxx aspect of the project is more 'vertical' than 'horizontal'.

No beats&loops&delay or sampling, all paintbrush-style freely worked in Audacity. Some reverb and reversals used to blend up a palette.

A lot going on in 1910; maybe not so ancient?

------------------------------------------------------------------------------



[Disquiet Junto Project 0166: Slow by Steps]
Take a pre-existing track, slow it in descending states, and then add something to it.

This week we’re slowing down an ancient piece of audio, dating from 1910, and adding sounds atop it to create one continuous composition.

Step 1: Download at http://goo.gl/aMlHXm a public-domain recording of Eugène Ysaÿe performing “Rondino” by composer Henri Vieuxtemps. (Note: If you land on the new archive.org site and can’t figure out how to download, click on the “exit beta” button in the upper-right-hand corner of the webpage to go to the original archive.org site design, where the downloading is self-evident.)

Step 2: Choose a short segment of the recording, roughly between three and five seconds. Label it as Segment A.

Step 3: Create a Segment B by slowing Segment A to half its original speed.

Step 4: Create a Segment C by slowing Segment B to half its original speed.

Step 5: Create a Segment D by slowing Segment C to half its original speed.

Step 6: Create an underlying foundational track by stitching instances of A, B, C, and D together in that order.
Recommended for a five-second segment is Ax4, Bx2, C, D (or AAAABBCD), which would be 100 seconds.

Step 7: Create a new piece of music by recording accompaniment to add to the foundational track, which will otherwise remain unadulterated.

Step 8: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 5, 2015, with a deadline of 11:59pm wherever you are on Monday, March 9, 2015.

Length: The length of your finished work should be roughly between one and three minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0166-slowbysteps” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 166th Disquiet Junto project — “Take a pre-existing track, slow it in descending states, and then add something to it” — at:

http://disquiet.com/2015/03/05/disquiet0166-slowbysteps/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]>
All 4 were loosely laid in turns onto a time base, then 'arranged' into 4 registers of accompaniment - in a sense the AABBCCxxxx aspect of the project is more 'vertical' than 'horizontal'.

No beats&loops&delay or sampling, all paintbrush-style freely worked in Audacity. Some reverb and reversals used to blend up a palette.

A lot going on in 1910; maybe not so ancient?

------------------------------------------------------------------------------



[Disquiet Junto Project 0166: Slow by Steps]
Take a pre-existing track, slow it in descending states, and then add something to it.

This week we’re slowing down an ancient piece of audio, dating from 1910, and adding sounds atop it to create one continuous composition.

Step 1: Download at http://goo.gl/aMlHXm a public-domain recording of Eugène Ysaÿe performing “Rondino” by composer Henri Vieuxtemps. (Note: If you land on the new archive.org site and can’t figure out how to download, click on the “exit beta” button in the upper-right-hand corner of the webpage to go to the original archive.org site design, where the downloading is self-evident.)

Step 2: Choose a short segment of the recording, roughly between three and five seconds. Label it as Segment A.

Step 3: Create a Segment B by slowing Segment A to half its original speed.

Step 4: Create a Segment C by slowing Segment B to half its original speed.

Step 5: Create a Segment D by slowing Segment C to half its original speed.

Step 6: Create an underlying foundational track by stitching instances of A, B, C, and D together in that order.
Recommended for a five-second segment is Ax4, Bx2, C, D (or AAAABBCD), which would be 100 seconds.

Step 7: Create a new piece of music by recording accompaniment to add to the foundational track, which will otherwise remain unadulterated.

Step 8: Upload the combination of your accompaniment and the foundational track to the Disquiet Junto group on SoundCloud.

Step 9: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, March 5, 2015, with a deadline of 11:59pm wherever you are on Monday, March 9, 2015.

Length: The length of your finished work should be roughly between one and three minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0166-slowbysteps” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 166th Disquiet Junto project — “Take a pre-existing track, slow it in descending states, and then add something to it” — at:

http://disquiet.com/2015/03/05/disquiet0166-slowbysteps/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/]]> 995988 no no Sat, 07 Mar 2015 11:07:33 +0100 2015-03-07T11:07:33+01:00 1:35 https://hearthis.at/apatchofnettles-xy/glazed-ground-shard/ 995989 no no Tue, 03 Mar 2015 11:08:11 +0100 2015-03-03T11:08:11+01:00 3:40 https://hearthis.at/apatchofnettles-xy/meshed-expansions-disquiet0165-bertoiachair/
So many 'resonances' turned up in this project ... many of them cultural not audible! Eventually started to get some focus back onto the artifact itself. Settled on notions of mass production, and the sonic environments Bertoia likely deconstructed into his sculptures.

No chair available, so used contact mike on similar materials: welded wire mesh, and wire rods - struck scraped and dragged. Processed sounds were then sequenced out onto a time vs pitch 'log' grid, similar to the chair's essential form. A linear beat was sat below, including a FreeSound spot welder sample. (http://www.freesound.org/people/Ferdinger/sounds/146232/) There are some silences allowed for, as the 'wire spacing' increases to the centre line, and as Bertoia claimed his chair was more space than form.

The image? A little oblique, but one of the many paths this project lead down. From Thompson's "On Growth and Form" from the 40's ... ambitious polymath opera, but much in there for music if that's how you see things.

--------------------------------------------------------------------------------------------

The Assignment: Create a composition that explores the sonic resonance of Harry Bertoia’s iconic side chair.

Harry Bertoia designed his iconic side chair for Knoll in 1952. This chair — this functional metal sculpture — is used around the world, from cafes to offices, patios to homes.

Step 1: For this week’s Disquiet Junto project, please create an original composition exploring this common chair’s unique sonic resonance. Consider: What does it sound like alone at rest? When sat upon? When brushed against by cafe-goers? When blown upon by the wind? If you don’t have access to one of the chairs, use something similar, or just use your imagination.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Thanks to Bruce Levenstein (twitter.com/compactrobot) for co-developing this week’s project.

Deadline: This assignment was made in the late evening, California time, on Thursday, February 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 2, 2015.

Length: The length of your finished work should be between one and five minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0165-bertoiachair” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 165th Disquiet Junto project — “Create a composition that explores the sonic resonance of Harry Bertoia’s iconic side chair” — at:

http://disquiet.com/2015/02/26/disquiet0165-bertoiachair/

Thanks to Bruce Levenstein (twitter.com/compactrobot) for co-developing this week’s project.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]>
So many 'resonances' turned up in this project ... many of them cultural not audible! Eventually started to get some focus back onto the artifact itself. Settled on notions of mass production, and the sonic environments Bertoia likely deconstructed into his sculptures.

No chair available, so used contact mike on similar materials: welded wire mesh, and wire rods - struck scraped and dragged. Processed sounds were then sequenced out onto a time vs pitch 'log' grid, similar to the chair's essential form. A linear beat was sat below, including a FreeSound spot welder sample. (http://www.freesound.org/people/Ferdinger/sounds/146232/) There are some silences allowed for, as the 'wire spacing' increases to the centre line, and as Bertoia claimed his chair was more space than form.

The image? A little oblique, but one of the many paths this project lead down. From Thompson's "On Growth and Form" from the 40's ... ambitious polymath opera, but much in there for music if that's how you see things.

--------------------------------------------------------------------------------------------

The Assignment: Create a composition that explores the sonic resonance of Harry Bertoia’s iconic side chair.

Harry Bertoia designed his iconic side chair for Knoll in 1952. This chair — this functional metal sculpture — is used around the world, from cafes to offices, patios to homes.

Step 1: For this week’s Disquiet Junto project, please create an original composition exploring this common chair’s unique sonic resonance. Consider: What does it sound like alone at rest? When sat upon? When brushed against by cafe-goers? When blown upon by the wind? If you don’t have access to one of the chairs, use something similar, or just use your imagination.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Thanks to Bruce Levenstein (twitter.com/compactrobot) for co-developing this week’s project.

Deadline: This assignment was made in the late evening, California time, on Thursday, February 26, 2015, with a deadline of 11:59pm wherever you are on Monday, March 2, 2015.

Length: The length of your finished work should be between one and five minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0165-bertoiachair” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 165th Disquiet Junto project — “Create a composition that explores the sonic resonance of Harry Bertoia’s iconic side chair” — at:

http://disquiet.com/2015/02/26/disquiet0165-bertoiachair/

Thanks to Bruce Levenstein (twitter.com/compactrobot) for co-developing this week’s project.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 995990 no no Sun, 01 Mar 2015 09:46:45 +0100 2015-03-01T09:46:45+01:00 2:36 https://hearthis.at/apatchofnettles-xy/one-drum-departure/ 1426941 no no Tue, 24 Feb 2015 10:37:22 +0100 2015-02-24T10:37:22+01:00 1:52 https://hearthis.at/apatchofnettles-xy/stoch-5-stridulation/ Otherwise all clean, straight into Audacity (no delay, multitrack or looping) for a quick "tape splice" - to put the start and end in the right places.
]]> Otherwise all clean, straight into Audacity (no delay, multitrack or looping) for a quick "tape splice" - to put the start and end in the right places.
]]> 995991 no no Sun, 22 Feb 2015 12:19:08 +0100 2015-02-22T12:19:08+01:00 4:32 https://hearthis.at/apatchofnettles-xy/arc-of-juntong-fireworks-disquiet-junto-project-0164-junto-hay-fat-choy/ (Track details were notably scant)

Pulled some samples and headed off with habitual concentration of pitches, inference of melody, fixing of beats = make a song in sequencer ... but wait ... why exactly?

So took said 1/2 a 'song', and reblended free form in audacity with emphasised short samples from original.
Time & pitch shift applied to dilate and mimic the live recording.

Was particularly intrigued by Marc's reference to 'ARC' - and chased that notion.

----------------------------------------------------------------

Disquiet Junto Project 0164: Junto Hay Fat Choy
The Assignment: Create music that emerges from the sound of fireworks.

These are the steps for this week’s project:

Step 1: Locate or create a field recording of fireworks (at freesound.org, for example)

Step 2: Listen to the musical content of the recording — rhythm, tempo, tone, arc, melody.

Step 3: Create a piece of music that begins as five seconds of that field recording, and then emerges out of the sound of fireworks.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late evening, California time, on Thursday, February 19, 2015, with a deadline of 11:59pm wherever you are on Monday, February 23, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0164-juntofireworks” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 164th Disquiet Junto project — “Create music that emerges from the sound of fireworks” — at:

http://disquiet.com/2015/02/19/disquiet0164-juntofireworks/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> (Track details were notably scant)

Pulled some samples and headed off with habitual concentration of pitches, inference of melody, fixing of beats = make a song in sequencer ... but wait ... why exactly?

So took said 1/2 a 'song', and reblended free form in audacity with emphasised short samples from original.
Time & pitch shift applied to dilate and mimic the live recording.

Was particularly intrigued by Marc's reference to 'ARC' - and chased that notion.

----------------------------------------------------------------

Disquiet Junto Project 0164: Junto Hay Fat Choy
The Assignment: Create music that emerges from the sound of fireworks.

These are the steps for this week’s project:

Step 1: Locate or create a field recording of fireworks (at freesound.org, for example)

Step 2: Listen to the musical content of the recording — rhythm, tempo, tone, arc, melody.

Step 3: Create a piece of music that begins as five seconds of that field recording, and then emerges out of the sound of fireworks.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the late evening, California time, on Thursday, February 19, 2015, with a deadline of 11:59pm wherever you are on Monday, February 23, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0164-juntofireworks” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 164th Disquiet Junto project — “Create music that emerges from the sound of fireworks” — at:

http://disquiet.com/2015/02/19/disquiet0164-juntofireworks/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> 995992 no no Sat, 21 Feb 2015 08:37:06 +0100 2015-02-21T08:37:06+01:00 2:01 https://hearthis.at/apatchofnettles-xy/blue-read-as-green/
See also --> https://soundcloud.com/numbersinthedream-1/i-am-not-real]]>
See also --> https://soundcloud.com/numbersinthedream-1/i-am-not-real]]> https://soundcloud.com/numbersinthedream-1/i-am-not-real]]> 995993 no no Thu, 19 Feb 2015 09:02:14 +0100 2015-02-19T09:02:14+01:00 4:11 https://hearthis.at/apatchofnettles-xy/one-stoch-5-555-505/
This sample has the Stoch 5's 555 IC based pattern and ramp generators synched to an old TR505 drum sequencer.

The synch. pulses are the the actual audio out from the 505, resetting the Stoch 5 patterns, which occasionally yield their own "drum hits".

The Stoch 5 was run through a spring reverb pan and miked live from a PA amp.]]>
This sample has the Stoch 5's 555 IC based pattern and ramp generators synched to an old TR505 drum sequencer.

The synch. pulses are the the actual audio out from the 505, resetting the Stoch 5 patterns, which occasionally yield their own "drum hits".

The Stoch 5 was run through a spring reverb pan and miked live from a PA amp.]]> 995994 no no Sun, 15 Feb 2015 13:02:51 +0100 2015-02-15T13:02:51+01:00 3:09 https://hearthis.at/apatchofnettles-xy/ostres-cradle-disquiet-junto-project-0163-layering-silence-after-midnight/ Is there a message in it? Will the sunrise ever come? Look to the east, and be thankful.

Approx. 5 sec grabs taken from "One Minute Alice Springs" and "Third night of rain" were manipulated to fill the 60sec frame: time stretch, filtered reverb resonance, delay lines and the usual kit... This was sat alongside longer takes from "Spin Cycle" (for rich bottom end noise drones and white noise extracted as breathing) and "One Minute Alice Springs" (to restore the natural landscape somewhat).

Thanks to:
https://soundcloud.com/hightunnels
https://soundcloud.com/benn-demole
https://soundcloud.com/tuonela-1

----------------------------------------------

Disquiet Junto Project 0163: Layering Silence After Midnight
The Assignment: Create a new late-night ambience with sounds from a handful of pre-existing field recordings.

This project is the second in what will be an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps for this project are as follows:

Step 1: Revisit project #0160 from January 22, 2015, in which field recordings were made of the sound one minute past midnight:

http://disquiet.com/0160/

Step 2: Locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: Using segments from three different tracks from the January 22 project, create a new work of sound that layers the pre-existing material into something new, something nocturnal. Keep the length of your final piece to one minute

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, February 12, 2015, with a deadline of 11:59pm wherever you are on Monday, February 16, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0163-layeringminutes” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 163rd Disquiet Junto project — “Create a new late-night ambience with sounds from a handful of pre-existing field recordings” — at:

http://disquiet.com/2015/02/12/disquiet0163-layeringminutes/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> Is there a message in it? Will the sunrise ever come? Look to the east, and be thankful.

Approx. 5 sec grabs taken from "One Minute Alice Springs" and "Third night of rain" were manipulated to fill the 60sec frame: time stretch, filtered reverb resonance, delay lines and the usual kit... This was sat alongside longer takes from "Spin Cycle" (for rich bottom end noise drones and white noise extracted as breathing) and "One Minute Alice Springs" (to restore the natural landscape somewhat).

Thanks to:
https://soundcloud.com/hightunnels
https://soundcloud.com/benn-demole
https://soundcloud.com/tuonela-1

----------------------------------------------

Disquiet Junto Project 0163: Layering Silence After Midnight
The Assignment: Create a new late-night ambience with sounds from a handful of pre-existing field recordings.

This project is the second in what will be an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps for this project are as follows:

Step 1: Revisit project #0160 from January 22, 2015, in which field recordings were made of the sound one minute past midnight:

http://disquiet.com/0160/

Step 2: Locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: Using segments from three different tracks from the January 22 project, create a new work of sound that layers the pre-existing material into something new, something nocturnal. Keep the length of your final piece to one minute

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, February 12, 2015, with a deadline of 11:59pm wherever you are on Monday, February 16, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0163-layeringminutes” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 163rd Disquiet Junto project — “Create a new late-night ambience with sounds from a handful of pre-existing field recordings” — at:

http://disquiet.com/2015/02/12/disquiet0163-layeringminutes/

More on the Disquiet Junto at:

http://disquiet.com/junto]]> 1426943 no no Sat, 14 Feb 2015 12:30:15 +0100 2015-02-14T12:30:15+01:00 1:00 https://hearthis.at/apatchofnettles-xy/one-stoch-5-with-a-chance-of-showers/ A touch of post EQ & balance, but no effects.
]]> A touch of post EQ & balance, but no effects.
]]> 1426944 no no Sat, 14 Feb 2015 11:00:03 +0100 2015-02-14T11:00:03+01:00 4:04 https://hearthis.at/apatchofnettles-xy/one-more-windmill/
See --> https://soundcloud.com/admiralbellybutton/windmill
]]>
See --> https://soundcloud.com/admiralbellybutton/windmill
]]> https://soundcloud.com/admiralbellybutton/windmill ]]> 1426946 no no Wed, 11 Feb 2015 13:11:23 +0100 2015-02-11T13:11:23+01:00 2:37 https://hearthis.at/apatchofnettles-xy/boxed-disquiet-junto-project-0162-junto-in-a-box/
Fed the girl in the box a few different things. Tried playing "same game" but the colours wouldn't disappear when I lined them up. Soon realised that sequencing looked pretty tedious with the copy-and-drag-mouse-life. Was pushing uphill loading in stuff with loose beats and eccentric instrumentation.

So, found a track with a solid beat and big, slabbed sounds - an old one I'd had fun mocking up but never considered 'finished'. Suddenly the squares came to life!

Ran mix and match sections in reverse with slightly shortened period, and got a noisy but much improved tune for my trouble. Smudged some reverb onto recording in Audacity to loosen the forwards/backwards click and jolt it had picked up. Done.

----------------------------------------------------------------

Disquiet Junto Project 0162: Junto in a Box
The Assignment: Use Paul Lamere’s “Girl Talk in a Box” to gain a new perspective on your own music.

These are the steps:

Step 1: Choose a piece of music of your own that you would like to get a new perspective on.

Step 2: Go to the following URL to access the web app Girl Talk in a Box, which Paul Lamere designed. As he explains, “While a song is playing, you can take control, speeding it up, slowing it down, skipping beats and so on.”

http://static.echonest.com/girltalkinabox/

Step 3: Upload your song to Girl Talk in a Box and play with it. After gaining some measure of facility with the web app, record your own edit of your song.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include a link to the original track, so listeners can compare and contrast.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, February 5, 2015, with a deadline of 11:59pm wherever you are on Monday, February 9, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0162-juntoinabox” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 162nd Disquiet Junto project — “Use Paul Lamere’s ‘Girl Talk in a Box’ to gain a new perspective on your own music” — at:

http://disquiet.com/2015/02/05/disquiet0162-juntoinabox/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]>
Fed the girl in the box a few different things. Tried playing "same game" but the colours wouldn't disappear when I lined them up. Soon realised that sequencing looked pretty tedious with the copy-and-drag-mouse-life. Was pushing uphill loading in stuff with loose beats and eccentric instrumentation.

So, found a track with a solid beat and big, slabbed sounds - an old one I'd had fun mocking up but never considered 'finished'. Suddenly the squares came to life!

Ran mix and match sections in reverse with slightly shortened period, and got a noisy but much improved tune for my trouble. Smudged some reverb onto recording in Audacity to loosen the forwards/backwards click and jolt it had picked up. Done.

----------------------------------------------------------------

Disquiet Junto Project 0162: Junto in a Box
The Assignment: Use Paul Lamere’s “Girl Talk in a Box” to gain a new perspective on your own music.

These are the steps:

Step 1: Choose a piece of music of your own that you would like to get a new perspective on.

Step 2: Go to the following URL to access the web app Girl Talk in a Box, which Paul Lamere designed. As he explains, “While a song is playing, you can take control, speeding it up, slowing it down, skipping beats and so on.”

http://static.echonest.com/girltalkinabox/

Step 3: Upload your song to Girl Talk in a Box and play with it. After gaining some measure of facility with the web app, record your own edit of your song.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include a link to the original track, so listeners can compare and contrast.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, February 5, 2015, with a deadline of 11:59pm wherever you are on Monday, February 9, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0162-juntoinabox” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 162nd Disquiet Junto project — “Use Paul Lamere’s ‘Girl Talk in a Box’ to gain a new perspective on your own music” — at:

http://disquiet.com/2015/02/05/disquiet0162-juntoinabox/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> 1426948 no no Fri, 06 Feb 2015 10:57:38 +0100 2015-02-06T10:57:38+01:00 3:30 https://hearthis.at/apatchofnettles-xy/one-urbane-stoch-5/ 1426949 no no Thu, 05 Feb 2015 03:37:40 +0100 2015-02-05T03:37:40+01:00 4:14 https://hearthis.at/apatchofnettles-xy/lingering-kief-dog-disquiet-junto-project-161-netmix-relabel/ Some tempo shift, medium length looped samples, trimmed out isolated percussives and a couple of wave mangled 'virtual' instrument voices later, and we have...

----------------------------------------------------

Disquiet Junto Project 161: Netmix Relabel
The Assignment: Create a new track from three tracks from three different netlabels.

These are the steps:

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, January 29, 2015, with a deadline of 11:59pm wherever you are on Monday, February 2, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0161-netmixrelabel” in the title of your track, and as a tag for your track.

Download: It is necessary for this specific project that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> Some tempo shift, medium length looped samples, trimmed out isolated percussives and a couple of wave mangled 'virtual' instrument voices later, and we have...

----------------------------------------------------

Disquiet Junto Project 161: Netmix Relabel
The Assignment: Create a new track from three tracks from three different netlabels.

These are the steps:

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, January 29, 2015, with a deadline of 11:59pm wherever you are on Monday, February 2, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0161-netmixrelabel” in the title of your track, and as a tag for your track.

Download: It is necessary for this specific project that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/
]]> 1426952 no no Sun, 01 Feb 2015 00:36:34 +0100 2015-02-01T00:36:34+01:00 3:36 https://hearthis.at/apatchofnettles-xy/on-the-verandah-disquiet-junto-project-0160-one-minute-past-midnight/ -- Light rain on roof, and drops from overhanging trees
-- Insects and frogs in garden
-- Birdsounds from estuary
-- Distant, but dominant, surf hiss & rumble
-- Slight bleed of distant neighbourhood traffic rumble
-- Bleed of bass end electric fan noise from inside house, through timber
-- Door opens and closes

--------------------------------------------------------------

Disquiet Junto Project 0160: One Minute Past Midnight
The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

This week’s project is very simple. It asks that you make a field recording of sound, just one single minute, starting at a specific time: midnight.

From simple things complex things sometimes grow, and this project is a hopeful initial step toward a variety of related projects that may spring up over the course of 2015, perhaps even culminating in some sort of collection, maybe even in a physical space along the lines of the “Sonic Frame” installation at the San Jose Museum of Art (that piece largely drew its sonic material from an earlier Junto project). No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps are as follows:

Step 1: Record audio, outdoors or indoors, at midnight wherever you are.

Step 2: You can post the audio as is, or create a slight fade in of volume at the start and fade out at the end.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud. Please consider posting photography, even video, associated with your efforts.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: Projects are usually due at 11:59pm wherever you are on Monday, January 26, 2015. This time, if you need to do the recording the final night of the project, it’s OK to upload early on January 27.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0160-oneminutepastmidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 160th Disquiet Junto project — “Make a one-minute field recording starting right at midnight (wherever you are)” — at:

http://disquiet.com/2015/01/22/disquiet0160-oneminutepastmidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project adapted from one by Manuel Delgado Tenorio and used via Creative Commons license:

https://flic.kr/p/heAk6W
]]> -- Light rain on roof, and drops from overhanging trees
-- Insects and frogs in garden
-- Birdsounds from estuary
-- Distant, but dominant, surf hiss & rumble
-- Slight bleed of distant neighbourhood traffic rumble
-- Bleed of bass end electric fan noise from inside house, through timber
-- Door opens and closes

--------------------------------------------------------------

Disquiet Junto Project 0160: One Minute Past Midnight
The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

This week’s project is very simple. It asks that you make a field recording of sound, just one single minute, starting at a specific time: midnight.

From simple things complex things sometimes grow, and this project is a hopeful initial step toward a variety of related projects that may spring up over the course of 2015, perhaps even culminating in some sort of collection, maybe even in a physical space along the lines of the “Sonic Frame” installation at the San Jose Museum of Art (that piece largely drew its sonic material from an earlier Junto project). No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps are as follows:

Step 1: Record audio, outdoors or indoors, at midnight wherever you are.

Step 2: You can post the audio as is, or create a slight fade in of volume at the start and fade out at the end.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud. Please consider posting photography, even video, associated with your efforts.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: Projects are usually due at 11:59pm wherever you are on Monday, January 26, 2015. This time, if you need to do the recording the final night of the project, it’s OK to upload early on January 27.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0160-oneminutepastmidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 160th Disquiet Junto project — “Make a one-minute field recording starting right at midnight (wherever you are)” — at:

http://disquiet.com/2015/01/22/disquiet0160-oneminutepastmidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project adapted from one by Manuel Delgado Tenorio and used via Creative Commons license:

https://flic.kr/p/heAk6W
]]> 1426953 no no Sun, 25 Jan 2015 23:01:52 +0100 2015-01-25T23:01:52+01:00 1:00 https://hearthis.at/apatchofnettles-xy/one-stoch-4-at-950m/ Single track recorded mixes balanced against natural sounds by mic positioning in open air.
Post production consisting solely of cross fades to composite the samples into a walk through the terrain.
---->http://www.google.com.au/maps/
@-36.7201632,149.4631586,150m/data=!3m1!1e3
(Try paste into browser all as a single line)


]]> Single track recorded mixes balanced against natural sounds by mic positioning in open air.
Post production consisting solely of cross fades to composite the samples into a walk through the terrain.
---->http://www.google.com.au/maps/
@-36.7201632,149.4631586,150m/data=!3m1!1e3
(Try paste into browser all as a single line)


]]> http://www.google.com.au/maps/ @-36.7201632,149.4631586,150m/data=!3m1!1e3 (Try paste into browser all as a single line) ]]> 1426955 no no Sat, 24 Jan 2015 09:25:35 +0100 2015-01-24T09:25:35+01:00 26:00 https://hearthis.at/apatchofnettles-xy/stochs-diversified/ 1426958 no no Thu, 15 Jan 2015 19:44:55 +0100 2015-01-15T19:44:55+01:00 4:58 https://hearthis.at/apatchofnettles-xy/one-pound-of-picrate/
Picric acid is rendered more dangerous on reaction with metals to form picrate salts.]]>
Picric acid is rendered more dangerous on reaction with metals to form picrate salts.]]> 1426959 no no Wed, 14 Jan 2015 09:29:41 +0100 2015-01-14T09:29:41+01:00 3:10 https://hearthis.at/apatchofnettles-xy/mrs-smiths-war-disquiet-junto-project-0158-syllable-gumbo/ A couple of clippings were wave shaped as pitched drone interjections.
Only non-vocal additions were the bass synth. line and bass pitched drum rhythms.

"Mrs Smith said she had not done anything as exciting in her life before.
My brothers did it during the war, so I thought "Why not?"
She said."
Front page news - she took a parachute jump.
(http://www.batemansbaypost.com.au/)
--------------------------------------------------------------


Disquiet Junto Project 0158: Syllable Gumbo
The Assignment: Go from noise to signal with words.

Quite often Disquiet Junto projects actively avoid the human voice. This week’s project engages directly with the voice, and with language.

Step 1: Select the least important story on the front page of your local newspaper or the home page of your local newspaper’s website.

Step 2: Select the first or first two sentences of that story. Combined the resulting text should have between roughly 15 and 25 words.

Step 3: Record yourself, or someone else, reading the text aloud. You can use text-to-speech, though it is by no means required.

Step 4: Break the recording from step 3 into tiny parts.

Step 5: Produce an original piece of music in which the randomized “noise” of those tiny parts heard out of order slowly, over the course of one or two minutes, comes to form the full original statement.

Step 6: Add tonal and rhythmic material to the results of step 5.

Step 7: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, January 12, 2015.

Length: The length of your finished work should be between one minute and two minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0158-syllablegumbo” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 158th Disquiet Junto project — “Go from noise to signal with words” — at:

http://disquiet.com/2015/01/08/disquiet0158-syllablegumbo/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> A couple of clippings were wave shaped as pitched drone interjections.
Only non-vocal additions were the bass synth. line and bass pitched drum rhythms.

"Mrs Smith said she had not done anything as exciting in her life before.
My brothers did it during the war, so I thought "Why not?"
She said."
Front page news - she took a parachute jump.
(http://www.batemansbaypost.com.au/)
--------------------------------------------------------------


Disquiet Junto Project 0158: Syllable Gumbo
The Assignment: Go from noise to signal with words.

Quite often Disquiet Junto projects actively avoid the human voice. This week’s project engages directly with the voice, and with language.

Step 1: Select the least important story on the front page of your local newspaper or the home page of your local newspaper’s website.

Step 2: Select the first or first two sentences of that story. Combined the resulting text should have between roughly 15 and 25 words.

Step 3: Record yourself, or someone else, reading the text aloud. You can use text-to-speech, though it is by no means required.

Step 4: Break the recording from step 3 into tiny parts.

Step 5: Produce an original piece of music in which the randomized “noise” of those tiny parts heard out of order slowly, over the course of one or two minutes, comes to form the full original statement.

Step 6: Add tonal and rhythmic material to the results of step 5.

Step 7: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 8: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, January 12, 2015.

Length: The length of your finished work should be between one minute and two minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0158-syllablegumbo” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 158th Disquiet Junto project — “Go from noise to signal with words” — at:

http://disquiet.com/2015/01/08/disquiet0158-syllablegumbo/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/]]> 1426961 no no Sat, 10 Jan 2015 09:33:04 +0100 2015-01-10T09:33:04+01:00 2:14 https://hearthis.at/apatchofnettles-xy/one-river-and-embers/ https://soundcloud.com/numbersinthedream-1/born-on-running-water. (The radio dialogue really is still in it...)]]> https://soundcloud.com/numbersinthedream-1/born-on-running-water. (The radio dialogue really is still in it...)]]> https://soundcloud.com/numbersinthedream-1/born-on-running-water. (The radio dialogue really is still in it...)]]> 1426962 no no Tue, 06 Jan 2015 00:00:23 +0100 2015-01-06T00:00:23+01:00 4:53 https://hearthis.at/apatchofnettles-xy/hydra-disquiet-junto-project-0157-a-little-ice-music/ Nothing but ice, glass and water.

-----------------------------------------------------
Disquiet Junto Project 0157: A Little Ice Music
The Assignment: Record the sound of ice in a glass and make something of it.

Happy new year! This week’s project is as follows:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment as the very first Disquiet Junto project, the same one that launched the series on the first Thursday of 2012. Revisiting it a year and two years later, on the first Thursdays of 2013 and 2014, provided a fitting way to begin the new year. Now, at the start of the fourth year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a weekly habit. It’s beneficial to step back and see things from a longer perspective.

Deadline: 11:59pm wherever you are on Monday, January 5, 2015.

Length: The length of your finished work should be between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0157-icemusic2015” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto
]]> Nothing but ice, glass and water.

-----------------------------------------------------
Disquiet Junto Project 0157: A Little Ice Music
The Assignment: Record the sound of ice in a glass and make something of it.

Happy new year! This week’s project is as follows:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment as the very first Disquiet Junto project, the same one that launched the series on the first Thursday of 2012. Revisiting it a year and two years later, on the first Thursdays of 2013 and 2014, provided a fitting way to begin the new year. Now, at the start of the fourth year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a weekly habit. It’s beneficial to step back and see things from a longer perspective.

Deadline: 11:59pm wherever you are on Monday, January 5, 2015.

Length: The length of your finished work should be between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0157-icemusic2015” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto
]]> 1426965 no no Sat, 03 Jan 2015 21:39:34 +0100 2015-01-03T21:39:34+01:00 2:18 https://hearthis.at/apatchofnettles-xy/meteorological-cycles/ 1426968 no no Thu, 01 Jan 2015 10:56:14 +0100 2015-01-01T10:56:14+01:00 4:32 https://hearthis.at/apatchofnettles-xy/idle/ 1426971 no no Thu, 01 Jan 2015 10:52:26 +0100 2015-01-01T10:52:26+01:00 3:20 https://hearthis.at/apatchofnettles-xy/meteorologic-disquiet0156-audiojournal2014/
As a 'journal' it reflects the spirit and experiences of the year, and summarisies the audio techniques I've mucked about with.

--------------------------------------
Thanks to : http://www.bom.gov.au/climate/data/index.shtml
--------------------------------------

Disquiet Junto Project 0156: Audio Journal 2014
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

When done, upload the finished track to the Disquiet Junto group on SoundCloud. Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, December 29, 2014.

Length: Your finished work should be 60 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Information: Please, when posting your track on SoundCloud, list the source of each of the 12 elements.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0156-audiojournal2014” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/]]>
As a 'journal' it reflects the spirit and experiences of the year, and summarisies the audio techniques I've mucked about with.

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Thanks to : http://www.bom.gov.au/climate/data/index.shtml
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Disquiet Junto Project 0156: Audio Journal 2014
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

When done, upload the finished track to the Disquiet Junto group on SoundCloud. Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, December 29, 2014.

Length: Your finished work should be 60 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Information: Please, when posting your track on SoundCloud, list the source of each of the 12 elements.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0156-audiojournal2014” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/]]> 1426973 no no Mon, 29 Dec 2014 03:28:17 +0100 2014-12-29T03:28:17+01:00 1:20 https://hearthis.at/apatchofnettles-xy/one-more-step/ 1426975 no no Sun, 28 Dec 2014 02:55:03 +0100 2014-12-28T02:55:03+01:00 3:04 https://hearthis.at/apatchofnettles-xy/one-step-removed/ 1426976 no no Tue, 23 Dec 2014 08:35:27 +0100 2014-12-23T08:35:27+01:00 4:27 https://hearthis.at/apatchofnettles-xy/tachistoson-disquiet0155-mixmatch/
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Step 1: Download the following two tracks. The first is “Waiting…” by Yellow Salamand’r and the second is a reworking of it, titled “Waiting (A Yellow Salamander Re-hash),” by Colab.

https://soundcloud.com/yellow-salamandr-4-1/yellow-salamandr-4-waiting

https://soundcloud.com/colab/waiting-a-yellow-salamander-re-hash

Step 2: Create a new track that combines the two source tracks.
Don’t add any new audio, though you can transform the source material as you wish.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 3 to 4 minutes long.]]>
----------------------------------------------------------

Step 1: Download the following two tracks. The first is “Waiting…” by Yellow Salamand’r and the second is a reworking of it, titled “Waiting (A Yellow Salamander Re-hash),” by Colab.

https://soundcloud.com/yellow-salamandr-4-1/yellow-salamandr-4-waiting

https://soundcloud.com/colab/waiting-a-yellow-salamander-re-hash

Step 2: Create a new track that combines the two source tracks.
Don’t add any new audio, though you can transform the source material as you wish.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 3 to 4 minutes long.]]> 1426979 no no Sat, 20 Dec 2014 13:18:23 +0100 2014-12-20T13:18:23+01:00 3:05 https://hearthis.at/apatchofnettles-xy/switchpoint/ 1426980 no no Thu, 18 Dec 2014 11:45:46 +0100 2014-12-18T11:45:46+01:00 3:40 https://hearthis.at/apatchofnettles-xy/coaxial-disquiet0154-grooveunlocked/
Spoiled for choice with so many great samples ... used a couple more as meat for effects/filters and sprinkled them through. Thanks to:
Dave Dorgan — 0092
VG mrmojo — 0153groovelock
Peter Tigges — What does 273.15 K taste like?

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The Assignment: Create a track from two locked grooves.

This week’s Disquiet Junto project builds on last week’s. Last week, 67 different musicians uploaded as many locked grooves. This week we’ll make new music atop the locked grooves. Here are the steps. Note that there are some options:

Step 1: Choose two locked grooves from the set at http://goo.gl/0s4WmM. You can accomplish this in several ways. You can choose random numbers between 1 and 67 and use those tracks, or you can just select the tracks you most want to work with. Note that most of the tracks should be set to allow, via Creative Commons, for non-commercial re-use. However, if you aren’t sure, please contact the musician to confirm.

Step 2: Make a new track alternating the two locked grooves for between one and two minutes.

Step 3: Use the track that resulted from step 2 as the foundation for a new piece of music. Transform it as you desire, which might include altering the foundational track and adding new material atop it.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 1 and 2 minutes long.


]]>
Spoiled for choice with so many great samples ... used a couple more as meat for effects/filters and sprinkled them through. Thanks to:
Dave Dorgan — 0092
VG mrmojo — 0153groovelock
Peter Tigges — What does 273.15 K taste like?

----------------------------------------------------------------

The Assignment: Create a track from two locked grooves.

This week’s Disquiet Junto project builds on last week’s. Last week, 67 different musicians uploaded as many locked grooves. This week we’ll make new music atop the locked grooves. Here are the steps. Note that there are some options:

Step 1: Choose two locked grooves from the set at http://goo.gl/0s4WmM. You can accomplish this in several ways. You can choose random numbers between 1 and 67 and use those tracks, or you can just select the tracks you most want to work with. Note that most of the tracks should be set to allow, via Creative Commons, for non-commercial re-use. However, if you aren’t sure, please contact the musician to confirm.

Step 2: Make a new track alternating the two locked grooves for between one and two minutes.

Step 3: Use the track that resulted from step 2 as the foundation for a new piece of music. Transform it as you desire, which might include altering the foundational track and adding new material atop it.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 1 and 2 minutes long.


]]> 1426982 no no Fri, 12 Dec 2014 13:07:13 +0100 2014-12-12T13:07:13+01:00 1:47 https://hearthis.at/apatchofnettles-xy/axial-disquiet0153-groovelock/
The Stoch generously delivered structure without prior deliberation - it was challenging for this purpose to achieve interaction with the triggers to form a plausible tight loop from the percussive bursts. The two instrumental tracks are bound together by switch selected scale distributions. Their triggering was manipulated to hook motifs into the phrasing accents of the base percussion loop.]]>
The Stoch generously delivered structure without prior deliberation - it was challenging for this purpose to achieve interaction with the triggers to form a plausible tight loop from the percussive bursts. The two instrumental tracks are bound together by switch selected scale distributions. Their triggering was manipulated to hook motifs into the phrasing accents of the base percussion loop.]]> 1426984 no no Sat, 06 Dec 2014 10:30:44 +0100 2014-12-06T10:30:44+01:00 0:08 https://hearthis.at/apatchofnettles-xy/one-cup-of-lye/ 1426985 no no Wed, 03 Dec 2014 10:08:56 +0100 2014-12-03T10:08:56+01:00 2:15 https://hearthis.at/apatchofnettles-xy/two-tiers/ 1426987 no no Sun, 16 Nov 2014 10:58:08 +0100 2014-11-16T10:58:08+01:00 3:35 https://hearthis.at/apatchofnettles-xy/a-circle-clear/ No post effects; just threaded together with faders on the mixer.]]> No post effects; just threaded together with faders on the mixer.]]> 1426988 no no Thu, 06 Nov 2014 09:57:56 +0100 2014-11-06T09:57:56+01:00 6:29 https://hearthis.at/apatchofnettles-xy/align/ 1426989 no no Fri, 17 Oct 2014 21:21:29 +0200 2014-10-17T21:21:29+02:00 3:22 https://hearthis.at/apatchofnettles-xy/in-broken-lines/ 1426990 no no Fri, 17 Oct 2014 20:58:43 +0200 2014-10-17T20:58:43+02:00 4:00 https://hearthis.at/apatchofnettles-xy/flora-emperador/ 1426991 no no Sat, 04 Oct 2014 11:20:24 +0200 2014-10-04T11:20:24+02:00 3:42 https://hearthis.at/apatchofnettles-xy/one-act-of-pataphysics/ 1426992 no no Sun, 07 Sep 2014 11:52:21 +0200 2014-09-07T11:52:21+02:00 2:43 https://hearthis.at/apatchofnettles-xy/one-second-question/ 1426993 no no Sat, 30 Aug 2014 23:51:23 +0200 2014-08-30T23:51:23+02:00 3:38 https://hearthis.at/apatchofnettles-xy/seven-horses-and-one-stoch-4/ 1426994 no no Sat, 23 Aug 2014 13:17:59 +0200 2014-08-23T13:17:59+02:00 6:16 https://hearthis.at/apatchofnettles-xy/4-by-1-stoch-4s-and-0-frets/ 1426995 no no Fri, 15 Aug 2014 13:26:48 +0200 2014-08-15T13:26:48+02:00 3:02 https://hearthis.at/apatchofnettles-xy/200-am-under-one-streetlight/ 1426996 no no Fri, 08 Aug 2014 13:08:30 +0200 2014-08-08T13:08:30+02:00 2:48 https://hearthis.at/apatchofnettles-xy/one-turn-in-the-maze/ 1426997 no no Fri, 08 Aug 2014 13:00:13 +0200 2014-08-08T13:00:13+02:00 4:23 https://hearthis.at/apatchofnettles-xy/two-layered-stoch-4-memes/ 1426998 no no Fri, 08 Aug 2014 12:53:48 +0200 2014-08-08T12:53:48+02:00 2:12 https://hearthis.at/apatchofnettles-xy/one-drummer-jands-fuzz-one-flanger-and-the-cry-baby/ 1426999 no no Fri, 08 Aug 2014 12:45:43 +0200 2014-08-08T12:45:43+02:00 3:04 https://hearthis.at/apatchofnettles-xy/one-walk-on-one-autumn-day/ 1427000 no no Tue, 27 May 2014 13:12:12 +0200 2014-05-27T13:12:12+02:00 3:51 https://hearthis.at/apatchofnettles-xy/one-storm-passing/ 1427001 no no Mon, 19 May 2014 12:09:37 +0200 2014-05-19T12:09:37+02:00 2:33 https://hearthis.at/apatchofnettles-xy/one-wheelbarrow/ 1427002 no no Thu, 01 May 2014 12:36:09 +0200 2014-05-01T12:36:09+02:00 2:39 https://hearthis.at/apatchofnettles-xy/4-stoch-1s/ 1427003 no no Tue, 01 Apr 2014 12:46:32 +0200 2014-04-01T12:46:32+02:00 2:00 https://hearthis.at/apatchofnettles-xy/2-sides-of-one-coin/ The links are also worked up from Farfisa samples. The effects in second section are taken raw as generated by the Netley PB module with sustained feedback through a Baldwin organ reverb pan.]]> The links are also worked up from Farfisa samples. The effects in second section are taken raw as generated by the Netley PB module with sustained feedback through a Baldwin organ reverb pan.]]> 1427004 no no Sat, 29 Mar 2014 21:56:41 +0100 2014-03-29T21:56:41+01:00 5:24 https://hearthis.at/apatchofnettles-xy/1-farfisa-netley-pb-module-and-virtual-instruments/ 1427006 no no Sat, 29 Mar 2014 21:08:33 +0100 2014-03-29T21:08:33+01:00 5:13 https://hearthis.at/apatchofnettles-xy/a-drummer-and-a-farfisa/ Farfisa was pushed through analogue effects chain of freq. doubled squaring distortion, sharp attack modulated VCA, and beat triggered wah.
All diced up and sequenced in software on PC with some hard panning and swept phasing applied.
But not much else.]]> Farfisa was pushed through analogue effects chain of freq. doubled squaring distortion, sharp attack modulated VCA, and beat triggered wah.
All diced up and sequenced in software on PC with some hard panning and swept phasing applied.
But not much else.]]> 1427007 no no Fri, 28 Mar 2014 20:29:56 +0100 2014-03-28T20:29:56+01:00 4:48 https://hearthis.at/apatchofnettles-xy/one-stoch-1-jands-fuzz-a-reverb-pan-and-some-chimes/ Guitar part was run through JANDS Fuzz, CryBaby and an old Boss SAD-1024 Flanger - into 2xEL34 amp with external Baldwin organ reverb pan.
Percussion played straight on the pan.
Single takes - EQ and balance on mixdown in Audacity.]]> Guitar part was run through JANDS Fuzz, CryBaby and an old Boss SAD-1024 Flanger - into 2xEL34 amp with external Baldwin organ reverb pan.
Percussion played straight on the pan.
Single takes - EQ and balance on mixdown in Audacity.]]> 1427008 no no Fri, 28 Mar 2014 20:03:26 +0100 2014-03-28T20:03:26+01:00 3:48 https://hearthis.at/apatchofnettles-xy/one-stoch-2-on-a-box-without-fish/ 1427009 no no Tue, 11 Mar 2014 11:06:10 +0100 2014-03-11T11:06:10+01:00 7:28