Fri, 24 Apr 2026 02:47:47 +0200 https://hearthis.at/acidelephant/ en-EN contact@hearthis.at contact@hearthis.at https://hearthis.at/acidelephant/ https://img.hearthis.at/8/8/7/_/uploads/57506/image_user/w1400_h1400_q70_ptrue_v2_----cropped_1500371788.jpg no no https://hearthis.at/acidelephant/15myom-feat-semuta-word-of-advice/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437720 no no Sun, 20 Aug 2017 16:22:53 +0200 2017-08-20T16:22:53+02:00 6:51 https://hearthis.at/acidelephant/14cmycmyk-patina/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437716 no no Sun, 20 Aug 2017 16:22:48 +0200 2017-08-20T16:22:48+02:00 5:04 https://hearthis.at/acidelephant/13flextronic-we-put-a-chip-in-it/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437713 no no Sun, 20 Aug 2017 16:22:45 +0200 2017-08-20T16:22:45+02:00 4:16 https://hearthis.at/acidelephant/12myom-feat-semuta-transcend/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437719 no no Sun, 20 Aug 2017 16:22:43 +0200 2017-08-20T16:22:43+02:00 6:20 https://hearthis.at/acidelephant/11bokeh-sim-of-you/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437709 no no Sun, 20 Aug 2017 16:22:40 +0200 2017-08-20T16:22:40+02:00 3:05 https://hearthis.at/acidelephant/10flextronic-panopticon/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437707 no no Sun, 20 Aug 2017 16:22:37 +0200 2017-08-20T16:22:37+02:00 2:14 https://hearthis.at/acidelephant/09myom-auto-kill-dub/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437714 no no Sun, 20 Aug 2017 16:22:34 +0200 2017-08-20T16:22:34+02:00 4:58 https://hearthis.at/acidelephant/08flextronic-myom-pocket-watcher/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437708 no no Sun, 20 Aug 2017 16:22:31 +0200 2017-08-20T16:22:31+02:00 2:27 https://hearthis.at/acidelephant/07flextronic-myom-module-breakslinger-remix/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437715 no no Sun, 20 Aug 2017 16:22:24 +0200 2017-08-20T16:22:24+02:00 5:17 https://hearthis.at/acidelephant/06flextronic-myom-controller/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437706 no no Sun, 20 Aug 2017 16:22:21 +0200 2017-08-20T16:22:21+02:00 3:12 https://hearthis.at/acidelephant/05myom-feat-semuta-seductress-haber-jgermeister-version/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437710 no no Sun, 20 Aug 2017 16:22:17 +0200 2017-08-20T16:22:17+02:00 4:57 https://hearthis.at/acidelephant/04myom-harvester/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437718 no no Sun, 20 Aug 2017 16:22:13 +0200 2017-08-20T16:22:13+02:00 6:32 https://hearthis.at/acidelephant/03flextronic-myom-module/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437711 no no Sun, 20 Aug 2017 16:22:09 +0200 2017-08-20T16:22:09+02:00 4:20 https://hearthis.at/acidelephant/02flextronic-winter-in-exile/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437712 no no Sun, 20 Aug 2017 16:22:07 +0200 2017-08-20T16:22:07+02:00 4:16 https://hearthis.at/acidelephant/01breakslinger-binary/ [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> [acidelephant.de](www.acidelephant.de) |
[binarypatina.de ](www.binarypatina.de)

The album ‘Binary Patina’ documents the music of two audiovisual live-performances that were staged as facade projections of over 800 square meters in size. For the second installment of ‘Binary Patina’ in 2015, the at the time unused former Prosecutor’s office of Trier, Germany, was used as the canvas for a dynamic pictorial layer that addressed the threat of global surveillance in the digital age: Audio-visual samples of contemporary discourse, historical data on US drone strikes from the Dronestream API (banned by Apple), excerpts from the Snowden leaks, maps and 3d-renderings of NSA’s Dagger Complex near Frankfurt and GCHQ headquarters in the UK, partially obscured beyond recognition, were synthesized with the music and real-time-generated visuals.

With half the tracks credited to individual artists, the tracklist shrouds a big part of the collaborative effort that went into developing the live performances and refining the music for the album. Breakslinger (and his aliases Bokeh and Cmycmyk), Myom, Flextronic and vocalist Semuta have already known each other for years. For ‘Binary Patina’ they teamed up with the internationally acclaimed media artist JeongHo Park, who wrote the software that generated moving images from multiple sound sources and controller data in real-time.

While the ‘Binary Patina’ events were around 30 minutes long, the tracks have since grown and 15 have been chosen for a full 70 minutes long album. The eclectic selection is forward-thinking and at the same time rooted in genres like drum’n’bass, dub, downtempo, bass music and electronica. ]]> 1437717 no no Sun, 20 Aug 2017 16:22:04 +0200 2017-08-20T16:22:04+02:00 6:19 https://hearthis.at/acidelephant/breakslingerseibelsemuta-highwayofstarsoriginal-mix/ 1437695 no no Sun, 20 Aug 2017 15:49:55 +0200 2017-08-20T15:49:55+02:00 5:12 https://hearthis.at/acidelephant/breakslingerseibelsemuta-scriptscategoriesoriginal-mix/ 1437696 no no Sun, 20 Aug 2017 15:49:51 +0200 2017-08-20T15:49:51+02:00 6:04 https://hearthis.at/acidelephant/gorgot-mad-ep-ae014-04-mad-flextronic-remix/ 1437649 no no Thu, 27 Jul 2017 14:34:45 +0200 2017-07-27T14:34:45+02:00 2:48 https://hearthis.at/acidelephant/gorgot-mad-ep-ae014-03-recreance/ 1437653 no no Thu, 27 Jul 2017 14:34:42 +0200 2017-07-27T14:34:42+02:00 4:29 https://hearthis.at/acidelephant/gorgot-mad-ep-ae014-01-mad/ 1437652 no no Thu, 27 Jul 2017 14:34:34 +0200 2017-07-27T14:34:34+02:00 4:13 https://hearthis.at/acidelephant/gorgot-mad-ep-ae014-02-new-toys/ 1437651 no no Thu, 27 Jul 2017 14:10:01 +0200 2017-07-27T14:10:01+02:00 4:00 https://hearthis.at/acidelephant/breakslinger-dont-look-outside-confessions-ae013-01-dont-look-outside/
Dj Support from Dissident, Chris Inperspective, Stunna, Gvozd, Lightwood.

»Don’t Look Outside« is mastered by S. Seibel. (www.facebook.com/sblprostudio)

www.acidelephant.de]]>
Dj Support from Dissident, Chris Inperspective, Stunna, Gvozd, Lightwood.

»Don’t Look Outside« is mastered by S. Seibel. (www.facebook.com/sblprostudio)

www.acidelephant.de]]> 1437333 no no Tue, 18 Jul 2017 12:20:50 +0200 2017-07-18T12:20:50+02:00 6:57 https://hearthis.at/acidelephant/breakslinger-dont-look-outside-confessions-ae013-02-confessions/
Dj Support from Dissident, Chris Inperspective, Stunna, Gvozd, Lightwood.

»Don’t Look Outside« is mastered by S. Seibel. (www.facebook.com/sblprostudio)

www.acidelephant.de]]>
Dj Support from Dissident, Chris Inperspective, Stunna, Gvozd, Lightwood.

»Don’t Look Outside« is mastered by S. Seibel. (www.facebook.com/sblprostudio)

www.acidelephant.de]]> 1437332 no no Tue, 18 Jul 2017 12:20:49 +0200 2017-07-18T12:20:49+02:00 4:58 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-07-fading-instrumental-version/ 1437319 no no Tue, 18 Jul 2017 12:02:46 +0200 2017-07-18T12:02:46+02:00 4:58 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-03-harpcore/ 1437317 no no Tue, 18 Jul 2017 12:02:44 +0200 2017-07-18T12:02:44+02:00 4:35 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-08-angus-radio/ 1437318 no no Tue, 18 Jul 2017 12:02:44 +0200 2017-07-18T12:02:44+02:00 4:28 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-02-dobrostep/ 1437316 no no Tue, 18 Jul 2017 12:02:41 +0200 2017-07-18T12:02:41+02:00 4:44 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-06-slideshow/ 1437315 no no Tue, 18 Jul 2017 12:02:40 +0200 2017-07-18T12:02:40+02:00 5:04 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-01-angus-theme/ 1437314 no no Tue, 18 Jul 2017 12:02:34 +0200 2017-07-18T12:02:34+02:00 4:51 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-04-organic/ 1437312 no no Tue, 18 Jul 2017 12:02:21 +0200 2017-07-18T12:02:21+02:00 3:55 https://hearthis.at/acidelephant/myom-angus-hates-aliens-original-soundtrack-ae012-05-playing-the-hero/ 1437311 no no Tue, 18 Jul 2017 12:02:15 +0200 2017-07-18T12:02:15+02:00 3:38 https://hearthis.at/acidelephant/bokeh-counting-scars/
Available now on Beatport:
https://pro.beatport.com/release/crossroads-counting-scars/1505623]]>
Available now on Beatport:
https://pro.beatport.com/release/crossroads-counting-scars/1505623]]> 197693 no no Tue, 14 Apr 2015 00:00:00 +0200 2015-04-14T00:00:00+02:00 2:59 https://hearthis.at/acidelephant/bokeh-crossroads-clip/
Available now on Beatport:
https://pro.beatport.com/release/crossroads-counting-scars/1505623]]>
Available now on Beatport:
https://pro.beatport.com/release/crossroads-counting-scars/1505623]]> 197673 no no Tue, 14 Apr 2015 00:00:00 +0200 2015-04-14T00:00:00+02:00 1:46